Roland | KR117M-R | Owner`s manual | Roland KR117M-R Owner`s manual

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Owner’s Manual
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Owner’s Manual
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KR117_115_r_e.book 3 ページ 2006年7月5日 水曜日 午前11時3分
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS,” “USING
THE UNIT SAFELY” (p. 4, 5), and “IMPORTANT NOTES” (p. 6, 7). These sections provide important
information concerning the proper operation of the unit. Additionally, in order to feel assured that you have
gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its
entirety. The manual should be saved and kept on hand as a convenient reference
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1.
2.
3.
4.
5.
6.
7.
8.
9.
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with a dry cloth.
Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified
by the manufacturer.
12. Unplug this apparatus during lightning storms or when
unused for long periods of time.
13. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
WARNING:
THIS APPARATUS MUST BE EARTHED
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
202
Copyright © 2005 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
3
KR117_115_r_e.book 4 ページ 2006年7月5日 水曜日 午前11時3分
USING THE UNIT SAFELY
The
symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers
other adverse effects
respect to the home
furnishings, as well
animals or pets.
to damage or
caused with
and all its
to domestic
001
•
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
008e
Before using this unit, make sure to read the instructions below, and the Owner’s Manual.
........................................................................................................................
001-50
•
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
Connect mains plug of this model to a mains socket
outlet with a protective earthing connection.
•
........................................................................................................................
009
•
........................................................................................................................
002a
•
Do not open or perform any internal modifications
on the unit.
........................................................................................................................
........................................................................................................................
003
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides specific
instructions directing you to do so). Refer all
servicing to your retailer, the nearest Roland Service Center,
or an authorized Roland distributor, as listed on the “Information” page.
........................................................................................................................
004
•
Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or
are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
........................................................................................................................
•
........................................................................................................................
•
When installing the piano, be sure to fasten the
caster using the supplied caster cup.
........................................................................................................................
007
Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
........................................................................................................................
008a
•
The unit should be connected to a power supply
only of the type described in the operating instructions, or as marked on the bottom of unit.
........................................................................................................................
Do not allow any objects (e.g., flammable
material, coins, pins); or liquids of any kind
(water, soft drinks, etc.) to penetrate the
unit.
012a
........................................................................................................................
•
This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could cause
permanent hearing loss. Do not operate for a long period of
time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the
ears, you should immediately stop using the unit, and
consult an audiologist.
011
Add
•
Do not excessively twist or bend the power cord, nor
place heavy objects on it. Doing so can damage the
cord, producing severed elements and short circuits.
Damaged cords are fire and shock hazards!
010
•
•
Use only the attached power-supply cord. Also, the
supplied power cord must not be used with any
other device.
Immediately turn the power off, remove the power
cord from the outlet, and request servicing by your
retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Information”
page when:
• The power-supply cord, or the plug has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled onto the
unit; or
• The unit has been exposed to rain (or otherwise has
become wet); or
• The unit does not appear to operate normally or exhibits a
marked change in performance.
........................................................................................................................
013
•
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe operation
of the unit.
........................................................................................................................
4
KR117_115_r_e.book 5 ページ 2006年7月5日 水曜日 午前11時3分
014
•
107b
Protect the unit from strong impact.
(Do not drop it!)
........................................................................................................................
015
•
Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using extension
cords—the total power used by all devices you have
connected to the extension cord’s outlet must never exceed
the power rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the cord to heat
up and eventually melt through.
........................................................................................................................
016
•
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service Center,
or an authorized Roland distributor, as listed on the
“Information” page.
........................................................................................................................
•
........................................................................................................................
108a
•
Batteries must never be recharged, heated,
taken apart, or thrown into fire or water.
........................................................................................................................
•
........................................................................................................................
•
........................................................................................................................
........................................................................................................................
•
Be careful not to touch the keys while the automatic
keyboard is functioning, as this may sprain your
fingers or damage the keyboard.
• Carefully follow the installation instructions for
batteries, and make sure you observe the correct
polarity.
2
• Avoid using new batteries together with used
ones. In addition, avoid mixing different types of
batteries.
3
• Remove the batteries whenever the unit is to remain
unused for an extended period of time.
5
• If a battery has leaked, use a soft piece of cloth or paper
towel to wipe all remnants of the discharge from the
battery compartment. Then install new batteries. To avoid
inflammation of the skin, make sure that none of the
battery discharge gets onto your hands or skin. Exercise
the utmost caution so that none of the discharge gets near
your eyes. Immediately rinse the affected area with
running water if any of the discharge has entered the eyes.
........................................................................................................................
026
•
If used improperly, batteries may explode or leak
and cause damage or injury. In the interest of safety,
please read and observe the following precautions.
1
Add
•
Whenever you suspect the possibility of lightning in
your area, pull the plug on the power cord out of the
outlet.
111: Selection
........................................................................................................................
DO NOT play a CD-ROM disc on a conventional
audio CD player. The resulting sound may be of a
level that could cause permanent hearing loss.
Damage to speakers or other system components may result.
Before cleaning the unit, turn off the power and
unplug the power cord from the outlet (p. 21).
110a
023
•
Before moving the unit, disconnect the power plug
from the outlet, and pull out all cords from external
devices.
109a
019
•
Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from, an
outlet or this unit.
Do not put anything that contains water (e.g., flower
vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc.,
near the unit. Swiftly wipe away any liquid that spills on the
unit using a dry, soft cloth.
6
• Never keep batteries together with metallic objects such as
ballpoint pens, necklaces, hairpins, etc.
101a
•
The unit should be located so that its location or
position does not interfere with its proper ventilation.
........................................................................................................................
112
•
........................................................................................................................
102b
•
Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
........................................................................................................................
116
•
........................................................................................................................
103a
•
At regular intervals, you should unplug the power
plug and clean it by using a dry cloth to wipe all dust
and other accumulations away from its prongs. Also,
disconnect the power plug from the power outlet whenever
the unit is to remain unused for an extended period of time.
Any accumulation of dust between the power plug and the
power outlet can result in poor insulation and lead to fire.
........................................................................................................................
104
•
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
........................................................................................................................
105a
•
If the unit could become a hazard if it moves, all
caster wheels should be locked or fixed in place once
the unit has been placed at the place of installation,
or has been loaded onto a vehicle.
........................................................................................................................
106
•
Never climb on top of, nor place heavy objects on the
unit.
Used batteries must be disposed of in compliance
with whatever regulations for their safe disposal that
may be observed in the region in which you live.
Be careful when opening/closing the lid so you do
not get your fingers pinched (p. 20). Adult supervision is recommended whenever small children use
the unit.
........................................................................................................................
118b
•
Always keep the following parts including with the
KR and small components that may be removed out
of the reach of small children to avoid accidental
ingestion of these parts.
Included Parts
• Piano leg washers
• Bolts, washers, and springs used in attaching the pedals
• Cord clamps used for securing pedal cords, other cord
clamps (using double-sided tape), and cord clamp
attachment screws
• Pedal stay securing screws
Removable parts
• USB memory anti-theft lock (iron plate),
Anti-theft lock securing screw
........................................................................................................................
........................................................................................................................
5
KR117_115_r_e.book 6 ページ 2006年7月5日 水曜日 午前11時3分
IMPORTANT NOTES
291b
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 3 and 4,
please read and observe the following:
Power Supply
Maintenance
301
401b
• Do not connect this unit to same electrical outlet that is being used
by an electrical appliance that is controlled by an inverter (such as
a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which
the electrical appliance is used, power supply noise may cause this
unit to malfunction or may produce audible noise. If it is not
practical to use a separate electrical outlet, connect a power supply
noise filter between this unit and the electrical outlet.
• Since your piano has a polished finish that is as delicate as that
found on finely crafted wooden furniture, it needs careful,
periodic care. A few important suggestions concerning the proper
care of the unit follow.
• For dusting, using a soft, clean cloth and/or piano-use feather
duster. Be sure to wipe gently. Even the tiniest grains of sand
or grit can leave scratches on the surface if too much force is
applied while wiping.
Do not use any cleaners or detergents, since they might deteriorate the surface of the cabinet, and produce cracks.
• If the cabinet’s surface loses its luster, wipe it thoroughly with
a soft cloth dampened with a little of the polishing liquid.
Do not use any cleaners or detergents, since they might deteriorate the surface of the cabinet, and produce cracks. Do not use
dusting cloths that contain chemicals.
307
• Before connecting this unit to other devices, turn off the power to
all units. This will help prevent malfunctions and/or damage to
speakers or other devices.
308
• Although the LCD and LEDs are switched off when the POWER
switch is switched off, this does not mean that the unit has been
completely disconnected from the source of power. If you need to
turn off the power completely, first turn off the POWER switch,
then unplug the power cord from the power outlet. For this
reason, the outlet into which you choose to connect the power
cord’s plug should be one that is within easy reach and readily
accessible.
306b
• Batteries are supplied with the unit. The life of these batteries may
be limited, however, since their primary purpose was to enable
testing.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or move
it farther away from the source of interference.
352a
• This device may interfere with radio and television reception. Do
not use this device in the vicinity of such receivers.
402
• Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
403
• The pedals of this unit are made of brass.
Brass eventually darkens as the result of the natural oxidization
process. If the brass becomes tarnished, polish it using commercially available metal polisher.
Repairs and Data
452
• Please be aware that all data contained in the unit’s memory may
be lost when the unit is sent for repairs. Important data should
always be backed up on an external memory, or written down on
paper (when possible). During repairs, due care is taken to avoid
the loss of data. However, in certain cases (such as when circuitry
related to memory itself is out of order), we regret that it may not
be possible to restore the data, and Roland assumes no liability
concerning such loss of data.
352b
• Noise may be produced if wireless communications devices, such
as cell phones, are operated in the vicinity of this unit. Such noise
could occur when receiving or initiating a call, or while
conversing. Should you experience such problems, you should
relocate such wireless devices so they are at a greater distance
from this unit, or switch them off.
354b
• Do not expose the unit to direct sunlight, place it near devices that
radiate heat, leave it inside an enclosed vehicle, or otherwise
subject it to temperature extremes. Also, do not allow lighting
devices that normally are used while their light source is very
close to the unit (such as a piano light), or powerful spotlights to
shine upon the same area of the unit for extended periods of time.
Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the temperature
and/or humidity is very different, water droplets (condensation)
may form inside the unit. Damage or malfunction may result if
you attempt to use the unit in this condition. Therefore, before
using the unit, you must allow it to stand for several hours, until
the condensation has completely evaporated.
356
• Do not allow rubber, vinyl, or similar materials to remain on the
unit for long periods of time. Such objects can discolor or
otherwise harmfully affect the finish.
358
Automatic Keyboard
Add
• While the automatic keyboard is in operation, avoid doing
anything that could hamper the action of the keys, such as using
undue force to press a key, or forcing up a depressed key. By
doing so, you risk causing malfunction.
Additional Precautions
551
• Please be aware that the contents of memory can be irretrievably
lost as a result of a malfunction, or the improper operation of the
unit. To protect yourself against the risk of loosing important data,
we recommend that you periodically save a backup copy of
important data you have stored in the unit’s memory on an
external memory.
552
• Unfortunately, it may be impossible to restore the contents of data
that was stored on an external memory once it has been lost.
Roland Corporation assumes no liability concerning such loss of
data.
553
• Use a reasonable amount of care when using the unit’s buttons,
sliders, or other controls; and when using its jacks and connectors.
Rough handling can lead to malfunctions.
• Do not allow objects to remain on top of the keyboard. This can be
the cause of malfunction, such as keys ceasing to produce sound.
554
359
556
• Do not paste stickers, decals, or the like to this instrument. Peeling
such matter off the instrument may damage the exterior finish.
6
• Never strike or apply strong pressure to the display.
• When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
KR117_115_r_e.book 7 ページ 2006年7月5日 水曜日 午前11時3分
IMPORTANT NOTES
557
655
• A small amount of heat will radiate from the unit during normal
operation.
• Disks containing performance data for this unit should always be
locked (have their write protect tab slid to the “Protect” position)
before you insert them into the drive on some other unit (except
the PR-300, or a product in the HP-G, HPi, MT, KR, or Atelier
families), or into a computer’s drive. Otherwise (if the write
protect tab remains in the “Write” position), when you perform
any disk operations using the other device’s disk drive (such as
checking the contents of the disk, or loading data), you risk
rendering the disk unreadable by this unit’s disk drive.
558a
• To avoid disturbing your neighbors, try to keep the unit’s volume
at reasonable levels. You may prefer to use headphones, so you
do not need to be concerned about those around you (especially
when it is late at night).
559b
• When you need to transport the unit, pack it in shock-absorbent
material. Transporting the unit without doing so can cause it to
become scratched or damaged, and could lead to malfunction.
560
• Do not apply undue force to the music rest while it is in use.
561
• Use only the specified expression pedal (EV-7/5; sold separately).
By connecting any other expression pedals, you risk causing
malfunction and/or damage to the unit.
562
• Use a cable from Roland to make the connection. If using some
other make of connection cable, please note the following precautions.
• Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
565
• Before opening or closing the keyboard lid, always make sure
that no pets or other small animals are located on top of the
instrument (in particular, they should be kept away from the
keyboard and its lid). Otherwise, due to the structural design of
this instrument, small pets or other animals could end up getting
trapped inside it. If such a situation is encountered, you must
immediately switch off the power and disconnect the power cord
from the outlet. You should then consult with the retailer from
whom the instrument was purchased, or contact the nearest
Roland Service Center.
Handling Floppy Disks
(Using Optional Floppy Disk Drive)
651
• Floppy disks contain a plastic disk with a thin coating of
magnetic storage medium. Microscopic precision is required to
enable storage of large amounts of data on such a small surface
area. To preserve their integrity, please observe the following
when handling floppy disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes (e.g.,
direct sunlight in an enclosed vehicle). Recommended
temperature range: 10 to 50˚C (50 to 122˚F).
• Do not expose floppy disks to strong magnetic fields, such as
those generated by loudspeakers.
652
• Floppy disks have a “write protect” tab which can protect the
disk from accidental erasure. It is recommended that the tab be
kept in the PROTECT position, and moved to the WRITE position
only when you wish to write new data onto the disk.
fig.DiskProtect.e
Rear side of the disk
Before Using External
Memory
Using External Memory
705
• Never touch the terminals of the External memory. Also, avoid
getting the terminals dirty.
708
• External memories are constructed using precision components;
handle the cards carefully, paying particular note to the
following.
• To prevent damage to the cards from static electricity, be sure
to discharge any static electricity from your own body before
handling the external memories.
• Do not touch or allow metal to come into contact with the
contact portion of the external memories.
• Do not bend, drop, or subject cards to strong shock or
vibration.
• Do not keep cards in direct sunlight, in closed vehicles, or
other such locations (storage temperature: 0 to 50˚ C).
• Do not allow cards to become wet.
• Do not disassemble or modify the external memories.
704 (revise)
• When connecting external memory, make sure to press it until it
is fully inserted.
• Insert the external memory in the External Memory port evenly
and without undue force. Forcing the external memory may
damage the External Memory port.
• Do not insert any object other than the external memory (e.g.,
wires, coins, other types of disks, etc.) in the External Memory
port. This may damage the External Memory port.
• Do not subject the External Memory port cover or connected
External memory to excessive stress.
• Close the external memory cover when using the External
memory for extended periods
Handling CD-ROMs
801
• Avoid touching or scratching the shiny underside (encoded
surface) of the disc. Damaged or dirty CD-ROM discs may not be
read properly. Keep your discs clean using a commercially
available CD cleaner.
203
*
GS (
) is a registered trademark of Roland Corporation.
Add
Write
(can write new data onto disk)
*
XG lite (
) is a registered trademark of Yamaha Corporation.
209
*
Mac OS is a trademark of Apple Computer, Inc.
204
Write Protect Tab
Protect
*
Microsoft and Windows are registered trademarks of Microsoft
Corporation.
*
This device in part makes use of Independent JPEG Group
software.
(prevents writing to disk)
653
• The identification label should be firmly affixed to the disk.
Should the label come loose while the disk is in the drive, it may
be difficult to remove the disk.
654
• Store all disks in a safe place to avoid damaging them, and to
protect them from dust, dirt, and other hazards. By using a dirty
or dust-ridden disk, you risk damaging the disk, as well as
causing the disk drive to malfunction.
220
*
All product names mentioned in this document are trademarks or
registered trademarks of their respective owners.
7
KR117_115_r_e.book 8 ページ 2006年7月5日 水曜日 午前11時3分
Introduction
Thank you, and congratulations on your choice of the Roland KR Intelligent Piano.
While the KR Intelligent Piano certainly allows you to achieve authentic piano performances, it also
features easy-to-use Automatic Accompaniment and numerous other useful functions. In order to enjoy
reliable performance of your new keyboard for many years to come, please take the time to read through
this manual in its entirety.
Main Features
❍ Roland Digital Grand Brings Refinement to Interior Style
The KR’s grand piano cabinet exhibits elegance in form with a beautiful black, mirror-like surface. With
features just like those found on an acoustic grand, such as a top that opens and closes and folding
retractable keyboard lid (KR117M), this instrument is a perfect match for lounge or living room.
The KR117M lid also features hands-free closure for enhanced safety.
❍ Lusciously Resounding, Richly Expressive Piano Sound
The KR reproduces the rich tones of a high-quality grand piano, from the sounds of the hammers as they
strike the strings to the sounds made as the keys are released. 128-voice polyphony ensures full
responsiveness, even with heavy use of the pedals.
What’s more, The “Piano Designer” feature allows you to create your own favorite piano tones.
❍ True Grand Piano Feel
The KR features Roland’s Progressive Hammer Action keyboard, which reproduces the feel of a grand
piano, with a firm, weighty touch in the lower registers and a lighter response in the upper registers. This
keyboard also faithfully reproduces the distinctive “click” that’s produced when a grand piano’s keys are
played (Escapement function).
In addition to the ability of adjusting the key weight, a “Hammer Response” function, which reproduces
the subtle action of the hammers, is also incorporated, so there are two key-touch controls that come into
play when determining the precise character of the keyboard. Additionally, the instrument’s pedals are
firm and responsive, lending your performances fuller and more detailed expressiveness.
❍ Accomplish Tasks Easily with the Main Buttons
Almost all of the KR’s common functions, including playing back songs, displaying notations, running
the automatic accompaniment, selecting tones, and so on can be accomplished using the Main buttons to
the left of the screen.
❍ Full Complement of Player Piano Functions
You can also use the CD drive to play back a wide variety of music on the CD included with the
instrument as well as songs on CD-ROMs containing saved SMF files, player piano CDs, and audio CDs.
Moreover, you can add song data by copying songs saved on USB memory and CDs to the KR’s
“Favorites.”
The KR117M and KR115M includes a “Moving Keys” function that plays the keys along with the song,
providing exquisite performances that are played automatically.
Also included is a convenient remote control, which you can use for selecting songs, adjusting volume
balances, switching the Moving Keys function on and off, and even for switching the images that appear
in external displays--simply and easily. You can connect an external display or television set to the piano
for enlarged displays of the Song Select screen, lyrics screen, slide shows, and notations.
8
KR117_115_r_e.book 9 ページ 2006年7月5日 水曜日 午前11時3分
Introduction
❍ Easy-To-Use “Music Assistant” Automatic Accompaniment Feature
You can select from an amazing 500 settings to get automatic accompaniment that perfectly matches the
song you are playing.
Each song’s Music Assistant settings are shown in a manner that is easy to grasp, so playing along with
the changes in the accompaniment is a snap.
For easy enjoyment of Music Assistant, the KR also includes songs that you can perform while reading
the chord charts.
❍ Utilizes External Memory–the New Media
You can save song data created on the KR to External memory (sold separately). Extremely portable, highcapacity external memory also connects easily to computers, allowing song data to be transferred easily.
Taking further advantage of the high-capacity memory, you can also play back audio files with the KR.
❍ Connect External Speakers to Produce Concert Hall Presence
You can connect an amp and speakers to the KR and play the sounds of the reverb and accompaniment
through the external speakers to produce the effect of being enveloped by an orchestra.
The KR is equipped with XLR connectors, a very convenient feature when the instrument is used on stage.
How To Use This Manual
The KR Owner’s Manual consists of three volumes, Quick Start, Owner’s Manual, and the USB Install
Guide.
Please start out by reading “Before You Start Playing” (p. 18) in the Owner’s Manual (this volume). This
explains how to connect the KR’s power cord and how to turn on the instrument’s power.
After turning on the KR’s power, please continue by reading Quick Start.
By trying out the various procedures while reading the Quick Start, you can easily learn how to play the
KR and make use of its major functions (especially procedures that involve use of the “main buttons”).
The Owner’s Manual describes procedures, from basic operation to procedures for special applications
(for example, using the KR as an accompanist and creating songs), that will help you master the KR’s
many performance functions.
When connecting a computer to the USB port, be sure to read the USB Install Guide. This describes the
procedure for installing the driver needed to connect via USB.
*
For more on system requirements, refer to the “USB Installation Guide.” However, note that the KR is
not compatible with Mac OS 9.
■ Conventions Used in This Manual
This manual uses the following conventions in the interest of simpler, more concise instructions.
• Button names are enclosed in square brackets “[ ]”, as in One Touch Program [Piano]
button.
• For easier readability, some screens and colors used here may differ in part from actual
screens and colors.
• On screen text is enclosed in angled brackets “< >”, as in <Exit>.
• The act of lightly contacting the Touch Screen with your finger is called “touching.”
• An asterisk (*) or a NOTE at the beginning of a paragraph indicates a note or precaution.
These should not be ignored.
• (p. **) refers to pages within the manual.
9
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Contents
USING THE UNIT SAFELY.......................................4
IMPORTANT NOTES.................................................6
Introduction ......................................8
Main Features...............................................................8
How To Use This Manual ..........................................9
Conventions Used in This Manual......................9
Panel Descriptions .........................14
Performance Pads ................................................14
Record/Playback .................................................15
Jack Panel (Left Side of Bottom Panel) ...................16
Right Side of Bottom Panel ......................................17
Before You Start Playing ...............18
Opening and Closing the Top (KR117) ..................18
Opening and Closing the Top (KR115) ..................19
Raising the Music Rest..............................................19
Using the Music Holders (KR115).....................20
Installing Batteries in the Remote Control.............20
Opening and Closing the Lid ..................................20
Connecting the Power Cord.....................................21
Connect the Pedal Cable...........................................21
Turning the Power On and Off ...............................21
About the Pedals........................................................22
Adjusting the Sound’s Volume and
Brilliance .....................................................................22
Connecting Headphones ..........................................23
Connecting a Microphone ........................................23
Connecting an External Display..............................24
Making the Connections .....................................24
About the Touch Screen ...........................................25
Adjusting the Contrast of the Screen ................25
Main Screens ..............................................................25
Piano Screen..........................................................25
Basic Screen...........................................................25
Using the Main Icons...........................................26
The [Option] Button and The [Exit] Button .....26
The Scroll Bar and The Page Icon ......................26
Chapter 1 Performance..................27
Playing the Keyboard Like a Piano
(One-Touch Piano) ....................................................27
Performing with a Variety of Tones
(Tone Buttons)............................................................28
Playing Percussion Instruments or Sound
Effects ....................................................................29
Using Keywords to Search for Tones
(Tone Search) ........................................................30
Performing with Multiple Sounds Layered
Together (Layer) ........................................................31
10
Playing Different Tones with the Left and Right
Hands (Split)...............................................................32
Shifting the Keyboard Pitch in Octave Steps
(Octave Shift) ........................................................33
Adding Reverberation to the Sound
(Reverb).......................................................................34
Adding the Surround Sound Effect to the
Accompaniment Using External Speakers
(Surround) ..................................................................36
Giving More Breadth to the Accompaniment
Sound .....................................................................36
Selecting the Part for the Effect ..........................37
Selecting the Tone to Which the Effect is
Applied..................................................................37
Changing the Amount of Surround Effect .......38
Using the Internal Speakers to Add ThreeDimensional Spatiality to the Accompaniment
Sounds (Advanced 3D) .............................................39
Selecting the Part for the Effect ..........................40
Selecting the tone to which the effect is
applied ...................................................................41
Making Detailed Settings for Advanced
3D ...........................................................................42
Adding Liveliness to the Sound (Dynamic
Emphasis)....................................................................43
Adjusting the Sound to Achieve the Preferred
Tone Quality (Equalizer) ..........................................44
Applying Effects to the Sound (Effects) .................46
Adding Effects to Mic Vocals (Vocal Effect) ..........47
Enjoying Karaoke Performances with Music
Files ........................................................................53
Using the Metronome ...............................................54
Using the Metronome..........................................54
Changing the Metronome Settings....................55
Chapter 2 Automatic
Accompaniment .............................57
Music Styles and Automatic
Accompaniment.........................................................57
Performing Using Automatic Accompaniment
(One-Touch Arranger) ..............................................58
About Chords .......................................................59
Playing Chords with Simple Fingering
(Chord Intelligence).............................................59
Viewing Chord Fingerings
(Chord Finder)......................................................60
Selecting Music Styles (Music Style Buttons) ........61
Using Keywords to Search for Music Styles
(Style Search) ........................................................62
Selecting Music Styles on External
Memories...............................................................63
Playing Only Music Style Rhythm Patterns ..........64
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Contents
Adjusting the Accompaniment Tempo ..................64
Starting and Stopping the Accompaniment ..........65
Having the Accompaniment Start
Simultaneously When You Play the
Keyboard (Sync Start) .........................................65
Stopping Automatic Accompaniment ..............66
Having a Count Sound Play at the End of
the Intro (Countdown) ........................................67
Modifying an Accompaniment ...............................68
Changing the Accompaniment Pattern
(Fill In Buttons).....................................................68
Changing Accompaniment Patterns in the
Screen.....................................................................69
Changing the Instrumental Makeup of
Music Styles (Style Orchestrator) ......................69
Adding Harmony to the Right-Hand Part
(Melody Intelligence) ................................................70
Playing Sounds in the Left Hand During a
Performance (Lower Tone) ......................................71
Playing the Piano with Accompaniment Added
(Piano Style Arranger) ..............................................72
Adjusting the Volume Balance for Each Part
(Balance)......................................................................73
Changing the Volume Balance Between
the Accompaniment and the Keyboard
(Balance Knob) .....................................................73
Adjusting the Volume Balance for Each
Performance Part (Part Balance)........................73
Chapter 3 Song Playback ..............75
Playing a Song............................................................75
Listening to Songs on CDs (Only for
Instrument Equipped with CD Drive).............77
Using Keywords to Search for Songs
(Song Search) ........................................................81
Registering the Songs You Like (Favorites)...........82
Removing Songs From Favorites.......................83
Using the Remote Control........................................84
How to Use the Remote Control........................84
About the Remote Control .................................85
Chapter 4 Practice Functions........87
Displaying the Notation ...........................................87
Touching Notes to Confirm the Sounds
(Touch the Notes).................................................88
Scrolling the Notation Along with the
Performances (AutoSync DigiScore).................88
Making Detailed Settings for the Notation
Display...................................................................89
Saving Notations as Image Data........................92
Adjusting the Tempo ................................................94
Setting the Tempo by Pressing the Button in
Time (Tap Tempo) ...............................................94
Playing Back at a Fixed Tempo
(Tempo Mute).......................................................95
Match the Tempo Before You Begin Playing
(Count In)....................................................................96
Muting Some Parts Before Playing
(Track Buttons)...........................................................97
Setting Markers for Repeated Practice
(Marker) ......................................................................98
Placing a Marker within a Song.........................98
Playback from a Marker Location .....................99
Erasing a Marker ..................................................99
Moving a Marker ...............................................100
Playing Back the Same Passage Over and
Over......................................................................101
Transposing Keyboard Sounds and Songs
Played Back (Transpose).........................................102
Chapter 5 Recording and Saving the
Performance .................................104
Recording a New Song (New Song) .....................105
Recording With Accompaniment..........................107
Recording Along with a Song................................109
Recording While Selecting the Track Buttons
(Redoing Recordings)..............................................110
Erasing Recorded Performances............................111
Erasing the Performance on Specific
Tracks...................................................................111
Changing How Recording Stops...........................111
Recording Songs Starting with Pickups ...............112
Using External Memories .......................................113
Connecting and Ejecting an External
Memory ...............................................................113
Formatting Media (Format)..............................114
Saving Songs.............................................................116
Deleting Saved Songs..............................................119
Copying Songs on External Memories to
Favorites....................................................................120
Copying Songs Saved in Favorites to
External Memories.............................................121
Chapter 6 Creating Performance
Data Including Moving Keys
(A/V sync)......................................122
Recording..................................................................122
Making the Connections ...................................122
Making Advanced A/V Sync Output
Settings ................................................................126
Playback (Aux Input) ..............................................127
Making the Connections ...................................127
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Contents
Making Advanced A/V Sync Input
Settings ................................................................128
Chapter 7 User Program
Registration ..................................129
Saving Performance Settings
(User Program) ........................................................130
Calling Up Saved User Programs .........................131
Changing the Way User Programs Are
Called Up ............................................................131
Saving the User Program Sets................................131
Loading Saved User Program Sets ..................132
Deleting Saved User Program Sets .......................133
Copying Sets of User Programs on External
Memories to the User Memory..............................133
Coping Sets of User Programs Stored in
the User Memory to External Memories ........134
Using the Pedal to Switch User Programs ...........134
Selecting the Pedal Used for Switching
Settings (Pedal Shift) .........................................134
Sequential Loading of User Program Sets
Stored (Load Next) ............................................134
Simultaneously Switching User Program and
Transmitting PC Numbers .....................................135
Chapter 8 Creating and Editing
Songs ............................................136
Multitrack Recording with 16 Parts (16-Track
Sequencer) ................................................................136
The 16-Track Sequencer Screen .......................136
Modifying the Settings of Each Part................137
Getting the Most Suitable Part Tones for
the Musical Genre (Tone Set) ...........................138
Recording a Performance .................................139
Changing the Recording Method
(Rec Mode)................................................................140
Recording While Erasing the Previous
Recording
(Replace Recording) ..........................................140
Layering a Recording Over Previously
Recorded Sounds (Mix Recording) .................141
Repeated Recording at the Same Location
(Loop Recording) ...............................................141
Re-Recording Part of Your Performance
(Punch-in Recording) ........................................142
Composing an Accompaniment By Entering
Chords (Chord Sequencer).....................................143
Inputting Chords without Playing
the Keyboard ......................................................144
Editing Songs ...........................................................145
Basic Operation of the Editing Functions.......145
Undoing Edits (Undo).......................................145
Copying Measures (Copy)................................146
12
Correcting Timing Discrepancies
(Quantize)............................................................146
Deleting Measures (Delete) ..............................147
Inserting Blank Measures (Insert)....................147
Transposing Individual Parts
(Transpose)..........................................................148
Making Measures Blank (Erase) ......................148
Exchanging Parts (Part Exchange)...................149
Correcting Notes One by One (Note Edit) .....149
Modifying the Tone Changes in a Song
(PC Edit) ..............................................................150
Changing the Beat in the Middle of a Song
(Beat Map).................................................................150
Changing the Tempo of Recorded Songs.............151
Changing the Tempo Within the Song .................151
Adjusting the Tempo While Listening to
a Song...................................................................151
Adjusting the Tempo at a Particular
Measure ...............................................................152
Chapter 9 Creating Music Styles 153
Creating Original Styles (User Styles) ..................153
Creating New Styles by Combining Internal
Music Styles (Style Composer).........................153
Creating a Style from a Song You Composed
Yourself (Style Converter) ................................155
Saving a User Style ..................................................158
Deleting Saved User Styles ...............................159
Copying Styles on External Memories to
the User Memory .....................................................160
Copying Styles Saved in the User Memory
to External Memories ........................................160
Chapter 10 Various Settings .......161
Changing the Settings for One-Touch
Arranger....................................................................161
Procedure ............................................................161
Adjusting the Keyboard Touch
(Key Touch).........................................................161
Changing Music Styles Without
Changing the Tone or Tempo (One Touch
Setting).................................................................162
Changing the Keyboard’s Split Point
(Split Point) .........................................................162
Changing How Chords Are Played and
Specified (Arranger Config) .............................162
Placing a Marker in the Middle of a Measure .....164
Changing the Settings for the Count ....................164
Other Settings...........................................................165
Procedure ............................................................165
Changing the Tuning (Tuning) ........................166
Assigning Functions to Pedals and
Performance Pads (Pedal Setting/
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Contents
User Functions) ..................................................167
Changing the Bend Range (Pedal Setting) .....169
Changing Standard Pitch (Master Tune)........170
Changing the Language (Language)...............170
Selecting Images To Be Shown on the KR
and External Displays
(User Image Display).........................................170
Changing the Screen Message When the
Power Is Turned On (Opening Message).......171
Remembering the Settings Even When the
Power is Turned Off (Memory Backup) .........171
Restoring the Factory Settings
(Factory Reset)....................................................172
Changing the Functions of the Remote
Control’s Buttons ...............................................172
Changing the Infrared Transmission
Function Settings................................................174
Calibrating the Touch Screen
(Touch Screen)....................................................175
Changing the Part That Makes the Keys Move
(Only for Instrument Equipped with
Moving Key).............................................................175
Changing the CD Settings (Only for
Instrument Equipped with CD Drive) .................177
Setting the Type of CD To Be Played Back ....177
Showing a Series of Images on an External
Display (Slide Show)...............................................178
Running a Slide Show of Images Stored
on External Memory..........................................178
Changing Slide Shows ......................................178
Setting the Image Display Duration................179
Selecting the Part to Which the Effect is
Added (EffectsPart).................................................179
Formatting the User Memory ................................180
Automatically Starting the Quick Tour................180
Adjusting the Piano Designer Resonance ............181
Disabling Functions Other Than Piano
Performance (Panel Lock) ......................................181
Detailed Song Playback Settings ...........................182
Changing the Tone Settings When Playing
Back Songs (Play Mode)....................................182
Viewing Song Information
(Information) ......................................................182
Hiding the Lyrics (Lyrics).................................182
Changing the Parts Assigned to the Track
Buttons During SMF Playback
(Track Assign) ....................................................183
Chapter 11 Connecting External
Devices..........................................185
Connecting an External Display or
Television..................................................................185
Connecting an External Display ......................185
Connecting a Television....................................186
Changing the Settings for Showing Images
with the External Display and the Television
(External Display) ..............................................186
Explanation of Each Items ................................187
Connecting Video Equipment (V-LINK) .............187
Using the V-LINK function ..............................187
Connecting MIDI Devices ......................................188
Connectors ..........................................................188
Making the Connections ...................................188
Performing in Ensemble with MIDI Instruments
(MIDI Ensemble)......................................................189
MIDI Settings............................................................189
Selecting the Transmit Channel
(Tx Channel) .......................................................190
Disconnecting the Internal Sound Generator
and Keyboard (Local Control) .........................190
Sending Tone Change Messages
(Program Change/Bank Select MSB/Bank
Select LSB) ...........................................................191
Sending Recorded Performance Data to a MIDI
Device (Composer MIDI Out)................................191
Connecting to Audio Equipment ..........................191
Connectors ..........................................................191
Making the Connections ...................................192
Connecting External Speakers ...............................194
Changing the Aux Output Jacks Settings.......194
Setup Examples With Surround Set to
“Surround” or “Ensemble” ..............................194
Connecting a Computer..........................................195
Connect to the MIDI Connectors .....................195
Connect to the USB Connector.........................195
Making the Settings for the USB Driver .........196
Appendices ...................................197
Troubleshooting.......................................................197
Error Messages.........................................................201
Tone List....................................................................202
Drum Set List............................................................205
Effects List.................................................................209
Music Style List (KR117).........................................210
Music Style List (KR115).........................................211
Chord List .................................................................212
Internal Song List.....................................................214
Parameters Stored to Internal Memory ................216
Music Files That the KR Can Use ..........................217
The KR allows you to use the following
music files............................................................217
About the KR Sound Generator.......................217
Main Specifications..................................................219
Index ..............................................221
13
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Panel Descriptions
2
Power
3
5
7
9
4
1
6
8
10
11
12
13
14
15
18 19 20
16 17
21
22
* The KR117 is the model that was used for producing all of the panel depictions that appear within this Owner’s Manual.
1. [Power] switch
Pressed to switch the power on and off (p. 21).
* The KR115’s [Power] switch is located at the left of the
keyboard.
2. [Volume] knob
Adjusts the overall volume (p. 22).
3. [Sound Control] button
Add liveliness to the sound to give it superb clarity and
distinctness (p. 43).
4. [Brilliance] knob
Adjusts the brightness of the sound (p. 22).
5. [Part Balance] button
This adjusts the relative volume levels of each of the
performance parts (p. 73).
6. [Balance] knob
Changes the volume balance for sounds played with the
keyboard and for songs and accompaniments (p. 73).
7. [Transpose] button
Transposes the pitch of the keyboard or the song being
played (p. 102).
8. [Vocal Effects] Button
Applies a variety of effects to vocals from the
microphone (p. 47).
9. [Surround/Reverb] button
Adds reverberation to the sound (p. 34).
Adds three-dimensional breadth to the sound (p. 36).
10.[User Program] button
Stores the selected functions and states of the buttons (p.
130).
Performance Pads
11.[Style Orchestrator] button
This is used to change the arrangement type for
automatic accompaniment with the Performance Pads
(p. 69).
14
12.[User Function] button
This is used to assign a variety of functions to the
Performance Pads (p. 167).
13.[1]–[3] buttons
The operation of each is changed depending on the
buttons numbered 11-12.
14.Music Style buttons
Selects a Music Style for automatic accompaniment (p.
61).
Pressing the [User] button selects a User Style that
you’ve made yourself or a Music Style on external
memory (p. 63).
15.Fill In buttons
Inserts a fill-in in an automatic accompaniment and
changes the accompaniment pattern (p. 68).
[To Variation] button
[To Original] button
16.[Intro/Ending] button
Play an intro or ending during automatic
accompaniment (p. 65).
17.[Start/Stop] button
Starts and stops automatic accompaniment (p. 65).
18.[Count/Marker] button
You can change the count settings (p. 67, p. 96).
These allow you to add and move markers in the
notation as well as repeat playback of song segments
simply and easily (p. 98).
19.Beat indicator
This lights up in correspondence with the beat of the
selected song or accompaniment.
20.[Metronome] button
Activates the built-in metronome (p. 54).
21.Tempo [-] [+] buttons
Adjusts the tempo.
Press the [-] and [+] buttons at the same time to return to
the original tempo.
KR117_115_r_e.book 15 ページ 2006年7月5日 水曜日 午前11時3分
Panel Descriptions
23
24
27
2526
28
29
31
30
32 38
33 34 35 36 37
22. Main Buttons
→ See the Quick Start
[Song/File] button
Use this button to select internal songs or songs from
external memories (p. 75).
[DigiScore] button
Displays notations (p. 87).
[Visual Lesson] button
You can use the practice function.
[Piano Designer] button (p. 181)
[Music Assistant] button
[Super Tones] button
23.Touch Screen
This lets you perform a variety of operations just by
touching the screen (p. 25).
24.Dial
Use this to change on-screen values.
25.[Exit] button
Returns you to the previous screen.
26.[Option] button
Displays a screen for advance function settings.
27.Contrast knob
Adjusts the contrast of the screen (p. 25).
28.[Tone] buttons
They are used to choose the kinds of tones (tone groups)
played by the keyboard (p. 28).
[Piano] button
[Organ] button
[Guitar/Bass] button
[Strings] button
[Sax/Brass] button
[Voice] button
29.One Touch Program button
[Piano] button
Makes the optimal settings for a piano performance (p. 27).
[Arranger] button
Makes the optimal settings for playing with automatic
accompaniment (p. 58).
40
39
30.[Melody Intelligence] button
Adds harmony to the sounds played with the keyboard
(p. 70).
Record/Playback
31.[Menu] button
You can select functions for playing back, recording or
editing a song (p. 111,p. 136, p. 153, p. 182).
32.Track buttons
Used to play back or record each track of a song (p. 97, p.
110).
33.[
(Reset)] button
Resets the song playback-start location to the beginning
of the song.
34.[
(Play/Stop)] button
Starts and stops playback or recording a song.
35.[
(Rec)] button
When pressed, this button places the instrument in
recording standby (p. 105, p. 136).
36.[
(Bwd)] button
Rewinds the song.
37.[
(Fwd)] button
Fast-forwards the song.
38.Infrared Receiver
Point the remote control at this sensor when using the
remote control to operate the KR (p. 85).
39.[Wonderland/Game] button
Here you can learn about instruments while having fun.
→ See the Quick Start
40.External Memory port
Connects an external memory to play (p. 75) and save songs (p.
113).
* Be sure to close the cover of the External Memory port after
connecting external memory to the External Memory port.
15
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Panel Descriptions
Jack Panel (Left Side of Bottom Panel)
fig.panelRear
Jack Panel (Front)
1
2
3
4
9
10
1. Phones jacks
A set of headphones can be connected here (p. 23).
2. Mic Volume knob
Adjusts the volume level for the microphone (p. 23).
3. Mic jack
Used for connecting microphones (p. 23).
4. Aux Input jacks
You can connect other sound generating devices or
audio equipment here and have their sound be played
through the KR’s speakers (p. 193).
This is also used for transmitting and receiving
performance data included in player piano data. (p. 127).
5. MIDI Out/In connectors
Connect to external MIDI devices to exchange
performance data (p. 188).
6. USB connector
You can connect a computer and exchange performance
data between the instrument and the computer (p. 178,
p. 195).
7. Expression Pedal jack
You can connect an expression pedal (optional EV-7) to use
this as an expression pedal.
8. AC inlet
Connect the included power cord to this inlet (p. 21).
16
6
7
11
Jack Panel (Rear)
8
5
12
13
14
15
9. Pedal connector
Connect the pedal cord here (p. 21).
10.Input jacks
You can connect other sound generating devices or
audio equipment here and have their sound be played
through the KR’s speakers (p. 191).
11.Aux Output jacks
You can connect amps and external speakers here and
play accompaniment or surround sound (p. 194).
12.Main Output jacks
These jacks can be connected to your audio system to
enjoy more powerful sound (p. 191).
13.Balanced Out (Fixed) jacks
This provides balanced audio signal output. Connect a
mixer or other such device here (p. 122).
14.Video Out jack
Connect a television here. This allows you to display the
Song Select screen, slide show, lyrics, and notations on
the connected television set (p. 185).
This cannot be used simultaneously with the Ext Display
connector.
15.Ext Display connector
Connect a external display here. You can display the
Song Select screen, slide show, lyrics, and notations on
the external display (p. 185).
This cannot be used simultaneously with the Video Out
jack.
KR117_115_r_e.book 17 ページ 2006年7月5日 水曜日 午前11時3分
Panel Descriptions
Right Side of Bottom Panel
Bottom Panel (Front Right)
fig.panelUSB
CD Drive (Instrument with Moving
Key)
fig.panelbottom
17
21
21.Floppy disk drive connector
16
18
19
Connects an optional floppy disk drive to play and save
songs.
* Use floppy disk drive available from Roland.
* Attach the floppy disk drive to left of CD drive. For details of
the attachment, refer to the owner’s manual of the floppy disk
drive.
20
16.Access Indicator
This indicator will light when the inserted CD is being read.
17.Disc tray
Place the CD to be loaded on this tray.
18.Emergency eject hole
This hole allows the disc tray to be opened in case of an
emergency.
19.Eject button
Press this button to eject the CD.
*
You cannot eject the CD unless the power is on.
20.Serial connector
Connect a external equipment here.
17
Before You
Start Playing
KR117_115_r_e.book 18 ページ 2006年7月5日 水曜日 午前11時3分
Before You Start Playing
Opening and Closing the Top
(KR117)
3. While holding up the top with one hand, lift up the top
stick and insert its end into the appropriate top slip.
fig.
D
Opening only the front top
C
Children must not be permitted to open or close the top on their
own—adult supervision is required. Because the top is very heavy,
always use two or more people when opening and closing the top,
and be sure to handle it carefully.
1. Lift the right front (the upper note side: A in the figure)
of the board with both hands, fold it back, and then lay
it down slowly on the top.
fig.
A
Do not move the piano with the top in the open position. The top
stick may disengage from the socket, causing the top to fall.
When opening the top, be careful not to open it too far. Opening the
top at an angle in excess of 30 degrees may damage the unit, or cause
the top to drop. Also, before opening the top, make sure that no one
is in the path of the top as it is opened.
About the Topsticks and Topslip
The KR117 has two topsticks, each a different length.
Opening both the front top and the top
2. Follow Step 1 to open the front top. Then lift the right
front (the upper note side B: in the figure) of the board
with both hands.
You can use the different topsticks to change the amount the
top is left open.
fig.
Long top stick
fig.
Short top stick
The topsticks and topslip work together as illustrated below.
B
The long top stick: for inner top slip (C)
The short top stick: for outer top slip (D)
If you use the wrong top slip, the top stick could slip out of the top
slip, causing the top to fall. Make sure that the end of the top stick is
inserted securely into the top slip.
To close the top, reverse the opening procedure.
18
KR117_115_r_e.book 19 ページ 2006年7月5日 水曜日 午前11時3分
Opening and Closing the Top
(KR115)
Raising the Music Rest
Do not move the piano with the top in the open position. The top
stick may disengage from the socket, causing the top to fall.
To close the top, reverse the opening procedure.
1. Gently raise the music rest, then secure it in place.
2. To collapse the stand, fold in the metal fittings while
Raising the Music Rest
supporting the stand with both hands and gently fold
KR117
down the stand.
fig.
Always be sure to put the music rest in the upright position before
opening and raising the piano top. Be sure to leave the music rest in
the upright position before closing the piano top.
Open the Top board
Children must not be permitted to open or close the top on their
own—adult supervision is required.
3. Lift the right front (the upper note side: A in the figure)
of the board with both hands, fold it up.
1. Open the front top.
2. Hold the music rest with both hands, then raise it
forward.
fig.
3. Place the music rest prop, at the rear of the music rest,
into a slot.
KR115
fig.
A
(1)
(2)
(2)
4. While holding up the top with one hand, lift up the top
stick and insert its end into the appropriate top slip.
fig.
1. Gently raise the music rest, then secure it in place as
shown in the figure.
2. To collapse the stand, fold in the metal fittings while
supporting the stand with both hands and gently fold
down the stand.
When opening the top, be careful not to open it too far. Opening the
top at an angle in excess of 20 degrees may damage the unit, or cause
the top to drop. Also, before opening the top, make sure that no one
is in the path of the top as it is opened.
19
Before You
Start Playing
Before You Start Playing
Before You
Start Playing
KR117_115_r_e.book 20 ページ 2006年7月5日 水曜日 午前11時3分
Before You Start Playing
■ Using the Music Holders
(KR115)
You can use the holders to hold pages in place.
When not using the holders, leave them folded down.
fig.mu_stand4
Opening and Closing the Lid
1. When opening the lid, use both hands to gently lift the
lid and slide it inward.
2. When closing the lid, be sure to use both hands to
grasp the lid, slowly pulling it down towards you, and
gently lower it until it stops (fully closed).
When opening and closing the lid, be careful not to let your fingers
get caught. Small children should use it only under the supervision
of an adult.
Installing Batteries in the
Remote Control
When moving the piano, for safety’s sake be sure to close the lid first.
NOTE
Make sure you don’t have anything (such as sheet music) on the
Install the batteries provided in the remote control.
keyboard when you close the lid.
fig.Remote Control-1.j
Remote Control’s (Rear)
KR117
fig.
Remote
Control’s
Cover
1. Open the battery cover on the back of the remote
control.
2. Insert the supplied AA batteries, as shown in the figure
of remote control.
3. Close the battery cover.
NOTE
Although the KR117’s cover is designed to close slowly when you let
NOTE
go of it, it will close immediately if it has been opened only slightly.
Take care not to catch or pinch your fingers in the cover.
Be careful to observe the correct polarity (+, - direction) when
installing the batteries.
KR115
fig.
For more information on the remote control button functions, refer
to “Using the Remote Control” (p. 84).
20
KR117_115_r_e.book 21 ページ 2006年7月5日 水曜日 午前11時3分
Connecting the Power Cord
Connect the Pedal Cable
Insert the pedal cable into the Pedal connector on the
b Screw
c
Screw
e
Cord Cramp
KR117
jack panel of the KR.
fig.00-01
A
Turning the Power On and Off
B
941
C
NOTE
Turn on power to your various devices in the order specified. By
turning on devices in the wrong order, you risk causing malfunction
D
and/or damage to speakers and other devices.
To turn the power on, turn the [Volume] knob all the
way down, and then press the [Power] switch.
KR115
The power will turn on.
After a few seconds, you will be able to play the
keyboard to produce sound.
Use the [Volume] knob to adjust the volume.
A
942
NOTE
B
This unit is equipped with a protection circuit. A brief interval (a few
seconds) after power up is required before the unit will operate
normally.
C
fig.00-06.e
D
KR117
1. Connect the supplied power cord to the AC inlet jack.
Power
2. Connect the pedal cord to the Pedal jack.
3. Cramp the power cord and pedal cord with Cord
Cramp
e
and screw
b
KR115
at A (see the picture above).
Power
4. Cramp the power cord and pedal cord with Cord
Cramp
e
and screw
c
at B, C and D (see the picture
To turn the power off, turn the [Volume] knob all the
above).
way to the left, and press the [Power] switch.
5. Plug the power cord into an AC outlet.
The power will be turned off.
945
* If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power
outlet. Refer to “Power Supply” (p. 6).
21
Before You
Start Playing
Before You Start Playing
Before You
Start Playing
KR117_115_r_e.book 22 ページ 2006年7月5日 水曜日 午前11時3分
Before You Start Playing
About the Pedals
The pedals have the following functions, and are used
mainly for piano performance.
fig.00-08.e
Adjusting the Sound’s
Volume and Brilliance
Turn the [Volume] knob to adjust the overall volume.
Turn the [Brilliance] knob to adjust the brightness of
the sound.
fig.00-07.e
Soft Pedal
Damper Pedal
Sostenuto Pedal
Damper pedal (right pedal)
While this pedal is pressed, notes will be sustained even after
you take your fingers off the keys.
The length of the sustain changes subtly according to the
extent to which the pedal is depressed.
On an acoustic piano, holding down the damper pedal will
allow the remaining strings to resonate in sympathy with the
sounds that you played from the keyboard, adding a rich
resonance.
The KR simulates this damper resonance.
You can change the amount of resonance applied with the damper
pedal. Please refer to “Adjusting the Piano Designer Resonance” (p. 181).
Sostenuto pedal (center pedal)
This pedal sustains only the sounds of the keys that were
already played when you pressed the pedal.
Soft pedal (left pedal)
When you hold down this pedal and play the keyboard, the
sound will have a softer tone.
You can assign functions to the pedal. Refer to “Assigning Functions to
Pedals and Performance Pads (Pedal Setting/User Functions)” (p. 167).
22
Min
Max
Mellow
Bright
You can use the remote control to change the volume.
KR117_115_r_e.book 23 ページ 2006年7月5日 水曜日 午前11時3分
Connecting Headphones
Connecting a Microphone
The KR has two jacks for plugging in headphones. This
allows two people to listen through headphones
simultaneously, making it very useful for lessons and
performing piano pieces for four hands. Additionally, this
allows you to play without bothering others around you,
even at night.
You can connect a microphone into the Mic jack, and enjoy
karaoke with the KR.
fig.00-10
Plug the headphones into the Phones jack located at the
bottom left of the piano.
Connecting headphones will automatically mute the
sound from the internal speakers.
The headphone volume is adjusted by the [Volume]
knob of the KR.
fig.00-04.e
1. Connect a microphone (sold separately) to the Mic jack
on the lower-left area of the instrument.
2. Rotate the [Mic Volume] knob in front of the Mic jack
to adjust the volume level for the microphone.
3. Adjust the mic echo (p. 48).
Some Notes on Using a Microphone
NOTE
• Be careful of high volume levels when using mikes late
at night or early in the morning.
• When connecting a microphone to the KR, be sure to
lower the volume. If the volume control is too high when
the microphone is plugged in, noise may be produced by
Use Stereo headphones.
Some Notes on Using Headphones
• To prevent damage to the cord, handle the headphones
only by the headset or the plug.
• Connecting the headphones when the volume of
connected equipment is turned up may result in damage
to the headphones. Lower the volume on the KR before
plugging in the headphones.
• Listening at excessively high volume levels will not only
damage the headphones, but may also cause hearing
loss. Use the headphones at a moderate volume level.
the speakers.
