*
e.
Full-featured, fully automated,
and fully compatible, it's the
Yamaha O3D Digital Mixing Console.
I
f you’re ready for a compact, comfortably priced,
full-featured digital mixer one especially made for professional project and
post production studios relying on modular digital multitrack recorders such as
TASCAM, ADAT, AES/EBU and YAMAHA digital formats then you’re ready
for the 03D Digital Mixing Console. Nestled between the popular ProMix
01 famed for bringing affordable digital mixing to the
masses and the award-winning, industrystandard 02R Digital Recording
Console revered for defining a new age
in cost-effective professional digital
mixing the rackmountable 03D is a selfcontained, 26-input/18-output fullyautomated digital mixing console in its
own right, destined to set new standards
of its own. The 03D features an intuitive
user interface, ease of operation and a long
list of essential professional engineer’s
tools including fast 32-bit internal digital
audio processing, versatile analog and digital
I/O configuration with 20-bit ADs and DAs, 32-bit
onboard multi-effects processors with freeze
(sampling) and guitar amp simulation effects,
motorized faders, fader and mute grouping, surround
sound mixing, scene snapshot memories, onboard
automation, MIDI remote capabilities, plus convenient
cascading options which make it the ideal companion for
an 02R or another 03D.
Options
CD8-TDII
Options
TASCAM
ADAT
I/O Interface Card
AES/EBU
YAMAHA
Digital Cascade Kit*
Model
CD8-TDII
CD8-AT
CD8-AE-S
CD8-Y
CD8-CS KIT
*...2xDigital Cascade Card, 1xD-sub Cascade Cable
CD8-AT
Connector
D-sub 25pinx1
OPTICALx2
D-sub 25pinx1
D-sub 25pinx1
D-sub 25pinx1
CD8-AE-S
Options
Rack Ear
Model
RK124
CD8-CS KIT
+48V
-16
-60
GAIN
Streamlined but
naturally intuitive, the
03D provides instant
access to and easy
manipulation of
parameters via onboard
controls or a PCcompatible mouse
(optional), plus a large,
backlit 320 x 240 dot
fluorescent graphical
display. Four userdefined switches are
ideal for controlling
external multitrack
recorders via MMC
(MIDI Machine Control).
25dB
ATT
MIX.LEVEL FB.GAIN
TIME
TYPE
ON
THR
RANGE
ATK
DECAY
HOLD
ON
TYPE
Q
20 F 20k
+18
-18
LPF
GAIN
Q
20 F 20k
+18
-18
GAIN
of
Q
20 F 20k
+18
-18
GAIN
Q
20 F 20k
+18
-18
HPF
GAIN
EQ ON
FLAT
PRE
ST
PRE
PRE
ST
PRE
PRE
er
PRE
PAN
C
ROUTING
L
R
ODD EVEN
S
T
D
ON
,
10
5
0
5
10
METER
A
B
15
20
C
D
FADER
25
E
30
40
F
G
H
5
60
MUTE
00
PAIR
The 03D provides all the familiar features of a traditional
analog mixer channel strip, plus the digital convenience
and flexibility of scene storage and recall, EQ, dynamics,
channel and effects libraries, full onboard automation, and
much more.
Balanced analog inputs
and outputs, individual
phantom power
switches on channels
1-8, stereo AES/EBU
and coaxial digital
inputs and outputs, TO
HOST and MIDI
terminals, YGDAI
(Yamaha General
Digital Audio Interface)
slot and more make the
03D suitable for
virtually any
professional mixing
application. Direct
connection of a PCcompatible mouse
(available separately)
permits even quicker
navigation and
parameter editing.
2
26-inputs and 18-outputs with highly flexible digital I/O
The 03D’s flexible configuration of analog and digital inputs and outputs makes it suitable for a wide range of professional mixing applications. Included are 24 input channels and a fully-featured stereo input for a total of 26 inputs plus 4 bus outputs, 4 auxiliary (and 2 internal) effect sends, a main stereo mix bus and a solo bus. Stereo digital inputs and outputs, plus 8 digital inputs and outputs (optional, via
a YGDAI slot), provide a total of 10 digital inputs and 10 digital outputs.
