Mackie VLZ3 4BUS User manual

Mackie VLZ3 4BUS User manual
VLZ3 4•Bus
PREMIUM FX MIXER
WITH USB
2404 and 3204
VLZ3 4•Bus
The VLZ3 4•Bus takes the world-renowned Mackie 4•Bus
Series mixers to a whole new level, inluding the addition of
improved XDR2™ mic preamps, a redesigned mix bus, and
optimized active EQ on every channel. Additionally, USB
Recording and Playback, onboard dual RMFX+™ engines
and eight individual compressors come standard on every
VLZ3 4•Bus mixer.
The 2404-VLZ3 is equipped with 20 mono mic/line channels
while the 3204-VLZ3 comes standard with 28 mono mic/line
channels. Both mixers have two stereo channels with 4-band
equalization, four group outputs and inserts, and XLR and
TRS stereo and mono main outputs and inserts.
Each mono channel has an input Gain control with 60 dB of
gain, a sharp 18 dB/octave, 100 Hz Low Cut filter, a 3-band
EQ with sweepable mid, six Aux Sends, Pan, Mute, Solo,
assign switches, a 60mm fader and a Channel Insert jack for
connecting an external processor.
Other features include phantom power, mono and stereo
monitor outputs, a stereo tape input and output, a ¼-inch
stereo headphone jack, a dedicated talkback XLR jack,
stereo 12-segment LED meters, a BNC lamp socket, and six
Aux Sends and Inserts.
Aux Sends 1-2 are pre-fader. Aux Sends 3-4 have a switch on
each channel for selecting pre- or post-fader send, whereas
Aux Sends 5-6 are a fixed post-fader send, perfect for effects
loops. Auxes 1-6 have a master level control and all six
Auxes are post-EQ. There are four stereo returns with various
routing options for each return.
The VLZ3 4•Bus packs a unique 4x2 USB recording and
playback function, 2-Track Return selection, and features two
of Mackie’s patented Running Man FX processors (RMFX+™)
featuring 24 “gig-ready” effects, the returns of which may
be routed into the last two stereo channels for maximum
flexibility.
APPLICATIONS
Live sound mixing, houses of worship, clubs, gymnasiums,
banquet halls, conference rooms, boardrooms, multitrack
studio and field recording, video post-production, multimedia applications, broadcast, and many, many more.
FEATURES:
■ Premium 4•Bus FX Mixer with USB
■ Studio-grade XDR2™ Extended Dynamic Range mic preamps with:
• 130 dB dynamic range
• Distortion under 0.0007% (20 Hz - 20 kHz)
• Phantom power for studio condenser mics
■ 4 subgroups, each with dedicated compressors
■ Dedicated in-line channel compression for critical inputs
■ 3-band active EQ with swept mid-frequency
■ Dual 32-bit RMFX+™ processsors featuring 24 “gig ready” effects including reverb, delay, and chorus
■ Integrated 4x2 24-bit USB interface
• Stream subgroups or master L/R to your laptop for recording
• Use your favorite plug-in live via auxes 5/6
• Convenient stereo return for music playback from laptop during breaks
