Azden 200ULX User manual

Azden 200ULX User manual
166
Broadcast Studio Microphones
800-416-5090
NEUMANN
#NEBCM104
99999
$
BCM104
With precision engineering and design, the Neumann BCM104 is a natural sounding large diaphragm, cardioid
condenser microphone, specifically tailored for the demands of today’s digital broadcast studios.
• Cardioid microphone for broadcast & studio
• Internal switchable low-frequency roll-off
• 14dB pad
• Switchable proximity compensation
• Easily switchable color coded head grilles
• Unique shock mount assembly
• 152dB SPL
• 20Hz–20kHz frequency response
BCM104 voice-over kit #NEBCM104K ..........................................................................................................CALL
RODE
#ROB
CALL
BROADCASTER
An affordable choice for today’s modern digital broadcast facilities, the RODE BROADCASTER is a large diaphragm cardioid condenser microphone that features a true full-range
response especially suited for voice over use.
• Low noise handling • Power indicator
• Unique “On-Air” LED indicator
• Internally shock mounted capsule with pop filter
• 135dB SPL • 20Hz–20kHz frequency
response • Custom case with
microphone holder (included)
Broadcaster voice-over kit #ROBK ........................................................................CALL
SHURE
$
SM7B
#SHSM7B
34995
The Shure SM7B is a large diaphragm dynamic microphone designed for studio broadcast applications. It has a
smooth, flat, wide-range frequency response, and provides excellent shielding against electromagnetic hum
generated by computer monitors, neon lights, and electrical devices.
• Selectable tone controls
• Internal suspension shock mount
• Graphic display of bass and
mid-range adjustments
• Improved bracket design
• High sound pressure level
handling capabilities
• Rugged steel construction
• 40Hz–16kHz frequency response
SM7B voice-over kit
#SHSM7BK .......................$499.95
ELECTRO-VOICE
$
RE20
#ELRE20
39900
A broadcast industry standard, the Electro-Voice RE20 is a cardioid dynamic microphone that
delivers reliable, low noise performance with exceptional clarity and definition. Its internal pop filter
reduces proximity effect, and the internal shock mounting reduces handling noise.
309A suspension
shock-mount available #EL309A ...... $99.00
• Response tailored for vocal applications
• Bass tilt down Switch • Capable of extremely
high sound pressure levels
• Rugged steel construction with low handling
noise • 45Hz–18kHz frequency response
• Includes 81715 stand clamp
RE20 voice-over kit #ELRE20K ........................................................................................$649.95
NEUMANN
$
BCM705
#NEBCM705
69900
The BCM705 is Neumann’s first ever dynamic microphone, and its second in the Neumann broadcast line. Housed in the
same body as the BCM104, it utilizes a Nuemamn re-designed version of the Sennheiser MD 431 capsule; overhauled to
meet the specific demands of broadcast applications.
• Supercardioid pickup pattern
• Removable integrated wire mesh pop screen
• Individual headgrilles available for each user
• Capsule’s mechanical suspension
reduces sensitivity to stand
movement or handling shocks
• Does not require a power supply
• Frequency response: 20Hz–20kHz
• Integrated elastic suspension
BCM705 voice-over kit #NEBCM705K............................................................................................................................ CALL
Stereo Microphones
www.bhproaudio.com
AUDIO-TECHNICA
$
AT825
167
#AUAT825
34995
The Audio-Technica AT825 is an easy to use, single-point-reference stereo
condenser microphone. Its flat frequency response and “true” stereo imaging
make it the right choice for recording music, on-location audio, or ambient
soundscapes onto professional DV cameras, compact flash and DAT recorders.
• Closely-matched elements provide outstanding imaging
and excellent channel separation
• Compact, lightweight design is ideal for camera mounting
• Switchable low-frequency roll-off
• 5-pin XLR output • 126dB SPL
• 30Hz–20kHz frequency response
AT822 unbalanced version with
1/8” stereo or 1/4” dual mono temination
#AUAT822 .......................................... $249.00
RODE
$
NT4
• Two externally biased 1/2” matched capsules with
gold sputtered diaphragms • Transformerless circuitry for low noise • Phantom or 9V battery powered
• 143dB SPL • 20Hz–20kHz frequency response
SHURE
$
VP88
• Custom mini stereo jack and XLR
cables included • Custom case,
shock mount, windshield and
stand mount supplied
#RONT4
47900
The RODE NT4 is a fixed, 90-degree X/Y configuration stereo microphone designed for professional applications. Its perfectly matched cardioid
condenser elements produce both detailed and
accurate stereo recordings. The NT4 can be powered via phantom or 9V battery, making it well
suited for both studio and location recording.
#SHVP88
68995
The Shure VP-88 is a professional singlepoint reference, stereo condenser microphone. Ideal for location,
broadcast and live performance recordings, the VP-88
features a unique selectable stereo imaging matrix
output and filter adjustments that provide recording
and broadcast engineers with the flexibility necessary
to faithfully capture the realism of live events.
• Mid-Side design for optimal imaging
• Built-in stereo matrix for direct
stereo spread control
• Selectable roll-off and output
• Internal shock mount for reduced handling noise
• Operates on both phantom or internal 6V
battery power • 129dB SPL
• 40Hz–20kHz frequency response
CROWN
SASSP MKII
#CRSASSPMKII
105995
$
The SASSP MKII is an ambient stereo microphone that utilizes dual PZM microphone elements.
Its unique design mimics the shape of the human head to capture an airy and warm complete stereo
image. Broadcasters rely on it for recording crowds, journalists and filmmakers use it for realistic ambience, and it’s also used experimentally in recording studios for music and soundtrack production.
RODE
NT5
$
• Stereo electret condenser Pressure Zone Microphone (PZM)
• 12V – 48V phantom powered or two 9V batteries
• Omni at low frequencies, unidirectional at mid/high frequencies
• Low cut switch • 150dB SPL • Carrying
case, handgrip, and windscreen included
• 20Hz–18kHz frequency response
• (2) externally polarized 1/2” pressure gradient
condensers • Gold sputtered capsule
• Heavy duty satin-nickel-plated body
• 143dB SPL • 20Hz–20kHz frequency
response • Dual wind screens, stand
mounts, and durable road case (included)
#RONT5
42900
(matched pair)
The NT5 (matched pair) are a set of smalldiaphragm cardioid condenser microphones
designed for single or stereo X/Y miking. Great
for live performances, acoustic instrument, and
drum overhead recording, the compact, low
noise NT5 (matched pair) offer a great solution
for stereo recording at a very affordable price
Shotgun Microphones
168
NEUMANN
KMR81i
800-416-5090
# NEKMR81I
134999
$
The KMR81i is a premium shotgun
microphone designed especially for ENG, film and
stage work. Off-axis sounds are left uncolored and
are picked up at low levels, while the outstanding
directivity allows focus on individual sources producing clean, high output sound with remarkably low
self-noise. Attenuation and filter switches further
enable level and noise control.
• Renown Neumann engineering
• Low power consumption, lightweight and
wind resistant • 10dB pad and high-pass filter
• Excellent directional characteristics
with superior side and rear rejection
• 48V phantom powered
KMR82i supercardioid long-tube shotgun with enhanced high frequencies
#NEKMR82I .................................................................................................................$1519.99
SCHOEPS
• Supercardioid polar pattern
• Superior RF immunity
• Low colorization of off-axis
sound
• (3) pushbutton-activated
filters with LEDs
• Lightweight, blue anodized all
metal housing
• Includes: SG 20 swivel joint,
W 140 windscreen and wooden
carrying case
• Frequency response: 40Hz-20kHz
The CMIT 5U is a shotgun microphone that delivers exacting
standards, reliability, and neutral, accurate sound Schoeps microphones are known for. It is equipped with three pushbutton-activated filters: High-frequency emphasis (+5 dB at 10 kHz), Steep
low-cut filter (18 dB/oct. below 80 Hz) and Gentle low-frequency
rolloff (6 dB/oct. below 300 Hz). This top quality shotgun microphone is suitable both music recording and dialog recording.
SANKEN
The CS-3e is a short shotgun microphone with a unique
design; incorporating three directional capsules arranged
in a front-back array. It maintains directivity over a wide
frequency range (especially in the low frequencies) and
minimizes proximity effect. The CS-3es standard 19mm
diameter permits the use of a wide range of mounts,
wind protection and accessories.
CS1
# SACS3E
135000
$
CS-3e
SANKEN
# SCCMIT5U
189500
$
CMIT 5U
# SACS1
79500
$
The CS1 is a compact, shotgun microphone that
combines a cardioid pattern and excellent off-axis
rejection to produce crisp, focused sound that is ideal
for professional film, video and broadcast productions. The lightweight CS1 conveniently mounts onto
cameras and can handle high sound pressure levels
suitable for reproducing distortion-free audio at even
close proximities.
• Designed for professional videographers, TV/film and
broadcast applications
• Very high SPL handling capability
• Narrow angle, directional pickup rejects off-axis
ambience
• 48V phantom powered
K-SSM K-Tek shock mount for Sanken CS1
#KTKSSM.............................................................$119.95
• Excellent for noisy am- • Excellent side and rear
bient environments
rejection with low
• Supercardioid polar
proximity effect
pattern
• Frequency response:
• Switchable low-cut filter
50Hz -20kHz
• Directional sound even • Brass housing with
in the lower frequencies
black soft-touch coating
SENNHEISER
MKH416
# SEMKH416P48
109995
$
The MKH416 is a highly sensitive short shotgun
microphone designed to deliver extremely linear
low-noise audio with minimal off-axis sound
coloration, a favorite for high-end film production,
TV/video and broadcast applications. Its rugged
RF-design is virtually immune to weather conditions and mounts easily to fish poles, booms, and
digital cameras.
• High end, low-noise design for demanding film,
ENG and video production
• Excellent directivity and compact design
• Transformerless, natural sound
• Highly-sensitive element effectively rejects feedback and off-axis sound
• 48V phantom powered
• Rugged build, suitable for adverse climates
Shotgun Microphones
www.bhproaudio.com
SENNHEISER
MKH60
169
# SEMKH60
149995
$
The MKH60 is a short shotgun microphone designed
with a high degree of directivity ensuring superior audio
quality for distance applications. Ideal for a variety of
professional film and broadcast applications, the low noise,
low distortion MKH60 features a light, weather-proof design
that maintains a natural, sensitive response throughout the
whole frequency range.
• High directivity throughout whole
frequency range
• Excellent side and rear noise rejection
• Natural sounding transformerless design
• Rugged and weather-proof
• Switchable pre-attenuation
• Switchable roll-off filter
• Switchable treble emphasis
SENNHEISER
• Ideal for film and ENG
applications
• Exceptionally low inherent
self-noise
• Switchable roll-off filter, treble
emphasis and 10dB pad
• Powers via: 48V phantom power
• Lightweight, rugged and
wheather-proof
• Frequency response:
50Hz-20kHz
• Black, anodized metal casing
AUDIO TECHNICA
AT-4071A
The AT-4071A is a shotgun microphone designed for
critical long-distance pickup in broadcasting, film/TV
production, and theater sound reinforcement applications.
Its unique interference tube design provides the same
directivity as mics up to 50 percent longer than the AT4071A. The rugged 15.55” housing is made of lightweight
structural-grade aluminum alloy, and weighs only 5.5oz.
SHURE
SM89
The MKH-70 is a long shotgun condenser microphone
that provides frequency-independent directivity; preventing sound coloration from off-axis sound sources.
This microphone provides excellent directivity making
it ideal for long distance miking applications and high
noise environments. Its RF condenser element offers
high sensitivity with very low inherent self-noise.
#AUAT4071A
$
$
65995
• Lightweight design for boom pole operation
• Extremely high output with low noise floor
• Switchable 150Hz hi-pass filter
• Frequency response: 30Hz-20kHz
• Rugged aluminum alloy housing
• Includes: snap-in stand clamp,
foam windscreen & carrying case
#SHSM89
57995
The SM89 is a professional shotgun microphone designed
especially for location film/TV production, theater sound
reinforcement, and spot pickup. The rugged and reliable
SM89 is made from Aircraft-grade materials and operates
over wide range of temperature and humidity. Its lightweight
design enables it to be suspended on a fishpole for long periods
of time without operator fatigue. Designed to produce a
smooth, wide on-axis response, the SM89 is optimized for
cutting through noisy environments and has a slight presence
boost for increased clarity and speech intelligibility.
• Highly directional polar pattern
• 2 low-cut frequencies for reduced mechanical noise
• Greatly suppressed side pickup
• Very lightweight with low hum, noise, and RF pickup
• Wide range phantom power operation
• Frequency response: 60Hz-20kHz
• Includes: foam windscreen and carrying case
SENNHEISER
ME66 K6
# SEMKH70
165995
$
MKH-70
$
# SEME66K6J
47900
The ME66 is a short shotgun microphone
capsule designed especially for reporting, film, and
broadcast applications. It is capable of picking up quiet
signals in noisy or acoustically live environments. It has
a highly directional supercardioid pickup pattern, low
self-noise, and high sensitivity for greater gain-beforefeedback.
• Excellent off-axis noise rejection for increased
accuracy in high-noise environments
• Ideal for videography, field recording, interviews,
film and broadcast production
• Compact design for use on short digital cams
• Supplied with K6 power supply for phantom or
battery use
ME67 supercardioid spot shotgun condenser microphone
capsule #SEME67 ...............................................$259.95
Shotgun Microphones
170
RODE
NTG-1
$
800-416-5090
#RONTG1
24900
The Rode NTG-1 is a supercardioid condenser
shotgun microphone specifically designed for professional ENG, film, video, and voice-over applications. It powers via phantom power, and provides
a controlled polar response coupled with low
noise SMT electronics. This extremely lightweight
microphone mounts directly to video cameras
(with optional accessories) or boom poles.