Input channels 1-8 have mic preamps, XLR and balanced stereo 1/4"
phone connectors, and individual phantom power switches, and can
accept input levels from -60dB to +10dB. Inputs 9-16 feature balanced
stereo 1/4" connectors and support line level signals between -20 and
+10dB. All 16 channel inputs feature input gain controls with 30 detents for precise and repeatable setting. Channels 1 and 2 include analog inserts for connecting external dynamics processors. Aux sends
and bus outputs can be paired together for stereo operation and can be
routed to the control room monitors for cue mixes, with onboard effects returns included. The four bus and four aux send signals are output via balanced stereo 1/4" connectors.
Coaxial and AES/EBU stereo digital I/O connectors permit direct connection to DAT recorders and other compatible digital devices. The
stereo digital input signals can be routed to the stereo bus for submixing, or to the stereo input channel for mixing and processing. The number of inputs can be
increased by digitally
cascading two 03Ds
together, with both
sharing bus, aux, stereo, and solo busses.
The 03D can also be
digitally cascaded
with an 02R.
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p
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m
9
METER screen pages display all channel, stereo in and
effect 1 and 2 input levels visually, as well as aux and
bus output levels.
5
Maximum compatibility through YGDAI open system
M
2
c
ti
The 03D’s YGDAI (Yamaha General Digital Audio
Interface) slot which accepts the same single-size
YGDAI cards as the 02R provides 8 digital inputs
and 8 digital outputs for direct digital connection to
all major modular digital multitrack recorders (including Alesis ADAT, Tascam DA88 and DA38),
disk-based recording systems, and AES/EBU and
Yamaha format systems.
The YGDAI digital outputs can be configured as
bus outs, aux sends, direct outs, or stereo outs so
although the 03D is essentially a four-bus mixer,
you can assign the four busses and four aux sends
to the YGDAI slot’s eight outputs to achieve eighttrack simultaneous recording.
M
The Digital In Setup screen permits easy setting and
confirmation of word clock source, stereo input
assignment and monitoring word clock locking status.
The Digital Out Setup screen permits easy setting and
confirmation of YGDAI output assignments, bus channel
direct, aux and stereo output.
Individual channel PEQ and dynamics processors
The 03D features an uncompromising array of onboard parametric
EQs and dynamics and effects processors, with signal processing performed by Yamaha’s custom 32-bit DSP chips same as in the
02R and available parameters selected in collaboration with professional sound engineers. Comprehensive libraries of preset EQ and dynamics settings provide a great place to start or for reference, and plenty of user programs are available to store your own. 40 four-band parametric EQs and 40 dynamics processors are available for all 26 individual channel inputs, the 2 onboard stereo effects returns, the 4 bus outputs, 4 aux sends, and main stereo outputs.
Each EQ band has a
range from 20 Hz to
20kHz which can be
adjusted in 1/12 octave steps and a 0.1-10
Q range. High and low
EQ bands can be configured as shelving or
peaking, with the high
band capable of being
configured as LPF, and
the low band as HPF.
EQ gain settings range
from -18 to +18dB. EQ
settings can also be
The four-band EQ features a "quick-draw" graphic EQ
curve, providing the engineer with a clear and visual
image of the channel EQ.
copied between channels via the equalizer library. The EQ library’s collection of 40 preset EQ programs include specific settings which can be
applied to everything from acoustic and electronic instruments to percussion to vocals. Including the 40 memories for storing your own EQ
settings, a total of 80 EQ programs are available.
The onboard dynamics processors include compressor, expander, gate,
ducker and compander functions, and a total of 80 dynamics memories. Any input channel (1-24 or stereo input) can be used as a key trigger, and AUX 1 or AUX 2 can be used as a key-in signal for any channel. The dynamics library’s collection of
40 preset dynamics
programs include settings appropriate for
the mixing of strings,
brass sections, sampled percussion, vocals and more, and
40 user dynamics programs are available
for storing your own.
