Yamaha RX-V660 Owner's manual

Yamaha RX-V660 Owner's manual
The Operations. Co
Using Digital sound Field Processor
Setting of the SLEEP TÍmer .............
Remote Control Transmitter .............
Notes about the Remote Control
Transmitter................e.e.....esenemmenerenee.
Troubleshooting me...
Specifications...
… 18
„.. 22
‚... 23
.... 24
.... 25
.... 26
Retain this Owner's Manual ir in a safe place for
future. reference.
WARNING
To reduce the risk of fire or electric shock, do
not expose this unit to rain or moisture.
RISK OF ELECTRIC SHOCK
00 NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
symbol, ‘within an equilateral triarigle, is
intended to alert you to the presence | |
of uninsulated "dangerous: voltage” -
within the. products enclosure that may -
‘be of sufficient magnitude to constitute
a risk of electric shock to persons. -
The exclamation point within an
equilateral triangle is intended to alert
you ta the presence of important
operating and maintenance (servicing)
instructions in the literature
accompanying the appliance.
6A A unit and cart combination should
10
11
12
13
Read Instructions — All the safety and operating
instructions should be read before the unit is operated.
Retain Instructions — The safety and operating instructions
should be retained for future reference.
Heed Warnings — All warnings on the unit and in the
operating instructions should be adhered to.
Follow Instructions — All operating and other instructions
should be followed.
Water and Moisture — The unit should not be used near
water — for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
Carts and Stands — The unit should be used only with a
cart or stand that is recommended by the manufacturer.
be moved with care. Quick stops,
excessive force, and uneven
surfaces may cause the unit and
cart combination to overturn.
Wall or Ceiling Mounting — The unit — |
should be mounted to a wall or ceiling only as
recommended by the manufacturer.
Ventilation — The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow
of air through the ventilation openings.
Heat — The unit should be situated away from heat
sources such as radiators, stoves, or other appliances that
produce heat.
Power Sources — The unit should be connected to a power
supply only of the type described in the operating
instructions or as marked on the unit.
Power-Cord Protection — Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
Cleaning — The unit should be cleaned only as
recommended by the manufacturer.
Nonuse Periods — The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
Object and Liquid Entry — Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
Damage Requiring Service — The unit should be serviced
by qualified service personnel when:
The power-supply cord or the plug has been damaged;
or | |
Objects have fallen, or liquid has been spilled into the unit;
or _
The unit has been exposed to rain; or
The unit does not appear to operate normally or exhibits a
marked change in performance; or
The unit has been dropped, or the cabinet damaged.
16
17
18
19
Servicing — The user should not attempt to service the unit
beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
Power Lines — An outdoor antenna should be located
away from power lines.
Grounding or Polarization — Precautions should be taken
so that the grounding or polarization is not defeated.
Outdoor Antenna Grounding — If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against voltage
surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode. |
EXAMPLE OF ANTENNA GROUNDING
T
T - ANTENNA
MAS LEAD IN
WIRE
GROUND N
on
ri a
(7)
>
—
Bea =m GROUND CLAMPS |
as
DISCHARGE
(NEC SECTION. 810-20)
===;
ELECTRIC
SERVICE
EQUIPMENT
GROUNDING CONDUCTORS
(NEC SECTION 81021
1 ан POWER SERVICE GROUNDING
" ELECTRODE SYSTEM
(NEC ART 250, PART H)
NEC - NATIONAL ELECTRICAL CODE
Note to CATV system installer:
This reminder is provided to call the CATV system
installers attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as close
to the point of cable entry as practical.
FCC INFORMATION
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product
is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to
distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Electronics
Corp., U.S.A. 6722 Orangethorpe Ave, Buena Park, CA
90620. | |
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT
1 To ensure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2 Install your unit in a cool, dry, clean place — away from
windows, heat sources, and too much vibration, dust,
moisture or cold. Avoid sources of hum (transformers,
motors). To prevent fire or electrical shock, do not
expose to rain and water.
3 Do not operate the unit upside-down. It may overheat,
possibly causing damage.
4 Never open the cabinet. If a foreign object drops into
the set, contact your dealer.
5 Do not use force on switches, knobs or cords. When
moving the set, first turn the unit off. Then gently
disconnect the power plug and the cords connecting to
other equipment. Never pull the cord itself.
6 Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cloth.
7 Always set the volume control to “- co ” before starting
the audio source play: increase the volume gradualiy
to an appropriate level after the play is started.
8 To prevent lightning damage, pull out the power cord
and remove the antenna cable during an electrical
storm.
9 Be sure to read the “Troubleshooting” section on
common operating errors before concluding that your
unit is faulty.
10 Do not connect audio equipment to the AC outlets on
the rear panel if that equipment requires more power
than the outlets are rated to provide.
The solder used in the manufacture of this product contains
LEAD. In addition, the electrical/electronic and/or plastic
(where applicable) components may also contain traces of
chemicals found by the California Health and Welfare Agency
(and possibly other entities) to cause cancer and/or birth
defects or other reproductive harm.
DO NOT REMOVE ANY ENCLOSURE COMPONENTS!
There are no user serviceable parts inside.
All service should be performed by a service representative
authorized by Yamaha to perform such service. |
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are contained.
IMPORTANT MESSAGE: Yamaha strives to produce products
that are both user safe and environmentally “friendly”. We
sincerely believe that our products meet these goals.
However, in keeping with both the spirit and the letter of
various statutes we have included the preceding messages
and others in various locations in this manual.
Indoor FM Antenna
Batteries(size AA, R6, UM-3)
AM Loop Antenna
You are the proud owner of Yamaha RX-V660, the stereo receiver ~an extremely sophisticated audio component. The Digital
Sound Field Processor (DSP) built in this unit takes full advantage of Yamaha's undisputed leadership in the field of digital audio
processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up
your system, and this unit will sonically transform your room into a wide range of listening environments —movie theater, concert hal!
and so on. In addition, you get incredible realism from Dolby-encoded video sources using the built-in Dolby Pro Logic Surround
Decoder.
Rather than tell you about the wonders of digital sound field processing, however, let's get right down to the business of setting up
the system and trying out its many capabilities. Please read this operation manual carefully and store it in a safe place for later
reference.
Digital Sound Field Processing
What is it that makes live music so good? Today's advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you'll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you'll feel all the sound of
a live concert. |
Dolby Pro Logic Surround
What's more, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of actual concert hall, theater, etc. to
allow you to accurately recreate one of several actual live
performance environments, all in your own home. |
The Dolby Pro Logic Surround Decoder program lets you
experience the dramatic realism and impact of Dolby Surround
movie theater sound in your own home. Dolby Pro Logic gets
its name from its professional-grade steering logic circuitry,
which provides greater effective channel separation for a much
higher degree of realism than the “passive” Dolby Surround
circuits found in today’s typical home audio/video equipment.
