166 Broadcast Studio Microphones 800-416-5090 NEUMANN #NEBCM104 99999 $ BCM104 With precision engineering and design, the Neumann BCM104 is a natural sounding large diaphragm, cardioid condenser microphone, specifically tailored for the demands of today’s digital broadcast studios. • Cardioid microphone for broadcast & studio • Internal switchable low-frequency roll-off • 14dB pad • Switchable proximity compensation • Easily switchable color coded head grilles • Unique shock mount assembly • 152dB SPL • 20Hz–20kHz frequency response BCM104 voice-over kit #NEBCM104K ..........................................................................................................CALL RODE #ROB CALL BROADCASTER An affordable choice for today’s modern digital broadcast facilities, the RODE BROADCASTER is a large diaphragm cardioid condenser microphone that features a true full-range response especially suited for voice over use. • Low noise handling • Power indicator • Unique “On-Air” LED indicator • Internally shock mounted capsule with pop filter • 135dB SPL • 20Hz–20kHz frequency response • Custom case with microphone holder (included) Broadcaster voice-over kit #ROBK ........................................................................CALL SHURE $ SM7B #SHSM7B 34995 The Shure SM7B is a large diaphragm dynamic microphone designed for studio broadcast applications. It has a smooth, flat, wide-range frequency response, and provides excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and electrical devices. • Selectable tone controls • Internal suspension shock mount • Graphic display of bass and mid-range adjustments • Improved bracket design • High sound pressure level handling capabilities • Rugged steel construction • 40Hz–16kHz frequency response SM7B voice-over kit #SHSM7BK .......................$499.95 ELECTRO-VOICE $ RE20 #ELRE20 39900 A broadcast industry standard, the Electro-Voice RE20 is a cardioid dynamic microphone that delivers reliable, low noise performance with exceptional clarity and definition. Its internal pop filter reduces proximity effect, and the internal shock mounting reduces handling noise. 309A suspension shock-mount available #EL309A ...... $99.00 • Response tailored for vocal applications • Bass tilt down Switch • Capable of extremely high sound pressure levels • Rugged steel construction with low handling noise • 45Hz–18kHz frequency response • Includes 81715 stand clamp RE20 voice-over kit #ELRE20K ........................................................................................$649.95 NEUMANN $ BCM705 #NEBCM705 69900 The BCM705 is Neumann’s first ever dynamic microphone, and its second in the Neumann broadcast line. Housed in the same body as the BCM104, it utilizes a Nuemamn re-designed version of the Sennheiser MD 431 capsule; overhauled to meet the specific demands of broadcast applications. • Supercardioid pickup pattern • Removable integrated wire mesh pop screen • Individual headgrilles available for each user • Capsule’s mechanical suspension reduces sensitivity to stand movement or handling shocks • Does not require a power supply • Frequency response: 20Hz–20kHz • Integrated elastic suspension BCM705 voice-over kit #NEBCM705K............................................................................................................................ CALL Stereo Microphones www.bhproaudio.com AUDIO-TECHNICA $ AT825 167 #AUAT825 34995 The Audio-Technica AT825 is an easy to use, single-point-reference stereo condenser microphone. Its flat frequency response and “true” stereo imaging make it the right choice for recording music, on-location audio, or ambient soundscapes onto professional DV cameras, compact flash and DAT recorders. • Closely-matched elements provide outstanding imaging and excellent channel separation • Compact, lightweight design is ideal for camera mounting • Switchable low-frequency roll-off • 5-pin XLR output • 126dB SPL • 30Hz–20kHz frequency response AT822 unbalanced version with 1/8” stereo or 1/4” dual mono temination #AUAT822 .......................................... $249.00 RODE $ NT4 • Two externally biased 1/2” matched capsules with gold sputtered diaphragms • Transformerless circuitry for low noise • Phantom or 9V battery powered • 143dB SPL • 20Hz–20kHz frequency response SHURE $ VP88 • Custom mini stereo jack and XLR cables included • Custom case, shock mount, windshield and stand mount supplied #RONT4 47900 The RODE NT4 is a fixed, 90-degree X/Y configuration stereo microphone designed for professional applications. Its perfectly matched cardioid condenser elements produce both detailed and accurate stereo recordings. The NT4 can be powered via phantom or 9V battery, making it well suited for both studio and location recording. #SHVP88 68995 The Shure VP-88 is a professional singlepoint reference, stereo condenser microphone. Ideal for location, broadcast and live performance recordings, the VP-88 features a unique selectable stereo imaging matrix output and filter adjustments that provide recording and broadcast engineers with the flexibility necessary to faithfully capture the realism of live events. • Mid-Side design for optimal imaging • Built-in stereo matrix for direct stereo spread control • Selectable roll-off and output • Internal shock mount for reduced handling noise • Operates on both phantom or internal 6V battery power • 129dB SPL • 40Hz–20kHz frequency response CROWN SASSP MKII #CRSASSPMKII 105995 $ The SASSP MKII is an ambient stereo microphone that utilizes dual PZM microphone elements. Its unique design mimics the shape of the human head to capture an airy and warm complete stereo image. Broadcasters rely on it for recording crowds, journalists and filmmakers use it for realistic ambience, and it’s also used experimentally in recording studios for music and soundtrack production. RODE NT5 $ • Stereo electret condenser Pressure Zone Microphone (PZM) • 12V – 48V phantom powered or two 9V batteries • Omni at low frequencies, unidirectional at mid/high frequencies • Low cut switch • 150dB SPL • Carrying case, handgrip, and windscreen included • 20Hz–18kHz frequency response • (2) externally polarized 1/2” pressure gradient condensers • Gold sputtered capsule • Heavy duty satin-nickel-plated body • 143dB SPL • 20Hz–20kHz frequency response • Dual wind screens, stand mounts, and durable road case (included) #RONT5 42900 (matched pair) The NT5 (matched pair) are a set of smalldiaphragm cardioid condenser microphones designed for single or stereo X/Y miking. Great for live performances, acoustic instrument, and drum overhead recording, the compact, low noise NT5 (matched pair) offer a great solution for stereo recording at a very affordable price Shotgun Microphones 168 NEUMANN KMR81i 800-416-5090 # NEKMR81I 134999 $ The KMR81i is a premium shotgun microphone designed especially for ENG, film and stage work. Off-axis sounds are left uncolored and are picked up at low levels, while the outstanding directivity allows focus on individual sources producing clean, high output sound with remarkably low self-noise. Attenuation and filter switches further enable level and noise control. • Renown Neumann engineering • Low power consumption, lightweight and wind resistant • 10dB pad and high-pass filter • Excellent directional characteristics with superior side and rear rejection • 48V phantom powered KMR82i supercardioid long-tube shotgun with enhanced high frequencies #NEKMR82I .................................................................................................................$1519.99 SCHOEPS • Supercardioid polar pattern • Superior RF immunity • Low colorization of off-axis sound • (3) pushbutton-activated filters with LEDs • Lightweight, blue anodized all metal housing • Includes: SG 20 swivel joint, W 140 windscreen and wooden carrying case • Frequency response: 40Hz-20kHz The CMIT 5U is a shotgun microphone that delivers exacting standards, reliability, and neutral, accurate sound Schoeps microphones are known for. It is equipped with three pushbutton-activated filters: High-frequency emphasis (+5 dB at 10 kHz), Steep low-cut filter (18 dB/oct. below 80 Hz) and Gentle low-frequency rolloff (6 dB/oct. below 300 Hz). This top quality shotgun microphone is suitable both music recording and dialog recording. SANKEN The CS-3e is a short shotgun microphone with a unique design; incorporating three directional capsules arranged in a front-back array. It maintains directivity over a wide frequency range (especially in the low frequencies) and minimizes proximity effect. The CS-3es standard 19mm diameter permits the use of a wide range of mounts, wind protection and accessories. CS1 # SACS3E 135000 $ CS-3e SANKEN # SCCMIT5U 189500 $ CMIT 5U # SACS1 79500 $ The CS1 is a compact, shotgun microphone that combines a cardioid pattern and excellent off-axis rejection to produce crisp, focused sound that is ideal for professional film, video and broadcast productions. The lightweight CS1 conveniently mounts onto cameras and can handle high sound pressure levels suitable for reproducing distortion-free audio at even close proximities. • Designed for professional videographers, TV/film and broadcast applications • Very high SPL handling capability • Narrow angle, directional pickup rejects off-axis ambience • 48V phantom powered K-SSM K-Tek shock mount for Sanken CS1 #KTKSSM.............................................................$119.95 • Excellent for noisy am- • Excellent side and rear bient environments rejection with low • Supercardioid polar proximity effect pattern • Frequency response: • Switchable low-cut filter 50Hz -20kHz • Directional sound even • Brass housing with in the lower frequencies black soft-touch coating SENNHEISER MKH416 # SEMKH416P48 109995 $ The MKH416 is a highly sensitive short shotgun microphone designed to deliver extremely linear low-noise audio with minimal off-axis sound coloration, a favorite for high-end film production, TV/video and broadcast applications. Its rugged RF-design is virtually immune to weather conditions and mounts easily to fish poles, booms, and digital cameras. • High end, low-noise design for demanding film, ENG and video production • Excellent directivity and compact design • Transformerless, natural sound • Highly-sensitive element effectively rejects feedback and off-axis sound • 48V phantom powered • Rugged build, suitable for adverse climates Shotgun Microphones www.bhproaudio.com SENNHEISER MKH60 169 # SEMKH60 149995 $ The MKH60 is a short shotgun microphone designed with a high degree of directivity ensuring superior audio quality for distance applications. Ideal for a variety of professional film and broadcast applications, the low noise, low distortion MKH60 features a light, weather-proof design that maintains a natural, sensitive response throughout the whole frequency range. • High directivity throughout whole frequency range • Excellent side and rear noise rejection • Natural sounding transformerless design • Rugged and weather-proof • Switchable pre-attenuation • Switchable roll-off filter • Switchable treble emphasis SENNHEISER • Ideal for film and ENG applications • Exceptionally low inherent self-noise • Switchable roll-off filter, treble emphasis and 10dB pad • Powers via: 48V phantom power • Lightweight, rugged and wheather-proof • Frequency response: 50Hz-20kHz • Black, anodized metal casing AUDIO TECHNICA AT-4071A The AT-4071A is a shotgun microphone designed for critical long-distance pickup in broadcasting, film/TV production, and theater sound reinforcement applications. Its unique interference tube design provides the same directivity as mics up to 50 percent longer than the AT4071A. The rugged 15.55” housing is made of lightweight structural-grade aluminum alloy, and weighs only 5.5oz. SHURE SM89 The MKH-70 is a long shotgun condenser microphone that provides frequency-independent directivity; preventing sound coloration from off-axis sound sources. This microphone provides excellent directivity making it ideal for long distance miking applications and high noise environments. Its RF condenser element offers high sensitivity with very low inherent self-noise. #AUAT4071A $ $ 65995 • Lightweight design for boom pole operation • Extremely high output with low noise floor • Switchable 150Hz hi-pass filter • Frequency response: 30Hz-20kHz • Rugged aluminum alloy housing • Includes: snap-in stand clamp, foam windscreen & carrying case #SHSM89 57995 The SM89 is a professional shotgun microphone designed especially for location film/TV production, theater sound reinforcement, and spot pickup. The rugged and reliable SM89 is made from Aircraft-grade materials and operates over wide range of temperature and humidity. Its lightweight design enables it to be suspended on a fishpole for long periods of time without operator fatigue. Designed to produce a smooth, wide on-axis response, the SM89 is optimized for cutting through noisy environments and has a slight presence boost for increased clarity and speech intelligibility. • Highly directional polar pattern • 2 low-cut frequencies for reduced mechanical noise • Greatly suppressed side pickup • Very lightweight with low hum, noise, and RF pickup • Wide range phantom power operation • Frequency response: 60Hz-20kHz • Includes: foam windscreen and carrying case SENNHEISER ME66 K6 # SEMKH70 165995 $ MKH-70 $ # SEME66K6J 47900 The ME66 is a short shotgun microphone capsule designed especially for reporting, film, and broadcast applications. It is capable of picking up quiet signals in noisy or acoustically live environments. It has a highly directional supercardioid pickup pattern, low self-noise, and high sensitivity for greater gain-beforefeedback. • Excellent off-axis noise rejection for increased accuracy in high-noise environments • Ideal for videography, field recording, interviews, film and broadcast production • Compact design for use on short digital cams • Supplied with K6 power supply for phantom or battery use ME67 supercardioid spot shotgun condenser microphone capsule #SEME67 ...............................................