983
• Howling could be produced depending on the location
of microphones relative to speakers. This can be
remedied by:
- Changing the orientation of the microphone.
- Relocating microphone at a greater distance from
speakers.
- Lowering volume levels.
23
Before You
Start Playing
Before You Start Playing
Before You
Start Playing
KR117_115_r_e.book 24 ページ 2006年7月5日 水曜日 午前11時3分
Before You Start Playing
Connecting an External
Display
2. Use display cable (sold separately) to connect the
display to the Ext Display connector on the KR.
3. Turn on the KR.
You can connect a computer monitor or other such external
display to the instrument, and display notations and lyrics
on the larger screen, and display whatever images as you
like.
For more about the external display settings, refer to
“Changing the Settings for Showing Images with the
External Display and the Television (External Display)” (p.
186). For more on displaying images, refer to “Selecting
Images To Be Shown on the KR and External Displays (User
Image Display)” (p. 170)
4. Turn on the connected display.
For more on handling the external display, refer to your display’s
owner’s manual.
Turning the Power Off
After use, turn off the power using the following procedure.
1. Turn the volume all the way down on the KR.
If your instrument came with a remote control, you can use the
remote control to switch screens. For more information, refer to
“Using the Remote Control” (p. 84).
Displays That Can Be Connected to This Instrument
In general, a great many of the VGA monitors and multiscan
monitors that are available on the market are compatible
with this instrument. However, before you connect any
monitor, make sure it meets the following specifications:
• Resolution
640 x 480 pixels
• Horizontal scan frequency
31.5 kHz
• Vertical scan frequency
60 Hz
• Connector
3-row, 15-pin D-Sub type
• Signal
Analog
NOTE
Confirm that the display to be used is compatible with the
frequencies mentioned above. Using a display that is not compatible
with the above frequencies may result in incorrect image output
when images move, and in certain cases may even damage the
display.
■ Making the Connections
921
NOTE
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
D-sub 15 pin
(Mini)
KR’s Jack Panel
Ext Display Connector
D-sub 15 pin
(Mini)
Display Cable
(Sold separately)
External Display
1. Turn off the power to the KR and the display to be
connected.
24
2. Turn off the KR.
3. Turn off the connected display.
KR117_115_r_e.book 25 ページ 2006年7月5日 水曜日 午前11時3分
About the Touch Screen
Main Screens
The KR makes use of a touch screen.
This lets you carry out a wide variety of actions just by
touching the screen lightly.
■ Piano Screen
Immediately after the power is turned on, the Piano screen
like the one below is displayed. For details, refer to p. 27.
NOTE
The touch screen is operated by touching it lightly with your finger.
Pressing hard, or using a hard object can damage the touch screen.
Be careful not to press too hard, and be sure to use only your fingers
to operate the touch screen.
NOTE
The positioning of the touch screen may become displaced due to
changes in the surrounding environment and over time. If this
happens, follow the steps in “Calibrating the Touch Screen (Touch
Screen)” (p. 175) to correct the pointer position.
NOTE
■ Basic Screen
The following screen is called Basic screen.
Do not place items on the touch screen.
■ Adjusting the Contrast of the
Screen
To adjust the contrast of the screen, turn the Contrast
knob located at the right side of the screen.
Tempo
Song name or
Music Style name
Beat Measure
The Tone names are
selected appear.
These information are
displayed, when you use the
automatic accompaniment.
You can usually display this screen by pressing [Exit] button
several times.
Follow either of the procedures described below to display it.
• Press the One Touch Program [Arranger] button.
The Basic screen appears and the settings are made for
automatic accompaniment.
• Press the One Touch Program [Piano] button, then press
one of the Tone buttons, then press the [Exit] button.
25
Before You
Start Playing
Before You Start Playing
Before You
Start Playing
KR117_115_r_e.book 26 ページ 2006年7月5日 水曜日 午前11時3分
Before You Start Playing
■ Using the Main Icons
You can many other screens besides the Basic screen to do
things. The on-screen graphics that appear three dimensional
work like buttons. These are called “Icons.”
The main icons you can use on these screens are as follows.
■ The Scroll Bar and The Page
Icon
The Song and Tone selection screens feature a scroll bar at
the right of the screen list, with page icons at the top and
bottom of the scroll bar.
Some screens consist on two or more pages.
You can display the next page or the
previous page of the screen by touching
these icons.
Page icon
Scroll bar
When you select an internal song or music
files that includes the lyrics data, this icon
appears in the Piano screen or Basic screen.
Touch this to display the lyrics.
NOTE
The explanations in this manual include illustrations that depict
what should typically be shown by the display. Note, however, that
your unit may incorporate a newer, enhanced version of the system
(e.g., includes newer sounds), so what you actually see in the display
may not always match what appears in the manual.
985
■ The [Option] Button and The
[Exit] Button
The [Option] Button
This displays a screen for advance function settings.
The screen that opens differs depending on the screen that
was displayed when the button was pressed.
The [Exit] Button
Touch to cancel the settings currently being made and close
the screen displayed. Normally, pressing the [Exit] button
one or more times returns you to the Basic screen.
26
Page icon
Touch the scroll bar and drag up and down to scroll through
the list.
Touch the page icons <
><
> to change pages.
KR117_115_r_e.book 27 ページ 2006年7月5日 水曜日 午前11時3分
Chapter 1 Performance
Chapter 1
Playing the Keyboard Like a Piano
(One-Touch Piano)
You can create the optimal settings for a piano performance with the press of a single
button.
fig.panel1-1
1.
Press the One Touch Program [Piano] button.
A “Piano screen” like the one shown below will appear.
fig.d-piano.eps_60
When you press the One Touch Program [Piano] button, the KR will switch to the
following settings, regardless of the current panel settings.
• If the keyboard has been split into upper and lower sections (p. 32), the
keyboard returns to a single section.
• The pedals return to their usual functions (p. 22).
Since this instrument faithfully
reproduces real acoustic piano
action and response, keys
played in the top one-and-onehalf-octave range continue to
resonate, regardless of the
damper pedal action, and the
tone in this range is audibly
different. The Key Transpose
setting (p. 102) can also be
used to change the range that
is unaffected by the damper
pedal.
You can change the piano
performance settings by
touching the [Piano Designer]
button. For more details, refer
to “[Piano Designer] Button”
in the Quick Start.
• The Grand Piano sound is automatically selected.
• The effect is automatically set to “Damper Resonance” (p. 46).
When you select an internal
song or music file that includes
the lyrics data, <
>
appears in the Piano screen or
Basic screen. Touch this to
display the lyrics.
<
> appears in the Piano
screen or Basic screen when
headphones are connected.
You can add threedimensional breadth to the
sound from the headphones
(p. 39).
27
KR117_115_r_e.book 28 ページ 2006年7月5日 水曜日 午前11時3分
Chapter 1
Chapter 1 Performance
Performing with a Variety of Tones
(Tone Buttons)
The KR comes with a many built-in instrument sounds and effects. This lets you
For more about the names of
enjoy perform in a wide range of musical styles.
Tones, take a look at the “Tone
The built-in sounds are called “Tones.” The sounds are organized into six tone
List” (p. 202).
groups, which are assigned to the Tone buttons.
fig.panel1-2
1.
Press any one of the Tone buttons to select a tone group.
You’ll see that button’s indicator light up.
The screen displays the tone names included in the tone group you’ve selected.
fig.d-tonesel.eps_60
This screen is called the “Tone selection screen.”
Tones indicated by
is called an “EX voice.” These voices are especially
recommended.
Tones indicated by
mark is the 88-key multisampled piano tone.
Tones indicated by the red
or
mark produce the “Key Off Sound.”
What “Key Off Sound” does is recreate the tonal changes produced when the fingers
are released from the keys.
Tones indicated by the blue
icon sound “playing noises” when some keys are
played. “Playing noises” refer to noises such as the sound of guitar strings as they
are rubbed and other sounds that enhance realism in performance expression.
Tones indicated by “GS” is GS tones.
Touch and drag up and down in the scroll bar to scroll through the screen and
display other tones.
Touch the page icons <
><
> to change pages.
You can touch <Audition> for an audio demonstration of a particular tone.
28
KR117_115_r_e.book 29 ページ 2006年7月5日 水曜日 午前11時3分
Chapter 1 Performance
You can touch the scroll bar and drag up and down to scroll through the list.
You can touch <Effects> to add effect sounds to a variety of tones (p. 46).
Chapter 1
You can do searches for tones according to search parameters or by name by
touching <Search> (p. 30).
2.
Touch a tone name to select the tone.
You’ll hear the tone you’ve selected when you play the keyboard.
You can use the dial to scroll through the screen as you switch the Tones to be
played.
3.
Press the [Exit] button.
This returns you to the Basic screen or the previous screen.
■ Playing Percussion Instruments or Sound Effects
You can use the keyboard to play percussion sounds or effects like sirens and animal
sounds.
fig.panel1-2
1.
Press the [Super Tones] button and watch the indicator light up.
2.
Touch <
><
> several times to display the “Drums” screen or the
“SFX (SOUND EFFECT)” screen.
fig.d-drum.eps_60
Drums screen
Touch here to switch these screens.
SFX screen
Each note of the keyboard will play a different sound.
The combination of sounds
You can also have play sounds by touching the screen.
assigned to the keyboard
You can select other drum tones by pressing the <
3.
> or <
> buttons.
varies according to the drum
set. Take a look at the “Drum
Press the [Exit] button several times.
Set List” (p. 205) and “SFX
Set”(p. 208).
This returns you to the Basic screen or the previous screen.
29
KR117_115_r_e.book 30 ページ 2006年7月5日 水曜日 午前11時3分
Chapter 1 Performance
■ Using Keywords to Search for Tones (Tone Search)
Chapter 1
You can search for tones that match the conditions you set for instrument or musical
style. You can also search the tones using the first character of the tone name.
1.
Press any Tone button.
The tone selection screen appears.
2.
Touch <Search>.
The following “Tone search screen” appears.
fig.d-tonesrch1.eps_60
Condition Search screen
Name Search screen
Touch here to switch these screens.
Searching by Conditions
3.
4.
Touch <Category> or <Genre>, then use the dial to select the search
In condition search, tones
conditions.
satisfying all of the selected
Touch <Search>.
The search results appear in the display.
Touch the tone name to select the tone.
After selecting the tone, press the [Exit] button several times to return to the tone
selection screen.
Searching by Tone Name
3
Touch <By Name>.
Touch <By Key> to go to the condition search screen.
4.
Decide which character is to be used for the search.
The selected character appears in the middle of the screen.
Enter the character you’re searching for. For example, touching <ABC> in succession
cycles you through the available choices in that character group (“A”→”B”→”C”...).
Touching <A-0> selects the type of character. Each time you touch <A-0>, the
character switches between alphabets and numerals.
5.
Touch <Search>.
The search results appear in the display.
Touch the tone name to select the Tone.
Press the [Exit] button several times to return to the Basic screen or the previous
screen.
30
search criteria are sought.
KR117_115_r_e.book 31 ページ 2006年7月5日 水曜日 午前11時3分
Chapter 1 Performance
Chapter 1
Performing with Multiple Sounds
Layered Together (Layer)
Two tones sounding together when you press a single key is referred to as a “layer
performance.”
For instance, it’s possible to play the Tones for both Piano and Strings simultaneously.
fig.layer.e
Grand Piano 1
Strings 1
Strings 2
1.
When you select an internal
Touch <Layer 1> on the Basic screen.
fig.d-layer.eps_60
song or music file that includes
the lyrics data, <
>
appears in the Basic screen.
Touch this to display the lyrics.
<
> appears in the Piano
screen or Basic screen when
headphones are connected.
You can add threedimensional breadth to the
sound from the headphones
(p. 39).
The tone that was sounding before you switched to layer performance, plus the tone
indicated in the lower part of the display, are now played together.
Here, the tone appearing in the upper part of the display is called the “upper tone,”
and the tone appearing in the lower part of the display is called the “layer tone.”
In the same manner, you can touch <Layer 2> to layer further sounds.
Changing the Tones
2.
<-><+> on the tone selection
screen, the pitch of the
keyboard’s sound is changed
in octave units. To learn more,
Touch the name of the tone to be changed.
Touch here to highlight the tone name.
3.
Press a Tone button to select the new tone (p. 28).
4.
When you have selected the tone, press the [Exit] button.
The display returns to the Basic screen.
Cancelling the Layer
5.
When you touch Octave
Touch <Layer 1>.
Touch <Layer 2> to have <Layer 2> play as well.
see “Shifting the Keyboard
Pitch in Octave Steps (Octave
Shift)” (p. 33).
You can change the balance of
the Upper and Layer Tone
volume. For instructions, see
“Adjusting the Volume
Balance for Each Performance
Part (Part Balance)” (p. 73).
The <Layer 1> and <Layer 2> icons are dimmed, and the Layer performance is
cancelled.
Now when you play the keys, only the tone indicated on the screen is sounded.
31
KR117_115_r_e.book 32 ページ 2006年7月5日 水曜日 午前11時3分
Chapter 1
Chapter 1 Performance
Playing Different Tones with the Left
and Right Hands (Split)
Dividing the keyboard into right-hand and left-hand areas, then playing different
sounds in each section is called “split performance.” The boundary key is called the
“split point.”
The split point key is included in the left-hand keyboard area. Each time power to
the keyboard is turned on, the split point is reset to “F#3.”
You can change the split point;
refer to “Changing the
fig.split.e
Keyboard’s Split Point (Split
Split Point
Point)” (p. 162).
Acoustic Bass
1.
Grand Piano 1
When you select an internal
At the Basic screen, touch <Split>.
fig.d-split.eps_60
song or music file that includes
the lyrics data, <
>
appears in the Basic screen.
Touch this to display the lyrics.
<
> appears in the Piano
screen or Basic screen when
headphones are connected.
You can add threedimensional breadth to the
sound from the headphones
The tone sounding prior to the split performance is played in the right-hand section
(p. 39).
of the keyboard, and the tone indicated at the left of the screen is played in the lefthand section of the keyboard.
Here, the tone appearing at the right part of the display is called the “upper tone,”
and the tone appearing at the left part of the display is called the “lower tone.”
When you touch Octave
You can turn the tones on and off by touching <Lower 1> or <Lower 2>.
<-> <+> in the tone selection
screen, the pitch of the
Changing the Tones
keyboard’s sound is changed
2.
in octave units. To learn more,
Touch the name of the tone to be changed.
Pitch in Octave Steps (Octave
3.
Press a Tone button to select the tone (p. 28).
4.
When you have selected the tone, press the [Exit] button.
The display returns to the Basic screen.
Cancelling the Split
5.
Touch <Split>.
Shift)” (p. 33).
You can change the volume
balance between the upper and
lower parts of the keyboard;
refer to “Adjusting the Volume
Balance for Each Performance
The <Split> icons are dimmed, and the Split performance is cancelled.
When you play the keys, only the tone indicated on the screen is sounded.
32
see “Shifting the Keyboard
Part (Part Balance)” (p. 73).
KR117_115_r_e.book 33 ページ 2006年7月5日 水曜日 午前11時3分
Chapter 1 Performance
Turning On Layer and Split Performance Simultaneously
When the keyboard has been
keyboard into a upper and a lower part and play with two Tones layered in the lower
divided into upper and lower
part, and three Tones layered in the upper part.
sections, the damper pedal is
fig.d-layersplit.eps_60
applied to only the upper
section. If you want to add
lingering reverberations to the
notes of the lower section, see
“Assigning Functions to
Pedals and Performance Pads
(Pedal Setting/User
Functions)” (p. 167).
■ Shifting the Keyboard Pitch in Octave Steps
(Octave Shift)
When using layer performance (p. 31) or split performance (p. 32), you can change
the pitch of the keyboard’s sound in octave units. This function is called “Octave
Shift.”
For example, when playing a Layer performance, if you change the pitch of one of
the tones and then layer it, it changes the impression created with the tone.
1.
On the Basic screen, touch <Layer1> or <Split>.
The KR switches to layer performance or split performance.
2.
To apply Octave Shift, touch the name of the tone you’ve selected.
3.
Press the Tone button to display the Tone selection screen.
fig.d-octshift.eps_60
4.
Touch Octave <-> or <+> in the lower part of the screen to adjust the
pitch of the sound.
Each time you touch <+>, the pitch is raised one octave.
Each time you touch <->, the pitch is lowered one octave.
The sound can be changed from two octaves lower than the original sound (-2) to
two octaves above the original (+2).
Press the [Exit] button to return to the Basic screen or the previous screen.
33
Chapter 1
Turning on either Layer Performance or Split Performance allows you to divide the
KR117_115_r_e.book 34 ページ 2006年7月5日 水曜日 午前11時3分
Chapter 1 Performance
Adding Reverberation to the Sound (Reverb)
Chapter 1
Apply a reverb effect to the notes you play with the KR.
Reverb makes it sound as if you are playing in a concert hall.
fig.panel1-3
1.
Press the [Surround/Reverb] button and watch the its indicator light up.
A “Reverb screen” like the one shown below appears.
fig.d-reverb.eps_60
Touch
2.
to switch the screens.
Touch an icon to select the performance space.
;
Explanation
Display
Hall1
Hall with bright reverberation
Hall2
Hall with warm reverberation
Room1
Room reverberation
Cathedral
High-ceilinged cathedral
Ground
Wide open space with no reverberations
Room2
Small room
Lounge
Larger room
Studio
A recording studio
Gymnasium
In a gymnasium
Hall3
Large concert hall reverberation
Dome
A domed ballpark
Cave
Adds the extended reverberations found inside a cave
GS Room1
GS Room2
GS Room3
34
Reproduces an indoor-type reverb.
Provides a clear, expansive reverberation.
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Chapter 1 Performance
Display
GS Hall1
3.
Reproduces the reverberation found in a hall. Gives
reverberation with a greater sense of depth than GS Room.
GS Plate
Reproduces a plate echo (reverberation created using the
vibrations of a metal plate).
GS Delay
A delayed sound that is added to the original, similar to the
reflected sounds of mountain echoes.
GS Pan Delay
The reflected sounds are panned (shifted) laterally.
Chapter 1
GS Hall2
Explanation
No effect is applied when the
Touch the slider beneath the icons to adjust the effect selected.
Touch and slide the knob on the screen to the right for a deeper reverb, and to the
left for less.
You can also move the slider with the dial.
slider is moved all the way to
the left. In this case, the
button’s indicator won’t light
up when you press the
[Surround/Reverb] button.
When you press the [Exit] button, the reverb effect is activated, and you return to the
previous screen.
Cancelling the Effect
4.
Press the [Surround/Reverb] button, and watch the indicator light go out.
The reverb effect is eliminated.
35
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Chapter 1
Chapter 1 Performance
Adding the Surround Sound Effect to
the Accompaniment Using External
Speakers (Surround)
You can connect an amp or external speaker to the Aux Output jacks and play
accompaniment and reverb sounds through it. By using an external speaker this
way, it will seem that you are surrounded by the accompaniment or reverb. This is
called the “surround effect.”
fig.panel1-4
■ Giving More Breadth to the Accompaniment Sound
1.
Connect amp or external speaker to the Aux output jacks.
2.
Press the [Surround/Reverb] button and watch the indicator light up.
3.
Touch <Surround>.
The “Surround Screen” appears.
NOTE
For more on speaker settings
when the Surround function is
used, refer to “Connecting
External Speakers” (p. 194).
4
Touch the Type icon <Surround>.
5.
When you have selected the type, press the [Exit] button.
Cancelling the Effect
6.
Touch the Type icon <Surround> and watch the light go out.
Only Advanced 3D can be
switched on and off when
nothing is connected to the
Aux Output jacks.
The surround effect is eliminated, and the effect is no longer applied to any of the
parts.
36
NOTE
KR117_115_r_e.book 37 ページ 2006年7月5日 水曜日 午前11時3分
Chapter 1 Performance
■ Selecting the Part for the Effect
Press the [Surround/Reverb] button and watch the indicator light up.
2.
Touch <Surround>.
3.
On the Surround Screen, press the [Option] button.
Chapter 1
1.
The following screen appears.
fig.d-adv3d.eps_60
ON
4.
5.
OFF
Touch the icon to switch individual parts on or off.
No surround effect is applied,
even if the Type icon indicates
“On,” if all parts are switched
When you press the [Exit] button, the Surround effect is activated, and you return to
the previous screen.
off.
Touch a part’s icon to switch the surround on and off.
When you select the
The sounds of parts set to ON are played from the external speaker and the KR’s
internal speaker. Parts set to OFF are played only from the KR’s speaker.
<Surround>, you can adjust
When you press the [Exit] button, the surround effect is activated, and you return to
the previous screen.
the volume of the external and
built-in speakers (p. 38).
■ Selecting the Tone to Which the Effect is Applied
With “Keyboard” in Surround set to On, you can select the parts to which the
surround effect is to be applied.
1.
Press the [Surround/Reverb] button and watch the indicator light up.
2.
Touch <Surround> to display the Surround screen.
3.
On the Surround Screen, press the [Option] button.
Touch
to display the following screen.
37
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Chapter 1 Performance
Chapter 1
fig.d-adv3dopt.eps_60
4.
Touch <All Parts> or <Layer Part>.
Display
Explanation
All Parts
The effect is applied to all tones played with the keyboard (the lefthand tone, right-hand tone, and layer tone).
Layer Part
The effect is applied only to the layer part.
When not using a layer performance (p. 31), the Surround effect is not
applied to the keyboard performance, even if <Keyboard> on the
Surround Screen is set to On.
When you press the [Exit] button, you return to the Surround Screen.
■ Changing the Amount of Surround Effect
1.
Press the [Surround/Reverb] button and watch the indicator light up.
when the <Surround> type
2.
Touch <Surround> to display the Surround screen.
3.
On the Surround Screen, press the [Option] button.
Touch
to display the following screen.
fig.d-adv3dopt.eps_60
4.
Touch the “Int” and “Ext” sliders to adjust the volume levels of the
external speaker and the KR’s speaker.
When you press the [Exit] button, you return to the Surround screen.
38
This setting is enabled only
icon is selected.
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Chapter 1 Performance
Chapter 1
Using the Internal Speakers to Add
Three-Dimensional Spatiality to the
Accompaniment Sounds (Advanced 3D)
You can add three-dimensional breadth to the sounds you play with automatic
accompaniment (p. 57), or to internal songs or music files. With this effect, called
“Advanced 3D,” you seem to be surrounded by the sound of the performance.
fig.panel1-4
1.
Press the [Surround/Reverb] button and watch the indicator light up.
2.
Touch <Surround>.
<
3
On the Surround Screen, touch the Type icon <Advanced 3D>.
> appears in the screen
when headphones are
connected.
Three-dimensional breadth is added to the sound.
❍
Adding Depth to Sounds Played Through Headphones
When you have headphones connected, the screen for selecting the type of surround
effect changes as shown below.
* You cannnot select the Type icon <Surround> or <Ensemble> when headphones
are connected.
39
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Chapter 1 Performance
Chapter 1
■ Selecting the Part for the Effect
1.
Press the [Surround/Reverb] button and watch the indicator light up.
2.
Touch <Surround> to display the Surround screen.
3.
Press the [Option] button.
The following screen appears.
fig.d-adv3d.eps_60
ON
4.
OFF
Touch the icon to switch the effect on or off for each individual part.
When you press the [Exit] button, the Advanced 3D effect is activated, and you
return to the previous screen.
Cancelling the Effect
5.
Touch the Type icon <Advanced 3D> and watch the light go out.
The Advanced 3D effect is not
The Advanced 3D effect is eliminated, and the effect is no longer applied to any of
applied, even when you touch
the parts.
<ON>, if all parts are turned
off.
40
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Chapter 1 Performance
■ Selecting the tone to which the effect is applied
Press the [Surround/Reverb] button and watch the indicator light up.
2.
Touch <Surround> to display the Surround screen.
3.
Press the [Option] button.
4.
Touch
Chapter 1
1.
to display the following screens.
fig.d-adv3dopt.eps_60
5.
Touch the icon to select the value.
Parameter
Display
All Parts
The effect is applied to all tones played with the
keyboard (the lower tone, upper tone, and layer
tone).
Layer Part
The effect is applied only to the layer part.
When not using a layer performance (p. 31), the
Advanced 3D effect is not applied to the keyboard
performance, even if <Keyboard> on the Surround
Option screen is set to On.
Part
6.
Explanation
When you press the [Exit] button, you return to the Surround screen.
41
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Chapter 1 Performance
Chapter 1
■ Making Detailed Settings for Advanced 3D
1.
Press the [Surround/Reverb] button and watch the indicator light up.
2.
Touch <Surround> to display the Surround screen.
3.
Press the [Option] button.
4.
Touch
to display the following screens.
fig.d-adv3dopt.eps_60
5.
Touch
Parameter
for the parameter being set to select the value.
Display
Explanation
Auto
This selects settings that are adjusted for use with
headphones when headphones are connected.
When no headphones are connected, settings
adjusted for speakers are selected.
Speaker
Settings adjusted for listening to sounds through
speakers are selected.
Headphone
Settings adjusted for listening to sounds through
headphones are selected.
Depth
1–4
Changes the apparent depth of the sound. The
effect is applied more as the value is increased.
Width
1–128
Changes the breadth of the sound.
Mode
You can also change the value with the dial.
6.
42
When you press the [Exit] button, you return to the Surround screen.
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Chapter 1 Performance
Chapter 1
Adding Liveliness to the Sound
(Dynamic Emphasis)
You can add liveliness to the sound to give it superb clarity and distinctness.
fig.panel2-8
1
Press the [Sound Control] button, to display the “Dynamic Emphasis
screen.”
The Dynamic Emphasis function is switched on, enlivening the sound.
fig.d-adv3dopt.eps_60
2
Touch the Type icon to select the type.
Indicator
Description
Sharp
Creates a sound with boosted bass and treble.
Clear
Produces a sound with chords in the low registers that are
clear and distinct.
Power
Creates a sound with boosted bass.
Cancelling the Dynamics Emphasis
3
Press the [Sound Control] button once more, and the indicator light goes
out.
43
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Chapter 1
Chapter 1 Performance
Adjusting the Sound to Achieve the
Preferred Tone Quality (Equalizer)
The KR features a built-in, five-band digital equalizer.
An equalizer boosts or cuts specific sound pitches (frequency ranges) to adjust the
sound balance for the overall performance. For example, you can boost the highs to
get a crisper sound, or boost the low end for a more powerful sound.
You can also adjust the sound to compensate for the acoustical characteristics of the
performance space.
If raising the slider for each frequency ends up distorting the sound, you can correct
the distortion with the Master Level slider.
1
Press the [Sound Control] button, to display the “Dynamic Emphasis
screen.”
2.
Touch <Equalizer>.
The “Equalizer screen” appears.
fig.d-eq.eps_60
3.
Touch the Type icon to make your selection.
Display
44
Explanation
Piano
The optimal settings for piano performance are selected.
Power
Boosts both the low- and high-frequency ranges.
Mild
Lows and highs are restrained for a pleasant-sounding tone.
Clear
This setting slightly boosts the midrange for a simple pop feeling.
Bright
This setting boosts the high frequencies for a brilliant, sparkling sound.
Flat
All slider values are set to “0.”
User
Store your own preferred settings (p. 45).
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Chapter 1 Performance
4.
Touch the slider to make adjustment.
Settings
Value
Chapter 1
Displayed
Explanation
Low
-60–0–+60
Low-frequency range. This is the range of
frequencies for instruments like drums, bass,
organ, guitar and strings.
–
-60–0–+60
Mid-low-frequency range. This is the range of
frequencies for lower brass and woodwind
instruments.
Mid
-60–0–+60
Midrange. This is the range of frequencies where
most instrument sounds are concentrated.
–
-60–0–+60
Mid-high-frequency range. The ear is most
sensitive to this frequency range.
High
-60–0–+60
High-frequency range. These frequencies add
brilliance to the sound.
Master Level
-60–0–+60
You can temper the distortion in the sound by
lowering the level. Raising the level too much may
cause the sound to become distorted.
You can also move the slider with the dial.
When you press the [Exit] button, the equalization is placed in effect, and you return
to the previous screen.
Cancelling the Effect
5.
❍
Touch <Flat>.
Storing the Settings
You can store adjusted equalizer settings to <User>.
Even after editing the settings, you can touch <User> to call up your preferred
settings.
1.
Press the [Sound Control] button and watch the indicator light up.
2.
Touch <Equalizer>.
The “Equalizer screen” appears.
3.
Adjust the equalizer.
4.
Touch <Write>.
The settings are stored.
Even after editing the settings, you can touch <User> to select the stored settings.
45
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Chapter 1 Performance
Chapter 1
Applying Effects to the Sound (Effects)
1.
You can apply a wide range of different effects to the notes you play on the
For more on the effect types,
keyboard.
refer to the “Effects List” (p.
209).
First, press the Tone button to select a Tone (p. 28).
The “Tone selection screen” appears.
2.
Then, touch <Effects>.
The “Effects screen” appears.
fig.d-effects.eps_60
Applying Effects to the Sound
3.
Touch <ON>.
The effect selected with <Type> will be applied.
Selecting the Type of Effect
4.
Touch <Type>
NOTE
to select the type of effect.
the upper tone, layer tone, and
The parameters that can be set change according to the type selected in Step 4.
Touch
for the parameter being set to select the value.
Press the [Exit] button to return to the Tone selection screen.
Cancelling the Effect
46
lower tone. In such instances,
you can select which effect is
You can also move the slider with the dial.
6.
applied to certain parts when
different effects are applied to
Setting the Effect
5.
You may find effects not being
On the Effects screen, touch <OFF>.
to have priority (p. 179).
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Chapter 1 Performance
For details on connecting a
With a microphone connected, you can add effects to the microphone vocals.
microphone, refer to
Adding effects to the vocals is referred to as “Vocal Effect.”
❍
“Connecting a Microphone”
(p. 23).
How to select Vocal Effect
fig.panel1-5
1.
Press the [Vocal Effects] button.
The “Vocal Effects screen” appears.
fig.d-vocalsfx.eps_60
2.
Touch any one of the icons.
If your KR features a built-in
CD drive, you can play back
Icon
3.
Explanation
Page
Echo
Adjusts the microphone echo.
p. 48
Transformer
Alters the microphone vocals.
p. 48
Harmonist
Adds harmonies to the original voice.
p. 49
Vocal Count In
Allows you to start songs and Automatic
Accompaniment using your own tempo.
p. 50
Vocal Keyboard
Allows you to produce sounds conforming to the
vocal scale.
p. 51
Music Files
You can play a specific part as harmony while
playing back a song.
p. 52
the included CD and add vocal
effects to vocal parts on CDs.
You can adjust the microphone
volume with the Mic Volume
knob on the (left) underside of
When you press the [Exit] button, the effect is applied and you return to
the KR.
the previous screen.
47
Chapter 1
Adding Effects to Mic Vocals
(Vocal Effect)
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Chapter 1 Performance
Chapter 1
Cancelling the Vocal Effect
4.
Press the [Vocal Effects] button and watch the indicator light go out.
The Vocal Effect function is cancelled.
❍
Adjusting the Echo (Echo)
1.
Touch <Echo> in Step 2 of “How to select Vocal Effect” (p. 47).
fig.d-vo-echo.eps_60
2.
Touch the Echo Type <1> or <2> to change the echo type.
Explanation
Displayed
3.
1
Adds basic reverberations.
2
Adds reverberations for a karaoke-type echo.
Touch the bar graph to adjust the amount of echo applied to the vocal.
Press the [Exit] button to return to the Vocal Effects screen.
❍
Altering Vocals (Transformer)
You can modify the way your voice sounds through the microphone. This is called
the “Voice Transformer” function.
1.
Touch <Transformer> in Step 2 of “How to select Vocal Effect” (p. 47).
fig.d-vo-trans.eps_60
48
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Chapter 1 Performance
2.
Touch any one of the icons.
Here’s what the different icons do.
3.
Chapter 1
Explanation
Display
Kids
Transforms the input into the sound of a child’s voice.
Bear
Transforms the input sound into the voice of a large animal.
Robot
Transforms the input into the sound of a robot’s voice.
Duck
Transforms the input into a duck’s quacking sound.
Alien
Transforms the input into an alien voice.
Computer
Transforms the input into a voice like that from a computer.
Female
Transforms male voices into female voices.
Male
Transforms female voices into male voices.
Sing through the microphone.
Your voice is transformed according to the item you selected.
Cancelling the Effect
4.
Once again, touch the icon you selected in Step 2.
The Voice Transformer effect is eliminated.
Press the [Exit] button to return to the Vocal Effects screen.
❍
Adding Harmonies (Harmonist)
You can sing with a harmony accompaniment, even when you’re playing solo. This
is called the “Harmonist” function.
1.
Touch <Harmonist> in Step 2 of “How to select Vocal Effect” (p. 47).
Touch
to switch the screen.
fig.d-vo-harmo.eps_60
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Chapter 1 Performance
2.
Touch any one of the icons.
Chapter 1
Here’s what the different icons do.
Display
Explanation
Unison
Sounds like two people singing the same melody.
Oct-Up
Adds another voice one octave higher than the original.
Oct-Down
Adds another voice one octave lower than the original.
5th Up
Adds harmony a fifth above the original.
3rd Up
Adds harmony a third above the original.
4th Down
Adds harmony a major fourth below the original.
My Voice
The melody played on the keyboard is played as the harmony.
The harmony is added to your voice regardless of the pitch.
Duo 1
Duo 2
The added harmony matches the chords specified on the
keyboard. Adding harmony to a single voice gives the effect of
two people singing together.
Variety
The melody played on the keyboard is played as the harmony.
The harmony added is matched to the pitch; for example, higher
pitches are used for female voices, lower pitches for male voices.
Trio
The added harmony matches the chords specified on the
keyboard. This adds a two-voice harmony that makes it seem that
a trio is singing.
Chords
The added harmony matches the chords specified on the
keyboard.
You can change the way harmonies are added with the Melody
Intelligence type (p. 70).
Cancelling the Effect
3.
Touch the Harmonist type you selected in Step 2 again.
The Harmonist function is cancelled.
Press the [Exit] button to go back to the Vocal Effects screen.
❍
Enabling the Start of Songs and Automatic Accompaniment with the
Sound of Your Voice (Vocal Count In)
You can start songs and the Automatic Accompaniment by counting into the
microphone.
1.
Touch <Vocal Count In> in Step 2 of “How to select Vocal Effect” (p. 47).
fig.d-vo-coin.eps_60
50
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Chapter 1 Performance
2.
Touch <Arranger> or <Song>.
3.
Arranger
Automatic Accompaniment starts at the tempo used for the count.
Song
The song starts at the tempo used for the count.
Chapter 1
Explanation
Display
Count to four (“One, two, three, four”) into the microphone.
Count out the number of beats per measure in the time signature of the selected song
or Music Style.
For example, if you select a time signature of 4/4, then count to four; count to three
when 3/4 time is selected.
The tempo is automatically set according to the interval between the counts as you
speak into the microphone, and the song or Arranger begins.
Press the [Exit] button to return to the Vocal Effects screen.
❍
Playing Instrument Sounds at Vocal Pitches (Vocal Keyboard)
You can have melodies sung into the microphone played with the KR’s internal
Tones.
1.
Touch <Vocal Keyboard> in Step 2 of “How to select Vocal Effect” (p. 47).
fig.d-vo-key.eps_60
2.
If the <OFF> icon is selected, touch the <ON> icon.
3.
Touch any of the icons to select a Tone.
When you play the keys while
using Vocal Keyboard, the
You can also select the Tone by pressing the Tone button.
tone selected for Vocal
Keyboard is played.
When you sing into the microphone, the sung pitches are played using the selected
Tone.
Cancelling the Effect
4.
Touch <OFF>.
The Vocal Keyboard function is cancelled.
Press the [Exit] button to go back to the Vocal Effects screen.
51
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Chapter 1 Performance
❍
Adding Harmonies to a Specified Part (Music Files)
Chapter 1
When you sing while playing back a specified part from song data, harmony is
added based on pitches of the specified part.
1.
Select the song to which you want to add harmony.
To select a song stored in external memory, connect the external memory to the
external memory port.
2.
Touch <Music Files> in Step 2 of “How to select Vocal Effect” (p. 47).
fig.d-vo-music.eps_60
3.
Touch the icon for the part to which you want to add harmony.
When you play back the song and sing into the microphone, harmonies are added
using the pitches of the specified part.
4.
Touch <Variety>.
When <Variety> is ON, the melody played on the keyboard is played as the
harmony. The harmony added is matched to the pitch.
Cancelling the Effect
5.
Touch the icon you selected in Step 3 again.
The Music Files function is cancelled.
Press the [Exit] button to go back to the Vocal Effects screen.
52
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Chapter 1 Performance
■ Enjoying Karaoke Performances with Music Files
1.
Connect a microphone.
2.
Adjust the volume level and the amount of echo applied.
Commercial music files
along are also available.
On the KR, use the Vocal Effect function to adjust the echo (p. 48).
You can also enjoy this effect with the Voice Transformer function (p. 48) and
Consult your KR dealer when
purchasing music files. Refer
to “Music Files That the KR
Can Use” (p. 217).
Harmonist function (p. 49).
3.
Select a song.
To select a song stored in external memory, connect the external memory to the
external memory port. For instructions on how to select songs, refer to “Playing a
Song” (p. 75).
On the KR, lyrics can also be
4.
Adjust the tempo as required with the Tempo [-] [+] buttons.
5.
If necessary, change the key of the song (Transpose: p. 102).
When you press the [
(Play/Stop)] button, the accompaniment starts playing.
Sing along with the accompaniment.
When you play back a Music File with lyrics, the lyrics appear on screen.
6.
Press the [
shown on an external display.
Refer to “Connecting an
External Display” (p. 185) and
“Changing the Settings for
Showing Images with the
External Display and the
Television (External Display)”
(p. 186).
(Play/Stop)] button to stop the accompaniment.
You can stop lyrics from being
displayed. Refer to “Hiding
the Lyrics (Lyrics)” (p. 182).
53
Chapter 1
designed for “karaoke” sing-
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Chapter 1 Performance
Using the Metronome
Chapter 1
The KR features a built-in metronome. During playback of the song and
accompaniment, the metronome plays at that tempo and beat.
fig.panel1-6
■ Using the Metronome
1.
Press the [Metronome] button and watch the indicator light up.
You will hear the metronome.
The following “Metronome screen” appears.
fig.d-metro.eps_60
You can press the [Exit] button to have the metronome continue to play while you
return to the previous screen.
Stopping the Metronome
2.
Press the [Metronome] button once more, and the indicator light goes
out.
54
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Chapter 1 Performance
■ Changing the Metronome Settings
Adjusting the Tempo
Chapter 1
❍
You can adjust the tempo of the metronome. The tempo and beat of the metronome
changes automatically if you use an Automatic Accompaniment or play back a song.
1.
Press the Tempo [-] or [+] buttons to adjust a tempo.
You can adjust the metronome tempo over a range of
= 10–500.
Pressing the Tempo [-] and [+] buttons simultaneously returns the selected song
accompaniment to the basic tempo.
❍
❍
Changing the Beat of the Metronome
1.
On the Metronome screen, touch <Beat>.
2.
Select the beat with the dial.
When
is selected,
only the upbeat will sound.
Changing the Volume
The volume of the metronome can be adjusted to ten different levels.
1.
On the Metronome screen, touch <Volume>.
2.
Select the volume with the dial.
Choosing
sets the volume to the lowest level, and choosing
sets
it to the highest level.
Choose
❍
to silence the metronome sound.
Changing the Type of Sound
You can change the sound the metronome makes.
The setting is at “Normal metronome sound” when the KR is powered up.
1.
On the Metronome screen, touch <Sound>.
2.
Select the sound with the dial.
Displayed
Explanation
Displayed
Explanation
Normal metronome
sound
Electronic metronome
sound
“1, 2, 3” in Japanese
“1, 2, 3” in English
55
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Chapter 1 Performance
Chapter 1
Displayed
❍
Explanation
Displayed
Explanation
Dog and cat sounds
Wood block
Triangle and castanet
Hand clap
Changing How the Metronome Beat (Pattern) Sounds
You can set the Metronome to play at even smaller intervals.
1.
On the Metronome screen, touch <Pattern>.
2.
Select the pattern with the dial.
Displayed
Explanation
Displayed
Explanation
Usual sound
Dotted half-note intervals
Half-note intervals
Dotted quarter-note
intervals
Quarter-note intervals
Dotted eighth-note
intervals
Eighth-note intervals
Sixteenth-note intervals
Single back beat added
Triplet rhythm added
Shuffle rhythm added
❍
Turning Off the Beat Light (Beat Indicator)
The beat light flashes in time with the metronome, accompaniment Styles, and song
tempos, but you can set it so that it stays off at all times.
1.
Touch <Beat LED> in the Metronome screen.
2.
Select ON/OFF (Beat Indicator off) with the dial.
56
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Chapter 2 Automatic Accompaniment
Music Styles and Automatic Accompaniment
What is Automatic Accompaniment?
Press the One Touch Program [Arranger] button for Automatic Accompaniment’s
optimum settings. Automatic Accompaniment is a function that provides you with
Automatic Accompaniment,
refer to “Selecting Music Styles
(Music Style Buttons)” (p. 61).
hand. Automatic Accompaniment lets you play with an orchestra, even when
performing alone!
What Are Music Styles?
Accompaniment patterns in various musical genres are called “Music Styles.”
There are many different kinds of music around the world, and each has its own
unique features. What gives jazz or classical music their unmistakable sounds are a
unique combination of elements like instrumentation, melody, and phrasing, which
interact to create the musical character.
Elements of Music Styles
A Music Style consists of a set of six sections called “divisions.”
Division
Explanation
Intro
Played at the start of a song.
Original
The basic accompaniment pattern.
Variation
This is a variation on the Original accompaniment pattern.
Fill In To Original
This is a one-measure phrase inserted at a point where the
mood changes and the accompaniment returns to the original.
Fill In To
Variation
This is a one-measure phrase inserted at a point where the
mood changes and the accompaniment moves ahead to the
variation.
Ending
The conclusion of a song.
In addition, the accompaniment Styles are composed of up to a maximum of eight
performance parts: “Rhythm,” “Bass,” “Accompaniment 1,” “Accompaniment 2,”
“Accompaniment 3,” “Accompaniment 4,” “Accompaniment 5,” and
“Accompaniment 6.”
57
Chapter 2
accompaniment in a variety of musical genres, just by specifying chords in the left
For instructions on playing the
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Chapter 2 Automatic Accompaniment
Performing Using Automatic Accompaniment
(One-Touch Arranger)
Here’s how to create the settings for Automatic Accompaniment.
Chapter 2
fig.panel2-1
1.
Press the One Touch Program [Arranger] button.
The Basic screen like the one shown below appears.
fig.d-arrbasic.eps_60
<
> appears in the Piano
screen or Basic screen when
headphones are connected.
You can add threedimensional breadth to the
sound from the headphones
(p. 39).
Normally, when you change a
Music Style, the tempo and
tone change to selections that
go well with the selected
Music Style. If you do not want
Observe the settings:
to change the tempo and tone,
• The keyboard is split into left- and right-hand parts, with accompaniment
Styles Without Changing the
• A tone appropriate for the selected Music Style is chosen.
Tone or Tempo (One Touch
• The tempo and beat for the selected Music Style is set.
2.
refer to “Changing Music
chords specified for the left-hand side of the keyboard.
Setting)” (p. 162).
Play a chord on the Lower-part of keyboard.
The accompaniment begins, starting from the intro.
For instructions on selecting
Music Styles, refer to
Play chords with the left hand, and the melody with the right.
“Selecting Music Styles (Music
When you change chords in the left hand, the accompaniment also changes.
Style Buttons)” (p. 61).
fig.arr-split.e
Split Point ( F 3 )
For instructions on starting
and stopping the
accompaniment, refer to
The range specifyed a chord
3.
“Starting and Stopping the
Accompaniment” (p. 65).
Press the [Intro/Ending] button.
After the ending plays, the accompaniment stops.
You can change the range in
which chords are played.
Please refer to “Changing the
Keyboard’s Split Point (Split
Point)” (p. 162).
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Chapter 2 Automatic Accompaniment
■ About Chords
A chord is produced when several notes are played simultaneously. Chords are
indicated by the pitch of the fundamental note of the chord (the root) and the chord
type, which is determined by the other notes of the chord.
For example, the C m chord is expressed in terms of the root note “C” and the chord
type “m” (minor). C m is made up of the three notes “C,” “E
” and “G.”
Chapter 2
“C m” is indicated as the chord name on the Basic screen.
fig.chord.e
Cm
E
Chord Type
Root Note
C
G
Root Note
All chord roots are indicated as a letter, sometimes with
or
added, and
correspond to the notes shown below.
fig.chord-root.e
Normally, settings used for the
■ Playing Chords with Simple Fingering
(Chord Intelligence)
“Chord Intelligence” is a feature that chooses the accompaniment chords the
Chord Intelligence function are
selected, but there may be
settings that are not used. You
can also change the rules
governing how chords are
moment you play a key.
played. For more information,
To play a “C” chord, for example, you normally have to play the three keys C, E, and
see “Changing How Chords
G. But with Chord Intelligence, you only have to press the C key to start a “C” chord
Are Played and Specified
accompaniment.
(Arranger Config)” (p. 162).
fig.chord-intel.e
• Intelligence 1
Major
Minor
Ex: C
Ex: C m
Play the chord root.
Play the root and
the third key above it.
For more information about
chord fingering, refer to the
Seventh
Ex: C 7
Minor Seventh
Play the root and
the second key below it.
Major Seventh
Ex: C maj 7
Ex: C m7
“Chord List” (p. 212).
Play the root,
the third key above it, and
the second key below it.
Diminished
Play the root and
the first key below it.
Ex: C dim
Play the root and
the sixth key above it.
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Chapter 2 Automatic Accompaniment
■ Viewing Chord Fingerings (Chord Finder)
Whenever you are not sure how a certain chord is fingered, you can display the notes
of the chord on the screen.
1.
On the Basic screen, touch <
>.
Chapter 2
fig.d-arrbasic.eps_60
2.
Touch the root of the chord you want to learn about.
The chord fingering appears on screen.
fig.d-crdfind.eps_60
For example, if you wanted to see the fingering for a C# chord, you would touch
<C>, then touch <#>.
Press the [Exit] button to go back to the Basic screen.
60
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Chapter 2 Automatic Accompaniment
Selecting Music Styles (Music Style Buttons)
You can select a variety of different Music Styles by pressing the Music Style buttons.
Four different preset styles are assigned to the Music Style.
fig.panel2-2
Chapter 2
1.
Press the One Touch Program [Arranger] button.
2.
Press one of the Music Style buttons to select the Music Style group.
For more on the Music Style
names, refer to the “Music
Style List (KR117)” (p. 210).
Watch the indicator button light up.
Five of the Music Styles included in that group are displayed on the screen.
fig.d-stylesel.eps_60
This screen is called the “Style Selection screen.”
Touch and drag up and down in the scroll bar to scroll through the screen and
display other styles.
Touch the page icons <
><
> to change pages.
You can touch <Search> to find Styles that match the selected criteria (p. 62).
3.
Touch a Music Style name to select the Music Style.
You can use the dial to automatically switch pages and select Styles.
4.
Touch Preset <A>, <B>, <C>, or <D> in the lower part of the screen.
When the Music Style is selected, Preset A is selected.
When any of the Presets from <A> through <D> are selected, the Music Style tempo,
Upper Tone, Style Orchestrator settings (p. 69) and other settings change.
5.
Press the [Exit] button.
The display returns to the Basic screen.
When you play a chord in the left-hand part of the keyboard, the selected Music Style
is automatic.
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Chapter 2 Automatic Accompaniment
■ Using Keywords to Search for Music Styles
(Style Search)
You can search for Music Styles that match the tempo of the song, musical genre, or
other criteria you set.
Chapter 2
You can also search Music Styles using the first character of the Style names.
1.
Press one of the Music Style buttons.
2.
Touch <Search>.
Only the KR’s internal Music
Styles are searchable.
The following “Style Search screen” appears.
fig.d-stylsrch1.eps_60
Condition Search screen
Name Search screen
Touch here to switch these screens.
In a condition search, the KR
❍
Searching by Conditions
3.
satisfying all of the selected
Touch the parameter you want to set, then use the dial to select the search
conditions.
4.
Touch <Search>.
The search results appear in the display.
Touch a Music Style name to select a Music Style.
Press the [Exit] button to return to the Style Search screen.
❍
Searching by Music Style Name
3.
Touch <By Name>.
Touch <By Key> to return to the Condition Search screen.
4.
Decide which character you’ll use for the search.
The selected character appears in the middle of the screen.
Enter the character you are searching for. For example, touching <ABC> in
succession cycles you through the available choices in that character group
(“A”→”B”→”C”...).
Touch <A-0> to toggle between alphabets and numerals.
5.
Touch <Search>.
The search results appear on the display.
Touch a Music Style name to select a Music Style.
Press the [Exit] button several times to return to the Basic screen or the previous
screen.
62
looks for Music Styles
search criteria.
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Chapter 2 Automatic Accompaniment
■ Selecting Music Styles on External Memories
You can play other User Styles saved to external memories (sold separately) or User
memory (p. 158).
fig.panel2-3
Chapter 2
1.
Press the Music Style [User] button.
fig.d-styldisk.eps_60
2.
Touch <User> in the lower left of the screen.
When you touch <User> on the lower part of the screen, the screen for selecting user
memory or external memory Styles appears.
Touching <Preset> in the lower left of this screen returns you to the screen for
selecting the “Trad/World” accompaniment Styles.
3.
Touch <
><
> to select the storage media to which the
accompaniment Style is saved.
The names of the accompaniment styles stored on the selected storage media are
displayed.
4.
Select a Music Style, and touch the Music Style name.
5.
Press the One Touch Program [Arranger] button.
You can save multiple user
You can now perform in the selected Music Style.
Styles to user memory. Take a
Music Styles selected from external memories are stored until the power is turned
look at “Saving a User Style”
off. Even after ejecting the external memory, by pressing the Music Style [User]
(p. 158).
button, you can perform using the most recently selected Music Style.
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Chapter 2 Automatic Accompaniment
Playing Only Music Style Rhythm Patterns
You can also play only the rhythm patterns of Music Styles.
Chapter 2
fig.panel2-4
1.
2.
3.
Select a Music Style (p. 61).
Some Music Styles do not
Press the One Touch Program [Piano] button.
include rhythm patterns.
The performance is set so that only the rhythm patterns are played.
When you select these Style
patterns, no rhythm patterns
Press the [Intro/Ending] button.
The Rhythm part of accompaniment begins, starting from the Intro.
Just as with regular Automatic Accompaniment, you can add intros and endings by
pressing the [Intro/Ending] button, and make changes to the rhythm patterns with
the Fill In button (p. 68).
Adjusting the Accompaniment Tempo
fig.panel2-5
When the Basic screen is displayed, you can use the Tempo [-] [+] buttons or the dial
to change the tempo.
The tempo is indicated on the upper left of the screen.
fig.d-arrbasic.eps_60
Pressing the Tempo [-] [+] buttons simultaneously returns the selected Music Style
or song to the basic tempo.
You can change the tempo of Automatic Accompaniment even while the
accompaniment is playing.
64
NOTE
are played, even when you
play on the left side of the
keyboard.
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Chapter 2 Automatic Accompaniment
Starting and Stopping the Accompaniment
Pressing the One Touch Program [Arranger] button activates Sync Start for the
accompaniment (which starts the accompaniment simultaneously when you play on
the lower section of the keyboard), and automatically sets an appropriate intro for
the accompaniment. You can also change the way the accompaniment starts and
Chapter 2
stops.
fig.panel2-6
■ Having the Accompaniment Start Simultaneously
When You Play the Keyboard (Sync Start)
1.
Press the [Intro/Ending] button and [Start/Stop] button simultaneously,
Sync Start is set immediately
causing the indicators of both buttons to flash.
after the One Touch Program
The Sync Start settings go into effect.
2.
[Arranger] button is pressed.
Play a chord on the lower-part of keyboard.
As you play the keys, the intro and accompaniment begins simultaneously.
❍
Changing the Intro
When set for Sync Start (the indicators of both the [Intro/Ending] button and [Start/
Stop] button are flashing), you can use the following procedure to change the intro,
or prevent the intro from playing.
Starting without an Intro
Press the [Intro/Ending] button and watch the indicator go out.
Now when you play a chord with the keyboard, the accompaniment starts without
the intro.
