Audio Catalog 004-025
STUDIO MICROPHONES
BLUE
NEUMANN
#BLBM
BLUEBERRY
99900
$
Derived from the famous U87, the
affordable TLM103A (anniversary edition)
is a large diaphragm, cardioid condenser
microphone. It’s well-balanced performance
and extremely low self-noise make it the
mic of choice for virtually all recording,
broadcast and production applications.
• Excellent noise rejection
• Internal shock mount reduces handling
noise
• Transparent audio reproduction
• 138dB SPL
• 20Hz-20kHz frequency response
• Aluminum case (included)
• Outstanding for vocal,
voice-over and acoustic
instrument recordings.
• Custom designed and
hand-built components
• Excellent low level presence
• Extremely well-balanced
response characteristics
• Discrete Class-A circuitry
for low-noise handling
• 133dB SPL
• 20Hz-20kHz frequency
response
• Cherry-wood case included
SHURE
KSM 32SL
• Built-in pop-filter
• Switchable low-frequency filter
• 48V phantom powered
• 15dB pad
• 139dB SPL
• 20Hz-20kHz frequency response
59900
$
The RODE NT2000 is the world’s
first continuously variable
control microphone. Its polar
response, filter adjustments and
pad attenuation greatly enhance
overall control and performance
flexibility, while the newly
designed capsule diaphragm
provides the warm, detailed
sound and excellent transient
response necessary for a variety
of recording applications.
CAD
www.bhproaudio.com
•
#CAE1002
E100
2
29900
$
The CAD Equitek E1002 is a high-quality
super-cardioid electret condenser microphone
designed with unique servo-controlled circuitry
that supplies the additional power needed for
capturing even the most demanding sound
sources with remarkable transparency and detail.
• Large-diaphragm condenser
mic with variable polar, pad
and filter controls
• Very wide dynamic range for
multiple recording
applications
• Active electronics with FET
impedance converter
• 147dB SPL
• 20Hz-20kHz frequency
response
• Shock mount and molded
case included
4
#SHKSM32SL
49900
$
Ideal for both studio and live sound applications, the
Shure KSM 32 is a ruggedly built, large diaphragm
cardioid condenser microphone. Its Class-A circuitry
and extended “sweet spot” delivers a smooth, detailed
response, making it well-suited for recording sources
from piano to percussion or violin to vocals.
#RONT2000
NT2000
#NETLM103A
114999
$
TLM103A
The Blueberry is a unique, precision-engineered,
large-diaphragm cardioid condenser
microphone with an open natural
response tailored especially for
vocals. Its hand-built capsule
and discrete low-noise circuitry
provides the shimmering
detailed highs, smooth mids,
and articulated low-end desired
by professional musicians and
engineers.
RODE
(LARGE DIAPHRAGM)
• Ideal for multiple recording purposes
especially kick drum, guitar amps and vocals
• Unique servo design incorporates both
internal batteries and external 48V
phantom power to enhance performance
• Transformerless design for lower noise
• 148dB SPL (with 20dB pad engaged)
• 10Hz-18kHz frequency response
®
®
®
(LARGE DIAPHRAGM)
STUDIO MICROPHONES
AKG
STUDIO PROJECTS
C1
C414 B-XL II
#STC1Q
19999
$
• Ideal for vocals and acoustic instruments
• Transformerless low-noise design
• 10dB pad with high-pass filter
• 142dB SPL
• 20Hz-20kHz frequency response
• Case, shock-mount and windscreen included
AUDIO TECHNICA
#AUAT4050
59900
$
AT4050
The AT4050 is a multi-pattern condenser microphone
designed to provide years of high-quality performance in any
recording environment. Its transformerless design and
“extended life” dual-diaphragm capsule produces a warm
detailed response with virtually no low-end distortion.
• Switchable Cardioid, Omni and Figure-of-Eight patterns
• Gold diaphragm aging process for extended
performance life
• Transparent upper and mid-range frequencies
• Switchable high-pass filter with 10dB pad
• 149dB SPL
• 20Hz-18kHz frequency response
C3000B
#AKC3000B
29900
$
The AKG C3000 B is a large-diaphragm cardioid condenser microphone
built for both studio and live performance use. Its special capsule tuning
allows a pleasing, smooth sound with a slight presence boost to add
“air” to both vocal and instrument recordings. Capable of handling very
high source levels without clipping, the C3000 B effectively reduces
unwanted noise while providing the signal-to-noise ratio needed by
project studio engineers who want “present” and “up front” takes.
99900
The AKG C414 B-XL II is the
next generation of legendary
C414 microphones.
With improved electronics
and greater versatility, the
XL-II sets a new benchmark
for all other studio
microphones.
The Studio Projects C1 is an extremely versatile
large-diaphragm cardioid condenser microphone
with a rich smooth tone and open detailed response.
It clearly represents a breakthrough for both project
and professional studios in search of a high-quality
microphone at an affordable price.
AKG
#AKC414BXL2
$
• High sensitivity and
extremely low self noise
• Five switchable polar
patterns for placement
and application flexibility
• Unique elastic capsule
suspension greatly
minimizes noise from
chassis vibration
• Two-color LED’s provide
quick visual indication of
selected polar pattern and
output overload
• 20Hz-20kHz frequency response
• Professional shock mount, popfilter and windscreen provided
BLUE
#BLBBMSP
BABY BOTTLE
59900
$
WITH SHOCK-POP
Using design elements of the acclaimed Bottle mic
system, the Baby Bottle is a solid-state, Class-A
discrete condenser microphone that employs the
styling, attention to detail, and hand-crafted quality
Blue is famous for. The precision-machined, goldsputtered capsule has a fixed cardioid pattern and is
enclosed in a “Lollipop” spherical grille.
The versatile Baby Bottle
has a high-output level with
low self-noise, providing a
natural, uncolored response
that’s particularly effective for
vocals, acoustic instruments,
and hand percussion.
• Solid-state, Class-A
discrete circuitry
• High sensitivity and
extremely low self-noise
• Tailored frequency response
for improved vocal presence
• 133dB SPL • 20Hz-20kHz
frequency response
• Includes: Shock mount and
pop filter, protective pouch,
cherrywood box
• Ideal for lead vocals and high-volume instrument sources
such as guitar amps, brass and percussion
• Clean, transformerless design with smooth, wide dynamic range
• Internal and external “spider” suspension for increased noise
reduction • Smooth low-frequency rolloff and 10dB pad
• 150dB SPL (pad engaged) • 20Hz-20kHz frequency response
212.502.6360
•
Toll Free:
800.416.5090
5
STUDIO MICROPHONES
NEUMANN
SE ELECTRONICS
#NEU87AISZ
U87AI/SET Z
284999
$
• Transformerless FET circuit for a clean, transparent tone quality
• Slight high-frequency boost tailored to enhance vocal response
• 10dB pad and 100Hz low-cut filter
• 125dB SPL
• 20Hz-20kHz frequency response
• Includes rugged aluminum shock mount and flight case
AUDIO TECHNICA
AT4040
#AUAT4040
29900
$
The Audio-Technica AT4040 is a large-diaphragm cardioid condenser
microphone designed to offer full-range detail at an affordable price.
Providing newly improved electronics and a transformerless design, the
character of the AT4040 is full and round with the transient response and
high source level handling capabilities needed for all-around sourcecapturing capabilities. A perfect do-it-all first mic for project studios, the
AT4040 delivers the performance of microphones costly significantly more.
#RONT2A
39900
$
• Full, detailed sound with enhanced presence for additional
“sparkle” and “sheen”
• Sensitive capsule with fast transient response and high volume handling
capability • Ideal all-purpose vocal and instrument microphone
• 80Hz high-pass filter and 10dB pad • 155dB SPL (pad engaged)
• 20Hz-20kHz frequency response
The RODE NT2A is a highquality, large dual-diaphragm
multi-pattern condenser
microphone, with superior
electronics that provide ultralow noise performance.
Its fixed variable pad, pattern
and filter adjustments provide
the flexibility and control
needed by musicians and
recording engineers.
M-AUDIO
LUNA
www.bhproaudio.com
•
#MALCM
19900
$
The unique, sturdy design of the M-Audio Luna
makes this quality large-diaphragm condenser a
versatile microphone for a variety of studio recording
applications. The well-built Luna utilizes a large brass
capsule and modern Class-A electronics delivering a
flat, smooth sound that accurately represents what
you put into it.
• Variable Pad, Pattern and
Filter adjustments made
from the mic
• Acoustically modeled solid
cast metal housing
• Polar patterns include:
Cardioid, Omni and Figure 8
• High-strength steel mesh
head
• Internal capsule shock
mounting
• 157dB SPL (pad engaged)
• 20Hz-20kHz frequency
response
6
33915
With lower noise electronics and a better signal-to-noise ratio, the Studio
Electronics SE2200A is an affordable large-diaphragm cardioid condenser
microphone that improves upon its already well-received predecessor, the
SE2200. Featuring a clear and lively sound that’s slightly “lifted” (bright)
in the upper range, the SE2200A delivers the characteristic response
needed by both project and professional studios searching for uncolored
vocal and acoustic instrument recordings that are both “up front” and
“present” in the mix.