$259.95 Shotgun Microphones 170 RODE NTG-1 $ 800-416-5090 #RONTG1 24900 The Rode NTG-1 is a supercardioid condenser shotgun microphone specifically designed for professional ENG, film, video, and voice-over applications. It powers via phantom power, and provides a controlled polar response coupled with low noise SMT electronics. This extremely lightweight microphone mounts directly to video cameras (with optional accessories) or boom poles. • Supercardioid condenser shotgun microphone • Ideal for camera or boompole mount • Switchable high-pass filter • Frequency Response: 20Hz- 20kHz • Very low self noise • Rugged metal construction • Includes: stand mount, zip pouch & foam windshield RODE $ NTG-2 #RONTG2 269 00 The NTG-2 is a lightweight condenser shotgun microphone designed for professional film, video and production applications. It can power either from an internal “AA” battery or 48V phantom power; making it ideal for mounting directly to video cameras or boom poles. This low profile mic provides a wide bandwidth, a controlled polar response and a high-pass filter to cut out low-end rumble. AUDIO TECHNICA AT-875R • Requires phantom power in order to operate • Short seven inch length • Tailored low frequency response • Smooth audio reproduction • Ideal for mounting on a video camera • Excellent off axis rejection #AUAT875R 19995 $ The 875R is an exceptionally compact shotgun microphone that was designed for use in video production. Its short size (seven inches in length) makes it ideal for mounting on a video camera. It offers off axis rejection of sounds to the sides and rear of the mic, and the sound quality and performance of a larger, more expensive shotgun microphone. AUDIO-TECHNICA AT8035 • Mounts directly to video cameras or boom poles • Powers via: “AA” battery or phantom power • Switchable high-pass filter • Frequency response: 20Hz -20kHz • Rugged metal construction • Includes: zip pouch, RM5 stand mount and foam windscreen $ #AUAT8035 23995 The AT8035 is designed for professional recording, broadcasting and TV/film video production. It provides the optimum acceptance angle for picking up clean audio at long distances, even in acoustically noisy environments. Additionally, its short length is well suited for ENG, outdoor recording and other specialized uses. • Designed especially for video and broadcast (boom or handheld use) • Excellent rear and side sound rejection • Switchable low-frequency rolloff • Operates on battery or phantom power AT8415 low profile shock mount #AUAT8415 ........................ $49.95 AUDIO-TECHNICA AT897 $ #AUAT897 24995 Designed to accurately capture audio from a distance, the AT897 is considered the benchmark for lower priced short shotgun microphones. Its compact length mounts conveniently on a DV camcorder without adding much heft or getting in the frame. It provides a smooth, natural on-axis sound with excellent rear and side rejection. • Designed for field audio use in film/TV/video production and broadcast • Short, compact design ensures mic stays out of the shot • Smooth, natural-sounding on-axis audio • Low-cut filter • 48V phantom or battery operation Shotgun Microphones www.bhproaudio.com SONY ECM-674 $ 171 #SOECM674 34500 The ECM-674 is a lightweight shotgun condenser microphone that combines high performance features with versatile powering options at an affordable price. It provides high sensitivity, low noise characteristics and a flat-and-wide frequency response. Designed for use both studio and field applications, the compact ECM-674 is an ideal match for Sony’s HDV, DVCAM and XDCAM camcorder lines. • Compact, lightweight design • Powers via: “AA” battery or external phantom power • 2-position low frequency roll-off switch • Frequency response: 60Hz-18kHz • Built-in battery liquid leakage protection circuit • Includes: windscreen, mic holder, mic spacer and cable SONY ECM-678 • Compact supercardioid short shotgun • Built-in 2 position low cut filter • Powers via: 48V phantom power • Frequency response: 40Hz-20kHz SONY ECM 673 $ • Camera and boom pole mountable • Includes: a windscreen, holder, spacer and carrying case $ #SOECM678 65000 The ECM-678 is a compact short shotgun microphone designed for use in broadcast, professional video, film, and field audio applications. This durable mic can be mounted on a boom pole or a video camera and is suitable for even the most demanding shooting/recording conditions. It is equipped with a newly developed microphone capsule that delivers sensitivity of -28dB and extremely low inherent noise of less than 16 dB SPL. #SOECM673 29500 The ECM-673 is a compact shotgun microphone designed for use with compact camcorders in broadcast, documentary and motion picture production. This lightweight microphone weighs only 4.9 ounces and is only 8 inches in length. It provides sensitivity of 36dB, 40 Hz to 20 kHz frequency responses and a built-in two position low cut filter. AUDIO-TECHNICA AT4073A • Low profile shotgun, ideal for videographers • Built-in 2 position low cut filter • Powers via 48V phantom power • Weight: 4.9ozs, Length: 8” • Frequency responses: 40Hz- 20kHz #AUAT4073A $ 54995 • Includes: windscreen, mic holder, mic spacer& cable AUDIO TECHNICA AT-8015 $ #AUAT8015 27995 Designed for critical long-distance pickup, the AT4073A sets a new standard for small, lightweight shotgun microphones. It mounts easily to minicams and fish poles and features a propriety interference tube whose narrow acceptance angle provides the same directivity as mics up to 50 percent longer. The AT-8015 is a long shotgun designed for professional video production, broadcast and ENG/ EFP applications. It powers via battery or phantom power, and provides excellent sound rejection from the sides and rear of the microphone. The AT-8015 is equipped with a low frequency roll-off switch to help reduce ambient noise, room reverberation and mechanically coupled vibrations. • Ideal for broadcast, film/TV, video and stage sound reinforcement • Patented acoustic design provides directivity of mics 50% longer • Superior off-axis sound rejection • Switchable 150Hz hi-pass filter • Wide 11-52V phantom power operation • Designed for broadcast and film/TV/video production • Excellent sound rejection from the sides and rear of mic • Switchable low frequency roll-off • Frequency response: 30Hz-20k Hz • Powers via: “AA” battery or phantom power • Includes: stand clamp, AT8135 windscreen, battery, carrying case 172 Shotgun & Parabolic Microphones AZDEN SGM-2X $ 800-416-5090 #AZSGM2X 21995 The SGM-2X is a shotgun microphone system designed for both the pro-sound and broadcast markets. This dual-purpose mic has two interchangeable barrels: an 8 1/8” omnidirectional barrel, and an extension barrel to make it a 15 3/4” supercardioid. It operates for 250+ hours on a single “AAA” battery and includes a unique, integrated shock-mount & two foam windscreens. • Professional shotgun microphone system • Switchable low-cut filter • Frequency response: 40Hz -20kHz • Powers via: “AAA” battery • Low current drain, 250+ hour battery life • Camera-shoe or stand mounting • Includes: shock mount mic holder, (2) windscreens AZDEN • Ideal for videographers • Hyper-directional, super-cardioid shotgun microphone • Frequency Response: 18Hz -80kHz • 110dB SPL • Powers via: “AAA” battery • Low current drain, 1000+ hour battery life • Camera-shoe or stand mounting • Includes: windscreen and integrated shockmount AZDEN SGM-1000 Big Ears Super Kit The Azden SGM-1X is a compact shotgun microphone designed for mounting on digital video cameras. This hyper-directional super-cardioid shotgun has a wide frequency response and will operate over 1000 hours on a single “AAA” battery. It includes a windscreen and Azden’s proprietary shock-mount holder that isolates the SGM-1X from camera motor and handling noise. #AZSGM1000 $ 26900 The SGM-1000 is a highly directional shotgun microphone that can be powered by external phantom power or a single “AA” battery. This versatile microphone provides a wide frequency response, a switchable low-cut filter and a unique shockmount holder with integrated shoe-mount. When powered via alkaline battery, the SGM-1000 will operate for approximately 1000 hours. CRYSTAL PARTNERS #AZSGM1X 14995 $ SGM-1X $ • Ideal for video, ENG and broadcast applications • Super-cardioid electret condenser • Powers via: “AA” battery or phantom power #CRBE3KSC 409900 • Switchable low-cut filter • Frequency Response: 80Hz -20kHz • Low current drain, 1000+ hour battery life • Includes: shock mount mic holder, windscreen and carry-pouch CRYSTAL PARTNERS Lil Ears Super Kit $ #CRBE4KSC 284995 Parabolic Microphone Kit Parabolic Microphone Kit The Big Ears Super Kit is the latest generation of the state of the art parabolic microphone reflector. It incorporates two side mounting plates in the handle design to accommodate mounting of transmitters and receivers for wireless communications. The Lil Ears Super Kit is the ENG version of the state of the art parabolic microphone reflector. This ready to use broadcast package complete with handle and yolk, and is designed for hand held, mic stand or camera mount. Big Ears Super Kit includes: BE3 dish, HD1 Headset, MD1 Bridging Amp and Sennheiser MKE2 Microphone, CC1 carrying case, RD1 electronic site, DS1 neck strap and SG1 silent gloves. Lil Ears Super Kit Includes: BE4 dish, HD1 Headset, MD1 Bridging Amp and Sennheiser MKE2 Microphone, CC2 carrying case, RD1 electronic site, DS1 neck strap and SG1 silent gloves. • Pick-up Pattern: 30” diameter target at 100ft.(tunable) • Useful Range: 5ft. to 500+ft. maximum (dependent on environment, atmospheric conditions and surrounding noise levels) • Size: 25.5” x 26.5” x 10” • Parabola size: 23” • Weight: 5 LBS • Pick-up Pattern: 24” diameter target at 100ft. (tunable) • Useful Range: 3ft. to 350+ft. maximum (dependent on environment, atmospheric conditions and surrounding noise levels) • Size: 16” x 15” x 5” overall • Parabola size: 13” • Weight: 2 LBS This Parabolic Microphone kit is not recommended for Tacticle use This Parabolic Microphone kit is not recommended for Tacticle use Stereo Shotgun Microphones www.bhproaudio.com AUDIO TECHNICA $ BP-4029 The BP-4029 is a professional stereo shotgun microphone designed for long distance miking in broadcasting and film/TV production applications. It features independent line-cardioid and figure-of-eight condenser elements, switchable low-frequency roll-off and a selection switch for non-matrixed M-S & internally matrixed left/right stereo modes. This lightweight mics compact design makes it an ideal choice for camera mounting. 173 #AUBP4029 59995 • Independent line-cardioid & figure-of-eight condenser elements • M-S, LR Stereo-Wide & LR Stereo-Narrow modes • Switchable low frequency roll-off • Frequency response: 30Hz-20kHz • Includes: 24” 5-pin XLR/F-(2) XLR/M cable, stand clamp, AT8135 windscreen, carrying case SENNHEISER • Ideal for film, ENG and broadcast applications • Polar Pattern-M: Supercardioid, S: Figure 8 • Low inherent self noise • Dual channel 5-pin XLR Output • Frequency Response: 40Hz- 20kHz • Matte black metal casing • Includes carrying case NEUMAN RSM 191 A-S $ #NERSM191AS 449999 The RSM 191 is a remote-control shotgun system for MS and XY stereo recording. It consists of a short shotgun microphone with two separate capsule systems (hypercardioid element & figure-8), and the MTX 191 a matrix amplifier that controls the width of the stereo image. The RSM 191 is ideal for use as a stereo drum overhead system, and is equally well suited for broadcasting/ENG, film and video applications. SANKEN CSS-5 The MKH 418 S is an M-S stereo shotgun microphone that combines a supercardioid mid capsule with a newly designed figureof-eight side capsule. A 5-pin XLR output sends the separate signals of each internal microphone system to discrete channels on a console/field mixer, recorder or matrixing system. This versatile mic utilizes Sennheiser’s exclusive RF condenser technology; offering low inherent self noise and an optimal signal-to-noise ratio. • MS-stereo microphone, switchable to XY configuration • Polar Pattern: Mid-hypercardioid, Side- figure-8 • Switchable low frequency roll-off • Frequency response: 20Hz -20kHz • Powers via: phantom power or 9V battery • Includes: aluminum carrying case, windscreen, interconnection cable & dual 3-pin XLR output cable #SACSS5 199500 $ The CSS-5 is an easy-to-operate stereo shotgun for use in stereo broadcasts and feature films with stereo and surround sound. Its unique design utilizes an array of five directional condenser elements, offering three distinct operation modes to satisfy the various needs of location and studio recording. The CSS-5 standard 19mm diameter permits the use of a wide range of mounts, wind protection and accessories. • Ideal for film, video and broadcast applications • 3 switchable modes: Normal, Mono, Wide • Excellent side and rear rejection with low proximity effect • Equally responsive in the horizontal and vertical planes • Frequency response: 20Hz -20kHz • Standard 19mm diameter GS-5 Pistol Grip w/Shockmount for CSS-5 #SARYGS5 ........... $245.00 #SEMKH418S 119995 $ MKH-418 S SANKEN CMS-10 $ #SACMS10 219500 The CMS-10 is a camera-mount stereo shotgun microphone designed for HDTV broadcasting applications. It provides extremely high resolution audio, superior frontal directionality and an integrated camera mount suspension. The CMS-10s output is switchable between a highly directional mono signal to both L/R channels and a L/R stereo signal. • Camera mount stereo shotgun microphone • Ideal for film, video and broadcast applications • Superior frontal directionality and off-axis rejection • Built-in Mono/Stereo switch • Frequency Response: 20Hz -20kHz • Lusterless black soft touch coating • Includes: SH-10 suspension mount, WSJ-10 Softie windjammer CMS-10MS M/S output only version #SACMS10MS.............................................. $2195.00 174 COUNTRYMAN EMW (black) Lavalier Microphones SHURE #COEMWHWB 19250 $ Exceptionally small in size, the EMW is an omni-directional electret condenser microphone that’s ideal for TV broadcast, theater production, presentations and even instrument recording. Capable of handling high sound pressure levels both direct and indirect of the capsule, the EMW is also moisture resistance, provides very low rubbing noise, and is available with tailored response curves making it a popular choice for under clothing, normal, and clipped on instrument use. 9995 The Shure SM11 is a miniature dynamic lavalier microphone designed for on camera TV broadcasts, stage and specific radio and film applications. Its omni-directional element is enclosed in a ruggedly built aluminum case that is lightweight and unobtrusive, with an acoustic response matching most stand and desk-mounted microphones. Its Smooth exterior and recessed grille screen reduces clothing noise and the flexible long-life cable ensures years of reliable use. • Omni-directional, dynamic (requires no power) lavalier microphone • Rugged construction for extended reliability • Smooth exterior and recessed grille screen reduces noise • XLR connection RK203TC tie clasp #SHRK203TC..................................................................... $12.95 RK200BC belt clip #SHRK200BC .............................................................................................