To Start with a Short Intro Added
Touch <Arranger> in the Basic screen to open the arranger screen.
Touch the Intro <2>.
fig.d-intro2.eps_60
Now when you specify a chord with the keyboard, a short intro is played, and the
accompaniment starts.
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Chapter 2 Automatic Accompaniment
❍
Starting at the Press of a Button
1.
Press the [Intro/Ending] button and [Start/Stop] button simultaneously,
and the indicators lights go out.
The Sync Start function is cancelled.
Chapter 2
2.
Play a chord on the lower part of keyboard.
Choose the chord to be played when the accompaniment begins playing.
3.
Press the [Intro/Ending] button or the [Start/Stop] button.
When you press the [Intro/Ending] button, the intro plays, and the accompaniment
starts. When you press the [Start/Stop] button, the accompaniment starts without
the intro.
When you touch Intro <2> on the Basic screen, a short intro plays.
You can change the sound of
Chord Tones and Bass Tones
When you play the keys in the left-hand side of the keyboard while the [Start/Stop]
button’s indicator is not lit, chords play. This note is called the “Chord Tone,” and
the root of the chord being played at the same time is called the “Bass Tone.”
■ Stopping Automatic Accompaniment
❍
Stopping with an Added Ending
1.
Press the [Intro/Ending] button.
An ending plays and the Automatic Accompaniment stops.
❍
Stopping at the Same Time the Button is Pressed
1.
Press the [Start/Stop] button.
The Automatic Accompaniment stops as soon as you press the button.
66
the chord tone and bass tone.
Take a look at “Changing How
Chords Are Played and
Specified (Arranger Config)”
(p. 162).
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Chapter 2 Automatic Accompaniment
■ Having a Count Sound Play at the End of the
Intro (Countdown)
If an intro plays before your performance, you can have a count-in sound played to
the end of the intro, helping you hear when to start playing.
fig.countdown.e
Ex: 4/4
Intro
1
2
3
Chapter 2
When the Intro has finished playing,
the accompaniment plays.
4
Count Sound
1.
Press the [Count/Marker] button and watch the indicator light up.
The following “Count screen” appears.
fig.d-cntdwn.eps_60
2.
When set to “Count In/
Touch <Count Mode>
to set this to “Count Down” or “Count
In/Down.”
When you press the One Touch Program [Arranger] button, the performance starts,
Down,” a count sound is
added before playback of the
song begins.
and the countdown sound plays at the end of the intro.
❍
Cancelling the Countdown
3.
For more about settings on the
Countdown screen, refer to
Press the [Count/Marker] button and the indicator light goes out.
“Changing the Settings for the
Count” (p. 164).
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Chapter 2 Automatic Accompaniment
Modifying an Accompaniment
When you use Automatic Accompaniment, you can easily add Fill Ins to the
You can add variation to the
accompaniment patterns, change arrangements, and make other changes.
Automatic Accompaniment by
Chapter 2
assigning different functions to
■ Changing the Accompaniment Pattern
(Fill In Buttons)
There are two accompaniment patterns: the Original, and a Variation. In addition, a
fill-in (or short phrase) is added at the points where the accompaniment patterns
change, which adds more interest to the song. It can be effective to use the simpler
original pattern for the first half of the song, and the variation pattern for the second
half.
What’s a “Fill In”?
A short improvisational phrase inserted at the bar line is called a “Fill In.”
The KR automatically plays the appropriate phrase for the selected Music Style.
fig.panel2-7
Press the Fill In [To Variation] button and watch the indicator light up.
The instrument is set so that the variation performance pattern is played.
Press the Fill In [To Original] button and watch the indicator light up.
The instrument is set so that the original performance pattern is played.
Pressing these buttons during a performance inserts a one-bar fill-in at the
appropriate place and time.
Adding a Fill-in without Changing the Accompaniment Pattern
You can play only the fill-in, without changing the accompaniment pattern.
Press the lit [To Original] or [To Variation] Fill In button during the performance.
68
the Performance Pads and
pedals. For more information,
see “Assigning Functions to
Pedals and Performance Pads
(Pedal Setting/User
Functions)” (p. 167).
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Chapter 2 Automatic Accompaniment
■ Changing Accompaniment Patterns in the Screen
You can change accompaniment patterns in intros, fill-ins, endings, and so on by
touching the screen. This lets you enjoy even more advanced performances.
1.
Press the One Touch [Arranger] button.
The Arranger basic screen is displayed.
Chapter 2
2.
Touch <Arranger>.
The following screen appears.
fig.d-cntdwn.eps_60
For more information about
leading bass, refer to p. 168.
Touch the screen to change the accompaniment pattern.
■ Changing the Instrumental Makeup of Music Styles
(Style Orchestrator)
You can change the arrangement of an accompaniment. This function is called “Style
Orchestrator.” Each Music Style has three different accompaniment arrangements.
fig.panel2-8
1.
Press the [Style Orchestrator] button and watch the indicator light up.
The instrument is set to allow you to change the arrangement with the Performance Pads.
2.
Press Performance Pad [1]–[3] to change the arrangement for the
accompaniment.
Function] buttons, the [Style
Orchestrator] button’s
indicator goes out, and the
function of the Performance
Watch the indicator of the button you pressed light up.
.
Button
When you press the [User
Explanation
Pads changes. For details refer
to p. 94 and p. 167.
When simple Music Styles are
1 (Basic)
This is the simplest arrangement.
selected, there may be no
2 (Advanced)
This is a more involved arrangement.
change in the arrangement
3 (Full)
This is the most elavorate arrangement.
even when you use the Style
Orchestrator function.
69
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Chapter 2 Automatic Accompaniment
Adding Harmony to the Right-Hand
Part (Melody Intelligence)
You can add harmony to the notes you play on the keyboard.
While an Automatic Accompaniment is playing, the matching harmony is
Chapter 2
automatically added to the notes you are playing with the right hand. This function
is called “Melody Intelligence.”
fig.panel2-10
1.
Press the [Melody Intelligence] button and watch the indicator light up.
When you play something on the right-hand section of the keyboard, harmony is
added.
The following “Melody Intelligence screen” appears.
fig.d-melointel.eps_60
2.
Select and touch a harmony type.
Then when you play a melody on the keyboard, a harmony style is automatically
3.
added.
With some harmonies, Tones
When you press the [Exit] button, you’re returned to the previous screen, while the
may change automatically.
Melody Intelligence function remains selected.
Also, when you play several
keys at the same time, in some
Press the [Melody Intelligence] button once more and the indicator light
goes out.
The Melody Intelligence function is cancelled.
70
cases harmony may be added
to one note.
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Chapter 2 Automatic Accompaniment
Playing Sounds in the Left Hand During a
Performance (Lower Tone)
Normally, when using Automatic Accompaniment in a performance, sounds are not
produced by playing the left-hand part of the keyboard. When you touch the
<Lower 1> or <Lower 2> icon, you can have Tones from the left side of the keyboard
Chapter 2
play simultaneously with the Automatic Accompaniment.
1.
Press the One Touch Program [Arranger] button.
This sets the Automatic Accompaniment.
2.
On the Basic screen, touch <Lower 1>.
Now when you play a chord in the left-hand keyboard area, the notes you play will
sound, and the accompaniment chord changes.
In the same manner, you can play the lower tone by touching <Lower 2>.
By touching both <Lower 1> and <Lower 2>, you can get a Layer performance for
the left-hand.
fig.d-lower.eps_60
Stopping the Sound in the Left-hand
3.
Touch <Lower 1>.
The <Lower 1> icon returns to the original color.
To have <Lower 2> play as well, also touch <Lower 2>.
The lower Tones stop playing.
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Chapter 2 Automatic Accompaniment
Playing the Piano with Accompaniment Added
(Piano Style Arranger)
Usually with Automatic Accompaniment, you play chords on the left-hand side of
the keyboard and the melody on the right-hand side. Chords can also be recognized
Chapter 2
over the entire keyboard, allowing you to perform using Automatic Accompaniment
without splitting the keyboard. This function is called “Piano Style Arranger.”
This makes it possible to add an accompaniment automatically as you play a song
by playing chords in the ordinary way, without giving any thought to the location
of a keyboard split.
1.
2.
Press the One Touch Program [Arranger] button.
Touch <Split> to turn the Split function off.
fig.d-pianist.eps_60
3.
Select a Music Style (p. 61).
4.
Play the keyboard.
The accompaniment starts when you play a chord anywhere on the keyboard.
72
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Chapter 2 Automatic Accompaniment
Adjusting the Volume Balance for Each
Part (Balance)
You can adjust the volume balance between the accompaniment and the keyboard,
and the volume balance for each of the parts in a Music Style.
Accompaniment and the Keyboard (Balance Knob)
1.
Chapter 2
■ Changing the Volume Balance Between the
NOTE
When this knob is turned
You can change the volume balance between a song and accompaniment and the
completely to the
notes you play on the keyboard.
Accompaniment side, no
sounds from the keyboard are
Adjust the volume balance with the Balance knob.
audible, even when the keys
are pressed. You can usually
fig.volbal.e
leave the knob at the center
position.
■ Adjusting the Volume Balance for Each
Performance Part (Part Balance)
You can adjust the volume of each performance part in a Music Style, and the
balance between parts when playing multiple Tones on the keyboard.
fig.panel2-11
1.
Press the [Part Balance] button and watch the indicator light up.
The following “Part Balance screen” appears.
fig.d-partbal2.eps_60
Switch the screens
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Chapter 2 Automatic Accompaniment
The volume balance between the performance parts in the Music Style is indicated.
Performance part
Display
Rhythm
Music Style Rhythm Part
Bass
Music Style Bass Part
Accomp1
Chapter 2
Accomp2
Accomp3
Accompaniment 1–6
Accomp4
Accomp5
Accomp6
Chord Tone
Chord Tone (p. 66)
Bass Tone
Bass Tone (p. 66)
WAV
Audio File
CD
(Only with models
featuring CD Drive)
Audio CD
When you touch <Keyboard>, a screen like the following appears.
fig.d-partbal1.eps_60
Switch the screens
This shows the volume balance between the keyboard’s Tones when either layer
performance (p. 31) or split performance (p. 32) are used, or the volume balance
when using the keyboard to play percussion instruments or sound effects (p. 29).
Displayed
Tone Part
Drm/SFX
Percussion instruments or sound effects played with the keys
Upper
Upper Tone
Lower 1
Lower Tone 1
Lower 2
Lower Tone 2
Layer 1
Layer Tone 1
Layer 2
Layer Tone 2
When you touch <Accomp>, you return to the screen for setting the accompaniment
Style volume balance.
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Chapter 3 Song Playback
Playing a Song
Now, let’s try practicing while playing back internal songs, commercial music files,
and songs saved to external memories.
You can use rewind or fast-forward to go to any desired measure, and play back
from that point.
You can also play audio files (p. 80).
fig.panel3-1
Chapter 3
Record/Playback buttons
Selecting the Song
When playing back songs on optional external memory, first connect the external
memory to the external memory port.
1.
Press the [Song] button.
The following “Song Selection screen” appears.
fig.d-songsel.eps_60
Touch and drag up and down in the scroll bar to scroll through the screen and
display other songs.
Touch the page icons <
><
> to change pages.
: The fingering is included in the notation.
: The chords are indicated in the notation.
: You can display song lyrics.
: For audio files.
When you touch <
About Random Performances
When “Favorites” is selected as
the genre, songs registered in
“Favorites” are played back in
random order.
When “External Memory” is
selected as the genre, the songs
in the folder appearing on the
screen are played back in
random order.
>, songs selected from all of the internal songs are played in
random order.
When you touch <
>, all of the songs in the genre you have selected are played
in order, starting from the selected song. When the last song is finished, playback
resumes from the first song in the genre.
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Chapter 3 Song Playback
<
>: The selected song is played back. This changes to <
is played back; playback stops when you touch <
> while the song
>.
If there is recorded song data,
the “Delete song” screen
appears.
By touching <File>, you can then view information about the song (p. 182) and save
songs to external memory (p. 116).
2.
Touch <
><
> to select the song genre.
Chapter 3
If it’s okay to delete the song,
3.
touch <OK>. If you do not
Touch the name of the song to be played back.
want to delete the song, touch
You use and the dial to select songs.
<Cancel>, and either save the
song to a external memory (p.
Playing back
4.
116) or register the song to the
Press the [
Favorites (p. 82).
(Play/Stop)] button.
The button indicator lights up, and playback of the song begins.
Stopping the Song
5.
Press the [
(Play/Stop)] button once again.
The button indicator light goes out, and the song stops.
When the song is finished, playback stops automatically.
Press the [
(Reset)] button to return to the beginning of the song.
NOTE
When you select a song, the
Record/Playback Buttons
measure number in the Basic
fig.composer.e
screen is highlighted. The
performance data is being
loaded while the indication is
highlighted; please wait a few
moments for this to be
completed.
Track buttons (Rhythm, Whole, Bass/Accomp, Lower, Upper):
Each performance part of the song being played back is assigned to a track button. Use these
buttons to select the performance parts that are muted or played. For more detailed
information, refer to p. 97.
[
(Reset)] button: Returns to the beginning of the song.
[
(Play/Stop)] button:
Plays back the song, or if the song is currently being played, it stops the song.
[
[
(Bwd)] button: Moves back the playback position of the song one measure each time
the button is pressed. Moves back the playback position of the song one second each when an
audio file is being played back. When held down, the song “rewinds” continuously.
[
(Fwd)] button: Advances the playback position of the song one measure each time the
button is pressed. Advances the playback position of the song one second each when an audio
file is being played back. When held down, the song is forwarded continuously.
Holding down the [
(Play/Stop)] button and pressing the [
you to the end of the song.
76
NOTE
(Rec)] button: Records the performance. For more detailed information, refer to p. 104.
(Fwd)] button moves
When using markers to specify
a section to be repeated (p.
101), you can rewind and fast
forward only within the range
between Marker A and
Marker B.
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Chapter 3 Song Playback
■ Listening to Songs on CDs (Only for Instrument
Equipped with CD Drive)
Cautions
Handling CDs
• Do not leave discs exposed to direct sunlight for extended periods.
• Handle CDs with your finger and thumb, holding the disc by the center hole and
outer rim. Do not touch or scratch the disc’s recording surface (the green side).
• Do not drop or stack discs.
• Do not place heavy objects on discs or subject them to strong impact.
Chapter 3
• Do not affix stickers or other such materials on the label side. Placing stickers on
the disc may result in errors when data writing and scratch the disc.
• Use a felt-tip marker or other soft-tipped implement to write titles and other
information on the label side of discs.
• Store discs in their original cases or other suitable cases for protection.
• Before using the CD, please read the warning on the CD cover.
Cleaning Discs
• If a disc becomes dusty or soiled, gently wipe the disc with a soft cloth. Always
wipe outwards from the center using light, gentle strokes. Do not wipe the disk
in a circular pattern.
Precautions Concerning Use of the CD
• CD-R/RW discs to which audio tracks have been added, and CDs with mixed
audio tracks and data will not play back properly.
• The KR is capable of playing back only commercial CDs that conform the official
standards-those that carry the “COMPACT DISC DIGITAL AUDIO” logo. The
usability and sound quality of audio discs that incorporate copyright protection
technology and other non-standard CDs cannot be guaranteed.
• For more detailed information on audio discs featuring copyright protection
technology and other non-standard CDs, please consult the disc vendor.
• You cannot save songs and styles to CDs, and you cannot delete songs or styles
recorded to CDs. Furthermore, you cannot format CDs.
• The prescribed format for CD-R/RW discs is “ISO9660 Level 1 Mode 1.”
• You may be unable to read using other formats.
NOTE
You may not be able to play
CDs That Can Be Played Back
• Commercially available audio CDs
back certain commercially
available player piano CDs.
• CD-ROMs containing saved SMF music files
• CD included with the KR
• Player piano CDs
• CDs created with the A/V Sync function (p. 122)
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Chapter 3 Song Playback
Insert the CD in the CD Drive
1.
Press the eject button and open a disc tray.
fig.
Disc Tray
Chapter 3
Eject Button
2.
Put a CD on a disc tray.
3.
Press the eject button again to close the disc tray.
Removing a CD
1.
Press the eject button and open a disc tray.
2.
Remove the CD from the disc tray.
If a disc tray does not open
If the power is turned off with the disc still in the drive (such as due to a power
failure), the disc tray cannot be opened by pressing the eject button. In this case, you
can insert a piece of wire to force the tray open.
fig.
Emergency Eject Hole
Make sure the KR’s power has been turned OFF before attempting to engage the
emergency eject hole. If you insert something while the power is on, the disc could
be damaged, or unexpected problems may occur.
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Chapter 3 Song Playback
Playing Back Songs on CDs
You can play back the CD included with the KR, CDs with player piano CDs, audio
CDs, and CD-ROMs to which SMF music files are saved.
1.
2.
If there is any song data
Touch <
><
already recorded, a screen
> to select “CD” as the genre.
appears asking you to confirm
If using the remote control, press the remote control’s [EXTERNAL] button, then
that the song is to be erased. If
select “CD” as the genre.
you do not mind erasing the
data, touch <OK>. If you do
Press the [
] button to start playback of the CD’s songs.
not want to erase the data,
Chapter 3
3.
NOTE
Place the CD you want to play in the CD drive.
touch <Cancel>, and either
The songs on the CD are played.
save the song data to the
When the KR is set to play back all songs (p. 75), once the song currently being
Favorites or to external
played back is finished, the next song starts playing automatically. After all of the
memory (p. 116)
songs on the CD have been played, playback automatically resumes from the
beginning of the CD. When the KR is set to play back a single song (p. 75), playback
stops automatically when the song is finished.
4.
Press the [
] button once more to stop playback of the songs.
When Selecting Songs in Folders
1. Touch the folder name.
2. Touch <
(Play)> at the bottom left of the screen.
After a moment, a list of songs in the folder is displayed.
You can also select the folder using the dial or the [
(Bwd)] or [
(Fwd)]
button on the remote; the folder can then be opened by pressing the
[
(PLAY)] button.
3. Touch a song from the list that appears to select the song you want to
play back.
* Depending on the number of songs contained in a folder, this may take some time.
NOTE
If a folder contains 500 or more
files and/or folders, some of
the files and folders may not
be displayed.
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Chapter 3 Song Playback
About Audio Files
Audio files in the following format can be played back:
• “.WAV” extension
• 16 bit linear
• Sampling rate of “44.1 kHz”
• Stereo
You cannot use the following functions in playing back audio files.
Chapter 3
• Marker (p. 98)
• Displaying notations (p. 87)
• Registering “Favorites” (p. 82)
• Transposing (p. 102)
• Changing tempos (p. 94)
• Track Mute (p. 97)
• Recording (p. 105)
• Search (p. 81)
* Saving or performing other procedures during playback of audio files may
cause the song to stop while it is playing.
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Chapter 3 Song Playback
■ Using Keywords to Search for Songs (Song Search)
You can search for songs that match the conditions you set regarding the song tempo
or genre.
You can also search the songs using the first character of the song name.
1.
Press the [Song] button.
2.
Touch <
Only the KR’s internal songs
are searchable.
>.
The following “Song Search screen” appears.
fig.d-songsrch1.eps_60
Name Search screen
Chapter 3
Condition Search screen
Touch here to switch these screens.
❍
Searching by Conditions
3.
Touch the parameter you want to set, then use the dial to select the search
conditions.
With <Data>, songs are searched according to data included in the internal songs.
You can use four different criteria in searches: “Lyrics,” “Chords,” “Finger” (fingering
numbers), and “Any.” By selecting a song containing any of this data, then displaying
it in the KR’s notation, you can display information about the selected data.
4.
Touch <Search>.
The search results appear in the display.
Touch the song name to select the song.
Press the [Exit] button to return to the Song Selection screen.
❍
Searching by Song Name
3.
Touch <By Name>.
Touch <By Key> to return to the Condition Search screen.
4.
Decide which character you will use for the search.
The selected character appears in the middle of the screen.
Enter the character you are searching for. For example, touching <ABC> in
succession cycles you through the available choices in that character group
(“A”→”B”→”C”...).
Touch <A-0> to toggle between alphabets and numerals.
5.
Touch <Search>.
The search results appear in the display.
Touch the song name to select the song.
Press the [Exit] button several times to return to the previous screen.
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Chapter 3 Song Playback
Registering the Songs You Like (Favorites)
You can register songs you are currently practicing or enjoy playing to “Favorites,”
allowing you to select these songs easily.
Selecting the Song
1.
You can also register songs on
external memory to the
Press the [Song] button.
Favorites. For details, refer to
The Song Selection screen appears (p. 75).
“Copying Songs on External
fig.d-songsel.eps_60
Memories to Favorites” (p.
Chapter 3
120).
2.
Touch the song name to select the song to be registered.
Registering to Favorites
3.
Touch <Favorites>.
A screen like the one shown below appears.
fig.m-fvrtadd.eps_60
NOTE
You cannot register audio files
and audio CD to the Favorites.
4.
Touch <OK>.
The selected song is registered to Favorites.
Now you can select the registered song by selecting Favorites for the genre in the
Song Selection screen.
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Chapter 3 Song Playback
■ Removing Songs From Favorites
This deletes registered songs for Favorites.
1.
Touch <
><
> in the Song Selection screen to select the
“Favorites” from the genre category.
fig.d-song-fvrt.eps_60
Chapter 3
2.
Touch the name of the song to be deleted.
3.
Touch <Delete>.
A screen like the one shown below appears.
fig.m-fvrtdel.eps_60
4.
Touch <OK>.
The song is deleted.
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Chapter 3 Song Playback
Using the Remote Control
You can use the included remote control to easily start and stop performances and
switch songs.
Refer to “Installing Batteries in
the Remote Control” (p. 20).
■ How to Use the Remote Control
Chapter 3
When using the remote control, aim the remote control at the infrared receiver,
keeping in mind the range of operation (below).
Infrared Receiver
CD Drive
Range of operation
Distance:
4 m (approximately 13 feet)
Remote Control
Angle:
40 degrees to the left and right
of the receiver.
Information from the remote is
not received when Remote
Sensor setting is switched off.
Refer to “Switching ON/OFF
Precautions Concerning Use of the Remote Control
• The remote control is able to transmit only one operation at a time.
• The remote control may not operate even within the range of operation if there
is an obstacle between it and the main unit.
• Using the remote control near other equipment that uses remote control systems
may result in operational errors.
• The life of the battery depends on the amount and conditions of use. If the
operational range of the remote control decreases, change the batteries.
• If you will not be using the remote control for a long period of time, remove the
batteries.
• The remote’s response may suffer if the remote’s sensor is situated under
spotlights or exposed to other such strong lighting.
84
of the Remote Control” (p.
172).
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Chapter 3 Song Playback
■ About the Remote Control
Infrared Emitter
1
3
Turning the Advanced
3D Function or tha
surround function On
and Off
6
7
Selecting the Tone for
the Left-Hand and
Right-Hand Tracks
8
Switching the Screen of
the External Display
9
Starting and Stopping
Songs,
Selecting Previous and
Following Songs
Selecting the Song
Genre
4
Muting the Sound
10 Changing the Volume
5
Using the Function
Assigned to the
Buttons
11
12
You can also switch the functions for the [
Chapter 3
2
Adding Effects to Mic
Vocals
Restoring the Original
“TONE,” “HARMONY,”
and “TRANSFORM”
Settings
Changing the Tempo of
the Song and Automatic
Accompaniment
Transposing Sounds
from the Keyboard and
Songs Being Played
Back
] (Play/Stop) button, the [FUNC 1]
[FUNC 2] button, the TEMPO [-] [+] button, and the TRANSPOSE [-] [+] button.
Please refer to “Changing the Functions of the Remote Control’s Buttons” (p. 172).
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Chapter 3 Song Playback
Button
TRANSFORM
This changes the vocals from the mic. The setting switches each time you press the
button, cycling through male, female, Kids, and normal voice settings.
HARMONY
This adds harmonies to the mic vocals.
The harmony setting switches each time you press the button, cycling through
Music Files (p. 52), Oct-Up (p. 49), Oct-Down (p. 49), and normal voice settings.
3D
This adds greater breadth to the sound.
Pressing this button toggles the Surround effect and the Advanced 3D effect on and
off.
INTERNAL
This switches the genres of the internal songs.
FAVORITES
Selects songs in the “Favorites.”
EXTERNAL
When you press the button with external memory or a disk connected or CD, the
connected storage media is selected.
4
MUTE
This mutes all of the sounds.
5
FUNC1, FUNC2
You can use the function assigned to this button. You can also change the function
assigned to the button (p. 172).
6
CANCEL
The settings for the [TONE] button, [HARMONY] button, and [TRANSFORM]
button are restored to their original values.
The left and right tracks switch to a piano tone.
7
TONE
Pressing the button successively changes tone of the Lower track, Upper track, and
User track.
DISPLAY
Each press of the button takes you to the next selection among the available choices,
which are, in order: panel, notations, notations+keyboard, lyrics, slide show.
You can press the [DISPLAY] button while the Tempo screen or Volume screen is
displayed to clear the Tempo screen or Volume screen.
* Some songs may not feature screens with lyrics.
1
2
Chapter 3
Explanation
3
8
Pressing the [
] button at the beginning of the song selects the previous song.
Pressing the [
] button at a point other than the beginning of the song returns
you to the beginning of the song.
This starts and stops playback of the song.
Playback alternately starts and stops each time you press the [
You can also assign functions to the button (p. 172).
9
When you press the [
86
] button.
] button, the next song is selected.
10
VOL - +
(Volume)
You can adjust the volume.
11
TEMPO - +
This adjusts the tempo.
You can also assign functions to the button (p. 172).
12
TRANSPOSE - +
This transposing sounds from the keyboard and songs being played back.
You can also assign functions to the button (p. 172).
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Chapter 4 Practice Functions
With the KR, you can enjoy practice using a variety of functions.
Using “Visual Lesson,” you
Displaying the Notation
The KR can display notations not only for the internal songs, but for music files and
performances recorded with the KR. This is very convenient for performing while
reading the music and for checking songs that have been recorded. When you play
back a music file with lyrics, the lyrics appear on screen.
can select practice songs suited
to your skill level.
Additionally, you can have the
results your performance
indicated in points and check
the content in the notation.
Refer to the Quick Start.
Selecting the song
When playing back songs on external memories, first connect the external memory
to the external memory port.
1.
Press the [Song] button to select a song.
2.
fingering is displayed.
The fingering numbers shown
Press the [DigiScore] button.
The “Notation screen” appears.
in the screen indicate one
possible fingering.
fig.d-notation.eps_60
Chord names can be displayed
in some of the internal songs
and recorded performances
using the KR’s Chord
Sequencer (p. 143).
You can make more advanced
settings for the notation by
3.
pressing the [Option] button.
Press the [
(Play/Stop)] button.
Playback of the song begins, and the notation advances along with the progression
of the performance.
Notes Regarding the Notation Display
• Since the displayed notation data is read from external memory or the internal
memory, some time may be required for the notation to be displayed.
• The displayed notations are based on music files. Priority is placed on the
readability of the displayed music, not on the accurate rendition of difficult,
high-level performances. Thus, there may be discrepancies seen when compared
with commercially available printed music. The display is not intended for
viewing advanced songs requiring precisely detailed notations, or complex
songs.
• On the notation display screen, lyrics and notes may extend beyond the range
displayed on the screen and may not be visible.
• Playback may start over from the beginning if you display the notation or
change the displayed part during playback of the song.
NOTE
No notes are shown in the
notation if the selected part
contains no data. To change
the part being displayed, refer
to “Making Detailed Settings
for the Notation Display” (p.
89).
NOTE
You cannot display the
notation for audio files nor
audio CD’s song.
87
Chapter 4
For details refer to “Playing a Song” (p. 75).
In some internal songs, the
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Chapter 4 Practice Functions
■ Touching Notes to Confirm the Sounds
(Touch the Notes)
In the Notation screen, you can have notes played by touching the notes on the
screen.
When you display the keyboard in the screen (p. 90), the keys on the keyboard for
the notes you touch are then shown in the display. This allows you confirm notes by
sight, sound, and touch.
In addition, when you trace part of the notation with your finger, the traced segment
is played back. This allows you to easily play back phrases you like.
Chapter 4
fig.d-notation-key.eps_60
■ Scrolling the Notation Along with the
Performances (AutoSync DigiScore)
You can have the notation displayed in the screen scroll automatically as you play,
even when the song is not being played back. No more frantically trying to turn to
the next page in the notation while you are performing.
This also lets you play difficult passages more slowly and otherwise practice at your
own pace.
* Auto Sync DigiScore is linked to the performance of the part shown in the screen. The
notation does not scroll if you are playing a part that is not currently displayed.
When the Bouncing Ball is Blue
Start playing at the point where the ball is bouncing.
The bouncing ball follows along and the notation scrolls as you play.
When the Bouncing Ball is Red.
If nothing is played for a short while, the bouncing ball turns red. At this time, if you
play a phrase near the position of the bouncing ball, the ball automatically moves to
the point in the notation where you are playing.
88
You can change the AutoSync
DigiScore settings. Refer to p.
90.
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Chapter 4 Practice Functions
When you play four or more notes while the bouncing ball is red, the ball moves to
the point where you are playing.
When you play fewer than four notes, the bouncing ball does not jump to the new
Under certain conditions, the
position, and the notation does not scroll.
bouncing ball may not move as
The bouncing ball will move within the range of the notation displayed on the
expected.
external display or television. If you start playing at a point that is not currently
shown in the external display or television, the bouncing ball does not jump to the
new position, and the notation does not scroll.
You can change the part appearing on the notation display and change the manner
in which the notation is displayed.
NOTE
You can change the parts to be
1.
Press the [DigiScore] button to display the Notation screen.
2.
Press the [Option] button.
displayed when you touch
each of the icons (p. 91).
A screen like the one shown below appears.
fig.d-notationopt.eps_60
In some internal songs, the
fingering is displayed.
Switch the screens
The fingering numbers shown
in the screen indicate one
You can select the parts to be displayed in the notation by touching the four icons at
possible fingering.
the lower left of the screen.
Icon
Description
The upper part and lower part are displayed.
The upper part is displayed.
The lower part is displayed.
Chord names can be displayed
in some of the internal songs
and recorded performances
The User part is displayed.
using the KR’s Chord
Sequencer (p. 144).
You can also touch <Export> to save the notation as an image file (p. 92).
89
Chapter 4
■ Making Detailed Settings for the Notation
Display
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Chapter 4 Practice Functions
3.
Touch
for the parameter being set to select the value.
Press the [Exit] button to return to the Notation screen.
Chapter 4
Item
Zoom
Sets whether or not the
enlarged notation is
displayed.
On
Displays an enlarged notation.
Off
Displays the notation at the normal size.
Keyboard
Sets whether the
keyboard is displayed
beneath the notation.
On
Displayed.
Off
Not displayed.
Off
The notation screen does not scroll
automatically.
Jump
The notation screen scrolls
automatically. When the bouncing ball
is blue, playback begins from the point
in the notation where the ball is set.
When the bouncing ball is red, and you
start playing a phrase at a point in the
notation close to where the ball is
located, the ball moves to the point
where you are playing. This position is
determined after you play at least four
notes of the phrase.
Next Note
The notation screen scrolls
automatically from the current position
in the song as you play.
Lyrics
This setting determines
whether or not lyrics in
songs that contain lyrics
data appear in the
notation.
On
The lyrics are displayed.
Off
Not displayed.
Finger Numbers
This setting determines
whether or not the
fingering in songs that
contain fingering data
appears in the notation.
On
The fingering is displayed.
Off
Not displayed.
Chords
This setting determines
whether or not chord
names in songs that
contain chord data
appears in the notation.
On
The chord names are displayed.
Off
Not displayed.
Off
Not displayed.
C, D, E
The pitch names (C, D, E) are displayed.
Do, Re, Mi
(Fixed)
The pitch names (fixed Do) are
displayed.
Do, Re, Mi
(Movable)
The syllable names (movable Do) are
displayed.
AutoSync DigiScore
Sets the function
whereby the notation
screen scrolls
automatically as you
play, even if the song is
not played back.
Pitches
Sets whether or not the
note names appear in the
music when the notation
is expanded.
90
Setting
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Chapter 4 Practice Functions
Item
Setting
Controls each of the pedal movements.
Replay
You can start and stop playback of song
data with the left pedal. Pressing the
pedal in rapid succession moves you
back in the song the number of
measures equal to the number of times
you press the pedal, after which
playback resumes. This allows you to
use the pedal to rewind quickly, a useful
feature when, for example, you want to
repeatedly listen to a difficult phrase.
Page1
Scrolls the notation in the KR’s display.
Pressing the center pedal scrolls to the
next page.
Pressing the left pedal scrolls to the
previous page.
Page2
Scrolls the notation in the external
display.
Pressing the center pedal scrolls to the
next page.
Pressing the left pedal scrolls to the
previous page.
Resolution
Sets the minimum note
length indicated in the
notation.
16th note
Notes down to sixteenth notes are
indicated.
32nd note
Notes down to thirty-second notes are
indicated.
Clef L
Determines whether a
treble or bass clef is
shown in the notation for
the lower part.
Auto
Display is switched automatically.
G Clef
G (treble) clef is displayed in the
notation.
F Clef
F (bass) clef is displayed in the notation.
Clef R
Determines whether
treble or bass clef is
shown in the notation for
the upper part.
Auto
Display is switched automatically.
G Clef
G (treble) clef is displayed in the
notation.
F Clef
F (bass) clef is displayed in the notation.
Key
Notation is displayed in
the
specified key.
Auto
Key is switched automatically.
Pedal
Sets the pedal function.
#x6–0–
bx5
Chapter 4
Basic
Notation is displayed in the specified
key.
Item
Setting
User Part
Selects the part to display when “User” is selected as the part
to be displayed.
User Track,
Parts 1–16
Lower Part
Selects the part to display when “Lower” is selected as the
part to be displayed.
Lower Track,
Parts 1–16
Upper Part
Selects the part to display when “Upper” is selected as the
part to be displayed.
Upper Track,
Part 1–16
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Chapter 4 Practice Functions
Item
Setting
Bouncing Ball
This setting determines whether or not the
animated ball is shown bouncing in time with the
song as it is played back.
On
Displayed.
Off
Not displayed.
Color Notation
This settings determines whether or not the note in
the current position is colored.
On
The note is
displayed in color.
Off
Not displayed.
Chapter 4
■ Saving Notations as Image Data
You can take notations that are displayed on the KR and save them to external
memories. You can also use saved image data to your computer.
1.
Other than for your own
Insert the external memory onto which you want to save the image data
in the KR’s external memory port.
2.
Record the performance (p. 105).
Alternatively, press the [Song] button to select a song.
3.
Press the [DigiScore] button.
The Notation screen appears.
4.
Press the [Option] button.
5.
Touch <Export>.
A screen like the one shown below appears.
fig.d-notationbmp.eps_60
92
NOTE
personal enjoyment, use of the
notations that are output
without the permission of the
copyright holder is prohibited
by law.
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Chapter 4 Practice Functions
6.
Touch the respective parameter and set the range of image data and other
settings with the dial.
Setting
Item
7.
Description
Start
measure
1, 2–
Selects the measure at which output
begins.
End Measure
– song end
Selects the measure at which output
ends.
Direction
Portrait,
Landscape
Sets the orientation of the notation
being output.
Media
External Memory,
Disk
Selects the media for the save
destination.
Touch <Execute>.
Chapter 4
The notation is saved to the external memory as image data in BMP (bitmap) format.
NOTE
Do not remove the external
* You cannot save copyrighted song data.
memory while “save” is in
* Other than for your own personal enjoyment, use of the notations that are output without the
permission of the copyright holder is prohibited by law.
progress.
Saving Your Visual Lesson Performance Results
When you practice with Visual Lesson, the notation showing the model performance
appears in the screen above the notation for your own performance. You can save
these notation in BMP (bitmap) format.
1. While in the “performance results confirmation screen” in Visual
Lesson, press the [Option] button.
2. Touch the parameter whose setting you want to change.
3. Set the value with the dial.
4. Touch <Execute>.
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Chapter 4 Practice Functions
Adjusting the Tempo
This changes the song and Music Style tempos.
If songs seem difficult to play at their original speed, you may find it helpful to first
practice with the tempo slowed down. Then, after becoming more familiar with the
song, you can practice it at a gradually faster tempo.
Changing the tempo has no effect on the pitch of the notes. And you can change the
tempo even when the song is in progress.
Chapter 4
fig.panel3-2
Adjusting the Tempo with the Tempo [-] [+] Buttons
Pressing the [+] button once increases the tempo by one unit. Holding down the
button makes the tempo increase continuously.
Pressing the [-] button once decreases the tempo by one unit. Holding down the
button makes the tempo decrease continuously.
You can not adjust the audio
Pressing the [-] [+] buttons simultaneously returns the selected Music Style or song
files’ tempo and audio CDs’
to the basic tempo.
tempo.
■ Setting the Tempo by Pressing the Button in Time
(Tap Tempo)
You can also set the tempo by pressing the Performance Pad. This feature is called
“Tap Tempo.” By using the Tap Tempo function, you can quickly set the tempo you
are thinking of, without specifying the tempo in numerical terms.
fig.panel3-3
Assigning Functions to the Performance Pads
1.
94
NOTE
Press the [User Function] button and watch the indicator light up.
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Chapter 4 Practice Functions
fig.d-usrfunc.eps_60
You can also assign the Tap
Tempo function to the pedal,
and use the pedal to specify
the tempo. For details, refer to
“Assigning Functions to
Pedals and Performance Pads
2.
(Pedal Setting/User
Touch
for the Performance Pad to which the function is
Functions)” (p. 167).
3.
Chapter 4
assigned, then select “Tap Tempo.”
Press the [Exit] button; the tempo is indicated in the upper left of the
screen.
You can start the song by
Specifying the Tempo
giving the count through the
4.
microphone. For more detailed
Press the Pad to which “Tap Tempo” is assigned at least twice.
The tempo is set to the song you used when tapping the button.
■ Playing Back at a Fixed Tempo (Tempo Mute)
information, refer to “Enabling
the Start of Songs and
Automatic Accompaniment
with the Sound of Your Voice
(Vocal Count In)” (p. 50).
If a song has tempo changes, it helps to practice the song first at a steady tempo.
Overriding tempo changes is called “Tempo Muting.”
1.
Hold down the [
(Play/Stop)] button and press one of the Tempo [-]
[+] buttons.
When tempo muting is in effect, the tempo display appears in reverse video.
fig.d-tempmute.eps_60
When you play back the song, it will play at a constant tempo.
Cancel the Tempo Mute Setting
1.
Hold down the [
(Play/Stop)] button and press one of the Tempo [-]
[+] buttons.
Tempo muting is canceled.
Tempo Mute will also be cancelled when you select a different song.
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Chapter 4 Practice Functions
Match the Tempo Before You Begin
Playing (Count In)
When you’re playing along with a song, you can listen to the tempo before you start
playing by adding a count-in.
This audible count before the song playback is called a “Count In.”
Chapter 4
fig.panel3-3
1.
Press the [Count/Marker] button and watch the indicator light up.
The following “Count screen” appears.
fig.d-cntin.eps_60
You can have a count sound be
played before the song starts
playing back by holding down
the [
(Reset)] button while
you press the [
(Play/
stop)] button.The status of the
Count settings won’t be
affected by your use of this
procedure.
2.
Touch <Count Mode>
to set this to “Count In” or “Count In/
Down.”
With this setting, two measures count down before the song playback starts.
Cancelling the Count In
For more about other settings
1.
on the Count settings screen,
Press the [Count/Marker] button so its indicator is turned off.
By pressing [Exit] instead of the [Count/Mark] button, you can close the Count
settings screen without cancelling the count.
96
refer to “Changing the Settings
for the Count” (p. 164).
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Chapter 4 Practice Functions
Muting Some Parts Before Playing
(Track Buttons)
With commercially available music files for piano lessons, the part for each hand can
For more on music files, refer
to “Music Files That the KR
Can Use” (p. 217).
be played back independently. This makes it easy to practice hands separately. For
example, you can follow along with your right hand while you listen to that same
right-hand part be played, or you can practice the left-hand part while the right-hand
part plays.
A music file for piano lessons may be assigned to the five Track buttons as shown below.
fig.trackbuttons.e
NOTE
You cannot mute individual
parts separately in audio files
and audio CDs.
Accom- Left-hand Right-hand
paniment Part
Part
By using these Track buttons, you can eliminate the sound of specific parts. This is
referred to as “muting.”
By recording your own performances to the Track Buttons in this fashion, you can
mute parts the same way. For details, refer to “Recording While Selecting the Track
Buttons (Redoing Recordings)” (p. 110).
1.
Select the song that you wish to play back (p. 75).
Selecting the Part that You’ll be Playing
2.
If a single Track button
includes more than one
instrument and you want to
mute just one of those
instruments, take a look at
“Modifying the Settings of
Each Part” (p. 137).
Press any one of the Track buttons to make the button’s indicator light or
flash go dark.
When a single Part is not
played, it is called “Minus
One.” Using Minus One, you
can mute out a particular
instrument and play the part
yourself.
The sound for the selected part no longer plays.
For example, when practicing the right hand, press the [4/Upper] button.
When you play back the song, the right-hand performance will not sound. Practice
your right-hand performance along with the left-hand playback.
Playing Back a Song
3.
Press the [
(Play/Stop)] button.
The song will begin playing back.
The part you selected in step 2 will not sound.
Once again press the button you selected in step 2. The button’s indicator will light
up, and the part will be heard once again.
Even while the song is playing, you can press the track buttons to mute or un-mute
When playing back SMF files
for Roland Piano Digital series
instruments, and the [3/
Lower] button and [4/Upper]
button do not correctly control
the lower/ upper
performances, please change
the “Track Assign” settings.
Please refer to “Changing the
Parts Assigned to the Track
Buttons During SMF Playback
(Track Assign)” (p. 183).
the sound.
Stopping the Song
4.
Press the [
The song will stop.
(Play/Stop)] button.
You can adjust the balance
between the keyboard and
song volume levels. Check out
“Adjusting the Volume
Balance for Each Performance
Part (Part Balance)” (p. 73).
97
Chapter 4
Drums/SFX
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Chapter 4 Practice Functions
Setting Markers for Repeated Practice
(Marker)
By setting markers at points in a song that you want to practice repeatedly, you can
then easily go to and repeat play back of the selected measures.
■ Placing a Marker within a Song
NOTE
You can place two separate markers (Marker A and Marker B) in one song. These
You cannot place markers in
markers are placed at the beginning of a measure to make the beginning and end of
audio files and in audio CDs.
a section of music. Placing markers is a handy way to start playback at the same
place as many times as you like. You can add markers or move to a marker even
while playback is in progress.
Chapter 4
Access the Marker Screen
First, select the song in which you’ll set the markers (p. 75).
1.
Press the [Count/Marker] button.
2.
Touch <Marker>.
The Marker screen appears.
fig.d-marker.eps_60
Placing Markers
3.
Go to the measure where you want to set a marker using the [
and [
4.
Touch <- - -> for Marker A.
fig.d-mark1-5.eps_60
98
(Fwd)] buttons.
(Bwd)]
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Chapter 4 Practice Functions
Marker A is placed at the beginning of the measure you selected.
“- - -” on the screen will change to the number of the measure where you placed the
marker.
5.
Markers can also be assigned
in units of beats rather than
In the same way, touch the Marker B <- - -> to set Marker B.
It is not possible to assign marker B to the same location or a measure before marker A.
measures. Refer to “Placing a
Marker in the Middle of a
Measure” (p. 164).
■ Playback from a Marker Location
1.
At the marker screen, touch the measure number of the marker you want
to go to.
fig.d-mark1-5.eps_60
Chapter 4
Playback will start from wherever Marker A or Marker B are set.
When you play the song, playback starts from the position of the marker.
With the song playing back, playback will continue if you touch Marker A or Marker
B on the Marker screen.
■ Erasing a Marker
1.
Touch <Clear> for the marker you want to erase.
fig.d-markclear.eps_60
The marker disappears and the on-screen display changes to <- - ->.
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Chapter 4 Practice Functions
■ Moving a Marker
You can move a marker that has been placed in a song. You can also move the section
of music defined by Markers A and B forward or back, without changing the number
of measures of marked.
1.
On the Marker screen, touch
or
for the marker to be moved.
Chapter 4
fig.d-mark1-5.eps_60
When you touch
, the marker is moved to a previous part of the song.
When you touch
, the marker is moved to a later part of the song.
Moving Markers A and B without Changing the Interval Between Them
fig.d-mark1-5.eps_60
1.
On the Marker screen, touch
or
in the middle of the screen.
For example, if you have Marker A set at the beginning of the fifth measure, and
Marker B set at the beginning of the ninth measure, when you touch
in the
middle of the screen, Marker A is moved to the beginning of the first measure, and
Marker B is moved to the beginning of the fifth measure.
Touch
to shift Marker A to the beginning of the ninth measure and Marker B
to the beginning of the thirteenth measure.
fig.markerA-B.e
Measure 1
2
3
Marker A
Measure 1
2
4
5
6
7
8
9
10
11
12
13
14
15
16
7
8
9
10
11
12
13
14
15
16
Marker B
3
4
5
6
Marker A
100
Marker B
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Chapter 4 Practice Functions
■ Playing Back the Same Passage Over and Over
You can play back a particular passage over and over. This is convenient when you
want to focus on a passage.
1.
First, set Marker A and Marker B to define the measures you want to
repeat.
For instance, suppose you want to play back the passage from the fifth through
eighth measures over and over. You should place Marker A at the beginning of the
fifth bar and Marker B at the beginning of the ninth bar.
2.
Touch <Repeat> in the Marker screen.
fig.d-markrpt.eps_60
OFF
ON
• If neither Marker A nor
Marker B is set, the song
is played back from the
beginning to the end.
The setting is made for repeated playback of the passage from marker A to marker B.
When you play the song, the marked section of music plays back repeatedly.
Cancelling Repeat Playback
3.
Touch <Repeat> in the Marker screen, and the icon returns to the
• If you only place marker
A, playback repeats
from marker A to the
end of the song.
• If you only place marker
B, playback repeats from
the beginning of the
song to marker B.
original color.
Repeat playback is cancelled.
101
Chapter 4
When <Repeat> is On
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Chapter 4 Practice Functions
Transposing Keyboard Sounds and
Songs Played Back (Transpose)
By using the “Transpose function,” you can transpose your performance without
changing the notes you play. For example, even if the song is in a difficult key with
many sharps (
) or flats (
), you can transpose it to a key that is easier for you to
read and play.
You cannot transpose audio
You can also use this function to play back a song in a different key.
When accompanying a vocalist, you can easily transpose the pitch to a range that is
comfortable for the singer, while still playing the notes as written (i.e., with the same
fingering positions).
Chapter 4
fig.panel3-4
First make sure you have selected the song to be transposed (p. 75).
1.
Press the [Transpose] button.
A “Transpose screen” like the one below appears.
fig.d-transpose.eps_60
2.
Touch one of the three icons to select the song or sounds to be
transposed.
Target
Icon
102
NOTE
Settings Value
Keyboard sound
-6–0–5
Song to be played back
-24–0–24
Keyboard sounds, songs being played back
-6–0–5
files and audio CDs.
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Chapter 4 Practice Functions
3.
Touch the screen keyboard or
,
to select the transposition
value.
Each time you press
When you touch
or
, it transposes the key by a semitone.
, a value of “0” is set.
You can also use the dial to change the transposition value.
When you transpose a song or the keyboard, the [Transpose] button’s indicator
lights up. As you play the keyboard or play back the song, the notes are transposed.
When you press the [Exit] button, the transposition remains in effect, and you’re
returned to the previous screen.
4.
Press the [Transpose] button and the indicator light goes out.
The transposition value reverts
Transposition is cancelled.
to “0” when you turn off the
power or select another song.
The next time you press the [Transpose] button, illuminating the indicator, the music
is transposed by the value set here.
Example: Playing a song in E major while playing the keys
for C major
In this example, C is the root note in the key of C major. E, the root of E major, is the
third in C major. It is up four keys, including the black keys, so touch
, then
enter “4” for the setting.
fig.trans.e
If you play C E G
It will sound E G# B
103
Chapter 4
Cancelling Transposition
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Chapter 5 Recording and Saving the Performance
You can easily record performances using the five track buttons.
A recorded performance can be played back to listen to your own playing, or to add
additional parts.
NOTE
Recorded performances are
You can use the KR to make the following kinds of recordings.
• Recording just your own keyboard performance
→ “Recording a New Song (New Song)” (p. 105)
• Recording performances using Automatic Accompaniment
→ “Recording With Accompaniment” (p. 107)
• Recording along with the internal songs and songs on external memories
discarded when another song
is selected, or when the power
is turned off. Be sure to save
important performances on an
external memory (p. 116) or
register the song to the
Favorites (p. 82).
→ “Recording Along with a Song” (p. 109)
• Re-recording
→ “Recording While Selecting the Track Buttons (Redoing Recordings)” (p. 110)
NOTE
You cannot record while
playing along with audio files
❍
If the Following Screen Appears
If you’ve recorded a song or changed a song’s settings (see p. 137), the following
Chapter 5
message appears on the screen when you try to choose another song.
and audio CDs.
NOTE
You cannot save songs to CDs,
and you cannot delete songs
recorded to CDs. Furthermore,
you cannot format CDs.
If it’s okay to delete the song, touch <OK>.
If you do not want to delete the song, touch <Cancel>, and either save the song to an
external memory (p. 116) or register the song to the Favorites (p. 82).
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Chapter 5 Recording and Saving the Performance
Recording a New Song (New Song)
This records keyboard performances without the use of the internal songs or
Automatic Accompaniment.
fig.panel4-1
Settings for Recording Performances
1.
Press One Touch Program [Piano] button.
This sets the KR for performance without the use of Automatic Accompaniment.
Decide on the tone of the performance (p. 28).
Chapter 5
2.
Use the Tone buttons and the touch screen to select the tone.
When you have finished choosing the settings, press the [Exit] button to display the
Basic screen.
Recording Settings
3.
Press the [
(Rec)] button.
If you press the [
(Rec)] button when a song has already been selected, the
following message appears.
fig.m-rec.eps_60
If you select <New Song>
when a song has already been
recorded, the “OK to delete
song?” prompt appears in the
screen. For more detailed
information, refer to “If the
Following Screen Appears” (p.
4.
104).
Touch <New Song>.
This switches the KR to the settings required for recording a new song.
The KR is put in recording standby.
To cancel recording, press the [
5.
(Rec)] button once more.
Decide on the tempo and beat.
If necessary, press the [Metronome] button to play the metronome.
When you have finished making the settings, press the [Exit] button to display the
Basic screen.
105
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Chapter 5 Recording and Saving the Performance
Start Recording
6.
NOTE
Press the [
Any performance that has
(Play/Stop)] button.
been recorded is deleted when
A two-bar count-in plays, then recording starts.
the power to the KR is turned
Even without pressing the [
off. If you do not want a
(Play/Stop)] button, recording starts when you
play the keyboard. There is no count-in played when you start by playing rather than
pushing the [
save it to an external memory
(Play/Stop)] button.
When recording starts, the [
(Play/Stop)] and [
performance deleted, then
or to Favorites. Refer to
(Rec)] buttons’ indicators
“Saving Songs” (p. 116).
light up.
Stop Recording
7.
Press the [
(Play/Stop)] button.
Recording stops.
The performance is recorded to the [1/Whole] button.
Chapter 5
Listening to the Recorded Performance
8.
Press the [
(Reset)] button, then press the [
(Play/Stop)] button.
The recorded performance is played back.
When you press the [
(Play/Stop)] button, playback stops.
NOTE
When “Auto Start (p. 180)” is
set to “ON,” and no action is
taken for a certain period of
time after you have recorded a
performance, a confirmation
Track buttons assignments for recorded performances
to delete the song appears in
When you record only a keyboard performance, the performance will be assigned to
the display.
the track buttons as follows.
If you touch <OK>, the song is
• Normal performance (playing a single Tone from the entire keyboard)
deleted and the demo begins.
The performance is recorded to the [1/Whole] button.
• Layer performance
The performance is recorded to the [1/Whole] button.
• Split performance
The lower part of the keyboard is recorded to the [3/Lower] button, and the
upper part of the keyboard is recorded to the [4/Upper] button.
• Layer performance and Split performance
The lower part of the keyboard is recorded to the [3/Lower] button, and the
upper part of the keyboard is recorded to the [4/Upper] button.
