Art | USB DUAL PRE PS | ART Audio Products LESS TEXT CDR

ART Audio Products LESS TEXT CDR
ART Pro Audio Products
Tube MP
Provides Superior Preamplification for: Microphones,
Instruments and Line Level Sources
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Hand Selected 12AX7a Provides 70dB of Gain Smooth,
Warm and Fat Sound Quality
Variable Input and Output Gain Controls
Excellent as a Tube DI
XLR and 1/4" Inputs and Outputs +48 volts
Phantom Power
Phase Reversal Switch
Superior Sonic Performance to On-Board Preamps
TEC-Award Nominated Design
Portable, All Steel Construction
1 Year Warranty
Tube MP Studio V3™
Provides Superior Preamplification for:
Microphones, Instruments and Line Level Sources
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V3™ - Variable Valve Voicing
OPL™ - Output Protection Limiting
Hand Selected 12AX7A Provides 70dB of Gain
Smooth, Warm and Fat Sound Quality
Variable Input and Output Gain Controls
Excellent as a Tube DI
XLR and 1/4" Inputs and Outputs
+48 Volts of Phantom Power
Phase Reversal Switch
Portable, All Steel Construction
Tube MP Project Series
Extremely Low Noise Discrete Front End
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Up to 70dB of Clean, "Musical" Gain
High Output Signal Drive Capability
Fast FET Limiter to Prevent Overload
Switch Selectable Input Impedance
Precision LED Metering
Built-in Low Noise Phantom Power Supply
Compact, Stackable all Aluminum Chassis
XLR and 1/4" Inputs and Outputs
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Phase Invert Switch
High Cut Filter Switch
Variable Input and Output Controls
Tube MP Project Series w/ USB
USB Interface Output
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Extremely Low Noise Discrete Front End
Up to 70dB of Clean, "Musical" Gain
High Output Signal Drive Capability
Fast FET Limiter to Prevent Overload
Switch Selectable Input Impedance
Precision LED Metering
Built-in Low Noise Phantom Power Supply
Compact, Stackable all Aluminum Chassis
XLR and 1/4" Inputs and Outputs
Phase Invert Switch
High Cut Filter Switch
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Variable Input and Output Controls
Windows 98SE/ME/2000/XP/Vista Compatible
Compatible with Mac OS 9.1 and newer
Page 1 of 17
Tube MP/C
Tube-based mic/line preamplifier with up to 80 dB of
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Hand-selected 12AX7a tube
Optical (VCA-less) compressor circuitry = transparent
dynamics control
¼-inch unbalanced inputs and outputs
XLR balanced inputs and outputs
Transformer isolated XLR output
Selectable output range for Line/Instrument interface
levels
LED meters for Tube Warmth, Gain Reduction and
Output level
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+48V phantom power
Phase reversal switch
Selectable release time settings
> 90dB dynamic range
Custom extruded aluminum chassis
USB Dual Tube Pre
Two Channel USB Tube Preamp
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Two channel Tube based Mic/Instrument preamp
computer interface
Extremely low noise discrete front end with variable
input and output controls
Advanced optical output compressor to simplify
recording and prevent overload
USB connectivity to desktop and laptop computers
S/PDIF output for expanding inputs on digital
workstations and computer interfaces
Latency free Monitoring Mix and Level controls
Balanced XLR for lo-Z applications and 1/4" hi-Z inputs
for instrument DI applications
Separate Gain, Phase Invert, Low Cut Filter and
Compressor switches on each input
Selectable Dual or Stereo operation of output controls
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Switch selectable Inserts on each channel
Insert jacks provide a preamp direct out for each
Mono switch for single input monitoring
S/PDIF Sample Rate switch selectable between
44.1K and 48K
Precision LED metering of both the preamp and
A/D sections
Built-in low noise +48 Volt phantom power supply
Compact, stackable all aluminum chassischannel
Stereo/ Dual operation of Optical Compressor
TPS II™
Tube Preamplifier System
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Variable Input Impedance
Improved V3™ Variable Valve Voicing Presets
LED Input Meter with Analog Output Meter
Enhanced ART Tube Technology Adds Warmth
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Automatically switches between instrument and
microphone preamp
Wide Frequency Response (5hz/50kHz)
Enhanced OPL™ Output Protection Limiter
DPS II
Digital Preamplifier System
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Variable Input Impedance
Improved V3™ Variable Valve Voicing Presets
LED Input Meter with Analog Output Meter
Enhanced ART Tube Technology Adds Warmth
Automatically switches between instrument and
microphone preamp
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Wide Frequency Response (5hz/50kHz)
Enhanced OPL™ Output Protection Limiter
24bit/96KHz A-to-D Conversion (DPS II Only)
S/PDIF, TOSLINK or ADAT Digital Output
(DPS II Only)
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Wide Frequency Response
