Sennheiser
SOUND
PERFORMANCE
Professional Audio Products
Sennheiser MUSIC INDUSTRY
True Sound
For more than sixty years, Sennheiser has been creating
superlative audio products for professionals and
consumers the world over, winning count­less awards
and earning the accolades of critics and competitors
alike. This alone is incentive enough for the Sennheiser
Group, comprising the Sennheiser, Neumann and
Sennheiser Communications brand names, to continue
driving the development of electro-acoustics as a global
market leader.
From the very beginning, our headphones and
microphones have distin­guished themselves. They are
characterised by innovation and dedication to quality,
as exemplified by the introduction of Open Aire™
technology pioneered by the HD 414 headphones in
1968. The unparalleled Orpheus headphone system
offers the finest audio reproduction available.
Our microphones are equally impressive: the MD 421 II
reissue combines the characteristics of the most popular
professional dynamic mic ever (the MD 421) with
enhanced frequency response. The U 87 is probably
the most well-known and widely used Neumann studio
microphone (with dual diaphragm capsule). Covering
vocal, instrumental and backline, the evolution™
microphone series answers every conceivable live
performance requirement.
Our wireless systems, whether RF or infrared, are widely
recognised to be the finest wireless systems available
anywhere. From the fabled 5000 series, which has
won many awards – including an Emmy Award for
“Outstanding Achievement in the Sciences of Television
Technology for RF Wireless Systems” to our brand new
evolution series and wireless monitoring systems,
our RF wireless line offers exceptional performance.
And Sennheiser infrared wireless systems provide
nearly limitless configurations, offering wireless ease
and excellent sound quality for applications from
personal use to conference audio.
For more information, visit us online at :
www.sennheiserbnl.com or follow us @SennheiserBNL
Contents
WIRELESS SYSTEMS
XS Wireless
evolution Wireless G3
Wireless Components
evolution Wireless 100 G3-1G8 series
Choosing a UHF Wireless System
04-07
08-17
18-19
20-21
22-23
WIRED MICROPHONES
MK 4 Studio Mic
evolution Microphones 900 Series
evolution Microphones 800 Series
evolution Microphones 600 Series
The Classics
Broadcast/​ENG/​Film microphones
24-25
26-30
31
32
33
34-35
Accessories Wired / Wireless
36-41
GOOSENECK MICROPHONES
42-45
HEADPHONES
DJ and Studio Headphones
46-51
03
TAKE THE
STAGE
XS WIRELESS
is your entry into the wireless world. Enter the stage with easy-to-use
all-in-one packages offering reliable transmission and excellent sound quality. Frequency agility is ensured by
a switching window of 24 MHz (13 MHz for the E band) and tunable frequency presets. The system is quick
and easy to set up due to its automatic search for free frequencies and synchronization via RF remote channel.
Professional True Diversity technology ensures optimum reception – anytime, anywhere.
Sennheiser MUSIC INDUSTRY
04 05
No matter whether you are a speaker, presenter or rocking the stage: the XS WIRELESS gives you absolute
freedom of movement for a vivid and impressive performance. Choose between two vocal sets, an instrument set
or the Headset set. All systems feature outstanding sound quality and delivers renowned Sennheiser reliability to
small venues, conference rooms or houses of worship.
XSW 52 Headset Set
Express yourself, hands free. A compact bodypack transmitter
with easy-to-wear cardioid condenser headset provides great pop
protection and powerful sound. An all-metal True Diversity receiver
offers 960 tunable frequencies, with powerful scan and sync
functions that ensure up to 10 hours of trouble-free operation.
XSW 35 Vocal Set
Features
ƒƒ Hands-free operation
ƒƒ Outstanding sound quality
for singers and presenters
ƒƒ Mute button for full transmission control
ƒƒ Synchronization via remote channel
ƒƒ Frequencies tunable in steps of 25 kHz
ƒƒ 24 MHz bandwidth (13 MHz for the E band)
The XSW 35 Vocal Set with e835 cardioid dynamic capsule
provides up to 10 hours of operation, a convenient mute button
and excellent feedback rejection. An all-metal True Diversity
receiver offers 960 tunable frequencies, with powerful scan and
sync functions that ensure trouble-free operation.
Features
ƒƒ Easy-to-use, all-in-one package for
speakers, singers and presenters
ƒƒ High feedback rejection
ƒƒ SKM 35 dynamic, cardioid microphone
with mute button for full control
ƒƒ Synchronization via remote channel
ƒƒ Frequencies tunable in steps of 25 kHz
ƒƒ 24 MHz bandwidth (13 MHz for the E band)
XSW 72 Instrument Set
The XSW 72 features a compact bodypack transmitter with
instrument cable preserves your tone with up to 10 hours of
trouble-free operation. An all-metal True Diversity receiver offers
960 tunable frequencies, with powerful scan and sync functions
that allows you to plug and play!
Features
XSW 65 Vocal Set
ƒƒ Directly connects to ¼” (6.3 mm) sockets
ƒƒ Outstanding sound quality for musicians
ƒƒ Mute button for full control
ƒƒ Synchronization via remote channel
ƒƒ Frequencies tunable in steps of 25 kHz
ƒƒ 24 MHz bandwidth (13 MHz for the E band)
The XSW 65 handheld vocal system features a condenser
capsule that captures every detail of your performance with a
pre-polarized, super-cardioid condenser capsule. An all-metal True
Diversity receiver offers 960 tunable frequencies, with powerful
scan and sync functions for hours of trouble-free operation.
Features
ƒƒ Easy-to-use, all-in-one package for
speakers, singers and presenters
ƒƒ High feedback rejection
ƒƒ SKM 65 condenser, super-cardioid mic
with mute button for full control
ƒƒ Synchronization via remote channel
ƒƒ Frequencies tunable in steps of 25 kHz
ƒƒ 24 MHz bandwidth (13 MHz for the E band)
XSW 12 Presentation Set
Make your presentations come to life! The XSW 12 features a
compact bodypack transmitter with omni-directional microphone
provides natural speech reproduction while remaining
inconspicuously small. An all-metal True Diversity receiver offers
960 tunable frequencies, with powerful scan and sync functions
that ensure up to 10 hours of trouble-free operation.
Features
ƒƒ Unobtrusive clip-on microphone
ƒƒ High speech intelligibility
ƒƒ Mute button for full speech control
ƒƒ Synchronization via remote channel
ƒƒ Frequencies tunable in steps of 25 kHz
ƒƒ 24 MHz bandwidth (13 MHz for the E band)
XS WIRELESS SYSTEMS
Recommended Accessories
GAM 1
1-ch rackmount kit – Accessory kit to mount 1 EM 10 into a 19”
rack and put antennas at the front side. BNC cables are included.
GAM 2
2-ch rackmount kit – Accessory kit to mount 2 EM 10 into a
19” rack. It also allows antenna front mount of 2 antennas and
interconnection of RF signals from antennas to the receivers.
Antenna splitters and BNC cables are included.
GAM 3
The GAM 3 two-channel rack-mount brackets serves to install
two EM 10 receivers of the XS WIRELESS series in 19’’ racks.
Antenna splitters and cables are not included in GAM 3 and must
be ordered separately.
06 07
YOUKNOW
YOU CAN
evolution Wireless G3
Count on breakthrough sound.
Playing a large gig? Or perhaps a smaller club? You can. Need to live it up on the stage? Need to move with
absolute freedom? You can. Need the flexibility of several frequencies at your disposal? You can.