$4.50 AUDIO-TECHNICA AT803b #AUAT803B 13995 $ Designed to be worn on the clothing of stage and TV performers, the omni-directional AT803b condenser microphone offers an excellent unobtrusive sound pickup that operates on either phantom or battery power. Additionally, a built-in 80Hz high-pass filter provides easy switching from a flat frequency response to a low-end rolloff, ideal for reducing low frequencies caused by clothing noise. EMWHWBS shelved frequency response version #COEMWHWBS ..............................................$192.50 ECM-44B #SHSM11CN $ SM11 • Extremely small, flat lavalier design with hard-wired XLR connection • Moisture resistant and very low rubbing noise • Wide response, omni-directional pattern • 130dB SPL • Flat 20Hz-20kHz frequency response SONY 800-416-5090 #SOECM44B • Omni-directional design for clip-on and musical use • Small, unobtrusive profile • Operates on both phantom or battery power • 135dB SPL • 30Hz-20kHz frequency response 19500 $ AT835B cardioid version #AUAT835B ................................................................$239.95 AT8801 single phantom power supply #AUAT8801 ..............................................$62.95 The Sony ECM-44B is a high quality small omni-directional condenser lavalier microphone. An industry standard, its simple design and ease of use make it the affordable choice for a variety of broadcast and presentation applications. • Consistent direct and indirect reproduction with low visibilty • Omni-directional electret condenser microphone • Complete with in-line battery unit • Runs up to 5000 hours on single AA battery (not for use with phantom power) • Holder clip, windscreen and case included ADR44B set of (6) black windscreens #SOADR44B .....................................................$99.95 SHURE SM93 #SHSM93 14650 $ The SM93 is an omni-directional electret condenser microphone designed for use in TV broadcast, theater, and sound reinforcement applications. It operates over a wide voltage range and provides a full, clean sound that is comparable to larger microphones. The SM93 combines versatile, inconspicuous mounting with a controlled low-frequency rolloff and slight presence boost making it ideal for body worn operation. • Subminiature lavalier design • Small, easy-to-hide mounting hardware • Low distortion, wide dynamic range • Omni-directional condenser • Wide range phantom powering RK354SB (2) single bar tie mic clips #SHRK354SB ............................................... $12.95 RK355WS set of 4 windscreens #SHRK355WS ............................................................$17.95 Lavalier Microphones www.bhproaudio.com SONY $ ECM-77B #SOECM77B 38500 An industry standard, the ECM-77B is an omni-directional electret condenser microphone designed for professional broadcast, sound reinforcement and recording applications. Its slim profile is easily concealed in performances or broadcast, and with both phantom and battery powered operation, the versatile ECM-77B becomes an ideal choice for delivering a wide range of performances. • Omni-directional pattern with sensitive response • Ideal for professional performances and broadcast • XLR connection with multiple connections available • Powered by either 48V phantom or single AA battery ADR77B set of 6 black metal windscreens #SOADR77B .......................................$94.95 SENNHEISER MKE 2 PC • Omni-directional, sub-miniature condenser lavalier design • Well suited for TV, broadcast, and onstage musical performance • Capable of handling high volumes during instrument recordings • 48V phantom powered • 20Hz-20kHz frequency response #SEMKE2PC $ 29750 The MKE 2 is a high quality, sub-miniature clip-on lavalier microphone ideal for a multitude of applications where other clip-on microphones prove too obtrusive because of their larger size. It fulfills the most stringent sound quality demands and is extremely robust. It is suitable for both speech and instrument miking applications in all areas of live work. AT899 #AUAT899 19995 $ Intended for film, theater, and stage applications, the AT899 is a sub-miniature omni-directional condenser microphone designed to deliver optimum performance. It offers maximum intelligibility and accurate reproduction from all sides of the microphone, while providing additional flexibility of either battery of phantom power operation. Its low-profile design is easily concealed in clothing or hair. • Omni-directional, sub-miniature lavalier design • Even pickup around microphone element • Operates on both phantom and battery power • Flat, rolloff switch for reduced rubbing noise • 138dB SPL • 20Hz-20kHz frequency response AT899A accessory kit including Clothing, Viper and Magnet Clips, Lanyard, Windscreens, Microphone Covers and Holders #AUAT899AK....................$53.50 TRAM TR50 #TRTR50BPS $ 31495 MZ2 accessory kit #SEMZ2 ....... $37.50 MZQ222 tie clips #SEMZQ222................................. $12.95 MZW2A steel mesh grill SANKEN #SACOS11SBPB $ COS-11 39900 The SANKEN COS-11’s ultra-small design and superior sonic characteristics make it the lavalier microphone of choice for TV news and other critical broadcast applications. Available in multiple configurations, the versatile COS-11 can be powered by either phantom or battery power and is the ideal upgrade for many other wireless systems. • Ultra-linear, omni-directional pattern • Resistant to cosmetics and moisture • Available in multiple configurations AUDIO-TECHNICA 175 • 12-52V phantom or AA battery type power • 136dB SPL • 50Hz-20kHz frequency response An industry leader, the TR50 is a professional miniature electret-condenser microphone that provides superior sound quality with minimal coloration from its omni capsule. Its low visibility, wide range of connectors, and multiple color options make the TR50 an ideal choice film production, broadcast, and stage performance. • Omni-directional, miniature condenser lavalier microphone • Superior sound quality with minimum coloration • Available with a large range of connectors • Phantom or battery powered • Tube style power supply with XLR connector TR50BNCMO same as above without connection and accessories #TRTR50BNCMO .................. $174.95 TR79MLP TR79 power supply with TA5 connection and positive bias wiring #TRTR79MLP............ $167.95 176 Handheld ENG Microphones 800-416-5090 ELECTRO-VOICE Utilizing the concept of a “mic-within-a-mic”, the rugged RE-50B is a specially shock-isolated omnidirectional dynamic microphone. It’s DynaDamp shockmount and multi-stage integral pop-filter provides an unprecedented degree of isolation from handling, mechanical and environmental noise, making it a top industry choice for clear, noise-free hand-held interview and news gathering broadcasts. • Advanced shock-mounting techniques for improved durability and superior low-noise audio reproduction • Built-in four-stage pop-filter protects from excessive sibilance and wind noise • Well-isolated transducer seemingly unaffected by environmental extremes • Omnidirectional pattern for uniform pickup on and off axis • 80Hz-13kHz frequency response SHURE VP64A • Neodymium magnet for increased output and maximized signal-to-noise ratio • Tailored frequency response with mid-range presence boost • Internal rubber shockmounting for reduced handling noise #ELRE50B 13995 $ RE50B • Omnidirectional pattern for uniform pickup on and off axis • Water-resistant grille for extreme weather conditions • 50Hz-12kHz frequency response #SHVP64A 7795 $ The VP64A is an omnidirectional handheld dynamic microphone designed for professional audio and video production. It’s Neodymium element, internal rubber isolation, and tailored frequency response, delivers high-level low-noise audio with greater speech clarity and articulation. Ideal for indoor/outdoor news gathering and sports broadcast. BEYERDYNAMIC $ M58 Specifically designed to satisfy the demands of electronic news gathering and electronic field production, the M58 is an omnidirectional dynamic microphone that features a rugged well balanced design and sophisticated internal shockmount. It’s ideal for providing a high degree of comfort during extended interviews, with minimal handling noise and the ability to withstand the physical punishment of field production. #BEM58 23900 • Tailored wide frequency response adds intelligibility and high-end presence • High-output element with uniform omnidirectional pattern • Durable construction and internal shockmount reduces handling noise and environmental effect • Comfortable, weight-balanced, slim-profile design • 40Hz-20kHz frequency response SHURE SM63 #SHSM63 11895 $ The SM63 is a high-output, omnidirectional dynamic microphone that delivers both professional performance and looks. Its elegant • High-output, wide frequency range tailored for speech • VERAFLEX grille resist but rugged design utilizes a patented Shure shockmount system drops, rust, corrosion, and moisture • Humbucking coil virtually eliminates and VERAFLEX grille, improving resistance to drops, rust, corrostrong electromagnetic hum • 80Hz-20kHz frequency response sion, and moisture. Internally, the high-quality SM63’s circuitry is tailored specifically for speech, with a low-frequency rolloff, SM63L same as above with additional 3.5” handle length #SHSM63L patented shockmount, and humbucking. SM63LB same as above with additional 3.5” handle length (black) #SHSM63LB ELECTRO-VOICE RE16 $ #ELRE16 26800 The Electro-Voice RE16 is a dynamic supercardioid microphone designed to meet the most exacting demands of professional broadcast use. Solidly built, the RE16 features a unique blast filter and exclusive non-metallic diaphragm allowing extensive hand-held outdoor • Dynamic Supercardioid microphone • Utilizes a “mechanical nesting design”, that is, use without plosives, excessive wind noise, or negative effects due to weather conditions. With superior rejection of unwanted sound and little one internal transducer part “nests” within another for greater vibration reduction and durability • Bass-tilt switch corrects frequency balance • Hum-bucking coil and off-axis coloration, focused, noise-free broadcasts and presentations are steel outer casing provides 25dB of hum rejection • 80Hz-15kHz frequency response now possible both indoors and out. www.bhproaudio.com Handheld ENG Microphones 177 AKG The rugged AKG D230 is a dynamic omnidirectional microphone that easily rejects hum, plosives, and handling noise while effectively reproducing information from all angles, making it ideal for on-location news broadcasts, film production, and sound effects gathering. #AKD230 19900 $ D230 • Omnidirectional pattern effectively picks up off-axis ambient sounds at lower levels with no coloration • Very wide frequency response • All-metal body and humbucking coil, especially effective against magnetic fields such as interview/film lighting • Internal shockmount and foam lined mesh grill reduces handling noise and pops • 30Hz-20kHz frequency response COLES 4104B • Ribbon microphone with cardioid pattern and lip-positioning bar • 60Hz-12kHz frequency response • Low-frequency rolloff helps eliminate ambient noise and proximity effect • Removable plastic hygiene shield may be cleaned for reuse or replaced $ #CO4104B 85995 The Coles 4104B is a high-quality ribbon microphone designed to accurately capture speech and commentary in even the noisiest environments. Often used for sports broadcasting, the 4104B is a cardioid pattern microphone with special lip-positioning bar and stainless steel breath shields that provide users an optimum talking distance and protection for achieving a warm, accurate signal reproduction with little ambience or proximity effect. ELECTRO-VOICE #EL635A 10995 $ 635A Considered a “Classic” for newsgathering, film production, and radio/video interviews, the dynamic omnidirectional 635A microphone is known to be extremely rugged, • Very low impedance for better noise rejection • “Classic” news broadcast/interview noise-free, and capable of withstanding environmental and video production microphone • Smooth, natural response extremes. Practically indestructible with normal use, the • Effective internal shock absorber and four-stage pop filter for added reliability and 635A provides consistent reliable operation in the most pop-free performance • 80Hz-13kHz frequency response demanding broadcast/film applications. AUDIO-TECHNICA AT804 • Ideal for interviews and sound effects gathering • Natural, uniform omnidirectional pickup with slight high-end presence “lift” • Durable die cast case with steel mesh grille • 50Hz-15kHz frequency response SENNHEISER MD 46 #AUAT804 $ 8995 The AT804 is a dynamic omnidirectional microphone designed for use in broadcast interviews, film ambience, and sound effects gathering. Often used as the “mono” mic conjunction with a stereo microphone, the AT804 is made of a rugged die cast case with hardened steel grille and produces a natural, uniform response with a