Dolby Pro Logic Surround provides a true center channel, so
that there are four independent channels, unlike passive Dolby
Surround which has in effect only three channels: left, right,
and rear. This center channel allows listeners seated in even
less-than-ideal positions to hear the dialog originating from
action on the screen while getting a stereo effect as well.
“ENHANCED” Dolby Pro Logic Surround
This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system increases sound
stability at each channel and minimizes crosstalk between
channels, compared to conventional analog Dolby signal
processing.
in addition, this unit features a built-in automatic input balance
control. This circuit always presents you the best surround
conditions without performing manual adjustments.
The RX-V660 has a second mode of Dolby Pro Logic Surround
processing called “Enhanced Dolby Pro Logic Surround”
processing. Enhanced Dolby Pro Logic Surround processing
recreates the surround effect of a movie theater, effectively
duplicating their multiple surround loudspeaker system,
completely surrounding the listener with the sounds of the
action taking place on the screen.
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with 5 speaker configuration. The speakers to be used with this unit will
be mainly front speakers, rear speakers, and a center speaker. (You can delete a center speaker. Refer to the “4-Speaker
Configuration” shown below.)
The front speakers are used for the output of the main source sound and the effect sound. They will probably be your present
stereo speaker system. The rear speakers are used for the output of the effect sound. And the center speaker is used for the
output of the center sound (dialogue etc.) encoded with the Dolby Surround. The rear and center speakers do not need to be equal
with the front speakers. However, all the speakers should have high enough power handling to accept the maximum output of this
unit that will drive them.
SPEAKER CONFIGURATION
5-Speaker Configuration
4-Speaker Configuration
The center speaker is not used in this configuration. If the
digital sound field program is in the DOLBY PRO LOGIC or
ENHANCED, the center sound is output from the left and the
right front speakers. However, the sound effect of other
programs can be the same as that of the 5-speaker
configuration.
* Be sure to set the center mode to the “PHANTOM” position.
(For details, refer to the page 11.)
This configuration is the most effective and recommended. In
this configuration, the center speaker is necessary as well as
the rear speakers. If the digital sound field program is in the
DOLBY PRO LOGIC or ENHANCED, conversations will be
output from the center speaker and the ambience will be
excellent.
e Set the center mode to the “NORMAL” or “WIDE” position.
(For details, refer to the page 11.) |
Front L Front R Front L Front R
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Rear L Rear R Rear L Rear R
SPEAKER PLACEMENT
The recommanded speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Front: In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet up from the floor. |
Center: Precisely between the front speakers. (To avoid
interference to TV sets, use a magnetically shielded
speaker. If, however, it is not effective, keep the
speaker away from TV sets.)
Rear R
Rear L
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other
components to which connections are being made. |
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, thatis to say L
(left) to L, R (right) to R, “+” to “+” and — to “—. Also, refer to the owner's manual for each component to be connected to this unit.
Front speakers A
Center Rear speakers
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Video cassette recorder 2 Monitor TV Front speakers B
or tape deck 2
. Refer to “About the ACCESSORY terminals” on the page 8.
CONNECTING SPEAKERS
Connect the SPEAKERS terminals to your speakers with wire
of the proper gauge, cut to be as short as possible. If the
connections are faulty, no sound will be heard from the
speakers. Make sure that the polarity of the speaker wires is
correct, that is, + and — markings are observed. If these wires
are reversed, the sound will be unnatural and will lack bass.
Do not let the bare speaker wires touch each other and do
not let them touch the metal parts of this unit as this could
damage this unit and/or speakers.
e Use speakers with the specified impedance shown on the
rear of this unit.
How to Connect:
Red: positive (+)
Black: negative (>)
(1) Press and hold the tab.
(2) Insert the bare wire.
[Remove approx. 5mm
(1/4") insulation from
the speaker wires.!
(3) Release the tab and
secure the wire.
ABOUT THE ACCESSORY TERMINALS
Note for front speaker connection:
One or two speaker systems can be connected to this unit. If
you connect only one speaker system, connect it to either the
FRONT A or B terminals.
AC OUTLETS
(U.S.A., Canada, Europe and General modeis) |
ericaronerorercceerraoeeenantaneeorerrenecereaete Conroe 2 SWITCHED OUTLETS
Genres anarre areas ranan een esse d etat a ne Sr annees 1 SWITCHED OUTLET
Use these to connect the power cords from your components
to this unit. | |
The power to the SWITCHED outlets is controlled by this unit's
POWER switch or the provided remote control transmitter's
POWER key. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLETS is 100 watts.
REMOTE CONTROL (PHONO) connector
If you have a YAMAHA turntable with the mark,
connect it to this connector by using the cable provided with
the turntable. This connection allows you to control the
turntable from the provided remote control transmitter.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to this terminal will
minimize hum, but in some cases better results may be
obtained with the ground wire disconnected.
FRONT OUT terminais
These terminals are for front-channel line output. Leave the
jumper bars connected to FRONT IN terminals when you use
the built-in amplifier.
However, if you drive front speakers with an external stereo
power amplifier, remove the jumper bars and connect input
terminals of the external amplifier (MAIN IN or AUX terminals
of a power amplifier or an integrated amplifier) to these
terminals.
FRONT IN terminals
These terminals are for line input to the built-in front-channel
amplifier. Leave the jumper bars connected to FRONT OUT
terminals when you use the built-in amplifier.
However, if you drive front speakers with an external stereo
power amplifier, remove the jumper bars.
CENTER OUT terminal
This terminal is for center-channel line output. There is no
connection to this terminal when you use the built-in amplifier.
However, if you drive a center speaker with an external power
amplifier, connect input terminal of the external amplifier to this
terminal.
If you use the built-in amplifier and the external power amplifier
at the same time, the sound will be output through both
speakers.
ANTENNA CONNECTIONS
e Each antenna should be connected to the designated terminals correctly, referring to the following figure.
e Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you-experience
poor reception quality, an outdoor antenna may result in improvement.
Outdoor FM antenna Indoor FM
antenna
(included)
AM loop
antenna
GND=y y re AUDIO SIGNAL — (included)
75-ohm 75-ohm/300-ohm
coaxial cable antenna adapter
Outdoor AM antenna Ground
Ч A
Connecting the AM loop antenna
XA Orient so that the best
reception is obtained.
