# 7a In-Ear Monitors 620-629
SAMSON
620
PERSONAL MONITORS
UHF EARAMP
Wireless Personal Monitoring System
The UHF EarAmp brings professional in-earmonitoring to a wide range of users. Offering
superlative audio quality and extensive control,
the EarAmp system includes individual volume
and balance controls for the best possible mix,
and separate bass and treble controls to finetune the signal and a limiter control to set
the audio level and protect your ears.
Ideal for keyboard players, drummers and
other more stationary performers who
want the advantages implicit in personal
monitoring, the EarAmp can be operated
in stereo mode with all controls operating as labeled, or in the Mix mode with two independent mono signals with the balance
control adjusting the relative volume of source 1 to source 2. In Mix mode, the mixed signal is presented to the headphones in
mono. Also includes a 15 dB pad control to attenuates “hot” inputs, a headphone jack and all required cabling.
By eliminating the need for loud onstage “wedge” monitors, the EarAmp allows you to hear yourself better, greatly reduces
feedback problems, and makes the overall sound coming from the stage significantly cleaner.
EarAmp is one of the most unique audio
products to ever come to the stage. The
system brings unparalled control and
mobility to stage monitoring. Wedge
monitors require a separate mixer and
engineer. With EarAmp, artists can hear
themselves better and fine-tune their
mixes on the spot.
Overall stage volume and ambient noise
are greatly reduced, eliminating feedback
problems and promoting a cleaner
front-of-house mix. EarAmp delivers a
true stereo mix with discrete L/R
replacement of channels. The resulting
sound is more intelligible so performers
can focus on the show—with a sense of
intimacy never before possible. The ideal
environment for performing.
EarAmp uses state-of-the-art PLL
synthesized technology to optimize the
desired signal while filtering out spurious
emissions and noise. This highly developed circuitry ensures stable performance
and reliability. Unparalled frequency
agility allows each user to instantly select
from over 128 channels, for flexibility
with unquestioned performance—even
in the most RF-hostile environments.
PHOTO - VIDEO - PRO AUDIO
Diversity Wireless Monitor System
EarAmp’s freedom of movement and reliability come in part from its diversity design. If you
already use a wireless mic or instrument system you know that diversity reception is essential for
ensuring signal reliability.
With its microprocessor controlled diversity design, UHF EarAmp’s range is maximized. The
user experiences fewer drop-outs, increased rejection of unwanted signals and crystal-clear
audio fidelity.
UHF EarAmp offers an extraordinary level of frequency and agility with 8 groups of 16 channels each—128 total. Frequencies can be selected by group and channel, or by direct selection in
25 kHz increments. And a single transmitter will broadcast to an unlimited number of receivers.
Wireless EarAmp Channel Selection Chart (U.S. Frequencies)
Channel
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Group 38
614.35
616.10
616.50
617.40
619.30
620.00
614.70
615.05
615.40
615.75
617.00
617.80
618.15
618.50
618.85
619.65
Group 39
620.35
622.10
622.50
623.40
625.30
626.00
620.70
621.05
621.40
621.75
623.00
623.80
624.15
624.50
624.85
625.65
For Any Inquiries Regarding Your Order, Call Our Customer Service:
(800) 221-5743 • (212) 239-7765 • FAX: (800) 947-2215 • (212) 239-7549
Group 40
626.35
628.10
628.50
629.40
631.30
632.00
626.70
627.05
627.40
627.75
629.00
629.80
630.15
630.50
630.85
631.65
Group 41
632.35
634.10
634.50
635.40
637.30
638.00
632.70
633.05
633.40
633.75
635.00
635.80
636.15
636.50
636.85
637.65
Group 42
638.35
640.10
640.50
641.40
643.30
644.00
638.70
639.05
639.40
639.75
641.00
641.80
642.15
642.50
642.85
643.65
Group 43
644.35
646.10
646.50
647.40
649.30
650.00
644.70
645.05
645.40
645.75
647.00
647.80
648.15
648.50
648.85
649.65
Group 44
650.35
652.10
652.50
653.40
655.30
656.00
650.70
651.05
651.40
651.75
653.00
653.80
654.15
654.50
654.85
655.65
Group 45
656.35
658.10
658.50
659.40
661.30
662.00
656.70
657.05
657.40
657.75
659.00
659.80
660.15
660.50
660.85
661.65
SAMSON
UHF EARAMP
Receiver
◆
◆
Frequency selection is fast and easy. An exclusive feature allows the
receiver to automatically reset to the correct frequency for precise
channel-matching at the flip of a switch and the push of a button.