The 03D allows fine-tuning of all dynamics parameters,
complete with gain reduction metering and a graphic
curve for visual monitoring of applied processing.
T
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in
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2 effects processors with Freeze and Amp Simulator
nm-
The 03D’s two powerful new sets of effects processors which utilize
the same DSP and some of the same algorithms as Yamaha’s ProR3
and REV500 feature
64 basic presets, with
various reverb, delay,
echo, chorus, flange,
pitch shifting and
other effects to
choose from, as well
as the new freeze
(sampling) and amp
simulator, or guitar
preamp, effects.
Including the 32 user
memories, a total of
96 effects are on hand.
The 03D also features channel input delays of up to 200ms which is
useful for microphone-placement compensation for live recording and
video editing.
Channel delays can
also be mixed with
the dry signal to
provide delay and
echo effects. Output
delays, for the stereo
and 4 buses, of up to
40ms are useful for
applications which
require delaycompensation on the
outputs.
DELAY/ø screen pages allow access to channel input
and output delay parameters as well as channel phase
settings.
New Freeze (sampling) and Amp Simulator (guitar
preamp) effects greatly expand the 03D's onboard
sound processing power.
nd
nd
50 scene memories
Mix snapshots of entire setups, or scenes, consisting of approximately
2000 parameters including all input channel-to-bus routing and output
configurations, fader and pan positions, EQ and dynamics settings everything can be stored and recalled instantly using the 50
scene memories. Scenes can be recalled manually, by MIDI, or using
the automix function. A Recall Safe feature permits selected channels
to be isolated from scene memory recalls. An UNDO/REDO function
permits undoing and redoing of scene memory recall operations.
Motorized faders, and fader and mute grouping
nd
nel
olbe
rQ
The 03D’s quick-response, positive-feel 60mm motorized faders function as conventional mixer faders, auxiliary send level controls, and onboard effects aux
send level controls,
depending on current
status. When a scene
memory is recalled,
the faders position
themselves automatically to the levels stored. During playback
of an automix, fader
movements are replayed automatically
in synchronization
with MIDI time-code.
4 fader groups and 4 mute groups work independently
Adjacent odd/even
to let you build up complicated mixes fast.
number channels can
be linked in pairs,
with panning either
independent or
ganged. You can control two adjacent
channels paired in
stereo using only one
fader.
Panning and output bus assignments are displayed
graphically and are easily accessed.
e,
g-
Crossfade, auto-fade, and solo in place
A crossfade time of
up to 10 seconds, in
0.1-second steps, can
be set for faders as
part of a scene
memory. You can
auto-fade the stereo
output fader using
the built-in
automation based on
MTC time-code, or by
setting a crossfade
time in a scene
memory.
rs,
hic
Comprehensive monitoring functions include Recording Solo mode,
where the SOLO bus feeds the monitor output, allowing nondestructive soloing that doesn’t affect the main stereo mix. There’s also Mixdown Solo mode, where the stereo output is connected to the monitor
output, so solo affects the stereo output. And there’s Solo in Place,
where the SOLO bus is connected to the monitor output, and also solo
affects the stereo output.
SOLO function allows nondestructive soloing that
doesn't affect the main stereo mix, plus Mixdown Solo
and Solo in Place.
Surround sound mixing
With the 03D, surround sound mixing suitable for
CD-ROM and DVD productions as well as audio
post applications is built right in. Three types of
surround sound configurations are available. The
dedicated pan page provides precise control.
MIDI remote control
MIDI IN, OUT and THRU terminals permit control of all parameters
(approximately 2,000) in realtime using MIDI Control Change and System Exclusive messages. The 03D’s MIDI remote function is extremely
powerful. MIDI remote allows the 03D’s motorized faders to remotely
control the internal levels in a digital audio workstation, or the faders
can be used to edit the internal parameters of an outboard effects processor or synthesizer.