• Supercardioid condenser shotgun microphone
• Ideal for camera or boompole mount
• Switchable high-pass filter
• Frequency Response: 20Hz- 20kHz
• Very low self noise
• Rugged metal construction
• Includes: stand mount, zip pouch & foam
windshield
RODE
$
NTG-2
#RONTG2
269
00
The NTG-2 is a lightweight condenser shotgun microphone
designed for professional film, video and production applications. It can power either from an internal “AA” battery
or 48V phantom power; making it ideal for mounting directly to video cameras or boom poles. This low profile mic
provides a wide bandwidth, a controlled polar response
and a high-pass filter to cut out low-end rumble.
AUDIO TECHNICA
AT-875R
• Requires phantom power
in order to operate
• Short seven inch length
• Tailored low frequency
response
• Smooth audio reproduction
• Ideal for mounting on a
video camera
• Excellent off axis rejection
#AUAT875R
19995
$
The 875R is an exceptionally compact shotgun microphone that was designed for use in video production.
Its short size (seven inches in length) makes it ideal for
mounting on a video camera. It offers off axis rejection
of sounds to the sides and rear of the mic, and the sound
quality and performance of a larger, more expensive
shotgun microphone.
AUDIO-TECHNICA
AT8035
• Mounts directly to video
cameras or boom poles
• Powers via: “AA” battery or
phantom power
• Switchable high-pass filter
• Frequency response:
20Hz -20kHz
• Rugged metal construction
• Includes: zip pouch, RM5 stand
mount and foam windscreen
$
#AUAT8035
23995
The AT8035 is designed for
professional recording,
broadcasting and TV/film
video production. It
provides the optimum acceptance angle for picking up
clean audio at long distances,
even in acoustically noisy environments. Additionally, its short length is well
suited for ENG, outdoor recording and other
specialized uses.
• Designed especially for video and broadcast (boom or
handheld use)
• Excellent rear and side sound rejection
• Switchable low-frequency rolloff
• Operates on battery or phantom power
AT8415 low profile shock mount #AUAT8415 ........................ $49.95
AUDIO-TECHNICA
AT897
$
#AUAT897
24995
Designed to accurately
capture audio from a
distance, the AT897 is
considered the
benchmark for
lower priced
short shotgun microphones. Its compact length
mounts conveniently on a DV camcorder
without adding much heft or getting in the frame.
It provides a smooth, natural on-axis sound with excellent
rear and side rejection.
• Designed for field audio use in film/TV/video production
and broadcast
• Short, compact design ensures mic stays out of the shot
• Smooth, natural-sounding on-axis audio
• Low-cut filter • 48V phantom or battery operation
Shotgun Microphones
www.bhproaudio.com
SONY
ECM-674
$
171
#SOECM674
34500
The ECM-674 is a lightweight shotgun
condenser microphone that combines
high performance features with versatile powering options
at an affordable price. It provides high sensitivity, low noise
characteristics and a flat-and-wide frequency response.
Designed for use both studio and field applications, the
compact ECM-674 is an ideal match for Sony’s HDV, DVCAM
and XDCAM camcorder lines.
• Compact, lightweight design
• Powers via: “AA” battery or
external phantom power
• 2-position low frequency
roll-off switch
• Frequency response: 60Hz-18kHz
• Built-in battery liquid leakage
protection circuit
• Includes: windscreen, mic holder,
mic spacer and cable
SONY
ECM-678
• Compact supercardioid short shotgun
• Built-in 2 position low cut filter
• Powers via: 48V phantom power
• Frequency response: 40Hz-20kHz
SONY
ECM 673
$
• Camera and boom
pole mountable
• Includes: a windscreen, holder, spacer
and carrying case
$
#SOECM678
65000
The ECM-678 is a compact short shotgun microphone designed
for use in broadcast, professional video, film, and field audio
applications. This durable mic can be mounted on a boom pole
or a video camera and is suitable for even the most demanding shooting/recording conditions. It is equipped with a newly
developed microphone capsule that delivers sensitivity of -28dB
and extremely low inherent noise of less than 16 dB SPL.
#SOECM673
29500
The ECM-673 is a compact shotgun microphone
designed for use with compact camcorders in
broadcast, documentary and motion picture production. This lightweight microphone weighs only
4.9 ounces and is only 8 inches in length. It provides sensitivity of 36dB, 40 Hz to 20 kHz frequency
responses and a built-in two position low cut filter.
AUDIO-TECHNICA
AT4073A
• Low profile shotgun, ideal for
videographers
• Built-in 2 position low cut filter
• Powers via 48V phantom power
• Weight: 4.9ozs, Length: 8”
• Frequency responses:
40Hz- 20kHz
#AUAT4073A
$
54995
• Includes: windscreen, mic
holder, mic spacer& cable
AUDIO TECHNICA
AT-8015
$
#AUAT8015
27995
Designed for critical
long-distance pickup, the
AT4073A sets a new standard for small, lightweight
shotgun microphones.
It mounts easily to
minicams and fish
poles and features a
propriety interference tube
whose narrow acceptance angle
provides the same directivity as mics up to
50 percent longer.
The AT-8015 is a long shotgun
designed for professional video
production, broadcast and ENG/
EFP applications. It powers via
battery or
phantom power,
and provides excellent
sound rejection from the
sides and rear of the microphone.
The AT-8015 is equipped with a low frequency roll-off switch to help reduce ambient noise,
room reverberation and mechanically coupled vibrations.
• Ideal for broadcast, film/TV, video and stage sound reinforcement
• Patented acoustic design provides directivity of mics 50% longer
• Superior off-axis sound rejection
• Switchable 150Hz hi-pass filter
• Wide 11-52V phantom power operation
• Designed for broadcast and film/TV/video production
• Excellent sound rejection from the sides and rear of mic
• Switchable low frequency roll-off • Frequency response: 30Hz-20k Hz
• Powers via: “AA” battery or phantom power
• Includes: stand clamp, AT8135 windscreen, battery, carrying case
172
Shotgun & Parabolic Microphones
AZDEN
SGM-2X
$
800-416-5090
#AZSGM2X
21995
The SGM-2X is a shotgun microphone system
designed for both the pro-sound and broadcast
markets. This dual-purpose mic has two interchangeable barrels: an 8 1/8” omnidirectional barrel, and an
extension barrel to make it a 15 3/4” supercardioid.
It operates for 250+ hours on a single “AAA” battery
and includes a unique, integrated shock-mount & two
foam windscreens.
• Professional shotgun microphone system
• Switchable low-cut filter
• Frequency response: 40Hz -20kHz
• Powers via: “AAA” battery
• Low current drain, 250+ hour battery life
• Camera-shoe or stand mounting
• Includes: shock mount mic holder,
(2) windscreens
AZDEN
• Ideal for videographers
• Hyper-directional, super-cardioid
shotgun microphone
• Frequency Response: 18Hz -80kHz
• 110dB SPL
• Powers via: “AAA” battery
• Low current drain, 1000+ hour battery life
• Camera-shoe or stand mounting
• Includes: windscreen and integrated
shockmount
AZDEN
SGM-1000
Big Ears Super Kit
The Azden SGM-1X is a compact shotgun microphone
designed for mounting on digital video cameras. This
hyper-directional super-cardioid shotgun has a wide frequency response and will operate over 1000 hours on
a single “AAA” battery. It includes a windscreen and
Azden’s proprietary shock-mount holder that isolates
the SGM-1X from camera motor and handling noise.
#AZSGM1000
$
26900
The SGM-1000 is a highly directional shotgun microphone
that can be powered by external phantom power or a
single “AA” battery. This versatile microphone provides a
wide frequency response, a switchable low-cut filter and
a unique shockmount holder with integrated shoe-mount.
When powered via alkaline battery, the SGM-1000 will
operate for approximately 1000 hours.
CRYSTAL PARTNERS
#AZSGM1X
14995
$
SGM-1X
$
• Ideal for video,
ENG and broadcast
applications
• Super-cardioid
electret condenser
• Powers via: “AA” battery or
phantom power
#CRBE3KSC
409900
• Switchable low-cut filter
• Frequency Response: 80Hz -20kHz
• Low current drain, 1000+ hour battery life
• Includes: shock mount mic holder, windscreen and carry-pouch
CRYSTAL PARTNERS
Lil Ears Super Kit
$
#CRBE4KSC
284995
Parabolic Microphone Kit
Parabolic Microphone Kit
The Big Ears Super Kit is the latest generation
of the state of the art parabolic microphone
reflector. It incorporates two side
mounting plates in the handle design to
accommodate mounting of transmitters
and receivers for wireless communications.
The Lil Ears Super Kit is the ENG version of
the state of the art parabolic microphone
reflector. This ready to use broadcast
package complete with handle and
yolk, and is designed for hand held,
mic stand or camera mount.
Big Ears Super Kit includes:
BE3 dish, HD1 Headset,
MD1 Bridging Amp and Sennheiser
MKE2 Microphone, CC1 carrying
case, RD1 electronic site, DS1 neck
strap and SG1 silent gloves.
Lil Ears Super Kit Includes:
BE4 dish, HD1 Headset, MD1
Bridging Amp and Sennheiser
MKE2 Microphone, CC2 carrying case,
RD1 electronic site, DS1 neck strap
and SG1 silent gloves.
• Pick-up Pattern: 30” diameter target at 100ft.(tunable)
• Useful Range: 5ft. to 500+ft. maximum (dependent on environment,
atmospheric conditions and surrounding noise levels)
• Size: 25.5” x 26.5” x 10” • Parabola size: 23” • Weight: 5 LBS
• Pick-up Pattern: 24” diameter target at 100ft. (tunable)
• Useful Range: 3ft. to 350+ft. maximum (dependent on environment,
atmospheric conditions and surrounding noise levels)
• Size: 16” x 15” x 5” overall • Parabola size: 13” • Weight: 2 LBS
This Parabolic Microphone kit is not recommended for Tacticle use
This Parabolic Microphone kit is not recommended for Tacticle use
Stereo Shotgun Microphones
www.bhproaudio.com
AUDIO TECHNICA
$
BP-4029
The BP-4029 is a professional stereo shotgun microphone designed for long distance miking in broadcasting and film/TV production applications. It features
independent line-cardioid and figure-of-eight condenser
elements, switchable low-frequency roll-off and a selection switch for non-matrixed M-S & internally matrixed
left/right stereo modes. This lightweight mics compact
design makes it an ideal choice for camera mounting.
173
#AUBP4029
59995
• Independent line-cardioid &
figure-of-eight condenser
elements
• M-S, LR Stereo-Wide
& LR Stereo-Narrow modes
• Switchable low frequency roll-off
• Frequency response:
30Hz-20kHz
• Includes: 24” 5-pin XLR/F-(2)
XLR/M cable, stand clamp,
AT8135 windscreen, carrying case
SENNHEISER
• Ideal for film, ENG and
broadcast applications
• Polar Pattern-M:
Supercardioid, S: Figure 8
• Low inherent self noise
• Dual channel 5-pin XLR Output
• Frequency Response:
40Hz- 20kHz
• Matte black metal casing
• Includes carrying case
NEUMAN
RSM 191 A-S
$
#NERSM191AS
449999
The RSM 191 is a remote-control shotgun system for MS and XY
stereo recording. It consists of a short shotgun microphone with
two separate capsule systems (hypercardioid element & figure-8),
and the MTX 191 a matrix amplifier that controls the width of
the stereo image. The RSM 191 is ideal for use as a stereo drum
overhead system, and is equally well suited for broadcasting/ENG,
film and video applications.
SANKEN
CSS-5
The MKH 418 S is an M-S stereo shotgun microphone that combines a supercardioid mid capsule with a newly designed figureof-eight side capsule. A 5-pin XLR output sends the separate signals of each internal microphone system to discrete channels on
a console/field mixer, recorder or matrixing system. This versatile
mic utilizes Sennheiser’s exclusive RF condenser technology; offering low inherent self noise and an optimal signal-to-noise ratio.
• MS-stereo microphone, switchable to XY configuration
• Polar Pattern: Mid-hypercardioid, Side- figure-8
• Switchable low frequency roll-off
• Frequency response: 20Hz -20kHz
• Powers via: phantom power or 9V battery
• Includes: aluminum carrying case,
windscreen, interconnection
cable & dual 3-pin XLR
output cable
#SACSS5
199500
$
The CSS-5 is an easy-to-operate
stereo shotgun for use in stereo
broadcasts and feature films with
stereo and surround sound. Its unique
design utilizes an array of five directional
condenser elements, offering three
distinct operation modes to satisfy the
various needs of location and studio
recording. The CSS-5 standard 19mm
diameter permits the use of a wide range
of mounts, wind protection and accessories.
• Ideal for film, video and broadcast applications
• 3 switchable modes: Normal, Mono, Wide
• Excellent side and rear rejection with low proximity effect
• Equally responsive in the horizontal and vertical planes
• Frequency response: 20Hz -20kHz
• Standard 19mm diameter
GS-5 Pistol Grip w/Shockmount for CSS-5 #SARYGS5 ........... $245.00
#SEMKH418S
119995
$
MKH-418 S
SANKEN
CMS-10
$
#SACMS10
219500
The CMS-10 is a camera-mount stereo shotgun
microphone designed for HDTV broadcasting applications. It provides extremely high resolution audio,
superior frontal directionality and an integrated
camera mount suspension. The CMS-10s output is
switchable between a highly directional mono signal
to both L/R channels and a L/R stereo signal.