The UHF EarAmp receiver runs for approximately 8 hours on a single 9v battery. An LED on the receiver alerts you to low battery levels.
774.1 to 864.5 MHz
Channels Available
182 in 13 groups, country dependent.
Direct frequency selection to nearest 25 kHz
RF Range:
Approximately 300´
System Modulation:
FM, Multiplex Stereo.
±50 kHz deviation of main carrier
Noise Reduction:
Samson compandor system
Audio Frequency Response:
40 Hz to 15 kHz
Audio Distortion:
S/N Ratio:
0.8% nominal
>80dB (>50uV at receiver, stereo or >15uV at receiver, mono)
Stereo Channel Separation:
40 dB nominal
TRANSMITTER
RF Output
10 mW ERP
Main Audio Inputs (L & R)
Connectors
Neutrik Combo (XLR or 1/4˝ phone) jacks
Impedance
40K Ohms, balanced or 20K Ohms, unbalanced
Attenuator
Switch selected, 0 or – 15 dB
Level
- 10 dBu nominal, + 11 dBu maximum (attenuator out)
+ 4 dBu nominal, + 25 dBu maximum (attenuator in)
Daisy-Chain Out (L & R)
Connectors
1/4˝ phone jacks
Electrical
Wired in parallel with main audio inputs
AUX Audio Inputs (L & R)
Transmitter
Connectors
1/4˝ phone jacks
UHF EarAmp’s transmitter features dual inputs for a choice of
stereo or an additional mono signal in the performer’s mix. The
level is independently adjustable for each input. A 5-segment LED
meter tracks the input level for optimum gain staging. In addition,
an easy to read backlit LCD displays the selected Group, Channel
and Frequency.
Impedance
40K Ohms, balanced or 20K Ohms, unbalanced
◆
Attenuator
Level
Limiter
Switch selected, 0 or –15 dB – dedicated to the AUX inputs
- 10 dBu nominal, + 11 dBu maximum (AUX attenuator out)
+ 4 dBu nominal, + 25 dBu maximum (AUX attenuator in)
Limits maximum modulation to comply with regulatory limits
Permits overdrive up to 20 dB with low distortion
Power
The transmitter provides monitor engineers with the flexibility they
need. Extensive input/output capabilities allow for inserting custom
sub-mixes, adding effect returns or daisy-chaining transmitters.
RECEIVER
◆
Neutrik Como (XLR or 1/4˝) inputs also provide for a range of signal
levels and sources. A switchable 15dB pad is provided on both the
main and auxiliary inputs.
Audio Output Power
◆
The transmitter is portable as well as rack mountable
Audio Output Limiter
Buds
Samson’s high-quality flesh-colored ear buds provide the perfect
match for UHF EarAmp’s performance, allowing a slight amount
of stage ambience into the mix. However, the system is universal
and allows for the performer’s choice of any standard third-party
earpiece for total freedom of choice.
12 VDC, 500 mA from supplied AC adapter
200mW/CH, 1% THD into 32Ω load, 9 VDC
120 mW / CH, 1% THD into 32 Ohm load, 7 VDC
70 mW / CH, 1% THD into 32 Ohm load, 6 VDC
Adjustable from >200 mW to <50 mW into 32Ω
Low Frequency EQ
±10 dB @ 150 Hz
High Frequency EQ
±10 dB @ 5000 Hz
Loudness Switch
Flat or Loudness contour, selectable with slide switch
Battery Requirement
7 VDC to 9 VDC for full spec operation up to
120 mW audio output. 6 VDC to 7 VDC for reduced spec operation.
9 V Alkaline or Alkaline Plus (Duracell MN1604 – Ultra is suggested)
Low Battery LED
Battery Life
Illuminates when voltage drops below 7 VDC
4 hours typical – volume level dependent
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
1-800-875-6951 • www.bhphotovideo.com
PHOTO - VIDEO - PRO AUDIO
621
◆
Independent Treble and Bass controls allow performers to achieve
their own personal in-ear mix. There’s even a Loudness switch for
enhanced articulation when the unit is operating at low levels.