Evolution wireless G3 is your entrance to the professional league of wireless sound transmission. The
system’s technical range is unique – and truly breathtaking at any price. This starts with the ease of
use, continues with the enormous range of switching bandwidth, and ends with the robust construction.
Evolution wireless G3 can grow with you as your career and needs progress. This means that base sets can
be expanded with individual components and accessories, as needed. This modular solution means you only
need invest in as much equipment as you require for the particular size of your shows. This not only saves
money but also leaves a myriad of options open for the future.
Sennheiser MUSIC INDUSTRY
Sennheiser MUSIC INDUSTRY
08 09
Series
100
You Know You Can Count On Breakthrough Sound. Thanks to its expanded bandwidth (42 MHz), 1680 switchable
frequencies, and the perfect Sennheiser live sound, the 100 Series is the ideal choice for musicians and presenters,
and best suitable for camera and wireless monitor applications. The third generation of evolution wireless supplies
full stage freedom and perfect sound for singers, musicians and performers.
Infrared interface for synchronization of transmitters
User-friendly menu operation with more control options
Enhanced frequency bank system with up to 12 compatible frequencies
42 MHz bandwidth: 1680 tunable UHF frequencies
Infrared interface for synchronization of transmitters
Integrated Equalizer and Soundcheck mode
Sturdy metal construction
Increased range for audio sensitivity
HDX compander for crystal-clear sound
HeadSet
Regardless of whether you are a singer, actor, dancer or fitness
trainer: With the special frequency response of this headset
microphone, your voice will be heard at the very back in the last row.
Available in the following kits:
ew 152 G3 – ME 3-ew headset (cardioid)
Vocal Set
Gone are the days when a singer had to shout into the microphone to be
heard. The robust handheld transmitter delivers full first-rate live sound.
You can choose from 5 exchange­able microphone capsules. All vocal sets
include a SKM 100 Series handheld transmitter and an EM 100 Series rack
mountable reciever.
Available in the following kits:
ew 135 G3 – SKM 100-835 G3 (dynamic, cardioid)
ew 145 G3 – SKM 100-845 G3 (dynamic, super-cardioid)
ew 165 G3 – SKM 100-865 G3 (condenser, super-cardioid)
Presentation Set
A professional quality standard that has proven itself for moderation and
on stages alike. Impress your audience with a crystal-clear presenta­tion.
The small clip-on microphone offers excellent speech intelligibility with its
special frequency response.
Available in the following kits:
ew 112 G3 – ME 2 clip-on microphone (omnidirectional)
ew 122 G3 – ME 4 clip-on microphone (cardioid)
ew 112 G3 with ME 2
Instrument Set
Who says a guitarist always has to stand in one place? The ew G3
Instrument Set gives you the freedom to rock the crowd wherever
you are on stage: no strings attached. All instrument sets also
feature an integrated guitar tuner makes a tuning snap. The
instrument set includes an EK 100 bodypack transmitter and
an EM 100 rackmount receiver.
Available in the following kits:
ew 172 G3 – Instrument system with built-in guitar tuner
ew 122 G3 with ME 4
evolution WIRELESS SYSTEMS
10 11
Series
Series
300
The 300 Series is at its best at conferences, presentations and live events. Speakers and presenters love the crystal-clear
sound of the microphones, and as a technician, you can rely on a flexible and versatile wireless system that gives you full
control of your event.
Features up to 24 compatible frequencies
User-friendly menu operation with more control options
42 MHz bandwidth: 1680 tunable UHF frequencies
Infrared interface for synchronization of transmitters
Integrated Equalizer and Soundcheck mode
Ethernet port for control via computer
500
You Know You Can Expand Your Capabilities. The 500 Series is the top line of evolution wireless.
Sound professionals and artists who work on the world’s biggest stages rely on G3. A wireless
system at this price point cannot be more flexible and versatile.
Features up to 32 compatible frequencies
User-friendly menu operation with more control options
42 MHz bandwidth: 1680 tunable UHF frequencies
Infrared interface for synchronization of transmitters
Integrated Equalizer and Soundcheck mode
Ethernet port for connecting to the Wireless Systems Manager (WSM)
software for control via computer for a good overview of monitoring and
professional data management for multi-channel systems
Vocal Set
This hand-held transmitter/microphone combination provides the
user with a tool that is both powerful and sensitive at the same time.
The programmable mute button offers the valuable option of silence
when it is needed.
Available in the following kits:
ew 335 G3 – SKM 300-835 G3 (dynamic, cardioid)
ew 345 G3 – SKM 300-845 G3 (dynamic, super-cardioid)
ew 365 G3 – SKM 300-865 G3 (condenser, super-cardioid)
Presentation Set
ew 312 G3
There is no better way to express yourself and impress your audience
than with the professional G3 pre­sentation set. The extremely small
MKE 2 clip-on microphone is renowned for its highest sound quality
and robustness.
Available in the following kits:
ew 312 G3 – ME 2 clip-on microphone (omni-directional)
ew 322 G3 – ME 4 clip-on microphone (cardioid)
Vocal Set
Raise your voice with the tour-proven wireless microphone and
absolutely reliable sound transmission. Choose between three
professional microphone heads (two dynamic and one condenser)
from the re­nowned Sennheiser evolution 900 line.
Available in the following kits:
ew 535 G3 – SKM 500-935 G3 (dynamic, cardioid)
ew 545 G3 – SKM 500-945 G3 (dynamic, super-cardioid)
ew 565 G3 – SKM 500-965 G3 (condenser, super-cardioid)
Instrument Set
Rocking the crowd has never been so easy or professional. The
integrated control menu with guitar cable emulation, the RF/AF mute
for multiple guitars and the integrated guitar tuner ensure that you
have absolute control of your gig. The instrument set includes an EK
500 bodypack transmitter, and an EM 500 reciever.
Available in the following kits:
ew 572 G3 – Instrument system with built-in guitar tuner
ew 322 G3
EVOLUTION WIRELESS SYSTEMS
Headset
Presentation Set
There is no better way to express yourself and impress your audience
than with the professional G3 pre­sentation set. The extremely small
MKE 2 clip-on microphone is renowned for its highest sound quality
and robustness.
There is no better way to express yourself and impress your audience
than with the professional G3 pre­sentation set. The extremely small
MKE 2 clip-on microphone is renowned for its highest sound quality
and robustness.
Available in the following kits:
ew 352 G3 – ME 3-ew headset microphone (cardioid)
Available in the following kits:
ew 512 G3 – MKE 2-ew clip-on microphone (omni-directional)
12 13
Lavalier & Headset Microphones
Embodying Sennheiser’s extensive knowledge of microphone technology
in sub-miniature packages, these microphones have become the industry’s
standards in theater, television and film applications.
ENG Set
ME 2
Capture the right moment with the ENG Set for perfect sound transmission
while filming. Four different sets are available including either a handheld
transmitter or a body pack transmitter with an omni-direc­tional or cardioid
clip-on microphone.
Omni-directional lavalier micro­phone to be used with evolution wireless bodypack
transmitters or MZA 900 P phantom power adapter with wireless applications.
Available in the following kits:
ew 100 ENG G3 – ENG system with bodypack/receiver/plug-on transmitter
ew 135-p G3 – ENG system with hand-held microphone
ew 112-p G3 – ENG lav system for camera/portable use
ew 122-p G3 – ENG system with cardioid lavalier microphone
Features
High speech intelligibility
Frequency response: 40-18,000 Hz
ME 4
4 Sets available with different
system components
Lavalier mic with cardioid pattern and exceptional feedback rejection.
Can be used together with evolution wireless series bodypack transmitters
or MZA 900 P phantom power adapter with wireless applications.