• Drum set or sound effect performance
Recorded on the [R/Rhythm] button.
106
screen asking you if you want
If you want to return to the
previous screen and continue
with the recorded
performance, touch <Cancel>.
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Chapter 5 Recording and Saving the Performance
Recording With Accompaniment
Try recording a performance along with the Automatic Accompaniment.
Settings for Recording Performances
1.
Press the One Touch Program [Arranger] button.
This chooses the setting for Automatic Accompaniment.
2.
Decide on the Music Style.
When you have finished choosing the settings, press the [Exit] button to display the
Basic screen.
Recording Settings
3.
Press the [
You press the [
(Rec)] button.
(Rec)] button and the following messages will appear, when a
song has already been recorded.
fig.m-rec.eps_60
when a song has already been
recorded, the “OK to delete
song?” prompt appears in the
screen. For more detailed
information, refer to “If the
Following Screen Appears” (p.
4.
104).
Touch <New Song>.
This switches the KR to the settings required for recording a new song.
The KR is put in recording standby.
To cancel recording, press the [
5.
(Rec)] button once more.
Decide on the tempo.
Start Recording
6.
Play a chord on the lower part of the keyboard.
You can change how recording
An Automatic Accompaniment intro starts, and recording starts at the same time.
performance with Automatic
Accompaniment. To learn
Stop Recording
7.
is stopped when recording a
how, see “Changing How
Recording Stops” (p. 111).
Press the [Intro/Ending] button.
An ending plays, then the Automatic Accompaniment, and recording stop at the
same time.
Listening to the Recorded Performance
8.
Press the [
(Reset)] button, then press the [
(Play/Stop)] button.
The recorded performance plays back.
When you press the [
(Play/Stop)] button, playback stops.
107
Chapter 5
If you select <New Song>
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Chapter 5 Recording and Saving the Performance
Track buttons assignments for recorded performances
Performances that have been recorded using Automatic Accompaniment are
Music Styles are composed of
assigned to the track buttons as shown below.
eight parts. For details, refer to
“Music Styles and Automatic
Chapter 5
Track button
108
Performance Recorded
[R/Rhythm]
The rhythm part of an Automatic Accompaniment is
recorded here. In addition, drum sets and effect sounds
that are selected with the keys in a performance are
recorded to this track.
[1/Whole]
When using Piano Style accompaniment (p. 72), the
performance played on the keyboard is recorded here.
[2/ Bass
Accomp]
The Automatic Accompaniment bass part and
accompaniment part are recorded here.
[3/Lower]
When the KR is set so that sounds from performances on
the left-hand side of the keyboard are played while the
Automatic Accompaniment sounds (p. 71), your own
performance on the left-hand side of the keyboard is
recorded here.
[4/Upper]
Your own performance on the right-hand side of the
keyboard is recorded here.
Accompaniment” (p. 57).
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Chapter 5 Recording and Saving the Performance
Recording Along with a Song
Try recording along with internal songs and songs on external memories.
Here, record your right-hand performance along with the song accompaniment.
Settings for Recording Performances
1.
Select a song.
For more on how to select songs, refer to p. 75.
2.
Decide on the tone and tempo of the performance.
3.
Press the [DigiScore] button to display the notation.
For instructions on displaying the notation, refer to p. 87.
within the song you selected.
Recording Settings
4.
Press the [
The song tempo is stored
(Rec)] button.
A screen like the one shown below appears.
Chapter 5
fig.m-rec.eps_60
5.
Touch <Add On>.
With this setting, you can record while listening to the selected song.
Selecting the Track to Record
6.
Press the track button for the track that you want to record (i.e., the track
that you want to play yourself).
The indicator of the button you pressed will blink, and the KR enters recording-
NOTE
standby mode.
Only drum sets or SFX set are
Since in this example we will record the upper part performance, press the [4/
recorded to the [R/Rhythm]
Upper] button to make the button’s indicator light blink.
button.
To cancel recording, press the [
(Rec)] button once more.
Start Recording
7.
Press the [
(Play/Stop)] button.
A two-bar count-in plays, then recording starts.
Even without pressing the [
(Play/Stop)] button, recording starts when you
play the keyboard. There is no count-in played when you start by playing the
keyboard instead of pushing the [
When recording starts, the [
(Play/Stop)] button.
(Play/Stop)] and [
(Rec)] buttons’ indicators light.
Stop Recording
8.
Press the [
(Play/Stop)] button.
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Chapter 5 Recording and Saving the Performance
Recording stops.
Listening to the Recorded Performance
9.
Press the [
(Reset)] button, then press the [
(Play/Stop)] button.
The recorded performance is played back.
When you press the [
(Play/Stop)] button, playback stops.
Recording While Selecting the Track
Buttons (Redoing Recordings)
When you want to re-record, specify the Track button for the performance you want
to re-record, and then record again.
When you select a previously recorded Track button and re-record, everything from
the point at which you begin recording up to the point where you stop recording will
Chapter 5
be replaced by the newly re-recorded performance.
1.
Use the [
(Bwd)] and [
(Fwd)] buttons to go to the measure
When you want to record over
again after deleting all of the
previous recording, refer to
“Erasing Recorded
Performances” (p. 111).
where you want to begin recording.
2.
Press the [
(Rec)] button.
The song tempo is stored
A screen like the one shown below appears.
within the song you selected. If
you want to change the tempo
fig.m-rec.eps_60
of the recorded song, refer to
“Changing the Tempo of
Recorded Songs” (p. 151) and
“Changing the Tempo Within
the Song” (p. 151).
3.
Touch <Add on>.
4.
Press the Track button for the track you want to re-record.
The indicator for the selected Track button starts blinking.
The [
(Play/Stop)] button’s indicator flashes, and the KR is put in recording
standby.
To cancel recording, press the [
5.
Press the [
(Rec)] button once more.
(Play/Stop)] button to begin recording.
Rerecording the Accompaniment Part of Automatic Accompaniment
When rerecording an Automatic Accompaniment performance, set Sync Start (p.
65), then specify a chord or press the [Start/Stop] button.
6.
Press the [
(Play/Stop)] button to stop recording.
If you also want to rerecord the ending of the Automatic Accompaniment, press the
[Intro/Ending] button.
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Chapter 5 Recording and Saving the Performance
Erasing Recorded Performances
You can use the following method to delete a recorded performance.
1.
Hold down the [Song] button and press the [
(Rec)] button.
A screen like the one shown below appears.
fig.m-songdel.eps_60
2.
Touch <OK>.
This deletes the recorded song.
When you touch <Cancel>, the song selection screen or basic screen appears and the
recorded song is not erased.
Chapter 5
■ Erasing the Performance on Specific Tracks
You can select and erase performances on specific tracks.
1.
Hold down the Track button for the track containing the performance
you want to erase, then press the [
(Rec)] button.
The Track button’s light goes dark, and the recorded music is erased.
Changing How Recording Stops
When recording an Automatic Accompaniment performance, you can change the
accompaniment and the way recording mode stops.
1.
Press the [Menu] button and watch the indicator light up.
The “Composer Menu” or the “A/V Sync” screen appears.
2.
Touch <Rec Mode>.
A screen like the one shown below appears.
fig.d-recmode.eps_60
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Chapter 5 Recording and Saving the Performance
3.
Touch <Rec Stop>
to switch between “Arranger Stop” and
“Composer Stop.”
Explanation
Display
Arranger Stop
Recording stops at the same time the Automatic
Accompaniment stops.
Composer Stop
Recording does not stop, even when the Automatic
Accompaniment stops. When you press the [
(Play/
Stop)] button, recording stops.
Recording Songs Starting with Pickups
You can record songs that start with pickup beats (songs that start on a beat other
than the measure’s first beat).
fig.PU.e
Chapter 5
Count Sound
~
Measure -2
PU
1
Recording begins here
Carry out Steps 1–4 on p. 105 to prepare for recording.
If the [
(Rec)] button’s indicator is not lit, press the [
(Rec)] button so the
indicator is lit.
The KR is put in recording standby.
1.
Press the [
(Bwd)] button one time.
The measure number in the upper right of the Basic screen changes to “PU,” and the
KR is set to record a song starting with a pickup.
fig.d-pu.eps_60
Start recording. After a one-measure count, recording begins.
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Chapter 5 Recording and Saving the Performance
Using External Memories
If you install separately available external memory or a floppy disk drive, you’ll be
If connecting an optional
able to save songs you’ve recorded and listen to commercially available music data.
floppy disk drive, substitute
■ Connecting and Ejecting an External Memory
“floppy disk” wherever the
term “external memory”
appears here.
1.
Press the External Memory port cover and open the cover.
Press the cover in; the cover will open.
NOTE
Use external memory available
from Roland. Proper
functioning cannot be
2.
Connect the external memory to the External Memory port.
guaranteed if other external
NOTE
Carefully insert the an external
memory all the way in—until
it is firmly in place.
931
3.
Press the cover in again to close the cover.
* Always keep the Ext Memory port cover closed except when connecting and
disconnecting external memory.
Locking the External Memory Port Cover
When connecting external memory (sold separately), you can lock the memory port
cover to prevent theft of the connected external memory.
1.
Connect the external memory to the external memory port.
2.
Press the External Memory port cover to close the cover.
NOTE
3.
s
Secure the lock using the anti-theft lock screws included with the
Take care not to lose the anti-
instrument.
theft lock screws. Also be sure
to use only the included
screws to secure the anti-theft
lock.
113
Chapter 5
memory products are used.
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Chapter 5 Recording and Saving the Performance
■ Formatting Media (Format)
The process of preparing external memory or disks so that they can be used with the
KR is called “initialization” (formatting).
In certain cases, particularly with floppy disks, the media is formatted for a specific
type of device. If the media format does not match the KR’s, you will not be able to
use that media with the KR.
Chapter 5
fig.panel4-3
1.
Connect the external memory to the external memory port.
2.
Press the [Song/File] button.
3.
Touch <File>.
A “File screen” like the one below appears.
fig.d-songfile.eps_60
NOTE
When an external memory is
initialized, all of the data
saved on the external
memory is erased. If you’re
formatting a used external
memory for reuse, be sure to
check first to make sure the
external memory doesn’t
contain any data you don’t
want to lose.
NOTE
When initializing floppy disks,
check to make sure that the
disk’s write protect tab is slid
to the “write” position(p. 7).
4.
Touch <Format Media>.
The following screen appears.
fig.d-format.eps_60
Press the [Exit] button to go back to the previous screen.
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Chapter 5 Recording and Saving the Performance
5.
Touch <Media>
6.
Touch <Execute>.
to select the storage media to be initialized.
NOTE
Do not remove the storage
media until the initialization is
completed.
A confirmation screen appears. If you want to quit the initialization, touch <Cancel>.
NOTE
7.
Touch <OK>.
Initialization of the external memory begins.
When initialization is completed, you’re returned to the previous screen.
Do not eject the floppy disk
while data is being read from
or written to the disk. This
may scratch the disk’s
magnetic surface, rendering
the memory unusable. (The
disk drive’s indicator lights
brightly while data is being
read from or written to the
disk. At all other times, the
indicator is lit more dimly, or
is not lit at all.)
If “Error” appears on screen,
take a look at “Error
Messages” (p. 201).
115
Chapter 5
NOTE
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Chapter 5 Recording and Saving the Performance
Saving Songs
Substitute the words “floppy
A recorded performance is discarded when you switch off the power or choose
disk” for “external memory” if
another song. Storing recorded performances and other data to external memories
using a separately purchased
or the Favorites is called “saving.” Be sure to save important songs to external
floppy disk drive.
memories or Favorites.
What are “Favorites?”
You can register songs you are currently practicing or particularly like to
When using a new storage
“Favorites,” allowing you to select these songs easily (p. 82).
media, first initialize (format)
When you register a song on an external memory to Favorites, you can then play
the external memory on the
back the song without connecting the external memory to the external memory
KR. Take a look at “Formatting
connector.
Media (Format)” (p. 114).
If a recorded performance is saved to Favorites, the performance won’t be erased
when the power is turned off.
NOTE
Some commercially available
music files cannot be saved
Chapter 5
Preparations for Saving Data
When saving to external memories, connect the external memory to the external
because they are copy
protected.
memory port.
1.
Press the [Song/File] button.
2.
Touch <File>.
The “Song File screen” appears.
3.
Touch <Save>.
When saving to floppy disks,
first check to make sure that
the floppy disk’s protect tab is
set to the “Write” position
(p. 7).
The following “Save Song screen” appears.
fig.d-songsave.eps_60
If not handled with care, a
floppy disk and an external
memory can be damaged, or
the data on it become
corrupted, making playback
impossible. We recommend
saving your songs on two
different media.
When you want to clear all of
the content saved to the
“Favorites” and restore the
settings to the original factory
condition on the KR, refer to
“Formatting the User
Memory” (p. 180).
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Chapter 5 Recording and Saving the Performance
Determining the Name of the Song to be Saved
4.
Touch <Rename>.
The following “Rename screen” appears.
fig.d-songname.eps_60
When you touch
, the cursor moves.
When you touch the icon for the letter or character to be input, the character appears
Chapter 5
at the cursor location. For example touching <ABC> in succession cycles you
through the available choices in that character group (“A”→”B”→”C”...).
Each touch of <A-a-0-!> cycles the type of characters through “English (upper case),”
“English (lower case),” “numerals,” “symbols,” then back to “English (upper case).”
When you touch <Del>, the character at the cursor position is deleted.
When you touch <Ins>, a space is inserted at the cursor position.
5.
When you have finished with the name, press the [Exit] button.
Determining the Save Destination
6.
Touch <Media>
7.
Touch <File>
to select the save-destination storage media.
to select the save-destination song number.
If a song name is displayed with a number a song is already saved to that number.
If you select a number with a previously saved song and then proceed to save a new
song, the previously saved song will be erased. If you do not want to lose a saved
song, select a number with no song name indicated in the save-destination column.
Selecting the Save Setting (when saving to external memories)
8.
Press the [Option] button.
9.
Touch “Tone Compatibility”
to select the tone compatibility
format.
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Chapter 5 Recording and Saving the Performance
Some Tones are unique to the KR. Data that is recorded using these tones may not
play back correctly on other Roland Digital Pianos or Music Players. When you want
to save data so that it can be played back on another devices, save the data with
“MT” set as the Tone compatibility format.
Explanation
Display
KR
The song is saved as data capable of reproducing
performances with richness of expression using this unit’s
special Tones.
MT
Data is saved in a form that can also be played on the Roland
Digital Pianos or Music Players other than this unit.
You can listen to songs saved in this format on the Roland HPG/R series and KR series keyboards as well as on Roland MT
series devices.
<Note>
When data saved with “MT” as the Tone compatibility format is played back on this
instrument, some of the nuances that were part of the performance at the time the
data was recorded may be altered.
Chapter 5
Even with data saved with “MT” as the Tone compatibility format, an exact
reproduction of the original performance may be unobtainable when using GS
devices other than Roland Pianos and Music Players.
Selecting the File Format (when saving to external memories)
10.Touch <File Format>
to select the file format.
NOTE
Depending on the playback
instrument, some notes may
drop out or sound different.
Display
SMF
i-format
Explanation
Saves the song as an SMF (Standard MIDI Files). Songs saved
in this SMF format can be listened to on many instruments
that can play SMF music files (p. 217).
A song recorded using commercial music files can’t be saved
in “Save As SMF” format for reasons of copyright protection.
Saves the song in this unit’s format. You can listen to songs
saved in this format on the Roland HP-G/R series and KR
series keyboards as well as on Roland MT series devices. This
format is called “i-format”.
NOTE
Never turn off the power
while the saving operation is
in progress. Doing so will
damage the KR’s internal
memory, making it unusable.
11.Press the [Exit] button.
Save
It’s a good idea to get into the
12.Touch <Execute> to start saving.
The time required for saving ranges from several seconds to half a minute or more.
habit of moving the writeprotect tab on the floppy disk
to the “Protect” position when
you’ve finished saving your
Don’t take the external memory out of the external memory port until the saving
data. Keeping the tab at
process is finished.
“Protect” prevents operations
Press the [Exit] button to return to the Song File screen.
that could erase your songs by
mistake.
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Chapter 5 Recording and Saving the Performance
Deleting Saved Songs
This deletes songs that have been saved on external memories, or to Favorites.
To delete a song on an external memory, first connect the external memory to the
external memory port.
1.
Press the [Song/File] button.
2.
Touch <File>.
The “Song File screen” appears.
3.
Touch <Delete>.
A “Delete Song screen” appears.
fig.d-songdel.eps_60
Chapter 5
4.
Touch <Media>
5.
Touch <File>
6.
Touch <Execute>.
to select the storage media.
to select the song to be deleted.
The selected song is deleted.
NOTE
Never turn off the power
while the operation is in
Do not eject the external memory from the external memory port until the operation
progress. Doing so will
is finished.
damage the KR’s internal
Press the [Exit] button to return to the Song File screen.
memory, making it unusable.
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Chapter 5 Recording and Saving the Performance
Copying Songs on External Memories
to Favorites
You can take songs saved on external memories and copy them to Favorites.
You can also copy songs in Favorites to external memories.
1.
Connect the external memory with the song to be copied to the external
memory port.
2.
Press the [Song/File] button.
3.
Touch <File>.
The “Song File screen” appears.
4.
Touch <Copy>.
The following “Copy Song screen” appears.
Chapter 5
fig.d-songcopy.eps_60
Specifying the Copy Source
5.
Touch the <Media>
6.
Touch the <File>
to select the copy source storage media.
to select the song you want to copy.
When “Copy All” is selected, songs within the selected folder on the external
memory are copied to Favorites.
Specifying the Copy Destination
7.
Touch <Favorites>
to select the copy destination for the
song.
If a song name is displayed with a number, a song is already saved to that number.
If you select a number with previously saved song data and proceed to copy to that
location, the previously saved song will be erased. If you don’t want to erase a
previously saved song, choose a number with no song name appears in the
destination column.
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Chapter 5 Recording and Saving the Performance
8.
Touch <Execute>.
Do not eject the external memory from the external memory port until the copy is
finished.
The song from the external memory is copied to Favorites.
■ Copying Songs Saved in Favorites to External
Memories
NOTE
Never turn off the power
while the operation is in
progress. Doing so will
damage the KR’s internal
memory, making it unusable.
Songs that’ve been saved to Favorites can be copied onto external memories.
In this case, in the “Copy Song screen” in Step 4 above, touch the arrow icon in the
center to point the arrow upwards. This sets the KR to copy the song in Favorites to
the external memory.
fig.d-songcopy2.eps_60
Chapter 5
The rest of the procedure is identical to that used for copying songs from external
memories to Favorites.
NOTE
Some song data cannot copy
because they are copy
protected.
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Chapter 6 Creating Performance Data Including
Moving Keys (A/V sync)
With this instrument you can create performance data that, like the CD included
with the KR, contains Moving Keys data.
By connecting a Roland CD-2 or similar recording device, you can record not just
your piano performances, you can also connect a microphone to record vocals along
with the piano performance.
Moreover, you can connect video equipment to the KR and record video images
along with the other data as well.
Recording
■ Making the Connections
fig.05-2-01
When connecting audio recording devices
KR
To simultaneously record using a mic or other
musical instrument, connect as shown below.
Jack Panel (Rear)
Chapter 6
Jack Panel (Front)
Audio cable
LINE OUT,
OUT PUT
Musical
Instruments,
e.t.c.
Mic
LINE IN,
IN PUT
Recording device
fig.05-2-02
When connecting video recording devices
KR
To simultaneously record using a mic or other
musical instrument, connect as shown below.
NOTE
Jack Panel (Rear)
Jack Panel (Front)
If both the output for A/V
Sync and AUX input are
connected simultaneously,
please set “Mode” of the Aux
input to “Off.”
If this is set to anything other
than “Off,” make sure to
disconnect any cables
Audio cable
connected to Aux Out or
Balanced Out.
Mic
LINE OUT,
OUT PUT
Musical
Instruments,
e.t.c.
Video Camera
VIDEO OUT
VIDEO IN
122
If such connections are left
LINE IN,
IN PUT
intact, you may likely
encounter a loud, continuous
beep tone.
Video Equipment
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Chapter 6 Creating Performance Data Including Moving Keys (A/V sync)
1.
Press the [Menu] button.
The “A/V Sync” display will appear.
If the “Composer Menu” screen appears, touch
2.
to switch the page.
Touch the <A/V Sync Output>.
The following display will appear.
Chapter 6
3.
Start recording with the connected device.
4.
Touch the <Begin Output>.
The following message appears.
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Chapter 6 Creating Performance Data Including Moving Keys (A/V sync)
When the transmission of the initial setup ends, the following message appears.
NOTE
5.
When the “Start performance” message appears, start playing the KR.
When you display other screen
to change tones etc. while
outputting data, press [Menu]
button once again to display
the “A/V Sync” screen, then
Chapter 6
touch the <A/V Sync Output>.
6.
When you have finished the performance, touch <Stop Output.>
7.
Stop recording with the connected device.
When you touch the <Stop Output>, a screen like the one shown below appears.
Press the [Exit] button to exit the A/V sync function.
When you record other song, touch the <Begin Next Recording>, then repeat the
procedure from Step 3.
When you hear the performance recorded to the connected equipment, touch the
<Listen to This Recording>.
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Chapter 6 Creating Performance Data Including Moving Keys (A/V sync)
A screen like the one shown below appears.
When you touch the <Set Aux Input for Playback>, the screen to change the setting
is displayed.
NOTE
Playing back CDs to which this
performance data is recorded
on CD players other than the
KR’s internal CD player may
result in damage to the
speakers. To listen to these
CDs, either play them back on
the KR’s internal CD player or
accordance with the
Change the setting and the connections.
instructions in “Playback (Aux
Refer to “Making Advanced A/V Sync Input Settings” (p. 128).
Input)” (p. 127).
Note
With certain Surround settings, data may not be output from the KR as you intend.
Turn Surround off when using the A/V sync function. Alternatively, you can switch
Surround on and turn on all parts other than the keyboard with the part On/Off
settings.
fig.d-adv3d.eps_60
ON
OFF
125
Chapter 6
connect to the KR in
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Chapter 6 Creating Performance Data Including Moving Keys (A/V sync)
■ Making Advanced A/V Sync Output Settings
1.
Press the [Menu] button.
The “A/V Sync” display will appear.
If the “Composer Menu” screen appears, touch
2.
to switch the page.
Touch the <A/V Sync Output>.
Chapter 6
The following display will appear.
3.
Press the [Option] button.
The following display will appear.
4.
Touch the <Output Mode>
to select output connectors.
When the sound has been distorted, touch the <Level>
to adjust the
volume.
Parameter
Setting
Explanation
Output Mode
Balanced Out, AUX Out
Output connectors
Level
0–127
Audio level other than keyboard
performance data
You can confirm the settings by touching “Audition.”
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Chapter 6 Creating Performance Data Including Moving Keys (A/V sync)
Playback (Aux Input)
■ Making the Connections
fig.05-2-03
When connecting audio recording devices
Jack Panel (Front)
KR
LINE OUT,
OUT PUT
Audio cable
Recording device
fig.05-2-04
When connecting video recording devices
NOTE
Jack Panel (Front)
KR
If both the output for A/V
connected simultaneously,
please set “Mode” of the Aux
input to “Off.”
If this is set to anything other
Audio cable
VIDEO
IN
LINE OUT,
OUT PUT
VIDEO
OUT
than “Off,” make sure to
disconnect any cables
connected to Aux Out or
Balanced Out.
If such connections are left
Television, Projector
Video Equipment
intact, you may likely
encounter a loud, continuous
1.
Press the [Menu] button.
beep tone.
The “A/V Sync” display will appear.
2.
Touch
to switch the page, then touch the <Aux Input>.
The following display will appear.
127
Chapter 6
Sync and AUX input are
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Chapter 6 Creating Performance Data Including Moving Keys (A/V sync)
3.
4.
Touch the <Mode>
to select “A/V sync.”
NOTE
When “A/V Sync” is selected,
When you display the “Song selection screen” after you set “A/V Sync” for the
the KR automatically
<Mode> setting, and the song category automatically changes to “Aux Input
distinguishes the type of the
Decode.”
encoded signal, then starts
playing. In some cases,
Play back the performance on the connected device.
however, it doesn’t play
correctly.
■ Making Advanced A/V Sync Input Settings
1.
playback still doesn’t occur
correctly, set “Mode” to either
Press the [Menu] button.
“A/V Sync Type A” or “A/V
Sync Type B.”
The “A/V Sync” display will appear.
If the “Composer Menu” screen appears, touch
2.
In such cases, press <Reset>. If
to switch the page.
The <Reset> icon is also
displayed when you select
“Aux Input Decode” as the
Press the [Option] button.
category in the song selection
screen.
Chapter 6
The following display will appear.
3.
Touch the slider or
Parameter
Sync
Level
Setting
0–100
0–127
to set for the parameter.
Explanation
On rare occasions, the keyboard performance and
accompaniment sounds may not be synchronized
properly.
In such instances, you can adjust the timing of the
keyboard performance sounds so that they are in time
with the accompaniment.
Audio level other than keyboard performance data
If the level is set to “0,” only
the keyboard performance
sound from the device
connected to the Aux Input
jacks will be heard.
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Chapter 7 User Program Registration
You can register the currently selected tones, transposition and volume balance, and a variety of other settings
as “favorite performance settings” (User Program). This allows you to call up the registered favorite
performance settings whenever you need them. Registering the settings you often use is makes it even more
convenient for you.
For more on what can be registered to a User Program, refer to “Parameters Stored to Internal Memory” (p. 216).
Panel Settings
1 User Program
Write
Temporary Memory
1
2
3
4
5
7
8
9 10 11 12
KR User Memory
6
Save
13 14 15 16 17 18
19 20 21 22 23 24
25 26 27 28 29 30
Load
31 32 33 34 35 36
.....
Chapter 7
36 User Programs
(1 User Program Set)
11 22 33 44 55 66
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External Memory
Save
Load
11 22 33 44 55 66
11 22 33 44 55 66
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66
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.....
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Chapter 7 User Program Registration
Saving Performance Settings
(User Program)
Giving a name to a set of User Programs
4. Touch <Rename>.
A “Rename screen” like the following appears.
Any collection of settings, including those describing the
current status of your data selections or settings Automatic
Accompaniment, can be saved to the [User Program] button.
You can then call up the stored settings by pressing the [User
Program] button. Saving your preferred combinations of
Music Styles and Tones, as well as other frequently used
settings, makes it more convenient.
fig.d-upgname.eps_50
You can register up to 36 User Programs to the KR.
fig.panel_UPG
When you touch
When you touch the icon for the character to be input,
the character appears of the cursor potion.
For example, touching the <ABC> icon in succession
cycles you through the available choices in that character
group (A→B→C→A...).
→ For more on what can be registered to a User Program, refer to
“Parameters Stored in the User Program” (p. 216).
Each touch of <A-a-0-!> cycles the type of characters
through “ upper case,” “ lower case,” “numerals,”
“symbols,” then back to “English (upper case).”
1. Set the Music Style, Tone, and other data until the
settings are the way you want them.
2. Press the [User Program] button.
When you touch <Del>, the character at the cursor
position is deleted.
A “User Program screen” like the one shown below
appears.
When you touch <Ins>, a space is inserted at the cursor
position.
fig.d-upg.eps_50
Chapter 7
, the cursor moves.
5. When you have finished with the name, press the [Exit]
button.
You’re returned to the Write User Program screen.
Determining the Write Destination
6. Touch
to select the write-destination
number.
3. Touch <Write>.
7. Touch <Execute>.
The current performance settings are saved to the [User
Program] button.
A “Write User Program screen” like the following
appears.
fig.d-upgwrite.eps_50
*
Never turn off the power while the display indicates
<Writing...>. Doing so will damage the KR’s internal
memory, making it unusable.
→ You can restore the content registered to the [User Program]
button to the original factory settings. Refer to “Restoring the
Factory Settings (Factory Reset)” (p. 172).
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Chapter 7 User Program Registration
Calling Up Saved User
Programs
You can easily call up settings saved to the [User Program]
button.
4. Press the [Exit] button to return to the User Program
screen.
For further information about the content stored in the
User Programs, refer to p. 216.
1. Press the [User Program] button.
The “User Program screen” appears.
Touch the scroll bar and drag up or down to scroll
through the screen and display other name of User
Programs.
Touch the page icons <
><
> to change pages.
2. Touch the name of the User Program you want to call
up.
When you touch the name of the User Program, the
buttons or other performance settings instantly change
to the previously saved settings.
■ Changing the Way User
Programs Are Called Up
When calling up User Programs by touching program names
in the “User Program screen,” you can select different types
of settings depending on how long you touch the touch
panel.
Saving the User Program
Sets
You can take the 36 User Programs saved to the [User
Program] button and save them as a set to an external
memory, or to user memory.
When saving to an external memory, first connect an external
memory to the external memory port.
→ For more on working with the external memory, refer to
“Using External Memories” (p. 113).
1. Press the [User Program] button.
2. Touch <File>.
3. Touch <Save>.
A “Save User Program screen” like the following
appears.
fig.d-upgsave.eps_50
Chapter 7
1. Press the [User Program] button.
2. Press the [Option] button.
A settings screen like the following appears.
fig.d-upgopt.eps_50
Giving a Name to a Set of User Programs
4. Touch <Rename>.
The Rename screen appears.
When you touch
3. Touch <Instant> or <Delayed> to select the setting.
Display
Instant
Delayed
Explanation
Immediately after a User Program name is
touched, the Automatic Accompaniment
settings also switch.
When you continue to touch the User
Program name for a few moments, the
Automatic Accompaniment settings are
switched
, the cursor moves.
When you touch the icon for the character to be input,
the character appears at the cursor position. For example
touching the <ABC> icon in succession cycles you
through the available choices in that character group
(A→B→C→A...).
Each touch of <A-a-0-!> cycles the type of characters
through “English (upper case),” “English (lower case),”
“numerals,” “symbols,” then back to “English (upper
case).”
When you touch <Del>, the character at the cursor
position is deleted.
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Chapter 7 User Program Registration
When you touch <Ins>, a space is inserted at the cursor
position.
5. When you have finished with the name, press the [Exit]
button.
Determining the Save Destination
■ Loading Saved User Program
Sets
User Programs that have been saved on external memories or
in user memory can be called up, on an individual set basis,
to the [User Program] button.
*
6. Touch <Media>
to select the save-
destination strage media.
7. Touch <File>
to select the save-
destination User Program number.
If a User Program set name is displayed, a User Program
set saved to that number is already.
If you select a number with previously saved User
Program set data, then save a new set of data to that
same number, the older User Program set will be
deleted. If you don’t want to lose any previously saved
User Programs, select a number in the save-destination
column that does not yet have a name.
Note that calling up these User Programs results in the
deletion of all User Programs currently recorded to the
[User Program] button.
When loading a set of User Programs from an external
memory, first connect the external memory to the external
memory port.
→ For more on working with the external memory, refer to
“Using External Memories” (p. 113).
1. Press the [User Program] button.
2. Touch <File>.
3. Touch <Load>.
A “Load User Program screen” like the following
appears.
fig.d-upgload.eps_50
Saving
8. Touch <Execute> to begin the save.
Press the [Exit] button to return to the User Program File
screen.
Chapter 7
*
Never turn off the power or eject the external memory from
the external memory port while the operation is in
progress. Doing so will damage the KR’s internal memory,
making it unusable.
→ When clearing the set of saved User Programs, refer to
“Deleting Saved User Program Sets” (p. 133).
Specifying the Set of User Programs to be
Loaded
4. Touch <
><
> to select the storage media to be
read from.
Touch the scroll bar and drag up or down to scroll
through the screen and display other name of User
Programs.
5. Touch the name of User Program to load.
6. Touch <Execute>.
The selected User Programs are loaded to the [User
Program] button.
*
132
Never turn off the power or eject the external memory from
the external memory port while the operation is in
progress. Doing so will damage the KR’s internal memory,
making it unusable.
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Chapter 7 User Program Registration
Deleting Saved User
Program Sets
You can delete individual User Program sets saved to
external memories or in user memory.
When deleting a set of User Programs on an external
memory, first connect the external memory to the external
memory port.
→ For more on working with the external memory, refer to
“Using External Memories” (p. 113).
Copying Sets of User Programs on
External Memories to the User
Memory
You can copy sets of User Programs saved on external
memories and to user memory.
You can also copy sets of User Programs saved in user
memory and to external memories.
1. Connect the external memory with the settings to be
copied to the external memory port.
1. Press the [User Program] button.
2. Touch the [User Program] button.
2. Touch <File>.
3. Touch <File>.
3. Touch <Delete>.
4. Touch <Copy>.
A “Delete User Program screen” like the following
appears.
A “Copy User Programs screen” like the following
appears.
fig.d-upgcopy.eps_50
fig.d-upgdel.eps_50
4. Touch <Media>
to select the strage
media.
5. Touch <File>
to select the strage
media.
to select the set of User
Programs to be deleted.
6. Touch <Execute>.
The selected User Programs are deleted.
*
5. Touch <Media>
Chapter 7
Specifying the Copy Source
Never turn off the power or eject the external memory from
the external memory port while the operation is in
progress. Doing so will damage the KR’s internal memory,
making it unusable.
6. Touch <File>
to select the set of User
Programs you want to copy.
If “All” is selected, all of the sets of User Programs on the
external memory are copied to user memory.
Specifying the Copy Destination
7. Touch <User>
to select the copy
destination for the set of User Programs.
If a User Program name is displayed, already a User
Program saved to that number is already.
If you select a number with User Programs data, and
then copy data to that number, the previously saved
User Programs are deleted. If you do not want to delete
the saved User Programs, select a number in the savedestination column for which no name is displayed.
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Chapter 7 User Program Registration
8. Touch <Execute>.
The set of User Programs on the external memory is
saved to user memory.
*
Never turn off the power or eject the external memory from
the external memory port while the operation is in
progress. Doing so will damage the KR’s internal memory,
making it unusable.
■ Coping Sets of User Programs
Stored in the User Memory to
External Memories
You can take User Program sets saved in user memory and
copy them to external memories.
In this case, in the Copy User Programs screen in Step 4
above, touch the large arrow icon in the center to get the
arrow to point up. This sets the KR to copy the User Program
set in the user memory to the external memory.
The rest of the procedure is identical to that used for copying
sets of User Program set from external memories to user
memory.
Chapter 7
Using the Pedal to Switch
User Programs
You can assign the function of the sequential switching of the
“User Programs” to the pedal. That way, each time you
depress the pedal, the KR switches to the next User Program.
Great for use in concerts and similar situations, this allows
you to prepare and save your User Programs in the sequence
they are to be used, and then call up User Programs in the
appropriate order while you perform, simply by depressing
the pedal.
1. Press the [User Program] button.
2. Touch <Pedal> in the lower part of the screen.
A “PEDAL screen” like the following appears.
If you want to use the Load Next function to switch
among User Programs saved to external memory, make
sure to set Load Next in all of the User Program sets to
“ON.” Also, be sure to set the Pedal Shift value so it is
for the same pedal.
■ Selecting the Pedal Used for
Switching Settings (Pedal Shift)
3. Touch <Pedal Shift>
Display
to select the setting.
Explanation
OFF
You can use a function assigned to the
pedal.
Left Pedal
The left pedal is dedicated to switching
User Programs.The function assigned to
the left pedal cannot be used.
Center Pedal
The center pedal is dedicated to
switching User Programs.The function
assigned to the center pedal cannot be
used.
Press the [Exit] button to return to the User Program
screen.
■ Sequential Loading of User
Program Sets Stored
(Load Next)
When using the pedal to switch your User Programs,
you can also call up sequential sets of User Programs as
saved to external memory. This feature is called the
“Load Next” function.
3. Touch <Load Next>
Display
to select the setting.
Explanation
OFF
Switches Load Next off. The next press of
the pedal after the 36th User Program is
called up returns you to the first User
Program of the same User Program set.
ON
Switches Load Next on. The next press of
the pedal after the 36th User Program has
been called up takes you to the first User
Program in the next User Program set.
fig.d-upgopt.eps_50
Press the [Exit] button to return to the User Program
screen.
→ The Pedal Shift and Load Next settings are stored in each User
Program set.
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Chapter 7 User Program Registration
Simultaneously Switching
User Program and
Transmitting PC Numbers
You can have PC (Program Change) numbers be transmitted
to an external MIDI device when you switch the User
Program on the KR.
5. Press the [Exit] button.
The User Program screen returns to the display.
Touch <Write> to save the setting to the User Program.
For more detailed information, refer to “Saving
Performance Settings (User Program)” (p. 130).
You can register PC number settings to each of the User
Programs, just as you can with button settings and other
settings preferences.
Calling Up the Performance Settings to Be Set
1. Press the [User Program] button, then touch the name
of the performance setting you want to set.
Setting the Transmission of the PC
2. Press the [Option] button.
3. Touch <
><
> to switch the page to display
the following screen.
fig-upgPCset.eps_50
Chapter 7
4. Touch
for the parameter and make the
settings.
Display
Description
Bank
Select MSB
Sets the Bank Select MSB.
Bank
Select LSB
Sets the Bank Select LSB.
Program
Change
Sets the Program Change messages
(Program Numbers).
Tx PC
Channel
This prevents the PC number from being
transmitted (Off), or sets the transmission
channel (Channel 1–16).
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Chapter 8 Creating and Editing Songs
Multitrack Recording with 16
Parts (16-Track Sequencer)
When you want to record with Automatic Accompaniment,
then you should use the Track buttons for recording. (Refer
to “Recording With Accompaniment” (p. 107)
Multitrack recording always you to listen to previously
recorded material while continuing to add performances of
other parts.
Commercially available song file recorded in Roland’s SMF
format is also composed of sixteen parts.
The KR is capable of multitrack recording of up to sixteen
parts. Since each part’s performance is recorded using one
tone, you can layer performances, using up to sixteen tones
for the data in one song. The function used to layer these
sixteen parts, one at a time, is called the “16-Track
Sequencer.”
Commercially Available Music Files
By loading the song file from the external memory and using
the 16-Track Sequencer, you can then also edit the song file.
→ Although with commercially available Roland SMF music
data, Part 11 is included in the [2/Bass Accomp] track button,
other tracks match to the corresponding Track buttons.
* With some commercially available music files, you cannot edit
the data.
fig.16track.e
16-Track Sequencer
You can record performances for up to 16 parts,
overlaying them part by part, to create a single song.
Flute Part
Bass Part
Piano Part (left hand)
Piano Part (right hand)
•
•
•
Part 1
Part 2
Part 3
■ The 16-Track Sequencer Screen
When recording with 16-track Sequencer, display the 16track Sequencer screen.
Part 4
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
Part 16
16-Track Sequencer and Track Buttons
fig.d-16tr.eps_50
In addition to the “16-Track Sequencer” function, the “Track
Buttons” (p. 97) are another of the unit’s playing/recording
functions.
Chapter 8
These five “Track buttons” are used for organizing the 16Track Sequencer’s sixteen parts. This allows you to use the
16-Track Sequencer to add more sounds to performances
recorded with the Track buttons, and make even more
detailed edits of the songs.
You can easily play back the original song data with the 16Track Sequencer, mute parts by pressing the Track buttons,
and more.
You cannot use the Track buttons while the “16-Track
Sequencer screen” is displayed.
The Track buttons correspond to 16-track sequencer parts as
shown below.
Track button
Part
[R/Rhythm]
D (10), S (11)
[1/Whole]
1
[2/Bass Accomp]
2, 5–9, 12–16
[3/Lower]
3
[4/Upper]
4
Since the 16-Track Sequencer records one tone to one part,
you cannot use Layer performance (p. 31), Split performance
(p. 32), or other such functions to record two or more tones
simultaneously. Also, you can’t record the performance with
Automatic Accompaniment.
136
2. Touch
to switch the page, then touch
<16trk Sequencer>.
A “16-track Sequencer screen” like the one shown below
appears.
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Chapter 8 Creating and Editing Songs
fig.d-16tr.eps_50
Function
Display
Icon
Explanation
<1>–<16>
Touch to select the part to be recorded, or the
part whose settings are to be changed. The
button for the selected part changes color.
Solo
Only the selected Part is played back.
Mute
Toggles playback of the selected Part to on
or off.
Clear
The performance data for the selected part is
deleted.
* When you touch <Clear>, a message asking you to confirm the
deletion appears. To erase the recorded sound, touch <OK>. If
you don’t want to erase the recorded sound, touch <Cancel>.
Once a performance has been erased, it can’t be restored.
* You cannot touch <Clear> during playback of the song.
3. Touch <Part> to make more detailed settings for the
selected part.
This Part to be played back
A screen like the one shown below appears.
fig.d-16trpart.eps_50
This part is selected
(Movement)
The Part not to be played back (Muted Part)
Parts that do not have performance data
recorded to them.
Only the selected Part is played back.
Mute
This allows you to prevent the sound for the
selected part from playing.
Clear
The performance data for the selected part is
deleted.
Part
This displays the Part Settings screen, in which
you can make detailed settings for each part.
For details refer to p. 137.
Tone Set
The Tone Set screen appears. For details refer
to p. 138.
■ Modifying the Settings of Each Part
You can change the Tones and volume, as well as mute the
playback, for each individual part in songs recorded with the
16-track Sequencer and the internal songs.
→ Because commercially available Roland SMF music files are
also made up of 16 Parts, you can change the settings for the
individual Parts and play them back in the same way.
You can change the Tone for the selected Part by
pressing a Tone button while this screen is displayed.
When selecting Part 10 or 11, you can touch <Drum Set>
to select the drum set or effect sound.
The Part name and tone name are displayed at the top of
the screen.
4. Touch
for the corresponding item to change
the setting.
You can adjust the values by touching the desired
parameter and turning the dial or by touching and
dragging the slider.
Display
Explanation
Volume
Changes the volume level.
First, select the song for which the settings are to be made
(p. 75).
Reverb
Changes the amount of reverb effect
applied to the sound.
1. Display the 16-track Sequencer screen (p. 136).
Chorus
Changes the amount of chorus applied.
Shifts the direction from which the sound is
heard between left and right.
2. Touch the screen to choose the Part for which you want
to make settings.
Change the settings for the selected Part.
Panpot
Touch
or touch
to shift the sound to the right,
to shift it to the left.
137
Chapter 8
Solo
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Chapter 8 Creating and Editing Songs
What’s Panpot?
Panpot is the control that determines the placement of
the sound in the stereo sound field between left and
right speakers. By altering the Panpot setting, you can
change the perceived location of the sound between
the left and right speakers.
■ Getting the Most Suitable Part
Tones for the Musical Genre
(Tone Set)
“Tone Set” is a function that automatically assigns the most
suitable tones for the selected musical style.
When you’re creating a song, you can assign Tone sets, then
change the Tones to suit the ideas you have for your song.
1. Display the 16-track Sequencer screen (p. 136).
When you press the [
(Play/Stop)] button, you
hear what the song sounds like as you change the
2. Touch <Tone Set> in the lower part of the screen.
settings. When you press the [
button, playback of the song stops.
fig.d-16trtone.eps_50
5. Touch
(Play/Stop)]
A screen like the one shown below appears.
to make settings for other parts.
The Part name appears at the upper part of the screen.
Change the settings for other parts as needed.
6. Hold down the [
(Rec)] button and press the [
(Reset)] button.
This operation set the changes in the settings.
The song can then be saved to an external memory or to
user memory.
If you do not want to delete a song after changing the
settings for the individual parts, save the song to an
external memory or to user memory (p. 116).
* You cannot save the settings that determine whether sounds
for each individual part are played or not (solo and mute).
Chapter 8
If the Following Message Appears
If you try to display another screen after you’ve changed the
song’s settings for each Part, a message like the one below
may appear.
fig.m-songmod.eps
Touch <OK> to change the song’s settings.
Touch <Cancel> to discard the changes you’re made.
138
3. Touch the screen to select a musical genre.
4. Press the [Exit] button.
The 16-track Sequencer screen appears.
Tones for each part are assigned automatically.
* In some genres, some parts may have no tone assigned.
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Chapter 8 Creating and Editing Songs
■ Recording a Performance
❍ Prepare for New Song Recording
❍ Start Recording
Selecting the Song to Record
Selecting the Part to Record
1. Hold down the [Song] button and press the [
1. Display the 16-track Sequencer screen (p. 136).
2. Touch the number for the Part you want to record.
The button for the touched part being set turns orange.
You can only record drum sounds or effect sounds on
Part D (10) or Part S (11). You can select drum sets or
effect sounds by selecting Part D (10) or Part S (11) and
touching <Drum Set>.
(Rec)]
button.
The following screen is displayed if there is any
previously recorded performance or any song with
changed settings.
fig.m-songmod.eps
Selecting the Sound to Play
3. Use the Tone buttons to choose a Tone to play.
After selecting a Tone, press the [Exit] button to call up
the “16-Track Sequencer screen.”
Touch <OK> to delete the song.
Recording the Performance
Determining the Song’s Beat and Tempo
4. Press the [
2. Press the [Metronome] button to select the beat (p. 54).
(Reset)] button.
Recording will start at the beginning of the song.
If you want to record from a point other than the
beginning, use the [
(Bwd)] and [
(Fwd)]
buttons to select another measure to begin.
5. Press the [
(Rec)] button and watch the indicator is
→ You can’t change a song’s beat once it’s been recorded. If you
want to compose a song whose beat changes partway through
the song, take a look at “Changing the Beat in the Middle of a
Song (Beat Map)” (p. 150).
3. Press the Tempo [-] and [+] buttons to set the basic
light up.
tempo of the song.
The KR is put in recording standby.
If you do not need the metronome sound, press the
[Metronome] button once more.
6. Press the [
(Play/Stop)] button.
A two-bar count-in sounds, then recording starts.
(Play/Stop)] button.
Recording stops.
When one part is recorded, continue by selecting and
recording another part. Continue layering parts to finish
recording the song.
→ If necessary, choose a recording method. For more on how to
record, refer to the following paragraph. If you record for the
first time, there’s no need to select the recording method.
* Any performance that has been recorded is deleted when the
power to the KR is turned off. It is a good idea to save song
data to an external memory or user memory. For more
information, refer to “Saving Songs” (p. 116).
139
Chapter 8
7. Press the [
→ When using song data that has already been recorded, the
recording is made using the source song’s basic tempo. To
change the basic tempo of a song, please refer to “Changing the
Tempo of Recorded Songs” (p. 151).
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Chapter 8 Creating and Editing Songs
Changing the Recording
Method (Rec Mode)
2. Touch <Rec Mode>.
A “Rec Mode screen” like the following appears.
fig.d-recmode.eps_50
You can use any of the four methods below to record with
the KR.
Although you will normally be using “Replace Recording,”
where previously recorded material is erased when new
sounds are recorded, you’ll find that you can record songs
easily by using this method in combination with other
recording methods.
Replace Recording (p. 140)
This is the normal method for recording. New material is
recorded as previously recorded material is erased.
Mix Recording (p. 141)
mode.
New notes are recorded on top of notes previously recorded.
Display
This convenient feature makes it easy for you to record
melodies over prerecorded accompaniment.
Loop Recording (p. 141)
Specified measures are recorded repeatedly, while new notes
are combined with existing music. A convenient feature for
creating rhythm parts. Loop Recording allows you to record
over and over within a selected segment, adding a different
percussion sound with each pass.
Punch-in Recording (p. 142)
You can re-record only a specified passage as you listen to a
recorded performance.
→ Immediately after the power is turned on, Replace Recording is
selected.
Chapter 8
3. Touch <Rec Mode>
Changing the Recording Method
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
fig.d-menu1.eps_50
to select the recording
Recording Method
Replace
Replace Recording
Mix
Mix Recording
Loop
Loop Recording
Auto PunchIn/Out
Punch-in recording of the interval
between set markers.
Manual
Punch-In/Out
Punch-in recording starting from the
point at which the pedal, the
Performance Pad or the [
(Rec)]
button is pressed.
For more about Punch In Recording,
refer to p. 142.
Tempo
You can add tempo changes to a
recorded composition. See p. 151.
4. Press the [Exit] button.
Returns to the “Composer Menu” screen.
■ Recording While Erasing the
Previous Recording
(Replace Recording)
The recording process where previous material is erased as
new material is recorded is called “replace recording.” This
setting is in effect when you turn on the power.
1. In the “Rec Mode screen” (p. 140), select <Replace>.
Press the [Exit] button to return to The “Composer
Menu” screen.
The KR is set to the replace recording mode.
Record the performance using the procedures described
in Chapter 4 (p. 104), “Multitrack Recording with 16
Parts (16-Track Sequencer)” (p. 136).
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Chapter 8 Creating and Editing Songs
■ Layering a Recording Over
Previously Recorded Sounds
(Mix Recording)
You can record a performance layered over a previously
recorded performance. This method is called “Mix
Recording.”
1. In the “Rec Mode screen,” select <Mix>.
Press the [Exit] button to return to The “Composer
Menu” screen.
The KR is set to the mix recording mode.
Record the performance using the procedures described
in “Recording While Selecting the Track Buttons
(Redoing Recordings)” (p. 110), “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 136), or other
methods.
* After you have finished with mix recording, return to the
usual replace recording mode.
■ Repeated Recording at the
Same Location (Loop Recording)
You can record a specified passage over and over, layering
sounds with each pass. This method is called “Loop
Recording.” This is handy when recording a Rhythm Part.
1. Place A and B markers at the beginning and end of the
passage you want to record.
Take a look at “Setting Markers for Repeated Practice
(Marker)” (p. 98).
If you haven’t recorded anything yet, then use “Blank
Recording” to create the necessary number of measures
before placing the markers.
Blank Recording is recording a number of silent
measures with no content.
1. Set the basic tempo and beat of the song.
2. Hold down the [
[
(Rec)] button and press the
(Play/Stop)] button.
The indicators for the [
(Rec)] and [
(Play/
Stop)] buttons both light up, then after two
measures of the count sound, recording begins.
3. Without performing anything, record only the
required number of measures, then press the
[
(Play/Stop)] button.
The indicators for the [
(Rec)] and [
(Play/
Stop)] buttons both go out, and recording stops.
2. In the Rec Mode screen (p. 140), select <Loop>.
Press the [Exit] button to return to The “Composer
Menu” screen.
The recording method changes to loop recording.
3. Press the [
(Rec)] button.
4. Press the Track button for the track to be recorded.
The KR is put in recording standby.
5. Press the [
(Play/Stop)] button to begin
recording.
Recording starts from Marker A.
When the song reaches Marker B, it then returns to
Marker A, where recording continues.
Each time the recording is looped, the newest sounds are
layered over previously recorded sounds.
6. When you press the [
(Play/Stop)] button,
recording stops.
* After you have finished with loop recording, return to the
usual replace recording mode (p. 140).
141
Chapter 8
For example, use this method to make a Loop Recording of a
four-measure segment. First record the bass drum, the snare
drum next, then the hi-hat and so on, layering a different
instrument onto the same four measures. After you have
finished recording the four-measure rhythm pattern, you can
then use the procedure in “Copying Measures (Copy)” (p.
146) to create as many copies of the four measures as you
need to complete your Rhythm part.
What is Blank Recording?
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Chapter 8 Creating and Editing Songs
❍ Recording a Passage Specified by Markers
Loop Recording Shortcut
You can also use the method described below to set Loop
Recording.
1. Place A and B markers at the beginning and end of
the passage you want to record.
Take a look at “Setting Markers for Repeated
Practice (Marker)” (p. 98).
1. Before you start re-recording, place markers A and B to
define the passage.
Following the procedures described in “Setting Markers
for Repeated Practice (Marker)” (p. 98), use Markers A
and B to specify the passage.
2. In the Rec Mode screen (p. 140), select <Auto Punch In/
Out>.
fig.d-rec-punch.eps_50
If you haven’t recorded anything yet, then perform
“Blank Recording” for the necessary number of
measures before placing the markers.
2. Touch the <Repeat> icon in the Marker screen
(p. 99).
This sets the loop recording mode.
Start a recording.
* After you have finished with loop recording, touch the
<Repeat> icon in the “Marker screen” once more to
return to the usual replace recording mode.
■ Re-Recording Part of Your
Performance (Punch-in Recording)
Chapter 8
You can re-record part of a passage as you listen to a
recorded performance. This recording method is called
“Punch-in Recording.” This convenient function lets you
record over a specified points in a part as you listen to a
prerecorded performance in another section.
User Punch-In Recording by the following two methods:
Recording the Region Defined by Markers A and B
(Auto Punch-In/Out)
Before you start recording, place markers A and B to
define the passage you want to re-record. Make the
setting for punch-in recording, and re-record just the
passage between markers A and B.
