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Performance Amplification Guitar Amplifier Series MP200-8 + MP200-10 + MP200-12 + MP200 HEAD - HD SERIES EEE TEE ее TR IN IE IE 7 A DEDATINA£ MANQIIAN © 2014 Quilter Labs, LLC. All Rights Reserved Quilter and the Quilter logo are trademarks of Quilter Laboratories, LLC Safety > >>> IMPORTANT SAFETY INSTRUCTIONS 1 - Read and keep these instructions. 2 - Heed all warnings and follow all instructions. 3— WARNING: To prevent fire or electric shock, do not expose this equipment to rain or moisture. Do not use this apparatus near water. 4 - Clean only with a dry cloth. 5- Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 6 — Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding plug has two blades and a grounding prong. The wide blade or third prong are provided for your safety. If the provided plug does not fit your outlet, consult an electrician for the replacement of the obsolete outlet. 7- Protect the power cord from being walked on or pinched, particularly plugs, convenience receptacles, and the point where they exit from the apparatus. 8 — Unplug the apparatus during lightning storms or when unused for long periods of time. 9 - The appliance coupler (or attachment plug) is the mains disconnect device and should remain readily accessible when amplifier is in use. 10 - Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 11 - This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. 12 - Changes or modifications made by the user that are not expressly approved by the manufacturer may void your authority to operate the amplifier. Explanation of symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous" voltage within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to humans. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in this manual. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE THE COVER. NO USER-S5ERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. WARNING: To prevent fire or electric shock, do not expose this equipment to rain or moisture, The Quilter MicroPro Series NA EMID UD DA 27 yaw, The Ultimate Performance Amplifier Tone: The Mach 2 stands on the shoulders of giants. Pat Quilter has benchmarked the world’s most beloved tone standards, and created an amplifier with the same glorious analog behaviors -- all of the warmth and feel with none of the drawbacks. A complete selection of presets provides a full quiver of classic amps in a compact, fully professional, and performance oriented package. Power: Don't underestimate the Mach 2; it's no mere practice amp. Quilter technology delivers massive amounts of warm, musical headroom -- the essential "big white canvas" that supports a rich and versatile array of tonal possibilities. Portability: Today's smaller stages and awkward load-ins call for a lightweight design, but don't let the small size fool you -- the Mach 2 punches well above its weight class. One trip in with guitar and amp in hand, and a quick plug-in, leaves plenty of time to tune up and help less fortunate bandmates with their rigs. Technology: The time has come for new and better tools. Pat Quilter’s patented combination of Class D power, robust "nightclub-proof" power supply, and warm analog tone shaping circuitry finally advances the state of the art beyond the possibilities hinted at by classic tube amps. Leave those treasured classics safely at home, and use the consistent and reliable Quilter to explore new heights of artistic satisfaction. A WHOLE NEW CATEGORY OF AMPLIFICATION Shipping Contents: « 1 Quilter MicroPro Mach 2 Amplifier * 1 IEC AC Power Cord - 1 Dust Cover + 1 Owner's Manual Panel Layout Front Panel Selects type Sets amount of Boost, Instrument of Boost LEDs are off Active Tone Instrument Gain - Sets when Select when not Controls — Input drive level is engaged selected Г 10dB Cut/Boost GUITAR GAIN 1 SELECT BASS MID scoop © N 7 — BRIGHT 5 MIC-LINE GAIN 2 ! Quilt | | | Aux Input Gainfor 3-way EQ for Ch2 1/4” Line In Ch2 Scoop* Flat * Bright XLR Mic In AC Power Switch AVIS AC POWER or RISQUE DE CHOC A Qu I It ELECTRIC SHOCK ELECTRIQUE ON DO NOT OPEN | NE PAS OUVRIR WARNING: To reduce the risk of fire or shock, do not expose this QUILTER LABORAT EEE An EE COSTA MESA, CAI AVERTISSEMENT: Pour réduire les risques d'incendie et ! — d'électrocution, ne pas