• Camera mount stereo shotgun microphone
• Ideal for film, video and broadcast applications
• Superior frontal directionality and off-axis rejection
• Built-in Mono/Stereo switch
• Frequency Response: 20Hz -20kHz
• Lusterless black soft touch coating
• Includes: SH-10 suspension mount,
WSJ-10 Softie windjammer
CMS-10MS M/S output only version
#SACMS10MS.............................................. $2195.00
174
COUNTRYMAN
EMW (black)
Lavalier Microphones
SHURE
#COEMWHWB
19250
$
Exceptionally small in size, the
EMW is an omni-directional
electret condenser microphone
that’s ideal for TV broadcast,
theater production, presentations
and even instrument recording. Capable of handling
high sound pressure levels both direct and indirect
of the capsule, the EMW is also moisture resistance,
provides very low rubbing noise, and is available
with tailored response curves making it a popular
choice for under clothing, normal, and clipped on
instrument use.
9995
The Shure SM11 is a miniature dynamic
lavalier microphone designed for on
camera TV broadcasts, stage and
specific radio and film applications.
Its omni-directional element is enclosed
in a ruggedly built aluminum case that
is lightweight and unobtrusive, with an
acoustic response matching most stand and
desk-mounted microphones. Its Smooth exterior and recessed grille screen reduces clothing
noise and the flexible long-life cable ensures years of reliable use.
• Omni-directional, dynamic (requires no power) lavalier microphone
• Rugged construction for extended reliability
• Smooth exterior and recessed grille screen reduces noise • XLR connection
RK203TC tie clasp #SHRK203TC..................................................................... $12.95
RK200BC belt clip #SHRK200BC .............................................................................................$4.50
AUDIO-TECHNICA
AT803b
#AUAT803B
13995
$
Designed to be worn on the clothing of stage and TV
performers, the omni-directional AT803b condenser
microphone offers an excellent unobtrusive sound pickup that
operates on either phantom or battery power.
Additionally, a built-in 80Hz high-pass filter provides easy
switching from a flat frequency response to a low-end rolloff,
ideal for reducing low frequencies caused by clothing noise.
EMWHWBS shelved frequency response version
#COEMWHWBS ..............................................$192.50
ECM-44B
#SHSM11CN
$
SM11
• Extremely small, flat lavalier design with
hard-wired XLR connection
• Moisture resistant and very low rubbing noise
• Wide response, omni-directional pattern
• 130dB SPL • Flat 20Hz-20kHz frequency response
SONY
800-416-5090
#SOECM44B
• Omni-directional design for clip-on and musical use
• Small, unobtrusive profile
• Operates on both phantom or battery power
• 135dB SPL • 30Hz-20kHz frequency response
19500
$
AT835B cardioid version #AUAT835B ................................................................$239.95
AT8801 single phantom power supply #AUAT8801 ..............................................$62.95
The Sony ECM-44B is a high quality small omni-directional condenser lavalier microphone.
An industry standard, its simple design and ease
of use make it the affordable choice for a variety of
broadcast and presentation applications.
• Consistent direct and indirect reproduction with
low visibilty
• Omni-directional electret condenser microphone
• Complete with in-line battery unit
• Runs up to 5000 hours on single AA battery (not
for use with phantom power)
• Holder clip, windscreen and case included
ADR44B set of (6) black windscreens
#SOADR44B .....................................................$99.95
SHURE
SM93
#SHSM93
14650
$
The SM93 is an omni-directional
electret condenser microphone
designed for use in TV broadcast,
theater, and sound reinforcement
applications. It operates over a
wide voltage range and provides a
full, clean sound that is comparable
to larger microphones. The SM93
combines versatile, inconspicuous mounting with a controlled low-frequency rolloff and
slight presence boost making it ideal for body worn operation.
• Subminiature lavalier design • Small, easy-to-hide mounting hardware • Low distortion, wide
dynamic range • Omni-directional condenser • Wide range phantom powering
RK354SB (2) single bar tie mic clips #SHRK354SB ............................................... $12.95
RK355WS set of 4 windscreens #SHRK355WS ............................................................$17.95
Lavalier Microphones
www.bhproaudio.com
SONY
$
ECM-77B
#SOECM77B
38500
An industry standard, the ECM-77B
is an omni-directional electret condenser microphone designed for
professional broadcast, sound
reinforcement and recording
applications. Its slim profile is easily
concealed in performances or
broadcast, and with both phantom and battery powered operation, the versatile
ECM-77B becomes an ideal choice for delivering a wide range of performances.
• Omni-directional pattern with sensitive response • Ideal for professional
performances and broadcast • XLR connection with multiple connections available
• Powered by either 48V phantom or single AA battery
ADR77B set of 6 black metal windscreens #SOADR77B .......................................$94.95
SENNHEISER
MKE 2 PC
• Omni-directional, sub-miniature
condenser lavalier design
• Well suited for TV, broadcast, and onstage musical performance
• Capable of handling high volumes during
instrument recordings
• 48V phantom powered
• 20Hz-20kHz frequency response
#SEMKE2PC
$
29750
The MKE 2 is a high quality,
sub-miniature clip-on lavalier
microphone ideal for a multitude of
applications where other clip-on
microphones prove too obtrusive
because of their larger size. It fulfills
the most stringent sound quality
demands and is extremely robust. It is
suitable for both speech and instrument
miking applications in all areas of
live work.
AT899
#AUAT899
19995
$
Intended for film, theater, and stage applications, the
AT899 is a sub-miniature omni-directional condenser
microphone designed to deliver optimum performance.
It offers maximum intelligibility and accurate reproduction from all sides of the microphone, while providing
additional flexibility of either battery of phantom power
operation. Its low-profile design is easily concealed in
clothing or hair.
• Omni-directional, sub-miniature lavalier design
• Even pickup around microphone element
• Operates on both phantom and battery power
• Flat, rolloff switch for reduced rubbing noise
• 138dB SPL • 20Hz-20kHz frequency response
AT899A accessory kit including Clothing, Viper and
Magnet Clips, Lanyard, Windscreens, Microphone
Covers and Holders #AUAT899AK....................$53.50
TRAM
TR50
#TRTR50BPS
$
31495
MZ2 accessory kit #SEMZ2 ....... $37.50
MZQ222 tie clips
#SEMZQ222................................. $12.95
MZW2A steel mesh grill
SANKEN
#SACOS11SBPB
$
COS-11
39900
The SANKEN COS-11’s
ultra-small design
and superior sonic
characteristics make it
the lavalier microphone
of choice for TV news and
other critical broadcast
applications. Available in multiple
configurations, the versatile COS-11 can be
powered by either phantom or battery power and is
the ideal upgrade for many other wireless systems.
• Ultra-linear, omni-directional pattern
• Resistant to cosmetics and moisture
• Available in multiple configurations
AUDIO-TECHNICA
175
• 12-52V phantom or AA battery type power
• 136dB SPL
• 50Hz-20kHz frequency response
An industry leader, the TR50 is a professional miniature
electret-condenser microphone that provides superior
sound quality with minimal coloration from its omni
capsule. Its low visibility, wide range of connectors,
and multiple color options make the TR50 an ideal
choice film production, broadcast, and stage performance.
• Omni-directional, miniature condenser lavalier
microphone • Superior sound quality with minimum
coloration • Available with a large range of
connectors • Phantom or battery powered
• Tube style power supply with XLR connector
TR50BNCMO same as above without connection
and accessories #TRTR50BNCMO .................. $174.95
TR79MLP TR79 power supply with TA5 connection
and positive bias wiring #TRTR79MLP............ $167.95
176
Handheld ENG Microphones
800-416-5090
ELECTRO-VOICE
Utilizing the concept of a “mic-within-a-mic”, the
rugged RE-50B is a specially shock-isolated
omnidirectional dynamic microphone. It’s DynaDamp
shockmount and multi-stage integral pop-filter provides
an unprecedented degree of isolation from handling,
mechanical and environmental noise, making it a top
industry choice for clear, noise-free hand-held interview
and news gathering broadcasts.
• Advanced shock-mounting techniques for improved durability and superior low-noise audio reproduction • Built-in four-stage pop-filter protects from excessive sibilance and wind noise
• Well-isolated transducer seemingly unaffected by environmental extremes
• Omnidirectional pattern for uniform pickup on and off axis • 80Hz-13kHz frequency response
SHURE
VP64A
• Neodymium magnet for increased output
and maximized signal-to-noise ratio
• Tailored frequency response with mid-range
presence boost • Internal rubber shockmounting for reduced handling noise
#ELRE50B
13995
$
RE50B
• Omnidirectional pattern for uniform pickup
on and off axis
• Water-resistant grille for extreme weather
conditions
• 50Hz-12kHz frequency response
#SHVP64A
7795
$
The VP64A is an omnidirectional handheld dynamic
microphone designed for professional audio and video
production. It’s Neodymium element, internal rubber isolation, and tailored frequency response, delivers
high-level low-noise audio with greater speech clarity and
articulation. Ideal for indoor/outdoor news gathering and
sports broadcast.
BEYERDYNAMIC
$
M58
Specifically designed to satisfy the demands of
electronic news gathering and electronic field production,
the M58 is an omnidirectional dynamic microphone that features a
rugged well balanced design and sophisticated internal shockmount.
It’s ideal for providing a high degree of comfort during extended
interviews, with minimal handling noise and the ability to withstand the
physical punishment of field production.
#BEM58
23900
• Tailored wide frequency response adds intelligibility and high-end presence
• High-output element with uniform omnidirectional pattern
• Durable construction and internal shockmount reduces handling noise and
environmental effect • Comfortable, weight-balanced, slim-profile design
• 40Hz-20kHz frequency response
SHURE
SM63
#SHSM63
11895
$
The SM63 is a high-output, omnidirectional dynamic microphone
that delivers both professional performance and looks. Its elegant
• High-output, wide frequency range tailored for speech • VERAFLEX grille resist but rugged design utilizes a patented Shure shockmount system
drops, rust, corrosion, and moisture • Humbucking coil virtually eliminates
and VERAFLEX grille, improving resistance to drops, rust, corrostrong electromagnetic hum • 80Hz-20kHz frequency response
sion, and moisture. Internally, the high-quality SM63’s circuitry
is tailored specifically for speech, with a low-frequency rolloff,
SM63L same as above with additional 3.5” handle length #SHSM63L
patented shockmount, and humbucking.
SM63LB same as above with additional 3.5” handle length (black) #SHSM63LB
ELECTRO-VOICE
RE16
$
#ELRE16
26800
The Electro-Voice RE16 is a dynamic supercardioid microphone
designed to meet the most exacting demands of professional
broadcast use. Solidly built, the RE16 features a unique blast filter and
exclusive non-metallic diaphragm allowing extensive hand-held outdoor
• Dynamic Supercardioid microphone • Utilizes a “mechanical nesting design”, that is,
use without plosives, excessive wind noise, or negative effects due to
weather conditions. With superior rejection of unwanted sound and little one internal transducer part “nests” within another for greater vibration reduction
and durability • Bass-tilt switch corrects frequency balance • Hum-bucking coil and
off-axis coloration, focused, noise-free broadcasts and presentations are
steel outer casing provides 25dB of hum rejection • 80Hz-15kHz frequency response
now possible both indoors and out.
www.bhproaudio.com
Handheld ENG Microphones
177
AKG
The rugged AKG D230 is a dynamic
omnidirectional microphone that
easily rejects hum, plosives, and
handling noise while effectively
reproducing information from all
angles, making it ideal for on-location
news broadcasts, film production, and
sound effects gathering.
#AKD230
19900
$
D230
• Omnidirectional pattern effectively picks up off-axis ambient sounds at lower levels with no
coloration • Very wide frequency response • All-metal body and humbucking coil, especially effective
against magnetic fields such as interview/film lighting • Internal shockmount and foam lined mesh grill
reduces handling noise and pops • 30Hz-20kHz frequency response
COLES
4104B
• Ribbon microphone with cardioid
pattern and lip-positioning bar
• 60Hz-12kHz frequency response
• Low-frequency rolloff helps eliminate ambient noise and proximity effect
• Removable plastic hygiene shield may be cleaned for reuse or replaced
$
#CO4104B
85995
The Coles 4104B is a high-quality ribbon microphone designed to
accurately capture speech and commentary in even the noisiest
environments. Often used for sports broadcasting, the 4104B is a
cardioid pattern microphone with special lip-positioning bar and
stainless steel breath shields that provide users an optimum talking
distance and protection for achieving a warm, accurate signal
reproduction with little ambience or proximity effect.
ELECTRO-VOICE
#EL635A
10995
$
635A
Considered a “Classic” for newsgathering, film production,
and radio/video interviews, the dynamic omnidirectional
635A microphone is known to be extremely rugged,
• Very low impedance for better noise rejection • “Classic” news broadcast/interview
noise-free, and capable of withstanding environmental
and video production microphone • Smooth, natural response
extremes. Practically indestructible with normal use, the
• Effective internal shock absorber and four-stage pop filter for added reliability and
635A provides consistent reliable operation in the most
pop-free performance • 80Hz-13kHz frequency response
demanding broadcast/film applications.
AUDIO-TECHNICA
AT804
• Ideal for interviews and sound effects gathering
• Natural, uniform omnidirectional pickup with slight high-end presence “lift”
• Durable die cast case with steel mesh grille • 50Hz-15kHz frequency response
SENNHEISER
MD 46
#AUAT804
$
8995
The AT804 is a dynamic omnidirectional microphone designed
for use in broadcast interviews, film ambience, and sound effects
gathering. Often used as the “mono” mic conjunction with a
stereo microphone, the AT804 is made of a rugged die cast case
with hardened steel grille and produces a natural, uniform
response with a slight high-end “lift” for additional source
clarity, particularly well suited for field use environments.