Additional Front Mounted Instrument Input Jack
Supports Mid/Side Miking Technique
Operates at +4dbm/-10dbv Output
Selectable Stereo/Dual Operation of Output Controls
Automatic Instrument Input Selection
Pro MPA-II
Two Channel Mic Preamp
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Variable Input Impedance For Flexible Microphone
Voicing (150 Ohms To 2400 Ohms)
Selectable Plate Voltage
Large VU Meters
Backlit Function Switches
Discrete Class-A Input Microphone Preamplifier
Low Noise at Lower Gain Settings
Extremely Low Total Harmonic Distortion (THD)
Page 2 of 17
Digital MPA-II
Two Ch. Mic Pre w/ A/D Conversion
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Variable Input Impedance For Flexible Microphone
Voicing (150 Ohms To 2400 Ohms)
Selectable Plate Voltage
Large VU Meters
Backlit Function Switches
Discrete Class-A Input Microphone Preamplifier
Low Noise at Lower Gain Settings
Extremely Low Total Harmonic Distortion (THD)
Wide Frequency Response
Additional Front Mounted Instrument Input Jack
Supports Mid/Side Miking Technique
Operates at +4dbm/-10dbv Output
Selectable Stereo/Dual Operation of Output Controls
Automatic Instrument Input Selection
24-204KHz External sample rate
44.1K, 48K, 88.2K, 96K, 176.4K, 192K Internal sample
rates
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24/16 bit switchable dithering
Wide dynamic range A/D
Rotary Encoder for quick selection of sample rate
Separate analog and digital output level controls
Digital Level LED meters display both Average and
Peak level
ADAT optical I/O
Sync to incoming ADAT data rate
Switch selectable optical output (S/PDIF or ADAT)
AES/EBU and S/PDIF outputs
Two wordclock jacks allowing loop through
ProChannel II
Fully featured discrete class "A" Tube Microphone
Preamplifier
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1/4" High Z input on the front panel
Selectable plate Voltage
Smooth musical sounding Optical Compressor
Separate Attack and Release controls
Auto/Manual Attack/Release switch
Parametric EQ
Large VU and LED meters
Multi section clip monitor LED
Selectable Source switches for VU signal monitoring of
any section of the unit
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Two insert loops
+4/-10 dB switch for optimal signal output levels
Toroidal power transformer for low noise
VoiceChannel
Tube Channel Strip with Digital Outs
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Ideal input solution for any recording application
Fully Featured Tube Microphone Preamplifier with
Selectable plate Voltage and Variable Input Impedance
Exceptional warmth and definition from proven ART
Tube Preamp design
Sm/ooth musical sounding dynamics control including
Compressor / Expander / De-Esser / Gate
Powerful Parametric EQ selectable Pre or Post
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Compressor in signal path
Flexible digital connectivity including ADAT Litepipe / AES/EBU / S/PDIF / TOSLink Digital Output
supports 44.1 to 192 KHz Sample Rates
USB direct-connect to computer or laptop
TubeOpto 8
Eight Ch. Mic Preamp with ADAT
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Eight Fully Featured Class-A Tube Mic Preamps
Eight Channels of ADAT lightpipe Digital 24 Bit Audio
I/O at 44.1 or 48kHz
Input Gain and Output Level Controls on Every Channel
Input Pad, Phase flip and Low Frequency Roll Off
Switches on Every Channel
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Two Additional Front Mounted High Impedance
Instrument Line Inputs
Eight 1/4-inch TRS Balanced Outputs
Page 3 of 17
Pro VLA II
Two Channel Vactrol-based Compressor
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VCA-Less Vactrol Opto-Compression Design
Mastering Quality Audio Signal Path with Tube Gain
Stage
Enhanced Link Mode - While in stereo link mode,
channel 1 level control acts as a master output level and
channel 2 becomes a balance control between them, optimizing the Pro-VLA II for use as a mastering tool
Variable Threshold, Ratio & Output Controls
LED Backlit VU Input/Output Level Metering
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LED Metering Indicates Both Average Level And
Peak Hold
Accurate Ten Segment LED Gain Reduction
Metering
+4dBu/-10dBu Mode Switch Optimizes Pro-VLA II
For Interface with Professional OR
Consumer Grade Components
Active Balanced XLR And ¼-Inch Inputs & Outputs
Page 4 of 17
Discrete Preamps/Computer Interfaces
USB Dual Pre Project Series
Two Ch USB Pre
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USB Connectivity to Desktop and Laptop Computers
Low Noise Fully Balanced XLR and 1/4-inch TRS
Combi Inputs
Up to 48 dB of Clean Gain n Built-in Low Noise
Phantom Power Supply
Latency Free Monitoring Mix and Level Controls
Independent Channel Gain Controls
1/4-inch TRS Balanced Monitor and 1/8-inch
Headphone Monitor Outputs
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Includes Audacity Recording & Production Software
Flexible 3-way Power from USB, External Supply, or
9 Volt Battery
Includes USB Cable - Everything Needed To Start
Recording Today!.