exposer ce matériel à la pluie où à l'humidité. U.S.A. 100-240 V == 250W 50/60Hz — TO REDUCE THE RISK OF ELECTRONIC (Hall) SHOCK, THE GROUND CONNECTION ЗН OF THE AC PLUG MUST BE MAINTAINED Ze ASSEMBLED IN TH Locking AC Power Inlet Push Yellow Button to Release Rounds off Master Volume overall forCH1 response Controls Wattage Tremolo Overdrive Sets Sets Select best Limiter Depth Speed position for feedback TREB LiM TREM RATE HI CUT MAST 1 ии /=\ REV TONE DWELL VOICE FULL Q 7 7 SMOOTH ~ —LEAD er — BROWN wee Reverb Reverb Reverb Selects 1 of 6 Intensity Tone Decay overall personalities Reverb applies to Ch 1 and Ch 2 Extension Speaker Footswitch Effects Loop Direct Output Jack Send & Return Output + + | FOOTSWITCH EFFECTS LOOP DIRECT OUTPUT er. EXT SPEAKER > mc | (©) mm © © IFORNIA HOW MIN USE MICROPRO INT SPEAKER FOOTSWITCH ONLY — SEND RETURN E 8 0HMS- 200W 500K ISOLATION HEARING DAMAGE. HEARING PROTECTION CAUTION, THIS AMPLIFIER 15 CAPABLE OF PRODUCING SOUND LEVELS THAT CAN CAUSE 600, 300 mV PEAK SHOULD BE WORN WHEN NEAR THE AMPLIFIER, PATENT PENDING Internal Speaker Output 1N0Ae7 jue GETTING STARTED GUITAR GAIN 1 BOOST SELECT /—OFF E E. = 10UD > \ dr , \ wil MIC-LINE GAIN 2 Zu Qui MICROP The first time you use your amplifier, we recommend that you set up the front panel controls as shown in the illustration above: Initial Settings: + Set GAIN 2 to its minimum position (we'll use CH 2 later). + Set GAIN 1, BASS, MID and TREB to 50% (halfway up). + Set LIM, TREM, HI CUT and REV to minimum position. + Set MAST 1 to about 25%. + Set the VOICE switch to FULLQ. Plug your guitar into the GUITAR jack. As you play, use GAIN 1 and MAST 1 controls to adjust the overdrive versus the overall loudness of the amplifier. The tone controls (BASS, MID and TREB) are neutral (flat) at 50%. Turn them up and down to boost or cut their respective frequencies. The HI CUT control “takes the edge off” the amplifier's naturally wide bandwidth as it is turned up, creating the effect of a mellower speaker. For increased overdrive, turn up the BOOST control as desired and use the SELECT switch to choose one of five types of boost. + SCOOP: Adds treble and bass for more punch and less mid clutter. + BRIGHT: Enhances treble gain for incisive leads. * LOUD: Boosts overall gain to increase natural overdrive. + CREAM: Internal “tube overdrive” for smooth soaring distortion. + CRUSH: Activates serious internal “fuzz” distortion. The selected boost can be footswitch controlled. the panel LEDs go dark when BOOST is bypassed. TREB LIM “dj LYLE a XY N/E D f y E A Turning up the overdrive limiter (LIM) progressively reduces master overdrive distortion (but not Cream or Crush), while maintaining lower- level sustain, effectively replacing the “brick wall” of overdrive distortion with a “soft cushion” of limiting. Turn up TREM to adjust tremolo depth, and use RATE to adjust the speed of the pulsations. To add reverb, turn up the REV control. The DWELL control sets the decay time of the reverb tail. The TONE control between these two knobs selects mellower reverb to the left and brighter to the right. LIM, TREM and REV are all foot-switchable, and their respective panel LEDs will go dark when the effect is bypassed. The VOICE knob selects six overall amplifier personalities: - FULL Q: Flat frequency response and smooth “EL-84" type overdrive. « SMOOTH: Bright creamy triode overdrive with a flute-like quality. LEAD: Bright crunchy high-power “British” overdrive. SURF: Bright and clean with crisp American-style “6L6" breakup. - BROWN: Full range, high gain, with crisp breakup. - TWEED: Smooth vintage overdrive with a small-cabinet tone balance. The PHASE switch reverses the polarity of the amplifier, which can reduce or increase guitar feedback as desired for particular playing styles. FOOTSWITCH: All effects are “normally enabled” and are usable without a footswitch. Effects are bypassed when selected by the footswitch. The foot- switchable effects include Boost, Limiting, Tremolo, Reverb, and Effects Loop. When bypassed, the panel LEDs above the affected controls turn off. A314V1S ONILLID GETTING STARTED 2 CHANNEL OPERATION The MicroPro Mach 2 features two independent amplifier channels, combined into a single speaker, which can be used separately or simultaneously. Each channel has a maximum RMS output of 100 watts. CH 