Pro Sound Catalog
Live For Sound
Founded in 1927 as a microphone company,
Electro-Voice® has grown into one of today’s
dominant worldwide forces in design and manufacturing of top-quality products for broadcast,
touring sound, permanently installed sound
reinforcement and music playback systems.
Recognized the world over as a leader in audio
technology, EV® is ubiquitous in performing arts
centers, sport facilities, houses of worship, cinemas, dance clubs, transportation centers, theaters,
and, of course, live music.
EV’s reputation for providing superior audio
products and dedication to innovation continues
today. Whether EV microphones, loudspeakers
systems, amplifiers or signal processors, the EV
solution is always step up in performance and
reliability. EV, a product brand of Telex Communications, Inc., shares technology with other
Telex product brands: Dynacord®, Klark-Teknik®,
Midas®, RTS®, and TELEX®.
1934—EV invents the humbucking coil for microphones
(still a standard almost 70 years
later).
1940s—EV introduces noise
cancellation to microphones;
revolutionizes tank and aircraft
communications.
1954—EV introduces VariableD® microphone technology, a
means of eliminating the upclose bass boost of conventional, single-D directional microphones—for high vocal intelligibility under the typical varying conditions of use in churches and meeting rooms.
1963—EV receives an award
from the Academy of Motion
Picture Arts and Sciences for
the development of a shotgun
microphone—the 642 Cardiline®
—which significantly advances
the quality of sound on film.
1974—EV develops constantdirectivity (CD) horns. For the
first time, a loudspeaker maintains its rated coverage angles
over a wide frequency range,
for significantly more uniform
sound quality and higher
intelligibility throughout the
audience.
CONTENTS
2- 3
4
5
EV milestones
Table of Contents
Index
Loudspeakers
6- 7
8 - 11
12 - 13
14 - 15
16
17
18 -19
20 - 21
22 - 23
24 - 26
27
28
28
28
29 - 31
32 - 33
34 - 35
36 - 37
38 - 39
40
41 - 42
43 - 44
45 - 48
49 - 50
50
51 - 52
53
54 -57
EVI Vari Intense®
EVID™ System
FRI / FRI+ System
FRX / FRX+ System
MH-Series Stadium Horns
PLASMA™ Series
QRx Series
ZX4 / ZX5
ZX1 / ZX1i
Sx Series™ / SxA Series™
T-Series
Gladiator
Eliminator i®
Force i®
Xi Series™
X-Array™
X-Line™
XLC System
XLVC System
LAPS - Line Array Prediction Software
Floor-Monitors (overview)
Subwoofers
Cinema Systems
Outdoor Speakers
S-40 Ultracompact Monitor System
Components
HP-Horns
Flying & Mounting Hardware
Electronics
58
59
60
61
62
63
64
65
66 - 67
68
69
DX 38 Digital Sound System Processor
RACE Controller Software
AC One Analog Controller
Q-Series Amplifiers
PA Series Amplifiers
Contractor Precision Series Amplifiers
Compact Precision Amplifiers
Precision Series Linear Amplifiers
IRIS-Net
Precision Series Remote Amplifiers
Tour Grade Amplifiers
Wired Microphones
70
71
72
73
74
75
Cobalt™ Series / Live Performance RE Series
N/DYM® Series
Broadcast RE-Series / Live Interview Microphones
EV Blue Series
RE-Series Install Microphones
Polar Choice™ Series
Wireless Microphones
76 - 77
78 - 79
80
81
82 - 83
RE-1 Wireless System
RE-2 Wireless System
RE97 headworn / RE920 Instrument mic
Headworn / Lavalier
Wireless Accessories
Applications & Glossary
4
84 - 90
91 - 94
System Applications
Glossary
INDEX
635A(B) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
635N/D-B . . . . . . . . . . . . . . . . . . . . . . . . . . .72
A-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
A-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
AB-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
AB-32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
AB-34 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
AB-62 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
AB-64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
AC One . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
APD-4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
CB5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
CDR-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . .77
Co11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
Co4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
Co5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
Co7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
Co9 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
CP1200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
CP1800 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
CP2200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
CP3000 S . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
CP4000 S . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
CPS1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63
CPS2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63
CPS2.11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63
CPS2.4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63
CPS2.6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63
CPS2.8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63
CPS2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63
CSB-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
CSH-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . .77
CSR-1000 . . . . . . . . . . . . . . . . . . . . . . . . . . .77
CXU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
DH2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
DH2T . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
DH3/DH2010A . . . . . . . . . . . . . . . . . . . . . . .52
DH7-8/DH7-16 . . . . . . . . . . . . . . . . . . . . . . .52
DL10X . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
DL12BFH . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
DL12ST . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
DL15BFH . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
DL15ST . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
DL18MT . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
Dx 38 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
EBK-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Eliminator i E . . . . . . . . . . . . . . . . . . . . . . . . .28
Eliminator i Sub . . . . . . . . . . . . . . . . . . . . .28,43
Eliminator I Sub E . . . . . . . . . . . . . . . . . . . . . .28
Eliminator ii E . . . . . . . . . . . . . . . . . . . . . . . . .28
Eliminator KW . . . . . . . . . . . . . . . . . . . . .28, 43
EVI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
EVI-12 . . . . . . . . . . . . . . . . . . . . . . . . .7, 54, 55
EVI-15 . . . . . . . . . . . . . . . . . . . . . . . . .7, 54, 55
EVI-28 . . . . . . . . . . . . . . . . . . . . . . . . . .6, 7, 55
EVID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
EVID 12.1 . . . . . . . . . . . . . . . . . . .9, 43, 54, 55
EVID 3.2/3.2T . . . . . . . . . . . . . . . . . . . . . .9, 55
EVID 4.2/4.2T . . . . . . . . . . . . . . . . . . .9, 49, 55
EVID 6.2/6.2T . . . . . . . . . . . . . . . . . . .9, 49, 55
EVID C10.1 . . . . . . . . . . . . . . . . . . . . . . .11, 43
EVID C4.2 . . . . . . . . . . . . . . . . . . . . . . . . . . .11
EVID C8.2 . . . . . . . . . . . . . . . . . . . . . . . . . . .11
EVID C8.2HC . . . . . . . . . . . . . . . . . . . . . . . . .11
EVID C8.2LP . . . . . . . . . . . . . . . . . . . . . . . . .11
EVM12L Black Label . . . . . . . . . . . . . . . . . . . .51
EVX 155 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
EVX 180B . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
FA-500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
Force i Monitor . . . . . . . . . . . . . . . . . . . . . . . .28
Force i Sub . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Force i Two-Way . . . . . . . . . . . . . . . . . . . . . .28
FRi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
FRi+122/64/66/94 . . . . . . . . . . . . . . . . . .12, 13
FRi+152/64/66/94 . . . . . . . . . . . . . . . . . . . . .13
FRi+181S . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
FRi+181S . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Fri-122/64/85 . . . . . . . . . . . . . . . . . . . . .12, 13
FRi-152/64/85 . . . . . . . . . . . . . . . . . . . . . . . .13
FRi-181S . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
FRi-2082 . . . . . . . . . . . . . . . . . . . . . .12, 13, 54
FRi-28LPM . . . . . . . . . . . . . . . . . . . . . . . . . . .41
FRX+181 . . . . . . . . . . . . . . . . . . . . . . . . .15, 43
FRX+640 . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
FRX+660 . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
FRX+940 . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
G115 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
G118 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Gladiator System . . . . . . . . . . . . . . . . . . . . . .28
HM2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
HM7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
HP64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP66 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP1240 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP4020 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP420 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP6040 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP640 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP66 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP9040 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HP940 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HPT64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HPT94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
HS-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
HT94 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
IRIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66,67
LAPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
LPA-500 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
MA-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
MB5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
MH4020AC . . . . . . . . . . . . . . . . . . . . . . . . . .16
MH6040AC . . . . . . . . . . . . . . . . . . . . . . . . . .16
MH640AC/MH640AP . . . . . . . . . . . . . . . . . .16
MH660AC/MH660AP . . . . . . . . . . . . . . . . . .16
MH9040 AC . . . . . . . . . . . . . . . . . . . . . . . . .16
MH940AC/MH940AP . . . . . . . . . . . . . . . . . .16
MTL1X . . . . . . . . . . . . . . . . . . . . . . . . . . .27,44
N/D267 a/as . . . . . . . . . . . . . . . . . . . . . . . . .71
N/D367 s . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
N/D468 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
N/D478 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
N/D767 a . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
N/D868 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
N/D967 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
ND6-8/ND6-16 . . . . . . . . . . . . . . . . . . . . . . .52
OLM 10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
P1200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
P2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
P3000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
P1200 RL . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
P1200 RT . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
P3000 RL . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
P900 RL . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
P900 RT . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Plasma . . . . . . . . . . . . . . . . . . . . . . . . . . .17, 44
PolarChoice Desktop . . . . . . . . . . . . . . . . . . .75
PolarChoice FL . . . . . . . . . . . . . . . . . . . . . . . .75
PolarChoice PLUS . . . . . . . . . . . . . . . . . . . . . .75
PolarChoice Satellite . . . . . . . . . . . . . . . . . . . .75
PolarChoice XLR . . . . . . . . . . . . . . . . . . . . . .75
Q44 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
Q66 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
QRx112/75 . . . . . . . . . . . . . . . . . . . .18, 19, 41
QRx115/75 . . . . . . . . . . . . . . . . . . . .18, 19, 41
QRx118 S . . . . . . . . . . . . . . . . . . . . . . . .19, 44
QRx153/75 . . . . . . . . . . . . . . . . . . . . . . . . . .19
QRx218 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
QRx(H)212/75 . . . . . . . . . . . . . . . . . . . . . . . .19
RACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
RE90TX . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
RE-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76, 77
RE-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78, 79
RE20 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
RE200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
RE27 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
RE50 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
RE510 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
RE90 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74
RE92 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74
RE92TX . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
RM-D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
S-40 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50, 55
Sb122 . . . . . . . . . . . . . . . . . . .24, 25,43, 54, 56
SbA760 . . . . . . . . . . . . . . . . . . . . . . . . . .26, 43
Sh-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
SL10-2V . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
SL12-2V . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
SL6.2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
SL8.2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Sx100 + . . . . . . . . . . . . . . . . . . . . . . . . . .24, 25
Sx250 . . . . . . . . . . . . . . . . . . . . . .24, 25, 41, 55
Sx300 . . . . . . . . . . . . . . . . . . .24, 25, 41, 54, 56
Sx300PI/PIX . . . . . . . . . . . . . . . . . . . . . . . . . .49
Sx500 + . . . . . . . . . . . . . . . . . . . . . . .24, 54, 56
Sx500 PI + . . . . . . . . . . . . . . . . . . . . . . . .24, 49
Sx600PI . . . . . . . . . . . . . . . . . . . . . . . . . .24, 49
Sx600PIX . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Sx80 . . . . . . . . . . . . . . . . . . . . . . . . . .23, 24, 55
SxA100+ . . . . . . . . . . . . . . . . . . . . . . . . .26, 42
SxA250 . . . . . . . . . . . . . . . . . . . . . . .26, 41, 55
SxA360 . . . . . . . . . . . . . . . . . . . . . . . . . .26, 42
Sx-Series . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
T18 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
T221 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
T251 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
T251+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
T252+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
Terminal Covers . . . . . . . . . . . . . . . . . . . . . . .10
TL18-1ES . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
TL440 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
TL440M . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
TL880D . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
TL880DM . . . . . . . . . . . . . . . . . . . . . . . . . . .47
TP-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
TS550D-LX . . . . . . . . . . . . . . . . . . . . . . . . . .46
TS9040 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
TS992-LX . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
ULM 21 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
UW 30 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Variplex II . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Variplex II XL . . . . . . . . . . . . . . . . . . . . . . . . .45
Variplex M . . . . . . . . . . . . . . . . . . . . . . . . . . .45
X-Array . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Xb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Xcb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Xcn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Xds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Xf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Xi-1082 . . . . . . . . . . . . . . . . . . . . . . .29, 31, 55
Xi-1122A/85F . . . . . . . . . . . . . . . . . . . . . .29,31
Xi-1122MH64 . . . . . . . . . . . . . . . . . . . . . . . .31
Xi-1122MHA/64F . . . . . . . . . . . . . . . . . . . . .30
Xi-1123A/106F . . . . . . . . . . . . . . . . . . . . .30,31
Xi-1152A/64F . . . . . . . . . . . . . . . . . . . . .29, 31
Xi-1152A/94F . . . . . . . . . . . . . . . . . . . . .29, 31
Xi-1153A/64F . . . . . . . . . . . . . . . . . . . . . . . .30
Xi-1183A/64F . . . . . . . . . . . . . . . . . . . . . .30,31
Xi-1191A . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Xi-2122MHA/42F . . . . . . . . . . . . . . . . . . .30,31
Xi-2123A/106F . . . . . . . . . . . . . . . . . . . . .30,31
Xi-2153A/64 F . . . . . . . . . . . . . . . . . . . . .30,31
Xi-2181(F) . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Xi-2181A (F) . . . . . . . . . . . . . . . . . . . . . . . . .31
XLC 118 . . . . . . . . . . . . . . . . . . . . . . .36, 37, 44
XLC 127DVX . . . . . . . . . . . . . . . . . . . . . . . . .36
XLC 215 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
XLC SYSTEM . . . . . . . . . . . . . . . . . . . . . . . . .36
XLCi 118 . . . . . . . . . . . . . . . . . . . . . . . . .36, 37
XLCi 127DVX . . . . . . . . . . . . . . . . . . . . . . . . .36
XLD 281 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
XLE 181 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
X-Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Xn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
XS 212 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Xsub(F) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
XVHG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
XVHL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Xvls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Xvlt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
XVSD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
XVSG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
XVSL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Xw 12A . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Xw 15A . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
ZX1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
ZX1i . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23,49
ZX4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
ZX5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
ZX5 PI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
5
EVI Vari Intense®
The problem is old; EV®’s solution is new. EVI is perfect for
conference centers, houses of worship, halls, and other venues where evenly distributed SPL is essential. EVI systems are
made of 18 mm 13-ply birch plywood (EVI 28: 12 mm 9-ply),
texture-painted with a powder-coated metal grille.
Electro-Voice®’s unique EVI Vari Intense® (VI) speakers are
engineered to eliminate the need for additional long-throw
horns or delayed sources in many rooms. The EVI Vari
Intense® series provides an economical solution for permanent
installations that require coverage over a rectangular area. In
a typical room, the distance from the loudspeaker to the last
row is two or more times that to the front row, resulting in a
substantial loss in level and intelligibility at the rear. The VI
horn delivers 6 to 8 dB more SPL to the back of the room,
overcoming the level loss without resorting to the expense
and complexity of additional speaker systems or components.
A simple 3-2-1 rule-of-thumb applies for determining EVI
coverage patterns: The pattern’s width will equal twice the
height of the room, and the pattern’s length will equal three
times the height. See the illustration below.
EVI Vari Intense® coverage pattern (3-2-1 Rule):
If speaker height = H, then coverage length = 3H, coverage width = 2H, and first row coverage = 1H
H
H
W
idt
h
=
2H
Leng
th =
3H
EVI-28
•
•
•
•
•
•
•
•
6
Two-way, full-range loudspeaker
Vented LF enclosure
1.25" voice coil (titanium diaphragm) HF
PROTM Driver protection circuit
Time PathTM phasing plug
Multi-angled housing
Stacked, frequency-shaded woofers maintain
vertical coverage angle down to 500 Hz with 120°
(typical 180°); ideal for reverberant rooms
Five 3/8"-16 hanging points
EVI Vari Intense®
EVI-12
•
•
•
•
•
•
•
•
Two-way, full-range loudspeaker
High sensitivity
Vented LF enclosure
1.25" voice coil (titanium diaphragm) HF
PRO™ Driver protection circuit
Time Path™ phasing plug
Multi-angled housing
Five 3/8"-16 hanging points
EVI-15
•
•
•
•
•
•
•
•
Two-way, full-range loudspeaker
High sensitivity
Vented LF enclosure
1.25" voice coil (titanium diaphragm) HF
PRO™ Driver protection circuit
Time Path™ phasing plug
Multi-angled housing
Five 3/8"-16 hanging points
VI Horn
Frequency range (-3 dB)
Recommended high-pass frequency
Sensitivity (SPL 1 W/1 m)
Max. SPL/1m (calc.)
Long-term power handling
Short-term power handling
Coverage (H° x V°)
LF driver
HF driver (exit)
Crossover frequency
Nominal impedance (minimum)
Input connections
Dimensions (H x W at front x D)
Net weight
EVI-12
EVI-15
EVI-28
45 Hz–20 kHz
—
99.5 dB
129 dB
250 W
1,000 W
60° x 65°
12"
1” (DH2010A)
2,000 Hz
8Ω
screw terminal
554 x 356 x 699 mm
21.8" x 14" x 27.5"
21.8 kg (48 lbs)
45 Hz–20 kHz
—
100 dB
129.5 dB
250 W
1,000 W
60° x 65°
15"
1" (DH2010A)
2,000 Hz
8Ω
screw terminal
584 x 429 x 766 mm
23" x 16.9" x 30.2"
24.0 kg (53 lbs)
62 Hz–20 kHz
—
93 dB
123.5 dB
250 W
1,000 W
65° x 65°
2 x 8"
1” (DH2010A)
2,000 Hz
8Ω
screw terminal
353 x 496 x 523 mm
13.9" x 19.5" x 20.6"
16.3 kg (36 lbs)
7
EV Innovative Design
•
•
•
•
•
•
Dual Woofers for extended bass, greater power handling and output.
Coherent Coverage Waveguide Horn design on models 4.2 and 6.2.
Dual Low-Frequency Ports provide extended bass output.
Treated Woofer Cones for added weather resistance and increased reliability.
Durable Zinc-Plated Steel Grille.
Cast Aluminum Strong-Arm-Mount™ (SAM™) system provides excellent strength
and reliability.
• Over 100 degrees of swing and 90 degrees of rotation for incredible installation flexibility.
• Simple Keyed Hex Head Adjustments make installations quick and easy.
• Titanium Dome Tweeters with Neodymium Magnet structures provide clean highs
and added weather resistance.
• One-piece ABS Cabinet provides outstanding strength and acoustic rigidity.
• Smooth Lines and Innovative Cosmetic Design complement any décor or environment.
• Magnetically Shielded Transducers allow placement close to sensitive equipment.
Design goes audio...
“EVID products are an important part of the ‘Fun Ship’ entertainment experience for our guests. In addition to being visually appealing, EVID offers
great sound and dependable performance, regardless of sea conditions.”
Craig Palcisko, audio supervisor, Carnival Cruse Lines.
8
EVID 3.2/3.2T
•
•
•
Two-way full range
Vented LF enclosure
0.75" voice coil (titanium diaphragm) with Neodymium
magnetic structure
Full-bandwidth overload protection for HF and LF
Three-dimensional ellipse (for compact look)
Magnetically shielded for video applications
Comes with Strong Arm Mount (SAM™) and a hex key
Suspension insert for SAM™; safety point on rear side
•
•
•
•
•
EVID 4.2/4.2T
• Two-way full range
• Vented LF enclosure
• 1" voice coil (titanium diaphragm) with Neodymium
magnetic structure
• HF section features Coherent Coverage Waveguide™
to minimize interference
• Full bandwidth overload protection for HF and LF
• Three-dimensional ellipse (for compact look)
• Magnetically shielded for video applications
• Comes with Strong Arm Mount (SAM™) and a hex-key
• Suspension insert for SAM™, safety point on rear side
EVID 6.2/6.2T
•
•
•
•
•
•
•
•
•
•
Two-way, high-output full range
Vented LF enclosure
High sensitivity
1" voice coil (titanium diaphragm) with Neodymium
magnetic structure
HF section features Coherent Coverage Waveguide™
to minimize interference
Full bandwidth overload protection for HF and LF
Three-dimensional ellipse (for compact look)
Magnetically shielded for video applications
Comes with Strong Arm Mount (SAM™) and a hex key
Suspension insert for SAM™; safety point on rear side
EVID 12.1
•
•
•
•
•
•
•
Subwoofer
Slot-loaded port design
Dual-voice-coil, high-excursion transducer
High sensitivity
Built-in stereo crossover with high-pass output
Trapezoidal
Comes with mounting bracket (passed EIA 636 at
a safety factor of 8:1) for on-wall or corner mounting
• One safety 3/8"-16 eyebolt included
• Suspension inserts and 2 x 3/8" hanging inserts
• Powered version (120v only) available
Frequency response (-10 dB)
Sensitivity (SPL 1 W/1 m)
Max. SPL/1m (calc.)
Long-term power handling
Short-term power handling
Transformer taps
(transformer version only)
Coverage (H° x V°)
LF driver
HF driver
Nominal impedance (non-transformer version)
Minimum impedance (non-transformer version)
Input connections
Dimensions (H x W at front x D)
Net weight (incl. mounting bracket)
Shipping weight (pair)
EVID 3.2/T
EVID 4.2/T
EVID 6.2/T
EVID 12.1
85 Hz–20 kHz
87 dB
112 dB
75 W
300 W
70V: 5 W
100V: 10 W
140° x 100°
2” x 3.5"
0.75"
8
6
spring terminal
234 x 127 x 165 mm
9.2" x 5.1" x 6.5"
1.5 kg (3.3 lbs)
3.9 kg (8.6 lbs)
65 Hz–20 kHz
89 dB
115 dB
100 W
400 W
70V: 3.75 W
70V/100V: 7.5 W, 15 W, 30 W
120° x 80°
2” x 4"
1"
8
6
spring terminal
310 x 175 x 216 mm
12.2" x 6.9" x 8.5"
3.9 kg (8.5 lbs)
8.6 kg (19 lbs)
62 Hz–20 kHz
94 dB
122 dB
150 W
600 W
70V: 7.5 W
70V/100V:15 W, 30 W, 60 W
100° x 80°
2” x 6"
1”
8
6
spring terminal
419 x 228 x 298 mm
16.5" x 9" x 11.75"
5.3 kg (12 lbs)
12.3 kg (27 lbs)
40 Hz–140 Hz
100 dB
128 dB
175/175 W
700/700 W
—
—
—
12"
—
8
6
spring terminal
412 x 584 (at front) x 305 mm
16.25" x 23" x 12"
18.1 kg (40 lbs)
20 kg (48 lbs)
9
Accessories
Premium Surface-Mount Speakers
Mounting Brackets
AB-34 and AB-64 360-degree Kits
The AB-34 and 64 series kits feature a 4-sided powder-coated steel
mounting assembly that allows 4 EVID speakers to be mounted in an
array to cover a 360-degree pattern. The mount offers additional
flexibility in EVID system designs. The AB-34 works with the EVID
3.2 series and can be used with a threaded rod for suspension from
the ceiling. The AB-64 is used with the EVID 4.2 or 6.2 series and can
be used with a speaker stand tripod or hung from the ceiling using a
threaded rod as shown. All necessary accessories and parts needed
for use are included.
AB-32 and AB-62 180-degree Kits
The AB-32 and AB-62 series kits feature a 2-sided powder-coated
steel mounting assembly allowing for 2 EVID speakers to be mounted
in an array to cover a 180-degree pattern. The AB-32 works with the
EVID 3.2 series and can be used with a threaded rod for suspension
from the ceiling. The speakers can then be positioned on the bracket to cover a variety of patterns to best serve the installation requirements. The AB-62 allows the EVID 4.2 or 6.2 series speakers to be
used with a speaker stand tripod or hung from the ceiling using a
threaded rod as shown. All necessary accessories and parts needed
for use are included.
Tabletop Stands
HS-3 Horizontal Tabletop Stand
The HS-3 horizontal tabletop stand allows the EVID 3.2 or 4.2
orientation on a table, meter bridge, desk, bookshelf or other flat
surface. Ideal for portable applications, the stands are made
of steel for strength and durability and include rubber feet to
protect surfaces. Sold in pairs.
Other Accessories
TC Series Terminal Covers
The TC-4 and TC-6 terminal covers protect the input connections on
the EVID speakers from the long-term effects of moisture. The
covers are available for the EVID 4.2 and 6.2 series models. The covers easily attach to the rear input panel of the speaker and include a
weatherproof cable connector.
MA-3 Mic Stand Adapter
The MA-3 is a microphone stand adapter that allows use of the EVID
3.2 with a standard boom mount microphone stand. Two adapter
pieces allow a solid and secure junction between the microphone
boom on one side and the microphone stand side on the other.
10
EVID Ceiling Speakers
The Intelligible Choice
The key features
No matter what the installation calls for, the new EVID ceiling
speaker line can fill the need. Each model is unique and
designed to meet the toughest “problem” job specifications.
Sonically superior and esthetically pleasing, the EVID ceiling
speaker line has no match. From the compact, powerful C4.2
to the exclusive waveguide-coupled design of the C8.2HC
(patent pending) for high-ceiling environments; the EVID ceiling line will solve any installation requirement. All models
meet NFPA/UL requirements for air handling spaces so they
will be approved for any specification including emergency
notification applications. The EVID ceiling speaker line was
designed with the contractor and listener in mind. Great
sound, simple installation, and exceptional value are all part of
every model.
•
EVID C4.2
EVID C8.2
Perfect for conventional rooms.
Excellent bandwidth in an esthetically, unobtrusive installation profile. Its
compact design fits in tight areas.
Fully rated for use in air handling
spaces. Its 4” woofer and waveguide
coupled titanium coated dome
tweeter give smooth, wide frequency response. The enclosure is ported
and tuned to provide surprising bass
response in such a compact package.
Features an easy 3-point mounting
system for quick installations. Comes
complete with mounting support
ring and tile rails. No additional
accessories needed for most installations.
Never before has a ceiling speaker
system delivered such a full range
punch. Its specially tuned enclosure
and 8” woofer provide amazing bass
response. The 1” waveguide coupled
tweeter give smooth controlled coverage out to 18 kHz. Perfect for
installations where a flush-mount
design is desired but demand for high
quality audio exists. Features a 4point mounting system which makes
installations fast and easy. Comes
complete with mounting support ring
and tile rails. No additional accessories needed for most installations.
A low-profile version (LP) is available
for ceiling spaces with tight clearance.
•
•
•
•
•
Acoustically matched to the EVID surface mount
speaker line
Meets UL and NFPA regulations for air handling spaces
Regardless of the acoustic and esthetic requirements
there is an EVID ceiling monitor system to fit the requirements
Solves any installation challenge
Either 70V/100V or 8 ohm operation is standard on
every model of the EVID ceiling speaker line. No need
to buy or stock special versions!
All installation accessories commonly needed for most
jobs are included! No expensive add-ons are necessary!
EVID C8.2HC
EVID C10.1
The EVID C8.2HC is ideal for high ceiling and reverberant “problem” rooms.
Its exclusive ported, waveguide-coupled
8” driver provides for excellent intelligibility and definition. The C8.2HC’s
patent pending design provides great
coverage control throughout the voice
range and above. No other speaker
system provides the combination of
excellent pattern control, wide bandwidth, high power handling and compact design like the C8.2HC. Features
a secure 4-point mounting system
which makes installations fast and
easy. Comes complete with mounting
support ring and tile rails. No additional accessories needed for most installations.
The C10.1 packs a large 10” subwoofer
in a tuned high-performance enclosure
to give amazing low frequency performance down to 45Hz! The C10.1 is
one of the only quick-mount ceiling
TRUE subwoofers available on the
market. Flexible installation and powerful low-end performance make this
an ideal companion to any EVID model.
Features a secure 4-point mounting
system which makes installations fast
and easy. Comes complete with mounting support ring and tile rails. No additional accessories needed for most
installations.
EVID C4.2
EVID C8.2LP
EVID C8.2
EVID C8.2HC
EVID C10.1
LF Transducer
4”
Polypropylene cone
8”
Polypropylene cone
8”
Polypropylene cone
10”
Polypropylene cone
HF Transducer
25 mm (1”)
25 mm (1”)
19 mm (0.75”)
Ti Mylar Laminate Dome
Ti Mylar Laminate Dome
Ti Mylar Laminate Dome
65 Hz - 20 kHz
50 Hz - 20 kHz
50 Hz - 20 kHz
80 W (overload protected)
100 W (overload protected)
100 W (overload protected)
130° conical
110° conical
110° conical
86 dB
91 dB
91 dB
8 Ohms, 70 V, 100 V
8 Ohms, 70 V, 100 V
8 Ohms, 70 V, 100 V
(1.88*), 3.75, 7.5, 15, 30
(1.88*), 3.75, 7.5, 15, 30
(1.88*), 3.75, 7.5, 15, 30
176 x 181mm
178 x 270 mm
255 x 270 mm
10.04” x 10.63”
7.01” x 10.65”
6.93” x 7.13”
2.7 kg (6.0 lbs.)
5.0 kg (11.0 lbs.)
5.0 kg (11.0 lbs.)
Ported cabinet, internally damped
Two-Way, inc. passive crossover
Steel enclosure and UL94V-0 rated baffle and bezel
Integrated 3-point toggle anchors
Powder-coated steel
White (paintable surface)
8”
Polypropylene cone
+Waveguide
25 mm (1”)
Ti Mylar Laminate Dome
50 Hz - 20 kHz
100 W (overload protected)
75° conical (@ >1 kHz)
93 dB
8 Ohms, 70 V, 100 V
(7.5*), 15, 30, 60
303 x 320 mm
11.99” x 12.60”
6.0 kg (13.2 lbs.)
Frequency Response (-10 dB)
Power Handling(8 Ohms)
Coverage Pattern
Sensitivity (1W/1m)
Input Configuration
Transformer Power Taps (W)
Dimensions (H x Dia.)
Weight
Acoustic Design
Cabinet Construction
Mounting System
Grille Construction
Available Colors
*70 V only
45 - 180 Hz
150 W
180°
94 dB
8 Ohms, 70 V, 100 V
(7.5*), 15, 30, 60
303 x 320 mm
11.99” x 12.60”
7.0 kg (15.4 lbs.)
Dual ported cabinet,
internally damped
11
FRi / FRi+ Series
FRi systems are finished in black acrylic with 13-ply birch
plywood and have a black powder-coated metal grille.
Designed from the ground up for safe, attractive installations, FRi-122/64 and FRi-152/64 have the same 28-inch
(711 mm) height as FRi-181S for uniform array appearance.
FRi+ adds the performance of the large-format DH7 driver
and the choice of more coverage pattern.
FRi Series brings premium EV components, including the
DH2T compression driver and DL series woofers, to a new
level of affordability. The FRi Series provides exceptional
value where flexibility and performance is required in permanent installations. Suspension is achieved by using the
numerous threaded mounting points. These allow flexible
installation in any situation.
FRi-2082/28LPM
•
•
•
•
•
356 mm
222 mm
2-Way Full-range
Vented LF enclosure
1” voice coil
Low-profile slanted design
45° angle allows under-balcony,
on-wall and stage monitoring applications
• Only FRi-2082 comes with mounting bracket!
• 2 x 3/8”-16 suspension points
FRi-122/64/85
• 2-Way Full-range
• Vented LF enclosure
• 2” voice coil (titanium
diaphragm)
• Trapezoidal(15° per side)
• Comes with 4 eyebolts
• 12 x 3/8”-16
suspension points
• Horn not rotatable in
85 version
FRi+122/64/66/94
•
•
•
•
•
•
•
Input-panel of a
FRi-152/64
12
Two-way full-range
loudspeaker
Switchable between
full range and biamp
Vented LF enclosure
3” voice coil (titanium
diaphragm)
Trapezoidal cabinet
(15° per side)
Comes with four eye
bolts
Twelve 3/8”-16
suspension points
FRi / FRi+ Series
FRi-152/64/85
FRi+152/64/66/94
• 2-Way Full-range
• Solid bass down to
42 Hz (-10 dB) allows
pure full-range
performance
• Vented LF enclosure
• 2” voice coil
(titanium diaphragm) HF
• Trapezoidal (15° per side)
• Comes with 4 eyebolts
• 12 x 3/8”-16 suspension
points
• Horn not rotatable in 85
version
•
•
•
•
•
•
•
•
Two-way, full-range loud
speaker
Solid bass to 42 Hz (-10 dB)
allows pure full-range
performance
Switchable between
fullrange and biamp
Vented LF enclosure
3” voice coil
(titanium diaphragm) HF
Trapezoidal cabinet
(15° per side)
Comes with four eyebolts
Twelve 3/8”-16 suspension
points
FRi+181S
• Subwoofer
• Vented slot load design
• Built-in low-pass filter (switchable
for biamp operation)
• Trapezoidal (7.5° per side)
• Comes with 4 eyebolts
• 16 x 3/8”-16 suspension points
FRi-2082
Frequency Range (-10 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
(Biamp mode)
Max. SPL /1 m (calc.); full space
Continuous Power Handling (Biamp op.)