Frequency Coverage
PERSONAL MONITORS
SYSTEM
The system operates in both Dual
Mono and Stereo modes. This gives
performers the choice to listen the
way they want. The unique Dual
Mono mode allows for blending of
two discrete input signals, which
are routed to both ears using the
balance control to mix them.
The dedicated volume control
adjusts the overall level to suit
the listener’s needs. A center
detent lets performers feel the setting
if changes are required during the
show. An adjustable Limiter manages signal levels, prevents overload and protects the listener’s ears from aggressive transients.
SHURE
Personal Monitors for Installed Sound
Since their introduction, Shure PSM systems have become known as the best wired/wireless monitors available for sound
quality, flexibility and affordability. What’s more, they are simple to use, conserve space on stage, and are easy to transport.
They deliver a full frequency range and great stereo separation. An impressive signal-to-noise ratio minimizes ear fatigue
while increasing fidelity. This allows performers to concentrate better on their performance because they can now hear their
mix more clearly at lower volumes. The audience will hear a better performance, too, because no wedges means no feedback
can occur when users (intentionally or unintentionally) alter the position of the floor monitors relative to the microphones,
and a cleaner mix for the room.
Unlike conventional floor monitors, Shure’s PSM systems function as a closed system. The mix is sent directly to the performer’s
ear, so there is no chance of the monitors coloring or competing with the front-of-house speakers. The difference in perceptible
sound quality is truly amazing. All PSM systems feature mono, stereo and MixMode operation. MixMode gives performers
greater control over their monitor mix by turning the receiver into a 2-channel mixer.
MIXMODE
622
PERSONAL MONITORS
PSM SERIES
In MixMode, the performer receives two discrete channels of audio, just like in stereo. The difference is that each channel is sent to
both the left and right earphone. The performer hears the two signals mixed together in each ear.
By adjusting the balance knob on the body-pack, performers can control the relative level of each signal, making one softer and the
other louder in both ears. For example, a performer may choose to have their vocals (or instruments) sent through one channel
and the rest of the band sent through the other. Using the balance knob on the receiver, the performer can determine exactly how
much of themselves they want to hear in the mix. Musicians, in particular, enjoy the flexibility of MixMode because it gives them
the ability to adjust their mix from one song to the next without having to signal the engineer at the soundboard. This means they
can have exactly the right balance for every song with a minimum of fuss and distraction. Other possible MixMode configurations:
◆
One channel is lead instruments and
the other is the rhythm section
◆
One channel is the bands monitor mix
and the other is crowd noise
◆
One channel is the musician’s mix and
the other is a click track
To meet the budget requirements for a wide range of installations, Shure offers
a full line of PSM systems in both wireless and hardwired configurations:
PSM 200
PSM 600
Affordable Monitoring Get In Ear From Here
Professional Wired and Wireless Systems
Affordable, full featured entry to personal monitoring.
Whether you're playing live or rehearing, you need to hear
yourself to be your best. The PSM 200 is for performers who
want to start out In Ear and stay there.
Wired and wireless personal monitoring for professional installations
and touring sound. The wireless PSM 600 system offers two-channel
selectable UHF operation with th ability to use up to 10 systems
simultaneously. A hardwired unit is also available for applications
where wireless mobility is not a consideration.
PSM 400
PSM 700
Versatile Systems for Working Musicians
Advanced Wireless Touring Gear
Clear, consistent monitor mixes. Every Day. Every Night.
This addition to the PSM family offers user-friendly
features such as LCD controls and a battery fuel gauge.
The wireless system is frequency agile with 16 UHF frequencies (8 compatible).
PHOTO - VIDEO - PRO AUDIO
EQUIPMENT LEASING AVAILABLE
Unsurpassed wireless personal monitoring for professional installations and touring sound. With two groups of 16 compatible UHF frequencies, the PSM 700 gives system engineers the power to create up
to 16 stereo mixes simultaneously - an important feature for larger
installations with many performers who want their own mix.
SHURE
PSM200
System Features
The PSM 200 makes the benefits of in ear monitoring accessible to a wide array of cost-conscious musicians and houses of worship with
exciting features including the built-in ability to upgrade the receiver from wired to wireless, a transmitter that is also a mixer, and a high
fidelity earphone. Wired or wireless systems feature integrated mix control with two mic/line XLR-1/4˝ combo input channels plus XLR
split outputs that connect signals to a mixing console or other device without affecting original settings. The frequency-agile wireless
transmitter features eight channels per system (up to four simultaneous compatible systems).