1 is the “full service” guitar channel, as explained above. CH 2, the MIC/LINE channel, supports a microphone or auxiliary input. It may also be used as a “clean” Guitar channel pre-set, with its own GAIN 2, EQ 2, and shared REVERB. (Footswitch required for multi channel application.) When the two channels are used separately, GAIN 1 and MAST 1 control the GUITAR input, and GAIN 2 controls the MIC/LINE input. Using CH 2 for “Clean—Dirty” Presets GAIN 2 may be used as a “Clean” preset for CH 1, using EQ 2 as an alternate tone control, thus enabling distinctive rhythm and lead voicings. Use the CH 1/2 mode on the footswitch to switch from GAIN 1 to GAIN 2. LEDs above GAIN 1, BASS, MID, TREB, and MAST 1 will go dark, indicating the controls that have been bypassed, but all of the guitar-channel effects are still available in either mode (unless footswitch bypassed, of course). By adjusting the GAIN 1 + MAST 1 controls, and GAIN 2 + EQ 2, you can achieve a desired loudness and tonal balance between “clean” and “dirty”. The MIC/LINE input is still active when assigning GAIN 2 to CH 1, but its level may vary slightly and it will be routed through Ch 1 effects, if any. Using BOOST for “Clean-Dirty” Presets An overdrive boost can also be engaged by setting GAIN 1 at a comfortable “clean” level and using BOOST SELECT to engage SCOOP, BRIGHT or LOUD, turning up the BOOST control as desired for overdrive. However, these first three functions will generally increase the overall loudness relative to a clean GAIN 1 setting. This works if you want overdrive to jump above your clean level, but if you want to balance clean and distorted levels, try CREAM and CRUSH, which behave like “front end” distortion pedals. On these settings, BOOST controls the amount of distortion, and GAIN 1 sets the output level of the distortion (just like using a pedal). As GAIN 1 is increased past 50%, the signal gets loud enough to trigger output distortion, providing a “layered” distortion effect. Of course, MAST 1 still controls the overall volume of the resulting combination. 7 Footswitch control: The BOOST and LIM footswitches can give you even more switchable clean/overdrive effects using only the resources of Channel 1. REAR PANEL FUNCTIONS: AC POWER AC Power Switch Simply reach over the top of the right side of the amp to flip the power switch on and off. ON International Power Supply The MicroPro works on any worldwide AC voltage (100-250V), which allows you to play just about anywhere on the planet. This same capability provides smooth steady audio power despite surges and brownouts. Locking IEC Power Cord The power cord that comes with your amplifier locks into the AC inlet to reduce the chance it will come unplugged during use. Press the yellow button on the cord to release it. Any normal 3-prong IEC cord may also be used. Always ensure that the ground contact is intact on both the cord and receptacle. Speaker Outputs - Combo EXT SPEAKER The MicroPro combo amps come with the 200W MIN. internal speaker plugged into the INT SPEAKER output. An external 8 ohm INT SPEAKER speaker may be used in place of the internal 8 OHMS - 200W speaker by unplugging this cable and connecting the external speaker. An external 4 ohm speaker cabinet should be connected to the upper 4-8 ohm EXT SPEAKER output. To use two speaker cabinets simultaneously, connect an 8 ohm cabinet (or the internal speaker) to the INT SPEAKER output, and a 4 or 8 ohm extension speaker with a minimum of 150 watts continuous power handling to the EXT SPEAKER output. Circuitry adjusts the output impedance to split the power between the two outputs. 041dv1S INILLA9 GETTING STARTED Speaker Outputs - Head 3 OHM SPKR— MicroPro Head: Connect a 4 ohm speaker to 200W MIN. the 4 OHM SPKR output oran 8 ohmcabinet — Wu, pad to the 8 OHM SPKR output. 