• Its sound has made it a
favorite on vocal, string
and piano recordings
for years
• Multiple selectable
patterns for
recording
flexibility
• Improved sensitivity
for better signal-tonoise ratio
than original U87
• Transformerless
design for ultra-low
noise operation
• 10dB pad
• 117dB SPL
• 20Hz-20kHz
frequency response
NT2A
#SESE2200A
$
SE2200A
The legendary U87, known for its warm, rich sound,
and precision engineering, is perhaps the world’s
most widely used large diaphragm, condenser studio
microphone. And, when making a professional
studio investment, considered
the piece to buy.
RODE
(LARGE DIAPHRAGM)
• Transparent Class-A design with high sensitivity
and lower noise operation
• Well suited on guitar amps, vocals and percussion
• Unique, sleek design with sturdy chassis
• 130dB SPL
• 20Hz-20kHz
• Hard case and shockmount included
®
®
®
STUDIO MICROPHONES
(LARGE DIAPHRAGM)
AUDIO TECHNICA
AUDIX
39900
$
The Audio-Technica
AT3035 is an
affordable high
performance largediaphragm
condenser
microphone. Its
crisp, clear highs
and robust lows
make the versatile
AT3035 a great
choice for use
in project and
home
studios.
Engineers and musicians alike will appreciate the versatility of the Audix
CX-112. This large-diaphragm cardioid condenser microphone features
a warm, large sound and a durable, high-quality build for both live and
studio recordings. Capable of handling high sound pressure levels while
still maintaining very low-noise performance, this impressive utilitarian
mic provides the airy, open highs and smooth, extended lows associated
with condenser mics significantly more expensive.
• Capsule internally shock-mounted on silicon rubber support
• Sturdy, perforated black steel grill provides better transparency
and capsule protection
• 10dB pad and bass roll-off filter
• 145dB SPL (pad engaged) • 20Hz-20kHz frequency response
• Foam-lined rosewood case and hard mount metal stand adapter included
NEUMANN
#NETLM127SZ
TLM127 SET Z
194999
$
The Neumann TLM127 is an extremely quiet and transparent professional
large-diaphragm condenser microphone. With both omni-directional and
cardioid pickup characteristics, this excellent-sounding utilitarian studio mic
is designed with exceptional subsonic response and ultra-smooth extended
highs, making it perfect for capturing the sonic “thump” of percussion and
detailed brilliance of guitars and vocals.
• Unique power supply allows remote control of selectable omni and
cardioid patterns (wide-angled cardioid, hypercardioid and figure-8)
• Highly-versatile high-end design for both professional studio and
broadcast facilities
• 14dB pad and selectable high-pass filter switch
• 140dB SPL • 20Hz-20kHz frequency response
• Includes EA-1 suspension mount and wooden box
BEHRINGER
B-2 PRO
19900
AT3035
#AUCX112
CX-112
#AUAT3035
$
• Wide dynamic
range
• Low self noise
• Low-cut switch and
10dB pad
• 148dB SPL
• 20Hz-20kHz frequency response
• Custom shock mount and protective
pouch provided
SAMSON
#SACO3
9999
$
CO3
The Samson CO3 is an
ideal first microphone
for multi-purpose
recording. With a
crisp, clean response
and large-diaphragm
low-noise element, this
multi-pattern mic
provides users the
tools and flexibility
needed for any
recording scenario.
#BEB2PRO
14999
$
The B-2 Pro is a large-diaphragm multi-pattern condenser microphone
with features found mostly on more expensive microphones. Combined
with its flexible patterns, pad, and filter adjustments, the mic’s clarity
and slightly enhanced high-end presence provides musicians and
engineers with the control and sonic characteristics required for quality
recordings at an affordable price.
• Supercardioid, Omni,
and Figure-8 patterns
available
• Ideal for vocals and
percussion
• 10dB pad and 100Hz
hi-pass filter
• 142dB SPL
• 40Hz-18kHz
frequency response
• Ideal for vocal or multi-purpose instrument recordings
• Transparent low-noise FET circuit design with wide frequency response
• 10dB pad and 150Hz low-cut filter
• 148dB SPL (pad engaged)
• 20Hz-20kHz frequency response
• Heavy-duty suspension mount, windscreen and case included
212.502.6360
•
Toll Free:
800.416.5090
7
STUDIO MICROPHONES
M-AUDIO
CAD
#MANCM
9995
$
NOVA
An ideal multi-purpose studio microphone, the large-diaphragm
dual-sided CAD M179 features a continuously variable condenser
element that’s ideally suited for both vocal and instrument
recordings. The improved, sophisticated electronics are capable
of capturing complex musical detail with lower noise and better
dynamic balance than microphones significantly more expensive.
Flexible and versatile, the M179 provides engineers a high-quality
microphone for everyday studio use.
• Smooth, continuously variable pattern selection
• Advanced internal amplifier circuit performance that competes
with higher-end designs
• Ideal for both solo and ensemble instrument/vocal recordings
• Built-in pad and high-pass filter
• 143dB SPL (pad engaged)
• 10Hz-20kHz frequency response
• Outstanding value for
discrete Class-A circuitry
in a large-diaphragm
condenser mic
• Solid brass capsule
• Wire mesh grille and body, all
brass w/silver nickel plating
• 128dB SPL
• 20Hz-18kHz frequency
response
• Includes hard mount
and soft case
AT2020
#CAM179
19999
$
M179
The large-diaphragm cardioid
condenser M-Audio Nova is a
cost-effective solution to
achieving recording results
previously attained by higher
cost designs. Class-A
electronics and effective
source isolation help deliver a
smooth, wide frequency
response with an improved
signal-to-noise ratio, ideal for
vocals and other home/project
studio recording applications.
AUDIO TECHNICA
(LARGE DIAPHRAGM)
BLUE
DRAGONFLY
79900
The Dragonfly is a cardioid condenser microphone employing Blue’s handbuilt large-diaphragm capsule, discrete Class-A circuitry, and a rotating
spherical grille, allowing for an almost infinite number of placements, key
for unmatched fine tuning and delivering consistent takes with outstanding
depth, definition, and focus. An excellent choice for studio engineers seeking
clearly professional results, correct placement of the Dragonfly produces
exceptionally focused percussion, instrument, and vocal recordings.
#AUAT2020
• Unique design with integrated shockmount and spherical grille provides
superior versatility, focus, and detail
• Great imaging and slight high-end/low-end boost delivers ideal tone for
electric guitar, pop/R&B vocals, and percussion overhead recordings
• Hand-built with high-quality workmanship
• Effectively controls high-volume sources without overload
• 132dB SPL • 20Hz-20kHz frequency response
9900
$
The AT2020 is an affordable cardioid condenser
microphone that truly pushes the price/performance
envelope. Designed for most home studio recording
applications, the AT2020 effectively isolates source
signals while providing a fast transient response and
high sound pressure handling
capabilities, making it a wellbalanced, quality multipurpose microphone.
SE ELECTRONICS
Z5600A
• Low-mass diaphragm
provides wide dynamic
response for multiple
recording applications
• Open, acoustic design reduces
resonance and handling noise
• Cardioid pattern isolates
source signal
• 144dB SPL
• 20Hz-20kHz frequency
response
www.bhproaudio.com
•
#SEZ5600A
76415
$
A multi-pattern tube condenser microphone, the versatile
Z5600 utilizes a capsule larger than a typical large
diaphragm microphone. This unique enlarged design,
along with tube circuitry, provides higher sensitivity, better
low-end, and a warm detailed response, making the Z5600
an affordable option with high performance features. A
wooden presentation box, aluminum flight case, shock
mount, and power supply with pattern switching and
cables are included.
• 9-point selectable polar patterns
• 48V phantom powered
• 130dB SPL
• 20Hz-20kHz frequency response
8
#BLDM
$
®
®
®
(LARGE DIAPHRAGM)
STUDIO MICROPHONES
BLUE
AUDIO TECHNICA
CACTUS
#AUAT3060
49900
$
AT3060
With a warm, wonderful presence and
slight mid-range boost, the BLUE
Cactus delivers the tonal characteristics
required for its specialty, professional
lead vocal recordings. This uniquely
designed large-diaphragm tube
condenser microphone utilizes a multipattern version of Blue’s hand crafted and
tested B7 capsule and vintage Class-A
discrete tube amplifier circuitry. Ideal for
high-end studios, the Cactus faithfully
reproduces crisp, detailed drums and
percussion while maintaining the smooth
airy highs and tight full lows desired for a
variety of acoustic instrument recordings.
Featuring the warmth of tube technology and similar articulation of smallcapsule designs, the AT 3060 is a large-diaphragm cardioid
tube condenser microphone with a naturally flat, smooth
high-end response ideal for detailed instrument and vocal
recordings. Requiring only phantom power and no special
external power supply, the AT 3060 makes an ideal choice for
on-stage and studio recordings where a well-balanced, detailed tone
combined with discrete appearance and convenience is of top priority.
• Ideal for vocal and string instruments producing a warm, well-balanced
open response • Excellent noise rejection due to a tight cardioid pattern
and highly-sensitive element • No dedicated power supply or special cable
needed, runs on 48V DC phantom power • Open acoustic design and
internal shock mount for reduced resonance and handling noise
• 134dB SPL • 50Hz-16kHz frequency response
AKG
#AKSOLIDTUBE
99900
$
SOLIDTUBE
Combining the clarity of solid-state power circuitry with the warmth of an allvalve signal path, the AKG Solidtube is a well-built large-diaphragm cardioid
condenser microphone designed to be a superior vocal and acoustic instrument
mic. Providing a well-balanced, smooth sound that could described as “sweet”
and slightly compressed, the Solidtube actually benefits from its proximity
effect, producing warm, intimate results without being muddy or uncontrolled.