P2R Hybrid Receiver
P2T TransMixer
For those that can't initially afford wireless, the P2R Hybrid Receiver
protects their investment by allowing them to upgrade at a later date.
The hybrid receiver starts as a wired bodypack and with the addition of
the Transmixer, operates fully as a wireless receiver.
By combining frequency-agile wireless transmitter functionality and a
two-channel mixer, the P2T TransMixer offers you complete control of
the in ear mix right on the stage
◆A
frequency-agile transmitter with eight channels per system.
Dual-function receiver operating as a wired and wireless bodypack
◆
Up to four simultaneous compatible systems (country dependent).
◆
Volume control, and a built-in limiter that can't be defeated.
◆
A range of 100 m (300 ft.) under optimal conditions.
◆
LED indicators for power, RF signal strength, frequency, limiter, and
battery level.
◆
LED indicators for input level and frequency.
◆
Integrated cable management system keeps cables under control
◆
◆
A 1/4" line input jack for convenient, integrated line input to connect
monitor mixes, click tracks, or effects
◆
Up to 6 hours, volume dependent, on a standard 9V battery.
◆
Volume controls for mic/line inputs helps you create your own mix.
◆
Integrated mix control with two mic/line XLR-1/4˝ combo input
channels for personal control.
◆
XLR split outputs that connect signals to a mixing console or other
device without affecting original settings.
E2 Earphone
◆
In ear, high fidelity sound Isolation to help you keep what you hear on stage under your control Interchangeable flex and foam sleeves to give you
the perfect fit.
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
1-800-875-6951 • www.bhphotovideo.com
PHOTO - VIDEO - PRO AUDIO
623
The PSM200 is a frequency-agile, in-ear monitor
system for use in a wide variety of applications.
Its many features help overcome the difficulties
associated with stage monitoring:
The P2R Receiver is the world’s first bodypack
receiver to function as a wired receiver, a wireless
receiver, or both at the same time.
The P2T TransMixer is another breakthrough
design for in-ear monitoring. It allows you to
connect two mic or line-level inputs directly into
the transmitter. The two signals can then be mixed independently. You can connect microphones or instruments directly to
the inputs, use line outputs from a mixing console, or connect it to Shure’s Aux-Pander. No matter what the output device,
you can probably plug it into the P2T TransMixer.
The complete PSM200 System includes the E2 Earphones, which feature a dynamic driver that produces crisp, full-spectrum
sound. They include a variety of sleeve options to provide the best fit and isolation for your ears. The E2, like all Shure earphones,
work well with CD and MP3 players, and anything else with a 1/8˝ (3.5mm) stereo output.
PERSONAL MONITORS
Personal Monitor Systems
SHURE
624
PERSONAL MONITORS
PSM400
Versatile Personal Monitor Systems
The PSM 400 makes professional
quality, personal monitoring
Shown with optional P4M
available to more performers than
Personal Monitor Mixer
ever before. Designed for performers
who are tired of the limits of floor
wedges, the PSM400 offers hands-on
control and freedom to musicians
who have a limited budget for gear.
With a wide range of available
options - from complete wireless and
wired systems to individual components
- there is a PSM 400 that is right, rehearsal through performance, for almost anyone who performs live music.
The PSM400 offers a personal mix free of unwanted stage sounds; individual volume and balance controls; a freedom of
movement that releases performers from standing in only one spot on stage; and an ease of portability far greater than bulky
floor wedge monitors. Furthermore, the PSM series, when used properly, can aid performers in hearing conservation. These
many benefits are further enhanced by the P4M mixer, which brings complete control of the in-ear mix right to the stage.
Setting the standard for price and performance, PSM400 systems are available in both wired and wireless versions and
offer user-friendly features such as LCD controls and a battery fuel gauge. The wireless system is frequency agile with 16
UHF frequencies (8 compatible).