8 OHMS = When using two cabinets, plug an 8 ohm cabinet into the 8 OHM SPKR output, and a 8 OHM SPKR == 4-8 ohm cabinet into the 4 OHM SPKR output. Two 4-ohm cabinets may be used with slightly reduced performance. SPEAKER CAUTION: the MicroPro amplifier can deliver up to 300 watts peak, well beyond the capacity of many single speakers. We recommend Quilter extension cabinets with power tested speakers. Quilter Labs will not be liable for damage to other speakers. Effects Loo P EFFECTS LOOP The SEND jack sends the combined output of both channels at -10dB (1V full scale), to match both consumer and pro effects. The RETURN jack interrupts the internal signal, and returns the effects output directly to the power amplifier. SEND RETURN CAUTION: To avoid excessive triggering of the internal “speaker watchdog” protection, do not use excessive levels of boost in the Effect Loop. If the amp appears to be “gagging” or even shutting down momentarily, reduce the level going into Effects Return Footswitch control: Without the footswitch attached, the effects loop is activated when using the RETURN jack. The effects loop is enabled when the footswitch LED is on, and bypassed when the footswitch LED is dark. Footswitch Jack FOOTSWITCH The foot controller connects to the amp with the supplied |] cable. Both jacks on the foot controller are wired identically, so you can plug into either one. À standard network cable se MICROPRO with RJ-45 connectors may be used as an emergency FOOTSWITCH ONLY replacement, or if you need a longer cable. Direct Output DIRECT OUTPUT The isolated direct output allows you to route the output sound of the amp to a mixing board or external powered loudspeakers without using a microphone. The signal level is compatible with mic inputs, and is padded down from the actual 5000, 300 mv PEAK signal across the speaker, to preserve as much of =: 500K ISOLATION the tone quality as possible. A high frequency rolloff is included to prevent high frequency system instability, and produces the same tone quality through full-range PA speakers as the internal single-cone driver. Caring for your Quilter MicroPro Mach 2 Clean the outer surfaces with a clean, damp cloth or vacuum with a soft brush. Never use any abrasives, harsh cleaners or solvents. The provided dust cover will help protect the amp during trans- portation. A heavy duty, fully enclosed and padded carrying case is available for situations when the amp needs extra protection. The MicroPro Mach 2 amplifier is manufactured with high quality components using modern industrial processes that greatly reduce production defects. Each amplifier goes through an intensive testing process before it leaves the factory ensuring that your amplifier will give you years of flawless service. There are no user-serviceable parts inside the amplifier. Any repairs should be performed by a trained service professional. Always use the amplifier in a well-ventilated environment and protect from external heat sources such as furnaces or direct sunlight. Caring for the loudspeaker Modern loudspeakers are amazingly rugged but they still must stand up to constant vibration and flexing. Even the best available speakers will eventually wear out. Prolonged high-volume playing causes heat buildup in the speaker which reduces its working lifetime. If you find it necessary to consistently use overdrive at full Master volume, we recommend using an extension speaker to share the stress, prolong speaker life and improve sound coverage. 10 (1ldvls INILLA9 Power Output: AC Power Input Connections: Input Impedance: Effects Loop: 1 2 Dimensions: (HxWxD) Dimensions: x W x Dimensions: xWx Dimensions: xWx Dimensions: x Wx Speaker: Dimensions: x W Xx Dimensions: x Wx 1: 100 W RMS 2: 100 W RMS otal: 200 W RMS 100-240V, 50-60 250 W MIC/LINE: Balanced XLR and 44" TRS INST: 14" mono MIC: 4K ohms LINE: 70K ohms AR: 2M ohms Ya" -1 1K ohms Ya" 50K ohms 200 W minimum 200 W minimum & WEIGHTS TF0818 - 8" 1.75" voice 8 ohms 14.5 in. x 17.5 in. X 9.75 in. 36.8 cm x 44.5 cm x 24.8 cm to U.S. airline limits 19 165. G10 - 10" 1.75" voice 8 ohms 19 in. x 17.5 in. x 10 in. ст х 44.5 ст х 25.4 cm 1 lbs. Classic Lead 80 - 12" 1.75" voice 8 ohms 19 in. x 17.5 in. x 10 in. cm x 44,5 em x 25.4 cm lbs. (12.2 BN12-3005 - 12" 2.5" voice 19 in. x 17.5 in.x 10 in. cm x 44.5 ст х 25.4 ст 21 165. Classic Lead 80 - 12" 1.75" voice 8 ohms 18.5 in. x 17.5 in. x 10.5 in. cm x 45.1 em x 26.7 cm 30 Ibs. (13.6 BN12-3005 - 12" cone, 2.5" voice coil, 8 ohms, Neodymium 18.5 in. X 17.5 in. x 10.5 in. cm x 45.1 em x 26.7 cm 165. (10.9 in. Xx 17.5 in. x 7.63 in. 11.4 cm x 445 cm x 19.4 cm 7 lbs. Note: Power ratings are provided by the loudspeaker manufacturer and are only a guide-line when selecting a suitable speaker. Quilter Labs qualifies our speakers using a lengthy power test that ensures that the speaker can withstand the full power output of our amplifiers. 