Peak Power Handling (Peak)
Coverage (nominal -6 dB) (H° x V°)
LF woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance (Biamp)
Input Connections
Dimensions (H x W at front x D)
Net Weight
FRi-122/64/85 / FRi+122/64/66/94
50 Hz - 15 kHz
50 Hz (12 dB/Oct.)
97 dB
(97/112 dB)
122 dB
128 dB
200 W
300 W (300 W/60 W)
800 W
1,200 W
100° x 100° (CD Horn)
60° x 40°/80° x 50° (FRi)
60° x 40°/60° x 60°/90° x 40°(FRi+)
50mm x 203 mm (2” x 8”)(---) 304mm (12”) (DL12BFH)
25 mm (1”) (compr. driver)
25 mm (1”) (DH2T)/1.4” (DH7) (FRi+)
2,800 Hz
1,600 Hz
8Ω
8 Ω (8 Ω/8 Ω)
Barrier strips
Dual barrier strips
222 x 620 x 356 mm
711 x 401 x 445 mm
8.75” x 24.5” x 14”
28” x 15.9” x 17.6”
27.3 kg (60 lbs.)/29.5 kg (65 lbs.)
18.2 kg (40 lbs.)
55 Hz - 20 kHz
50 Hz (12 dB/Oct.)
93 dB
FRi-152/64/85 / FRi+152/64/66/94
FRi+181S
42 Hz - 15 kHz
40 Hz (12 dB/Oct.)
98 dB
(98/112 dB)
129.5 dB
350 W (350 W/60 W)
1,400 W
60° x 40°/80° x 50° (FRi)
60° x 40°/60° x 60°/90° x 40°(FRi+)
1391 mm (5”) (DL15BFH)
25 mm (1”) (DH2T)/1.4” (DH7) (FRi+)
1,600 Hz
8 Ω (8 Ω/8 Ω)
Dual barrier strips
711 x 483 x 589 mm
28” x 19” x 23.2”
31.8 kg (70 lbs.)/34 kg (75 lbs.)
36 - 160 Hz
36 Hz (12 dB/Oct.)
97 dB
129 dB
400 W
1,600 W
300° x 270°
457 mm (18”) (DL18MT)
--130 Hz
8Ω
Dual barrier strips
711 x 597 x 762 mm
28” x 23.5” x 30”
45.5 kg (100 lbs.)
13
FRX+ & FRX+PI-Systems
FRX+ Series loudspeakers are designed for applications in
critical reverberant spaces where excellent directivity control
is mandatory. Typical small-sized speaker systems are not
able to maintain their rated coverage angles below 2000 Hz.
Their wide beamwidth in the low midband is accompanied
by serious degradation of speech intelligibility and clarity of
music signals in such hostile environments.
EV´s FRX+ systems are troubleshooters concerning these
problems, providing excellent wideband directivity control.
The all-horn-loaded, coaxial design comes up with sufficient
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radiation surface to enable narrow coverage angles down to
250 Hz at moderate cabinet sizes.
FRX+ cabinets are texture-painted, 7-ply plywood with
powder-coated steel grille backed with foam.
For outdoor purposes, FRX+ PI models are equipped with
weatherized woofers, powder-coated stainless-steel grilles
backed with multilayer foam and covered glandnut input
panels.
FRX+ & FRX+PI-Systems
FRX+640 (60° x 40°)
FRX+660 (60° x 60°)
FRX+940 (90° x 40°)
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Available as
weatherresistant
PI-Version
Two-way, high-output, full-range loudspeaker
High sensitivity: 101 dB/1W/1m (passive); 109 HF/105 LF
Coaxial horn-loaded
Vented LF horn enclosure
2" voice coil (titanium diaphragm) HF
Trapezoidal cabinet (15° per side)
L-Track hardware (top/bottom)
Four single-stud Ancra® fittings included
3/8"-16 suspension point (rear)
Same dimensions as FRX-181
for uniform array appearance
PRO™ Driver protection circuit
Time Path™ phasing plug
Directivity to 500 Hz
DX38 presets for excellent directivity control
FRX+181
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Subwoofer
Direct-radiating vented design
Trapezoidal cabinet (15° per side)
L-Track hardware (top/bottom)
Four single-stud Ancra® fittings included
3/8"-16 suspension point (rear)
Same dimensions as FRX-640/660/940
for uniform array appearance
Solid response to 35 Hz (-10 dB)
Maximum crossover point of 800 Hz allows
combinations with HP horns.
Coverage angles are greater than
100° x 100° at 800 Hz
FRX+640
FRX+660
FRX+940
FRX+181
Frequency range (-3 dB)
Recommended high-pass frequency
Sensitivity (SPL 1 W/1 m)
Max. SPL/1m (calc.)
Long-term power handling (biamped)
Short-term power handling
Coverage (H° x V°)
50 Hz–20 kHz
—
105 dB
133 dB
400 W (400 W/60 W)
1,600 W
60° x 40°
50 Hz–20 kHz
—
105 dB
133 dB
400 W (400 W/60 W)
1,600 W
60° x 60°
50 Hz–20 kHz
—
105 dB
133 dB
400 W (400 W/60 W)
1,600 W
90° x 40°
43 Hz–1,000 Hz
35 Hz (12 dB/Oct.)
96 dB
128 dB
400 W
1,600 W
omni
Directivity Index
14.1 dB (+1.9/-3.5 dB)
500 Hz–16 kHz
15" (DL15)
1" (DH2T)
1,350 Hz
8 Ω (8 Ω/8 Ω)
Dual barrier strips
787 x 719 x 660 mm
31" x 28.3" 26"
68.95 kg (152 lbs.)
13.7 dB (+2.5/3.3 dB)
500 Hz–16 kHz
15" (DL15)
1" (DH2T)
1,350 Hz
8 Ω (8 Ω/8 Ω)
Dual barrier strips
787 x 719 x 660 mm
31" x 28.3" 26"
68.95 kg (152 lbs.)
13.4 dB (+2.9/-3.2 dB)
500 Hz–16 kHz
15" (DL15)
1" (DH2T)
1,350 Hz
8 Ω (8 Ω/8 Ω)
Dual barrier strips
787 x 719 x 660 mm
31" x 28.3" 26"
68.95 kg (152 lbs.)
3.8 dB
50 Hz–200 Hz
18" (DL18MT)
—
—
8Ω
Dual barrier strips
787 x 719 x 660 mm
31" x 28.3" 26"
45.5 kg (105 lbs.)
LF driver
HF driver (exit)
Crossover frequencies (passive mode)
Nominal impedance (biamped)
Input connections
Dimensions (H x W at front x D)
Net weight
15
MH-Series Stadium Horns
MH-Series stadium horns are designed for large-scale stadiums and arenas where high-fidelity sound and directivity
control from low mid-bass frequencies and below are
absolutely essential. In 1974, EV pioneered the concepts of
constant directivity (horn angles that are constant with frequency) and Manifold® technology (which combines the
MH640AC/MH640AP
MH660AC/MH660AP
MH940AC/MH940AP
(60° x 40°)
(60° x 60°)
(90° x 40°)
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Two-way, high output mid/high CD horn system
High sensitivity: 107 dB/1 W/1 m
Coaxial horn-loaded
P version has passive crossover
Water-resistant Kevlar® epoxy cone
MB horn features Aperiodic Enhancer™ phase plug
2" voice coil (titanium diaphragm)
HF driver protection circuit
Uniform directivity control to 500 Hz
All models have same dimensions for uniform-looking arrays
4 Integral hanging points
MH 4020 AC
MH 6040 AC
MH 9040 AC
(40° x 20°)
(60° x 40°)
(90° x 40°)
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Frequency range (-3 dB)
Recommended high-pass
frequency
Sensitivity (AC;AP) (SPL 1 W/1 m)
Max. SPL/1m (calc.)
Long-term power handling (AC;AP)
Short-term power handling (AC;AP)
Coverage (H° x V°)
Directivity Index (500 Hz–20 kHz)
LF driver
HF driver (voice coil)
Crossover frequencies
(slope in biamp mode)
Nominal impedance
Minimal impedance (mid-bass)
Input connections
Dimensions
(H x W at front x D)
Net weight
(Large format: without HF driver)
16
outputs of multiple transducers into one source). Largeformat MH horns incorporate both in several horn/
driver systems. Medium-format MH horns are excellent
for short/medium throw applications or as infills for largeformat MH-horns.
2-way coaxial horn-loaded system
Very high sensitivity
Very high maximum SPL
Full-range down to 100 Hz (-10 dB)
Mid-Bass section features Aperiodic Enhancer™ and Manifold® Technology
Water resistant (incl. Kevlar® epoxy cone)
HF-horn with 2-inch throat diameter (Driver is of the designer´s choice)
Excellent uniform directivity control down to low frequencies
Same front dimensions for uniform appearance when used in arrays
18 Integral hanging points
MH640/660/940AC/AP
MH 4020 AC
MH 6040 AC
MH 9040 AC
150 Hz–20 kHz
160 Hz (24 dB/Oct.)
100 - 20.000 Hz
130 Hz (24 dB/Oct.)
100 - 20.000 Hz
130 Hz (24 dB/Oct.)
100 - 20.000 Hz
130 Hz (24 dB/Oct.)
107/111 dB; 107 dB
138 dB
300 W/60 W; 300 W
1,200 W/240 W; 1,200 W
60° x 40°/60° x 60°/90° x 40°
13.7 dB/13.7 dB/12.6 dB
10" (DL10X)
2"(DH2T)
1,600 Hz
(24 dB/Oct.)
16 /8 (AC); 8(AP)
Dual barrier strips
686 x 686 x 711 mm
27" x 27" x 28"
27.2 kg (60 lbs.)
109 dB
146 dB
1.200 W
4.800 W
40° x 20°
18.0 dB
4 “x 10" (DL10X-SH)
2" (HP420A)
1.600 Hz
(24 dB/Oct.)
2x8
2 x 3.1
heavy-duty copper cable
1500 x 991 x 1880 mm
59’ x 39’ x 73.9”
108 kg (237 lbs.)
107 dB
141 dB
600 W
2.400 W
60° x 40°
13.8 dB (+0.9/-1.1 dB)
2” x 10" (DL10X-SH)
2" (HP640)
1.250 Hz
(24 dB/Oct.)
8
5.9
heavy-duty copper cable
1500 x 991 x 1873 mm
59” x 39” x 73.9”
75 kg (165 lbs.)
105 dB
139 dB
600 W
2.400 W
90° x 40°
10.2 dB (+0.9/-1.1 dB)
2” x 10" (DL10X-SH)
2" (HP940)
1.250 Hz
(24 dB/Oct.)
8
5.9
heavy-duty copper cable
1500 x 991 x 1534 mm
59” x 39” x 60.4”
75 kg (165 lbs.)
PLASMA P1 & P2
PLASMA™ P1 Plasma P1's compact, ergonomically
designed enclosure houses an EVX155RMD, Kevlar™-reinforced 15” LF transducer driven by a 4” voicecoil for welldefined transients and articulate vocals at all SPLs. The EV
ND-6 neodymium HF compression driver with a 3” voicecoil
coupled to an EV 80° x 55° horn provides extended HF
response with very low distortion. A two-channel class-H
amplifier provides a total of 700 watts of power but requires
NO fan, permitting quiet operation, low maintenance, and
long-term reliability. Coupled with signal processing for linear acoustic response, Plasma P1 delivers dynamic linearity
to very high SPLs. Equipped with three L-track attachment
points, Plasma can also be used with its proprietary PSA-V™
PLASMA P1
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(Plasma Strong-Arm-Mount-Vertical) mounting system for
easy flying and precise aiming. The multi-angle enclosure is
available in left and right versions, thus allowing a 55° monitor angle onstage and mirror-image monitoring.
PLASMA™ P2 Plasma P2 represents a new generation of
high-powered compact subwoofers. Designed to extend the
very low frequency response of Plasma P1, it uses a class
H-design amplifier driving an EVX180B 18” woofer. The
patented LPN™ (Low-Pass-Notch) filter compensates for
transient distortion in dynamic signals (such as kickdrums) to
achieve a higher acoustic output and more punch than
expected from such a compact enclosure.
(80° x 55°)
15” 2 - Way Powered
80 °x 55° Speaker System
Compact, ergonomically designed cabinet
550 W + 150 W dynamic output power
132 dB maximum SPL
EVX155RMD 15” LF transducer
ND6 HF compression driver
Simple, versatile suspensions with PSA-V™
(Plasma Strong-Arm-Mount-Vertical)
Frequency Response (-3 dB)
Frequency Range (-10dB)
Calc. Max SPL
Horizontal Coverage
Vertical Coverage
Amplifier Design
THD
Input Impedance
LF Amplifier Power
HF Amplifier Power
High Pass Crossover
(switchable)
Level Control
Input Sensitivity
LF Transducer
HF Transducer
Connectors:
Balanced Line Inputs
Balanced Output
Power Requirement
Enclosure Material
Cabinet Finish
Grille
Dimensions ( H x W x D) :
Net Weight
PLASMA P2
• 18” powered subwoofer
• Compact, ergonomically designed
cabinet
• 800W dynamic output power
• EVX180B direct radiating 18” woofer
• 132 dB maximum SPL
• Extended bass response
• Integrated heavy-duty casters for
easy transport
PLASMA P1
PLASMA P2
45 Hz - 17 kHz
38 Hz - 19 kHz
132 dB
80°
55°
Class H
<0.01%
20 kOhms
460W RMS (550W Peak)
140W RMS (150W Peak)
100 Hz
40 Hz - 100 Hz
30 Hz - 110 Hz
132 dB
Class H
<0.05%
20 kOhms
550W RMS (800W Peak)
-
-∞ to +6 dB
+ 6 dB for full output
381mm (15”) EVX155RMD
35,6 mm (1.4”) exit ND6
compression driver
-∞ to +6 dB
+ 6 dB for full output
460mm (18”) EVX180B
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XLR and 1/4” phone
Combination
XLR
100, 120, 230 or 240 VAC
50-60 Hz
13-ply Birch Plywood
EC Coat
Powder-Coated Steel
with cloth
615 x 475 x 400 mm
24.2” x 18.8” x 15.7”
42,3 kg (93 lbs)
XLR and 1/4” phone
Combination
XLR
100, 120, 230 or 240 VAC
50-60 Hz
13-ply Birch Plywood
EV Coat
Powder-Coated Steel
with cloth
910 x 476 x 600 mm
25.8” x 18.8” x 23.6”
63,6 kg (140 lbs)
17
QRx Series
where needed, while avoiding acoustic spill. EV’s powerhouse DH7 large-format driver (3” voicecoil, 1.4” exit)
provides the HF engine, while a selection of EV’s DL and
EVX woofers anchor the LF and sub frequencies. EV’s
combination of high-level components and unique design
make the QRx Series one of the best and most versatile
values in the industry.
EV’s compact QRx Series loudspeakers have become the
go-to systems for contractors, regional sound companies,
and anyone who wants to step up to high-end pro audio
without blowing the budget. With integrated L-track rigging points on top and bottom, the QRx cabinets are easy
to fly. The unique, asymmetrical, fully rotatable horn provides a 15-degree down angle to ensure HF coverage
QRx 112/75
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Easy operation
mode selection
2-Way High-Output Full-range
High Sensitivity
Ultra-linear frequency response
Solid bass down to 52 Hz (-10 dB)
Vented LF enclosure
Asymmetric CD-horn aimed downward by 10°
3” voice coil (titanium diaphragm)
Protection circuits for HF-driver and LF-woofer
Easy external operation mode selection
5-side multi-angled housing with monitor slant
QRx 115/75
QRx as monitor
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2-Way High-Output Full-range
High Sensitivity
Ultra-linear frequency response
Solid bass down to 50 Hz (-10 dB)
Vented LF enclosure
Asymmetric CD-horn aimed downward by 10°
3” voice coil (titanium diaphragm)
Protection circuits for HF-driver and LF-woofer
Easy external operation mode selection
5-side multi-angled housing with monitor slant
Same front width as QRx 118 S
QRx 212/75 / QRx 212H/75
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2-Way Highest-Output Full-range
High Sensitivity
Ultra-linear frequency response
Extended bass response down to 50 Hz (-10 dB)
Vented LF enclosure
Asymmetric CD-horn aimed downward by 10°
3” voice coil (titanium diaphragm)
Protection circuits for HF-driver and LF-woofers
Easy external operation mode selection
Trapezoidal (10° per side)
QRx 153/75
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Three-way, high-output, full-range loudspeaker
Biamp only
Solid bass to 42 Hz (-10dB)
Vented LF enclosure
Asymmetrical CD horn aimed downward by 10°
3” HF voice coil (titanium diaphram)
Protection circuit for HF driver
Trapezoidal cabinet (15° per side) for tightpack situations
Comes with L-track hardware and single-stud
ancra fittings
QRx 218 S
QRx 153/75
QRx 118 S
QRx 218 S
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Subwoofer
Direct radiating vented design
High Sensitivity
Solid bass down to 30 Hz (-10 dB)
Rectangular
Equipped with shown features below
Subwoofer
Direct radiating vented design
High Sensitivity
Solid bass down to 31 Hz (-10 dB)
Rectangular
Also perfect in combination with large HP
and MH horns
Equipped with shown features below
Flyable version available
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QRx subwoofer features
QRx 118 S
Rubber feet
QRx118
QRx218S
50 Hz - 15 kHz
38 - 250 Hz
35 - 250 Hz
43 Hz - 18 kHz
36 - 130 Hz
35 - 125 Hz
—
45 Hz (12 dB/Oct.)
36 Hz (12 dB/Oct.)
35 Hz (12 dB/Oct.)
98 dB
(101/112 dB)
98/105 dB
—
102 dB
(102/112 dB)
98 dB
—
99 dB
—
131 dB
130 dB
130 dB
136 dB
131 dB
140 dB
300 W (300 W/75 W)
400 W (400 W/75 W)
400 W/150 W/150 W
600 W (600 W/75 W)
600 W
1,200 W
1,200 W (1,200/300 W)
1,600 W (1,600/300 W)
1,600 W/600 W/600 W 2,400 W (2,400/300 W)
75° x 50°
(asym. CD horn)
75° x 50°
(asym. CD horn)
75° x 50°
(asym. CD horn)
75° x 50°
(asym. CD horn)
2 x 12” (DL12BFH)
QRx112/75
QRx115/75
QRx153
Frequency Range (-10 dB)
52 Hz - 18 kHz
45 Hz - 15 kHz
42 Hz - 20 kHz
Frequency Range (-3 dB) with controller amp
46 Hz - 18 kHz
48 Hz - 18 kHz
50 Hz - 16 kHz
Recommended High-pass frequency
45 Hz (12 dB/Oct.)
45 Hz (12 dB/Oct.)
Axial Sensitivity SPL 1W/1m
(Biamp operation)
98 dB
(100/112 dB)
Max. SPL / 1m (calc.)
Continuous Power Handling
Peak Power Handling (Biamp)
Coverage (nominal -6 dB) H° x V°
QRx(H) 212/75
LF woofer (transducer)
12” (DL12BFH)
15” (DL15ST)
15” (DL15ST)
VC diameter
3” (DH7)
3” (DH7)
8” MF8 MF/ 3” DH7 HF 3” (DH7)
2,400 W
4,800W
essentially
omni
essentially
omni
1x18”(EVX-1808)
2 x 18” (EVX-1808)
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Crossover Frequencies (slope in Biamp mode)
1,500 Hz (24 dB/Oct.)
1,500 Hz (24 dB/Oct.)
1,200 Hz
1,500 Hz (24 dB/Oct.)
100 Hz (24 dB/Oct.)
100 Hz (24 dB/Oct.)
Nominal Impedance (Biamp mode)
8 Ω (8 Ω/8 Ω)
8 Ω (8 Ω/8 Ω)
8 Ω/12 Ω/12 Ω
4 Ω (4 Ω/8 Ω)
8Ω
4/8 Ω
Input Connections
2 Neutrik® NL4
2 Neutrik® NL4
2 Neutrik® NL4
2 Neutrik® NL4
2 Neutrik® NL4
2 Neutrik® NL4
Dimensions (H x W at front x D)
675 x 390 x 372 mm
26.6” x 15.36” x 16”
759 x 450 x 407 mm
29.9” x 17.72” x 16.02”
1,240 x 467 x 485 mm
41.5” x 18.4” x 19.12”
990 x 390 x 375 mm
38.98” x 15.47” x 14.77”
900 x 450 x 600 mm
35.5” x 17.7” x 23.6”
11,015 x 560 x 600 mm
40” x 22.05” x 23.6”
Net Weight (subs without wheel kit)
26.0 kg (58 lbs.)
32.0 kg. (71 lbs.)
47 kg (97 lbs.)
36.5 kg. (80 lbs.)
47.5 kg (100 lbs.)
68 kg (150 lbs.)
19
The Advanced Generation of Versatile, High-Performance Lightweight Speakers
Founded on more than 20 years of experience in building
professional lightweight loudspeakers based on polypropylene enclosures and high-end components, ZX loudspeakers
comprise a new family that includes all of EV’s expertise in
sound reinforcement for mobile and fixed install business.
Incorporating brand-new, high-power series woofers and
drivers, the new elegant style molded cabinets combine
mechanical solutions for all permanent installation and mobile
stage application demands.
ZX5 family features
• DVX-3150 : New high-power 15" woofer
• ND2 : New 2" voicecoil Neodymium compression driver
• New asymmetrically molded polypropylene enclosure
• Internal passive crossover (switchable to biamp)
• 10 x metric inserts (M8)
• 3 Ancra single-stud fittings (5 attachment points)
• Integrated pole-mount adapter
• Powder-coated full-face steel grille backed with foam
• Standard floor monitor angle 45°, adjustable to 55°
with integrated monitor feet
ZX5 is available as 90° x 50° or 60° x 60°, in black or
white finish. Both horn patterns are also for outdoor
use, these black PI versions come up with powdercoated stainless steel grilles and waterproof glandnut
input panels with SJO cable.
Product Matrix
Model
Pattern
(H x V)
Color
ZX5-90B
ZX5-60B
ZX5-90W
ZX5-60W
ZX5-90PI
ZX5-60PI
90° x 50°
60° x 60°
90° x 50°
60° x 60°
90° x 50°
60° x 60°
black
black
white
white
black
black
Weatherresistant IP44
X
X
*
Frequency range (+/-3 dB)
Recommended Hi-Pass Frequency
Axial sensitivity SPL 1W/1m
Maximum SPL (calc.); full space
Long Term Power Handling (LF/HF)
Short Term Power Handling
(Peak) (LF/HF)
Coverage, H° x V°
(nominal -6 dB)
LF transducer
HF transducer
Crossover Frequencies
Nominal Impedance (LF/HF)
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight
20
ZX5-60
ZX5-90
(B, W & PI Versions)
(B, W & PI Versions)
52-16 kHz
36 Hz
98 dB
132 dB
600 W (500W/40W)
2,400 W (2000W/160W)
60° x 60°
90° x 50°
15" DVX-3150
2" ND2
1.500 Hz
8 Ohms (8/8 Ohms)
6.5 Ohms
2 x four-pin Speakon / glandnut SJO cable (PI versions)
692 x 446 x 411 mm (27.24” x 17.56” x 16.18”)
22.5 kg (49.6 lbs.)
The Advanced Generation of Versatile, High-Performance Lightweight Speakers
Sharing an enclosure with it's "big brother" the ZX5, the
ZX4 is designed mainly for portable applications such as
performing artist, musicians and small bands. It benefits
from the same large format EV horn design that provides
better throw and better intelligibility then small format
horn, which can only control the higher frequencies, but
not the entire vocal range.
ZX4 features
• 15-2-Way with EVS15SF woofer
• DH3 1,25" titanium HF driver
• 400 Watt cont. 1600W Peak
• High sensitivity (100dB)
• Adjustable monitor angles 45° and 55°
• Large Format 90° x 50° EV horn
ZX4
Frequency Response* (-3 dB)
Frequency Response* (-10 dB)
Power Handling (long term/Peak)
Sensitivity 1W/1m
Max SPL (calc.)
Low Frequency Driver
High Frequency driver
Box Tuning Frequency
X-over frequency
Impedance (nom./min.)
Dispersion (H x V)
Input connector
Suspension:
Dimensions H/W/D
Net Weight
Shipping Weight
* Half Space
60 Hz - 20 kHz
42 Hz - 20 kHz
400W/1600W
100 dB
132 dB
EVS15SF, 15” woofer
DH3, 1.25” voice coil compression driver
50 Hz
1500 Hz
8 Ohms / 6.5 Ohms
90° x 50°
Speakon NL4
enclosure has locations for 3 single stud
attachment plates and 8 forged steel
eyebolts-2 on top, 2 on side, and 4 on
rear of enclosure
686mm x 445mm 406mm
(27.00" x 17.50" x 16.00")
20.2kg (44.5 lbs)
23.8kg (52.5 lbs)
21
Compact Flexibility - Performance - Design
The ElectroVoice ZX1 family of speaker systems is truly an
industry first. Never before has a single speaker design been
so closely customized to a wide range of audio applications.
Consisting of 8 distinct versions, a ZX1 model is available to
ZX1 features
• EV8L high performnace 8" woofer
• Exclusive port design for extended LF response
• 200W cont., 400W program power handling,
• Integrated overload protection
• DH2005 true compression driver (1,25" voice coil)
• Rotatable 90 x 50 HF horn
• Integrated monitor angle
• Integrated pole-mount adapter and handle
• 4 metric inserts for additional mounting options
• 2 Neutik NL4 connectors
• Available in black and white
22
fit the need whether it’s part of a portable PA for a local
band or a large distributed sound system for a major audio
installation.
Delivering on this promise for fixed audio installations, the
ZX1i model is the new standard of no compromise audio performance and versatility in an easy to install, lightweight and
compact package. Finally, a compact high performance loudspeaker system designed exclusively for the professional contractor to use in dozens of different fixed installations. It
doesn’t matter if your requirements are providing a compact
sound reinforcement system in a church, a complex background music system in a sports bar or other high-energy
environment or fill sound in a large auditorium, the ZX1i can
solve the problem.
ZX1i features
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EV8L weatherized woofer
DH2005 true compression driver
100 x 100 and 90 x 50 coverage pattern
Weatherized for indoor and outdoor use
"Clickn' Mount" Quick SAM mounting system for
wide range of motion included
4-pin detachable Phoenix-style connector
Dedicated transformer models with wide range of selectable tabs
Frequency range (-10 dB)
Recommended Hi-Pass Frequency
Axial sensitivity SPL 1W/1m
Maximum SPL (calc.); full space
Long Term Power Handling (LF/HF)
Short Term Power Handling
(Peak) (LF/HF)
Coverage, H° x V°
(nominal -6 dB)
LF transducer
HF transducer
Crossover Frequencies
Nominal Impedance (LF/HF)
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight
ZX1-90
ZX1i-90
ZX1i-100
ZX1i-100t
(Portable Version)
(Fixed Install Version)
(Fixed Install Version)
(70v/100v Version)
48 Hz - 20 kHz
48 Hz - 20 kHz
48 Hz - 20 kHz
48 Hz - 20 kHz
94 dB (1W/1m)
123dB
200W Continuous
400W Program
94 dB (1W/1m)
123dB
200W Continuous
400W Program
92 dB (1W/1m)
121dB
200W Continuous
400W Program
92 dB (1W/1m)
121dB
200W Continuous
400W Program
90° or 50°
90° or 50°
100°
100°
EV8L, 8 in (203mm)
DH2005, 1 in. (25.4mm)
EV8L, 8 in (203mm)
DH2005, 1 in. (25.4mm)
EV8L, 8 in (203mm)
DH2005, 1 in. (25.4mm)
EV8L, 8 in (203mm)
DH2005, 1 in. (25.4mm)
8 Ohms
8 Ohms
4-Pin detachable
17.15”x11.12”x10.35”
451mm x 282mm x 263mm
8.4kg (18.5 lbs)
4-Pin detachable
17.15”x11.12”x10.35”
451mm x 282mm x 263mm
10.4kg (23.0 lbs)
8 Ohms
Two NL4 Connectors
17.15”x11.12”x10.35”
451mm x 282mm x 263mm
8.4kg (18.5 lbs)
4-Pin detachable
17.15”x11.12”x10.35”
451mm x 282mm x 263mm
8.4kg (18.5 lbs)
23
Sx-SeriesTM
EV’s Sx Series loudspeakers have been the industry standard for lightweight, high-performance loudspeakers, a
standard against which all others are measured. Their versatility is reinforced by their rich portfolio of accessories,
from wall-mount and array brackets to monitor feet and
Sx 80
Sb 122/PI/PIX
•
•
•
•
•
•
•
•
•
•
•
2-Way Full-range
Vented LF enclosure
1” voicecoil (titanium
diaphragm)
PRO™ Driver protection
HF-horn features Varipath™
Trapezoidal
Compact dimensions
7 x M6 and 4 x M5 inserts
For overview of variants, see
chart at right
Sx 100 +
Sx 300/PI/PIX
•
•
•
•
•
•
•
•
•
•
•
•
•
2-Way Full-range
Vented LF enclosure
1.25” voice coil
(titanium diaphragm)
PRO™ Driver protection circuit
HF-horn features Varipath™
Trapezoidal (25° per side)
Physical characteristics of
Sx 300 with slightly lower
sensitivity
4 x M8x1.25 attachment inserts
•
•
•
•
•
•
•
24
transport bags. The Sx series has powered everything
from local wedding bands to the clogs of “Riverdance” to
football games at Notre Dame Stadium, and the new
Sx600 dominated the stadiums at the 2004 Olympic
Summer Games in Athens, Greece.