P4HW
P4R
P4T
Wired Bodypack Receiver
Wireless Bodypack Receiver
Wireless Transmitter
◆ Attached
input cable
◆
High-impact plastic chassis
◆
High-impact plastic chassis
◆
Frequency locator
◆
Operating controls include operating mode
(Stereo, Mono, MixMode), volume and
balance controls, defeatable limiter, highfrequency boost , -15 db Pad
◆
Operating controls include operating
mode (Stereo, Mono, MixMode), volume
and balance controls, defeatable limiter,
high-frequency boost, and frequency select
◆
Backlit LCD display shows battery life,
input levels and operating mode
◆
Backlit LCD display shows RF reception,
battery life, operating mode and frequency
PSM 400 SYSTEM CONFIGURATIONS
◆
Detachable front-mounted antenna
◆
1/2 rack space
P4MHWE1
P4TRE1
P4MTRE1
◆
Built-in audio limiter
Wired Personal Monitor System
with Onstage Mix Control
Wired Personal
Monitor System
Wired Personal Monitor System
with Onstage Mix Control
◆
P4M
Personal Monitor Mixer
P4T
Wireless Transmitter
P4M Personal Monitor Mixer
Controls include operating mode (Stereo,
Mono, MixMode), earphone volume and
frequency select
◆
P4HW
Wired Bodypack
P4R
Wireless Bodypack Receiver
4-segment input level and transmission
frequency LED indicators
◆
E1
Single-Driver Earphones
E1
Single-Driver Earphones
Two 1/4˝ TRS line level inputs; two 1/4˝
TRS loop outs and local earphone monitor
◆
External power supply
PHOTO - VIDEO - PRO AUDIO
P4T Wired Bodypack
P4R
Wireless Bodypack Receiver
E1 Single-Driver Earphones
www.bhphotovideo.com
SHURE
PSM400
E1 and E5 Earphones—In Ear Comfort and Clarity
E5 Dual-Driver Earphones
Transducer Type: Dual low mass/high energy
Sensitivity (at 1 kHz):
122dB SPL/mW
Impedance (at 1 kHz):
110 ohms
Output Connector:
Gold-plated stereo,
3.5 mm (1/8˝) phone plug
Cable Length:
61˝
625
E1 Single-Driver Earphones
Transducer Type:
low mass/high energy
Sensitivity (at 1 kHz):
113.5dB SPL/mW
Impedance (at 1 kHz):
29 ohms
Output Connector:
Gold-plated stereo,
3.5 mm (1/8˝) phone plug
Cable Length:
60˝
E5
Earphone Sleeves
Each choice provides comfort and isolation in a variety of sizes and materials for the right fit.
Reusable Plastic Flex Sleeves (5 pairs):
PA756S - Small ..15.90
PA756M - Medium ..15.90
PA756L - Large ..15.90
PA750 Cylindrical Foam Ear Sleeves (5 pairs)..31.83
PA755 Triple Flange Ear Sleeves (1 pair) ..........15.90
dbx IEM
In-Ear Monitor Processor with Digital Multi-band
Compressor/Limiter/Parametric EQ/PeakStop Limiter/Lexicon Reverb
A digital signal
processor specifically
designed for in-ear
monitor applications, the IEM is the ideal tool for fine-tuning mix monitoring for in-ear monitoring devices. Not only does the IEM provide the
legendary dbx effects in the digital domain, such as 4-band stereo compression, PeakStop limiting and 5-band parametric EQ, but
the IEM also includes stereo adjust, dbx proprietary Type IV conversion system, and for good measure, custom reverb algorithms
using industry-standard Lexicon technology.
◆
In addition to an intuitive user front panel which provides instant access to all effects at the push of a button, and a large custom display
which shows all operational information in a logical manner—all parameters and features can be controlled by the bundled software.
On-board IEM firmware is updateable via the web and the built-in RS-232 port.
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
1-800-875-6951 • www.bhphotovideo.com
PERSONAL MONITORS
E1
Unobtrusive, low mass/high energy earphones, the E1 and E5 are designed specifically for use with
Shure PSM systems and deliver the incredible sound and performance ear buds and other
headphones can’t. Don’t go In-Ear without them. The E1 and E5 earphones provide numerous
advantages over earbuds. Along with their high fidelity, full-bandwidth transducers, the natural
design of these stereo earphones allows them to rest comfortably in the ear canal, providing a tight
seal for sonic isolation and a snug fit. Sound quality and isolation are the two most important
things to consider when choosing an earphone. The E1 and E5 provide superior sound quality due
to their high fidelity, full-bandwidth transducer design. Virtually the same, the E5 is a special dualdriver earphone that delivers an extended frequency response resulting in truly incredible sound.
They have a universal 1/8˝ plug that connects to Shure’s PSM body pack receivers, as well as
many other personal audio applications, and they can be used with foam, flex or triple flange
accessory sleeves (provided).