&
* The antenna may be hung on a wall. `
* The AM loop antenna should be kept being connected, even if an outdoor AM antenna is connected to this unit.
GND terminal Notes
For maximum safety and minimum interference, connect the ® When connecting the indoor
GND terminal to a good earth ground if practical. A good earth FM antenna, make sure that
ground is a metal stake driven into moist earth. the grooved part of the
| connector hole is facing
downward.
e [f you need an outdoor FM antenna to improve FM reception
quality, either 300-ohm feeder or coaxial cable may be
used. In locations troubled by electrical interference, coaxial
cable is preferable.
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Speaker balance adjustment
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SKIP DISC SKIP PLAYCUT 11 PHONO
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SEARCH PASESTOP “PLAY || ED
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PRESET ABOVE TUNER
So SS
DIRA [CECKAB [DIRS |
Using the built-in test tone generator, this procedure lets you adjust the sound output level balance between the front, center, and
rear speakers. With this adjustment, the sound output level heard at the listening position will be the same from each speaker.
This is important for the best performance of digital sound field processor.
1 VOLUME
-dB
Set to the “ 00 ” position.
2 Select the front speakers to be used.
SPEAKERS
A B
ON ie ON
E 3 a
OFF & OFF
* If you use two front speaker systems, press both the A
and B switches.
3 BASS TREBLE
О 0
-5 5+ —5 5 +
Set to the “0” position.
From the step 5, the adjustment should be done with the
remote control transmitter at your listening position.
(The adjustment can be done also with the controllers on
the front panel of this unit. However, the resuit may not be
excelient.)
4 BALANCE
0
LS SR
Set to the “0” position.
10
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For the detailed information on the remote control transmitter, refer to “REMOTE CONTROL TRANSMITTER” on the page 23.
OO PROLUGC ENHANCED
7 Select the center mode depending on your speaker
configuration.
(Refer to “SPEAKER CONFIGURATION” on page
6.) | |
CENTER NORMAL
MOLE
CD wo
PHANTOM
On the feature of each mode, refer to the “Note” shown
below.
8
Flashes on and off continuously.
Turn up the volume by using the remote-control
transmitter. You will hear a test tone (like pink noise)
from the left front speaker, then the center speaker,
then the right front speaker, then the rear speakers,
for about two seconds each. The display illumination
changes as shown below.
Front (L) Center
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— FO
TL I <= N
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ZN Rear Front (R)
| (L and R)
* The test tone from the left rear speaker and the right rear
speaker will be heard at the same time.
Note
in the step 7, when you select the center mode, note the
following.
For 5 speaker configuration |
NORMAL: Select this mode when you use the center speaker
smaller sized than the front speakers. In this mode,
the bass tone will be output from the front
speakers. |
WIDE: Select this mode when you use the center speaker
approximately same sized as the front speakers.
For 4 speaker configuration
PHANTOM: Select this mode when you do not use the center
speaker. The center sound will be output from the
left and the right front speakers.
11
TEST CO PRO LCO C-ENHANCERD CNETVIDED
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MJ
MODE MONOMOVE AOCK HAL
ODO
FRONT EFFECT LEVEL || EFFECT
aj eo
MASTER
MUTING VOLUME
1 0 Adjust the BALANCE control so that the effect sound
output level of the left front speaker and the right front
speaker are the same.
BALANCE
о
e On the front panel of the unit.
LS SR
IO
Stop flashing and disappears.
1 1 Make the sound output level of the center speaker the
same as that of the front speakers with the CENTER
LEVEL key.
CENTERLEVEL Hluminates.
2
G) A
a Ш =
oA A Hy Li Li
\ / `` |
€ Te— |
| ZN |
Adjustable.
1 2 Make the sound output level of the rear speakers the
same as that of the front speakers with the REAR
LEVEL key.
lluminates.
A
N | 5 = Г
er —
| |
Adjustable.
REARLEVEL
12
Notes
e Once you have completed these adjustments, use only this
units VOLUME contro! to adjust listening volume. Do not
change any other volume settings in this unit.
e If you use external power amplifiers, their volume controls
may also be adjusted to achieve proper balance.
e In the step 11, if the center mode is in the “PHANTOM”, the
sound output level of the center speaker can not be
adjusted. Because in this mode, the center sound is
automatically output from the left and right front speakers.
3
Tuner controls
PHONES ———e
To play a source
1
VOLUME
a 0
-3B
Set to the “ co ” position.
POWER |
Select a desired input source.
(For video sources, turn the TV/monitor ON.)
ОМК VCA 1MONLI] ED/TV CO TAPE 4 MONTI TUNER OO ED DJ PHOND
| | | | | | |
COPY > Cl > i
* The indicator corresponding to the
selected input source will illuminate.
4 Select the front speakers to be used.
SPEAKERS
A ов
ON
CJ
OFF
ON Eh
E
OFF A
* If you use two front speaker systems, press both the A
and B switches. |
5 Play the source. (For detailed information on the
tuning operation, refer to the page 16.)
VOLUME
. С
-ав
Adjust to the desired output level.
7 If desired, adjust the BASS, TREBLE, BALANCE
controls, etc.(Refer to page 15.) and use the digital
sound field processor. (Refer to page 18.)
Notes |
In the step 3, if two or more program sources are selected at
the same time (by using input selectors), be sure to remember
the priority order of the input sources.
Priority order of audio sources: 1) TAPE 1 MON, 2) VCR 1
MON, 3) VCR 2 MON/TAPE 2 MON, and 4) LD/TV, TUNER,
CD or PHONO.
Priority order of video sources: 4) VCR 1 MON, 2) VCR 2
MON/TAPE 2 MON, and 3) LD/TV.
e If you select LD/TV, TUNER, CD or PHONO, be sure that
TAPE MON and/or VCR MON input selectors are not being
. selected.
@ If you select TAPE 1 MON and VCR 1 (or 2) MON input
selectors at the same time, the result will be the visual of the
VCR and the sound from the audio tape.
e If you select both LD/TV and TAPE MON input selectors at
the same time, the result will be the visual of the LD player
and the sound from the audio tape.
* Once you play the LD player, its visual will not be
interrupted even if other input selectors except VCR MON
input selectors are selected.
e If you select TAPE 1 MON and VCR 1 (or 2) MON input
selectors, and another input selector at the same time, the
result will be the visual of the VCR and the sound from the
audio tape. |
13
14
To record a source to tape
1 Select the source to be recorded.
VER 2 MON/
(O TAPE 2MONO) VOR MON) LO/TV LITAPEAMONCI TUNER [J CD 0 PHONG
Ln | | | | |
* To dub from tape to tape, refer to the “Notes” shown
below.