2-Way Full-range
High Sensitivity
Ultra-linear frequency response
Vented LF enclosure
1.25” voice coil
(titanium diaphragm)
PRO™ Driver protection circuit
HF-horn features Varipath™
Trapezoidal (25° per side)
4 x M8x1.25 attachment inserts
Overview of variants see
right spread sheet
Sx300 PI outdoor version
Sx300 PIX for 70V/100V
•
•
•
•
•
Subwoofer
Direct radiating
vented design
Trapezoidal (25° per side)
Lo-Pass Filter
4 x M8x1.25 attachment
points
Sb122PI outdoor version
Sb122PIX fro 70V/100V
Sx 250
•
•
•
•
•
•
•
•
•
•
2-Way Full-range
Extended bass response
15” DL-Woofer
1.25” titanium diaphragm
80 x 55 degree horn pattern
18mm plywood enclosure
Rugged FUTURATM finish
Five sided, multi-angle cabinet
Built-in stand mount
Suspendable using optional SK-1 kit
Sx 500 +
•
•
•
•
Sx600 PI/PIX
2-Way High-Output Fullrange
High sensitivity
Short horn-loaded, vented LF enclosure
Asymmetric CD horn aimed downward
by 10°
2” voice coil (titanium diaphragm)
PRO™ Driver protection circuit
HF horn features Varipath™
Operation mode by pin arrangement
Multi-angled array housing
8 x M8 x 1.25 attachment points
•
•
•
•
•
•
•
•
•
•
•
•
•
Two-element vertical line array
For highest output outdoors
Very high sensitivity (105 dB/1W/1m)
High intelligibility
Two 12” woofers
DH2T driver on 65° x 65°Varipath horn
All-weather cabinet
• SuperSAM mounting,
60° x 180° adjustable
• Waterproof connection
by SJO cable with gland nut
• Internal 600 W transformer
available (SX600PIX)
Sx 500 PI +
•
Weatherproofed version of Sx 500+ for
outdoor applications
Weather-resistant woofer
Polyester-mesh water shield
Comes with foam part plugs
for increased water resistance
•
•
•
Feature overview for Sx-Series™
input connectors
Sx 80 B/W
Sx 80 BE
Sx 80 TB/TW
X
X
X
X
X
X
X
Sx 100 + E/W
Sx 300 E/EW
Sx 300 PI
Sx 300 PIX
X
X
X
X
X
X
X
X
X
X
Sx 500 +
Sx 500 PI +
Sx600(PI)
SX600PIX
Sb 122
X
X
X
X
X
X
X
X
X
100/140/200W
(100V taps)
X
Sx 80
Frequency Range (-10 dB)
51 Hz - 20 kHz
Recommended High-Pass Frequency
--Axial Sensitivity SPL 1W/1m (Biamp mode)
92 dB
Max. SPL / 1m (calc.); full space
121 dB
(100V: 110 dB)
Long-Term Power Handling (low Z)
175 W
(100V resp. Biamp)
(60 W/100V)
Short-Term Power Handling (Peak), low Z
700 W
Coverage (nominal -6 dB) H° x V°
90° x 60°
(CD Horn)
Directivity Index (800 - 16.000 Hz)
9.2 dB
(+2.3/-3.9 dB)
LF woofer (transducer)
8" (---)
HF throat diameter (transducer)
1" (DH2005)
2,200 Hz
Crossover Frequencies
8Ω
Nominal Impedance (non-transformer)
7.2 Ω
Minimum Impedance (non-transformer)
see above
Input Connections
400 x 292 x 222 mm
Dimensions (H x W at front x D)
Net Weight
1.9/3.8/7.5/
15/30/60 W
X
PIX
X
X
X
X
X
X
X
PI
X
X
X
X
X
push-pins
Speakon
covered barrier strip
X
X
X
X
2 Speakon
2 Speakon
2 Speakon
2 Speakon (100V taps
via Pin arangement)
Speakon
Speakon
Connectors (SJO cable with gland nut)
Connectors (SJO cable with gland nut)
Speakon
X
X
X
X
X
Sx 100 +
Sx 300
Sx 250
Sx 500+
Sx600PI
Sb 122
60 Hz - 20 kHz
--98 dB
127 dB
50 Hz - 20 kHz
--99 dB
131 dB
(100V: 123 dB)
300 W
(200 W/100V)
1,200 W
65° x 65°
(CD Horn)
11.1 dB
(+2.4/-4.1 dB)
12" (DL12BFH)
1" (DH2010A)
1,500 Hz
8Ω
6.0 Ω
2 four-pin Speakon
50 Hz - 20 kHz
45 Hz (12 dB/Oct.)
99 dB
130 dB
43 Hz - 20 kHz
43 Hz (12 dB/Oct.)
100 dB
132 dB
70 Hz - 18 kHz
90 Hz
105 dB
138 dB
45 - 600 Hz
48 Hz (12 dB/Oct.)
99 dB*
131 dB*
350 W
400 W
600 W
400 W
1,400 W
80° x 55°
1,600 W
75° x 60°
2,400 W
65° x 65°
1,600 W
essentially omni
11.6 dB
(+3.0/-6.9 dB)
15"(DL15BFH)
1"(DH2010A)
1,600 Hz
8Ω
5.2 Ω
2 four-pin Speakon
15.2 dB
(+3.0/-6.9 dB)
15"(DL15ST)
1"(DH2T)
1,600 Hz
8Ω
5.2 Ω
2 four-pin Speakon
11.3 dB
---
2 x 12” (ND12,DL12BFH)
1”(DH2T)
1,800 Hz
4Ω
3.5 Ω
SJO cable/gland nut
12" (EVS12)
160 Hz
8Ω
6.0 Ω
2 four-pin Speakon
586 x 429 x 312 mm
23.07” x 16.89” x 12.28”
14.5 kg (PIX: 17.7 kg)
30 lbs. (PIX: 49.0 lbs.)
625 x 431 x 330 mm
24.6” x 16.97” x 12.99”
18.1 kg
39.9 lbs.
838 x 673 x 448 mm
32.99” x 26.5” x 17.64”
31.3 kg
69 lbs.
1163 x 429 x 312 mm
45.79” x 16.89” x 12.28”
36.3 kg
80 lbs.
586 x 429 x 312 mm
23.07” x 16.89” x 12.28”
14.6 kg
32.2 lbs.
200 W
800 W
65° x 65°
(CD Horn)
11.1 dB
(+2.4/-4.1 dB)
12" (---)
1" (DH2010A)
1,500 Hz
8Ω
5.6 Ω
see above
586 x 429 x 312 mm
15.75” x 11.5” x 8.75” 23.07” x 16.89” x 12.28”
8.2 kg (T/PIX: 9.3 kg)
14.5 kg
18.1 lbs. (T/PIX: 20.5 lbs.)
32 lbs
25
SxA Series
SxA100+
Versatile 12", 2-way powered speaker
• Very compact, lightweight, robust polypropylene enclosure
• Real fullrange 55 Hz – 20k Hz for front-of house or monitor (with F200
monitor adapter)
• Biamped with 350 W plus 80 W peak power for a very dynamic musical response
• Mixable microphone and line inputs with a 2-band EQ
• 65° x 65° CD horn from the famous Sx 300 for an outstanding
acoustic performance
• Fully compatible with Sx mounting hardware and accessories
• Pole-mount adapter
SxA100+ / SXA360
SxA250
SxA360
Compact 15”, 2-way powered speaker
The lightweight power package
• 7-ply plywood enclosure with EV Coat cover;
extremely scratch resistant
• 5-side enclosure with 45° monitor angle
• True fullrange (55Hz – 20kHz) for front-of-house or
monitor applications
• Biamped at 350W plus 80W peak power for a very
dynamic musical response
• Mixable microphone and line inputs and a 2-band EQ
• EV DL15 woofer with cast aluminium frame
• DH2010A 1.25" driver with 80° x 55° CD horn
• Pole-mount adapter
• 129 dB SPL max. from a 36.6-lb. powered speaker
• 55 Hz - 20 kHz bandwidth for front-of-house or
monitor
• DH2T 2" driver on 65° x 65° CD horn
• Built-in pole-mount adapter
• Built-in two-way amplifier: 350 W(LF)/150 W(HF)
output power
• Fits all Sx300 mounting accessories
• Line in and loop thru via XLR
• PowerCon AC power connector
SbA760
Powered subwoofer
•
•
•
•
•
•
•
•
760 W amplifier power
Compact, ergonomic design for easy transportation
15” EVS15 woofer
Built-in stereo crossover with PowerMax12 filter
LPN filter for extended bass response
Dynamic Limiter and full protection package
Integrated pole mount
EV Coat-covered, four-wheeled cabinet
SxA250
Sb760
Frequency Response (-10dB)
Rated Output Power
long term
10ms burst
Max. Sound Pressure Level
HF Coverage (nominal)
Components
LF
HF
Inputs
Level Controls
2-Band EQ
Power Requirement
Dimensions
(heights x width x depth)
Weight (net)
26
SxA100+
SxA250
SxA360
SbA760
55Hz to 20kHz
55Hz to 20kHz
60Hz to 18kHz
45 Hz - 150 Hz
760 W
LF150/HF 50Watts
LF350W/HF 80W
124 dB
65° x 65°
LF150/HF 50Watts
LF350W/HF 80W
126 dB
80° x 55°
LF350W/HF 150Watts
129 dB
65° x 65°
128 dB
—
12“ woofer
DH 2010A
Microphone Input (XLR)
Line Level Input (XLR/1/4“)
XLR out (slave)
Mic Level (-35 dBu to 0 dBu
Master Level (- infinity to 0 dB)
LF: +/- 6dB
HF: +/- 4dB
120V or 220-240V 50/60Hz
586 x 429 x 312 mm
23.07” x 16.89” x 12.28”
19,5 kg (43 lbs.)
DL15BFH
DH 2010A
Microphone Input (XLR)
Line Level Input (XLR/1/4“)
XLR out (slave)
Mic Level (-35dBu to 0dBu
Master Level (- infinity to 0dB)
LF: +/- 6dB
HF: +/- 4dB
120V or 220-240V 50/60Hz
625 x 437 x 333 mm
24.60” x 17.20” x 13.11”
22,2 kg (48.94 lbs.)
DL12BFH
DH2T
XLR and 1/4” phone Combination
EVS 15 S
XLR
Line level
(-infinity to +6dB)
120V or 220-240V 50/60Hz
586 x 429 x 312 mm
23.07” x 16.89” x 12.28”
16,6 kg (36.6 lbs.)
2 x XLR/jack combo input
2 x XLR slave through
2 x XLR Mid/Hi out
-infinity to +10 dB
—
120V or 220-240V 50/60Hz
603 x 428 x 665 mm
23.74” x 16.85” x 26.18”
43 kg (94.8 lbs.)
T - Series
T-Series is optimized for the best performance and price for
the mobile audio market. It uses the finest EV components:
DL woofers, HP horns and DH2T 2” coil compression driver.
All HF drivers are protected by the famous PRO™ circuit.
T221M is made of 13-ply; T251+/T252+ are made of 7-ply.
All cabinets are black carpet covered except T221M which is
black texture painted. T251+/T252+ are trapezoidal 10° per
side. T251+ features a stand mount. T-Series is protected by a
black full-face perforated heavy-duty metal grille.
T251+
• Two-way, 15” medium-throw,
full-range system
• DL15RMD 15” woofer for
great bass and a high degree
of midrange clarity
• Integral stand-mount adapter
fits the optional 100BK stand
• RMD™
• Biampable
T18
• 18” LF system
• DL18MT 18” woofer adds more bass
impact to other T-Series™ systems
• Unique SubScoop™ enclosure combines
the low-frequency extension of a
vented box with the punch and throw
of horn loading
• Includes mounting socket and 30”
steel pole for full-range satellite
systems
T252+
• Two-way, dual-15”, mediumthrow, full-range system
• Dual DL15RMD woofers combine for powerful bass output
and high sensitivity
• Frequency shading (roll-off) of
the lower woofer above 400 Hz
keeps midrange output clean
and free of interference lobes
• Biampable
T221
• Two-way, 12”, mediumthrow, full-range system
• High-performance 12” woofer
• Integral stand-mount adapter
accommodates the optional
100BK stand
• Biampable
MTL-1X
• Dual-18” low-frequency system
• Unique SubScoop™ enclosure
combines the punch and directionality of a horn with the
extended response of a
vented box
• EVX-180B ultrahigh-performance
600-watt woofers for maximum
output
T18
T221
T251+
T252+
MTL-1X
Frequency Range (-10 dB)
33 - 250 Hz
70 Hz - 16 kHz
45 Hz - 16 kHz
44 Hz - 16 kHz
45 - 160 Hz
Recommended High-Pass Frequency
33 Hz (12 dB/Oct.)
80 Hz (12 dB/Oct.)
45 Hz (12 dB/Oct.)
44 Hz (12 dB/Oct.)
38 Hz (12 dB/Oct.)
Axial Sensitivity SPL 1 W/1 m
(Biamp operation)
99 dB
100 dB (100/112 dB)
98 dB (98/112 dB)
101 dB (101/112 dB)
101 dB
Max. SPL /1 m (calc.); full space
132 dB
133 dB
130 dB
136 dB
137 dB
Continuous Power Handling
400 W
400 W (400 W/60 W)
400 W (400 W/60 W)
800 W (800 W/60 W)
1,200 W
Peak Power Handling (Peak)
1,600 W
1,600 W
1,600 W
3,200 W
4,800 W
Coverage (nominal -6 dB) H° x V°
Omnidirectional
Omnidirectional
Directivity Index
60° x 40° (CD Horn)
60° x 40° (CD Horn)
60° x 40° (CD Horn)
9.5 dB (+2.0/-1.5 dB)
800 Hz - 16 kHz
12.6 dB (+9.4/-9.3 dB)
500 Hz - 16 kHz
12.6 dB (+9.4/-9.3 dB)
500 Hz - 16 kHz
LF woofer (transducer)
18” (DL18MT)
12” (DL12ST)
15” (DL15ST)
2 x 15” (DL15ST)
2 x 18” (EVX-180B)
HF throat diameter (transducer)
—
1” (DH2T)
1” (DH2T)
1” (DH2T)
—
Crossover Frequencies
(slope in Biamp mode)
250 Hz or below
—
2,600 Hz
1,200 Hz
(12 dB/Oct. LP, 18 dB/Oct. HP)(24 dB/Oct.)
1,200 Hz
(24 dB/Oct.)
160 Hz or below
—
Nominal Impedance (Biamp mode)
8Ω
8 Ω (8 Ω/8 Ω)
8 Ω (8 Ω/8 Ω)
4 Ω (4 Ω/8 Ω)
4Ω
Minimum Impedance (Biamp mode)
6.6 Ω
7 Ω (7 Ω/6.3 Ω)
6 Ω(6 Ω/6.3 Ω)
3.2 Ω (3.2 Ω/6 Ω)
3Ω
Input Connections
1/4”
2 four-pin Speakon®
2 four-pin Speakon®
2 four-pin Speakon®
2 four-pin Speakon®
Dimensions (H x W at front x D)
833 x 630 x 609 mm
714 x 417 x 480 mm
818 x 488 x 599 mm
1,245 x 488 x 599 mm
1,160 x 572 x 758 mm
(in floor position)
Net Weight
32.8” x 24.8” x 24.5”
28.1” x 16.4” x 18.9”
32.2” x 19.2” x 23.6”
49.0” x 19.2” x 23.6”
45.8” x 22.5” x 29.9”
49.4 kg (109 lbs.)
22.3 kg (55 lbs.)
35.5 kg (78.1 lbs.)
52.0 kg (114 lbs.)
75 kg (165 lbs.)
27
Gladiator
The Electro-Voice Gladiator G115 Top and G118 Sub are a powerful combination for
modern dance music reproduction. Built-in passive crossovers allow one amplifier channel to
drive both the sub and the full-range speaker, forming a true 3-way system.
G115
Frequency Range (-10 dB)
Power Handling Continuous (EIA)
Power Handling short term
Sensitivity (1W/1m)
Max. SPL / 1m (calc.)
Coverage (nominal -6 dB) H° x V°
LF woofer (transducer)
HF throat diameter (transducer)
Nominal Impedance
Dimensions (H x W x D)
Net Weight
G115
G118
Gladiator System
35 Hz - 20 Hz
400 W
1,600 W
99 dB
131 dB
60° x 40°
EVS-15FR
1” DH2010A
8Ω
760 x 438 x 559 mm
29.92” x 17.24” x 22”
34.1 kg (75.2 lbs.)
32 Hz - 20 kHz
400 W
1,600 W
99 dB
131 dB
essentially omni
EVS-18S
--8Ω
760 x 508 x 591 mm
29.92” x 20” x 23.27”
36.3 kg ( 80 lbs.)
32 Hz - 20 kHz
800 W
3,200 W
100 dB
134 dB
60° x 40°
EVS-15FR + EVS-18S
DH2010A
4Ω
2.160 x 508 x 591 mm
85.04” x 20” x 23.27”
70.4 kg (155.2 lbs.)
G118
Eliminator i
Eliminator i®
Eliminator i® is black carpet covered, made of EV´s Road-Wood.
The Eliminator i® family, except Eliminator ii®, have a 35 mm stand
mount. Eliminator i®-SE comes with a 45 cm steel pole and contains a combined electrical/acoustical low-pass filter designed for
parallel combinations especially with the Eliminator i®-E. The HF
section is protected by a PRO™ circuit.
Eliminator KW
Eliminator ii
Eliminator i E
Eliminator i Sub E
Eliminator ii E
Eliminator kW
Frequency Range (-10 dB)
45 Hz - 20 kHz
38 - 100 Hz
45 - 20 kHz
35 - 160 Hz
Recommended High-Pass Frequency
40-50 Hz (18 dB/Oct.)
40-50 Hz (18 dB/Oct.)
40 Hz (18 dB/Oct.)
—
Axial Sensitivity SPL 1 W/1 m
99 dB
98 dB
100 dB
101 dB
Max. SPL /1 m (calc.); full space
99 dB
130 dB
134 dB
137 dB
Continuous Power Handling
350 W
400 W
600 W
1,000 W
Peak Power Handling (Peak)
1,400 W
800 - 1,000 W
2,400 W
4,000 W
Coverage (nominal -6 dB) H° x V°
60° x 40° (CD horn)
Essentially omni
60° x 40° (CD Horn)
Essentially omni
LF woofer (transducer)
15” (DL15BFH)
18" (DL18MT)
2 x 15” (DL15BFH)
2 x 18” (DL18MT)
HF throat diameter (transducer)
1” (DH2010A)
1” (DH2010A)
—
—
Crossover Frequencies
1,600 Hz
—
700/1,600 Hz
160 Hz
Nominal Impedance
8Ω
8Ω
4Ω
4Ω
Minimum Impedance
5.3 Ω
5.1 Ω
3.3 Ω
—
Input Connections
Parallel 1/4” phone jacks
1/4” phone input
Parallel Neutrik® NL4
Parallel Neutrik® NL4
Dimensions (H x W x D)
768 x 429 x 609 mm
30.25” x 16.9” x 24”
859 x 438 x 610 mm
33.8” x 17.25” x 24.13”
1,162 x 429 x 609 mm
45.8” x 16.9” x 24.0”
1140 x 572 x 602 mm
44.9” x 22.5” x 23.7”
Net Weight
34.4 kg (76 lbs.)
39.5 kg (81 lbs.)
54 kg (110 lbs.)
65.8 kg (145 lbs.)
Eliminator i Sub
Force i®
Force i combines with EV’s Q44 power amplifiers to make a professional
live-performance system with components designed to play together.
Force i Two-Way Force i Sub
Force i Monitor
50 Hz–20 kHz
36–210 Hz
85 Hz–17 kHz
Continuous
250 watts
350 watts
200 watts
Peak
1,000 watts
1,400 watts
800 watts
Max. Output Capability
130 dB
131 dB
128 dB
Dispersion
80° x 55°
Omnidirectional
55° x 80°
Sensitivity
100 dB
100 dB
99 dB
Impedance
8Ω
8Ω
8Ω
Dimensions (Millimeters)
648 x 465 x 386
648 x 518 x 597
546 x 361 x 246
25.5 x 18.25 x 15.2
25.5 x 20.4 x 23.75
21.5 x 14.2 x 9.7
20.9 kg (46 lbs.)
31.3 kg (69 lbs.)
12.7 kg (28 lbs.)
Frequency Response (-3 dB)
Power Handling
Force i Sub
Force i
force i Monitor
28
(Inches)
Net Weight
Xi-Series™
Xi-Series™ brings premium touring-quality sound into
installation. Inspired by the features of EV´s acclaimed
X-Array™ touring systems, the Xi-Series™ incorporates a
potent combination of very-high-output and ultra-linear
short-, medium- and long-throw systems, in two-way,
three-way and four-way configurations. Xi-Series™ incorporates the acoustical advantage of EV´s unique Ring-Mode
Decoupling (RMD™) and features HP horns to secure excellent directivity control and even coverage.
A unique feature of the three-way systems is Vertical Beam
Shaping (VBS). The three-way systems may be in 2-element
or 3-element configuration to extend the vertical coverageangle control to as low as 125 Hz, well below that permitted
by the mid-bass horn alone (which typically has a band frequency of 800 Hz): Unprecedented performance in a onebox system!
To achieve sound performance without compromises, XiSeries™ is designed for multi-way active operation, except
Xi-1082 which contains a passive crossover network.
Xi-1082
•
•
•
•
•
2-Way Full-range
Vented LF enclosure
1.25” voice coil (titanium diaphragm)
Typical under-balcony slant also perfect
for front-stage and near-field use
2 x 3/8”-16 mounting bracket inserts
Xi-1122A/85F
•
•
•
•
•
2-Way Full-range
Vented LF enclosure
3” voice coil (titanium diaphragm) HF
Integrated 35 mm stand mount
Trapezoidal (15° per side)
Xi-1152A/64F
Xi-1152A/94F
•
•
•
•
•
•
(60° x 40°)
(90° x 40°)
2-Way Full-range
Solid bass down to 50 Hz (-3 dB)
Vented LF enclosure
3” voice coil (titanium diaphragm) HF
Integrated 35 mm stand mount
Trapezoidal (15° per side)
29
Xi-1123A/106F
•
•
•
•
•
•
•
•
Xi-2123A/106F
3-Way High-Output Full-range
Vented slot load designed LF enclosure
Horn-loaded MB/HF section fully rotatable
3” voice coil (titanium diaphragm) HF
Bypassable MB/HF passive crossover
VBS mode brings vertical directivity
control down to 250 Hz
Excellent directivity 500 Hz – 16 kHz
Trapezoidal (9° per side)
Xi 2123A
Xi-1183A/64F
•
•
•
•
•
•
•
Xi-1153A/64F
3-Way High-Output Full-range
Vented slot load designed LF enclosure
Coaxial horn-loaded MB/HF section fully rotatable
3” voice coil (titanium diaphragm) HF
VBS for vertical directivity control down to 200 Hz
Excellent directivity control
Trapezoidal (9° per side)
Xi-2122MHA/42F
Xi 1183A
Xi 1153A
Xi2122MHA
•
•
•
•
•
2-Way output Far-field
MB/HF section horn-loaded
Excellent directivity control
Trapezoidal (9° per side)
3” voice coil (titanium diaphragm) HF
Xi-1122MHA/64F
•
•
•
•
•
60° x 40° for near and mid field
MB/HF section horn-loaded
Excellent directivity control
Trapezoidal (9° per side)
3” voice coil (titanium diaphragm) HF
Xi 1122MHA
Xi-2153A/64F
•
•
•
•
•
•
•
30
Xi 2153A
3-Way High-Output Full-range
Vented slot load designed LF enclosure
Coaxial horn-loaded MB/HF section fully rotatable
3” voice coil (titanium diaphragm) HF
VBS mode brings vertical directivity
control down to 150 Hz
Excellent directivity control
Trapezoidal (9° per side)
Xi-Series™
Xi-1191A (F)
(F = flying version)
Xi-2181A (F)
(F = flying version)
•
•
•
•
•
•
1 x 18” Subwoofer 1191 (F)
2 x 18” Subwoofer 2181 (F)
Vented design
Superior linear excursion capability
Accurate transient detail
trapezoidal (9° per side)
Specification overview
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
Max. SPL / 1m (calc.); full space
Long-Term Power Handling
Short-Term Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
Max. SPL / 1m (calc.); full space
Long-Term Power Handling
Short-Term Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
Max. SPL / 1m (calc.); full space
Long-Term Power Handling
Short-Term Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight
Xi-1082
Xi-1122A/85F
Xi-1152A/64F
Xi-1152A/94F
50 Hz - 20 kHz
60-80 Hz (12 dB/Oct.)
90 dB
118 dB
175 W
700 W
90° x 40° (CD Horn)
11.2 dB (+1.8/-2.7 dB)
2.000 - 20.000 Hz
8" (---)
--1" (DH3)
3,500 Hz (passive)
8Ω
5.8 Ω
barrier strip
235 x 488 x 285 mm
9.25” x 11.21” x 11.22”
13.3 kg (29.3 lbs.)
58 Hz - 17 kHz
DX 38 preset
99/110 dB
130/135 dB
300/75 W
1.200/300 W
80° x 55° (CD Horn)
10.9 dB (+1.2/-2.9 dB)
1.200 - 16.000 Hz
12" (DL-type)
--1.4" (ND6-16)
DX 38 preset
8 Ω/16 Ω
8.5 Ω/13.4 Ω
2 four-pin Speakon
584 x 375 x 356 mm
22.99” x 14.76” x 14.01”
31.3 kg (69 lbs.)
50 Hz - 16 kHz
DX 38 preset
98/113 dB
132/138 dB
600/75 W
2.400/300 W
60° x 40° (CD Horn)
13.4 dB (+1.3/-2.3 dB)
1.200 - 16.000 Hz
15" (EVX-155)
--1.4" (ND6-16)
DX 38 preset
8 Ω/16 Ω
6.3 Ω/14.0 Ω
2 four-pin Speakon
759 x 450 x 413 mm
29.88” x 17.72” x 16.26”
40.8 kg (89.9 lbs.)
50 Hz - 16 kHz
DX 38 preset
98/112 dB
132/137 dB
600/75 W
2.400/300 W
90° x 40° (CD Horn)
12.3 dB (+0.7/-1.5 dB)
1.200 - 16.000 Hz
15" (EVX-155)
--1.4" (ND6-16)
DX 38 preset
8 Ω/16 Ω
6.3 Ω/12.2 Ω
2 four-pin Speakon
759 x 450 x 413 mm
29.88” x 17.72” x 16.26”
40.8 kg (89.9 lbs.)
Xi-1123A/106F
Xi-2123A/106F
Xi-1183A/64F
XI-1153A/64F
Xi-1122MH64
75 Hz - 17 kHz
DX 38 preset
96/107/112 dB
129/140/137 dB
300/300/75 W
1.200/1.200/300 W
100° x 60° (CD Horn)
10.3 dB (+1.4/-1.2 dB)
500 - 16.000 Hz
12" (DL-type)
10" (DL-type)
1.4 (ND6-16)
DX 38 preset
12 Ω/16 Ω/16Ω
8.7 Ω/9.6 Ω/12.4 Ω
2 eight-pin Speakon
801 x 456 x 473 mm
31.54” x 17.95 x 18.62”
52.2 kg ( 115 lbs.)
62 Hz - 18 kHz
DX 38 preset
100/107/112 dB
135/140/137 dB
600/300/75 W
2.400/1.200/300 W
100° x 60° (CD Horn)
10.1 dB (+1.6/-3.5 dB)
160 - 16.000 Hz
2 x 12" (DL-type)
10" (DL-type)
1.4 (ND6-16)
DX 38 preset
6 Ω/16 Ω/16Ω
4.7 Ω/10.3 Ω/12.6 Ω
2 eight-pin Speakon
1007 x 456 x 473 mm
39.65” x 17.95” x 18.62”
68.0 kg (149.9 lbs.)
66 Hz - 17 kHz
DX 38 preset
96/107/112 dB
128/138/137 dB
600/300/75 W
2.400/1.200/300 W
60° x 40° (CD Horn)
13.3 dB (+1.4/-1.1dB)
800 - 16.000 Hz
18" (EVX-180B)
12" (ND-12)
1.4" (ND6-16)
DX 38 preset
8 Ω/16 Ω/16Ω
7.7 Ω/8.7 Ω/13.1 Ω
2 eight-pin Speakon.
914 x 586 x 759 mm
36” x 23.07” x 29.88”
93.0 kg (205 lbs.)
48 Hz - 17 kHz
DX 38 preset
91.5/107/112 dB
125/138/137 dB
600/300/75 W
2.400/1.200/300 W
60° x 40° (CD Horn)
13.3 dB (+1.4/-1.1dB)
800 - 16.000 Hz
15" (EVX-155)
12" (DL12ST)
1.4" (ND6-16)
DX 38 preset
8 Ω/16 Ω/16
7.5 Ω/8.7 Ω/13.1
2 eight-pin Speakon.
914 x 586 x 759 mm
36” x 23.07” x 29.88”
93.0 kg (205 lbs.)
125 Hz - 20 kHz
Dx38 preset
110/112 dB
141/137 dB
300/75 W
1.200/300 W
60° x 40° (CD Horn)
13.4 dB (+2.0/-1.8 dB)
800 - 16.000 Hz
--12" (ND-12)
1.4" (ND6-16)
Dx38 preset
16 Ω/16
9.9 Ω/12.9
2 eight-pin Speakon
596 x 584 x 759 mm
23.47” x 22.99” x 29.88”
61 kg (136 lbs.)
Xi-2153A/64 F
Xi-1191A
Xi-2181A (F)
55 Hz - 18 kHz
DX 38 preset
100/107/112 dB
133/138/137 dB
1.200/300/75 W
4.800/1.200/300 W
60° x 40° (CD Horn)
13.4 dB (+1.4/-1.2 dB)
800 - 16.000 Hz
2 x 15" (EVX-155)
12" (DL-type)
1.4” (ND6-16)
DX 38 preset
4 Ω/16 Ω/16Ω
3.8 Ω/8.9 Ω/13.1 Ω
2 eight-pin Speakon
1.233 x 586 x 759 mm
48.54” x 23.07” x 29.88”
109 kg (240 lbs.)
37 Hz - 160 Hz
DX 38 preset
94 dB
128 dB
600 W
2.400 W
essentially omni
2.7 dB (+1.0/-0.6dB)
63 - 100 Hz
18" (EVX-180B)
----DX 38 preset
8Ω
6.7 Ω
2 eight-pin Speakon
914 x 586 x 759 mm
35.98” x 23.07” x 29.88”
68.0 kg (149.9 lbs.)
38 Hz - 160 Hz
DX 38 preset
99 dB
136 dB
1.200 W
4.800 W
essentially omni
3.4 dB (+1.4/-0.9dB)
63 - 200 Hz
2 x 18" (EVX-180B)
----DX 38 preset
2x8Ω
2 x 6.0 Ω
2 eight-pin Speakon
914 x 586 x 759 mm
35.98” x 23.07” x 29.88”
83.5 kg (184 lbs)
Xi-2122MHA/42F
120 Hz - 16 kHz
Dx38 preset
112/116 dB
146/144 dB
600/150 W
2.400/600 W
40° x 20°(CD Horn)
17.2 dB (+2.0/-2.7 dB)
800 - 16.000 Hz
--2 x 12" (ND12)
2 X 1.4” (ND6-16)
Dx38 preset
8 Ω/8Ω
4.9 /7.0
2 eight-pin Speakon
914 x 584 x 759 mm
35.98” x 22.99” x 29.88”
86.3 kg (190 lbs.)
31
X-Array™
X-Array™ speaker systems provide world-class performance
and flexibility for the ultimate in concert touring systems. It
incorporates unique “one-man“ rigging and neodymium
magnets for very large arrays.
The X-Array™ X-Series™ represents important advancements in concert-sound reinforcement technology. Design
goals called for the highest acoustic output capability with
the highest fidelity in relatively lightweight, compact enclosures that were easy to array. The individual systems, drivers,
horns, enclosures, rigging hardware and system configurations were designed from the ground up specifically for this
high-performance application. For easier handling, special
speaker dollies are available.
RMD™ X-Array™’s design process also resulted in the
development of EV’s most ingenious acoustic technologies,
RMD™. RMD™ gives X-Array™ unprecedented acoustic
output and excellent directivity control.EV´s traditional topdown development strategy ensured the incorporation of
this essential acoustic advantage into other EV products.
Rigging for Large Arrays: unique rear-hinge system for
fast, easy and secure rigging. A 64-box hang goes up or
32
down in 30 minutes. Front rigging straps control vertical
aiming, rear fixed hinge makes tilting easy. Mating positioning recesses on cabinet tops and bottoms help to assemble
and disassemble an array on the ground, a layer at a time. A
detailed flying manual and structural ratings handbook is
available. The X-Array™ one-person rigging hardware has
earned German TÜV approval.
Neodymium magnetics: for lighter weight and maximum
acoustic output. All 12-inch mid-bass transducers are the
ND12A, for a 3-dB average increase in output. Neodymium
in the ND6-16 compression driver increases output in the
upper octaves. The ND6-16 driver features a 3” titanium
diaphragm.
Amping and Controller: X-Array™ is powered by EV´s
world-famous Precision Series™ amplifiers and controlled by
Klark Teknik DN9848 digital 4-in/8-out controller, DSP controlled Precision Series amplifiers, or the Electro-Voice Dx38
for flexible and easy configurations.
X-Array™ is constructed from 13-ply birch plywood finished in black textured paint and protected by a powdercoated steel front grille backed with foam.