slight high-end “lift” for additional source clarity, particularly well suited for field use environments. #SEMD46 17495 $ Capable of isolating a source hidden amongst the noise, the Sennheiser MD 46 is a professional dynamic unidirectional microphone designed to deliver high-level hand-held field performance. Its well-balanced design combined with improved sensitivity and cardioid pattern, allow the MD 46 to produce a clean, open sound with slight high-end presence, without the plosives and proximity effect usually emphasized by unidirectional microphones. • Outstanding interview tool • Dynamic cardioid pickup pattern improves source isolation while rejecting background noise • Long, durable handle with excellent balance • Internal pop filter especially effective against plosives and handling noise • 40Hz-18kHz frequency response Portable Field Mixers 178 SOUND DEVICES 302 SOUND DEVICES #SO302 129500 $ The Sound Devices 302 is a professional, compact 3 channel audio mixer designed to meet the demands of professional film, ENG / EFP and broadcast applications. This rugged workhorse provides 3 XLR inputs and stereo XLR outputs (both switchable between mic or line-level signal), 48V, 12V and 12V-T phantom power, input and output limiting, and a low-cut filter switch on every input. Channels 1 and 2 are stereo linkable, and a polarity reverse switch is provided on channel 2 accommodate M-S configurations. • (3) XLR inputs w/phantom power and (2) XLR outputs • Individual channel, mono, stereo, M-S to stereo monitoring • Channels 1 & 2 are stereo linkable, and channel 2 features a polarity switch • Input and output limiting • Powered via: (3) “AA” batteries or external 5-18VDC power source • Low-cut filter switch available on every input SHURE FP-33 800-416-5090 #SHFP33 $ MixPre #SOMIXPRE 66500 The MixPre is a studio-quality, two-channel, portable microphone mixer designed for radio, television, and film production. Its comprehensive features include: pan switches, built-in slate microphone, 1 kHz tone oscillator, and flexible headphone monitoring. The MixPre’s compact size, rugged construction, and high-quality components make it an ideal front end for any field production system. • (2) XLR mic inputs w/ 48V & 15V phantom power • Stereo 1/8” tape out & tape return connections • Monitoring of program audio or external stereo tape return audio • Built-in limiter w/dual mono or stereo operation • High pass filters: 80Hz or 160Hz • Powers via: (2) “AA” batteries or external 5-14VDC WENDT X3 #WEX3 118500 $ The Wendt X3 is a two-channel field audio mixer designed for ENG/EFP broadcast and remote audio recording. This high performance location mixer features: two XLR inputs, Limiter, PAN switches, external power (9-18V), a slate mic, 1/4” phone jack, mic / line switchable output, switch, and a separate stereo mic out for unbalanced equipment. Its compact, light-weight design has a footprint not much larger than a Sony DAT Walkman. 127495 $ • 48V phantom, dynamic and 12T power • Low noise slate mic to right and • 1/4” stereo headphone output left outputs • Stereo LED level indicators • Low-cut Filters: 140HZ, • Mic/Line switchable XLR outputs 20HZ and 100HZ at 12dB per octave • Reference • External power (9-18V) or 12 Tone: 0dBVU 400HZ low distortion sine wave hours of use w/ (6) “AA” batteries The FP33 is a three input/two output, portable stereo mixer specifically designed for remote audio recording, electronic field production, electronic news gathering, and location film production. It provides three high quality XLR inputs and stereo XLR output, 48V and 12V phantom power, flexible signal routing, and panning /level control. The FP-33 has an exceptionally low self-noise and a wide dynamic range, and its rugged plated metal chassis withstands extreme heat and cold. • The inputs and outputs can be switched between mic and line level signal • Professional, backlit analog VU meters (multifunctional) • (2) 9V batteries provide up to 8 hours of use • Monitor and tape I/O and a either 1/4” TRS phone or 3.5mm headphone output • Built-in tone oscillator • Isolated two-way talk back PSC DV ProMix 3 $ #PSDVPM3 47025 The DV PROMIX 3 is a three-channel, professional field mixer designed specifically for the DV Cam market. It features three XLR inputs (switchable between microphone and line level signal), switchable 48v phantom power, left/right/ and center position switches on every input channel, and a dedicated 1/8” mini tape return input. The output section features two XLR connectors (line level/ microphone level), and a separate 1/8” mini output. • Balanced XLR Mic/Line input/output connectors • 48V Phantom power, switchable on each input • Low Frequency roll off reduces wind noise • Bright, sunlight readable LED meters • Output limiters for camera overload protection • Dedicated Microphone level output jack for use with cameras not equipped with XLR • Reference tone oscillator • Carry case and strap included www.bhproaudio.com SONY DMX-P01 Portable Field Mixers $ #SODMXPO1 269500 The DMX-P01is a professional digital field-mixer designed for ENG/EFP applications. This studio-quality portable mixer provides: four XLR microphone inputs (switchable between mic and line level signal), 24-bit/96k A/D and D/A converters, AES/EBU and coaxial S/PDIF digital output, and recallable setup memory. Its Flexible analog and digital I/O and routing, 32-bit internal processing, and professional metering, make this versatile mixer a top choice for high resolution field recording. • (4) XLR inputs and (2) XLR outputs • 24-bit A/D and D/A converters, 32-bit internal processing • Metering types: VU, BBC-type, DIN-type, NORDIC-type, IEC-type 1 and dBFS • Supports 48kHz and 96kHz sampling frequencies • Digital limiters on both inputs and outputs, and digital compressors on outputs • AES/EBU digital and S/PDIF digital outputs PSC DV ProMix 6 #PSDVPM6 1377 $ 50 The DV ProMix 6 is versatile, cost effective six-channel ENG & EFP mixer that provides super quiet pre-amplifiers, true dual camera support, sunlight readable peak program meters, dedicated individual line outputs, ergonomic fader knobs, a reference tone oscillator, slate microphone and switchable output levels. Each input includes two-position low cut filters, three-way channel assignment switches (pan switches), and handy pre-fade listen switches. PSC Alpha Mix 179 #PSAM 186675 $ The AlphaMix 4 is a four-channel portable field mixer designed for professional ENG/EFP applications. It powers from a NP-1 style batteries, and is equipped with 4 XLR inputs, low noise pre-amplifiers, 12T and 48V phantom power, 3-stage LED peak meters, and 12dB / Octave low cut filters. The flexible AlphaMix 4 is capable of sending and receiving signals to 2 cameras simultaneously; and each input channel has a dedicated balanced line-level output with pre-fader listen. • (4) XLR inputs capable of both mic or line level audio operation • Internal NP-1 battery support • Custom made peak reading LCD meters • (4) Hirose style power connectors for powering up to 4 wireless microphone receivers • Built-in slate mic & tone oscillator • Retractable gain trims and pan pots AlphaMix Expansion Module provides an additional 4 input channels #PSAMEM...........$565.25 SOUND DEVICES 442 $ #SO442 249500 • (6) XLR inputs w/dedicated individual line outputs • State of the art, super low noise pre-amplifiers • Bright, sun-light readable peak program meters • Ganging input for combining 2 mixers • Powered via: (8) “AA” Alkaline batteries or external power (10-18VDC) • Comes complete with a custom-made field bag and padded shoulder strap • Weight: 3.5 lbs SHURE M367 $ #SHM367 59995 The M367 is a six-input, portable microphone mixer specifically designed for professional ENG and EFP applications. Its exceptional low-noise design makes the M367 ideal for use with digital transmission links and digital video/audio recording media. All input channels and one of the two outputs are switchable between mic and line level signal. Compact and rugged, the M367 is built to withstand the most demanding field production conditions. • (6) Balanced XLR inputs and (2) XLR outputs • Monitor/headphone out • 1/4” TRS phone headphone output • ALT I/O: 1/4” phone “Monitor In” jack, Link input/output • Link Input/Output: 1/4” phone “Mix Bus” jack • Low-cut filter, peak limiter, VU metering • AC/Battery operation- (2) 9V batteries provide 8 hrs of operation The 442 is a no compromise, four-channel portable mixer designed for professional location sound applications. It combines a compact, functional design with features like: direct outputs per input, 48V, 12V and 12V-T phantom power, inputs and output (switchable between mic/line level) , peak limiting, and low-cut filters. All of the 442’s controls are easily accessible on its three main surfaces, with no hidden controls. • (4) XLR mic/line inputs • (3) Separate, isolated, line level outputs • Every input features a dedicated output via TA3-male connectors • Two stereo returns: monitor multiple cameras or camera + IFB in headphones • Channels 1 & 2 can be linked for stereo monitoring or M-S stereo decoding • Unit is powered via: (4) “AA” alkaline batteries or external 5-18VDC 180 AZDEN FMX-32 Portable Field Mixers SHURE $ #AZFMX32 32995 The FMX-32 brings you three channels of portable audio mixing in a compact affordable package, with new enhanced circuitry for improved signal-to-noise ratio and all metal construction. It runs on 6 AA sized batteries and has a switchable input limiter to reduce the possibility of overload distortion. Each of the three balanced XLR mic inputs can provide phantom power to your condenser microphones and can be directly attached to the camera with the supplied hook-and-loop mounting tape. • (3) mic channels with straightforward design • Both XLR and stereo mini-jack outputs • Power On/Off/Low Battery indicator • 1/4” headphone output and DC input • 5-segment LED array for signal monitoring AZDEN FMX-42 800-416-5090 $ #AZFMX42 64995 $ FP24 #SHFP24 85500 This compact two channel field mixer is a well designed tool that offers more than enough features to handle most or your studio and field needs. The heavy duty and easily accessible battery compartment holds two AA batteries and its chassis-isolated DC input allows for easy external powering. Solid metal construction, very compact size and bright sunlight-readable LED’s make the FP24 a very attractive package. • (2) XLR balanced inputs with phantom power • Dynamic range exceeding 110 dB • High-strength, extruded aluminum chassis • Dual mono or linked stereo limiter operation • Sealed, reliable potentiometers for long life WENDT X4 #WEX4VU 179900 $ Since 1980 Wendt has been providing the industry with high-quality audio mixers and the X4 continues the legacy with its professional build quality and well refined features. Each of its 4 XLR inputs has the ability to provide both 48V phantom and 12V T power and is switchable to accommodate both mic and line level signals. Its large channel fader knobs give immediate visual feedback and are shaped to also be manipulated comfortably by feel alone. • (4) XLR mic/line inputs • Selectable 140Hz, 20Hz and 100Hz low cut filtering • Inputs 1 & 2 may be ganged for stereo operation • Slate mic and 400Hz reference tone oscillator • Custom Porta Brace bag with padded strap included The FMX-42 is a portable 4-channel audio mixer designed for professional and semi-professional field audio applications. It is equipped with (4) XLR microphone inputs with individually switched phantom power and stereo, line level XLR outputs. Additional features include: a switchable input limiter, Left / Center / Right Pan switches on all input channels, and enhanced circuitry for improved signal-to-noise ratio. • (4 ) XLR microphone inputs • Dual XLR line level outputs • Stereo mini-jack output for DV cameras • Individual level and pan controls • Built-in limiter & 1k tone generator • Dual analog meters • Powers via: (6) “AA” batteries or optional 12V supply WENDT X5 $ #WEX5VU 259995 When you need to cover a larger number of microphone inputs for more involved productions, the Wendt X5 is your perfect alternative. This feature packed 5 channel professional field mixer features a sleek design for such a well equipped box and includes a custom carrying bag with padded shoulder strap. Some of the less immediate setting switches have ingeniously been placed on the bottom of the unit, leaving the side and top control panels feature-packed but uncluttered. • (5) Mic/Line switchable balanced inputs • Both +48V and 12T mic power are supported • Heavy-duty, truly professional build quality • 5 pin LINK connector cross-links two X5 mixers • Operates both on external power or AA batteries Portable Field Mixers www.bhproaudio.com ROLLS $ MX422 #ROMX422 49995 Rolls has designed a four channel field mixer that includes features usually found on much higher priced units. It is ideal for DV field production, ENG, and location recording and supports both 1/4” and 1/8” headphone outputs from its front panel. Not only does the MX422 come with a fitted canvas case and external power supply but, having both main and back-up battery compartments means that you will never lose power. • (4) servo-balanced XLR inputs • Switchable +48V phantom power • Built-in limiter with variable threshold • Slate mic and 1kHz setup tone • Calibrated VU meters and battery test feature KAMESAN #KAKST2000 149000 $ KS-T2000 The KST-2000 is a well thought out and deceptively capable four channel field mixer in a compact lightweight package. It features solid construction, is easy to use, and offers versatile headphone monitoring and metering control. Input sensitivity controls allow for optimal signal matching, giving each channel fader enough physical range to ride level variations confidently. Low channel crosstalk and output isolation allow the mixer to be configured for multiple feeds as the situation demands. JK AUDIO Remote Mix 4 181 #JKRM4 139500 $ The RemoteMix 4 is a portable field mixer and communications interface that is designed to save setup time by incorporating several powerful functions into one box. Not only does it offer +48 volt phantom power on all of its mic inputs, but it also features a phone line hybrid and keypad, a PBX handset interface and a cell phone interface. Dual 9V compartments allow for battery hot swapping for zero down time, and built in Bluetooth Technology provides a wireless connection with cell phones, laptops or other portable devices. • (4) XLR mic inputs with phantom power • 1/8” stereo I/O for recording or blending in an aux signal • Built-in Bluetooth Technology • Cell phone and PBX interface built in • Phone line jack with hook-switch and ringer LED • 100-240 VAC power supply included SIGN VIDEO ENG-44 $ #SIENG44 52900 • Very compact design for less bulk and easy handling • Accepts DC power between 10V and 15V • (3) XLR mic inputs with 160Hz high pass filter • 48V or 12V phantom power selectable • Solid reliable construction throughout • Will run for 5 hours on 4xAA batteries KSPSM12BP AC power supply for KS-T2000 #KAKSPSM12BP .........................