Behringer | PRO MIXER DJX750 | User manual | Behringer PRO MIXER DJX750 User manual

Behringer PRO MIXER DJX750 User manual
User Manual
PRO MIXER DJX750
Professional 5-Channel DJ Mixer with
Advanced Digital Effects and BPM Counter
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PRO MIXER DJX750 User Manual
Table of Contents
Thank you........................................................................ 2
Important Safety Instructions....................................... 3
Legal Disclaimer.............................................................. 3
Limited warranty............................................................. 3
1. Control Elements........................................................ 4
1.1 Stereo channels 1 to 4........................................................ 4
1.2 Microphone channel.......................................................... 5
1.3 Monitor section.................................................................... 5
1.4 Master section...................................................................... 5
1.5 Crossfader section............................................................... 5
1.6 XPQ 3D surround effect..................................................... 5
1.7 Auto BPM counter................................................................ 5
1.8 Internal effects processor................................................. 6
2. Connections................................................................ 6
2.1 Rear panel connectors ...................................................... 6
3. Initial Operation......................................................... 7
4. Shipment..................................................................... 7
5. Online Registration.................................................... 7
6. Specifications.............................................................. 8
Thank you
Your purchase of the BEHRINGER PRO MIXER DJX750 has put you at the forefront
of today’s trends in DJ mixing consoles. Numerous features, such as beat counter,
insert loop and digital effects processor, enable you to work in completely new
and creative ways. The DJX750 is a mixer for professional use, it is extremely easy
to operate and it helps you give free rein to your creativity.
Time is tight and if you don’t want to be left in the dust, you’d better get moving.
To help you along, we have developed an excellent DJ mixing console with the
most popular new features and technologies. It is perfectly suited for use in
dance clubs or for DJ systems and is sure to deliver tons of pure fun.
Be honest: who really likes to read manuals? We know you want to get started
right away, but it is only after reading these instructions that you will fully
understand and be able to properly use all the features your DJX750 has to offer.
Take the time to read everything through!
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PRO MIXER DJX750 User Manual
Important Safety
Instructions
Terminals marked with this symbol carry
electrical current of sufficient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼" TS or twist-locking plugs pre-installed. All other
installation or modification should be performed only
by qualified personnel.
This symbol, wherever it appears,
alerts you to the presence of uninsulated
dangerous voltage inside the
enclosure - voltage that may be sufficient to constitute a
risk of shock.
This symbol, wherever it appears,
alerts you to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, do not
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
qualified personnel.
Caution
To reduce the risk of fire or electric shock,
do not expose this appliance to rain and
moisture. The apparatus shall not be exposed to dripping
or splashing liquids and no objects filled with liquids,
such as vases, shall be placed on the apparatus.
9. Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If the
provided plug does not fit into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories specified by
the manufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table specified by the
manufacturer, or sold with
the apparatus. When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
been dropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
Caution
These service instructions are for use
by qualified service personnel only.
To reduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by qualified
service personnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including amplifiers) that produce heat.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER,
KLARK TEKNIK, MIDAS, BUGERA, AND TURBOSOUND
ARE PART OF THE MUSIC GROUP (MUSIC-GROUP.COM).
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS NO
LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED
BY ANY PERSON WHO RELIES EITHER WHOLLY OR
IN PART UPON ANY DESCRIPTION, PHOTOGRAPH
OR STATEMENT CONTAINED HEREIN. COLORS AND
SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH
AUTHORIZED FULLFILLERS AND RESELLERS ONLY.
FULLFILLERS AND RESELLERS ARE NOT AGENTS OF
MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY
TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL MAY
BE REPRODUCED OR TRANSMITTED IN ANY FORM
OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,
INCLUDING PHOTOCOPYING AND RECORDING OF ANY
KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS
WRITTEN PERMISSION OF MUSIC GROUP IP LTD.
ALL RIGHTS RESERVED.
© 2013 MUSIC Group IP Ltd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands
LIMITED WARRANTY
For the applicable warranty terms and conditions
and additional information regarding MUSIC Group’s
Limited Warranty, please see complete details online at
www.music-group.com/warranty.
