catalog 2013

catalog 2013

Profile

Void Acoustics designs, manufactures and distributes advanced professional audio systems for the installed and live-sound sectors. The company offers an evolved series of audio solutions that encompass loudspeaker systems, power amplifiers, control electronics and accessories. Void’s commitment to R&D is second to none. Its highly skilled and experienced engineers have successfully united pioneering technologies with ground-breaking design aesthetics, earning Void a worldwide reputation for high-impact products that combine sonic and visual innovation.

Established in 2002, Void products are now available in many parts of the world including Europe, North and South America, Russia, the Middle East and most parts of Asia, with a continually evolving distribution network providing ever greater access and support. Customers value Void’s superior sound quality, unique designs, dependability, and the outstanding after-sales service that the company is celebrated for. Void’s passion for excellence encompasses not only its products, people, and services, but a full awareness of environmental issues as well. The use of environmentally friendly materials and practices routinely takes place in the factories and the offices.

Philosophy

By Rog Mogale

We employ a no-compromise approach when designing and manufacturing our products. This means that we don't set an upper price limit for the components we use, nor do we build to specific budgetary constraints. Simply stated, our goal is to make the finest products possible. We do that through meticulous engineering and by making use of the best components available, many of which we manufacture ourselves. We employ a team of dedicated craftsmen who assemble our products; we maintain tight tolerances and even hand-wind our own inductors and assemble our own PCBs. Very little is out-sourced, giving us numerous advantages. The biggest benefit is that we have total control from the design of the complete product down to the smallest part. We use the right component for the job instead of accepting a compromised off-the-shelf component that might happen to fit, or is ‘close enough.’ The next benefit is accountability. We track all stages of the manufacture of all parts and materials. This allows for a greater level of consistency from unit to unit, and from a design point of view, evolutionary improvements occur rapidly. The third major benefit of keeping manufacturing in-house is cost. By using high levels of automation in our manufacturing processes, we keep our overheads down to a minimum and the cost savings are passed on to our customers. We’ve looked at all the options for manufacturing our products and it didn't take us long to realise that control, accountability, and cost savings when taken alone, were each good enough reasons to avoid out-sourcing and using off-the-shelf components. Taken together, these three factors make Void what it is today.

Void systems can be found in many of the largest and most prestigious dance clubs and live concert venues in the world. All of us on the Void team feel deeply honoured to have our work sought after by discriminating sound engineers, system design consultants, hire companies, and the many other audio professionals who lead the industry around the globe. We work very closely with distributors and customers alike, to refine our products and develop concepts for new ones. We class the input from those who use our products very highly, and we apply this knowledge to continually improve all that we do. Company-wide, we take after-sales support seriously and are always happy to liaise with customers and end-users to help them get the best from their purchase.

A great deal of Void’s income is spent on R&D. Our new 4,000 square meter sound research laboratory was completed in 2007 and is now fully operational. It implements some of the most advanced test equipment ever seen and allows complex procedures, such as resonance mapping, to be carried out. Few other facilities in the world can offer the same. I feel a tremendous sense of responsibility and honour in being given the task of heading our new R&D department. Although it is a never-ending challenge to design, innovate, test, evaluate, and re-design… until the highest possible standards have been met… it is an exciting and worthy pursuit. Throughout the company, each of us is willing to go just that bit further than what many others might consider to be ‘good enough.’ I believe it is this atmosphere of professional pride that has made Void such a strong player in the industry, within such a short time.

As the principal designer for Void, I strongly believe that a great change is occurring in professional audio. A shift in consciousness has started and expectations are increasing exponentially. I've always believed that products should have an impact both sonically and visually. The fact that many venues spend so much time and money on decor has led me to design products that reflect and relate to their surroundings. Why should such venues have to make do with another ‘black box’ getting in the way? With the ever increasing awareness of the society that we live in, products with enlightened visual appeal will soon become the norm. Such products may take the form of visually striking enclosures intended for clubs and theme parks; transparent Plexiglas enclosures that blend with the architecture of the modern concert hall; or perhaps subtle design styles that meet the needs of theatres, TV studios, and Houses of Worship. Whatever the challenge, Void will always innovate. By achieving a true blend of sonic excellence with appropriate visual appeal, I am pleased to say that Void can offer solutions, both now and in the future, to all those who wish to break free of traditions.

4rest - Moscow, Russia

11 : 11 - Istanbul, Turkey

38 41 - Lisbon, Portugal

Agni - New Delhi, India

Air - Amsterdam, Netherlands

Alto - London W1, UK

Aqua - Kolkatta, India

Babaloo - Porto Potenza Picena, Italy

Barasti - Dubai, UAE

Bar House - Chelmsford, UK

Bar Mango - Reading, UK

Bello Vue - Zurich, Switzerland

Bevy - Chicago, USA

Bistroen - Norheimsund, Norway

Boujis - London, UK

Boujis - Hong Kong

Broke - London, UK

Buddha Blue - Milton Keynes, UK

Cafe 1001 - London E1, UK

Cafe del Mar - Bari, Italy

Cafe Gruyter - Amsterdam, Netherlands

Cafe Rouge - Amsterdam, Netherlands

Cara - Phnom Phen, Cambodia

Casablanca Club - Sestu, Italy

Castle - Chicago, USA

Centenary - Wexford, Sou'th Ireland

Cirkus - Ljubljana, Slovenia

Club 2K - Penzance, UK

Club NYX - Amsterdam, Netherlands

Colours Of Music - Poland

Consortium - Bournemouth, UK

Corbetts Place - London E1, UK

Crosswinds - Bloomington, USA

Crystal - Bucharest, Romania

Cube - Mallorca, Spain

Cube and Star - Shoreditch, London

Damson Diner - Dublin, Ireland

Dukes 1 & 2 - Bournemouth, UK

DC 10 - Ibiza, Spain

Dix Lounge - Tokyo, Japan

Elephants Head - Camden, London

ETIC - Lisbon, Portugal

Falsterbo - Strandbad, Sweden

Fat Lady - Tampere, Finland

Fire - London, UK

Fugazi - Oslo, Norway

Gare - Porto, Portugal

Halo - Ballycastle, Northen Irelend

Hanima - Marche, Italy

Harveys - Bedford, UK

Nelsons - Dubai, UAE

Hop Haus I & II - Chicago, USA

House club and terrace - London SE10

Inside Rock Cafe - Bergen, Norway

Kismet - Hyderabad, India

Kitty Su - New Delhi, India

Klar Bar - Bergen, Norway

Kuku - Cardiff UK

Lakota - Bristol, UK

Lasalle Power Co. Club - Chicago, USA

Le Duplex - Paris, France

Lookal Club - Luanda, Angola

Mahiki - Dubai, UAE

Matter - London 02 Arena, UK

Mezzcallina - Monterrey, Mexico

Millennium - Magaluf, Spain

Mint - Poole, UK

Monarch - San Francisco, USA

Monasterio - Moscow, Russia

Mono - Caserta, Italy

Mood - Bergen, Norway

Moon - Mallorca, Spain

Nelsons - Dubai, UAE

Nikki - Chicago, USA

NTT Megaclub - Dongguan, China

Oblivion - Waterford City, Sou'th Ireland

Ocean Beach Club - Ibiza, Spain

Olympics 2012 Coca Cola Beatbox - UK

Religion - Leeds, UK

Ricks Cafe - Bergen, Norway

Pasta Project - Netherlands

Pata Negra - Amsterdam, Netherlands

PJ's - Wakefield, UK

Platform One - Paisley, Scotland

Platinum - Dublin, Ireland

Playboy Club - Cancun, Mexico

Playground Nightclub - Liverpool, UK

Prestige - St. Julian’s, Malta

Primary - Chicago, USA

Rogues - Dublin, Ireland

Sally's - Omagh, Ireland

Sands - Ibiza, Spain

Sankeys - Ibiza, Spain

Ocean Beach Club – Ibiza

Shock 39 - Bangkok, Thailand

Shroom - New Delhi, India

Southfields - Wandsworth, London

Subsea - Norway

Supperclub - Istanbul, Turkey

Tantra - Kolkatta, India

Tengu Bar - Dublin, Ireland

The Alibi - London, UK

The Art Academy - Norway

The Boileroom - Guildford, UK

The Mood - Newcastle, UK

The Warehouse - Leeds, UK

T Rex - Nanjing, China

Twisted Pepper - Dublin, Ireland

The Vaults - Dublin, Ireland

Toko - Bournemouth, UK

Toro Toro - Dubai, UAE

Walsall Football Club - Walsall, UK

White Lotus - Henley On Thames, UK

Wiggle - Bournemouth, UK

Witness Box - Kilkenny, Sou'th Ireland

Xango - Sou'th Ireland

Zachariasbryggen - Norway

Zoo Bar - Copenhagen, Denmark

Product Overview

Incubus System

Designed with the sole purpose of being the best dance club system money can buy, Incubus is redefining expectations around the world. Already providing levels of control previously thought impossible, its ability to allow both linear frequency and power shading within a single mid top enclosure is ensuring perfect sound for everyone on the dance floor. Incubus is also becoming the number one choice for discerning interior designers, its physical signature cries out for extreme expression. Anyone looking to push both sonic and visual boundaries to the edge whilst raising mankind’s awareness via elevated forms of entertainment needs to audition Incubus.

For detailed specifications see

P7-9

Nexus Series

A new range for 2013, the Nexus 6 brings the performance and styling of the future to the here and now. It’s radical styling is born from a new approach to delivering the best fidelity and coverage for the club scene of tomorrow. Virtual Arc technology has been implemented in all the midtop enclosures to form a common acoustic center that exists rearwards of the array. This approach disposes of all the disadvantages that compromise a traditional array and allows the same experience to be had by all that are in the throw of the Nexus, wherever they are.

For detailed specifications see

P10

Air Series

The ground-breaking Air Series models are one of Void's most distinctive designs. The three-way Air Motion loudspeaker is sought after by ultra-modern dance clubs around the world. Often located directly over the dance floor, Air Motion provides huge sonic impact as well as being a significant visual attraction in its own right. 2013 sees the release of Tri Motion, a bigger and more powerful version of the Air Motion. Its distinctive form and performance figures proves once again that Void are leading the war on aesthetics.

The smallest of the Air Series, the Airten, is the perfect complement to its bigger brothers for use as delay and area fill. All Air series products provide exceptionally high-power output with a non-fatiguing sonic signature that is as irresistible to the ear as their exotic visuals are to the eye.

For detailed specifications see

P11-12

Indigo Series

The visually stunning Indigo series combines futuristic looks with esoteric audio performance to bring a new level of sophistication every venue will want to be seen with. We believe indigo is the first range of loudspeakers that have been created for the new heightened awareness in style that today’s venue designers aspire too. Boundaries are being pushed in all areas of the entertainment industry, with the visual aspect becoming evermore important. Indigo not only fulfills your quest for the ultimate in styling, it will also bring a new level of sonic richness you never thought possible. 2013 will see the introduction of Indigo system, Voids first powered loudspeaker combination.

For detailed specifications see

P13-14

Axsys Series

Continuing Void's odyssey into the world of striking, non-traditional product designs, the four models comprising the Axsys Series not only look like something you'd see on a futuristic starship, but they sound like it as well. Utilising highly-advanced driver technology coupled with the latest developments in construction materials, Axsys loudspeakers have a sophisticated appearance that encourages architects and interior designers to place these loudspeakers where they will perform properly, instead of in some out-of-the-way corner of the room where they won't be noticed. Axsys is ideal for clubs, cruise ship lounges, themed attraction parks, and numerous other upscale entertainment venues.

For detailed specifications see

P15-16

Venu Series

Consisting of four fullrange enclosures and two low frequency enclosures, the Venu series has been created to offer everything you could ask for from a range of loudspeakers specifically designed for installation. All 6 products have been molded by the demands of leading installation contractors and engineers around the world. Our question was simple; tell us the exact requirements needed to design the ideal series of install loudspeakers. After 9 months of research and development, the Venu series was born. More products will be added to the range in the near future.

For detailed specifications see

P18-20

Arcline Series

Once again Void has broken the mold with its highly-versatile line array designs. Offering superb coupling between adjacent enclosures, a smooth and flat frequency response, an exceptionally useful 120° horizontal coverage pattern, plus quick and easy rigging, the Arcline Series begins where others leave off. With their superior pattern control and power output, Arcline loudspeakers will cover most acoustic spaces with fewer units than the competition. Their constant sound intensity over the stated coverage angles, and their exceptional linearity from the near-to-far field transition point, means that all audience members will experience virtually identical sound quality.

For detailed specifications see

P22-24

Stasys Series

Our flagship point source series meets the most stringent requirements for shows, events, and performances of every imaginable genre. Featuring advanced pattern control, ultra-low distortion, and superb acoustic coupling among adjacent units, Stasys loudspeakers are especially effective in large, reverberant spaces because they effortlessly direct the sound where it's needed. They are perfectly suited for use in houses of worship, concert halls, theatres, clubs, outdoor performance venues, sports facilities and more, whether permanently installed… or used for touring and other temporary events such as large AV presentations. Check out the Stasys Series of products and be prepared for them to exceed your expectations!

For detailed specifications see

P25-28

Mycro Series

Comprising three full-range models and three selections of subwoofers, Void's Mycro Series empowers the system designer with a capable set of tools that fit a broad spectrum of audio requirements. These loudspeakers provide clean, clear, and powerful sound reproduction for houses of worship, AV presentation systems, theatres, auditoriums, transit centres, restaurants, and many other types and styles of venues and functions. Generously equipped with a full complement of rigging and mounting fittings, along with built-in crossovers in the subwoofers, Mycro Series loudspeakers exhibit exceptional sound quality… even when space and budgets are limited.