* When selecting LD/TV, TUNER, CD or PHONO, be sure
the TAPE 1 MON, VCR 1 MON or VCR 2/TAPE 2 MON
input selector(s) are not also selected.
Play the source and then turn the VOLUME control
up to confirm the input source.
Set the tape deck or VCR in the recording mode.
To monitor the audio and/or video signals being
recorded, press the input selector button for the audio
or video tape recorder being used to make the
recording.
VCR 2 MON/
(O TAFE SMONCI VOR 41MONDO) wos Tv ElTAPETMONDITUNER Él CO C PHONO
o. + ig
>
`
f i
Lewd Loh
*
À red selector switch indicator takes priority over an
orange indicator.
Notes
e There are three ways to dub from tape to tape:
1) To record from VCR 2 or tapedeck 2 to VCR 1, press
both the VCR 2 MON/TAPE 2 MON and VCR 1 MON
selector switches (so both the indicators are lighted red).
2) To record from VCR 2 or tapedeck 2 to tapedeck 1, press
both the VCR 2 MON/TAPE 2 MON and TAPE 1 MON
selector switches (so both the indicators are lighted red).
3) To record from VCR 1 to tapedeck 1, press both the VCR
1 MON and TAPE 1 MON selector switches (so both the
indicators are lighted red).
e DSP, VOLUME, BASS, TREBLE and BALANCE contol
settings have no effect on the material being recorded.
Adjust the balance of the output volume to the left and right Because one or two speaker systems (as front speakers) can
‘speakers to compensate for sound imbalance caused from — be connected to this unit, the SPEAKERS switches allow you
speaker location or listening room conditions. to select speaker system A or B, or both at once.
BALANCE
9 SPEAKERS
A B
ON a ON
LS 5 A OFF A OFF
Note |
This control is effective only on the sound from the front
speakers.
BASS TREBLE
-5 a+ —5 a+
BASS : Turn this clockwise to increase (or counter-
clockwise to decrease) the low frequency
response.
TREBLE : Turn this clockwise to increase (or counter-
clockwise to decrease) the high frequency
response.
Note |
These controls are effective only on the sound from the front
speakers.
When you listen with headphones
Connect the headphones to the PHONES jack. You can listen PHONES
to the main sound through headphones. When listening with
headphones privately, set both the SPEAKERS A and B
switches to the OFF position.
15
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
a
|
с аа 1 JE TL EI
Î | I |L — = - I=
O ee ©
se 60 1,1
AUTOMATIC TUNING
1 Select the reception band (FM or AM) while watching
the display.
FM/AM
| > | 7 > | 7
— АЛЯ — or — FM —
A | > A | x
da TUNING MODE
9 AUTO/MAN'L MONO pe =
= H Lf / { / /
FM ma çÇ | MHZ,
—— AUTO TUNING ——
7 | N
TUNING
DOWN UP
To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
If the station where tuning search stopped is not the
desired one, follow step 3 again.
TUNING
* If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to
the MANUAL TUNING method.
2,2
MANUAL TUNING
1 Select the reception band (FM or AM) while watching
the display.
FM/AM
si, `` | и
— AM — or — FM —
и | > ~~ | >
2 TUNING MODE
AUTO/MANTL MONO
“AUTO TUNING”.
goes off.
3 Tune to a desired station manually.
TUNING
DOWN UP
Loo
* To continue tuning search, press and hold the button.
Note
If you tune to a FM station manually, it is received in monaural
automatically to increase the signal quality.
| Display information
©
| snm =====
VON EE ©
FM (ОРГ мне 5 40 во 60 100
STEREO
16
M Displays the band and frequency of the received station.
O Indicates the signal level of the received station.
@ llluminates when an FM stereo broadcast with sufficient
signal strength is received.
PRESET TUNING
This unit can store station frequencies (selected by tuning operation) by using preset station buttons. With this function, you can select any
desired station by only pressing the corresponding preset station button. Up to 40 stations (8 stations per page) can be programmed.
4.
To program stations
1 Tune to a desired station.
(Refer to the previous page for tuning procedures.)
2 Select a desired page (A - E) of preset station buttons
while watching the display.
— A/B/C/O/E
MEMORY vi
7 | e Y UNO УР
MEMORY
ZN
Flashes on and off
for about 5 seconds.
Press a preset station button before “MEMORY” goes
off from the display.
PRESET STATIONS
| 0) 77 Г |
Hem OI TL LL me Dan 60 60 10D
AUTO TUNING BTEHEO
Shows the displayed station
has been programmed to A1.
* In the same way, program other stations to A2, АЗ... АВ.
“You can program more stations to the preset station buttons on
other pages in the same way by selecting other pages in step 2.
To recall a preset station
1 Select the page of preset station buttons.
A/B/2/0/E
uy
iy 7 ON
=p —#—-m I Une
; > 3 PRESET res 5 7 а
Select the desired preset station button.
Notes |
e A new setting can be programmed in place of the former
one. |
e [or presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the programmed data
from being lost even if the POWER switch is set off or the
power plug is disconnected from the AC outlet or the power is
cut due to temporary power failure. If, however, the power is
cut for more than two weeks, the memory may be erased. If
so, it can be re-programmed by simply following the PRESET
TUNING steps.
This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the audio
sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room.
This digital sound field processor has 6 programs; 4 programs for digital sound field processing and 2 programs for the Dolby Pro
Logic Surround sound system (DOLBY PRO LOGIC and ENHANCED). You can create excellent audio sound field by selecting
the suitable program and adding desired adjustments. In addition, when the digital sound field program is in the DOLBY PRO
LOGIC or ENHANCED, the built-in automatic input balance control functions. This presents you the best surround condition
without adjusting it manually.
Displays your selection on
the DSP or other informations.
Sets the unit DELAY me « 7% y, NORMAL PRESET | — ==
J_ WIDE | Li IL} 7 LIC a
ое ne N \ 8H AHH Oa теч
details, refer TEST FRO LOGIE nee CNGERTENG 1 Songe MEMORY AUTO TUNING STEREO SLEEF
to the page10,
11 and 12.) — | DIGITAL SOUND FIELD PROCES
CENTER à 0 "CONCERT MOND ROCK CONCERT
MODE | PRO LOGIC ENHANCED , VIDEO MOVIE CONCERT HALL OFF |
aL HP TL Y EZ TT Y field program
Selects the se CL FAX selector
CENTER MODE . _ DELAY TIME + _FRONT EFFECT LEVEL _CENTER LEVEL, _ REAR LEVEL +
(For details, | y 3] I | | | | |
refer to the | |
page 10, 11
and 12.)
