Rane Sixty-Two audio mixer OWNER’S MANUAL

OWNER’S MANUAL

RANE

SIXTY-TWO

MIXER

MANUAL

SIXTY-TWO

OWNER’S MANUAL

Important Safety Instructions

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any ventilation openings. Install in accordance with manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord and plug from being walked on or pinched particularly at plugs, convenience receptacles, and the point where it exits from the apparatus.

11. Only use attachments and accessories specified by Rane.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

15. The plug on the power cord is the AC mains disconnect device and must remain readily operable. To completely disconnect this apparatus from the AC mains, disconnect the power supply cord plug from the AC receptacle.

16. This apparatus shall be connected to a mains socket outlet with a protective earthing connection.

17. When permanently connected, an all-pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the electrical installation of the building.

18. If rackmounting, provide adequate ventilation. Equipment may be located above or below this apparatus, but some equipment (like large power amplifiers) may cause an unacceptable amount of hum or may generate too much heat and degrade the performance of this apparatus.

19. This apparatus may be installed in an industry standard equipment rack. Use screws through all mounting holes to provide the best support.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. Apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus.

WARNING

The symbols shown below are internationally accepted symbols that warn of potential hazards with electrical products.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR

To reduce the risk of electrical shock, do not open the unit. No user serviceable parts inside. Refer servicing to qualified service personnel.

This symbol indicates that a dangerous voltage constituting a risk of electric shock is present within this unit.

This symbol indicates that there are important operating and maintenance instructions in the literature accompanying this unit.

WARNING: This product may contain chemicals known to the State of California to cause cancer, or birth defects or other reproductive harm.

NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules.

These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

CAUTION: Changes or modifications not expressly approved by Rane Corporation could void the user's authority to operate the equipment.

This Class B digital apparatus complies with Canadian ICES-003.

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OWNER’S MANUAL

Instructions de Sécurité

1. Lisez ces instructions.

2. Gardez précieusement ces instructions.

3. Respectez les avertissements.

4. Suivez toutes les instructions.

5. Ne pas utiliser près d’une source d’eau.

6. Ne nettoyer qu’avec un chiffon doux.

7. N’obstruer aucune évacuation d’air. Effectuez l’installation en suivant les instructions du fabricant.

8. Ne pas disposer près d’une source de chaleur, c-à-d tout appareil produisant de la chaleur sans exception.

9. Ne pas modifier le cordon d’alimentation. Un cordon polarisé possède 2 lames, l’une plus large que l’autre. Un cordon avec tresse de masse possède 2 lames plus une 3è pour la terre. La lame large ou la tresse de masse assurent votre sécurité. Si le cordon fourni ne correspond pas à votre prise, contactez votre électricien.

10. Faites en sorte que le cordon ne soit pas piétiné, ni au niveau du fil, ni au niveau de ses broches, ni au niveau des connecteurs de vos appareils.

11. N’utilisez que des accessoires recommandés par Rane.

12. N’utilisez que les éléments de transport, stands, pieds ou tables spécifiés par le fabricant ou vendu avec l’appareil. Quand vous utlisez une valise de transport, prenez soin de vous déplacer avec cet équipement avec prudence afin d’éviter tout risque de blessure.

13. Débranchez cet appareil pendant un orage ou si vous ne l’utilisez pas pendant un certain temps.

14. Adressez-vous à du personnel qualifié pour tout service après vente. Celui-ci est nécessaire dans n’importe quel cas où l’appareil est abimé : si le cordon ou les fiches sont endommagés, si du liquide a été renversé ou si des objets sont tombés sur l’appareil, si celui-ci a été exposé à la pluie ou l’humidité, s’il ne fonctionne pas correctement ou est tombé.

15. La fiche du cordon d’alimentation sert à brancher le courant alternatif AC et doit absolument rester accessible. Pour déconnecter totalement l’appareil du secteur, débranchez le câble d’alimentation de la prise secteur.

16. Cet appareil doit être branché à une prise terre avec protection.

17. Quand il est branché de manière permanente, un disjoncteur tripolaire normalisé doit être incorporé dans l’installation électrique de l’immeuble.

18. En cas de montage en rack, laissez un espace suffisant pour la ventilation. Vous pouvez disposer d’autres appareils au-dessus ou en-dessous de celui-ci, mais certains (tels que de gros amplificateurs) peuvent provoquer un buzz ou générer trop de chaleur au risque d’endommager votre appareil et dégrader ses performances.

19. Cet appareil peut-être installé dans une baie standard ou un chassis normalisé pour un montage en rack. Visser chaque trou de chaque oreille de rack pour une meilleure fixation et sécurité.

ATTENTION: afin d’éviter tout risque de feu ou de choc électrique, gardez cet appareil éloigné de toute source d’humidité et d’éclaboussures quelles qu’elles soient. L’appareil doit également être éloigné de tout objet possédant du liquide (boisson en bouteilles, vases,…).

ATTENTION

Les symboles ci-dessous sont reconnus internationalement comme prévenant tout risque électrique.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR

Afin d’éviter tout risque de choc électrique, ne pas ouvrir l’appareil.

Aucune pièce ne peut être changée par l’utilisateur. Contactez un

SAV qualifié pour toute intervention.

Ce symbole indique que cette unité utilise un voltage

élevé constituant un risque de choc électrique.

Ce symbole indique la présence d’instructions d’utilisation et de maintenance importantes dans le document fourni.

REMARQUE: Cet équipement a été testé et approuvé conforme aux limites pour un appareil numérique de classe B, conformément au chapitre 15 des règles de la FCC. Ces limites sont établis pour fournir une protection raisonnable contre tout risque d’interférences et peuvent provoquer une

énergie de radiofréquence s'il n'est pas installé et utilisé conformément aux instructions, peut également provoquer des interférences aux niveaux des équipements de communication. Cependant, il n'existe aucune garantie que de telles interférences ne se produiront pas dans une installation particulière. Si cet équipement provoque des interférences en réception radio ou télévision, ceci peut être detecté en mettant l'équipement sous/ hors tension, l'utilisateur est encouragé à essayer de corriger cette interférence par une ou plusieurs des mesures suivantes:

• Réorienter ou déplacer l'antenne de réception.

• Augmenter la distance entre l'équipement et le récepteur.

• Connecter l'équipement à une sortie sur un circuit différent de celui sur lequel le récepteur est branché.

• Consulter un revendeur ou un technicien radio / TV expérimenté.

ATTENTION: Les changements ou modifications non expressément approuvés par Rane Corporation peuvent annuler l'autorité de l'utilisateur à manipuler cet équipement et rendre ainsi nulles toutes les conditions de garantie.

Cet appareil numérique de classe B est conforme à la norme Canadienne ICES-003.

Cet appareil numérique de classe B est conforme à la norme Canadienne NMB-003.

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OWNER’S MANUAL

Copyright Notices

©2014 Rane Corporation. All rights reserved. Serato DJ and Scratch Live are trademarks of Serato.

Trademarked in the United States and other countries. This software is based in part on the work of the

Independent JPEG Group, and uses libpng code, copyright © 2000-2002 Glenn Randers-Pehrson. The

Serato NoiseMap ™ Control Tone, the audio pressed on Serato Control vinyl and Control CDs, is copyright

©2004-2014 Serato. The Control Vinyl and Control CDs are licensed for personal use only. The creation of personal backups of the Control CD is allowed, however duplicating Control CDs for commercial benefit is strictly prohibited. For avoidance of doubt the duplication or creation of Control vinyl for any use is strictly prohibited. Please respect our copyright. Windows ® is a registered trademark of Microsoft Corporation in the United States and other countries. Apple, Mac, Macintosh, iTunes, Safari, QuickTime, GarageBand, and OS X are registered trademarks of Apple Inc., registered in the United States and other countries.

Check List

These items are included in the box:

• 1 Sixty-Two Mixer.

• Serato DJ software and drivers install disc.

• 2 (two) control CDs.

• 2 (two) control records.

• 2 USB cables.

• IEC C5 line cord.

• Serato DJ Software Manual.

• This Sixty-Two Mixer Manual.

Wear Parts

The Sixty-Two Mixer contains no wear parts. The control vinyl records and CDs are wear parts as described in "Limited Warranties" on page 40.

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OWNER’S MANUAL

Contents

2 Important Safety Instructions

4 Check List

6 Quick Start: Software

6 Serato DJ Software Installation for Mac OSX

6 Serato DJ Software Installation for Windows

6 Serato Scratch Live

6 Other DJ and DAW Programs

7 Quick Start: Hardware

7 Analog Inputs

8 Analog Outputs

8 Quick Start: Operation

8 USB Control Source

10 Sixty-Two Overview

11 Sixty-Two Connections

13 Deck Input Channels

13 Source Selector

13 Level

13 Pan

13 Tone Controls

14 Filter

14 FlexFX

14 Channel Faders & Crossfader

14 Channel Meters

14 Headphone Cue

15 Aux

15 Session In and Out

15 Main and Booth

16 Software Controls

16 Library Browse

16 Loops Manual / Auto

16 Manual Loop Controls

16 Auto Loop Controls

17 Cues / Samples control

17 Cue Points

17 Sample Player (SP-6) Triggers

18 FlexFX Loop

19 Internal Audio Effects

21 Effects Parameter Table

22 Shift Options

22 Ext. Insert Options Menu

22 Filter Effect Options Menu

22 Flanger Effect Options Menu

22 Echo Effect Options Menu

23 Deck 1-2 Channel Options Menu

23 Mic Option Menu

23 Mic Bypass Mode

23 Headphone Tone Control

24 Mixer Shift Functions

24 MIDI Start/Stop

24 Nudge

24 BPM Adjust

24 Sync

24 Slip

25 DJ Changeover

26 Rane Drivers

28 Factory Defaults

29 MIDI Mapping

36 Magnetic Fader Maintenance

38 Technical Specifications

39 Battle Bridge Accessory

40 Limited Warranties

42 Declaration of Conformity

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OWNER’S MANUAL

Quick Start: Software

Before using your mixer, at least read this short section for the basics. Read the complete manual to get the best investment from your new Sixty-Two. This section will help get you started with one computer.

Serato DJ Software Installation for Mac OSX

Before installing, we recommend you check for a newer version of Serato DJ at serato.com/downloads and install the latest Serato DJ version if it is newer than the version on the CD-ROM that comes with your mixer.

1. Insert the Serato DJ Installer CD-ROM that came with your unit,

-or-

browse using Finder to the location where the Serato DJ download was saved.

2. Double click the Serato DJ .dmg installer file.

3. The software EULA screen will appear - read the License Agreement, then click Agree.

4. The disk image mounts and opens the actions folder, once this is finished you can unmount the disk image and launch Serato DJ.

5. Drag the Serato DJ application icon to the Applications folder alias.

6. You may then need to enter your User Password to authenticate.

7. Serato DJ will now copy to the Applications folder, once this is finished you can unmount the disk image and launch Serato DJ.

Serato DJ Software Installation for Windows

Before installing, we recommend you download and install the latest Serato DJ version from serato.com if it is newer than the version on the CD-ROM that comes with your mixer.

1. Insert the Serato DJ Installer CD-ROM that came with your unit,

-or-

browse using Windows Explorer to the location where the Serato DJ download installer was saved.

2. Double click the Serato DJ .exe installer file.

3. Accept the Security Warning and click “Run”.

4. The installer introduction screen will appear, click Next.

5. Read the License Agreement, then tick “I agree to the license terms and conditions,” then click Install.

6. If a User Account Control window appears, click Yes.

7. Serato DJ will now perform a standard installation.

8. The installation is now complete. You can now click Close.

NOTE: A shortcut will be also be created on desktop.

When you first connect your Sixty-Two Mixer via USB, you may see a request to install drivers. Accept the request and allow the driver installation to proceed. After drivers are installed, a Sixty-Two control panel will be available, and your software will recognize the Sixty-Two.

After Serato DJ is installed, you will be prompted to "Install Driver" in the Online Panel if you connect a new compatible device that has not already had its driver installed.

Serato Scratch Live

Your Sixty-Two is completely compatible with Serato Scratch Live, downloadable from serato.com

. You can download the Sixty-Two Manual for Serato Scratch Live at either serato.com

or dj.rane.com

.

Other DJ and DAW Programs

Rane drivers come with the Serato DJ installer to use other software. See "Rane Drivers" on page 26.

SIXTY-TWO

OWNER’S MANUAL

POWERED POWERED

MAIN SPEAKERS OR AMPS

RIGHT

MAIN OUT

LEFT

SIXTY-TWO

MADE IN U.S.A. RANE CORP.

100-240V 50/60 Hz 15 WATTS

USB B USB A

BOOTH OUT

RIGHT LEFT

SESSION

OUT IN

FLEXFX LOOP

RIGHT

RETURN

LEFT RIGHT

SEND

LEFT

ANALOG INPUTS

PHONO

GROUNDS

PH - CD

4

PH - CD

3

INPUT SELECT

PH - CD

2

PH - CD

1

MIC

INPUT

MIC - LINE

CD OR TURNTABLE OUT CD OR TURNTABLE OUT

7

USB

7.