Recording From the Point at Which the Pedal or
Buttons Are Pressed (Manual Punch-In/Out)
You can play back a performance and depress the pedal
at the desired place to start re-recording. Depressing the
pedal a second time cancels recording and returns you to
playback.
Instead of pressing the pedal, you can press a
performance pad or the[
cancel recording.
(Rec)] button to start and
This changes the recording mode to “Punch-In
Recording.”
Press the [Exit] button to return to The “Composer
Menu” screen.
3. Begin recording.
Begin recording using the procedures described in
“Recording While Selecting the Track Buttons (Redoing
Recordings)” (p. 110) or “Multitrack Recording with 16
Parts (16-Track Sequencer)” (p. 136).
Up until the specified passage, the previously recorded
performance plays back.
When you reach the specified passage, sounds are erased
as recording starts; begin playing now.
When you reach the end of the specified passage,
recording stops, and the KR returns to playback of the
previously recorded performance.
4. When you press the [
(Play/Stop)] button, the
song stops.
❍ Starting Recording from the Measure
Specified by Buttons and Pedals
If using the Performance Pads or pedals, you must first
change the function of the pedals and Pads. Follow the
procedures in “Assigning Functions to Pedals and
Performance Pads (Pedal Setting/User Functions)” (p. 167),
and assign <Auto Punch In/Out> to the buttons or pedal.
1. In the Rec Mode screen (p. 140), select <Manual Punch
In/Out>.
This changes the recording mode to “Punch-In
Recording.”
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Chapter 8 Creating and Editing Songs
Press the [Exit] button to return to The “Composer
Menu” screen.
2. Begin recording.
Begin recording using the procedures described in
“Recording While Selecting the Track Buttons (Redoing
Recordings)” (p. 110) or “Multitrack Recording with 16
Parts (16-Track Sequencer)” (p. 136).
The previously recorded performance will be played
back.
Press the pedal to which Punch In/Out is assigned (p.
167), a performance pad, or the [
(Rec)] button to
begin recording, then start your performance.
Composing an
Accompaniment By Entering
Chords (Chord Sequencer)
You can enter a chord progression and choose the places
where the accompaniment pattern will change to create an
accompaniment for a song. This feature is called “Chord
Sequencer.”
Thanks to the chord sequencer, you can create an
accompaniment ahead of time and play along with your
right hand.
1. Press the [Menu] button and watch the indicator light
Recording stops when you press the pedal, the
up.
Performance Pad, or the [
(Rec)] button again, and
the previously recorded performance is played back.
The “Composer Menu” screen appears.
3. When you press the [
(Play/Stop)] button, the
performance stops.
* When you’re finished with Punch-In Recording, return to the
ordinary Replace Recording mode. Take a look at “Changing
the Recording Method” (p. 140).
2. Touch <
><
> to switch the page, then touch
<Chord Sequencer>.
The screen like the one shown below is called “Chord
Sequencer screen.”
fig.d-chordseq.eps_50
This is the “cursor.” The cursor
shows where the chord change
or other information is input.
This is the end of the song. When
continuing to add input, insert
measures by touching <Ins>.
Chapter 8
This indicates the position where the
accompaniment pattern (Division) or
the Style Orchestrator changes.
Explanation
Display
Ins
One measure is inserted before the measure
where the cursor is positioned.
Del
The measure in which the cursor is
positioned is deleted.
Chords
Allows input of chords without playing the
keyboard. Refer to “Inputting Chords
without Playing the Keyboard” (p. 144).
All Clear
Deletes all of the data that’s been input.
Clear
Deletes the data at the cursor position.
Execute
Records the input chord progression. Touch
this icon when you have finished inputting
all of the chords.
3. Press a Music Style button or the touch screen to select
a Music Style (p. 61).
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Chapter 8 Creating and Editing Songs
4. Press the [Exit] button.
You are returned to the Chord Sequencer screen.
5. Enter the chord progression and the accompaniment
pattern.
Refer to “Inputting Chords with the Chord Sequencer.”
6. When you have finished inputting all the data, touch
<Execute>.
When storage of the data is complete, return to The
“Composer Menu” screen.
Now, press the [
(Play/Stop)] button, and try
playing the melody along with the accompaniment you
created.
* Songs you’ve created are discarded as soon as you turn off the
power. If you do not want to delete the song, save it to an
external memory or to user memory. Refer to “Saving Songs”
(p. 116).
Inputting Chords with the Chord Sequencer
Change the accompaniment arrangements
Move the cursor
Functions That Can Be Assigned to the Pedals
and the Performance Pads
→ For instructions on assigning functions, refer to “Assigning
Functions to Pedals and Performance Pads (Pedal Setting/
User Functions)” (p. 167).
• Inputting a short Intro and Ending
Assign “Intro 2/Ending 2" to a pedal or pad.
• Inputting a “Variation” or “Original” without a Fill-In
Assign “Original/Variation” to a pedal or pad.
• Using the keyboard to input slash chords (such as Fm/C)
Assign “Leading Bass” to a pedal or pad.
• Inputting a break somewhere within the song
Assign “Break” to a pedal or pad.
• Insert half fill-ins (fill-ins lasting half a measure)
Assign “Half Fill In” to a pedal or pad.
Check the Accompaniment You Inserted
Here’s how to play back as much of the accompaniment as
you have input.
1. Press the [
(Reset)] button to return to the
beginning of the song.
2. When you press the [
(Play/Stop)] button, the
performance is played back.
3. Playback stops when you press the [
Select the accompaniment pattern (Division)
Chapter 8
1. Use the dial to move the cursor to the input position.
Use the [
(Bwd)] and [
(Fwd)] buttons to move
the cursor one measure at a time.
2. Enter the chord progression and the changes in the
accompaniment pattern and arrangement.
Just as when performing with Automatic
Accompaniment, press the keys to specify a chord, and
press a button to select the accompaniment pattern (p.
68). You can change the Style Orchestrator with the
Performance Pads (p. 69).
(Play/Stop)]
button once more.
■ Inputting Chords without
Playing the Keyboard
You can use <Chords> at the bottom left of the Chord
Sequencer screen to specify chords on the screen.
1. At the Chord Sequencer screen, touch <Chords>.
A screen like the one shown below appears.
fig.d-chordinput.eps_50
3. Touch <Ins> once to insert one measure before the
measure where the cursor is currently positioned.
If you touch <Del>, the measure where the cursor is
currently positioned is deleted, while the measures that
follow are moved forward.
To remove what you have input, move the cursor to the
position with input you want to delete, then touch
<Clear>. This deletes the entered setting.
→ You can only insert an intro at the beginning of a song. When
you add an intro, the number of bars corresponding to the
length of the intro is inserted automatically.
144
2. Touch
in each to specify the chords.
3. Touch <Execute> to enter the chord.
You are returned to the Chord Sequencer screen.
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Chapter 8 Creating and Editing Songs
Editing Songs
There are many ways you can edit performances recorded
using the KR Track button or 16-track sequencer.
■ Basic Operation of the Editing
Functions
* While songs are being loaded, the measure number in the
upper right of the screen is highlighted (text and background
are inverted). Start editing the song only after the measure
number is no longer highlighted.
1. Press the [Menu] button and watch the indicator light up.
The “Composer Menu” or the “A/V Sync” screen
appears.
><
* Some edits can’t be undone, not even by choosing “Undo.” We
recommend saving songs to external memories or to user memory
before editing. For more on how to save songs, refer to “Saving
Songs” (p. 116).
Editing
4. Touch the item to be edited.
Selecting the Editing Function
2. Touch <
→ ”PC” stands for “Program Change,” which is a command that
tells an instrument to change the sound it’s using. With songs
that rely on the use of a variety of sounds, a “PC” needs to be
located at every point within the song where the Tone is to be
changed
> to switch the page, then touch
5. Set the value with the dial.
To cancel the operation once it is underway, press the
[Exit] button.
6. When you’re done making all the settings, touch
<Execute>.
When you are finished editing the setting, return to the
“Song Edit screen.”
<Song Edit>.
A “Song Edit screen” like the following appears.
Press the [Exit] button to return to The “Composer
Menu” screen.
fig.d-edit1.eps_50
→ You can play back edited songs by pressing the [
Stop)] button in the “Song Edit screen.”
(Play/
■ Undoing Edits (Undo)
You can cancel an editing operation that you’ve just carried
out. This is handy when you want to undo an edit and
restore data to the way it was before.
For more detailed information, refer to the
corresponding page for each function.
Function
Explanation
* There are some edits that can’t be restored.
At Step 3 of “Selecting the Editing Function” (p. 145), select
<Undo>.
Editing functions that can be undone appear on screen.
Page
fig.d-e-undo.eps_50
Undo
Undoes editing operations that
have been performed.
p. 145
Copy
Copies measures
p. 146
Quantize
Evens out sounds in recorded
performances.
p. 146
Delete
Deletes measures.
p. 147
Insert
Inserts a blank measure.
p. 147
Transpose
Transposes parts individually.
p. 148
Erase
Erases data in measures, creating
blank measures.
p. 148
Part
Exchange
Exchanges the sounds in parts.
p. 149
If you touch <Cancel>, the undo is cancelled, and you’re
returned to the Song Edit screen.
Note Edit
Allows corrections to be made
note by note.
p. 149
If you touch <OK>, the confirmation message appears on
screen. Touch <OK> to undone the most recent edit.
PC Edit
Allows editing of the Tones
changes that occur during a song.
p. 150
145
Chapter 8
3. Touch an editing function to select that function.
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Chapter 8 Creating and Editing Songs
■ Copying Measures (Copy)
Item
You can copy a portion of a performance to a different bar in
the same Part or to a measure in another Part. This is handy
when you’re composing a song that repeats a similar phrase.
Content
Copy-destination measure number
To
When “End” is selected, the data is copied to
the end of the song.
Times
Number of times the data is to be copied
fig.e-copy.e
Ex. To copy measures 5–7 to measure 8.
1
2
3
4
5
6
7
1
2
3
4
5
6
7
■ Correcting Timing
Discrepancies (Quantize)
8
9
10
At Step 3 of “Selecting the Editing Function” (p. 145), select
<Copy>.
A screen like the one shown below appears.
fig.d-e-copy.eps_50
You can correct for timing discrepancies in a recorded
performance by automatically aligning the music with the
timing you specify. This is called “Quantizing.”
As an example, let’s say that the timing of some quarternotes in a performance is a little off. In this case, you can
quantize the performance with quarter-note timing, thus
making the timing accurate.
fig.e-quantize.e
Example: Quarter-note resolution
Actual note data
1
2
3
4
2
3
4
Note data after quantization
Example: Sixteenth-note resolution
Actual note data
1
Item
Content
From
Measure number of the first measure of the
segment to be copied
For
Number of measures to be copied
Chapter 8
Copy-source Track button or part number
Src
Dst
Note data after quantization
At Step 3 of “Selecting the Editing Function” (p. 145), select
<Quantize>.
A screen like the one shown below appears.
fig.d-e-quant.eps_50
Choosing “All” copies all Parts. “- - -” appears
in the <Dst> column.
If you choose a Track, you can only copy to the
selected Track. You cannot copy to the other
Track. “- - -” appears in the <Dst> column.
Copy-destination part number
Data can be copied in the following three ways:
Replace
If there is a performance recorded at the copy
destination, this previous recording is erased,
and the copied data is written in its place.
Mode
Mix
If there is a performance recorded at the copy
destination, the copied data is layered over the
previous recording. If the Tones used for the
copy source and copy destination are different,
the copy-destination Tone is used.
Insert
If there is a performance recorded at the copy
destination, the copied portion is inserted
without erasing the previous recording. The
song is lengthened by the number of inserted
measures.
146
Item
Content
From
Measure number of the first measure of the
segment to be quantized
For
Number of measures to be quantized
Tr/Pt
Track button or part number to be
quantized
Choosing “All” quantizes the same passage
in all Parts.
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Chapter 8 Creating and Editing Songs
Item
■ Inserting Blank Measures
(Insert)
Content
Quantization timing
Resolution
Select one of the following values
1/2 (half note), 1/4 (quarter note),
1/6 (quarter-note triplet), 1/8 (eighth note),
1/12 (eighth-note triplet), 1/16 (sixteenth
note), 1/24 (sixteenth-note triplet),
1/32 (thirty-second note)
When finished with the Quantize settings, return to the Song
Edit screen.
■ Deleting Measures (Delete)
You can delete a part of a performance measure by measure.
When a portion of a performance is deleted, the rest of the
performance is shifted up to fill the gap. Erasing measures in
a specified passage is called “deleting.”
You can add a blank measure at a location you specify. This
addition of a blank measure is called “insertion.”
fig.e_insert.e
Ex. To insert measures (bars) 5-7
1
2
3
4
5
6
7
1
2
3
4
5
6
7
8
9
10
At Step 3 of “Selecting the Editing Function” (p. 145), select
<Insert>.
A screen like the one shown below appears.
fig.d-e-ins.eps_50
fig.e_delete.e
Ex. To delete measures (bars) 5–8
1
2
3
4
5
6
1
2
3
4
5
6
7
8
9
10
At Step 3 of “Selecting the Editing Function” (p. 145), select
<Delete>.
A screen like the one shown below appears.
Item
fig.d-e-del.eps_50
From
Measure number of the first measure of the
segment to be inserted
For
Number of measures to be inserted
Track button or part number where data will be
inserted
When “All” is selected, blank measures are
inserted at the same place in all parts.
Content
From
Measure number of the first measure of the
segment to be deleted
For
Number of measures to be deleted
Track button or part number to be deleted
Tr/Pt
When “All” is selected, the same portion of all
parts is deleted.
147
Chapter 8
Tr/Pt
Item
Content
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Chapter 8 Creating and Editing Songs
■ Transposing Individual Parts
(Transpose)
■ Making Measures Blank
(Erase)
You can transpose specified parts and tracks individually.
You can delete the performance data in a specified block of
measures, turning them into blank measures without
reducing the length of the song. This process is called
“erasing.”
At Step 3 of “Selecting the Editing Function” (p. 145), select
<Transpose>.
A screen like the one shown below appears.
fig.e_erase.e
Ex. To erase measures (bars) 5-8
fig.d-e-trans.eps_50
1
2
3
4
5
6
7
8
9
10
1
2
3
4
5
6
7
8
9
10
Blank measures
Item
Content
From
Measure number of the first measure of the
segment to be transposed
For
Number of measures to be transposed
Follow the steps in “Selecting the Editing Function” (p. 145)
to choose <Erase>.
A screen like the one shown below appears.
fig.d-e-erase.eps_50
Track button or part number to be transposed
Tr/Pt
When “All” is selected, the same portion of all
parts is transposed.
The range of transposition
Bias
You can select the range to transpose the data,
from -24 (two octaves down) to +24 (two
octaves up), adjustable in semitones.
Chapter 8
* You cannot transpose performances of the drum sets and
sound effect sets (such as the Rhythm Track).
Content
Item
From
Measure number of the first measure of the
segment to be erased
For
Number of measures to be erased
Track button or part number to be erased
Tr/Pt
When “All” is selected, the same portion of all
parts is erased.
Select from the following types of performance
data to erase:
All
All performance data, including notes, tempos,
tones switches, volume changes, etc., are erased.
Event
Tempo
Tempo data is erased. Erasing the tempo data for
all measures results in a single, constant tempo.
Prog.Change
Erases the data for switching Tones (p. 145).
Note
Erases only notes.
Except Note
Erases all of the performance data except for the
notes.
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Chapter 8 Creating and Editing Songs
Item
Event
Content
Expression
Erases Expression (volume change) information.
Lyric
Erases only lyrics.
■ Exchanging Parts
(Part Exchange)
You can exchange the notes recorded for a particular part
with the notes recorded for another part. This process of
exchanging parts is called “part exchange.”
At Step 3 of “Selecting the Editing Function” (p. 145), select
<Part Exchange>.
■ Correcting Notes One by One
(Note Edit)
You can make corrections in a recorded performance one
note at a time. This process of making changes in individual
notes is called “note editing.”
You can make these corrections by using note editing:
• Deleting misplayed notes
• Changing the scale of a single note
• Changing the force used in playing a single key (velocity)
• Change the finger number
At Step 3 of “Selecting the Editing Function” (p. 145), select
<Note Edit>.
A screen like the one shown below appears.
fig.e-note.e
A screen like the one shown below appears.
fig.d-e-partex.eps_50
Location
Touch each
exchange.
to choose Parts you want to
Pitch Velocity Finger
Number
The note-location display uses “Measure: Beat: Tick” as the
format. A tick is a unit of time that’s shorter than a beat.
Touch
to select the part with the note to be
corrected. The Part number appears at the top of the screen.
(Bwd)] button and the [
use <
> on the screen to find the note to be corrected.
><
(Fwd)] button or
When you’ve found the note you want to correct, touch
“Note” or “Velo.” for the note.
Use the dial to correct the pitch or velocity. If you want to
delete the note, touch <Delete>.
When you’re done making all the settings, press the [Exit]
button.
149
Chapter 8
Use the [
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Chapter 8 Creating and Editing Songs
■ Modifying the Tone Changes in
a Song (PC Edit)
In some songs, the instrument sound changes during the
course of the song (that is, the Tone changes in the middle of
a Part). In such songs, an instruction to switch the Tone is
inserted at the place where you want the sound to change.
This instruction is called a “Program Change” (PC), and
actions such as deleting program changes, or changing the
selected Tone by them are called “PC editing.”
* It is not possible to insert a program change into a measure or
beat that does not contain a program change.
At Step 3 of “Selecting the Editing Function” (p. 145), select
<PC Edit>.
A screen like the one shown below appears.
Changing the Beat in the Middle
of a Song (Beat Map)
You can create songs that have beat changes during the
course of the song.
* You can’t change a song’s beat once it’s been recorded. Before
recording the performance, determine the beat to be used.
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
2. Touch <Beat Map>.
The following screen is displayed if there is any
previously recorded performance or any song with
changed settings.
fig.m-songmod.eps
fig.d-e-pc.eps_50
Touch <OK> to change the song’s settings.
Touch <Cancel> to discard the changes you’re made.
Location
Tone Name
A screen like the one shown below appears.
fig.d-beatmap.eps_50
Chapter 8
The PC-location display uses “Measure: Beat: Tick” as the
format. A tick is a unit of time that’s shorter than a beat.
Touch
to select the part with the program
change to be edited.
The Part number appears at the top of the screen.
Use the [
(Bwd)] button and the [
(Fwd)] button or
use < > <
be edited.
> on the screen to find the program change to
When you’ve found the Program Change you want to
modify, touch “Tone Name” on the screen.
Press a Tone button to select a Tone group, then select a Tone
with the dial. When selecting Part 10 or 11, select the drum
set or effect sound.
If you want to delete the Program Change, touch <Delete>.
When you’re done making all the settings, press the [Exit]
button.
If you’ve recorded a song or changed a song’s settings
(see p. 137), a message asking you to confirm the
deletion appears.
3. Use <
and [
> in the screen or the [
(Bwd)]
(Fwd)] buttons to move to the measure
whose beat you want to change.
The measure number appears in the top-right area of the
screen.
Touch <
> to move to the beginning of the song.
Touch <
> to move to the end of the song.
4. Touch
150
><
in each to set the beat.
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Chapter 8 Creating and Editing Songs
5. Touch <Execute>.
The beat change starts with the measure you selected.
Repeat Steps 3–5 to make beat settings in other measures
as needed.
Recording the Performance
6. Press the [Exit] button twice.
The screen displayed before you pressed the [Menu]
button appears.
7. Press the [
(Reset)] button to return the measure
Changing the Tempo Within
the Song
You can add tempo changes to a recorded composition.
The KR stores song tempo information and performance data
separately. Therefore, when making changes to the tempo in
a song, you must record the changes in the tempo
information independently of the performance data.
This recording of the tempo is called “Tempo Recording.”
■ Adjusting the Tempo While
Listening to a Song
number to “1.”
8. Start a recording.
Record the performance using the procedures described
in “Chapter 5 Recording and Saving the Performance”
(p. 104). Specify the measure, then change the beat.
You can add ritardando and other such gradual tempo
changes.
Setting the Rec Mode to “Tempo”
Changing the Tempo of
Recorded Songs
You can change the basic tempo of a composition. The basic
tempo was initially set when the song was recorded.
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
2. Touch <Rec Mode>.
A screen like the one shown below appears.
fig.d-rec-tempo.eps_50
1. Press the Tempo [-] and [+] buttons to choose a tempo.
2. Hold down the [
[
(Rec)] button and press the
(Reset)] button.
The song’s basic tempo changes.
* If the song you’re working on has tempo changes, press the
[
(Reset)] button to go back to the beginning of the song
before you carry out this operation.
3. Touch the <Rec Mode>
to select <Tempo>.
This makes the setting for tempo recording.
Press the [Exit] button a number of times to switch to the
screen where the measure number is indicated in the
upper right of the screen.
When the KR goes into Tempo Recording, the tempo
indication is highlighted.
Recording the Tempo
4. Use the [
(Bwd)] and [
(Fwd)] buttons to
move slightly before the measure where you want to
change the tempo.
5. Press the [
(Rec)] button and watch the indicator is
flashing.
The KR is put in recording standby.
151
Chapter 8
The change in basic tempo is discarded when you turn
off the power or choose a different song. Save important
song data to external memory or to user memory (p.
116).
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Chapter 8 Creating and Editing Songs
6. When you press the [
(Play/Stop)] button,
recording begins.
7. When you get to the place where you want to change
the tempo, use the Tempo [-] and [+] buttons or the dial
to vary the tempo as desired.
8. When you press the [
(Play/Stop)] button,
recording stops.
The song’s tempo changes.
* You cannot record performances while in Tempo Recording
mode. When you’re finished tempo recording, go back to the
ordinary Replace Recording. Take a look at “Changing the
Recording Method (Rec Mode)” (p. 140).
■ Adjusting the Tempo at a
Particular Measure
You can create a tempo change at the beginning of a selected
measure. This is handy when you want to make a sudden
change in tempo.
First, carry out Steps 1–3 of “Changing the Tempo Within the
Song” (p. 151) to make the “Tempo Recording” settings.
1. Use the [
(Bwd)] and [
(Fwd)] buttons to move
to the measure where you want to change the tempo.
The measure number appears in the top-right area of the
Basic screen.
2. Press the [
(Rec)] button and watch the indicator is
flashing.
The KR is put in recording standby.
3. Use the Tempo [-] [+] buttons or the dial to change the
tempo.
4. Press the [
(Play/Stop)] button.
The song’s tempo changes starts with the measure you
selected.
→ While tempo recording is being used to write tempo, the tempo
display in the screen will be highlighted.
5. When you press the [
(Play/Stop)] button, the
change in tempo stops.
Chapter 8
* You cannot record performances while in Tempo Recording
mode. When you’re finished tempo recording, go back to the
ordinary Replace Recording. Take a look at “Changing the
Recording Method (Rec Mode)” (p. 140).
→ If you want to restore the previous tempo, delete the tempo
data at the place where the tempo was recorded. For an
explanation of how to delete the information of tempo settings,
refer to “Making Measures Blank (Erase)” (p. 148).
Tempo Recording Shortcut
Hold down the [
(Rec)] button and press one of the
Tempo [-] [+] buttons to switch to the Tempo Recording
settings. Record tempo information. In this case, tempo
recording is canceled when recording ends.
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Chapter 9 Creating Music Styles
Creating Original Styles
(User Styles)
Although the KR features a variety of internal Music Styles,
you can also create your own. These original Styles are called
“User Styles.”
You can use either of the two methods described below to
create a User Style.
Style Composer
With this method, you combine internal Music Styles to
create new Styles. You can create a new Style by selecting
from among the Rhythm, Bass, Accompaniment 1,
Accompaniment 2, Accompaniment 3, Accompaniment 4,
Accompaniment 5, and Accompaniment 6 parts in different
styles.
■ Creating New Styles by
Combining Internal Music
Styles (Style Composer)
You can create a new style by selecting from among the
Rhythm, Bass, Accompaniment 1, Accompaniment 2,
Accompaniment 3, Accompaniment 4, Accompaniment 5,
and Accompaniment 6 parts in different Styles. This function
is called the “Style Composer.”
* You can only combine the KR’s built-in Styles.
Displaying the Style Composer Screen
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
fig.d-16tr.eps_50
Style Converter (p. 155)
Create a new Style by extracting the portions you need from
songs composed with the 16-track sequencer.
When you’re composing a song, there’s no need to specify all
the chords. You can specify just some of the chords, and the
KR automatically chooses the other chords and arranges the
Style.
Style Converter features an “Auto mode” that allows you to
easily create Styles from songs with a single chord, and a
“Manual mode,” in which you create Styles from songs with
three kinds of chords–major, minor, and seventh chords.
Chapter 9
2. Touch <
><
> to display the following
screen.
fig.d-menu1.eps_50
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Chapter 9 Creating Music Styles
3. Touch <Style Composer>.
Function
Icon
* If a User Style has already been recorded, a message like the
one shown below appears.
fig.m-styledel.eps
Part
The Part Settings screen is displayed,
allowing you to make detailed settings
to each part. For more information, take
a look at “Editing the Volume and Effect
Settings for Each Part” (p. 155).
Execute
Records the created Style to the Music
Style [User] button. Touch this when
you have finished creating the Style.
Touch <Cancel> to return to the “Composer Menu” screen.
Save User Styles to external memories, or to user memory (p.
158).
Selecting the Styles Assigned to Each Part
When you touch <OK>, the previously recorded User Style is
deleted, and a new User Style is created.
5. Press a Music Style button, then select a Style with the
A “Style Composer screen” like the one shown below
appears.
fig.d-stylecomp.eps_50
4. Touch the part to be set.
touch screen or the dial.
When you have decided on a Style, press the [Exit]
button to display the Style Composer screen.
6. Repeat steps 3 and 4 to determine the Styles for each
Part.
Deciding on a Style
7. Touch <Execute>.
You have created a new Style.
The User Style is recorded to the Music Style [User]
button. Try playing with the new Style.
Part
Chapter 9
Display
R
Rhythm
B
Bass
❍ Muting Parts for a Particular Division
A1
Accompaniment 1
You can mute the sound of particular Parts in specific
Divisions.
A2
Accompaniment 2
A3
Accompaniment 3
A4
Accompaniment 4
A5
Accompaniment 5
A6
Accompaniment 6
Icon
Function
All Clear
Deletes all of the settings.
Mute
You can mute the sound of particular
Parts in specific Divisions. For more
information, take a look at “Muting
Parts for a Particular Division” (p. 154).
Clear
* If you turn off the power or record a new User Style, any User
Style you’ve previously recorded is lost. If you do not want to
delete the Style, save it to an external memory or to user
memory. Take a look at “Saving a User Style” (p. 158).
Deletes the Styles in selected parts.
For example, all parts are played when you use a “Variation”
accompaniment pattern, whereas if you select the “Original”
accompaniment pattern, every part other than
“Accompaniment 1" is muted. With this arrangement, when
the accompaniment pattern changes from the original to the
variation, it creates a more elaborate effect in the
accompaniment.
→ For more on Divisions, refer to the “Style Arrangements” (p.
155).
1. Touch the Style Composer screen to choose the Part
you want to mute out.
2. Press the Fill In [To Variation] or [To Original] button
to switch to the division that you want to mute.
3. Touch <Mute> on the screen.
The Part you chose is only muted out in the Division you
selected.
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Chapter 9 Creating Music Styles
If you want to hear the muted-out Part, touch <Mute>
again.
* To mute out a Division that changes after a few seconds (intro,
ending, or fill-in), touch <Mute> immediately after switching
to the Division.
❍ Editing the Volume and Effect Settings for
Each Part
Displaying the Part settings screen
1. At the Style Composer screen, touch <Part>.
A screen like the one shown below appears.
fig.d-scomp-part.eps_50
Finishing the Settings
4. Press the [Exit] button.
The Style Composer screen appears.
■ Creating a Style from a Song
You Composed Yourself
(Style Converter)
You can take a song you’ve composed yourself and extract
the portions you need to create your own original Style.
When you’re composing a song, there’s no need to specify all
the chords. You can specify some of the chords, and the KR
automatically chooses the other chords and arranges the
style. This function is called the “Style Converter.”
Style Converter features an “Auto mode” that allows you to
easily create Styles from songs with a single chord, and a
“Manual mode,” in which you create Styles from songs with
three kinds of chords–major, minor, and seventh chords.
When creating a song in order to create an music style, it’s
good practice to consider the arrangement of the music style.
Style Arrangements
Modifying the Settings of Each Part
2. Touch the <Part>
to select the part with
the settings to be changed.
The part name and Tone name are indicated in the upper
part of the screen.
3. Touch
for each parameter to change the value.
You can also change the values by touching each
parameter name and then using the dial.
Display
Explanation
Music Styles created with the Style Converter function are
composed of eight parts: “Rhythm,”
“Bass,”“Accompaniment 1,“”Accompaniment 2,”
“Accompaniment 3,””Accompaniment 4,“”Accompaniment
5,” “Accompaniment 6.”
A song progresses in predictable a sequence, such as intro,
melody A, melody B, bridge and ending.
With the KR, such changes in songs are allocated to the
following six performance states. We call these six parts of a
song “Divisions.”
Division
Performance division
Adjusts the volume.
Intro
The intro is played at the start of a song.
Reverb
Adjusts the amount of reverb effect applied
to the sound.
Ending
This is played at the end of a song.
Original
This is a basic accompaniment pattern.
Chorus
Adjusts the amount of chorus effect applied
to the sound.
Variation
This is a developmental accompaniment
pattern. It is a variation on an Original.
Fill-In To
Variation
This is a one-measure phrase inserted at a
juncture where the mood changes. It is used
to make a song more lively.
Fill-In To
Original
This is a one-measure phrase inserted at a
juncture where the mood changes. It is used
to make a song more sedate.
Changes the left-right direction from which
the sound appears to come.
Panpot
When you touch
, the sound moves to
the right; touch
the left.
to move the sound to
You can change the Tone for the selected Part by
pressing a Tone button to change the Tone while this
screen is displayed. When selecting Rhythm Part, you
can touch <Drum Set> to select the drum set or effect
sound.
Chapter 9
Volume
You can make a song more lively or more restrained by
increasing or reducing played parts by Divisions. You can
also modify a song by changing the Tone of the parts in the
Divisions.
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Chapter 9 Creating Music Styles
❍ Creating Styles in Auto Mode
A “Style Converter screen” like the one shown appears.
Points to note when creating songs
• Use one of the major, minor, or diminished seventh
chords to create the song. We recommend using
diminished seventh chords to compose the song.
• It is convenient to record the sounds shown below for
the Parts of the 16-track sequencer.
Rhythm
Bass
Accomp
1
Accomp
2
Accomp
3
D (10)
2
7
8
9
→ When using parts other than Part 2, 7, 8, 9, and D, refer to
“Changing an Extracted Part” (p. 157).
fig.d-styleconv.eps_50
Settings Content
Parameter
Name
Creating songs
Conv.Mode
Switches the mode (Auto/Manual)
1. Use the 16-track sequencer to record the song.
Chord Root
Chord root for the segment to be
extracted
Chord Type
Chord type for the segment to be
extracted (major/minor/seventh)
Division
Division
Displaying the Style Converter screen
From
Measure number of the first measure of
the segment to be extracted
2. Press the [Menu] button.
For
Number of measures extracted
Record the song after referring to “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 136) and other
related sections.
When using music data, first select a song (p. 75).
The “Composer Menu” or the “A/V Sync” screen
appears.
3. Touch <Style Converter>.
* If no song for use in creating a new Style is selected, the
message “Please select a song” appears. Use the [Song] button
to select a song (p. 75), then start the procedure again.
* If a User Style has already been recorded, a message like the
one shown below appears.
fig.m-styledel.eps
Making the Settings
4. Touch <Conv.Mode>, then use the dial to switch the
mode to “Auto.”
This makes the setting for the Auto mode.
5. Touch <Chord Root> and <Chord Type>, then use the
dial to input the chord root and type for the segment to
be extracted.
Chapter 9
6. Touch <Division>, then use the dial to select the
Division.
Display
Touch <Cancel> to return to The “Composer Menu” screen.
Please save the User Style on an external memory or in the
internal memory (p. 158).
When you touch <OK>, the previously recorded User Style is
deleted, and a new User Style is created.
Performance division
Intro
Intro
Original
Original accompaniment pattern
Fill To
Vari
From the fill-in to the variation
Variation
Variation accompaniment pattern
Fill To Ori
From the fill-in to the original
Ending
Ending
* Only one measure can be extracted when “Fill To Vari” or
“Fill To Ori” is selected for the Division. The number of
measures may also be limited in other Divisions.
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Chapter 9 Creating Music Styles
7. Touch <From> and <For>, then use the dial to select the
measures to be extracted.
Creating Songs
1. Use the 16-track sequencer to record the song.
Touching <Play> at the bottom of the screen, you can
listen to performance of the portion which you chose.
8. Repeat Steps 5–7 to create Styles for all of the
Divisions.
* If no setting is made for a Division, it uses a simple drum pattern.
Record the song after referring to “Multitrack Recording
with 16 Parts (16-Track Sequencer)” (p. 136) and other
related sections.
When using music data, first select a song (p. 75).
Displaying the Style Converter screen
2. Press the [Menu] button.
Deciding on a Style
9. When you’re done making all the Division settings,
3. Touch <Style Converter>.
The “Style Converter screen” appears.
touch <Execute>.
4. Touch <Conv.Mode>, then use the dial to switch the
The User Style is recorded to the [User] button.
* If you turn off the power or record a new User Style, any User
Style you’ve previously recorded is lost. If you do not want to
delete the Style, save it to an external memory or to user
memory. Take a look at “Saving a User Style” (p. 158).
* The following data is saved to the User Style. If a song
includes data other than this, the results you get might not be
what was intended.
• Keyboard performance data
• Amount of Reverb effect applied
• Amount of Chorus effect applied
❍ Creating a Style in Manual Mode
When you create a Music Style in the Manual mode, you can
clearly point up the differences in accompaniment for each
individual chord.
mode to “Manual.”
This makes the setting for the Manual mode.
After that, the steps are the same as for “Creating Styles
in Auto Mode” (p. 156).
When you touch <Play> in the lower part of the screen,
you can listen to the performance of the part selected
with <Options>.
❍ Changing an Extracted Part
You can extract and change part of a song created with 16track sequencer.
1. At the Style Converter screen (p. 156), touch <Part>.
A screen like the one shown below appears.
fig.d-styleconv.eps_50
Points to Note when Creating Songs
• Record your performance with the three chord types of
diminished seventh, major, and minor.
• It is convenient to record the sounds shown below for
the Parts of the 16-track sequencer.
Accomp
1
Accomp
2
Accomp
3
Major
D (10)
3
4
5
6
Seventh
-
2
7
8
9
Minor
-
12
13
14
15
→ The chords all share the same Rhythm Part.
→ If you want to use the performance of other part, check out
“Changing an Extracted Part” (p. 157)
2. Touch the performance Part with settings you want to
change.
3. Use the dial to specify which 16-track Sequencer
performance part you want to extract.
→ In the Manual mode, the type of chords appear at the bottom of
the screen. Set the Parts for all chords.
4. Press the [Exit] button to return to the Style Converter
screen.
The Style Converter screen appears.
157
Chapter 9
Chords Rhythm Bass
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Chapter 9 Creating Music Styles
Saving a User Style
A “Save Style screen” like the following appears.
fig.d-stylesave.eps_50
You can save the User Styles you create to external memories
and the user memory. When saved to the user memory, User
Styles are not deleted when the power is turned off. You can
also select Styles saved to the user memory by pressing the
Music Style [User] button.
You can save up to 99 User Styles in user memory.
What is the User Memory?
The user memory is the area within the instrument
where User Styles created with the KR, sets of User
Programs, and other such data are stored.
You can also copy User Styles and sets of User Programs
saved on external memories.
Data saved to the user memory is not deleted, even
when the KR’s power is turned off.
Determining the Name of the Style to be
Saved
4. Touch <Rename>.
A “Rename screen” like the following appears.
fig.d-stylename.eps_50
→ When you want to clear all of the content saved to the user
memory and restore the settings to the factory settings, refer to
“Formatting the User Memory” (p. 180).
Preparations for Saving Data
When saving to an external memory, first connect an external
memory to the external memory port.
1. Press the Music Style [User] button.
A “User Style screen” like the following appears.
fig.d-usrdisk.eps_50
When you touch
, the cursor moves.
Chapter 9
When you touch the icon for the character to be input,
the character appears at the cursor position.
For example, touching the <ABC> icon in succession
cycles you through the available choices in that character
group (A→B→C→A...).
Each touch of <A-a-0-!> cycles the type of characters
through “English (upper case),” “English (lower case),”
“numerals,” “symbols,” then back to “English (upper
case).”
If the User Style screen is not displayed, touch <User> in
the lower part of the screen.
2. Touch <File>.
3. Touch <Save>.
When you touch <Del>, the character at the cursor
position is deleted.
When you touch <Ins>, a space is inserted at the cursor
position.
5. When you have finished with the name, press the [Exit]
button.
Determining the Save Destination
6. Touch <Media>
destination strage media.
158
to select the save-
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Chapter 9 Creating Music Styles
7. Touch
to select the save-destination
number.
If a Style name is displayed, a style is already saved to
that number.
If you select a number with a previously saved User
Style and then save to that number, the previously saved
User Style is deleted. If you do not want to delete the
User Style being saved, select a number in the savedestination column that does not yet have a name.
8. Touch <Execute>.
The saving process starts.
* Never turn off the power or eject the external
memory from the external memory port while the
operation is in progress. Doing so will damage the
KR’s internal memory, making it unusable.
■ Deleting Saved User Styles
This deletes User Styles that have been saved to external
memories or in user memory.
When deleting a User Style on an external memory, first
connect the external memory to the external memory port.
1. Press the Music Style [User] button.
A “User Style screen” appears.
If the User Style screen is not displayed, touch <User> in
the lower part of the screen.
2. Touch <File>.
3. Touch <Delete>.
A “Delete Style screen” like the following appears.
fig.d-styledel.eps_50
4. Touch <Media>
to select the strage
media.
5. Touch
or
to select the Style to be deleted.
6. Touch <Execute>.
The selected Style is deleted.
159
Chapter 9
* Never turn off the power or eject the external
memory from the external memory port while the
operation is in progress. Doing so will damage the
KR’s internal memory, making it unusable.
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Chapter 9 Creating Music Styles
Copying Styles on External
Memories to the User
Memory
Specifying the Copy Destination
7. Touch <User>
to select the copy destination
for the Style.
You can take User Styles saved on external memories and
copy them to user memory.
If a Style name is displayed, a style is already saved to
that number.
You can also take User Styles saved in user memory and
copy them to external memories.
If you select a number with a previously saved Style and
then copy to that number, the previously saved Style is
deleted. If you do not want to lose the Style being saved,
select a number in the save-destination column that does
not yet have a name.
1. Connect the external memory with the Style to be
copied to the external memory port.
8. Touch <Execute>.
2. Press the [User] button.
A “User Style screen” like the following appears.
fig.d-usrdisk.eps_50
The Style on the external memory is copied to user
memory.
* Never turn off the power or eject the external
memory from the external memory port while the
operation is in progress. Doing so will damage the
KR’s internal memory, making it unusable.
■ Copying Styles Saved in the
User Memory to External
Memories
If the User Style screen is not displayed, touch <User> in
the lower part of the screen.
3. Touch <File>.
4. Touch <Copy>.
A “Copy Style screen” like the following appears.
Chapter 9
fig.d-copystyle.eps_50
Specifying the Copy Source
5. Touch <Media>
to select the copy source
media.
6. Touch <File>
to select the Style you want to
copy.
When “All” is selected, all of the Styles in the selected
folder on the external memory are copied to user
memory.
160
You can take Styles saved in user memory and copy them to
external memories.
In this case, touch the large arrow icon in the center of the
“Copy Style screen” in Step 4 above so that the arrow points
upwards. Turn the KR will copy user memory Styles to the
external memory.
The rest of the procedure is identical to that used for copying
Styles from external memories to user memory.
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Chapter 10 Various Settings
Changing the Settings for
One-Touch Arranger
■ Adjusting the Keyboard Touch
(Key Touch)
You can vary the touch of the keyboard when you play the
keys.
■ Procedure
1. Press the One Touch Program [Arranger] button to
At Step 3 in “Procedure” (p. 161), touch <Key Touch>.
fig.d-p-key.eps_50
display the Basic screen.
fig.d-arrbasic.eps_50
Display
2. Press the [Option] button.
Fixed
Notes sound at an unchanging volume level,
regardless of how lightly or forcefully you
play the keyboard.
Light
This sets the keyboard to a light touch. You
can achieve fortissimo (ff) play with a less
forceful touch than usual, so the keyboard
feels lighter. This setting makes it easier for
children, whose hands have less strength.
Medium
This sets the keyboard to the standard touch.
You can play with the most natural touch.
This setting is closest to the response of an
acoustic piano.
Heavy
This sets the keyboard to a heavy touch. You
have to play the keyboard more forcefully
than usual in order to play fortissimo (ff), so
the keyboard touch feels heavier. This setting
allows you to add more expression when
playing dynamically.
A screen like the one shown below appears.
fig.d-funcmenu1.eps_50
Parameter
Name
Explanation
Explanation
Key Touch
Refer to “Adjusting the Keyboard Touch
(Key Touch)” (p. 161).
One Touch
Setting
Selects the setting to be specified when the
One Touch Program [Arranger] button is
pressed (p. 162).
Touch any of the icons <Fixed>, <Light>, <Medium>, or
<Heavy>, to set the key touch for the keyboard.
Split Point
Sets the key at which the keyboard is divided
(the split point) (p. 162).
Move the slider to the right to add resistance, and to the left
to make the key touch lighter.
Arranger
Config.
Sets the way the Automatic Accompaniment
plays sounds (p. 162).
To make fine adjustments, touch the slider in the screen.
→ You set the tuning and make a variety of other settings for the
KR starting with the second page of the settings screen.
3. Touch the name of the parameter to be set.
Refer to the corresponding page for each function.
4. Press the [Exit] button to return to the Basic screen.
161
Chapter 10
→ You can also change the key touch by pressing the [Piano
Designer] button. For more details, refer to the Quick Start.
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Chapter 10 Various Settings
■ Changing Music Styles Without
Changing the Tone or Tempo
(One Touch Setting)
Normally, when you select a Music Style, the Tone and
tempo settings suitable for that Music Style are selected
automatically. However, you can also set it so the tempo and
Tone settings don’t change when you change Music Styles.
At Step 3 “Procedure” (p. 161), touch <One Touch Setting>.
■ Changing the Keyboard’s Split
Point (Split Point)
This sets the point (the split point) where the keyboard is
divided when specifying chords in the left hand while using
the Automatic Accompaniment and when playing split
performances (p. 32).
The setting is at “F#3” when the KR is powered up.
fig.splitpoint.e
F 3 (Split Point)
fig.d-1touchset.eps_50
B1
B6
Split Point Settings Range
→ The key you chose for the split point belongs to the left-hand
section of the keyboard.
At Step 3 in “Procedure” (p. 161), touch <Split Point>.
fig.d-splitpoint.eps_50
Display
Explanation
Suitable
Tone
The suitable tone for a Music Style is selected
automatically.
Suitable
Tempo
The suitable tempo for a Music Style is
selected automatically.
Other
Setting
Other settings (Style Orchestrator, etc.) are
changed automatically.
Touch each icon to switch individual settings on and off.
Button colors become brighter when the corresponding
settings are switched on.
All items are set to ON when you turn on the power.
Parameters switched to OFF do not change, even when the
performance Style is changed.
Touch either <C3>, <F#3>, <C4>, or <F#4> in the lower part
of the screen.
The key you chose becomes the split point.
To set another key as the split point, touch
the screen, then specify the key.
in
You can set the split point within a range of B1 to B6.
Chapter 10
■ Changing How Chords Are
Played and Specified
(Arranger Config)
This changes the settings determining how Music Styles are
played, and how the keys are pressed to specify chords.
What are the Chord Tone and Bass Tone?
When the Automatic Accompaniment is stopped, and Sync
Start (p. 65) is turned off, chords are produced when you
play in the left-hand side of the keyboard. This is called the
“chord tone,” and the root of the chord that is played at the
same time is called the “bass tone.”
162
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Chapter 10 Various Settings
At Step 3 “Procedure” (p. 161), touch <Arranger Config>.
How to play chords in the Chord Intelligence mode:
fig.d-arrset.eps_50
• Intelligence 1
Major
Ex: C
Play the chord root.
Seventh
Ex: C 7
Touch
Parameter
Name
of each item to make settings.
Major Seventh
Value
Chord Tone
All Music Style parts
are played.
Chord&Bs
Only Music Style
rhythm parts, chord
Tones, and bass Tones
are played.
OFF,
Acoustic Bs.,
A. Bass+Cymbl,
Fingered Bs.,
Picked Bass.,
Fretless Bs.,
Slap Bass1,
Organ Bass,
Synth Bass 101,
Thum Voice
Selects the bass Tone.
When set to “OFF,” no
tone is played.
OFF, E.Piano 1, E.
Piano 2,
Soft E. Piano,
Hard E. Piano,
Slow Strings,
Strings,
Choir,
Doos Voice
Selects the chord
Tone. When set to
“OFF,” no tone is
played.
Manual,
Intelligence 1,
Intelligence 2
This selects the way
chords are played
with the Chord
Intelligence function.
When you set this to
“Manual,” play all of
the notes describing
the chord.
Ex: C maj 7
Play the root and
the first key below it.
Minor
Ex: C m
Play the root and
the third key above it.
Minor Seventh
Ex: C m7
Play the root,
the third key above it, and
the second key below it.
Diminished
Ex: C dim
Play the root and
the sixth key above it.
• Intelligence 2
Major
Ex: C
Play the root of the chord.
Seventh
Ex: C 7
Play the root of the chord
and the white key to the
left of the root.
Chapter10
Chord
Recognition
Mode
Explanation
Accomp
Accomp
Bass Tone
Play the root and
the second key below it.
Minor
What is Chord Intelligence?
“Chord Intelligence” (p. 59) is the name of the function that
recognizes the chords being specified for an accompaniment
when only one or two keys of the chords have been pressed,
which can be used while automatic accompaniment is active.
Ex: C m
Play the root of the chord
and the black key to the
left of the root.
Minor Seventh
Ex: C m7
Play the root of the chord
and the black and white key
to the left of the root.
163
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Chapter 10 Various Settings
Placing a Marker in the
Middle of a Measure
A marker is normally placed at the start of the selected
measure, but you can also set it so that a marker is placed at a
position partway through a measure.
→ For detailed information about Marker, refer to “Setting
Markers for Repeated Practice (Marker)” (p. 98).
1. Press the [Count/Marker] button.
The Count screen appears.
Changing the Settings for the
Count
→ For detailed information about count, refer to “Match the
Tempo Before You Begin Playing (Count In)” (p. 96) and
“Having a Count Sound Play at the End of the Intro
(Countdown)” (p. 67).
1. Press the [Count/Marker] button.
The Count screen (p. 96) appears.
2. Touch
2. Touch <Marker>.
of each item to make settings.
3. Press the [Exit] button to return to previous screen.
The Marker screen appears.
fig.d-funcmenu2.eps_50
3. Press the [Option] button.
fig.d-funcmenu2.eps_50
Value
Parameter Name
4. Touch <Resolution>
Count Mode
Specify what type of count
will be added.
Count In
(add a count before the
performance),
Countdown
(add a count only before
you begin playing),
Count In/down
(add both a count-in and a
countdown)
Countdown Sound
Specify the countdown sound.
Voice (Japanese),
Voice (English)
Countdown Track
Specify the track or part that
will determine the beginning
of the performance when
added a countdown.
Lower & Upper Tracks
Lower Track
Upper Track
Part 1–16
Count-In Sound
Specify the count-in sound.
Stick, Click, Electronic,
Voice (Japanese), Voice
(English), Wood Block,
Triangle & Castanets,
Hand clap
Animal
Measures
Specify the length (number of
measures) of the count-in.
1, 2
to choose the marker
setting.
Indication
Explanation
Measure
This lets you place a marker at the
beginning of the measure.
Beat
This lets you place a marker at the
beginning of the beat.
Chapter 10
5. Press the [Exit] button to go back to the Marker screen.
164
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Chapter 10 Various Settings
Parameter Name
Repeat
When “Repeat” is turned ON
on the Marker screen (p. 101)
this specified whether the
count-in will sound each time
the range between the
markers is repeated, or only
the first time.
Value
Other Settings
You can change the tuning, the language shown on the
display, and other settings to make the KR easier to use.
First Time, Each Time
■ Procedure
1. Switch to the Basic screen, or press the One Touch
Program [Piano] button.
2. Press the [Option] button.
A “Functions screen” like the following appears.
fig.d-funcmenu2.eps_50
When you press the [Option] button on the Basic screen,
the first page displayed shows the parameters for the
Automatic Accompaniment settings (p. 161).
Parameter
Explanation
Changing the tuning methods.
Pedal
Setting
Assigns functions to the pedal and
performance pad (p. 167).
Master Tune
Sets the KR’s standard pitch (p. 170).
External Display
Selects the content to be shown on the
connected external display (p. 186).
Language
Selects the language used in the
display (p. 170).
User Image
Display
Selects the image data and display
used (p. 170).
Opening
Message
Sets the message that appears when the
power is turned on (p. 171).
MIDI Setting
Refer to p. 189.
Program Change
Refer to p. 189.
Memory Backup
Stores edited settings and other data to
the KR (p. 171).
MIDI Ensemble
Refer to p. 189.
Factory Reset
Restores the content stored with
Memory Backup to the original factory
settings (p. 172).
V-LINK
Refer to p. 187.
USB Driver
Refer to p. 196.
Remote Control
Changing the functions of the remote
control’s buttons (p. 172).
165
Chapter10
Tuning
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Chapter 10 Various Settings
Parameter
Touch Screen
Ir/Serial Port
Explanation
Allows for calibration of the touch
screen (p. 175).
Tuning
system
Arabic
This tuning is suitable for the music of
Arabia.
Kirnberger
This temperament is a modification of
meantone temperament and just
intonation, allowing more freedom of
modulation. Performances are possible
in all keys (III).
Pythagorean
This temperament is based on the
theories of the Greek philosopher
Pythagoras, and has pure fourths and
fifths. Chords containing a third will
sound impure, but melodies will sound
good.
Meantone
This temperament is a partial
compromise of just intonation in order
to allow modulation.
Werkmeister
This temperament is a combination of
meantone and Pythagorean
temperaments. It allows you to play in
all keys. (First method, number three.)
Sets the remote sensor’s on or off
(p. 174)
3. Touch the name of the parameter you want to set.
Refer to the corresponding page for each function.
4. Press the [Exit] button to return to the Functions screen.
■ Changing the Tuning (Tuning)
❍ Choosing the Tuning
You can play classical styles such as Baroque using historic
temperaments (tuning methods).
Most modern songs are composed for and played in equal
temperament, the most common tuning in use today. But at
one time, there were a wide variety of other tuning systems
in existence. By playing in the temperament that was in use
when a composition was created, you can experience the
sonorities of chords originally intended for that song.
At Step 3 in “Procedure” (p. 165), touch <Tuning>.
fig.d-p-temp.eps_50
Characteristics
Touch any one of the icons to choose the tuning system.
When playing in a temperament other than equal
temperament, you must specify the tonic (the note
corresponding to C for a major key, or to A for a minor key)
of the key in which you will play.
Touch <Key>
to select the tonic.
If you have selected equal temperament, it is not necessary to
select the tonic.
❍ Setting the Tuning Curve (Stretch Tuning)
You can choose from among the eight tunings described
below.
Chapter 10
Tuning
system
Characteristics
Equal
This temperament divides the octave
into 12 equal parts. All intervals will be
slightly out of tune by the same amount.
This setting is in effect when you turn on
the power.
Just (Maj)
This temperament makes the 5th and
3rd intervals pure. It is unsuited to
playing melodies and cannot be
transposed, but is capable of beautiful
sonorities.
Just (min)
166
Just intonation differs between major
and minor keys. The same results as
major can be obtained in a minor key.
Pianos are generally tuned so that the low range is flatter and
the high range is sharper than equal tempered pitches. This
method of tuning is unique to the piano, and is known as
“stretched tuning.”