■ 6 aux sends with inserts, 1-2 pre, 3-4 pre/post switchable, 5-6 switchable to internal effects
■ 18 dB/octave, 100 Hz low-cut filter on every mic input
■ 60mm long-wearing logarithmic-taper faders
■ All-steel, classic Mackie “Built-Like-A-Tank” chassis design
■ Smallest footprint in class saves precious space
■ Lightweight and portable
• 2404-VLZ3: 31 lb / 14.1 kg
• 3204-VLZ3: 39 lb / 17.7 kg
1/6 PAGES
VLZ3 4•Bus
PREMIUM FX MIXER
WITH USB
VLZ3 4•Bus SPECIFICATIONS
Noise Characteristics
USB
(Mic in to Insert Send out, max gain)
150
Format
termination:
USB 1.1
I/O
-129.0 dBu
Stereo input,
4 channel output
(20 Hz to 20 kHz bandwidth, 1/4" Main Out, channel gains @ unity
gain, channel EQs flat, all channels assigned to Main Mix, odd
channels panned left, even channels panned right)
A/D/A
Main Mix fader @ unity, channel faders down
2404-VLZ3: -87.0 dBu (-91.0 dB Signal to Noise Ratio, ref +4 dBu)
3204-VLZ3: -84.5 dBu (-88.5 dB Signal to Noise Ratio, ref +4 dBu)
Mic In
2.7 k
Channel Insert Return
2.5 k
Main Mix fader @ unity, channel faders @ unity
2404-VLZ3:
3204-VLZ3:
Input and Output Impedance
All other inputs
-81.5 dBu
-80.0 dBu
Frequency Response
(Mic input to any output)
20 Hz to 50 kHz
+0 dB / –1 dB
20 Hz to 100 kHz
+0 dB / –3 dB
<0.001%
Mic In to Main Out
<0.005%
55 watts (2404-VLZ3)
65 watts (3204-VLZ3)
100 - 240 VAC, 50 - 60 Hz
Height
(1 kHz relative to +10 dBu, 20 Hz - 20 kHz bandwidth, Mic In,
1/4" Main Out, Gain @ unity)
Channel Mute switch engaged
–90 dBu
Channel Fader down
–88 dBu
0˚ - 40˚C
32˚ - 104˚F
Physical Properties (packaged product)
Attenuation and Crosstalk
11.0 in / 279 mm (both)
Depth
25.0 in / 635 mm (both)
Width
35.0 in / 889 mm (2404-VLZ3)
44.0 in / 1118 mm (3204-VLZ3)
Shipping Weight
37 lb / 16.8 kg (2404-VLZ3)
44 lb / 20.0 kg (3204-VLZ3)
Physical Properties (product)
Common Mode Rejection Ratio (CMRR)
Front Height
better than –70 dB
Maximum Levels
Mic In
+21 dBu
All other inputs
+21 dBu
Main Mix XLR Out
+27 dBu
All other outputs
+21 dBu
3-Band Equalization (mono channels)
Low
±15 dB @ 80 Hz
Mid
±15 dB sweep 100 Hz-8 kHz
±15 dB @ 12 kHz
18 dB/octave, –3 dB @ 100 Hz
4-Band Equalization (stereo channels)
Low
120
Power Consumption
(1 kHz @ 15 dB gain, 20 Hz - 20 kHz bandwidth)
Low Cut Filter
All other outputs
Operating Temperature
Mic In to Insert Send
or greater
<10
Universal AC Power Supply
High
10 k
Tape Out
AC Power Requirements
Distortion (THD+N)
(Mic In to Insert Send out, max gain)
1 kHz
24 bit, 44.1 kHz / 48 kHz
±15 dB @ 80 Hz
Low-Mid
±15 dB @ 400 Hz
High-Mid
±15 dB @ 2.5 kHz
High
±15 dB @ 12 kHz
Rear Height
2.0 in / 50.8 mm (both)
6.0 in / 153 mm (both)
Depth
19.1 in / 486 mm (both)
Width
29.4 in / 748 mm (2404-VLZ3)
38.0 in / 964 mm (3204-VLZ3)
Weight
31 lb / 14.1 kg (2404-VLZ3)
39 lb / 17.7 kg (3204-VLZ3)
Options
Dust Cover (2404-VLZ3)
Dust Cover (3204-VLZ3)