03D faders and four user definable buttons can be used to control other MIDI devices such as digital audio recorders and processors via
MMC (MIDI Machine Control). A TO HOST (RS422) port permits direct connection to a personal computer without a MIDI interface.
Scene, EQ, dynamics,
effects and channel library user memory,
and automix data can
be saved using MIDI
bulk dump operations to a MIDI data
filer (such as the Yamaha MDF2 MIDI
Data Filer) or MIDI
sequencer.
MIDI remote permits detailed control of parameters of
external devices.
MTC time-code based "automixing" provides full onboard automation
The 03D also allows full onboard dynamic automation unprecedented for a mixer in its price
range of all faders (including the AUX send faders) as well as channel on/off, EQ, pan and surround pan, and scene, EQ, dynamics, effects and
channel libraries, can be automated by snapshot.
You can easily and quickly update dynamic
changes in realtime, and even insert and modify parameters "off-line" using the Event Edit function.
There are four automix memories and one current
memory. Recording and mixdown automation can
be synchronized to external MIDI time-code
(30NDF, 29.97NDF, 30DF, 29.97DF, 25, and 24).
Automixing lets you set up portions of a mix and then have them play back automatically as you work on other
automix dubbing. You can also insert and modify specific parameters "off-line".
Twin RISC CPUs with 32-bit DSP processing, and 20-bit AD/DA
The 03D’s twin RISC CPUs ensure fast and reliable control of LCD
graphics, faders and automix. Internal audio processing is performed
at 32 bits by the powerful Yamaha DSP chip, providing a dynamic
range of 192dB. Uncompromising sonic quality and performance are
guaranteed by 20-bit, 64-times oversampling AD converters on each in-
put and 20-bit, 8-times oversampling DA converters on the stereo output and monitor output. Bus outputs and aux send outputs use 18-bit,
8-times oversampling DA converters. The audio dynamic range is an
impressive 105dB for analog input to analog stereo output.
Block Diagram
+48V
BUS
PHANTOM
Meter
Meter
Meter
EFF ST SOLO
AD
HA
PAD
DC CUT
DELAY
4Band
PEQ
PAN
Dynamics
ON
ATT
1, 2
DITHER
AUX 1
GAIN
26dB
Meter
Meter
Meter
CH Fader
IN
AUX
1234 1234 12 LR LR
1, 2
INSERT
AUX 2
Meter
Meter
AUX 3
4Band
PEQ
Dynamics
DELAY
DA
COAXIAL
DIGITAL
STEREO
OUT
AES/EBU
L
AUX 4
EFF 1
+48V
EFF 2
PHANTOM
3-8
AUX/EFF
PRE/POST
INPUT
ed,
d
as
y
Mix
e
ng
e
tal
yits
ds
ve
ng
r’s
l
tal
bit
ze
ts,
nd
rd
nt
or
D.