PHOTO - VIDEO - PRO AUDIO
SHURE
626
PERSONAL MONITORS
PSM600
The PSM 600 features crystal-controlled analog operation.
Ten personal stereo mixes can be created using as many
wireless transmitters. Or, by using only PSM wireless
transmitter along with several PSM 600 wireless receivers,
bands using a single monitor mix can have a full
professional monitor system for a fraction of the usual cost.
For musicians who maintain a single position throughout
the performance (seated performers such as drummers
and keyboard players), PSM 600 wired body packs are the
perfect choice, allowing a direct patch from the sound board.
P6HW
Wired Bodypack Receiver
P4R
Wireless Bodypack Receiver
◆
Detachable input cable
◆
◆
Rugged metal chassis
◆
Frequency locator
◆
Controls include mode (stereo, mono,
MixMode), volume and balance, defeatable
limiter, high-frequency boost,-15 db Pad
◆
Controls include mode (stereo, mono,
MixMode), volume, balance, defeatable limiter, high-frequency boost, frequency select
◆
LEDs show peak input, battery life
◆
LEDs show RF reception, battery life
Rugged metal chassis
P4T Wireless Transmitter
1/2 rack space, built-in audio limiter
Remotable/combinable antennas
◆ Controls include input knob, mode (Stereo,
Mono, MixMode), frequency select
◆ 8-segment input level and transmission
frequency LED indicators
◆ Two 1/4˝ TRS line level outputs, earphone
monitor
◆
◆
PSM700
If you need more than 10 personal mixes but don’t want
to compromise wireless mobility, the PSM 700 is
synthesized, giving you greater frequency agility. Plus its
sound quality surpasses all other personal monitors on
the market. With 32 compatible UHF frequencies, the
PSM 700 gives system engineers the power to create up
to 16 stereo mixes simultaneously—perfect for larger
installations with many performers who want their
own mix.
◆
Frequency Locator Mode reduces set-up time
by allowing the installer to locate the optimal
frequencies using the receiver as a tool.
◆
◆
Dynamic Overload Control automatically
protects the system from distortion that can
occur when a performer gets too close to the
transmitter.
PSM 700 antenna combiners can be linked
into one dedicated combiner to minimize
the number of antennas used during the
performance.
PHOTO - VIDEO - PRO AUDIO
P7R
Wireless Bodypack Receiver
◆
1/2 rack space
◆
Rugged metal chassis
◆
Remotable/combinable antennas
◆
Frequency locator
◆
◆
Dynamic overload protection
◆
Controls include mode (stereo, mono,
MixMode), volume, balance, defeatable
limiter, high-frequency boost, channel
selector and group select switch
Controls include input knob, mode (stereo,
mono, MixMode), earphone volume,
channel selector and group select switch
◆
8-segment input level and frequency group
LED indicators
◆
Two 1/4˝ TRS/XLR combo line level inputs;
two 1/4˝ TRS loop outs, earphone monitor
◆
LEDs show RF reception, battery life
P7T Wireless Transmitter
SHURE
PSM SERIES AT A GLANCE
PSM 700
PSM600
PSM 400
PSM 200
32
2
16
8
Number of Compatible Channels
16
10
8
4
+6 dBV
@ 0.9% THD+N
+6 dBV
@ 0.9% THD+N
+3 dBV
@ 0.9% THD+N
Signal to Noise Ratio
78 dB
78 dB
80 dB
Stereo Separation
35 dB
35 dB
35 dB
Output Level
80 dB
WIRELESS TRANSMITTER
RF Output Power
100 mW
100 mW
50 mW
Front panel rotary switch
with slide switch
Front panel
rotary switch
Recessed,
momentary button
Stereo/Mono Selection Method
front panel switch
front panel switch
automatic
Input Level Control
Front panel knob
Front panel knob
None
Front panel knobs
Tri-color LEDs
Frequency Selection Method
Audio Metering
30 mW
8-LED string
4-LED string
1/4˝ and 1/8˝ jack
1/8˝ jack
Front or rear mounting
Front or rear mounting
Front or rear mounting
Attached, front mounted
XLR\1/4˝
combo (line)
XLR\1/4˝
combo (line)
1/4˝ TRS
combo (line)
XLR\1/4˝
combo (mic/line)
Loop Thru Outputs
1/4" TRS
1/4" TRS
1/4" TRS
XLR split outs
Limiting
Built-in
Built-in
Built-in
Built-in
110/220V 3-prong IEC
110/220V 3-prong IEC
Locking, external (PS40)
External (PS20)
1/2 rack
(hardware included)
1/2 rack
(hardware included)
1/2 rack