Features
High speech intelligibility
Frequency response: 80-16.000 Hz
Wireless Monitoring Set
The Wireless Monitor Set gives you complete control of your performance
across the entire stage. The body pack diversity receiver with volume control is
as easy to use as the stereo transmitter, which offers PC-controlled monitoring
of multi-channel appli­cations via the Wireless Systems Manager (WSM)
software.
Available in the following kits:
ew 300 IEM G3
ew 300-2 IEM G3 (with extra beltpack)
ME 3-ew
Headmic for SK 100, SK 300 and SK 500, condenser, cardioid.
Features
Sound pressure level: 150 dB
ME 3 Extreme
Heavy duty headset microphone for aerobics. Permanent polarized
condenser elektret.
Availble in black and yellow edition.
EVOLUTION WIRELESS SYSTEMS
14 15
MKE 1 - EW 1/2/3/4
MKE 2 Gold
Whether for musicals and live shows, or for broadcasting applications, the
MKE 1 – Sennheiser’s smallest clip-on microphone – performs at its best in all
situations where a microphone needs to be virtually invisible and still offer
outstanding sound quality.
The MKE 2 Gold is a high-quality, sub-miniature clip-on lavalier microphone which
is suitable for both speech and instrument miking applications in all areas of live
work. It fulfills the most stringent demands on sound quality and is extremely
rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold
against sweat and moisture, making it an ideal choice for theatrical productions.
Available in Black, Beige, Brown and White.
Also available: The MKE 1 paintable version (MKE 1-EW-M). Ideal for drama,
plays, musicals, shows and televised events, the clip-on mic can be coloured
with markers or spray paint, blending in the tiny lavalier with the artist’s
costume and make-up.
Features
n New Umbrella Diaphragm™ protects the mic against sweat
n Very high sound pressure handling capability
n Versatile attachment due to an extensive range of accessories
MKE 40
High quality condenser clip-on microphone with cardioid pattern, designed
to meet the highest requirement on sound quality. Suitable for both speech
and instrument miking applications in all areas of live & broadcast work.
Features
n High gain before feedback
n Very good speech intelligibility
n Outstanding bass reproduction
TRS connector
MZ 1
HSP 2 - EW/EW 3
HSP 4 - EW/EW 3
Headworn microphone featuring very lightweight design and superlative
audio quality. Permanently polarized MKE platinum condenser capsule
with omni-directional polar pattern designed for professional “hands
free” applications. The adjustable neckband is visually unobtrusive
and very comfortable to wear. HSP2 is available in black or beige,
and can be ordered with connector for 3000 & 5000 series wireless,
evolution wireless, or without connector (stripped and tinned leads).
Includes modular snap-on cable and hard carrying case.
Ear set 1 - EW/EW 3
Ear set 4 - EW/EW 3
The Ear Set 1 features excellent speech intelligibility and clear, pleasant
trebles. It is insensitive to pop and wind noise and has a capsule diameter
of only 3.3 mm. The Ear Set 1 uses the proven acoustics of the MKE 1
clip-on microphone. This high-quality microphone has been designed for
stage and broadcast use, where it ensures optimum sound and handsfree freedom of movement. The ear bow and mic boom can be easily
adapted to the shape of the ear and face. The Ear Set is available with
LEMO or 3.5 mm jack plugs for use with the 2000, 3000 and 5000 Series
as well as evolution wireless bodypacks. Thanks to a modular design, the
components of the ear-worn microphones are easily interchangeable.
EVOLUTION WIRELESS SYSTEMS
The complete accessory kit for the MKE1 microphone.
The box also has a compartment to store the microphone. incl.:
1 x MZK 1, accessory box, transparent - 2 x MZQ 1, Mini clip, white and
black - 2 x MZQ 10, Mini clamp, white and black - 2 x MZM 1, magnetic
mount, white and black - 1 x MZV 1, cover-up, transparent - 2 x ZH 1, pin
mount, white and black - 2 x MZW 01, windshield basket, black and beige
- 4 x MZW 02, foam windshield, black, beige, brown, white
MZ 2
The Sennheiser MZ-2 is an accessory kit for the MKE-2 lavalier microphone.
This kit consists of 2 tie clips, 2 pin clips, 2 windscreens and a carrying case
for all of these little components.
Features
n Windscreen aids in reducing wind and pop noises
n P
in clip performs same function as a tie pin, sticking through the material
and small lock pushed onto the rear of the pin
n Lapel clips enable the user to clip the lavalier microphone to clothing rather
than piercing a hole in itSmall carrying case holds all of the above components
LAV Tape
Tape to fix microphones on skin, 10 m Roll
IE 4
Earphones for wireless monitor applications with outstanding sound
quality. Includes exchangeable ear sleeves for a perfect, customized fit for
high isolation against environmental noise and very good bass response.
16 17
wireless componeNts
Additional components can be added to enhance any system, but it is important to identify and
select the matching frequency range to ensure compatibility. To help simplify the matching process,
Sennheiser clearly prints the tuning range (A, G or B) on the back of all components. Transmitters and
receivers must also use the same compander circuitry to provide correct audio results.
Sennheiser’s proprietary HDXTM circuitry is featured in all three generations of evolution wireless
(G1/ G2/G3), as well as our 2000 Series. As long as the frequency range matches, evolution wireless
and 2000 Series are fully forward and backwards compatible.
SK 100/300/500 / 1G8
Sennheiser evolution wireless G3 bodypack transmitters (SK 100 G3, SK 300 G3,
and SK 500 G3) offer adjustable input sensitivity control to complement
a wide range of lavalier microphones (ME2 omni, ME4 cardioid, MKE 2 Gold
omni), headmics (ME3-ew, HSP4-ew, Ear Set 4-ew), or line-level signals such
as electric guitars and basses. With compact, rugged designs, bodypack
transmitters are commonly used in musicals, theatrical stages, film and
television sets.
EK 100
Portable components always work easiest when you do not have to think
about them. This was the basis on which the EK 100 G3 was developed.
Its adaptive-diversity technology provides excellent reception at all times.
This receiver is designed to securely attach to a camera’s shoe using a
clamp mount. The EK 100 G3 also can synchronize to a G3 transmitter
with a simple push of a button. The EK 100 G3 is compatible with the
optional DC 2 external adapter for extended use without batteries where a
12VDC source is available.
EK 300 IEM
The compact EK 300IEM G3 bodypack receiver provides the performer with
clear, interference-resistant monitoring. A unique “Stereo / Focus” mode
toggles between standard stereo monitoring and Focus (mono) mode.
In Focus mode, users can freely adjust the balance of the system’s two
channels to create a custom monitor mix (for example, to create a balance
between vocals with instrumentation). A large, easy-to-use knob allows
users to control volume, while an adjustable Audio Limiter can be engaged
to protect against hearing loss. Multiple receivers can receive and listen to
the same signal, allowing performers to share a monitor mix.
EVOLUTION WIRELESS SYSTEMS
SKM 100/300/500 / 1G8
Available with different capsules.
Professional events demand reliability and extensive operating range,
regardless of conditions. Sennheiser’s evolution wireless G3 transmitters
meet that challenge with 30 mW of output power, which can deliver
approximately 300 feet of operating range (line of sight) in a good RF
environment. With rugged metal housings, G3 series transmitters are built
to endure wear-and-tear, for consistent results, night after night.