Quick Start: Hardware

This guide will help you get your decks connected and music playing on one computer. Leave the power off until your decks and amplifiers are connected.

Analog Inputs

1. Connect your Left deck’s RCA cables to ANALOG INPUT 1.

• If it’s a CD player, select CD with the switch above the input jacks.

• If it’s a turntable, select PH (Phono) with the switch above the input jacks. Secure the ground wire to a

Phono Ground terminal.

2. Set the SOURCE selector for DECK 1.

PH / CD 1 plays directly from your deck.

To play from Serato DJ or Scratch Live, choose A .

3. Connect your Right deck’s RCA cables to ANALOG INPUT 3.

• Select CD or PH as in step 1.

4. Set the SOURCE selector for DECK 2.

PH / CD 3 plays directly from your deck.

To play from Serato DJ or Scratch Live, choose A .

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OWNER’S MANUAL

Analog Outputs

• Main Out is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.

• Booth Out is on a pair of balanced ¼˝ TRS (tip-ring-sleeve) jacks.

• Session Out is available on a pair of unbalanced RCA jacks.

• Headphones output mix is available on both ¼˝ and 3.5 mm jacks.

The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session outputs each have their own LEVEL control. Because all signals are identical, you may use any of these outputs as the “Main” output if a different cable type is required to your speaker amplifiers.

Rane recommends balanced wiring (3-conductor) for the strongest signal and rejection of hum and noise. If your cable to the destination is less than 10 feet (3 meters), you can often get away with an unbalanced cable. See the RaneNote “ Sound System Interconnection ” at rane.com for cable wiring recommendations.

Quick Start: Operation

USB Control Source

The default Inputs for decks performing Digital Vinyl Simulation (DVS) are Inputs 1 and 3, but you can change this. Analog Input 1 or 2 may be selected in Serato DJ software as the DVS signal for the Left

Virtual Deck. Analog Input 3 or 4 may be selected in software as the DVS signal for the Right Virtual Deck.

To select the control sources in Serato DJ, click the SETUP button at the top of the screen. In the Audio tab, verify that Control Source > PGM 1 is set to “1”. This will be your Left Virtual Deck. verify that Control

Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.

To select the control sources in Scratch Live, click the SETUP button at the top of the Scratch Live screen. In the Hardware > General tab, verify that Control Source > PGM 1 is set to “1”. This will be your

Left Virtual Deck. verify that Control Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.

Calibrating Serato DJ for Control Vinyl or CD

Since Serato DJ is controlled by an analog signal, there is no guarantee of what state that signal will be in by the time the software gets to interpret it. Therefore, Serato DJ needs to be able to handle a wide range of signals, and be configurable to use them optimally. Calibrating is just configuring the software to your situation. Calibration is equally important for both vinyl and CD users of Serato DJ.

There are two parts to the Serato DJ Control Vinyl: The directional tone, and the NoiseMap™. Listening to the control vinyl, the directional tone is the 1 kHz tone. The noise map sounds like random noise over the top of the tone. The directional tone provides the current speed and direction of the record, while the noise map tells the software precisely where on the record the needle is currently.

The Noise Sensitivity slider lets you adjust the noise threshold. A threshold is a lower limit, below which a process will not occur. In the case of Serato DJ, the noise threshold is the limit below which the input signal will not be interpreted as control signal; in other words if it’s below the threshold, it is considered noise and ignored.

This setting is necessary because a stylus is very sensitive, and will inevitably pick up noise from the environment as well as the signal on the record, especially in the noisy environment of a live show.

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OWNER’S MANUAL

How To Calibrate Serato DJ

With music playing in the background through your system or booth output, put your needle on the record with the turntable stopped. If you are using CD players, the same rules apply. Have the CD deck paused or stopped while calibrating.

Click and hold the estimate button until the slider stops moving. Moving the Noise Sensitivity slider to the left will make Serato DJ more sensitive to slow record movement, but also more sensitive to background noise.

Repeat the process for each deck.

Things to remember:

• Your needle must be on the record.

• Your turntable (or CD player) must be stationary.

• The background music playing must be at a similar level to which you will play your set at.

• Calibrate Serato DJ every time you play.

TIP: If the slider jumps to the far right, then you have a problem with noise in your turntables/CD players/mixer. Check all your connections and make sure your equipment is well earthed.

In some situations you will not be able to improve the signal quality, and you will have to play on regardless. In this situation, stick to rel mode.

The Scopes

The scopes on the setup screen in Serato DJ display the input signal as a phase diagram. The key factors to look at on the scope display are crisp clean lines, round shape, and the tracking percentage in the lower right corner.

Start both turntables or CD players. You will see green rings appear in the scope view, as shown above.

For optimal performance the inner ring should be as close to circular as possible. Use the scope zoom slider to zoom in or out as necessary. Use the scope L/R balance and P/A balance controls to adjust the shape of the inner ring. The number in the top left corner of the scope view gives the current absolute position within the control record or CD. The number in the top right corner is the current speed in RPM. In the bottom left is the current threshold setting, and the number in the bottom right shows the percentage of readable signal – this number should be close to 85% when your system is calibrated properly.

For complete software operating instructions, see the Serato DJ Manual.

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OWNER’S MANUAL

Sixty-Two Overview

Software controls are built-in for one or two computers

• Includes Serato DJ software.

• Includes Rane ASIO and Core Audio Drivers for Serato DJ and other audio programs.

• Advanced MIDI and audio routing: route either deck to either USB Port, and MIDI follows the audio.

• Independently control Library, Cues, Loops and Samples on two computers with more than 40 software controls.

• Each of the two USB ports supports six stereo record and four stereo playback channels.

• USB record channels support:

• Vinyl control signal for two Virtual Decks, or record either of Decks post-fader.

• Record the Main Mix or the Mic.

• FlexFX USB Insert Send to each computer.

• USB playback channels support:

• Playback for two Virtual Decks.

• USB Aux playback for the SP-6 sample player.

• FlexFX USB Insert Return from each computer.

• Great-sounding 32-bit floating-point audio sampled at 48 kHz.

Deck input channel controls

• Pre-fader Level, 3-band isolator EQ, plus low-pass / high-pass sweep Filter with resonance adjustment.

• Crossfader, FlexFX and headphone Cue assigns.

• Proprietary magnetic faders and crossfader with contour and reverse controls.

Mic input

• Mic / Line input level switch.

• Controls: On, Over, Level, 2-band Tone and

FlexFX assign.

• Unused Mic controls easily map to MIDI.

Advanced post-fader FlexFX

• Internal Effects engine with:

• Filter, Flanger, Phaser, Echo, Robot and

Reverb.

• MIDI beat clock tracking and generation.

• Sync BPM with Serato DJ, MIDI beat clock or manual Tap button.

• USB Insert loop for post-fader software effects for each of the two ports.

• External analog insert loop for outboard effect units.

AUTO

SP-6 ASSIGN

BEATS

LOOP

DECK 1

BACK

LOAD

SCROLL

LOOPS

SYNC

ROLL

SYNC OFF

OUT

SAVE

SLIP

LOOP

SHIFT

MANUAL

SELECT

IN

BYPASS

MIC

CLEAN FEED

2

ON

4 6

OVER

8

0

LEVEL

10

OFF

HIGH

+6

OFF

LOW

+6

FLEXFX

INSERT

BPM

TIME

1 2

LOW

FILTER

HIGH

FILTER

NUDGE

BEAT

A

PH / CD

1 2

B

DECK 1

2

4

SOURCE

6

0

LEVEL

10

8

LEFT

PAN

RIGHT

3

FLEXFX

FLANGER

START / STOP

TAP

4

OFF

HIGH

+6

OFF

MID

+6

OFF

LOW

+6

5

PHASER

CUES

2

4

OFF

HIGH

+6

OFF

MID

+6

OFF

LOW

+6

ECHO

1

6

0

LEVEL

10

8

DECK 2

A

PH / CD

3 4

B

ROBOT

ON

2

SOURCE

LEFT

PAN

RIGHT

LOW

FILTER

HIGH

FLEXFX

3

REVERB

CUE

4

MIX

4

DECK 2

6

2 8

SP-6 ASSIGN

0

MAIN

4

10

6

2 8

BACK

LOAD

0 10

SESSION OUT

4 6

2 8

2

0 10

SESSION IN

4 6

MANUAL

8

SELECT

0

BOOTH

10

SCROLL

LOOPS

IN

AUTO

BEATS

SYNC

LOOP

EXT. INSERT

4 6

OUT

SYNC OFF

ROLL

2 8

0

DEPTH

10

LOOP

SLIP

SAVE

SHIFT

5

2

4

AUX

6

8

0

LEVEL

10

A B 1

CUE

DECK 1

2 3 SAMPLES

CUE

USB AUX

4 5 6

CUE

DECK 2

C D

PHONES

4 6

2

0

LEVEL

10

8

LOW

FILTER

HIGH CUE

PAN

MAIN

Main Mix section

• Balanced XLR Main Mix and

1/4" TRS Booth outputs.

• RCA analog Session In & Out.

FLEXFX SPLIT CUE

Headphone monitor with split cueing.

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OWNER’S MANUAL

Sixty-Two Connections

Power Supply

This mixer features an internal universal switching power supply that operates on any AC mains 100 to

240 VAC, 50 or 60 Hz (most places in the world). The universal supply is a major plus for the traveling DJ, who only needs the right IEC line cord, available from a local electronics store. Though this mixer has turn on/off muting, it’s smart to leave the power unplugged until everything else is connected.

Analog Inputs

Four Phono / CD inputs are provided by RCA jacks. These may be set for PH or CD using rear panel slide switches. Analog inputs 1 and 2 are used by DECK 1. Analog inputs 3 and 4 are used by DECK 2. Analog

Input 1 or 2 may be selected in Serato DJ software as the Digital Vinyl Simulation (DVS) signal for the Left

Virtual Deck or for recording on USB stereo pair 5-6. Analog Input 3 or 4 may be selected in software as the DVS signal for the Right Virtual Deck or for recording on USB stereo pair 7-8. Set any unused inputs to

CD. Connect your turntable ground wires to the PHONO GROUND posts on the rear when using PH inputs.

One stereo Session Input is available on a pair of RCA input jacks. This input may connect two mixers together or as a general purpose auxiliary input to the mixer.

The Mic Input will accept an XLR 3-pin plug, a balanced ¼˝ TRS (tip-ring-sleeve) plug or an unbalanced

TS (tip-sleeve) plug. This input may be set for Microphone or Line level using the MIC - LINE switch on the rear panel. Set this to Line when connecting a wireless receiver.

A stereo FlexFX Loop Return input is on unbalanced ¼˝ TS (tip-sleeve) jacks. These inputs automatically switch to mono when only one cable is connected to the left or right Return input. The FlexFX Return input is normally used along with the FlexFX Send output to connect an outboard analog effects processor.

Phono Sensitivity and Analog Insert level can be adjusted in the "Rane Drivers" on page 26.

Analog Outputs

There are five stereo analog outputs available on the mixer:

• MAIN OUT is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.

• BOOTH OUT is on a pair of balanced ¼˝ TRS jacks.

• SESSION OUT is available on a pair of unbalanced RCA jacks.

• FLEXFX LOOP SEND output is available on a pair of unbalanced ¼˝ inch TS jacks. For a mono FlexFX Send, use the Left output. The FlexFX Send output is normally used along with the FLEXFX LOOP RETURN input to connect outboard effects.

• HEADPHONES output is available on both ¼˝ TRS and 3.5 mm jacks.

The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session outputs each have their own LEVEL control. Because all signals are identical, users may use any of these outputs as the “Main” output if a different cable type is required for system connection.

Rane recommends balanced wiring for the strongest signal and rejection of hum and noise. If your cable to the destination is less than 10 feet (3 meters), you can often get away with an unbalanced cable.

See the RaneNote “ Sound System Interconnection ” at rane.com for cable wiring recommendations.

SIXTY-TWO

MADE IN U.S.A. RANE CORP.

100-240V 50/60 Hz 15 WATTS

RIGHT

MAIN OUT

LEFT

USB B USB A

BOOTH OUT

RIGHT LEFT

SESSION

OUT IN

FLEXFX LOOP

RIGHT

RETURN

LEFT RIGHT

SEND

LEFT

ANALOG INPUTS

PHONO

GROUNDS

PH - CD

4

PH - CD

3

INPUT SELECT

PH - CD

2

PH - CD

1

MIC

INPUT

MIC - LINE

SIXTY-TWO

12

OWNER’S MANUAL

Two USB Ports

There are six stereo record channels and four stereo playback channels. These channels are simultaneously available on two USB ports, allowing two computers to share the device. This allows two

DJs to play together and supports uninterrupted transitions from one DJ to another.