USB Phono Plus v2
Switchable between Phono & Line
v Highly accurate, low-noise Phono preamp circuit (RIAA
standard)
v Low-cut filter
v Gain trim control & signal/clip LED
v Optical audio in/out and coaxial audio in
v Analogue RCA Line Output, front panel headphone jack
v Monitor source selection switch
DJPRE II
Phono Preamplifier
• Low noise RIAA phono preamp circuitry
• Switchable input capacitance to optimise your cartridge
response
• Switchable low-cut filter
• Front gain trim control with signal/clip LED
Mconnect
USB-To-MIDI Cable
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USB interface for any MIDI device
Separate MIDI In and Out cables
Molded cable ends indicate cable function
LED indicators for power and MIDI In and Out
Plug and play with Windows and Mac OS
Three year warranty
Tconnect
USB-To-Guitar Interface Cable
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USB recording for any electrified musical instrument
High quality 16-bit, 44.1 kHz or 48 kHz digital audio
interface
Shielded cable with 1/4" TS plug
LED indicator flashes during signal transmission
Plug and play with Windows and Mac OS
Three year warranty
Xconnect
USB-To-Microphone Cable
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USB recording for any dynamic microphone
High quality 16-bit, 44.1 kHz or 48 kHz digital
audio interface
Shielded cable with female XLR connector
LED indicator flashes during signal transmission
Plug and play with Windows and Mac OS
Three year warranty
Page 5 of 17
Power Amps
SLA1
100W Power Amplifier
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Studio Linear Amplifier
Extremely Low Noise, Discrete Linear Design
100 Watts/Channel @ 8 Ohms
260 Watts/Bridged Mono @ 8 Ohms
Toroidal Transformer
10 Hz to 40 kHz within 1dB
XLR & 1/4" Inputs
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Ground Lift Switch
Silent, Thermal Dependent Cooling System
Multi-Way Binding Post Outputs
Low Profile 1U Rackmount Design
All Steel and Aluminum Chassis
Perfect for Pro and Project Studio
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SmartFan Silent Cooling System
Low Profile 1U Rack Mountable All Steel Chassis
Extremely Low noise, Discrete Linear Design
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1/4-inch TRS, and Euroblock Balanced Inputs
Recessed "Pop Out" Detented Gain Knobs
Tamper-Proof Faceplate Included
Multi-way Binding Post Outputs
Low Profile 1U Rack-Mountable Design
SmartFan Silent Cooling System
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EMI & RFI Filtering
8 Rear Outlets with Power Adapter Friendly
Positioning
One Front-mounted Unswitched Power Outlet
Rear Mounted Gooseneck Light Source
SLA2
200W Power Amplifier
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Toroidal Transformer
200 Watts per Channel @ 8 ohms
280 Watts per Channel @4 ohms
560 Watts when Bridged Mono @ 8 ohms
10 Hz - 40 kHz Frequency Response
XLR, Euroblock & ¼-inch inputs
Tamper-Proof Faceplate
SLA4
4x140W Power Amplifier
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Extremely Low Noise, Discrete Linear Design
4 x 100 Watts/Ch @ 8 Ohms, 140 Watts/Ch @ 4 Ohms
2 x 200 Watts/Ch @ 16 Ohms, 280 Watts/Ch @ 8
Ohms (bridged)
2 x 100 Watts/Ch @ 8 Ohms & 1 x 280 Watts @ 8
Ohms (bridged)
Toroidal Transformer
10 Hz to 40 kHz Frequency Response
Power Conditioners:
Ps4x4 PRO
Dual LED Metered PDS
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APF - Advanced Power Filtering
Pull Out Light Pipes with AutoOff and Dimmer
Easy to read LED Input Voltage and Current Metering
Power Capacity of 1800 Watts
Surge & Spike Protection
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Pb4x4 PRO
Power Distribution System
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APF - Advanced Power Filtering
Power Capacity of 1800 Watts
Surge & Spike Protection
EMI & RFI Filtering
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8 Rear Outlets with Power Adapter Friendly
Positioning
One Front-mounted Unswitched Power Outlet
Rear Mounted Gooseneck Light Source
Ps4x4
Pb4x4
Dual Metered Power Distribution System
Power Distribution System
• 1800 watt capacity
• Surge and spike protection
• EFI & RFI filtering
• 2 x Pull out lamps with dimmer
• Input voltage and load current metering
• Eight rear power outlets
• 1800 watt capacity
• Surge and Spike protection
• EFI & RFI filtering
• Eight rear power outlets
Page 6 of 17
Phantom Power/Audio Tools
48V Phantom Power Supply
• Phantom Voltage DC 48V + - 2V
• Balance XLR input & output
• PSU included
Phantom II Pro
Dual Ch. Phantom Power Supply
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XLR connectors for balanced inputs and outputs
Low power, high efficiency CMOS circuitry for Long
battery life using a standard 9 Volt battery (Alkaline
recommended)
Can be powered with an external power supply from
AC mains
Rugged extruded aluminum case with accessible
battery compartment
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LED lighted On/Off switch
Low noise, low distortion circuitry
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Easy Sample Rate Selection with Memory Recall
After Power Down Cycle
Set Of 75 Ohm BNC Terminators and BNC "T"
Adaptors Included
Easy To Read User / Application Manual Included
SyncGen
World-Clock Generator
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Stable & Accurate Time-Base Reference
44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz, 176 KHz, 192
KHz Sample Rates
Four High-Current 5 Volt BNC Word-Clock Outputs
Two "Zero Bit Digital Black" S/PDIF Outputs On Coaxial
RCA Connectors
LED Indicators Monitor Termination And Operating
Status of BNC Outputs
Large, Easy To Read Digital Sample Rate Readout
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CleanBOX II
Hum Eliminator
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The power ground of a synthesizer, connected to the
signal ground of the synth, into a mixer's ground, then
into a mixer's power ground.