Xf
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•
•
•
•
Xn
2-way output far-field
MB/HF section horn-loaded
Height same as Xn, Xb
Excellent directivity control
Trapezoidal (9° per side)
Xb
• 3-way output near-field
• MB/HF section horn-loaded
and rotatable
• Height same as Xf, Xb
• Excellent directivity control
• Trapezoidal (9° per side)
•
•
•
•
•
High-output LF cabinet
Manifolded, vented design
Height same as Xn, Xf
Accurate transient detail
Trapezoidal (9° per side)
Xf, Xn and Xb look
identical
Xcn
Xcb
Sketch of a Xf
• 2-way output near-field
• Height same as Xcb
• MB/HF section identical to
Xn and rotatable
• Excellent directivity control
• Trapezoidal (9° per side)
•
•
•
•
•
•
High-output LF cabinet
Vented design
Height same as Xcn
Equivalent to half of an Xb
Accurate transient detail
Trapezoidal (9° per side)
Xcn and Xcb look
identical
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
Max. SPL / 1m (calc.); full space
Long-Term Power Handling
Short-Term Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight
Frequency Range (-3 dB)
Recommended High-Pass Frequency
Axial Sensitivity SPL 1W/1m
Max. SPL / 1m (calc.); full space
Long-Term Power Handling
Short-Term Power Handling (Peak)
Coverage (nominal -6 dB) H° x V°
Directivity Index
LF woofer (transducer)
MB woofer (transducer)
HF throat diameter (transducer)
Crossover Frequencies
Nominal Impedance
Minimum Impedance
Input Connections
Dimensions (H x W at front x D)
Net Weight
Xds
Xw 12A / Xw 15A
• Extraordinary output
low-end sub
• Manifolded, vented design
• Accurate transient detail
• Trapezoidal (18° per side)
• Designed for ground
stacking
• 2-way high-output
Floor monitor
• Vented LF enclosure
• 3” voice coil (titanium
diaphragm) for low distortion
• Two symmetrical 55° angles
Xf
Xn
Xcn
Xb
125 Hz - 20 KHz
Systemcontroller
112/116 dB
146/144 dB
600/150 W
2.400/600 W
40° x 20° (CD Horn)
17.2 dB (+2.0/-2.7 dB)
800 Hz - 16 KHz
125 Hz - 20 KHz
Systemcontroller
110/112 dB
141/137 dB
300/75 W
1.200/300 W
60° x 40° (CD Horn)
13.4 dB (+2.0/-1.8 dB)
800 Hz - 16 KHz
2 x 12" (ND12A)
2 x 1.4" (ND6-16)
Dx38 preset
8 Ω/8 Ω
4.9 Ω/7.0 Ω
2 eight-pin Speakon
914 x 584 x 759 mm
36” x 22.99” x 29.88”
87.1 kg (192 lbs.)
48 Hz - 20 KHz
Systemcontroller
95/110/112 dB
129/141/137 dB
600/300/75 W
2.400/1.200/300 W
60° x 40° (CD Horn)
13.7 dB (+1.4/-1.4 dB)
800 Hz - 16 KHz
18" (EVX-180B)
12" (ND12A)
1.4" (ND6-16)
Dx38 preset
8 Ω/16 Ω/16 Ω
6.5 Ω/9.4 Ω/14.0 Ω
2 eight-pin Speakon
914 x 584 x 759 mm
36” x 22.99” x 29.88”
87.1 kg (192 lbs.)
12" (ND12A)
1.4" (ND6-16)
Dx38 preset
16 Ω/16 Ω
9.9 Ω/12.9 Ω
2 eight-pin Speakon
596 x 584 x 759 mm
23.47” x 22.99” x 29.88”
60.8 kg (134 lbs.)
37 Hz - 200 Hz
Systemcontroller
98.5 dB
135 dB
1.200 W
4.800 W
240° x 300° (63-200 Hz)
3.4 dB (+1.4/-0.9 dB)
63 - 200 Hz
2 x 18" (EVX-180B)
----Dx38 preset
2x8Ω
2 x 6.4 Ω
2 eight-pin Speakon
914 x 584 x 759 mm
36” x 22.99” x 29.88”
83.5 kg (184 lbs.)
Xcb
Xds
Xw12A
Xw15A
37 Hz - 200 Hz
Systemcontroller
95 dB
129 dB
600 W
2.400 W
300° x 270° (63-200 Hz)
2.7 dB (+1.0/-0.6 dB)
63 - 200 Hz
18" (EVX-180B)
----Dx38 preset
8Ω
5.6 Ω
2 eight-pin Speakon
596 x 584 x 759 mm
23.47” x 22.99” x 29.88”
32 Hz - 200 Hz
Systemcontroller
100 dB
137 dB
1.200 W
4.800 W
180° x 200° (63-200 Hz)
4.8 dB (+2.1/-1.7 dB)
63 - 200 Hz
2 x 18" (EVX-180B)
----Dx38 preset
2x8Ω
2 x 6.1 Ω
2 eight-pin Speakon
914 x 1.166 x 759 mm
35.98” x 45.91” x 29.88”
55.8 kg (123 lbs.)
121.0 kg (266.8 lbs.)
65 Hz - 16 KHz
Systemcontroller
98/110 dB
129/135 dB
300/75 W
1.200/300 W
55° x 80° (CD Horn)
11.6 dB (+2.3/-2.1dB)
1,200 Hz - 16 KHz
12" (DL-type)
DL12ST
1.4" (ND6-16)
Dx38 preset
8 Ω/16 Ω
8.2 Ω/10.5 Ω
2 four-pin Speakon
534 x 449 x 313 mm
23” x 17.2” x 12.2”
(in floor position)
21.9 kg (48 lbs.)
55 Hz - 18 KHz
Systemcontroller
99/110 dB
133/135 dB
600/75 W
2.400/300 W
55° x 80° (CD Horn)
11.6 dB (+3.0/-3.6dB)
1,200 Hz - 16 KHz
15" (EVX-155)
--1.4" (ND6-16)
Dx38 preset
8 Ω/16 Ω
7.2 Ω/14.3 Ω
2 four-pin Speakon
644 x 452 x 340 mm
25.4” x 18” x 13.4”
(in floor position)
28.4 kg (62.5 lbs.)
33
X-Line™
Development of the new EV® X-Line™ system was driven by
the need for a high-level concert touring enclosure that combines the sonic impact and vocal intelligibility of the
renowned X-Array™ system with the uniform, predictable
coverage that only a line-array configuration can deliver. The
EV engineering team set out to develop the next generation
of line-array systems, combining their years of experience in
the development of X-Array™ with the absolute latest stateof-the-art technologies. As a matter of course, X-Line™ features the essential acoustical advantage of RMD™.
The X-Line™ system was designed to provide wide horizontal dispersion (90 degrees) from a single vertical line array
while providing exceptionally coherent wavefront summing
in the vertical plane. At the heart of X-Line™ is a proprietary
high-frequency wavefront alignment and summation device
– the Hydra™ – that provides planar and time-coherent
signal addition. The broad bandwidth vertical planar summing provides uniform sound field distribution throughout
the listening area.
Stereo imaging is improved by the X-Line™´s full-bandwidth
mid-bass loading. Extended low-frequency polar control produces more uniform power response, further enhancing overall system intelligibility. The overall power response of the XLine™ is very uniform across a wide frequency spectrum, thus
enabling the system´s very musical sonic character.
If every performance space conformed to the same acoustic
ideal, any linear loudspeaker array would suffice. But every
arena, concert hall, and stadium is a unique space, and the
one-box, one-dimensional design of most linear arrays just
can´t adapt. X-Line™ is different. X-Line™ combines the
power and vocal clarity of the X-Array™ with a versatile,
fully configurable linear array design, plus the efficiency of
one-person rigging.
X-Line™ lets you stack Xvls enclosures at the top of an array
for long throw with a 90° horizontal included angle,
followed by Xvlt enclosures for the shorter throw and 120°
horizontal coverage needed at the J-curve of the array.
Completing the X-Line™ system are Xsub subwoofers that
can be flown next to the main array or ground stacked.
X-Line™ is made of 13-ply birch plywood with structural
aluminum reinforcement and is finished with a rugged
foam-backed steel grille to protect the drivers. A user guide
with detailed specifications is available on request. ElectroVoice recommends using the Klark Teknik DN9848 or EV’s
Dx38 as the system controller, along with EV® P3000 power
amplifiers. P3000RL or TourGrade DSP-controlled amplifiers
provide the ultimate solution in control throught IRIS-Net™.
34
Xvlt
Xvls
•
•
•
•
•
•
High-output, three-way line-array system
Rectangular cabinet designed for upper section of linear array
90° horizontal coverage pattern ideal for long-throw
applications
New EV® Hydra™ time-synchronized HF vertical plane-wave
generator provides excellent far-field summing
Ring Mode Decoupling® (RMD®) provides levelindependent fidelity, greater midbass clarity, and high
frequency accuracy
Proprietary rigging allows for rapid venue load-in and
load-out
•
•
•
•
•
•
High-output, three-way line-array system
Five-degree trapezoidal cabinet design for lower "J" section
of linear array
120° horizontal coverage typical for medium-throw
assignment
New EV Hydra™ time-synchronized HF vertical plane wave
generator provides excellent far-field summing
Ring Mode Decoupling® (RMD®) provides level-independent
fidelity, greater midbass clarity, and high frequency accuracy
Proprietary rigging allows for rapid venue load-in and
load-out
Xsub/f
•
•
•
•
Xvls
Xvlt
High-output, line-array subwoofer system
Rectangular cabinet with footprint identical to other X-Line
systems
Can be flown or ground-stacked with non-flying version
Proprietary rigging allows for rapid venue load-in and
load-out
Xsub/f
Frequency range (-3 dB)
40 Hz–16 kHz
40 Hz–16 kHz
33–400 Hz
Recommended high-pass frequency
50 Hz
50 Hz
33 Hz
Sensitivity (SPL 1 W/1 m) (LF/MB/HF)
101 dB/111 dB/118 dB
101 dB/111 dB/117 dB
100/106 dB*
Max. SPL/1m (calc.) (LF/MB/HF)
132 dB/139 dB/142 dB
132 dB/139 dB/141 dB
131/137 dB*
Long-term power handling (LF/MB/HF)
1,200 W/600 W/225 W
1,200 W/600 W/225 W
1,200 W
Short-term power handling (LF/MB/HF)
4,800 W/2,400 W/900 W
4,800 W/2,400 W/900 W
4,800 W
Coverage (H° x V°)
90° x 5°
120° x 9°
200° x 325°
LF driver
2 x EVX-155 Plate
2 x EVX-155 Plate
2 x EVX-180B
MB driver
2 x ND08
2 x ND08
—
HF driver
3 x ND6
3 x ND6
—
Crossover frequencies
220 Hz/1,250 Hz
220 Hz/1,250 Hz
80 Hz
Nominal impedance
2 x 8 Ω/8 Ω/5.3 Ω
2 x 8 Ω/8 Ω/5.3 Ω
2x8Ω
®
®
Input connections
2 Neutrik NL8
2 Neutrik NL8
2 Neutrik® NL8
Dimensions (H [front/rear] x W x D)
494.3/494.3 x 1244.6 x 740.4 mm 494.3/429.7 x 1244.6 x 740.4 mm 494.3/494.3 x 1244.6 x 740.4 mm
19.46"/19.46" x 49" x 29.15"
19.46"/16.92" x 49" x 29.15"
19.46"/19.46" x 49" x 29.15"
92 kg (202 lbs.)
115 kg (253 lbs.)
117 kg (257 lbs.)
Net weight
* 1/2-space
35
The XLC SYSTEM
While the flagship X-Line meets the acoustical needs of the
largest venues and arenas, EV’s compact line-array, XLC, was
designed to match the demands for easy setup and transportation combined with outstanding sonic results in a large variety
of venue sizes.
SYSTEM FEATURES:
• Wide, constant horizontal coverage pattern of 120°
• Four-way system; bi- or tri-ampable fullrange cabinets
• Rigging hardware totally integrated into cabinets
• Front rigging/rear aiming concept enables precise
control of vertical line source pattern
XLC 127DVX / XLCi 127DVX
Main Cabinet
This cabinet is the main component in a XLC line array.
Starting with a minimum of four cabinets, a reasonable array
size uses six to eight boxes, up to a maximum of 16 for larger
arenas. The three-way axis-asymmetric design includes a single
EV DL-12 low-frequency/mid-bass woofer optimized for this
cabinet. Two 6.5” DVN2065 horn-loaded drivers in a vertical
array cover the mid-frequency bandpass.
The XLC127DVX utilizes two ND6 (3” voice-coil) neodymium
compression drivers loaded on two Hydra™ plane wave generators. With a horizontal coverage of 120°, the XLC system
accurately covers wide areas while maintaining excellent imaging and lobe-free coverage. This cabinet is also available with
dedicated rigging for fixed installations as XLCi 127DVX.
XLC 118 / XLCi 118
XLC 215 / XLCi 215
Subwoofer
If subwoofers shall be integrated in the array, or flown separately, XLC offers two options. The XLC118 is a direct radiating
18" sub using the EVX180B woofer. The XLC215 has the exact
same dimensions, but utilizes two of EV's latest15-inch DVXwoofers, the DVX3150. Flying subwoofers benefits in a more
even front-to- back SPL distribution. Both cabinets are also
available as i-versions for installations.
36
Specifications
Tecnical Specifications for XLC Cabinets
Specification
Xlc 127DVX / Xlci 127DVX
Xlc 118 / Xlci 118
Xlci215
Horizontal Coverage
120°
300°
300°
LF Power Handling
500 W cont./2000 W peak
600 W cont./2400 W peak
1000W/4800W
MB Power Handling
300 W cont./1200 W peak
—
—
HF Power Handling
150 W cont./600 W peak
—
—
Sensitivity (LF/MB/HF)
95 dB/101 dB/110 dB
102 dB*
103 dB*
Max. SPL (calc.)
126/130/138 dB
130/136 dB*
139 dB
LF Transducer
1 x 12” DVX3121
EVX180B
2xDVX3150
MB Transducer
2x DVN 2065
HF Transducer
2 x ND6-16
—
—
Connectors
2 Neutrik® NL8
2 Neutrik® NL8
2 Neutrik® NL8
Enclosure Material
EV®-coated plywood
EV®-coated plywood
EV®-coated plywood
Grille
Powder-coated steel
Powder-coated steel
Powder-coated steel
Environmental Specs
IEC 529 IP24
MIL STD 810
IEC 529 IP24
MIL STD 810
Dimensions (H x W x D)
362 x 991 x 572 mm
14.25” x 39 ” x 22.5”
546 x 991 x 572 mm
21.5” x 39” x 22.5”
546 x 991 x 572 mm
21.5” x 39” x 22.5”
Net Weight
50,4 kg (111 lbs)
54.5 kg (120 lbs)
54.5 kg (120 lbs)
*Half space environment
Xlc 127DVX shown
Perfect System Control using
RACE-processed presets for DX38
and P-Series RL Remote Amplifiers
Recommended System Drive for XLC (in triamp mode)
Cabinet:
XLC 127DVX
XLC 118
XLC215
HF:
CP3000S / P3000 RL / TG5
-
-
MB:
CP3000S / P3000 RL / TG5
-
-
LF:
CP3000S / P3000 RL / TG5
CP4000 S / P3000 RL
CP4000S/P3000RL/TG5
System Controller:
Dx38 or DSP Controlled Precision Series Amplifiers (RL) or Tour Grade
37
X–Line Very Compact
Designed for most demanding audio applications that
require the most compact format, X-Line Very Compact
offers a unrivaled combination of output capability, sonic
performance and size. Combined with the large amount of
accessories like coupler-grids, ground-stack kit and even
adapter grid to the bigger XLC, XLVC is a preferred choice
for concert applications as well as installations. While
expectations of audio performance in terms of SPL, natu-
ral response and uniform coverage have expanded,
demand for smaller and lighter sound systems has
increased. X-Line Very compact offers the best of both
worlds: XLD systems are capable of producing concert SPL
levels on full bandwidth in small to medium sized venues.
Smaller XLE-systems are ideal for critical audio requirements where overall cluster size is highest priority.
X-Line Very Compact
Two options of size and performance:
XLD or XLE
• Two ND2HF drivers for maximum
output & headroom
• Unrivaled even front-to-back and
side-to-side coverage
• Easy to set-up, transport and operate
• Complete system including DSP,
amplification, and rigging
38
X–Line Very Compact
EV’s Hydra™ used in X-Line and XLC has an overall height of
7-inches (17.5cm). In order to maintain the extraordinary HF
response, a new 4-inch (10cm) Hydra was developed to
match the DVN2080 8-inch woofer. Each of the two Hydras
is driven by the new ND2S, a 2” neodymium compression
driver. A single waveguide is fed with the plane wave from
the hydras resulting in wide bandwidth, even horizontal coverage, and predictable vertical coverage.
XLD281
• Full Bandwidth 3-way Element (60Hz-20kHz)
• Very Compact, Lightweight
• CCT ™ (Coverage Control Technology)
• 120° Horizontal Coverage to 250 Hz
• Simple, Quick Integrated Rigging
• Versatile Subwoofer Integration
• Bi-Amp or Tri-Amp Operation
• Neodymium Transducers
• LAPS Aiming and Flying Software
XLD281
XS212
• 2 x 12” DVX3120 Woofer
• Same Footprint & Compatible Rigging to XLD281
can be flown behind the array with optional C-Beam
XLE181(not shown)
• Full Bandwidth 2-Way Element (75Hz-20kHz)
• Most Compact, Very Lightweight
• Simple, Quick Integrated Rigging
• Bi-Amp or Fullrange Operation
• Neodymium Transducers
• LAPS Aiming and Flying Software
XS212
XLD281
XLE181
XS212
75 Hz - 18 kHz
90 Hz - 18 kHz
Hz - 100Hz
Max SPL (Calc.) Peak
141 dB *
138 dB*
136 dB**
Horizontal Coverage:
120 °
120 °
–
Power Handling cont.
200/200/80W
200/80W
1000W
Power Handling Peak
800/800/320W
800/320W
4000W
2 x DVN2080
DVN2080
2 x DVX3120
HFrequency Range (-3dB)
LF Transducer
HF Transducer
Nominal Impedance
Dimensions
Weight
2 x ND2-8
2 x ND2-8
–
16/16/16 Ohms
16/16 Ohms
4 Ohms
726 x 251 x 369mm
516 x 251 x 369 mm
726 x 508 x 378 mm
28.58” x 9.9” x 14.52”
20.3” x 9.9” x 14.52”
28.58” x 20” x 14.9”
21.8 kg (48 lbs)
17.2 kg (38 lbs)
38.5 kg (85 lbs)
*array for 4 cabinets **half space
39
Line Array Prediction Software: LAPS
Line Array Prediction Software (LAPS) for EV XLC and X-Line systems makes system
behavior predictable. Entire hang setups, including motor loads, cabinet aiming, and
resulting sound pressure distribution, can be calculated before physical hang setup.
Available for free at www.electrovoice.com.
(A) Set up your environmental parameters
(B) Trim your hang for optimum SPL distribution
(C) Set up your line array according to calculated parameters and
enjoy excellent sound quality.
40
Floor Monitors
The following two pages give you an overview about of EV´s
professional floor monitors. All monitors shown have optimized monitor angles and, as is typical with EV, have very
low feedback properties. For technical details or information
about recommended high-pass frequencies, refer to the
appropriate product pages.
Sx250/SxA250
•
•
•
•
350 W (longterm) / 150W + 50W powered
15” / 1” exit
max. SPL 130 dB/1m
45° monitor angle
FRi-28LPM
•
•
•
•
•
Low profile ideal for theater front stage
2x8”/1” voicecoil
200 W (long-term)
Max. SPL 122 dB/1m (calc.)
45° monitor angle
100° x 100°
QRx 112/75
•
•
•
•
•
•
•
75° x 50°
•
Perfect for high performance monitoring
in concert sound applications
12”/1.4” exit
300 W (long-term)
Max. SPL 131 dB/1m (calc.)
55° (approx.) monitor angle
Integrated stand mount and optional L-Track
rigging allows flexible usage
Note: in monitor position rotate the horn with
so the 35° dispersion is pointing upwards.
Note: press high-pass (mid/high-mode) at
controller amp module M-112 when used on floor
QRx 115/75
•
•
•
•
•
•
•
75° x 50°
•
Perfect for high -performance monitoring in
concert-sound applications
15”/1.4” exit
400 W (long-term)
Max. SPL 110 dB/1m (calc.)
55° (approx.) monitor angle
Integrated stand mount and optional L-Track
rigging allows flexible usage
Note: in monitor position rotate the horn with
so the 35° dispersion is pointing upwards.
Note: press high-pass (mid/high-mode) at
controller amp module M-115 when used on floor
41
Sx 100 and Sx 300
•
•
•
•
•
(shown with F200)
Symmetrical horn 65° x 65°
12”/1” exit
Sx 300: 300 W (long-term) Sx 100+: 200W (longterm)
50° (approx.) monitor angle
F200 necessary (monitor feet, black)
65° x 65°
SxA100+
• Built-in 2-way amplifier
(150W+50W cont.; 380W+80W peak)
• 12” / 1”exit
• max. SPL 124 dB/1 m
• 50° (approx.) monitor angle
• F200 included (monitor feet, black)
SxA360
• 350 W LF + 150 W HF
Output Power
• Only 16.6 kg (43 lbs)
• 2” Voice Coil DH2T Compression Driver
• Dynamic Filters provide Overload
Protection & Linear Response
T 221 M
•
•
•
•
Perfect for high-performance monitoring in
budget-limited productions
12”/1” voicecoil DH2T CD
400 W (long-term)
Two 55° angles allows symmetrical monitor set-ups
55° x 80°
Xw 12A
•
•
•
•
•
•
Perfect for highest-performance monitoring
in concert-sound applications
12”/1.4” exit
300/75 W (long-term)
Max. SPL 130 dB/1m (calc.)
Two 55° angles allows symmetrical monitor set-ups
Dedicated digital controller is Dx38
55° x 80°
Xw 15A
•
•
•
•
•
•
55° x 80°
42
Perfect for highest-performance monitoring
in concert-sound applications
15”/1.4” exit
600/75 W (long-term)
Max. SPL 133 dB/1m (calc.)
Two 55° angles allows symmetrical monitor set-ups
Dedicated digital controller is Dx38
Subwoofers
EVID 12.1
Application
Woofer Type
Power Handling cont.
Sensitivity(1W1m)
Max. SPL (peak)
Internal X-Over
Flying
Dimensions H/W/D (mm)
Weight
Installation
1 x 12” slot loaded
2 x 175 W
100 dB**
125 dB **
stereo w/ hi-pass out
no
412 x 584 x 305 mm
16.22” x 23” x 12”
18.1 kg (39.9 lbs.)
EVID C10.1
Ceiling Installation
1 x 10”
150 W
94 dB*
122 dB *
lowpass
no
320 mm diameter
12.6” diameter
7 kg (15.4 lbs.)
FRi + 181S
FRX+181
Installation
1 x 18”
400 W
97 dB/103 dB*
129 dB/135 dB*
no
eyebolts
711 x 597 x 762 mm
28” x 23.5” x 30”
45.5 kg (100.3 lbs.)
Installation
1 x 18”
400 W
96 dB/102 dB*
128 dB /134 dB*
no
L-track
787 x 719 x 660 mm
31” x 28.3” x 26”
45.5 kg (100.3 lbs.)
Eliminator i Sub
Eliminator KW
Application
Pro Music
Pro Music
Woofer Type
Power Handling cont.
Sensitivity(1W1m)
Max. SPL (peak)
Internal X-Over
Flying
Dimension H/W/D (mm)
1 x 18”
400 W
98 dB/104 dB*
130 dB/136 dB*
lowpass
no
2 x 18”
1000 W AES
101 dB/107 dB*
137 dB/143 dB*
no
no
856 x 435 x 609
33.7” x 17.25” x 24”
1140 x 569 x 597
586 x 429 x 312
44.9” x 22.4” x 23.5” 23.1” x 16.9” x 12.3”
603 x 428 x 665
23.7” x 16.9” x 26.2”
39.5 kg (89 lbs.)
65.8 kg (145 lbs.)
43 kg (94.8 lbs.)
Weight
Sb 122
Pro Music,
Installation
1 x 12”
400 W
99 dB*
131 dB*
lowpass
optional SX Hardware
15.0 kg (33 lbs.)
SbA 760
Pro Music,
Installation
1 x 15”
760 W amplifier
128 dB/134 dB*
built-in active X-Over
no
* 1/2-space SPL, ** 1/4-space SPL
43
Subwoofers
Application
Woofer Type
Power Handling cont.
Sensitivity(1W1m)
Max. SPL (peak)
Internal X-Over
Flying
Dimensions H/W/D
Weight
QRx118S
MTL1X
QRx218S
Pro Music
Concert Sound
1 x 18”
600 W
98 dB /104 dB*
131 dB /137 dB*
no
no
900 x 450 x 600 mm
35.4” x 17.7” x 23.6”
47.5 kg (104.7lbs.)
Pro Music
Concert Sound
2 x 18”
1200 W
101 dB /107 dB*
137 dB / 141 dB*
no
no
1160 x 572 x 758 mm
45.8” x 22.5” x 29.9”
75 kg (165 lbs.)
Pro Music
Concert Sound
2 x 18”
1200 W
99 dB /105 dB*
134 dB /140 dB*
no
optional
1015 x 560 x 600 mm
40” x 22.05” x 23.6”
68 kg (150 lbs.)
Xi-1191(F)
Application
Woofer Type
Power Handling cont.
Sensitivity(1W1m)
Max. SPL (peak)
Internal X-Over
Flying
Dimension H/W/D
Weight
* 1/2-space SPL
44
Installation
Concert Sound
1 x 18”
600 W
94 dB /100 dB*
128 dB /134 dB*
no
L-track (F-version)
914 x 586 x 759 mm
36” x 23.1” x 29.9”
68 kg (150 lbs.)
Xsub(F)
Concert Sound
Installation
2 x 18”
1200 W
100 dB /106 dB*
137 dB /143 dB*
no
X-Line rigging, (F-vers.)
494.3 x 1245 x 740 mm
19.5” x 49” 29.1”
92 kg (202.8 lbs.)
XLC215
Concert Sound
Installation
2 x 15”
1000 W
97 dB /103 dB*
133 dB /139 dB*
no
XLC rigging
546 x 991 x 572 mm
21.5” x 39” x 22.5”
54.5 kg (120 lbs.)
XLC 118
Plasma P2
Concert Sound
Installation
1 x 18”
600 W
96 dB /102 dB*
130 dB /136 dB*
no
XLC rigging
546 x 991 x 572 mm
21.5” x 39” x 22.5”
54.5 kg (120.2 lbs.)
Concert Sound
Installation
1 x 18”
600 W
built in Amplifier 800W
126 dB /132 dB*
Lowpass 100 Hz
910 x 476 x 600 mm
35.8” x 18.7 x 23.6”
63.6 kg (140.2 lbs.)
Cinema Systems
Cinema. In a medium generally thought of as visual, the
quality of a cinema´s sound system is often what determines
the “cinema experience” for the paying customer. For years
Electro-Voice® has supplied loudspeaker systems to the cinema industry which meet or exceed standards set by THX®
and Dolby® Laboratories. Every summer, with the release of
the latest blockbuster action film, new benchmarks for
acoustic performance are set, and EV continues to meet
these demands with new innovations.
At Electro-Voice we offer the engineering knowledge and
expertise to design and manufacture products “from the
ground up.” EV loudspeakers are conceived at the component level and integrated into high-performance screen
channel, surround and subwoofer systems. We are committed to developing new technologies and achieving new
levels of performance for cinema loudspeaker systems.
Variplex II™ Systems
The Variplex™ is one example of the many EV systems
which are THX® approved. They join the large, diverse family of Electro-Voice cinema products developed for cinemas
both large and small. This wide range of products and timeproven acoustic excellence means that you can design
systems that “fit” any room, and more importantly, that the
“cinema experience” will be the best your customers have
ever heard. And take note: The THX®-approved, high-quality
CPS Series amplifiers are part of this formula for success.
Variplex II™ XL
•
•
•
Variplex II™
•
•
•
•
•
•
Three-way stage system
Vari-Intense® technology provides
uniform front-to-back coverage
Ring-Mode Decoupling™ improves
vocal clarity and intelligibility
Variplex™ B model features passive
MB/HF crossover for biamping
THX® approved
Digital Dynamics Capable™
•
•
•
Three-way, high-output
stage system
High-output MB and HF drivers
Vari-Intense® technology provides
uniform front-to-back coverage
Ring-Mode Decoupling™
improves vocal clarity
and intelligibility
THX® approved
Digital Dynamics Capable™
CINEMA
CINEMA
THX and Lucasfilm are copyright © Lucasfilm Ltd. & trademarked ™. All rights are reserved. Used under authorization.
(not shown)
Frequency Range
Sensitivity, 1W/1m (LF/MF/HF)
Max.SPL/1m (calc.) (ave./peak)
Crossover Frequency
Long-term Power Handling (LF/MF/HF)
Short-term Power Handling (LF/MF/HF)
Coverage Horizontal (long axis/short axis)
Coverage Vertical (up/down)
HF driver
MF driver
LF driver
Nominal Impedance
Dimensions (Height/Width/Depth)
Weight (net)
Variplex II XL
Variplex II
Variplex M
34 Hz - 16 kHz
104/109/112 dB
130 / 136 dB
500Hz / 1300 Hz
1600/400/75 W
6400/1600/300 W
90°
20°/30°
ND 6-8
2 x EV8DH
4 x DL15ST
2 x 4 / 4 / 8 Ohms
1924 x 1296 x 396 mm
75.8” x 51” x 15.6”
139 kg (306.4 lbs.)
34 Hz - 16 kHz
101/109/112 dB
130 / 136 dB
500Hz / 1300 Hz
800/400/75 W
3200/1600/300 W
90°
20°/30°
ND6-8
2 x EV8DH
2 x DL15ST
4 / 4 / 8 Ohms
1924 x 648 x 396 mm
75.8” x 25.5” x 15.6”
74 kg (163.1 lbs.)
45 Hz - 18 kHz
104 dB
127 / 133 dB
500 Hz
500 / 300 W
2000 / 1200 W
90°
20°/30°
DH2T
2 x EV8D
2 x EV15G
4 / 4 Ohms
1924 x 648 x 396 mm
75.8” x 25.5” x 15.6”
72,6 kg (160.1 lbs.)
45
Two-Way Systems
TS9040D-LX
Electro-Voice® two-way screen systems offer
flexibility in size and high-quality sound output
for a variety of cinema applications. The
TS9040D-LX and the TS550D-LX, both largeformat systems, feature very high efficiency and
are THX®-compatible. The medium-format
TS940D includes a passive crossover, and the
small-format TS992E’s innovative flat-cabinet
design saves considerable space behind the
screen. For efficiency, wide-ranging application
solutions, and incredible sound quality, nothing
beats EV screen systems.
•
•
•
•
•
Large-format, two-way
screen system
Provides excellent acoustical
performance in large or small rooms.
THX® approved
Digital Dynamics Capable™
Wide, smooth frequency response
TS940D
•
•
•
•
•
TS992M
Medium-format, two-way
screen system
HP940T horn/ND6 driver
XEQ-504 crossover for
single-channel operation
Smooth, accurate sound
Passive crossover for
single-channel operation
•
•
•
•
Small-format,
two-way screen system
DH2T HF on 90 x 50 horn
EV15G LF system
10" depth: low-profile
system (254 mm)
(not shown)
Frequency Range
Sensitivity, 1W/1m (LF/HF)
Max.SPL/1m (calc.) (ave./peak)
Crossover Frequency
Long-term Power Handling (LF/HF)
Short-term Power Handling (LF/HF)
Coverage (H x V)
HF driver
LF driver
Nominal Impedance
Dimensions (Height/Width/Depth)
Weight (net)
46
TS550D-LX
TS9040D-LX
TS940D
TS992M
30 Hz - 20 kHz
100 / 111 dB
131 / 137 dB
500 Hz
1.200 / 75 W
4.800 / 300 W
90° x 40°
ND6X-8
2 x EVX155
4 / 8 Ohms
1816 x 681 x 947 mm
71.5” x 26.8” x 37.3”
74,8 kg (164.9 lbs.)
32 Hz - 20 kHz
100 / 111 dB
129 / 135 dB
500 Hz
800 / 75 W
3.200 / 300 W
90° x 40°
ND6X-8
2 x DL15ST
4 / 8 Ohms
1816 x 681 x 947 mm
71.5” x 26.8” x 37.3”
74,8 kg (164.9 lbs.)
32 Hz - 20 kHz
100 dB
129 / 135 dB
500 Hz, internal
800 W
3.200 W
90° x 40°
ND6-X
2 x DL15ST
4 Ohms
1354 x 572 x 447 mm
53.3” x 22.5” x 17.6”
60.4 kg ( 133.1 lbs.)
38 Hz - 18 kHz
100dB
130 dB
1300 Hz, internal
300 W
1.200 W
90° x 50°
DH2T
EV15-G
8 Ohms
1200 x 660 x 254 mm
47.2” x 26” x 10”
35 kg (77.2)
Cinema Systems
Subwoofers
Subwoofers offer a variety of low-frequency solutions for
general fixed installation or additional LF supplementation in
existing installations. Low-frequency systems have f3s (the
point at which response is -3 dB down) as low as 40 Hz. In
general, response below 40 Hz is required for theatrical
effects, full reproduction of pipe organs, and some special
effects in contemporary music such as synthesizers and
down-tuned bass guitars. The TL 880D is especially suited
for this special type of application.
Note: TL subwoofers have unprotected fronts and woofers,
and should be used in inaccessible areas only.