For detailed specifications see

P29-30

Integrated Systems

We've created three portable, self-contained systems in direct response to the many requests we've had from DJs, bands, and AV production companies. These customers have experienced Void in clubs and concert halls and have told us that they need to re-create the same sound quality at smaller events, with a minimum of fuss and hassle. These three systems provide the answer. Each offers pure and unadulterated Void quality in a seriously portable package. The smaller of the three, Mycro and Basys V2, are the optimum choice for high output with superb sound quality at the best possible price. Their bigger cousin, the Viper, features larger drivers, deeper bass response, and a higher output capability.

For detailed specifications see

P32-34

Power Amplifiers

Void power amplifiers are offered in two distinct versions: Armourlite, our latest design, takes the quality and performance of previous models and adds the reliability needed to survive in the harshest Pro Audio enviroments. Our Infinite V2 range uses a more traditional approach. Utilising conventional linear power supplies, these amplifiers provide all the benefits of a traditional design along with advanced driver protection and other proprietary circuitry that is unique to Void. Both product lines have been designed to handle the punishment of daily use, be it on the road or in a high-energy fixed installation

For detailed specifications see

P35-36

Signal Processing

Digidrive V2 features 4 Inputs and 6 Outputs, while Livedrive V2, to be introduced later this year, features 6 Inputs and 8 Outputs. Both models offer superlative sound quality, ease of operation and have the necessary features to obtain the best possible results from your Void loudspeakers.

For detailed specifications see

P37

Install

Void Acoustics' comprehensive range of installation products have become world renowned for their sonic p e r f e c t i o n , r e l i a b i l i t y, a n d revolutionary looks. Prominent installations include many of the largest and most prestigious 'super clubs' and venues around the world.

Void is proud to be at the cutting edge of aural design, incorporating ground breaking technological advances with visual styling that harmoniously complements your surroundings.

Void Acoustics offers the best in contemporary styled loudspeakers that sound as good as they look. Each model is the culmination of elegant styling, innovative design and breath taking performance.

Void has perfected a range of products that, for the first time ever, will visually and sonically transform your environment.

Ocean Beach Club - Ibiza

DC 10 - Ibiza

Paul Oakenfold - Castle Club Chicago

Sankeys - Ibiza

Bora Bora - Ibiza

Incubus Install At The Castle - Chicago (installed by AIS)

Colours of Music - Poland (Installed by Sonic Space)

Club Air - Amsterdam (Installed by Soundfreax)

Voted Best International Club System 2010

Playground Nightclub - Liverpool, UK (Installed by Most Technical)

Incubus System

Overview

The five way Incubus Club System has been created to deliver the highest levels of audio performance ever achieved.

Already being dubbed the greatest leap in style consciousness since the scene began, Incubus significantly raises the bar delivering phenomenal levels of aural and visual stimulation.

Performance, style and status all married into one complete package that no one can refute. It’s a statement akin to owning the most prestigious Italian racecar. A dream that until now, was just a dream.

To achieve the unrivaled levels of fidelity that Incubus is capable of we turned to the very best European transducer manufactures to develop components worthy of inclusion. Two years were spent developing and honing the superlative transducers that became the heart of the Incubus system. Void would like to thank Beyma, BMS, and Faital Pro for their tireless contribution to the project.

Incubus was conceived, designed and styled by Rog Mogale and is a testament of his dedication to the scene. From the early days of disco though to his pioneering work in the mid 80’s with electro dance music, he has always fought hard to push the boundaries and better mankind though elevated forms of entertainment. Incubus is the pinnacle of his experiences, his ultimate expression for the love of dance.

Incubus System

Air Array

Air Array is the mid hi element of the Incubus Club System and unites many ground breaking technologies to deliver the best high level, hi fidelity sound you will ever experience. Its radical looks are not just for show as its form has taken shape from the need to correctly fuse all its sections together to form a coherent radiation pattern over its stated dispersion angles. Line source behavioral conditions have been met by all sections, allowing both frequency and power shading to be utilised within a single enclosure. Such techniques enable SPL’s in the near field to be attenuated and matched with those at greater distances, whilst HF absorption can be corrected with linear frequency shading. By employing a line source configuration, Air Array is the only mid hi enclosure that can provide constant SPL’s at all distances with all frequencies arriving at the same time wherever you are within its coverage pattern.

The low mid section consists of two hyperbolic horns fed from a split manifold driven by four very hi power 12” transducers. Each transducer also features a heat sink cooling system to reinforce reliability and reduce power compression levels. All this combines to produce insane output levels with the highest levels of definition imaginable.

Four devices that use a newly developed 3” exit compression driver handle the midrange frequencies. These devices are driven by a massive 6” diaphragm to comfortably reproduce frequencies down to 500Hz. Path length compensation devices have been applied to the wave guides to seamlessly combine their outputs eliminating all destructive interference and to ensure constant output within the stated coverage angles.

The HF section use’s six esoteric compression drivers with 1” throat wave guides that are positioned on a physical arc to provide a virtual common feed point. This reduces all forms of destructive interference and maintains an even frequency response within every degree of the stated coverage angles. Path length compensation devices housed within the wave guides marry with the extended upper response of the compression drivers allowing the HF to extend all the way up to 26kHz.

Applications

Hi-impact nightclubs, indoor and outdoor dance events

Specifications

Frequency response

Efficiency

Crossover Points

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

90 Hz – 26 kHz -3dB points

LF : 111 dB 1w/1m

MF : 114 dB 1w/1m

HF : 116 dB 1w/1m

Preset via dedicated processor

LF 2 x 4 ohms MF 2 x 4 ohms HF 2 x 5.33 ohms

LF 3600 w RMS

MF 1000 w RMS

HF 480 w RMS

143 db cont

149 db peak

4 x 12" : 4 x 3” CD : 6 x 1” CD

2 x 8 pole Speakon

TM

1240 (mm) 48.8"

944 (mm) 37.1"

813 (mm) 32.0"

144.8 (kg) 319 lbs including stand

Fibreglass Kevlar composite

Stack mounted or proprietary flying system

Smooth cellulose

Incubus System

Hyperfold

A high percentage of the urge to dance c o m e s f r o m t h e u p p e r b a s s frequencies. It’s where the kick and finer details of the bass are found. The need for speed and articulation in this critical region calls upon a dedicated enclosure designed with one purpose in mind. Enter the Hyperfold 4 x 15” upper bass enclosure. Quite simply the mother of all kick cabs.

Hyperfold’s design has taken many years to conceive and implement. New technologies that have only just arrived have allowed it to exist, because size for size it contains the largest amount of drivers and hence displacement per volume. And it needs all that displacement to keep up with the efficiency of all the other elements that go into making the Incubus

System.

If the Incubus Sub provides the pulse,

Hyperfold is the blood that runs though the entire system. Without it there is no system, no urge to connect with the greater whole, or to become part of the dance.

Applications

Hi-impact nightclubs, indoor and outdoor dance events

Specifications

Frequency response

Efficiency

Crossover Points

Impedance

Power Handling

Maximum Output

60 Hz - 190 Hz -3dB points

109.5 dB 1w/1m

Preset via dedicated processor

2 x 4 ohms

4000 w RMS

142 dB cont

148 dB peak

Driver configuration 4 x 15”

Dispersion Array dependant

Protection N/A

Connector 2 x 4 pole Speakon TM

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Finish

738 (mm) 29.0"

738 (mm) 29.0"

1218 (mm) 47.9"

18mm Birch ply : Fibreglass : Kevlar

Textured polyurethane : Smooth cellulose

Incubus Sub

Incubus Subs structurally challenging design consists of three massive 21” transducers in a hybrid horn bandpass enclosure. A combined power handling of 6000 watts rms and a very high sensitivity result in foundation cracking sub all the way down to 30Hz.

Designed to work in conjunction with the Hyperfold upper bass enclosure, the Incubus Sub has been tuned with all forms of dance music in mind. A lightning quick impulse response with small levels of group delay and an in ya face style of presentation combine t o m a ke i t a n u n f o r g e t t a b l e experience. It’s a total connection with the fundamental frequencies that give dance music its pulse. A connection only obtainable by entire submersion in the purist form of reproduction.

Applications

Hi-impact nightclubs, indoor and outdoor dance events

Specifications

Frequency response

Efficiency

Crossover Points

Impedance

Power Handling

Maximum Output

Driver configuration

29 Hz - 95 Hz -3dB points

105 dB 1w/1m

Preset via dedicated processor

3 x 8 ohms

6000 w RMS

140 dB cont

146 dB peak

3 x 21”

Dispersion Array dependant

Protection N/A

Connector 2 x 8 pole Speakon TM

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Finish

696 (mm) 27.4"

1476 (mm) 58.1"

1218 (mm) 47.9"

18mm Birch ply

Textured polyurethane

Nexus series

Nexus 6

Aimed at the larger venue, the Nexus 6 is the first in a new series of products designed for the club scene of tomorrow.

The radical styling of the 6 is born from the innovative internal layout of its 20 transducers. Virtual Arc technology has been implemented on every component to form a common acoustic center that exists rearwards of the array. This approach disposes of all the disadvantages that compromise a traditional array of multiple sound sources emitting from different locations.

Dispersion, phase, coherency and timing can all be controlled and unified because of the common acoustic feed point and multi channel access. It allows the same experience to be had by all that are in the throw of the Nexus 6, wherever they are due to its wide and controlled dispersion. Total summation of all the components in each passband can also take place within the Nexus 6, allowing for much higher efficiency, greater output and improved reliability due to reduced component stress.

The Nexus 6 offers excellent value for money when compared to the array of enclosures normally required to achieve the same dispersion. Whether placed on LF enclosures to form a dance stack or flown independently, the Nexus 6 brings the performance and styling of the future to the here and now.

Applications

Hi-impact nightclubs, indoor and outdoor dance events

Specifications

Frequency response

Efficiency

Crossover Points

Impedance

Power Handling

Maximum Output

Driver configuration

78 Hz - 21kHz -3dB points

LF : 105dB 1w/1m, HF : 110 1w/1m

1.8 kHz active

LF : 2 x 5.3 ohms, HF : 2 x 4 ohms

LF : 2 x 1350 watts rms, HF : 2 x 320 watts rms

137 dB cont

141 dB peak

12 x 6.5" 8 x 1"

Dispersion

Rigging Stack mounted or proprietary flying system

Connector 1 x 8 pole Speakon TM

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Finish

1266 (mm) 49.9"

561 (mm) 22.1"

430 (mm) 16.9"

60.5 (kg) 133.4 lbs

Fibre Glass Kevlar composite

Smooth Cellulose

Tri Motion

The Air Series has become an iconic part of the modern dance scene. Its philosophy has been adopted all around the world in some of the most well-known dance establishments ever. It’s a sign of quality and an insurance of a good night to be had by all. The latest release in the series, the Tri motion, extends these principles further, allowing an even larger audience to bathe in the Void experience.

The design owes its existence to those who wanted a more compact and daring version of the Air Motion. The call for even higher SPL’s and more diversified looks were top of the list when it came to creating the Tri Motion. The rethink on form has also allowed for a wider horizontal dispersion with asymmetrical vertical pattern control, giving even more coverage and reducing early reflections from ceilings to provide higher fidelity.

Tri Motions extra horsepower has been made possible by a larger transducer for the lower frequencies and more efficient mid hi sections with greater power handling. A

15” driver has been implemented to cover from 500Hz and below, allowing more SPL and a lower crossover point into the bass range. The mid section features a super efficient horn loaded 8” driver with a high compression ratio and asymmetric loading for pattern control, whilst the HF makes use of diffraction slot loading to provide wide and even coverage in the horizontal plane.

For the larger venue requiring cutting edge performance married with art gallery worthy aesthetics, Tri Motion is the only answer. Its creation stems from years of pushing both sonic and creative frontiers from the company that still leads the war on aesthetics.

Applications

Hi-impact nightclubs, indoor and outdoor dance festivals, Cruise Ships, theme parks, contemporary houses of worship

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Colour

90 Hz - 20 kHz -3dB points

LF : 107 dB 1w/1m

MHF : 110 dB 1w/1m

LF : 120 Hz and 500 Hz

MHF : 500 Hz - Passive 1.4 kHz

LF/MHF 8 ohms

LF : 700 watts RMS

MHF : 350 watts RMS

135 dB cont

139 dB peak

1 x 15" - 1 x 8" - 1 x 1.5"

Internal Electronic Control

2 x 4 pole Speakon TM

600 (mm) 23.6"

800 (mm) 31.5"

800 (mm) 31.5"

47.1 (kg) 103.8 lbs

Fibre glass kevlar composite

Internal fly/mounting system. Can be used with stand or fly bracket.

Custom colours available upon request

Air Motion V2

The revolutionary Air Motion sculpted loudspeaker array sets an entirely new standard in audio aesthetics.

Never before has so much style and performance been brought together in perfect harmony.

A i r M o t i o n c o m p r i s e s t h r e e transducers, each loaded by an isometric conical horn. For a long time designers have known about the excellent inherent sound quality of the conical horn. Its propagation is based on the spheroid section and allows for solid radiation angles. The benefits are twofold: (1) Tight beamwidth control is possible, giving higher output and a more defined sound quality due to a decrease in early reflections, and (2)

Constant directivity is possible across the horn's entire dispersion, allowing for an exceptionally balanced waveform transmission. The short version is that the end-result is astonishing!

As with other Air Series enclosures, Air

Motion is available in a wide range of custom colours.