The signal ground of a send effect (reverb, delay) into a
mixer, and the connecting power grounds of the mixer
and the unit.
The power ground of a guitar amplifier, connected to a
signal processor which has a second guitar amplifier on
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the other channel,
and then the second
guitar amp's power
ground.
The CleanBOX II
easily removes
ground loops without
any signal degradation.
CLEANBox Pro
Dual Channel Level Converter
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XLR connectors for balanced inputs and outputs
RCA phono jacks and stereo 1/8" mini-phone jacks for
unbalanced inputs and outputs
Unbalanced output level control
Balanced output level control
Rugged extruded aluminum case
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Lighted On/Off switch
Comes with external power supply for operation
with AC mains
Low noise, low distortion circuitry
CoolSwitch
A/B-Y Foot switch
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Switches a common source between two amplifiers or
amp channels. Also lets you switch two source signals
into the same amplifier
Y routing combines both the A and B outputs in parallel
so that two amplifiers can be driven at once
9V battery included
Page 7 of 17
Crossovers/EQ's
CX310
2way/3way Crossover
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Stereo Two-Way or Mono Three-way Configurations
Fourth-Order Linkwitz-Riley Filters
Active Balanced XLR and 1/4" TRS Input and Output
Connectors
Individual Output Muting Switches
x10 Frequency Range Adjusting Switch
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Clipping Indicators on all Outputs
Designed for Years of continuous, reliable
performance
Rugged all-steel Construction
CX311
2way Crossover with Subwoofer Out
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Stereo two-way crossover
Subwoofer output
Fourth-order Linkwitz-Riley filters (24dB / octave statevariable)
Independent high and low output level controls
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Crossover frequency rotary control (250hz to 6khz)
30 cycle low cut switch
Independent output level and rotary control (50hz to
250hz)
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High precision filters with 2% film capacitors, 1%
resistors
Built-in RFI suppression
Grounded center-tapped slide potentiometers for
true zero flat position
45mm metal shaft slide potentiometers with center
detents, and mixing desk style knobs
Automatic relay bypass if power is lost
Euroblock detachable barrier strips, XLR, and 1/4
inch phone Ring-Tip-Sleeve balanced inputs and
outputs
Toroidal power transformer
Xl231
Dual 31-Band, 1/3 Octave, Graphic EQ
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Greater than 123dB dynamic range
Ultra low noise and high output
40 Volt internal circuitry for added headroom, and line
driving capability
High and Low frequency "Trim" controls for sweetening
overall sound after EQ has been set
Enhanced Cut Mode: Up to -18dB narrow band dips
Normal and Enhanced Modes also have Half-Scale
modes for a total of 4 Boost/Cut modes
10 Segment LED level meters with "Peak-Hold" and
clipping indication
Constant Q design with interleaved filter banks to
reduce band interaction
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HQ231
Pro Dual 31 Band EQ w/ FDC™
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FDC™ Feedback Detection Circuit
Dual Channel 31-Band Graphic Equalizer
Output Level VU Metering on Each Channel
Constant-Q Filtering
Individual High and Low Pass Filters on Each Channel
Center-Detented Frequency Band Sliders
Independent Level and Bypass Controls on Each
Channel
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Relay Bypass - If Power is Lost, Signal Will Still
Pass
Variable Input Controls
Signal Clip Level Indicators
Ground Lift Switch
Internal Power Supply
Selectable Line Voltage
EQ341
Dual 15 band EQ
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Dual Channel 15-Band Graphic Equalizer
Constant-Q Filtering
Balanced XLR, Active Balanced 1/4", and Unbalanced
RCA Input and Output Connectors
+/- 6dB or +/-12dB Level Adjustments
20mm Center Detented Frequency Band Sliders
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Independent Level and Bypass Controls Per
Channel
Designed for Years of continuous, reliable
performance
Rugged All Steel Construction
One Year Warranty
Page 8 of 17
Eq351
Single 31 band EQ
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Single Channel 31-Band Graphic Equalizer
Constant-Q Filtering
Balanced XLR, Active Balanced 1/4", and Unbalanced
RCA Input and Output Connectors
+/- 6dB or +/-12dB Level Adjustments
20mm Center Detented Frequency Band Sliders
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Independent Level and Bypass Controls Per
Channel
Designed for Years of continuous, reliable
performance
Rugged All Steel Construction
One Year Warranty
Eq355
Dual 31 band EQ
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Dual Channel 31-Band Graphic Equalizer
Constant-Q Filtering