Used to adjust the | Used to adjust sound output
delay time. (For details, level of each speaker.
refer to the page 20.) (For details, refer to the page 21.)
Description of Each Sound Field Program
This program is effective an the play of the sources encoded with the Dolby Surround.
[1 PRO LOGIC | The employment of the digital signal processing system improves crosstalk and transfers the sound
source more smoothly and precisely,comparing with the conventional type. A stable movie sound field is recreated.
This program is effective on the play of the sources encoded with the Dolby Surround.
ENHANCED Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
systems of the 35 mm film theater, so widening the surrounded-sound field with greater presence.
This program is effective on music videos and excellent in depth and clarity for vocals. For opera, the
orchestra and stage are ideally recreated, so letting you feel as if you were in an actual concert hall.
This program is designed specifically to enhance mono source programs. Compared to a strictly mono
setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective when used with old mono movies, news
broadcasts and dialogue.
ROCK CONCERT | This program will suit to rock music. A big, powerful sound is reproduced lively and dynamically.
In this program, the center seems even more deeply behind the front speaker pair, creating an expansive,
large hall ambience. |
CONCERT VIDEO
MONO MOVIE
CONCERT HALL
OFF Switch : When any program is not used with the selected source, press this switch.
The sound is output only from the front speakers,
18
Notes on Operation of Sound Field Programs
e Inthe CONCERT VIDEO, MONO MOVIE, ROCK CONCERT
and CONCERT HALL, no sound is heard from the center
speaker.
e When the monaural sound source is played in the DOLBY
PRO LOGIC or ENHANCED, no sound is heard from the
front speakers and the rear speakers. Sound is heard only
from the center speaker. However, if the center mode is in
the PHANTOM, the front speakers output the sound of the
center speaker. |
Description of Dolby Pro logic Surround
CO poLBY PRO LOGIC SURROUND: This unit employs
the Dolby Pro Logic Surround system. This system is similar to
professional Dolby Stereo decoders used in movie theaters.
The Dolby Pro Logic Surround system, by employing a four-
channel system, divides the input signals into four levels: the
left and right main channels, the center channel (to characterize
dialogue), and the rear surround-sound channels (to |
characterize sound effects, background noise and other ambient
noise). |
e |f you connect an external amplifier to this unit, see if it has a
built-in surround sound or ambience circuitry. If it does, then
be sure that the surround or ambience circuitry on that
amplifier is off while you are using the digital sound field
processor's Dolby Pro Logic Surround decoding function.
e When this unit is in the Dolby Pro Logic Surround mode, if
the main-source sound is considerabiy altered by
overadjustment of the BASS or TREBLE controls, the
relationship with the center and rear channels may produce
an unnatural effect.
Dolby Surround is encoded on the sound track of commercially
available video cassettes and video discs as well. When you
play a source encoded with Dolby Surround on your home video
system, the Dolby Pro Logic Surround mode on this unit
decodes the signal and feeds the surround-sound effects.
The Dolby Pro Logic Surround mode may not be always
effective on video sources not encoded with Dolby Surround.
DO [esey susmouvs] »
Manufactured under license from Dolby Laboratories Licensing
Corporation. Additionally licensed under one or more of the
following patents: U.S. numbers 3,632,886, 3,746,792, and
3,959,590; canadian numbers 1,004,603 and 1,037,877.
“Dolby” and the double-D symbol are trademarks of Dolby
Laboratories Licensing Corporation.
19
To play source with the digital sound field processor
1 Follow the step 1, 2, 3, 4, 5, and 6 shown in
“OPERATION” on page 13.
Select a desired program suitable for the source.
DIGITAL SOUND JIELD PROCESSOR
CONCERT
PRI no LOS IG ENHANCEC =>
Cd IE я EU IC
xi
PRO LOGIC
SN
The corresponding indicator will illuminate.
VE
Adjustment of DELAY Til
If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on this page and the next page.)
Note
If you prefer to cancel the selected program, press the OFF
switch. The sound will be the normal 2-channei stereo without
surround sound effect.
You can adjust the time difference between the beginning of
the source sound and the beginning of the effect sound with
the DELAY TIME control.
The DELAY TIME control is effective with all programs.
By applying more or less delay, sound effects, background
noise, and ambient noise coming at you from the rear speakers
can be enhanced or subdued for extra effect.
100 PRO LOGIC: from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
2 ENHANCED: from 15 to 30 milliseconds
; (Preset value: 20 milliseconds)
3 CONCERT VIDEO: from 1 to 100 milliseconds
(Preset value: 25 milliseconds)
4 MONO MOVIE: from 1 to 100 milliseconds
(Preset value: 25 milliseconds)
5 ROCK CONCERT: from 1 to 100 milliseconds
(Preset value: 15 milliseconds)
6 CONCERT HALL: from 1 to 100 milliseconds
(Preset value: 30 milliseconds)
20
DELAY ms —
_ DELAY TIME + AI i
IC a 1 / | |
À a |
Adjustable.
e By continuously pressing “+” or “— of the DELAY TIME
control, the value changes continuously.
However, the value stops changing momentarily at the
preset point.
Note
Adding too much delay will cause an unnatural effect with
some sources. Experiment with the DELAY TIME control to
create an effect that you find most suitable.
Adjustment of the FRONT EFFECT LEVEL
If desired, you can adjust the effect sound output level of the
front speakers with this control. The output level is preset to be
80. However, you can adjust the level between 1 and 100.
/
IL
I
or | |
lluminates. Adjustable.
_FAONT EFFECT LEVEL Г
mi
nao
! 3
Adjustment of the CENTER LEVEL
If the digital sound field program is in the DOLBY PRO
LOGIC, the FRONT EFFECT LEVEL control does not
function.
Once the output level is adjusted, the level value will be
common among all the digital sound field programs except
the DOLBY PRO LOGIC .
If any digital sound field program is not used, the FRONT
EFFCT LEVEL control does not function.
If desired, you can adjust the sound output level of the center
speaker with this control even if the output level is already set
in “Speaker balance adjustment” on the page 10.
Ch
CENTER LEVEL
A 7
ba.
js
Ir
f
|
“кд,
TEA
4 1
Luca |
lluminates. Adjustable.
Adjustment of the REAR LEVEL
By continuously pressing “+” or “— of the CENTER LEVEL
control, the level value changes continuously. However, the
value stops changing momentarily at the point which was
once set in the TEST mode.