$200.00 KAMESAN KS-342 $ #KAKS342 337000 The KS-342 is a four channel field mixer that blends sleek ergonomic design with solid construction and an intelligent set of expansion options. Independent as well as ganged settings ensure maximum flexibility for stereo and dual mono setups and the signal passes through switchable compressors before the final output stages. Furthermore, an internal, 96kHz sampled, AES/EBU compliant digital converter delivers the highest quality output when required. • Four mic/line inputs with isolated outputs • Backlit, jam-proof , main output level meters • MS decoding and built-in slate microphone • Easy to grip latex knobs on each channel • (8) AA cells in a ‘quick change’ pack BP-1 Optional NP-1 battery clip-on housing #KAKSBH1 ....................................$290.00 KSPSM12XLR AC power supply for KS-342 #KAKSPSM12XLR .........................$200.00 KS-6001 Four channel sub mixer for KS-342 #KAKS6001 .............................. $1,780.00 KS-6002 Block of four parametric EQs and compressors #KAKS6002 .............$1,280.00 The ENG-44 is a straightforward and cost effective portable four channel mixer that offers a host of important features for field applications. Its front panel is uncluttered and easy to navigate and its rugged anodized aluminum chassis is made to stand up to constant use. There is a brightness switch for the audio VU meters to compensate for viewing in direct sunlight and the battery indicator flashes when battery life falls below 20 percent. • (4) XLR mic/line audio inputs • Rugged anodized aluminum chassis • Gang two or more ENG-44 mixers for expanded input • Slide out battery compartment for quick changes • AC adapter included 182 M-AUDIO MICRO TRACK 2496 II Portable Digital Recorders ZOOM #MAMT2496II $ 29900 The Micro Track 2496 II is a second-generation portable Compact Flash audio recorder resigned for field professionals to provide enhancements such as extended input gain range, analog input limiting, 48V phantom power, and an even faster file transfer rate via USB 2.0. The unit records in WAV, BWF and MP3 formats to Compact Flash cards or Microdrives, and the files may exceed 2GB in size. R-09 H4 Handy Recorder $ #ZOH4 29900 The H4 Handy Recorder is a palm-sized digital recorder with dual function 4-track & stereo modes. It is equipped with two built-in condenser microphones in X/Y configuration, two XLR/1/4” combo jacks with phantom power and a USB port for interfacing with Mac/PC editing systems (unit includes Cubase LE software). The unique 4-track recording turns the H4 into an easy-to-use, 16-bit/44.1 kHz multi-track recorder. • Dual function 4-track/Stereo recording modes • (2) XLR/1/4” combo input jacks w/ phantom power • USB port for file transfer to computers • Onboard studio effects, compression/limiting and mic modeling • Back-lit, 128×64 pixel LCD display • Powers via: (2) “AA” batteries • Includes: AC adapter, windshield cover, USB cable, tripod adapter & 128MB SD card • 2-channel WAV, BWF and MP3 portable recorder • Records over 2GB files to Compact Flash and Microdrives • Dual microphone preamps with 48V phantom power • Balanced ¼” TRS mic/line inputs • 1/8” TRS stereo mic input with 5V power • Electret condenser microphone included • Dedicated control buttons, large LCD screen • AC power supply, USB or built-in lithium-ion battery power EDIROL 800-416-5090 $ #EDR09 399 ZOOM The H2 is a 2-channel, palm-sized portable digital field recorder using readily available SD cards as the storage medium of choice. Ideal for musicians, podcasters and field journalists, the unit features 4 internal microphone capsules with selectable stereo imaging, 24-bit/96kHz recording resolution, MP3 recording and playback, and a highly intuitive user interface. • 2-channel ultra-lightweight portable SD digital field recorder • Up to 4GB card capacity support • Selectable 16-, 24-bit WAV, MP3 recording bit rates • Selectable 44.1, 48, 96kHz sample rates • 2- and 4-channel recording modes • Multiple stereo recording patterns with W-X/Y or omnidirectional selection • 1/8” Mic and Line inputs, headphone output, USB 2.0 port • AA battery-powered with 4-hr. battery life 00 The R-09 is a professional digital recorder with timestamp capability ideal for broadcast and live music recording applications. It can record stereo audio at 24-bit resolution with either 44.1 or 48kHz sample rates, and files can be exported to a computer via USB. This ultra-portable unit is half the size of the Edirol R-1, and is equipped with a built-in stereo mic, dedicated input control, intuitive transport buttons and a low-cut filter. • 24-bit/48kHz (or 44.1kHz) uncompressed recording • Up to 320kbps MP3 playback and recording • Records to SD card (64MB card included) • High-grade stereo condenser microphone built in • Mic and Line audio inputs; USB I/O • Easy operation, user-friendly graphic display • Powers via (2) “AA” batteries or (2) NiH batteries #ZOH2 19900 $ H2 MARANTZ PMD620 The PMD620 is a miniature hand-held 2-channel portable field recorder that records directly to SD flash memory cards in 16- or 24-bit resolution WAV or MP3 file formats. Designed with the podcast and broadcast markets in mind, the unit is equipped with a pair of built-in microphones, a surprisingly large and clear LCD display, and a built-in speaker. • 2-channel portable digital SD field recorder • 16-, 24-bit WAV and MP3 file formats • Mono or stereo recording • Dual omni-directional internal microphones • 1/8” external mic input with 5V phantom power • Bright, clear, low power-consumption LCD display • NiMH or AA battery-power with 5 hr. battery life #MAPMD620 $ 39995 Portable Digital Recorders www.bhproaudio.com NAGRA #NAARESM 97500 $ Ares-M HHB FlashMic The Ares-M is a lightweight hand-held digital recorder equipped with one gigabyte of internal memory, a built-in stereo microphone and a miniature USB port. Designed for broadcast applications, it the offers instant start-up, voice operated recording, automatic level control and an internal loudspeaker. This compact, high quality audio recorder is powered by two “AA” batteries, offering up to 10 hours of continuous operation. SONY $ PCM-D50 #SOPCMD50 49995 The PCM-D50 is a rugged 2-channel portable field recorder with a lightweight aluminum housing and 4GB of solid state internal flash memory and a Memory Stick slot. The unit, designed for broadcast journalism and sound gathering applications, records 24-bit/96kHz resolution WAV files, supports MP3 playback, and features a pair of internal stereo microphones. • 2-channel portable digital Flash Memory/Memory Stick field recorder • 16-, 24-bit WAV file recording with selectable sample rates • MP3 playback • Internal stereo condenser microphones with selectable X/Y, Wide pickup patterns • Digital pitch control, dual digital filter, low-cut filter, A-B repeat functions • Ultra-clear LCD display with peak bargraph metering • High-speed USB port for cross-platform computer integration • NiMH or AA battery-powered operation 702 #HHFM 129900 $ The HHB FlashMic is a professional microphone/digital recorder that combines a high-quality Sennheiser omni-directional condenser capsule with a broadcastquality, one gigabyte Flash recorder. This durable hand-held recorder is an ideal solution for press and broadcast journalists working in the field and its built-in USB port allows “drag and drop” file transfer to Mac or Windows editing workstations in the studio. The FlashMic has an adjustable pre-record buffer, and records in linear 32/48kHz, or MPEG 1 Layer 2 encoded formats. • Lightweight, ultra-portable audio recorder • Intuitive menu driven user interface • Switchable PCM Mono or Stereo audio recording • Sampling Rate: 8-48kHz PCM & MPEG • Bit Rates: 64-384 kb/s • Built-in microphone or external XLR connection • Stereo line In/Out & built-in loudspeaker • Includes: carrying case, plug-on microphone, external mic cable and USB cable • Frequency response: 30Hz-20kHz SOUND DEVICES 183 #SO702 187500 $ The 702 is a portable compact flash audio recorder of uncompromising quality. Capable of recording two channels of uncompressed audio up to 192kHz resolution, it’s also easy to operate. When connected to a computer via FireWire it appears as an external drive and files can be dragged off. Ideal for professional production or anyone who wants a solid and dependable recording apparatus. • Stellar audio path with (2) XLR low noise, wide frequency response preamps • Lightweight aluminum & stainless steel compact chassis • Included removable Li-on rechargeable battery & worldwide power supply • Phantom power, limiters, and high pass filters • Direct sunlight viewable LED metering • MP3 audio playback supported • Integrated condenser microphone/ digital recorder • High-quality microphone preamplifier w/full manual or automatic gain control • Maximum record time of over 18 hours • LCD display with backlight for time, level and status information • Switchable high-pass filter, 12dB/octave at 100Hz • Headphone amplifier with volume control • (2) “AA” batteries provide more than 6 hours continuous power SONY PCM-D1 #SOPCMD1 184995 $ The PCM-D1 is a high-quality portable recorder designed for a wide variety of mobile recording applications including: broadcast, live sound, house of worship and theatrical performance. It features 24 bit/96K recording capability, 4GB internal flash memory, removable Memory Stick Pro high-speed storage and a built-in USB 2.0 port for Macintosh and Windows/PC operating systems. • High-quality, 24bit/96kHz mobile digital recorder • Built-in condenser microphones in an X/Y configuration • 4GB internal memory or use any size memory stick • LCD display with comprehensive recorder status indication and menu selection • Analog level meters with LED peak overload indicators • Signal processing functions include: SBM, limiter and 200Hz high pass filter • Titanium case • (4) “AA” rechargeable batteries & charger (supplied) 184 MARANTZ PMD660 Portable Digital Recorders MARANTZ #MAPMD660 49900 $ The PMD660 is professional 2-track hand-held digital recorder ideal for journalist and broadcasters working in the field. This ultra-compact unit records to inexpensive compactflash card or microdrive media, and features two XLR mic inputs, a built-in stereo mic and speaker, and a USB port for interfacing with digital audio editing workstations. • (2) XLR microphone inputs with 48V phantom power and 20dB pad • 1/8” stereo mini line input and output, 1/8” stereo mini headphone output • Recording Formats: Uncompressed 16-bit linear PCM, Compressed MP2 and MP3 • Includes 64MB compact flash card • Full on-board cut-copy-paste digital editing • EDL-style marking system, 99 Virtual-track playlisting • Power Options: (4) “AA” batteries or AC adapter (included) RC-600 remote option- controls record pause, record, marker set, start new track, multi color LED indicates pause or record status #MARC600 .................. $74.95 MARANTZ PMD671 800-416-5090 #MAPMD671 99900 $ PMD671is a professional 24-bit/96 kHz digital recorder designed for high resolution recording in the field or the studio. Ideal for location professionals, the PMD671 is equipped with two high quality microphone preamps and loaded with professional features like: “Virtual Third Head” for confidence monitoring, Time-Shift Playback, a USB port for easy file transfer to PC and a built-in condenser microphone. • 24-bit/96kHz PCM capable • Two XLR mic connections with 48V phantom power • Stereo analog RCA line I/O • Coaxial S/PDIF digital I/O • Built-in condenser mic • “Virtual Third Head” for confidence monitoring • Read-after-write capability • Built-in monitor speaker • Optional RC600 wired remote control & NiCd or NiMH batteries $ CDR310 #MACDR310 69900 The CDR310 is the first truly portable, affordable CD-based field recorder. Whether for documentation, duplication, or archiving, audio CDs promote confidence through their permanence and universality. While digital recording and CD burning have been commonplace for several years, existing hardware has lacked the go-anywhere flexibility users have come to expect in the digital age. Designed to meet the needs of AV integrators, rental firms, corporate board rooms, broadcasters, government agencies, and houses of worship, the CDR310 provides outstanding features that are easy to use. • On-board hard drive records uncompressed WAV, AIFF and MP3 • Extended material divided over multiple discs automatically • 10 second rolling buffer is always recording • Integrated microphone and playback speaker • (2) XLR phantom power mic & (2) RCA line level inputs MARANTZ $ PMD670 #MAPMD670 69900 The PMD670 is a professional 2-track CompactFlash digital recorder designed for the rugged demands of field recording and location sound. Its extremely reliable, has no moving parts, and features two XLR inputs, over 40 assignable quality settings, and a USB port. Once linked to a computer audio editing system via USB, recorded audio files can be transferred from the PMD670 to the computer, ready for import into audio or video editing/production software. • (2) XLR microphone inputs with 48V phantom power, Limiter