TL440
TL880D
•
•
•
•
•
•
•
Very-low-frequency subwoofer
Direct radiating vented design
High acoustic output to below
20 Hz (-10 dB) allows real
low end effects
THX® approved
•
Very-low-frequency subwoofer
Direct radiating vented design
High acoustic output featuring
single EVX180B woofer
THX® approved
TL18-1ES
TL440M
•
•
Very-low-frequency subwoofer
Direct radiating vented design
•
•
•
•
Low-frequency subwoofer
Direct radiating vented design
38 Hz low end for rich bass
Ultrathin depth
(not shown)
Frequency Range
Sensitivity, 1W/1m (full/half-space)
Max.SPL/1m (calc.) (ave./peak)
Long-term Power Handling
Short-term Power Handling
Coverage (<125 Hz)
LF driver
Nominal Impedance
Dimensions (Height/Width/Depth) in mm
Weight (net)
•) 24Hz in step-down mode
TL880D
TL880DM
TL440
TL440M
TL18-1ES
23 Hz - 1.8 kHz
99 / 105 dB
136 / 162 dB
1.200 W
4.800 W
omnidirectional
2 x EVX180B
4 Ohms
1210 / 762 / 605
47.5"x30"x23.8"
72,6kg (160 lbs)
27 Hz - 1.8 kHz
99 / 105 dB
133 / 137 dB
800 W
3.200 W
omnidirectional
2 x EVS-18S
4 Ohms
1207 / 762 / 605
47.5"x30"x23.8"
70,8kg (156 lbs)
33 Hz• - 3.2 kHz
96 / 102 dB
130 / 136 dB
600 W
2.400 W
omnidirectional
1 x EVX 180B
8 Ohms
1003 / 572 / 559
39.5"x22.5"x22"
49 kg (108 lbs)
38 Hz• - 3.2 kHz
96 / 102 dB
128 / 133 dB
350 W
1.500 W
omnidirectional
EV518S
8 Ohms
1003 / 572 / 559
39.5"x22.5"x22"
49 kg (98 lbs)
38 Hz - 2.0kHz
96 / 102 dB
128 / 134 dB
400W
1.600 W
omnidirectional
1 x DL18-MT
8 Ohms
1193 / 680 / 254
47" x 26.75" x 10"
43kg (95 lbs)
47
Cinema Systems
Surround Loudspeakers
SL12-2V
SL10-2V
•
High-output, two-way surround
loudspeaker
Versatile suspension and
safety options
15° slanted cabinet
Exceptionally wide and smooth
frequency response
SL10-2V model has 10" woofer
SL10-2V includes wall mounting brackets
THX® compatible
Digital Dynamics Capable™
•
•
•
•
•
•
•
SL8.2
•
•
•
•
•
Full-Bandwidth overload protection
Strong-Arm-Mount™ for easy, flexible aiming
Lightweight, unobtrusive plastic enclosure
Easy-access input terminals
8-2way with 1,25" compression driver
SL6.2
•
•
•
•
Frequency Range
Sensitivity, 1W/1m
Max.SPL/1m (calc.) (ave./peak)
Long-term Power Handling
Short-term Power Handling
Coverage (H x V)
LF driver
HF driver
Nominal Impedance
Dimensions (Height/Width/Depth) in mm
Weight (net)
48
Full-Bandwidth overload protection
Strong-Arm-Mount™ for easy, flexible aiming
Lightweight, unobtrusive plastic enclosure
Easy-access input terminals
SL12-2V
SL10-2V
SL8.2
SL6.2
70Hz - 20 kHz
93 dB
116 / 121 dB
200W
800 W
100° x 90°
12" woofer
DH2010A
8 Ohms
535 x 476 x 335
21” x 18.7” x 13”
21,4 kg (47 lbs.)
60Hz - 20kHz
93 dB
113 / 119 dB
100 W
400 W
100° x 100°
10" woofer
1" compression driver
8 Ohms
476 x 318 x 275
18.75” x 12.5” x 10.8”
10,5 kg (23.1 lbs.)
60 - 20kHz
48Hz - 20 kHz
90 dB
111 / 177 dB
115/121 dB
200 W
800 W
100° x 100°
EV8L
DH2005
8 Ohms
451 x 282 x 263
17.75” x 11.12” x 10.35”
8.4 kg (18.5 lbs)
100° x 100°
2x6" woofer
1" driver on waveguide
8 Ohms
419 x 228 x 198 mm
61.5” x 9” x 11.7”
4.5 kg (10 lbs.)
Outdoor Speakers
From the EVID™ 3.2 to the Sx600, EV offers excellent solutions for outdoor speaker needs. EV®’s Sx and ZX1 Series
bring the sound of indoor speakers out into the fresh air, and
can be used for portable and fixed installations such as major
theme parks. The new EVID line provides visual style and
audio substance not only indoors, but also in any outdoor
environment and in humid indoor environments such as
pools and saunas. Both families include transformer options.
ZX1i
•
•
•
•
ZX1i
8"-2-way with DH2005 1,25" compression driver
Integrated Quick SAM foeasy install and aiming
2 pattern 90x50 or 100 x 100
Transformer version availavle (-T)
Sx300PI/PIX
•
•
•
Compact two-way, 12-inch, medium-throw full-range system
Full-face, black powder-coated stainless steel grille, backed by a
foam water shield, gives smooth appearance and a high degree of
weather resistance
70.7/100-volt 100-watt transformer option with selectable taps (Sx300PIX)
Sx500PI+
Sx300PI/PIX
•
•
Two-way, 15-inch, medium-throw, full-range system
500 Hz directional control from vented LF horn
ZX5PI
•
•
•
15"-2 way with ND2, 2" compression driver &
DVX3150 woofer
600W cont. power handlig
Sx600PI/Sx600PIX
•
•
ZX5PI
•
•
•
Tw- element vertical line array
Very high sensitivity
(105 dB/1W/1m)
High intelligibility
Two 12” woofers
DH2T driver on 65x65
degree Varipath horn
•
•
•
•
All weather cabinet
Super SAM mounting,
60° x 180° adjustable
Waterproof connection
by SJO cable with glandnut
Internal 600 Watt transformer
available (SX600PIX)
EVID 4.2/4.2T
•
•
•
•
•
•
Sx600PI
Two-way full range
1" voice coil (titanium diaphragm) with Neodymium magnetic structure
Full bandwidth overload protection for HF and LF
Three-dimensional elliptic (for compact look)
Comes with Strong Arm Mount (SAM™) and a hex-key
Suspension insert for SAM™, safety point on rear side
EVID 6.2/6.2T
•
•
•
•
•
•
•
Two-way, high-output full range
High sensitivity
1" voice coil (titanium diaphragm) with Neodymium magnetic structure
Full bandwidth overload protection for HF and LF
Three-dimensional ellipse (for compact look)
Comes with Strong Arm Mount (SAM™) and a hex key
Suspension insert for SAM™; safety point on rear side
49
Underwater loudspeaker
The UW 30 represents a departure from conventional designs
of underwater sound sources. Its unique, patented design uses
the case´s structural enclosure as the sound transducer. Underwater speakers are required equipment for many activities in
commercial, luxury resort pools and synchronized swimming
events or instructions in Olympic pools. They are used for
water ballets and similar water shows. UW 30 has a highfidelity sound with low distortion, and the effect of music
played underwater through it is truly enchanting.
The outer case of UW 30 is made of high-impact ABS and is
pool-blue in color. All internal components are sealed inside
the speaker through a “hot-melt” process, allowing it to be
used in fresh- or salt-water pools or ocean enviroments.
Sound dispersion is up to 30 x 30 feet (10 x 10 m) under
water. Operating depth is up to 10 feet (3 m), with a recommended depth of 4 feet (1.2 m). Note: For overload protection, install a 25-ohm, 20-watt resistor in parallel with a 1.5amp, fast-blowing fuse in series with the speaker.
UW 30
•
•
•
•
•
Full-range underwater sound source
Uniform sound throughout medium-sized pools
Very high-fidelity sound
Salt-water resistant
Comes with a 50-foot (15-m), three-conductor
waterproof cable terminated within the internal
encapsulation material
Ultracompact monitor system
EV®’s S-40 produces maximum frequency response with an
extended bass response. The sensitivity, therefore, is slightly
less than with a regularly tuned box. The S-40 is made of
black or white high-impact polystyrene structural foam protected with a full-size, matching front grille.
S-40 B
•
•
•
•
•
•
•
Frequency range
Sensitivity (SPL 1W/1m)
Max. SPL/1m (calc.)
Long-term power handling
Short-term power handling
Coverage (H° x V°)
Directivity Index
LF driver
HF driver
Crossover frequencies
Nominal impedance (low Z version)
Minimum impedance (low Z version)
Input connections
Dimensions (H x W at front x D)
Net weight (including mounting bracket)
50
Two-way, full-range ultracompact
Ultra-linear frequency response
Vented LF enclosure
Full bandwidth protection circuit for
woofer and tweeter
Ferrofluid-cooled soft-dome tweeter
Trapezoidal
2 x 1/4"–20 suspension points
UW 30
S-40
100 Hz–10 kHz
—
—
30 W
—
omni (underwater)
85 Hz–20 kHz (+/- 3dB)
85 dB
113 dB
160 W
640 W
100° x 100°
9.8 dB (+3.8/-3.6 dB)
2 kHz–20 kHz
5.25"
1" Softdome
3,500 Hz
4Ω
3.7 Ω
spring terminal
249 x 178 x 150 mm (9.8" x 7" x 5.9")
2.6 kg (5.7 lbs.)
—
special type
—
—
8Ω
—
waterproof cable
183 mm [diameter] x 66 mm [D] (7.19" [diameter] x 2.61" [D] )
1.8 kg (4 lbs.)
Components
Woofers
EV component woofers are high-efficiency designs highly
refined from years of development and field experience.
They employ extended-length voice coils for high-impact
reproduction of dynamic low-frequency program. All
woofers feature proprietary heat-transfer systems for
unmatched power capacity and reliability. Kevlar®-fibercomposite cones are used to provide structural strength to
resist collapse during explosive dynamic peaks and to provide internal mechanical damping to minimize resonances
that can change the character of the sound at high levels. DL
and EVX woofers are made of cast aluminium frames with
push terminals, and all feature Ring-Mode Decoupling™
(RMD™) except for the DL18MT and the EVX180B.
Speaker Parts
EVM 12L Black Label: The official guitar loudspeaker of Zakk Wylde
Cone diameter
Coil diameter
Impedance
Frequency range
Long-term power rating (EIA)
Short-term power rating
Sensitivity (1 W @ 1 m)
Maximum SPL
Efficiency
Frame front diameter
Magnet diameter
Overall depth
Mounting bolt circle diameter
Baffle cutout diameter
Net weight
DL10X
DL12BFH
DL12ST
DL15BFH
DL15ST
10" (254 mm)
2.5" (63.5 mm)
8Ω
100–2,000 Hz
300 W
1,200 W
98 dB
122.8 dB
5.92%
259.5 mm (10.22")
190.5 mm (7.50")
114.3 mm (4.50")
244.5 mm (9.625")
230.2 mm (9.063")
6.5 kg (14.3 lbs.)
12" (305 mm)
2.5" (63.5 mm)
8Ω
60–2,500 Hz
300 W
1,200 W
96 dB
120.8 dB
3.69%
309.6 mm (12.19")
155.6 mm (6.13")
133.4 mm (5.25")
293.7 mm (11.563")
281.0 mm (11.063")
5.0 kg (11.1 lbs.)
12" (305 mm)
2.5" (63.5 mm)
8Ω
60–2,000 Hz
300 W
1,200 W
98 dB
122.8 dB
5.60%
309.6 mm (12.19")
190.5 mm (7.50")
133.4 mm (5.25")
293.7 mm (11.563")
281.0 mm (11.063")
6.7 kg (14.7 lbs.)
15" (381 mm)
2.5" (63.5 mm)
8Ω
45–2,000 Hz
350 W
1,400 W
96 dB
121.4 dB
3.93%
305.0 mm (15.16")
155.6 mm (6.13")
152.4 mm (6.00")
369.9 mm (14.563")
357.2 mm (14.063")
5.4 kg (12.0 lbs.)
15" (381 mm)
2.5" (63.5 mm)
8Ω
45–2,000 Hz
400 W
1,600 W
95 dB
121.0 dB
2.66%
305.0 mm (15.16")
190.5 mm (7.50")
158.8 mm (6.25")
369.9 mm (14.563")
357.2 mm (14.063")
6.9 kg (15.2 lbs.)
DL18MT
EVX155
EVX180B
EVM12L
Black Label
Cone diameter
Coil diameter
Impedance
Frequency range
Long-term power rating (EIA)
Short-term power rating
Sensitivity (1 W @ 1 m)
Maximum SPL
Efficiency
Frame front diameter
Magnet diameter
Overall depth
Mounting bolt circle diameter
Baffle cutout diameter
Net weight
18" (457 mm)
2.5" (63.5 mm)
8Ω
35–800 Hz
400 W
1,600 W
96 dB
122.0 dB
2.9%
460.5 mm (18.13")
190.5 mm (7.50")
177.8 mm (7.00")
441.3 mm (17.375")
425.5 mm (16.750")
7.2 kg (15.8 lbs.)
15" (381 mm)
4" (101.6 mm)
8Ω
40–2,000 Hz
600 W
2,400 W
98 dB
125.8 dB
4.32%
385.0 mm (15.16")
209.6 mm (8.25")
184.2 mm (7.25")
369.9 mm (14.563")
357.2 mm (14.063")
10.3 kg (22.8 lbs.)
18" (457 mm)
4" (101.6 mm)
8Ω
30–800 Hz
600 W
2,400 W
98 dB
125.8 dB
3.4%
460.5 mm (18.13")
8.25" (209.6 mm)
203.2 mm (8.00")
441.3 mm (17.375")
425.5 mm (16.750")
10.6 kg (23.4 lbs.)
12” (305mm)
2.5” (63.5 mm)
8 or 16 Ohms
80Hz–7kHz
300 W
1200 W
100 dB
125 dB
5.9%
309.6 mm (12.19”)
190.5 mm (7.5”)
133.4 mm (5.25”)
293.7 mm (11.563”)
281.0 mm (11.063”)
8.6 kg (19 lbs.)
51
Components
Compression Drivers
Electro-Voice is one of a handful of professional audio companies that can design high-performance compression drivers. Compression drivers are the most difficult audio transducers to design. Their unique requirements call for
ultraprecise tolerances, state-of-the-art modeling routines,
and exceptionally talented engineering expertise. Manufac-
turing techniques are frequently pushed to process limits,
and materials are formed and stabilized with cutting-edge
systems and controls. Each EV compression driver’s parameters are tightly controlled to ensure world-class performance,
thus putting the drivers at the top of their class in every
respect.
DH7-8/DH7-16
ND6-8/ND6-16/ND6X
•
•
•
•
•
•
Large-format ceramic
compression driver
300-watt power rating
3" titanium diaphragm
1.4" or 2" exit diameter for
use on almost any highperformance horn
Excellent for use with directradiator or horn-loaded LF
and MB sections
•
•
•
•
•
Large-format neodymium
compression driver
300-watt power rating
3" titanium diaphragm
1.4" or 2" exit diameter for
use on almost any HP horn
EV’s highest-performance
compression driver gives
world-class performance in
any application
ND6X from > 500Hz
DH2T
•
•
•
•
DH3/DH2010A
One-inch exit screw-on,
medium-format compression
driver
160-watt power rating
2" titanium diaphragm
High performance on a
wide variety of thread-on
horn designs
Horn Adaptors
DH7-8/DH7-16
•
•
•
•
from 1.4” bolt-on to 2” bolt-on ADH6
from 1” screw-on to 2” bolt-on ADH5
from 1” screw-on to 1.4” bolt-on ADH3
ND6-8/ND6-16
Frequency response
1,000 Hz–20 kHz
1,000 Hz–20 kHz / 500Hz-16kHz (ND6X)
Crossover frequency (minimum)
1,000 Hz
1,000 Hz
Midband sensitivity*
111 dB
112 dB
Long-term power rating (AES)
75 W
75 W
Short-term power rating
300 W
300 W
Impedance
8/16 Ohms
8/16 Ohms
Throat diameter
35 mm adapter (1.4"/2.0")
35 mm adapter (1.4"/2.0")
Diaphragm diameter
76 mm (3.0")
76 mm (3.0")
Overall diameter
165 mm (6.5")
132 mm (5.2")
Overall depth
69 mm (2.7")
69 mm (2.7")
Net weight
4.54 kg (10.0 lbs)
2.5 kg (5.5 lbs)
*Average from 1,000 Hz–5 kHz on HP6040 horn (DH3 average from 1,500 Hz–5 kHz on HPT64 horn)
52
One-inch exit screw-on,
small-format compression driver
80-watt power rating
1.25" titanium diaphragm
Excellent extended-bandwidth
HF driver for multi-way
loudspeaker systems
DH2T
DH3/DH2010A
1,200 Hz–20 kHz
1,200 Hz
112 dB
40 W
160 W
8 Ohms
25 mm ()
50 mm (2.0")
132 mm (5.2")
89 mm (3.5")
2.27 kg (5.0 lbs)
1,500 Hz–20 kHz
1,500 Hz
111 dB
20 W
80 W
8 Ohms
1.0" (25 mm)
32 mm (1.25")
107 mm (4.5")
89 mm (3.5")
1.5 kg (3.4 lbs)
HP Horns
horns. EV’s patented Transplanar™ design provides exceptionally smooth frequency response. HP horns or variants
thereof are used throughout the EV speaker system lines.
Each HP horn features an integral die-cast metal throat
encapsulated in the fiberglass sidewalls. This unitized construction provides very high strength and low weight.
The HP horn series is a refinement of the concept of “constant directivity,” which, in 1974, EV was the first to introduce. For the first time, horn coverage angles were truly
uniform over a wide frequency range. In the HP series,
unique beamwidth-control vanes within the horn throat
form a waveguide that eliminates the narrowing of coverage angle – beaming – that occurs in other 2-inch-throat
Note: Horns shown out of proportion to each other
HPT64
HP640
HP6040
HP4020
HP6040
HP9040
• Large-format two-inch horns
• The ultimate in dispersion
control, with control of rated
dispersion angle down to
500 Hz, both horizontally and
vertically
• Directivity control to 500 Hz
maximizes vocal intelligibility
and musical clarity in difficult
acoustic environments
Coverage (H° x V° nominal)
Directivity Factor (average)
Directivity Index (average)
Useable low-frequency limit
Throat entrance
Height
Width
Depth
Net weight
Coverage (H° x V° nominal)
Directivity Factor (average)
Directivity Index (average)
Useable low-frequency limit
Throat entrance
Height
Width
Depth
Net weight
HP420
HP640
HP940
HP1240
HP64
HP66
HP94
• Medium-format two-inch horns
• Vertical dimensions have been
reduced, for use when space
constraints preclude the use
of large-format horns
• Horizontal directional control
maintained to ~500 Hz
• Vertical control to ~1,500 Hz
HPT64
HPT94
• Small-format two-inch horns
• Use as primary HF horns in
compact sound systems
• Beamwidth control to ~2,000 Hz
HP64
• Very-small-format one-inch
horns
• Use in three- and four-way
systems with DH3 driver for
tweeter and supertweeter
applications
• Directional control to 3,000 Hz
HP4020
HP6040
HP9040
HP420
HP640
HP940
40° x 20°
45.1 (+12.7, -18.9)
(500 Hz–20 kHz)
16.4 dB
(+1.2, -2.2)
(500 Hz–20 kHz)
200 Hz
2" bolt-on
838 mm (33.0")
813 mm (32.0")
1,252 mm (49.3")
12.3 kg (27.0 lbs)
60° x 40°
25.8 (+17.9, -5.9)
(500 Hz–20 kHz)
14.1 dB
(+2.3, -1.1)
(500 Hz–20 kHz)
500 Hz
2" bolt-on
813 mm (32.0")
711 mm (28.0")
808 mm (31.8")
9.1 kg (20.0 lbs)
90° x 40°
12.1 (+4.6, -3.7)
(500 Hz–20 kHz)
10.8 dB
(+1.4, -1.6)
(500 Hz–20 kHz)
400 Hz
2" bolt-on
813 mm (32.0")
679 mm (26.75")
808 mm (31.8")
9.1 kg (20.0 lbs)
40° x 20°
47.7 (+25.9, -23.5)
(1,250 Hz–20 kHz)
16.8 dB
(+1.9, -3.0)
(1,250 Hz–20 kHz)
400 Hz
2" bolt-on
367 mm (14.4")
610 mm (24.0")
749 mm (29.5")
5.9 kg (13.0 lbs)
60° x 40°
20.6 (+11.3, -3.3)
(1,250 Hz–20 kHz)
13.1 dB
(+1.9, -0.7)
(1,250 Hz–20 kHz)
400 Hz
2" bolt-on
330 mm (13.0")
711 mm (28.0")
437 mm (17.2")
4.3 kg (9.5 lbs)
90° x 40°
11.9 (+3.6, -3.0)
(1,250 Hz–20 kHz)
10.7 dB
(+1.2, -1.2)
(1,250 Hz–20 kHz)
400 Hz
2" bolt-on
330 mm (13.0")
533 mm (21.0")
285 mm (11.2")
3.2 kg (7.0 lbs)
HP1240
HP64
HP66
HP94
HPT64
HPT94
120° x 40°
8.6 (+2.5, -2.1)
(1,250 Hz–20 kHz)
9.34 dB
(+1.1, -1.2)
(1,250 Hz–20 kHz)
400 Hz
2" bolt-on
330 mm (13.0")
533 mm (21.0")
265 mm (10.4")
3.2 kg (7.0 lbs)
60° x 40°
18.1 (+4.1, -8.8)
(1,600 Hz–20 kHz)
12.6 dB
(+0.9, -2.9)
(1,600 Hz–20 kHz)
650 Hz
2" bolt-on
279 mm (11.0")
224 mm (8.8")
220 mm (8.7")
2.5 kg (4.5 lbs)
60° x 60°
17.9 (+10.5, -9.3)
(1,600 Hz–20 kHz)
12.5 dB
(+2.0, -3.0)
(1,600 Hz–20 kHz)
650 Hz
2" bolt-on
279 mm (11.0")
224 mm (8.8")
165 mm (6.5")
2.2 kg (4.8 lbs)
90° x 40°
10.1 (+5.8, -1.8)
(1,600 Hz–20 kHz)
10.0 dB
(+2.0, -0.8)
(1,600 Hz–20 kHz)
800 Hz
2" bolt-on
279 mm (11.0")
222 mm (8.75")
220 mm (8.7")
2.5 kg (4.5 lbs)
60° x 40°
15.8 (+5.2, -4.9)
(3,150 Hz–20 kHz)
12.0 dB
(+1.2, -1.6)
(3,150 Hz–20 kHz)
1,600 Hz
1" bolt-on
133 mm (5.25")
133 mm (5.25")
104 mm (4.1")
0.4 kg (0.8 lbs)
90° x 40°
11.6 (+5.0, -2.5)
(3,150 Hz–20 kHz)
10.6 dB
(+1.6, -1.0)
(3,150 Hz–20 kHz)
1,600 Hz
1" bolt-on
133 mm (5.25")
133 mm (5.25")
101 mm (4.0")
0.4 kg (0.8 lbs)
53
Flying Hardware
EVI 12/15
EBK-1 (Eyebolt-Kit)
EVID 12.1
1 Eyebolt is included.
FRi
4 Eyebolts included
FRX Systems
Single stud kit included
Note: One 3/8“-16thread forged steel
eyebolt is included. A
second is necessary!
(Except FRX-122)
Sx 100/300
Sb 122
1) MB 100
2) MB 100 + MB 200
Security advice:
When flown by 90° (figure 2) don’t
use eyebolts only!
Sx 500 +
MB 700 - Kit contains:
3 lifting eyebolts
1 mounting plate
1 pull-up mounting plate
1)
2)
Security advice:
Do not screw MB 100
directly into M8 thread!
Note: Flying and suspending of speakers requires authorized personnel
54
Mounting hardware
EVI-15 Ceiling mount
EVI-12 Ceiling mount
EVI-28 Wall or ceiling mount
The radius
of action is
140°.
EVI-12MBB
EVI-12MBW
black
white
EVI-15MBB
EVI-15MBW
EVID 3.2 / 4.2 / 6.2
black
white
Angle markers
SAM™ comes with each
EVID™ system and includes
a hex-key-tool. SAM™ has
angle markers to make
installation easier.
100°
90°
EVI-28MBB
EVI-28MBW
black
white
EVID 12.1
Bracket passes EIA 636 at a
safety factor of 8:1.
The bracket for on-wall or
corner mounting and a safety
eyebolt comes with EVID
12.1.
S-40
FRi-2082
Xi- 1082
Wall, ceiling or stand mount
Under balcony or on-wall mount
Under balcony or
on-wall mount
Note: The threat
diameter can be
reduced with a
standard 5/8-inch
screw adapter for
different mic
stands.
S-40 MB/B:
S-40 MB/W:
black
white
on-wall
The 100° x 100° dispersion angle allows
one to install FRi-2082 vertically on the
wall as well. Mounting bracket comes with
FRi-2082.
MB-1082:
black
Sx 80
Wall or ceiling mount
Sx 250/SxA250
Stand mount
Sk-1 Rigging Kit
For speakers stands
with 35 mm diameter.
For cost effective
installation.
Sx 80 MBB
Sx 80 MBW
black
white
Sx 80 SM
black
Note: Flying and suspending of speakers requires authorized personnel
55
Sx 100 / Sx 300 / Sb 122
Horizontal Cluster 120° (2 systems)
Horizontal Cluster 180° (3 systems)
2 x MB 200 + 1 x MB 300 neccessary
3 x MB 200 + 2 x MB 300 neccessary
Wall or ceiling-mount
Vertical Cluster
3/8“ Quick links
neccessary
Eyebolt neccessary
1 x MB 200 neccessary
2 x MB 200
neccessary
Sx 500 +
Horizontal Cluster 140° (2 systems)
Horizontal Cluster 210° (3 systems)
3/8“ Quick links
neccessary
3/8“ Quick links
neccessary
2 x MB 500 + 1 x MB 600 neccessary
3 x MB 500 + 2 x MB 600 neccessary
Vertical Cluster
Sx-Series™ hardware-overview:
Wall-mount
3/8“ Quick links
neccessary
Eyebolt neccessary
Sx 80
Sx 80 SM
Sx 80 MBB
Sx 80 MBW
Stand mount
U-bracket
U-bracket
black
black
white
Sx 100+
MB 200 B
MB 200 W
MB 300 B
MB 300 W
U-bracket
U-bracket
Array-kit (2 plates)
Array-kit (2 plates)
black
white
black
white
MB 500
MB 600
U-bracket
Array-kit
black
black
Sx 300
Sb 122
Sx 500 +
2 x MB 500 neccessary
1 x MB 500 neccessary
Note: Flying and suspending of speakers requires authorized personnel
56
ZX5
MB5 Wall/Ceiling mounting
bracket
CB5 cluster bracket kit
PSA-V using
HA-5
XLC Rigging
A-1 Grid for XLC
(other rigging hardware included with speaker)
XLC Bottom Dolly
XLCi Rigging
A-2 Grid for XLCi
(other rigging hardware included with speaker)
X-Line Rigging Accessories
XVSL
XVSG
XVHL
XVHG
XVSD
57
Dx38
(Digital Sound System Processor)
Digital Sound System Processor
Dx38 sets standards for digital loudspeaker controllers and
processors, providing 48-bit filter algorithms, 24-bit AD/DA
conversion and a dynamic range of 115 dB. Dx38 can be
used in networks of up to 31 controllers with a maximum
networking distance of 1.000 meters. Real-time controlling
and configuration is either via the front panel or PC via RS232, MIDI or RS-485 bus for networking.
NRS 90246
Dx Network
(up to 31 Controllers)
RS-232 realtime controlling
RS-485
up to
1000
meters
Dx38 is a 2-in/4-out controller with a “virtual” third input
source. It has a mono sum of both input channels to maximize flexibility. Two configuration modes allow clearer handling for different qualified users. 30 user memories and 50
factory presets can be managed.
The Dx38 comes with a detailed manual plus RACE software
which includes current EV speaker and amp data.
Dx 38
Controller type
Data format
Remote panel
D/A conversion
WWW
Software update
download
RS-485 Remote Interface for Dx38
Available Options and Accessories:
NRS 90244
NRS 90247
NRS 90246
58
Input transformer
RS-485 network interface
Contact Closure interface for external
“User preset” selection; 8 contacts
(pin 1-8: activation, pin 9: common)
A/D conversion
Sampling rate
DSP type
Frequency response
Dynamic Range (typical)
THD (without input transformer)
THD (with input transformer)
Input connectors
Input voltage (nominal)
Maximum input voltage
Input impedance
Common mode rejection
Output connectors
Output voltage (nominal)
Maximum output voltage
Output impedance
Minimum load impedance
Frequency crossovers (slopes)
Frequency crossovers (designs)
Filters (In- and Outputs)
Digital Compressor
Digital Limiter
Delay
Delay increment
MIDI in/out/thru
Graphic LCD with LED-background light
Locking function
Dimensions mm (WxHxD)
Weight net
2 (+1) in/4 out
24-bit linear AD/DA conversion
48-bit processing
24-bit/sigma-delta (linear phase)
128 times oversampling
24-bit/sigma-delta
128 times oversampling
48 kHz
2 x 24-bit Motorola
20 - 20 kHz (- 0.5 dB)
115 dB
< 0.01%
< 0.05%
2 XLR (elec. balanced), parallel out
1.55V/+ 6 dBu
24.5V/+30 dBu
20k ohms
> 40 dB
4 XLR (elec. balanced)
1.55 V/+ 6 dBu
8.7V/+ 21 dBu
< 100 ohms
600 ohms
6, 12, 18, 24 dB/oct.
Butterworth, Bessel, Linkwitz-Riley
26 (full) parametric equalizers,
Low-Shelving EQ (6, 12 dB slope),
LPN (Lowpass-Notch) switchable,
Hi-Shelving EQ (6, 12 dB slope),
Lo-Cut filter (6 or 12 dB slope),
B6 alignment, Hi-Cut filter (6 or
12 dB slope), All-Pass filter (1st
or 2nd order), Phase invert (180°)
4 (1 each output) with graph
4 (1 each output) with graph
3 master delays (2 ms - 900 ms)
4 channel delays (0 ms - 900 ms)
21 µsec.
Data dump, Master/Slave
operation, Remote Control
122 x 32 dots
via key-lock
483.0 x 43.6 x 374.0 mm
1.72” x 19” x 14.75”
5.0 kg (17.03 lbs.)
RACE Software
RACE
Software for Dx38
RACE is a professional audio tool to generate presets for
speaker systems. In addition to the clear display of all used
filters, delay and level settings, each output can be assigned
with the acoustic data (phase and frequency response) of
the individual speaker component.
This pure speaker data has been measured in free space.
RACE then calculates the complex summation of all used filters, level and delay settings applied to these components.
Thus the display on the screen is not only the electrical filter
response but, for the first time, the actual true acoustic
response of the component! Any change of parameter values is visible and audible in real time.
An additional tool is the SPL dispersion window for lower
frequencies. Presets can even be prepared off-line in advance and need only a little tweaking once speakers are
in place.
RACE enables engineers to seamlessly integrate room influence, speaker positioning and parameter settings and a
RACE Processed Preset is a guarantee for a solid, accurate
basis from which to begin system tuning. EV is supplying
these presets for all current EV speaker systems, even if the
needed combination is not part of the 50-factory preset of
the Dx38.
Signal Flow Diagram
The signal flow diagram provides a clear overview of all
available parameters. Immediately after the input metering
there are five master equalizers per input available. Each of
these filters can be set as hi- or lo-pass (6dB/12dB-Peaking),
hi- or lo-shelf (6/12dB) or as a fully parametric eq. Each activated filter is signaled by a green LED symbol.
Each input, or the sum of both inputs, can be delayed separately up to 900ms with the master delay. The fully flexible
routing allows each input as well as the sum to be routed to
any of the four outputs. Four filters per output are available
with same filter functions as the master eq. In addition, an
all-pass filter for phase corrections can be selected. The
x-over section provides a hi- and a lo-pass-filter per channel
and an output delay for alignment. The dynamics sections
with independent compressor and limiter can be used for
speaker protection.