To preserve every nuance of your performance, evolution wireless G3 employs a proprietary noise- reduction system called HDXTM, which maximizes
audio quality and avoids the noise inherent in most RF systems. HDXTM
converts the analog audio signal to RF and back to analog again, all with
stunning accuracy and quality. With a wide frequency response of 25 Hz to
18 kHz (line), evolution wireless G3 sounds as good as our wired microphones.
SKP 100/300
Plug-on transmitters are often used on location news- casts, reality TV, and
movie sets to convert traditional wired microphones or line level signals into
wireless devices. The SKP 100 G3 plug-on is ideal suited for dy- namic mics,
such as the MD 42 or MD 46. For condenser mics requiring 48v phantom
power, such as the MKH 416 shotgun microphone, Sennheiser also offers
the phantom power-equipped SKP 300 G3.
Sennheiser’s G3 portable transmitters can operate for up to 8 hours on a
pair of AA batteries. Audio and RF transmission quality is never compromised as batteries run down, thanks to dedicated circuitry that maintains
a constant internal system voltage. G3 transmitters also relay battery
strength to their receivers, allowing sound engineers to remotely monitor
battery life at a glance. G3 handheld and bodypack transmitters also feature external charging contacts, for use with optional BA 2015 rechargeable
battery packs and the L 2015 charging station.
EM 100/300/500 / 1G8
Sennheiser’s G3 series fixed receivers (EM 100 G3, EM 300 G3, and EM 500
G3) are compact, half-rack sized units which can be mounted in standard
19” equipment racks using the optional GA3 rack-mount adapter.
Sennheiser employs True Diversity antenna technology in its G3 rack-mount
receivers, to ensure the most stable, uninterrupted wireless reception.
True Diversity receivers contain two independent tuning modules and
a comparison circuit that continuously routes the stronger signal to the
receiver’s output. Put simply, True Diversity maximizes system reliability.
SR 300 IEM G3
The SR 300IEM G3 transmitter can send either a mono or stereo-multiplexed
signal via a pair of balanced 1⁄4” / XLR combination jacks. With 1,680
available UHF frequencies and easy multi- channel operation, the system
can provide wireless monitoring for every performer on stage. Robust
output power (30 mW) provides extended range and signal stability.
18 19
Above
All Others.
The ew 100 G3-1G8 series
Technical twins to the ew 100 G3 series, assorted sets are also available as 1GB
versions especially tuned for the 1800 MHz range, which can be used without extra
permission in most European countries.
EM100 G3
Features: similar to ew 100 series, but
Frequency range: 1785 -1800 MHz
1500 tunable frequencies in 10 kHz steps
RF output power: 10mW
Special BNC antennae (1G8)
ew 100 G3-1G8 includes up to 12 compatible frequencies
Key values of the 1800 MHz band
Exclusive frequency band for audio transmission !
Sennheiser is the first to have a system in this range !
Yet unused frequency range, no primary users !
Discharge of the UHF band !
RF performance nearly equal to UHF systems !
Harmonized frequency range in nearly all European countries !
License-free in many European countries !
EW135 G3
Presentation Sets
Rack-mount receiver, bodypack
transmitter, lavalier mic
n
n
ew 112
ew 122
omni-directional mic
cardioid mic
EW152 G3
Head Sets
Rack-mount receiver, bodypack
transmitter, headset mic
n
ew 152 n
ew 172
cardioid mic
Instrument Sets
Rack-mount receiver, bodypack
transmitter, instrument cable
Vocal Sets
Rack-mount receiver,
n ew 135 handheld transmitter,
microphone clip
n ew 145 MMD 835-1 mic head
(dynamic, cardioid)
n ew 165 MMD 865-1 mic head
(condenser, super-cardioid)
n ew 100–935 MMD 935-1 mic head
(dynamic, cardioid)
n ew 100–945 MMD 945-1 mic head
(dynamic, super-cardioid)
MMD 845-1 mic head
(dynamic, super-cardioid)
EW172 G3
Single components
Rack-mount receiver
Handheld transmitter
Bodypack receiver
n
n
n
EM 100
SKM 100
SK 100
Technical specifications
For all sets and components evolution WIRELESS SYSTEMS
n
n
n
Frequency range: 1785–1800 MHz
Simultaneous use of 12 frequencies
RF output power: 10 mW
SK100 G3
20 21
CHOOSING A UHF WIRELESS SYSTEM
Selecting Systems and Components
Sennheiser’s evolution wireless G3 line is available in three performance grades – ew 100 G3,
ew 300 G3, and ew 500 G3. All three lines are fully compatible, sharing identical RF technology with
1,680 tunable frequencies, 30 mW of output power and True Diversity reception on all rackmount
receivers. Every component features Sennheiser’s proprietary HDX™ compander circuitry for
crystal-clear audio, and an innovative infrared sync that allows the receiver to quickly program the
transmitter to a new frequency. With the press of the SYNC button, the receiver transfers the desired
frequency into the transmitter, greatly simplifying the setup process.
Looking beyond the shared core RF platform, each series offers unique features that address
increasingly complex multi-channel applications. The ew 100 G3 series offers streamlined, portable
wireless solutions. The ew 300 G3 series enhances control with integrated mute functions and remote
control over Ethernet. The ew 500 G3 series delivers with Sennheiser’s top-of-the-line mic capsules
and lavalier elements, for the best possible audio quality.
EW 100 G3
EW 300
Switching bandwidth
42 MHz
Tunable frequencies
1,680
Synchronization
Infrared
Noise Reduction
HDX
G3 EW 500 G3
30 mW
selectable 10 / 30 mW
Frequency Banks
20 Preset (intermod free)
1 User Programmable
20 Preset (intermod free)
6 User Programmable
12
24
32
Mic capsules (handheld)
e 800 series
e 900 series
Mic elements (lavalier)
ME 2 / ME 4
MKE 2 Gold
Audio Control (handheld)
-
Mute button on body
-
Audio Control (bodypack)
-
Optional RMS 1
-
Receiver Display
Small / 1 color
Networkable (remote
monitoring, media control)
Squelch
Large / 2-color
Ethernet / RJ45
Adjustable in 3 levels
(low/medium/high)
EW 300 G3
G3 EW 500 G3
Handheld Systems
ew 135 G3
ew 145 G3
ew 165 G3
ew 335 G3
ew 345 G3
ew 365 G3
ew 500-935 G3
ew 500-945 G3
ew 500-965 G3
Lavalier Systems
ew 112 G3
ew 122 G3
ew 312 G3
ew 322 G3
ew 512 G3
Headmic Systems
ew 152 G3
ew 352 G3
-
Instrument Systems
ew 172 G3
-
ew 572 G3
ew 112P G3
ew 122P G3
ew 135P G3
ew 100 ENG G3
-
-
-
ew 300 IEM G3
ew 300 2-IEM G3
-
Portable / Camera Systems
Accessorizing a Wireless System
Sennheiser offers many useful accessories for evolution wireless G3 to help expand the functionality of
the system. A few common accessories include:
GA3 Rack Adapter
For convenient side-by-side mounting of up to two fixed EM receivers,
SR transmitters, ASA1 splitters or AC3 combiners in a standard 19”
rack. Included with ew 300 G3 and ew 500 G3 systems, available
separately for ew 100 G3 systems.
Adjustable in 2dB steps
One of the most important considerations in selecting the right wireless series for an application is
the number of channels required. G3 systems offer 20 “Banks” of coordinated frequency presets,
known as “Channels.” For reliable operation, all systems in a given frequency range should be set to
the same Bank, each to a unique available Channel. The number of Channels per Bank increases with
the series, up to 32 per bank in ew 500 G3. Larger multi-channel systems will be easier to set up and
coordinate with the more advanced series, like ew 500 G3.