Applications

Hi-impact nightclubs, indoor and outdoor dance festivals, Cruise Ships, theme parks, contemporary houses of worship

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Colour

140 Hz - 20 kHz -3dB points

LF : 106 dB 1w/1m

MHF : 108 dB 1w/1m

LF : 140 Hz and 600 Hz

MHF : 600 Hz - Passive 1.7 kHz

LF/MHF 8 ohms

LF : 500 watts RMS

MHF : 250 watts RMS

134 dB cont

138 dB peak

1 x 12" - 1 x 8" - 1 x 1.5"

Internal Electronic Control

2 x 4 pole Speakon TM

842 (mm) 33.1"

850 (mm) 33.5"

760 (mm) 33.0"

35.4 (kg) 77.9 lbs

Fibre glass kevlar composite

Internal fly/mounting system. Can be used with stand or fly bracket.

Custom colours available upon request

Airten V2

The Airten V2 was developed as a smaller member of our highly acclaimed Air Series. The latest a c o u s t i c a d v a n c e m e n t s w e r e employed to create a system capable of ground breaking output levels with unparalleled visual inspiration.

Improvements have been made in all areas with the latest 3 way V2 version of the Airten. These include a dual driver LF configuration for greater bass extension and a coax point source element for the mid and HF.

The total elimination of energy robbing enclosure resonance has been achieved though the use of super strong composites that include Kevlar and carbon fiber. In addition to providing desirable acoustical properties, these advanced materials have been instrumental in allowing the

Airten’s evolved form to emerge.

Airten also employs ‘intake protection’ to accurately control and limit excursion. This unique protection circuit is housed within the enclosure and requires no additional outboard processing or powering. The increased headroom available by monitoring the components at source has produced a system capable of output levels normally associated with enclosures over twice the size of Airten.

Applications

Clubs, bars, lounges, cruise ships, theme parks, companion to Air Motion for delay and area fill in larger venues

Specifications

As with other Air Series enclosures, the Airten is available in a wide range of custom colours.

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

56 Hz - 20 kHz -3dB points

99.2 dB 1w/1m

Passive 500 Hz & 1.6kHz

4 ohms

500 watts RMS

125 dB cont

128 dB peak

2 x 10" - 1 x 1"

Internal Electronic Control

2 x 4 pole Speakon TM

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

302 (mm) 11.9"

684 (mm) 26.9"

320 (mm) 12.6"

23.8 (kg) 52.5 lbs

Fibre glass kevlar composite

Internal Powerdrive type 75 mounting plate

Smooth Cellulose

Indigo Overview

Released in 2012, the Indigo Series has become a popular choice with system designers requiring a desirable, compact, high output loudspeaker. 2013 will see a new 100w version, named Indigo

6s, introduced to make the product accessible to smaller venues. The original 200w version will continue to be sold as Indigo 6Pro and will be incorporated into a new powered Indigo system.

Featuring multiple inputs and 2 x 750w integral amplifiers, the system is designed to bring the club experience into the home. Indigo system is also ideal for the smaller commercial venue seeking a system easy to set up with stunning aesthetics.

Particular attention was given when it came to designing the Indigo series to maintain its unique visual style throughout, so a bespoke mounting system that enhances the visual aspect is supplied with every Indigo product. Internal component considerations were also top of the list, as this has to be a series that sounds every bit as good as it looks and by maintaining our over engineered concept very high levels of reliability have been achieved.

Indigo 6

The indigo 6 is compact, efficient and oozes style. It’s a must have accessory for any modern visually conscious venue with something to say. An interior designers dream come true and a sound purists heaven all rolled into one.

The principles are simple. Take highly refined in house designed components and marry them with a modern day work of art. Combine that in an install friendly package with endless possibilities of enclosure colour and texture to make what we believe is the only choice for those seeking perfection.

Uses for the indigo 6 without a Sub include sound for small bars, lounges, restaurants, home theatre 5.1 surround and area fill when used with a larger main system in clubs. Adding a n i n d i g o S u b e x p a n d s t h e possibilities, which include medium sized bars, lounges, restaurants and fill for larger areas of clubs that already have a main dance floor system.

To allow for easy installation in the shortest time possible, each indigo 6 is supplied with an i6 wall bracket and fixings. And by using the optional i12

Applications

Aesthetically advanced bars, clubs and lounges. Surround in 5.1 HT, home Hi Fi. Cruise ships, theme parks, contemporary houses or worship bracket, an indigo 6 can be mounted above an indigo sub at ear height for

Specifications

use as a HI Fi setup in larger rooms.

Frequency response 68 Hz - 21 kHz -3dB points

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

93 dB 1w/1m

2.2

kHz passive

8 ohms

200 watts RMS

115 db cont

118 db peak

1 x 6.5" 1 x 1" Coax

90 h x 90 v

N/A

Single set of Binding Posts

Bare wire or 4mm plugs

Dimensions

Height

Width

Depth

Weight

273 (mm) 10.7"

209 (mm) 8.2"

163 (mm) 6.4"

12.4 lbs

Construction

Enclosure

Mounting

Finish

Grill

Fibreglass i6 wall bracket (supplied)

High gloss metallic or fine textured matt

Perforated steel - foam filter

Indigo Sub

The indigo Sub is compact, efficient and oozes style. Along with other products in the series it’s a must have accessory for any modern visually conscious venue. Interior designers will love the fact that they don’t have to hide the subs anymore and can make full use of its stunning looks to enhance the venue.

An endless possibility of enclosure colour and textures are available to make what we believe is the best choice in low frequency reinforcement suitable for a very wide range of applications.

Uses for indigo Sub when partnered with indigo 6’s include medium sized bars, lounges, restaurants and fill for larger areas of clubs that already have a main dance floor system.

Home theatre 5.1 systems can also make use of the indigo Sub to provide earth shattering lows with very fast response times. And by using the optional i12 bracket, an indigo 6 can be mounted above an indigo sub at ear height for use as a HI Fi setup in larger rooms.

Applications

Aesthetically advanced bars, clubs and lounges. Sub in 5.1 HT, home Hi Fi. Cruise ships, theme parks, contemporary houses or worship

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Mounting

Finish

Grill

38 Hz - 160Hz -3dB points

92 dB 1w/1m

80 - 160Hz active

8 ohms

400 watts RMS

117 db cont

120 db peak

1 x 12”

Omni

N/A

Single set of Binding Posts

Bare wire or 4mm plugs

517 (mm) 20.3"

395 (mm) 15.5"

335 (mm) 13.2"

21.0

(kg) 46.3 lbs

Fibreglass

(optional) i12 bracket to mount Indigo 6 above Indigo Sub

High gloss metallic or fine textured matt

Perforated steel - foam filter

Axsys 12

The Axsys series brings new levels of performance and advanced aesthetics to the Void product range. Recent developments in construction materials have been utilised to create an enclosure with a truly unique appearance, as well as significantly enhanced performance capabilities.

Axsys 15

The Axsys series brings new levels of performance and advanced aesthetics to the Void product range. Recent developments in construction materials have been utilised to create an enclosure with a truly unique appearance, as well as significantly enhanced performance capabilities.

P15

The Axsys 12 features a high-power

300 mm LF cone transducer mated with a 100 mm voice coil and 63 mm

Titanium/Mylar composite diaphragm

HF compression driver on a rotatable horn. A Neodymium magnet structure is used to increase the system's efficiency and to reduce weight. It is this combination of very high power components and the latest in diaphragm technology that allows for the extremely high SPL's possible from Axsys 12.

The Axsys 15 features a high power

380 mm LF cone transducer paired with a 100 mm voice coil and 63 mm

T i t a n i u m / M y l a r c o m p o s i t e

Diaphragm HF compression driver on a rotatable horn. Neodymium is used to increase the system's efficiency and reduce weight. It is the combination of these exceptionally high powered components with the latest in diaphragm technology that allows for the extreme SPL's possible from the

Axsys 15.

Numerous applications will benefit from the Axsys 12's clean, clear high-power output, while its modern appearance positions it as a true leader in cutting-edge industrial design.

Applications

Small to medium sized clubs, theatres, AV presentation, cruise ships, theme parks, casinos and showrooms

Numerous applications will benefit from the Axsys 15's high-power, low distortion output, while its modern appearance positions it as a true leader in cutting-edge industrial design.

Applications

Medium to large sized clubs, theatres, AV presentation, cruise ships, theme parks, casinos and showrooms

Specifications

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

56 Hz - 20 kHz -3dB points

99 dB 1w/1m

1.6 kHz passive

8 ohms

500 watts RMS

126 dB cont

129 dB peak

1 x 12" 1 x 1.5" neo

Internal Electronic Control

2 x 4 pole Speakon

TM

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

50 Hz - 20 kHz -3dB points

LF : 99 dB 1w/1m

HF : 108 dB 1w/1m

Passive : 1.6 kHz

Active : 1.6 - 1.9 kHz But or LR 18/24 dB/oct

LF/HF 8 ohms

LF : 600 watts RMS

HF : 100 watts RMS

127 dB cont

130 dB peak

1 x 15" 1 x 1.5" neo

Internal Electronic Control

2 x 4 pole Speakon

TM

Dimensions

Height

Width

Depth

Weight

366 (mm) 14.4"

696 (mm) 27.4"

355 (mm) 14.0"

30.2 (kg) 66.4 lbs

Construction

Enclosure Wood / aluminium composite

Rigging

Finish

Grill

20 x fly points : Powerdrive type 100 plate

Smooth polyurethane

Perforated steel - foam filter

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

446 (mm) 17.5"

806 (mm) 31.7"

462 (mm) 18.2"

39 (kg) 85.8 lbs

Wood / Aluminium composite

20 x Fly points : Powerdrive type 100 plate

Smooth polyurethane

Perforated steel - foam filters

Axsys L2

Uniting leading-edge aesthetics with the latest in advanced transducer technology, the Axsys L2 features tremendous power output with a pure sonic quality that is as aurally attractive as its enclosure is visually compelling.

T a r g e t e d t o w a r d s m o d e r n entertainment and leisure facilities, an Axsys L2 Subwoofer is the ideal companion to the Axsys 12 and Axsys

15 full-range systems.

The Axsys L2 Subwoofer features a very high power 460 mm cone transducer with a 100 mm voice coil.

The use of such a powerful transducer provides highly accurate transient response and intense output power, especially given the enclosure's deceptively small size.

A multi-cavity design was developed to further preserve the transients and maintain the system's high overall efficiency.

The Axsys L2 excels at delivering gripping and dramatic low frequency content that keeps music-lovers and dance club patrons coming back for more.

Applications

Small, medium and large clubs, bars and night venues, theatre and stage installations,

AV presentation systems, cruise ships, theme parks, casinos and showrooms

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

38 Hz - 160 Hz -3dB points

98 dB 1w/1m

34 Hz Hi pass - up to 140 Hz Lo pass

8 ohms

750 watts RMS

126.5 dB cont

129.5 dB peak

1 x 18"

Omni

2 x 4 pole Speakon

TM

Dimensions

Height

Width

Depth

Weight

640 (mm) 25.2"

594 (mm) 23.4"

630 (mm) 24.8"

46.8 (kg) 103 lbs

Construction

Enclosure Wood/aluminium composite

Finish

Grill

Smooth polyurethane

Perforated steel - foam filter

Point One

The highly unique Point One nearfield

DJ monitor uses a specially designed

12" low frequency transducer with a c o a x i a l l y m o u n t e d 1 " e x i t compression driver. This arrangement provides a point source transmission pattern that eradicates the phase distortion which normally occurs when the listener is very close to the sound source.

An integral stand positions the Point

One at the optimum angle for nearfield work, and the careful selection of materials used in the HF unit helps keep listener fatigue to a minimum.

As part of our Club-Fi series the Point

One is available in a variety of different tints and finishes.

Applications

DJ monitor in medium to large club installations and portable systems

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Connector

55 Hz – 20 kHz -3dB points

99 dB 1w/1m

Passive 2 kHz

8 ohms

500 watts RMS

126 db cont

130 db peak

1 x 12" : 1 x 1" coax

1 x 4 pole Speakon

TM

Dimensions

Height

Width

Depth

Weight

555 (mm) 21.8"

368 (mm) 14.5"

325 (mm) 12.8"

19 (kg) 41.8 lbs

Construction

Enclosure Clear Perspex

P16

Waveform 10

Designed with the knowledge that modern leisure venues are often studies in sophisticated interior design, the Waveform 10 creates a new level of visual inspiration for social spaces. Its form is rooted in the realm of contemporary art, while its outstanding sonic performance is grounded in the domain of advanced technology.

The Waveform 10 has a multifaceted design philosophy; the smaller venue can make use of the 10's outstanding performance capabilities operating in full-range mode. For larger clubs and dance floors, the addition of one or more Waveform S subwoofers will provide a system to surpass all expectations.

As the name suggests, the Waveform

10 is built around a substantial 10" cone transducer, while a 34 mm exit compression driver with a 63 mm v o i c e - c o i l h a n d l e s t h e h i g h frequencies. Both sections are married together with a precision engineered crossover that features electronic protection for the HF section.

As with other members of the

Waveform collection, the Waveform

10 is available in a wide range of custom colours.

Applications

Small to medium sized clubs, bars, theme parks, cruise ships, resorts & lounges

Specifications

Frequency Response

Sensitivity

Impedance

Power Handling

Maximum Output

Dispersion

Crossover Point

Driver Configuration

Protection (HF)

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

52 Hz - 20 kHz -3dB points

98 dB 1w/1m

8 ohms

350 watts RMS

123.5 dB cont

125.5 dB peak

1.7

kHz passive

1 x 10" 1 x 1.5” neo

Internal Electronic Control

1 x 4 pole Speakon

TM

600 (mm) 23.6"

322 (mm) 12.7"

290 (mm) 11.4"

17.5 (kg) 38.5 lbs

Fibreglass kevlar composite

Powerdrive type 75

Smooth cellulose

Waveform S

The first subwoofer in the Waveform collection, the ultra modern Waveform

S expands the possibilities of audible art. Its sweeping curves and sculptured contours prove that form and function can cohabit blissfully.