P/N 093-008-00
P/N 093-008-01
Ordering Information
2404-VLZ3 24-Ch./4-Bus Premium FX Mixer with USB, US
P/N 2034206-00
2404-VLZ3 24-Ch./4-Bus Premium FX Mixer with USB, EU
P/N 2034206-01
2404-VLZ3 24-Ch./4-Bus Premium FX Mixer with USB, CN
P/N 2034206-05
3204-VLZ3 32-Ch./4-Bus Premium FX Mixer with USB, US
P/N 2034208-00
3204-VLZ3 32-Ch./4-Bus Premium FX Mixer with USB, EU
P/N 2034208-01
3204-VLZ3 32-Ch./4-Bus Premium FX Mixer with USB, CN
P/N 2034208-05
2/6 PAGES
VLZ3 4•Bus
PREMIUM FX MIXER
WITH USB
VLZ3 4•Bus DIMENSIONS
1. WEIGHT APPROX. 31 lb [14.1 kg].
2. SHIPPING WEIGHT APPROX. 37 lb [16.8 kg].
[10˚]
5.753
[146.12]
29.429
[747.5]
19.106
[485.3]
1.823
[46.3]
1. WEIGHT APPROX. 39 lb [17.7 kg].
2. SHIPPING WEIGHT APPROX. 44 lb [20.0 kg].
[10˚]
37.933
[963.5]
5.753
[146.12]
19.106
[485.3]
1.823
[46.3]
3/6 PAGES
VLZ3 4•Bus
PREMIUM FX MIXER
WITH USB
VLZ3 4•Bus FRONT AND REAR PANELS (2404-VLZ3 shown)
MONITOR
PHONES
23/24
GROUP INSERTS
(TIP=SEND, RING=RETURN)
L
4
3
2
20
21/22
(BAL/UNBAL)
1
(BAL/UNBAL)
19
18
17
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
L
(MONO)
GROUP OUTS
MONITOR
(MONO)
4
R
INSERT
(BAL/UNBAL)
3
2
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
1
R
AUX INSERTS
6
5
3
2
1
(BAL/UNBAL)
(BAL/UNBAL)
2
LINE IN
LINE IN
STEREO RETURNS
(TIP=SEND, RING=RETURN)
4
1
LINE IN
(BAL/UNBAL)
MIC 20
L
LINE IN
(BAL/UNBAL)
MIC 19
LINE IN
(BAL/UNBAL)
MIC 18
LINE IN
(BAL/UNBAL)
MIC 17
2 MIC PR
E
XDR
2 MIC PR
E
XDR
2 MIC PR
E
XDR
LINE IN
(BAL/UNBAL)
MIC 16
LINE IN
(BAL/UNBAL)
MIC 15
2 MIC PR
E
XDR
2 MIC PR
E
XDR
LINE IN
(BAL/UNBAL)
MIC 14
2 MIC PR
E
XDR
LINE IN
(BAL/UNBAL)
MIC 13
LINE IN
(BAL/UNBAL)
MIC 12
LINE IN
(BAL/UNBAL)
MIC 11
2 MIC PR
E
XDR
2 MIC PR
E
XDR
2 MIC PR
E
XDR
LINE IN
(BAL/UNBAL)
MIC 10
LINE IN
(BAL/UNBAL)
MIC 9
LINE IN
(BAL/UNBAL)
MIC 8
2 MIC PR
E
XDR
2 MIC PR
E
XDR
2 MIC PR
E
XDR
LINE IN
(BAL/UNBAL)
MIC 7
LINE IN
(BAL/UNBAL)
MIC 6
LINE IN
(BAL/UNBAL)
MIC 5
2 MIC PR
E
XDR
2 MIC PR
E
XDR
2 MIC PR
E
XDR
LINE IN
(BAL/UNBAL)
MIC 4
LINE IN
(BAL/UNBAL)
MIC 3
(BAL/UNBAL)
MIC 2