Rane ASIO and Core Audio drivers allow the Sixty-Two to act as a 12-record 8-playback USB sound card for use with Serato DJ and other third-party software applications that support ASIO or Core Audio.

These drivers are multi-client, meaning they allow multiple applications on a computer to share the device at the same time.

The Sixty-Two has two USB ports, allowing simultaneous connection of two computers. Each port is completely independent. It is possible to run Serato DJ on one computer while running third-party software on the other, Mac or PC. See how to share the Sixty-Two in "DJ Changeover" on page 25.

Left Virtual Deck L&R

USB RECORD

Deck 1 Record L&R

Deck 2 Record L&R

Left DVS Control L&R

Right DVS Control L&R

FX Send L&R

Main Mix Record L&R

Right Virtual Deck L&R

SP-6 Sample Player L&R

FX Return L&R

USB PLAYBACK

USB Playback Stereo Pair Serato DJ Description

1 1-2 Left Virtual Deck Output

2 3-4 Right Virtual Deck Output

3

4

5-6

7-8

SP-6 Output Option

FX Return to the Mixer

USB Record

1

2

3

4

5

6

1-2

3-4

5-6

7-8

9-10

11-12

Record Source Deck 1

Record Source Deck 2

Mixer Use

Select as Deck 1 Source from USB A or USB B

Select as Deck 2 Source from USB A or USB B

USB AUX Source (sum of USB A & USB B)

FlexFX Insert Return (sum of USB A & USB B)

Deck 1 Post Fader and Post Crossfader Output

Deck 2 Post Fader and Post Crossfader Output

Record or DVS Control for Left Deck Selects PH/CD 1 or PH/CD 2 in Control Panel

Record or DVS Control for Right Deck Selects PH/CD 3 or PH/CD 4 in Control Panel

FX Send from the Mixer

Record the Main Mix or Mic

FlexFX Insert Send

Select Main Mix or Mic in the Control Panel

SIXTY-TWO

13

OWNER’S MANUAL

Deck Input Channels

Two input channels, or buses, have nearly identical controls with the exception of the Source selectors.

Source Selector

BYPASS CLEAN FEED sources:

• A Left Virtual Deck (USB stereo playback pair

1-2) from USB A.

SP-6 ASSIGN ON

4 6

OVER

• Also assigns the MIDI controls for the Left Deck

8

BACK software and Deck 1 mixer to USB A.

0

LEVEL

• PH / CD 1 (THRU): Set to PH or CD on the rear panel.

10

• When selected in software, this input is available

SCROLL

LOOPS

HIGH

+6 signal or for audio recording. To select this control

•

Setup > PGM 1 and select “1”.

BEATS

DECK 1

SELECT

OFF

MIC

LOW

+6

• When selected in software, this input is available

FLEXFX

A

PH / CD

1 2

B

DECK 1

2

4

SOURCE

6

0

LEVEL

10

8

LEFT

PAN

RIGHT

LOW

FILTER

HIGH

FLEXFX

OFF

HIGH

+6

OFF

MID

+6

OFF

LOW

+6

2

4 6

8

DECK 2

A

PH / CD

3 4

B

0

LEVEL

10

SOURCE

OFF

HIGH

+6

OFF

MID

+6

OFF

LOW

+6

LEFT

PAN

RIGHT

LOW

FILTER

HIGH

FLEXFX

INSERT FILTER FLANGER PHASER ECHO ROBOT REVERB

•

•

B Left Virtual Deck (USB stereo playback pair 1-2) from USB B.

BPM NUDGE START / STOP

Also assigns the MIDI controls for the Left Deck software and Deck 1 mixer to USB B.

SLIP

4000 ms

SAVE LOOP

TIME TAP

BEAT

•

•

A Right Virtual Deck (USB stereo playback pair 3-4) from USB A.

Also assigns the MIDI controls for the Right Deck software and Deck 2 mixer to USB A.

• PH / CD 3 (THRU): Set to PH or CD with the rear panel switch.

•

AUX

6

A B

ON

2 3

CUE

8

•

PGM 1 and select “3”.

0 10

PH / CD 4 (THRU): Set to PH or CD with the rear panel switch.

•

LEVEL

CUE CUE CUE

When selected in software, this input is available on USB record 7-8 for use as the DVS control signal or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck Setup >

PGM 1 and select “4”.

LOW

FILTER

HIGH

• B Right Virtual Deck (USB stereo playback pair 3-4) from USB B.

• Also assigns the MIDI controls for the Left Deck software and Deck 2 mixer to USB B.

4

C

2

EXT. INSERT

4

0

DEPTH

10

5

D

6

8

MIX

4 6

2 8

0

MAIN

10

4 6

2

0 10

SESSION OUT

4 6

8

2 8

0 10

SESSION IN

4 6

2 8

0

BOOTH

10

SP-6 ASSIGN

MANUAL

SELECT

DECK 2

BACK

LOAD

SCROLL

LOOPS

AUTO

BEATS

IN

SYNC

LOOP

OUT

SYNC OFF

ROLL

LOOP

2

SLIP

SHIFT

PHONES

4 6

0

LEVEL

10

CUE

PAN

MAIN

SPLIT CUE

SAVE

8

Level

LEVEL controls adjust the input gain from off to +15 dB. Unity gain (no boost or cut) is at 12 o’clock.

Pan

Left / Right PAN controls adjust the balance of left and right signals. Left and right are equal at 12 o’clock .

Tone Controls

HIGH, MID and LOW full-cut isolator tone controls adjust the frequency response from off to +6 dB. Unity gain (no boost or cut) is at 12 o’clock.

SIXTY-TWO

OWNER’S MANUAL

DECK 1 MIC DECK 1 DECK 2 MIX DECK 2

Filter

BYPASS CLEAN FEED

A

PH / CD

1 2

B

4 6 4 6

A

PH / CD

3 4

B

4 6

The FILTER sweeps from Low-Pass to High-Pass. Set it to 12 o’clock for a flat “no-filter” response. Moving

2

SP-6 ASSIGN ON

4

8 2 8

LOW position progressively reduces high frequencies. Moving the filter toward the HIGH

SOURCE

0

LEVEL

10 0

LEVEL

10

SOURCE

2

0

MAIN

10

8

SP-6 ASSIGN the mixer in the "Deck 1-2 Channel Options Menu" on page 23, or in the "Rane Drivers" on page 26.

LOAD

0

LEVEL

10

LOAD used for mixing.

FlexFX

SCROLL

LOOPS

AUTO MANUAL

OFF

HIGH

+6

LEFT

PAN

LOOPS

2 8

The blue FLEXFX buttons assign an input to the FlexFX bus where internal, external analog or software

LOW

FILTER

RIGHT

HIGH

OFF

OFF

HIGH

MID

+6

+6

OFF

OFF

HIGH

MID

+6

+6

LEFT

PAN

RIGHT

LOW

FILTER

HIGH

0 10

SESSION OUT

4 6

0 10

SESSION IN

MANUAL

SCROLL effects via USB may be inserted. Any combination of Deck 1, Deck 2, Mic or USB Aux can be assigned with the option to insert internal effects, external analog effects or software effects via USB. See "FlexFX

2 8

SELECT

AUTO

BEATS

FLEXFX FLEXFX

FLEXFX

OFF

LOW

+6 OFF

LOW

+6 0

BOOTH

10

SYNC

LOOP and

IN

CONTOUR controls on the front panel. See "Magnetic Fader Maintenance" on page 36.

IN LOOP

These faders use magnetic non-contact mechanisms with no noise and no bleed. Each fader has REVERSE

INSERT FILTER PHASER ROBOT

SYNC OFF

ROLL OUT OUT ROLL

BPM NUDGE START / STOP

FLANGER +Fb

4 6

SAVE LOOP hold. Use the

TIME TAP

BPM:120 * 1:1

LEVEL controls to stay out of the red.

4000 ms

ON

CUE

2

DEPTH

10

8

LOOP

SLIP

Each Deck channel has a mono meter to assist in setting levels. These meters are quasi-peak with peak

0

BEAT

SAVE

SHIFT SHIFT

1 2 3 4 5 CUES 1 2 3 4 5

Headphone Cue

CUE buttons assign a signal to the headphone monitor. Deck 1, Deck 2, USB Aux, and the

6

A B 1 2 3 SAMPLES 4 5 6 C D

PHONES

4 6

2 8

0

LEVEL

10 simultaneously pressing more than one Cue.

DECK 1

CUE

• The Headphone monitor provides stereo or mono split cue operation.

CUE

DECK 2

• When set for stereo operation ( SPLIT CUE dim), the Pan control pans between stereo

LOW

FILTER

HIGH

Cue and stereo Main Mix.

• When set for Split Cue operation ( SPLIT CUE bright), the Pan control pans between

CUE

PAN

MAIN

SPLIT CUE

• The Phones LEVEL control sets the volume to the headphone jacks.

• Headphone outputs are from ¼" and 3.5 mm jacks on the front panel. Both share the same mix.

14

SIXTY-TWO

DECK 1

SP-6 ASSIGN

BACK

LOAD

SCROLL

LOOPS

BYPASS

MIC

CLEAN FEED

2

ON

4 6

OVER

8

0

LEVEL

10

OFF

HIGH

+6

A

PH / CD

1 2

B

DECK 1

2

4

SOURCE

6

0

LEVEL

10

8

LEFT

PAN

RIGHT

OFF

HIGH

+6

AUTO MANUAL

LOW

FILTER

HIGH

OFF

MID

+6 OFF

MID

+6

OFF

LOW

+6

BEATS SELECT

FLEXFX

FLEXFX

SYNC

LOOP IN

INSERT

ROLL

SYNC OFF

OUT

BPM

OWNER’S MANUAL

SAVE

SLIP

LOOP

TIME

SHIFT

Aux

This digital input is on USB playback stereo pair 5-6 and is normally used for the Serato

DJ SP-6 Sample Player.

To enable the SP-6, go to Setup > Expansion Packs > SP-6 Sample Player and check the box for “Enable SP-6 Sample Player.”

To assign the SP-6 Sample Player to AUX, click the SP-6 tab at the top of the main software screen and select SP-6 Output as “A.”

This AUX input has it’s own LEVEL, FILTER and FLEXFX assign. CUE for AUX is in the center just below the SAMPLES row of buttons.

The Resonance for the AUX FILTER can be adjusted in the "Rane Drivers" on page

26.

2

4

AUX

6

0

LEVEL

10

LOW

FILTER

HIGH

FLEXFX

8

DECK 1

SP-6 ASSIGN

BACK

LOAD

2

BYPASS

ON

4

MIC

CLEAN FEED

6

OVER

0

LEVEL

10

8

DECK 2 MIX DECK 2

This Mic input on a XLR/TRS combo jack has

4 6 4 6

A B

LEVEL, HIGH and LOW tone controls, FLEXFX

4 6 assign and a meter. Select

2 8 2

MIC or LINE level using the rear panel switch. LINE is usually

8 correct for wireless mic receivers.

2 8

SP-6 ASSIGN

• MIC ON turns the mic input on without ducking other inputs.

• MIC OVER momentarily turns the microphone on, and ducks other inputs by 10 dB (by about 1/3). Releasing this button turns the mic off.

2 8 LOAD

AUTO

BEATS

LOOP

ROLL

SAVE

2

4

SCROLL

LOOPS

SYNC

SYNC OFF

SLIP

SHIFT

MANUAL

SELECT

IN

OUT

LOOP

OFF

HIGH

+6

OFF

LOW

+6

FLEXFX

RIGHT

PAN

DECK 1 MIC

LEFT

PAN

DECK 1

0 10

SESSION OUT

4 6

A

PH / CD

1 2

B

4 6

2

4

8

6

LOOPS PH / CD

A

3 4

LOW

The

OFF

4

+6

6

OVER

OFF

MID

+6

LOW 2

FILTER

HIGH

0

LEVEL

10

8

0

2

10

SESSION IN

0

AUTO purpose analog stereo AUX input from RCA jacks.

6

SESSION IN and SESSION

2 8

SELECT

OUT are typically used to chain mixers together, though any line-level

LOAD

0 10

BOOTH

10

SYNC

B

LEFT RIGHT

OFF

HIGH

+6 OFF

HIGH

+6 IN

LEFT

PAN PAN

Main and Booth

+6

ECHO ROBOT REVERB EXT. INSERT

BPM

TIME

NUDGE

BEAT

AUTO

BEATS

LOOPS

START / STOP

MANUAL

TAP

SELECT

BPM:120 * 1:1

OFF

HIGH

FLANGER +Fb

4000 ms

LOW

+6

LOW

SYNC OFF

LEVEL control. The Main outputs use

FILTER

HIGH

ON

MID

+6

4

OFF

6

DEPTH

10

OUT ROLL

LOW

SLIP FILTER

HIGH balanced XLR connectors and the Booth outputs use balanced ¼˝ TRS connectors. Since

CUE

+6

LOOP SAVE

SHIFT

FLEXFX

SYNC

FLEXFX CUES LOW

+6

The Main Mix section has a quasi-peak stereo meter with peak hold.