• Smooth, detailed tone with pleasing full-range balance
• Dual technology design provides lower-noise operation and warm “larger
than life” sound
• Gound-lift switch and 100Hz low-cut switch on separate power supply
• 20dB pad • 145dB SPL (pad engaged)
• 20Hz-20kHz frequency response
• Well-designed shockmount and rugged carrying case included
RODE
K2
#BLCM
249900
$
• Remote selectable Cardioid, Omni, and Figure-8
patterns available with variations in between (9 total)
• Tone tailored for vocals, but with the fast transient
response and high-end detail required for high-quality
percussive and acoustic instrument recordings
• Soft Start feature assures tube longevity and circuit
stability • Transformer designed to match tube for
lower noise and superior transparency • 130dB SPL
• 20Hz-20kHz frequency response
• Includes Series 1 Shock/Pop kit, ATA Flight Case,
Champagne Tube Mic Cable, Power Supply
AKG
#AKC12VR
C12VR
499995
$
Legendary for its warmth, clarity and
presence, the meticulously engineered
AKG C12 has been faithfully restored
with the C12 VR (Vintage Re-Issue).
While maintaining the exact unique twin
diaphragm capsule design and 6072A
vacuum tube, AKG utilized new
manufacturing standards to provide a
higher level of consistency and
performance for today’s high-end digital
studios. A most sought after vocal mic,
the C12 features multiple polar patterns
with six remotely selectable variations,
making it equally desirable for solo and
ensemble instrument recordings.
#ROK2
69900
$
Combining the sound of vintage tube microphones, the tube condenser RODE
K2 produces a smooth, extended high-end, fat, round midrange, and solid, full
low-end response from its large-diaphragm element. Its continuously variable
pattern and high-level handling capability allows the versatile K2 to reproduce
sounds from the subtle nuances of finger picking and bowing to thumping
guitar amps and booming percussion. In the studio or on stage, the K2 gives
musicians and engineers the warm presence and dynamic performance
required for truly professional recordings.
• Vintage re-issue of the famous dualdiaphragm vacuum tube C12
• Multiple patterns (nine total) remotely
controlled with silent switching
• Internal microphone switching
provided for pre-attenuation of -10dB,
-20dB, and 10dB boost
• 128dB SPL
• 30Hz-20kHz frequency response
• Professional flight case, shock mount,
and pop filter included
• Class-A circuitry with a full, round tone and improved capsule and diaphragm
technology • Multiple recording applications via continuously variable pattern
adjustments from Cardioid to Omni, to Figure-8 • Extremely high sound pressure
level handling capabilities • 162dB SPL • 20Hz-20kHz frequency response
• SM2 shock-mount, power supply with 9-pin cable, and hard-shell case included
212.502.6360
•
Toll Free:
800.416.5090
9
STUDIO MICROPHONES
SHURE
(SMALL DIAPHRAGM)
#SHSM81LC
SM81 LC
34900
$
The Shure SM81 LC is a high-quality small diaphragm,
cardioid condenser microphone designed for studio
recording, broadcasting, and sound reinforcement. The ruggedly
constructed SM81 LC can also serve as a field recording mic with
consistent performance over a wide range of temperature and humidity
conditions. Its flat, neutral frequency response, make it particularly
well-suited for use on acoustic guitar, piano, cymbals and choirs.
• Requires 48V phantom power
• Selectable low-frequency rolloff
• 10dB lockable attenuator switch
• Ruged steel construction for
durability
• 131dB SPL
• 20Hz-20kHz frequency response
• Carrying case, windscreen, swivel
adapter and attenuator-switch
lock (included)
DPA
#DP4006TL
155995
$
4006-TL
The DPA 4006-TL is an
extremely linear small-diaphragm omni-directional microphone that
combines a new highly sensitive transformerless design with the flexible
option of adding up to seven different acoustic pattern modifications.
Known for its truly neutral and precise sound quality, the 4006 is most often
found in critical musical, acoustic measurement, and broadcast applications.
AUDIO-TECHNICA
AT4041
• Applications include: stereo pairing for
symphonic hall recordings, acoustic
piano and guitar, percussion and vocals
• Optional acoustic filters for versatile
pattern modification
#AUAT4041
27900
$
The AT4041 is a small-diaphragm condenser microphone that,
as an instrument mic, can be used on virtually any source
requiring a cardioid response. Its accuracy, detail, and highly
sensitive capsule make it an obvious choice for solo acoustic
instrument recordings, sound effects gathering, and choir and
small acoustic ensembles.
• Ideal for guitar, piano and overhead miking
• High level handling ideal for percussion and brass
• Smooth, extended response with slight high-end
emphasis • Transformerless design for quick
response and virtually no low frequency distortion
AKG
#AKC451B
54900
A re-issue of the popular C451, the
C451B delivers the same well-defined, articulate sonic characteristics
of its predecessor, still making it great for use on acoustic guitars,
drums, percussion or overhead miking. The all-metal body provides
excellent protection for from RF interference, and the microphone is
rugged enough for even the most demanding applications.
KM184
• Selectable 10dB, 20dB pad
• 20Hz-20kHz frequency response
• Excellent transient response • 155dB SPL
• Selectable low-frequency rolloff switch
C451 B/ST matched stereo pair with complete accessories in a carrying case
#AKC451BST ...............................................................................................$109900
#NEKM184MT
72999
$
Ideal for solo instruments, ensemble, and spot miking, the compact KM184 is a
small diaphragm cardioid condenser microphone that offers premium Neumann
sound that’s both “open” and “musical”. Two other polar patterns are available
in the “Series 180”, the KM183 omnidirectional condenser, and the KM185
hypercardioid condenser.
KM183 small diaphragm with omnidirectional pattern #NEKM183MT ................$79900
KM185 small diaphragm with hypercardioid pattern #NEKM185MT...................$79900
10
• Rugged brass housing with
switchable high-pass filter
• 48V phantom powered
• 145dB SPL
• 20Hz-20kHz frequency response
$
C451B
NEUMANN
• Transformerless design
with extremely wide
response and sensitivity
• 143dB SPL • 10Hz-20kHz
frequency response
www.bhproaudio.com
•
®
®
®
• Sold individually or in matched
stereo pairs
• Available in non-reflective black
or nickel finish
• 138dB SPL
• 20Hz-20kHz frequency response
• Wooden jewel box, windshield,
stand and cable mount (included)
(SMALL DIAPHRAGM)
STUDIO MICROPHONES
RODE
#RONT3
19900
$
NT3
The RODE NT3 is an affordable
hypercardioid condenser microphone
ideal for location, studio, and live use. Its transformerless
output and quality construction delivers open, pristine sound.
The microphone has the ability to be powered by a single 9V
battery, making it a great solution for field recording.
AKG
C1000S
• 48V phantom powered with optional
9V battery operation
• Internal capsule shock mounting
• Battery status indicator
• 140dB SPL
• 20Hz-20kHz frequency response
• Zipper pouch, windscreen and stand
mount (included)
#AKC1000S
19900
$
Particularly well suited for mobile recordings, the C1000S is capable of
9V battery or phantom powering. It features a small-diaphragm condenser
element with a cardioid pattern that is quickly changed using the provided
converter, reducing noise, and improving source signal isolation. The versatile
C1000S provides a slight presence boost improving clarity and definition,
especially on vocal ensembles, ambient location, and studio recordings.
• Versatile-use microphone capable of both
studio and mobile recording applications
• Battery status LED
• PB 1000 Presence Boost Adapter
included for high-end enhancement
• PPC 1000 converter allows easy
switch to hypercardioid pattern
• 137dB SPL
• 50Hz-20kHz frequency
response
CROWN
#CRCM700
25850
$
CM-700
A strong contender as an engineer’s everyday
use microphone, the Crown CM-700 is an
extremely flexible small-diaphragm cardioid condenser microphone capable of
particularly close miking of high volume, powerful sound sources. The
aggressive, yet accurate and open sound of the mic makes it an ideal choice
for use on percussion, rhythm guitar, bass, and even vocals.
SHURE
KSM141SL
• Smooth, round response
• Slim, compact design
• Humbucking transformer for
lower noise
• Low cut and bass rolloff switch
• 151dB SPL
• 30Hz-20kHz frequency
response
#SHKSM141SL
39900
$
The Shure KSM141SL is a high-output, low-noise small-diaphragm condenser
microphone with an extremely fast transient response and smooth harmonic
control. It’s discrete Class-A circuitry delivers superior transparency and accuracy while
the dual polar pattern capsule provides engineers the flexibility of both omni and cardioid
pickup patterns. Ideal for acoustic instrument studio recordings, the KSM141SL features
control that’s equally well suited for live ensemble and ambience recordings.
• Class-A, transformerless
preamplifier
• Dual polar patterns (cardioid
and omni) • 145dB SPL
• Three-position pad (0dB, 15dB,
25dB) and three-position
switchable low-frequency filter
• 20Hz-20kHz frequency response
AUDIO-TECHNICA
#AUAT4053A
49900
$
AT4053A
The modular AT4053A is a professional smalldiaphragm hypercardioid condenser microphone designed with a fast, transparent
response that handles high sound pressure levels with superior clarity and detail.
It’s easily adapted to cardioid or omni patterns utilizing the optional omni or
cardioid capsules, making the versatile AT4053A a great choice for accurately
reproducing even the most troublesome instruments and sound effects.