AD
HA
PAD
3-8
DC CUT
Same as 1, 2
ST OUT
BALANCE
ON
STEREO
OUT
4Band
PEQ
Dynamics
DELAY
DA
R
L
GAIN
26dB
SOURCE
SELECT
HA
9-16
AD
DC CUT
Same as 1, 2
REC OUT
R
from BUS OUT 1, 2
GAIN
Meter
HA
L
AD
DC CUT
DELAY/
EFFECT
Meter
Meter
4Band
PEQ
Dynamics
Meter
GAIN
ST IN
HA
DC CUT
AD
DELAY/
EFFECT
4Band
PEQ
Meter Meter
Meter
Meter
4Band
PEQ
ON
ATT
R
ST IN
Fader
Meter
to REC OUT L
Meter
Dynamics
DA
DELAY
1
ON
BALANCE
*1
1
PAN
Dynamics
to REC OUT R
BUS OUT
FLIP
Same as 1
DA
Same as 1
DA
Same as 1
DA
2
3
COAXIAL
DIGITAL
STEREO
IN
AES/EBU
DeEmphasis
ON/OFF
SELECT
Meter
from EFF1
Meter
Meter
4Band
PEQ
Dynamics
INTERNAL
EFFECT 1
EFF RET
Fader
ST CASCADE IN
to INTERNAL
EFFECT 1, 2
BALANCE
ON
*1
4Band
PEQ
Dynamics
Meter Meter
4Band
PEQ
Meter
Meter
Meter
Dynamics
DA
ON
AUX OUT
1-4
1-4
from EFF2
INTERNAL
EFFECT 2
4
Meter
Same as EFF1
Meter
SOLO/
2TR IN
DA
MONI
TRIM
SINE 100Hz
SINE 1kHz
SINE 10kHz
PINK NOISE
BURST NOISE
ON
L
MONO
LEVEL
MONITOR
OUT
DA
LEVEL
R
WAVEFORM
L
2TR IN
LEVEL
PHONES
R
*1: INDIVIDUAL/GANG/INVERTED GANG
Applications
ADAT—CD8-AT
YGDAI Card In
DA88—CD8-TDII
DA38
ADAT/DA-88
or
03D Digital Mixing Console
PHONES
1
2
3
4
5
6
7
8
9
26dB
26dB
26dB
26dB
26dB
26dB
26dB
26dB
–16
–60
+10 GAIN –34
–16
–60
+10 GAIN –34
–16
–60
+10 GAIN –34
–16
–60
+10 GAIN –34
–16
–60
+10 GAIN –34
–16
–60
+10 GAIN –34
–16
–60
+10 GAIN –34
–16
–60
+10 GAIN –34
10
11
12
13
14
15
DIO
+10
–20 +10
GAIN
–20 +10
GAIN
–20 +10
GAIN
–20 +10
GAIN
–20 +10
GAIN
–20 +10
GAIN
–20 +10
GAIN
–20 +10
GAIN
–20
0
GAIN
AUTOMIX
STORE
SCENE MEMORY
CHANNEL CONTROL
0
10
10
LEVEL
LEVEL
AES/EBU—CD8-AE-S
SOLO
SOLO
RECALL
USER DEFINE
USER DEFINE
FUNCTION
VIEW
DYNAMICS PAN/ROUTING
Computer
2TR IN
UNDO/
REDO
MIDI
Hard Disk Recorder
PHONES
MONITOR
OUT
SCENE MEMORY
UTILITY
GROUP/PAIR SOLO SETUP
DELAY/Ø
ST IN
SOLO/
SETUP
SCENE
MEMORY
16
CEL CH
L STEREO R
EQ LOW
LO-MID
HI-MID
CLIP
–3
–6
–9
–12
–15
–18
–24
–30
–36
–42
–48
HIGH
EQ LIBRARY
T
FADER MODE
AUX 1
AUX 2
FADER
AUX 3
AUX 4
EFFECT 1
EFFECT 2
PARAMETER
(Pro Tools)
888I/O or 882I/O
ENTER
CURSOR
FADER
STATUS
MIXING LAYER
1~16
FADER 1~8
9~12
13~16
ST IN
EFFECT RTN
17~24/MASTER
1
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
SEL
ON
ON
ON
ON
ON
ON
ON
ON
ON
ON
ON
ON
ON
ON
ON
6
6
0
6
0
6
0
6
0
6
0
6
0
6
0
6
0
6
0
6
0
6
0
6
0
6
0
6
0
EFFECT
RETURN
ST OUT
SEL
SEL
SEL
SEL
ON
ON
ON
ON
6
0
2
ST IN
6
0
0
6
0
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
40
60
00
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
ST IN
EFFECT
RETURN
Computer
6
0
5
10
17
Synthesizer
ST OUT
MIDI In
MIDI I/F
RS422
MIDI Out
To Host
DA-88 and DA-38 are registered trademarks of TEAC Corporation. Adat is registered trademark of ALESIS Corporation. Pro Tools®, 888I/O and 882I/O are registered trademarks of Digidesign, a division of Avid Technology, Inc. "Dolby", "AC-3",
"Pro Logic", and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation. Copyright 1992, Dolby Laboratories, Inc. All rights reserved.