2 MIC PR
E
XDR
2 MIC PR
E
XDR
2 MIC PR
E
XDR
MIC 1
2 MIC PR
E
XDR
2 MIC PR
E
XDR
(MONO)
AUX SENDS
(BAL/UNBAL)
6
5
4
3
2
1
R
RIGHT
TALKBACK
MIC
PHANTOM
ON
POWER
ON
INSERT
LEFT
MAIN OUT
LINE
INSERT
MONO
MAIN OUT
LINE
INSERT
MAIN OUT
TAPE
IN
LINE
L
2404
OUT
USB
OUTPUT
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
REVISION
SERIAL NUMBER
+6
LEVEL
OO
TIP=SEND
RING=RETURN
1
GAIN
2
GAIN
-10 dBV
10
13
R
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
0
60
+15dB -45dB
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
LOW CUT
100 Hz
18dB/OCT
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
PAD
-20dB
OFF
OFF
OFF
OFF
AUX
1
U
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
AUX
1
U
PRE
1
1
-20
23/24
U
+20
-20
1
1
1
AUX MASTERS
1
U
OO
2
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
2
OO
PRE
+15
U
OO
2
PRE
+15
U
OO
3
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
3
+15
U
OO
4
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
OO
4
+15
U
+15
OO
PRE
5
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
5
U
FX1
+15
OO
PRE
+15
OO
5
5
U
FX1
OO
6
U
FX1
+15
U
SOLO
+15
U
SOLO
+15
U
SOLO
+15
U
SOLO
+15
U
SOLO
+15
SOLO
+15
PRE
PRE
U
FX1
OO
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
+15
U
OO
6
FX2
U
+15
U
OO
6
FX2
OO
+15
U
OO
+15
U
OO
+15
U
+15
EQ
+15
OO
EQ
U
EQ
U
200
2k
100
8k
8k
L
1
L
L
3
L
L
L
6
MUTE
L
L
L
200
8k
L
200
8k
L
200
8k
L
200
8k
L
+15
U
200
8k
-15 +15
L
+15
U
OO
MAIN
L
19
MUTE
20
BAL
R
L
21/22
+15
2
SOLO
dB
OL
5
SIG
U
5
dB
5
10
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
5
5
SIG
3-4
40
50
60
L/R
dB
5
5
SIG
SOLO
10
U
TAP
DELAY
OO MAX
TO AUX 2
MAX
SOLO
OO MAX
SEND MASTER
OO
U
U
TAP
DELAY
OO MAX
TO AUX 2
OO MAX
MONITOR
MAX
TO AUX 1
OO
U
U
U
INT FX
MUTE
INT FX
MUTE
MAX
PHONES
MAX
TO MAIN
MAX
TO MAIN
OO
OO
OO
GROUPS
OFF
MAX
OFF
MAX
COMP
COMP
STEREO
TALKBACK
U
MAX
LEVEL
OFF
MAX
OFF
MAX
COMP
COMP
STEREO
SOLO
SOLO
SOLO
SOLO
LEFT
LEFT
LEFT
LEFT
RIGHT
RIGHT
RIGHT
RIGHT
OO
PUSH
TO TALK
20
30
3-4
40
50
60
L/R
2
3
4
AUX 1-4
MAIN
MAIN MIX
dB
dB
dB
dB
dB
10