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PRO MIXER DJX750 User Manual
1. Control Elements
(1)
(3)
(2)
(5)
(4)
(27)
(7)
(28)
(8)
(29)
(17)
(32)
(31)
(9)
(30)
(10)
(16)
(11)
(33)
(6)
(12)
(34)
(13)
(35)
(14)
(36)
(18)
(19)
(15)
(37)
(21)
(22)
(23) (24)
1.1 Stereo channels 1 to 4
(1) Use the LINE/CD switch to select the input signal for channel 1. Unlike other
channels, channel 1 features two line inputs.
(2) You determine the input signals for the channels 2 to 4 with the PHONO/CD
i.e. PHONO/LINE switch (channels 3 and 4). “Phono” is intended for
connecting a turntable. “Line” i. e. “CD” must be selected for all other signal
sources (e. g. CD or MD players). The input sensitivity of the phono input can
be switched to line level, allowing utmost flexibility (see (41)).
(25) (26)
(20)
◊ Never connect devices with line level to the highly sensitive phono
inputs! The output level of phono pick-up systems is measured in
millivolts, whereas CD players and tape decks have levels measured in
volts, i.e. the level from line signals is up to 100 times higher than that
of the phono inputs.
(3) The GAIN control in the CHANNEL section is used to adjust the level of the
input signal. The level meter (5) reads the input level.
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PRO MIXER DJX750 User Manual
(4) Each of the input channels features a 3-band equalizer (HI, MID and LOW)
with kill characteristic. Thus, the signal can be attenuated to a much greater
extent (-32 dB) than it can be raised (+12 dB). This function can be very
useful when, for exmple, fading a frequency range out of a music track.
◊ The overall level also depends on the EQ setting. Thus, should adjust
the equalizer before setting the input gain with the GAIN control.
(5) The 10-digit LED chains display the signal level of the input signals.
(6) Adjust the channel volume using the CHANNEL fader.
1.2 Microphone channel
(7) The MIC IN connector is the balanced XLR input for your dynamic microphone.
(8) Set the volume of the microphone signal with the GAIN control in the
MIC section.
(9) There is a 3-band equalizer (HI, MID and LOW, no kill characteristic) in the
microphone section. This allows you to fine-tune your voice to adapt
perfectly to your sound.
(10) Activate the microphone channel using the MIC ON switch. The channel is
active when the corresponding LED is lit.
(11) The DJX750 is equipped with a talkover function, which works very simply:
if you speak into the microphone while a track is running, the volume of
the music is automatically reduced, so that your voice is always “in front”.
The TALK control allows you to determine how much the music volume is
lowered (max. -24 dB). This function can come in handy when your own voice
needs to be prominently heard, as in when making an announcement etc.
1.3 Monitor section
The MONITOR signal is your headphones signal, allowing you to listen to music
without affecting the MASTER output signal.
(12) When the MODE switch is in the “Split” position, channel PFL is located on the
left side of the headphones, while the MASTER signal is on the right side. In this
case, the MIX control (see below) serves no function. While in “Stereo” mode,
you can use the MIX control to alternate between MASTER signal and PFL.
(13) When in “Stereo” mode, the MIX control lets you determine which signal can
be heard via the headphones. When the control is turned to its left-most
position (CUE), you hear the PFL signal only; when the control is turned to its
right-most position, you hear the MASTER signal only. Alternating the MIX
control between the two end positions lets you dermine the relative ratio
between the two signals in your headphones.
(14) The Level control determines the volume of the headphones signal.
(15) Connect your headphones using the PHONES OUT stereo connector.
Your headphones should have a minimum impedance of 32 Ohms.
(16) To select the PFL signal for the headphones, use the MONITOR CUE keys
(CH-1 to CH-4, MASTER, FX). You can also select multiple signal sources and
listen to them simultaneously. LEDs on corresponding keys are lit when a
channel is routed to the headphones.