#SEMD46
17495
$
Capable of isolating a source hidden amongst the noise, the
Sennheiser MD 46 is a professional dynamic unidirectional
microphone designed to deliver high-level hand-held field performance. Its well-balanced design combined with improved sensitivity and cardioid pattern,
allow the MD 46 to produce a clean, open sound with slight high-end presence, without the plosives and proximity effect usually emphasized by
unidirectional microphones.
• Outstanding interview tool • Dynamic cardioid pickup pattern improves source isolation while rejecting background noise
• Long, durable handle with excellent balance • Internal pop filter especially effective against plosives and handling noise • 40Hz-18kHz frequency response
Portable Field Mixers
178
SOUND DEVICES
302
SOUND DEVICES
#SO302
129500
$
The Sound Devices 302 is a professional, compact 3
channel audio mixer designed to meet the demands of
professional film, ENG / EFP and broadcast applications.
This rugged workhorse provides 3 XLR inputs and
stereo XLR outputs (both switchable between mic or
line-level signal), 48V, 12V and 12V-T phantom power,
input and output limiting, and a low-cut filter switch on
every input. Channels 1 and 2 are stereo linkable, and a
polarity reverse switch is provided on channel 2
accommodate M-S configurations.
• (3) XLR inputs w/phantom power and (2) XLR outputs
• Individual channel, mono, stereo, M-S to stereo
monitoring • Channels 1 & 2 are stereo linkable, and
channel 2 features a polarity switch
• Input and output limiting
• Powered via: (3) “AA” batteries or external
5-18VDC power source
• Low-cut filter switch available on every input
SHURE
FP-33
800-416-5090
#SHFP33
$
MixPre
#SOMIXPRE
66500
The MixPre is a studio-quality, two-channel, portable microphone mixer designed
for radio, television, and film production.
Its comprehensive features include: pan
switches, built-in slate microphone, 1 kHz
tone oscillator, and flexible headphone
monitoring. The MixPre’s compact size,
rugged construction, and high-quality components
make it an ideal front end for any field production system.
• (2) XLR mic inputs w/ 48V & 15V phantom power
• Stereo 1/8” tape out & tape return connections
• Monitoring of program audio or external stereo tape return audio
• Built-in limiter w/dual mono or stereo operation • High pass filters: 80Hz or 160Hz
• Powers via: (2) “AA” batteries or external 5-14VDC
WENDT
X3
#WEX3
118500
$
The Wendt X3 is a two-channel field audio
mixer designed for ENG/EFP broadcast and
remote audio recording. This high performance location mixer features: two XLR inputs, Limiter, PAN switches, external power
(9-18V), a slate mic, 1/4” phone jack, mic /
line switchable output, switch, and a separate stereo mic out for unbalanced equipment. Its
compact, light-weight design has a footprint not much larger than a Sony DAT Walkman.
127495
$
• 48V phantom, dynamic and 12T power
• Low noise slate mic to right and
• 1/4” stereo headphone output
left outputs
• Stereo LED level indicators • Low-cut Filters: 140HZ, • Mic/Line switchable XLR outputs
20HZ and 100HZ at 12dB per octave • Reference
• External power (9-18V) or 12
Tone: 0dBVU 400HZ low distortion sine wave
hours of use w/ (6) “AA” batteries
The FP33 is a three input/two output, portable stereo
mixer specifically designed for remote audio recording,
electronic field production, electronic news gathering,
and location film production. It provides three high
quality XLR inputs and stereo XLR output, 48V and 12V
phantom power, flexible signal routing, and panning
/level control. The FP-33 has an exceptionally low
self-noise and a wide dynamic range, and its rugged
plated metal chassis withstands extreme heat and cold.
• The inputs and outputs can be switched between mic
and line level signal
• Professional, backlit analog VU meters
(multifunctional)
• (2) 9V batteries provide up to 8 hours of use
• Monitor and tape I/O and a either 1/4” TRS phone or
3.5mm headphone output
• Built-in tone oscillator
• Isolated two-way talk back
PSC
DV ProMix 3
$
#PSDVPM3
47025
The DV PROMIX 3 is a
three-channel, professional
field mixer designed specifically
for the DV Cam market. It
features three XLR inputs
(switchable between microphone and line level signal), switchable 48v phantom
power, left/right/ and center position switches on every input channel, and a dedicated
1/8” mini tape return input. The output section features two XLR connectors
(line level/ microphone level), and a separate 1/8” mini output.
• Balanced XLR Mic/Line input/output connectors • 48V Phantom power,
switchable on each input • Low Frequency roll off reduces wind noise
• Bright, sunlight readable LED meters • Output limiters for camera overload
protection • Dedicated Microphone level output jack for use with cameras not
equipped with XLR • Reference tone oscillator • Carry case and strap included
www.bhproaudio.com
SONY
DMX-P01
Portable Field Mixers
$
#SODMXPO1
269500
The DMX-P01is a professional digital
field-mixer designed for ENG/EFP
applications. This studio-quality
portable mixer provides: four XLR
microphone inputs (switchable between
mic and line level signal),
24-bit/96k A/D and D/A converters, AES/EBU
and coaxial S/PDIF digital output, and recallable setup memory. Its Flexible
analog and digital I/O and routing, 32-bit internal processing, and professional metering,
make this versatile mixer a top choice for high resolution field recording.
• (4) XLR inputs and (2) XLR outputs • 24-bit A/D and D/A converters, 32-bit internal
processing • Metering types: VU, BBC-type, DIN-type, NORDIC-type, IEC-type 1 and dBFS
• Supports 48kHz and 96kHz sampling frequencies • Digital limiters on both inputs and
outputs, and digital compressors on outputs • AES/EBU digital and S/PDIF digital outputs
PSC
DV ProMix 6
#PSDVPM6
1377
$
50
The DV ProMix 6 is versatile, cost effective six-channel ENG & EFP mixer
that provides super quiet pre-amplifiers, true dual camera support, sunlight readable peak program meters,
dedicated individual line outputs,
ergonomic fader knobs, a reference
tone oscillator, slate microphone
and switchable output levels. Each input includes two-position low cut filters, three-way
channel assignment switches (pan switches), and handy pre-fade listen switches.
PSC
Alpha Mix
179
#PSAM
186675
$
The AlphaMix 4 is a four-channel portable field mixer
designed for professional ENG/EFP applications. It
powers from a NP-1 style batteries, and is equipped
with 4 XLR inputs, low noise pre-amplifiers, 12T and
48V phantom power, 3-stage LED peak meters, and
12dB / Octave low cut filters. The flexible AlphaMix 4 is
capable of sending and receiving signals to 2 cameras
simultaneously; and each input channel has a dedicated
balanced line-level output with pre-fader listen.
• (4) XLR inputs capable of both mic or line level audio
operation • Internal NP-1 battery support
• Custom made peak reading LCD meters
• (4) Hirose style power connectors for powering up to
4 wireless microphone receivers • Built-in slate mic &
tone oscillator • Retractable gain trims and pan pots
AlphaMix Expansion Module provides an
additional 4 input channels #PSAMEM...........$565.25
SOUND DEVICES
442
$
#SO442
249500
• (6) XLR inputs w/dedicated individual line outputs
• State of the art, super low noise pre-amplifiers
• Bright, sun-light readable peak program meters • Ganging input for combining 2 mixers
• Powered via: (8) “AA” Alkaline batteries or external power (10-18VDC)
• Comes complete with a custom-made field bag and padded shoulder strap • Weight: 3.5 lbs
SHURE
M367
$
#SHM367
59995
The M367 is a six-input,
portable microphone mixer
specifically designed for professional ENG and EFP
applications. Its exceptional low-noise design makes the M367 ideal for use with
digital transmission links and digital video/audio recording media. All input channels
and one of the two outputs are switchable between mic and line level signal.
Compact and rugged, the M367 is built to withstand the most demanding field
production conditions.
• (6) Balanced XLR inputs and (2) XLR outputs • Monitor/headphone out
• 1/4” TRS phone headphone output • ALT I/O: 1/4” phone “Monitor In” jack, Link
input/output • Link Input/Output: 1/4” phone “Mix Bus” jack
• Low-cut filter, peak limiter, VU metering
• AC/Battery operation- (2) 9V batteries provide 8 hrs of operation
The 442 is a no compromise, four-channel portable
mixer designed for professional location sound
applications. It combines a compact, functional design
with features like: direct outputs per input, 48V, 12V and
12V-T phantom power, inputs and output
(switchable between mic/line level) , peak limiting, and
low-cut filters. All of the 442’s controls are easily accessible on its three main surfaces, with no hidden controls.
• (4) XLR mic/line inputs
• (3) Separate, isolated, line level outputs
• Every input features a dedicated output via
TA3-male connectors
• Two stereo returns: monitor multiple cameras
or camera + IFB in headphones
• Channels 1 & 2 can be linked for stereo monitoring or
M-S stereo decoding
• Unit is powered via: (4) “AA” alkaline batteries
or external 5-18VDC
180
AZDEN
FMX-32
Portable Field Mixers
SHURE
$
#AZFMX32
32995
The FMX-32 brings you three channels of portable
audio mixing in a compact affordable package, with
new enhanced circuitry for improved signal-to-noise
ratio and all metal construction. It runs on 6 AA sized
batteries and has a switchable input limiter to reduce
the possibility of overload distortion. Each of the three
balanced XLR mic inputs can provide phantom power
to your condenser microphones and can be directly attached to the camera with the supplied hook-and-loop
mounting tape.
• (3) mic channels with straightforward design
• Both XLR and stereo mini-jack outputs
• Power On/Off/Low Battery indicator
• 1/4” headphone output and DC input
• 5-segment LED array for signal monitoring
AZDEN
FMX-42
800-416-5090
$
#AZFMX42
64995
$
FP24
#SHFP24
85500
This compact two channel field mixer
is a well designed tool that
offers more than enough
features to handle most or
your studio and field needs.
The heavy duty and easily
accessible battery compartment holds two AA batteries and
its chassis-isolated DC input allows
for easy external powering. Solid metal construction, very compact size and bright
sunlight-readable LED’s make the FP24 a very attractive package.
• (2) XLR balanced inputs with phantom power • Dynamic range exceeding 110 dB
• High-strength, extruded aluminum chassis • Dual mono or linked stereo limiter operation
• Sealed, reliable potentiometers for long life
WENDT
X4
#WEX4VU
179900
$
Since
1980
Wendt
has been
providing
the industry
with high-quality audio
mixers and the X4 continues the legacy with its professional build quality and well refined
features. Each of its 4 XLR inputs has the ability to provide both 48V phantom and 12V T
power and is switchable to accommodate both mic and line level signals. Its large channel
fader knobs give immediate visual feedback and are shaped to also be manipulated comfortably by feel alone.
• (4) XLR mic/line inputs • Selectable 140Hz, 20Hz and 100Hz low cut filtering
• Inputs 1 & 2 may be ganged for stereo operation • Slate mic and 400Hz reference tone oscillator
• Custom Porta Brace bag with padded strap included
The FMX-42 is a portable 4-channel audio mixer designed for professional and semi-professional field audio applications. It is equipped with (4) XLR microphone
inputs with individually switched phantom power and
stereo, line level XLR outputs. Additional features
include: a switchable input limiter, Left / Center / Right
Pan switches on all input channels, and enhanced
circuitry for improved signal-to-noise ratio.
• (4 ) XLR microphone inputs
• Dual XLR line level outputs
• Stereo mini-jack output for DV cameras
• Individual level and pan controls
• Built-in limiter & 1k tone generator
• Dual analog meters
• Powers via: (6) “AA” batteries or optional 12V supply
WENDT
X5
$
#WEX5VU
259995
When you need to
cover a larger number
of microphone inputs
for more involved productions, the Wendt
X5 is your perfect alternative. This feature
packed 5 channel professional field mixer features a sleek design for such a well equipped box
and includes a custom carrying bag with padded shoulder strap. Some of the less immediate
setting switches have ingeniously been placed on the bottom of the unit, leaving the side and
top control panels feature-packed but uncluttered.
• (5) Mic/Line switchable balanced inputs • Both +48V and 12T mic power are supported
• Heavy-duty, truly professional build quality • 5 pin LINK connector cross-links two X5 mixers
• Operates both on external power or AA batteries
Portable Field Mixers
www.bhproaudio.com
ROLLS
$
MX422
#ROMX422
49995
Rolls has designed
a four channel
field mixer that
includes features
usually found
on much higher
priced units. It is
ideal for DV field
production, ENG, and location recording and supports both 1/4” and 1/8” headphone
outputs from its front panel. Not only does the MX422 come with a fitted canvas case and
external power supply but, having both main and back-up battery compartments means
that you will never lose power.
• (4) servo-balanced XLR inputs • Switchable +48V phantom power
• Built-in limiter with variable threshold • Slate mic and 1kHz setup tone
• Calibrated VU meters and battery test feature
KAMESAN
#KAKST2000
149000
$
KS-T2000
The KST-2000 is a well thought out and deceptively
capable four channel field mixer in a compact
lightweight package. It features solid construction, is
easy to use, and offers versatile headphone monitoring and metering control. Input sensitivity controls
allow for optimal signal matching, giving each
channel fader enough physical range to ride level
variations confidently. Low channel crosstalk and
output isolation allow the mixer to be configured for multiple feeds as the situation demands.
JK AUDIO
Remote Mix 4
181
#JKRM4
139500
$
The RemoteMix 4 is a portable field mixer and communications interface that is designed to save setup time
by incorporating several powerful functions into one
box. Not only does it offer +48 volt phantom power
on all of its mic inputs, but it also features a phone
line hybrid and keypad, a PBX handset interface and a
cell phone interface. Dual 9V compartments allow for
battery hot swapping for zero down time, and built in
Bluetooth Technology provides a wireless connection
with cell phones, laptops or other portable devices.