10
10
10
10
5
5
5
5
5
U
U
U
U
U
5
5
5
5
5
10
10
10
10
10
20
20
20
20
20
1-2
1-2
OO
OL
U
SOLO
20
30
U
SIG/OL
OO MAX
TO AUX 1
R
10
10
1-2
OO
OL
U
SOLO
20
30
dB
PFL
AFL
U
OO MAX
SEND MASTER
MUTE
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
dB
10
10
1-2
OO
OL
U
SOLO
20
30
OO
dB
10
10
1-2
20
30
OL
U
SOLO
10
1-2
dB
10
U
SOLO
20
OO
OL
10
SOLO MODE
FX 2
1
10
+15
OO
SOLO
23/24
MUTE
MUTE
MUTE
LOW
80Hz
-15 +15
BAL
L
20
0 dB=0 dBu
-15 +15
U
LOW
80Hz
R
+15
U
1
U
LOW
MID
400Hz
-15 +15
PAN
R
HI
MID
2.5k
-15 +15
U
-15 +15
U
-15 +15
2
4
10
LEVEL
SET
U
HI
MID
2.5k
LOW
80Hz
+15
U
2
0
HI
12k
LOW
MID
400Hz
8k
OO
7
4
RUDE SOLO
OO
U
-15 +15
U
-15 +15
U
FREQ
+15
U
+15
HI
12k
U
PAN
EQ
U
2k
100
OO
OO
AUX
4
FX 1
INT FX
AUX 5/6
-15 +15
U
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
18
MUTE
EQ
U
-15 +15
U
2k
100
-15 +15
17
MUTE
200
8k
PAN
OO
INT FX
AUX 5/6
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
-15 +15
L
EQ
U
-15 +15
U
2k
100
PAN
OO
INT FX
AUX 5/6
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
16
MUTE
EQ
U
-15 +15
U
2k
100
-15 +15
15
MUTE
200
8k
PAN
OO
INT FX
AUX 5/6
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
-15 +15
L
EQ
U
-15 +15
U
2k
100
PAN
OO
INT FX
AUX 5/6
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
14
MUTE
EQ
U
-15 +15
U
2k
100
-15 +15
13
MUTE
200
8k
PAN
OO
INT FX
AUX 5/6
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
-15 +15
L
EQ
U
-15 +15
U
2k
100
PAN
OO
INT FX
AUX 5/6
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
12
MUTE
EQ
U
-15 +15
U
2k
100
-15 +15
11
MUTE
200
8k
PAN
OO
INT FX
AUX 5/6
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
-15 +15
L
EQ
U
-15 +15
U
2k
100
PAN
OO
INT FX
AUX 5/6
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
10
MUTE
EQ
U
-15 +15
U
2k
100
-15 +15
9
MUTE
200
8k
PAN
OO
INT FX
AUX 5/6
MID
-15 +15
800
FREQ
LOW
80Hz
R
+15
HI
12k
U
PAN
EQ
U
-15 +15
U
2k
100
-15 +15
8
MUTE
200
8k
LOW
80Hz
R
OO
INT FX
AUX 5/6
MID
-15 +15
800
U
PAN
+15
HI
12k
FREQ
2k
100
-15 +15
7
MUTE
200
8k
LOW
80Hz
R
EQ
U
-15 +15
U
MID
-15 +15