The Waveform S can be used to provide earth shattering low frequency energy in a multitude of applications from the largest dance floors to smaller bars. Many possibilities exist to allow the

Waveform S to become part of your decor. Multiples can be stacked to provide wall divides, and single units can be used as seating.

At the heart of the Waveform S lies a high-power, specially designed 12" transducer loaded by a 2.5 meter bass horn. This arrangement provides extended bass response down to 34

Hz, while still retaining the speed and upper bass punch that only a low-mass cone transducer can provide.

As with other members of the

Waveform collection, the Waveform S is available in a wide range of custom colours.

Applications

Small to medium sized clubs, bars, theme parks, cruise ships, resorts & lounges

Specifications

Frequency Response

Sensitivity

Impedance

Power Handling

Maximum Output

Dispersion

Crossover Point

Driver Configuration

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

34 Hz - 150Hz -3dB points

102 dB 1w/1m

8 ohms

750 watts RMS

130 dB cont

133 dB peak

Omni

80 - 140Hz

1 x 12 "

2 x 4 pole Speakon

TM

400 (mm) 15.75"

1560 (mm) 61.4"

645 (mm) 25.4"

62 (kg) 136.6 lbs

18 mm 15 laminate birch plywood

Waveform 10 stand mount

Smooth cellulose

Venu 6

The Venu 6 has been designed to offer everything you could ask for from an installation loudspeaker. The entire

Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the

Venu series was born.

There are many features that make the Venu 6 so convenient to install and use, these include, an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and requires only one set of hands to attach the enclosure to the bracket.

Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be maintained in vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, Rust proof grille and fittings suitable for beach bar and other corrosive environments. Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood.

Applications

Clubs, bars, lounges, cruise ships, theme parks

Specifications

Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

72 Hz - 22kHz -3dB points

95 dB 1w/1m

2.4

kHz passive

8 ohms

200 watts RMS

118 db cont

121 db peak

1 x 6.5" 1 x 1"

Internal Electronic Control

1 x Phoenix with link out

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

372 (mm) 14.6"

239 (mm) 9.4"

200 (mm) 7.9"

8.5

(kg) 18.7 lbs

15 mm multi laminate birch plywood

4 x M8 inserts : Easy Hang Bracket Plate

Textured polyurethane

Perforated steel - foam filter

Venu 8

The Venu 8 has been designed to offer everything you could ask for from an installation loudspeaker. The entire

Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the

Venu series was born.

There are many features that make the Venu 8 so convenient to install and use, these include, an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and requires only one set of hands to attach the enclosure to the bracket.

Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be maintained in vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, Rust proof grille and fittings suitable for beach bar and other corrosive environments. Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood.

Applications

Clubs, bars, lounges, cruise ships, theme parks

Specifications

Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

60 Hz - 22kHz -3dB points

97 dB 1w/1m

2.3

kHz passive

8 ohms

300 watts RMS

121 db cont

124 db peak

1 x 8" 1 x 1"

Internal Electronic Control

1 x Phoenix with link out

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

415 (mm) 16.3"

260 (mm) 10.2"

223 (mm) 8.8"

11.5 (kg) 25.3 lbs

15 mm multi laminate birch plywood

4 x M8 inserts : Easy Hang Bracket Plate

Textured polyurethane

Perforated steel - foam filter

P18

Venu 10

The Venu 10 has been designed to offer everything you could ask for from an installation loudspeaker. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the

Venu series was born.

There are many features that make the Venu 10 so convenient to install and use, these include, an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and requires only one set of hands to attach the enclosure to the bracket. Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be maintained in vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, Rust proof grille and fittings suitable for beach bar and other corrosive environments.

Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood.

Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Applications

Clubs, bars, lounges, cruise ships, theme parks

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

52 Hz - 22kHz -3dB points

97 dB 1w/1m

2.1

kHz passive

8 ohms

350 watts RMS

123 db cont

126 db peak

1 x 10" 1 x 1"

Internal Electronic Control

1 x Phoenix with link out

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

469 (mm) 18.5"

315 (mm) 12.4"

250 (mm) 9.8"

14.5 (kg) 32.0 lbs

15 mm multi laminate birch plywood

4 x M8 inserts : Easy Hang Bracket Plate

Textured polyurethane

Perforated steel - foam filter

Venu 12

The Venu 12 has been designed to offer everything you could ask for from an installation loudspeaker. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the

Venu series was born.

There are many features that make the Venu 12 so convenient to install and use, these include, an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and require only one set of hands to attach the enclosure to the bracket. Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be maintained in vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, Rust proof grille and fittings suitable for beach bar and other corrosive environments.

Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood.

Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Applications

Clubs, bars, lounges, cruise ships, theme parks

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

50 Hz - 22kHz -3dB points

98 dB 1w/1m

1.9

kHz passive

8 ohms

400 watts RMS

124 db cont

127 db peak

1 x 12" 1 x 1"

Internal Electronic Control

1 x Phoenix with link out

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

522 (mm) 20.5"

385 (mm) 15.1"

330 (mm) 13.0"

19.5 (kg) 43.0 lbs

15 mm multi laminate birch plywood

4 x M8 inserts : Easy Hang Bracket Plate

Textured polyurethane

Perforated steel - foam filter

P19

Venu Bass

The Venu Bass has been designed to offer everything you could ask for from an installation Subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the

Venu series was born.

There are many features that make the Venu Bass so convenient to install and use, these include, a super tough

12” transducer with long excursion 4” coil. Phoenix connectors with link outs for super quick and reliable hook ups.

A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 15mm multi laminate birch plywood.

Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Applications

Clubs, bars, lounges, cruise ships, theme parks

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

34 Hz - 160Hz -3dB points

96 dB 1w/1m

80 - 160 hz active

8 ohms

600 watts RMS

123 db cont

126 db peak

1 x 12"

Omni

N/A

1 x Phoenix with link out

370 (mm) 14.6"

490 (mm) 19.3"

430 (mm) 16.9"

24.0 (kg) 52.9 lbs

15 mm multi laminate birch plywood

N/A

Textured polyurethane

Perforated steel - foam filter

Venu X

The Venu X has been designed to offer everything you could ask for from an installation Subwoofer. The entire

Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the

Venu series was born.

There are many features that make the Venu X so convenient to install and use, these include, super tough 12” transducers with long excursion 4” coils. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 15mm multi laminate birch plywood.

Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Applications

Clubs, bars, lounges, cruise ships, theme parks

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

34 Hz - 160Hz -3dB points

99 dB 1w/1m

80 - 160 hz active

4 ohms

1200 watts RMS

128 db cont

131 db peak

2 x 12"

Omni

N/A

1 x Phoenix with link out

370 (mm) 14.6"

780 (mm) 30.7"

490 (mm) 19.3"

44.5 (kg) 98.1 lbs

15 mm multi laminate birch plywood

N/A

Textured polyurethane

Perforated steel - foam filter

P20

Touring

Void touring products have become industry standards across the globe. With a countless number of companies prescribing Void as their system of choice, it’s no wonder that our loudspeakers and amplifiers are seen in many of the world’s largest arenas, and on tours of all sizes, shapes, and musical styles.

It’s not just the rental sector that’s making use of Void touring products; many prestigious live venues have benefited from permanently installing our systems, gaining much loyalty among their patrons for the consistent sound quality they are now able to achieve.

From the largest tours to the smallest working band,

Void products are proof that the next generation of sonic weaponry has arrived.

Recent Events

Animal Bike Tour - Europe

AVC - Pier 94, USA

Beached Festival - Manchester, UK

Bestival - Isle Of Wight, UK

British Beach Polo Championships - UK

Don Letts - Hyde Park, London, UK

Ecoparade 2012 - Brescia, Italy

EDM Festival - Chicago, USA

Electric Picnic 2012 - Streadbally, Ireland

Glade Festival - Norfolk, UK

Glastonbury Festival - Somerset, UK

North Coast Music Festival - Chicago, USA

Outlook Festival - Pula, Croatia

Red Bull Clash - Wembly Arena, UK

Shambala Festival - Northamptonshire, UK

Ultra Music Festival - Miami, USA

Viva La Electronica Tour - Italy

Westfest - Chicago, USA

Winter Music Conference - Miami, USA

Armin van Buuren - Chicago

Ultra Music Festival - Miami

BBK & JME (2012 Redbull Clash Winners) - Wembley Arena UK

Arcline 12 - Wembley UK Arcline 6 With Top Danish Chart Act Nephew Arcline 12 & 6 (2012 Redbull Clash FOH System) - Wembley Arena UK

Arcline Overview

Arcline has been developed to give hire companies, touring companies, and installation contractors a choice of line array systems that are capable of exceeding the most demanding requirements.

The fundamental design of Arcline has been paved out by many years of research into the needs of our ever changing industry. It was determined early on that a line source with a cylindrical wavefront would best serve the requirements demanded of a modern line source system. To accomplish this, all of the components within each enclosure are physically positioned on an arc. This curved baffle arrangement allows for the components to share a common virtual acoustic centre that exists rearward of the physical array, thus equalising the sound path distances. The benefits are significant; they include constant sound intensity over the stated coverage angles, and greater linearity of the near-to-far-field transition point. The normally poor impulse response that is an inherent problem with line source transmission is also greatly improved by minimizing the path length differences, as well as by the use of our exclusive power tapering technology that's carried out in each enclosure.

The Arcline family of products provide a range of no-compromise solutions suitable for system designers, sound consultants, and production companies of all types. In the rental market particularly, versatility must be the overriding priority with any new purchases these days, and the Arcline family of products are as versatile as they come.

P22

Arcline 12

Aimed at live performance venues and the touring sector, Arcline 12 takes a new approach to combat the inherent problems which compromise most small and medium format line source enclosures.

The idea of forming a line array is to produce a cylindrical wavefront which allows sound to disobey the inverse square law, but this can only occur if certain criteria are met. The major criterion is to ensure that a long enough line of enclosures are coupled to produce a cylindrical wavefront down to around 100Hz, as this would then give the lower frequencies the same decay-per-distance rate as the mid and HF frequencies. But this rarely happens when implementing small and medium format line array systems.

The outcome of not forming a long enough line to support lower frequencies is the all too familiar thin sound with a lack of low midrange and upper bass, especially as the distance from the source increases.

Applications

Medium to large sized venues of all types, large scale touring, arena and stadium sound, dance festivals

To rectify this problem, Arcline 12 adds a high efficiency horn loaded low-mid section to assist with low-mid projection. As with its smaller brother the Arcline 6, the 12 also physically positions its components on an arc forming a common virtual acoustic centre. This, teamed up with its 120 degree horizontal dispersion, allows for a very wide and uniform sound coverage free from phase and response abnormalities.

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

90 Hz – 20 kHz -3dB points

LF : 105.0 dB 1w/1m

MF : 101.5 dB 1w/1m

HF : 108.0 dB 1w/1m

250 Hz and 1.8 kHz active

LF 8 ohms : MF 8 ohms : HF 5.3 ohms

LF 700 w RMS

MF 900 w RMS

HF 240 w RMS

130.5 db cont

136.5 db peak

1 x 12" neo : 4 x 6.5" neo : 3 x 1" neo

0 0

120 h x 7 v

2 x 8 pole Speakon

TM

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

437 (mm) 17.2"

860 (mm) 33.8"

600 (mm) 23.6"

(kg) 121.2 lbs

15mm multi laminate birch plywood

Textured polyurethane

Perforated steel - foam filter

Psyco X

Psyco X is the latest addition to Void’s line up of high performance low frequency enclosures. Being the latest has meant it’s got to be special and have some extraordinary specs. A quick glance at its specifications will confirm this.

The design features a horn with a length of just over 3.1 meters (10.2 ft), which is about as long as anyone has ever managed to cram into an enclosure with a total volume of just

604 litres. This gives a stack of four enclosures an f3 point of 27Hz with a sensitivity of 112.5dB 1w/1m. Power handling is 6400 watts AES, which equates to a peak output of 154.3dB at 1 meter.

The use of such a long horn has given extreme efficiency, a very low f3 with well-behaved transient response and a predictable dispersion pattern when arrayed. Both the predictability and far field projection capabilities of a

Psyco X Array have made it the perfect partner for the Arcline 12.

Applications

These superlative performance specs have only been made possible by a recent development in transducer chassis design that has allowed a sophisticated cooling system to be implemented. All the internal metal chassis parts and magnet structure are bolted to transfer plates and cables that connect to an external heatsink. The transference of heat form the core of the transducer to the outside of the enclosure has led to a world breaking level of power compression. Measurements taken after a 2 hour test with continuous full power 90% duty cycle source material have confirmed a power compression level of only 1.8dB.

Sprayed with our brand new

‘TourCoat’ polyurea finish, the Psyco

X also features new truck pack friendly dimensions and universal location receptors that allow interlocking and matting with adjacent enclosures regardless of their orientation.