• (4) XLR mic inputs with phantom power
• 1/8” stereo I/O for recording or blending in an aux signal
• Built-in Bluetooth Technology
• Cell phone and PBX interface built in
• Phone line jack with hook-switch and ringer LED
• 100-240 VAC power supply included
SIGN VIDEO
ENG-44
$
#SIENG44
52900
• Very compact design for less bulk and easy handling • Accepts DC power between 10V and 15V
• (3) XLR mic inputs with 160Hz high pass filter • 48V or 12V phantom power selectable
• Solid reliable construction throughout • Will run for 5 hours on 4xAA batteries
KSPSM12BP AC power supply for KS-T2000 #KAKSPSM12BP .........................$200.00
KAMESAN
KS-342
$
#KAKS342
337000
The KS-342 is a four channel field mixer that blends
sleek ergonomic design with solid construction and
an intelligent set of expansion options. Independent
as well as ganged settings ensure maximum flexibility
for stereo and dual mono setups and the signal passes through switchable compressors
before the final output stages. Furthermore, an internal, 96kHz sampled, AES/EBU compliant digital converter delivers the highest quality output when required.
• Four mic/line inputs with isolated outputs • Backlit, jam-proof , main output level meters
• MS decoding and built-in slate microphone • Easy to grip latex knobs on each channel
• (8) AA cells in a ‘quick change’ pack
BP-1 Optional NP-1 battery clip-on housing #KAKSBH1 ....................................$290.00
KSPSM12XLR AC power supply for KS-342 #KAKSPSM12XLR .........................$200.00
KS-6001 Four channel sub mixer for KS-342 #KAKS6001 .............................. $1,780.00
KS-6002 Block of four parametric EQs and compressors #KAKS6002 .............$1,280.00
The ENG-44 is a straightforward and cost effective portable four channel mixer that offers a host of
important features for field applications. Its front panel
is uncluttered and easy to navigate and its rugged
anodized aluminum chassis is made to stand up to
constant use. There is a brightness switch for the audio
VU meters to compensate for viewing in direct sunlight
and the battery indicator flashes when battery life falls
below 20 percent.
• (4) XLR mic/line audio inputs
• Rugged anodized aluminum chassis
• Gang two or more ENG-44 mixers for expanded input
• Slide out battery compartment for quick changes
• AC adapter included
182
M-AUDIO
MICRO TRACK 2496 II
Portable Digital Recorders
ZOOM
#MAMT2496II
$
29900
The Micro Track 2496 II is
a second-generation portable Compact Flash audio
recorder resigned for field
professionals to provide
enhancements such as
extended input gain range,
analog input limiting, 48V
phantom power, and an
even faster file transfer
rate via USB 2.0. The unit
records in WAV, BWF and
MP3 formats to Compact
Flash cards or Microdrives,
and the files may exceed
2GB in size.
R-09
H4 Handy Recorder
$
#ZOH4
29900
The H4 Handy Recorder is a palm-sized digital recorder with
dual function 4-track & stereo modes. It is equipped with two
built-in condenser microphones in X/Y configuration, two
XLR/1/4” combo jacks with phantom power and a USB port
for interfacing with Mac/PC editing systems (unit includes
Cubase LE software). The unique 4-track recording turns the
H4 into an easy-to-use, 16-bit/44.1 kHz multi-track recorder.
• Dual function 4-track/Stereo recording modes
• (2) XLR/1/4” combo input jacks w/ phantom power
• USB port for file transfer to computers
• Onboard studio effects, compression/limiting and mic modeling
• Back-lit, 128×64 pixel LCD display
• Powers via: (2) “AA” batteries
• Includes: AC adapter, windshield cover, USB cable,
tripod adapter & 128MB SD card
• 2-channel WAV, BWF and MP3 portable recorder
• Records over 2GB files to Compact Flash and Microdrives
• Dual microphone preamps with 48V phantom power
• Balanced ¼” TRS mic/line inputs
• 1/8” TRS stereo mic input with 5V power
• Electret condenser microphone included
• Dedicated control buttons, large LCD screen
• AC power supply, USB or built-in lithium-ion battery power
EDIROL
800-416-5090
$
#EDR09
399
ZOOM
The H2 is a 2-channel, palm-sized portable digital field recorder using readily available SD cards as the storage medium
of choice. Ideal for musicians, podcasters and field journalists,
the unit features 4 internal microphone capsules with selectable stereo imaging, 24-bit/96kHz recording resolution, MP3
recording and playback, and a highly intuitive user interface.
• 2-channel ultra-lightweight portable SD digital field recorder
• Up to 4GB card capacity support
• Selectable 16-, 24-bit WAV, MP3 recording bit rates
• Selectable 44.1, 48, 96kHz sample rates
• 2- and 4-channel recording modes
• Multiple stereo recording patterns with W-X/Y or omnidirectional selection
• 1/8” Mic and Line inputs, headphone output, USB 2.0 port
• AA battery-powered with 4-hr. battery life
00
The R-09 is a professional
digital recorder with timestamp capability ideal for
broadcast and live music
recording applications. It
can record stereo audio
at 24-bit resolution with
either 44.1 or 48kHz
sample rates, and files
can be exported to a
computer via USB. This
ultra-portable unit is half
the size of the Edirol R-1,
and is equipped with a
built-in stereo mic, dedicated input control, intuitive
transport buttons and a low-cut filter.
• 24-bit/48kHz (or 44.1kHz) uncompressed recording
• Up to 320kbps MP3 playback and recording
• Records to SD card (64MB card included)
• High-grade stereo condenser microphone built in
• Mic and Line audio inputs; USB I/O
• Easy operation, user-friendly graphic display
• Powers via (2) “AA” batteries or (2) NiH batteries
#ZOH2
19900
$
H2
MARANTZ
PMD620
The PMD620 is a miniature hand-held 2-channel
portable field recorder that records directly to SD
flash memory cards in 16- or 24-bit resolution WAV
or MP3 file formats. Designed with the podcast and
broadcast markets in mind, the unit is equipped
with a pair of built-in microphones, a surprisingly
large and clear LCD display, and a built-in speaker.
• 2-channel portable digital SD field recorder
• 16-, 24-bit WAV and MP3 file formats
• Mono or stereo recording
• Dual omni-directional internal microphones
• 1/8” external mic input with 5V phantom power
• Bright, clear, low power-consumption LCD display
• NiMH or AA battery-power with 5 hr. battery life
#MAPMD620
$
39995
Portable Digital Recorders
www.bhproaudio.com
NAGRA
#NAARESM
97500
$
Ares-M
HHB
FlashMic
The Ares-M is a lightweight hand-held digital recorder equipped with
one gigabyte of internal memory, a built-in stereo microphone and a
miniature USB port. Designed for broadcast applications, it the offers
instant start-up, voice operated recording, automatic level control
and an internal loudspeaker. This compact, high quality audio recorder
is powered by two “AA” batteries, offering up to 10 hours of
continuous operation.
SONY
$
PCM-D50
#SOPCMD50
49995
The PCM-D50 is a rugged 2-channel portable field recorder with
a lightweight aluminum housing and 4GB of solid state internal
flash memory and a Memory Stick slot. The unit, designed for
broadcast journalism and sound gathering applications, records
24-bit/96kHz resolution WAV files, supports MP3 playback, and
features a pair of internal stereo microphones.
• 2-channel portable digital Flash Memory/Memory Stick field
recorder • 16-, 24-bit WAV file recording with selectable
sample rates • MP3 playback
• Internal stereo condenser microphones with selectable X/Y,
Wide pickup patterns • Digital pitch control, dual digital filter,
low-cut filter, A-B repeat functions
• Ultra-clear LCD display with peak bargraph metering
• High-speed USB port for cross-platform computer integration
• NiMH or AA battery-powered operation
702
#HHFM
129900
$
The HHB FlashMic is a professional microphone/digital recorder that combines a
high-quality Sennheiser omni-directional
condenser capsule with a broadcastquality, one gigabyte Flash recorder.
This durable hand-held recorder is an
ideal solution for press and broadcast
journalists working in the field and its
built-in USB port allows “drag and drop”
file transfer to Mac or Windows editing
workstations in the studio. The FlashMic
has an adjustable pre-record buffer, and
records in linear 32/48kHz, or MPEG 1
Layer 2 encoded formats.
• Lightweight, ultra-portable audio recorder
• Intuitive menu driven user interface
• Switchable PCM Mono or Stereo audio recording
• Sampling Rate: 8-48kHz PCM & MPEG
• Bit Rates: 64-384 kb/s
• Built-in microphone or external XLR connection
• Stereo line In/Out & built-in loudspeaker
• Includes: carrying case, plug-on microphone, external mic cable
and USB cable • Frequency response: 30Hz-20kHz
SOUND DEVICES
183
#SO702
187500
$
The 702 is a portable
compact flash
audio recorder of
uncompromising quality.
Capable of recording
two channels of uncompressed audio up to 192kHz resolution, it’s also easy to operate.
When connected to a computer via FireWire it appears as an external drive and files can be
dragged off. Ideal for professional production or anyone who wants a solid and dependable
recording apparatus.
• Stellar audio path with (2) XLR low noise, wide frequency response preamps
• Lightweight aluminum & stainless steel compact chassis
• Included removable Li-on rechargeable battery & worldwide power supply
• Phantom power, limiters, and high pass filters
• Direct sunlight viewable LED metering
• MP3 audio playback supported
• Integrated condenser microphone/
digital recorder
• High-quality microphone preamplifier
w/full manual or automatic gain control
• Maximum record time of over 18 hours
• LCD display with backlight for time, level
and status information
• Switchable high-pass filter, 12dB/octave at 100Hz
• Headphone amplifier with volume control
• (2) “AA” batteries provide more than 6 hours continuous power
SONY
PCM-D1
#SOPCMD1
184995
$
The PCM-D1 is a high-quality
portable recorder designed for a
wide variety of mobile recording
applications including: broadcast, live sound, house of worship and theatrical performance.
It features 24 bit/96K recording
capability, 4GB internal flash
memory, removable Memory
Stick Pro high-speed storage
and a built-in USB 2.0 port for
Macintosh and Windows/PC
operating systems.
• High-quality, 24bit/96kHz mobile digital recorder
• Built-in condenser microphones in an X/Y configuration
• 4GB internal memory or use any size memory stick
• LCD display with comprehensive recorder status
indication and menu selection
• Analog level meters with LED peak overload indicators
• Signal processing functions include: SBM, limiter
and 200Hz high pass filter • Titanium case
• (4) “AA” rechargeable batteries & charger (supplied)
184
MARANTZ
PMD660
Portable Digital Recorders
MARANTZ
#MAPMD660
49900
$
The PMD660 is professional
2-track hand-held digital
recorder ideal for journalist and broadcasters
working in the
field. This
ultra-compact
unit records
to inexpensive
compactflash card or
microdrive media, and features two XLR mic inputs,
a built-in stereo mic and speaker, and a USB port for
interfacing with digital audio editing workstations.
• (2) XLR microphone inputs with 48V phantom power
and 20dB pad • 1/8” stereo mini line input and output,
1/8” stereo mini headphone output • Recording Formats: Uncompressed 16-bit linear PCM, Compressed
MP2 and MP3 • Includes 64MB compact flash card
• Full on-board cut-copy-paste digital editing
• EDL-style marking system, 99 Virtual-track playlisting
• Power Options: (4) “AA” batteries or AC adapter (included)
RC-600 remote option- controls record pause, record,
marker set, start new track, multi color LED indicates
pause or record status #MARC600 .................. $74.95
MARANTZ
PMD671
800-416-5090
#MAPMD671
99900
$
PMD671is a professional 24-bit/96 kHz digital recorder
designed for high resolution recording in the field or the
studio. Ideal for location professionals, the PMD671 is
equipped with two high quality microphone preamps
and loaded with professional features like: “Virtual
Third Head” for confidence monitoring, Time-Shift
Playback, a USB port for easy file transfer to PC and a
built-in condenser microphone.
• 24-bit/96kHz PCM capable
• Two XLR mic connections with 48V phantom power
• Stereo analog RCA line I/O
• Coaxial S/PDIF digital I/O
• Built-in condenser mic
• “Virtual Third Head” for confidence monitoring
• Read-after-write capability
• Built-in monitor speaker
• Optional RC600 wired remote control & NiCd or
NiMH batteries
$
CDR310
#MACDR310
69900
The CDR310 is the first truly portable, affordable
CD-based field recorder. Whether for
documentation, duplication, or archiving,
audio CDs promote confidence through
their permanence and universality. While
digital recording and CD burning have been
commonplace for several years, existing hardware
has lacked the go-anywhere flexibility users have come
to expect in the digital age. Designed to meet the needs of AV
integrators, rental firms, corporate board rooms, broadcasters, government agencies, and
houses of worship, the CDR310 provides outstanding features that are easy to use.
• On-board hard drive records uncompressed WAV, AIFF and MP3
• Extended material divided over multiple discs automatically
• 10 second rolling buffer is always recording
• Integrated microphone and playback speaker
• (2) XLR phantom power mic & (2) RCA line level inputs
MARANTZ
$
PMD670
#MAPMD670
69900
The PMD670 is a professional 2-track
CompactFlash digital recorder designed
for the rugged demands of field recording
and location sound. Its extremely reliable,
has no moving parts, and features two XLR
inputs, over 40 assignable quality settings,
and a USB port. Once linked to a computer
audio editing system via USB, recorded audio files can be transferred from the PMD670 to
the computer, ready for import into audio or video editing/production software.