and ALC • Coaxial S/PDIF digital I/O, RCA stereo I/O, 1/4” stereo headphone output • Recording Formats: Uncompressed 16-bit linear PCM, Compressed MP2 and MP3 • Auto and manual EDL track marking • Built-in microphone and speaker, Selectable filter for ambient noise control • Includes 64MB compact flash card, also compatible with microdrive media • Power options: (8) “AA”batteries, AC adapter, or optional RB 1650 rechargeable battery EDIROL R4 #EDR4 119900 $ The R-O4 is a high-resolution four-channel, portable 40GB hard disc recorder and wave editor designed for professional mobile recording. With the ability to capture 17 hours of 24-bit/96kHz digital audio, and synchronize to Sony digital video cameras using the L-terminal (Lanc) protocol, the R-4 is an ideal solution for both portable music recording applications and, ENG/video location sound. • (4) XLR/phone combo jacks with switchable 48V phantom power • On-board waveform editing, On-the-fly indexing, Jog Dial with 7 speeds • High-speed USB 2.0 port, CompactFlash port, Coaxial S/PDIF I/O • Built-in microphone, speaker, and high-quality effects processor • Power options: (8) “AA” batteries or AC adapter (included) • Windows XP and Mac OS X compatible Portable Digital Recorders www.bhproaudio.com SOUND DEVICES $ 722 #SO722 249500 The 722 is a compact two-track hard disc/compactflash field recorder capable of writing and reading uncompressed PCM audio at 16 or 24-bits with sampling rates between 32kHz and 192kHz. Featuring two topquality high-bandwidth preamps, flexible metering and powering options, and digital I/O, the 722 is a high-resolution alternative to DAT for today’s location sound professional. • (2) XLR microphone preamps with phantom, limiters, and high-pass filters • Channel 3 and 4 line-level inputs on TA3 connectors • AES3(XLR) or AES3id(BNC) digital inputs and AES3ib outputs • Records to internal 40GB hard drive or removable compactflash • FireWire port for high-speed data transfer to computers • Aluminum and stainless-steel chassis • Powers via: Sony-compatible L-or M-type lithium Ion camcorder batteries or external DC • Windows and Mac OS compatible EDIROL R-4 Pro #EDR4PRO 1999 $ 00 The R-4 is a high-resolution four channel, portable 80GB hard disc recorder and wave editor that can act as a S/MPTE time code master or slave to incoming code video cameras or VTRs. Designed for both portable music recording applications and ENG/video location sound, the R-4 Pro provides 4 XLR/ Phone combo with switchable phantom power, a high-speed USB 2.0 port and powerful on-board waveform editing. • (4) XLR inputs with switchable 48V phantom power • 24-bit/96-kHz Linear Recording • SMPTE time code I/O on BNC connectors • On-board waveform editing • & AES/EBU I/O • Built-in microphone, speakers & effects processor • Powers via: (8) “AA” batteries or 4-pin XLR type power input • Includes: USB cable, XLR 4-pin conversion cable and soft carrying case FOSTEX FR-2 #FOFR2 129900 $ The FR-2 is a professional two-track 24bit/192kHz field memory recorder designed for location sound recording, broadcast, and high-quality sound effects acquisition. Featuring two XLR microphone inputs, digital I/O, a built-in Limiter, and a USB port for interfacing with digital audio workstations, the flexible FR-2 is a cost-effective high-resolution alternative to portable timecode DAT. • (2) top quality high headroom mic preamps with switchable phantom power • Selectable digital I/O between S/PDIF and AES/EBU on balanced XLR connectors • Fostex’s “File Per Take” system with auto scene and take naming/increment • Records to both Type II CompactFlash cards and PCMCIA 1.8” hard drives • 132 x 64 dot matrix LCD screen for ease of use and high visibility in the field • USB port for direct connection to PC and Mac, with additional port for external keyboard FR-2TC with built-in 8342 timecode card supporting all standard timecode frame rates #FOFR2TC .......................................................................................................... $1898.00 FOSTEX FR-2LE 185 $ #FOFR2LE 59900 The FR2-LE records Broadcast Wave Format (BWF) or MP3 files to affordable type II CompactFlash or Microdrive cards, at up to 24-bit/96kHz resolution. It features powerful on-board editing functions and a USB 2.0 port for high-speed file transfers to PC editing suites. Time stamping of .wav or MP3 files is provided; allowing for easy time alignment of audio files in Audio/Video software workstations. • (2) Mic/Line inputs w/phantom on Neutrik combo jacks • Stereo RCA analog outputs & 1/8” stereo headphone output • Read After Write (RAW) confidence monitoring recorder • Time stamps .wav or MP3 files • USB 2.0 for high-speed file transfer • ALC (Off/ALC/limiter) • Powers via: (4) x “AA” Batteries or 12V DC input • Includes wired remote controller ZAXCOM ZFR100 #ZAZFR100 99500 $ The ZFR100 is miniature broadcastquality recorder that can record up to 12 track-hours of audio directly to a 2-GB flash memory card. Designed to simplify audio syncing and processing during post-production, the ZFR100 includes a full-featured time code reader/generator that stamps the time code directly on to broadcast .wav or MP3 files. It can receive time code directly from a video camera; with an option to record only when the camera is rolling. • Ultra-compact digital recorder with time code • Ideal for ENG and Broadcast applications • Light weight, weighs only 4 oz. • Includes PC and Macintosh software • Powers up to 24 hours with (2) “AA” batteries • Optional 8- 16VDC power input also available 186 SOUND DEVICES 702T Portable Digital Recorders FOSTEX $ #SO702T 249500 The 702T is a high resolution, two-track CompactFlash recorder designed specifically for dual-system film & video productions where audio needs to be master. It provides ultra-stable Ambient time code functionality, AES/EBU & S/PDIF I/O and a FireWire port for high-speed data transfer to computers. This portable unit’s flexible powering options include: standard Li-on camcorder batteries or external 10–18VDC. • 24-bit or 16-bit (with or without dither) • Sampling rates selectable between 32kHz-192kHz • (2) mic preamps with phantom, limiters, and highpass filters • Full-function, ultra-stable Ambient time code • AES/EBU & S/PDIF digital I/O • FireWire port for high-speed data transfer to computers • Removable Li-on rechargeable battery • Durable aluminum & stainless-steel chassis 702 Version without time code #SO702 .....$1875.00 SOUND DEVICES 744T $ #SO744T 409500 PD-6 800-416-5090 $ #FOPD6 849900 The PD-6 is a 6-channel DVD location recorder with a full-featured onboard mixer, SMPTE and Word Clock support and a Pre Record function that prevents missed takes by constantly buffering up to 10 seconds of audio. Ideal for audio for video production, the PD-6 records BWF files that can be imported directly into Avid and Final Cut editing systems and supports ALE (Avid Log Exchange). • 6- tracks of up to 24 bit/96kHz audio • 6-channel mixer with 12 T & 48V phantom power • Built-in 40GB EIDE hard disk • Verify/Write feature constantly analyzes data being recorded • Supports multiple EDL lists and is ALE compatible • External Word & Video sync inputs & Word Clock output • Powers via NP-1 type battery TASCAM #TAHDP2 99900 $ HD-P2 The HD-P2 is a 24-bit/192kHz Compact Flash recorder designed for broadcast and location sound applications. It features SMPTE timecode input, professional connectivity, a large, angled LCD, and a FireWire port for fast data transfers to computer editing systems. A video clock input allows frame edge resolve to a central blackburst source or use as a lock-and-release timecode slave. • (2) XLR Mic Inputs w/phantom power & analog peak limiter • Unbalanced stereo RCA I/O • FireWire interface for data transfer • Built-In mono mic, speaker and headphone output • XLR SMPTE Input & BNC Video Clock Input • Supports Pull-up and Pull-down sample rates • S/PDIF digital I/O • PS/2 keyboard input The 744T is a compact four-track hard disc/compactflash field recorder with time code, capable of writing and reading uncompressed PCM audio at 16 or 24-bits with sampling rates between 32kHz and 192kHz. Designed with the location sound professional in mind, the 744T features full timecode implementation, flexible metering and powering, top-quality mic preamps, and is built to Sound Devices exacting standards; for reliable performance and exceptional durability. • Ultra-stable Ambient timecode circuitry, tunable to <0.2 PPM accuracy • (2) XLR microphone preamps with phantom, limiters, and high-pass filters • Channel 3 and 4 line-level inputs on TA3 connectors • AES3(XLR) or AES3id(BNC) digital inputs and AES3ib outputs • Records to internal 40GB hard drive or removable compactflash • FireWire port for high-speed data transfer to computers • Powers via: Sony-compatible L-or M-type lithium Ion camcorder batteries or external DC • Windows and Mac OS compatible FOSTEX DV824 $ #FODV824 599500 The DV824 is an 8-track DVD multitrack recorder/player that can be powered via AC or DC current, making it ideal for on-cart location applications. It provides 8-channels of XLR analog I/O, 8-channels of AES/EBU digital I/O, a high-speed 10/100Base-T Ethernet port and SMPTE time code in and out on BNC connectors. The DV824s high-definition recording engine offers multitrack recording in six audio formats, with up to 24-bit/96kHz resolution. • 8-Track Recording/ Playback on DVD-RAM media • (8) XLR analog inputs and outputs • (8) AES/EBU digital inputs and outputs • SMPTE/EBU Time Code in and out • Front-panel USB keyboard input • Flexible AC or DC (for location use) power operation • Large LED time display & 18-bar level meters www.bhproaudio.com MARANTZ CDR420 Portable Digital Recorders #MACDR420 119900 $ The CDR420 is a professional field recorder that combines a flexible hard disc recorder with an onboard CD recorder that burns both standard Red-Book audio format and CD-ROM data discs. It features a built-in condenser microphone & speaker, dual XLR Mic/Line inputs and coaxial S/PDIF digital I/O. On-board editing permits cut, copy, paste, insert silence and split track; and a USB 2.0 port allows users to easily upload files to a digital audio workstation. • Record to 20GB hard disc in 44.1kHz mono or stereo as .WAV or .MP3 • (2) XLR Mic/Line inputs w/ +48v phantom power • (2) RCA inputs • 20GB hard drive • Built-in microphone & speaker • Standard PS/2 keyboard input for naming files • Includes: AC adapter and dual RCA cable • Optional lead acid battery (RPS420) MARANTZ CDR300 #MACDR300 79900 $ The CDR300 is a professional tabletop CD recorder ideal for specialty applications like spoken word recording, sound effect acquisition, and boardroom meeting archiving. The “Minute Track Mode” recording feature marks each minute of spoken word/audio as a track, allowing easy navigation in playback via “minute specific” track markers. Easily transportable, the CDR300 becomes a truly portable system with the addition of the optional RPS300 battery system (allowing up to four hours of record time in the field). KORG MR-1000 187 #KOMR1000 119900 $ The MR-1000 is a lightweight 2-channel, 1-bit professional portable harddisk recorder with an internal 40GB internal drive. The unit supports multiple bit rates and file formats as well, accommodating most current field recording requirements, and features a large, bright LCD display, flexible audio connectivity, and a USB 2.0 port for direct interfacing with a PC or Mac. • 2-channel portable digital field recorder • 1-bit DSDIFF, DSF and WSD file support • 16-, 24-bit WAV, MP3 and BWF file support • 1-bit sample frequencies include 2.8224MHz, 5.6448Mhz • 16-, 24-bit SRC from 44.1 to 192kHz • (2) XLR/1/4” TRS Combo inputs • (2) Combo and (2) RCA phono, Headphone, USB 2.0 outputs • AC and AA battery-powered, AudioGate conversion software IKEY-AUDIO I-Key Plus #IKIKEYP 15995 $ • Record live directly to CDs • (2) XLR mic inputs with 48V phantom power, 2 1/4” line inputs, RCA I/O • Coaxial S/PDIF I/O • Built-in mic, speaker, 3-band master EQ, and limiter • Power options: AC or 4-pin DC connection (optional RPS300 battery) • Adjustable digital and analog record levels SONY MZ-M200 #SOMZM200 $ 39995 The MZ-M200 is a portable minidisc recorder that’s capable of recording in HiMD mode and also in standard MD mode, so it’s compatible with older formats. Recorded files can be transferred to a Mac or PC via its USB 2.0 port and included Sony software. The low cost, high capacity HiMD discs make this an excellent recorder for students, musicians, and journalists. • Included rechargeable battery charges via USB or AC adaptor • Stereo microphone, earphones, and AC adaptor, 1GB HiMD disc included • Digital pitch control • Mic/line input • 11 segment recording meter display • Mac and Windows compatible The I-Key Plus is a Portable USB Recorder designed to record directly to any external USB storage device, including the Apple iPod. Digital audio is recorded in uncompressed WAV or MP3 format (with selectable bit rate, up to 256kbps). It is equipped with a line/phono/ mic input, a headphone jack for real-time monitoring, a built-in phono preamp and a 6-bar VU meter with peak hold & overload indicator. • Records audio to uncompressed WAV or MP3 format • 1/8” line/phono/mic input, stereo RCA inputs • 1/8” (3.5mm) headphone monitor output • Built-in phono preamp • Compatible with USB storage devices, including the IPod • LED Indicator shows memory remaining on target drive • Requires (4) “AA” rechargeable batteries (not included) 188 Portable Wireless Systems 800-416-5090 SAMSON #SAUM32L350 $ UHF Micro 32 34995 The Micro 32 is a versatile frequency-selectable diversity wireless microphone system offering a relatively inexpensive sound solution in a portable package. There are 32 user selectable frequencies and diversity circuitry ensures optimum RF performance. Surface Acoustic Wave filters in the receiver focus exclusively on the incoming signal to maximize reception and transmission quality. PLL-synthesized VCO circuitry in the transmitters reduces RF interference from spurious emissions in multi-user applications. • 32-channel camera mount UHF lavalier system • Dual-function battery/RF level LED meter • MT-350 omnidirectional lav microphone • Locking miniXLR to XLR output cable • Special carry case included UM32L831 with Audio Technica AT-831 cardiod lavalier #SAUM32L831 ..........................................