If the digital sound field program is in the CONCERT
VIDEO, MONO MOVIE, ROCK CONCERT or CONCERT
HALL, the CENTER LEVEL control can not function.
Once the output level is adjusted, the level value will be
common among the DOLBY PRO LOGIC and ENHANCED.
If any digital sound field program is not used, the CENTER
LEVEL contro! does not function.
If desired, you can adjust the sound output level of the rear
speakers with this control even if the output level is already set
in “Speaker balance adjustment” on the page 10.
_ REAR LEVEL _ / Г)
mi —
4 I | |
= |
lluminates. Adjustable.
PU
[e
ce
=,
oy,
=
By continuously pressing “+” or -" of the REAR LEVEL
- control, the level value changes continuously. However, the
value stops changing momentarily at the point which was
once set in the TEST mode.
Once the output level is adjusted, the level value will be
common among all the digital sound field programs.
If any digital sound field program is not used, the REAR
LEVEL control does not function.
Note | _
The values of the DELAY TIME, the FRONT EFFECT LEVEL,
CENTER LEVEL, and REAR LEVEL you set the last time will
remain memorized even when the power of this unit is off.
However, in case the power plug cord is kept disconnected for
more than two weeks, these values will be invalid.
21
if you use the SLEEP timer of this unit, you can set this unit to be turned off automatically. When you are going to sleep while
enjoying a broadcast or other desired input source, this timer function is helpful.
| Notes
e The SLEEP timer can be controlled only with the remote control transmitter.
e The components on which the SLEEP timer is effective are the sources connected to a SWITCHED OUTLET on the rear panel
of this unit.
To set the SLEEP time
To cancel the selected SLEEP time
1
(=== СЭ)
Press repeatedly.
UF
f L Li N Y
SLEEP t—
| —
Indicates the SLEEP time. VA N
Changes on each press
as follows.
Flashes on and off
continuously.
(Minutes)
о —_ _— —
Lil
/
LUI 10 I ia Y
| IL Li 410 LILA 11
The SLEEP timer is in
the OFF state.
(The indication before
the SLEEP key is pressed.)
pme
Select the desired value.
Returns to the indication
before the SLEEP timer
is set after a while.
In
ZU
14
SLEEP
| Stops flashing
and illuminates.
The unit will be turned off automatically after the
passing of the SLEEP time you selected.
22
| SLEEP ( |
* Press once when
the SLEEP time displays 30.
|-
SLEEP
|
Goes off.
Returns to the indication
before the SLEEP timer
IS set.
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of the unit. If the
CD player, turntable, equalizer, and tape deck connected to this unit are YAMAHA components designed for remote control
compatibility (components with an ==5 mark), then this remote control transmitter will also control various functions of each
component. Please consult YAMAHA dealer for information on which components are compatible with the remote control
transmitter.
Key Functions
For Control of This Unit
Turns the power on/off. | | * Refer to “SETTING OF THE SLEEP
Selects preset station number. ——— |, TIMER" on the previous page.
* +: Selects higher preset station ==
number. CC
—: Selects lower preset station | SE AE
number. E Oo © & >
A/B/C/D/E: Selects the page (A — E) of | O
а ое! сего" buttons. DRA St ES Selects input source.
* Refer to “Speaker balance ——— ae PLAY
adjustment” in “ADJUSTMENTS ©Э CS = ©
BEFORE OPERATION”. 6m (=) ©
Turns the master volume level up/down.
~—— When pressed, mutes the volume level.
Selects center speaker mode.
| ESONT EPRECTLEVEL To resume original volume level, press
Selects a program from DO = this again.
the digital sound field processor. cen | ES While muting, the indicator on the
Aduste delav me | DI VOLUME control flashes on and off
J y continuously.
Adjusts sound output level at each Eu -
speaker. | Switches on/off digital sound field processor.
For Other Component Control
Identify the remote control transmitter keys with your component's keys. If these keys are identical, their function will be the
same. On each key function, refer to the corresponding instruction on your components manual.
|
7
Starts/stops record play on turntable.
Controls compact disc player.
* DISC SKIP is applicable only
to compact disc auto changer.
Controls equalizer.
* UP and DOWN keys select
any preset equalizer curve
whenever they are pressed.
Controls tape deck.
* DIR A, B and DECK A/B are
applicable only to double
cassette tape deck.
TEST RESEND Servis
FRE
CEN TEA ==
ОБЕ Ca P=
(UT y FEONIEF l'es =
Soe
Oo
STANDBY mode (Europe model oniy) | 7 ®ЭА
While the power is on, pressing the POWER key on the remote eee shen
control transmitter switches the unit to the STANDBY mode. (In E 20€
this mode, the indicator is half illuminated.)
POWER on mode STANDEY mode
23
NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
Remote control transmitter operation range
/ \
Battery installation
A
Remote-control
sensor
Within approximately
\ 7 m (23 feet)
Battery replacement
If you find that the remote control transmitter must be used
closer to the main unit, the batteries are weak. Replace both
batteries with new ones.
Notes
e Use only AA, R6, UM-3 batteries for replacement.
o Be sure the polarities are correct. (See the illustration inside
the battery compartment.)
e Remove the batteries if the remote control transmitter will
not be used for an extended period of time. |
e |f batteries leak, dispose of them immediately. Avoid
touching the leaked material or letting it come in contact with
clothing, etc. Clean the battery compartment thoroughly
before installing new batteries.
HHT ngs
Notes
* There should be no large obstacles between the remote
control transmitter and the main unit.
e If the remote control sensor is directly illuminated by strong
lighting (especially an inverter type of fluorescent lamp etc.),
it might cause the remote control transmitter not to work
correctly. In this case, reposition the main unit to avoid
direct lighting. |
COUPLER ;
— TONECONTROL — A ro
BASS {16 ‘ FRONT (L)
| | — = 16 &rower >» [| B
| | TREBLE AMP
Ï L
= PB € | |
2 VCRY o | e PHONES
р | a FRONT = ВЕАЯ
VCR Г © | | LEVEL 5 LEVEL
REC O | S o
| = =
пе PB © | | FL = 5 POWER Ц] REAR (1)
=>
REC O | ‘ 5 =
| 1 .
| 3
| | 2
| | AL >
| Lich) WIDE 3 LEVEL 9
1 | LO
| ;
_ TE a | cH | POWER No] Jeon
LOTV © ox, Con | | | AMP
| Rich) NORM o o
|
© VCR2/ № © | RR ——
TAPE? a
2 OUT E
Ne
VCRI |
L our © Ев |
— MONTORO
R SE
24
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
OM;
The unit fails to turn on when the POWER
switch is pressed.