• (2) XLR microphone inputs with 48V phantom power, Limiter and ALC • Coaxial S/PDIF digital I/O, RCA stereo I/O, 1/4” stereo headphone output • Recording Formats: Uncompressed
16-bit linear PCM, Compressed MP2 and MP3 • Auto and manual EDL track marking
• Built-in microphone and speaker, Selectable filter for ambient noise control
• Includes 64MB compact flash card, also compatible with microdrive media
• Power options: (8) “AA”batteries, AC adapter, or optional RB 1650 rechargeable battery
EDIROL
R4
#EDR4
119900
$
The R-O4 is a high-resolution four-channel,
portable 40GB hard disc recorder and wave
editor designed for professional mobile
recording. With the ability to capture
17 hours of 24-bit/96kHz digital audio,
and synchronize to Sony digital video
cameras using the L-terminal (Lanc) protocol,
the R-4 is an ideal solution for both portable music
recording applications and, ENG/video location sound.
• (4) XLR/phone combo jacks with switchable 48V phantom power
• On-board waveform editing, On-the-fly indexing, Jog Dial with 7 speeds
• High-speed USB 2.0 port, CompactFlash port, Coaxial S/PDIF I/O
• Built-in microphone, speaker, and high-quality effects processor
• Power options: (8) “AA” batteries or AC adapter (included)
• Windows XP and Mac OS X compatible
Portable Digital Recorders
www.bhproaudio.com
SOUND DEVICES
$
722
#SO722
249500
The 722 is a compact two-track
hard disc/compactflash field
recorder capable of writing and
reading uncompressed PCM
audio at 16 or 24-bits with
sampling rates between 32kHz
and 192kHz. Featuring two topquality high-bandwidth preamps, flexible metering and powering options, and digital I/O,
the 722 is a high-resolution alternative to DAT for today’s location sound professional.
• (2) XLR microphone preamps with phantom, limiters, and high-pass filters
• Channel 3 and 4 line-level inputs on TA3 connectors • AES3(XLR) or AES3id(BNC) digital
inputs and AES3ib outputs • Records to internal 40GB hard drive or removable compactflash
• FireWire port for high-speed data transfer to computers
• Aluminum and stainless-steel chassis
• Powers via: Sony-compatible L-or M-type lithium Ion camcorder batteries or external DC
• Windows and Mac OS compatible
EDIROL
R-4 Pro
#EDR4PRO
1999
$
00
The R-4 is a high-resolution four
channel, portable 80GB hard disc
recorder and wave editor that can act as
a S/MPTE time code master or slave to
incoming code video cameras or VTRs.
Designed for both portable music recording applications and ENG/video location
sound, the R-4 Pro provides 4 XLR/
Phone combo with switchable phantom
power, a high-speed USB 2.0 port and
powerful on-board waveform editing.
• (4) XLR inputs with switchable 48V phantom power • 24-bit/96-kHz Linear Recording
• SMPTE time code I/O on BNC connectors • On-board waveform editing • & AES/EBU I/O
• Built-in microphone, speakers & effects processor • Powers via: (8) “AA” batteries or 4-pin
XLR type power input • Includes: USB cable, XLR 4-pin conversion cable and soft carrying case
FOSTEX
FR-2
#FOFR2
129900
$
The FR-2 is a professional two-track 24bit/192kHz field memory recorder designed
for location sound recording, broadcast,
and high-quality sound effects acquisition.
Featuring two XLR microphone inputs,
digital I/O, a built-in Limiter, and a USB port for interfacing with digital audio workstations,
the flexible FR-2 is a cost-effective high-resolution alternative to portable timecode DAT.
• (2) top quality high headroom mic preamps with switchable phantom power
• Selectable digital I/O between S/PDIF and AES/EBU on balanced XLR connectors
• Fostex’s “File Per Take” system with auto scene and take naming/increment
• Records to both Type II CompactFlash cards and PCMCIA 1.8” hard drives
• 132 x 64 dot matrix LCD screen for ease of use and high visibility in the field
• USB port for direct connection to PC and Mac, with additional port for external keyboard
FR-2TC with built-in 8342 timecode card supporting all standard timecode frame rates
#FOFR2TC .......................................................................................................... $1898.00
FOSTEX
FR-2LE
185
$
#FOFR2LE
59900
The FR2-LE
records
Broadcast
Wave
Format
(BWF) or
MP3 files to
affordable type II
CompactFlash or Microdrive
cards, at up to 24-bit/96kHz resolution. It features
powerful on-board editing functions and a USB 2.0
port for high-speed file transfers to PC editing suites.
Time stamping of .wav or MP3 files is provided;
allowing for easy time alignment of audio files in
Audio/Video software workstations.
• (2) Mic/Line inputs w/phantom on Neutrik combo
jacks • Stereo RCA analog outputs & 1/8” stereo
headphone output • Read After Write (RAW) confidence monitoring recorder • Time stamps .wav
or MP3 files • USB 2.0 for high-speed file transfer
• ALC (Off/ALC/limiter) • Powers via: (4) x “AA”
Batteries or 12V DC input
• Includes wired remote controller
ZAXCOM
ZFR100
#ZAZFR100
99500
$
The ZFR100 is
miniature broadcastquality recorder that
can record up to 12
track-hours of audio
directly to a 2-GB
flash memory card.
Designed to simplify
audio syncing and
processing during
post-production, the
ZFR100 includes a
full-featured time code reader/generator that stamps
the time code directly on to broadcast .wav or MP3
files. It can receive time code directly from a video
camera; with an option to record only when the
camera is rolling.
• Ultra-compact digital recorder with time code
• Ideal for ENG and Broadcast applications
• Light weight, weighs only 4 oz.
• Includes PC and Macintosh software
• Powers up to 24 hours with (2) “AA” batteries
• Optional 8- 16VDC power input also available
186
SOUND DEVICES
702T
Portable Digital Recorders
FOSTEX
$
#SO702T
249500
The 702T is a high resolution, two-track CompactFlash
recorder designed specifically for dual-system film &
video productions where audio needs to be master. It
provides ultra-stable Ambient time code functionality, AES/EBU & S/PDIF I/O and a FireWire port for
high-speed data transfer to computers. This portable
unit’s flexible powering options include: standard Li-on
camcorder batteries or external 10–18VDC.
• 24-bit or 16-bit (with or without dither)
• Sampling rates selectable between 32kHz-192kHz
• (2) mic preamps with phantom, limiters, and highpass filters
• Full-function, ultra-stable Ambient time code
• AES/EBU & S/PDIF digital I/O
• FireWire port for high-speed data transfer to computers
• Removable Li-on rechargeable battery
• Durable aluminum & stainless-steel chassis
702 Version without time code #SO702 .....$1875.00
SOUND DEVICES
744T
$
#SO744T
409500
PD-6
800-416-5090
$
#FOPD6
849900
The PD-6 is a 6-channel
DVD location recorder with a
full-featured onboard mixer,
SMPTE and Word Clock support and a Pre Record function that prevents missed
takes by constantly buffering
up to 10 seconds of audio.
Ideal for audio for video production, the PD-6 records BWF files that can be imported
directly into Avid and Final Cut editing systems and supports ALE (Avid Log Exchange).
• 6- tracks of up to 24 bit/96kHz audio
• 6-channel mixer with 12 T & 48V phantom power • Built-in 40GB EIDE hard disk
• Verify/Write feature constantly analyzes data being recorded
• Supports multiple EDL lists and is ALE compatible
• External Word & Video sync inputs & Word Clock output
• Powers via NP-1 type battery
TASCAM
#TAHDP2
99900
$
HD-P2
The HD-P2 is a 24-bit/192kHz
Compact Flash recorder designed
for broadcast and location sound
applications. It features SMPTE
timecode input, professional connectivity, a large, angled LCD, and
a FireWire port for fast data transfers to computer editing systems.
A video clock input allows frame edge resolve to a central blackburst source or use as a
lock-and-release timecode slave.
• (2) XLR Mic Inputs w/phantom power & analog peak limiter • Unbalanced stereo RCA I/O
• FireWire interface for data transfer • Built-In mono mic, speaker and headphone output
• XLR SMPTE Input & BNC Video Clock Input • Supports Pull-up and Pull-down
sample rates • S/PDIF digital I/O • PS/2 keyboard input
The 744T is a compact four-track hard disc/compactflash field recorder with time code, capable of writing
and reading uncompressed PCM audio at 16 or 24-bits
with sampling rates between 32kHz and 192kHz.
Designed with the location sound professional in mind,
the 744T features full timecode implementation, flexible
metering and powering, top-quality mic preamps, and
is built to Sound Devices exacting standards; for reliable
performance and exceptional durability.
• Ultra-stable Ambient timecode circuitry, tunable to
<0.2 PPM accuracy • (2) XLR microphone preamps
with phantom, limiters, and high-pass filters
• Channel 3 and 4 line-level inputs on TA3 connectors
• AES3(XLR) or AES3id(BNC) digital inputs and AES3ib
outputs • Records to internal 40GB hard drive or removable compactflash • FireWire port for high-speed
data transfer to computers • Powers via: Sony-compatible L-or M-type lithium Ion camcorder batteries or
external DC • Windows and Mac OS compatible
FOSTEX
DV824
$
#FODV824
599500
The DV824 is an 8-track DVD multitrack recorder/player that can be powered via AC or DC
current, making it ideal for on-cart location applications. It provides 8-channels of
XLR analog I/O, 8-channels of AES/EBU digital I/O, a high-speed 10/100Base-T Ethernet port
and SMPTE time code in and out on BNC connectors. The DV824s high-definition recording
engine offers multitrack recording in six audio formats, with up to 24-bit/96kHz resolution.
• 8-Track Recording/ Playback on DVD-RAM media • (8) XLR analog inputs and outputs
• (8) AES/EBU digital inputs and outputs • SMPTE/EBU Time Code in and out
• Front-panel USB keyboard input • Flexible AC or DC (for location use) power operation
• Large LED time display & 18-bar level meters
www.bhproaudio.com
MARANTZ
CDR420
Portable Digital Recorders
#MACDR420
119900
$
The CDR420 is a professional field
recorder that combines a flexible hard disc recorder with an
onboard CD recorder that burns
both standard Red-Book audio
format and CD-ROM data discs.
It features a built-in condenser
microphone & speaker, dual
XLR Mic/Line inputs and coaxial
S/PDIF digital I/O. On-board
editing permits cut, copy, paste, insert silence and split track; and a USB 2.0 port allows
users to easily upload files to a digital audio workstation.
• Record to 20GB hard disc in 44.1kHz mono or stereo as .WAV or .MP3
• (2) XLR Mic/Line inputs w/ +48v phantom power • (2) RCA inputs • 20GB hard drive
• Built-in microphone & speaker • Standard PS/2 keyboard input for naming files
• Includes: AC adapter and dual RCA cable • Optional lead acid battery (RPS420)
MARANTZ
CDR300
#MACDR300
79900
$
The CDR300 is a professional tabletop CD
recorder ideal for specialty applications
like spoken word recording, sound effect
acquisition, and boardroom meeting archiving. The “Minute Track Mode” recording feature marks each minute of spoken
word/audio as a track, allowing easy navigation in playback via “minute specific”
track markers. Easily transportable, the
CDR300 becomes a truly portable system with the addition of the optional RPS300 battery
system (allowing up to four hours of record time in the field).
KORG
MR-1000
187
#KOMR1000
119900
$
The MR-1000 is a
lightweight
2-channel,
1-bit
professional
portable harddisk recorder with an
internal 40GB internal drive.
The unit supports multiple bit rates
and file formats as well, accommodating most current
field recording requirements, and features a large,
bright LCD display, flexible audio connectivity, and a
USB 2.0 port for direct interfacing with a PC or Mac.
• 2-channel portable digital field recorder
• 1-bit DSDIFF, DSF and WSD file support
• 16-, 24-bit WAV, MP3 and BWF file support
• 1-bit sample frequencies include 2.8224MHz, 5.6448Mhz
• 16-, 24-bit SRC from 44.1 to 192kHz
• (2) XLR/1/4” TRS Combo inputs
• (2) Combo and (2) RCA phono, Headphone,
USB 2.0 outputs
• AC and AA battery-powered, AudioGate
conversion software
IKEY-AUDIO
I-Key Plus
#IKIKEYP
15995
$
• Record live directly to CDs • (2) XLR mic inputs with 48V phantom power, 2 1/4” line inputs, RCA I/O • Coaxial S/PDIF I/O • Built-in mic, speaker, 3-band master EQ, and limiter
• Power options: AC or 4-pin DC connection (optional RPS300 battery)
• Adjustable digital and analog record levels
SONY
MZ-M200
#SOMZM200
$
39995
The MZ-M200 is a portable minidisc recorder
that’s capable of recording in HiMD mode
and also in standard MD mode, so
it’s compatible with older
formats. Recorded files can
be transferred to a Mac or
PC via its USB 2.0 port and
included Sony software. The low
cost, high capacity HiMD discs make this an
excellent recorder for students, musicians, and journalists.
• Included rechargeable battery charges via USB or AC adaptor
• Stereo microphone, earphones, and AC adaptor, 1GB HiMD disc included
• Digital pitch control • Mic/line input • 11 segment recording meter display
• Mac and Windows compatible
The I-Key Plus is a Portable USB Recorder designed
to record directly to any external USB storage device,
including the Apple iPod. Digital audio is recorded in
uncompressed WAV or MP3 format (with selectable bit
rate, up to 256kbps). It is equipped with a line/phono/
mic input, a headphone jack for real-time monitoring, a
built-in phono preamp and a 6-bar VU meter with peak
hold & overload indicator.
• Records audio to uncompressed WAV or MP3 format
• 1/8” line/phono/mic input, stereo RCA inputs
• 1/8” (3.5mm) headphone monitor output
• Built-in phono preamp
• Compatible with USB storage devices, including the IPod
• LED Indicator shows memory remaining on target drive
• Requires (4) “AA” rechargeable batteries (not included)
188
Portable Wireless Systems
800-416-5090
SAMSON
#SAUM32L350
$
UHF Micro 32
34995
The Micro 32 is a versatile frequency-selectable diversity wireless microphone system offering a relatively inexpensive sound solution in a portable package. There are 32 user selectable frequencies and diversity circuitry
ensures optimum RF performance. Surface Acoustic Wave filters in the receiver focus exclusively on the incoming
signal to maximize reception and transmission quality. PLL-synthesized VCO circuitry in the transmitters reduces
RF interference from spurious emissions in multi-user applications.