A graph that shows the changes in pitch of actual tuning
compared with the changes in equal temperament pitch is
called a tuning curve. Changing the tuning curve produces
subtle variations in the reverberations of the chords you play.
Touch the Stretch Tuning <ON> or <OFF> icon to select the
tuning curve.
When set to “ON,” the tuning curve features extended low
and high ranges (Stretch Tuning). It is suitable for piano
solos. This setting is selected when the power is turned on.
When set to “OFF,” the standard tuning curve is used. It is
suitable when playing in an ensemble with other
instruments.
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Chapter 10 Various Settings
■ Assigning Functions to Pedals
and Performance Pads
(Pedal Setting/User Functions)
❍ Functions that Can be Assigned (Pedals,
Performance Pads)
Function
You can assign a variety of functions to the left and center
pedals, the expression pedals, and the performance pads.
You can call up the assigned functions just by pressing the
corresponding pedal or pad.
No Chord
Only the Rhythm part is played. After No
Chord is switched on, specifying a chord
by playing the actual keys cancels the
function, and all of the accompaniment
parts are played.
Break
During the performance of Automatic
Accompaniment, the accompaniment
stops for one measure only.
Fill In to
Variation
Performs the same function as the Fill In
[To Variation] button (p. 68).
Fill In to
Original
Performs the same function as the Fill In
[To Original] button (p. 68).
Fill In
A fill-in is inserted, but the accompaniment
pattern after that doesn’t change.
Half Fill In to
Variation
This plays a fill-in half a measure long,
then switches to the Variation
accompaniment pattern.
Half Fill In to
Original
This plays a fill-in half a measure long,
then switches to the Original
accompaniment pattern.
Original/
Variation
This changes the accompaniment pattern
without inserting a fill-in.
Arranger
Reset
When this function is used during
Automatic Accompaniment, the
accompaniment returns to the beginning of
the Division (p. 57).
Intro 1/
Ending 1
Performs the same function as the [Intro/
Ending] button (p. 65). Intro 1 and Ending
1 are played.
Intro 2/
Ending 2
Performs the same function as the [Intro/
Ending] button (p. 65). Intro 2 and Ending
2 are played.
Arranger
Start/Stop
Performs the same function as the [Start/
Stop] button (p. 65).
Orchestrator
Up
This changes the accompaniment to a more
elavorate arrangement (p. 69).
Orchestrator
Down
Changes the accompaniment to a simpler
arrangement (p. 69).
Melody
Intelligence
Turns the Melody Intelligence function on
and off (p. 70).
❍ Assigning Functions to Pedals
At Step 3 “Procedure” (p. 165), touch <Pedal Setting>.
fig.d-pedalset.eps_50
Touch
to assign functions to each of the pedals.
→ Pressing the One Touch Program [Piano] button restores the
piano performance functions to the pedals (p. 22).
❍ Assigning Functions to Performance Pads
1. Press the [User Function] button and watch the
indicator light up.
A screen like the one shown below appears.
fig.d-usrfunc.eps_50
2. Touch
to assign functions to each of the
Performance Pads.
→ If you set the pedal as a dedicated switch for selecting User
Programs, the function assigned to the pedal cannot be used.
Refer to “Using the Pedal to Switch User Programs” (p. 134).
167
Chapter10
Leading
Bass
Toggles the Leading Bass function* on or
off. The function stays on as long as the
pedal to which this is assigned is pressed.
When assigned to a Performance Pad, this
is alternately switched on and off each time
the pad is pressed.
925
* Use only the specified expression pedal (EV-7/5; sold
separately). By connecting any other expression pedals, you
risk causing malfunction and/or damage to the unit.
Explanation
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Chapter 10 Various Settings
Function
Fade In/Out
Explanation
This starts Automatic Accompaniment
with a fade-in (where the volume gets
progressively louder), ends it with a fadeout (where the volume gets progressively
softer), then stops.
Rotary Slow/
Fast
This switches the speed of the rotary effect*
when you perform with an organ tone.
Glide
While the pedal or Performance Pad is held
down, the pitch of the sound drops
temporarily, returning to the original pitch
when the pedal or Pad is released. This can
be effective for simulating the performance
of instruments like a Hawaiian guitar.
❍ Functions that Can be Assigned (Pedals
Only)
Function
Explanation
Composer
Assist
Pressing the pedal during playback of a song
stops the playback. When the pedal is
released, playback resumes from the
beginning of the measure that was playing
when the pedal was pressed. When the pedal
is pressed in rapid succession, the playback
will resume backs up the same number of
measures as the number of times the pedal is
pressed.
Upper
Sostenuto
The pedal functions as a sostenuto pedal
(p. 22).
Composer
Play/Stop
Performs the same function as the [
(Play/Stop)] button (p. 75).
Upper Soft
The pedal functions as a soft pedal (p. 22).
Page
Fwd 1
If a song is stopped with the notation
shown in the KR display, the notation in
the KR display scrolls to the next page
when you press the pedal.
Lower
Damper
Applies a damper pedal effect to the sounds
in the left-hand side of the keyboard during a
split performance.
Bend Up
This raises the pitch of notes you play on the
keyboard.
Bend
Down
This lowers the pitch of notes you play on the
keyboard.
EX1
When the pedal is pressed during a layer
performance, the Tone volume changes
between two levels, depending on how firmly
the pedal is pressed.
Pressing the pedal with “Pedal EX1” selected
increases the layer Tone volume. The layer
Tone is played at a fixed volume, regardless of
how forcefully the keys are played.
EX2
Pressing the pedal with “Pedal EX2” selected
increases the layer Tone volume, while the
volume of the right-hand Tone is decreased.
The layer Tone is played at a fixed volume,
regardless of how forcefully the keys are
played.
EX3
Pressing the pedal with “Pedal EX3” selected
increases the layer Tone volume.
EX4
Pressing the pedal with “Pedal EX4” selected
increases the layer Tone volume, while the
volume of the right-hand Tone is decreased.
Page
Bwd 1
If a song is stopped with the notation
shown in the KR display, the notation in
the KR display scrolls to the preceding
page when you press the pedal.
Page
Fwd 2
If a song is stopped with the notation
shown in the external display, the notation
in the external display scrolls to the next
page when you press the pedal.
Page
Bwd 2
If a song is stopped with the notation
shown in the external display, the notation
in the external display scrolls to the
preceding page when you press the pedal.
Punch In/Out
During Punch-in Recording, this starts and
stops recording (p. 142).
Tap
Tempo
You can set the tempo according to the
interval at which the pedal or pad is
pressed (p. 95).
Chapter 10
* What is the leading bass function?
The function that sounds the lowest note of a fingered chord
as the bass tone is called “Leading Bass.” When this function
is turned on, the Bass Tone changes when chord inversions
are used. Usually the tonic of the chord you play sounds as
the bass tone.
* What is the rotary effect?
This adds a sort of spinning effect to the organ sound, similar
to the sound when a rotary speaker is used.
Changing the speed increases or decreases the speed of this
spinning effect.
168
* The effect may not be applied correctly when you press a pedal
if “Pedal EX1–4” is assigned to more than one pedal.
→ Using the “Bend Up” or “Bend Down” function during a
split performance (p. 31) changes the pitch of sounds in the
right-hand side of the keyboard. Additionally, the range in
which the pitch can change when the Bender effect is used is
called the “bend range”; refer to “Changing the Bend Range
(Pedal Setting)” (p. 169).
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Chapter 10 Various Settings
❍ Functions that can be assigned (Expression
Pedals Only)
Function
Explanation
Expression
Adjusts the overall volume.
EX1
When the pedal is pressed during a layer
performance, the Tone volume changes
between two levels, depending on how
firmly the pedal is pressed.
Pressing the pedal with “Pedal EX1”
selected increases the layer Tone volume.
The layer Tone is played at a fixed volume,
regardless of how forcefully the keys are
played.
EX2
Pressing the pedal with “Pedal EX2”
selected increases the layer Tone volume,
while the volume of the right-hand Tone is
decreased. The layer Tone is played at a
fixed volume, regardless of how forcefully
the keys are played.
EX3
Pressing the pedal with “Pedal EX3”
selected increases the layer Tone volume.
EX4
Pressing the pedal with “Pedal EX4”
selected increases the layer Tone volume,
while the volume of the right-hand Tone is
decreased.
■ Changing the Bend Range
(Pedal Setting)
The effect of smoothly raising or lowering the pitch of a
played note is called the “bender effect.”
You can assign the bender function to a pedal, then apply the
bender effect by depressing and releasing the pedal.
You can also make a setting that determines how much the
pitch of the note changes when you apply the bender. The
maximum range of change in pitch is called the “bend
range.”
At Step 3 “Procedure” (p. 165), touch <Pedal Setting>.
Touch
to switch the screens.
fig.d-pedalset.eps_50
Touch <Bend Range>
setting.
to adjust the bend range
You can set this to any value within a range of 1 to 12 (in
half-tone steps, up to one octave).
Chapter10
169
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Chapter 10 Various Settings
■ Changing Standard Pitch
(Master Tune)
“Standard pitch” generally refers to the pitch that is heard
when you play middle A. When performing in an ensemble
with other instruments, adjust the standard pitch so that the
instruments of the ensemble match. Tuning all the
instruments to a standard pitch is called “master tuning.”
At Step 3 in “Procedure” (p. 165), touch <Master Tune>.
A screen like the one shown below appears.
fig.d-tuning.eps_50
■ Selecting Images To Be Shown
on the KR and External
Displays
(User Image Display)
You can have image data from computers and other devices
shown on the onboard display, or on an external display
you’ve connected. You can store two types of image data,
“KR display” data, and “Ext. display” data.
→ “KR-display-use” images appear on the KR’s display when the
instrument’s power is turned on.
When you select “Automatic” or “Lyrics” as the image type to
be shown with the external display as described in “Changing
the Settings for Showing Images with the External Display
and the Television (External Display)” (p. 186), the images are
shown in the external display.
At Step 3 in “Procedure” (p. 165), touch <User Image
Display>.
A screen like the one shown below appears.
fig.d-usrimage.eps_50
Touch
to change the pitch.
Standard pitch can be set to any value from 415.3–466.2 Hz.
■ Changing the Language
(Language)
Five choices are available for the language used in displaying
information on the screen.
At Step 3 in “Procedure” (p. 165), touch <Language>.
A screen like the one shown below appears.
fig.d-lang.eps_50
Selecting the Display to be Set
1. Touch <KR Display> or <Ext. Display>.
Select the setting either for “KR display” or “Ext.
display” images.
Selecting the Images to be Displayed
Chapter 10
First, take an external memory to which the image data
stored in the KR has been saved, and connect the
external memory to the external memory port.
2. Touch <File>.
A screen like the one shown below appears.
Touch
to select the language.
Available settings
English, Japanese, German, French, Spanish
* German, Spanish, and French are displayed for some
functions. Other screens will be displayed in English.
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Chapter 10 Various Settings
When you touch the icon for the character to be input, the
character appears at the cursor position. For example,
fig.d-usrimage2.eps_50
touching the <ABC> icon in succession cycles you through
the available choices in that character group
(A→B→C→A...).
Each touch of <A-a-0-!> cycles the type of characters through
“English (upper case),” “English (lower case),” “numerals,”
“symbols,” then back to “English (upper case).”
3. Touch the name of the stored image data.
When you touch <Preview>, you can then show the
selected image data on the display selected in Step 1.
When you touch <Del>, the character at the cursor position is
deleted.
When you touch <Ins>, a space is inserted at the cursor
position.
When you have finished inputting the characters, touch
<Execute>.
4. Touch <Save>.
The selected image data is stored.
5. Press the [Exit] button to return to the previous screen.
To clear the stored image data, touch <Erase>.
❍ Image data that KR can display
Size
(Recommen
ded)
320 x 240 pixels (for KR display)
640 x 480 pixels (for external display)
Format
BMP format, JPEG format
Extension
“.bmp”, “.jpg”
■ Changing the Screen Message
When the Power Is Turned On
(Opening Message)
You can modify this screen to show your favorite phrase
when the power is turned on.
* Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR’s
internal memory, making it unusable.
→ If you touch <All Clear> at the bottom of the screen and then
touch <Execute>, the display reverts to the screen that
normally appears when you turn on the power to the
instrument.
■ Remembering the Settings
Even When the Power is
Turned Off (Memory Backup)
Normally, the various settings revert to their default values
when the power is turned off. However, you can specify that
the settings will be remembered even when the power is
turned off. This function is called “Memory Backup.”
→ For more on the settings stored using Memory Backup, refer to
“Parameters Stored in Memory Backup” (p. 216).
At step 3 in “Procedure” (p. 165), touch <Memory Backup>.
At Step 3 in “Procedure” (p. 165), touch <Opening Message>.
A screen like the one shown below appears.
A screen like the one shown below appears.
fig.d-memory.eps_50
fig.d-openmsg.eps_50
Chapter10
Touch <Execute>.
Use
to move the cursor.
When you touch the character icon, the character is input
where at the position.
The confirmation message appears on screen.
Touch <OK> to store the setting.
When the setting has been stored in memory, the previous
screen will reappear.
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Chapter 10 Various Settings
* Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR’s
internal memory, making it unusable.
■ Restoring the Factory Settings
(Factory Reset)
You can return the content stored with “Memory Backup” (p.
171) and the User Programs (p. 129) to their original factory
settings. This operation is referred to as “Factory Reset.”
■ Changing the Functions of the
Remote Control’s Buttons
You can change the functions assigned to the remote
control’s buttons.
At step 3 in “Procedure” (p. 165), touch <Remote Control>.
A screen like the one shown below appears.
* When you perform a Factory Reset, all settings that have been
stored in memory up to then are erased and reset to their
factory defaults.
→ This operation does not return the touch screen calibration
settings to the original factory condition. To return the touch
screen calibration settings to the original factory settings, refer
to “Returning the Touch Screen Calibration Settings to the
Original Factory Settings” (p. 175)
→ When you want to restore the content registered to the KR’s
User memory to the factory condition, refer to “Formatting the
User Memory” (p. 180).
Switching ON/OFF of the Remote Control
1. Touch <ON/OFF>
to switch On/Off of the
remote control.
At step 3 in “Procedure” (p. 165), touch “Factory Reset.”
A screen like the one shown below appears.
fig.d-factory.eps_50
Explanation
Display
Off
Not received.
On
Received.
2. Press the [Exit] button to return to the Functions screen.
Changing the [FUNC1] [FUNC2] Button
Functions
1. Touch <FUNC1> <FUNC2>
Touch <Execute>.
The confirmation message appears on screen.
functions to [FUNC1] [FUNC2] button.
Display
Chapter 10
Touch <OK> to restore the original factory settings.
When you have finished making the settings, switch off the
power, then switch it back on again.
When you touch <Cancel>, the settings are left untouched,
and you’re returned to the previous screen.
Explanation
Moving Key
Each time the [FUNC1] or [FUNC 2]
button is pressed, the piano player
function is switched on or off.
Lyric Color
Each time the [FUNC 1] or [FUNC 2]
button is pressed, switch the color used for
lyric in the external display.
Replay
Pressing the button while the song is
playing back stops the playback. When
you release the button, playback resumes
from the beginning of the measure being
played when you pressed the button.
Pressing the button a number of times in
rapid succession moves the playback
position back by the same the number of
measures, after which playback resumes.
* Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR’s
internal memory, making it unusable.
172
to assign
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Chapter 10 Various Settings
Display
Explanation
Track 3
Each time the [FUNC 1] or [FUNC 2]
button is pressed, the lower track is
switched on or off. When turned off, the
sound from the lower track does not play.
Track 4
Each time the [FUNC 1] or [FUNC 2]
button is pressed, the upper track is
switched on or off. When turned off, the
sound from the upper track does not play.
Zoom
Displays an enlarged notation.
Repeat
Playback repeats within the marked range.
CD Eject/
Load
Opens and shuts the CD drive.
Ir/Serial port
(Only with
models
featuring CD
Drive)
The setting alternately switches to the
infrared or serial port each time the button
is pressed.
2. Press the [Exit] button to return to the Functions screen.
Changing the TEMPO [-] [+] Button and the
TRANSPOSE [-] [+] Button Functions
1. Touch <TEMPO> or <TRANSPOSE>
assign functions to TEMPO [-] [+] and TANSPOSE [-]
[+] button.
Display
Changes the tempo. Pressing [-] button
slows the tempo down; pressing [+] button
speeds up the tempo.
Notation
Scrolls the notation in the external display.
Press [-] button to return to the previous
page; press [+] button to advance to the
next page.
Transpose
Transposes the song. Pressing [-] button
lowers the pitch in semitone steps;
pressing [+] button raises the pitch in
semitone steps.
Bwd/Fwd
Fast forwards and rewinds the song. When
[-] button is pressed, the song rewinds;
when [+] button is pressed, the song is fast
forwarded.
CD Volume
(Only with
models
featuring CD
Drive)
Changing the volume of the Song on CDs
CD sync
(Only with
models
featuring CD
Drive)
Synchronizing the piano and
accompaniment.
] (PLAY) Button Functions
1. Touch <PLAY>
[
to assign functions to
] (PLAY) button.
Display
One Song
Explanation
Only the selected song is played back.
Playback stops when the song is finished.
Songs are played back continuously in
sequence, starting from the currently
selected song.
Internal Song
Songs in the selected genre are played back
continuously.
All Song
“Favorites” Songs
Songs registered to the “Favorites” are
played back in sequence.
2. Press the [Exit] button to return to the Functions screen.
* The remote control buttons’ original function assignments are
restored when the power is turned off. If you want to save the
changed settings, carry out the memory backup (p. 171).
Chapter10
Songs on External Memories, Floppy
Disks, and CDs
Songs within the selected folder are played
back continuously.
Explanation
Tempo
2. Press the [Exit] button to return to the Functions screen.
Changing the [
to
The songs are played back in random
order.
Internal Song
The songs in all genres are played back in
random order.
Random
“Favorites” Songs
Songs registered to the “Favorites” are
played back in random order.
Songs on External Memories, Floppy
Disks, and CDs
Songs within the selected folder are played
back in random order.
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Chapter 10 Various Settings
■ Changing the Infrared
Transmission Function Settings
Models Without Moving Key
Some digital devices equipped with an IrDA (infrared) port
are able to transfer song data in SMF format to the KR. For
more detailed information, refer to the owner's manual for
the digital device.
Note:
Users are responsible for learning how to use infrared
transmissions. The KR is not necessarily compatible with all
devices equipped with an IrDA port. Roland cannot answer
questions regarding infrared transmissions.
Selecting functions Infrared Transmissions or
Serial Port
You cannot simultaneously use the remote sensor and
infrared receive with the KR.
You can choose to use either one, or to switch both of them
off.
At step 3 in “Procedure” (p. 165), touch <Ir/Serial Port>.
A screen like the one shown below appears.
Touch <ON/OFF>
.
Display
Explanation
Off
Not used.
On
The infrared receriver is used.
Setting Playback After the Song is Transferred
(Infrared Playback)
This sets the KR to play back a song automatically following
transfer of the song from the digital device.
Models Featuring CD Drive
You can also set this so that songs are not played back
automatically after the song is transferred.
Touch <Ir Play>
Display
Touch <Ir/Serial>
Chapter 10
Display
.
Explanation
Off
Neither is used.
Ir
The infrared receriver is used.
Serial Port
The device connected to the serial port is
used.
174
.
Explanation
Standby
Following transfer of the song, the song is
ready to play but not played back.
Auto
The song is played back automatically
after the song is transferred.
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Chapter 10 Various Settings
■ Calibrating the Touch Screen
(Touch Screen)
Changing the Part That
Makes the Keys Move
If you’ve been using the touch screen for some time, the
pointer may be shifted, making the KR react incorrectly. You
should correct this displacement when necessary by
performing calibration (repositioning).
(Only for Instrument Equipped with
Moving Key)
At step 3 in “Procedure” (p. 165), touch “Touch Screen.”
A screen like the one shown below appears.
fig.d-touchpanel.eps_50
Changing the Moving Keys Settings
You can have the keys move automatically along with the
performance.
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
fig.d-16tr.eps_50
Touch <Execute>.
Touch the points indicated.
* Do this carefully, because touching a location that’s different
from the one indicated for the pointer may make the
displacement even worse. Be sure to touch the pointer
accurately.
When the calibration is finished, touch <Write> to store the
settings.
* If you don’t write them to memory, the calibration settings
will be discarded as soon as the power is switched off.
2. Touch <Moving Key> at the lower left of the screen to
switch the function on or off.
Icon
Keyboard
On
Movement
Off
No movement
3. Press the [Exit] button to return to the Functions screen.
Returning the Touch Screen Calibration
Settings to the Original Factory Settings
If you touch <Factory Reset> in the above screen, the touch
screen calibration settings revert to the original factory
settings.
Chapter10
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Chapter 10 Various Settings
Using the Track Buttons to Choose the Part
That Makes the Keys Move
Using the 16 Track Sequencer Screen to
Choose the Part That Makes the Keys Move
Upon power-up, the instrument is set so the keys move along
with the performances of the Whole, Upper, and Lower
tracks. You can choose a different part to make the keys
move by pressing the Track buttons, and changing the
buttons that are lighted.
You can get the keys to move along with the performance of
parts selected with the 16 Track Sequencer screen.
1. Choose the song to play (p. 75).
2. Press the Track button you want to have associated
with key movement a number of times, until the
1. Choose the song to play (p. 75).
2. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
3. Touch <16tr Sequencer>.
A screen like the one shown below appears.
button’s light is flashing.
fig.d-16tr.eps_50
Each time you press a Track button, its light changes to
the next state, in this order: lighted → extinguished →
flashing → lighted →....
The following shows the relationship between the Track
buttons, played parts, and keyboard movement.
Indicator
Keyboard
Sound
Indicator flashing
Movement
Sound
Indicator on
No movement
Sound
Indicator off
No movement
No sound
3. Press the [
(Play/Stop)] button.
Song playback starts, and the keys move along with
what is played as a result of the flashing Track button or
buttons.
4. Touch the part you want to have associated with key
movement.
The following shows the relationship between the
indication in the display (icons), played parts, and
keyboard movement.
Chapter 10
Icon
Keyboard
Sound
Movement
Sound
No Movement
(This part is not
selected)
Sound
No movement
No sound
(no performance data for
this part)
No movement
No sound
5. Press the [Exit] button to return to the Functions screen.
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Chapter 10 Various Settings
Changing the CD Settings
(Only for Instrument Equipped with CD
Drive)
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
2. Touch <
><
> to switch the page, then touch
<CD>.
■ Setting the Type of CD To Be
Played Back
The KR may be unable to correctly recognize the type of CD
being used. In such instances, you can specify the type of CD
manually.
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
2. Touch <
A screen like the one shown below appears.
><
> to switch the page, then touch
<CD>.
A screen like the one shown below appears.
→ This screen is displayed when “CD” is selected as the category
in the “Song Select” screen, even when you press the [Option]
button.
3. Touch the slider for the respective parameter to change
the setting.
Display
Sync
Level
Setting
0–100
0–127
Explanation
With some player piano CDs, the
piano and accompaniment
sounds may not be synchronized
properly. In such instances, you
can adjust the timing of the piano
sounds so that they are in time
with the accompaniment.
→ This screen is displayed when “CD” is selected as the category
in the “Song Select” screen, even when you press the [Option]
button.
3. Touch the <CD Data>
CD.
Display
Auto
Type A
Adjusts the CD volume level.
4. Press [Exit] button to go back to The “Composer Menu”
to select the type of
Type B
Off
The CD type is detected automatically.
General CDs for Player Piano contain audio
and MIDI data, and the data format may
vary from one CD to the next. If the CD’s
data format does not match the KR’s settings,
a “beep” will sound. Certain general
Automatic Piano CDs may not be playable
on the KR.
Commercial Audio CD (CDs other than
those designed for use with the piano player
piano)
* Note that certain commercially available CDs cannot be played
back on the KR.
4. Press [Exit] button to go back to The previous screen.
177
Chapter10
screen.
Explanation
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Chapter 10 Various Settings
Showing a Series of Images
on an External Display
(Slide Show)
You can use the KR to display your favorite images stored on
external memory using a connected external display or
television set.
Making the Connection
Running the Slide Show
4. Connect the external memory to the external memory
port.
A slide show of the images stored in the “_PICTURE”
folder on the USB memory appears on the external
display.
→ The “Mode” value in the External Display Setting screen
automatically changes to “Slide Show.”
ÉåÉCÅAÉfÉWÉJÉÅÇΔäOïîÉÅÉÇÉäÅj
External memory
connector
The “Mode” value may not automatically switch to “Slide
Show” while Wonderland, Demo, or certain other functions
are in use.
If this occurs, quit the function currently being used.
Afterwards, select “Slide Show” for the “Mode” setting
manually in the “External Display Setting” screen.
Changing the Sequence of Images in Slide
Shows
→ For details about connecting an external display, refer to p.
185.
NOTE
Some images may not be displayed in the slide show if 500 or
more files, including images, are contained in a single folder.
❍ Image data that KR can display
You can have images be displayed in the order you
prefer by changing the file names.
By adding a number from 001 through 999 to the six- to
eight-character file name, you can have the files be
displayed according to their numerical order.
■ Changing Slide Shows
1. Press the One Touch Program [Piano] button.
Size
640 x 480 pixels (recommended)
Format
BMP format, JPEG format
2. Press the [Option] button.
Extension
“.bmp”, “.jpg”
3. Touch the <External Display> (p. 165).
The piano screen will appear.
The following screen will appear.
■ Running a Slide Show of
Images Stored on External
Memory
Preparing the Images
Chapter 10
1. Using a computer, prepare the images you want to
display.
2. Connect the USB memory to the computer and create a
folder named “_PICTURE” on the USB memory.
3. Place the images you want to display in the
“_PICTURE” folder.
4. Touch the <Mode>
to select a value other
than “Slide Show.”
5. Press [Exit] button to go back to The “Functions
screen.”
→ You can change the “Mode” value by pressing [DISPLAY] on
the remote control.
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Chapter 10 Various Settings
■ Setting the Image Display
Duration
When running slide shows of multiple image files saved on
external memory, you can specify the length of time each
image is to appear.
1. Press the One Touch Program [Piano] button.
The piano screen will appear.
2. Press the [Option] button.
Selecting the Part to Which
the Effect is Added
(EffectsPart)
You may find effects not being applied to certain parts when
different effects are applied to the upper tone, layer tone, and
lower tone. In such instances, you can select which effect is to
have priority.
1. Press any tone button, and select the tone (p. 28).
3. Touch the <External Display>.
2. Touch <Effect>.
4. Touch the <Slide Show> at the bottom left of the
3. Touch <Part>.
screen.
A screen like the one shown below appears.
The following screen will appear.
5. Touch the <Interval>
to set the interval at
which the displayed images are to be switched.
Available settings
Slow, Little Slow, Medium, Little Fast, Fast
Display of images may not, depending on the size of the
image, be displayed exactly according to the interval
setting.
4. Touch
to select the part to which the effect
is added.
The effect will be applied to the selected part and other
parts to which the same effect has been applied.
Available settings
Upper, Layer 1, Layer 2, Lower 1, Lower 2
6. Press [Exit] button to go back to the ”Functions screen.”
Chapter10
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Chapter 10 Various Settings
Formatting the User Memory
The KR features an internal storage area where you can save
recorded performances and User Styles. This space is called
the “User Memory.”
The following content is stored to the user memory.
• Content registered to the “Favorites” (p. 82)
• Sets of saved User Programs (p. 131)
• User Styles saved on user memory (p. 158)
• Image files set with the “User Image settings” (p. 170)
To delete all of the content held in the user memory and
restore the original factory settings, carry out the following
procedure.
Automatically Starting the
Quick Tour
You can set the instrument so that the Quick Tour starts
automatically with no operation required.
1. Hold down the [Transpose] button and press the
[Surround/Reverb] button.
The Quick Tour screen appears.
2. Press the [Option] button.
A screen like the one shown below appears.
fig.d-touchpanel.eps_50
1. Press the [Song/File] button.
2. Touch <File>.
3. Touch <Format>.
4. Touch
to select “User.”
5. Touch <Execute>.
A screen like the one shown below appears.
fig.d-touchpanel.eps_50
3. Touch
Item
Auto Start
of each parameter to make settings.
Display
ON, OFF
This setting determines
whether or not Quick Tour
starts when no adjustment
or other operation is
performed within a fixed
period of time.
ON, OFF
This setting determines
whether or not
background music is
added when Auto Demo
begins.
6. Touch <OK>.
All of the content in the user memory is deleted.
If you touch <Cancel>, the deletion is cancelled, and
BGM
you’re returned to the previous screen.
Chapter 10
* Never turn off the power while the display indicates
<Executing...>. Doing so will damage the KR’s
internal memory, making it unusable.
→ Carrying out this operation does not initialize any settings
other than the user memory settings. To restore settings other
than those for the user memory to the original factory settings,
carry out Factory Reset (p. 172).
Explanation
When Auto Start is set to “ON,” a period of five to ten
minutes passes without the instrument being touched,
the demo automatically starts. The demo stops playing if
the instrument is operated in any way. When Auto Start
is set to “OFF,” the demo does not start unless you touch
the <Auto Demo> icon in the Demo screen.
4. Press the [Exit] button to return to the Quick Tour
screen.
→ This setting is saved even after the power is turned off.
* For more information about Quick Tour, refer to the Quick
Start.
* You cannot start the demo songs if you have any performance
recorded but not saved. Before starting the demo, either delete
or save the song when the song delete screen(p. 104) is
displayed.
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Chapter 10 Various Settings
Adjusting the Piano Designer
Resonance
You can made precise changes to the Piano Designer
“Resonance” setting.
More of the resonance effect is applied as the value is
increased.
1. Press the [Piano Designer] button.
Disabling Functions Other
Than Piano Performance
(Panel Lock)
The “Panel Lock” function locks the KR in a state where only
piano performance can be used, and all buttons will be
disabled. This prevents the settings from being inadvertently
modified even if children press the buttons accidentally.
* In the Panel Lock state, only the grand piano sound can be
played.
2. Press the [Option] button.
A screen like the one shown below appears.
fig.d-touchpanel.eps_50
1. Turn down the volume all the way.
2. Press the [Power] switch to turn off the power.
3. While holding down the [Wonderland/Game] button,
press the [Power] switch and turn on the power.
Hold down the button for at least ten seconds (until the
animation is displayed).
All buttons except for piano play are disabled.
Adjust the volume. When you play the keyboard, the
grand piano sound will be heard.
3. Touch
Item
of each item to make settings.
To undo the Panel Lock function, turn the volume down
to the minimum, and turn on the power once again.
Explanation
Damper
When the damper pedal on an
acoustic piano is pressed, the sound
of the key that is played causes other
strings to resonate, adding rich
reverberation and breadth to the
sound. This function reproduces the
resonant sound created by pressing
the damper pedal (Damper
Resonance).
Key off
This reproduces the “key off” sound
(the subtle sound made when the
keys are released) produced when
playing an acoustic piano.
Chapter10
String
With an acoustic piano, playing a
note causes the strings for other keys
already being pressed to resonate.
The function that reproduces this
resonant sound is called “String
Resonance.”
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Chapter 10 Various Settings
Detailed Song Playback
Settings
■ Changing the Tone Settings
When Playing Back Songs
(Play Mode)
With the normal setting, GS tones (sounds that are
compatible with other GS instruments) will normally be used
to play back song data. By changing this setting, you can play
back song using KR-specific tones for certain portions of the
data.
→ For detailed information about GS, refer to “About the KR
Sound Generator” (p. 217).
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
2. Touch
to switch the screens, touch <Play
Mode>.
A screen like the one shown below appears.
fig.d-plymode.eps_60
■ Viewing Song Information
(Information)
You can view file names and other information concerning
songs.
1. Press the [Song/File] button.
2. Touch <File>.
3. Touch <Information>.
A song information is displayed.
■ Hiding the Lyrics (Lyrics)
Some commercially available music files for use in karaoke,
as well as some of the internal songs include lyrics data.
When you play such music files, the lyrics automatically
appear in the screen. If you do not want lyrics to appear
automatically, set this to “OFF.”
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
2. Touch
to switch the screens, then touch
<Lyrics>.
A screen like the one shown below appears.
fig.d-lyric.eps_60
3. Touch the icon to choose the setting.
Chapter 10
Icon
Explanation
GS
Playback uses GS-compatible tones for
performances that sound like other GS
instruments.
KR
Playback uses KR tones for greater
expressiveness. However, differences may
appear when playing back using devices
other than the KR.
4. Press the [Exit] button to go back to The “Composer
Menu” screen.
5. After changing this setting, try selecting the song once
again.
For more detailed information about selecting a song,
refer to “Playing a Song” (p. 75).
182
3. Touch
to select the setting.
Display
Explanation
ON
Lyrics are displayed automatically (when
performance data containing lyrics is played
back).
OFF
Lyrics are not displayed, even if the song
data being played back contains lyrics data.
4. Press the [Exit] button to return to The “Composer
Menu” screen.
→ Even when this is set to “OFF,” you can still have the lyrics be
displayed by touching <
Piano or Basic screen (p. 26).
> when it appears in the
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Chapter 10 Various Settings
→ The screen may be switched when you press the button while
the Lyrics screen is displayed. To have the lyrics displayed
again, touch <
> on the Piano or Basic screen, or stop
playback of the song, then press the [
button.
Auto
The part assigned to each track will be
determined automatically,
depending on the song data.
2/1 Part
Part 1 will be assigned to the upper part
track, part 2 to the lower part track, and part
3 to the user track.
3/4 Part
Part 4 will be assigned to the upper part
track, part 3 to the lower part track, and part
1 to the user track.
(Play/Stop)]
■ Changing the Parts Assigned
to the Track Buttons During
SMF Playback (Track Assign)
Normally, when playing back Roland Piano Digitalcompatible SMFs (p. 217), the lower part is assigned to the
[3/Lower] button, and the upper part is assigned to the [4/
Upper] button. However, assignment of the upper and lower
parts may differ with some SMF data.
If you cannot get the upper and lower parts to work well set
on “Auto,” then change the setting to “2/1 Part” or “3/4
Part.”
Explanation
Display
4. Press the [Exit] button to return to The “Composer
Menu” screen.
After changing this setting, try selecting the song once
again.
For more detailed information about selecting a song,
refer to “Playing a Song” (p. 75).
→ This setting can be used with songs stored in external memory
and on CDs, and songs in SMF format. The setting does not
work with internal songs or songs registered to the Favorites.
1. Press the [Menu] button.
The “Composer Menu” or the “A/V Sync” screen
appears.
Touch
to switch the screens.
2. Touch <Track Assign>.
A screen like the one shown below appears.
fig.d-trkasgn.eps_60
Chapter10
3. Touch
to select the setting.
183
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Chapter 10 Various Settings
Chapter 10
MEMO
184
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Chapter 11 Connecting External Devices
You can connect the KR to external devices such as audio
equipment, MIDI instruments and computer.
❍ Connecting an External Display or Television
You can connect a computer monitor or other external
display or a television to the KR, enabling you to display the
Song Select screen, your favorite images, song lyrics, and
notations on a larger screen.
❍ Connecting Video Equipment (p. 187)
With a V-LINK compatible device connected, you can switch
images with the keyboard.
❍Connecting MIDI Devices (p. 188)
You can connect a MIDI sequencer and record performance
data from the KR, or play performance data from the KR on
the sequencer. Also, when you connect a MIDI sound
module, you can perform on the KR and hear the sounds
played through the MIDI sound module.
Connecting an External
Display or Television
You can connect a computer monitor or other external
display or a television to the KR, enabling you to display the
Song Select screen, your favorite images, song lyrics, and
notations on a larger screen.
→ You can switch screens with the remote control. For details,
see “Using the Remote Control” (p. 84).
You cannot simultaneously use both an external
display and a television with the KR. Moreover,
neither the external display nor the television will be
able to display properly if both are connected at the
same time.
❍ Connecting Audio Equipment (p. 191)
When using an external display, connect the display to
the Ext Display connector, but do not connect a
television to the Video Out connector.
The KR has high-quality built-in stereo speakers, but you can
also hook it up a stereo system for an even more impressive
sound.
If using a television, connect the television to the Video
Out connector, but do not connect any external display
to the Ext Display connector.
You can also connect it to a tape recorder or other recording
equipment and record your performances.
❍ Connecting a Computer (p. 195)
You can use a sequencer program to record performance
data from the KR and play performance data from the
program on the KR.
❍Connecting an Expression Pedal
You can connect an expression pedal to the KR.
Connect the Expression pedal to the Expression Pedal
jack on the jack panel of the KR.
925
* Use only the specified expression pedal (EV-7/5; sold
separately). By connecting any other expression pedals, you
risk causing malfunction and/or damage to the unit.
For more information about external display settings, refer to
“Changing the Settings for Showing Images with the
External Display and the Television (External Display)” (p.
186).
■ Connecting an External
Display
Displays That Can Be Connected to This
Instrument
In general, a great many of the VGA monitors and multiscan
monitors that are available on the market are compatible
with this instrument. However, before you connect any
monitor, make sure it meets the following specifications:
Resolution
640 x 480 pixels
Horizontal scan frequency
31.5 kHz
Vertical scan frequency
60 Hz
Connector
3-row, 15-pin D-Sub type
Signal
Analog
185
Chapter 11
* Confirm that the display to be used is compatible with the
frequencies mentioned above. Using a display that is not
compatible with the above frequencies may result in incorrect
image output when images move, and in certain cases may
even damage the display.
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Chapter 11 Connecting External Devices
Making the Connections
Making the Connections
921
Always be sure to use the following procedure when
connecting a television.
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
D-sub 15 pin
(Mini)
KR’s Jack Panel
Ext Display Connector
D-sub 15 pin
(Mini)
Display Cable
(Sold separately)
* You cannot display information or images with a
television when an external display is connected to
the Ext Display connector. To use an television, first
disconnect the external display from the Ext Display
connector, then connect the Video Out jack.
1. Turn off the power to the KR and the television to be
External Display
1. Turn off the power to the KR and the display to be
connected.
connected.
2. Use a video cable (sold separately) to connect the KR’s
Video Out jack with the television’s video input jack.
2. Use display cable (sold separately) to connect the
display to the Ext Display connector on the KR.
* You cannot display information or images with an
external display when a television is connected to
the Video Out jack. To use an external display, first
disconnect the television from the Video Out jack,
then connect the external display connector.
3. Switch on the KR.
4. This sets the display format (device, p. 187).
5. Switch on the connected display.
→ For more on handling the external display, refer to your
display’s owner’s manual.
3. Turn on the power to the KR.
4. This sets the display format (device, p. 187).
5. Turn on the power to the television.
■ Changing the Settings for Showing
Images with the External Display
and the Television
(External Display)
This selects the content shown on the external display or the
television connected to the KR.
1. Press the One Touch Program [Piano] button.
2. Press the [Option] button.
Turning the Power Off
After use, turn off the power using the following procedure.
1. Turn the volume all the way down on the KR.
3. Touch <External Display>.
A screen like the following appears.
fig.d-extdisp.eps_50
2. Turn off the KR.
3. Turn off the connected display.
■ Connecting a Television
Video Cable
(Sold separately)
KR’s Jack Panel
Video Out jack
4. Touch the parameter
Chapter 11
Television
186
to make the settings.
5. Press the [Exit] button to return to the Function screen.
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Chapter 11 Connecting External Devices
■ Explanation of Each Items
Mode
Connecting Video Equipment
(V-LINK)
You can have different images displayed on the television or
external display than those appearing on the KR's own
display.
Connecting the KR to a V-LINK compatible image device
allows you to control the images with the KR.
Settings
Value
Explanation
The display of notations, lyrics, notation
and keyboard, and lyric are switched
automatically.
Auto
Panel
Screens are shown the same way they
appear in the KR’s display.
Notation
The Notation screen is normally
displayed.
Notation and
Keyboard
The notation and keyboard are displayed.
Lyric
The Lyrics screen is normally displayed.
However, lyrics are displayed only when
playing back music files that contains
lyrics data.
Slide Show
The image is displayed in the slide show.
V-LINK (
) is functionality promoted by Roland
that allows linked performance of music and visual material.
By using V-LINK-compatible video equipment, visual effects
can be easily liked to, and made part of the expressive
elements of a performance.
921
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
Connection Examples:
fig.02-
V-LINK compatible image device
USB MIDI Interface
KR’s Jack Panel (Front)
MIDI OUT
Expression
Pedal
Notes When Switching the Display on External
Displays and Televisions
• Lyrics are not displayed with audio CDs.
• You cannot display any lyrics screen when playing back
music data that does not include lyrics data.
• The internal songs include a number of jazz pieces that
are played in an improvised fashion, and you may find
notes not conforming to measure lines, odd divisions of
the parts played in the left and right hand, and other
such features that do not match what is shown in the
notation.
• Neither the external display nor the television will be
able to display properly if both are connected at the
same time.
■ Using the V-LINK function
1. Press the One Touch Program [Piano] button.
2. Press the [Option] button.
3. Touch <V-LINK>.
4. Touch <ON>.
Switches to Image Control mode.
You can control images using the twelve keys at the left
end of the keyboard.
When V-LINK is on, “V-LINK” is indicated in the Basic
screen and other screens.
fig.V-LINKkey
Lyric Color
Selects the color used for lyric in the display.
Value: White, Black, Red, Yellow, Green, Blue, Cyan,
Magenta
If you find that the image quality of the television is poor,
try switching the television format.
Value: VGA, PAL, NTSC
A0 – G1#
While V-LINK is switched on, no sound is produced
when you press any of the twelve keys at the left end of
the keyboard.
5. Touch <OFF> to cancel the V-LINK function.
187
Chapter11
Device
A0 B0 C1 D1 E1 F1 G1
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Chapter 11 Connecting External Devices
Connecting MIDI Devices
■ Making the Connections
921
By connecting an external MIDI device and exchanging
performance data, you can control one device from the other.
For instance, you can output sound from the other
instrument or switch Tones on the other instrument.
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
1. Turn the volume all the way down on the KR and on
What’s MIDI?
MIDI, short for “Musical Instrument Digital Interface,” was
developed as a universal standard for the exchange of
performance data between electronic instruments and
computers.
The KR is equipped with MIDI connectors to let it exchange
performance data with external devices. These connectors
can be used to connect the KR to an external device for even
greater versatility.
the device you’re about to connect.
2. Switch off the power to the KR and the device you’re
about to connect.
3. Use a MIDI cable (sold separately) to connect the MIDI
connectors to each other.
Please refer to the connection examples below.
4. Switch on the power to the KR and the connected
device.
■ Connectors
5. Adjust the volume level on the KR and the connected
fig.09-
device.
6. You should also set the MIDI settings as needed.
MIDI Out Connector
Connect this to the MIDI In connector on an external MIDI
device using a MIDI cable (sold separately).
Performance data when you play the keyboard or depress a
pedal is sent from this connector to the external MIDI
connector.
For details on the MIDI-related settings, refer to
p. 189–p. 191.
Connection Examples:
Setup with a MIDI Sequencer
fig.09-10
Roland MT Series
Out
MIDI
In
MIDI In Connector
Connect this to the MIDI Out connector on an external MIDI
device using a MIDI cable (sold separately).
KR’s Jack Panel (Front)
This receives MIDI messages that are sent from external
MIDI devices. The KR receiving MIDI messages can output
sounds, exchange tones and perform other operations.
* External MIDI devices can’t be used for remotely changing the
Tones played by the KR’s keyboard.
Expression
Pedal
* When the KR is connected to a MIDI sequencer, set it to Local
OFF. Refer to “Disconnecting the Internal Sound Generator
and Keyboard (Local Control)” (p. 190).
Connecting with a MIDI Sound Module
fig.09-
Sound Module
Chapter 11
THRU
MIDI
OUT
IN
KR’s Jack Panel (Front)
Expression
Pedal
188
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Chapter 11 Connecting External Devices
Performing in Ensemble with
MIDI Instruments
(MIDI Ensemble)
MIDI Settings
You can make MIDI settings like those described below.
<MIDI Setting>
fig.09-04.eps
You can connect an electronic percussion device or other
MIDI instrument to the KR’s MIDI In connector for ensemble
playing. Making the MIDI settings for the instrument
connected to the MIDI In connector is easy. The sounds from
the connected MIDI instrument are played from the KR’s
speaker.
1. Press the One Touch Program [Piano] button.
2. Press the [Option] button.
3. Touch <MIDI Ensemble>.
A screen like the following appears.
Display
Explanation
Tx Channel
Chooses the MIDI send channel
(p. 190).
Local Control
Switches Local Control on or off
(p. 190).
fig.09-04.eps
<Program Change>
fig.09-04.eps
4. Select the method for using the MIDI In connector.
Displayed
Meaning
Normal
Normal setting.
Make changes in Tone and other settings
from the connected device.
Pad
Select this when you have percussion pads
connected to the KR’s MIDI In connector.
You do not need to make any MIDI settings
on the KR. Select pad Tones and make other
settings from the connected pads (for further
details, refer to the Owner’s Manual
provided with the pads).
Keyboard
Select this when you have a keyboard
connected to the KR’s MIDI In connector.
You can select tones for the connected
keyboard from the KR. No MIDI settings
need be made on the KR.
Display
Explanation
Bank Select MSB
Sends Bank Select MSB messages
(p. 191).
Bank Select LSB
Sends Bank Select LSB messages
(p. 191).
Program Change
Sends Program Change messages
(Program Numbers) (p. 191).
Chapter11
5. When “Keyboard” is selected in Step 4 above, use
to select the Tone.
The connected keyboard plays using the selected Tone.
189
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Chapter 11 Connecting External Devices
Making the Settings
1. Press the One Touch Program [Piano] button.
Local On: The keyboard and internal sound generator are
connected.
fig.09-
2. Press the [Option] button.
Sound is emitted
3. Touch <MIDI Setting> or <Program Change>.
Sound Generator
4. Touch
to make the setting for each
Local On
item.
Press the [Exit] button to return to the Functions screen.
■ Selecting the Transmit Channel
(Tx Channel)
MIDI organizes things into “channels,” which are numbered
from 1 through 16. Simply connecting a cable is not enough
for communication to take place. The connected devices must
be set to use the same MIDI channels. Otherwise, no sound
will be produced, and no sounds can be selected.
Select the transmit channel (1–16) of the KR.
Local Off: The keyboard and internal sound generator are
separated. No sound will be produced by the
keyboard when it is played.
fig.09-
No sound produced
Sound Generator
Local Off
The channel setting is at “1” when the KR is powered up.
If the keyboard has been split into upper and lower sections,
messages from the left-hand section are fixed at “3.”
The KR receives messages on all channels from 1 through 16.
■ Disconnecting the Internal
Sound Generator and
Keyboard (Local Control)
When connecting a MIDI sequencer, set Local Control to
“OFF.” The setting is at “Local Control ON” when the KR is
powered up.
As illustrated, information describing what has been played
on the keyboard is passed to the sound module over two
different routes, (1) and (2). As a result, you hear overlapping
or intermittent sounds. To prevent this from happening,
route (1) must be disabled, by setting the unit to what is
known as “Local Off.”
fig.09-
(1) Local On
Sequencer
Sound
Generator
MIDI
IN
MIDI
OUT
Memory
Chapter 11
MIDI
OUT
Each note played is sounded twice
190
MIDI
IN
(2) Soft Tru On
→ When connecting a unit in the Roland MT series, you don’t
need to switch off Local Control. MT units transmit Local Off
messages when their power is switched on. First turn on the
power to the KR, then after a few moments, play a note on the
KR; when you turn on the power to the MT Series device,
Local Off is automatically enabled for the KR.
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Chapter 11 Connecting External Devices
■ Sending Tone Change Messages
(Program Change/Bank Select
MSB/Bank Select LSB)
A Program Change is a message that means “change to the
Tone of the specified number.” The device that receives this
changes to the Tone of the corresponding number.
When you choose a Program Change message (Program
Number), the Program Number will be transmitted to the
MIDI device connected to the KR. The MIDI device that
receives the Program Number changes the tone to the
corresponding Program Number.
Normally, the Tone is selected from the 128 Tones available.
Some MIDI devices, however, have more than 128 Tones.
With such devices, the Tone is selected through a
combination of Program Change messages and Bank Select
messages. There are two parts of a Bank Select message: the
MSB (Controller 0, with a value of 0–127) and the LSB
(Controller 32, with a value of 0–127).
Sending Recorded
Performance Data to a MIDI
Device (Composer MIDI Out)
When Composer Out is active, you can send performance
data recorded with the KR to a connected MIDI device or
computer.
When you turn on the power, this is set to “OFF” (data is not
sent).
1. Press the [Menu] button.
2. Touch <Composer MIDI Out>.
fig.09-04.eps
* Some MIDI instruments can’t handle Bank Select messages.
Others can handle Bank Selects, but do not recognize the LSB
part.
3. Touch
to set ON or OFF.
4. Press the [Exit] button to return to The “Composer
Menu” screen.
Connecting to Audio Equipment
You can connect audio devices to play the sound of the KR
through the speakers of your audio system, or to record your
performance on a recording device.
■ Connectors
fig.09-
KR’s Jack Panel
Front
Chapter11
Rear
191
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Chapter 11 Connecting External Devices
Output Jacks (Main Output/Aux Output)
You can connect audio equipment using audio cables (sold
separately) and play the sounds from the KR through the
speakers on the connected equipment, or record your
performances on a recording device.
If the input of the connected device is monaural, you must
use the L (Mono) jack.
2. Turn off the power to the KR and other connected
equipment.
3. Use audio cables (sold separately) to make the
connection.
4. Switch on the KR.
5. Switch on the connected device.
Input Jacks (Input/ Aux Input)
You can connect another sound generator, such as audio
equipment or an electronic instrument, using audio cables
(sold separately). Play the sounds from the connected device
through the speakers on the KR.
If the output of the connected device is monaural, you must
use the L (Mono) jack.
* You cannot use the KR to adjust the volume of the connected
sound generating device.
About the Output jack
922
This instrument is equipped with balanced (XLR) type jacks.
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
6. Adjust the volume level on the KR and the connected
device.
→ You can adjust the volume of a connected sound module with
the KR.
Recording KR Performances on a Recording Device
7. Start recording with the connected device.
8. Play the keyboard.
9. When the performance ends, stop recording on the
connected equipment.
Turning off the power
1. Set the volume of the KR and of the connected devices
to the minimum position.
2. Turn off the connected equipment.
3. Turn off the power to the KR.
■ Making the Connections
921
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
Playing Audio Equipment Sounds Through the
Speakers on the KR
KR’s Jack Panel (Rear)
Playing Sounds from the KR Through the
Speakers on Audio Equipment or Recording
Your Performances on a Recording Device
fig.09-
KR’s Jack Panel (Rear)
Output R/L
(Line Out, Aux Out)
Chapter 11
KR’s Jack Panel (Rear)
Input R/L
(Line In, Aux In)
1. Turn the volume all the way down on the KR and on
the device you’re about to connect.
192
Output R/L
(Line Out, Aux Out)
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Chapter 11 Connecting External Devices
1. Turn the volume all the way down on the KR and on
the device you’re about to connect.
2. Turn off the power to the KR and other connected
Off
The Aux Input jacks cannot be used.
Stereo
Select this setting when connecting an
MD player or similar device.
A/V Sync
Select this setting when inputting MIDI
encoded signals.
The type of encoded signal is
determined automatically.
equipment.
3. Use audio cables (sold separately) to make the
Description
Indication
connection.
4. Turn on the connected equipment.
A/V Sync
Type A
5. Turn on the KR.
A/V Sync
Type B
Select this setting when inputting MIDI
encoded signals.
If the “A/V Sync” setting is not correct,
set this to Type A or Type B.
6. Adjust the volume level on the KR and the connected
This is set to “Off” at the factory.
device.
* You cannot use the KR to adjust the volume of the connected
sound generating device.
Turning off the power
1. Set the volume of the KR and of the connected devices
to the minimum position.
2. Turn off the power to the KR.
3. Turn off the connected equipment.
Making the Aux Input Jack Settings
Use this procedure to set the Aux Input jack assignments
when using these jacks.
1. Press the [Menu] button.
><
* If both the A/V Sync output and AUX input are connected
simultaneously, please set “Mode” of the Aux input to “Off.”
If this is set to anything other than “Off,” make sure to
disconnect any cables connected to Aux Out or Balanced Out.
If such connections are left intact, you may likely encounter a
loud, continuous beep tone.
4. Touch the <Sync> or the <Level>
to change
the setting.
The “Composer Menu” or the “A/V Sync” screen
appears.