11 Symptom No power, no lights Action e Ensure that the AC cord is fully seated and connected to a live source, « Check the AC source by trying another device such as a lamp. Amp feels hot and starts shutting off. + Automatic thermal protection is activating. Reduce the volume at least 30% and keep the amplifier out of direct sunlight or tightly enclosed spaces. Lights are on but there is no sound (using a guitar) e Ensure that BOOST and VOICE switches are fully engaged and are not between clicks. * Ensure the guitar plug is inserted fully at both ends. e Try using a different quitar cable. e Check that the pickup selector switch and volume on the guitar are set correctly. * Remove any cables from the RETURN jack of the Effects Loop. If this corrects the problem, track down the break in the effects chain. « Ensure that the rear panel speaker plug is fully inserted into the INT SPEAKER jack. e Listen for the normal on/off click through the speaker. If none, test with another speaker. No audio (using the « Ensure that the XLR or 4" plug is fully inserted. « Try using à different cable. e Check that the VOL? control is turned up. e Ensure that the rear panel speaker plug is fully inserted into the INT SPEAKER jack. MIC/LINE input) + Remove any cables from the RETURN jack of the Effects Loop. If this corrects the problem, track down the break in the effects chain. e Lower the source level. Distorted audio on » Lower the VOL 1 control. e Keep Master on full for maximum clean headroom. Channel 1 . Check Boost settings. Cream and Crush are built-in distortion generators. No reverb is heard « Confirm that the REV control is turned up. + |f panel LEDs are off, the footswitch is in Bypass. Reverb “tail” is too long or too short. « Adjust the DWELL control. The decay is shorter to the left and longer to the right. Reverb tone is undesirable. e Adjust TONE knob, located between REV and DWELL. The left end is more mellow, and the right is brighter. A "warbling" or pulsing sound is heard + You may be hearing the tremolo effect. Check that the TREM control is set to its minimum position. e Check for moving reflectors such as a ceiling fan. Background hum e Ensure the guitar plug is fully inserted. e Try using a different guitar cable. « Any AC powered sources or effects should be plugged into the same receptacle as the amplifier to help avoid ground loops. If the hum goes away when you turn down the guitar: e Single coil pickups can be a source of hum, especially if near RF sources like light dimmers or neon lights. Some guitars have a mode where two pickups are in reverse polarity to each other ("humbucking”). This mode can often reduce hum. eCheck that the guitar controls are well shielded. 12 « At high gain settings, some audible hiss or shwoosh is normal. Excessive nolse ® Check your cables, guitar and other effects in the signal chain. Pedals are often noisier than the amp. Amp sounds garbled at |e Check speaker by temporarily trying an external speaker. all volumes Caution: reduce volume until sound level has been confirmed. « Turn down the GAIN 1 control and turn up MAST 1. e Set the BOOST SELECT to OFF, or reduce BOOST volume to minimum. # Turn up LIM. « If distortion persists, it may be in the source. Try thru a different amplifier or PA input. « Turn up guitar volume. + Turnup GAIN 1. Set LIM to its minimum setting, or bypass with footswitch. Desire cleaner tone, getting too much overdrive Desire overdrive tone, not getting enough * Engage one of the BOOST modes, and turn up BOOST control. overdrive * Experiment with VOICE settings. Some of the voices are “hotter” than others. e Try higher output pickups. e Confirm that the HI-CUT control is not turned up too far. This control “takes the edge off” the overall sound. Check your quitar's tone controls. Tone sounds "dull” with no high frequencies Amplifier Requires Service If any of the below occur, immediately unplug the amplifier and refer to a service technician. ® Amplifier emits smoke or burning smells. Amplifier is dropped or chassis is dented or bent Liquid has been spilled into the amplifier Loose parts inside the amplifier are heard AC wall breaker trips 13 LIMITED TRANSFERABLE WARRANTY IMPORTANT: PLEASE READ THIS DOCUMENT COMPLETELY. IT CONTAINS IMPORTANT