E
Power cord |
inserted.
LANE ENE
is not completely
E
s not plugged in or
No sound or no piciure.
incorrect output cord connections.
Connect the cords properly. If the problem persists,
the cords may be defective.
The MUTING switch is ON.
First, turn the volume contro! to the full teft. Then,
turn the MUTING switch OFF with the remote
control transmitter and adjust the volume.
Appropriate input selector is not pressed.
Press the appropriate input selector corresponding
to the input source.
The sound suddeniy goes off.
The protection circuit nas activated because of
short circuit etc.
Turning the unit off and then on will reset the
protection circuit.
Only one side speaker outputs the sound.
Incorrect setting of the BALANCE control
Adjust it to the appropriate position.
Incorrect cord connection.
Connect cord properly. If the problem persists, the
cables may be defective.
Sound “hums”.
Incorrect cord connections.
Firmly connect the audio plugs. H the problem
persists, the cord may be defective.
No connection from the turntable to the GND
terminal.
Make the GND connection between the turntable
and this unit,
The volume level is low while playing a record.
The record is being played on a turntable with an
MC cartridge. |
The player should be connected to the receiver
through the MC head amplifier.
No sound from the rear speakers.
The sound output level of the rear speakers is O.
Turn up the sound output level with the REAR
LEVEL key.
The monaural sound source is played in the DOLBY
PRO LOGIC or ENHANCED.
Select another program suitable for the monaurel
sound source.
No sound from the center speaker.
The sound output level of the center speaker is O.
Turn up the sound output levei with the CENTER
LEVEL key.
The center mode is in the PHANTOM.
Select the NORMAL or WIDE.
Incorrect sound field program selection.
No sound field program is selected.
Select the appropriate program.
FM stereo receptian is noisy.
Because of the characteristics of FM stereo
broadcasts, this is limited to cases where the
transmitter is too far or the antenna input is poor.
Check the antenna connections.
Try using a multiple element FM antenna.
There is distortion and ciear reception cannot
be obtained even with a good FM antenna.
There is multipath interference.
Adjust antenna placement to eliminate multipath
interference.
A desired station cannot be tuned in with Auto
; tuning.
The station is too weak.
Use Manual tuning mode.
Use high quality directional FM antenna.
À desired station cannot be tuned in with Auto
| tuning.
Weak signal or loose antenna connections.
Tighten the AM loop antenna connections and
rotate it for best reception.
Use Manual tuning mode.
There are continuous crackling and hissing
noises.
Noises will result from ligining, fluorescent lamps,
motors, thermostats and other electrical equipment.
Use an outdoor antenna and a ground wire. This
will help somewhat but it is difficult to eliminate all
noise.
| There are buzzing and whining noises
(especially in the evening).
A television set is being used nearby.
Move the television away.
4 The remote control transmitter does not work,
Direct sunlight or lighting (of an inverter type of
flourescent lamp etc.) is striking the remote control
sensor of the main unit.
Change position of the main unit.
É The distance or range within which the remote
| control transmitter can be used decreases.
The batteries of this remote control transmitter are
too weak.
Replace the batteries with new ones.
The sound is degraded when monitoring is
performed by using the headphones connected
to the compact disc player or cassette deck
| which are connected with this unit.
Power cord of this unit is not plugged.
Plug in the power cord.
25
26
SPECIFICATIO
AUDIO SECTION
Minimum RMS Output Power per Channel
Front L,R
8 ohms, 20 Hz to 20 kHz, 0.03% THD
[U.S.A., Canada and Genera! models]
Dinrnenenarrancenereaccereevererrenere rare vneeorarTeRenee 65W+65W
[Australia, Europe and U.K. models]
nerecaerarenoenanecarecareneoneeerarecneorerrecar rr reereCere 60W+60W
6 ohms, 20 Hz to 20 kHz, 0.05% THD
[U.S.A. and Canada models]
Center
8 ohms, 20 Hz to 20 kHz, 0.08% THD
[U.S.A., Canada and General models]
Dnananaaoriao roo aeo aa aora rArE NTE RIR O NCeRRe ce neaccanean ere nee ncaneo 25W
[Australia, Europe and U.K. models]
nrinnananernocveverenerne rentamtere COTO rCUTOrEOCO NEC Uner Can ree nan 25W
6 ohms, 20 Hz to 20 kHz, 0.08% THD
[U.S.A. and Canada models] ..................—....—. 30W
Rear L.R
8 ohms, 1 kHz, 0.3% THD
[U.S.A., Canada and General models]
Vesansenseanren rare ra sen sre near dencre rence nee e caen 25W+25W
[Australia, Europe and U.K. models]
Ge csssrsaanaanrrranerr area semer areas dE tee rene a eee see 25W+25W
6 ohms, 1 kHz, 0.3% THD :
[U.S.A. and Canada models]............... 30W+30W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
8/6/4/2 ohms |
[U.S.A., Canada and General models]
arnaaiarimen eee renenra creeo ara acen re Ree as 85/100/125/150W
[Australia, Europe and U.K. models]
tree ee ene ea aera reer esi aree asst a re enaens 82/96/120/145W
DIN Standard Output Power per Channel
4 ohms, 1 kHz, 0.7% THD '
[Europe model only] .....................=.....—...—. 100W
Dynamic Headroom
8/6 ohms
[U.S.A., Canada and General models]
errececeriorence nee rre nee en errar terna. 1.16 dB/1.25 dB
IEC Power
8 ohms, 1 kHz, 0.01% THD
[Europe model oniy] ........................e.... e... 70W
input Sensitivity/Impedance
PHONO MM ............... em 2.5 mV/47 k-ohms
CD/TUNER/TAPE/LD-TV/VCR....150 mV/47 k-ohms
FRONT IN cee 1V/47 k-ohms
Maximum Input Signal (1 kHz, 0.02% THD)