Medium to large sized venues of all types, large scale touring, arena and stadium sound, dance festivals

Specifications

Frequency response

Efficiency

Crossover Point

27 Hz - 190 Hz -3dB (4 enclosures)

1 enclosure : 106.0 dB 1w/1m

2 enclosures : 108.5 dB 1w/1m

4 enclosures : 112.5 dB 1w/1m

Hi Pass : 27 Hz - 24 dB/oct Lo pass : 80 - 130 Hz - 24 dB/oct

Impedance 1 enclosure : 8 ohms

Maximum Output Measured to IEC61672 and ANSI S1.4 specifications

1 enclosure : 136.8 dB cont : 141.1 dB peak

2 enclosures : 142.5 dB cont : 148.2 dB peak

Power Handling

Driver configuration

Dispersion

Connector

Horn Length

4 enclosures : 148.6 dB cont : 154.3 dB peak

1 enclosure : 1600 watts AES 2-1984 Rev. 2003

1 x 18" neo - 100 (mm) 4" voice coil

Array Dependent

2 x 8 pole Speakon - 2 x 4 pole Speakon

TM

3.1 (meters) 10.2 ft

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Finish

Grill

554 (mm) 21.8"

1218 (mm) 48.0"

896 (mm) 35.3"

96 (kg) 211.6 lbs

18mm 13 laminate birch plywood

Textured polyurethane

Perforated steel - foam filter

Arcline 6

The main design considerations behind the Arcline 6 were versatility and ease of use. Portability and a sophisticated rigging system that requires no specialized knowledge by the user were also high on the list.

In order to avoid the use of multiple enclosures, yet ensure a wide enough horizontal coverage pattern, the

Arcline 6 was conceived with a 120 degree dispersion in the horizontal plane. This dramatically improves the p e r c e i ve d s o u n d q u a l i t y a n d definition, as well as reducing setup time by eliminating the need to hang multiple columns to achieve the needed angle of coverage.

Placing all the components on a virtual arc with a true 120 degree dispersion has resulted in a highly-uniform polar pattern that allows all of the audience members to experience a similar sound quality.

Traditional HF spacing and path length compensation among line source enclosures has almost always meant a compromise in HF performance; thus a new design of waveguide has been employed for the Arcline 6. The new waveguide and common virtual feed point allows a flat response up to

21 kHz, even when coupled with multiple enclosures. The ability of the

Arcline 6 to form a true cylindrical wavefront when used in multiples is key to its exceptionally smooth transition from near-field to far-field coverage.

Applications

Live sound in small to medium sized venues. Small to medium scale touring. Theatre,

AV Presentations

Specifications

Frequency Response

Sensitivity

Impedance

Power Handling

Maximum Output

Dispersion

Crossover Point

Driver Configuration

Protection (HF)

Rigging, Mounting

Connectors

60 Hz - 21 kHz -3dB points

101 dB 1w/1m

8 ohms

800 watts RMS

129 dB cont

132 dB peak

900 Hz passive

4 x 6.5" neo 3 x 1" neo

Internal Electronic Control

3 x tower winch location points

2 degree tilt adjustment 0 - 10 degrees

Maximum of 2 Arcline 6 per tower winch

2 x 4 pole Speakon

TM

Dimensions

Width

Height

Depth

Weight

538 (mm) 21.2"

395 (mm) 15.5"

355 (mm) 14.0"

28.2 (kg) 62 lbs

Construction

Rigging, Mounting

Construction

Finish

Tower winch, Fly frame, Tilt board

15 mm multi laminate birch plywood

Textured polyurethane

Arcline X

Expanding on the multiple resonant chamber concept as found in the

Stasys X, the Arcline X takes an even bigger break from tradition by distilling the technology one step further. Each enclosure offers 140dB peak SPL, whilst an array capable of

150dB peaks occupies a frontal area of only 3 sq meters and can be setup in less than 2 minutes by two people.

The radical advance of the multiple resonant chamber technology employed by Arcline X additionally allows a sub 40Hz f3 point, which is unprecedented for an enclosure with a volume of just 300 litres.

Careful design consideration of the internal horn paths have resulted in an extended upper response that will accurately reproduce up to 250Hz, permitting a higher crossover frequency than is possible with many other subwoofers. When used with the

Arcline 6 or Arcline 12, this higher crossover raises their maximum output level capability and allows far greater projection of the important upper bass frequencies that many small line source's fail to reproduce convincingly.

Applications

Live sound in medium sized venues. Small to medium scale touring. Theatre,

AV presentations, music clubs

Specifications

Arcline X additionally features HTT

(Heat Transference Technology). A side located heatsink is used to transfer heat from both woofer's voice coils and magnet assemblies, significantly decreasing power compression and improving long term reliability.

Frequency Response

Sensitivity

Impedance

Power Handling

Maximum Output

Dispersion

Crossover Point

Driver Configuration

Protection

Rigging, Mounting

Connectors

38 Hz - 250 Hz -3dB points

105 dB 1w/1m

4 ohms

136 dB cont

140 dB peak

Array Dependent

38 Hz Hi Pass - up to 250 Hz Lo Pass

2 x 15" neo

N/A

1 x tower winch receptacle

2 x 4 pole Speakon

TM

Dimensions

Width

Height

Depth

Weight

860 (mm) 33.8"

446 (mm) 17.5"

800 (mm) 31.5"

64.8 (kg) 142.4 lbs

Construction

Rigging, Mounting

Construction

Finish

Tower winch system, Tilt board

18 mm birch plywood - carbon fibre - magnesium

Textured polyurethane

Stasys Overview

The flagship Stasys Series is the definitive aural arsenal for those with the highest level of audio requirements. Equally at home on the largest tours and in the biggest installations, Stasys always exceeds expectations.

With an output-to-size ratio among the highest in the industry, Stasys is fast becoming one of the shrewdest investments you can make. Touring companies using Stasys are discovering they can spec half the size system they normally would, which translates into major savings in transportation and crew costs.

Night clubs, music venues and Houses of Worship are all discovering the sonic and economic benefits of installing Stasys. At a time when installation budgets are carefully controlled, investing in products that have the highest levels of output and definition with proven reliability is a top priority. Stasys systems fulfil these criteria and more without breaking the bank.

Stasys is characterised by tremendous power output and exceptionally low distortion. The enclosures readily form coherent arrays when used in multiples, retaining their inherently smooth response and musical sonic characteristics.

Stasys Series products make use of many of the latest advancements in acoustic design technology. This has only been possible by utilising our extensive R&D facilities and dedicated design team. For example, all X Series products undergo a technique called 'resonance mapping'. Hundreds of small accelerometers are attached to every surface of an enclosure and measurements are taken that allow a 3D colour map of resonant modes and densities to be displayed. This information is then used to determine material selection, pinpoint any problem areas, refine enclosure bracing, and keep structural mass to a minimum while maintaining the highest achievable output with least possible colouration.

Stasys loudspeaker systems represent some of the most advanced and refined audio products available in the world today.

Audition Stasys and see how it can transform your expectations.

Stasys Prime V2

The new 3 way Stasys Prime V2 takes the point source concept to new levels with its extended low frequency performance, ground breaking efficiency, and unprecedented output power. Most traditional point source enclosures can only be used above

100Hz and require the addition of LF enclosures that have enough speed and agility to cope with the demanding upper bass band. Stasys Prime negates the need of such LF enclosures, as its extended LF response allows it to be used with true dedicated subwoofers. This has the added benefit of not producing an awkward aural transition from the f l o w n a r ra y t o t h e t y p i c a l l y ground-stacked subs.

Stasys Prime V2 has been designed so that lossless summation between adjacent enclosures takes place effortlessly. This seamless transition from enclosure to enclosure within the array greatly improves intelligibility and phase coherency. Array efficiency is radically increased as well, as

Stasys Prime enclosures provide true a c o u s t i c a d d i t i o n i n s t e a d o f destructive interference.

Applications

Medium to large sized venues of all types, large scale touring, arena and stadium sound, dance festivals

The maximum continuous output level per enclosure is extremely important with any point source array, as each section of the venue is predominantly covered by a single array element.

Each Stasys Prime is capable of a continuous output of 142dB, allowing the total array to be surprisingly small for a given application. The tightly controlled dispersion pattern means that more energy can be directed where it's needed, at the listener, instead of needlessly exciting the reverberant field. Because of this,

Stasys systems are especially effective in difficult acoustical environments such as sports facilities, houses of worship, and other highly reverberant spaces.

Super high efficiency levels with switchable two way or three way active operation has resulted in both a user and environmentally friendly enclosure. This means fewer amplifiers with lower output power are required, which is good news when it comes to purchasing, deploying, and transporting the system.

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

90 Hz – 22 kHz -3dB points

LF : 112.0 dB 1w/1m

MF : 115.5 dB 1w/1m

HF : 116.0 dB 1w/1m

2 way 650 Hz - 3 way 650 Hz & 6.5 kHz

LF 4 ohms MF 8 ohms HF 8 ohms

LF 1500 w RMS

MF 150 w RMS

HF 80 w RMS

142 db cont

146 db peak

2 x 15" neo : 1 x 1.5" coax

0

25 h x 35 v

860 (mm) 33.9"

586 (mm) 23.1"

775 (mm) 30.5"

83 (kg) 186.2 lbs

18mm 15 laminate birch plywood

4 x Aero track proprietary flying system

Textured polyurethane

Perforated steel - foam filter

TM

Stasys 5 Mk2

Designed specifically for demanding live performance applications, the

Stasys 5 Mk2 expands the boundaries of low frequency sonic bombardment.

Suitable for use on the largest tours or in the biggest arenas, the Stasys 5 mk2 utilises numerous innovations to produce low frequency output with previously unheard of impact.

One such innovation harnesses some of the energy that would normally be dissipated in the rear chamber; this is accomplished by firing the transducer onto an aluminum pressure plate. The plate's restoring force is then reflected back onto the transducer, resulting in a substantial increase in transient response and efficiency. Using an actively driven element with a passively fed radiator, with gain, has analogies to a bass or kick drum, where one of the two heads is hit whilst the other is tuned to a different frequency. To gain the most from this arrangement a specially designed transducer with an asymmetrical o f f s e t s u s p e n s i o n h a s b e e n implemented.

As with all premium Void enclosures, the use of resonance mapping has resulted in an extremely rigid structure with very low colouration.

The output power-to-weight ratio is near the theoretical limit with the overall weight being one of the lightest in the industry. And finally, the Stasys

5 Mk2 uses Coolwave™ technology to reduce thermal compression to an absolute minimum while ensuring that consistently high output levels are maintained throughout the longest performances.

Applications

Medium to large sized live venues of all types, large scale touring, arena and stadium sound, dance events

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

38 Hz – 160 Hz -3dB points (measured with 4 enclosures)

LF : 105.6 dB 1w/1m

Hi Pass : 38 Hz 24 dB/oct Lo Pass : up to 160 Hz

8 ohms

1200 w RMS

135 db cont

140 db peak

1 x 18" neo - 125 mm (5") voice coil

Array Dependent

2 x 4 pole Speakon

TM

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Finish

Grill

860 (mm) 33.9"

586 (mm) 23.1"

775 (mm) 30.5"

53 (kg) 116.6 lbs

18 mm 15 laminate birch plywood

Textured polyurethane

Perforated steel - foam filter

Stasys 3 mk2

The Stasys 3 mk2 mid-hi touring enclosure is designed to give system operators a quick and simple solution to large scale sound reinforcement.

Each enclosure comes with a multiple point Aero-track flying system allowing quick system setups and accurate arraying.

The design is the distillation of a lifetime's work. Most of the technology incorporated in the Stasys 3 mk2 has never been attempted before and is a radical departure from the norm. At the heart of the design is the

'Waveformer'. Sound waves enter the horn at varying distances from the transducer via the centrally mounted

Waveformer. The distance depends on the frequency and also the radiation pattern of the transducer. New types of transducers were developed that emit different frequencies from different locations around their radiation surface. These locations are then channeled to the Waveformer and emitted at a precise distance down the horn.

The benefits of Waveforming are enormous. All frequencies reach the horn mouth at exactly the same time so that phase cancellation is virtually eliminated. The result is an extremely flat and uniform response with a very wide bandwidth in each band.

Dispersion characteristics are radically improved as well, due to the

Waveformer's refraction grid which reduces HF beaming significantly.

The well defined and tightly controlled dispersion pattern means that more energy can be directed where it's needed, at the listener, instead of needlessly exciting the reverberant field. Because of this, Stasys systems are especially effective in difficult acoustical environments such as sports facilities, houses of worship, and other highly reverberant spaces.

The Stasys 3 mk2 also features a 2 way passive - 3 way active selector switch, further enhancing setup flexibility.

Applications

Medium to large sized venues of all types, large scale touring, arena and stadium sound dance festivals

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

120 Hz – 20 kHz -3dB points

LF : 108 dB 1w/1m

MF : 108 dB 1w/1m

HF : 109 dB 1w/1m

2 way 800 Hz - 3 way 800 Hz & 3.2 kHz

LF/MF/HF 8 ohms

LF 500 w RMS

MF 200 w RMS

HF 80 w RMS

134 db cont

139 db peak

1 x 12" : 1 x 6.5" : 1 x 1"

0

45 h x 30 v

2 x 8 pole Speakon - 2 x 4 pole Speakon

TM

815 (mm) 32.1"

586 (mm) 23.1"

775 (mm) 30.5"

66 (kg) 145.5 lbs

18mm 15 laminate birch plywood

4 x Aero track proprietary flying system

Textured polyurethane

Perforated steel - foam filter

Stasys X V2

Stasys X set a new standard in the performance possible from a double

18” low frequency enclosure. It has been used on tours, in live venues, and in world-class night venues all around the world since its introduction

5 years ago. But the time has come to move on and use the latest technologies to advance and refine the design further. This is no mean feat as the first version was very well received and phenomenally successful form a sales point of view.