LOOP IN

LOW

+6

AUX

6

PHONES

6

8

A B 1

ROLL

SYNC OFF

2

OUT

3 6

PHASER

C

2 8

REVERB

0

LEVEL

10

CUE

SAVE

SLIP

LOOP

BPM

TIME

CUE

USB AUX

NUDGE START / STOP

TAP

CUE

DECK 2

FLANGER +Fb

BPM:120 * 1:1

4000 ms

ON

CUE

BEAT

0

LEVEL

10

SHIFT

LOW

FILTER

HIGH

1 2 3 4 5 CUES 1

PAN

MAIN

3 4

2

2

2

2

2

MIX

4

0

MAIN

10

4 6

0 10

SESSION OUT

4 6

0 10

SESSION IN

4 6

0

BOOTH

10

EXT. INSERT

4

0

DEPTH

10

5

6

6

8

8

8

8

8

MANUAL

SELECT

IN

SYNC

LOOP

OUT

SYNC OFF

ROLL

LOOP

1

A

DECK 2

SP-6 ASSIGN

BACK

LOAD

SCROLL

LOOPS

SLIP

SHIFT

2

B

AUTO

BEATS

SAVE

FILTER

NUDGE

BEAT

3

1

CUE

DECK 1

FLANGER

START / STOP

TAP

4

2

OFF

LOW

+6

5

PHASER

3

CUES

SAMPLES

CUE

USB AUX

OFF

LOW

+6

ECHO

FLANGER +Fb

BPM:120 * 1:1

4000 ms

1

4

2

4 6

0

LEVEL

10

OFF

HIGH

+6

8

DECK 2

A

PH / CD

3 4

B

ROBOT

ON

2

SOURCE

LEFT

PAN

RIGHT

LOW

FILTER

HIGH

FLEXFX

3

REVERB

CUE

4

2

MIX

4 6

2 8

0

MAIN

10

4 6

2

0 10

SESSION OUT

4 6

8

2 8

0 10

SESSION IN

4 6

2 8

0

BOOTH

10

SP-6 ASSIGN

MANUAL

SELECT

DECK 2

BACK

LOAD

SCROLL

LOOPS

AUTO

BEATS

IN

SYNC

LOOP

EXT. INSERT

OUT

SYNC OFF

ROLL

4 6

8

LOOP

SLIP

SAVE

0

DEPTH

10

SHIFT

5

5 6

CUE

DECK 2

C D

2

PHONES

4 6

0

LEVEL

10

CUE

PAN

MAIN

SPLIT CUE

8

FLEXFX 4

AUX

6

2

0

LEVEL

10

8

A B 1 2 3 SAMPLES 4 6 C D

CUE

DECK 1

CUE

USB AUX

CUE

DECK 2

PHONES

4 6

2

0

LEVEL

10

8

LOW HIGH

FILTER

CUE

PAN

MAIN

SPLIT CUE

15

OWNER’S MANUAL

16

IN IN

OUT OUT

Software Controls

A A

1 2

B B

4 6 4 6

A A

3 4

B B

4 6

2

ON

4

ON

4

2

OVER

6

OVER

10

8

2

0

LEVEL

10

LEVEL

10

8 2

0

LEVEL

10

LEVEL

10

8 2

0 10

8

10

SOURCE selectors.

2

4 4 6

When A is selected for the DECK 1 SOURCE, the SP-6 ASSIGN button at

2 8 the top of the left-hand control strip turns green to coincide with the silkscreen color for USB A

OFF

. When

+6 OFF

HIGH

+6 0 0 10

SESSION OUT

10

SESSION OUT turns orange

B is selected, the

to coincide with the color for USB B .

SP-6 ASSIGN button

4 4 6 6

8

8

When A is selected for the DECK 2 SOURCE, the SP-6 ASSIGN button 8 at the top of the

OFF

LOW

right-hand control strip turns the silk-screen color for USB A . When B

+6 green to coincide with

is selected, the button turns orange to coincide with the color for USB B .

0 0 10

SESSION IN

10

SESSION IN

SP-6 ASSIGN

2 2

6

8

8

8

OFF

LOW

OFF 0 0 10

BOOTH

10 completely independent Library Browsing, Cue, Loop and Sample control for each USB port. MIDI controls not dedicated to a channel strip, such as SP-6 sample player controls, are assigned to the Left or Right controlstrip using the SP-6 ASSIGN control.

4 4 6 6

Library Browse 2 2

CUE CUE

TAP TAP ON ON 0

DEPTH

10

DEPTH

10

Serato DJ. If you have any panels open in Serato DJ, the BACK button will

8

1 2 3 4 5 1 2 3 4 5 5

8

IN IN

OUT OUT

AUX

6

AUX

6

PHONES

4 4 6 6 the focus is in the Crate area, pressing the knob displays the contents of the selected Crate and moves

2

4

C

2 2

0

LEVEL

10

LEVEL

8

10

8

CUE CUE

DECK 1

CUE CUE

USB AUX

CUE CUE

DECK 2

2 8

0

LEVEL

10

LEVEL

10

8 the focus into the Library area. When the focus is in the Library area, pressing the knob loads the selected track to the Virtual Deck. Double-pressing will load an instant double to this Deck from the opposite Deck.

Loops Manual / Auto

CUE CUE

PAN PAN

Manual mode, the LOOP buttons light green to correspond with the green lines by the LOOP controls. In

Auto mode, the buttons are lit orange to correspond with the orange lines.

Manual Loop Controls

When Manual Loop mode is selected, loop control buttons are illuminated green . Loop buttons flash during loop playback.

SELECT - Selects a loop slot in Serato DJ when the encoder is pressed.

IN - Sets a loop in point.

OUT - Sets a loop out point.

LOOP - Turns a loop on or off.

Auto Loop Controls

When Auto loop mode is selected, loop control buttons are illuminated orange .

BARS - Selects the auto loop length in Serato DJ. This can be adjusted while an auto loop is already looping as an effect.

LOOP - Performs an auto loop of the number of Bars selected.

ROLL - Performs a loop roll of the number of Bars selected.

SAVE - Saves the current loop to an available loop slot in Serato DJ.

SIXTY-TWO

DECK 1

BYPASS

MIC

CLEAN FEED

A

PH / CD

1 2

B

DECK 1

4 6 4 6

DECK 2

A

PH / CD

3 4

B

SP-6 ASSIGN

6

OVER

2 8 2 8

2

ON

4

8

SOURCE

CUE

DECK 1

0

LEVEL

10 0

LEVEL

10

SOURCE

BACK

0 10

DECK 1 DECK 2

BYPASS CLEAN FEED

PH / CD

1 2

PAN

OFF

4

HIGH

6

+6 OFF

4

HIGH

6

+6

PH / CD

3 4

PAN

SCROLL

2 8 2 8

4

HIGH

6

+6

OVER

AUTO MANUAL

2 8

SOURCE

LOW

FILTER

HIGH

0

OFF

LEVEL

10

MID

+6

0

OFF

LEVEL

MID

10

+6

SOURCE

LOW

FILTER

HIGH

BACK

LOAD

BEATS SELECT

OFF

HIGH

+6 OFF

HIGH

+6

LEFT

PAN

RIGHT

OFF +6 OFF +6

LEFT

PAN

RIGHT

OFF

FLEXFX

HIGH

+6

LOW LOW

LOOP

OWNER’S MANUAL

SYNC

LOOPS

IN

AUTO

SYNC OFF

MANUAL INSERT

FILTER

OFF

MID MID

+6

ROBOT

LOW

FILTER

ROLL

BEATS

SAVE

SLIP

Cues / Samples control

The center

LOOP

/ SAMPLES button is

SYNC

OUT

SELECT

LOOP orange

IN

In CUES mode, the CUES

OFF

1

+6

INSERT

2

NUDGE

BEAT

FILTER

FLEXFX

3

START / STOP

OFF

FLANGER +Fb

BPM:120 * 1:1

LOW

+6

5

PHASER

4000 ms

CUES

OFF

LOW

ECHO

1

+6

FLEXFX

3

CUE

REVERB

4 green

AUX

. There are five Cue

SLIP buttons dedicated to the

OUT

A

BPM

TIME

B

NUDGE

1

START / STOP

TAP

2 3

FLANGER +Fb

4 5

ON

6

CUE

C

BEAT

In SAMPLES mode, the

CUES / SAMPLES button is red , the four Bank buttons

A, B, C and D are orange

6

1

A

2

B 1

4

2

5

3

CUE

USB AUX

SAMPLES

1

4

2

5

CUE

DECK 2

6

4

C

2

2

MIX

4

0

MAIN

10

4 6

2

2

SESSION IN

4

4

6

6

8

8

0

0

BOOTH

DEPTH

10

10

4

D

0

DEPTH

10

D

5

6

6

8

8

2

2 MIX

2

0 10

SESSION OUT

4 6

8

2

0

MAIN

10

8

2

SESSION IN

4 6

8

2

0 10

SESSION OUT

0

4 BOOTH

10

6

8

8

8 IN

SYNC

LOOPS

LOOP

MANUAL

SYNC OFF

AUTO

OUT ROLL

SELECT BEATS

SLIP

LOOP SAVE

SYNC

IN LOOP

SHIFT

OUT

SYNC OFF

PHONES

4 6

SLIP

ROLL

0

DECK 2

SP-6 ASSIGN

BACK

SCROLL

MANUAL

BACK

LOAD

SELECT

AUTO

BEATS

10

2

CUE

PHONES

4 PAN 6

MAIN

8 are green . Sample buttons are assigned to each control strip.

LEVEL

USB A

CUE or USB B using the SP-6 ASSIGN button at the top of

DECK 1

CUE

USB AUX

CUE

DECK 2

Cue Points

LEVEL

CUE

PAN

MAIN

Cue is set in Serato DJ, a Cue button is lit bright green , and pressing it will trigger the corresponding

SPLIT CUE set a new cue point. Hold SHIFT and press a Cue button to delete a cue. See Cue Points in the Serato DJ

Manual.

Sample Player (SP-6) Triggers

In SAMPLES mode, you can trigger six samples in each of four banks. Select Bank A, B, C or D. An orange Bank button is brightly lit if any of the six slots in that bank have a track loaded, and that Bank is currently selected. When a bank is selected, any green Sample button with a track loaded in the corresponding slot is brightly lit. The button flashes while it’s sample is playing. The Play behavior follows the behavior selected in Serato DJ. Sample playback can be assigned to the Left Virtual Deck, Right

Virtual Deck or USB AUX. The Sixty-Two has a dedicated USB AUX input for the sample player typically used for SP-6 playback. When two USB ports are in use, the SP-6 ASSIGN button at the top of each control strip determines to which computer the SP-6 player controls are assigned. Audio from both USB ports is summed in the mixer.

17

SIXTY-TWO

OWNER’S MANUAL

18

FlexFX Loop

The FlexFX Bus in the Sixty-Two works differently than a typical effects insert loop. This architecture opens up many new possibilities not possible with simple effect insert designs found on other mixers.

The FlexFX Bus is more like an auxiliary bus that can have multiple signals assigned to it. Signals assigned to the bus may then have internal effects, external analog effects and external USB effects applied in any combination. The order of processing in the FlexFX Bus is shown in the graphic below.

1 2 3 4

DECK 1 FLEXFX

DECK 2 FLEXFX

MIC FLEXFX

AUX FLEXFX

EFFECTS ENGINE

FILTER FLANGER PHASER

ECHO ROBOT

FLANGER +FB

BPM:120 * 4:1

2000

MS

REVERB

TIME BEAT

4 6

2

0

DEPTH

10

8

SEND

RIGHT LEFT

EXT. INSERT

SEND

RETURN

A

SEND

B

INSERT

SEND

A RETURN

B RETURN

B

RETURN

A

6

FLEXFX ON

BYPASS

ON

Main

Mix

TAP ON

RETURN

RIGHT LEFT

CUE

5

Cue

Bus

1. FLEXFX buttons for DECK 1, DECK 2, MIC and AUX assign signals to the FlexFX Bus ( bright blue ) or the Main Mix ( dim blue ). This allows assigning multiple inputs to the FlexFX Bus and/or changing the assignment without interrupting audio.

2. The six effect buttons both turn on and sync an internal effect. By keeping this separate from the effects ON button, it is possible to turn on, sync and cue effects before you hear the wet signal in the

Main Mix. Only one internal effect is selected at a time. Having six independent buttons, it is possible to drum in different effects without interruption.

3. EXT. INSERT is turned on/off with a separate button. The external analog insert can be used with internal effects and the INSERT or independently. NOTE: If no external connection is made to the FLEXFX

LOOP RETURN jack, the signal will be interrupted when the EXT. INSERT button is turned on.