• Modular design for
cardioid, omni, and
hypercardioid miking needs
• Durable, rugged brass
chassis
212.502.6360
•
Toll Free:
• Built-in 80Hz filter
• 48V phantom powered
• 146dB SPL
• 20Hz-20kHZ frequency
response
800.416.5090
11
CHANNEL STRIPS / MIC PREAMPS
TRUE SYSTEMS
#TRP8
239995
$
PRECISION 8
Featuring high headroom and very low noise operation, the
Precision 8 is an eight-channel solid state microphone pre-amp
capable of producing realistic and transparent, live and direct
tracking performances. Designed with a straightforward front panel
and flexible hard-disk and console connectivity, the accurate and
detailed Precision 8 provides engineers a complete, effective singlespace input system for both on-location and studio recordings.
• (8) highly transparent and detailed solid
state mic preamps
• (2) selectable high-impedance
instrument DI’s
• Built-in M-S (Mid-Side) decoding for
creative spatial image control
• 5-segment level indicators with peakhold and selectable peak reference
• DB25 and TRS outputs for flexible
interconnection to MDM’s, HDR’s, DAW’s
or consoles
• Smooth, continuous gain controls
UNIVERSAL AUDIO
6176
• Classic sound of the renowned 610 Modular Console
• Join/Split switch allows entirely independent
operation of each unit • HF and LF Shelving EQ
FOCUSRITE
• Mic, Balanced line, and HI-z Inputs
• Variable input gain and output levels
• Internal switching power supply
6176 is a tube channel strip comprised of the
classic 610 Microphone Preamp and legendary
1176 Compressor. With its tremendously flexible
tone, function and ultra-quiet operation, the 6176
is the perfect analog front-end for digital audio
recording.
#FOMH445
329500
$
LIQUID CHANNEL
The Focusrite Liquid Channel is a high-end single-channel strip capable of
producing remarkable replicas of up to 40 different analog preamps and/or
compressors with a sampling rate up to 192k. This innovative technology
combined with its impressive user interface and subtle tone-shaping EQ,
provides professional studio engineers a valuable tool with the flexibility to
create unique tonal variations that may have never previously existed.
• (40) Preamp and Compressor replicas • Ultra-wide gain and dynamic range
• Front panel includes: (14) rotary encoders, (26) pushbuttons, and 235 LED’s
• 3-band EQ with high/low sweepable shelves and variable-Q mid • Extremely low latency
• Download additional replicas using LiquidControl software for Mac/PC • 24-bit/192kHz
AVALON
VT-737SP
• EQ section switchable between Pre/Post
compressor
• Two VT-737SP’s can be linked for stereo
tracking • Internal switching power supply
• Balanced XLR I/O and 1/4” front
panel instrument input
• Large VU meter for monitoring output
level and compressor gain reduction
TUBE-TECH
MEC-1A
#UN6176
219500
$
#AVVT737SP
199500
$
VT-737SP is a single-channel, vacuum tube Class-A
processor that combines a tube Mic preamp, Instrument DI,
Opto-Compressor, and a 4-band Parametric EQ. The highperformance VT-737SP adds incredible warmth, depth, and
character to digital recordings, providing the perfect analog
channel strip for Digital Workstation and Broadcast Studios.
#TUMEC1A
349900
$
MEC-1A is a premium recording channel that combines all the classic tube-based designs
of the MP 1A Mic Preamp, EQ 1A Equalizer, and CL 1B Compressor in a powerful two-unit
package. This three-in-one solution is an ideal analog signal path for today’s digital studio,
handcrafted to deliver vintage warmth with unrivaled accuracy and depth.
• Mic preamp features: phase reverse, low-cut roll-off filter, 20dB pad
• 1/4” unbalanced Hi-impedance input
• 3-band EQ with Hi/Low shelving at 6 frequencies, and Band filter at 12 frequencies (Bell type)
12
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•
®
®
®
• Separate In/Out switch for both EQ and Compressor
• Clickless swap relay between EQ and Compressor
• Internal switching power supply
CHANNEL STRIPS / MIC PREAMPS
BLUE
• Excellent detail with extremely
low-noise and ultra-high gain
• Warm, robust, tube gain stage
with solid-state output
• Discrete, balanced components
from input to output
• Hi-Z 1/4” instrument line input
• 20dB pad
• 10Hz-100kHz frequency response
#BLRMP
99900
$
ROBBIE
Elegance and simplicity are the driving forces
behind Blue’s design philosophy, and Robbie is no
exception. This Class-A discrete tube microphone
and instrument pre-amp, features the same
technical build quality and commitment to
excellence for which Blue is known.
UNIVERSAL AUDIO
#UNLA610
139900
$
LA-610
• Authentic Teletronix LA-2A-style
T4 opto-compressor/limiter
• Low-noise, Hi-gain circuitry
• Hi-Z (direct) input
• Transparent or robust, the tube preamp shows
tremendous range of sonic shading and control
• Two bands of shelving EQ with switchable
frequencies
FOCUSRITE
Capable of superior results tracking all types of audio, the Universal LA610 is an ideal analog front-end for today’s modern Digital Audio
Workstations. The simple to use, but sophisticated sounding LA-610
combines the award winning “all tube” warmth and character of legendary
console modules with the superior musical control and signature sound of
the classic T4 Compressor, into a single, sonically versatile channel strip.
#FOMH433
ISA 220 SESSION PACK
149500
$
ISA 220 Session Pack is a single-channel analog processor that includes
a precision Mic preamp, flexible EQ section, Compression/Limiting, and
a De-esser in one high-quality channel strip. With Focusrite’s renowned sound quality, and its flexible design, the ISA 220 Session Pack provides audio
professionals in both music and post-production with a complete channel-strip solution at a competitive price.
• XLR I/O, and 1/4” Hi-Z instrument input
• 4-band EQ with Hi/Low-pass filters
• New “Blend” feature for adding dynamics into compressor signal path
• Precision VU metering of input or compression gain reduction
AVALON
M5
• Balanced XLR I/O, and 1/4” HI-Z input
• Active DI input for Bass, Guitar, and
Keyboards
• Large Illuminated VU meter
• Minimum Audio Signal path
• External AC Power supply, 100V-240V
selectable
• Rugged half-rack space chassis with
optional rack mount kits
#AVM5
149500
$
M5 is a pure Class-A microphone preamp designed
to optimize absolute signal integrity and musical
detail. Ideal for Vocals and Acoustic instruments,
the M5’s 100% discrete circuit design provides
demanding audio professionals with the highest
standard in performance and sonic excellence.
AVALON
U5
#AVU5
539
$
00
The U5 is a premium-quality Class-A instrument DI and preamplifier. Designed
to optimize signal integrity and musical performance, the U5 is ideal for
low-level instruments including bass (especially) and electric guitar, acoustic
instruments, keyboards and synthesizers. For the audio professional, its
non-compromised build and feature set provides superior sensitivity, clarity,
and subtle warm tonal characteristics of a truly worthwhile investment.
• Optional 24-bit/96kHz A/D card with
AES/EBU, S/PDIF, and ADAT lightpipe
• Pure Class-A 100% discrete electronics
• Variable “boost” for matching
levels and gain control (up
to 30dB) • High-cut filter
• Dual balanced XLR mic
and line level outputs
• 400-watt speaker input for
direct recording
• 1/4” instrument input
212.502.6360
•
Toll Free:
800.416.5090
13
CHANNEL STRIPS / MIC PREAMPS
PRESONUS
#PRDM96
DIGIMAX 96K
132995
$
The Presonus Digimax is an uncompromisingly well built
8-channel mic preamp that represents a significant
upgrade to the front-end of any computer-based
recording system. Its transformerless design combined
with eight mic preamps, A/D’s, limiting, and subtle
switchable enhancing, produces an overall warmer tone
with greater definition and dynamic range resulting in
superior sound for almost any connected source.
• Superior input sound quality and flexibilty • Hi-Z instrument input on channels 1-2
• (8) EQ channels, preamps, limiters, and 24-bit/96k converters • High-quality upgrade and sonic performance
over stock input systems • (8) balanced 1/4” TRS outputs ideal for direct live recording
• 8-channels of ADAT or optional 8-channel AES/EBU-S/PDIF connectivity with Word Clock I/O
Digimax LT same as Digimax 96k with the following exceptions: all channel inputs on Neutrik XLR
combo jacks, inserts for each input, ADAT digital connect only, 48k A/D, no enhancing EQ
#PRDMLT ...........................................................................................................................................$79995
#FOMH440
64000
$
• Class-A preamp • Quiet, flexible
operation and tonal coloration
• Vintage Harmonics adds shimmer
and light breathiness
• Voice optimized EQ and De-esser
PRESONUS
• Quick responding yet musical
Optical Compressor and Expander
• 1/4” instrument and XLR mic
inputs/optional digital output with
clock sync up to 96kHz
FOCUSRITE
VOICEMASTER PRO
The Focusrite Voicemaster Pro is a comprehensive
vocal/instrument recording channel with features tailored
for vocals, but still capable of impressive results on
instruments, especially guitar. Project studios will
appreciate the extensive tone shaping tools and processing
versatility rarely found in a preamp channels of this class.
#PREUREKA
EUREKA
49995
$
Eureka is a high-quality channel strip that
combines a discrete Class-A, high-headroom Microphone
Preamp with a Compressor and a 3-band Equalizer. This
well-built, high-performance channel strip gives users all the
sonic performance and control needed for professional audio
recording at an affordable price.