2. Touch <
→ When “A/V Sync” is selected, the KR automatically
distinguishes the type of the encoded signal, then starts
playing. In some cases, however, it doesn't play correctly.
In such cases, press <Reset>. If playback still doesn’t occur
correctly, set “Mode” to either “A/V Sync Type A” or “A/V
Sync Type B.”
> to switch the page, then touch
Indication
Setting
Sync
0–100
Adjust this value if the
keyboard performance is not
synchronized properly with
other audio data with the type
set to “A/V sync.”
Level
0–128
This adjusts the level for the
device connected to the Aux
Input jacks.
<AUX Input>.
The following screen will appear.
fig.09-04.eps
Description
→ If the level is set to “0,” only keyboard performance sound
from the device connected to the Aux Input jacks will be heard.
5. Press the [Exit] button.
Chapter11
3. Touch the <Mode>
to change the type of
the AUX Input.
193
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Chapter 11 Connecting External Devices
Connecting External Speakers
You can connect external speakers and have what is played
on the keyboard be output through the KR’s speakers while
the accompaniment is played through the connected external
speakers.
■ Changing the Aux Output
Jacks Settings
1. Press the [Surround/Reverb] button.
2. Touch the <Surround>.
■ Setup Examples With Surround
Set to “Surround” or
“Ensemble”
The piano sound is played through the KR’s speaker, and the
surround sound is played through the external speaker.
Spacious Location
Piano Sound
Speaker
Speaker
L
R
fig.09-04.eps
Sur
Souround
nd
nd
rou
Sur ound
S
Mixer
3. Touch the Type icon to select the type.
Description
Indication
Ensemble
Select this when playing the keyboard
performance through the KR’s internal
speaker and the accompaniment sound
through an amp or speaker connected to
the Aux Output jacks.
Surround
The sounds played with the keyboard
and the accompaniment sounds are
played through the KR’s speakers, and
the accompaniment sound with reverb
applied is played through the speakers
connected to the Aux Output jacks.
Playing the accompaniment sound with
reverb from external speakers the effect
of being enveloped by the performance
(Surround effect).
When any icon is not chosen, No sound is heard through an
amp or speaker connected to the Aux Output jacks.
4. Press the [Exit] button.
Sur
Souround
nd
L
Chapter 11
R
Speaker
Speaker
Location Limited in Space
Piano Sound
Sur
Souround
nd
L
Speaker
194
nd
rou
Sur ound
S
nd
rou d
r
u
S oun
S
R
Speaker
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Chapter 11 Connecting External Devices
■ Connect to the USB Connector
Connecting a Computer
■ Connect to the MIDI Connectors
You can use a USB MIDI interface cable (sold separately) to
connect the KR to your computer.
If the KR is connected to a computer in which sequencer
software such as Roland’s “Visual MT” is installed, a song
you’ve recorded on the KR can be saved on your computer.
Connection Examples
921
* To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
* In order to make connections to your computer, you must
install “MIDI driver” software on your computer. For details,
refer to the owner’s manual for your MIDI interface.
Use a USB MIDI interface cable to connect the USB
connector of your computer to the MIDI connectors of
the KR.
You can connect you computer with a USB cable to the USB
connector, located on the left underside of the KR, and
exchange MIDI data between the instrument and the
computer. You can use the KR to play SMF data created with
the computer and exchange performance data in the same
manner as with MIDI devices connected to the MIDI
connectors.
Connecting your computer to the KR for the first time requires
installation of the “USB Driver” (on the included CD-ROM) to the
computer.
The correct driver and the installation procedure will depend on
your system and on the other programs you are using. Be sure to
read the Readme file on the CD-ROM before installation.
Windows XP/2000
→ \W2kXP\Readme_E.htm
Windows Me/98/98SE
→ \W98Me\Readme_E.htm
Mac OS X
→ \Driver (Mac OS X)\Readme_e.htm
fig.comp.e
KR’s Jack Panel (Front)
Expression
Pedal
*
Only MIDI data can be transmitted using USB.
*
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
MIDI OUT
USB Connector
of your Computer
before making any connections.
MIDI IN
*
USB cables are not included. Consult your Roland dealer if you need
to purchase.
*
USB MIDI Interface
Turn on the power to the KR before starting up MIDI applications on
the computer. Do not turn the KR on or off while any MIDI
Computer
application is running.
*
If not using USB, disconnect the USB cable from the KR.
*
If during the transmission/reception of data, the computer switches to
energy-saving mode or suspended mode, or if the KR’s power is
switched on or off, the computer may freeze, or the KR’s operation may
become unstable.
*
Do not connect or disconnect the USB cable or turn off the power
during the transmission/reception of data.
195
Chapter11
For more on system requirements, refer to the “USB
Installation Guide.” However, note that the KR is not
compatible with Mac OS 9.
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Chapter 11 Connecting External Devices
Connection examples
fig.comp.e
KR’s Jack Panel (Front)
Expression
Pedal
USB connector
USB Connector
of your Computer
Computer
1. Turn off the power to the KR and the computer.
2. Start up the computer.
3. Connect the KR and the computer with a USB cable.
4. Turn on the power to the KR.
→ Refer to the owner’s manual that came with your computer
■ Making the Settings for the
USB Driver
This sets the USB driver used when you have a computer
connected to the USB connector.
In the factory settings, “Original” is selected. Normally, there
is no need to change the USB driver settings.
1. Open the Basic screen or press the One Touch [Piano]
button.
2. Touch the [Option] button.
3. Touch <USB Driver>.
4. Touch
Chapter 11
Indication
to select the driver type.
Description
Generic
Select this when using a generic USB
driver included with the OS with a USB
connection.
Original
Select this when using the supplied
driver with a USB connection.
Under ordinary circumstances, use this
mode.
Original 2
This is an auxiliary mode.
It is not normally used.
5. After changing the settings, turn the power off, then on
again.
196
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Appendices
Troubleshooting
If you think there’s a problem, read this first.
Case
Cause/Remedy
The power doesn’t
Is the power cord connected and plugged
in correctly? (p. 21)
come on
The button doesn’t
work
Nothing appears
on screen
Vertical lines
appear in the
screen/Color is
“washed out” at the
edges of the
screen
The touch screen
doesn’t respond
correctly
Case
Screen on connected display or television
doesn’t look right
Is the external display properly connected (p.
185)?
Is the panel locked? (p. 181)
Turn the power off, then back on.
Is the external display’s power turned on?
The KR uses a liquid-crystal screen, so text
may not be displayed when the ambient
temperature is below freezing.
These occur due to the nature of a liquid
crystal display, and do not indicate a
malfunction. They can be minimized by
adjusting the brightness of the screen
(p. 25).
Are you using a display that is compatible
with the KR?
Refer to “Displays That Can Be Connected
to This Instrument” (p. 185).
Images not shown
on external display
when external
display is
connected
The positioning of the touch screen may
become displaced if some time has passed
since it was last used. Take a look at
“Calibrating the Touch Screen (Touch
Screen)” (p. 175) to correct the positioning.
Is the pedal connected correctly?
Make sure the pedal cord extending from
the stand is securely connected to the pedal
connector on the rear of the unit (p. 21).
Depressing a
pedal has no
effect, or the pedal
effect doesn’t stop
The volume level
of the instrument
connected to Input
jacks is too low
Unable to read
from/write to
external memory
Low hum coming
from external
device
Remote Control
not functioning
Thin horizontal
Has a different function been assigned to
the pedal?
See “Assigning Functions to Pedals and
Performance Pads (Pedal Setting/User
Functions)” (p. 167).
lines visible in the
Normal pedal operation is automatically
enabled when the One Touch Program
[Piano] button is pressed (p. 22).
Poor-quality of
Could you be using a connection cable that
contains a resistor?
Use a connection cable that does not
contain a resistor.
Cause/Remedy
television screen
images displayed
in television
Do you have a television and external
display connected at the same time?
Connect only one of these.
Are the KR’s settings correct?
Follow the instructions in “Selecting
Images To Be Shown on the KR and
External Displays (User Image Display)”
(p. 170) to set the “External Display” image.
Also refer to “Changing the Settings for
Showing Images with the External Display
and the Television (External Display)” (p.
186).
While narrow horizontal lines may be
visible in the television screen, this is a
particular characteristic of the television set
and does not indicate any problem with the
KR.
Even when all recommended settings are
used, images may still not be displayed
well with the television set you are using
(images may not match the screen size, and
may be clustered towards the center of the
screen).
No sound is heard
926b
Is the volume level of the KR (p. 22) or
connected device turned all the way down?
Are you using (optional) Roland memory?
Reliable performance cannot be guaranteed
if you use non-Roland memory products.
Do you have different external devices
plugged into different power outlets?
When connecting external devices, always
draw power from the same outlet.
No data from the remote control is received
when the Remote Sensor is switched off.
Check (p. 172).
Are headphones plugged in? (p. 23)
Has a plug remained connected to the
Phones jack?
When headphones or plugs are connected,
the keyboard’s speaker stops playing.
No sound is heard
Has the Balance knob been moved all the
way to the right or left?
Has the volume been set to “0” using the
Part Balance? (p. 73)
Has the footage been adjusted so that all
frequency components aren’t sounded?
(p. 15 in the Quick Start)
197
Appendices
Are all sliders in the Equalizer screen at the
minimum level? (p. 44)
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Troubleshooting
Case
Cause/Remedy
Case
Is the speaker cable connected and plugged
in correctly?
No sound is heard
Is V-LINK switched on? (p. 187)
When V-LINK is switched on, the twelve
keys at the left end of the keyboard are used
to control images, and no sounds are
played with these keys.
A loud, continuous
beep tone
suddenly begins
sounding
Have all devices been switched on?
No sound is heard
(when a MIDI
instrument is
connected)
No sound is heard
when the keyboard
is played
Not all played
notes are sounded
Are the MIDI cables connected correctly?
(p. 188)
Does the MIDI channel match the
connected instrument? (p. 190)
Has Local Control been set to “Off”?
When Local Control is set to Off, no sound
is produced by playing the keyboard.
Set Local Control to On (p. 190).
The maximum number of notes can play
simultaneously is 128. Frequent use of the
damper pedal during automatic
accompaniment or when playing along
with a song on external memory may result
in performance data with too many notes,
causing some notes to drop out.
The sound is strange
Sounds are heard
twice (doubled)
when the keyboard
is played
The tuning or pitch
of the keyboard or
song is off
Effects cannot be
Appendices
applied to Tones
A note doesn’t stop
playing
198
Is the KR in layer play? (p. 31)
The Tone has
changed
Reverberation still
audible even with
Sound from the
Have you set transpose? (p. 102)
Output jacks is not
Are the settings for the “Temperament”
and “Stretch Tuning” correct? (p. 166)
right
Is the setting for the “Master Tune” correct?
(p. 170)
If different effects have been selected for
the upper, lower, Layer, and other Tones,
and the effects for the Parts don’t match,
only one of the effects is applied.
It’s not possible to apply more than one
effect at the same time, so when a
performance has been recorded on multiple
tracks or when playing along with a song as
it’s played back, the desired effect may not
be applied.
Have the Chord Tone and Bass Tone been
changed? (p. 162)
Some Chord Tone and Bass Tone notes may
be sounded continuously.
Have you simultaneously connected
devices for both the output for A/V Sync
and AUX input?
If you use the instrument when two
simultaneous connections have been made,
a loud, continuous beep tone may suddenly
begin sounding.
You need to set “Mode” of the Aux input to
“Off.”
Please disconnect whatever you have
connected to Aux Out or Balanced Out
when set to anything other than “Off.”
During automatic accompaniment,
changing the Music Style automatically
changes the Tones and tempo of the upper
part of the keyboard to match the new
Music Style. If you want to change only the
Music Style without also altering the tempo
and Tone, check out “Changing Music
Styles Without Changing the Tone or
Tempo (One Touch Setting)” (p. 162).
When a performance made along with a
Music Files tune has been recorded,
recording the performance to button [1/
Whole] may make the Tones for buttons [3/
Lower] and [4/Upper] change as well.
Reverb turned off
When the KR is connected to an external
sequencer, set it to the Local OFF mode
(p. 190). Alternatively, the sequencer could
be set so its Soft Thru feature is OFF.
Cause/Remedy
In the upper range,
the sound changes
abruptly beyond a
certain key
Since the KR’s piano sounds faithfully
reproduce the sense of spaciousness and
reverberation of an actual acoustic piano’s
sound, a certain amount of reverberation is
still perceptible, even with the reverb effect
deactivated.
Have you made the correct Advanced 3D
settings for use with headphones?
Changing the Advanced 3D “Mode” to
“Headphones” or “Auto” and connecting a
pair of headphones configures the settings
for use with headphones.
On an acoustic piano, notes in the upper
one and a half octaves of the keyboard
continue to sound until they decay
naturally, regardless of the damper pedal.
There is a difference in the timbre as well.
Roland pianos faithfully simulate such
characteristics of the acoustic piano. The
range that is unaffected by the damper
pedal will change depending on the Key
Transpose setting.
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Troubleshooting
Case
A High-pitched
whine is produced
The bass range
sounds odd, or
there is a vibrating
resonance
Cause/Remedy
When listening through headphones:
Some of the more flamboyant and
effervescent piano tones feature an ample
high-end component, which may make the
sound appear to have metallic reverberation
added. Since this reverberation becomes
particularly audible when supplemented by
heavy reverb, you may be able to diminish
the problem by reducing the amount of
reverb applied to the sound.
When listening through speakers:
Here, a different cause (such as resonance
produced by the KR) would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
When listening through speakers:
Playing at loud volumes may cause
instruments near the KR to resonate.
Resonation can also occur with fluorescent
light tubes, glass doors, and other objects.
In particular, this problem occurs more
easily when the bass component is
increased, and when the sound is played at
higher volumes. Use the following
measures to suppress such resonance.
• Place speakers so they are 10–15 cm from
walls and other surfaces.
• Reduce the volume.
• Move the speakers away from any
resonating objects.
When listening through headphones:
Here, a different cause (such as resonance
produced by the KR) would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
The automatic accompaniment doesn’t play
correctly
Can’t select a tone
or Music Style
Press the [Exit] button several times to
return to the Basic screen (p. 25), and then
select a tone or Music Style.
Case
Cause/Remedy
Chord Intelligence
Has Chord Intelligence been set to manual?
(p. 162)
can’t be used
Accompaniment
tempo becomes
unstable
Automatic
accompaniment is
not heard
In certain cases, such as when playing
Music Styles on external memories, the
accompaniment may lag when excessive
amounts of performance data are used.
Song doesn’t play back correctly
Song doesn’t play
back
Only the sound of a
particular
instrument in a
song does not play
Pressing the [
(Reset)] button
doesn’t return to
the beginning of
the song
Does the screen indicate message, like “OK
to delete song?” (p. 104)
The internal songs cannot be played back
while recorded performance data remains
in the KR’s memory. Try playing back the
song after deleting the performance data.
Is the light for the Track button
extinguished? (p. 97)
If the button light is out, the music on that
track is not heard. Press the track button so
the light is illuminated.
Have song settings been changed for each
Part on the 16-Track sequencer screen (p.
137)?
Some music files may contain settings that
stop play at a point partway through the
song. Press the [
(Reset)] button several
times more to return to the beginning of the
tune.
Has a Marker placed in the song? (p. 98)
The fast-forward and reverse buttons are
ignored while music files is being read in.
Wait until processing finishes.
The [
(Fwd)]
and [
(Bwd)]
buttons don’t work
Has the Balance knob been moved all the
way to the right? (p. 73)
Have you pressed the One Touch Program
[Arranger] button?
If the One Touch Program [Arranger]
button has not been pressed, only the
rhythm pattern is played (p. 64).
Is the setting for “Piano Style Arranger”
active? (p. 72)
There is a slight
delay before
playback of a song
on external
memory starts
If you attempt to play back performance
data that contains more data than the entire
capacity of the KR’s memory, you may find
that operations other than playback (such
as rewind or fast forward) become
unavailable.
There are two types of SMF music files:
format 0 and format 1. If the song uses SMF
format 1 data, there will be a slight delay
until playback starts. Refer to the booklet
that came with the music files you’re using
to determine the format type.
Is the 16-track Sequencer screen displayed?
(p. 136)
Appendices
199
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Troubleshooting
Case
KR operation is
sluggish when
external memory is
connected
Cause/Remedy
Case
Is <Mode> in the “External Display
Setting” set to “Slide Show?”(p. 186)
If the connected external memory contains
data to be used in a slide show, the slide
show will begin automatically.
Set <Mode> in the “External Display
Setting” to a value other than “Slide Show.”
Can’t record
Has one of the track buttons for recording
been selected? (p. 110)
Has the setting for “Punch-in Recording”
(p. 142) or “Tempo Recording” (p. 151)
been made?
Select the replace recording method (p.
140).
With some music files, the lyrics cannot be
displayed correctly.
Lyrics are not
indicated properly
If you press a button while the lyrics are
being shown in the display, the lyrics will
disappear. To recall them, touch
<
Can’t record
> in the Piano or Basic screen, or
in the display
press the [
(Play/Stop)] button.
In the notation screen, some lyrics or notes
could extend beyond the edges of the
screen, and not be displayed.
If you select a part that does not contain
performance data, notes will not be
displayed in the notation. Change the part
that is displayed (p. 89).
Notation is not
indicated properly
in the display
The notation screen feature is particularly
unsuitable for the display of difficult,
complex musical works that demand
accurate notation. Refer to “Notes
Regarding the Notation Display” (p. 87).
Movement of
notation or
keyboard display
not smooth
Song becomes
unstable
Unable to play
back internal
songs
Appendices
Unable to play
back audio files
In certain cases, such as when playing
songs on external memories, the song may
lag when excessive amounts of
performance data are used.
Tempo of recorded
song or
metronome is off
The KR can play back audio files in the
following format.
• “.WAV” extension
• 16bit linear
• Sampling rate of “44.1 kHz”
• Stereo
200
The recorded
performance has
disappeared
A screen asking if I
want to “OK to
delete Song?”
suddenly appears.
Have you pressed the remote control’s
[MUTE] button, muting the sound?
It is not possible to record while the
notation is being generated. Once the unit
has finished generating the notation (i.e.,
when the measure number in the screen is
no longer highlighted), try the operation
once again.
You cannot overdub with audio files and
audio CDs.
In the notation screen, some lyrics or notes
could extend beyond the edges of the
screen, and not be displayed.
There may be times when a complex variety
of information is being displayed or when a
large amount of data is displayed at one
time. Change the notation display settings as
described below (p. 89).
- Set “Bouncing Ball” to “Off”
- Set “Color Notation” to “Off”
- Set “Keyboard” to “Off”
- Set “External Display (p. 187)” to “Panel”
Cause/Remedy
If you select an internal song in which the
tempo changes during the song, and then
record, the tempo will change in the same
way for the performances that are recorded
on the other tracks. The tempo of the
metronome will also change in the same
way.
If you record additional material without
erasing the previously recorded song, the
song will be recorded at the first-recorded
tempo. Please erase the previously
recorded song before you re-record (p. 111).
Any performance that has been recorded is
deleted when the power to the KR is turned
off or a song is selected. A performance
cannot be restored once it’s been deleted.
Be sure to save it on an external memory or
User Memory before you turn off the
power (p. 116).
Is the <Auto Start> set to “On?”(p. 180)
If no action is taken for a certain period of
time while Auto Start is set to ON, the
demo starts playing automatically.
If there is any performance you have
recorded at that time, a confirmation screen
asking you if you want to delete the song
appears in the display.
If you want to return to the previous screen
and continue with the recorded
performance, touch <Cancel>.
If you touch <OK>, the song is deleted and
the demo song begins.
KR117_115_r_e.book 201 ページ 2006年7月5日 水曜日 午前11時3分
Error Messages
Meaning
Indication
Error 01:
You can only read the music file. It can not be saved.
Error 02:
An error occurred during writing. The storage media’s protect tab may be in the “Protect” (writing
prohibited) position, or the storage media may not yet be initialized.
Error 10:
No storage media is inserted.
Insert the storage media and try again.
Error 11:
There is not sufficient free memory in the save destination.
Either insert other storage media or delete unneeded files and try again.
Error 14:
An error occurred during writing. The storage media may be corrupted.
Insert other storage media and try again. Alternatively, you can initialize the storage media.
Error 15:
The file is unreadable.
The data format is not compatible with the KR.
Error 16:
Data was not called up in time for playback of the song.
After waiting several seconds, you may be able to play back the song by pressing the [
Error 17:
The selected image data cannot be displayed.
Prepare image data that can be used with the KR (p. 171).
Error 30:
The internal memory capacity of the KR is full.
Error 40:
The KR cannot deal with the excessive MIDI data sent from the external MIDI device.
Reduce the amount of MIDI data sent to the KR.
Error 41:
A MIDI cable has been disconnected.
Connect it properly and securely.
Error 43:
A MIDI transmission error has occurred.
Check the MIDI cable and connected MIDI device.
Error 51:
There may be a problem with the system.
Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the
Roland service center.
] button again.
Error 60:
Error 61:
Error 62:
Moving Key Error.
Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the
Roland service center.
Error 63:
Error 65:
The Ext Memory port was subjected to excessive current.
Check the storage media to confirm that no damage has occurred to it.
Appendices
201
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Tone List
Appendices
[Piano]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
Superior Grd
NaturalGrand
Vintage EP
Natural Hps.
Vibraphone
MagicalPiano
EP Belle
Mallet Isle
FM E.Piano 2
’60sE.Piano1
Music Bell 3
Superior+Str
Superior+Pad
Superior+Cho
Ariel Piano
Phase Clav.2
FM E.Piano
Morning Lite
Jazzy Vib+Gt
Honky-tonk
Rock Piano
Stage EP
Stage Phazer
Vibrations
Celesta
Marimba
Xylophone
NaturalC.Hps
Clav.
Music Box
Glockenspiel
SuperiorGrd2
Natural Gnd2
NaturalMello
Piano Str2
Grand Piano1
Grand Piano2
MellowPiano1
PianoStrings
Bright Piano
DetunedPiano
Honky-tonk 2
MellowPiano2
Piano Oohs
PianoKidsCho
Air Grand
Ballad Piano
UprightPiano
Mono Piano
FM+SA EP
MIDI Piano1
EG+E.Piano 1
EG+E.Piano 2
Bell Piano
E. Grand
Mild E.Grand
Soft E.Piano
Phase EP
E.Piano 1
Pop E.Piano
Tremolo EP
’60sE.Piano2
E.Piano 2
EP Phase
St.FM EP
202
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
EP Legend
Harpsichord
Coupled Hps.
Harpsichord2
Comp Clav.
Reso Clav.
Phase Clav.
Pulse Clav
Celesta 2
Soft Marimba
Vibe Tr.
Marimba Tr.
Kalimba
Music Box 2
Music Bell
Music Bell 2
Tubular-bell
Church Bell
Ballad Bells
Bell Monitor
Timeline
Vibra Bells
[Organ]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
ChurchOrgan1
Gospel Spin
Rock Organ2
German Acco.
Blues Harp
Full Stops
Perc. Organ2
Surf’s Up!
R&B Organ
Rocker Spin
Combo Jz.Org
Ballad Organ
L-Organ
Jazz Organ1
Masked Opera
Grand Pipe
Theater Org.
La Seine
ParisRomance
Mellow Bars
Organ 1
Organ 2
Lower Organ1
Trem. Organ
’70s E.Organ
’60s Organ
Jazz Organ2
Jazz Organ3
Jazz Organ4
Chorus Organ
Perc. Organ
Rock Organ1
Rotary Organ
Rotary Org.S
Rotary Org.F
ChurchOrgan2
Pipe Organ
Trem.Flute
Organ Flute
Nason flt 8’
Organ Bass
Pipe Org. Bs
43
44
45
46
47
48
49
50
51
52
53
Digi Church
VS Organ
Metalic Org.
CheeseOrgan
Accordion Fr
AccordionFr2
Accordion It
Bright Acco.
Soft Acco.
Bandoneon
Harmonica
[Guitar / Bass]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
EX Nylon Gtr
ClearSteelGt
Jazz Guitar2
Fl.Gtr Roll
Mandolin
JC Chorus Gt
TC Clean ff
Overdrive Gt
DistortionGt
Amore Story
EX A.Guitar2
EX Steel Gt2
Uncle Martin
Flamenco Gtr
Jazz Guitar
Wild Ac.Bs
Wood Bass
W.Bass+Ride
Fingered Bs.
Picked Bass
Fretless Bs.
Nylon Guitar
Requint Gtr
EX Ac.Guitar
EX Steel Gt.
Steel-str.Gt
12-str.Gt
Steel + Body
Nylon+Steel
EX A.Guitar3
Steel Vox
Ukulele
Hawaiian Gt
Clean Gt.
JC Clean Gt.
Mid Tone GTR
TC Rear Pick
Acid Guitar
Open Hard
Feedback Gt.
Power Guitar
Guitar Pinch
Mystic Gtr
Funk Gt.
Funk Gt.2
Muted Gt.
Muted Dis.Gt
Rock Rhythm
Dist Rtm GTR
Wah Brush Gt
A.Bass+Cymbl
Acoustic Bs.
Rockabilly
54
55
56
57
58
59
60
61
62
63
64
Finger Slap
Mr.Smooth
Slap Bass 1
Slap Bass 2
Synth Bass 1
Jungle Bass
Hammer
SynthBass101
ResoSH Bass
Acid Bass
Clavi Bass
65
66
67
68
69
70
71
72
73
74
Synth Bass 2
Beef FM Bass
Attack Pulse
Rubber Bass
Sitar
Sitar 2
Banjo
Shamisen
Koto
Taisho Koto
[Strings]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
Full Strings
Rich Strings
Studio Sect.
Dolce Qrt
Lunar Strngs
R&B SoftPad
Wind & Str
Aerial Harp
Violin
Cello
Octave Pizz.
Silky Way
Strings Pad
2-way Sect.
DolceStrings
Velo Strings
Harp Strings
Mellow Str
EX Orchestra
Slow Violin
PizzicatoStr
Strings
Oct Strings
Strings 2
DecayStrings
Bright Str
Slow Strings
SlowStrings2
Legato Str
Warm Strings
Sahara Str
Decay Str2
Decay Str3
Tremolo Str
Orchestra
Orchestra 2
Farewell
Choir Str
Bell Strings
Pearly Harp
Harp
St. Harp
Viola
KR117_115_r_e.book 203 ページ 2006年7月5日 水曜日 午前11時3分
Tone List
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
Contrabass
Santur
Yang Qin
Yang Qin 2
Er Hu
Soft Pad
Soft Pad 2
Syn.Strings1
Syn.Strings2
Syn.Slow Str
OB Strings
JP Saw Str
Timpani
Warm JP Str
OrchestraHit
Good Old Hit
Euro Hit
6th Hit
Bass Hit
Philly Hit
Philly Hit 2
Mix Hit 1
Mix Hit 2
[Sax/Brass]
BlowAltoVib
Mariachi Tp.
Romantic Tp.
PowerBrass 2
Flute
ChamberWinds
Wood Symphny
Sax Section
Rom&Mar Tp.
Mar Tp&Shake
Flute+Clari.
Multi-Winds
Brass Sect 2
EX Tp&Shake
Super Tenor
AltoSax Soft
Soprano Sax
Clarinet
Oboe
EX Trumpet
Flugel Horn
Pan Flute
Qu Di
SuperF.Horns
Angel Pipes
Trumpet
Tp Shake
Bright Tp.
Warm Tp.
Dark Trumpet
Romantic Tp2
Trombone
Trombone 2
Twin bones
Bones Sect.
Bright Tb.
Tuba
MutedTrumpet
MuteTrumpet2
MuteTrumpet3
French Horns
French Horn2
OrchestraBrs
Brass 1
Brass 2
BrassSection
PowerBrass
Pop Orch
Contemp’Orch
Brass sfz
Brass Fall
Trumpet Fall
EX Alto Sax
AltoSax + Tp
Alto Sax
Grow Sax
BreathyTenor
Tenor Sax
Tenor Sax 2
Tenor Sax f
Tenor Sax B
Baritone Sax
English Horn
Bassoon
Piccolo
Flute 2
Recorder
Bottle Blow
Shakuhachi
Whistle
Ocarina
Bagpipe
Lochscape
Andes Mood
HimalayaPipe
Wide SynBrss
DeepSynBrass
Jump Brass
Saw Brass1
Saw Brass2
Synth Brass1
Synth Brass2
DetuneSawBrs
Pro Brass
SynBrass sfz
[Voice]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
Aerial Choir
Jazz Scat
Gregorian
Dreaming Box
Glass Pad
Rich Choir
Gospel Oohs
Female Aahs
F.Chorus Luh
Jazz Doos
Kid’s Choir
Angels Choir
Boys Choir
Opera Voice
Mellow Choir
Holy Voices
Morning Star
Mystic Str
Trancy X
20
21
22
23
24
25
26
27
28
29
30
HPF Slicer
Side Band X
Glasswaves
Church Choir
Voice Oohs
Voice Oohs 2
Choir Hahs
Decay Choir
DcyGregorian
Doos Voice
Doot Accent
87
88
89
90
91
92
93
94
95
96
97
Fat & Perky
Delayed Lead
Fantasia
Fantasia 2
New Age Pad
New Age Pad2
Sugar Key
FreezinNight
New Year Day
Warm Pad
Sine Pad
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
Dat Accent
Bap Accent
Thum Voice
Humming
SynVox
Analog Voice
InfinitePhsr
X Super Saws
Fat Stacks
Frgile Saws
SuperSawSlow
Electrostars
Bending Logo
2600 Sine
Square Wave
Mg Square
JP8 Square
LM Square
Syn.Square
CC Solo
Sleeper
Dual Sqr&Saw
Jupiter Lead
Sinetific
FM Lead 1
FM Lead 2
Saw Wave
Saw
Doctor Solo
Mg Lead
P5 Saw Lead
JP SuperSaw
Rhythmic Saw
Natural Lead
SequencedSaw
Waspy Synth
Velo SawLead
Attack Lead
DelyResoSaws
Wezcoast
Syn.Calliope
JP8 Pulse
LM PureLead
Orgaenia
Chiffer Lead
Cheese Saw
JP OctAttack
Charang
Reso Saw
Wire Lead
2600 SubOsc
Solo Vox
RAVE Vox
5th Saw Wave
Freeze Synth
Bass & Lead
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
Nu Epic Pad
Hollow Pad
Decay Pad
Decay Pad2
DecayDoosPad
Polysynth
P5 Poly
Poly King
Octave Stack
Hoovercraft
DOC Stack
Bustranza
Space Voice
Heaven II
Warm SquPad
Voyager
Film Cue
HumanKindnes
Bowed Glass
Metal Pad
Orbiting
Visionary
Halo Pad
JP8 Sqr Pad
Vox Sweep
Consolament
JP-8 Phase
Sweep Pad
Sweep Pad 2
Ice Rain
Clavi Pad
Toy Box
Soundtrack
Crystal
Syn Mallet
ChristmasBel
Clear Bells
Himalaya Ice
Glittery Pad
Atmosphere
Harpvox
Nylon Harp
Nylon + EP
HollowReleas
Tubulence
Landing Pad
Shangri-La
Motion Pad
Brightness
Org Bells
Goblin
Saturn Siren
RandomEnding
Echo Drops
Echo Bell
Echo Pan
Appendices
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
203
KR117_115_r_e.book 204 ページ 2006年7月5日 水曜日 午前11時3分
Appendices
Tone List
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
Echo Pan 2
Big Panner
Ai-yai-a
Saturn Rings
Star Theme
Rising Osc
Galaxy Way
12th Planet
PolySweep Nz
En-co-re
Piano 1
Piano 1w
Piano 1d
Piano 2
Piano 2w
Piano 3
Piano 3w
Honky-tonk
Honky-tonk 2
E.Piano 1
E.Piano 2
’60s E.Piano
E.Piano 1v
E.Piano 2v
Detuned EP 1
Detuned EP 2
Harpsichord
Coupled Hps.
Harpsi.w
Harpsi.o
Clav.
Celesta
Glockenspiel
Music Box
Vibraphone
Vibe.w
Marimba
Marimba w
Xylophone
Tubular-bell
Church Bell
Carillon
Santur
Organ 1
Organ 2
Pop Organ 1
Detuned Or.1
Detuned Or.2
Church Org.1
Church Org.2
Church Org.3
Full Organ
Jazz Organ1
Rock Organ
Reed Organ
Accordion Fr
Accordion It
Harmonica
Bandoneon
Nylon-str.Gt
Nylon Gt.2
Nylon Gt.o
Ukulele
Steel-str.Gt
12-str.Gt
Mandolin
Jazz Guitar
204
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
Hawaiian Gt
Clean Gt.
Chorus Gt.
Muted Gt.
Funk Gt.
Funk Gt.2
Overdrive Gt
DistortionGt
Feedback Gt.
Gt.Harmonics
Gt. Feedback
Acoustic Bs.
Fingered Bs.
Picked Bs.
Fretless Bs.
Slap Bass 1
Slap Bass 2
SynthBass101
Synth Bass 1
Synth Bass 2
Synth Bass 3
Synth Bass 4
Rubber Bass
Violin
Slow Violin
Viola
Cello
Contrabass
Tremolo Str
PizzicatoStr
Harp
Timpani
Strings
Orchestra
Slow Strings
Syn.Strings1
Syn.Strings2
Syn.Strings3
Choir Aahs
Choir
Pop Voice
SynVox
OrchestraHit
Trumpet
Trombone
Trombone 2
Tuba
MutedTrumpet
French Horns
French Horn2
Brass 1
Brass 2
Synth Brass1
Synth Brass2
Synth Brass3
Synth Brass4
AnalogBrass1
AnalogBrass2
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Piccolo
288
289
290
291
292
293
294
295
296
297
298
Flute
Recorder
Pan Flute
Bottle Blow
Shakuhachi
Whistle
Ocarina
Square Wave
Square
Sine Wave
Saw Wave
355
356
357
358
359
360
361
362
363
364
365
Rain
Thunder
Wind
Stream
Bubble
Bird
Dog
Horse-Gallop
Bird 2
Telephone 1
Telephone 2
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
Saw
Doctor Solo
Syn.Calliope
Chiffer Lead
Charang
Solo Vox
5th Saw Wave
Bass & Lead
Fantasia
Warm Pad
Polysynth
Space Voice
Bowed Glass
Metal Pad
Halo Pad
Sweep Pad
Ice Rain
Soundtrack
Crystal
Syn Mallet
Atmosphere
Brightness
Goblin
Echo Drops
Echo Bell
Echo Pan
Star Theme
Sitar
Sitar 2
Banjo
Shamisen
Koto
Taisho Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Steel Drums
Woodblock
Castanets
Taiko
Concert BD
Melo. Tom 1
Melo. Tom 2
Synth Drum
808 Tom
Elec Perc.
Reverse Cym.
Gt.FretNoise
Gt.Cut Noise
String Slap
Breath Noise
Fl.Key Click
Seashore
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
DoorCreaking
Door
Scratch
Windchime
Helicopter
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Starship
Burst Noise
Applause
Laughing
Screaming
Punch
Heart Beat
Footsteps
Gun Shot
Machine Gun
Lasergun
Explosion
KR117_115_r_e.book 205 ページ 2006年7月5日 水曜日 午前11時3分
Drum Set List
*
-----: No sound.
*
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
99
100
101
102
104
105
106
107
C8 108
ROCK
JAZZBRUSH
HIP HOP
VOX DRUM
R&B Snare
Rock Snare m 1
Rock Snare m 2
Pop Snare m 1
Pop Snare Ghost
Pop Snare m 1
Finger Snap
TR-707 Claps
Hand Clap
[EXC7]
Hand Clap 2
[EXC7]
Hand Clap
Pop Pedal HH
[EXC1]
Gospel Hand Clap
Snare Roll
Pop Kick 2
Pop Kick 1
Pop Side Stick
Pop Snare s 1
Pop Snare Ghost
Pop Snare s 2
Pop Low Tom f
Pop CHH 1
[EXC1]
Pop Low Tom
Pop CHH 2
[EXC1]
Pop Mid Tom f
Pop OHH
[EXC1]
Pop Mid Tom
Pop High Tom f
Pop Crash Cymbal 1
Pop High Tom
Pop Ride Cymbal 1
Pop Chinees Cymbal
Pop Ride Bell
Tambourine 2
Splash Cymbal
Cha Cha CowBell
Pop Crash Cymbal 2
Vibra-slap
Pop Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Cana
Hi-Timbale Flam
Lo-Timbale Flam
Timbale Phrase
Shekere 1
Shekere 2
Low Bongo Mute
High Bongo Mute
------------Flamenco Hand Clap
Flamenco Hand Clap
Bongo CowBell
---Bongo CowBell
-------------
R&B Snare
Pop Snare m 2
Pop Snare m 1
Pop Snare m 1
Pop Snare Ghost
Pop Snare m 2
Finger Snap 2
TR-707 Claps
Hand Clap
[EXC7]
Hand Clap 2
[EXC7]
Hand Clap
Pop Pedal HH
[EXC1]
Gospel Hand Clap
Snare Roll
Rock Kick 2
Rock Kick 1
Rock Side Stick
Rock Snare s 1
Pop Snare Ghost
Rock Snare s 2
Rock Low Tom f
Rock CHH 1
[EXC1]
Rock Low Tom
Rock CHH 2
[EXC1]
Rock Mid Tom f
Rock OHH
[EXC1]
Rock Mid Tom
Rock High Tom f
Rock Crash Cymbal
Rock High Tom
Rock Ride Cymbal 1
Pop Chinees Cymbal
Pop Ride Bell
Tambourine 2
Splash Cymbal
Cha Cha CowBell
Chinees Cymbal
Vibra-slap
Pop Ride Cymbal 3
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Cana
Hi-Timbale Flam
Lo-Timbale Flam
Timbale Phrase
Shekere 1
Shekere 2
Low Bongo Mute
High Bongo Mute
------------Flamenco Hand Clap
Flamenco Hand Clap
Bongo CowBell
---Bongo CowBell
-------------
R&B Snare
Pop Snare m 1
Pop Snare m 2
Pop Snare m 1
Pop Snare Ghost
Pop Snare m 1
Finger Snap 2
TR-707 Claps
Hand Clap
[EXC7]
Hand Clap 2
[EXC7]
Hand Clap
Pop Pedal HH
[EXC1]
Gospel Hand Clap
Snare Roll
Jazz Kick 2
Jazz Kick 1
Jazz Snare Swing 1
Jazz Snare 1
Jazz Snare Swing 2
Jazz Snare 2
Jazz Low Tom f
Pop CHH 1
[EXC1]
Jazz Low Tom
Pop CHH 2
[EXC1]
Jazz Mid Tom f
Pop OHH
[EXC1]
Jazz Mid Tom
Jazz High Tom f
Jazz Crash Cymbal 1
Jazz High Tom
Jazz Ride Cymbal 1
Jazz Chinees Cymbal
Jazz Ride Cymbal 2
Tambourine 2
Splash Cymbal
Cha Cha CowBell
Jazz Crash Cymbal 2
Vibra-slap
Jazz Ride Cymbal 3
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Cana
Hi-Timbale Flam
Lo-Timbale Flam
Timbale Phrase
Shekere 1
Shekere 2
Low Bongo Mute
High Bongo Mute
------------Flamenco Hand Clap
Flamenco Hand Clap
Bongo CowBell
---Bongo CowBell
-------------
Jungle BD 2
Metronome E.Click
Metronome Pi
Concert SD
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Jungle BD 2
HipHop BD1
TR-808 Rimshot
Power Snare 1A
TR-707 Clap
Power Snare 2A
Low Tom 2
Pop CHH 1
[EXC1]
Low Tom 1
Pedal Hi-hat 3
[EXC1]
Mid Tom 2
Pop OHH
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 3
High Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Shake Tambourine
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga 2
Low Conga 2
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
HipVibraslap
[EXC3]
TR-808 Claves
High Wood Block
Low Wood Block
High Hoo
[EXC4]
Low Hoo
[EXC4]
Mute Triangle2
[EXC5]
Open Triangle 2 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Applause 2
HipHop SD 2
LoFi SD Rim
TR-808 Clap
Room Snare 1
Standard 1 Snare 2A
Room Snare 2
Standard 1 Snare 1
Standard 1 Snare 2B
------------------Tape Rewind
Phono Noise
Room Snare 1
Room Snare 2A
Elec Snare 4A
Elec Snare 4B
R&B Snare
Rock Snare m 1
Rock Snare m 2
Pop Snare m 1
Pop Snare Ghost
Pop Snare m 1
Finger Snap
TR-707 Claps
Hand Clap
[EXC7]
Hand Clap 2
[EXC7]
Hand Clap
Pop Pedal HH
Gospel Hand Clap
Vox Dut
Vox Dom
Vox Tuush
Vox Hehho
Vox Doyear
Vox Thu!
Vox That
Vox Aahhh
Vox Tu
Vox Dooh
Vox Ptu
Vox Down
Vox Pa
Vox Bom
Vox Toear
Vox Aahhu
Vox Toya
Vox Thu
Vox Cheey
Vox Cymm
Vox Tub
Vox Pruru
Vox Tut
Vox Tyun
Vox Tdum
Vox Afahhhh
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Shaker 3
Shaker 4
Short Hi Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1 [EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Cana
Hi-Timbale Flam
Lo-Timbale Flam
Timbale Phrase
Shekere 1
Shekere 2
Low Bongo Mute
High Bongo Mute
------------Flamenco Hand Clap
Flamenco Hand Clap
Bongo CowBell
---Bongo CowBell
-------------
Appendices
103
POP
205
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Drum Set List
*
-----: No sound.
*
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
Appendices
98
99
100
101
206
STD CHINA
STANDARD 1
STANDARD 2
STANDARD 3
ROOM
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 1 Kick 1
Standard 1 Kick 2
Side Stick 1
Standard 1 Snare 1
TR-909 Clap
Standard 1 Snare 2
Low Tom 2
Close Hi-hat1
[EXC1]
Low Tom 1
Pedal Hi-hat 1
[EXC1]
Mid Tom 2
Open Hi-hat 1
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
---------Cana
Ban Gu 1
Taiko 1
Nao Bo
[EXC8]
Taiko 2
Xiao Bo 1
[EXC8]
Taiko 3
Open High HuYinLuo 2 [EXC8]
Taiko 4
Taiko 5
Open High HuYinLuo 1
Taiko 6
Shou Luo 1
Mute Low HuYinLuo 2
Shou Luo 2
Xiao Bo 2
Ban Gu 2
Xiao Bo 3
Open High HuYinLuo 3
Mute High HuYinLuo
Mute Low HuYinLuo 1
---------------------------------------Open Sagat
Close Sagat
Ban Gu 1
Ban Gu 3
----
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 1 Kick 1
Standard 1 Kick 2
Side Stick 1
Standard 1 Snare 1
TR-909 Clap
Standard 1 Snare 2
Low Tom 2
Close Hi-hat1
[EXC1]
Low Tom 1
Pedal Hi-hat 1
[EXC1]
Mid Tom 2
Open Hi-hat 1
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 2 Kick 2
Standard 2 Kick 1
Side Stick 2
Standard 2 Snare 1
TR-808 Clap
Standard 2 Snare 2
Low Tom 2
Closed Hi-hat 2
[EXC1]
Low Tom 1
Pedal Hi-hat 2
[EXC1]
Mid Tom 2
Open Hi-hat 2
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 3 Kick 2
Standard 3 Kick 1
Side Stick 2
Standard 3 Snare 1
TR-808 Clap
Standard 3 Snare 2
Low Tom 2
Closed Hi-hat 3
[EXC1]
Low Tom 1
Pedal Hi-hat 2
[EXC1]
Mid Tom 2
Open Hi-hat 3
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bar Chime
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Room Kick 1
Side Stick 2
Room Snare 1
TR-808 Clap
Room Snare 2
Room Low Tom 2
Closed Hi-hat 4
[EXC1]
Room Low Tom 1
Pedal Hi-hat 2
[EXC1]
Room Mid Tom 2
Open Hi-hat 4
[EXC1]
Room Mid Tom 1
Room High Tom 2
Crash Cymbal 1
Room High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------
KR117_115_r_e.book 207 ページ 2006年7月5日 水曜日 午前11時3分
Drum Set List
*
-----: No sound.
*
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
85
86
87
88
ELECTRONIC
TR-808/909
DANCE
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Power Kick2
Power Kick1
Side Stick 2
Dance Snare1
TR-808 Clap
Power Snare 1
Power Low Tom 2
Closed Hi-hat 4
[EXC1]
Power Low Tom 1
Pedal Hi-hat 2
[EXC1]
Power Mid Tom 2
Open Hi-hat 4
[EXC1]
Power Mid Tom 1
Power High Tom 2
Crash Cymbal 1
Power High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
----
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push 2
[EXC7]
Scratch Pull 2
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Elec Kick 2
Elec Kick 1
Side Stick 2
Elec Snare 1
TR-808 Clap
Elec Snare 2
Elec Low Tom 2
Closed Hi-hat 3
[EXC1]
Elec Low Tom 1
Pedal Hi-hat 2
[EXC1]
Elec Mid Tom 2
Open Hi-hat 3
[EXC1]
Elec Mid Tom 1
Elec High Tom 2
Crash Cymbal 1
Elec High Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
----
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push 2
[EXC7]
Scratch Pull 2
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
TR-909 Kick
TR-808 Kick
TR-808 Rimshot
TR-808 Snare 1
TR-808 Clap
TR-909 Snare 1
TR-808 Low Tom 2
TR-808 CHH
[EXC1]
TR-808 Low Tom 1
TR-808 CHH
[EXC1]
TR-808 Mid Tom 2
TR-808 OHH
[EXC1]
TR-808 Mid Tom 1
TR-808 High Tom 2
TR-808 Cymbal
TR-808 High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
TR-808 High Conga
TR-808 Mid Conga
TR-808 Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
TR-808 Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
TR-808 Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
----
---------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push 2
[EXC7]
Scratch Pull 2
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
TR-808 Kick 2
HipHop BD1
Side Stick 2
Power Snare 2
TR-808 Clap
Elec Snare 3
Elec Low Tom 2
CR-78 CHH
[EXC1]
Elec Low Tom 1
TR-808 CHH
[EXC1]
Elec Mid Tom 2
CR-78 OHH
[EXC1]
Elec Mid Tom 1
Elec High Tom 2
Crash Cymbal 1
Elec High Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Tambourine
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
TR-808 Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
TR-808 Claves
High Wood Block
Low Wood Block
High Hoo
[EXC4]
Low Hoo
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
----
207
Appendices
C6 84
POWER
KR117_115_r_e.book 208 ページ 2006年7月5日 水曜日 午前11時3分
Drum Set List
*
-----: No sound.
*
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
89
90
91
92
93
94
95
C7 96
97
98
Appendices
99
100
101
102
103
104
105
208
JAZZ
BRUSH
ORCHESTRA
SFX Set
------------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 2
Jazz Kick 1
Side Stick 2
Jazz Snare 1
Hand Clap 3
Standard 2 Snare 2
Low Tom 2
Closed Hi-hat 3
[EXC1]
Low Tom 1
Pedal Hi-hat 2
[EXC1]
Mid Tom 2
Open Hi-hat 3
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------------------------------------
------------Bar Chime
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 2
Jazz Kick 1
Side Stick 2
Brush Tap
Brush Slap
Brush Swirl
Brush Low Tom 2
Brush Closed Hi-hat [EXC1]
Brush Low Tom 1
Pedal Hi-hat 2
[EXC1]
Brush Mid Tom 2
Brush Open Hi-hat [EXC1]
Brush Mid Tom 1
Brush High Tom 2
Brush Crash Cymbal
Brush High Tom 1
Brush Ride Cymbal
Chinese Cymbal
Brush Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-------------------------------------------------------------------------
------------Bar Chime
Snare Roll
Finger Snap
Closed Hi-hat 3
[EXC1]
Pedal Hi-hat 2
[EXC1]
Open Hi-hat 3
[EXC1]
Ride Cymbal 1
Sticks
Square Click
Metronome Click
Metronome Bell
Jazz Kick 1
Concert BD
Side Stick 2
Concert SD
Castanets
Concert SD
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani c
Timpani c#
Timpani d
Timpani d#
Timpani e
Timpani f
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibra-slap
Concert Cymbal 1
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga 1
Low Conga 1
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short Hi Whistle
[EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Wood Block
Low Wood Block
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle1
[EXC5]
Open Triangle 1
[EXC5]
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Applause
---------------------------------------------------------------------
------------------------------------------------------------------------High Q
Slap
Scratch Push [EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Guitar sliding Finger
Guitar cutting noise (up)
Guitar cutting noise (down)
String slap of double bass
Fl.Key Click
Laughing
Screaming
Punch
Heart Beat
Footsteps1
Footsteps2
Applause
Door Creaking
Door
Scratch
Wind Chimes
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jetplane
Helicopter
Starship
Gun Shot
Machine Gun
Lasergun
Explosion
Dog
Horse-Gallop
Birds
Rain
Thunder
Wind
Seashore
Stream
Bubble
Cat
Bird
BabyLaughing
Boeeeen
Glass & Glam
Ice Ring
Crack Bottle
Pour Bottle
Car Horn
R.Crossing
SL 1
SL 2
Seal
Fancy Animal
Elephant
Bike
----Small Club
-------------
KR117_115_r_e.book 209 ページ 2006年7月5日 水曜日 午前11時3分
Effects List
Effect Type
Explanation
Equalizer
This is a four-band stereo equalizer (low, high).
Effect Type
Explanation
Rotary
The Rotary effect simulates the sound of the rotary
speakers often used with the electric organs of the
past.
Spectrum
This is a stereo spectrum.
Enhancer
Adds sparkle and tightness to the sound.
Isolator
Adds a special effect to the sound by cutting the
volume in varying ranges.
Rotary2
This type provides modified response for the rotary speaker, with the low end boosted further.
Low Boost
Boosts the volume of the lower range, creating
powerful lows.
Rotary Multi
It comprises vibrato/chorus, overdrive, and rotary
effects.
High Pass Filter
This is a low-cut filter. It cuts the low-frequency
component.
Stereo Delay1
This is a stereo delay. The delay time is set to a
length of one eighth note.
Overdrive
Creates a soft distortion similar to that produced by
vacuum tube amplifiers.
Stereo Delay2
This is a stereo delay. The delay time is set to a
length of one quarter-note triplet.
Distortion
Produces a more intense distortion than Overdrive.
Stereo Delay3
This is a stereo delay. The delay time is set to a
length of one dotted eighth note.
Overdrive2
This is an overdrive that provides heavy distortion.
Stereo Delay4
Distortion2
This is a distortion effect that provides heavy distortion.
This is a stereo delay. The delay time is set to a
length of one quarter note.
Speaker
Simulator
Simulates the speaker type and mic settings used to
record the speaker sound.
Stereo Delay5
This is a stereo delay. The delay time is set to a
length of one half note.
Monaural Delay
This is a monaural delay.
Guitar Amp
Simulator
This is an effect that simulates the sound of a guitar
amplifier.
Modulation
Delay
Adds modulation to the delayed sound.
Phaser
A phase-shifted sound is added to the original
sound and modulated.
Triple Tap Delay Produces three delay sounds; center, left and right.
Multi Stage
Phaser
Extremely high settings of the phase difference
produce a deep phaser effect.
3D Delay
This applies a 3D effect to the delay sound.
Tape Echo
Infinite Phaser
A phaser that continues raising/lowering the frequency at which the sound is modulated.
A virtual tape echo that produces a realistic tape
delay sound.
Reverse Delay
Stereo Flanger
It produces a metallic resonance that rises and falls
like a jet airplane taking off or landing.
This is a reverse delay that adds a reversed and delayed sound to the input sound.
Lo-Fi
3D Flanger
This applies a 3D effect to the flanger sound.
This is an effect that intentionally degrades the
sound quality for creative purposes.
A flanger that lets you apply an effect independently to the low-frequency and high-frequency ranges.
Telephone
This applies a telephone sound.
2Band Flanger
Gate Reverb
Auto Wah
Cyclically controls a filter to create cyclic change in
timbre.
This is a special type of reverb in which the reverberant sound is cut off before its natural length.
This effect connects an overdrive and a chorus in
series.
Humanizer
Adds a vowel character to the sound, making it
similar to a human voice.
Overdrive ->
Chorus
This effect connects an overdrive and a flanger in
series.
Ring Modulator
This is an effect that applies amplitude modulation
(AM) to the input signal, producing bell-like
sounds.