4. The INSERT is turned on/off with a separate button, and can be used with internal effects, the EXT.

INSERT or independently. The INSERT uses USB record pair 9-10 for the Send and USB playback pair

7-8 for the Return. Using the INSERT generally requires a low-latency driver control panel setting.

NOTE: Assign a Deck channel or signal to FLEXFX before engaging the INSERT button to avoid

audible artifacts.

5. The FlexFX CUE is after the internal effects insert, analog external insert, USB insert and before the effects ON function. This allows cueing a Wet signal while listening to the Dry signal before turning the effect ON.

6. When effect ON is not engaged, internal effects insert, analog external insert and USB insert points are bypassed, and any signal assigned to the FlexFX Loop is simply summed into the Main Mix. This allows you to CUE the wet signal before the wet signal is heard in the Main Mix.

SIXTY-TWO

DECK 1

SP-6 ASSIGN

BYPASS

MIC

CLEAN FEED

A

PH / CD

1 2

B

DECK 1

2

4 6

8 2

4 6

8

DECK 2

A

PH / CD

3 4

B

2

MIX

4 6

ON

4 6

OVER

OWNER’S MANUAL

BACK

LOAD

2

0

LEVEL

10

8

SOURCE

0

LEVEL

10 0

LEVEL

10

SOURCE

2

0

MAIN

10

4 6

LEFT

PAN

RIGHT

OFF

HIGH

+6 OFF

HIGH

+6

LEFT

PAN

RIGHT

0 10

SESSION OUT

SCROLL

Internal Audio Effects OFF

HIGH

+6

4

LOOPS

The internal effects engine is in the FlexFX Loop. This allows any combination of DECK 1, DECK 2, MIC and

6

8

INSERT and

AUTO

BEATS

MANUAL

SELECT

LOW

LOW

FILTER

HIGH MID MID LOW

FILTER

HIGH

ON button (off bypasses the loop).

2

0 10

SESSION IN

INSERT are also engaged independently. The FlexFX Loop (which includes the External

6

8

FLEXFX FLEXFX

FLEXFX

OFF

LOW

+6 OFF

LOW

+6 0

BOOTH

10

• FILTER •

• PHASER •

SYNC OFF

• ROBOT • REVERB

IN

OUT

INSERT

BPM

FILTER

NUDGE

FLANGER

START / STOP

PHASER ECHO ROBOT REVERB EXT. INSERT

4 6

SLIP

• The effect multiplier is

LOOP

TIME

BEAT

TAP

FLANGER +Fb

BPM:120 * 1:1

4000 ms

ON

CUE

2

0

DEPTH

10

8

8

8

SELECT

IN

BACK

LOAD

SCROLL

LOOPS

AUTO

SYNC

LOOP

OUT

SYNC OFF

ROLL

LOOP

DECK 2

SP-6 ASSIGN

MANUAL

SLIP

BEATS

SAVE

SHIFT

• Changing BPM for one 1 2 3 4 5 CUES 1 effect changes the BPM for all effects.

AUX

6

A B 1 2 3 SAMPLES 4

• Changing the BEAT multiplier results in an immediate change in the effect time.

2

5

3

6

4

C D

5

2

PHONES

4 6

8

0

LEVEL

10

CUE

DECK 1

CUE

USB AUX

CUE

DECK 2

Echo Effects

CUE

PAN

MAIN delayed signal may be played back multiple times to create the sound of a repeating, decaying echo. The

SPLIT CUE

• Echo: No feedback filter and adjustable recirculation 0 to 70%.

• Duck Echo: Adjustable feedback filter and adjustable recirculation 0 to 70% (see Duck Echo below).

• Low-Cut Echo: Adjustable feedback filter and adjustable recirculation 0 to 70%.

• Low-Cut Hold Echo: Adjustable feedback filter and adjustable recirculation of 0% to 100%.

The feedback-filter types help reduce the “muddy” sound that can result when using a lot of recirculation. The type of Echo is selected in the menu on the mixer in the "Echo Effect Options Menu" on page 22, or in the "Rane Drivers" on page 26. Operation of the Echo controls is detailed in the

"Effects Parameter Table" on page 21.

Duck Echo uses a high-pass feedback filter like the Low-Cut Echo. In the presence of signal, the Duck

Echo operates 100% dry (no echo is heard). When signal is removed, the delay is enabled and operates according to the DEPTH knob setting just like the standard High-pass Echo. This is great for having a song echo out regardless of what terminates play (fader cut, song ends filter cut etc.).

19

SIXTY-TWO

20

OWNER’S MANUAL

Effects Display, BPM Source and Match Indicator

The effects display shows the name of the current effect, BPM, MIDI Beat-Clock source,

Beat Multiplier and Time. A bar graph represents the effect time relative to its range. If no effect is selected, the information for the last effect is displayed. The display for the Robot and Reverb is somewhat different.

There four possible BPM sources:

(*) Manual Tap

(S) Serato DJ

(A) USB A Beat-Clock,

(B) USB B Beat-Clock.

BPM time

PHASER

BPM:120 * 4:1

L2

Deck 1 Layer effect name

2000 ms time range

L3

*, S, A, B multiplier

Deck 2 Layer

To change the BPM source, press and hold the TAP button and use the BEAT joystick to step through the sources. If a new BPM is manually tapped in or the time is manually altered, the BPM source returns to (*)

Manual.

The effect time is normally a product of the BPM and the Beat Multiplier. If the right arrow  or left arrow

 appears, there is an inequality between the BPM*Beat and Time. The arrow indicates which way to adjust the Beat Multiplier to correct the inequality and get the closest possible time. If the BPM source is displayed (*, S, A, B), the BPM*Beat matches the displayed Time.

For example, 120 BPM with a 4:1 Beat Multiplier would result in an effect Time of 2000 ms. If the Time is adjusted to a different value, such as 2097 ms, an arrow indicates that the product of the displayed BPM and Beat Multiplier does not result in the displayed effect Time. For this example, 2000 ms is below 2097 ms. In this case, moving the BEAT joystick left or down snaps to 120 * 4:1 and changes the time to 2000 ms.

A flashing Beat Multiplier indicates that the Time required to match the current BPM*Beat product is out of range. For an echo example, if a BPM of 60 is used with a Beat Multiplier of 8, the resulting time is 8000 milliseconds. If the multiplier is set to 16, the resulting time would be 16000 milliseconds, which is out of range. In this case, the time remains at 8000 milliseconds and the multiplier flashes.

Effects Synchronization

This mixer can synchronize its internal effects to four sources as described in the preceding section. The desired clock source is selected by holding down the TAP button and pushing the BEAT joystick up/right or down/left. The selected source (*, S, A, B) is displayed just following the BPM number. Manually tapping a

BPM forces the selection to (*) Manual.

Pressing a FLEXFX button with no other FLEXFX button engaged, with a BPM-tagged song playing in

Serato DJ on that channel, forces the clock source to (S) Serato DJ. The mixer will continue to track the

Serato DJ BPM until a new BPM is manually tapped or a new clock source is selected. When one of S,

A , or B is selected, the clock source indicator will flash when the mixer is actively following the selected clock.

At any point the BPM and BPM source can be locked. By clicking in on the BEAT joystick, the current

BPM is frozen and the BPM source is set to (*) Manual and locked. The BPM label on the display flashes to indicate that the BPM source has been locked. The mixer will not change the BPM or BPM source until the user manually enters new BPM or time information, changes the BPM source, or unlocks the BPM by clicking in once more on the joystick.

Regardless of the clock source, the mixer broadcasts the current MIDI Beat-Clock to both USB ports when the Send MIDI Beat Clock option is selected in the MIDI Configuration page of the driver control panel. Both USB ports will also echo out any system real-time messages from the host computer.

SIXTY-TWO

OWNER’S MANUAL

Effects Parameter Table

Effect

Filter

Flanger

Phaser

Echo

Robot

Depth Knob Time Encoder Tap Button Beat Joystick

TIME adjusts the LFO time independent of the current BPM and

Beat Multiplier.

The TAP button manually enters a new BPM.

BEAT adjusts the BPM multiplier to change the number of bars.

DEPTH adjusts the strength of the effect.

DEPTH adjusts the amount of echo recirculation, which in turn affects how quickly the echo effect decays.

The amount of recirculation varies with the echo options selected (see last column). Setting the control to minimum or “0” results in a

Dry signal with the minimum recirculation setting. Setting the control to maximum or “10” results a Wet signal with maximum recirculation.

Holding down the TAP button and turning the

TIME encoder adjusts the BPM.

A minimum of two taps is required to get a new BPM.

Up increases the multiplier, and down decreases the multiplier.

Available multiplier values are: 1/16, 1/8, 1/4, 1/2, 3/4,

1/1, 2/1 4/1, 8/1, 16/1, 32/1 and 64/1. (No 64/1 in Echo.) Pressing the TIME encoder re-syncs the effect.

TIME adjusts the length of the recorded sample used by the echo.

Holding down the button and turning the

TIME encoder adjusts the BPM.

Pressing the ECHO button clears the echo. Time range is 1 ms to 10920 ms.

Hold down the ECHO button and turn the

TIME encoder to adjust the filtered echo frequency.

TAP

Manually tapping in a

BPM switches the BPM source to (*) Manual.

Pressing the

TAP button and tilting the BEAT joystick up/right or down/left selects the BPM source.

The source is shown in the mixer display after the BPM number:

(*) Manual Tap

(S) Serato DJ

(A) USB A Beat-

Clock,

(B) USB B

Clock.

Beat-

Press in on the BEAT joystick to Lock the current BPM.

This prevents the current

BPM from changing until you manually change the

BPM, Time, BPM Clock

Source, or click the Beat

Joystick button again to unlock it. Locked BPM is indicated by “BPM” flashing in the display.

Hold down the and toggle the

FILTER button

BEAT joystick to scroll through Filter types.

Hold down the FLANGER button and toggle the BEAT joystick to switch between ± feedback.

Hold down the ECHO button and toggle the BEAT joystick to scroll through Echo types.

When either Hold Echo option is selected, it is possible to suspend an echo. To engage suspend, press the TIME encoder. The ECHO button flashes, indicating that suspend is active.

Suspend terminates input to the delay memory while continuing to play delay memory indefinitely. Press the TIME encoder again to terminate suspend. If you want a suspended echo to gradually decay, turn the DEPTH knob CCW. If you want the decay to stop, turn the DEPTH knob back to or above where it was at when suspend was engaged.

TIME adjusts the % of pitch shift, shown by the bar in the display.

DEPTH adjusts the wet/ dry mix and warble of the robot.

TAP does not affect the robot.

Adjusts the pitch up/right or down/left in 20% steps.

Pressing the TIME encoder resets pitch shift to 0%.

Shift or Control

Panel Option*

High-Pass Filter with low or high frequency sync.

Low-Pass Filter with low or high frequency sync.

Flanger with positive feedback.

Flanger with negative feedback.

None

Echo: No feedback filter. Recirculation is adjustable 0-70%.

Duck Echo: Feedback filter adjustable from 20 Hz to 10 kHz. Recirculation is adjustable 0-70%.

Low-cut Echo:

Feedback filter adjustable from 20 Hz to 10 kHz. Recirculation is adjustable 0-70%.

Low-cut Hold Echo:

Feedback filter adjustable from 20 Hz to 10 kHz. Recirculation is adjustable 0-100%.

None

Reverb

Adjusts reverb intensity.

Adjusts the % of reverb decay time, shown by the bar in the display.

TAP does not affect reverb.

Adjusts the decay time up/ right or down/left in 10% steps.

*Effect options are available in the "Shift

Options" on page 22 or in the "Rane Drivers" on page 26.

SIXTY-TWO

21

22

OWNER’S MANUAL

Shift Options

Several menus are available on the mixer to set preferences. Available menus are indicated with a gray up

  SHIFT  button and then press the desired menu key.

Note: the Shift button may be labeled as the Delete button on older Sixty-Two Mixers.

Ext. Insert Options Menu

This menu sets the sensitivity of the external analog insert to +4 dBu or -10 dBV. Use the

+4 dBu setting when a device operating at

4 Vrms or more is connected to the external

SHIFT

EXT. INSERT

EXTERNAL INSERT

… +4 dBu

-10 dBV

FlexFX Loop. Use the -10 dBV setting when connecting lower voltage devices with RCA connectors. The overall loop gain remains unchanged for both settings. Push the BEAT joystick up/down to select the desired setting then press the joystick in to keep the selection. Press any effect button or the

SHIFT button to exit the menu.

Filter Effect Options Menu

The Filter menu allows choosing one of four filter types. Move the BEAT joystick up/down

SHIFT

LP FILTER LO

to select the desired filter type then press the joystick in to keep the selection. The Low-sync FILTER

… LP FILTER HI

HP FILTER LO

Filters sync to BPM at the low point of the

HP FILTER LO

sweep, and the High-sync Filters sync to BPM at the high point of the sweep. Press any effect button or the SHIFT button to exit the menu.