• Microphone, Line and Instrument
inputs on XLR and 1/4” TRS connectors
• 3-band fully-parametric EQ
• Variable Saturate Control- simulates
Tape Saturation and Tube Warmth
M-AUDIO
OCTANE
• (2) Hi-Z (guitar) instrument
inputs on channels 1-2
• ADAT lightpipe, 1/4” direct outs
• Word clock I/O • 24-bit A/D
• Low-noise, high-gain 8-channel
microphone/instrument preamp
• (8) XLR, 1/4” balanced/
unbalanced inputs
M-AUDIO
TAMPA
#MAOQ
59900
$
The Octane is a highly flexible preamplifier interface ideal for anyone
using ADAT inputs. It features eight channels of dynamic low-noise,
high-gain pre-amplification on balanced XLR, TRS or high impedance
instrument-level inputs. Each channel provides a separate microphone
level, 20dB pad, and three segment LED meter, with output connections
being made via balanced/unbalanced 1/4” line or ADAT lightpipe.
#MATQ
39900
$
The M-Audio Tampa is a professional full-function single-channel
vocal/instrument preamp, compressor, and A/D converter that uses a unique
method of handling audio harmonics by intentionally controlling their timing,
effectively holding them to a level that provides transparent, natural sound.
Simple, but flexible in its use and connectivity, the Tampa supports multiple
sample rates, 44.1, 48, 88.2 and 96kHz, delivers ample gain up to 66dB, and
can provide output harmonic intensity via its soft-clip compressor,
generating that pleasing, desired coloration known as “tube warmth”.
14
• Balanced Send and Return
• Fully-variable Compressor with
Hi-pass side-chain
• Optional 24-bit/192kHz digital
output card
www.bhproaudio.com
•
®
®
®
• Hi-gain preamp (66dB) with dual optical
servo compressor and A/D converters
• Selectable microphone impedance
• Discrete Class-A circuitry
• 24-bit/96kHz S/PDIF and AES/EBU
digital outs, TRS/balanced XLR
analog outputs
• 80Hz low-cut filter
CHANNEL STRIPS / MIC PREAMPS
PRESONUS
#PRDT
24995
$
DIGITUBE
An ideal single-channel front-end for computer based recording, the DIGITUBE is an affordable
half-rack preamp and 3-band parametric EQ that provides up to 70dB of clean, quiet gain and tone
shaping for both instruments and microphones. It features a digital output with digital clock sync,
a single insert jack for external processing, phantom power, and a dual servo gain stage with tube gain saturation control for “warming up” digital recordings.
• Tube preamp with 70dB of gain and 22dB of headroom • Word Clock input standard
• Mic/Line input on Neutrik combo jack • Balanced XLR
• 3-band sweepable parametric EQ with bypass
• 24-bit S/PDIF output on RCA connector
output • 20dB pad, 80Hz filter and 48V phantom power
ART
#ARTMPPS
6500
$
TUBE MP PROJECT SERIES
Improving virtually every aspect of the already popular Tube MP, the Tube MP Project Series is an ultra
low-noise discrete mic preamp that effectively handles a wide range of input signals with minimal
coloration. It’s 1/4” and XLR inputs pass through a high quality 12AX7 tube, selectable filters, and a
musical FET limiter, providing a dynamic 70dB of gain while preserving signal tonality and clarity.
• Low-noise, tube mic preamp
• Fast FET limiter helps limit overload • Phase invert and filter switches
• Switch selectable input impedance • Variable I/O controls
• 48V phantom power
SYMETRIX
302
#SY302
22495
$
Featuring a straight forward design, the Symetrix 302 is an extremely
low noise, highly transparent two-channel microphone preamp with
solid stereo imaging and an excellent transient response delivering
superior sonic improvements over stock mixer/console preamps.
Capable of a total gain range of 75dB, the 302 also provides phantom
power, 15dB pads, and reverse polarity switches per channel.
• Single-channel tube preamp
• ART OPL Output Protection Limiter
• Hand-selected 12AX7A tube
• Ideal as a high-quality DI
• Back-lit VU meter
• 1/4” and XLR connectors
ART
#ARTPSII
17900
$
TPS II
• Variable impedance provides multiple tone
adjustments of varying microphone types
• Variable Valve Voicing reference points
• Clean transformerless signal path with
wide dynamic range
• Enhanced OPL Output Protection Limiter
M-AUDIO
AUDIO BUDDY
• Dual analog level monitoring on LED’s and VU
• Phase, gain and phantom switches per
channel
• Dual front panel Neutrik XLR combo jacks
• Balanced XLR I/O, balanced/unbalanced
TRS I/O
#MAAB
79
$
95
The Audio Buddy is a cost-effective two-channel preamp/direct box
for microphones or high-impedance instrument lines. The compact
unit’s front panel features individual gain control and clip LED’s
with 1/4” inputs, while providing dual balanced XLR inputs with a
phantom power switch on the rear. A clean and simple tool to use,
the Audio Buddy is an ideal preamp/direct box for home studios.
The TPS II is a two-channel tube preamp/direct box designed with
optimized reference points for specific recording applications. Each
channel of the TPS II provides variable impedance control, phantom
power, overload limiting, and dual analog level monitoring. A “swiss
army knife” for project and professional studios alike, the versatile TPS
II is also ideal for broadcast, remote and commercial applications.
• Compact 2-channel
instrument/mic pre with
up to 60dB gain
• Ideal for use as a direct box
• Individual gain control with
clip LED’s
• 1/4” and XLR inputs with
balanced/unbalanced 1/4”
outputs • Phantom power
212.502.6360
•
Toll Free:
800.416.5090
15
CASSETTE RECORDERS
MARANTZ
#MAPMD502
44900
$
PMD502
The PMD502 is an affordable single well cassette deck that offers reliable performance and
professional features like pitch control, front panel microphone/auxiliary inputs, and
defeatable ALC, DolbyC and HX Pro. Ideal for houses of worship, corporate installations,
and broadcast studios, the PMD 502s RC-5 compatibility allows full control via an optional
wired/IR remote control or a 3rd party control system, (including AMX and Crestron).
• Stereo unbalanced RCA ins and outs(optional balanced XLR kit-XLR502PMD)
• Optical sensing quick autoreverse • Flouresent peak holding bar graph meters
• Pitch Control (+/- 15%)
• Headphone output with level control
MARANTZ
#MAPMD501
29900
$
PMD501
• Stereo unbalanced RCA ins and outs
• Optical sensing quick autoreverse
• Dolby B noise reduction, MPX FM filter
• Headphone output with level control
• Automatic tape type selector
• Optional wired remote controls
TASCAM
• Automatic tape type selector • Optional wired
(WRC200mkII) and (RC5PMDSW) remote controls
The PMD501 is a cost-effective single well cassette deck that offers basic,
reliable performance for a variety of demanding applications. Large transport
buttons with LED insets facilitate easy operation in any scenario, and Marantz
RC-5 compatibility allows full control via an optional wired or IR remote control
or a 3rd party control system, (including AMX and Crestron). The PMD501 is
ideal for houses of worship, corporate installations, and broadcast studios.
#TA102MKII
31900
$
102 MKII
The 102mkII is an inexpensive two-head cassette deck with an extremely wide
frequency response, Dolby noise reduction, and HX Pro sound technology. This
precision-built deck is rack mountable, and features a rugged Tascam transport, for
years of trouble-free operation.
• Unbalanced RCA inputs and outputs
• Two motor IC logic transport control system
• Dolby B and C noise reduction
with HX Pro headroom extension • Fine tune bias control
• Electronic digital tape counter • Auto tape selection
TASCAM
#TA322
49900
$
322
The 322 is a rack mountable dual well bi-directional cassette deck designed for logging and
long-form recording. Ideal for music studios, boardrooms, houses of worship, and live
venues, the 322 uses optical leader sensing for quick auto reverse, minimizing the time lost
when switching sides. Each well offers independent audio input and output, and a RS-232
port allows serial control of the deck from various control systems on the market.
• Independent unbalanced analog I/O for each deck
• Return to zero function on each deck
• +/-10% pitch control independent for each deck
• Normal and high(2x) speed dubbing
DENON
• Headphone output with level control
• Optional LA-322 balancing kit and WR-700 cascade cables
#DEDRW585P
DRW-585P
20900
$
The DRW-58P is a rack-mountable dual-well cassette deck with a diverse array of
features including multiple playback and recording modes, normal and high-speed
dubbing, and CD synchronous recording capabilities. Well versed in a variety of
applications, the DRW-58P delivers both high-fidelity audio and quality construction for a very affordable price.
• Unbalanced RCA inputs and outputs
• Dual well auto-reverse cassette recorder/player
• Dolby B/C noise reduction, MPX filter switch
16
www.bhproaudio.com
• Manual Bias adjustment control
• Memory stop button automatically locates to assigned
position
•
®
®
®
• Independent tape counters for deck A and
deck B
• 3U rack mount kit included
CASSETTE & DIGITAL 2-TRACK RECORDERS
MARANTZ
#MAPMD505
34900
$
PMD505
The PMD505 is a professional dual-well cassette deck designed for continuous-play sound
installation and tape dubbing applications. Equipped with two independent full logic autoreverse tape transports, the PMD505 can provide up to 7.5 hours of continuous playback
programming, alternating between decks A and B up to five times. Included with the unit is a full-function remote control and a custom rackmount kit.