Specifications
General Specifications
Frequency Response
20 Hz–20 kHz+1, –3 dB (+4 dB into 600 Ω)
110 dB min. STEREO OUT D/A converter
105 dB typ. STEREO IN to STEREO OUT
(AD/DA)
Dynamic Range
100 dB min. STEREO IN to STEREO OUT
(AD/DA)
THD (Total Harmonic
Distortion)
Less than 0.1% (20 Hz-20 kHz @ +14 dB
into 600 Ω)
Less than 0.01% for STEREO IN to STEREO
OUT (1 kHz @ + 18 dB into 600 Ω)
Analog Input/Output Specifications
Input
Terminals
Pad Gain
CH INPUT
CH 1-8
0
–60
0
–16
25
–16
Hum & Noise* (20 Hz-20 kHz)
Rs = 150 Ω,
input gain = max.
input pad = off, input
sensitivity = –60 dB
Maximum Voltage Gain
Crosstalk
Sampling Rate
Adjacent
Channels
–70 dB (1 kHz)
Internal
External
48 kHz/44.1 kHz
32 kHz–48 kHz ±6%
Less than 2.5 ms input to output (fs = 48 kHz)
16–24 bit
60 mm motorized
+6 to –90, –∞ dB
+10
High
±18 dB, 20 Hz–20.1 kHz, HPF, peaking,
shelving
High-Mid
Low-Mid
±18 dB, 20 Hz–20.1 kHz, peaking
±18 dB, 20 Hz–20.1 kHz, peaking
Scene
Channel
EQ
Effects
Dynamics
Steteo Output Meters
Memories/
Libraries
USA &
Canada
±18 dB, 20 Hz–20.1 kHz, LPF, peaking,
shelving
51 (1 preset, 50 user)
51 (2 preset, 49 user)
80 (40 preset, 40 user)
96 (64 preset, 32 user)
80 (40 preset, 40 user)
12–segment LED meter x 2
50–600Ω
Mics
&
600Ω
Lines
600Ω
Lines
–20
ST IN (L, R)
10kΩ
+10
600Ω
Lines
–72 dB
–60 dB
(0.194 mV) (0.775 mV)
–46 dB
(3.88 mV)
–28 dB
(30.9 mV)
–16 dB
(0.123 V)
–2 dB
(0.616 V)
–2 dB
(0.616 V)
+10 dB
(2.45 V)
+24 dB
(12.3 V)
–32 dB
(19.4 mV)
–20 dB
(77.5 mV)
–6 dB
(0.388 V)
–2 dB
(0.615 V)
+10 dB
(2.45 V)
+24 dB
(12.3 V)
–32 dB
(19.4 mV)
–20 dB
(77.5 mV)
-6 dB
(0.388 V)
–2 dB
(0.615 V)
+10 dB
(2.45 V)
+24 dB
(12.3 V)
Connector in
Console
XLR-3-31 type**
or
TRS Phone Jack**
TRS Phone Jack**
TRS Phone Jack**
CH INSERT IN CH 1, 2
10kΩ
600Ω
Lines
–8 dB
(0.309 V)
+4 dB
(1.23 V)
+18 dB
(6.16 V)
Phone Jack***
2TRACK IN (L, R)
10kΩ
600Ω
Lines
–10 dBV
(0.316 V)
–10 dBV
(0.316 V)
+4 dBV
(1.58 V)
RCA Pin Jack***
Output Terminals
STEREO OUT (L, R)
BUS OUT 1-4
AUX OUT 1-4
REC OUT (L, R)
320 x 240 dot backlit LCD (with contrast
control)
Low
10kΩ
CH INSERT OUT CH1, 2
–70 dB (1 kHz)
Display
Power
Requirements
–64 dB (68 dB S/N) STEREO OUTPUT.