One of the more powerful features found in ew 300 and ew 500 G3 systems is an Ethernet RJ 45
port, which allows users to remotely program and monitor their systems using Sennheiser’s Wireless
Systems Manager software, on either a Mac or PC. When interconnected with an Ethernet switch, ew
300 and 500 series systems can also perform a networked Easy Setup, distributing the results of a
common scan to all connected receivers - resulting in faster setup and coordination.
EVOLUTION WIRELESS SYSTEMS
EW 100 G3
Monitoring Systems
RF output power
Channels per Bank
Sennheiser offers a wide range of evolution wireless G3 systems to cover almost any wireless
application, from wireless instruments to personal monitoring to portable ENG systems. G3 systems
are sold in sets, containing a matched transmitter and receiver, including:
AM2 Front Mount Antenna Kit
For use with a rack-mounted G3 receiver, transmitter, splitter or
combiner, the AM2 extends a pair of antenna rods to the half-rack
front panel included in the GA3 rack-mounting kit. Front-mounting
antenna rods can enhance system performance, when compared to
antennas “buried” inside the rack.
RMS 1 Remote Mute Switch
For use exclusively with the SK 300 G3, the RMS 1 is a programmable
remote mute switch which performs specialty applications such as
press-to-talk or press-to-mute.
22 23
TRULY
YOURS
MK 4 Studio Microphone
A large-diaphragm true condenser microphone for professional studio
recordings. Featuring fine resolution and outstanding sound quality,
the MK 4 is easy to handle and excellent value for money, making it
an ideal choice for professional project studios and home recordists.
Features
Large-diaphragm capsule (1“) / True condenser design
24-carat gold-plated diaphragm
Full metal housing
Capsule shock-mounted internally to minimise structure-borne noise
Low inherent self-noise and high maximum SPL
Optional MKS 4 Shockmount
Transducer principle
Diaphragm diameter
Pick-up pattern
Frequency response
Sensitivity
Maximum sound pressure level
Equivalent noise level
Dynamic range
Power supply Current consumption
Diameter
Length
Weight
Externally polarised condenser microphone
25.4 mm (1")
Cardioid
20-20,000 Hz
25 mV/Pa
140 dB
10 dB(A) / 20 dB(CCIR)
130 dB
48 V phantom power (P48)
3.1 mA
57 mm (maximum)
160 mm
485 g
MKS 4 Shockmount
MKW 4 Foam windscreen
Sennheiser MUSIC INDUSTRY
24 25
THERIGHT
MIC
EVOLUTION MICROPHONES
Sennheiser presents a complete
range of microphones covering vocal, instrument and backline. Sennheiser evolution wired microphones
feature a 10-year warranty, robust construction, full-metal body, minimum handling noise, amazing SPL and
outstanding feedback rejection.
Sennheiser MUSIC INDUSTRY
26 27
Series
900
965
A hand-held vocal microphone with a true condenser capsule in
large-diaphragm technology. It combines the best available features of
a stage microphone with Sennheiser’s pioneering experience in the field
of acoustics. Able to cut through high on-stage levels the 965 is the
flagship model of the award-winning evolution 900 Series. Switchable
pick-up pattern (cardioid/super-cardioid).
Frequency response: 40-20,000 Hz
Nominal impedance: 50 Ω
945
A top-class super-cardioid vocal microphone for professional use.
The 945 easily cuts through the mix and provides exceptional presence.
Precise, full sound is matched with high insensitivity to feedback and
handling noise. Rugged design with shock-mount
capsule and hum compen­sating coil.
Frequency response: 40-18,000 Hz
Nominal impedance: 350 Ω
935
A cardioid vocal microphone developed to cut through high stage levels.
Highly insensitive to feedback and handling noise, the 935’s durable
design will take all the inevitable knocks on stage. A hum compensating
coil reduces electromagnetic interference.
Frequency response: 40-18,000 Hz
Nominal impedance: 350 Ω
902
The frequency response of the 902 has been optimised for very low
frequencies, making this cardioid dynamic microphone an ideal choice for
kick drums, bass guitar amps, tuba and other low-frequency instruments.
Very fast attack.
Frequency response: 20-18,000 Hz
Nominal impedance: 350 Ω
904
A cardioid dynamic micro­phone for drums (especially toms and snare drums)
and percussion. Its very compact design allows a positioning very close to the
drum skin. With clip for attaching to the drum rim.
Frequency response: 40-18,000 Hz
Nominal impedance: 350 Ω
906
The super-cardioid 906 is designed specially for guitar amps but is also
excellent for drums, percussion and brass instruments. It features three
adjustable sound characteristics (bright, normal, smooth).
Frequency response: 40-18,000 Hz
Nominal impedance: 350 Ω
901
A ‘semi’-cardioid condenser boundary microphone, ideal for miking kick
drums. It features an integral phantom power adapter and a highly
robust, step-resistant housing.
Frequency response: 20-20,000 Hz
Nominal impedance: < 100 Ω
EVOLUTION MICROPHONES
28 29
Series
Series
900
800
908
The four versions of this cardioid condenser microphone guarantee optimum
miking solutions and exceptionally vivid, clear sound. The 908 B is designed
for brass instruments, but its multifunctional bell clip also makes it particularly
suitable for drums with suspension system or congas. Complete with phantom
power adapter.
Variants:
908 B ew: for use in combination with evolution wireless
bodypack transmitters
908 T ew: ideal for trumpets, flugelhorns and trombones
908 D: specially developed for drums and percussion
Frequency response: 40-20,000 Hz
Nominal impedance: 100 Ω (at the phantom power adapter)
835 / 835-S (With switch)
High-quality vocal microphone. Cardioid pick-up pattern for good feedback
rejection and uniform on and off-axis response. Also available as 835 S with
noiseless on/off switch.
Frequency response: 40-16,000 Hz
Nominal impedance: 350 Ω
845 / 845-S (With switch)
High performance super-cardioid vocal microphone with exceptional feedback
rejection. Ensures vocal projection through high on-stage sound levels. Also
available as 845 S with noiseless on/off switch.
Frequency response: 40-16,000 Hz
Nominal impedance: 350 Ω
MZA 900 P/MZA 900 P-4
Phantom powered pre-amplifier.
865 / 865-S (With switch)
The highlight of evolution 800 Series stage microphones. Rugged condenser
mic that cuts easily through high on-stage levels. Full, precise sound, especially
in the treble. Also available as 865 S with noiseless on/off switch.
914
Frequency response: 40-16,000 Hz
Nominal impedance: 350 Ω
A condenser microphone designed for ambitious recordings and live
performances. It is ideal for cymbals, hi-hats, overhead miking, choirs,
and orchestras. The 914 is fitted with a three-position sensitivity
switch and a three-position bass roll-off/cut-off switch.
Frequency response: 20-20,000 Hz
Nominal impedance: 100 Ω
EVOLUTION MICROPHONES
30 31
THE CLASSICS
Series
600
Renowned for decades, Sennheiser’s line of classic dynamic
microphones has been updated with the complete re-engineering of the famous MD 421.
602 II
Dedicated mic for bass instruments. Delivers very low bass response (down to
20 Hz) and fast transient signals. No corrective EQing necessary, even on the
most problematic bass signal sources.
Frequency response: 20-16,000 Hz
Nominal impedance: 350 Ω
604
Robust mic for close-miking drums, brass and woodwind instruments, capable
of handling very high sound pressure levels in excess of 160 dB. Delivered with
drum clip for attachment to rim of drum.