Balanced XLR, Active Balanced 1/4", and
Unbalanced RCA Input and Output Connectors
Variable High-Pass and Low-Pass Filters
+/- 6dB or +/-12dB Level Adjustments
20mm Center Detented Frequency Band Sliders
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Independent Level and Bypass Controls Per
Channel
Designed for Years of continuous, reliable
performance
Rugged All Steel Construction
One Year Warranty
Mixers/Headphone Amplifiers
USB Mix
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Project Series
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USB powered, no external power supply needed when
used with a computer
Balanced XLR or unbalanced ¼-inch Instrument inputs
with switchable impedance
Switchable low noise +48V phantom power
Balanced ¼-inch TRS inputs for stereo or mono linelevel sources
¼-inch TRS output jacks work with balanced or
unbalanced lines
Stereo ¼-inch TRS headphone jack with independent
level control for output monitoring
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Independent controls
for both sets of inputs,
main output, and
headphone monitor
Green/Red LED
signal/clip indicator
Switchable
assignment of USB
playback to channels
2 and 3
USB 2.0 compliant
USB cable, AC
adapter, and Audacity recording software included
MX622
6 Ch (1U) Stereo Mixer w/ EQ/EFX Loop
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Three Balanced XLR Inputs Switchable Mic/Line
Level
Three Stereo RCA Inputs with Separate Level
Controls
Level Control and Clip Indicators
Selectable 15-volt Phantom Power for Mic Channels
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Balanced TRS 1/4-inch Main Output Jacks with
Master Level Control
Versatile Two-Band Master EQ
Separate Stereo Record Outputs
Effects Loop with Level Independent Level Control
MX821
8 Ch (1U) Mic/Line Mixer w/ Tone
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Eight Independent Input Channels
Level and Tone Controls on each Channel
Balanced XLR and 1/4-inch Unbalanced Line Inputs on
each Channel
48 Volt Phantom Power on XLR inputs with DIP Switch
for each Channel
Balanced TRS 1/4-inch Main Output Jack with Master
Level Control
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RCA-type Pre-Fade Output (Not Affected by Master
Level Control)
RCA-type Aux Buss Input Jack for Channel
Expansion
Solid Single High Rack Mount Chassis with Built In
Power Supply
Page 9 of 17
MX225
Mx225 Zone Distribution Mixer
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Left and right balanced Source 1 and 2 Inputs, accepts
stereo or mono signal sources
Source 1 and 2 input channels are internally routed to all
five Zone channels
Five Zone channels each feature Source 1 and 2 level
controls and left and right balanced output XLR
connectors
Stereo/Mono selector on each zone sums left and right
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into Mono mode when engaged
Mono indicator LED on each zone channel
indicates that mono has been selected
Five LED level metering (-25, -20, -15, -10, Clip)
on each zone channel indicate signal activity for
each zone
Source 1 and 2 indicator LEDs show you when
signal is present in each source channel
MacroMIX
Four Channel Personal Mixer
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Four input channels, Ch.1 and 2 have dual L/R RCA inputs, Ch 3 there is the choice
of one 1/4-inch or dual L/R RCA inputs and Ch. 4 has a 1/4-inch Unbalanced input.
Four Level Controls, One for each Channel
Dual mono RCA Output Connectors
1/4-inch line Out/Mono Headphone Output Jack
Active Pre-amplification and Mixing Circuitry
Included PSU
PowerMIX III
Three Channel Personal Stereo Mixer
v Three input channels each with their own pan and level control
v Three sets of 1/4-inch left & right Unbalanced inputs
v The Left input may be used for Mono Signal
v Master level control, regulates all three channels
v Left & Right Unbalanced 1/4-inch
v The Headphone channel features Dual TRS 1/4-inch outputs so two sets of
headphones can be connected at once. Headphone level controls both outputs
v Included PSU
ProMIX
Three Channel Microphone Mono Mixer
v 3 low-impedance XLR Microphone channelsvseparate level control
v separate phantom on/off switchv3 low frequency cut on/off switches
v Low-impedance transformer balanced XLR line outputv Mono 1/4-inch Phone/Aux
Ouput
v Clip LED
v On/Off Power switch with LEDvIncluded PSU
MyMONITOR
Personal Headphone Monitor Mixer
v Problem: A Performer needs to hear themselves through headphones exclusively or
mixed with the output of a mixer,CD player,tape deck, or other stereo line level
source.Only the microphone signal,however,should begoing to the main mixer.
v Solution: Connect MyMonitor between the microphone and line source and the mixer.
The Mic and line monitor levels can then be adjusted for mix and volume through the
headphones. Only the microphone signal will go to the mixing desk.
v Can be 9V battery powered from external PSU
v Dynamic or Condenser mic's can be used as phantom power from mixing desk will
be rerouted though the Mic Thu jack.