Overdrive ->
Flanger
Overdrive ->
Delay
This effect connects an overdrive and a delay in series.
Tremolo
Cyclically modulates the volume to add tremolo effect to the sound.
Distortion ->
Chorus
This effect connects an distortion and a chorus in
series.
Auto Pan
Cyclically modulates the stereo location of the
sound.
Distortion ->
Flanger
This effect connects an distortion and a flanger in
series.
Slicer
By applying successive cuts to the sound, this effect
turns a conventional sound into a sound that appears to be played as a backing phrase.
Distortion ->
Delay
This effect connects an distortion and a delay in series.
Enhancer ->
Chorus
This effect connects an enhancer and a chorus in series.
Compressor
Flattens out high levels and boosts low levels,
smoothing out fluctuations in volume.
Enhancer ->
Flanger
This effect connects an enhancer and a flanger in series.
Limiter
Compresses signals that exceed a specified volume
level, preventing distortion from occurring.
Stereo Chorus
This is a stereo chorus.
Enhancer ->
Delay
This effect connects an enhancer and a delay in series.
Hexa Chorus
Uses a six-phase chorus (six layers of chorused
sound) to give richness and spatial spread to the
sound.
Tremolo Chorus
This is a chorus effect with added Tremolo (cyclic
modulation of volume).
Space D
Produces a transparent chorus effect.
3D Chorus
This applies a 3D effect to the chorus sound.
2 Band Chorus
A chorus effect that lets you apply an effect independently to the low-frequency and high-frequency ranges.
Chorus -> Delay This effect connects a chorus and a delay in series.
Flanger -> Delay This effect connects a flanger and a delay in series.
This effect connects a chorus and a flanger in series.
Damper
Resonance
On an acoustic piano, holding down the damper
pedal allows other strings to resonate in sympathy
with the notes you play, creating rich and spacious
resonances. This effect simulates these damper resonances.
209
Appendices
Chorus ->
Flanger
KR117_115_r_e.book 210 ページ 2006年7月5日 水曜日 午前11時3分
Music Style List (KR117)
[Pop/Rock]
Appendices
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
'80s Rock
Idol Ballad
Pop
'80s Pop 1
Funky Disco
AdultContemp
Uptown Rock
80sRetroDsco
UK Rock 21st
16BtBrassRck
Barry Dance
70's Pop
Soft Rock
Cool Pop
DiscoShuffl
Analog Beat
Rock Beat
Hip Beat
EZ Listening
Strumin'Away
'70s Disco 1
SmoothContmp
Simple Rock
'60s Feelin'
16Beat Pop
Light Pop
Bright Pop
Heart Beat
Easy Pop
'80s Pop 2
'80s Pop 3
Cute Pop
LovelyShuffl
'70s Disco 2
'70s Dance
Fever Dance
Euro Dance
Hard Tekno
Big House
'90s House
House Pop
Ibiza Dance
Cool Rap
Now Hip Hop
Twostep
HipHop Beat
Hip'n Hop
Easy Hop
MorningShffl
Groovy Pop
Smile Pop
Warm Pop
Sunny Pop
Feel Good
US Groove
Steady Rock
Shuffle Rock
Dyno Rock
Power Rock
Heavy Rock
Thump Rock
Asian Pop
[Ballad/Acoustic]
1
2
3
AmericanRock
GtrUnplugged
Movie Ballad
210
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
ModernBallad
'80s Ballad
AcoustBallad
AcoustEzLstn
UnpluggedPop
UnplugBallad
Adult Pop 1
Adult Pop 2
6/8Unplugged
6/8GuitarPop
Acoustic Pop
Live Pop
Love Ballad
6/8 Ballad
Love Beat
UnplugShuffl
CoolLiveBand
Night Ballad
GuitarShuffl
Euro Ballad
Guitar Trio
Midnight Bld
Pop Ballad
Piano Pop
Love Songs
12/8 Ballad
Scat Ballad
'60s Ballad
Torch Song 1
Torch Song 2
Strings
8BeatBallad1
8BeatBallad2
Fireside
Piano Ballad
Story Ballad
SimpleBallad
ClassicBalad
Symph Ballad
R.8-Beat 1
R.8-Beat 2
R.16-Beat 1
R.16-Beat 2
R.16-Beat 3
R.16-Beat 4
R.Afro&Swing
R.5BeatSwing
R.Shuffle
R.Waltz
R.March
R.5-Beat
R.7-Beat
P.Pop 1
P.Classic 1
P.Night
P.Bossa Nova
P.Ragtime
P.Classic 2
P.Ballad 2
P.Swing Pop
P.Rock'nRoll
P.Concerto 1
P.Concerto 2
P.Swing
P.Shuffle
P.Boogie
P.'50s Rock
P.Latin
[Oldies/Country]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
Guitar Lady
EasySlowRock
CountryFox 2
Country Gtr
Easy Country
Detroit Pop
'60s Rock'n
DreamSloRock
CountryRock1
CntryBallad1
Groovin R&B
Oldies 1
Clock Rock'n
CountryPop 1
SwinginCntry
Soul
Rock'n Slow
Oldies 2
CntryBallad2
CountrySwing
Rock'n Fever
Country Beat
Slow Country
CountryRock2
CountryFox 1
Blues
R&B
Slow Dance
Twist
'60s Beach
Slow Oldies
Early Rock
Go Go Rock
Mersey Beat
CountryPop 2
Cajun
Country
Cntry Dreams
Charleston
Bluegrass
Deep Country
[Big Band/
Swing]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
MidnitSloSwg
BigBand Slow
Big Band
BigBand Med
BigBand Fast
PnoBndBoogie
SoftJzBallad
Slow Fox
Medium Swing
Jive
Slow Swing
Quick Step
StringsSwing
Foxtrot
Swing Fox
Fox Band
Gipsy Swing
Fast Swing
JzGuitrSwing
Jazz Waltz
Blue Boogie
BigBandBalad
'30s BigBand
24
25
26
27
28
29
30
31
32
33
Big Band 2
Jazz Ballad
LooseBigBand
Smooth Jazz
A Cappella
Scat Swing
Organ Swing
Dixieland
Hawaiian
Hula
[Gospel/Latin]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
SimplyChaCha
Latin Pop 1
Orch Bossa
AmazinGospel
SimpleCumbia
Medium Gipsy
ModrnBeguine
Fast Gipsy
Rhumba
GospelShuffl
ContPraise 1
ContPraise 2
Gospel
Samba
ModernChaCha
Salsa
Soft Gospel
Gospel Shout
AcoustRhumba
Acoust Samba
Trad Rhumba
Gospel Pop
GospelBallad
Latin Dance
Cha Cha
Trad Tango
SunshineBosa
Jazz Bossa
Merengue
GuitarRhumba
Mambo
Fast Samba
Fast Bossa
Big Samba
Luv Bossa
Mid Bossa
Latin Pop 2
Reggae
Tango
Beguine
Oye Son
Revival
Gospel Piano
Asian Rhumba
[Trad/World]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
OrchMariachi
Orch Polka
Boston Waltz
Euro Pop
FolkValzer 1
FolkValzer 2
Polka Yanks
Polka Party
Madison
Musical
Pub Boogie
Vienna Waltz
Kids Shuffle
Movie March
Music Hall
Orch Bolero
Orch Waltz
Holiday 1
Classic
Jing Ju
MarchingBand
March
Slow Waltz
Fast Waltz
Paris
Quiet Waltz
Holiday 2
Holiday 3
2 Beat
Lager Polka
Slow Polka
AustrianPolk
AustrianWalz
Irish
Tejano
Celtic
Musette
Scotland
Japan
Ireland
Paso Doble
China Pop
Jiang Nan
Xi Bei
SchlagerBeat
PartySchlagr
'70sSchlager
Disco Fox
Party Polka
RockSchlager
ShufflSchlgr
SimpleMarch1
SimpleMarch2
Simple Waltz
Kids 4/4
Kids 6/8
Kids
Kids Dance
Cinema 2Beat
KR117_115_r_e.book 211 ページ 2006年7月5日 水曜日 午前11時3分
Music Style List (KR115)
[Pop/Rock]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
'80s Rock
Idol Ballad
Pop
'80s Pop 1
Funky Disco
AdultContemp
Uptown Rock
80sRetroDsco
UK Rock 21st
Barry Dance
Soft Rock
EZ Listening
Strumin'Away
'70s Disco 1
SmoothContmp
Simple Rock
'60s Feelin'
16Beat Pop
Light Pop
Bright Pop
Heart Beat
Easy Pop
'80s Pop 2
'80s Pop 3
Cute Pop
LovelyShuffl
'70s Disco 2
'70s Dance
Fever Dance
Euro Dance
Hard Tekno
Big House
'90s House
House Pop
Ibiza Dance
Cool Rap
Now Hip Hop
Twostep
HipHop Beat
Hip'n Hop
Easy Hop
MorningShffl
Groovy Pop
Smile Pop
Warm Pop
Sunny Pop
Feel Good
US Groove
Steady Rock
Shuffle Rock
Dyno Rock
Power Rock
Heavy Rock
Thump Rock
Asian Pop
[Ballad/Acoustic]
AmericanRock
GtrUnplugged
Movie Ballad
ModernBallad
'80s Ballad
AcoustBallad
AcoustEzLstn
UnpluggedPop
UnplugBallad
Adult Pop 1
Adult Pop 2
6/8Unplugged
6/8GuitarPop
Acoustic Pop
Live Pop
Love Ballad
6/8 Ballad
Love Beat
UnplugShuffl
CoolLiveBand
Night Ballad
GuitarShuffl
Euro Ballad
Guitar Trio
Midnight Bld
Pop Ballad
Piano Pop
Love Songs
12/8 Ballad
Scat Ballad
'60s Ballad
Torch Song 1
Torch Song 2
Strings
8BeatBallad1
8BeatBallad2
Fireside
Piano Ballad
Story Ballad
SimpleBallad
ClassicBalad
Symph Ballad
R.8-Beat 1
R.8-Beat 2
R.16-Beat 1
R.16-Beat 2
R.16-Beat 3
R.16-Beat 4
R.Afro&Swing
R.5BeatSwing
R.Shuffle
R.Waltz
R.March
R.5-Beat
R.7-Beat
P.Pop 1
P.Classic 1
P.Night
P.Bossa Nova
P.Ragtime
P.Classic 2
P.Ballad 2
P.Swing Pop
P.Rock'nRoll
P.Concerto 1
P.Concerto 2
P.Swing
P.Shuffle
P.Boogie
P.'50s Rock
P.Latin
[Oldies/Country]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
Guitar Lady
EasySlowRock
Detroit Pop
'60s Rock'n
DreamSloRock
CountryRock1
CntryBallad1
Groovin R&B
Oldies 1
Clock Rock'n
CountryPop 1
SwinginCntry
Soul
Rock'n Slow
Oldies 2
CntryBallad2
CountrySwing
Rock'n Fever
Country Beat
Slow Country
CountryRock2
CountryFox 1
Blues
R&B
Slow Dance
Twist
'60s Beach
Slow Oldies
Early Rock
Go Go Rock
Mersey Beat
CountryPop 2
Cajun
Country
Cntry Dreams
Charleston
Bluegrass
Deep Country
[Big Band/
Swing]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
MidnitSloSwg
BigBand Slow
Big Band
BigBand Med
BigBand Fast
PnoBndBoogie
Medium Swing
Jive
Slow Swing
Quick Step
StringsSwing
Foxtrot
Swing Fox
Fox Band
Gipsy Swing
Fast Swing
JzGuitrSwing
Jazz Waltz
Blue Boogie
BigBandBalad
'30s BigBand
Big Band 2
Jazz Ballad
LooseBigBand
25
26
27
28
29
30
31
Smooth Jazz
A Cappella
Scat Swing
Organ Swing
Dixieland
Hawaiian
Hula
[Gospel/Latin]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
SimplyChaCha
Latin Pop 1
Orch Bossa
AmazinGospel
Rhumba
GospelShuffl
ContPraise 1
ContPraise 2
Gospel
Samba
ModernChaCha
Salsa
Soft Gospel
Gospel Shout
AcoustRhumba
Acoust Samba
Trad Rhumba
Gospel Pop
GospelBallad
Latin Dance
Cha Cha
Trad Tango
SunshineBosa
Jazz Bossa
Merengue
GuitarRhumba
Mambo
Fast Samba
Fast Bossa
Big Samba
Luv Bossa
Mid Bossa
Latin Pop 2
Reggae
Tango
Beguine
Oye Son
Revival
Gospel Piano
Asian Rhumba
[Trad/World]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
OrchMariachi
Orch Polka
Musical
Pub Boogie
Vienna Waltz
Kids Shuffle
Movie March
Music Hall
Orch Bolero
Orch Waltz
Holiday 1
Classic
Jing Ju
MarchingBand
March
Slow Waltz
Fast Waltz
Paris
Quiet Waltz
Holiday 2
Holiday 3
2 Beat
Lager Polka
Slow Polka
AustrianPolk
AustrianWalz
Irish
Tejano
Celtic
Musette
Scotland
Japan
Ireland
Paso Doble
China Pop
Jiang Nan
Xi Bei
SchlagerBeat
PartySchlagr
'70sSchlager
Disco Fox
Party Polka
RockSchlager
ShufflSchlgr
SimpleMarch1
SimpleMarch2
Simple Waltz
Kids 4/4
Kids 6/8
Kids
Kids Dance
Cinema 2Beat
Appendices
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
211
KR117_115_r_e.book 212 ページ 2006年7月5日 水曜日 午前11時3分
Chord List
● symbol: Indicates the constituent note of chords.
*
★ symbol: Chord shown with an “★”can be played by pressing just the key marked with the “★” (p. 59).
Appendices
*
212
C
C#
D
E
E
F
Cmaj7
C#maj7
Dmaj7
E maj7
Emaj7
Fmaj7
C7
C#7
D7
E 7
E7
F7
Cm
C#m
Dm
E m
Em
Fm
Cm7
C#m7
Dm7
E m7
Em7
Fm7
Cdim
C#dim
Ddim
E dim
Edim
Fdim
Cm7 ( 5 )
C#m7 ( 5 )
Dm7 ( 5 )
E m7 ( 5 )
Em7 ( 5 )
Fm7 ( 5 )
Caug
C#aug
Daug
E aug
Eaug
Faug
Csus4
C#sus4
Dsus4
E sus4
Esus4
Fsus4
C7sus4
C#7sus4
D7sus4
E 7sus4
E7sus4
F7sus4
C6
C#6
D6
E 6
E6
F6
Cm6
C#m6
Dm6
E m6
Em6
Fm6
KR117_115_r_e.book 213 ページ 2006年7月5日 水曜日 午前11時3分
Chord List
*
● symbol: Indicates the constituent note of chords.
*
★ symbol: Chord shown with an “★”can be played by pressing just the key marked with the “★” (p. 59).
F#
G
A
A
B
B
F#maj7
Gmaj7
A maj7
Amaj7
B maj7
Bmaj7
F#7
G7
A 7
A7
B 7
B7
F#m
Gm
A m
Am
B m
Bm
F#m7
Gm7
A m7
Am7
B m7
Bm7
F#dim
Gdim
A dim
Adim
B dim
Bdim
F#m7 ( 5 )
Gm7 ( 5 )
A m7 ( 5 )
Am7 ( 5 )
B m7 ( 5 )
Bm7 ( 5 )
F#aug
Gaug
A aug
Aaug
B aug
Baug
F#sus4
Gsus4
A sus4
Asus4
B sus4
Bsus4
F#7sus4
G7sus4
A 7sus4
A7sus4
B 7sus4
B7sus4
F#6
G6
A 6
A6
B 6
B6
F#m6
Gm6
A m6
Am6
B m6
Bm6
Appendices
213
KR117_115_r_e.book 214 ページ 2006年7月5日 水曜日 午前11時3分
Internal Song List
Folks
Kids
EZ Classical
1
Greensleeves
6
Jingle Bells
27
Sonata (Haydn)
2
Entertainer
7
Silent Night, Holy Night
28
Italian Concerto
3
Annie Laurie
8
Joy To The World
4
Londonderry Air
9
Puppy’s March
5
Ave Maria
10
Frog Song
6
Amazing Grace
11
Little Fox
7
Little Brown Jug
12
Lightly Row
8
When The Saints Go Marchin’
In
13
The Cuckoo
9
Stagecoach
10
Hallelujah!
Classical
→
Song files of this genre corresponds to
the included collection of printed music
Jazzy
1
Grand Symphoney
2
Trio Grande
3
Fly Free
4
Secret Agent
5
Late Night Chopin
6
Blue Sky Rag
7
Preludelight
8
Sun Daze
9
Keepers Tale
10
Count On The Blues
11
One Down And Easy
12
A Prelude To ...
13
Bach’s A Boppin’
14
Kismet’s Salsa
15
From Matthew’s Passion
16
Roll Over Ludwig
Appendices
Kids
1
Grandfather’s Clock
2
Old MacDonald Had A Farm
3
Twinkle Twinkle, Little Star
4
Mary Had A Little Lamb
5
London Bridge
214
EZ Classical
1
La Fille Aux Cheveux De Lin
2
La Campanell
3
Eine Kleine Nachtmusik
4
Les patineurs, Valse
5
Divertimento
6
Impromptu, Op.90-2
7
Gnossienne 1
8
Die Lorelei
9
Brindisi
10
Air sul G
11
FantaisieImpromptu
12
Grande Valse Brillante
13
Gymnopedie 1
14
Liebestraume 3
15
Mondschein
16
Nocturne No.2
17
Valse, op.64-1
18
Prelude, op.28-15
19
Traumerei
20
Turkischer Marsch(Mozart)
21
Ungarische Tanze 5
22
O’sole Mio
23
La Primavera
24
Trepak
25
Canon (Pachelbel)
26
Ombra maifu
entitled “Roland 60 Classical Piano
Masterpieces.”
1
Sonate No.15
2
Liebestraume 3
3
Etude, op.10-3
4
Je te veux
5
Valse, op.64-1
6
Golliwog’sCakewalk
7
FantaisieImpromptu
8
Arabesque 1
9
Blauen Donau
10
Auf Flugeln des Gesanges
11
Mazurka No.5
12
Gymnopedie 1
13
Etude, op.25-1
14
Clair de Lune
15
Etude, op.10-5
16
Dr.GradusAdParnassum
17
Grande Valse Brillante
18
La priere d’une Vierge
19
Course en Troika
20
To The Spring
21
Valse, op.64-2
22
Radetzky Marsch
23
Traumerei
24
Moments Musicaux 3
25
Prelude, op.28-15
26
Harmonious Blacksmith
27
Ungarische Tanze 5
28
Turkischer Marsch(Beethoven)
29
Nocturne No.2
KR117_115_r_e.book 215 ページ 2006年7月5日 水曜日 午前11時3分
Internal Song List
Classical
Practice
Practice
30
Fruhlingslied
4
Innocence
40
Invention 15
31
Praludium
5
Progress
41
Beyer 15
32
Jagerlied
6
The Clear Stream
42
Beyer 21
33
Menuet Antique
7
Gracefulness
43
Beyer 25
34
Fur Elise
8
The Hunt
44
Beyer 29
35
Turkischer Marsch(Mozart)
9
Tender Flower
45
Beyer 34
36
Standchen
10
The Young Shepherdess
46
Beyer 38
37
Humoreske
11
Farewell
47
Beyer 42
38
Blumenlied
12
Consolation
48
Beyer 46
39
Alpenglockchen
13
Austrian Dance
49
Beyer 51
40
Menuett G dur(Beethoven)
14
Ballad
50
Beyer 55
41
Venezianisches Gondellied
15
Sighing
51
Beyer 60
42
Alpenabendrote
16
The Chatterbox
52
Beyer 64
43
Farewell to the Piano
17
Restlessness
53
Beyer 67
44
Brautchor
18
Ave Maria
54
Beyer 73
45
Battle of Waterloo
19
Tarantella
55
Beyer 78
46
Wiener Marsch
20
Angelic Harmony
56
Beyer 81
47
Le Coucou
21
Gondola Song
57
Beyer 90
48
Menuett G dur(Bach)
22
The Return
58
Beyer 93
49
Spinnerlied
23
The Swallow
59
Beyer 98
50
Gavotte
24
The Knight Errant
60
Beyer 103
51
Heidenroslein
25
Openness
61
Czerny 100- 1
52
Zigeuner Tanz
26
Invention 1
62
Czerny 100-10
53
La Cinquantaine
27
Invention 2
63
Czerny 100-20
54
Csikos Post
28
Invention 3
64
Czerny 100-30
55
Dolly’s Dreaming Awakening
29
Invention 4
65
Czerny 100-38
56
La Violette
30
Invention 5
66
Czerny 100-43
57
Frohlicher Landmann
31
Invention 6
67
Czerny 100-60
58
Sonatine op.36-1(Clementi)
32
Invention 7
68
Czerny 100-75
59
Sonatine op.20-1(Kuhlau)
33
Invention 8
69
Czerny 100-86
60
Sonatine No.5(Beethoven)
34
Invention 9
70
Czerny 100-96
35
Invention 10
Practice
36
Invention 11
Arabesque
37
Invention 12
2
Pastoral
38
Invention 13
3
A Small Gathering
39
Invention 14
All rights reserved. Unauthorized use
of this material for purposes other than
private, personal enjoyment is a
Appendices
1
981a
*
violation of applicable laws.
215
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Parameters Stored to Internal Memory
Parameters Stored in the User Program
→
“Saving Performance Settings (User Program)” (p. 130)
Parameters that switch immediately after the User Program name is touched when <Option> on the User Program screen is set to “Delayed”
Organ
Selected
Right-hand Tone,
Layer Tone,
Left-hand Tone
Parameters that switch after the User Program name is
touched for a few moments when <Option> on the User
Program screen is set to “Delayed”
Music Style
Tempo
Part Balance
Accompaniment On/Off,
Footage (Upper, Lower), Percussion
Chord Recognize Mode,
Tone, Octave Shift,
Arranger
Effect (Type, Control 1, Control 2, On/Off,
Settings
The part to which the effect is added)
Melody
Intelligent
Keyboard Parts
On/Off, Type
Lower 1, Lower 2, On/Off for the Part,
Keyboard Mode
→
“Remembering the Settings Even When the Power is Turned Off (Memory
Backup)” (p. 171)
Layer 1, Layer 2, On/Off for the Part,
Tuning (Tuning, Key, Stretch Tunings)
Keyboard Transpose, Split Point,
Master Tune
Effect: the part to which the effect is added
Metronome: Sound
Center Pedal
Count-In: Measures, Sound
Bend Range
Countdown: Sound
Functions Assigning to the Expression Pedal
Settings
Reverb
<Accomp> Setting for
Parameters Stored in Memory Backup
Functions Assigning to the Left Pedal and
Performance Pad
Sync Start On/Off,
Style Orchestrator, Division
Split On/Off
Pedal Settings
Leading Bass On/Off, Original/Variation,
Arranger Configuration,
Bass Tone, Chord Tone
Part Balance
Accompaniment Part
Rotary effect (Slow/Fast),
Language
User Function
Track Assign
On/Off, Type, Depth
System
Reverb: On/Off, Type, Depth
On/Off, Echo (Type, Depth),
Parameters
Advanced 3D:
Transformer Type, Harmonist Type,
On/Off, On/Off for Each Part,
Transformer/Harmonist, Music Files Part
Various Settings
MIDI Settings for
Bank Select LSB, Bank Select MSB,
Remote Control’s Setting
User Program
Program Change, MIDI Transmit Channel
External Display (Device)
Equalizer
On/Off, Each Sliders Level, Master Level
Infrared Transmission Function
Dynamic Emphasis
On/Off, Type
AUX Input settings
Vocal Effects
MIDI Setting: Tx Channel
A/V Sync Output: Output Mode
Parameters Stored in the User Program Set
Pedal Shift
Load Next
Parameters That are Stored After the
Power is Turned Off
Touch Screen
Opening Message
Auto Demo
Start: On/Off
BGM: On/Off
Appendices
USB Driver
216
Equalizer
User Settings
Jazz Organ Footage
User Settings
Piano Designer
User Settings
KR117_115_r_e.book 217 ページ 2006年7月5日 水曜日 午前11時3分
Music Files That the KR Can Use
What Are Music Files?
Music Files contain information describing the details of a
musical performance, such as “the C3 key on a keyboard was
pressed for this amount of time, using this amount of force.”
By connecting the external memory to the external memory
port on the KR, the performance information is sent from the
external memory to the piano, and played faithfully by the
piano. This is different than a CD, since the music file does
not contain a recording of the sound itself. This makes it
possible to erase certain parts, or to change instruments,
tempos and keys freely, allowing you to use it in many
different ways.
Regarding Copyright
Other than for your own personal enjoyment, any use of the
song data programmed in this instrument without the
consent of the copyright holder is prohibited by law.
Additionally, this data must not be copied, nor used in a
secondary copyrighted work without the permission of the
copyright holder.
■ The KR allows you to use the
following music files
● Floppy disks saved on a Roland MT Series, or Roland Piano
Digital HP-G/R and KR Series instrument
● Roland Digital Piano Compatible Music Files
Roland’s original music file is made specifically for practicing the
piano. Some follow an instructional curriculum, allowing for a
complete range of lessons, such as “practicing each hand
separately” or “listening to only the accompaniment.”
● SMF Music Files (720KB/1.44MB format)
*
■ About the KR Sound Generator
The KR come equipped with GM 2/GS sound generators.
General MIDI
The General MIDI is a set of recommendations which seeks to
provide a way to go beyond the limitations of proprietary designs,
and standardize the MIDI capabilities of sound generating devices.
Sound generating devices and music files that meets the General
MIDI standard bears the General MIDI logo. Music files bearing the
General MIDI logo can be played back using any General MIDI
sound generating unit to produce essentially the same musical
performance.
General MIDI 2
The upwardly compatible General MIDI 2 recommendations pick up
where the original General MIDI left off, offering enhanced
expressive capabilities, and even greater compatibility. Issues that
were not covered by the original General MIDI recommendations,
such as how sounds are to be edited, and how effects should be
handled, have now been precisely defined. Moreover, the available
sounds have been expanded. General MIDI 2 compliant sound
generators are capable of reliably playing back music files that carry
either the General MIDI or General MIDI 2 logo.
In some cases, the conventional form of General MIDI, which does
not include the new enhancements, is referred to as “General MIDI
1” as a way of distinguishing it from General MIDI 2.
GS Format
The GS Format is Roland’s set of specifications for standardizing the
performance of sound generating devices. In addition to including
support for everything defined by the General MIDI, the highly
compatible GS Format additionally offers an expanded number of
sounds, provides for the editing of sounds, and spells out many
SMFs (Standard MIDI Files) use a standard format for music file
details for a wide range of extra features, including effects such as
that was formulated so that files containing music file could be
reverb and chorus. Designed with the future in mind, the GS Format
widely compatible, regardless of the manufacturer of the
can readily include new sounds and support new hardware features
listening device. An enormous variety of music is available,
when they arrive. Since it is upwardly compatible with the General
whether it be for listening, for practicing musical instruments, for
MIDI, Roland’s GS Format is capable of reliably playing back GM
Karaoke, etc.
Scores equally as well as it performs GS music files (music files that
If you wish to purchase SMF Music Files, please consult the
retailer where you purchased your KR.
have been created with the GS Format in mind). This product
supports both the General MIDI 2 and the GS Format, and can be
used to play back music data carrying either of these logos.
SMF with Lyrics
“SMF with Lyrics” refers to SMF (Standard MIDI File) that
contains the lyrics. When Music Files carrying the “SMF with
Lyrics” logo are played back on a compatible device (one
bearing the same logo), the lyrics will appear in its display.
XG lite
XG is a tone generator format of YAMAHA Corporation, that
defines the ways in which voices are expanded or edited and the
structure and type of effects, in addition to the General MIDI 1
specification. XGlite is a simplified version of XG tone generation
format. You can play back any XG music files using an XGlite tone
back differently compared to the original files, due to the reduced set
of control parameters and effects.
217
Appendices
generator. However, keep in mind that some music files may play
KR117_115_r_e.book 218 ページ 2006年7月5日 水曜日 午前11時3分
MIDI Implementation Chart
DIGITAL PIANO
Date : Sep. 1, 2005
Model KR117, KR115
MIDI Implementation Chart
Transmitted
Function...
Recognized
Basic
Channel
Default
Changed
1
1–16
1–16
1–16
Mode
Default
Messages
Altered
Mode 3
x
Mode 3
Mode 3, 4 (M=1)
Note
Number :
True Voice
**************
0–127
0–127
Velocity
Note ON
Note OFF
O
O
O
O
After
Touch
Key’s
Ch’s
x
x
O
O
O
O
Pitch Bend
0, 32
1
5
6, 38
7
10
11
64
65
66
67
84
91
93
98, 99
100, 101
Control
Change
Prog
Change
System Exclusive
15–113
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
*1
*1
*1
*1
*1
*1
*1
*1
*1
O
O
O
O
O
O
O
O
O
O
O
O
O (Reverb)
O (Chorus)
O
O
**************
O
0–127
O
O
System
Common
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Real Time
: Clock
: Commands
O
x
x
x
Aux
Message
: All sound off
: Reset all controllers
: Local Control
: All Notes OFF
: Active Sense
: Reset
x
x
x
x
O
x
O (120, 126, 127)
O
O
O (123–125)
O
x
Notes
Remarks
*2
**************
0–127
: True #
Version : 1.00
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
Bank select
Modulation
Portamento time
Data entry
Volume
Panpot
Expression
Hold 1
Portamento
Sostenuto
Soft
Portamento control
Effect1 depth
Effect3 depth
NRPN LSB, MSB
RPN LSB, MSB
Program number 1–128
* 1 O x is selectable by SysEx.
* 2 Recognized as M=1 even if M=1.
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
Mode 3 : OMNI OFF, POLY
Mode 4 : OMNI OFF, MONO
X : No
218
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Main Specifications
KR117M
KR115M
KR115
<Keyboard>
Keyboard
88 keys (Progressive hammer action keyboard with escapement)
Touch Sensitivity
100 levels
Keyboard Mode
Whole, Split (adjustable split point), Layer, Arranger, Piano Style Arranger, Manual Drums / SFX
<Sound Generator>
Conforms to GM2 / GS / XG Lite
Max. Polyphony
128 voices
Tones (Tone Search by terms
and by letters)
6 groups 780 variations (including 8 tone wheel Organs, 17 drum sets, SFX set)
Temperament
8 types, selectable tonic
Stretched Tuning
2 types
Master Tuning
415.3 Hz–466.2 Hz (adjustable in increments of 0.1 Hz)
Transpose
Key Transpose (-6–+5 in units of semitone), Playback Transpose (-24–+24 in units of semitone)
Effects
Reverb (12 types, 127 levels), Chorus, Rotary and 60 other types, Surround, Advanced 3D,
Dynamic Emphasis (3 types), Equalizer (5 bands, Master level)
<Arranger>
Music Styles (Style Search
by terms and by letters)
6 groups 310 styles x 3 types (Style
Orchestrator)
Music Assistant (Search by
terms and by letters)
Over 550 sets x 6 presets, Visual Music Assistant
Programmable Music Styles
Style Converter, Style Composer
Melody Intelligence
24 types
6 groups 285 styles x 3 types (Style Orchestrator)
<User Programs>
Internal
36
External Memory
Max. 99 sets
<Metronome>
Tempo
Quarter note = 10–500
Beat
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
Volume
10 levels
Metronome Pattern
11 patterns
Metronome Sound
8 types
<Composer>
5 tracks / 16 tracks
Note Storage
Approx. 30,000 notes
Resolution
120 ticks per quarter notes
Recording Method
Realtime (Replace, Mix, Auto Punch In, Manual Punch In, Loop, Tempo), Step (Chord Sequencer), Beat Map
Edit
Copy, Quantize, Delete, Insert, Erase, Transpose, Part Exchange, Note Edit, PC Edit
Other Functions
Touch the Notes, Replay Pedal, Super Tones, Piano Designer, Visual Lesson, Wonderland/Game, Demo,
Tone Audition, Panel Lock, User Image Display, BMP Export, V-LINK, IR function, Slide Show,
A/V Sync Output/Input
219
Appendices
Tracks
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Main Specifications
KR117M
KR115M
KR115
<External Storage> USB Flash Memory
Song: Standard MIDI Files (Format 0/1), Roland Original Format (i-Format)
Playable Software
Music Style: MSA, MSD, MSE
Audio File: WAV Format (44.1 kHz 16 bits linear, stereo)
Song: Standard MIDI Files (Format 0), Roland Original Format (i-Format)
Save
Music Style: MSE
<Internal Memory>
Internal Songs (Song Search
by terms and by letters)
Over 190 songs
User Memory
Max. 200 songs on Favorites, Max. 99 User Styles, Max. 70 User Program Sets,
User Image (Internal x 1, External x 1)
<Others>
Rated Power Output
70 W x 4
70 W x 2
Speakers
20 cm x 2, 16 cm x 2,
8 cm x 2, 5 cm x 2
20 cm x 2, 5 cm x 2
Display
Bouncing Beat Indicator, Graphical Color LCD 320 x 240 dot (backlit LCD)
Notation
Grand staff / G Clef staff / F Clef staff, with note name /lyrics/ chords / fingering
Language
English / Japanese / German / French / Spanish
Lyrics
Yes (built-in, external display)
One Touch Program
One Touch Piano, One Touch Arranger
Pedals
Damper Pedal (half-pedal recognition)
Soft Pedal (half-pedal recognition, functions assignable)
Sostenuto Pedal (functions assignable)
Vocal Effects
Echo, Voice Transformer, Vocal Keyboard, Harmonist
Connectors
USB memory connector, FDD connector, Output jacks (L/Mono, R), Input jacks (L/Mono, R),
Mic Input jack, Headphones jack (Stereo) x 2, MIDI In connector x 2, MIDI Out connector, USB connector,
Ext Display connector (15-pin D-Sub type), Video Out jack, Expression Pedal jack,
Balanced Output jacks (L, R)(XLR, Level Fixed), Aux Output jacks (L/Mono, R), Aux Input jacks (L, R),
Serial connector (KR115M, KR117M only)
Power Supply
AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
Power Consumption
360 W
270 W
1503 (W) x 1579 (D) x 1007 (H) mm
59-3/16(W) x 62-3/16(D) x 39-11/16(H)
inches
1473 (W) x 937 (D) x 930 (H) mm
58(W) x 36-15/16(D) x 36-5/8(H) inches
Lid Open
1503 (W) x 1579 (D) x 1741 (H) mm
59-3/16(W) x 62-3/16(D) x 68-9/16(H)
inches
Lid Open
1473 (W) x 937 (D) x 1446 (H) mm
58(W) x 36-15/16(D) x 56-15/16 inches
Weights
(including the piano stand)
240 kg / 530 lbs
140 kg / 310 lbs
Accessories
Quick Start, Owner’s Manual, Roland 60 Classical Piano Masterpieces, Remote Control,
CD (Music Data Disc with vocals) (KR117M, KR115M), Dry-cell Batteries, USB Installation Guide,
CD-ROM (Roland Digital Piano USB Driver), Power cord, Anti-theft lock screws, Maintenance Kit,
Key Cover, Caster Cup
Options
USB Memory, Floppy Disk Drive
Appendices
Dimensions
(including the caster cup)
230 W
115 kg / 255 lbs
962a
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior
notice.
220
KR117_115_r_e.book 221 ページ 2006年7月5日 水曜日 午前11時3分
Index
Numerics
16-Track Sequencer ..................................................... 136
A
A/V sync ...................................................................... 122
AC Inlet ..................................................................... 16, 21
Access Indicator ............................................................. 17
Accompaniment
Start and Stop ........................................................... 65
Sync Start .................................................................. 65
Advanced 3D ................................................................. 39
[Ambience/Reverb] button ................................... 39–40
Arranger basic screen ................................................... 69
Arranger Config .......................................................... 162
Audio Equipment ........................................................ 191
Auto Punch-In/Out .................................................... 142
Automatic Accompaniment ........................................ 57
AutoSync DigiScore ...................................................... 88
Aux Input Jacks ............................................................. 16
Aux Output Jacks .................................................. 16, 194
B
Balance ............................................................................ 73
Balance Knob ................................................................. 73
Balanced Out (Fixed) Jacks .................................. 16, 192
Bank Select LSB ........................................................... 191
Bank Select MSB .......................................................... 191
Basic Screen .................................................................... 25
Basic tempo .................................................................. 151
Bass Tone ................................................................ 66, 162
Beat
Metronome ............................................................... 55
Beat Map ....................................................................... 150
Bend Range .................................................................. 169
Blank Recording .......................................................... 141
Bouncing Ball ................................................................. 92
[Brilliance] knob ............................................................ 22
[Song] button ................................................................. 75
[Bwd] button .................................................................. 76
C
Calibration .................................................................... 175
CD .................................................................................. 177
CD Drive ......................................................................... 78
CD Settings ................................................................... 177
Chord Finder .................................................................. 60
Chord Intelligence ......................................................... 59
Chord List ..................................................................... 212
Chord Sequencer ......................................................... 143
Chord Tone ............................................................ 66, 162
Chord Type .................................................................... 59
Chords ....................................................................... 59, 90
Clef L ............................................................................... 91
Clef R ............................................................................... 91
Color Notation ............................................................... 92
Composer MIDI Out ................................................... 191
Computer ..................................................................... 195
Connected
Expression Pedal .................................................... 185
Connecting
Audio Equipment .................................................. 191
Computer ................................................................ 195
External Display ..................................................... 185
External Speakers .................................................. 194
MIDI device ............................................................ 188
Television ................................................................ 185
Video Equipment ................................................... 187
Contrast ........................................................................... 25
Contrast knob ................................................................. 25
Copy (Song Edit) ......................................................... 146
Copying
Songs ........................................................................ 120
User Program ......................................................... 133
User Styles .............................................................. 160
Count In .......................................................................... 96
Countdown .................................................................... 67
D
Damper pedal ................................................................ 22
Damper Resonance ....................................................... 22
Delete (Song Edit) ........................................................ 147
Deleting
A song ...................................................................... 119
User Style ................................................................ 159
[DigiScore] button ......................................................... 87
Disc Tray ................................................................... 17, 78
Divisions ......................................................................... 57
Drum Set List ............................................................... 205
Drums ............................................................................. 29
Dynamic Emphasis ....................................................... 43
E
Echo ................................................................................. 48
Editing ........................................................................... 145
Effects .............................................................................. 46
Effects List .................................................................... 209
EffectsPart ..................................................................... 179
Eject Button .................................................................... 78
CD Drive ................................................................... 17
Emergency Eject Hole ................................................... 78
Emergency eject hole .................................................... 17
Ending ....................................................................... 57, 66
Equalizer ......................................................................... 44
Erase (Song Edit) ......................................................... 148
Erasing
Performance on specific tracks ............................ 111
Recorded performance .......................................... 111
Error Messages ............................................................ 201
Export .............................................................................. 92
Expression Pedal ......................................................... 185
Ext Display Connector .................................................. 16
Ext Display connector ........................................... 24, 186
External Display ............................................ 24, 185–186
External Memory ......................................................... 113
221
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F
Factory Reset ................................................................ 172
Factory Setting
Touch Screen .......................................................... 175
User Memory ......................................................... 180
Favorites ................................................................. 82, 116
Registering ................................................................ 82
Removing .................................................................. 83
Fill In ............................................................................... 68
Fill In To Original .......................................................... 57
Fill In To Variation ........................................................ 57
Finger Numbers ............................................................. 90
Format ........................................................................... 114
[Fwd] button .................................................................. 76
G
General MIDI ...............................................................
General MIDI 2 ............................................................
GS ..................................................................................
GS Format .....................................................................
217
217
217
217
H
Harmonist ....................................................................... 49
Harmony ........................................................................ 70
Headphones ................................................................... 23
I
Icon .................................................................................. 26
i-format ......................................................................... 118
Input Jacks .............................................................. 16, 192
Insert (Song Edit) ......................................................... 147
Internal Song List ........................................................ 214
Intro ........................................................................... 57, 65
[Intro/Ending] button .................................................. 65
K
Karaoke ........................................................................... 53
Key ................................................................................... 91
Key Touch .................................................................... 161
L
Language ...................................................................... 170
Layer ............................................................................... 31
Layer tone ....................................................................... 31
LCD Contrast knob ....................................................... 16
Leading bass ................................................................. 168
Local Control ............................................................... 190
Loop Recording ........................................................... 141
Lower Tone .................................................................... 71
Lyrics ................................................................. 26, 90, 182
M
Main Output Jacks ................................................ 16, 192
Manual Punch-In/Out ............................................... 142
Marker ..................................................................... 98, 164
Erasing ....................................................................... 99
Moving .................................................................... 100
Placing ....................................................................... 98
Repeat ...................................................................... 101
Master Tuning ............................................................. 170
Melody Intelligence ...................................................... 70
[Melody Intelligence] button ....................................... 70
222
Memory Backup .......................................................... 171
Metronome ..................................................................... 54
Beat ............................................................................ 55
Pattern ....................................................................... 56
Sound ......................................................................... 55
Volume ...................................................................... 55
[Metronome] button ...................................................... 54
Mic Jack ........................................................................... 16
Mic jack ........................................................................... 23
[Mic Volume] knob ....................................................... 23
Mic Volume Knob ......................................................... 16
Microphone .................................................................... 23
MIDI .............................................................................. 188
MIDI Connector ........................................................... 188
MIDI Connectors ........................................................... 16
MIDI Devices ............................................................... 188
MIDI Ensemble ............................................................ 189
MIDI Settings ............................................................... 189
Minus One ...................................................................... 97
Mix Recording ............................................................. 141
Moving Key .......................................................... 175–176
Multitrack Recording .................................................. 136
Music Files ...................................................................... 52
Music Holder ................................................................. 20
Music Style ..................................................................... 57
On External Memory ............................................... 63
Rhythm Pattern ........................................................ 64
Music Style Buttons ....................................................... 61
Music Style List ............................................................ 210
Mute ........................................................................ 97, 137
N
New Song ..................................................................... 105
Notation .......................................................................... 87
Saving as image data ............................................... 92
Settings ...................................................................... 89
Note Edit (Song Edit) .................................................. 149
O
Octave Shift .................................................................... 33
One Touch Program [Arranger] button ..................... 58
One Touch Program [Piano] button ........................... 27
One Touch Settings ..................................................... 162
One-Touch Arranger ..................................................... 58
Settings .................................................................... 161
One-Touch Piano ........................................................... 27
Opening Message ........................................................ 171
Original ........................................................................... 57
[Original] button ............................................................ 68
Output Jacks ................................................................. 192
P
Panel Lock .................................................................... 181
Part Balance .................................................................... 73
[Part Balance] button .................................................... 73
Part Exchange (Song Edit) .......................................... 149
PC Edit (Song Edit) ..................................................... 150
Pedal .......................................................................... 22, 91
Pedal Cable ..................................................................... 21
Pedal Connector ............................................................ 16
Pedal connector ............................................................. 21
Pedal jack ...................................................................... 185
Pedal Settings ............................................................... 167
KR117_115_r_e.book 223 ページ 2006年7月5日 水曜日 午前11時3分
Percussion ...................................................................... 29
Performance Pad ................................................... 69, 167
Phones jack ..................................................................... 23
Phones Jacks ................................................................... 16
Piano ................................................................................ 27
Piano Screen ................................................................... 25
Pickup ........................................................................... 112
Pitches ............................................................................. 90
Play Mode .................................................................... 182
[Play/Stop] button ........................................................ 76
Playing ............................................................................ 75
All of the internal songs .......................................... 75
At a fixed tempo (Tempo Mute) ............................ 95
In random ................................................................. 75
Repeat ...................................................................... 101
Songs on CDs ........................................................... 77
Power On and Off ......................................................... 21
[Power] switch ............................................................... 21
Preset ............................................................................... 61
Program Change ......................................................... 191
PU (Pickup) .................................................................. 112
Punch-in Recording .................................................... 142
Q
Quantize (Song Edit) ................................................... 146
Quick Tour
Automatically starting .......................................... 180
R
Rec Mode .............................................................. 111, 140
Record/Playback Buttons ............................................ 76
Recording ..................................................................... 104
16-Track Sequencer ............................................... 139
A new song ............................................................. 105
Along with a Song ................................................. 109
Redoing recordings ............................................... 110
Track buttons ......................................................... 110
With Accompaniment ........................................... 107
Remote Control ................................................ 84–85, 172
Repeat ........................................................................... 101
Replace Recording ....................................................... 140
[Reset] button ................................................................. 76
Resolution ....................................................................... 91
Restoring the Factory Settings ................................... 172
Reverb ............................................................................. 34
Root note ......................................................................... 59
Rotary effect ................................................................. 168
S
Saving ............................................................................ 116
User Style ................................................................ 158
Screens
16-track Sequencer screen .................................... 136
Basic screen ......................................................... 25, 58
Chord Sequencer screen ....................................... 143
Copy Song screen .................................................. 120
Copy Style screen .................................................. 160
Copy User Programs screen ................................. 133
Count settings screen .............................................. 96
Countdown settings screen .................................... 67
Delete Song screen ................................................. 119
Delete Style screen ................................................. 159
Delete User Program screen ................................. 133
Effects screen ............................................................ 46
Equalizer screen ................................................. 44–45
File screen ............................................................... 114
Functions screen .................................................... 165
Load User Program screen ................................... 132
Marker screen ........................................................... 98
Melody Intelligence screen ..................................... 70
Metronome screen ................................................... 54
MIDI Setting Screen ............................................... 189
Notation screen ........................................................ 87
Part Balance screen .................................................. 73
PEDAL screen ........................................................ 134
Piano screen ........................................................ 25, 27
Program Change Screen ....................................... 189
Rec Mode screen .................................................... 140
Rename screen ........................................ 117, 130, 158
Reverb screen ........................................................... 34
Save Song screen .................................................... 116
Save Style screen .................................................... 158
Save User Program screen .................................... 131
Song Edit screen ..................................................... 145
Song Search screen .................................................. 81
Song Selection screen .............................................. 75
Style Composer screen .......................................... 154
Style Converter screen .......................................... 156
Style Search screen .................................................. 62
Style Selection screen .............................................. 61
Surround screen ....................................................... 36
Tone search screen ................................................... 30
Tone selection screen ............................................... 28
Transpose screen .................................................... 102
User Program screen ............................................. 130
Vocal Effects screen ................................................. 47
Write User Program screen .................................. 130
Search
Music Style ................................................................ 62
Song ........................................................................... 81
Tone ........................................................................... 30
Slide Show .................................................................... 178
SMF ................................................................................ 217
SMF Music files ............................................................ 217
Soft pedal ........................................................................ 22
Solo ................................................................................ 137
Song Search .................................................................... 81
Sostenuto pedal ............................................................. 22
[Sound Control] button ................................................ 44
Sound Effects .................................................................. 29
Sound Generator ......................................................... 217
Split .................................................................................. 72
Split Point ..................................................................... 162
[Start/Stop] button ........................................................ 65
Stretch Tuning .............................................................. 166
Style Composer ............................................................ 153
Style Converter ............................................................ 155
Style Orchestrator .......................................................... 69
[Style Orchestrator] button .......................................... 69
Style Search .................................................................... 62
Surround ......................................................................... 36
Sync Start ........................................................................ 65
223
KR117_115_r_e.book 224 ページ 2006年7月5日 水曜日 午前11時3分
T
Tap Tempo ..................................................................... 94
Television ..................................................................... 186
Temperament ............................................................... 166
Tempo ................................................................. 55, 64, 94
Tempo [-] [+] buttons .................................................... 94
Tempo Mute ................................................................... 95
Tempo Recording ........................................................ 151
Tone Buttons .................................................................. 28
Tone List ....................................................................... 202
Tone Search .................................................................... 30
Tone Set ........................................................................ 138
Topslip ............................................................................ 18
Topsticks ......................................................................... 18
Touch Screen .......................................................... 25, 175
Touch the Notes ............................................................. 88
Track Assign ................................................................ 183
Track Buttons ................................................. 97, 106, 108
Transformer ................................................................... 48
Transpose ..................................................................... 102
Transpose (Song Edit) ................................................. 148
[Transpose] button ...................................................... 102
Troubleshooting .......................................................... 197
Tuning ........................................................................... 166
Tuning Curve ............................................................... 166
Tx Channel ................................................................... 190
U
Undo (Song Edit) ......................................................... 145
Upper tone ..................................................................... 31
USB Connector ............................................................... 16
USB Driver ................................................................... 196
User Functions ............................................................. 167
User Image Display ..................................................... 170
User Memory ............................................................... 158
Formatting .............................................................. 180
User Program ............................................................... 130
Calling up ............................................................... 131
Copying ................................................................... 133
Deleting ................................................................... 133
Loading ................................................................... 132
Registering .............................................................. 130
Saving ...................................................................... 131
Transmitting PC Numbers ................................... 135
User Style ................................................................ 63, 153
Copying ................................................................... 160
Deleting ................................................................... 159
Saving ...................................................................... 158
V
Variation ......................................................................... 57
[Variation] button .......................................................... 68
Video Out Jack ............................................................... 16
V-LINK ......................................................................... 187
Vocal Count-In ............................................................... 50
Vocal Effect ..................................................................... 47
[Vocal Effect] button ..................................................... 47
Vocal Keyboard ............................................................. 51
Volume
Metronome ............................................................... 55
Microphone .............................................................. 23
Overall ....................................................................... 22
Remote Control ........................................................ 86
224
[Volume] knob ............................................................... 22
X
XG lite ............................................................................ 217
Z
Zoom ............................................................................... 90
KR117_115_r_e.book 225 ページ 2006年7月5日 水曜日 午前11時3分
Information
AFRICA
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
11 Melle St., Braamfontein,
Johannesbourg,
SOUTH AFRICA
TEL: (011) 403 4105
FAX: (011) 403 1234
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
ASIA
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
SINGAPORE
COSTA RICA
TRINIDAD
NORWAY
JORDAN
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
MUSIC HOUSE CO. LTD.
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
SRI LANKA
CURACAO
URUGUAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: 2273 0074
Penguin Electronics (Pvt) Ltd.
115, Maya Avenue,
Colombo 06, SRI LANKA
TEL: (11) 2552376
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
POLAND
TAIWAN
DOMINICAN REPUBLIC
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
TEL: (02) 2561 3339
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
PORTUGAL
LEBANON
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
THAILAND
ECUADOR
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 165857
Beirut, LEBANON
TEL: (01) 20-1441
Theera Music Co. , Ltd.
330 Soi Verng NakornKasem,
New Road, Sumpantawongse,
Bangkok 10100, THAILAND
TEL: (02) 224-8821
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TEL:(593-4)2302364
VIETNAM
SAIGON MUSIC
DISTRIBUTOR
(TAN DINH MUSIC)
138 Tran Quang Khai Street
Dist. 1, Ho Chi Minh City
VIETNAM
TEL: (08) 848-4068
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
TEL: (010) 6426-5050
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: 2415 0911
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
PHILIPPINES
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (02) 899 9801
AUSTRALIA/
NEW ZEALAND
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
CENTRAL/LATIN
AMERICA
ARGENTINA
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
GUATEMALA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
TEL:(502) 599-2888
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
MEXICO
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: (55) 5668-6699
BARBADOS
NICARAGUA
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
TEL: (574)3812529
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
TEL: (505)277-2557
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
Lima - Peru
TEL: (511) 4461388
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
EUROPE
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
TEL: (2) 666 10529
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
TEL: (23) 511011
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
ITALY
ROMANIA
KUWAIT
OMAN
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
TEL: (266) 364 609
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
RUSSIA
QATAR
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
SAUDI ARABIA
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
SYRIA
SWITZERLAND
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
UKRAINE
TURKEY
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
U.A.E.
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
TEL: (01792) 702701
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
TEL: (04) 3360715
NORTH AMERICA
MIDDLE EAST
CANADA
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: 17 211 005
IRAN
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
TEL: (604) 270 6626
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (021) 285-4169
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (905) 362 9707
ISRAEL
U. S. A.
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (323) 890 3700
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
As of April 1, 2006 (ROLAND)
KR117_115_r_e.book 226 ページ 2006年7月5日 水曜日 午前11時3分
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
Type of Equipment :
Responsible Party :
Address :
Telephone :
KR117M, KR115M & 115
Digital Piano
Roland Corporation U.S.
5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700
For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
To resize thickness, move all items on the front cover
and center registration marks to left or right.
To resize thickness, move all items on the front cover
and center registration marks to left or right
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Owner’s Manual
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