The output meter display works like the whole editor in realtime. Level control and mute are available for each channel.
All of these parameters on the Dx38 can easily be edited via
the front control panel without using a PC. Once you try
RACE however, you may never want to work without it!
Overall Frequency Response
The acoustical response of Xi1183/64 plus Xi2181
(4-way) using the big Bode-Plot. Any change of
parameters like level, filter or delays is displayed
immediately. Even very complex array settings can be
tuned simply and accurately.
Download RACE software for the Dx38 for free from www.electro-voice.com
59
AC One Analog Controller
AC One Analog Audio Controller
The AC One analog audio controller has been designed to
be used in high-performance applications that employ smallto medium-size full-range systems with subwoofers. Its
excellent audio performance, dynamic range of 117 dB,
extremely low noise level, and outstanding price-performance ratio make the AC One an advantageous alternative to
conventional crossover and controller solutions. It is possible
to meet the tough demands of modern audio applications –
such as high sound pressure level, coverage, and sound
quality – only by using a biamped loudspeaker system which
can fully separate, amplify, and reproduce the audio signal´s
frequency ranges. The PowerMax 12 crossover function
brings the low-frequency performance of bigger systems to
compact systems. The AC One guarantees highly economical system applications without loss of performance, and
helps to save on application space.
Inputs and outputs are active balanced. The inputs can be
fitted with optional high-quality input transformers (NRS
90208). The outputs feature output relays which protect
against unwanted noise in case of power failure.
The PowerMax 12 Advantage and its Unique EQ Section
The new PowerMax 12 crossover function (patents pending)
makes the best possible use of amplifier output power and
loudspeaker transmission capacities. Compared to other regular crossover designs on the market, PowerMax 12 delivers
an extra 3 dB SPL at the crossover point, something which
cannot be achieved by normal EQ´ing alone. In addition,
speaker overload and amplifier clipping are dramatically
reduced. The PowerMax 12 crossover function silences the
oft-heard complaint: “It needs more punch and definition.”
In addition, a 12-dB (Q: 1.0) lo-cut filter and a unique
3-band equalizer featuring the patented LPN filter allows for
flexible, easy, and quick system adjustments.
PowerMax 12 advantage
PowerMax 12 crossover curve
24 dB Linkwitz-Riley crossover curve
AC One Options and Accessories:
Part number
PA 1
NRS 90208
Option/accessory
Clear acrylic cover
Input transformer
AC One
Crossover type
Crossover frequency (sweepable)
Crossover filter type
Filter options (adjustable)
Frequency response (-3 dB @ 1 kHz)
Nominal gain
Maximum gain
Dynamic range (+20 dBu, a-weighted)
THD + N (20 Hz–20 kHz, +6 dBu)
THD + N (typical, +6 dBu)
Crosstalk attenuation
Mute switch rejection
Level control attenuation
Input impedance
60
2-way stereo + sub mono
45–160 Hz
PowerMax 12
Lo-cut / 3-band EQ
16 Hz–150 kHz
0 dB
+12 dB
117 dB
<0.02%
0.003%
>80 dB
>90 dB
>80 dB
20 kΩ
AC One
Maximum level (Inputs: A, B)
Rated level (inputs: A, B)
Gain range (inputs: A, B)
Output impedance (HI, LO, SUB)
Maximum level (outputs: HI, LO, SUB)
Rated level (outputs: HI, LO, SUB)
Gain range (outputs: HI, LO, SUB)
Input/output connectors
Power consumption
Power requirements 50-60 Hz (switchable)
Dimensions (H x W x D)
Net weight
+20 dBu
+6 dBu
-∞ to +6 dB
75 Ω
+20 dBu
+6 dBu
-∞ to +6 dB
XLR (active balanced)/
Inputs with parallel out
17 W
100–120V/220–240V
1.72" x 19" x 8.92"
43.6 x 483 x 226.5 mm (1 RU)
7.07 lbs (3.2 kg)
Amplifiers
The Precision Series™ (P-Series), EV´s top line of power amplifiers, has become a world standard in touring business.
Their extreme reliability, high-level sound and durable design
make them the amp of choice for the Rolling Stones´ world
concert tours. A two-year tour is torture for any piece of
touring equipment and EV´s speakers and amplifiers did an
outstanding job, not only from an acoustical point of view.
During the two-year period, only one fuse blew on one of
the amplifiers!
All EV Amplifiers feature:
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Dynamic audio limiters (shown right)
Switchable limiter time constant (P-Series)
Peak current limiters
Inrush current limiters
Turn-on delay (“soft-start“)
Excessive high frequency (RF) protection
Excessive Back-EMF protection
DC fault protection
Shorted loads protection
High temperature protection controls thermal overload of the power transistors and the transformer
Low-noise 3-stage resp. 4-stage fans with
front-to-rear airflow
Up to 30 % headroom of power capability
Generous power-supply construction
Flexible Input routing (mono parallel, stereo)
Stable and safe operation on 2 ohms load
Bridge-mode operation on 4 ohms load
High-level sound performance
Extreme reliability
Highest quality standards: German engineering
All EV amps are equipped with a unrivalled and complete
protection and safety package for maximum sound performance. Their technical specifications represent the highest
league of professional power amplifiers. Precision Series™
guarantees, among other things, outstanding transient
response for uncomplicated sonic reproduction of the original signal, and extremely low dynamic distortion to ensure
excellent sound quality. Q-Series and CPS-Series are based
on Precision Series™.
Dynamic Headroom
600W
1 % THD
780W
30% Dynamic headroom of a Q66 amplifier
Q-Series
Q-Series is based on EV´s world famous P-Series. They contain all features listed above and guarantee the same high
quality, in cost-effective packages of 2 x 450 W and 2 x
600 W output power.
Q-Series comes up in a stable 3-RU zinc-plated steel housing
with rear-mounted dB-scaled level controls.
Q 44
Continuous rated power (1k Hz, THD 1 %)
2 ohms
650 watts
4 ohmsΩ
450 watts
280 watts
8 ohms
Continuous rated power (20 - 20k Hz, THD < 0,2%)
350 watts
4 ohms
8 ohms
230 watts
Max. bridged output
4 ohms
1,300 watts
900 watts
8 ohms
> 25 V / µs
Slew rate
Total Harmonic Distortion
< 0.05 %
Intermodulation Distortion (SMPTE)
< 0.08 %
DIM 30
< 0.03 %
Damping factor 100 Hz / 1000 Hz
> 300 / > 200
< 80 dB
Crosstalk (at 1.000 Hz)
> 105 dB
Signal-to-noise ratio (dB A-weighted)
Input Impedance (balanced)
20k Ω
Input Sensitivity (0 dBu factory setting)
0 dBu / +6 dBu
Input connectors, parallel out
XLR in/out
Output connectors
Speakon (Pin 1)
Dimensions (H x W x D)
133 x 483 x 386 mm
5.25” x 19”x 15.7”
Net weight
15 kg (35.2 lbs.)
Q 66
850 watts
600 watts
380 watts
500 watts
300 watts
1,700 watts
1,200 watts
> 30 V / µs
< 0.05 %
< 0.08 %
< 0.03 %
> 300 / > 200
< 80 dB
> 105 dB
20k Ω
0 dBu / +6 dBu
XLR in/out
Speakon (Pin 1)
133 x 483 x 386 mm
5.25” x 19” x 15.7”
16 kg (35.2 lbs.)
61
PA Series Amplifiers
The PA series of compact commercial rack mount power
amplifiers are designed for demanding sound reinforcement, background music/paging and public address system installations where long term reliability and flexibility is
the ticket. These units are exceptional values, loaded with
features and are easy to install in a variety of system
designs. The models in the PA series range from 160 to 450
watts of power per channel in a compact 2RU package.
All models have a variety of features which enables them
to be customized to a wide range of demanding commercial sound and audio reinforcement applications. The
PA1250T, PA2250T and PA2400T all provide 70/100V output capability using low distortion output transformers for
wide bandwidth and minimal saturation.
• Balanced phoenix style input connectors –
makes installation easy.
• A phoenix style connector block for all
output modes.
• Models available from 160 to 450 watts
per channel into 4 ohms or 70/100V.
• Bridge mode operation on all multi channel
models provide power flexibility.
• Switch selectable hi-pass filter at either
50Hz or 300Hz meets any installation
requirement.
• Independent rear panel level controls
provided for each channel
• All models provide multi-voltage operation
from 110-240vac.
• Integrated “rack ears” allow for rack
mounting without additional accessories.
PA2450L
Number of Channels
2
Load Impedance
8/4 Ohms
Rated output power
220W/450W
(*rated load) THD<1%, 1kHz
Rated output power
200W/400W
(*rated load) THD<0.2%,
20Hz – 20kHz
Slew rate at 1kHz V/µs
28
Frequency response -1dB, ref. 1kHz
<10Hz -40kHz
Input impedance 20Hz – 20kHz,
>20kohm
balanced
Input sensitivity @ rated output
0dBu (775mV)
power or voltage, 1kHz
THD @ rated output
<0.1%
power MBW=80kHz, 1kHz
<0.1%
IMD-SMPTE 60Hz, 7kHz
DIM30 3.15kHz, 15kHz
<0.1%
<-75dB
Crosstalk ref. 1kHz, @ 10% rated
output power
483mm x 88mm x 406mm
Dimensions (W x H x D)
(19”x 3.5”x16”)
Weight
16.5kg (36.34lbs)
62
PA4150L
PA2400T
PA2250T
PA1250T
4
8/4 Ohms
100W/160W
2
8/4 Ohms/100V/70V
215W/430W/430W/430W
2
8/4 Ohms/100V/70V
135W/270W/270W/270W
1
100V/70V
270W/270W
75W/150W
200W/400W/400W/400W
125W/250W/250W/250W
250W/250W
16
<10Hz -40kHz
>20kohm
25/25/65/46
65Hz -40kHz/65Hz -20kHz
>20kohm
18/18/61/41
65Hz -40kHz/65Hz -20kHz
>20kohm
61/41
65Hz -20kHz
>20kohm
0dBu (775mV)
0dBu (775mV)
0dBu (775mV)
0dBu (775mV)
<0.1%
<0.1%
<0.1%
<0.1%
<0.1%
<0.1%
<-75dB
<0.1%
<0.1%
<-75dB
<0.1%
<0.1%
<-75dB
<0.1%
<0.1%
<-75dB
483mm x 88mm x 406mm
(19”x 3.5”x16”)
18kg(39.65lbs)
483mm x 88mm x 406mm
(19”x 3.5”x16”)
26kg(57.27lbs)
483mm x 88mm x 406mm
(19”x 3.5”x16”)
23.5kg(51.76lbs )
483mm x 88mm x 406mm
(19”x 3.5”x16”)
16.5kg(36.34lbs)
Contractor Precision Series (CPS) Amplifiers
The CPS Series are high-performance amplifiers with
unmatched dynamic range capability, ensuring the most reliable operation favored by sound contractors in all sound
reinforcement applications.
The CPS Series achieves its outstanding dynamic range
through the use of our unique nonlinear signal monitor. This
feature limits amplifier distortion to less than 1 percent, eliminating the "hard-edged" clipping which can destroy most
speaker systems. The amplifier’s power supply is specifically
designed to deliver high peak signals, proving a burst signal
output capability headroom more than 30% over their average continuous rating.
CPS 1
(not shown)
The CPS1 can deliver up to 450 watts of power at 1kHz into 4
ohms. The CPS 1 has been extremely popular in smaller venues
such as houses of worship, retail spaces, and entertainment
venues where background or foreground music is needed.
(not shown)
CPS 2
The CPS2 incorporates all the advanced features of the CPS1
but can deliver up to 600 watts of power at 1kHz into 4 ohms.
CPS 2.4
The CPS2.4 is ideal for smaller full-range systems or larger
mid/high frequency amplification in larger installations. The
CPS2.4 is an ideal companion to the popular EVID line of
premium surface-mount and ceiling speaker systems.
CPS2T
CPS 2.6
The CPS2T offers all the performance of the CPS2 and adds
the capability of 70v/100v constant voltage operation. It
also features Transformer Saturation Protection (TSP),
which monitors the current demands of the 70v/100v
matching transformer and can protect against overload and
distortion. The exceptional reliability and performance of
the CPS2T has made it the amplifier of choice for a wide
variety of distributed audio installations such as convention
centers, factories, warehouses, stadiums, office buildings,
and the like. Anywhere large amounts of reliable 70v amplifier power is needed, the CPS2T can meet the spec easily.
The workhorse of the line. Its 600 watts of compact power
is perfect for mid-level full range installs.
CPS 2.8
At 800 watts per channel the CPS2.8 is the best value in the
line. It can power a wide range of speaker cabinets either in
multi-way or full-range modes for a large range of fixed
installation jobs.
CPS 2.11
No power amplifier on the market can offer such a high level of
power performance and reliability. At 1100 watts/channel the
CPS2.11 can power large stadium, theater, and auditorium
type installations with ease.
CPS1
Maximum power (1k Hz; THD <1%)
2Ω
650 W
450 W
4Ω
8Ω
280 W
Rated power (20 Hz–20 kHz; THD <0.2%)
4Ω
350 W
8Ω
230 W
Maximum bridged output (1,000 Hz; <1% THD)
1,300 W
4Ω
8Ω
900 W
Slew rate
25 V/µs
Total harmonic distortion
<0.05%
Intermodulation distortion (SMPTE)
<0.08%
<-80 dB
Crosstalk (at 1,000 Hz)
Input impedance (balanced)
20 kΩ
Signal-to-noise ratio (dB A-weighted)
>105 dB
Dimensions (W x H x D)
483 x 132.5 x 368.8 mm
19" x 5.22" x 15.22"
Net weight
15 kg (33.1 lbs.)
CPS2
CPS2.4
CPS2.6
CPS2.8
CPS2.11
CPS2T
850 W
600 W
350 W
600 W
400 W
240 W
900 W
600 W
350 W
1,100 W
800 W
500 W
1,600 W
1,100 W
600 W
850 W
600 W (100V: 500W)
380 W
500 W
300 W
300 W
150 W
500 W
250 W
700 W
350 W
900W
450 W
500 W (100V: 580W)
330 W
1,700 W
1,200 W
30 V/µs
<0.05%
<0.08%
<-80 dB
20 kΩ
>105 dB
483 x 132.5 x 368.8 mm
19" x 5.22" x 15.22"
16 kg (35.3 lbs.)
1,240 W
800 W
35 V/µs
<0.05%
<0.02%
<-80 dB
20 kΩ
103,5 dB
483 x 88.1 x 368.8 mm
19" x 3.5" x 15.22"
13.5 kg (30.8 lbs.)
1,800 W
1,200 W
35 V/µs
<0.05%
<0.02%
<-80 dB
20 kΩ
105.5 dB
483 x 88.1 x 368.8 mm
19" x 3.5" x 15.22"
15 kg (33 lbs.)
2,200 W
1,600 W
35 V/µs
<0.05%
<0.02%
<-80 dB
20 kΩ
107 dB
483 x 88.1 x 368.8 mm
19" x 3.5" x 15.22"
16 kg (35.2 lbs)
3,200 W
1,700 W
2,200 W
1,200 W (100V: 1,160)
35 V/µs
30 V/µs
<0.05%
<0.05% (100V: <0.2%)
<0.02%
<0.08% (100V: <0.3%)
<-80 dB
<-80 dB
20 kΩ
20 kΩ
107 dB
>100 dB
483 x 88.1 x 368.8 mm 483 x 132.5 x 368.8 mm
19" x 3.5" x 15.22" 19" x 5.22" x 15.22"
8.15 kg (17.96 lbs.)
22.5 kg (49.6 lbs.)
63
Compact Precision Amplifiers
• Four models ranging from 2 x 600 W
to 2 x 2000 W
• EV’s legendary Precision Series sound
• 30% dynamic headroom
• Class-H design for less heat dissipation
• Very light and compact format
• High-precision detent front controls
• Dynamic audio limiter
• Robust construction & reliable design
• Unique protection package including
Back-EMF protection
CP1200
With up to 2 x 600 watts into 2 Ohms and 2 x 400 watts into
4 Ohms dedicated for small fullrange cabinets and individual
hi-frequency components in multiway systems. The CP1200
employs a conventional transformer power supply.
CP1800
Supplies up to 2 x 900 watts into 2 Ohms and 2 x 600 watts
into 4 Ohms. Dedicated for smaller size full range speaker
systems and hi-frequency components in multiway systems.
The CP 1800 uses a conventional transformer power supply.
CP2200
CP3000 S/ CP4000 S
With up to 2 x 1100 watts into 2 Ohms and 2 x 800
watts into 4 Ohms, the CP 2200 is not only a perfect
complement to many fullrange speaker cabinets, but also
mid- and hi-frequency components in larger concert-sound
systems. The CP 2200 employs a conventional transformer power supply.
Maximum power (1k Hz; THD <1%)
2 ohms
4 ohms
8 ohms
Rated power (20 Hz–20 kHz; THD <0.2%)
4 ohms
8 ohms
Maximum bridged output (1,000 Hz; <1% THD)
4 ohms
8 ohms
Slew rate
Total harmonic distortion
Intermodulation distortion (SMPTE)
Crosstalk (at 1,000 Hz)
Input impedance (balanced)
Signal-to-noise ratio (dB A-weighted)
Dimensions (W x H x D)
Net weight
64
TheCP3000 S & CP4000 S are not only the first Precision Series
amplifier to use a switch-mode power supply, but they are also
the first switch-mode amplifier with EV’s Precision Series sound.
With up to 2 x 2100 watts into 2 Ohms and 2 x 1500 watts into
4 Ohms, they are not only the most powerful in the line, but also
the lightest model at only 17.96 lbs (8.15 kg).
CP4000S
CP3000S
CP2200
CP1800
CP1200
2100 W
1500 W
900 W
1600 W
1100 W
600 W
1100 W
800 W
500 W
900 W
600 W
350 W
600 W
400 W
240 W
1200 W
600 W
900 W
450 W
700 W
350 W
500 W
250 W
300 W
150 W
4200 W
3000 W
35 V/µs
<0.05%
<0.02%
<-80 dB
20 kΩ
108 dB
483 x 88.1 x 384 mm
19" x 3.5" x 15.5"
8.70 kg (19.2 lbs)
3200 W
2200 W
35 V/µs
<0.05%
<0.02%
<-80 dB
20 kΩ
107 dB
483 x 88.1 x 368.8 mm
19" x 3.5" x 15.22"
8.15 kg (17.96 lbs.)
2200 W
1600 W
35 V/µs
<0.05%
<0.02%
<-80 dB
20 kΩ
107 dB
483 x 88.1 x 368.8 mm
19" x 3.5" x 15.22"
16 kg (35.2 lbs.)
1800 W
1200 W
30 V/µs
<0.05%
<0.02%
<-80 dB
20 kΩ
105,5 dB
483 x 88.1 x 368.8 mm
19" x 3.5" x 15.22"
15 kg (33 lbs.)
1200 W
800 W
25 V/µs
<0.05%
<0.02%
<-80 dB
20 kΩ
103,5 dB
483 x 88.1 x 368.8 mm
19" x 3.5" x 15.22"
13.5 kg (30.8 lbs.)
Precision Series™ Linear Amplifiers
The Precision Series™ (P-Series) is EV´s most popular series
of power amplifiers. Their extreme reliability, high-level
sound, and durability make them the professional’s choice
among rental companies and musicians.
For flown applications in the touring market, rear-rack
mount kits are available to help stabilize the rack frame and
ensure safe transportation.
P 1200
•
•
•
•
•
Compact, 2 RU chassis
Switchable limiter constant (fast/slow)
Switchable Lo- and Hi-cut filter
Input transformer optional (NRS 90176)
Selectable input sensitivity with 26 dB
constant gain option (internal)
P 2000 / P 3000
•
•
•
•
•
Dual power-supply
Switchable limiter constant (fast/slow)
Switchable Lo- and Hi-Cut filter
Input transformer optional (NRS 90176)
Selectable input sensitivity with 26 dB
constant gain option (internal)
THD + N versus power output of a P 3000.
Continous rated power (1k Hz, THD 1 %)
2 ohms
4 ohms
8 ohms
Continous rated power (20 - 20k Hz, THD < 0,1%)
4 ohms
8 ohms
Max. bridged output
4 ohms
8 ohms
Slew rate
Total Harmonic Distortion
Intermodulation Distortion (SMPTE)
DIM 30
Damping factor 100 Hz / 1000 Hz
Crosstalk (at 1.000 Hz)
Signal-to-noise ratio (dB A-weighted)
Input Impedance (20-20k Hz, balanced)
Input Sensitivity (0 dBu factory setting)
Input connectors, parallel out
Output connectors
Dimensions mm (H x W x D)
Net weight
P1200
P 2000
P 3000
800 watts
550 watts
370 watts
1200 watts
900 watts
560 watts
1800 watts
1300 watts
850 watts
500 watts
350 watts
800 watts
500 watts
1200 watts
750 watts
1600 watts
1100 watts
> 30 V / µs
< 0.05%
< 0.01%
< 0.01%
> 400 / > 300
< -70 dB
> 105 dB
20k ohms
0 dBu / +6 dBu / +26 dB
constant gain
XLR in/out
Speakon (Pin 1)
88 x 483 x 390 mm
3.5” x 18” x 16.8”
17 kg (35.2 lbs.)
2400 watts
1800 watts
> 35 V / µs
< 0.05%
< 0.01%
< 0.01%
> 400 / > 300
< -70 dB
> 105 dB
20k ohms
0 dBu / +6 dBu / +26 dB
constant gain
XLR in/out
Speakon (Pin 1)
133 x 483 x 390 mm
5.2” x 19” x 16.8”
27 kg ( 57.3 lbs.)
3600 watts
2600 watts
> 40 V / µs
< 0.05%
< 0.01%
< 0.01%
> 400 / > 300
< -70 dB
> 105 dB
20k ohms
0 dBu / +6 dBu / +26 dB
constant gain
XLR in/out
Speakon (Pin 1)
133 x 483 x 390 mm
5.2” x 19” x 16.8”
29 kg (61.7 lbs.)
65
IRIS-Net
From the introduction of the first IRIS (Intelligent Remote
Integrated Supervision) software platform for amplifiers in
2002, EV has been developing a robust audio control protocol and new innovative audio hardware.
The first was the RL line of remote controlled amplifier products. These amplifiers offered an amazing level of user control and monitoring, which brought reliability and ease of use
to a wide range of users. Now EV is introducing the Net-
Max™ N8000, a comprehensive digital audio system controller — the next link in the IRIS-Net audio processing chain.
IRIS-Net is EV’s answer to the ever-increasing complexity of
audio system designs. It is a comprehensive software platform, which encompasses a huge array of control options. All
aspects of the audio chain are under its supervision and control. The key areas of signal processing, supervision and signal routing are all manipulated under its shell.
• IRIS (Intelligent Remote & Integrated Supervision) software for user-programmable, password-protectable control pages
• Remote control and supervision of up to 250
amplifiers over CAN network
• Built-in state-of-the-art digital signal processing
(Filter, Crossover, Delay, Compressor,Limiter)
• Dynamic Range 115 dB
• RACE-processed presets for EV speakers
available
• Realtime supervision of amplifier operation and
loudspeaker load
• Automated system checks including full bandwidth measurement of connected loudspeakers
• Automated action procedures on critical operation modes are programmable
Typical user-accessable control pages
Unrivalled System Supervision
Impedance measurement of individual speaker component allows for comprehensive supervision of all speakers using
system check function.
66
IRIS-Net / NetMax
The new NetMax N8000 is the central player in the IRIS-Net
solution. It offers an extremely flexible hardware platform
that allows for field level customization of the unit to nearly
any application. This customization goes far beyond what is
available today from other platforms. Everything from the
matrix size and configuration to the processing power can be
customized in the field, making it easy to design the best
solution value for the customer.
Distributed vs. Central processing –
The N8000 and IRIS-Net gives you both!
Open Architecture –
Now you don’t have to make the choice as to where your
processing power resides. IRIS-Net gives you the ability to
choose BOTH! IRIS-Net enables you to process all or part of
the audio signal in a central component like the NetMax
N8000 or to conduct the processing and supervision remotely at the amplifier. This gives the system designer incredible
flexibility in designing the system. You can now design the
system for the ultimate in reliability or design for efficiency
and value. The IRIS-Net solution gives you all the hardware
and software pieces to accomplish both objectives.
The IRIS-Net software platform has been extensively tested
in a variety of venues. Even prior to its introduction the system hardware and software underwent extensive testing and
scrutiny. The software interface and hardware component
design were made with the user and designer in mind. The
open architecture of the hardware and IRIS-Net user protocol allow for the seamless functioning of external devices
within IRIS-Net and its hardware components.
Extensively Tested
N8000
Audio
Networking
Safety / Redundancy
Audio Inputs
Audio Outputs
Signal to Noise Ratio (A-weighted)
Sample Rate
Data Format
INTERFACES
Power Supply
Power Consumption
Cooling
Operating Temperature Range
Dimensions (W x H x D)
Modules:
AI-1 Analog Input Module
AO-1 Analog Output Module
DI-1 Digital Input Module
DO01 Digital OUtput Module
DSP-1 DSP Extension Module
MI-1 Microphone Input Module
32 Audio Channels 4 Audio Slots, modular 8-Channel Input and Output cards, analog or digital
Module Slot for optional CobraNet™ Interface 32 I/O Audio and Control
Internal Supervision, System Monitoring, Watchdog, Fault Output, Redundant Audio Network possible
8 analog audio inputs per module, line level, electronically symmetric
8 analog audio outputs per module, line level, electronically symmetric
AI-1: 117 dB typical AO-1: 118 dB typical N8000 analog In to analog Out: 114 dB typical
48 kHz internal, 32 kHz - 192 kHz external
24 Bit linear A/D and D/A conversion, 48 Bit processing
Ethernet ,CAN , RS-232 ,USB ,GPIO Control Port
100 - 240 V AC, 50/60 Hz
90 W max. (incl. 2 x AI-1, 2 x AO-1, 1 x CM-1 modules)
Left-to-right, 3-stage fan
32°F – 104°F (0 °C – 40 °C)
19“ x 3.5” x 15” (483 x 88.1 x 381 mm) 2 RU
8 analogue audio inputs, line level, balanced 20kOhms
8 analogue audio outputs, line level, balanced, 100 Ohms
8 digital audio inputs (AES/EBU)
8 digital audio outputs (AES/EBU)
DSP Extension Module (300 MIPS)
8 analogue audio mic/line inputs with phantom power
67
Precision Series Remote Amplifiers
Range of Amplifiers for High and Low Impedance Applications
P3000 RL
The flagship, with 2 x 1300 watts into 4 ohms and 2 x 1800 watts
into 2 ohms: the digitally controlled version of the legendary
P3000 amplifier. Speaker outputs on Speakon NL4 connectors.
P1200 RL
The universal, with 2 x 600 watts into 4 ohms and 2 x 850 watts into
2 Ohms. Speaker ouputs on barrier strip.
P1200 RT
High-impedance output for 100/70V-lines with 2 x 590 watts.
The dynamic limiter circuit includes the output transformer and limits THD to 1% maximum. Speaker outputs on barrier strip.
P900 RL
Featuring 2 x 450 watts into 4 and 2 x 650 watts into 2 ohms the
P900RL is dedicated for HF drive in multi-way systems. Speaker
outputs on barrier strip.
P900 RT
High-impedance output for 100/70V-lines with 2 x 410 watts.
Speaker output on barrier strip.
P900 RL
P1200 RL
P3000 RL
8Ω
4Ω
2Ω
8Ω
4Ω
2Ω
280 W
450 W
650 W
380 W
600 W
850 W
Rated Output Power (20 Hz-20 kHz, THD <0,2%)
230 W
350 W
-
300 W
500 W
Maximum Bridged Output (1 kHz, THD 1%)
900 W 1300 W
-
1200 w 1700 W
Continous Output Power (1 kHz, THD 1%)
8Ω
4Ω
P900 RT
2Ω
70 V
100V
70 V
850 W 1300 W 1800 W 410 W
400 W
590 W 580 W
-
750 W 1200 W
-
350 W
350 W
500 W 500 W
-
2600 W 3600 W
-
-
-
< 0.05%
THD @ Rated Output Power
100V
P1200 RT
-
-
<0.1%
<0.2% <0.1% <0.2%
DIM 30
<0.03%
<0.01%
<0.2%
<0.3% <0.2% <0.3%
Intermodulation (SMPTE)
<0.08%
<0.001%
<0.1%
<0.3% <0.1% <0.3%
Signal-to-Noise Ratio
Frequency Response (-1 dB)
Dynamic Audio Limiter
Protections
> 105 dB
>100 dB
20 Hz - 20 kHz
45 Hz - 20 kHz
THD </= 1% (Inputsignal </= + 20 dBu
Hi-Temperature, DC, HF, Back EMF, Peak Current Limiter, Inrush Current Liminter, Power On Delay
Cooling
3(4)-stage fan, front-to-rear cooling
Input Sensivity and Impedance
1.55 V (+6dBu), 20 kOhm, XLR Input
Maximum Input Level
8.7 V (+21 dBu)
Serial Interface
Network: CAN, 2 RJ45 (CAT-5 Cabling), RS-232 for media control systems
Control Logic In- and Outputs
2 x 0V 5V free configurable, Easy-Remote
Loudspeaker Connectors
Barrier Strip
Dimensions (Width x Height x Depth)
Net Weight
16 kg (35.3 lbs.)
All measurements both channels driven into 8 ohms unless other specified.
68
Speakon NL4
Barrier Strip
483 x 132.5 x 390 mm (52” x 19” x 15.4”) ( 3 U)
17 kg (37.5 lbs.)
30 kg (66.2 lbs.)
24 kg (53 lbs.)
25 kg (55.1 lbs.)
Tour Grade Amplifiers
•
Up to 2 x 3500W max. cont. output
•
High Efficiency and Sonic Excellence
through Grounded-Bridge Class-H
•
Design Microprocessor Controlled
- Compound Thermal Protection
- Auto Mains Input Voltage Select
- Mains Circuit Breaker Supervision
•
Front LCD-Panel for Operation Mode
•
Set-up and Monitoring
•
Slot for optional IRIS-Net™ Module
- complete PC control (CAN, Ethernet)
- state-of the art real time DSP (RCM26/28)
- unique system diagnostics and supervision
- compatible with all other IRIS-Net units
Tour Grade amplifiers are designed for today’s most demanding audio applications. They offer a unique combination of
high output power, sonic excellence, high efficiency, as well as
state-of the art, optional signal processing and system supervision via the IRIS-Net software suite, in a compact lightweight
format. The switch-mode power supply has lots of headroom
to ensure high dynamic outputs and reliable operation on
extreme low loads.
Optional IRIS-Net™ (Intelligent Remote & Integrated Supervi-
•
Complete Protection Package
•
Only 14.5 kg (32 lbs) for TG-7
•
Designed and Made in Germany
sion-Network ™ ) Modules available for the Tour Grade amplifiers open up a whole world of state-of-the-art DSP, remote
control, networking and unique system supervision – down to
an individual loudspeaker component. There will be several
modules available: RCM-26 (DSP, AES/EBU input, GPIO,
CAN-Bus), RCM-28 (DSP, GPIO, COBRA-Net™), RCM-20
(no DSP, CAN-Bus) to allow any combination of central control
and supervision with central or decentralized signal processing.
TG5
8Ω
4Ω
TG7
2Ω
8Ω
4Ω
2Ω
Continous Output Power (1 kHz, THD 1%)
850 W 1450 W 1900 W 1500 W 2500 W 3500 W
Rated Output Power (20 Hz-20 kHz, THD <0.2%)
600 W 1200 W
-
1050 W 2100 W
THD @ Rated Output Power
< 0.05%
< 0.05%
DIM 30
<0.02%
<0.02%
Signal-to-Noise Ratio
109 dB
111 dB
Protections
-
Dynamic Audio Limiter, Hi-Temperature,
DC, HF, Short Circuit, Back EMF,
Mains circuit breaker, Mains overvoltage
Power Requirements:
100-240V, 50/60Hz (mains auto detection)
Dimensions (Width x Height x Depth)
483 x 88.1 x 512 mm (19” x 3.46” x 20.9”)
Net Weight
14.4 kg (31.3 lbs.)
14.5 kg (32 lbs.)