• 32-channel camera mount UHF lavalier system
• Dual-function battery/RF level LED meter
• MT-350 omnidirectional lav microphone • Locking miniXLR to XLR output cable • Special carry case included
UM32L831 with Audio Technica AT-831 cardiod lavalier #SAUM32L831 ..........................................$399.95
UM32L44 with Sony ECM-44 omnidirectional lavalier #SAUM32L44 ................................................$449.95
UM32HHQ7 with Samson Q7 handheld transmitter #SAUM32HHQ7 ................................................$389.95
SWAX3 replacement mini-XLR to XLR male output cable #SAX3......................................................... $24.95
SAMSON
#SAU77LQL5
UM1/77 Micro Diversity System
$
34995
The UM1/77 Micro Diversity System is a great solution for those seeking the ability to use both
a wired and wireless lavalier microphone for their productions. The QL5 lav mic may be used in
conjunction with its companion CT7 beltback transmitter for unhindered wireless use. For those
situations where a wireless mic is either not appropriate or interference is just too troublesome,
the QL5 may be wired to your camera directly with the help of the included preamplifier.
• Single-channel UHF diversity designed wireless lavalier system
• Lavalier mic includes PM5 preamplifier for quick adaptation between wired and wireless use
• Balanced locking-mini XLR output cable included
• Carrying case protects entire system
SAMSON
UM1/Airline Series Combo System
$
#SAUMCU1
55495
The two most attractive features of the UM1/Airline Combo System are the extremely small size of the AL1
clip-on transmitter and the fact that with the included AX1 plug-in transmitter you have several
miking options available. This single channel UHF system features the UM1 diversity receiver
which connects to your camera with the included balanced XLR output cable. The
AL1 is a transmitter that features its own built in mike but becomes even more
powerful when used with one of the available optional lavaliers.
• Combo single channel UHF wireless system • Includes clip-on and plug-in style
transmitters • Headphone output with level control • Carry case protects all components
MT-350 optional omnidirectional lavalier microphone #SAMT350MP .........................................$69.95
AT-831 optional cardiod lavalier microphone #SAAT831MP .....................................................$119.95
AZDEN
100LT
$
#AZ100LT
33995
The 100LT wireless lavalier system offers 63 user-selectable UHF channels with a smaller receiver that
is ideal for today’s compact digital cameras. It comes complete with an EX-503 omni-directinal microphone and both transmitter and receiver run from 6 to 8 hours on a single 9V battery each. With
the optional XLR output cable and included camera mount adapter this unit is ready to be used in any
situation requiring a lightweight, compact and affordable multi-channel wireless lavalier.
• On-camera wireless UHF lavalier system
• 63 user-selectable frequencies
• 1/8” mini and optional XLR output cables
• Hot-shoe mount included for receiver
100HT handheld version of above #AZ100HT ............................................................................$348.95
100LTH combo version includes handheld and lavalier transmitters #AZ100LTH ........................$489.95
Portable Wireless Systems
www.bhproaudio.com
SONY
189
#SOUWPC162
$
UWP-C1 Series
49995
Ideally suited for video broadcast and special event audio, the fully programmable Sony UWP Series UHF wireless
system provides up to 188 user selectable frequencies, various input sensitivity settings and RF output power
options. The UWPC162 is an ultra-light-weight camera mountable lavalier solution featuring PLL-Synthesized
operation for stable transmission, diversity reception ensuring minimal drop-out, and high quality components.
The optional UTX-P1 plug-on transmitter gives wireless freedom to any dynamic handheld microphone.
• 188 user-selectable UHF channels
• Variable sensitivity settings with XLR output
• Omni-directional Electret Condenser Lavalier Microphone
• LCD screenfor easy navigation of set-up parameters
UTXH162 uni-directional dynamic handheld microphone transmitter #SOUTXH162 ...........................$349.00
UTX-P166 UWP series plug-on transmitter #SOUTXP166 ..................................................................$435.00
SENNHEISER
#SEEW100ENG2*
$
EW100ENG2A
59999
Providing 1,440 selectable UHF channels, the durable full featured Sennheiser EW100ENG2 wireless microphone
system is ideal for on location film, broadcast and event videography. Popular among many professionals for its
rugged construction, intuitive programmable user menu, large backlit displays, and versatile high-quality audio
performance, the EW100 “combo” system is the perfect compliment completing any field-recordist toolbox.
Combo system includes: SK100G2 Bodypack
Transmitter, ME2 lavalier mic, EK100G2 Receiver, and SKP100G2 Plug-On Transmitter.
• 1,440 Tunable UHF frequencies with 4 switchable preset channels
• Up to 490 ft. operating distance • Variable sensitivity and
output power settings • 4 switchable preset channels
POP-1 belt/carry case for SKP100 plug-on transmitter #SEPOP1 ........................................................$29.95
ZH100-ANT pin-style, lavalier clothing clip #SEZH100B......................................................................$9.95
CL-100 1/8”-M to XLR-M cable for EK100 receiver #SECL100 ........................................................... $46.95
SENNHEISER
#SEEW500ENG2*
108995
$
EW500G2A
The EW 500 Series components are the next step up from Sennheiser’s extremely successful and
dependable 100 series. The 500 features the same metal construction, wide frequency range and
easy to read backlit display that made the 100 such a hit and adds some new welcome features.
The EK 500 G2 receiver features separately adjustable audio level for both line and headphone
outputs and the system itself offers 20 user storable preset frequencies. The SKP 500 G2 plug-on
transmitter also provides 48V phantom power allowing the use of condenser mics in your setup.
• Combo system with SK500 transmitter,
EK500 receiver and SKP500 plug-on
transmitter
• 1440 selectable frequencies with 20 presets
• Includes 1/8” inch mini and XLR output cables
• High RF output power for extended range
LECTROSONICS
# LE100LMK121Q
for
CALL Price
100 Series
Designed for on-location situations where reliable performance and operation are of the utmost importance, the Lectrosonics 100 Series Wireless
System provides a superior sound with up to 256 channels of selectable UHF frequencies. The complete system is equipped with the UCR100 camera mountable receiver, LM digital hybrid bodypack transmitter and M150 lavalier microphone and features dual-band companding (a process that
separates audio signals into high and low frequency bands for better noise reduction, lower distortion, resulting in more accurate sound quality).
• 256 user-selectable UHF channels
• Series 200 and 400 compatible
• LM transmitter features Digital Wireless Hybrid Technology which
combines a 24-bit digital audio chain with an FM radio link
MC100XLR 3.5mm mono plug to unbalanced male XLR with inline attenuator #LEMC100XLR ...........$22.50
MC100TRS 3.5mm TRS (stereo) straight plug to 3.5mm TRS (stereo) right angle plug #LEMC100TRS ...$6.95
Tram TR-79 power supply w/XLR output for M150 lavalier microphone #TRTR79MLP ......................$167.95
190
Portable Wireless Systems
800-416-5090
AUDIO·TECHNICA
#AUATWU101830
$
ATWU101830
49995
Ruggedly designed for on location broadcast applications, the camera-mountable Audio-Technica U100 series is a versatile, reliable true diversity UHF wireless system. The ATWU101 system is equipped with the ATW-R100 receiver, ATWT101 bodypack transmitter, and MT830cT5 lavalier microphone, providing up to 100 UHF channels and a functional
feature set accommodating the needs of today’s video professional.
• 100 Tunable UHF channels • True diversity operation
• Transmitter features Off/Standby/On switch, input level control,
battery condition indicator and channel selector switches
• Receiver provides: balanced output, level controls,
headphone jack, removable antennas
• Omni-directional lavalier microphone
ATW-T102 plug-on frequency agile transmitter #AUATWT102 .................................................................................$399.00
AT831cT5 cardioid condenser lavalier mic #AUAT831CT5 ..........................................................................................$95.95
AT899cT5 subminiature omnidirectional condenser lavalier Microphone #AUAT899CT5 .........................................$139.95
AZDEN
$
500LTS
#AZ500LTS
63995
The Azden 500LTS camera mountable lavalier microphone system provides true diversity operation and up to 63
user-selectable UHF frequencies ideally suited for professional broadcast applications. Combining the lightweight,
durably constructed 51BT belt/bodypack transmitter, ECM-44H lavalier microphone and full featured 500UDR diversity receiver, this well designed wireless system is an exceptional value for ENG, special events and presentations.
• 63 user-selectable UHF channels • UHF Diversity for RF
interference free operation and minimal dropout
• Omni-directional electret condenser lavalier microphone
• 1/8” mini-jack connection for headphone monitoring
• Transmitter requires one 9V battery • Receiver requires
(6) AA batteries or external 12V DC power supply
51XT plug-on transmitter w/phantom power #AZ51XT ...................................................................... $199.95
51HT omni-directional handheld transmitter/microphone #AZ51HT ..................................................... $179.95
EPS12PC external 12Vbattery power supply #AZEPS12PC ................................................................. $109.95
AZDEN
300LT
$
#AZ300LT
46995
The 300LT portable wireless lavalier microphone system offers 240 selectable UHF frequencies and a compact receiver ideal for miniature video camera-mounting. The system is complete with an Ex-503 omni-directional lavalier microphone and a shoe-mount, while the receiver and transmitter will operate for 8 hours
on 2 “AA” batteries, and are equipped with LCD displays.
• Camera-mountable wireless UHF lavalier system
• 240 selectable frequencies
• 1/8” mini receiver output
• Headphone monitoring direct from receiver
30XT optional plug-in transmitter #AZ30XT ......................................................................................$199.95
EX505U optional uni-directional microphone #AZEX505U ..................................................................$39.95
LECTROSONICS
#LE40121
CALL
UCR401
The UCR401 is a high performance compact UHF wireless microphone receiver for mobile applications such as ENG and film production. The compact size, option for battery or external
powering and rugged attached antennas are ideal for video camera mounted use. Unique
DSP algorithms in the design provide full compatibility with all Lectrosonics 400 Series Digital
Hybrid Wireless™ transmitters and variety of analog transmitters from Lectrosonics and
some other top manufacturers.
• Digital Hybrid UHF camera mountable receiver
• 256 frequencies across a 25.6 MHz bandwidth
• Compatible with analog transmitters
• Spectrum analyzer displays RF activity
to quickly identify clear frequencies
• Balanced XLR output
Portable Wireless Systems
www.bhproaudio.com
LECTROSONICS
191
# LE411AMM21Q
for
CALL Price
400 Series
The Lectrosonics 400 Series UHF Wireless Microphone System combines digital hybrid technology
and powerful DSP with true diversity reception and nearly indestructible components, to form a
great sounding, virtually noise free RF system. Ideal for broadcast, “reality TV” productions, nature,
and documentary film applications, this frequency-agile lightweight system includes the UCR411
camera mountable receiver, MM400A water resistant, digital hybrid belt-pack transmitter and the
M150 omni-directional lavalier microphone.
• 256 user-selectable UHF channels
• SmartSquelch, SmartDiversity, SmartNR
noise reduction circuitry
• Series 100 and 200 compatible
• MM400A transmitter features Digital Wireless Hybrid
Technology which combines a 24-bit digital audio
chain with an FM radio link providing outstanding
audio quality and extended operating range
UH400 Digital Hybrid plug-in transmitter w/phantom power #LEUH40021 .....................................................................................................................Call
LECTROSONICS
#LESM21
CALL
SM
Lectrosonics sets a new standard for size, power, reliability and functionality with the ultra-miniature SM transmitter. Not much
bigger than two AA batteries, the 100mW SM packs all user controls onto an easy to operate control panel that includes an LCD
and four membrane switches. It can also be set to work with all of Lectrosonics Digital Hybrid Wireless receivers, Lectrosonics 200
Series and 100 Series analog products, Lectrosonics IFB systems and even analog receivers from some other manufacturers.
RM remote control for SM series
#LERMQ ..................................................................................................... CALL
SMBCUP optional belt clip points antenna up
#LESMBCUP ............................................................................................... CALL
SMBCDN optional belt clip points antenna down
#LESMBCDN .............................................................................................. CALL
• Super-Miniature Digital Hybrid UHF
belt pack transmitter
• 256 synthesized UHF frequencies
• LCD and membrane switch control
panel
• Wide input dynamic range
LECTROSONICS
VR Field
#LEVRF2728
CALL
The VR Field is a portable wireless UHF field receiver with 256 selectable
frequencies, designed for use with the Lectrosonics Venue wireless system
to deliver multi-transmitter operation from a single receiver master base.
The unit houses up to 6 VRT or VRS receiver modules with compatible
frequency blocks, enabling simultaneous 6-transmitter operation. The VR
Field uses noiseless, compander-free Digital Hybrid Technology for crystalclear reception.
• Multi-receiver UHF field housing unit
• 256 selectable frequencies
• (6) XLR outputs
• 12V NP-1 battery operation
VRS optional plug-in receiver module #LEVRS27 ........................ CALL
VRT optional tracking receiver module #LEVRT28 ....................... CALL
LECTROSONICS
UH400A
#LEUH40021
CALL
The UH400A is a digital hybrid synthesized UHF plug-on transmitter compatible with all receivers
in the Lectrosonics 400, 200 and 100 Series product groups. The DSP-base design allows the
transmitter to operate in its native Digital Hybrid Wireless mode, or in several alternate modes
that are compatible with analog receivers. A unique multi-voltage phantom power feature allows
the transmitter to be used with any XLR microphone, including high current condenser types,
expanding its usefulness in high-end applications such as motion picture production.