• Low-pass Filter Low-sync.

• Low-pass Filter High-sync.

• High-pass Filter Low-sync.

• High-pass Filter High-sync.

Flanger Effect Options Menu

The Flanger menu allows the choice of positive or negative feedback. Move the BEAT joystick up/down to highlight the desired feedback type then press the joystick in to keep the selection. Press any effect button or the SHIFT button to exit the menu.

SHIFT

FLANGER

FLANGER -Fb

… FLANGER +Fb

Echo Effect Options Menu

The Echo menu allows selection of four echo effects:

SHIFT

ECHO

• Echo.

• Echo with high-pass filter.

ECHO

… ECHO 81 Hz

DUCKECHO 75 Hz

• Duck Echo.

HD ECHO 120 Hz

• Hold Echo with high-pass filter.

Move the BEAT joystick up/down to highlight the desired echo type then press the joystick in to keep the selection. For the three high-pass Echo effects, the filter corner frequency is adjusted by highlighting the desired effect and rotating the TIME encoder. Press any effect button or the

SHIFT button to exit the menu.

SIXTY-TWO

23

OWNER’S MANUAL

Deck 1-2 Channel Options Menu

A menu is available for each deck input channel.

Press and hold the SHIFT button then press the

CUE button of an input channel. This menu allows

SHIFT you to select 1 of 2 USB record sources and set the resonance of the Filter. Record options are:

• Pre-selector PH/CD 1 input source (required for DVS).

• Pre-selector PH/CD 2 input source.

CUE

… REC PH/CD-1

REC PH/CD-2

FILTER RESONANCE

Move the Beat joystick up/down to highlight the desired record source, then press the joystick in to keep the selection. The PH/CD input must be selected for DVS operation.

Resonance is shown on the bar graph, and adjusted with the TIME encoder.

High resonance results in a zippy whistle sound with high peaking of the signal at the corner frequency. High resonance is typically used as an effect. A low resonance settings has no peaking and is typically used for mixing. Press any effect button or the SHIFT button to exit the menu.

Mic Option Menu

Press and hold the SHIFT button then press the

HOLD button to view the Mic option menu.

• Record the Main Mix to USB.

SHIFT

CLEAN FEED

OVER

RECORD MAIN

RECORD MIC

CLEAN FEED

• Record only the Mic to USB.

• Clean Feed:

When Clean Feed is selected, the microphone signal is sent directly to the Main Out and is not present in the USB Main Record, Booth Out or Session Out. When set for Clean Feed, the Mic cannot be assigned to FlexFx. If the Mic FlexFx is pressed, the button will blink off to dim.

Mic Bypass Mode

All controls on the mixer are MIDI mappable, including the Mic sections. If you do not use the Mic sections, you can independently

SHIFT BYPASS

ON bypass the controls so they do not affect audio, and only output their MIDI changes. This allows you to map the Mic controls to functions in software, such as effects, and not have to worry about introducing noise in your mix from a floating

Mic input. To toggle Mic Bypass Mode, hold the SHIFT button and press the Mic ON button to bypass.

The button will start flashing lightly, indicating those audio controls are now bypassed and are only outputting MIDI changes. The Mic On and FlexFX buttons, as well as the Level, Pan, and Tone controls are affected by this mode. While bypassed, the FlexFX and Mic On buttons will flash with momentary button presses, but the LED state cannot be set from software like the side strip controls. Holding the

SHIFT button and pressing the Mic ON button again will exit Mic Bypass Mode, returning the Mic section to regular operation. The Mic ON button will return to the “off” state. Be sure to reset the Level, Pan, and Tone controls to appropriate values before switching the Mic back on.

Headphone Tone Control

Press and hold the SHIFT button then press the

SPLIT CUE button to call the headphone menu.

Turn the Time encoder up or down to adjust the

SHIFT

SPLIT CUE

HEADPHONE TONE

LOW HIGH

tone. For larger steps, you can press the joystick left/right. When the bar-graph is in the center, the response is flat. As the control is moved toward Low, low frequencies are boosted and high frequencies are cut. As the bar-graph moves toward High, high frequencies are boosted and low frequencies are cut.

SIXTY-TWO

OWNER’S MANUAL

Mixer Shift Functions

In addition to the menu selections, the Shift button also accesses alternate functions for other buttons.

MIDI Start/Stop

Hold the SHIFT button and press TAP to toggle

MIDI Start/Stop messages. MIDI Start is a system real time message instructing devices to start playing a sequence. MIDI Stop tells devices to stop playing the sequence.

Nudge

Hold the SHIFT button and use the BEAT joystick to “Nudge” the outgoing MIDI beat clock BPM up or down. MIDI beat clock is a system real time message sent 24 times per quarter note.

SHIFT

SHIFT

START / STOP

TAP

BPM Adjust

Hold the SHIFT button and turn the TIME encoder to adjust the BPM to a specific value.

SHIFT

Sync

Hold the SHIFT button and press SYNC to turn Sync on for a Deck. If Sync is already on, pressing Shift/Sync again re-syncs the Deck. Press SHIFT and SYNC OFF to turn Sync off. See Sync in the Serato DJ manual.

LOOP

SYNC

IN

ROLL

SYNC OFF

OUT

Slip

Hold the SHIFT button and press SLIP to toggle Slip On or Off. When Slip Mode is active you can manipulate the audio as normal (e.g., Scratch, Loop, Cues etc.).

However, once you have finished, playback is returned to where it would be if you had not manipulated the audio. See Slip in the

Serato DJ manual.

SAVE

SLIP

SHIFT

LOOP

24

SIXTY-TWO

25

OWNER’S MANUAL

DJ Changeover

The Sixty-Two allows two computers running Serato DJ to connect to the mixer simultaneously. This allows two DJs to play at the same time and for easy DJ set changeover.

Connect both computers to the two USB ports on the Sixty-Two. For each channel on the mixer, set the

DECK SOURCE to either A or B depending on which your computer is connected to.

USB USB

CD

OUT

CD

OUT

NOTE: If a channel is in use by a computer already, the second computer’s Virtual Deck will become black and display IN USE.

TURNTABLE OUT GROUND

DECK 1 MIC

BYPASS CLEAN FEED

MAIN

AMPS

MIX

4

DECK 2

GROUND TURNTABLE OUT

SP-6 ASSIGN

2

ON

4 6

OVER

8

A

PH / CD

1 2

B

DECK 1

2

4

SOURCE

6

0

LEVEL

10

8 2

4 6

DECK 2

A

PH / CD

3 4

B

8

0

LEVEL

10

SOURCE

2

6

8

SP-6 ASSIGN

0

MAIN

10

4 6

BACK

LOAD

0

LEVEL

10

2

0 10

SESSION IN

4 6

MANUAL

8

SELECT

BACK

LOAD

When a Deck channel is assigned to a USB port with the SOURCE selector, both MIDI and audio are assigned to the A or B port. MIDI assignment for

Deck 1 and Deck 2 mixer controls

AUTO

BEATS

LOOP

MANUAL

SELECT

IN

ROLL

SYNC OFF

OUT

SAVE

2

SCROLL

LOOPS

SYNC

SLIP

SHIFT

4

AUX

6

0

LEVEL

10

LOW HIGH

FILTER

FLEXFX

LOOP

8

OFF

HIGH

+6

OFF LOW +6

FLEXFX

BPM

TIME

1

A

INSERT

2

B

LEFT

PAN

RIGHT

LOW

FILTER

HIGH

FILTER

NUDGE

BEAT

FLEXFX

3

1

CUE

DECK 1

FLANGER

START / STOP

TAP

4

2

OFF

HIGH

+6

OFF

MID

+6

OFF LOW +6

PHASER

5

3

CUES

SAMPLES

CUE

USB AUX

OFF

HIGH

+6

OFF

MID

+6

OFF LOW +6

ECHO

1

4

ROBOT

ON

2

5

LEFT

PAN

RIGHT

LOW

FILTER

HIGH

FLEXFX

3

6

CUE

DECK 2

REVERB

CUE

4

C

2

2

0 10

SESSION OUT

4 6

8

8

2

0

BOOTH

10

EXT. INSERT

4

5

D

6

0

DEPTH

10

8

IN

OUT

SYNC OFF

ROLL

LOOP

2

SCROLL

LOOPS

SYNC

LOOP

SLIP

SHIFT

PHONES

4 6

0

LEVEL

10

CUE

PAN

MAIN

SPLIT CUE

AUTO

BEATS

SAVE

8 and the associated side control strip follow the SOURCE selection. The color of the SP-6 ASSIGN button at the top of each control strip follows the USB port assignment made by the SOURCE selector: green for USB A and orange for USB B. Pressing the SP-6 ASSIGN button assigns sample player controls to the indicated port. It also assigns other mixer MIDI. See "Software Controls" on page 16.

NOTE: Settings are saved in the mixer. Software is updated with the mixer’s settings. Therefore, the mixer may replace control source and effect settings in Serato DJ or software control panels with current mixer settings.

Swapping between two DJs is now easier than ever! With a computer already connected to the Sixty-Two and playing, do the following:

1. Connect the second computer to the unused USB port on the Sixty-Two.

2. Switch the DECK SOURCE on the non-playing mixer channel to the USB source of the second computer.

3. Play a track on this Deck and mix it in when ready — you’ll now have audio from both computers in the mix.

4. Fade out the audio playing from the first computer to the audio playing from the second computer.

5. When only audio from the second computer is left in the mix, remove the first computer.

6. Assign the DECK SOURCE for the remaining free mixer channel to the second computer and keep rocking.

SIXTY-TWO

26

OWNER’S MANUAL

Rane Drivers

The Serato DJ installer includes Core Audio (Mac) and ASIO (PC) drivers that allow your Rane Sixty-Two to use other popular DJ and DAW audio applications. Once installed, you will have the option to select the

Sixty-Two’s inputs and outputs in the audio settings of these programs.

ASIO (Windows)

The Sixty-Two comes with a low-latency ASIO device driver on the installation CD to interface with

Serato DJ and other 3rd-party software applications on Windows operating systems. Multi-client ASIO allows different audio software applications to simultaneously stream audio to and from the Sixty-Two.

If the same playback channel is selected in more than one application, the driver mixes the audio from the applications before streaming it to the device. The driver Control Panel may be launched from the

Windows Control Panel. Select Start > Control Panel > Rane Sixty-Two.

Core Audio (Macintosh)

The Sixty-Two uses a low-latency Core Audio device driver on the installation CD to interface with Serato

DJ and other 3rd-party software applications on Macintosh operating systems. Core Audio allows audio software applications to simultaneously stream audio to and from the Sixty-Two. To launch the Sixty-Two driver Control Panel, open the System Preferences window. Locate the Sixty-Two in the “Other” section and click the Sixty-Two icon.

NOTE: Settings are saved in the mixer. The control panel for Windows or Macintosh is updated with the mixer’s settings. Therefore, when you connect to a different Sixty-Two Mixer, it's saved settings override your previous Control Panel settings.

The control Panel consists of four pages: Preferences, Program Inputs 1-2, Effects and MIDI. The current page title is in the top center. To move between the four pages, click the icon with the next title in the upper left-hand corner of the control panel.

Preferences page controls

• USB-6 (11-12) Record source: Two radio buttons select the Main Mix or Mic.

• USB-3 (5-6) Filter Resonance: Slider adjusts the resonance from Low to High for the AUX

Filter.

• USB Port Status: Indicates active USB port(s).

• Buffer Size: The Buffer Size control allows the

USB driver buffer to be increased or decreased.

This control is in the Rane driver in Windows

(as shown). In Mac systems, the buffer control is in the Serato DJ setup screen and does not appear here. The Sixty-Two drivers are designed to run at latencies as low 8 milliseconds. However, computer performance and available resources (number of applications running) may adversely affect the computer’s ability to stream audio reliably. If pops and clicks are heard in the USB audio, try increasing the buffer size to eliminate them. With ASIO, total round-trip latency is equal to Buffer Size plus device latency. With Core Audio, total round-trip latency is equal to Buffer Size plus software application buffer latency, plus device latency. Device latency is 2.26 ms.

• Update Device Firmware: This panel indicates the firmware version currently installed in the Sixty-Two.

If the Sixty-Two firmware installed on your computer is newer than the firmware in your Sixty-Two, the

Update Device Firmware panel is enabled. Pressing the Update Firmware button updates the Sixty-Two firmware to the newer version. Check for a Firmware Update after any Serato DJ software updates

SIXTY-TWO

OWNER’S MANUAL

Deck Inputs 1-2 Page Controls

There is one panel for each channel strip on the mixer. Each Deck panel controls these functions:

• Analog Input Source: The analog input for each channel may be set for Line level (CD) or Phono level (PH) using a switch on the rear of the mixer.