Page 10 of 17
HeadAmp6 Pro
6 Ch. Headphone Amp
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Six Independent High-Power Headphone Amplifier
Channels
Dual Function Balance/Mix Control per Channel
Front Panel Stereo Aux Input for each Channel
Multiple Monitoring Settings per Channel
Individual Output Level Control per Channel
Precision Four Segment LED Metering Per Channel
Master Volume Control w/ Eight Segment LED
Metering
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Front Panel Direct In Jack
One Front and Two Rear Mounted Headphone
Jacks per Channel
Connects and Drives up to 18 Headphones
Simultaneously
XLR and 1/4" Main Inputs and Outputs
Parallel Main Outputs for Multiple Unit Use
HeadAmp6
6 Ch. Headphone Amp
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Six Independent High-Power Headphone Amplifier
Channels
Dual Function Balance/Mix Control per Channel
Front Panel Stereo Aux Input for each Channel
Multiple Monitoring Settings per Channel
Individual Output Level Control per Channel
Precision Four Segment LED Metering Per Channel
Master Volume Control w/ Eight Segment LED
Metering
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Front Panel Direct In Jack
One Front and Two Rear Mounted Headphone
Jacks per Channel
Connects and Drives up to 18 Headphones
Simultaneously
XLR and 1/4" Main Inputs and Outputs
Parallel Main Outputs for Multiple Unit Use
HeadAMP 4
Eight Output Stereo Headphone Amp
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Four output channels with individual volume control
Four Stereo 1/4-inch plus four stereo 1/8-inch TRS output
Stereo 1/4-inch and parallel 1/8-inch inputs
Handles line level or Headphone level inputs
HeadTAP
Headphone Tap
v
v
HeadTap Provides quick and convenient tapping facilities to permit powering
headphone directly from an amplifier
Dual parallel 1/4-inch stereo/mono input jacks permit daisy-chaining taps and/or
speakers
Page 11 of 17
Transformers/DI's/Patchbays
DTI
Dual Transformer/Isolator
v Isolates two systems to reduce ground loop hum & noise
v Pair of high performance transformers to separate input and output signals
v Dual XLR, RCA, 1/4-inch inputs/outputs
v 1:1 unity gain
v Clean Neutral Sound
v Flat Frequency Response
v Can handle high signal levels
T8
8 Channel Transformer / Isolator
v
v
v
v
v
v
v
High-quality, passive audio interface
8 high performance transformers
XLR, 1/4" phone, and RCA type phono connections on
all inputs and outputs.
Reversible rack mount ears
Separate input and output signal grounds reduce hum
Audio transformers have an extremely flat and wide
frequency response
Very clean and neutral sound with a wide variety of
v
v
v
signal sources
Can be used for signal taps or as a signal splitter
Use as a safer connection between two audio
systems (ie: Computer workstation or monitor
system)
19" 1U black all steel case
dPDB
PDB
Dual Passive Direct Box
Passive Direct Box
v High Quality DI boxes
v Switchable Input Attenuation (0dB, -20dB, -40dB)
v 50k ohm instrument input with 50k ohm parallel Link Jack
v 600 ohm XLR output jack
v Switchable ground lift
v Extra thick, all steel construction
DADB
Dual Active Direct Box
v
v
v
v
v
v
Fully Active Design
Operates on Phantom Power or 9V Battery
Converts High-Impedance Balanced / Unbalanced
Inputs Into 600 Ohm Balanced Outputs
Switchable Input Attenuation (0, -20, -40 dB)
Independently Switchable Low Pass Filter on each
Channel
Independently Switchable Phase Invert on each
Channel
v
v
v
v
Independently Switchable Ground Lift on each
Channel
¼-inch TRS Connector Inputs and Thru Connections
XLR Connectors for Balanced Outputs
Rugged Steel Case
Page 12 of 17
Zdirect™
Professional Passive Direct Box
v
v
v
v
v
v
v
v
High quality passive DI box using a high performance audio isolation
transformer.