$399.95 UM32L44 with Sony ECM-44 omnidirectional lavalier #SAUM32L44 ................................................$449.95 UM32HHQ7 with Samson Q7 handheld transmitter #SAUM32HHQ7 ................................................$389.95 SWAX3 replacement mini-XLR to XLR male output cable #SAX3......................................................... $24.95 SAMSON #SAU77LQL5 UM1/77 Micro Diversity System $ 34995 The UM1/77 Micro Diversity System is a great solution for those seeking the ability to use both a wired and wireless lavalier microphone for their productions. The QL5 lav mic may be used in conjunction with its companion CT7 beltback transmitter for unhindered wireless use. For those situations where a wireless mic is either not appropriate or interference is just too troublesome, the QL5 may be wired to your camera directly with the help of the included preamplifier. • Single-channel UHF diversity designed wireless lavalier system • Lavalier mic includes PM5 preamplifier for quick adaptation between wired and wireless use • Balanced locking-mini XLR output cable included • Carrying case protects entire system SAMSON UM1/Airline Series Combo System $ #SAUMCU1 55495 The two most attractive features of the UM1/Airline Combo System are the extremely small size of the AL1 clip-on transmitter and the fact that with the included AX1 plug-in transmitter you have several miking options available. This single channel UHF system features the UM1 diversity receiver which connects to your camera with the included balanced XLR output cable. The AL1 is a transmitter that features its own built in mike but becomes even more powerful when used with one of the available optional lavaliers. • Combo single channel UHF wireless system • Includes clip-on and plug-in style transmitters • Headphone output with level control • Carry case protects all components MT-350 optional omnidirectional lavalier microphone #SAMT350MP .........................................$69.95 AT-831 optional cardiod lavalier microphone #SAAT831MP .....................................................$119.95 AZDEN 100LT $ #AZ100LT 33995 The 100LT wireless lavalier system offers 63 user-selectable UHF channels with a smaller receiver that is ideal for today’s compact digital cameras. It comes complete with an EX-503 omni-directinal microphone and both transmitter and receiver run from 6 to 8 hours on a single 9V battery each. With the optional XLR output cable and included camera mount adapter this unit is ready to be used in any situation requiring a lightweight, compact and affordable multi-channel wireless lavalier. • On-camera wireless UHF lavalier system • 63 user-selectable frequencies • 1/8” mini and optional XLR output cables • Hot-shoe mount included for receiver 100HT handheld version of above #AZ100HT ............................................................................$348.95 100LTH combo version includes handheld and lavalier transmitters #AZ100LTH ........................$489.95 Portable Wireless Systems www.bhproaudio.com SONY 189 #SOUWPC162 $ UWP-C1 Series 49995 Ideally suited for video broadcast and special event audio, the fully programmable Sony UWP Series UHF wireless system provides up to 188 user selectable frequencies, various input sensitivity settings and RF output power options. The UWPC162 is an ultra-light-weight camera mountable lavalier solution featuring PLL-Synthesized operation for stable transmission, diversity reception ensuring minimal drop-out, and high quality components. The optional UTX-P1 plug-on transmitter gives wireless freedom to any dynamic handheld microphone. • 188 user-selectable UHF channels • Variable sensitivity settings with XLR output • Omni-directional Electret Condenser Lavalier Microphone • LCD screenfor easy navigation of set-up parameters UTXH162 uni-directional dynamic handheld microphone transmitter #SOUTXH162 ...........................$349.00 UTX-P166 UWP series plug-on transmitter #SOUTXP166 ..................................................................$435.00 SENNHEISER #SEEW100ENG2* $ EW100ENG2A 59999 Providing 1,440 selectable UHF channels, the durable full featured Sennheiser EW100ENG2 wireless microphone system is ideal for on location film, broadcast and event videography. Popular among many professionals for its rugged construction, intuitive programmable user menu, large backlit displays, and versatile high-quality audio performance, the EW100 “combo” system is the perfect compliment completing any field-recordist toolbox. Combo system includes: SK100G2 Bodypack Transmitter, ME2 lavalier mic, EK100G2 Receiver, and SKP100G2 Plug-On Transmitter. • 1,440 Tunable UHF frequencies with 4 switchable preset channels • Up to 490 ft. operating distance • Variable sensitivity and output power settings • 4 switchable preset channels POP-1 belt/carry case for SKP100 plug-on transmitter #SEPOP1 ........................................................$29.95 ZH100-ANT pin-style, lavalier clothing clip #SEZH100B......................................................................$9.95 CL-100 1/8”-M to XLR-M cable for EK100 receiver #SECL100 ........................................................... $46.95 SENNHEISER #SEEW500ENG2* 108995 $ EW500G2A The EW 500 Series components are the next step up from Sennheiser’s extremely successful and dependable 100 series. The 500 features the same metal construction, wide frequency range and easy to read backlit display that made the 100 such a hit and adds some new welcome features. The EK 500 G2 receiver features separately adjustable audio level for both line and headphone outputs and the system itself offers 20 user storable preset frequencies. The SKP 500 G2 plug-on transmitter also provides 48V phantom power allowing the use of condenser mics in your setup. • Combo system with SK500 transmitter, EK500 receiver and SKP500 plug-on transmitter • 1440 selectable frequencies with 20 presets • Includes 1/8” inch mini and XLR output cables • High RF output power for extended range LECTROSONICS # LE100LMK121Q for CALL Price 100 Series Designed for on-location situations where reliable performance and operation are of the utmost importance, the Lectrosonics 100 Series Wireless System provides a superior sound with up to 256 channels of selectable UHF frequencies. The complete system is equipped with the UCR100 camera mountable receiver, LM digital hybrid bodypack transmitter and M150 lavalier microphone and features dual-band companding (a process that separates audio signals into high and low frequency bands for better noise reduction, lower distortion, resulting in more accurate sound quality). • 256 user-selectable UHF channels • Series 200 and 400 compatible • LM transmitter features Digital Wireless Hybrid Technology which combines a 24-bit digital audio chain with an FM radio link MC100XLR 3.5mm mono plug to unbalanced male XLR with inline attenuator #LEMC100XLR ...........$22.50 MC100TRS 3.5mm TRS (stereo) straight plug to 3.5mm TRS (stereo) right angle plug #LEMC100TRS ...$6.95 Tram TR-79 power supply w/XLR output for M150 lavalier microphone #TRTR79MLP ......................$167.95 190 Portable Wireless Systems 800-416-5090 AUDIO·TECHNICA #AUATWU101830 $ ATWU101830 49995 Ruggedly designed for on location broadcast applications, the camera-mountable Audio-Technica U100 series is a versatile, reliable true diversity UHF wireless system. The ATWU101 system is equipped with the ATW-R100 receiver, ATWT101 bodypack transmitter, and MT830cT5 lavalier microphone, providing up to 100 UHF channels and a functional feature set accommodating the needs of today’s video professional. • 100 Tunable UHF channels • True diversity operation • Transmitter features Off/Standby/On switch, input level control, battery condition indicator and channel selector switches • Receiver provides: balanced output, level controls, headphone jack, removable antennas • Omni-directional lavalier microphone ATW-T102 plug-on frequency agile transmitter #AUATWT102 .................................................................................$399.00 AT831cT5 cardioid condenser lavalier mic #AUAT831CT5 ..........................................................................................$95.95 AT899cT5 subminiature omnidirectional condenser lavalier Microphone #AUAT899CT5 .........................................$139.95 AZDEN $ 500LTS #AZ500LTS 63995 The Azden 500LTS camera mountable lavalier microphone system provides true diversity operation and up to 63 user-selectable UHF frequencies ideally suited for professional broadcast applications. Combining the lightweight, durably constructed 51BT belt/bodypack transmitter, ECM-44H lavalier microphone and full featured 500UDR diversity receiver, this well designed wireless system is an exceptional value for ENG, special events and presentations. • 63 user-selectable UHF channels • UHF Diversity for RF interference free operation and minimal dropout • Omni-directional electret condenser lavalier microphone • 1/8” mini-jack connection for headphone monitoring • Transmitter requires one 9V battery • Receiver requires (6) AA batteries or external 12V DC power supply 51XT plug-on transmitter w/phantom power #AZ51XT ...................................................................... $199.95 51HT omni-directional handheld transmitter/microphone #AZ51HT ..................................................... $179.95 EPS12PC external 12Vbattery power supply #AZEPS12PC ................................................................. $109.95 AZDEN 300LT $ #AZ300LT 46995 The 300LT portable wireless lavalier microphone system offers 240 selectable UHF frequencies and a compact receiver ideal for miniature video camera-mounting. The system is complete with an Ex-503 omni-directional lavalier microphone and a shoe-mount, while the receiver and transmitter will operate for 8 hours on 2 “AA” batteries, and are equipped with LCD displays. • Camera-mountable wireless UHF lavalier system • 240 selectable frequencies • 1/8” mini receiver output • Headphone monitoring direct from receiver 30XT optional plug-in transmitter #AZ30XT ......................................................................................$199.95 EX505U optional uni-directional microphone #AZEX505U ..................................................................$39.95 LECTROSONICS #LE40121 CALL UCR401 The UCR401 is a high performance compact UHF wireless microphone receiver for mobile applications such as ENG and film production. The compact size, option for battery or external powering and rugged attached antennas are ideal for video camera mounted use. Unique DSP algorithms in the design provide full compatibility with all Lectrosonics 400 Series Digital Hybrid Wireless™ transmitters and variety of analog transmitters from Lectrosonics and some other top manufacturers. • Digital Hybrid UHF camera mountable receiver • 256 frequencies across a 25.6 MHz bandwidth • Compatible with analog transmitters • Spectrum analyzer displays RF activity to quickly identify clear frequencies • Balanced XLR output Portable Wireless Systems www.bhproaudio.com LECTROSONICS 191 # LE411AMM21Q for CALL Price 400 Series The Lectrosonics 400 Series UHF Wireless Microphone System combines digital hybrid technology and powerful DSP with true diversity reception and nearly indestructible components, to form a great sounding, virtually noise free RF system. Ideal for broadcast, “reality TV” productions, nature, and documentary film applications, this frequency-agile lightweight system includes the UCR411 camera mountable receiver, MM400A water resistant, digital hybrid belt-pack transmitter and the M150 omni-directional lavalier microphone. • 256 user-selectable UHF channels • SmartSquelch, SmartDiversity, SmartNR noise reduction circuitry • Series 100 and 200 compatible • MM400A transmitter features Digital Wireless Hybrid Technology which combines a 24-bit digital audio chain with an FM radio link providing outstanding audio quality and extended operating range UH400 Digital Hybrid plug-in transmitter w/phantom power #LEUH40021 .....................................................................................................................Call LECTROSONICS #LESM21 CALL SM Lectrosonics sets a new standard for size, power, reliability and functionality with the ultra-miniature SM transmitter. Not much bigger than two AA batteries, the 100mW SM packs all user controls onto an easy to operate control panel that includes an LCD and four membrane switches. It can also be set to work with all of Lectrosonics Digital Hybrid Wireless receivers, Lectrosonics 200 Series and 100 Series analog products, Lectrosonics IFB systems and even analog receivers from some other manufacturers. RM remote control for SM series #LERMQ ..................................................................................................... CALL SMBCUP optional belt clip points antenna up #LESMBCUP ............................................................................................... CALL SMBCDN optional belt clip points antenna down #LESMBCDN .............................................................................................. CALL • Super-Miniature Digital Hybrid UHF belt pack transmitter • 256 synthesized UHF frequencies • LCD and membrane switch control panel • Wide input dynamic range LECTROSONICS VR Field #LEVRF2728 CALL The VR Field is a portable wireless UHF field receiver with 256 selectable frequencies, designed for use with the Lectrosonics Venue wireless system to deliver multi-transmitter operation from a single receiver master base. The unit houses up to 6 VRT or VRS receiver modules with compatible frequency blocks, enabling simultaneous 6-transmitter operation. The VR Field uses noiseless, compander-free Digital Hybrid Technology for crystalclear reception. • Multi-receiver UHF field housing unit • 256 selectable frequencies • (6) XLR outputs • 12V NP-1 battery operation VRS optional plug-in receiver module #LEVRS27 ........................ CALL VRT optional tracking receiver module #LEVRT28 ....................... CALL LECTROSONICS UH400A #LEUH40021 CALL The UH400A is a digital hybrid synthesized UHF plug-on transmitter compatible with all receivers in the Lectrosonics 400, 200 and 100 Series product groups. The DSP-base design allows the transmitter to operate in its native Digital Hybrid Wireless mode, or in several alternate modes that are compatible with analog receivers. A unique multi-voltage phantom power feature allows the transmitter to be used with any XLR microphone, including high current condenser types, expanding its usefulness in high-end applications such as motion picture production. • Digital Hybrid plug-on transmitter • Selectable 5, 15, and +48V phantom power • 256 synthesized UHF frequencies • 100mW output power • Rugged machined aluminum housing Portable Wireless Systems 192 800-416-5090 SONY #SOWRR861B* 142000 $ WRR-861B The WRR-861B is a single-channel version of the WRR-862B dual receiver and features the same solid construction and reliable performance in a compact package. It works with any of the WL-800 family of components in the same frequency group giving you an extremely wide variety of transmitters to choose from. Diversity operation ensures the strongest signal possible and the built in battery alarm starts flashing approximately one hour before the battery is exhausted. • Compact 2-channel, Dual Diversity receiver • 188 selectable frequencies • Internal (4AA batteries) or external powering • Includes XLR output cable • Power from “AA” battery or DC from camcorder • Separate monitor output with level control • Rugged, die-cast magnesium construction • LED and full-status LCD indication • Approx. 8 hr. of operation w/4 AA batteries • Low battery alarm warns against power loss SONY #SOWRT822B* $ WRT-822B 89900 The WRT-822B UHF synthesized body-pack transmitter with a feature set that pairs well with the other members of the WL-800 family. Its magnesium alloy body is built for repeated use and the 20mW RF output is high enough power for moderate distances and low enough to avoid IM-related problems in multi-channel systems. It will transmit a battery alarm to compatible tuners allowing easy remote monitoring of battery status. The locking Bayonet 4-Pin connector supports a wide selection of available lavalier microphones. • UHF belt-pack transmitter with PLL technology • 188 selectable frequencies • 8 hours continues operation with 2AA batteries • Easy to read LCD display WRT822BM44 WRT-822B with Sony ECM-44 lavalier microphone #SOWRT822BM44 .......$884.95 WRT822BM77 WRT-822B with Sony ECM-77 lavalier microphone #SOWRT822BM77 ......$1034.95 SONY #SOWRT8B* 185000 $ WRT-8B The WRT-8B Body-pack transmitter is the latest addition to the extensive range of Sony UHF synthesized wireless microphone systems. It is extremely compact and lightweight, for use in fast-moving TV and theater productions. Inside its tough, die-cast magnesium body is a highly stable, low noise transmitter providing superb audio quality. It can operate for up to 13 hours on two AA-batteries, and features switchable AF input (Mic/Line) and RF output levels (10mW/50mW). Compatible with the WL-800 family of products. • Very compact UHF belt-pack transmitter with PLL technology • 188 selectable frequencies • Easy to read LCD display with LED indicators • Accommodates Sony microphones fitted with an SMC9-4P connector ECM44BC omni-directional electret condenser #SOECM44BC ................................................................................................. $99.95 ECM77BC compact omni-directional electret condenser #SOECM77BC .................................................................................$259.95 ECM88BC premium, low noise omni-directional electret condenser #SOECM88BC ................................................................$339.95 SONY WRT-8P #SOWRT8P* 79500 $ When you combine the WRT-8P Plug-on transmitter with your choice of handheld ENG microphone, you gain a high performing interview mic/ transmitter package with excellent sound quality. The WRT-8P offers switchable power output and operates for up to 4 hours on a 9-volt battery when set to 50mW RF output, or 2.5 hours when set to 250mW RF output. In addition the WRT-8P also accepts line-level audio signals making it ideal for a wide-range of wireless audio production applications. Compatible with all WL-800 series of products. • Plug-on transmitter featuring PLL technology • 250mW high RF output power for stable transmission • Selectable RF output power 250mW/50mW • Selectable mic/line level input • Battery alarm function transmitted to tuner • 188 selectable frequencies • Stable, high-output transmission • 4 hours of continuous operation at 50mW Portable Wireless Systems www.bhproaudio.com SONY $ WRR-862B 193 #SOWRR862B* 350000 The WRR-862B66/68 is UHF-synthesized Dual Diversity Tuner that allows for the use of two WL-800 series wireless microphones simultaneously. This diversity tuner has been introduced to meet the demand for two-channel reception in ENG and EFP applications. Two space-diversity receiver modules are built in to its rugged, compact and extremely lightweight body that is made from die-cast magnesium. This makes the WRR-862B especially suitable for mounting onto professional camcorders and may be used as a redundant single channel system for critical situations. • Compact 2-channel, Dual Diversity receiver • 188 selectable frequencies per receiver • Headphone monitor output with adjustable level control • Designed to mount onto most Sony Pro cameras • Approx. 5 hrs. of operation on 4 “AA” batteries • LED battery, antenna, and RF indicators • LCD for group, channel, frequency and squelch settings • Includes 2 XLR terminated output cables • Rugged, die-cast magnesium construction • Power from “AA” battery or DC from camcorder AZDEN $ 200ULT #AZ200ULT 67995 There are countless situations where the ability to mic two subjects simultaneously would be the perfect alternative for capturing the best audio quality possible. The 200ULT provides you with the ability to use two wireless lavalier microphone transmitters with a single receiver in a package that will interface with any 1/8” inch mini or XLR input camera. The system has a rated run time of better than 8 hours and the receiver comes with its own hot-shoe mount for convenient and secure camera mounting. • Dual channel on-camera wireless lavalier system • 63 selectable UHF frequencies • (2) 10BT body-pack transmitters with EX-503 lavaliers • 200UPR receiver outputs to 1/8” mini and dual XLR 200ULX includes (1) lavalier belt-pack transmitter and (1) plug-on transmitter #AZ200ULX ........ $719.95 200ULH includes (1) lavalier belt-pack transmitter and (1) handheld transmitter #AZ200ULH ...... $649.95 AUDIO-TECHNICA 1800 Series Since its introduction, the Audio Technica U100 single channel on-camera wireless system has proven to be a well accepted and dependable performer. With more and more videographers requesting the ability to use two wireless microphones without the cumbersome bulk of two receivers, AT has introduced the 1800 series of UHF componenets. Featuring the same solid construction and dependable RF performance as the original, the newly designed components feature 996 selectable frequencies and backlit LCD displays with Soft Touch Controls for easy navigation and programming. • Dual channel UHF on-camera wireless system • ATW-R1820 receiver features independent monitor and output level controls • One receiver may be powered down for battery conservation • ATW-T1801 belt pack transmitter features selectable hi/low power output • Includes MT830 omnidirectional lavalier • ATW-T1802 plug on transmitter features phantom power ATW-1821D Kit includes (1) ATW-R1820, (2) ATW-T1801 & (2) Omnidirectional lavalier mics #AUATW1821 ......... $1,295.00 ATW-1822D Kit includes (1) ATW-R1820 & (2) ATW-T1802 #AUATW1822 ..............................................................................$1,295.00 ATW-1823D Kit includes (1) ATW-R1820, (1) ATW-T1801, (1) ATW-T1802 & (1) Omnidirectional lavalier mic #AUATW1823 ...$1,295.00 AZDEN 1000 Series The 1000 series represents a versatile array of UHF wireless components and the 121 channel diversity 1000URX receiver has the distinct ability to be directly mounted to a variety of professional cameras. The 1000BT bodypack transmitter and 1000XT plug-in transmitter round out the set. 1000URX on-camera diversity wireless receiver #AZ1000URX .................................................................................... $539.95 1000URX/ AB on-camera receiver configured for Anton Bauer “Gold Mount” mounting system #AZ1000URXAB ..... $599.95 1000URX/ Si on-camera receiver configured for Panasonic or Ikegami “Slot-In” or “Uni-Slot” mounting systems #AZ1000URXSI .....................................................................................................................................$863.95 1000URX/ VM on-camera receiver configured for IDX “V-Mount” mounting system #AZ1000URXVM ...................... $774.95 1000BT bodypack transmitter #AZ1000BT .................................................................................................................. $229.95 1000XT plug-on transmitter #AZ1000XT .................................................................................................................... $229.95 ENG Kits 194 800-416-5090 ENG AUDIO KITS Complete Solutions for Field Audio Production B&H sells a variety of kits for wireless microphones, complete boompole systems, and ENG mixers and accessories. They’re designed to take the guesswork out of building an audio package for location sound applications. They act as a “value menu” of sorts. You get everything you need in one shot, and you’ll save yourself some money too. B&H’s wireless microphone kits are sold as single or dual systems and come in two levels: Basic and Deluxe. Our deluxe kits include broadcast-quality lavalier microphones that are significantly better than the standard mics included with the wireless system. With the variety of kits that we offer, you can mix and match them for your ideal booming, wireless, and mixing solutions. RODE SENNHEISER #SEME66BK 74995 $ ME66/K6 Basic Shotgun Kit Kit Includes: SEME66 K6 shotgun microphone, Rode SM 3 shock mount, K-Tek KE-89CC aluminum boompole, Rycote Softie ($110), Universal hand grip, 20-ft. XLR cable with right-angle female connector, 1.5 ft. XLR cable with right-angle female connector. ME66/K6 Deluxe Kitincludes K-Tek KE-100CC carbon fiber boompole #SEME66DK ..... $969.95 SENNHEISER MKH-416 #SEMKH416DK 169995 $ $ NTG-2 #RONTG2BK 58995 Basic Shotgun Kit Kit Includes: NTG-2 shotgun microphone, Rode SM 3 shock mount, K-Tek KE-89CC aluminum boompole, Rycote softie ($110), Universal hand grip, 20-ft. XLR cable with right-angle female connector, 1.5 ft. XLR cable with right-angle female connector. NTG1 Basic Kit #RONTG1BK ...................................................$599.95 AUDIO-TECHNICA AT-897 #AUAT897BK $ 62995 Deluxe Shotgun Kit Basic Shotgun Kit Kit Includes: MKH-416 P48 shotgun microphone, Rode SM 3 shock mount, K-Tek KE-100CC carbon fiber boompole, Rycote softie ($110), Universal hand grip, 20-ft. XLR cable with rightangle female connector. Kit Includes: AT-897 shotgun microphone, Rode SM 3 shock mount, K-Tek KE-89CC aluminum boompole, Rycote softie ($110), Universal hand grip, 20-ft. XLR cable with right-angle female connector, 1.5 ft. XLR cable with right-angle female connector. ENG Kits www.bhproaudio.com SENNHEISER SENNHEISER #SEEW100EB*K 77995 $ EW100 G2 Single Basic Wireless ENG Kit Kit Includes: EW100 G2 wireless microphone system (SK100 G2 bodypack transmitter, SKP100 G2 plug-in transmitter, ME2 lavalier mic), Electro Voice RE50B handheld interview microphone, 2.25˝ square mic flag (black), Sennheiser POP-1 case, Pelican #1200 case with foam insert. EW100 G2 Deluxe Kit- Includes Voice Technologies VT500 lavalier SEEW100ED*K.........................................................................$989.95 AUDIO-TECHNICA ATW-1821D 195 #AUATW1821DDK 179900 $ #SEEW100DD*K 167995 $ EW100 G2 Dual Deluxe Wireless ENG Kit Kit Includes: EW100 G2 wireless microphone system (SK100 G2 bodypack transmitter, SKP100 G2 plug-in transmitter, ME2 lavalier mic), EW 112 G2 wireless system (SK100 G2 bodypack transmitter, EK100G2 camera-mount receiver, ME2 lavalier mic), (2) Voice Technologies VT500 Lavalier Microphones, Electro Voice RE50B handheld interview microphone, dual hot shoe extender, Pelican #1200 case with foam insert. EW100 G2 Dual Basic Kit SEEW100DB*K ......................... $1249.95 SONY UWP #SOUWPED6*K 104995 $ Deluxe Wireless Kit ENG Deluxe Wireless Kit Kit Includes: ATW-R1820D Camera mountable Dual-Receiver, (2) ATW-T1801 bodypack Transmitters, ATW1802 plug-in Transmitter, (2) AT-899CW Omnidirectional Lavalier Microphones, professional ENG handheld microphone, cables, mic flag and rugged storage case Kit Includes: UWP-C1 true diversity portable cameramountable UHF wireless lavalier microphone system, UTX-P1 UWP plug-on transmitter, Sony ECM44BMP omnilavalier microphone, Sony F112 handheld ENG microphone, 2˝ square mic flag, Pelican #1200 case with foam insert. SOUND DEVICES 302 #SO302DK 173900 $ PSC DV PROMIX 6 #PSDVPM6DK 177995 $ Deluxe Field Mixer Kit ENG/EFP Deluxe Field Mixer Kit Kit Includes: Sound Devices 302 3-channel mixer, Porta-Brace MXC-302 audio mixer case with RM-Multi microphone case, Versa-Flex professional field audio harness, (2) 1˝ x 6˝ carabiner cable carriers, 25-ft. Canare breakaway cable, (3) “AA” batteries. Kit Includes: PSC DV ProMix 6 6-Channel mixer, PortaBrace RM deluxe wireless microphone/ audio mixer case, VersaFlex professional field audio harness, (2) 1˝ x 6˝ carabiner cable carriers, 25-ft. Canare breakaway cable, (8) “AA” batteries. 442 ENG/EFP Deluxe Field Mixer Kit # SO442DK.... $2994.95
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