PH/CD 1 and PH/CD 2 are associated with Deck

1. PH/CD 3 and PH/CD 4 are associated with

Deck 2. The control panel shows the input mode selected on the mixer for each of the four inputs.

The mode can only be changed on the mixer.

• Phono Sensitivity: If Phono Input is selected on the mixer, the Phono Sensitivity adjustment appears in the panel. Click the down-arrow to display a list of 16 sensitivity settings between 2.5 mV and 10 mV in

0.5 mV steps. The default is 5 mV. Set the Phono Sensitivity to the same level of your cartridge (see your cartridge documentation for the correct value). Another method is to match the level of a CD on another input.

• Filter Resonance: Each channel of the Sixty-Two has a Filter knob that provides High- and Low-Pass filtering. Filter resonance controls the “peak” of the filter cutoff frequency. The Low setting provides the smoothest Filter without adding gain. The High setting adds accent to frequencies near the Filter cutoff point by adding about 12 dB of gain. Adding gain in a narrow region around the cutoff frequency adds a

“zip” effect to audio as the Filter is swept. The default is 5 dB.

• USB-3 (5-6) Record Source: This control allows users to select one of two analog sources as the vinyl emulation or USB record source for Deck 1. The two radio buttons allow the user to select PH/CD 1 or

PH/CD 2. The post Deck 1 fader signal is always available for recording on USB 1 (1-2) record.

• USB-4 (7-8) Record Source: This control allows selecting one of two analog sources as the vinyl emulation or the USB record source for Deck 2. The two radio buttons allow the user to select PH/CD 3 or PH/CD 4. The post Deck 2 fader signal is always available for recording on USB 2 (3-4) record.

Effects Page Controls

The Filter panel has four radio buttons allowing users to select filter type and sync mode:

• High-Pass Filter with high-frequency sync.

• High-Pass Filter with low-frequency sync.

• Low-Pass Filter with high-frequency sync.

• Low-Pass Filter with low-frequency sync.

The Flanger panel has two radio buttons allowing users to select one of two feedback modes:

• Positive feedback.

• Negative feedback.

27

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The Echo panel allows users to select one of four echo modes:

• Echo with no feedback filter and adjustable recirculation 0 to 70%.

• Duck Echo: Feedback filter adjustable from 20 Hz to 10 kHz. Recirculation is adjustable 0-70%.

• Low-Cut Echo with adjustable feedback filter and adjustable recirculation 0 to 70%.

• Low-Cut Hold Echo with adjustable feedback filter and adjustable recirculation of 0% to 100%.

• The sliders in the control panel set the low-cut filter cut off frequency.

Default Effects settings are:

• Low-Pass Filter with high-frequency sync.

• Flanger with positive feedback.

• Echo with no feedback filter.

• Echo filter frequencies default to 82 Hz.

The Analog Insert panel has two options:

• +4 dBu

• -10 dBV

We recommend the +4 dBu setting unless you insert a low-voltage device, in which you should use the

-10 dBV setting.

MIDI Configuration Page:

• When Receive MIDI Beat Clock is checked, the mixer receives MIDI Real Time System

Messages.

• When Send MIDI Beat Clock is checked, the mixer sends MIDI Real Time System Messages.

• When User Button Lighting is checked, the mixer will not automatically light button LEDs for momentary presses. Enable this option if you wish to send MIDI commands to the mixer from third-party software to control button LEDs.

Factory Defaults

To reset the Sixty-Two Mixer’s:

• Record/Control Sources

• LP/HP Filter Resonances

• Filter Type, Flanger and Echo effects to factory default settings:

1. Power off the Sixty-Two.

2. Push both Deck 1 and 2 FLEXFX buttons at the same time.

4. While holding these buttons down, power on the Sixty-Two.

5. Immediately after fading up, the FLEXFX lights flash one time, indicating a successful reset.

NOTE: Settings are saved in the mixer. Software is updated with the mixer’s settings. Therefore, the mixer may replace control source and effect settings in Serato DJ or software control panels with current mixer settings that may have been changed by a different laptop.

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MIDI Mapping

When using Serato DJ or Scratch Live software, the mixer is plug-and-play with all required MIDI mapping done for you. For advanced users or with third-party DAWs, it is possible to custom MIDI-map most mixer controls on the Sixty-Two and control the lighting and color of buttons in the Serato DJ control strips.

There are three groups of MIDI controls:

• Those associated with Deck 1 and the left-hand control strip.

• Those associated with Deck 2 and the right-hand control strip.

• Mixer controls not associated with Deck 1, Deck 2 or either control strip.

There are two USB ports on the mixer, USB A and USB B . Users can assign each of these three groups to

USB A or USB B as follows:

• The SOURCE selector for Deck 1 determines which USB port will be used for Deck 1 controls and the associated left-hand control strip.

• The SOURCE selector for Deck 2 determines which USB port will be used for Deck 2 controls and the associated right-hand control strip.

To assign MIDI controls not related to Deck 1 or Deck 2, press the SP-6 ASSIGN button at the top of a control strip and it will light brightly to indicate that controls belonging to the third MIDI group are assigned to the same USB port. The one exception is the crossfader, which is always sent to both USB ports.

MIDI Assignments

As indicated in the Top Panel MIDI Assignments graphic, there are unique MIDI assignments for Loop controls when in AUTO and MANUAL modes. There are also unique MIDI assignments for Cue and

Sample buttons when in CUE and SAMPLES modes.

MIDI Layers

The mixer is capable of changing MIDI Layers in order to MIDI map one control to multiple functions under different contexts. Changing the MIDI Layer is the same thing as changing the MIDI channel. The MIDI

Layers used for Left Deck and Right Deck can be independently selected. The third group of controls that is not associated with Deck 1, Deck 2 or either control strip will use the MIDI Layer of the group that it is assigned to with the SP-6 ASSIGN button. By default, the other MIDI Layers inherit the functionality of the first Layer. The crossfader is the only control that will only send traffic on MIDI Layer 1.

• Holding down the CUES / SAMPLES button will turn all of the Cue buttons yellow. The Left Deck Cue buttons and Right Deck Cue buttons will each have one Cue button brightly lit. The button that is brightly lit indicates the current MIDI Layer for that group.

• While holding down the CUES / SAMPLES button, press the Cue button corresponding with the desired MIDI

Layer. This will change the MIDI Layer for the deck that Cue button belongs to. It is not necessary to wait for the Cue buttons to display the current MIDI Layer in order to change the MIDI Layer.

• MIDI layer corresponds to the MIDI channel:

MIDI Layer MIDI Channel effect name

1 1

4

5

2

3

5

6

3

4

BPM time

PHASER

BPM:120 * 4:1

2000 ms

L2 L3

*, S, A, B multiplier

MIDI layers other than default Layer 1 are shown at the bottom of the effects display, Deck 1 on the

Deck 1 Layer time range Deck 2 Layer bottom left and Deck 2 on the bottom right. If Layer 1 is selected, it is not displayed. This allows a user to see at a glance if any of the Decks are in a layer other than Layer 1.

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NOTE: The Serato DJ controls on the mixer’s control strips are not mappable in Layer 1 because they are reserved for the default Serato DJ functions. These controls are fully mappable in Serato

DJ on all other MIDI Layers. All controls on all layers are mappable in third-party applications that support MIDI Mapping.

INPUT SELECT

112 113 114 115

PH - CD

1

PH - CD

2

PH - CD

3

PH - CD

4

Control Change Note On / Off

DECK 1 DECK 2

42

SP-6 ASSIGN

AUTO

43

BACK

LOAD

44

16

SCROLL

LOOPS

45

MANUAL

108

BEATS

44

25

SELECT

17

SYNC

110

SYNC OFF

SLIP

MIC

2

BYPASS CLEAN FEED

41 46

ON

4 6

OVER

100

8

0

LEVEL

10

PH / CD

1 2

A

116

B

DECK 1

SOURCE

94

OFF

HIGH

+6

4

LEFT

PAN

RIGHT

82

OFF

LOW

+6

34

FLEXFX

65

LOW

FILTER

HIGH

68

FLEXFX

31

INSERT

BPM

2

20

TIME

12

FILTER

7

11

FLANGER

17

15

BEAT

16

START / STOP

5

TAP

2

4

89

6

0

LEVEL

10

8

101

OFF

HIGH

+6

77

OFF

MID

+6

71

OFF

LOW

+6

10

PHASER

2

4

90

6

0

LEVEL

10

8

DECK 2

PH / CD

3 4

A

117

B

SOURCE

102

OFF

HIGH

+6

78

OFF

MID

+6

72

OFF

LOW

+6

13

ECHO

9

ROBOT

0

ON

5

LEFT

PAN

RIGHT

66

LOW

FILTER

HIGH

67

FLEXFX

8

REVERB

4

CUE

MIX

2

4

93

6

2

4

0

MAIN

10

6

87

8

2

0 10

SESSION OUT

4 6

69

8

8

2

0 10

SESSION IN

4 6

75

8

0

BOOTH

10

91

EXT. INSERT

2

4 6

1

0

DEPTH

10

8

51

SP-6 ASSIGN

52

BACK

LOAD

55

18

SCROLL

MANUAL

LOOPS

50

AUTO

58

SELECT

19

112

BEATS

45

SYNC

113

SYNC OFF

114

SLIP

115

SHIFT

19

SHIFT

79

2

4

7

AUX

6

8

0

LEVEL

10

1 2 3 4 5

18 23 22 21 20

104 105 98 99 100

A B 1 2 3

CUES

90

SAMPLES

1 2 3 4

78 73 74 75

5

76

101 102 103 106 107

4 5 6 C D

69

CUE

DECK 1

77

CUE

USB AUX

70

CUE

DECK 2

2

PHONES

4 6

99

8

0

LEVEL

10

8

LOW

FILTER

HIGH

24

FLEXFX

105

CUE

PAN

MAIN

56

SPLIT CUE

83 84

0

107

2

106

98

108

3

SIXTY-TWO

OWNER’S MANUAL

22

112

21

23

113

24

25

114

27

26

115

30

41 39

40

55

42

43

46

31

33

48

38

49

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32

MIDI Implementation

Serato DJ MIDI Control only supports:

• Note On/Off

• Standard 7-bit CC (Control Change)

MIDI Note ON/OFF Chart

The note number for an LED indicator under a button is the same as for the button.

The color and brightness of an LED is determined by the velocity as follows:

• 0-30

• 31-47

0x00-0x1E

0x1F-0x2F

Off

Primary Dim

• 48-78

• 79-95

• 96-127

0x30-0x4E

0x4F-0x5F

0x60-0x7F

Primary Full

Secondary Dim

Secondary Full

There are two categories of note on/off MIDI controls:

Red : Dedicated mixer controls are read only and not affected by MIDI in commands. A user is not able to control mixer functions via MIDI and is unable to change the color or intensity of an LED under one of these mixer controls. Users are able to use MIDI out for these controls to trigger or control software functions.

Green : MIDI controls on the mixer dedicated to Serato DJ or 3rd-party DAW control. These controls are read/write and a user is able to control the color and intensity of LEDs under these buttons.