(hardware included)
1/2 rack
(hardware included)
Yes
No
Antenna
Input Connectors
Power Supply
Rack Mounting
Input Pad
Yes
WIRELESS RECEIVER
Power Supply/Battery Life
9V/4-6 hours
9V/4-6 hours
9V/4-6 hours
9V/4 hours
Antenna
Detachable whip
Lemo threaded
Detachable whip
Lemo threaded
Attached whip
bottom exit
Attached whip
Battery Status Indicator
Low battery LED
Low battery LED
Fuel Gauge & LEDs in LCD
Battery level LED
Volume Control
Limiting
Equalization
Frequency Selection Method
Personal Mix Control
RF Indicator
Built-in
Built-in
Built-in
Built-in (non-detachable)
10 kHz shelf
10 kHz shelf
10 kHz shelf
None
DIP switch & rotary switch
in battery compartment
DIP switch
in battery compartment
Push
button
MixMode and
panning/balance knob
MixMode and
panning/balance knob
MixMode and
panning/balance knob
LED
LED
LED
EARPHONES
Model Number
Drivers (per ear & type)
E5
E1
E1
2 balanced armatures
1 balanced armature
1 balanced armature
Universal Sleeves
foams, triple flanges, flex tips
Custom Sleeves
ACCESSORIES
custom sleeves available
4x1 antenna combiner,
unidirectional antenna for
remote mounting
4x1 antenna combiner,
unidirectional antenna for
remote mounting
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
1-800-875-6951 • www.bhphotovideo.com
PHOTO - VIDEO - PRO AUDIO
627
8-LED string
1/4˝ and 1/8˝ jack
Local Headphone Amplifier
PERSONAL MONITORS
WIRELESS SYSTEM
Number of Selectable Channels
SHURE
628
PERSONAL MONITORS
P4M
Four-Channel Personal Monitor Mixer
A highly versatile four-channel, two-bus stereo
mic/line mixer designed to provide greater
control and flexibility in monitoring situations,
the P4M interfaces with both personal monitor
and floor monitor systems. For the performer,
the P4M offers the ability to make quick
adjustments without having to go back to the
main mixer. For the installer, the P4M’s
routing capabilities make it a great solution
not only for monitoring, but for any application that can benefit from a convenient two-bus mixer.
The P4M features four balanced mic/line inputs, each with level and panning controls. Corresponding XLR split outputs
allow input signals to pass through the unit unaffected, while providing an independent mix.
Personal Stereo Monitors
Applications
When coupled with personal monitors, the
P4M gives performers the ability to adjust
personal mix levels onstage - even during a
performance - without affecting the front-ofhouse system. This enables users to create
and maintain consistent monitor mixes,
regardless of the venue.
Created to provide greater control and flexibility in monitoring situations, the P4M’s routing capabilities also make it a great solution for any application that can benefit from a convenient 2-bus mixer:
Installed Sound Systems
• Capturing a secondary mix for recording or broadcast feeds
• Sending and controlling mic/line level inputs to an existing mix
• Sending ambience or other signals to a remote location such as a “cry” room
• Creating a small “piggyback” sub mixer for activities where a live engineer is not viable
• Enabling director’s cues and interruptible foldback
The P4M can also be used as a small “piggyback” mixer in applications such as houses of
worship, or courtrooms. The unit acts as a
console bypass when a permanent installation of a large, operator-controlled mixing
console may require just a few microphones
for smaller events.
1. SPLIT OUTs are unaffected by front panel settings
Given its dual-bus output capabilities, the
P4M can also serve as a “two zone” mixer,
routing any combination of mic or line-level
signals to two different zones.
3. Both AUX INs go directly to MIX OUTs at unity gain. If
distortion is heard, decrease level of incoming signal.
AUDIO SIGNAL PATH FOR THE P4M MIXER
2. When using one AUX INPUT: AUX IN 1/L MONO
goes out to MIX OUT 1/L and 2/R goes to MIX OUT
2/R only
Each mic/line input splits internally, so you
can “tap into” existing signals, control them
the way you want, and let the original signals
pass through uninterrupted to their intended
destinations.