1.4 Master section
(17) The LEVEL METER displays the level of the MASTER signal.
(18) The MASTER fader allows you to adjust the output volume at the MASTER
output (see (44)).
(19) The MASTER BALANCE control for the MASTER output is for setting the
stereo image.
(20) The BOOTH LEVEL control adjusts the output level of the BOOTH output
(see (45)).
1.5 Crossfader section
(21) ASSIGN A and ASSIGN B selectors let you determine which input signals are
routed to CROSSFADER sides A and B. You can also alternate between these
two signals by using the CROSSFADER (see below).
(22) The VCA controlled CROSSFADER is used to fade between the channels you
have selected (see (21)). Like the channel faders, the crossfader section is
equipped with a professional 45-mm fader.
(23) The TIME OFFSET LED indicates the synchronisation of tracks
(see chapter 2.7).
(24) The TEMPO DIFFERENCE LED displays tempo differences between the tracks
(see chapter 2.7).
(25) A 3-band kill switch is available for use with both the left and the right side
of the crossfader (KILL A and KILL B respectively). Kill switches are used to
lower three separate frequency ranges (LOW, MID and HIGH) up to -32 dB.
When using the kill switch, the equalizer of ordinary DJ mixers usually
loses its functionality. Not the case with the DJX750: the EQs can be used to
achieve an even more pronounced lowering of a particular frequency range.
(26) The CF CURVE control lets you alter the control characteristic of the
crossfader between linear and logarithmic in an infinite number of steps.
When set to linear, the crossfader engages directly proportionally to
the fader’s incremental movement. When set to logarithmic, the fader’s
movement yields higher volume increases as the fader moves farther along
its range of motion.
1.6 XPQ 3D surround effect
The XPQ 3D surround function is a built-in effect that puts the finishing touch
to your music and turns every gig into a real experience. The widening of the
stereo base makes for a livelier, more transparent sound. You can determine the
intensity of the effect by using the SURROUND control (27), while the XPQ ON
switch (28) turns the XPQ effect on (the respective LED is lit).
1.7 Auto BPM counter
The integrated auto BPM counter is an extremely useful feature. It ensures
smooth transition from one track to the next, taking a lot of the guesswork out.
It can calculate the various tempos of tracks in bpm (beats per minute). Both BPM
counter sections are identical and both show the BPM value of the two signals
routed to the crossfader. The LEDs located above the DISPLAYs 1 - 4 (29) indicate
which of the four input channels are routed to the respective BPM counter.
The tempo of the track assigned by using the ASSIGN A or ASSIGN B keys is shown
in the respective Display (30). Several tempo changes in one track would produce
a constant display of various BPM values and thus lead to unnecessary confusion.
That’s why the beat counter sections each have a SYNC LOCK button (31) that can
be used during the song to limit the range of possible tempo values. This makes
sense if the counter has already calculated a realistic value. You can do the
same thing manually with the BEAT ASSIST button (32). Pushing this button at
least three times in sync with the song’s tempo results in the calculated tempo
appearing in the DISPLAY. The Beat Assist and SYNC LOCK buttons are each
equipped with a LED.
When you have limited the tempo of the tracks on both channels with the SYNC
LOCK or BEAT ASSIST buttons, the difference in tempo from both channels is
illustrated in the form of a nine-character message on the TEMPO DIFFERENCELED (24). The extent of theT difference in tempo is indicated by a corresponding
swing to the right (signal A is slower) or to the left (signal B is slower). When the
middle LED lights up, the tempi are the same. The TIME OFFSET LED (23) below
that displays the signal A and B synchronisation. Should the middle LED light
up, the tracks are synchronised. Should the display move to the left or right,
the channels are not synchronised. The TEMPO DIFFERENCE and TIME OFFSET
displays are only active if the tempi of both channels have been fixed in one of
the ways described.
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PRO MIXER DJX750 User Manual
◊ When no signal is present (or when the signal level is too low), the BPM
display shows only dashes. When the signal is present but can not be
identified, the display shows 160 BPM and then shows the said dashes.