So what’s changed and what are the improvements. A total rearrangement of the internal resonant chambers has improved the cooling to the extent that no external heatsinks are required, which has also led to a significant decrease in power compression. The systems transient response, phase response and overall timing capabilities have also been vastly improved by the new internal chamber layout. This has led to a more uniform response in relation to distance and greater behavioral predictability when arrayed.

The Stasys X V2 uses the latest cone materials keeping the moving mass low enough to allow optimum transfer efficiency to take place, whilst providing the structural rigidity to maintain form at all times. This advancement has also meant the transducers mechanical parameters are ideally matched to the enclosures internal loading requirements, which has lowered the f3 point and improved the attack characteristics.

Sprayed with our brand new

‘TourCoat’ polyurea finish, the Stasys

X V2 also features new truck pack friendly dimensions and universal location receptors that allow interlocking and matting with adjacent enclosures regardless of their orientation.

Applications

Medium to large sized venues of all types, large scale touring, arena and stadium sound dance festivals

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

30 Hz – 180 Hz -3dB points

LF : 103.8 dB 1w/1m

Hi Pass : 30 Hz - 24 dB/LR Lo Pass : 100 - 145 Hz - 24 - dB/LR

4 ohms

3200 w RMS

138 db cont

142 db peak

2 x 18" neo

Array Dependent

2 x 4 pole Speakon

TM

Dimensions

Height

Width

Depth

Weight

554 (mm) 21.8"

1218 (mm) 48.0"

896 (mm) 35.3"

96 (kg) 211.6 lbs

Construction

Enclosure

Finish

Grill

18 mm birch plywood

Textured polyurethane

Perforated steel - foam filter

Stasys 218

In an ever changing financial climate the search for cost effective solutions b e c o m e s p a r a m o u n t . M a n y compromise and turn to more traditional designs to avoid breaking the bank, but traditional doesn’t always have to mean compromise.

Enter the Stasys 218, a low frequency enclosure build around traditional principles but designed with Stasys philosophy and attention to detail.

T o a b s t r a c t t h e m a x i m u m performance from the design the heart of the 218’s enclosure was subjected to the same resonance mapping procedures as all other

Stasys low frequency models. This practice has dictated the type of materials used around the enclosure, optimised the brace positioning and m i n i m i s e d d e s t r u c t i v e n o d a l conditions. All of this adds up to a structurally superior housing with minimum mass, the least possible amount of cabinet born coloration and vastly increased output.

Transducer selection and integration is also critical when it comes to reflex enclosure design, so months of comparative testing and evaluation led to the birth of a new 18” transducer for the Stasys 218. The sonic properties of differing cone and surround combinations were studied as well as differing coil topographies.

Flux intensities and out of band abnormalities were also manipulated until the perfect combination was achieved and our ears were happy.

Applications

Medium to large sized venues of all types, large scale touring, arena and stadium sound, dance festivals

Specifications

For those that demand state of the art performance at a realistic price level, a new contender has arrived. Its the marriage of a technologically advanced enclosure with esoteric performing transducers applied with superlative tuning techniques that has resulted in a phenomenal package that has well and truly left tradition behind.

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

Dimensions

Height

Width

Depth

Weight

32 Hz – 200 Hz -3dB points

LF : 101 dB 1w/1m

70 - 160 Hz, 24dB/oct

4 ohms

2400 w RMS

134 db cont

139 db peak

2 x 18" - 100mm voice coil

Array Dependent

2 x 4 pole Speakon

TM

586 (mm) 23.0"

1020 (mm) 40.1"

775 (mm) 30.5"

89.0 (kg) 196.2 lbs

Construction

Enclosure

Finish

Grill

18 mm birch plywood

Textured polyurethane

Perforated steel - foam filter

Stasys Phil

P r o b a b l y t h e m o s t v e r s a t i l e loudspeaker you could ever have in your arsenal, Stasys Phil sets new standards in extra high output, fullrange sound reinforcement.

Primarily designed as a side or drum fill for larger setups, Stasys Phil is equally at home at FOH driven fullrange in smaller venues. Other applications include large scale FOH when used as a mid top with suitable

LF enclosures and as a monitor for keyboard or percussion players.

Dance events can also make use of

Phil’s versatility. A pair used as DJ monitors, could surpass the output and quality requirements of the most demanding top level DJ’s. Mobile jocks can also build scalable FOH systems without the need for further LF enclosures due to the extended 45Hz low frequency response of Stasys Phil.

Stasys Phil’s simplicity also allows it to be used with our 4 channel amplifiers using their built in crossovers.

Compact and powerful systems can be created for all types of events using our 4 channel amplifiers, allowing for very fast setup times with the minimum of fuss.

Applications

Side, drum and keyboard fill in large scale touring. FOH in small to medium scale touring/venues. DJ monitor, mobile disco, theatre and stage productions, conference

Specifications

With its ability to tackle any application in its stride, most would agree that if you were ever stranded on a desert island and could only take one type of loudspeaker with you,

Stasys Phil would be the one you grab first.

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

45 Hz – 21 kHz -3dB points

LF : 101 dB 1w/1m

HF : 106 dB 1w/1m

1.8kHz active LR 24dB oct

LF 4 ohms - HF 8 ohms

LF 1600 w RMS

HF 100 w RMS

130.5 dB cont

134.0 dB peak

2 x 15" neo : 1 x 1.5"

80 h x 50 v rotatable

2 x 4 pole Speakon

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

1191 (mm) 46.9"

586 (mm) 23.0"

550 (mm) 21.6"

63.0

(kg) 138.9 lbs

18mm 15 laminate birch plywood

8 x Aero track

Textured polyurethane

Perforated steel - foam filter

Mycro Series

The Visually discrete Mycro series combines amazing versatility with high-performance, enabling a wide range of professional requirements to be fulfilled.

The 3 fullrange models excel in difficult applications where dispersion, mounting space and SPL are all important concerns. The enclosures feature a user-rotatable HF horn that enables installation both horizontally or vertically using a Powerdrive type 75 mounting system, or an

OmniMount™ equivalent. All fullrange models also feature a top hat fitting, allowing the use of a stand for conference or other portable use.

Each model within the Mycro series makes use of carefully selected components that are designed and manufactured in-house, this enables the Mycro series to outperform virtually all other loudspeaker systems in its class.

Mycro is an excellent choice for lecture halls, houses of worship, corporate training centres, meeting rooms, conference work, pubs, bars, and many other similar facilities in which a small, but no-compromise loudspeaker, is required. All models are available in black, white, or grey finishes to perfectly blend into there surroundings.

Mycro 6

Mycro 8

Mycro 10

Applications

Houses of worship, corporate training centres, meeting rooms, conference work, pubs, bars, lecture halls

Specifications Mycro 6 Mycro 8 Mycro 10

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

74 Hz - 21 kHz -3dB points

95 dB 1w/1m

2.8

kHz passive

8 ohms

200 watts RMS

118 db cont

121 db peak

1 x 6.5" 1 x 1" neo

Internal Electronic Control

2 x 4 pole Speakon

TM

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

58 Hz – 21 kHz -3dB points

97 dB 1w/1m

2.4

kHz passive

8 ohms

300 watts RMS

122 db cont

124 db peak

1 x 8" 1 x 1”

Internal Electronic Control

2 x 4 pole Speakon

TM

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection (HF)

Connector

Dimensions

Height

Width

Depth

Weight

370 (mm) 14.5"

255 (mm) 10.0"

252 (mm) 9.9"

10.4 (kg) 22.9 lbs

Dimensions

Height

Width

Depth

Weight

400 (mm) 15.7"

275 (mm) 10.8"

270 (mm) 10.6"

13.2 (kg) 29.1 lbs

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

15 mm multi laminate birch plywood

12 x M8 inserts : Powerdrive type 75 plate : Top hat

Textured polyurethane

Perforated steel - foam filter

Construction

Enclosure

Rigging

Finish

Grill

15mm multi laminate birch plywood

12 x M8 inserts + Internal Powerdrive type 75 plate, top hat

Textured polyurethane

Perforated steel - foam filter

Construction

Enclosure

Rigging

Finish

Grill

50 Hz - 21 kHz -3dB points

98 dB 1w/1m

2.2

kHz passive

8 ohms

350 watts RMS

123.5 db cont

125.5 db peak

1 x 10" 1 x 1" neo

Internal Electronic Control

2 x 4 pole Speakon TM

478 (mm) 18.8"

310 (mm) 12.2"

305 (mm) 12.0"

16 (kg) 35.2 lbs

15 mm multi laminate plywood

12 x M8 inserts : Powerdrive type 75 plate : Top hat

Textured polyurethanee

Perforated steel - foam filter

Mycro Series

The Mycro Sub has been designed to provide low frequency augmentation for the Mycro 6, Mycro 8, or other high quality satellite speakers, typically in a two-channel configuration. Incorporated into the Mycro Sub is an elaborate high-power crossover network that can be used in either passive or active modes. In active mode, the Mycro Sub can be used with an external active crossover and power amplifier, if desired. In passive mode, a single Mycro Sub can be fed a stereo signal and its two passive outputs can then be used to drive a stereo pair of satellite speakers.

Mycro Bass is a compact and highly versatile bass enclosure. Utilising a very high powered 12" neodymium woofer with a 4" voice coil, the Mycro

Bass delivers fast and accurate low frequency output at levels unheard of for an enclosure of its size. Incorporated into the Mycro Bass is an extensive high power crossover network that can be used in either passive or active modes. In passive mode Mycro Bass has an output for a satellite speaker and requires only the use of a suitable power amplifier.

In active mode Mycro Bass may be used with an external active crossover and a separate power amplifier channel.

As with all X series enclosures the Mycro X offers unprecedented output for its minuscule dimensions. The design features two very substantial

12" transducers that employ 4" voice coils utilising the latest forced cooling technology. This combination allows for power levels in excess of

1500 Watts RMS to be driven into each Mycro X enclosure. High efficiency, high power handling and low power compression are all factors that dictate the long term output level of any bass enclosure. Mycro X balances the above parameters to create the highest output level for a sub-100 litre (3.5 cu.ft.) enclosure ever.

Mycro Sub

Mycro Bass

Mycro X

Applications

Houses of worship, corporate training centres, meeting rooms, conference work, pubs, bars, lecture halls

Specifications Mycro Sub Mycro Bass Mycro X

Frequency response

Efficiency

Internal Crossover

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

41 Hz - 150 Hz -3dB points

95 dB 1w/1m

Low Pass 150 Hz passive

Hi Pass 150 Hz passive

2 x 8 ohms

2 x 200 watts RMS

119 dB cont

123 dB peak

1 x 12"

Omni

5 x 4 pole Speakon

Frequency response

Efficiency

Internal Crossover

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

43 Hz - 158 Hz -3dB points

97 dB 1w/1m

Low Pass 150 Hz passive

Hi Pass 150 Hz passive

8 ohms

600 watts RMS

124 dB cont

127 dB peak

1 x 12"

Omni

5 x 4 pole Speakon

TM

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Finish

356 (mm) 14.0"

634 (mm) 24.9"

360 (mm) 14.2"

25.4 (kg) 55.9 lbs

18mm MDF

Textured polyurethanee

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

520 (mm) 20.5"

380 (mm) 14.9"

420 (mm) 16.5"

27 (kg) 59.4 lbs

18mm birch plywood

Top Hat

Textured polyurethane

Perforated steel - foam filter

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Finish

Grill

36 Hz - 200 Hz -3dB points

98 dB 1w/1m

Low Pass 120 - 200 Hz active

Hi Pass 35 Hz active

4 ohms

1500 watts RMS

129 dB cont

132 dB peak

2 x 12"

Omni

2 x 4 pole Speakon

335 (mm) 13.2"

670 (mm) 26.4"

430 (mm) 16.9"

42.3 (kg) 93 lbs

15mm birch plywood

Perforated steel - foam filter

Stage Monitors

Stasys 4

The Stasys 4 is versatile enclosure designed to function in more than one role. Equipped with multiple fly points, it is equally at home as a foldback monitor on a large tour, as it is when used for a Front of House application in a smaller venue. The Stasys 4 uses a 1.5" compression driver on a conical waveguide coupled with a very robust

15" woofer.

O u r r e s e a r c h u n c o v e r e d t h e limitations in conventional HF horn design. A conical waveguide was found to give the best off-axis rejection and constant coverage within its dispersion; both of these points are critical for high level foldback use. The Stasys 4 can be switched between its high quality internal passive crossover or driven in a two-way active mode, depending on the application requirements.

All Stasys enclosures come complete with padded road covers, while a series of optional accessories allow for versatile rigging and portability. We recommend our Livedrive 4 in 8 out system controller for use with all

Stasys products.

Applications

Foldback monitor for large scale touring, FOH in small to medium size venues, theatre and stage shows

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

50 Hz – 20 kHz -3dB points

LF : 99 dB 1w/1m

HF : 106 dB 1w/1m

Passive 1.6

kHz, active: 1.6 kHz

LF/HF 8 ohms

LF 600 w RMS

HF 100 w RMS

126.5 dB cont

129.0 dB peak

1 x 15" : 1 x 1.5" neo

0

90 h x 50 v rotatable

2 x 4 pole Speakon

TM

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

750 (mm) 29.5"

440 (mm) 17.3"

385 (mm) 15.2"

36.5 (kg) 80.3 lbs

18mm 15 laminate birch plywood

6 x Aero track, powerdrive type 100 plate, top hat

Textured polyurethane

Perforated steel - foam filter

Impulse 4t

The Impulse 4t is the ideal solution for small to medium size system operators. Like its bigger brother, the

Impulse 4t comes equipped with multiple flying points and is suitable for use as a foldback monitor, for area fill, or as a Front of House system in smaller venues. The Impulse 4t's high output power and smooth, natural sound quality produce sonic results that are rarely found from such compact dimensions.