Frequency response: 40-18,000 Hz
Nominal impedance: 350 Ω
608
Very small dynamic microphone, full-size sound quality. Newly developed clamp
and gooseneck mounting for positioning the mic close to the sound source.
Frequency response: 40-16,000 Hz
Nominal impedance: 250 Ω
609 Silver
MD 421 II
The MD 421 II continues the tradition of the MD 421, which has
been one of Sennheiser‘s most popular dynamic mics for over
35 years. The large diaphragm, dynamic element handles high
sound pressure levels, making it a natural for recording guitars and
drums. The MD 421‘s full-bodied cardioid pattern and five-position
bass control make it an excellent choice for most instruments, as
well as group vocals or radio broadcast announcers. One listen and
you‘ll know why it‘s a classic.
Frequency response: 30-17,000 Hz
Nominal impedance: 200 Ω
MD 431 II
Sennheiser’s best dynamic mic for live vocals just got better.
The super-cardioid MD 431 II has a custom-tailored frequency
response to achieve added transparency. A nearly frequencyindependent polar pattern offers incredibly high gain before
feedback and provides uncoloured off-axis response. Its new
rugged housing has a steel-mesh grille, a shock-suspended
capsule, and a hum-bucking coil. It features a noiseless, magnetic
reed on/off switch which is recessed in its handle, and internal
electronics for refining proximity effect.
Frequency response: 40-16,000 Hz
Rugged super-cardioid microphone for guitar and bass amplifiers,
able to handle extreme sound pressure levels.
Frequency response: 40-15,000 Hz
Nominal impedance: 350 Ω
614
A pre-polarized condenser instrument microphone with super-cardioid pick-up
pattern. Designed for demanding applications, which require a wide frequency
response, high SPL, fast transient response and a compact design.
MD 441
The MD 441 is acknowledged as the most accurate and versatile
dynamic mic available. It has a nearly textbook perfect supercardioid pattern, a five-position low frequency contour switch, a
two-position high frequency switch, a critically damped internal
shock suspension, and a hum bucking coil. Perfect for vocals and
virtually every instrument.
Frequency response: 30-20,000 Hz
Frequency response: 40-20,000 Hz
Nominal impedance: 50 Ω
EVOLUTION MICROPHONES • THE CLASSICS
32 33
Broadcast/​ENG/​Film microphones
K6P
ME67
The K6P powering module is at the heart of Sennheiser’s professional
modular condenser microphone system. It is similar to the K6 powering
module but is powered by 12 – 48 V phantom power only, for use where
battery power is not required (e.g. permanent installations).
The K6P can be combined with various microphone heads to produce
microphones with a variety of pick-up patterns.
Matt black, anodised, scratch-resistant finish.
Back-Electret Microphone Head The ME 67 is a long gun microphone
head designed for use with the K6 and K6P powering modules.
A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source.
Matt black, anodised, scratch-resistant finish.
K6 - K6CL
The K6 powering module is the heart of this Sennheiser professional modular
microphone system and can be powered either by its internal ‘AA’ size 1.5 V
battery or by 12 - 48 V phantom power. The K6 can be combined with different condenser microphone heads to provide a wide variety of polar patterns.
Matt black, anodised scratch-resistant finish.
KCL as K6 but with lower output and basic packaging (-14db)
Rugged, compact and versatile for great video sound:
The MKE 400 is a small shot gun microphone for cameras with
a lighting shoe mount and external microphone input.
ME62
MKE 600
Back-Electret Microphone Head. Suitable for K6 and K6P Powering Modules
The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of ‘room’ ambience
and ‘spaced omni’ stereo recording.
Matt black, anodised, scratch-resistant finish.
The MKE 600 is a camcorder microphone that can master even the
toughest video sound challenges. Its high level of directivity ensures that it picks up sound from the camera direction while reliably
attenuating unwanted sound coming from the sides and rear.
ME64
MKE 44-p
Back-Electret Microphone Head Suitable for K6 and K6P Powering Modules
The ME 64 is a cardioid microphone head designed for use with the K6 and
K6P powering modules. It has a very wide range of applications including
reporting, interviews, dubbing, live sound reinforcement and recording
applications. Matt black, anodised, scratch-resistant finish.
The MKE 44P is a back-electret pre-polarized condenser microphone
with two cardioid microphone capsules set at 90 degrees for XY
stereo applications.
ME65
Back-Electret Microphone Head Suitable for K6 and K6P Powering Modules
The ME 65 is a super-cardioid microphone head designed for use with
the K6 and K6P powering modules. It is especially suited to vocal and speech
applications. Matt black, anodised, scratch-resistant finish.
Broadcast/​ENG/​Film microphones
MKE 400
MD 21U
The MD 21 U can be used for both speech broadcasting (interviews,
report- ing, discussions, etc.) and music broadcasting (boom and
room mics). Colour: black.
34 35
AccesSories Wired/ Wireless
ASA 1 / ASA 1 - 1G8 Antenna splitter
AB 3 / AB 3 - 1G8 Antenna booster
Mic Capsules
MMD 835/935
Mic Capsules
MMD 845/945
Mic Capsules
MME 865/ MMK 965
AC 3 Transmitter combiner
AM 2 Antenna front mount
BA 2015
Rechargeable battery pack
LA 2
Charging adapter for SKM used with L 2015
L 2015 Charging unit
CC 3 System case
KEN 2 Colour-coded identification rings
for handheld transmitter
BPP 1 Bodypack pouch
HHP 1
Pouch for handheld transmitter
A 5000 CP
Passive, circular polarization antenna
A 1031-U
Passive omnidirectional UHF antenna
You Know You Can
Control Everything
Wireless Systems Manager
A12-AD Active directional antenna
ASP 113
Passive antenna splitter 1 into 3
ACCESSORIES WIRED / WIRELESS
AD 1800 Passive directional antenna
ASP 114
Passive antenna splitter 1 into 4
A 2003 Passive directional UHF antenna
ASP 212
Passive antenna splitter 2x1 into 2
CL 1 Instrument cable
WSM enables real-time monitoring and remote control of all relevant equipment
parameters during live operation. Using the WSM PC software you can:
n
display and monitor the connected equipment
n
configure the connected equipment
n
conduct a frequency preset scan
n
control combined systems and multichannel systems
n
access updates at www.sennheiserusa.com
CL 2 Line cable
36 37
AccesSories Wired/ Wireless
MZH 908 B Microphone horn clamp
MZH 908 D Drum horn clamp
MZQ 441 for MD 441
Flexible quick release stand adapter clip
MZQ 200 Stand adapter clip for K6 systems
GZL A10 Antenna cable
MZQ 800 Universal stand adapter clip
Microphone clamp for the MD 42, MD 46,
e 815, e816, e 817, e 825, e 835, e 840, e 845,
e 855, e 865, e 903, e 935, e 945 & e 914.
MZQ 600 for MKE 600 Microphone clamp
incl. wing screw to 3/8” and 5/8” thread
MZS 600 for MKE 600
Shock mount incl. lighting shoe mount
RMS 1 Remote mute switch
MZA 14p48 Battery power supply
MZS6 Shockmount for K6 systems incl.
lightning shoe
MZQ 100
Microphone clamp and quick release clamp
for the e 606, e 609, e 614 and e 906
MZQ 1 Microphone clamp for SKM 100,
SKM 300 and SKM 500
MZT 14 Mounting bolt
KA 600
Coiled connecting cable from an XLR-3
connector to a 3.5 mm jack plug
MZQ6 Video llightining mount adapter
for K6 systems.