69
Wired Microphones
Cobalt™ Series
Co4
Co5
Co7
Co9
Co11
Element
Polar pattern
Impedance, Low-Z balanced
Frequency Response (-3 dB)
Open Circuit Voltage (at 1,000 Hz)
Magnetic Circuit
Power requirement (Phantom power)
Specials
Dynamic
Cardioid
600 ohms
50 - 18,000 Hz
2.2 mV/Pascal
N/DYM®
N/A
—
Dynamic
Cardioid
600 ohms
50 - 18,000 Hz
3.2 mV/Pascal
N/DYM®
N/A
—
Dynamic
Cardioid
600 ohms
50 - 18,000 Hz
3.2 mV/Pascal
N/DYM®
N/A
—
Self-biased condenser
Cardioid
Low-Z’balanced (250 Ohms)
50 - 20,000 Hz
4 mV/Pascal
N/A
24 to 48 Vdc
—
Case Material
Finish
Included accessories
Die-cast zinc
cobalt
Stand adapter,
zippered vinyl
carrying pouch
hard-shell case
—
3-pin XLR
148 x 23 mm
(5.8” x 0.9”)
340 g (0.75 lbs.)
Dynamic
Cardioid
600 ohms
50 - 18,000 Hz
2.8 mV/Pascal
N/DYM®
N/A
Low-noise
On/off-Switch
Die-cast zinc
cobalt
Stand adapter,
zippered vinyl
carrying pouch
hard-shell case
—
3-pin XLR
170 x 53 mm
(6.7” x 2.1”)
306 g (0.67lbs.)
Die-cast zinc
cobalt
Stand adapter,
zippered vinyl
carrying pouch
hard-shell case
—
3-pin XLR
170 x 53 mm
(6.7” x 2.1”)
332 g (0.73 lbs.)
Die-cast zinc
cobalt
Stand adapter,
zippered vinyl
carrying pouch
hard-shell case
—
3-pin XLR
170 x 53 mm
(6.7” x 2.1”)
335 g (0.74 lbs.)
Die-cast zinc
cobalt
Stand adapter (black)
gig bag
Optional accessories
Connector type
Dimension (Length x max. Diameter)
Weight net
RE510
RE410
• Professional self-biased condenser
vocal microphone
• Selectable low-end roll-off
• Supercardioid pattern
• Excellent off-axis rejection
• Wide dynamic range
• Versatile handheld condenser microphone
• Ideal for both vocals and spoken word use
• Cardioid pattern for excellent feedback
rejection and acoustic isolation
• Warm-Grip™ handle for comfortable feel
• High-compliance shock mount effectively
eliminates handling noise
RE200
• High-end transducer
based on world standard
studio microphone RE2000
• Very low self-noise
• AcoustiDYM™ shockmount system
• Ultralow-mass, goldlaminated diaphragma
• Transformerless
output device
• Rear response 15 dB below
the front axis at 1,000 Hz
• Comes with accessories
RE510
Element
Polar pattern
Impedance, Low-Z balanced
Frequency Response (-3 dB)
Power Level (0dB = 1 m W/Pascal) at 1.000 Hz
Open Circuit Voltage (at 1,000 Hz)
Equivalent Noise (0 dB=20 micropascal)
Maximum SPL (1% distortion, 1,000 Hz)
Power requirement (Phantom power)
Current Consumption
Magnetic Circuit
Specials
Filters
Case Material
Finish
Included accessories
Connector type
Dimension (Length x max. Diameter)
Weight net
70
RE410
3-pin XLR
173 x 53 mm
(6.7” x 2.1”)
292 g (0.64 lbs)
RE200
Condenser (self-biased) Condenser (self-biased)
True condenser
Supercardioid
Cardioid
Cardioid
150 ohms
250 Ohms
200 ohms
50 - 20,000 Hz
50 - 20,000 Hz
50 - 18,000 Hz
-41 dB
- 39 dB
5.6 mV/Pascal
3.2 mV/Pascal
10 mV/Pascal
18 dB SPL
26 dB SPL
21 dB SPL
140 dB SPL
140 dB SPL
130 dB
12 - 52 VDC
24 - 48 VDC
12 - 52 VDC
N/A
N/A
3.5 mA
N/A
N/A
N/A
transformerless
AcousticDYM, transformerless output device
output device
—
switchable low-freq roll-offswitchable low-freq roll-off
Metal
Metal
Metal
Warm-Grip
Warm-Grip
Semi-gloss
black handle
black handle
camera black
Stand adapter,
Stand adapter,
Stand adapter,
windscreen
zippered vinyl
zippered vinyl
carrying pouch
carrying pouch
3-pin XLR
180 x 50 mm
7.09” x 1.97”
215 g (0.47lbs.)
3-pin XLR
182 x 51 mm
7.10” x 1.99”
260 g (0.57lbs.)
3-pin XLR
137 x 28 mm
5.39” x 1.10”
185 g (0.41 lbs.)
Wired Microphones
N/DYM® Series
As part of a fixed installation, in studios, or on the road,
EV N/DYM® microphones outperform any other microphone in their class.
N/DYM® Series is different to other microphones. Excellent
and clear sound, comfortable and safe handling, N/DYM®
magnetic structure, EV’s unique VOB™ technology and studio sound performance mark EV´s N/DYM® Series.
N/D367 s
N/D267 a/as
• Dedicated for female voices
• On/off-switch
(as version)
• Includes accessories
• Vocal and speech
microphone
• Entry into the world of
high-performance mics
• Includes accessories
• On/off-Switch
(as version)
N/D478
N/D468
• Universal microphone
• Ideal to mic drums,
percussion or guitars,
also as vocal “spare” mic
• Smooth response
• Includes accessories
•
•
•
•
N/D868
• Designed specifically for
kickdrums
• RE20 capsule type
• Extended “lows” to
tighten mixes
• Frequency response typically
eliminating the need of an EQ
• Extremely low self-noise
• Includes accessories
• Top-class vocal microphone
• Multi-stage shock mount
for unmatched low-handling noise
• Condenser mic performance
• Includes accessories
Dynamic
Element
Cardioid
Polar pattern
Impedance, Low-Z balanced
300 ohms
Frequency Response (-3 dB),
45 - 15,000 Hz
close response
Frequency Response (-3 dB),
100 - 15,000 Hz
far response
Output Level(0dB = 1 m W/Pascal)
at 1,000 Hz
- 52 dB
Open Circuit Voltage (at 1,000 Hz)
2.9 mV/Pascal
Equivalent Noise (0 dB=20 micropascal)
—
A-weighted
N/DYM®
Magnetic Circuit
Case Material
Metal
Finish
Nonreflecting black
Stand adapter,
Included accessories
soft zippered
carrying pouch
Connector type
3-pin XLR
Dimension (Length x max. Diameter)
181 x 52 mm
7.13” x 2.05
238 g (0.52 lbs.)
Weight net
Instrument microphone
Unique “moving head”
Extreme low self-noise
Accurate response,
even in high SPLs
• Includes accessories
Concert sound vocal mic
Highest gain before feedback
Ultra-low handling noise
Includes accessories
N/D767 a
N/D267 a/as
•
•
•
•
N/D967
N/D468
N/D478
N/D767 a
N/D868
N/D967
Dynamic
Cardioid
300 ohms
Dynamic
Supercardioid
150 ohms
Dynamic
Cardioid
300 ohms
Dynamic
Supercardioid
300 ohms
Dynamic
Cardioid variant
150 ohms
Dynamic
Supercardioid
25 - 20,000 Hz
30 - 22,000 Hz
45 - 15,000 Hz
35 - 22,000 Hz
20 - 10,000 Hz
50 - 13,000 Hz
55 - 20,000 Hz
60 - 22,000 Hz
100 - 15,000 Hz
70 - 22,000 Hz
—
120 - 13,000 Hz
- 53 dB
2.2 mV/Pascal
- 51 dB
3.1 mV/Pascal
- 52 dB
2.9 mV/Pascal
- 51 dB
3.1 mV/Pascal
- 52 dB
1.0 mV/Pascal
- 52 dB
4.0 mV/Pascal
< 17 dB SPL
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
181 x 52 mm
7.13” x 2.05
200 g (0.44 lbs.)
< 14 dB SPL
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
115 x 52 mm
4.53” x 2.05”
190 g (0.42 lbs)
—
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
181 x 52 mm
7.13” x 2.05”
247 g (0.54 lbs.)
—
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
181 x 52 mm
7.13” x 2.05
260 g (0.57 lbs.)
< 17 dB SPL
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
133 x 60 mm
5.24” x 2.36”
295 g (0.65 lbs.)
< 16 dB SPL
N/DYM®
Metal
Nonreflecting black
Stand adapter,
soft zippered
carrying pouch
3-pin XLR
173 x 52 mm
6.81” x 2.05”
205 g (0.45 lbs.)
N/D367 s
71
Wired Microphones
Live Interview Mics
RE-Series
RE Series is the first choice of microphones for smooth and accurate reproduction. Its unique and famous sound performance
makes it a favorite in the broadcast, studio and touring business.
EV´s Variable-D® design used in the RE20 and RE27 N/D broadcast studio products was developed to ensure true and accurate
response across all frequencies without the up-close boominess
associated with proximity effect. As a result, these microphones
have become the industry standard for radio studios worldwide.
EV´s 635 and RE50 microphones are famous in broadcast,
television, and radio OBs (outside broadcasts). These
microphones set world standards especially for ENG (electronic news production) and EFP (electronic field production). They are extremely rugged, can withstand high
humidity, temperature extremes and corrosive effects such
as salt-air yet provide excellent sound performance.
RE50/B, RE50 N/D-B
(N/DYM® version)
• N/DYM® for greater output (RE50 N/D)
• No muddy lows when used near lips
• Dyna-Damp™ for extremely effective
handling noise isolation
• On-camera use with 422 A desk stand
• Acoustalloy® diaphragm material for
very smooth response over a wide
frequency range
• Withstands high humidity; temperature extremes, corrosive salt air
• Integrated four-stage pop-filter
• Integral windscreen and blast filter
• Comes with accessories
RE20
• Variable-D® for minimal proximity effect
• True cardioid with no coloration at 180° off-axis
• Ultra-flat frequency response
• Studio condenser response
• Large diaphragm
• Hum-bucking coil
• Integral wind and blast filter
• Switchable EQ (-4.5 dB, 400-100 Hz)
• Comes with accessories
635A (beige)
635A/B (black)
• Linear frequency response
• Completely pop-free performance
• Four-stage pop and dust filter
• Internal effective shock absorber
• Comes with accessories
RE27 N/D
• Variable-D® for minimal proximity effect
• N/DYM magnetic circuit brings 6 dB more sensitivity
• Ultra-flat frequency response
• Studio condenser performance
• Large diaphragm
• 3 selectable filters: -6 dB, 250-100 Hz / gentle
roll-off 12 dB, 1000-100 Hz and a -3 dB high
frequency roll-off
• Integral wind and blast filter
• Comes with accessories
Element
Polar pattern
Impedance, Low-Z balanced
Frequency Response (-3 dB)
Power Level (0dB = 1 m W/Pascal) at 1.000 Hz
Open Circuit Voltage (at 1,000 Hz)
Magnetic Circuit
Specials
Filters
Case Material
Finish
Included accessories
Connector type
Dimension (Length x max. Diameter)
Weight net
72
635N/D-B
• Uniform 80 - 13,000 Hz
frequency response
• N/DYM® magnetic for greater
output
• Acoustalloy® diaphragm material
for very smooth response over a
wide frequency range
• Integral windscreen and blast filter
• Comes with accessories
RE20
RE27
635A(N/D)
RE50/B
RE50N/D-B
Dynamic
Cardioid
150 ohms
45 - 18,000 Hz
- 57 dB
1.5 mV/Pascal
—
Variable-D®
Dynamic
Cardioid
150 ohms
45 - 20,000 Hz
- 51 dB
3.1 mV/Pascal
N/DYM®
Variable-D®
Dynamic
Omnidirectional
150 ohms
80 - 13,000 Hz
- 55 dB (- 51 dB)
— (2.0 mV/Pascal)
Alnico(N/DYM®)
— (Acoustalloy®)
Dynamic
Omnidirectional
150 ohms
80 - 13,000 Hz
- 55 dB
—
Alnico
Dyna-Damp
Dynamic
Omnidirectional
150 ohms
80 - 13,000 Hz
- 51 dB
2.0 mV/Pascal
N/DYM®
Dyna-Damp™
Tilt-down EQ
Steel
Fawn beige
3 selectable EQs
Steel
Satin nickel
Stand adapter,
zippered vinyl
carrying pouch,
hard-shell case
3-pin XLR
217 x 54 mm
8.54” x 2.13”
737 g (1.62 lbs.)
Stand adapter,
zippered vinyl
carrying pouch,
hard-shell case
3-pin XLR
217 x 54 mm
8.54” x 2.13”
709 g (1.56 lbs.)
Steel
Fawn beige (A)
Semi-gloss black (A/B)
Stand adapter
zippered vinyl
carrying pouch,
hard-shell case
3-pin XLR
151 x 36 mm
5.94” x 1.41”
170 g (0.37 lbs.)
Aluminum
Semi-gloss
camera black
Stand adapter
zippered vinyl
carrying pouch,
hard-shell case
3-pin XLR
197 x 49 mm
7.76” x 1.92”
269 g (0.59 lbs.)
Aluminum
Semi-gloss
camera black
Stand adapter
zippered vinyl
carrying pouch,
hard-shell case
3-pin XLR
197 x 49 mm
7.76” x 1.92”
269 g (0.59 lbs.)
EV® Blue Series
Raven™
The EV® Blue Series Raven™ is a stylish dynamic microphone designed to capture the character of live and studio vocals. It is also the perfect microphone for live and
studio instruments. The Raven incorporates the collaborative design work from the top industry microphone
engineers to provide unparalleled performance in a
stunning package.
•
Dynamic mic with studio detail and clarity
•
Cardioid pattern with excellent off-axis rejection
•
Unique double swivel-mounted design for
ideal positioning
•
Great for voice or instrument
•
Innovative visual design
Cardinal™
The EV® Blue Series Cardinal™ is a cardioid condenser
designed to capture the detail of both voice and instrument in live sound or studio applications. Employing
Class A, discrete ultra-low noise amplifier circuitry, the
Cardinal’s smooth and detailed performance is sure to
please even the most discerning artists and engineers.
• Pressure gradient cardioid condenser
• Class-A discrete ultra-low noise circuitry
• Unique double swivel-mounted design for
ideal positioning
• Innovative visual design with cherry finish
• Great for voice or instruments
Element
Polar pattern
Impedance, Low-Z balanced
Frequency Response (-3 dB)
Open Circuit Voltage (at 1,000 Hz)
Equivalent Noise (0 dB=20 micropascal)
Maximum SPL (1% distortion, 1,000 Hz)
Power requirement (Phantom power)
Current Consumption
Finish
Connector type
Raven
Cardinal
Dynamic
Cardioid
335 ohms
45 - 16,000 Hz
3.2 mV/Pascal
N/A
162 dB SPL
N/A
N/A
Black
3-pin XLR
Condenser (self-biased)
Cardioid
50 Ohms
35 - 20,000 Hz
10 mV/Pascal
-25 dB SPL
148 dB SPL
48 VDC
1.8mA
Cherry Wood
3-pin XLR
73
Wired Microphones
The RE90 series brings the famous sound performance of EV´s
legendary RE series to fixed installations. EV´s RE90 microphones are the most natural-sounding microphones on the
market for public speaking, etc. and as a matter of course for
professional theatrical productions. Ergonomically and architecturally designed, EV has married functionality with aesthetics making RE series the traditional favorite among sound
contractors, architects and sound engineers. RE90 microphones are designed for the highest-quality applications with
linear frequency response and excellent, high gain-beforefeedback. All microphones guarantee a uniform polar pattern
across the range, high sensitivity, low self-noise and provide a
transformerless output device. The high-quality pre-amps are
highly-resistant to electrical noise and radio frequency interference (RFI). RE90 L and RE90 H have a external pre-amp
housing into the XLR connector. Gooseneck microphones
have an all-metal construction to substantially reduce noise
from stray magnetic fields and RFI.
RE90 H (Black)
RE90 HW (White)
RE90 B (Black) RE90 BW (White)
• Boundary layer
• Ultra-thin profile (16 mm) housing
with rubber nonslip bottom pad and strong steel screen
• Internal terminal block for disconnecting
cable to insert thru holes
• Integrated pop filter
• Ideal working angle 60° off-axis
• Comes with accessories
• Hanging microphone
• External Pre-amp
• Very uniform polar pattern
• Includes an installation guide
• Comes with accessories
RE90 L
• Lavalier microphone
• Sub-miniature capsule design
• Capsule provides superior EMI/RFI shielding
• Very light-weight yet extremely reliable
• External pre-amp with very low
current consumption
• Comes with accessories
RE92 H (Black)
RE92 HW (White)
• Hanging microphone
• External Pre-amp
• Very uniform polar pattern
• Includes an installation guide
• Comes with accessories
Actual
size
RE92 L
RE90 P-12 (281mm)
RE90 P-18 (443mm)
• Premium quality lavalier
cardioid microphone
• Sub-miniature capsule design
• Capsule provides superior EMI/RFI shielding
• Very light-weight yet extremely reliable
• External pre-amp with very low
current consumption
• Comes with accessories
• Gooseneck podium microphone
• Also perfect for instruments on-stage, such as
acoustic guitar or choir
• Uniform frequency response and polar pattern
• Strutted (yet flexible) ultra-thin gooseneck
• Integrated two-stage pop-filter
• Comes with accessories
RE90 L
RE90 P
RE92 H
RE92 L
Back electret condenserBack electret condenser
(Half-) Cardioid
Cardioid
200 ohms
200 ohms
80 - 15,000 Hz
75 - 15,000 Hz
- 33 dB
- 30 dB
25 mV/Pascal
27 mV/Pascal
< 25 dB SPL
< 25 dB SPL
Back electret condenser
Omnidirectional
100 ohms
50 - 18,000 Hz
- 34 dB
12.6 mV/Pascal
< 29 dB SPL
Back electret condenser
Cardioid
200 ohms
70 - 15,000 Hz
- 43 dB
4.5 mV/Pascal
< 28 dB SPL
Back electret condenser
Cardioid
250 ohms
40 - 20,000 Hz
Back electret condenser
Cardioid
250 ohms
40 - 20,000 Hz
5,6mV
< 30 dB SPL
5,6mV
< 30 dB SPL
127 dB
120 dB
9 - 52 VDC
9 - 52 VDC
2.5 mA
2.0 mA
transformerless
external pre-amp
output device
Heavy-duty zinc diecast
Steel
Nonreflecting black
Low-gloss black
or white
or white
180 cm thin and
760 cm braided cable
130 dB
9 - 52 VDC
1.0 mA
external pre-amp
130 dB
9 - 52 VDC
2.5 mA
transformerless
output device
Steel
Nonreflecting black
>135 dB
24 to 52 Volt Phantom
6 mA
external preamp
>135 dB
24 to 52 Volt Phantom
6 mA
external preamp
nonreflective black
or white
mounting hardware
nonreflective black
or white
mounting hardware
3-pin XLR
32.1 x 10.5mm
1.26” x 0.41”
3-pin XLR
24.1 x 10.5mm
0.95” x 0.41”
240 g (0.53lbs.) total
160 g (0.35 lbs.) total
RE90 B
Element
Polar pattern
Impedance, Low-Z balanced
Frequency Response (-3 dB)
Power Level (0dB=1 m W/Pascal) at 1kHz
Open Circuit Voltage (at 1,000 Hz)
Equivalent Noise
(0 dB=20 micropascal)A-weighted
Maximum SPL (1% distortion, 1kHz)
Power requirement (Phantom power)
Current Consumption
Specials
Case Material
Finish
Included accessories
Connector type
Dimension (length x diameter)
Weight net
74
RE90 H
3-pin XLR
128 L x 94 W x 16 H mm
5.04” x 3.70” x 6.30”
3-pin XLR
37 x 13 mm
1.46” x 0.51”
358 g (0.79 lbs.)
157 g (0.35 lbs.)
Polycarbonate resin
Nonreflecting black
Gig bag
flexible cable
3-pin XLR
6 x 5 mm
0.24” x 0.20”
(gooseneck)
34 g (0.07 lbs)
Windscreen, double-sided
tape
3-pin XLR
P-12: 281 x 6.4 mm
P-12: 11.06” x 0.25”
P-18: 443 x 6.4 mmP-18:
17.44” x 0.25”(mic only)
P-12: 400 g (0.88 lbs.)
P-18: 528 g (1.16 lbs.)
PolarChoiceTM
All PolarChoice microphones feature dual capsule design for user-selectable polar
pattern: omnidirectional, cardioid, supercardioid and hypercardioid - all in one mic!
The PolarChoice Desktop is a free-standing podium style
microphone, firmly anchored in place by its elegantly
designed base. Select one of four polar patterns (omni, cardioid, super-cardiod or hyper-cardioid), via the easy to
access switch. All patterns feature identical voicing, eliminating the need to retune the sound system. The PC-Desktop
can also be interfaced to an auto-mixer for use in those large
and difficult, multiple microphone installations.
The free standing and movable PolarChoice Desktop can
be used anywhere a gooseneck or podium style mic is
needed, but a permanent installation is not possible,
required or desired. Whether it’s a boardroom conference
table, videoconference facility, training room, house-ofworship altar, or even on a podium - with the PolarChoice
Desktop, anything is possible.
Desktop
The PolarChoice satellite brings the benefits of wireless to
the boardroom, conference center, or podium. The PolarChoice Satellite is a free-standing gooseneck-style microphone, firmly anchored in place by its elegantly designed
base. This low-profile foundation hides PolarChoice Satellite’s most powerful feature: space for a wireless transmitter.
Turn the base over to reveal the specially designed compartment for housing a Telex or Electro-Voice bodypack transmitter. Connect the microphone to the bodypack, set up the
wireless channel, and place PC Satellite anywhere an easyto-use microphone is required. No longer do you have to cut
holes in tables, run long cables, or compromise the architectural integrity of an installation. With the PolarChoice Satellite, anything is possible.
XLR
• 3-pin XLR, available with 12" & 18" gooseneck
• Integrated deskstand and configurable switch, for use with
standard XLR cables 5", 12" & 18" gooseneck versions
PLUS
• Shipped with both XLR and flange mount accessory plus
configurable ON/OFF switch, 5”, 12" & 18" gooseneck versions
Satellite
• Integrated deskstand and configurable switch for use with
plug-in EV wireless beltpacks, 5", 12" & 18" gooseneck versions
FL
• Flange mounting, available with 12" & 18" gooseneck
XLR-12 | PLUS-12 | PLUS-18 | FL-12
Element type
Selectable Polar Patterns
Impedance
Frequency Response
Open Circuit Voltage
Equivalent Noise
Max. SPL
Power requirement
Current Consumption
Finish
Included Accessories
Connector Type
Dimensions
Weight
PolarChoice Desktop
PolarChoice Satellite
PolarChoice ™
Back electret condenser
Omni,Cardioid,Supercardioid,Hypercardioid
200 Ohms
50 Hz - 20 kHz(mic system)
5,6 mV/Pascal
< 26 dB SPL(A-weighted)
>135 dB
24 to 52 Volt Phantom Power
3 mA
Nonreflective Black
Multiport Windscreen
3-pin XLR
45 x 114 x 178 mm(HWD) excl.gooseneck
1.77” x 4.49” x 7.01”(HWD) excl.gooseneck
690 g (1.52 lbs.)
Back electret condenser
Omni,Cardioid,Supercardioid,Hypercardioid
200 Ohms
50 Hz - 20 kHz(mic system)
5,6 mV/Pascal(mic system)
< 26 dB SPL(A-weighted, mic system)
>135 dB(mic system)
5 V DC from Beltpack
3 mA
Nonreflective Black
Multiport Windscreen
TA4F
45 x 114 x 178 mm(HWD) excl.gooseneck
1.77” x 4.49” x 7.01”(HWD) excl.gooseneck
690 g (1.52 lbs.) + beltpack
Back electret condenser
Omni, Super-, Hyper, Cardioid
200 ohms
75 - 15,000 Hz
5.6 mV/Pascal
< 28 dB SPL
130 dB
9 - 52 VDC
2.8 mA
Steel-Nonreflecting black
Windscreen, two-piece shock mount CPSM-Kit
depends on version
PC-12: 299 x 6.4 mm (11.77” x 0.25”)
PC-18: 461 x 6.4 mm (18.15” x 0.25”)(gooseneck)
PC-12: 411 g (0.91 lbs.) PC-18: 539 g (1.19 lbs.)
75
Professional Wireless Microphones
Receiver
• Optimized channel groups allow up to 16 systems to operate
simultaneously in one frequency band. For groups larger than
16, EV can help with the coordination and custom groups are
easily programmed.
• Programmable in 25 kHz steps across 24 MHz operating bandwidth, there are over 950 possible channels so you can always
find a clear channel.
• Advanced ClearScan™, automatic group and channel selections,
allows quick, simple setup.
• Backlit LCD Display shows the Sound Engineer the Group/
Channel, transmitter battery status, diversity operation, RF and
Audio level meters, and space for a custom name (2 lines, 10
characters each).
• Specially designed “Sound Check” mode provides the ability for
one person to walk-test the microphone in the performance
space with tangible results.
Transmitter
Transmitter Features
• Unique “smart” battery circuit in the transmitters means there is
no way to put the battery in wrong.
• LCD display and the same four control buttons as the receiver so
programming a channel or frequency is quick and easy.
• Low battery LED lights when the battery needs a replacement.
• One on/off switch that also acts as a mute (great for pauses in
presentations and worship services).
• On/off button can be disabled to prevent accidental turnoffs
during a performance.
• Normal and High power transmit means you use just enough
power for the application, which maximizes the number of
simultaneous systems and limits RF spill over into adjacent
buildings/theaters.
Handheld Features
• Interchangeable microphone head allows a choice of elements
to fit the vocalist’s style and environment.
• N/DYM® 767a premium dynamic vocal microphone with
VOB™ (Vocal-Optimized Bass), excellent gain-before-feedback
for high SPL stages.
• The new RE510 premium condenser vocal microphone for experienced vocalists, spoken word and quieter stages.
• Internal 1/2-wave antenna for excellent range; stays out of
harm’s way.
• An over-molded Warm-Grip™ handle reduces handling noise
and encourages proper microphone technique for better performances.
76
• Patented DSP Secure-Phase™ Diversity System for maximum
range and audio quality.
• Balanced XLR microphone output and 1/4-inch unbalanced
adjustable line-level output to match the application.
• CDR-1000 Dual Receiver includes internal power supply, headphone monitoring jack, balanced line-level output, antenna pass
through, DC power on antenna jacks for optional RF amplifier, and
RE-OneLink™ PC software for remote monitoring and control.
• Rackmount hardware included.
• Three-Year Limited Warranty.
Professional Wireless Microphones
CSR-1000
Receiver
Controls
Front Panel:
Rear Panel:
On/Off, Menu, Set, Up, Down Buttons
1/4 in. output level
Indicators LCD
Backlit Display:
Group, Channel, Diversity, Label, Set-up
Transmitter Battery Level, Audio Signal
Amplitude and RF Signal Strength, Squelch
Connectors
Back Panel:
CSR-1000 Receiver
1/4 in. unbalanced adjustable line level output
XLR balanced mic level output
USB programming port
Antennas:
Detachable 1/4 wave
RF Specifications
Frequency Range:
A Band 680 - 709 MHz
B Band 722 - 746 MHz
950 possible (programmable in 25kHz steps) per band
Diversity:
DSP SecurePhase True Diversity
Squelch:
Tone Code plus Adjustable Amplitude
Receiver Type:
Synthesized PLL Agile UHF
RF Sensitivity:
<0.8uV for 12 dB SINAD
FCC Type Acceptance:
Approved under Part 15
Audio Specifications
Frequency Response:
100 – 15 kHz +/- 2 dB Microphone
30 – 15 kHz +/- 2 dB Instrument
Audio Output Level:
Line Level
Balanced
8 mV - 0.775V RMS @ 100 kohm load
-10 dBV max (@ 40kHz deviation)
Distortion:
Less that 0.5% (@ 1kHz, 40 kHz deviation)
> 110 dB (A)
Dynamic Range:
>100 dB
General Specifications
Power Supply:
External 12 VAC 750mA in-line with cord
Size:
1.72 in. H x 7.50 in. W x 8.38 in. D
43.69 mm H x 190.50 mm W x 212.85 mm D
CDR-1000
Features
Additional Audio Output:
Adjustable Balance Line Level at XLR
Additional Controls:
1/4 in. Headset Jack with Selector and Volume Control
Antenna Output:
TNC
Powerered Antenna Inputs:
12Vdc,15mA
Power Supply:
Internal, Universal Cord
USB Monitoring & Contol:
RE-OneLink Software
Size:
1.72 in. H x 16 in. W x 12 in. D
43.69 mm H x 406.4 mm W x 304.8 mm D
CSB-1000
Bodypack Transmitter
Controls:
Power On/Off, Audio Gain Adjustment with 40 dB range,
Transmit Power Switch, Microphone/Instrument Switch
(0,-20 dB), Menu, Set, Up, Down Buttons
Indicators:
Red LED Low Battery Indicator, LCD displays one of the
following: Channel/Group, Frequency, or Battery Level
Battery Life:
8 hours with 9V alkaline typical
Antenna:
External 1/4 wave detachable
Connector:
TA4F input for microphone Pin 1 ground, Pin 2 Mic input
Pin 3 +5V Bias, Pin 4 +5V through 3k ohm
RF Output:
Normal:
High:
5 mW typical
50 mW typical
Case Material:
Cast Magnesium
Size:
3.75 in. H x 2.6 in. W x 0.9 in. D
94 mm H x 66 mm W x 23 mm D
CSH-1000
Back
D Band 798.1 – 821.9 MHz
E Band 841.1 – 864.9 MHz
Number of Channels:
Signal to Noise Ratio:
Front
Handheld Transmitter
Controls:
Power On/Off, Audio Gain Adjustment with 40 dB range
Transmit Power Switch, Menu, Set, Up, Down Buttons
Displays:
Red LED Low Battery Indicator, LCD displays one of the
following: Channel/Group, Frequency, or Battery Level
Battery Life:
8 hours with 9V alkaline typical
Antenna:
Internal 1/2 wave
Microphone Elements:
EV N/D 767a Dynamic or RE-510 Condenser
RF Output:
Normal:
High:
5 mW typical
50 mW typical
Size:
10.5 in. (26.8 cm) long
CSB-1000 Bodypack Transmitter
Under
Battery
Cover
Front
Panel
Top
CSH-1000 Handheld Transmitter
Back
Panel
Gain
Front
RE-1
Accessories and Parts
Model #
Omnidirectional MicroMini™ Lapel Mic:
Unidirectional Lapel Mic:
Headworn Cardiod Condenser Mic:
1/2 Wave Rx Antenna:
1/2 Wave Antenna Bracket:
UHF Antenna Amplifier:
Antenna /Pwr Distribution:
Termination Plug For APD-4:
Directional Rx Antenna (450-900 MHz):
Low Loss Coaxial Antenna Cable:
1/4 Wave Super-Flex Tx Antenna:
Bodypack Pouch:
Guitar Cord:
767a Dynamic Head for CSH-1000:
RE510 Condenser Head for CSH-1000:
Mic Stand Adapter for CSH-1000:
RE90TX
RE92TX
HM7
FA-1
AB-2
UAA-500
APD- 4+
TP-2
LPA-500
CXU-25 ft
CXU-50 ft
AN-Sflex
WP-1000
MAC-G2
RC767A
RC510
MSA-1000
77
UHF Wireless Microphone System
RE-2 UHF systems provide groups of up to 10 simultanous, harmonized channels per frequency bands.