The beat counter then attempts to get another readout. Therefore,
“160” BPM is no usable value; rather, it is simply an error message
when the signal can not be analyzed.
To exit the SYNC LOCK or BEAT ASSIST modes, simply push the SYNC LOCK button
once more on both channels.
1.8 Internal effects processor
2
3
4
5
6
7
8
9
No.
0
1
2
3
4
5
6
7
8
0
0
1
2
3
0
1
2
0
1
2
0
1
2
3
4
0
1
2
0
1
0
1
2
Effect
Filter Sweep
Filter Sweep
Filter Sweep
“Auto Filter (Envelope)”
“Auto Filter (Envelope)”
“Auto Filter (Envelope)”
LFO Filter
LFO Filter
LFO Filter
Bitcrusher
Flanger
Flanger
Flanger
Flanger
Delay
Delay
Delay
Echo
Echo
Echo
Reverb
Reverb
Reverb
Reverb
Reverb/Delay
Phase Shifter
Phase Shifter
Phase Shifter
Panning
Panning
Sim/Dyn
Sim/Dyn
Sim/Dyn
Type
LP
BP
HP
LP
BP
HP
LP
BP
HP
—
Gate/Pan
“Standard (Full Res)”
“Standard (Half Res)”
Ultra
1/1
3/4
1/2
1/1
3/4
1/2
Big Plate
Small Chamber
Bright Room
Voice Widener
“Big Plate + Delay”
4
Fall
Rise
Panning
Tremolo
Ultrabass
Ultrafex
Voice Changer
of the selected effect can be modified.
◊ The parameter values of the delay and echo effects are displayed in
BPM (beats per minute). The selectable range is from 80 to 160 BPM.
The display only shows two digits and so values of 100 and above are
represented with a dot behind the number (for example, 120 BPM is
displayed as “20.”).
• Use the LEVEL control (36) to determine the volume level of the effect signal.
• Activate the effect signal by pressing the FX ON switch (37).
Press the PROGRAM control one more time to use it for selecting effects again.
Presets of the multi-effects processor
Grp
1
◊ View the table (column “Ajustable Parameter”) to see which parameter
Adjustable Parameter
Frequency
Frequency
Frequency
Sensitivity
Sensitivity
Sensitivity
LFO Rate
LFO Rate
LFO Rate
Depth
LFO Rate
LFO Rate
LFO Rate
LFO Rate
Delay Time (related to BPM)
Delay Time (related to BPM)
Delay Time (related to BPM)
Delay Time (related to BPM)
Delay Time (related to BPM)
Delay Time (related to BPM)
Reverb Time (Decay)
Reverb Time (Decay)
Reverb Time (Decay)
Tone
Delay Time (related to BPM)
LFO Rate
LFO Rate
LFO Rate
LFO Rate
LFO Rate
Frequency
Frequency
Distortion
2. Connections
2.1 Rear panel connectors
(40)
(50)
(40) The GND connectors ground the turntables.
(41) With the PHONO/LINE switch it is possible to switch the input sensitivity of
the PHONO inputs 2 to 4 to line level. This allows you to connect a tape deck
or a CD player to the PHONO inputs.
(44) (45) (46)
• Turn the PROGRAM control (35) to select an effect. The corresponding
selected preset.
• When the new effect has been loaded, turn the PROGRAM control (35)
to change the effect’s parameters. The parameter value is shown on
the display.
(41)
(39) The PHONO inputs for channels 2 to 4 are for connecting a turntable.
• To select the signal to be processed, use the SOURCE selector (33).
• Press and hold the PROGRAM control for about 2 seconds to load the
(38)
(38) These are the LINE i. e. CD inputs to connect a tape deck, CD or MD player etc.
Unlike other channels, channel 1 features two line inputs.
The DJX750 features an internal digital effects processor into which you can
feed your master signal, the signals of the input channels or the mic signal. The
module provides a number of standard effects, such as reverb, delay and echo, as
well as various filter and modulation effects.
program number appears on the PROGRAM display (34).