800
U
PAN
R
OO
INT FX
AUX 5/6
HI
12k
FREQ
2k
100
LOW
80Hz
-15 +15
PAN
R
5
MUTE
8k
U
-15 +15
PAN
200
2k
100
LOW
80Hz
-15 +15
R
200
8k
U
EQ
U
-15 +15
U
MID
-15 +15
800
FREQ
+15
INT FX
AUX 5/6
HI
12k
MID
-15 +15
800
FREQ
2k
100
LOW
80Hz
4
MUTE
MUTE
8k
U
PAN
R
200
2k
100
LOW
80Hz
-15 +15
PAN
R
2
MUTE
8k
U
-15 +15
PAN
R
200
2k
100
LOW
80Hz
-15 +15
PAN
8k
U
LOW
80Hz
-15 +15
200
2k
100
U
LOW
80Hz
L
200
2k
100
U
EQ
U
-15 +15
U
MID
-15 +15
800
FREQ
OO
INT FX
AUX 5/6
HI
12k
-15 +15
U
MID
-15 +15
800
FREQ
EQ
U
+15
OO
INT FX
AUX 5/6
HI
12k
-15 +15
U
MID
-15 +15
800
FREQ
EQ
U
+15
OO
INT FX
AUX 5/6
HI
12k
-15 +15
U
MID
-15 +15
800
FREQ
EQ
U
+15
OO
INT FX
AUX 5/6
HI
12k
-15 +15
U
MID
-15 +15
800
EQ
U
+15
OO
INT FX
AUX 5/6
HI
12k
-15 +15
U
MID
200
EQ
U
+15
OO
INT FX
AUX 5/6
HI
12k
-15 +15
U
FREQ
+15
OO
INT FX
AUX 5/6
HI
12k
-15 +15
U
-15 +15
800
+15
OO
INT FX
AUX 5/6
+15
U
AUX
3
SIG/OL
OO
20
OO
AUX
2
7
OO
U
INT FX
AUX 5/6
U
AUX
1
PWR
MAIN
MIX
LEFT RIGHT
30
OO
5
+15
OO
48V
GRP 3-4
AUX 5-6
10
U
PRE
CH 3-4
GRP 1-2
MAIN L/R
STEREO RETURNS
AUX
U
PRE
USB OUT
CH 1-2
TAPE
USB
SOLO
+20
TO MAIN
OO
1
AUX
U
PRE
2-TRACK RETURN
FX 2
MAX
AUX
U
PRE
2404
12V
0.5A
+20
U
FX 1
COMP
AUX
U
PRE
MAX
COMP
AUX
U
PRE
MAX
COMP
AUX
U
PRE
GAIN
USB
MAX
COMP
1
PRE
21/22
U
C GAIN
MI
U
LOW CUT
100 Hz
18dB/OCT
AUX
GAIN
-10 dBV
C GAIN
MI
U
20
GAIN
-10 dBV
C GAIN
MI
U
19
GAIN
-10 dBV
C GAIN
MI
U
18
GAIN
-10 dBV
C GAIN
MI
U
17
GAIN
-10 dBV
C GAIN
MI
U
16
GAIN
-10 dBV
C GAIN
MI
U
15
GAIN
-10 dBV
C GAIN
MI
U
14
GAIN
-10 dBV
C GAIN
MI
U
(BAL/UNBAL)
GAIN
-10 dBV
C GAIN
MI
U
12
GAIN
-10 dBV
C GAIN
MI
U
11
GAIN
-10 dBV
C GAIN
MI
U
TIP=SEND
RING=RETURN
(BAL/UNBAL)
GAIN
-10 dBV
C GAIN
MI
U
9
GAIN
-10 dBV
C GAIN
MI
U
8
GAIN
-10 dBV
C GAIN
MI
U
7
GAIN
-10 dBV
C GAIN
MI
U
6
GAIN
-10 dBV
C GAIN
MI
U
5
GAIN
-10 dBV
C GAIN
MI
U
4
GAIN
-10 dBV
C GAIN
MI
U
3
GAIN
-10 dBV
C GAIN
MI
U
TIP=SEND
RING=RETURN
(BAL/UNBAL)
30
3-4
40
50
60
L/R
OO
30
30
30
30
30
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
OO
OO
OO
OO
OO
4/6 PAGES
Int FX 1 Out R
(FX2 on 2 nd st ch.)