The use of carefully selected components and a well designed crossover gives the Impulse 4t a flat frequency response free from peaks and resonances. This provides higher-than-average output levels before feedback would normally occur, especially valuable when the 4t is used for stage foldback.

All Impulse series enclosures come complete with padded road covers, while a series of optional accessories allow for versatile rigging and portability.

Applications

Foldback monitor for stage events and touring, FOH in small to medium size venues, theatrical productions, AV Presentation, corporate events

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Connector

Dimensions

Height

Width

Depth

Weight

Construction

Enclosure

Rigging

Finish

Grill

65 Hz – 20 kHz -3dB points

101 dB 1w/1m

Passive or active 1.4 kHz

8 ohms

500 w RMS

127 db cont

130 db peak

1 x 12" : 1 x 1.5"

0

90 h x 50 v rotatable

2 x 4 pole Speakon

TM

620 (mm) 24.4"

370 (mm) 14.6"

375 (mm) 14.7"

29 (kg) 63.8 lbs

18mm 15 laminate birch plywood

3 x Aero track - 1 x powerdrive type 100 plate - top hat

Textured polyurethane

Perforated steel - foam filter

Viper

The Viper System is the ultimate for portable professional applications.

Viper's design makes use of the latest in high performance components, giving outstanding sound quality at very high output levels. The use of lightweight construction materials and neodymium drivers has kept the system weight to an absolute minimum.

A Viper system comprises two Viper

Subs, two V 15 mid-hi enclosures and a 4 channel AX 5 Amplifier. Like its smaller brother the Basys system, the

Viper system comes complete with poles, cables and all necessary hardware accessories for a fully functional system right out of the shipping box.

The use of a 4 channel AX 5 amplifier with internal active xover gives a combined output power of 3600 watts into 8 ohms and comes complete with its own dedicated flight case. With both the amp and case weighing-in at just 14.7Kg, all that power won't break your back either.

Viper cabinets come with metal fittings, 4 way Speakons™ and tough, k i c k- p r o o f g r i l l e s . T h e V 1 5 ' s multi-angled sides allow it to be used as a foldback monitor while its 12 M8 flying points and internal wall bracket mounts permit quick and easy rigging in fixed installations.

Applications

Live sound in medium size venues. Mobile disco, theatre and stage productions, conferences

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection

Connectors

V15 : 58 Hz - 20 kHz -3dB points

V Sub : 35 Hz - 180 Hz -3dB points

V15 : 99 dB 1w/1m

V Sub : 98 dB 1w/1m

V15 : 1.7 kHz passive

V Sub : 80 - 160 Hz active

V15 : 8 ohms

V Sub : 8 ohms

V15 : 500 watts RMS

V15 : 126.0 dB cont 129dB peak

V Sub : 126.5 dB cont 129.5 dB peak

V15 : 1 x 15" neo : 1 x 1.5"

V Sub : 1 x 18" neo

V15 : 80 h x 50 v

V Sub : Omni

V15 : HF Internal Electronic Control

V Sub : N/A

2 x 4 pole Speakon

AX 5 Output Power 4 x 900 w RMS (8 )

Dimensions

Height

Width

Depth

Weight

Construction

Enclosures

Rigging

Finish

Grills

V15

V Sub

- 670 (mm) 26.3"

- 630 (mm) 24.8"

V15 - 462 (mm) 18.2"

V Sub - 560 (mm) 22.0"

V15 - 412 (mm) 16.2"

V Sub - 600 (mm) 23.6"

V15 - 29.1 (kg) 64.1 lbs

V Sub - 42.3 (kg) 93.2 lbs

AX 5 - 13.0 (kg) 28.6 lbs

18 mm 15 laminate birch plywood

V15 - 12 x M8 insert + top hat + Type 100 plate

V Sub - Top hat fitting

Textured polyurethane

Perforated steel - foam filter

Basys

Basys V2 is the latest incarnation of the phenomenally successful Basys system. The package builds on the strength of previous releases and elevates the portable system concept to the next level.

Each Basys system comprises a pair of B12 mid-hi cabinets, a pair of B15 bass cabinets, and a AX 4 power amplifier. The system comes complete with a versatile selection of hardware including mounting poles, wheels, cables and padded road covers.

The use of a 4 channel AX 4 amplifier with internal active xover gives a combined output power of 2400 watts into 8 ohms and comes complete with its own dedicated flight case. With both the amp and case weighing-in at just 14.6Kg, all that power won't break your back either.

All Basys V2 cabinets are built from 18 mm 15-laminate birch plywood.

Premium neodymium components are u s e d t h r o u g h o u t t o p r o v i d e unsurpassed output levels while keeping the system's weight down to a minimum.

The B12 V2 mid-hi enclosure features multi-angled sides allowing it to be used as a foldback monitor, while its

12 M8 flying points and internal wall bracket mounts permit quick and easy rigging in fixed installations.

Applications

Live sound in medium size venues. Mobile disco, theatre and stage productions, conferences

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection

Connectors

B12 : 65 Hz - 18 kHz -3dB points

B15 : 40 Hz - 200 Hz -3dB points

B12 : 99.5 dB 1w/1m

B15 : 98.0 dB 1w/1m

B12 : 2.2 kHz passive

B15 : 120 - 160 Hz active

B12 : 8 ohms

B15 : 8 ohms

B12 : 300 watts RMS

B15 : 600 watts RMS

B12 : 124 dB cont 127dB peak

B15 : 125 dB cont 128 dB peak

B12 : 1 x 12" neo : 1 x 1"

B15 : 1 x 15" neo

B15 : 90 h x 50 v

B15 : Omni

B12 : HF Internal Electronic Control

B15 : N/A

2 x 4 pole Speakon

AX 4 Output Power 4 x 600 w RMS (8 )

Dimensions

Height

Width

Depth

Weight

B12 - 580 (mm) 22.8"

B15 - 580 (mm) 22.8"

B12 - 370 (mm) 14.6"

B15 - 496 (mm) 19.5"

B12 - 362 (mm) 14.3"

B15 - 550 (mm) 21.6"

B12 - 20.0 (kg) 44.0 lbs

B15 - 34.0 (kg) 74.8 lbs

AX 4 10.5 (kg) 23.1 lbs

Construction

Enclosures

Rigging

Finish

Grills

18 mm 15 laminate birch plywood

B12 - 12 x M8 insert + top hat

B15 - Top hat fitting

Textured polyurethane

Perforated steel - foam filter

Mycro System

Size for size the Mycro System offers unrivalled output levels with ultimate definition. All the enclosures within the system make use of the best construction materials to provide full on tour strength while neodymium drivers have kept the entire system weight to an absolute minimum.

A Mycro system comprises of two

Mycro Bass enclosures, two Mycro 8 mid-hi enclosures and a 4 channel AX

4 Amplifier. Like its larger brothers, the Basys and Viper systems, each

Mycro system comes complete with poles, cables and all necessary hardware accessories for a fully functional system right out of the shipping box.

The use of a 4 channel AX 4 amplifier with internal active xover gives a combined output power of 2400 watts into 8 ohms and comes complete with its own dedicated flight case. With both the amp and case weighing-in at just 14.6Kg, all that power won't break your back either.

Myrco system cabinets come with metal fittings, 4 way Speakons™ and tough, kick-proof grilles. The Myrco 8 features 12 M8 flying points and internal wall bracket mounts that permit quick and easy rigging in fixed installations.

Applications

Live sound in smaller size venues. Mobile disco, theatre and stage productions, conferences

Specifications

Frequency response

Efficiency

Crossover Point

Impedance

Power Handling

Maximum Output

Driver configuration

Dispersion

Protection

Connectors

M8 : 58 Hz - 21 kHz -3dB points

MB : 43 Hz - 158 Hz -3dB points

M8 : 97.0 dB 1w/1m

MB : 97.0 dB 1w/1m

M8 : 2.4 kHz passive

MB : 100 - 150 Hz active

M8 : 8 ohms

MB : 8 ohms

M8 : 300 watts RMS

MB : 600 watts RMS

M8 : 122 dB cont 124dB peak

MB : 124 dB cont 127 dB peak

M8 : 1 x 8" neo : 1 x 1" neo

MB : 1 x 12" neo

M8 : 90 h x 50 v

MB : Omni

M8 : HF Internal Electronic Control

MB : N/A

2 x 4 pole Speakon

AX 4 Output Power 4 x 600 w RMS (8 )

Dimensions

Height

Width

Depth

Weight

M8 - 400 (mm) 15.7"

MB - 520 (mm) 20.5"

M8 - 275 (mm) 10.8"

MB - 380 (mm) 15.0"

M8 - 270 (mm) 10.6"

MB - 420 (mm) 16.5"

M8 - 12.0 (kg) 26.5 lbs

MB 27.0 (kg) 59.5 lbs

AX 4 10.5

(kg) 23.1 lbs

Construction

Enclosures

Rigging

Finish

Grills

Multi laminate birch plywood

M8 - 12 x M8 insert + top hat

MB - Top hat fitting

Textured polyurethane

Perforated steel - foam filter

Armourlite Series

The Armourlite series of amplifiers have been created to provide the ultimate power tools for the professional user. Years of comparative listening, evaluation, and pure R&D have resulted in a very robust range of amplifiers. A multitude of different power supply and output stage configurations were rigorously tested until the ultimate sonic accuracy and power-to-weight ratio was arrived upon. Our research definitively determined the sonic importance of a high-current supply, so our engineers designed and built a range of PSU’s capable of delivering a vastly higher amount of current than required.

In a professional product, long term reliability is every bit as important as sonic quality, and it is this mandate that led to an intensive search for the best possible components throughout.

The result of this lengthy development project is a line of power amplifiers that exhibit unparalleled sound quality with the utmost of reliability. By using a state-of-the-art super high-frequency switch modulated power supply, efficiency levels are extremely high, heat dissipation is low, and weight is kept to a minimum.

To further enhance the flexibility of the Armourlite series, we have added a range of 4 channel amplifiers called AX. The AX series of amplifiers features fully adjustable crossover filters and sophisticated routing possibilities. Each 24dB/oct L-R crossover can be configured as either Hi

Pass or Lo Pass and set between a wide range of frequencies, providing unsurpassed control.

Armourlite amplifiers also make use of a newly developed advanced Class D output stage, this being favoured to an analog output stage because of the overriding requirement for reliability and efficiency.

Applications

Medium to large scale touring, outside stage and dance productions, installation, theatre and stage, conference

Specifications

Armourlite A4 Armourlite A5 Armourlite A6 Armourlite A7 Armourlite A8 Armourlite AX4 Armourlite AX5 Armourlite AX6

Output (8 ) 2 x 400 2 x 600 2 x 900 2 x 1200 2 x 1400 4 x 600 4 x 900 4 x 1200

Output (4 ) 2 x 600 2 x 900 2 x 1200 2 x 2000 2 x 2500 4 x 900

Output (2 ) 2 x 1100 2 x 1400 2 x 1700 2 x 2500 2 x 3200 4 x 1400

4 x 1200 4 x 2000

4 x 1700 4 x 2500

Bridge (4 ) 1 x 2200 1 x 2800

Freq response (ref [email protected] ) 20 - 20kHz (±0.1dB) 20 - 20kHz (±0.1dB) 20 - 20kHz (±0.1dB)

THD+N (ref 4 1KHz) 0.01%

S/N (ref full output) >106dB 20-20kHz >106dB 20-20kHz >106dB 20-20kHz >106dB 20-20kHz >106dB 20-20kHz >104dB 20-20kHz >104dB 20-20kHz >104dB 20-20kHz

Slew rate >60 v/us

0.01%

>60 v/us

1 x 3400

0.02%

>55 v/us

1 x 5000

20 - 20kHz (±0.1dB)

1 x 6400 2 x 2800 2 x 3400 2 x 5000

0.02%

20 - 20kHz (±0.1dB) 20 - 20kHz (±0.1dB) 20 - 20kHz (±0.1dB) 20 - 20kHz (±0.1dB)

0.02% 0.02% 0.02% 0.02%

>55 v/us >55 v/us >60 v/us >60 v/us >60 v/us

CMRR ref. 1KHz >90dB >90dB >90dB >90dB >90dB >87dB >87dB >87dB

Damping factor (<1KHz) >700:1 >700:1 >800:1 >900:1 >900:1 >400:1 >400:1 >400:1

Voltage Gain (8 ) 37.20dB 39.00dB

Inputs + link outs XLR in - XLR out 20 K

Outputs 4 x speakon 2 - 16

XLR in - XLR out 20 K

4 x speakon 2 - 16

40.00dB

4 x speakon 2 - 16

41.80dB

XLR in - XLR out 20 K XLR in - XLR out 20 K

42.50dB

XLR in - XLR out 20 K

39.00dBu

XLR in - XLR out 20 K

4 x speakon 2 - 16

4 x speakon 2 - 16 4 x speakon 2 - 16

40.00dBu 42.50dBu

XLR in - XLR out 20 K XLR in - XLR out 20 K

4 x speakon 2 - 16 4 x speakon 2 - 16

Power input (powercon) 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz

Dimensions

Height 88.5 (mm) 3.5" 88.5 (mm) 3.5" 88.5 (mm) 3.5" 88.5 (mm) 3.5" 88.5 (mm) 3.5" 88.5 (mm) 3.5" 88.5 (mm) 3.5" 88.5 (mm) 3.5"

Width 483 (mm) 19" 483 (mm) 19" 483 (mm) 19" 483 (mm) 19" 483 (mm) 19" 483 (mm) 19" 483 (mm) 19" 483 (mm) 19"

Depth 368 (mm) 14.5" 368 (mm) 14.5" 368 (mm) 14.5 400 (mm) 15.7" 400 (mm) 15.7" 368 (mm) 14.5" 368 (mm) 14.5" 368 (mm) 14.5"

Weight 8.7 (kg) 19.2 lbs 8.8 (kg) 19.4 lbs 8.9 (kg) 19.6 lbs 12 (kg) 26.4 lbs 13 (kg) 28.6 lbs 10.5 (kg) 23.1 lbs 13.0 (kg) 28.6 lbs 14.6 (kg) 32.2 lbs

Infinite V2

The latest generation of Infinite amplifiers based on traditional, linear power supplies, have built strongly on the success of their predecessors. Infinite amplifiers have always been synonymous with reliability and sonic accuracy; needless to say this philosophy has been carried though with the new V2 series.