(39)
(48)
(49)
(42) (43)
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PRO MIXER DJX750 User Manual
(42) The DJX750 features an integrated effects loop for the connection of an
external effects device. The MONITOR signal is taken at the SEND output
and routed, for example, to a reverb processor. Thus, the signal at the SEND
connector is identical to the headphones signal and is selected with the
MONITOR CUE buttons (16).
!!
(43) The externally processed signal is added to the MASTER output signal via the
RETURN connectors. The effect signal volume may only be adjusted at the
output control of the effects device itself.
If you set the unit to a different mains voltage, be sure to use a fuse of the correct
type and rating. Please refer to the “Specifications” for details.
(44) The MASTER output is for connecting to an amplifier and can be adjusted
with the MASTER fader (18).
◊ Always turn the power amps on last to avoid inrush currents that can
easily damage your speakers. And, to avoid sudden and unpleasant
surprises for your ears, make sure there is no signal at the DJX750
before turning on the power amps. To be sure, slide all the faders to the
bottom and switch all controls to the zero position.
(45) The BOOTH output gives you an additional option of connecting an amplifier
in order to, for example, feed the signal into your monitors or to bring sound
to an extra area. The BOOTH output level is regulated by using the BOOTH
LEVEL control (20) of the MASTER section.
(46) Using the TAPE output you can record your music by connecting devices such as
tape decks, DAT recorders etc. Unlike the MASTER output, the output volume is
fixed, making it necessary for you to adjust the input level on the recording device.
(47) The POWER switch powers the DJX750 on. You should always make sure that
the POWER switch is in the “Off” position when initially connecting the unit
to the mains.
◊ Merely switching the unit off does not mean that it is fully disconnected
from the mains. When not using the unit for prolonged periods of time,
please unplug the unit’s power cord from the power outlet.
(48) This is the connector for the power cable. This is where the advantage of a
sophisticated internal power supply can be seen: the pulse behaviour of each
amplifying circuit is mainly determined by the voltage reserves available.
Each mixing console is equipped with numerous operational amplifiers
(op amps) to process line level signals. Due to limited output of their power
supplies, many mixing consoles show signs of “stress” when subjected to
heavy loads. But not your DJX750: the sound is always clear and transparent.
(49) FUSE HOLDER / VOLTAGE SETTING. Before connecting the unit to the mains,
ensure that the voltage setting matches your local voltage. Blown fuses
should only be replaced by a fuse of the same type and rating. On some
units, the fuses holder can be switched to one of two positions, i.e. 230 V and
120 V. Please note: should you desire to operate the unit outside Europe at
120 V, a higher fuse rating is required.
◊ To disconnect power from main, pull out the main cord plug.
When installing the product, ensure that the plug is easily accessible.
If mounting in a rack, ensure that the mains can be easily disconnected
by a plug or by an all-pole disconnect switch on or near the rack.
(50) SERIAL NUMBER.
3. Initial Operation
◊ Ensure adequate air supply and to avoid overheating do not place the
unit near radiators etc.
◊ Before you connect your unit to the mains, please make sure that your
local voltage matches the voltage required by the unit. The fuse holder
on the mains connector has 3 triangular markings, with two of these
triangles opposing each other. The unit is set to the operating voltage
printed next to these markers and can be set to another voltage by
turning the fuse holder by 180°.
Caution
Please note that when operating the unit at 120 V, a higher fuse rating is
required. Please refer to the “Specifications” for details.
◊ Blown fuses must be replaced by fuses of the correct rating!
Please refer to the “Specifications” section for the applicable rating.
Before you change the fuse, switch off the device and pull the plug to
avoid electric shock or damage to the device.
The mains connection is made using the enclosed power cord and a standard IEC
receptacle. It meets all international safety certification requirements.
◊ Please make sure that all devices are properly grounded. For your own
safety, never remove or disable the ground conductors from the devices
or on the power cords. The unit must always be connected to the mains
outlet with a protective grounding connection.