• Stereo unbalanced RCA ins and outs
• Dolby B/C noise reduction, Dolby HX Pro
• QMS quick music search (up to 9 tracks backwards
and forwards) • Pitch control on deck A (+/-10%)
• Play/rec timer function for time-controlled operation
• 2 x 9 segment FTD peak-hold level meters
TASCAM
#TAMDCD1
79900
$
MDCD-1
• CD deck supports MP3 file playback • MD deck supports Stereo, Mono, LP2, and LP4
mode (REC/Play) • Unbalanced analog I/O (RCA), digital S/PDIF (optical) - both decks
• Pitch control: CD deck +/- 16%, MD deck +/- 12.5%
• Full edit functions on MD deck • Wireless remote, transport control via PS/2 keyboard
TASCAM
MD-350
The MDCD-1 combines CD playback and MiniDisc recording in a single
rackmount unit which conserves space and installation budgets. Each unit can
be used independently and features its own digital and analog I/O. Change
pitch without changing tempo and change tempo without changing pitch, all
while burning CD’s to the MiniDisc at 4x speed. Ideal for DJ’s, houses of
worship, and institutional (music education) installs.
#TAMD350
46900
$
The Tascam MD-350 is a professional rack mountable stereo MiniDisc recorder
with balanced analog I/O, and optical S/PDIF I/O. The latest ATRAC encoding
scheme (ver. 3) is implemented, offering new long play versions with up to 320
minutes of record time on a standard 80 minute MiniDisc. The affordable MD-350 is ideal for live venues, houses of worship, and broadcast applications.
• Balanced XLR and unbalanced RCA analog I/O
• Auto Ready and Auto Cue functions
• Complete TOC editing for changing track order
• Optical S/PDIF I/O w/front panel optical Input
• Front Panel PS/2 keyboard port for naming track
• Headphone output w/ level control • Pitch control
MARANTZ
#MAPMD570
89900
$
PMD570
• Balanced XLR line inputs with trim,
unbalanced RCA I/O
• Menu driven remote operation
• Coaxial S/PDIF I/O
TASCAM
DV-RA1000
• 16-48kHz sample rate and 32-384bit rate selectable
• Security door for media
• Computer I/O for rapid file transfer
The PMD570 is a professional solid state recorder ideal for installation
applications like houses of worship, corporate boardrooms, and schools.
Designed to replace traditional cassette recorders, the PMD570 records
directly to inexpensive compact flash cards in MP3, MP2, WAV, and BWF
format. Easy, one-touch recording, RS-232c control, and no moving parts
make this reliable recorder a great solution for long-term audio installations.
#TADVRA1000
129900
$
The DV-RA1000 is high-resolution stereo digital recorder capable of capturing audio at sampling
rates up to 24-bit/192kHz. The DV-RA1000 records standard CD-DA, .WAV, and DSDIFF files to
DVD+RW and CD-R/RW media, and provides professional I/O via XLR, AES-EBU, and SDIF-3 connections. Equally well suited for today’s recording and
broadcast studios, the DV-RA1000 is easy to use, and has advanced features like a USB2.0 port, RS-232 serial control, and multiband compression and EQ.
• Balanced XLR and unbalanced RCA inputs and outputs
• USB 2.0 connection to PC for use as DVD data drive • Supports Sony’s DSD recording format
• Wired remote control (RC-RA1000) included
• Large, backlit LCD display • Word Clock Sync in, out, and thru • Can also operate as a professional CD recorder
212.502.6360
•
Toll Free:
800.416.5090
17
CD RECORDERS
HHB
#HHCDR830P
83500
$
CDR 830 BURN IT PLUS
The CDR 830 Burn It Plus is a Compact Disc Recorder with a comprehensive
set of professional features including: balanced XLR analog inputs and
outputs, AES/EBU and S/PDIF inputs and outputs, and Word Clock
synchronization. Its High-precision 24-bit A/D converters and 24-bit multi-level Delta Sigma D/A converters ensure exceptional sound quality. The SCMS-free
digital inputs have built-in sample rate conversion (sampling rates from 32kHz-48kHz) and digital gain/balance control.
• Advanced laser assembly delivers consistently accurate recordings
• CD Text display input and editing • Word Clock input
• (2) balanced XLR I/O, and unbalanced stereo RCA I/O
• AES/EBU and coaxial/optical S/PDIF I/O
TASCAM
CDR 830 unbalanced I/O version w/no
word clock #HHCDR830 .....................$54900
#TACC222MK2
79900
$
CC-222MK-II
TASCAM's CC-222mk-II combines a professional-quality stereo cassette deck with
a CD-RW recorder in a single unit. Its self contained design integrates CD recording
from multiple sources without the need of a computer or other peripheral tools.
• Internally record from cassette to CD or CD to cassette
• RIAA phono inputs for recording LP’s to CD or cassette
• Compatible with CD-R, CD-RW, CD-R-DA, CD-RW-DA media
ALESIS
• S/PDIF digital inputs and outputs on
both coaxial and optical ports
• Built-in sample rate converter for digital
transfers • Stereo RCA inputs and outputs
#ALML9600
79900
$
ML9600
• Onboard Processing including:
Parametric EQ, Compression,
Limiting, and Nornaling
• 40GB hard drive allows up to 30 hours
of 2-track audio • Balanced I/O on
XLRs, unbalanced I/O on RCAs
The ML9600 is a high-resolution two-track Hard Disc
recorder and CD burner capable of 24-bit/96kHz audio
capture and archiving. This “Mastering House in a
Box” allows you to edit tracks, apply DSP, and burn
the finished recording in either the industry-standard
Redbook or the new high-resolution CD24 format.
• Organize playlists with total control of fade-ins, fade-outs,
track gain, start points, and track cropping • AES/EBU and
Coaxial S/PDIF I/O • Internal switching power supply
DENON
DN-C550R
• (2) XLR and (2) RCA inputs, independent
stereo analog outputs for both decks
• (1) optical and (1) coaxial S/PDIF input,
independent digital outputs for each deck
ROLAND
CD 2
• Digital/analog recording level adjustment
with the jog dial • Fade in/Fade out
recording function • 24-bit D/A converter
(CD drive) • 19” rack mountable, 2U height
#ROCD2
69500
The CD 2 is a professional stereo recorder that records directly on to CD or Compact Flash
media (up to 2GB capacity for extended recording times). Featuring a built-in stereo
microphone, the CD 2 also includes two XLR inputs with phantom power, Hi-Z inputs, and a
pair of RCA inputs and outputs. Audio recorded to Compact Flash can be easily edited using
functions like Audio Level Adjustment, Song Erase, and Trim, then burned directly to CD.
18
www.bhproaudio.com
•
• Practice tools with tempo/key
change, tuner, and metronome
• Built-in stereo speakers
®
®
®
69900
The DN-C550R is a premium CD+CD-R/RW recorder/player combo
deck with selectable copying modes, selectable synchro recording
modes, and text input and display. Features like balanced analog
inputs, flexible digital I/O, and defeatable SCMS (Serial Copy
Management System) make the DN-C550R a great choice for
studios looking for professional performance at an affordable price.
$
• Real time CD and Flash Memory recorder
• Up to 6 hours of recording time at 16-bit/44.1kHz linear mode
• Built-in effects for guitar, vocals, and mastering
#DEDNC550R
$
CASSETTE & CD DUPLICATORS
TELEX
#TEC123S
COPYETTE 1-2-3 STEREO
159995
$
The Copyette 1-2-3 S is an inexpensive, portable stereo cassette duplicator that can produce up to three copies
from a cassette master. Reliable and easy-to-use, the Copyette 1-2-3 S’s simple one-touch copying works at
16 X normal speed, reducing the time required to make a 60 minute tape to under two minutes.
• Removable power cord and protective hard
• Side select: Copy one side of a tape or both sides
case for storage • Carrying handle for
at once • Cycle function: Skip from current phase
*Also available as a Mono system #TE123M
portability and only 14 lbs.
to next phase of the rewind/copy/rewind cycle
and 1-2-1 configurations #TE121S, #TE121M
TELEX
#TEXGENSM
XGEN STEREO MASTER DUPLICATOR MODULE
207195
$
The XGEN stereo duplicator is a professional 1-to-3 master copy module designed to operate at 8 x or 16 x normal playback
speed with direct-drive motors in all positions, and a microprocessor-controlled transport. Easily expandable with optional “copy”
modules, this modular system allows users to slave up to 16 additional modules for a total of 67 “copy” positions.
• (1) “Master” tape position, and (3) “Copy” positions
• Side select: Copy one side of *Stereo4 cassette copy module #TEXGENSC,
• Individual rotary audio level controls for each side
a tape or both sides at once
Also available as a Mono system
• Copy in two Modes: Auto or Manual operation
• Ferrite Erase Head
#TEXGENMM, #TEXGENMC
RECORDEX
STEREO CASSETTE DUPLICATORS
Available in four different configurations, the Recordex stereo cassette
duplicators are 1/4 track, four-channel recorders that can produce 1, 2, 4,
or 8 copies (dependent on the model) from a master cassette at 16 times
normal speed. Features include: extra long life T-core stereo heads, erase
head, individual audio level controls with peak level, LED indicators, auto
copy cycle, switching power supply, and steel construction.