Master fader and one CH fader at nominal level.
76 dB CH IN to STEREO OUT/BUS OUT
76 dB CH IN to AUX OUT (pre fader)
12 dB STERTEO IN to STEREO OUT
76 dB CH IN to MONITOR OUT (via Stereo bus)
Input to
Output
Signal Delay
Digital Output Dither
Type
Faders
Resolution
EQ
–94 dB (98 dB S/N) STEREO OUTPUT.
Master fader at nominal level and all CH faders
at minimum.
3kΩ
Input level
For Use with
Nominal
Sensitivity* Nominal Max. before Clip
–20
CH INPUT
CH 9–16
–128 dB equivalent input noise
–94 dB regidual output noise from STEREO
OUT (STEREO OUT = OFF)
Actual Load
Impedance
MONITOR OUT (L, R)
PHONES
Output level
Actual Source For Use with
Impedance
Nominal
150Ω
150Ω
150Ω
600Ω
600Ω
150Ω
100Ω
Connector
Nominal
Max. before Clip
600Ω Lines
+4 dB
(1.23 V)
+18 dB
(6.16 V)
XLR-3-32 type**
10kΩ Lines
+4 dB
(1.23 V)
+18 dB
(6.16 V)
TRS Phone Jack**
10kΩ Lines
+4 dB
(1.23 V)
+18 dB
(6.16 V)
TRS Phone Jack**
10kΩ Lines
+4 dB
(1.23 V)
+18 dB
(6.16 V)
Phone Jack***
10kΩ Lines
-10 dBV
(0.316 V)
+4 dBV
(1.58 V)
RCA Pin Jack***
10kΩ Lines
+4 dB
(1.23 mV)
+18 dB
(6.16 V)
TRS Phone Jack***
8Ω Phones
1 mW
25 mW
40Ω Phones
3 mW
75 mW
Stereo Phone
Jack***
* The lowest level will produce an output of +4dB (1.23V) or the nominal level when the unit is set to maximum gain.
** Balanced.
*** Unbalanced.
• 0dB=0.775 Vrms, 0dBV=1Vrms
Digital Input/Output Specifications
Terminals
DIGITAL STEREO IN AES/EBU
DIGITAL STEREO IN COAXIAL
DIGITAL STEREO OUT AES/EBU
DIGITAL STEREO OUT COAXIAL
TO HOST
MIDI (MTC**) IN-OUT-THRU
MOUSE
TO EDITOR (REMOTE)
WORD CLOCK IN
WORD CLOCK OUT
Format
AES/EBU
S/P DIF *
AES/EBU
S/P DIF *
——
——
(MS)
——
——
——
Level
RS-422
0.5 Vpp/75Ω
RS-422
0.5 Vpp/75Ω
RS-422
——
——
——
TTL/(75Ω IN/OUT)
TTL/75Ω
Connector
XLR-3-31 type
RCA Pin Jack
XLR-3-32 type
RCA Pin Jack
Mini DIN 8pin
DIN 5pin
D-SUB 9pin male
D-SUB 9pin female
BNC
BNC
* IEC958, EIAJ CP-1201 (Consumer)
** IN only
• To HOST and To EDITOR connectors cannot be used at the same time.
120 V AC, 60 Hz
European
230 V AC, 50 Hz
Power Consumption
85 W
Dimensions (W x D x H)
460 x 516 x 204 mm (18.1" x 20.3" x 8")
Weight
16 kg (35.3 lbs)
Free-air operating
10°C to 35°C (50°F to 95°F)
temperature
Relative Humidity
25%–80%
* Hum and noise measured with a 6 dB/octave 12.7 kHz filter; equivalent to a 20 kHz
filter with an infinite dB/octave attenuation.
Specifications and appearance subject to change without notice.
For details please contact:
For more information about the 03D Digital Mixing Console, other Yamaha products, dealer network and more, visit:
Yamaha PA Web Site—http://www.yamaha.co.jp/product/proaudio/homeenglish/
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