INFORMATION ABOUT YOUR RIGHTS AND OBLIGATIONS, AS WELL AS LIMITATIONS AND EXCLUSIONS THAT MAY OR MAY NOT APPLY TO YOU, BY ACCEPTING DELIVERY OF THE PRODUCT(S), YOU AGREE TO BE BOUND BY AND ACCEPT THESE TERMS AND CONDITIONS. Quilter Laboratories, LLC (Quilter Labs) guarantees its products to be free from defective material and/or workmanship and will replace defective parts and repair malfunctioning products under this warranty when the defect occurs under normal installation and use—provided the unit is returned to our factory via pre-paid transportation with a copy of proof of purchase. (i.e. sales receipt). This warranty provides that the examination of the return product must indicate, in our judgment, a manufacturing defect. This warranty does not extend to any product which has been subjected to misuse, neglect, accident, or where the date code or serial number has been defaced or removed. Quilter Labs shall not be liable for incidental and/or consequential damages. This warranty gives you specific legal rights. = с = a») — a se This limited warranty is freely transferable during the term of the warranty period. The warranty on Quilter products is NOT VALID if the products have been purchased from an unauthorized dealer/online e-tailer, or if the factory serial number has been removed, defaced, or replaced in any way. Customers may have additional rights, which vary from state to state or from country to country. In the event that a provision of this limited warranty is void, prohibited or superseded by local laws, the remaining provisions shall remain in effect. The Quilter Labs limited warranty in the United States is valid for a period of three (3) years from date of purchase except that footswitches, covers, cabinets, handles, and cabinet hardware are warranted for a period of one (1) year and speakers, and all other included accessory products for a period of ninety (90) days from date of purchase. IMPORTANT: PLEASE RETAIN YOUR SALES RECEIPT OR ONLINE ORDER RECORD, AS IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY. TO TRANSFER THE WARRANTY TO A SUBSEQUENT PURCHASER, YOU MUST ENDORSE THE SALE OF THE PRODUCT TO THE SUBSEQUENT PURCHASER ON THE FRONT OF THE SALES RECEIPT. THIS LIMITED WARRANTY IS VOIDWITHOUT SUCH ENDORSED SALES RECEIPT. Defective products that qualify for coverage under this warranty will be repaired or replaced, (at Quilter Labs’ discretion) with a like or comparable product, without charge. To receive warranty service, return the complete product to Quilter Labs, LLC, with proof of purchase, during the applicable warranty period. The Quilter Labs Dealer from whom you purchased your product may also be authorized for warranty service and should be the first point of contact when service is required. TRANSPORTATION COSTS ARE NOT INCLUDED IN THIS LIMITED WARRANTY. Any repair or service performed by any person or entity other than an Authorized Quilter Labs Electronics Service Center is not covered by this limited warranty.Other questions regarding this warranty can be answered by contacting your authorized Quilter distributor, or by contacting the factory: (714) 519-6114. Email: [email protected] 14 Factory Service To return an amplifier to Quilter Labs for service under the warranty policy, please visit www.quilterlabs.com and fill out the Return Request Form. If you do not have access to the website, you may send a request by letter to Quilter Labs at 1700 Sunflower, Suite A, Costa Mesa, CA 92626. Please include the serial number of the amplifier and a copy of your sales receipt. Instructions on how to send your amplifier will be provided. Do not attempt to open the amplifier and service it yourself. Any attempt to service the amplifier by a non-authorized service technician may void your warranty. NOTICE OF FCC COMPLIANCE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: + Reorient or relocate the receiving antenna. « Increase the separation between the equipment and receiver » Connect the product into an outlet on a circuit different from that to which the receiver is connected. « Consult the dealer or an experienced radio/TV technician for help. Quilter Laboratories, LLC 1700 Sunflower, Suite A Costa Mesa, CA 92626 (714) 519-6114 www.quilterlabs.com Manual P/N 000611 Rev. A
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