1
The P4M has a pair of 1/4˝ auxiliary inputs
that can be used to add channels from other
sources. For example, multiple P4M mixers
can be linked together to increase the number of inputs. In addition, sources not present in the original mix - such as a click track
for live percussion - may be included via the
auxiliary inputs.
ONE HOUR FREE PARKING
PHOTO - VIDEO - PRO AUDIO
2
AT 349 W. 34th STREET (with purchase of $100 or more)
3
SHURE
AUXPANDER
Traditionally, the number of auxiliary sends available on
mixing consoles has been sufficient and proportional to the
number of inputs needed for a given application. However,
with Personal Monitors (PSM) rapidly becoming the
monitoring solution of choice for live performers, the
demand for auxiliary outputs to serve those systems can
quickly outstrip the supply on most small to medium-size
mixing boards. The AuxPander is an auxiliary expander
designed as a flexible and cost-effective way to address this
issue. With an AuxPander, you can boost the output abilities
of existing mixing consoles to eight busses without investing in a dedicated
monitor console or bulky, complex large frame mixing board. An easy-to-use, 8 x 8 analog mixing matrix
that will grow and adapt with your system, the compact and transportable AuxPander is capable of mixing eight input signals
and distributing them to any of the eight available outputs, in any combination, and at any volume level.
Offers endless options for mix and signal
path creativity. Craft personal monitor
mixes for an individual or an entire band.
Quickly and easily add users and resources
to your mix—night after night, gig to gig.
◆
Strengthens every link in the production
chain. House sound or recording engineers can easily accommodate special
recording and monitoring requests. Bands
traveling with an AuxPander can ensure a
uniform monitoring environment from a
rehearsal to a gig. No matter what mixing
equipment awaits, just plug and play.
◆
Use in conjunction with modular digital
multitrack recorders (MDMs) for live and
studio recordings.
◆
Combine input signals from multiple
sources and route them to a single output.
◆
Inserted between a MDM and a mixing
console, the AuxPander can mix to individual stereo cue mixes without interrupting
the signal flow to the mixing console.
◆
Create stereo auxiliary sends to incorporate
the stereo inputs of effects processors.
◆
Mix to eliminate feedback in certain distributed installations where each monitor
receives a different mix by subtracting the
source closest to each monitor.
◆
AuxPander is expandable both horizontally
(16 x 8) and/or vertically (8 x 16) if more
output mixes are required.
AuxPander taps up to
eight input signals from
a standard mixing console through its insert
points. it then provides
up to four stereo or
eight mono auxiliary
mixes and a new insert
point without disrupting the levels established at the front of house soundboard.
◆
Balance controls let you pan the input signals between the left and right channels of a
stereo output
◆
Level controls let you increase or decrease
the volume of each of the eight input signals. Route signals to any of the eight outputs at any level and in any combination.
◆ With
direct input jacks you can expand
input channels (daisy-chaining) while keeping the same number of mixed outputs. For
example, connect one AuxPander to another
to create a 16x8 matrix.
◆
Four pairs of balanced, line-level 1/4˝
output jacks carry the mix created
◆
Insert jack lets you integrate processors (EQ,
compressors, gates, etc.) in a particular signal path. Once a processor is connected, it
can affect the AuxPander inputs, the console
inputs, or both via the Insert Assign Switch.
◆
In Global Mode both the AuxPander and
the mixing board receive the processed
signal. In Local Mode only the AuxPander
receives it and the console’s inputs are
unaffected. In Remote Mode only the
mixing board receives it while the
AuxPander inputs are affected.
◆A
single jack, rather than dedicated “in” and
“out” jacks, receives and returns signals
from the mixer, eliminating the need for
Y-cables. One conductor on a 1/4˝ TRS
cable jack receives signals. The other
returns them. So connections of a console’s
insert points can easily be made with a
TRS-TRS cable.
◆ When
using 1/4˝ TRS cables, some consoles
use the tip conductor as the send (tip-send)
and others use the ring conductor (ringsend). AuxPander in/out jacks are compatible
with both via the Tip Assign Switch.
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
1-800-875-6951 • www.bhphotovideo.com
PHOTO - VIDEO - PRO AUDIO
629
◆
PERSONAL MONITORS
Auxiliary Expander: 8x8 Insertable Matrix Mixer
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