Messenger 1-to-1 duplicator #REM.........$32900
Sound Master II 1-to-2 duplicator #RESM2........$69900
Sound Pro 1-to-4 duplicator #RESP ...............................$99900
Sound Master IV 1-to-4 duplicator system with expansion option
#RESM4........................................................................................$139900
Sound Master IV Expansion (4) cassette expansion option #RESM4E ..........$139900
TELEX
#TESW752H
94900
$
SPINWISE 7-52NH
The SpinWise 7-52NH is an affordable standalone
one-to-seven CD-tower duplicator designed for ProMedia applications. Equally well-suited for recording
studios or music/media ministries, the efficient and
easy-to-use SpinWise 7-52NH is capable of copying
CDs at speeds up to 52 X.
• Formats supported include: CD-R, CD-RW, CD-ROM mode 1&2, CD-DA, Video
CD, Multisession, PhotoCD, CD Extra
• Copy Modes: Copy, Copy+Compare, Emulate, Verify
• (4) button control with LCD display • Quick/Full erase modes for CD-RW discs
• Burn Mode: Disc at once or Track at once
• Internal switching power supply
PRIMERA
BRAVO II CD DUPLICATION SYSTEM
#PRB2CDW
154995
$
The Bravo II is a high-speed, all-in-one CD duplication and inkjet printing system with professional features at an affordable price.
With a disc capacity of 25 discs, the fully automated Bravo II is a great solution for musicians, schools, and houses of worship
looking for a compact, easy-to-use self-publishing system.
• High-speed 52X CD-R recorder, High-quality 4800dpi printing resolution
• Includes both Macintosh and Windows duplication software
• Kiosk Mode: Expand capacity to 50 discs with optional “Kiosk Mode” kit
• USB 2.0 interface • Optional Business Card Adapter kit available
• Recordable Formats: CD-R, CD-RW, CD-Audio, Video-CD, MP3 to CD-Audio (for 80mm mini-CDs,59x85mm and 63x80mm business cards)
212.502.6360
•
Toll Free:
800.416.5090
19
COMPRESSORS / DYNAMICS PROCESSORS
DBX
160A
The 160A is a
great sounding
single-channel analog compressor/limiter that follows
in the tradition of the legendary DBX 160 family of
processors. Its musical sound, ease of operation,
and no compromise metering make this versatile
compressor one of today’s industry standards.
• Balanced or unbalanced I/O on XLR and
1/4” TRS connectors
• Overeasy or classic hard knee compression
• Precision dual LED metering displays:
inputs, outputs, or gain reduction
WAVES
AVALON
399
#WAMAXXBCL
MAXXBCL
• Format conversion: analog-to-digital, digital-to-analog, and digital re-quantization
• 24-bit/96kHz resolution w/48-bit end-to-end internal processing path
• Supports: optical, coaxial SPDIF, AES/EBU, balanced/unbalanced line level
analog signals • Precision metering with resettable peak hold options
#DB160A
• Exclusive Infinity+
$
95
compression allows
negative compression
• Strappable with another 160A for true
stereo summing operation
240000
$
The MaxxBCL combines the famous L2-Ultramaximizer, the Renaissance
Compressor, and MaxxBass into a rugged new hardware box. This 24bit/96kHz processor combines the highest quality converters with
unequalled processing algorithms to offer you astonishing new power in
bass enhancement, dynamics processing, and format conversion. The
MaxxBCL is ideal for live sound, mastering/post, and broadcast applications.
#AVVT747SP
VT747SP
219500
$
The VT747sp is a Class-A, vacuum tube-discrete twin signal
path Opto-compressor with a musical six band program
equalizer, and output level and gain reduction metering.
This incredible sounding 100% discrete processor is ideal
for high performance DAW input signal conditioning, stereo
bus compression/EQ, and analog mastering applications.
• Balanced XLR I/O • 6-Band discrete passive program EQ
• Twin Signal Path- allows choice of either tube tone or
classic discrete transistor sound
DBX
#DBQ2
QUANTUM II
• 4-band multiple dynamics control
• Patented Type IV A/D conversion with
Tape Saturation Emulation (TSE)
• Versatile MIDI control and internal/external
sync capabilities • GUI control and
system upgrades available via PC
• Balanced XLR/TRS analog I/O
• AES/EBU and S/PDIF
digital I/O
• 115dB dynamic range
• 24-bit/96kHz A/D-D/As, with
true 48-bit signal path
• Spectral side-chain monitor for pre-listen
• EQ Pre/Post selection for compressor
• Internal regulated power supply
219995
$
The DBX Quantum II is a versatile 24-bit/96kHz Multi-Band Processing
Device that utilizes patented DBX technology to produce dynamic, polished
mixes with noticeable warmth and depth. Featuring a wide dynamic range
and extended headroom, the Quantum II applies Compression,
Limiting, Gating, and EQ while maintaining the pristine audio quality
needed for today’s digital world of music production and mastering.
TC ELECTRONICS
FINALIZER 96K
The TC FINALIZER is a professional
two Channel 24-bit/96kHz mastering
device that combines multi-band frequency
dynamics control with a transparent signal path
and flexible sample rate conversion. Its powerful
features and ease of use give engineers all the
tools required for creating crisper, punchier
mixes with that “radio ready” sound.
20
www.bhproaudio.com
• Spectral balancing and normalization of
multiple frequency bands
• Look Ahead Delay allows for faster, more
accurate dynamic response
• ADAT bounce allows for simultaneous
processing and recording of ADAT tracks
•
®
®
®
#TCF96K
• Digital conversions between
$
AES/EBU, S/PDIF and Toslink formats
• Balanced XLR analog I/O
• AES/EBU, S/PDIF, and TOS-Link/ADAT digital I/O
• 24-bit/96kHz A/D-D/A
• Sample rates include 32, 44.1, 48, 88.2 and 96kHz
249900
EFFECTS PROCESSORS
LEXICON
MX-200
#LEMX200
19995
$
The Lexicon MX-200 combines 32
legendary Lexicon effects into a single space unit for two completely unique
applications; live sound and computer integrated studio recording. Easily integrate your
favorite recording software with the MX-200, essentially turning it into a plug-in, freeing
up precious DSP, or take immediate control of effects, dynamics and their parameters
utilizing an intuitive front panel with single push button functionality.
• 99 effect presets/99 user • 16 legendary Lexicon reverbs
• USB “Hardware Plug-in” feature
• VST and Audio Units software/MX-Edit Editor/Librarian
software • dbx Dynamics • (2) 1/4” TRS balanced or
unbalanced outputs • S/PDIF digital I/O
KURZWEIL
#KUKSP8
269500
$
KSP8
• 249 DSP algorithms with over 600 preset programs
• Ultra-dynamic patented signal path with superior audio conversion
• Highly flexible internal submixing • Unmatched real-time control
• (4) Balanced 1/4” TRS I/O and stereo AES/EBU I/O
RSP8 optional remote control #KURSP8 ...........................................$53500
EVENTIDE
The Kurzweil KSP8 is a feature laden professional 8-channel 24-bit/48kHz multi-effects
processor capable of simultaneous EQ, Compression and Effects in both stereo and
surround modes. Provided with some the best reverb algorithms available, this powerful
audio shaping tool delivers soundscapes from the lush and natural, to the inspirationally
evolving, making it a perfect choice for both mobile and studio stereo and surround
music tracking, film and video game sound design, and final post production
applications.
#EVECLIPSE3
199595
$
ECLIPSE
The Eventide ECLIPSE is a dual-engine professional 24-bit/96kHz Harmonizer and multi-effects processor designed for the high-end studios in need of
extensive processing power. Its superb fidelity combined with extensive routing and editing capabilities make it ideal for easily interfacing a powerful
multi-effects processor into a digital production studio. With the ECLIPSE, sound design, production and recording engineers finally have all the tools
they need without sacrificing precious DSP.
• 400 Presets and 100 User programs • Eventide’s signature Pitch change, Reverb and
Harmonizing algorithms • Pristine audio path with 24-bit/96kHz resolution
• Balanced XLR/TRS I/O • Digital formats and I/O includes AES/EBU,
S/PDIF and ADAT (Optical) • 110dB dynamic range (output)
#TCI
TC ELECTRONICS
119995
$
INTONATOR
• Adaptive LoCut dynamically controls filter
• Real-time pitch correction with user
cut off frequencies according to input
definable pitch adjustment thresholds
signal • Word Clock Sync
• High-quality converters allow additional
gain to be added before or after digital • Digital formats and I/O includes AES/EBU
(XLR), S/PDIF (RCA), TOS-Link and ADAT
conversion
(Optical) • Balanced XLR analog I/O
• Digital dithering reduces output distortion
ANTARES
AVP-1
For the professional studio in search of the ultimate vocal processor, the TC
Electronics INTONATOR is a high-end processor that effectively preserves vocal
subtleties with individual intonation and correction, isolating even a single note. Its
high 24-bit/96kHz resolution provides a transparent digital signal path, flexible signal
routing, and simultaneous pitch and dynamics corrections on separate channels,
effectively saving time and money while eliminating the need to cut and paste.
#ANAVP1
49500
$
The Antares AVP-1 combines multiple processing
technologies into a single unit. While the now famous Auto-Tune technology
expressively corrects vocal or instrument pitch in real-time, the Microphone Modeler
gives vocal tracks the characteristics of a variety of high-end studio mics. Additional
Gates, Compressors, EQ’s and De-Essers provide producers and engineers with all
the tools and flexibility necessary for creating that signature sound.