Int FX 1 Out L
-
+
-
+
Line
Mic
Stereo
Return 1 & 2
USB
In
R
R
L
Tape Input
L
Phantom Power
Line
Stereo Channels
21/22 & 23/24 (2404)
29/30 & 31/32 (3204)
R
L
Mono Channels
17-20 (2404)
25-28 (3204)
Mono Channels
1-16 (2404)
1-24 (3204)
Mic
Line
FX 1
HPF
HPF
100Hz
-
+
-
+
USB
-20 ~ +20dB
Gain
Mic: 0 ~ +60dB
Line: -15 ~ +45dB
-
+
Gain
bypass
HPF In
100Hz
Mic: 0 ~ +60dB
Line: -15 ~ +45dB
-
+
Gain
(Second stereo
channel only)
-20dB pad
bypass
HPF In
400
80
2.5K
MID
2.5K
MID
Talkback
Level
MID
400
80
LO
MID
HI
12K
HI
12K
4-Band EQ
LO
-20 Sig (flicker)
solo (on)
Comp
MID
100~8K
HI
Tape
USB
Mute
12K
Mute
Level
Talkback
Assign
Pan
Pan
Solo
2 track Input
Level
post
pre
post
pre
Level
L-R
Aux1-4
To Aux 4
To Aux 3
To Aux 2
To Aux 1
To Main Mix
OL (flicker)
mute (on)
3-Band EQ
w/ Swept Mid
80
LO
OL (flicker)
mute (on)
Solo
Aux 1
Aux 3
Aux 2
Aux 4
FX1
Aux 5
L
Aux 1
Aux 3
Aux 2
Solo
Aux 6 (post)
Aux 5 (post)
Aux 5
Aux 6
Aux 4 (pre/post)
Aux 4
Aux 2 (pre)
Aux 3 (pre/post)
Aux 3
Aux 2
M ain
R
1
L
FX1
Aux 6
FX2
Aux 5
Aux 4
Solo
3/4
1/2
L/R
Assign
3/4
1/2
FX2
Aux 6
Assign
L/R
Sub
3
4
Aux 1 (pre)
3
4
-20 Sig (flicker)
solo (on)
PFL Solo
FX 1
FX 2
FX1
FX 2
PFL solo
Phantom Power
Insert
AFL solo R
Phantom Power
(To All Mics)
AFL solo L
AFL solo R
AFL solo L
Global 48v
48V Switch/LED
2
Aux 1
R
1
2
Main
PFL Solo
R
AFL
PFL
Solo
Meter
Select
Solo Logic
Aux 1 sum
Sub 1 sum
Solo
Comp
R
L
Insert
Insert
Sub 4
Sub 3
Sub 2
Sub 1
(Internal FX 2 identical except
returns to second stereo
channel)
Internal FX 1
(To first stereo channel)
Main
Aux2
Aux1
Sub Assign To
Main Mix
L
R
Solo (1&3)
Solo (2&4)
Solo mode
Solo
Level
R Insert
R sum
AFL Solo
L
L Insert
L sum
Sub 1-2
Main L-R
FX 1 Bypass
Logic
Active
FX Mute
FX 1 master level
Aux 1 Level
Sub 1 level
Aux 6
Aux 5
to USB 1-2
Main
level
Monitor
Level
Sub 3-4
Aux 5-6
In
Out R
FX 1
Sig/OL
Phones
Level
Out L
RUDE
SOLO
LED
to USB 3-4
Mono level
Mono Insert
L
FX
Preset
Display
Tap
Preset select
(Aux 2-6 identical)
Aux 1 Out
(Sub 2-4 identical)
Sub 1 Out
Phones
R
L
Monitor Out
Mono
USB Out
R
Tape Out
R
Main
Out
L
Mono
Out
VLZ3 4•Bus BLOCK DIAGRAM
Sub
VLZ3 4•Bus
PREMIUM FX MIXER
WITH USB
5/6 PAGES
VLZ3 4•Bus
PREMIUM FX MIXER
WITH USB
Electronic files for this product are available at:
www.mackie.com
Specification Sheet
Owner’s Manual
VLZ3_4BUS_SS.PDF
VLZ3_4BUS_OM.PDF
www.mackie.com
16220 Wood-Red Road NE
Woodinville, WA 98072 USA
800-898-3211, Fax 425-487-4337, [email protected]
Since we are always striving to make our products better by incorporating new and improved materials, components, and manufacturing methods, we reserve the right to change these specifications at any time without notice. “Mackie” and the “Running
Man” figure are registered trademarks of LOUD Technologies Inc.
All other brand names mentioned are trademarks or registered trademarks of their respective holders, and are hereby acknowledged.
Part No. SW0850 Rev. A 06/10
©2010 LOUD Technologies Inc. All Rights Reserved.
6/6 PAGES
Was this manual useful for you? yes no
Thank you for your participation!

* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project

Download PDF

advertisement