GA 3 Rack mount
CA 2 Camera adapter
MZA 900-P Phantom power adaptor
NT 3-1 Mains unit for AC 3
NT 2-3 Mains unit for EM 500 G3
NT 1-1 Mains unit for ASA 1 and L 2015
POP 1 Protective pouch with belt clip
DC 2 Power adapter
MZT 100 Solid metal table stand
ACCESSORIES WIRED / WIRELESS
GZL 1019 A5
Antenna cable with 50 ohms impedance
MZH 604 Improved L-shaped drum clamp
MZSK6
Video lightning adapter for K6 systems.
MZQ 2002-1 Cable clip
38 39
AccesSories Wired / Wireless
MZ64 Foam windshield for ME 62/64
MZ64 PRO
Velourised windshield for ME 62 / 64
MZ66 Foam Windshield ME 66
MZ66 PRO
Velourised Foam Windshield for ME 66
MZW 36 B Velourised windshield for ME 36
EVOLUTION WIRELESS SYSTEMS
MZW 65 PRO
Velourised windshield for ME 65
MZW 4032 Foam windscreen
Designed for use with the MD 42, MD 46,
MD 425, the MD 431 II and all e 800 Series
microphones. Delivery includes a set of
identification rings in five different colours.
MZW 441 Foam windscreen
Suitable for use with the MD 441
Available in Black, Blue and White
MZW 421 Foam windscreen
Suitable for use with the MD 21 and MD 421.
MZ67 PRO Foam Windshield ME 66
MZW 400 for MKE 400
Professional Accessory Set, includes hairy
cover and 3.5 mm jack socket to XLR
MZH 600 for MKE 600
Foam windshield and hairy cover
MZW 600 for MKE 600
Foam windshield that reduces wind noise
by around 25 dB
MZW 1 Windshield
MZW 40 Foam windshield made from
open-cell foam and providing exceptionally
good rejection of wind and pop noise.
Fits the MD 421 and the MD 441.
MZW 48 F Foam windshield for the e 608.
MZP 40 Popshield for close vocal applications
40 41
ME 34
High sound quality and low equivalent noise level are the features of
this cardioid microphone head. The durable, matte black or Nextel® metal
housing has a special anti-reflection coating.
Frequency response: 40–20,000 Hz
Available in black, white and nextel
ME 35
Gooseneck Microphones
Sennheiser’s Installed Sound product line consists of three versatile backprepolarized
condenser microphone heads, which can be combined with various goosenecks,
ceiling and table mounts. They are suitable for a wide range of applications,
including conferences, public addresses, studios, broadcasts, houses of worhsip, and
television productions.
Similar to ME 34, however, this microphone has a super-cardioid pick-up
pattern for greater rejection of ambient sounds.
Frequency response: 50–20,000 Hz
Available in black, white and nextel
ME 36
The ME 36 microphone head features a super-cardioid/lobar pick-up pattern
with excellent directivity and maximum rejection of unwanted sounds.
Its superior sound quality and high gain before feedback is matched by a
low equivalent noise level. The durable, matte black or Nextel® metal housing
has a special anti-reflection coating.
ME 36 / MZH 3042 / MZTX 31 PTT
Frequency response: 40–20,000 Hz
Available in black, white and nextel
Modular gooseneck microphone in
super-cardioid/lobar directivity, streamlined
40 cm gooseneck on a solid table stand.
MEG 14-40 B
Gooseneck microphone with integrated condenser microphone capsule with
cardioid characteristic.
Connection: XLR 3, Length: 450 mm
MEG 14-40-L B
Gooseneck microphone with integrated condenser microphone capsule with
cardioid characteristic with integradel LED light ring.
MZH 3015 / MZH 3015-L
Metal gooseneck for use with the ME 34, 35 and 36 microphone heads. The
durable matte black, white or Nextel® grey gooseneck is fitted with
a balanced, floating XLR-3 output, enabling the microphone to work with
12–48 V phantom power. Also available as MZH 3015 L in matte black finish
with red LED ring and XLR-5 connector.
Connection: XLR 3 / XLR 5
Length: 150 mm
Connection: XLR 5, Length: 450 mm
GOOSENECK MICROPHONES
42 43
Gooseneck microphones
MZH 3040 / MZH 3040-L
MZFS 60 / MZFS 80
Metal gooseneck for use with ME 34, ME 35 and ME 36 microphone heads.
The durable matte black or Nextel® gooseneck is fitted with a balanced,
floating XLR-3 output, enabling the microphone to work with from 12–48 V
phantom power. Also available as MZH 3040 L in black finish with red LED
ring and XLR-5 connector.
Floor stands for MZH 3015, MHZ 3040 and MZH 3042 goosenecks.
Available heights: 60 and 80 cm. Available in matte black or Nextel®
finish in 60 and 80 cm height. Can be converted to wireless operation
using a SKP plug-on transmitter with phantom powering.
Available in matte black or Nextel® finish.
Connection: XLR 3 / XLR 5
Length: 400 mm
MZS 31
MZH 3042 / MZH 3042-L
Shock-mount for MZH goosenecks.
Metal use with gooseneck with two flexible sections for ME 34, ME 35 and
ME 36 microphone heads. The durable matte black or Nextel® gooseneck
is fitted with a balanced, floating XLR-3 output, enabling the microphone
to work with 12–48 V phantom power. Also available as MZH 3042-L
in black finish with red LED ring and XLR-5 connector.
Connection: XLR 3 / XLR 5
Length: 400 mm
MZC 30
Connecting cable XLR-3M to special coax socket (ME 34, 35, 36) for
ceiling-mounting. Available in black and white.
MZH 3062 / MZH 3062-L
Metal gooseneck with two flexible sections for ME 34, ME 35 and ME 36
microphone heads. The durable matte black or Nextel® gooseneck
is fitted with a balanced, floating XLR-3 output, enabling the microphone
to be powered from 12–48 V phantom power.
Connection: XLR 3 / XLR 5
Length: 600 mm
MZH 30
Metal ceiling mount to adjust mic heads ME 34, 35 and 36.
Available in black and white.
MZH 3072 / MZH 3072-L
MZTX 31 / MZTX 31 PTT
Metal gooseneck with two flexible sections for ME 34, ME 35 and ME 36
microphone heads. The durable matte black or Nextel® gooseneck is fi tted
with a balanced, floating XLR-3 output, enabling the microphone to be
powered from 12–48 V phantom power.
Table stands with XLR-3 connector. The MZTX 31 PTT is fitted with
a microphone button that can be switched between mic on/off and
push-to-talk operation. The stands can be converted to wireless operation
using a SKP plug-on transmitter that provides phantom powering.
It‘s available in matte black or Nextel® finish.
Connection: XLR 3 / XLR 5
Length: 700 mm
GOOSENECK MICROPHONES
44 45
YOUR SOUND IS
professional
DJ and STUDIO headphones
Sennheiser’s professional,
DJ and studio headphones provide effective shielding from all ambient noise and outstanding monitoring
characteristics. They are extremely robust and resilient – perfect for clubs and studios.
Sennheiser MUSIC INDUSTRY
46 47
DJ & STUDIO HEADPHONES
HD 201
HD 25 1-II
The entry-level model for a sophisticated sound experience brings out its
bass-driven sound through passive attenuation.
The closed-back HD 25-1 IIs are purpose designed, professional monitoring
headphones offering high attenuation of background noise. Capable of handling
very high sound pressure levels and of extremely robust construction, these
headphones perform exceptionally well in high-noise environments, e.g. ENG, sound
reinforcement, studio monitoring and audio equipment testing. The capsule is
rotatable for one-ear listening. Ideal monitoring headphones for cameramen and DJs.