◊ The sound quality may diminish within the range of powerful
broadcasting stations and high-frequency sources. Increase the
distance between the transmitter and the device and use shielded
cables for all connections.
4. Shipment
Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contact
the BEHRINGER retailer from whom the equipment was purchased. Should your
BEHRINGER dealer not be located in your vicinity, you may directly contact one of
our subsidiaries.
Corresponding contact information is included in the original equipment
packaging (Global Contact Information/European Contact Information).
Should your country not be listed, please contact the distributor nearest
you. A list of distributors can be found in the support area of our website
(behringer.com).
Registering your purchase and equipment with us helps us process your repair
claims more quickly and efficiently.
Your product was carefully packed at the factory to ensure safe transport.
Nevertheless, if the box is damaged inspect the unit immediately for signs
of damage.
◊ If the unit is damaged please do NOT return it to us, but notify your
dealer and the shipping company immediately; otherwise, claims for
damage or replacement may not be granted.
◊ Always use the original box to prevent damage during storage
or transport.
◊ Make sure that children cannot play unsupervised with the unit or
its packaging.
5. Online Registration
Please register your new BEHRINGER equipment right after your purchase
by visiting behringer.com and read the terms and conditions of our
warranty carefully.
Thank you for your cooperation!
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PRO MIXER DJX750 User Manual
6. Specifications
Audio Inputs
Power Supply
Mic
40 dB Gain, XLR,
electronically balanced input stage
Phono in
40 dB Gain, unbalanced input
Line in
0 dB Gain, unbalanced inputs
CD in
0 dB Gain, unbalanced inputs
100 - 120 V~, 50/60 Hz
T 1A H
Return
0 dB Gain, unbalanced input
220 - 230 V~, 50/60 Hz
T 500 mA H
Audio Outputs
Power consumption
32 W
Mains connection
Standard IEC receptacle
Mains Voltages/Fuses
Dimensions/Weight
Master
max. +21 dBu
Booth
max. +21 dBu
Tape
typ. 0 dBu
Send
typ. 0 dBu
Phones Out
max. 180 mW @ 75 W / 1% THD
Equalizer
Stereo Low
+12 dB / -32 dB @ 50 Hz
Stereo Mid
+12 dB / -32 dB @ 1.2 kHz
Stereo High
+12 dB / -32 dB @ 10 kHz
Mic Low
+15 dB / -15 dB @ 80 Hz
Mic Mid
+15 dB / -15 dB @ 2.5 kHz
Mic High
+15 dB / -15 dB @ 12 kHz
Kill Low
-54 dB @ 50 Hz
Kill Mid
-44 dB @ 1 kHz
Kill High
-26 dB @ 10 kHz
Digital Effects Processor
DSPFreescale
A/D-D/A converter
24-bit Sigma-Delta,
64/128-times oversampling
Sampling rate
46.875 kHz
System Specifications
Signal-to-noise ratio > 80 dB (Line)
Crosstalk
> 70 dB (Line)
Distortion (THD)
< 0.03%
Frequency response
10 Hz - 55 kHz, +0 / -3 dB
Dimensions (H x W x D)
approx. 4.1 x 12.6 x 14.6"
approx. 104.3 x 320 x 370.8 mm
Weight
approx. 8.6 lbs / approx. 3.9 kg
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts,
modifications may be made from time to time to existing products without prior notice. Specifications and
appearance may differ from those listed or illustrated.
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PRO MIXER DJX750 User Manual
FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION
PRO MIXER DJX750
Responsible Party Name:
MUSIC Group Services US Inc.
Address:
18912 North Creek Parkway,
Suite 200 Bothell, WA 98011,
USA
Phone/Fax No.:
Phone: +1 425 672 0816
Fax: +1 425 673 7647
PRO MIXER DJX750
complies with the FCC rules as mentioned in the following paragraph:
This equipment has been tested and found to comply with the limits for a Class B
digital device, pursuant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may
cause undesired operation.
Important information:
Changes or modifications to the equipment not expressly approved by MUSIC Group
can void the user’s authority to use the equipment.
We Hear You
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