1/4-inch jack input and through connectors
Input attenuation switches
Link jack to be used as loop-though
Isolated balanced XLR output
Ground lift switch, switchable low pass filter
Phase invert switch
Passive device - no power needed
Xdirect™
Professional Active Direct Box
v
v
v
v
v
v
v
High quality DI box with very low noise active electronics
1/4-inch & XLR inputs
Input attenuation switches
Link jack to be used as loop-through
Isolated balanced XLR output
Ground Lift switch, switchable low pass filter, Phase invert switch
Powered by 9V battery or phantom power
DUALZDirect™
Dual Professional Passive Direct Box
v
v
v
v
v
v
v
v
v
v
v
Fully passive, high performance transformer design. No
battery required
Converts 50k Ohm inputs into 600 Ohm balanced outputs
Switchable input attenuation (0, -20, -40 dB)
Switchable low pass filter
Switchable phase invert
Switchable ground lift (fully isolates inputs from chassis
and outputs)
XLR connectors for balanced outputs
Rugged extruded aluminum case
Frequency Response: 10 Hz - 50 kHz, ± 0.5 dB @ +4
dBu
THD: 0.01% typical @ 1 kHz, +18 dBu / <.05% @ 100
Hz, +18 dBu
Channel Separation: > 80 dB (typical)
v
v
v
v
v
Input Connections: 1/4" TRS unbalanced (2), 50 k Ohm
Thru Connections: 1/4" TRS (2)
Output Connections: XLR male (2), 600 Ohm
Input Attenuation: Switchable, (0, -20, -40 dB)
Filter Type / Response: Switchable, low pass, -3 dB @ 30
kHz
v Dimensions (DWH inches): 3.9 x 4.6 x 1.85
v Dimensions (DWH mm): 99 x 117 x 47
v Weight: 0.88lbs / 0.40kg
DUALXDirect™
Dual Professional Active Direct Box
v
v
v
v
v
v
v
v
v
v
v
v
v
v
Fully active design
Phantom voltage or 9V battery powered
Converts high-impedance balanced / unbalanced inputs
into 600 Ohm balanced outputs
Switchable input attenuation (0, -30 dB)
Switchable ground lift
1/4" TRS / XLR combo connector inputs
XLR connectors for balanced outputs
Rugged extruded aluminum case
Frequency Response: 10 Hz - 100 kHz, ± 0.5 dB @ +0
dBu
THD: <.05% (typical)
Dynamic Range: >100 dB (typical)
Channel Separation: > 80 dB (typical)
Maximum Input Level: +4, +34 dBu
Maximum Output Level: +6 dBu (battery powered), +14
dBu (phantom powered)
v
v
v
v
v
v
v
v
Input Connections: 1/4" TRS | XLR female balanced
/ unbalanced (2), 470k Ohm
Thru Connections: 1/4" TRS (2)
Output Connections: XLR male balanced (2), <600
Ohm
Input Attenuation: Switchable, (0, -30 dB)
Power Requirements: 9V @ 7.5 mA (battery, alkaline
recommended), 18 - 48V DC @ 6.4 mA (phantom
power per channel)
Dimensions (DWH inches): 3.9 x 4.6 x 1.85
Dimensions (DWH mm): 99 x 117 x 47
Weight: 0.84 lbs / 0.38 kg
Page 13 of 17
AV Direct
Audio/Video Direct Box
v
v
v
v
v
v
Transformer isolated XLR microphone level output
20 to 20,000Hz Frequency Response
Stereo RCA, 1/8th-inch & 1/4-inch TRS line level inputs
1/4-inch & Pressure Clip Speaker level inputs
Variable Level Control
Switchable 4.8kHz high cut filter
v
v
Ground Lift
Balanced 150 ohm output
Dual RDB
v
v
v
v
v
Dual ¼-inch TRS and XLR balanced line level inputs
Transformer isolated XLR balanced microphone level
outputs
Transformer isolated ¼-inch TRS balanced instrument
level outputs
20Hz to 20kHz Frequency Response
Variable Level Controls with Mute
v
v
Channel Two source selectable between Channel
One or Channel Two Input
Channel Two output phase switch
v
v
v
Passes phantom power from main mixer
Individual ground lift on each channel
Individual pad switch on each channel
v
v
v
Extremely low voltage insertion loss
Reversible rack ears for added system flexibility
Live Sound, Permanent/Fixed install, Studio
applications
S8
Eight Channel Mic Splitter
v
v
Ideal solution for splitting microphone sources to
feed multiple mixing consoles
Fully transformer isolated
S8-3Way
Eight Channel Three-Way Mic Splitter
v
v
v
v
v
High quality passive interface
Eight high performance transformers
One direct and two transformer isolated output per
channel
Balanced XLR input and 3 balanced XLR per channel
Extremely wide frequency response
SPLITMix4
Four Channel Passive Splitter/Mixer
v
v
v
v
v
Four Stereo Input Channels
Stereo Output
Independent stereo level controls are provided on each channel
Passive Design (No Power Supply Required)
Over 90dB of Attenuation
ProSplit
Transformer Isolated Mic Splitter
v One direct output and one transformer isolated output from a single mic
v Phantom power passes through to the direct output
v Ground lift switch on the isolated output
v Pad switch on the input
Page 14 of 17
SplitCOM
Microphone Splitter/Combiner
v Two functions in one box-comine and/or split
v Provides one direct coupled output and one isolated output from a single mic or
one output from two microphones
v Low distortion with wide frequency response.
v Phase invert switch for subtractive combining
v Phantom power passes on the main signal path
v Galvanic isolation to block phantom power from isolation channel
v Ground lift switch
P16
XLR Balanced Patch Bay
v
v
v
v
v
16 channels of balanced direct signals
High quality passive interface
XLR connectors (female on front, male on rear)
All connections made via reliable PCB wiring
19-inch 1U-high rack mount with rugged, fully
shielded black all-steel enclosure
v
v
Reversible rack ears for added system flexibility
Three year warranty
P48
48 Point Balanced Patch Bay
v
High quality passive interface with 48 balanced inputs and
outputs over TRS balanced phone jacks
v Reliable PCB wiring
v Fully shielded black all steel enclosure with reversible rack ears.