• 35 Presets including selections
for instruments and percussion
• Easy single button parameter
selecting and editing
• Customizable scale tuning
212.502.6360
•
• Automatic Mono or Stereo
double tracking
• Full MIDI automation
• (1) Unbalanced 1/4” phone input
• (2) Unbalanced 1/4” phone outputs
Toll Free:
800.416.5090
21
STAND-ALONE DIGITAL WORKSTATIONS
BOSS
ZOOM
#BOBR900CD
BR900CD
69500
$
MRS4B
Capable of recording up to 130 minutes
of un-compressed audio onto a 128MB
SmartMedia card, the battery operated
MRS4B is a simple 4-track digital recorder
(8 virtual per track) complete with 2 line
inputs, digital effects, dynamics
processing, and all the powerful editing
tools needed for writing small projects
in the bedroom or on the beach.
The BR900CD
is a reliable
all-in-one
digital
recorder
with
professional
effects, a
drum-pattern
generator, vocal-correction and
Master Tool Kit, digital output, and internal CD burner.
Use up to 64 virtual tracks to write, record, edit, and
mix a complete, polished CD anytime. For the
musician on the go, the BR900CD provides convenient
Compact Flash storage and even provides battery power
and digital connection/transfer capabilities for a truly
portable recording system.
• 4-track recorder with 8 virtual takes
per track • (2) line inputs, (2) aux
• (2) line outputs, MIDI out • Editing tools include Copy, Paste, Erase, Exchange and Bounce
• Effects and dynamics include reverb, chorus, delay, compression/limiting, guitar simulation,
and mic pre settings
• 8 simultaneous playback/2 simultaneous recording
tracks with 64 virtual tracks total
• (2) XLR inputs with phantom power, 1/4” and RCA
inputs, digital out (optical)
• High-quality effects for processing and mastering
• Programmable drum generator with 294 patterns
• Record direct to Compact Flash (up to 1GB) and
direct to CD-R/RW • USB port for .WAV file
transfer, importing/exporting, and data backup
YAMAHA
AW16G
#ZOMRS4B
17900
$
ZOOM
MRS8
#ZOMRS8
34900
$
Featuring two tracks of simultaneous
recording, built-in vocal and mastering
effects, and a great sounding drum/bass
machine with touch sensitive pads, the
compact MRS8 is an inexpensive all-inone portable digital multi-track recorder.
It’s conveniently battery operated and records up to 1GB of un-compressed audio (8 tracks
total) onto low cost SD memory cards via the XLR combo jack or switchable Hi/Lo-Z 1/4”
input, it even features a handy mini-condenser microphone on its top for truly portable
songwriting capabilities.
#YAAW16G
76995
$
• 8 physical tracks with 10 virtual takes available per track, 2 tracks of simultaneous
recording, 11 simultaneous playback tracks including 2(Stereo) Drum Tracks and 1(Mono)
Bass track • XLR 1/4” combo jack, switchable Hi/Lo-Z 1/4” instrument input
• Editing includes copy, move, erase, bounce and more • (8) slider mixer
TASCAM
The AW16G is a
compact 16-track playback
digital audio workstation
with 8 simultaneous record tracks. Intuitive, quick
setup allows instant input to track assignments with
dedicated buttons for most needed features. A Quick
Loop Sampler, 4-band parametric EQ and dynamics
per track, 13 studio-quality mastering effects, and a
CD-RW drive for masters and backup, provide the
AW16G with all the necessary tools for creating great
sounding audio for any music or multi-media project.
DP01
www.bhproaudio.com
•
29900
The 8-track DP01 is an ideal first time digital
recorder for musician/songwriters, combing
high-quality sound with a functional, easy-touse interface and dedicated controls. Two 1/4”
inputs record directly to the internal 40GB hard
drive for convenient arranging and editing. Output
connectivity consists of co-axial RCA’s, digital optical
S/PDIF, and a USB 2.0 port for easy computer backup.
• 8-track uncompressed recording to 40GB hard drive
• 2-track simultaneous recording with dedicated stereo
mixdown track • 2-band semi-parametric EQ per track
• (2) 1/4” TRS mic/line inputs with switchable guitar level input, built-in guitar tuner
• RCA line output/S/PDIF digital out on optical connector/MTC output
• USB 2.0 port for data backup
• 16-tracks of audio, 8 simultaneous, 144 virtual
• (2) XLR mic pre’s with phantom power, (6)
balanced 1/4” inputs, Hi-Z 1/4” guitar input
• Easy setup and navigation from concept to final product
• Two blocks of multi-effects with 13 mastering effects
• Quick Loop Sampler w/250MB included samples
• Built-in 20GB hard drive and CD-RW
22
#TADP01
$
DP01FX same as above with added reverb, insert effects and 2 XLR mic pre’s #TADPO1FX.......$49900
®
®
®
STAND-ALONE DIGITAL WORKSTATIONS
BOSS
BOSS
#BOBR1600CD
1395
$
BR1600CD
00
Ideal for tracking live performances, the BOSS flagship
BR1600CD is a high-quality 16-track digital studio
capable of recording to all 8 XLR inputs simultaneously,
all with their own dedicated compressors. It combines a
comprehensive 13-fader mixer section, 40GB hard drive,
and CD-R/RW with powerful COSM effect modeling and
mastering capabilities, delivering high production quality
with vast creative possibilities for mobile and desktop recording.
• 16-track (256 virtual)/40GB hard drive/CD-R/CD-RW
• (8) XLR mic preamps with phantom power, (8) 1/4” inputs, 1/4” Hi-Z guitar input
• Mastering Tool Kit, COSM effect modeling for microphones, guitar and bass
• Built-in drum/bass sequencer with large sound library and phrase loops
• Harmony Sequence function for instant background harmonies • Vocal Toolbox with auto
pitch correction • USB connectivity for .WAV/AIFF file import/export
ROLAND
VS2000CD
#ROVS2000CD
199500
$
The 24-bit, 18-track VS2000CD is the most affordable VS
series digital recording workstation available. It provides
new features including a Harmony processor, tuner, USB2
file transfer, MAC/PC file-conversion, and a stereo Rhythm
Track. Easily create recording setup templates, utilize
comprehensive editing and transport sections, and process,
master and burn audio utilizing three effects expansion board
and built-in burning software. The mobile VS2000CD easily
integrates into any computer based recording environment.
• 24-bit, 40GB, 18-trk recorder, 8-trk simultaneous recording, 320 virtual tracks w/VGA output
• 40-channel automated mixing, (17) faders w/dedicated EQ and dynamics/CH
• (8) XLR inputs w/phantom power, (8) balanced 1/4” inputs • Huge library of internal effects and
processing • Import/Export/burn .WAV and AIFF via USB 2.0/CD-ROM for editing/storage
• Built-in Harmony function and rhythm pattern generator
KORG
D32XD
#KOD32XD
299900
$
With 32-tracks of playback and 8 tracks of
simultaneous record, the D32XD offers some
of the highest audio processing levels available
to digital workstations. The D32XD provides
extensive connectivity, recording, editing, and
processing flexibility combined with an intuitive 56-input, 14-buss digital mixer producing final
masters that are burned and stored via the built-in CDR/RW and 40GB hard drive.
• 32 playback/8 record tracks at 16-bit 44k/48k, 16 playback/8 record tracks at 24-bit
44k/48k, 8 playback/4 record tracks at 24-bit/96k
• (8) XLR mic pre’s w/phantom power, (8) balanced 1/4” inputs, (1) Hi-Z guitar input
• (11) individual effects at once/4-band parametric EQ and compressor per record channel
• 40GB hard drive, CD-R/RW allows for mastering and storage of projects
D16XD 16-track version of above with 40-channel, 12 buss digital mixer #KOD16XD .....$209995
DIB-8 option adds 8 channels of ADAT optical output #KODIB8 .........................................$13995
#BOBR1200CD
BR1200CD
109500
$
Featuring an
intuitive
layout
and
icon
based
user
interface,
the
BR1200CD is
a portable and versatile hard-disc recorder capable of
12 simultaneous playback tracks. It combines a
powerful drum and bass programmer, COSM effect
modeling, and studio multi-effects with a Mastering
Tool Kit for polishing mixes. Easily store,
import/export, backup, and burn data/audio via the
built-in hard drive, USB port, and CD-burner.
• 12 playback/2 record tracks (simultaneous)
• (2) XLR inputs with phantom power, 1/4” and RCA
inputs, digital out (optical)
• High-quality COSM/multi-effects for processing
including Mastering and Vocal Tool Boxes
• Built-in drum and bass machine with 600 patterns and
easy audio loop importing with Auto Tempo Matching
• 40GB internal HD, USB port
TASCAM
#TA2488
119900
$
2488
Providing 24
tracks of true
24-bit audio, the
Tascam 2488
Digital Recording
Workstation
delivers the
largest recording
track count in its
price range.
Users can record up to 8-tracks simultaneously via 4
XLR and 4 1/4” inputs, access three built-in effects
processors, and mix-down each channel with
dedicated dynamics and a 3-band sweepable EQ. A
generous twenty faders, large LCD screen, and CDRW burner, allows users the hands-on direct
feedback necessary for professional results in music
and audio for video production.
• 40GB hard drive/24 tracks of 24-bit audio
• (4) XLR 1/4” combo jacks w/phantom power, (4)
dedicated 1/4” inputs • Complete waveform editing
• Discrete channel dynamics w/dedicated Stereo
Compressor on main output
• 64-voice GM sound module • CD-RW for master
recordings/import/export SMF, .WAV files, and backup
• USB 2.0 for PC/Mac data transfer
212.502.6360
•
Toll Free:
800.416.5090
23
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