PHONO MM................- EEE 80 mV
Output Level/impedance
-1- 00 UN ceeereeeeee 150 mV/1 k-ohms
FRONT OUT reine 1V/3.3 k-ohms
Headphone Jack Rated Output/Impedance
8 ohms, 1 kHz, 0.01% THD
Output Level... ……esssessenseareensensen sense 0.45V
Impedance..….…......….….resrreresnerennen ene 390 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TUNER/TAPE/LD-TV/VCR ee 0+0.5 dB
A oca nero neseeees 0+0.5 ЯВ
RIAA Equalization Deviation
PHONO MMI.........e.meenconennenenne nene 010.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM to REC OUT (1V).................. 0.01%
CD/TUNER/TAPE/LD-TV/VCR to SP OUT (30W/8
ohms)
enanaandendocdocenerrenrane teo ner neon er ttrCCO NEO NONE CON erenennma 0.015%
FRONT IN to SP OUT(30W/8 ohms) .......... 0.008%
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM {5 mV Input Shorted)
pnnenaana nar aranacen canon nera ree rr r Ren Renee rrrrDre. More than 86 dB
CD/TUNER/TAPE/LD- TV/VCR (input Shorted)
revered сеннееееееенеееееенееенееееееМоге ап 95 dB
Residual Noise (IHF-A Network)................... 120 uv
Channel Separation (Vol. —30 dB)
PHONO MM (Input Shorted 1 kHz/10 kHz)
eenieiae ran an anne nen rer nr nenneeer ee ene rene nereer more. 65 dB/50 dB
CD/TUNER/TAPE/LD-.TV/IVCR
(Input 5.1 kohms Terminated 1 kHz/10 kHz)
esrerenervereenecere Dar ereanoranenenecereonrenecroe nen. 65 dB/50 dB
Tone Control Characteristics
BASS: Boost/cut...................—. +10 dB (20 Hz)
Turnover Frequency ................... 350 Hz
TREBLE: Boost/cut.................. +10 dB (20 kHz)
Turnover Frequency............... 3.5 kHz
VIDEO
Video Input Level/impedance...................... 1V/750
Video Output Level/lmpedance................... 1V/750
FM SECTION
Tuning Range
[U.S.A., Canada and General models]
penivanime reee nen enenao nero ea Ree neenenrece reee 87.5 to 107,9 MHz
[Australia, Europe, U.K. and General models]
ERKEEKARKARKEREAREARKERRERERKKRRKELELKEKEE 87.50 to 108.00 MHz
50 dB Quieting Sensitivity (IHF, 75 ohms)
[Except Europe model]
MONO «occa 1.55 nV (15.1 dBf)
1-11 eee eee 21 uV (37.7 dBf)
Usable Sensitivity (75 ohms)
{30 dB S/N Quieting, 1 kHz, 100% mod.)
[Except Europe model]
crraprraccaras send a center vence anne ner raser 0.8 uV (2.3 dBf)
DIN, Mono (S/N 26 dB) [Europe model]
VERRERRERRERBERERRERRREEEERERKERERRKRREEREKARKEEEREREEEEEREREEREREUEEG 0.9 uv
DIN, Stereo (S/N 46 dB) [Europe model]
nanerecenenn naar caneoReRnocerre rre tren ee areenerrnnerrranrar enanos 24 uV
Image Response Ratio
[Except Europe model]... 45 dB
[Europe modell................... eee 75 dB
IF Response Ratio
[Except Europe model]... 80 dB
[Europe model]...................—..eeren nee 75 dB
Spurious Response Ratio 70 dB
AM Suppression Ratio... 55 dB
Capture Ratio... EN 1.5dB
Alternate Channel Selectivity [Except Europe modet]
ROSES SEE TEE PRES EEE TES EEE EEE aet as 85 dB
Selectivity (two signals, 40 kHz Dev.)
[Europe model]... 70 dB
Signal-to-Noise Ratio
(IHF) Mono/Stereo
[Except Europe model] .................... 81 dB/76 dB
(DIN-Weighted, 40 kHz Dev.) mono/stereo
[Europe model]... 75 dB/70 dB
Harmonic Distortion
Mono/Stereo (1 kHz) ........................... 0.1/0.2%
Mono/Stereo (40 kHz Dev.).................—...— 0.1/0.2%
Stereo Separation {1 KHz) cco. 50 dB
Frequency Response
20 Hz to 15 KHZ eee ee. 0+1.5 dB
AM SECTION
Tuning Range
[U.S.A., Canada and General models]
RE 530 to 1,710 kHz
[Australia, U.K., Europe and General modeis]
cénsarsenmtrerressantressesa sen en enn seen ren ane 531 to 1,011 kHz
Usable Sensitivity ………….….……eenes 100 uV/m
Selectivity..................————......emmeca recien ere. 32 dB
Signal-to-Noise Ratio ..........................eeeeereee... 50 dB
Image Response Ratio ...............ererreniiere 40 dB
Spurious Response Ratio... 50 dB
Harmonic Distortion.….…..…...…..…..…….……csecreerensercsess 0.3%
AUDIO SECTION
Output Level/impedance
FM (100% mod., 1 kHz)
[Except Europe model] .................... 700 mV/3.8 kQ
[Europe model (40kHz Dev.)]..........400 mV/3.8 ко
AM (30% mod., 400 Hz)
[Except Europe model] .................... 200 mV/3.8 kQ
[Europe model (40kHz Dev.)].......... 150 mV/3.8 kQ2
GENERAL
Power Supply
[U.S.A. and Canada models]
nerenerananaronnerrosrrenneneanreenenacenareerencea AC 120V, 60 Hz
[Australia and U.K. models]........ AC 240V, 50 Hz
[Europe model] .....................—.... AC 230V, 50 Hz
[General model]
penninie nen erronea recae AC 110/120/220/240V, 60/50 Hz
- Power Consumption
0 190W
[Canada Mode er 320 VA/250W
[General Mode] er 160W
[Australia, Europe and U.K. models]........... 160W
AC Outiets
[U.S.A., Canada, Europe and General models]
2 SWITCHED OUTLETS............100W max. total
[Australia and U.K. models]
1 SWITCHED OUTLET ............. 100W max. total
Dimensions WxHxD)
Derenearicerenneanearemecenane careren aerea 435 x 151.3 x 296.7 mm
(17-1/8" x 5-15/16" x 11-11/16")
Weight... re 10 kg (22 Ibs. 0 oz.)
ACCessories................._eeememnene. AM loop antenna
Indoor FM antenna
Remote contro! transmitter
Batteries
Specifications are subject to change without notice.
YAMAHA ELECTRONICS CORPORATION, USA 6722 ORANGETHORFE AVE. BUENA PARK, CALIF. 90620, USA
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE, SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-2084 RELLINGEN BE! HAMBURG, FR. OF GERMANY
YAMAMA ELECTRONIQUE FRANCE S.A. 17 RUE DES CAMPANDILES, LOGNES 77321 MARNE LA VALLEE CEDEX 2, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VASTRA FROLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
YAMAHA CORPORATION
VN02630-0 BWWR,B @) @ Printed in Japan
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