v 19-inch, 1RU
Xpatch
Three Channel XLR Balanced Patch Bay
v
v
v
v
Three channels of balanced direct signals
High quality passive interface
XLR connectors (female on front, male on rear)
All connections made via reliable PCB wiring
v
v
Rugged extruded aluminum case
Three year warranty
Tpatch
Eight Point Balanced Patch Bay
v
v
v
v
High quality passive interface with 8 balanced inputs and outputs over
TRS balanced 1/4-inch jacks
Reliable PCB wiring
Common mode rejection: 90 dB typical
Channel separation: 80 dB typical
Page 15 of 17
Microphones
M-One
Cardioid FET Condenser Microphone
v
v
v
v
Warm, Extremely Smooth-Sounding Design
32mm Gold Sputtered Diaphragm
Extremely Wide Dynamic Range With Low Noise Floor
Hard-tail Microphone Standmount Included
M-One/USB
Cardioid Condenser USB Microphone
v
v
v
v
v
v
Studio Quality 32mm Gold Sputtered Cardioid Capsule
USB 2.0 / 24Bit / 48kHz AtoD Conversion
Integrated Stereo Headphone Output with Level and
Mix Controls
Compatible with Windows 2K, WindowsXP, Vista, Linux
or Mac OS-X Operating Systems
Rugged Zinc/Aluminum Chassis & Stainless Steel Wire
Mesh Windscreen
Hard-tail Microphone Standmount Included
M-Two
Cardioid FET Condenser Microphone
v
v
v
v
Wide Diaphragm Cardioid Studio Condenser
Microphone
Dual Position -6dB & -12dB Pad Switches
Dual Position -12dB/Octave 100Hz & 200Hz Low
Frequency Roll-Off Switch
Extremely Wide Dynamic Range
v
Extremely Warm, Smooth-Sounding Low Noise
Circuit Design
Dual 32mm Low Mass Gold Sputtered Diaphragm
Capsule
Aluminum Carrying Case & Deluxe Cradle
Shockmount Included
v
v
M-Three
Multi-pattern FET Condenser Microphone
v
v
v
v
Selectable Polar Patterns (Omni-Directional,
Cardioid & Figure-8)
Dual Position -6dB & -12dB Pad Switches
Dual Position -12dB/Octave 100Hz & 200Hz Low
Frequency Roll-Off Switch
Extremely Warm, Smooth-Sounding Low Noise
Circuit Design
v
v
v
Extremely Wide Dynamic Range
Dual 32mm Low Mass Gold Sputtered Diaphragm
Capsule
Aluminum Carrying Case & Deluxe Cradle
Shockmount Included
M-Four
Multi-pattern Tube Condenser Microphone
v
v
v
v
Upgraded High Performance Gold Sputtered Dual
Diaphragm Capsule
9 User Selectable Polar Patterns (Including
Omnidirectional, Cardioid and Figure-8 Positions)
-10dB Pad Switch and Low Frequency Roll-off Switch
on Mic Body
Discrete Low Self-Noise Tube Circuit Design
v
v
v
v
v
Low Noise Constant Voltage
External Power Supply
7-pin XLR Cable Included
Heavy-Duty Cradle Shockmount
Mount for Increased Stability &
Isolation
Microphone in Protective Fitted
Microphone Box
Aluminum Carrying Case
Page 16 of 17
M-Five
Ribbon Microphone
v
v
v
v
v
v
v
v
Low-Mass Aluminum Ribbon Element
Figure-8 audio directionality with extended sweet spot
Extremely Natural Sounding - Ideal for Critical Vocal & Instrument Tracking
Easily handles ultra-high sound pressure levels (up to148dB)
Fast accurate transient response with stunning realism
Low residual noise
No power supply required
Aluminum Carrying Case & Deluxe Cradle Shockmount Included
M-Six Stereo
Pencil Condenser (Matched Pair)
v
v
v
v
v
v
v
Package Contains Two M-Six Cardioid Pencil
Condenser Microphones
Matched for Perfect Stereo Imaging
Ideal Microphone for Recording Critical Instrument
Tracks
Wide Dynamic Range with Low Distortion
Characteristics
Extremely Smooth Frequency Response with
Controlled Presence
Three Position 0dB, -10dB & -15dB Pad Switches
Three Position Flat, -12dB/Octave at 75Hz & 150Hz
Low Frequency Roll-Off Switches
v
v
v
v
Low Susceptibility to RFI and
Electromagnetic Interference
Flat Black Low Reflectivity
Powdercoated Finish
Deluxe Custom Designed Compact
Shockmounts Included
Packaged in Rugged Aluminum Carry
Case
Page 17 of 17
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