Our obsession with detail has resulted in many new features and improved specifications. A velocity sensing protection circuit has been added to all models that monitors back EMF. This 'velocity sense' circuit allows the output to be attenuated for a very brief period if the amplifier detects severe over-excursion or potential damage to a loudspeaker. Additionally, an anti-clip monitoring circuit, which works by controlling the input/output dynamics, rail voltages and output stages, eliminates a clipped waveform from ever appearing at the outputs. Other new features include a crossover section with independently selectable frequencies for both Hi-pass and

Lo-pass filters (which can be used to feed other amplifiers in a system), and output binding posts for easy connectivity in fixed installations.

An all new output topography was chosen for the Infinite V2 Series. A Class G output stage utilising audiophile-grade Sanken transistors has resulted in an increase in output power and efficiency around 88%. Thanks to a new design of feedback circuit, distortion and has been lowered to a point that surpasses class

H output stages. We call this new output topography 'Super G' and it is only available in the new V2 range of Infinite amplifiers.

Applications

Live sound in all sized venues, outside stage and dance productions, large scale installation

Specifications

4 ref. full output

120/230 VAC 50/60Hz 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz 120/230 VAC 50/60Hz

(mm) 3.5"

(mm) 19"

(mm) 16.1"

(kg) 55.1 lbs

(mm) 3.5"

(mm) 19"

(mm) 16.1"

(kg) 57.3 lbs

(mm) 3.5"

(mm) 19"

(mm) 16.1"

(kg) 59.2 lbs

(mm) 5.25"

(mm) 20"

510

(mm) 16.1"

(kg) 76 lbs

(mm) 5.25"

(mm) 20"

510

(mm) 16.1"

(kg) 87 lbs

Digidrive V2 Livedrive V2

The Digidrive V2 is a fully featured loudspeaker management system featuring audiophile grade 24 bit A/D & D/A converters.

Mixed mode architecture has also been implemented on the Digidrive V2 with the latest 64 bit processors powering each device.

The combination of 64 bit processors and the highest grade converters has allowed for an unsurpassed bandwidth spanning from

5Hz to 45kHz with mastering studio levels of definition.

Up to 6 outputs can be derived from either or a sum of the 4 inputs via matrix mixing. This allows any input to be mixed at any level to any output. Inputs A & B are analog whilst inputs C & D are Digital AES/EBU and can accept any clock speed all the way up to 192kHz. All of the inputs and outputs feature HP and LP filters that can be set anywhere between 20Hz – 20kHz. Filter types can be Bessel, Butterworth, or Linkwitz-Riley. The transparent sounding output limiters feature predictive attack with adjustable threshold and release to provide maximum protection to loudspeaker drive units, whilst a fully adjustable studio grade compressor can be applied to each input channel for even greater control. All input and output channels feature 10 bands of EQ with -48 to +12dB of gain, filter types can be bell, notch, allpass, high shelf or low shelf. Each EQ can also be bypassed, allowing for instant comparison.

The Digidrive V2 can be connected to a PC via USB or its Ehernet connection for full external control via the supplied Live Link software. Each Digidrive can also be assigned its own IP address allowing multiple units to work on a network. A choice of 5 languages can be displayed for front panel editing.

The Livedrive V2 is a fully featured loudspeaker management system featuring audiophile grade 24 bit A/D & D/A converters.

Mixed mode architecture has also been implemented on the Livedrive V2 with the latest 64 bit processors powering each device.

The combination of 64 bit processors and the highest grade converters has allowed for an unsurpassed bandwidth spanning from

5Hz to 45kHz with mastering studio levels of definition.

Up to 8 outputs can be derived from either or a sum of the 6 inputs via matrix mixing. This allows any input to be mixed at any level to any output. There are 6 inputs, A to D are analog, the other two inputs are Digital AES/EBU and can accept any clock speed all the way up to 192kHz. All of the inputs and outputs feature HP and LP filters that can be set anywhere between 20Hz

– 20kHz. Filter types can be Bessel, Butterworth, or Linkwitz-Riley. The transparent sounding output limiters feature predictive attck with adjustable threshold and release to provide maximum protection to loudspeaker drive units, whilst a fully adjustable studio grade compressor can be applied to each input channel for even greater control. All input and output channels feature 10 bands of EQ with -48 to +12dB of gain, filter types can be bell, notch, allpass, high shelf or low shelf. Each EQ can also be bypassed, allowing for instant comparison.

The Livedrive V2 can be connected to a PC via USB or its Ehernet connection for full external control via the supplied Live Link software. Each Livedrive can also be assigned its own IP address allowing multiple units to work on a network. A choice of 5 languages can be displayed for front panel editing.

Applications

Live sound, touring, fixed install, stage and theatre productions, bars and clubs, conference

Specifications

Inputs

Outputs

Frequency response

Dynamic range

THD

Digital Processing

A/D - D/A

Crossover Slopes

Crossover Type

Output Limiters

Equalisation

4 channels, maximum input level +22 dBu

6 channels, maximum output level +12 dBu

8Hz - 40kHz ±0.1dB 5Hz - 45kHz ±1.5dB

>118 dB (unweighed) 20Hz - 20kHz

0.002 % (20 - 40kHz @+4 dBu)

64 bit

24 bit

6, 12, 18, 24 dB : Range 20Hz - 20kHz

Butterworth, Linkwitz-Riley, Bessel : HP - LP - Out

Release Time 1 - 100ms

10 EQ's for each output - 10 EQ's for each input

Bell filters with a Q of 0.20 to 25

Range 20Hz - 20kHz : Amplitude of +/- 12 dB

Hi & Lo Shelf filters

Fully adjustable Notch and Allpass filters

Input Compressors 1 fully adjustable compressor on each input

Delay Time Inputs up to 2000ms : Outputs up to 20ms

AES/EBU Input On inputs C & D, accepting all clock speeds up to 192kHz

Connections Analog XLR : AES/EBU XLR : USB PC Link : Ehernet

Presets 100

Power Input IEC 230 VAC 50Hz

Dimensions

Height 44 (mm) 1.75"

Width 483 (mm) 19"

Depth 167 (mm) 6.57"

Weight 2.37

(kg) 5.22 lbs

Applications

Live sound, touring, fixed install, stage and theatre productions, bars and clubs, conference

Specifications

Inputs

Outputs

Frequency response

Dynamic range

THD

Digital Processing

A/D - D/A

Crossover Slopes

Crossover Type

Output Limiters

Equalisation

6 channels, maximum input level +22 dBu

8 channels, maximum output level +12 dBu

8Hz - 40kHz ±0.1dB 5Hz - 45kHz ±1.5dB

>118 dB (unweighed) 20Hz - 20kHz

0.002 % (20 - 40kHz @+4 dBu)

64 bit

24 bit

6, 12, 18, 24, 48 dB : Range 20Hz - 20kHz

Butterworth, Linkwitz-Riley, Bessel : HP - LP - Out

Release Time 1 - 100ms

10 EQ's for each output - 10 EQ's for each input

Bell filters with a Q of 0.20 to 25

Range 20Hz - 20kHz : Amplitude of +/- 12 dB

Hi & Lo Shelf filters

Fully adjustable Notch and Allpass filters

Input Compressors 1 fully adjustable compressor on each input

Delay Time Inputs up to 2000ms : Outputs up to 20ms

AES/EBU Input On inputs C & D, accepting all clock speeds up to 192kHz

Connections Analog XLR : AES/EBU XLR : USB PC Link : Ehernet

Presets 100

Power Input IEC 230 VAC 50Hz

Dimensions

Height 44 (mm) 1.75"

Width 483 (mm) 19"

Depth 167 (mm) 6.57"

Weight 2.95

(kg) 6.50 lbs

Quality Control

Since the opening of Void Acoustics new 4000 sq m R&D lab and post production test facilities in 2007, every new product goes though a rigorous testing procedure with full documentation backup.

All test procedure documents are included in the product packing for inspection by the customer upon opening. Supplied documents for all bass designs comprise of frequency response and group delay data, while premium bass designs add THD, impulse response and thermal decay to the list of supplied data.

Every fullrange and mid hi design includes data for frequency response,

THD and polar dispersion. Premium mid hi designs add 2nd to 7th order relative harmonic analysis, 3d impulse response, 3d waterfall, thermal decay and echogram response to the list of supplied data.

All amplifier and electronic products also go though rigorous testing procedures before dispatch. Tests include frequency response, THD, full spectral harmonic analysis, dynamic range, S/N and output power level analysis. Every amplifier also receives a 72 hour continuous test driven into the specified minimum recommended load before dispatch.

-50

-40

-30

-20

-10

0

-90

-100

-90

-80

-70

-60

-60

-70

-80

0 dBR

-10

-20

-30

-40

-50

160

-160

140

-140

120

-120

STASYS 3 MK 2

SPL vs ANGLE

100 80

-100 -80

60

-60

40

-40

20

-20

0 Deg

Curve Freq

500.00

1.00K

2.50K

5.00K

10.00K

15.00K

20.00K

BW Q DI

65 5.5 7.4

62 5.8 7.7

65 5.5 7.4

62 5.8 7.7

62 5.8 7.7

62 5.8 7.7

62 5.8 7.7

16KHz

4KHz

75

70

65

60

55

20 Hz

115 dBSPL

110

105

100

95

90

85

80

50 100 200

SPL vs Freq

500 1K 2K 5K 10K 20K 30K

-20

-10

0

-70

-60

-50

-40

-30

-100

-90

-80

-50

-60

-70

-80

-90

0 dBR

-10

-20

-30

-40

160

-160

140

-140

120

-120

100

-100

80

60

-80

-60

40

-40

20

-20

0 Deg

Curve Freq

1.00K

BW Q DI

62 5.8 7.7

-20

-10

0

-70

-60

-50

-40

-30

-100

-90

-80

-50

-60

-70

-80

-90

0 dBR

-10

-20

-30

-40

160

-160

140

-140

120

-120

100

-100

80

60

-80

-60

40

-40

20

-20

0 Deg

Curve Freq

2.50K

BW Q DI

65 5.5 7.4

-20

-10

0

-70

-60

-50

-40

-30

-100

-90

-80

-50

-60

-70

-80

-90

0 dBR

-10

-20

-30

-40

160

-160

140

-140

120

-120

100

-100

80

60

-80

-60

40

-40

20

0 Deg

-20

Curve Freq

5.00K

BW Q DI

62 5.8 7.7

-20

-10

0

-50

-40

-30

-80

-90

-100

-90

-80

-70

-60

-30

-40

-50

-60

-70

0 dBR

-10

-20

160

-160

140

-140

120

-120

100

-100

80

60

-80

-60

40

-40

20

-20

0 Deg

Curve Freq

10.00K

BW Q DI

62 5.8 7.7

-20

-10

0

-50

-40

-30

-80

-90

-100

-90

-80

-70

-60

-30

-40

-50

-60

-70

0 dBR

-10

-20

160

-160

140

-140

120

-120

100

-100

80

60

-80

-60

40

-40

20

-20

0 Deg

Curve Freq

15.00K

BW Q DI

62 5.8 7.7

-20

-10

0

-50

-40

-30

-80

-90

-100

-90

-80

-70

-60

-30

-40

-50

-60

-70

0 dBR

-10

-20

160

-160

140

-140

120

-120

100

-100

80

60

-80

-60

40

-40

20

0 Deg

-20

Curve Freq

20.00K

BW Q DI

62 5.8 7.7

Time vs Freq

24

16

8

0

40 mSec

32

-8

-16

-24

-32

-40

10 Hz 20 50 100 200 500 1K 2K 5K 10K 20K

1KHz

250Hz

0.0s 0.2s 0.4s 0.6s 0.8s 1.0s

62.5Hz

MF chamber thermal decay

Temp

(c)

31.3

31.2

31.1

31.0

30.9

30.8

30.7

30.6

32.1

32.0

31.9

31.8

31.7

31.6

31.5

31.4

30.5

30.4

30.3

30.2

30.1

30.0

33.2

33.1

33.0

32.9

32.8

32.7

32.6

32.5

34.0

33.9

33.8

33.7

33.6

33.5

33.4

33.3

32.4

32.3

32.2

29.9

29.8

29.7

29.6

29.5

0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15

Time (mins)

16 17 18 19 20 21 22

Signal Stop

Point

23 24 25 26 27 28 29 30 31 32 33 34 35

15.0Hz

62.5Hz

250Hz

1KHz

4KHz

16KHz

110.0dB

100.0dB

90.0dB

80.0dB

70.0dB

60.0dB

2.0s

1.8s

1.6s

1.4s

1.2s

1.0s

0.0s

0.8s

0.6s

0.4s

0.2s

Void Acoustics England

Tel : +44 (0)844 410 1440 fax : +44 (0)844 410 1439 email : [email protected]

web : www.voidaudio.com

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