• Digital Hybrid plug-on transmitter
• Selectable 5, 15, and +48V
phantom power
• 256 synthesized UHF frequencies
• 100mW output power
• Rugged machined aluminum housing
Portable Wireless Systems
192
800-416-5090
SONY
#SOWRR861B*
142000
$
WRR-861B
The WRR-861B is a single-channel version of the WRR-862B dual receiver and features the same solid construction
and reliable performance in a compact package. It works with any of the WL-800 family of components in the same
frequency group giving you an extremely wide variety of transmitters to choose from. Diversity operation ensures
the strongest signal possible and the built in battery alarm starts flashing approximately one hour before the battery is exhausted.
• Compact 2-channel, Dual Diversity receiver
• 188 selectable frequencies
• Internal (4AA batteries) or external powering
• Includes XLR output cable
• Power from “AA” battery or DC from camcorder
• Separate monitor output with level control
• Rugged, die-cast magnesium construction
• LED and full-status LCD indication
• Approx. 8 hr. of operation w/4 AA batteries
• Low battery alarm warns against power loss
SONY
#SOWRT822B*
$
WRT-822B
89900
The WRT-822B UHF synthesized body-pack transmitter with a feature set that pairs well with the other
members of the WL-800 family. Its magnesium alloy body is built for repeated use and the 20mW RF output
is high enough power for moderate distances and low enough to avoid IM-related problems in multi-channel systems. It will transmit a battery alarm to compatible tuners allowing easy remote monitoring of battery
status. The locking Bayonet 4-Pin connector supports a wide selection of available lavalier microphones.
• UHF belt-pack transmitter with PLL technology
• 188 selectable frequencies
• 8 hours continues operation with 2AA batteries
• Easy to read LCD display
WRT822BM44 WRT-822B with Sony ECM-44 lavalier microphone #SOWRT822BM44 .......$884.95
WRT822BM77 WRT-822B with Sony ECM-77 lavalier microphone #SOWRT822BM77 ......$1034.95
SONY
#SOWRT8B*
185000
$
WRT-8B
The WRT-8B Body-pack transmitter is the latest addition to the extensive range of Sony UHF synthesized wireless microphone systems. It
is extremely compact and lightweight, for use in fast-moving TV and theater productions. Inside its tough, die-cast magnesium body is a
highly stable, low noise transmitter providing superb audio quality. It can operate for up to 13 hours on two AA-batteries, and features
switchable AF input (Mic/Line) and RF output levels (10mW/50mW). Compatible with the WL-800 family of products.
• Very compact UHF belt-pack transmitter with PLL technology
• 188 selectable frequencies
• Easy to read LCD display with LED indicators
• Accommodates Sony microphones fitted with an SMC9-4P connector
ECM44BC omni-directional electret condenser #SOECM44BC ................................................................................................. $99.95
ECM77BC compact omni-directional electret condenser #SOECM77BC .................................................................................$259.95
ECM88BC premium, low noise omni-directional electret condenser #SOECM88BC ................................................................$339.95
SONY
WRT-8P
#SOWRT8P*
79500
$
When you combine the WRT-8P Plug-on transmitter with your choice of handheld ENG microphone, you gain a high performing interview mic/ transmitter package with excellent sound quality. The WRT-8P offers switchable power output and
operates for up to 4 hours on a 9-volt battery when set to 50mW RF output, or 2.5 hours when set to 250mW RF output.
In addition the WRT-8P also accepts line-level audio signals making it ideal for a wide-range of wireless audio production
applications. Compatible with all WL-800 series of products.
• Plug-on transmitter featuring PLL technology
• 250mW high RF output power for stable transmission
• Selectable RF output power 250mW/50mW
• Selectable mic/line level input
• Battery alarm function transmitted to tuner
• 188 selectable frequencies
• Stable, high-output transmission
• 4 hours of continuous operation at 50mW
Portable Wireless Systems
www.bhproaudio.com
SONY
$
WRR-862B
193
#SOWRR862B*
350000
The WRR-862B66/68 is UHF-synthesized Dual Diversity Tuner that allows for the use of two WL-800 series wireless microphones simultaneously. This diversity tuner has been introduced to meet the demand for two-channel reception in ENG
and EFP applications. Two space-diversity receiver modules are built in to its rugged, compact and extremely lightweight
body that is made from die-cast magnesium. This makes the WRR-862B especially suitable for mounting onto professional
camcorders and may be used as a redundant single channel system for critical situations.
• Compact 2-channel, Dual Diversity receiver
• 188 selectable frequencies per receiver
• Headphone monitor output with adjustable level control
• Designed to mount onto most Sony Pro cameras
• Approx. 5 hrs. of operation on 4 “AA” batteries
• LED battery, antenna, and RF indicators
• LCD for group, channel, frequency and squelch settings
• Includes 2 XLR terminated output cables
• Rugged, die-cast magnesium construction
• Power from “AA” battery or DC from camcorder
AZDEN
$
200ULT
#AZ200ULT
67995
There are countless situations where the ability to mic two subjects simultaneously would be the perfect
alternative for capturing the best audio quality possible. The 200ULT provides you with the ability to use
two wireless lavalier microphone transmitters with a single receiver in a package that will interface with any
1/8” inch mini or XLR input camera. The system has a rated run time of better than 8 hours and the receiver
comes with its own hot-shoe mount for convenient and secure camera mounting.
• Dual channel on-camera wireless lavalier system
• 63 selectable UHF frequencies
• (2) 10BT body-pack transmitters with EX-503 lavaliers
• 200UPR receiver outputs to 1/8” mini and dual XLR
200ULX includes (1) lavalier belt-pack transmitter and (1) plug-on transmitter #AZ200ULX ........ $719.95
200ULH includes (1) lavalier belt-pack transmitter and (1) handheld transmitter #AZ200ULH ...... $649.95
AUDIO-TECHNICA
1800 Series
Since its introduction, the Audio Technica U100 single channel on-camera wireless
system has proven to be a well accepted and dependable performer. With more and
more videographers requesting the ability to use two wireless microphones without
the cumbersome bulk of two receivers, AT has introduced the 1800 series of UHF componenets. Featuring the same solid construction and dependable RF performance as
the original, the newly designed components feature 996 selectable frequencies and
backlit LCD displays with Soft Touch Controls for easy navigation and programming.
• Dual channel UHF on-camera wireless
system • ATW-R1820 receiver features
independent monitor and output level
controls • One receiver may be powered down for battery conservation
• ATW-T1801 belt pack transmitter features selectable hi/low power output
• Includes MT830 omnidirectional lavalier
• ATW-T1802 plug on transmitter features phantom power
ATW-1821D Kit includes (1) ATW-R1820, (2) ATW-T1801 & (2) Omnidirectional lavalier mics #AUATW1821 ......... $1,295.00
ATW-1822D Kit includes (1) ATW-R1820 & (2) ATW-T1802 #AUATW1822 ..............................................................................$1,295.00
ATW-1823D Kit includes (1) ATW-R1820, (1) ATW-T1801, (1) ATW-T1802 & (1) Omnidirectional lavalier mic #AUATW1823 ...$1,295.00
AZDEN
1000 Series
The 1000 series represents a versatile array of UHF wireless components and the 121 channel diversity 1000URX receiver has the
distinct ability to be directly mounted to a variety of professional cameras. The 1000BT bodypack transmitter and 1000XT plug-in
transmitter round out the set.
1000URX on-camera diversity wireless receiver #AZ1000URX .................................................................................... $539.95
1000URX/ AB on-camera receiver configured for Anton Bauer “Gold Mount” mounting system #AZ1000URXAB ..... $599.95
1000URX/ Si on-camera receiver configured for Panasonic or Ikegami “Slot-In” or “Uni-Slot” mounting systems
#AZ1000URXSI .....................................................................................................................................$863.95
1000URX/ VM on-camera receiver configured for IDX “V-Mount” mounting system #AZ1000URXVM ...................... $774.95
1000BT bodypack transmitter #AZ1000BT .................................................................................................................. $229.95
1000XT plug-on transmitter #AZ1000XT .................................................................................................................... $229.95
ENG Kits
194
800-416-5090
ENG AUDIO KITS
Complete Solutions for Field Audio Production
B&H sells a variety of kits for wireless microphones, complete boompole systems, and ENG mixers and accessories.
They’re designed to take the guesswork out of building an audio package for location sound applications.
They act as a “value menu” of sorts. You get everything you need in one shot, and you’ll save yourself some
money too. B&H’s wireless microphone kits are sold as single or dual systems and come in two levels: Basic
and Deluxe. Our deluxe kits include broadcast-quality lavalier microphones that are significantly better than the
standard mics included with the wireless system. With the variety of kits that we offer, you can mix and match
them for your ideal booming, wireless, and mixing solutions.
RODE
SENNHEISER
#SEME66BK
74995
$
ME66/K6
Basic Shotgun Kit
Kit Includes:
SEME66 K6 shotgun
microphone, Rode
SM 3 shock mount,
K-Tek KE-89CC
aluminum boompole,
Rycote Softie ($110),
Universal hand grip,
20-ft. XLR cable with
right-angle female
connector, 1.5 ft. XLR cable with right-angle female connector.
ME66/K6 Deluxe Kitincludes K-Tek KE-100CC carbon fiber boompole #SEME66DK ..... $969.95
SENNHEISER
MKH-416
#SEMKH416DK
169995
$
$
NTG-2
#RONTG2BK
58995
Basic Shotgun Kit
Kit Includes:
NTG-2 shotgun
microphone, Rode
SM 3 shock mount,
K-Tek KE-89CC
aluminum boompole, Rycote
softie ($110),
Universal hand
grip, 20-ft. XLR
cable with right-angle female
connector, 1.5 ft. XLR cable
with right-angle female connector.
NTG1 Basic Kit #RONTG1BK ...................................................$599.95
AUDIO-TECHNICA
AT-897
#AUAT897BK
$
62995
Deluxe Shotgun Kit
Basic Shotgun Kit
Kit Includes:
MKH-416 P48
shotgun microphone, Rode SM
3 shock
mount,
K-Tek
KE-100CC
carbon fiber boompole, Rycote softie
($110), Universal
hand grip, 20-ft.
XLR cable with rightangle female connector.
Kit Includes:
AT-897 shotgun
microphone,
Rode SM 3
shock mount,
K-Tek KE-89CC
aluminum
boompole,
Rycote softie
($110), Universal
hand grip, 20-ft.
XLR cable with right-angle female connector, 1.5 ft. XLR cable with
right-angle female connector.
ENG Kits
www.bhproaudio.com
SENNHEISER
SENNHEISER
#SEEW100EB*K
77995
$
EW100 G2
Single Basic Wireless ENG Kit
Kit Includes:
EW100 G2 wireless
microphone system (SK100
G2 bodypack transmitter, SKP100 G2 plug-in
transmitter, ME2 lavalier
mic), Electro Voice RE50B
handheld interview
microphone, 2.25˝ square
mic flag (black), Sennheiser
POP-1 case, Pelican #1200 case with foam insert.
EW100 G2 Deluxe Kit- Includes Voice Technologies VT500 lavalier
SEEW100ED*K.........................................................................$989.95
AUDIO-TECHNICA
ATW-1821D
195
#AUATW1821DDK
179900
$
#SEEW100DD*K
167995
$
EW100 G2
Dual Deluxe Wireless ENG Kit
Kit Includes:
EW100 G2 wireless
microphone system
(SK100 G2 bodypack
transmitter, SKP100
G2 plug-in transmitter, ME2 lavalier mic),
EW 112 G2 wireless
system (SK100 G2
bodypack transmitter,
EK100G2 camera-mount receiver, ME2 lavalier mic), (2) Voice Technologies VT500 Lavalier Microphones, Electro Voice RE50B handheld interview
microphone, dual hot shoe extender, Pelican #1200 case with foam insert.
EW100 G2 Dual Basic Kit SEEW100DB*K ......................... $1249.95
SONY
UWP
#SOUWPED6*K
104995
$
Deluxe Wireless Kit
ENG Deluxe Wireless Kit
Kit Includes:
ATW-R1820D Camera mountable Dual-Receiver,
(2) ATW-T1801
bodypack Transmitters, ATW1802 plug-in
Transmitter,
(2) AT-899CW
Omnidirectional Lavalier
Microphones, professional
ENG handheld microphone, cables, mic flag and
rugged storage case
Kit Includes:
UWP-C1 true
diversity portable cameramountable UHF
wireless lavalier
microphone
system, UTX-P1
UWP plug-on
transmitter,
Sony ECM44BMP omnilavalier microphone, Sony F112 handheld ENG microphone, 2˝ square
mic flag, Pelican #1200 case with foam insert.
SOUND DEVICES
302
#SO302DK
173900
$
PSC
DV PROMIX 6
#PSDVPM6DK
177995
$
Deluxe Field Mixer Kit
ENG/EFP Deluxe Field Mixer Kit
Kit Includes:
Sound Devices 302
3-channel mixer,
Porta-Brace MXC-302
audio mixer case with
RM-Multi microphone
case, Versa-Flex
professional field
audio harness, (2) 1˝
x 6˝ carabiner cable
carriers, 25-ft. Canare
breakaway cable, (3) “AA” batteries.
Kit Includes:
PSC DV ProMix
6 6-Channel
mixer, PortaBrace RM
deluxe wireless
microphone/
audio mixer
case, VersaFlex professional field
audio harness,
(2) 1˝ x 6˝ carabiner cable carriers, 25-ft. Canare breakaway cable, (8) “AA” batteries.
442 ENG/EFP Deluxe Field Mixer Kit # SO442DK.... $2994.95
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