Closed construction
Frequency response: 21-18,000 Hz
Max. SPL (at 1 kHz): 108 dB
HD 203
The HD 203 studio stereo headphones are the ideal partner for home
recording. The rugged lightweight headphones have a secure fit that
blocks out ambient noise and keeps your music and monitoring cues from
leaking out to adjacent microphones or other people. This headphone is
versatile enough for use with portable audio devices like MP3 players but
also the latest audio interfaces and home recording gear.
Punchy bass and precise trebles
Frequency response: 18-18,000 Hz
Max. SPL (at 1 kHz): 115 dB
HD 205 II
The HD 205-II provides studio-grade detail and frequency response
coupled with brilliant shielding of ambient noise. The rotatable ear cup
as well as the single-sided cable make them a professional companion
for DJ‘s and home recording. The HD 205-II comes with a convenient
protective pouch and locking 1/4“ adapter.
Rotatable earpiece for DJ use
Frequency response: 14-20,000 Hz
Max. SPL (at 1 kHz): 112 dB
HD 215-II
Enjoy excellent sound: The HD 215-II has both outstanding sound
characteristics and excellent attenuation of ambient noise. The rotatable
ear cup for one-ear listening and the single-sided coiled cable make them
ideal for DJ monitoring. The HD 215-II comes with a convenient protective
pouch for storage and transportation.
Excellent stereo sound
Outstanding wearing comfort for long listening sessions
Extremely rugged
Single-sided coiled cable, detachable
Comfortable headband and ear pads
DJ & STUDIO HEADPHONES
HD25 1-II Dual headband,1.5m straight cable, right angled jack plug
HD25 1-II Basic Edition as HD25 1-II with reduced accessory pack*
HD25 II as HD25 1-II with 2m straight cable, straight jack plug*
HD25 C-II as HD25 1-II with 3m coiled cable, straight jack plug*
HD25SP as HD25 1-II with Single headband, 3m straight cable, straight jack plug*
*Please note that the technical specifications between models do vary.
HD 25 SP
The HD 25-SP II are closed dynamic headphones for monitoring, recording and
outdoor applications. They are a lower-cost alternative to the HD 25 II, featuring a
simpler headband and a slightly different capsule design.
HD 25 C-II
The closed-back HD 25-1 IIs are purpose-designed, professional monitoring
headphones offering high attenuation of background noise. Capable of
handling very high sound pressure levels and of extremely robust construction,
these headphones perform exceptionally well in high-noise environments,
e.g. ENG, sound reinforcement, studio monitoring and audio equipment testing.
The capsule is rotatable for one-ear listening. Ideal monitoring headphones
for cameramen and DJs.
HD 25 Aluminium
Take Sennheiser’s passion for quality and legendary sound experience to the
streets with the redefined Amperior headphones with aluminium ear cups.
Based on the renowned DJ headphones HD 25, these closed-back, supraaural
dynamic headphones deliver not only a balanced audio reproduction, but
also, warm mids and deep powerful bass. Equipped with neodymium ferrous
magnet systems and lightweight aluminium voice coils, they are capable of
handling very high sound pressure levels.
48 49
DJ & STUDIO HEADPHONES
HD 280 Pro
The HD 280 Pro is Sennheiser‘s most significant closed, around-the-ear headphone
to be introduced in years. Designed to exceed the demands of the professional
environment, the HD 280 Pro boasts extremely robust construction combined
with the sound quality, modular design and aggressive noise isolation the necessary
in the field. The unique collapsible design, combined with swivelling ear cups,
offers maximum flexibility in any application.
True-to-detail linear reproduction
Frequency response: 8-25,000 Hz
Max. SPL (at 1 kHz): 102 dB
HD 280 Silver
The HD 280 silver is a closed-back, circumaural headphone designed for professional
monitoring applications. Although suitable for a very wide range of applications,
the exceptional 32 dB attenuation of external noise makes the HD 280 silver
particularly suitable for use in a high-noise environment.
HD 280-13
HD 439
For a combination of street style and prowess, the HD 439 closed-back stereo
headphones are the choice. These headphones offer you the world of audio with
a bold and revolutionary design, including a chrome inner lining and black mesh
turbines. Delight in an enhanced and outstanding bass performance. Featuring
two detachable single-sided cables, you will be able to find the cable length that
distinguishes you apart from others. Make a firm statement with the HD 439 and
feel thedifference.
HD 600
The HD 600 Avantgarde are audiophile-quality, open dynamic professional
stereo headphones. The advanced diaphragm design eliminates standing
waves in the diaphragm material. These headphones are an ideal choice
for the professional recording engineer recording classical music.
Sophisticated design, elegantly finished in black and grey
Computer-optimised magnet systems minimise harmonic and
intermodulation distortion
Extremely lightweight aluminium voice coils ensure excellent transient
response
Neodymium ferrous magnet systems for optimum sensitivity and a wide
dynamic range
Detachable OFC copper cable, Kevlar-reinforced, with very low handling noise
Frequency response: 12-39.000 Hz
Sound pressure level (SPL): 97dB @ 1mW
Same as HD280PRO, but with 300 Ohm impedance
HD 380 Pro
The HD 380 Pro professional monitoring headphone is designed to exceed the demands
of the professional environment. The HD 380 Pro provides an extended frequency
response with increased sound pressure level (up to 110 dB) for accurate sound
reproduction in demanding applications. Not only that, but the lightweight, secure and
rugged design offers a comfortable listening experience for long recording sessions.
With carrying bag
Frequency response: 8-27,000 Hz
Max. SPL (at 1 kHz): 110 dB
IE 4
Earphones for Wireless Monitor applications. The IE 4 reproduces an outstanding
sound quality and high dynamic. It is equipped with exchangeable ear sleeves,
which gives an optimum fit to different ear cannels. The results are high isolation
against environmental noise as well as a very good bass response.
IE 60
With dynamic drivers and powerful neodymium magnets, the IE 60 ear-canal phones
deliver not only high-fidelity sound but also, outstanding bass response and noiseisolation. Created in a durable housing with tough cabling, the IE 60 is designed for
robustness. Quality construction complete with a protective case, cleaning tool and
various ear adaptor sets, the IE 60 redefines your imagination of sound.
HD 407
With their powerful sound and crisp bass, the HD 407 open dynamic hi-fi stereo
headphones are an ideal choice for modern music such as rock and pop. The
lightweight headphones are the perfect partner for mobile audio sources such as
MP3, MiniDisc & CD players and for use with home mini hi-fi systems. When out
and about, a convenient cord take-up lets you adjust the headphone cable to the
required length.
DJ & STUDIO HEADPHONES
CX 280
For high quality sound while on-the-move, put on the CX 280 ear canal phones.
You will enjoy clear and detailed sound, thanks to their high performance dynamic
speaker systems. The wide array of ear adapters (S/M/L sizes) allows for a
personalised fit as well as excellent passive attenuation of ambient noise.
50 51
Sennheiser Belux BVBA
Doornveld 22, 1731 Asse-Zellik
Tel +32(0)2 466 44 10
Fax +32(0)2 466 49 20
E-mail: info@sennheiser.be
www.sennheiser.be
2013/245/422200/6860/100 - July 2013
Sennheiser Nederland BV
Jool Hulstraat 16, 1327 HA Almere
Tel +31(0)36 53 58 444
Fax +31(0)36 53 58 499
E-mail: info@sennheiser.nl
www.sennheiser.nl
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