Besides individual components, following complete sets, including
transmitter and receiver are available :
RE2-N2
RE2-N7
RE2-410
RE2-G
RE2-BP
RE2-L10
RE2-L21
RE2 Combo
Receiver + N/D267a handheld transmitter
Receiver + N/D767a handheld transmitter
Receiver + RE410 handheld transmitter
Receiver + bodypack transmitter + MAC-G3 guitar cord
Receiver + bodypack transmitter
Receiver + bodypack transmitter + OLM10 lavalier mic
Receiver + bodypack transmitter + ULM21 lavalier mic
Receiver + N/D267a handheld
+bodypack transmitter + ULM21 lav.mic
RE-2 Receiver
• One-touch Auto-ClearScan
• Programmable in 25kHz steps across 28 MHz
operating bandwidth
• Backlit LCD displays the Group, Channel, Frequency, transmitter battery level, diversity operation, and RF and Audio signal level meters
• Balanced XLR audio output for Microphone or Line level signals and a
1/4-inch line level jack
• Fourth-generation Posi-phase™ diversity and advanced audio circuits
• Unique “Guitar” setting
• Detachable 1/4 wave antennas
RE-2 UHF Transmitter
• Unique “smart” battery
• LCD Displays Group and Channel, Frequency, or Battery Level
• Low battery LED
• One On/Off button that also acts as a mute
• On/Off button can be disabled
RE-2 UHF Handheld
• Available with four different microphone elements
• Cell phone style beltclip
• N/DYM 267a Dynamic element
• Optional pouches available
• RE 410 Condenser
• A wide selection of lapel and headworn
microphone accessories are available
• RE 410 Condenser
• NDYM® 767a Dynamic premium vocal microphone
with VOB™ (Vocal-Optimized-Bass)
• Internal 1/2-wave antenna
78
RE-2 UHF Bodypack
UHF Wireless Microphone System
RE-2 Receiver
Receiver Type
Synthesized PLL
Frequency Range (RF)
A Band 648 – 676 MHz
D Band 798 – 822 MHz
Number of Channels
1112 possible channels
Programmable in 25 kHz steps
B Band 696 – 724 MHz
E Band 841 – 865 MHz
Modulation
+/- 40 kHz
Diversity
Digital Posi-Phase™ True Diversity
RF Sensitivity
< 1.0 mV for 12 dB SINAD
Image Rejection
> 60 dB
Squelch
Tone Code plus Amplitude
Ultimate Quieting
> 100 dB
FCC Certification
Approved under Part 15
Power Requirements
12 V AC/DC 300 mA
Antennas
Detachable 1/4 wave
Dimensions
43.69 cm H x 190.50 mm W x 150 mm D
Front
Back
RECEIVER
1.72” H x 7.50” W x 5.9” D
Audio Parameters
Frequency Response
50 – 15 kHz +/- 2 dB
Balanced Output (max @ 40 kHz deviation)
Mic Position
Line Position
-10 dBV
Adjustable 10 mV-2V RMS
Unbalanced Output
Adjustable 10 mV-1V RMS
Distortion
<1.0%, 0.5% typical (ref 1 kHz, 40 kHz deviat)
Signal-to-Noise Ratio
>100 dB A Weighted
Dynamic Range
>100 dB
Transmitters, Bodypack (BPU-2) and handheld (HTU-2)
Radiated Output
30 mW typical
Microphone Head Electro-Voice 767a
N/D 767a Supercardioid N/DYM Dynamic
Microphone Head Electro-Voice 267a
N/D 267a Versatile Cardioid Dynamic
Microphone Head Electro-Voice RE 410
RE 410 Classic Cardioid condenser
Microphone Head Electro-Voice RE 510
RE 410 Supercardioid condenser
Standard Lavalier Microphone
EV RE 90Tx MicroMini™
Omni-Directional Condenser
TA4 Connector Wiring
Pin 1: Ground; Pin 2 Mic Input;
Pin 3: +5V bias; Pin 4: +5V bias through a 3kW resistor
Audio Gain Adjustment
40 dB (handheld 26 dB)
Power Requirements
9 Volt Alkaline Battery
Battery Life (Typical)
> 8 hours with 9-Volt Alkaline Typical
Bodypack Antenna
Flexible external 1/4 wave
Handheld Antenna
Internal 1/2 wave
Dimensions (Handheld)
24.0 cm (9.4 in.) Long
Dimensions (Bodypack)
Side
Front
HANDHELD
96.5 mm H x 66 mm W x 23.4 mm D
3.8 in. H x 2.6 in. W x 0.92 in. D
Top
Transmitters, Bodypack
Radiated Output
Normal 5 mW typical
High 50 mW typical
Interchangeable Microphone Heads
Bodypack Antenna
767a Supercardioid N/DYM Dynamic
RE 510 Supercardioid Condenser
Detachable Flexible external 1/4 wave
Handheld Antenna
Internal 1/2 wave
Dimensions (Handheld)
26.8 cm (10.5 in.) Long
Dimensions (Bodypack)
Cast Magnesium
96.5 mm H x 66 mm W x 23.4 mm
D3.8 in. H x 2.6 in. W x 0.92 in. D
Front
BODYPACK
79
RE97Tx & RE920Tx
RE97 Tx Mini Mic
•
Extremely lightweight
earworn microphone
•
Almost invisible
•
Available in beige, brown
and black
•
Wear on left or right ear
•
Omnidirectional for smooth,
natural sound
RE920Tx Horn Mic
80
•
Unidirectional
horn mic
•
High SPL handling
•
Custom clip for
mounting
Lavalier & Headset Mics
OLM 10
ULM 21
RE 90 TX
• Lavalier mic
• Includes shown
accessories
• Lavalier mic
• Includes shown
accessories
• Lavalier mic
• Top-class
• Ultra-miniature
• Includes shown
accessories
RE92 TX
HM 2
HM 7
• Lavalier mic
• Hi-Performance
• Includes shown
accessories
• Headset mic
• Includes shown
accessories
• Headset mic
• Top-class
• Super lightweight
and comfortable
• Includes shown
accessories
OLM 10
Back electret
condenser
Polar pattern
Omnidirectional
Impedance, Low-Z balanced
--Frequency Response (-3 dB)
t.b.a.
--Output Level (0dB = 1mW/Pascal)
1.000 Hz)
Open Circuit Voltage (at 1.000 Hz)
t.b.a.
Maximum SPL (THD)
t.b.a.
Power requirement
from Bodypack
(Phantom power)
t.b.a.
Current Consumption
Specials
--Case Material
Plastic
(Capsule enclosure)
Finish
Nonreflecting black
approx. 180 cm
Included accessories
permanently attached
cable, windscreen,
universal tie clip
Optional Accessories
--Connector type
4-pin TA4F
t.b.a.
Dimension (Length x Diameter)
Weight net
t.b.a.
Element
ULM 21
RE 90 TX
RE92 TX
HM 2
HM 7
Back electret
condenser
Cardioid
80 - 16.000 Hz
t.b.a.
---
Back electret
condenser
Omnidirectional
--50 - 18.000 Hz
---
Back electret
condenser
Cardioid
--t.b.a.
---
Back electret
condenser
Cardioid
--30 - 18.000 Hz (12mm)
---
Back electret
condenser
Supercardioid
--100 - 15.000 Hz
---
2.5 mV/Pascal
120 dB (1% THD)
from Bodypack
12.6 mV/Pascal
130 dB (1% THD)
from Bodypack
t.b.a.
t.b.a.
from Bodypack
4.0 mV/Pascal
120 dB (1% THD)
from Bodypack
7.0 mV/Pascal
120 dB (3% THD)
from Bodypack
t.b.a.
--Plastic
--Sub-miniature
Polycarbonate resin
t.b.a.
--Metal
max. 0.5 mA @ 9 VDC
--Plastic
--Ultra-lightweight
Plastic
Nonreflecting black
approx. 180 cm
permanently attached
cable, windscreen,
universal tie clip
--4-pin TA4F
0.71 in. x 0.29 in.
t.b.a.
Nonreflecting black
approx. 180 cm
permanently attached
cable, windscreen,
universal tie clip, tie tac
--4-pin TA4F
.025 in. x 0.19 in.
34 g
Nonreflecting black
approx. 180 cm
permanently attached
cable, windscreen,
universal tie clip
--4-pin TA4F
0.948 in. x 0.412 in.
t.b.a.
Nonreflecting black
approx. 120 cm
permanently attached
cable, windscreen,
cable clip
--4-pin TA4F
--25 g
Nonreflecting black
approx. 120 cm
permanently attached
cable, windscreen,
cable clip
--4-pin TA4F
--70 g
81
81
Accessories
RC767a
RC510
BC1000
WP1000
MSSA
AN-Flex
MAC-2
82
AN-Sflex
MAC-G2/G3
Accessories
APD-4
RM-D
AB-2
LPA-500
FA-500
CXU
TP-2
Electro-Voice Wireless Accessories - Antennas etc.
APD-4
UHF Antenna/power distribution system (provides power and RF signals
for 4 units) for use with RE-2 & RE-1
RM-D
Rack-mount kit - double (for two receivers) works with RE-2, RTM-1000
and RE-1 receivers
AB-2
Universal mounting bracket for 1/2-wave antennas, with 10-foot coax cable
LPA-500
Directional log periodic antenna with mounting hardware and 10-foot coax
FA-500
1/2-wave UHF antenna
TP-2
50 ohm TNC termination plug for use with APD-4
CXU-X
Low-loss coax cable (X designates length, 25ft = 8 m, 50ft = 16 m)
83
Single-Amp Drive – Stereo
Cabinets
Amplifiers
Controllers
Cabling
8 EVID 4.2, 2 EVID 12.1
1 Q44 or CPS1
–
10 2-wire long, 4 2-wire short
Horizontal Coverage
Typical Distance
Total Amp Power
Options
Accessories
(AB-62 for 180°, or AB64 for 360° Array)
Comments
Full Range with sub
84
Music Pub, Cafe (Foreground Music)
Cabinets
Amplifiers
Controllers
Cabling
4 x ZX1i, 2 x Sb122
1 x CP1800 (or Q66/CPS2)
none
6x 2-wire
Accessories
none (bracket included in ZX1i)
8 x 90°, or 4 x 180°, or 2 x 360°
8 to 15 m
900 W
could also be used with only two 4.2’s per side
for smaller rooms, but high sub level requirement
inputs on 12.1 in parallel
Music Bar, Cafe, Small Disco
Horizontal Coverage 4 x 90° or 4x 100°
Typical Distance
10 m to 15 m
Total Amp Power
2 x 800W = 1600W
Options
Comments
available in black or white, SB122 can be
mounted with MN-200 bracket
3-Way Stereo
Cabinets
Amplifiers
Controllers
Cabling
Accessories
2 x SxA360, 2 SbA760
none (included in cabinets)
none (included in cabinets)
2 x XLR-XLR
2 x 100BK, 2 x MB200 + TC04
Ultracompact Hi-Power System
Horizontal Coverage
Typical Distance
Total Amp Power
Options
Comments
Fullrange Cluster
Cabinets
Amplifiers
Controllers
Cabling
4 x ZX5-60
1 x P3000RL
internal (RCM24) with IRIS-Net™ Remote
2 x NL4 long, 2 x NL2 short
Accessories
2x CV-5
2 x 65°
15 m to 20 m
2 x 150W + 350W + 760W = 2520W
Expandable with 2 SbA760 for more
Sub-Bass, and/or 2 SxA360 for wider coverage
most compact, very powerful system
Small to Medium Club
Horizontal Coverage
Typical Distance
Total Amp Power
Options
&P3000RL)
Comments
2 x 120°
20 m to 25 m
2 x 1,200W = 2,400W
Add-on Subwoofer(P2, QRx218
Full remote & Supervision through
IRIS-Net
85
2-Way Stereo ••
Cabinets
Amplifiers
Controllers
Cabling
2 x QRxH212/75, 4 x QRx118S
1 x CP2200, 1 x CP3000S
1 x Dx38
4 x NL4 long, 2x NL4 short
Horizontal Coverage
Typical Distance
Total Amp Power
Options
Accessories
2 x QRx Rigging Kit
Comments
3-Way Stereo
86
Club, Disco Dance Floor- lower ceiling
Cabinets
Amplifiers
Controllers
Cabling
4 x QRx115/75, 4 x QRx218S
4 x P3000RL/TG5
internal (RCM24)
8 x NL4 long
Accessories
4 x QRx Rigging Kit, 4 x QRx Wheel Kit
2 x 75°
15 m to 20 m
2 x 1,900W = 3,800W
3-Way stereo operation with 2 P3000RL
& 1 P1200RL
Double up amps and cabinets for
larger rooms
Standard PA for Concert & Disco
Horizontal Coverage
Typical Distance
Total Amp Power
Options
Comments
2 x 100° to 150°, or 4 x 75°
15 m to 20 m
2 x 4,200W = 8,400W
2 way stereo operation with 3 P3000RL
Full Remote & Supervision with IRIS-Net
2-Way Stereo Line Array
Medium Size Venues for Music and Speech
Cabinets
Amplifiers
Controllers
Cabling
16 x XLE181, 2 x X-Sub
3 x P3000RL
internal (PCM24)
6 x NL4 long, 4 x NL4 short
Horizontal Coverage
Typical Distance
Total Amp Power
Options
Accessories
2 x XLE-Grid, UCC-1
Comments
4-Way Stereo + Sub
2 x 120°
25 m to 30 m (see LAPS for details)
2 x 14,400W = 28,800W
12 TG5 or TG7 amps, 12
CP3000S/4000S + 4 Dx38
very powerful, compact system, expandable
Very Compact Line Array System
Cabinets
Amplifiers
Controllers
Cabling
16 x XLD281, 2 x XLC215, 4 x X-Sub
12 x P3000RL
Internal (RCM24) IRIS-Net™
12 x NL4 short, 8 x NL8 long
Horizontal Coverage
Typical Distance
Total Amp Power
Options
Accessories
2 x Xi-DSK, 6 x QRx Wheel Kit
Comments
2 x 120°
25 m to 30 m
2 x 14,400W = 28,800W
12 TG5 or TG7 amps, 12
CP3000S/4000S +4 Dx38
Very powerful, compact system, expandable
87
4-Way Stereo
Cabinets
Amplifiers
Controllers
Cabling
& Accessories
12 XLC127+, 6 Xsub
6 CP2200, 2 P3000
2 Dx38
6 NL8 long, 12 NL8 short, 2 XLC grids,
12 dollies 127 (or 2 bottom dollies), 2 Xline dollies
4-Way Stereo + Sub
Cabinets
Amplifiers
Controllers
Cabling
88
Compact Line-Array for mid-sized venues
Horizontal Coverage
Typical Distance
Total Amp Power
Options&Comments
2 x 120°
30 m to 50 m
2 x 7,000W = 14,000W
-
Compact Line-Array for mid sized venues, higher SPL’s
16 XLC127+/DVX, 6 XLC215, 4 Xsub
10 CP3000S, 4 CP4000S
3 Dx38
6 NL8 long, 14 NL8 short, 4 XLC grids,
6 XLC bottom dollies, 1 Xline dolly
Horizontal Coverage
Typical Distance
Total Amp Power
Options&Comments
2 x 120°
30 m to 50 m
2 x 17,100W = 34,200W
XLC127+ can be driven also with P1200RL
Xsub with P3000RL
could use 14 CP4000S or 14 P3000RL or
14 TG5/7
5-Way + Sub + In-Fill
Cabinets
Amplifiers
Controllers
Cabling
12 Xf, 8 Xb, 4 Xcn, 4 Xcb, 8 Xds
14 x P3000 (= 4 X-Array System Racks)
4 x Dx-38 / 2 DN9848
10 x NL8 long, 24 NL8 short
Accessories
10 grids, 20 Xrhg & Xess, 40 Xrhl & Xesl, 14 dollies
Arena up to 6000 people, wide
Horizontal Coverage
Typical Distance
Total Amp Power
Options
2 x 100° to 120°
60 m to 70 m
2 x 16.950W = 33.900W
Xsubs can be used instead of Xds
89
8-Way Stereo, Line Array
Cabinets:
Amplifiers:
Controllers:
Cabling:
Accessories:
12 Xvls, 8 Xvlt, 12 Xsub
24 P3000 (= 6 X-Line Amp Racks)
4 DX38, or 2 DN9848(or RCM24/26-IRIS-Net™)
16 NL8 long, 16 NL8 short
Large Venue, Concert Sound
Horizontal Coverage:
Typical Distance:
Total Amp Power:
Options:
Comments:
90
2 x 90° (120° nearfield)
50m to 100m (depending on the rigging heights)
2 x 28,800 W = 57,600 W
Full Remote & Supervision through
IRIS-Net™ with 24 P3000RL or TG7 amplifiers
Number of subs depending on music style
Speaker Technologies
Ring Mode Decoupling® (RMD®)
Power handling ratings
Electro-Voice pioneered Ring Mode Decoupling (RMD®) as a
result of experience gained through years of high-level concert
system design. The acclaimed EV X-Array™ was the “test bed”
for RMD® research. Just as automotive companies use Formula 1
racing to develop new technologies, Electro-Voice uses its work in
the concert sound and touring industries to do the same. The goal
of that basic research is to bring those new technologies into all
aspects of the sound reinforcement industry.
Accurately specifying power handling ratings presents a challenge
with odds typically worse than those in a game of chance. Each
manufacturer rates its components in its own particular way.
While responsible manufacturers always qualify their testing
methods, this offers little help to users not familiar with the different test methods.
All loudspeaker components display unwanted vibrational modes
– or resonances – that produce both frequency and time-domain
distortions. A time-domain distortion is most often described by
loudspeaker users as a “ringing” in the system. This ringing is usually most audible through the vocal fundamental range, and users
commonly attempt to “cure” the ringing mode through equalization. Unfortunately such attempts remove not only the timedomain distortion, or ringing, but also parts of the musical signal
as well. The net result is that musical information is lost.
Electro-Voice has used an EIA-based rating for many years. It
offers a reasonably good combination of mechanical (excursion)
and thermal (heat) stress measurements. The ratings supplied
with EV components are very conservative, and require a full
eight-hour test cycle to generate.
However, Electro-Voice does not limit its power testing to EIA
methods. Long term continuous musical testing of rated program
limits is typically performed for 200-hour durations. EV engineers
also perform mixed-signal testing, a combination of continuous
noise (EIA- or AES-based shaped spectrum signals) and low-frequency impulsive signals (such as kick drums). Mixed signal tests
often represent typical program material, and the resulting measurements relate better to real-world conditions.
The most useful power handling rating is that of the program
material specification. This rating relates well to “in the field” situations for most musical programs. It should always be remembered that no test method or rating spec will universally describe
every situation. Extreme power levels can produce either mechanical or thermal failures with any manufacturer’s components.
RMD® is a series of techniques developed by Electro-Voice engineers to deal with the time-domain distortion at its source.
The basic problem is mechanical in nature. As a result, the only
really effective solution is also mechanical. When acoustic
resonances are encountered, the only effective solution is an
acoustic remedy. The same applies to electrical resonances:
The solution must be electrical.
RMD® treatment produces an acoustic signal that is much freer of
mechanical and acoustical ringing modes. The result is a level of
fidelity – particularly through the critical vocal range – that is more
coherent and “in your face.” Another benefit of RMD® technology is a much higher degree of level independence. Many front-ofhouse engineers have noted that system equalization needs to
change with system output levels. The louder the system is driven,
the more EQ changes become necessary to maintain system voicing (that is, the system sounds different at higher power levels).
RMD® greatly minimizes the changes in system voicing that occur
with level changes. Systems with RMD®, therefore, display a high
degree of level-independent fidelity and a very audible improvement in vocal clarity as well.
Manifold Technology®
In 1986, Electro-Voice revolutionized concert sound reinforcement by introducing Manifold Technology®. In each of the four
bandpasses covering the entire frequency range, the output of
four loudspeakers was flawlessly combined – or “manifolded” –
into a single horn (such as a large-format MH horn) or low-frequency enclosure. The result was a physical package, a fraction of
the size of conventional concert rigs but with four times the
acoustic output. This eliminated the drastically uneven coverage
that occurs when multiple acoustic sources are stacked to gain
more output. Manifold Technology® came into its own particularly in smaller-sized locations or installations, where low-frequency
output was limited by the space available.
91
Speaker Technologies
Vertical Beam Shaping
Vari Intense®
(2- or 3-element line array)
Verticl Beam Shaping (VBS) is a frequency overlap configuration of
the dual-woofer three-way systems of Xi-Series™. It provides the
best directivity improvement, achieved by the vertically spaced lowfrequency sources which flank the mid-bass horn operating alone at
low frequencies and by appropriately overlapping the LF and MB
sources in the mid bass, e.g., 125 to 540 Hz.
The single-woofer three-way systems may be configured for VBS,
achieved by overlapping the (single) woofer and mid-bass source in
the appropriate frequency ranges. This physical orientation of three
sources, together with appropriate amplitude shading and filter
comibinations, produces vertical directivity control to below 125 Hz.
The resulting interferences of normal overlapped speakers are completely minimised. The sonic advantages of this combination are
significant. Precisely controlled radiation patterns at low frequencies
prevent reverberant energy in the 125- to 600-Hz range from
degrading vocal fundamentals. The pattern control achieved by this
three-source, single-enclosure “array” prevents the critical distance
from moving “forward” (toward the source) as wavelengths
become significant in size with respect to the radiation device, and
pattern control is lost. This is the case with conventional system
designs. The other primary advantage is that down to 125 Hz,
acoustic output under the enclosure is a full 12 dB or more below
on-axis levels.
This results in greatly improved gain-before-feedback levels on
stage especially in theatres where lavalier microphones are traditionally used under centre speakers. In conventional systems where
“under enclosure” levels are comparable to on-axis levels, system
intelligibility is even compromised at the source (microphone)
because of poor loudspeaker directivity control and subsequent
“spill over”.
EV´s unique Vari Intense® (VI) technology has a lot of advantages in
most applications of “typical sized” rooms. Vari Intense® provides a
rectangular coverage pattern. The unique, patented throat and flare
structure of the VI horn delivers a 6 to 10 dB hotter signal to the
rear of the room.
The resulting even front-to-back SPL eliminates ear strain at the
back of the sitting area and ear pain at the front. One VI horn
replaces two standard systems that reduce costs and eliminates
destructive interference which occurs between long- and shortthrow horns or multi-sourced horizontal arrays.
The downward-aimed horn delivers sound only to the floor plan
where the audience is and provides uniform direct-field SPL and significantly reduces the amount of sound reverberating off the ceiling.
This provides an increase in mid- to high-frequency intelligibility of
6 dB in most applications.
To plan with Vari Intense® systems is very easy. The height of the
room defines the size of the floor plan covered with one speaker.
The area covered would be a width coverage of two times the
height of the ceiling and depth, or throw, three times the height of
the ceiling. Therefore a Vari Intese® speaker mounted centrally, parallel to the floor, at a height of 3 meters, would cover a room with
equal SPL, 6 meters wide by 9 meters long. Aiming the speaker
down by 15 degrees at the same 3 meter height will produce an
even floor plan SPL that is 3 meters wide by 6 meters long and tilting it back by 15 degrees, at the same height, produces a floor plan
SPL of 6 meters wide by 15 meters long. Normally the loudspeaker
is mounted approximately 0.6 to 0.8 times the height back from
the first row and has a nominal angle of the top of the enclosure
parallel to the floor or slightly (2 to 3 degrees) tilted back.
Overlap Zone
For VBS
MB - SOURCE 2
LF - SOURCE 1 + 3
50
100 hz
F
200
400 hz
2 times height
2-ELEMENT
3-ELEMENT
2
3 times height
1
covered floor plan of a VI horn
92
Speaker, Distances and Horns
This graph should help you to get a feeling of coverage angles, loss in SPL and covered areas.
The following questions can be answered:
1. Question: “What coverage angle is needed to cover a width of X meters by the maximum possible distance to the audience
of Y meters?” Helpful when the install position of the speakers and the area to cover are predetermined.
Solution: Possible distance to the audience is a maximum of 12 meters. Covered width should be approx. 36 meters
(2 x 18 meters). A system that provides 120 degrees coverage is needed.
2. Question: “Which system is needed when the distance to the audience and the target SPL is known?” Helpful when the
install position of the speakers is known and a pre-defined SPL is required.
Solution: Inverse square law of a point source (-6dB when doubling the distance) helps to define the loss in SPL at a distance
of X meters. The pre-determined SPL at listening level (the audience) should be 100 dB. Distance to the speaker is approx. 50
meters (I.E. open-air, arena etc). The loss in SPL after 50 meters is approx. 33 dB, therefore the system has to provide a
continuous SPL of 133 dB/1m.
3. Question: “At what distance is a (i.e.) 75 meters width reached, using different loudspeakers with different coverage angles?
Solution: A 120 degrees system provides a covered width of 75 meters after approx. 22 meters. A 40 degree system provides
same width after approx. 100 meters.
4. Furthermore (based on point 3): “What´s the loss of SPL in both cases?”
Solution: Approx. 25 dB for the 120 degrees and approx. 40 dB for the 40 degrees system. To achieve a pre-determined SPL of
105 dB, when an area of 75 meters needs to be covered, the 120 degrees system has to deliver > 130 dB and the 40 degrees
system > 145 dB. In explanation: A job for MH 4020 which provides 146 dB maximum.
5. And others…
Dispersion Angle distance for same coverage
Dispersion angle versus distance for same coverage
12.5m
(41.01’)
25m
(82.02’)
75m
(246.1’)
50m
(164’)
100m
(328.1’)
(246.1 ft)
- 22 db B
- 28 dB
- 34 dB
- 37.5 dB
Inverse Square law (point source)
- 40 dB
Inverse square law (point source)
93
Microphone Technologies
In 1934, Electro-Voice invented the hum-bucking coil for microphones, still an industry standard almost 70 years later. The invention was the beginning of EV’s success in building microphones,
but not the end. Electro-Voice continues to set new standards for
microphone design today. Electro-Voice was the first manufacturer
to use neodymium-based magnet structures (N/DYM®) in its
microphones, thus achieving higher output and condenser-like
qualities such as crystal clarity and reliable performance. ElectroVoice’s goals in developing microphone technologies have always
been the same: providing highest sound quality, achieving better
and more comfortable handling for the user, and continuing the
company’s tradition of legendary reliability and warranty support.
Its long list of patents attests to its success in meeting these goals.
®
Variable-D
Normal microphones generate increased bottom end when used
close up. This is typically called the “proximity effect.” While some
lead vocalists like this effect and use it to enhance their performance, it is attainable only in closeup situations. When the distance
between the microphone and the source is extended, the sound
quality changes dramatically. Electro-Voice’s patented Variable-D®
eliminates this disadvantage. On the rear side of the diaphragm
there is a perforated pipe (interference duct) with precise sonic slots
at set distances. The duct provides maximum damping which is
completely uncoloured and undistorted at 180-degree off-axis,
ensuring the same frequency response as if the source was nearly
on-axis.
Variable-D® designed microphones can be used very close to other
sound sources with no loss in clarity or definition. This makes them
the preferred choice for tight vocals and challenging instruments
such as brass. Variable-D® microphones like the RE20 and RE27 are
favorites with broadcast show hosts, vocal booths, voice-over studios, and professional touring or rental companies.
Normal mic
Variable-D® mic
VOB™
Electro-Voice’s unique VOB™ technology (Vocal-Optimized Bass)
reduces low-frequency distortion in the microphone’s output. Critical
damping of the low-frequency resonant peak results in a microphone
that replaces the “muddiness” found in competitive models with
greater warmth and increased vocal intelligibility. With a wider range
of working distances than other microphones, this intelligibility
ensures a clean, clear, consistent sound that “cuts through the mix.”
VOB™ counteracts proximity effect, sibilance, and P-popping, thus
assuring maximum vocal intelligibility and musical clarity.
with VOB™
without VOB™
PIN - Arrangements
Balanced (XLR)
Pin 1: Shield
Pin 2: Hot
Pin 3: Cold
Electronic
male
Microphones
PC interface
(RS 232)
female
Balanced (XLR)
Pin 1: Shield
Pin 2: Signal +
Pin 3: Signal -
Pin 1: parallel to 4 + 6
Pin 2: TxD
Pin 3: RxD
Pin 4: parallel to 1 + 6
TA4F (not shown)
used in N/DYM
wireless
Pin 5: common
Pin 6: parallel to 1 + 4
Pin 7: parallel to 8
Pin 8: parallel to 7
Fullrange
Pin 1: LF/HF +/Pin 2: Not connected
Biamp
Pin 1: LF Section +/Pin 2: HF Section +/-
Speakers
Subwoofer Pin 1: LF input +/-
94
Pin 1: Common
Pin 2: Audio
Pin 3: Bias
Pin 4: Not used
System
Pin 1 in:
Pin 2 in:
Pin 3 in:
Pin 4 in:
LF +/- Pin 2! out
LF +/- Pin 1! out
MB+/- Pin 3 out
HF +/- Pin 4 out
Product Feature Symbols
E V M I C R O P H O N E A P P L I C AT I O N TA B L E
M I C S
Female
Male
Rock
Cobalt Co5
+
+
Cobalt Co7
+
+
+
Cobalt Co9
+
+
+
Cobalt Co11
+
+
N/D 367s
++
+
+
+
+
+
N/D 767a
++
++
+
N/D 967
+
+
++
+
+
++
+
++
Speech
L
Choir
Vocal
Speech
Kick
Drum
Snare
+
+
+
++
+
+
++
RE 200
+
RE 20
RE 27
++
++
N
Also available in white
S
BROAD
CAST
HiHat/
Overhead
Guitar
Amp
Saxophone/
Woodwinds
Trumpet/
Brass
Piano
Accordion
Guitar/
Strings
ENG
Available with high-quality 70/100 volt transformer
Speaker can be flown. See product features
and Speaker Hardware/Accessories
+
Passive or biamped operation
+
+
+
+
+
++
+
Designed for multi-way active operation
using EV® Dx38 digital controller
++
+
+
+
++
++
+
+
+
+
+
+
+
+
+
+
+
+
++
++
++
+
++
+
++
++
++
+
+
+
+
RE 50B/NDB
+
++
+
+
++
+
+
+
Ring Mode Decoupling (RMD™) ensures high
performance and vocal clarity at any SPL.
+
++
++
++
++
++
++
++
++
++
++
++
+
++
+
+
Rotatable constant-directivity horn or identical
horizontal/vertical directivity control (i.e. 65° x 65°)
+
++
+
+
++
+
++
++
+
++
++
++
Cobalt Co4
RE 510
O
+
N/D 478
+
I
+
+
++
++
Toms
+
+
++
++
T
Mounting hardware available or included.
See product features and Speaker Hardware/
Accessories
N/D 868
RE410
A
C
INSTRUMENT
N/D 468
+
Unfinished version available
+
+
+
++
635A (B) / NDB
RE16
I
+
+
N/D 267a(s)
Raven
Jazz
P
VOICE
STUDIO
VOICE SOUND
REINFORCEMENT
Cardinal
P
A
Weather-resistant
++
++
+
+
+
Microphone Polar Patterns
Cardioid
Supercardioid
+ recommended
++ optimal
Hypercardioid
Omnidirectional
Americas
Telex Communications Inc. 12000 Portland Ave South, Burnsville, MN 55337, USA
USA-Phone: 1-800-392-3497, Fax: 1-800-955-6831
Canada-Phone: 1-866-505-5551, Fax: 1-866-336-8467
Latin America-Phone: 1-952-887-5532, Fax: 1-952-736-4212
Europe, Africa & Middle-East
EVI Audio GmbH, Hirschberger Ring 45, D-94315, Straubing, Germany
Phone: +49 9421-706 0, Fax: +49 9421-706 265
France: EVI Audio France S.A. Parc de Courcerin, Allée Lech Walesa, F 77185 Lognes, France
Phone: +33 1-6480-0090, Fax: +33 1-6006-5103
UK: Shuttlesound Ltd., The Willows Centre, Willow Lane, Mitcham, Surrey CR4 4NX, UK
Phone: +44 208 646 7114, Fax: +44 208 254 5666
Asia & Pacific Rim
Japan: EVI Audio Japan Ltd. 5-3-8 Funabashi, Setagaya-Ku, Tokyo, Japan 156-0055
Phone: +81 3-5316-5020, Fax: +81 3-5316-5031
China: Telex EVI Audio (Shanghai) Ltd. Rm 2210-2215, Tower B, Far East International Plaza, No.317, Xianxia Road, Shanghai, China PC:200051 Phone: +86 216235-1677, Fax: +86 21-6235-1676
Hong Kong: Telex EVI Audio (HK) Ltd. Unit 5,1/F, Topsail Plaza, 11 on Shum Street, Shek Mun, Shatin HK
Phone: +852 2351-3628, Fax: +852 2351-3329
Singapore: Telex Pte. Ltd. 3015A Ubi Road 1, 05-10 Kampong Ubi Industrial Estate, Singapore 408705
Phone: +65 6746-8760, Fax: +65 6746-1206
© 2006 EVI Audio GmbH · Internet: www.electrovoice.com · SUBJECT TO CHANGE WITHOUT PRIOR NOTICE · Art. Nr. 150276
PA 20649 v3.1
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