16

17

18

19

20

13

14

15

10

11

12

24

25

28

21

22

23

29

30

4

5

7

8

9

Note # Hex # Function

0

2

0x00

0x02

FlexFX On

FX Time Encoder Push

0x04

0x05

0x07

0x08

0x09

FlexFX Cue

FX Tap

Beat Joystick Push

Reverb

Robot

0x0A

0x0B

0x0C

0x0D

0x0E

0x0F

0x10

0x10

0x12

0x13

0x14

0x15

0x16

0x17

0x18

0x19

0x1C

0x1D

0x1E

Phaser

Flanger

Filter

Echo

Beat Joystick North

Beat Joystick South

Beat Joystick East

Beat Joystick West

LH Cue-1

LH Delete

LH Cue-5

LH Cue-4

LH Cue-3

LH Cue-2

LED States

Not Permitted

Not Applicable

Not Permitted

Not Permitted

Not Applicable

Not Permitted

Not Permitted

Not Permitted

Not Permitted

Not Permitted

Not Permitted

Not Applicable

Not Applicable

Not Applicable

Not Applicable

PRI – Green

PRI – Red

PRI – Green

PRI – Green

PRI – Green

PRI – Green

USB AUX FlexFX Not Permitted

LH Manual Loop Select Encoder Push Not Applicable

LH Manual Loop In PRI – Green

LH Manual Loop

LH Manual Out

PRI – Green

PRI – Green

Type

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

DAW MIDI Control SEC – Yellow

SEC - Orange DAW MIDI Control

SEC – Yellow DAW MIDI Control

SEC – Yellow

SEC – Yellow

SEC – Yellow

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

Mixer Control

DAW MIDI Control

SEC – Orange DAW MIDI Control

SEC – Orange DAW MIDI Control

SEC – Orange DAW MIDI Control

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33

108

109

110

111

112

102

103

104

105

106

107

113

114

115

91

98

99

100

101

78

79

90

75

76

77

68

69

70

61

63

67

73

74

52

55

56

57

58

46

50

51

43

44

45

31

34

41

42

0x66

0x67

0x68

0x69

0x6A

0x6B

0x6C

0x6D

0x6E

0x6F

0x70

0x71

0x72

0x73

0x4B

0x4C

0x4D

0x4E

0x4F

0x5A

0x5B

0x62

0x63

0x64

0x65

0x34

0x37

0x38

0x39

0x3A

0x3D

0x3F

0x43

0x44

0x45

0x46

0x49

0x4A

0x1F

0x22

0x29

0x2A

0x2B

0x2C

0x2D

0x2E

0x32

0x33

USB Insert

Mic FlexFX

Mic ON

LH SP-6 Assign

LH Back

LH Scroll Encoder Push

LH Manual/Auto Loop

Mic Talk-over

SR Manual/Auto Loop

SR SP-6 Assign

Not Permitted

Not Permitted

Not Permitted

Not Permitted

PRI – Green

Not Applicable

Not Permitted

Not Permitted

Not Permitted

Not Permitted

RH Back

RH Scroll Encoder Push

Split Cue

PRI – Green

Not Applicable

Not Permitted

RH Manual Loop PRI – Green

RH Manual Loop Select Encoder Push Not Applicable

RH Manual Out

RH Manual In

Deck 2 FlexFX

Deck 1 FlexFX

Deck 1 Cue

Deck 2 Cue

RH Cue-2

RH Cue-3

PRI – Green

PRI – Green

Not Permitted

Not Permitted

Not Permitted

Not Permitted

PRI – Green

PRI – Green

RH Cue-4

RH Cue-5

USB Aux Cue

RH Cue-1

RH Delete

Cues/Samples

Ext Insert

Sample-1

Sample-2

Sample-3

Sample-4

Sample-5

Sample-6

Bank A

Bank B

Bank C

Bank D

LH Auto Loop Select Encoder Push

LH Auto Loop

LH Auto Roll

LH Auto Save

RH Auto Loop Select Encoder Push

RH Auto Loop

RH Auto Roll

RH Auto Save

PRI – Green

PRI – Green

Not Permitted

PRI – Green

PRI – Red

Not Permitted

Not Permitted

PRI – Green

PRI – Green

PRI – Green

PRI – Green

PRI – Green

PRI – Green

PRI – Green

PRI – Green

PRI – Green

PRI – Green

Not Applicable

PRI – Green

PRI – Green

PRI – Green

Not Applicable

PRI – Green

PRI – Green

PRI – Green

Mixer Control

Mixer Control

Mixer Control

Mixer Control

SEC – Orange DAW MIDI Control

DAW MIDI Control

Mixer Control

Mixer Control

Mixer Control

Mixer Control

SEC – Orange DAW MIDI Control

DAW MIDI Control

Mixer Control

SEC – Orange DAW MIDI Control

DAW MIDI Control

SEC – Orange DAW MIDI Control

SEC – Orange DAW MIDI Control

Mixer Control

SEC – Yellow

SEC – Yellow

SEC – Yellow

SEC – Yellow

Mixer Control

Mixer Control

Mixer Control

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

Mixer Control

SEC – Yellow DAW MIDI Control

SEC - Orange DAW MIDI Control

Mixer Control

SEC – Yellow

SEC – Yellow

SEC – Yellow

SEC – Yellow

Mixer Control

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

SEC – Yellow

SEC – Yellow

SEC – Yellow

SEC – Yellow

SEC – Yellow

SEC – Yellow

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

DAW MIDI Control

SEC – Orange DAW MIDI Control

SEC – Orange DAW MIDI Control

SEC – Orange DAW MIDI Control

DAW MIDI Control

SEC – Orange DAW MIDI Control

SEC – Orange DAW MIDI Control

SEC – Orange DAW MIDI Control

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MIDI Control Change Chart

Functions highlighted in red are MIDI-Out Mixer controls.

Functions highlighted in blue are MIDI-In mixer controls.

Functions highlighted in green are MIDI-Out Serato DJ or 3rd-party DAW controls.

24

25

26

27

30

33

Control # Hex # Function

0

1

18

19

20

21

5

7

8

2

3

4

16

17

22

23

38

39

0x00

0x01

0x02

0x03

0x04

0x10

0x11

Crossfader

FX Depth

Deck 1 Contour

Deck 2 Contour

Deck 1 Left-Right Pan

0x05 Deck 2 Left-Right Pan

0x07 USB Aux Level

0x08 USB Aux Filter

LH Scroll Encoder

LH Manual Loop Select Encoder

0x12 RH Scroll Encoder

0x13 RH Manual Loop Select Encoder

0x14 FX Time Encoder

0x15 Analog 1 Phono Sensitivity

Values

0-127, 0x00-0x7F

0-127, 0x00-0x7F

0-127, 0x00-0x7F

0-127, 0x00-0x7F

0-127, 0x00-0x7F

0-127, 0x00-0x7F

0-127, 0x00-0x7F

0-127, 0x00-0x7F

2’s Complement from 64 / Relative (Binary Offset)

2’s Complement from 64 / Relative (Binary Offset)

3

4

5

0

1

2

2’s Complement from 64 / Relative (Binary Offset)

2’s Complement from 64 / Relative (Binary Offset)

2’s Complement from 64 / Relative (Binary Offset)

Value Hex Sensitivity (mV) dB

0x00

0x01

0x02

0x05

2.5

3

3.5

0x03 4

0x04 4.5

5 (Default)

16.04

14.46

12.12

11.96

10.94

10.02

6

7

8

9

10

0x06 5.5

0x07 6

0x08 6.5

0x09 7

0x0A 7.5

9.19

8.44

7.74

7.10

6.5

11

12

13

0x0B 8

0x0C 8.5

0x0D 9

5.94

5.41

4.92

0x1B

0x1E

Analog 3 Phono Sensitivity

Analog 4 Phono Sensitivity

0x21 Main Record Select, (USB 11-12)

14

15

0x0E 9.5

0x0F 10

0-127, 0x00-0x7F

1

2

0x01

0x02

Low to High Resonance

Record A3

Record A4

Same as Analog 1 Phono Sensitivity

Same as Analog 1 Phono Sensitivity

4.45

4.00

0x16 Deck 1 Filter Resonance 0-127, 0x00-0x7F

0x17 Deck 1 Input Record Source (USB 5-6) 1

2

0x18 Analog 2 Phono Sensitivity

0x01

0x02

Low to High Resonance

Record A1

Record A2

Same as Analog 1 Phono Sensitivity

0x19 Deck 2 Filter Resonance

0x1A Deck 2 Input Record Source (USB

7-8)

0x26

0x27

USB Aux Filter Resonance

FX Flanger Type

1

2

0x01

0x02

0-127, 0x00-0x7F

0-63, 0x00-0x3F

64-127 0x40-0x7F

Record Main Mix

Record Mic

Low to High Resonance

Negative

Positive

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OWNER’S MANUAL

40 0x28 FX Echo Type

41 0x29 FX Filter Type

94

98

99

100

87

89

90

93

78

82

83

84

71

72

75

77

101

102

105

106

107

108

112

49

55

65

66

69

113

114

115

116

42

43

44

45

48

0x2A Echo HP Frequency

0x2B Hold Echo HP Frequency

0x2C LH Auto Loop Bars Encoder

0x2D RH Auto Loop Bars Encoder

0x30 Clean Feed

0x31 Headphone Tone

0x37 Duck Echo HP Frequency

0x41 Deck 1 LP/HP Filter

0x42 Deck 2 LP/HP Filter

0x45 Session In Level

0x47 Deck 1 Low

0x48 Deck 2 Low

0x4B Booth Level

0x4D Deck 1 Mid

0x4E Deck 2 Mid

0x52 Mic Low

0x53 Deck 1 Fader

0x54 Deck 2 Fader

0x57 Session Out Level

0x59 Deck 1 Level

0x5A Deck 2 Level

0x5D Main Level

0x5E Mic High

0x62 Crossfader Contour

0x63 Phones Level

0x64 Mic Level

0x65 Deck 1 High

0x66 Deck 2 High

0x69 Headphone Cue / Main Pan

0x6A Crossfader Reverse

0x6B Deck 1 Reverse

0x6C Deck 2 Reverse

0x70 PH/CD 1 Select

0x71 PH/CD 2 Select

0x72 PH/CD 3 Select

0x73 PH/CD 4 Select

0x74 Deck 1 Source Select

117 0x75 Deck 2 Source Select

0-31 0x00-0x1F Echo

32-63 0x20-0x3F High-Pass Echo

64-95 0x40-0x5F

96-127 0x60-0x7F

Duck Echo

HP Hold Echo

0-31, 0x00-0x1F

32-63, 0x20-0x3F

64-95, 0x40-0x5F

96-127 0x60-0x7F

Low-Pass Sync Low

Low-Pass Sync High

High-Pass Sync Low

High-Pass Sync High

0-127 0x00-0x7F

0-127 0x00-0x7F

20 Hz-10 kHz, Uniform Octave Steps

20 Hz-10 kHz, Uniform Octave Steps

2’s Complement from 64 / Relative (Binary Offset)

2’s Complement from 64 / Relative (Binary Offset)

0-63, 0x00-0x3F

64-127 0x40-0x7F

Off

On

0-127

0-127

0x00-0x7F

0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

20 Hz-10 kHz, Uniform Octave Steps

20 Hz-10 kHz, Uniform Octave Steps

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0-127 0x00-0x7F

0 – Normal, 1 – Reversed 0x00 – Normal, 0x01 – Reversed

0 – Normal, 1 – Reversed 0x00 – Normal, 0x01 – Reversed

0 – Normal, 1 – Reversed 0x00 – Normal, 0x01 – Reversed

0 – Phono, 1 – Line 0x00 – Phono, 0x01 – Line

0 – Phono, 1 – Line

0 – Phono, 1 – Line

0 – Phono, 1 – Line

1

2

3

4

0x01

0x02

0x03

0x04

1

2

3

4

0x01

0x02

0x03

0x04

0x00 – Phono, 0x01 – Line

0x00 – Phono, 0x01 – Line

0x00 – Phono, 0x01 – Line

USB A Left Virtual Deck,

Analog 1

Analog 2

USB B Left Virtual Deck

USB A Right Virtual Deck

Analog 3,

Analog 4

USB B Right Virtual Deck

SIXTY-TWO

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36

Magnetic Fader Maintenance

The faders and crossfader in the Sixty-Two are designed with materials highly resistant to corrosion and most chemicals. While they will handle millions of operations, they may become dirty over time. Bad things may be spilled into a fader, but in many instances the fader may not be damaged and the sound quality thus unaffected. Cleaning is only required to maintain the feel of the fader.

In order to maintain the feel of your faders, they may occasionally require cleaning and lubrication. The bearings in the fader work best with DuPont Teflon Multi-use Lubricant (part # D00040101). Make sure to follow the instructions and warnings on the bottle.

This lubricant goes on wet to deeply penetrate moving parts, but sets up with a clean, dry, long-lasting film which will not attract and absorb dirt and grime. Wet or oily lubricants may feel good at first, but will attract dirt and evaporate or become dry over time. See the fader cleaning instructions below.

Fader Assembly Removal

1. Remove all three fader knobs.

2. Remove all six screws holding the fader panel face plate.

3. Lift up the fader panel face plate and set it aside where it can’t get damaged.

4. Remove the two screws at each end of a fader, holding the bottom of the fader in place with your other hand.

5. Take out the fader assembly completely.

6. Note the left connector goes to the left fader, the center connector goes to the crossfader, and the right connector goes to the right fader.

7. Unplug the connectors of the white wires at the fader assembly without pulling the wires.

Reverse this procedure to re-assemble.

• Plug in the connector before re-installing the fader. Notice the connector only will fit one way.

• Test all the faders before installing the fader panel face plate and fader knobs.

Fader Cleaning

1. For a light cleaning, move the carrier to one side and wipe rails with a lint-free cloth. Move the carrier to the other side and repeat.

2. If a heavier cleaning is required to remove oily lubricants or grease, first take the carrier off of the rails by removing one of the endblocks. Clean the rails using a lint-free cloth and alcohol. Use a cue-tip and alcohol to clean the carrier bearings.

3. With the fader clean, dry and assembled, add a couple of drops of Teflon Multi-use Lubricant to each rail of the fader.

4.

Move the carrier back and forth to distribute lubricant.

5.

Do not disturb the position of the small sensors at each end of the fader. If you accidentally do, make sure the parts are standing straight before re-installing.

SIXTY-TWO

OWNER’S MANUAL

Sensors

Fader Calibration

After cleaning or replacement, the sensors may get moved, affecting the contour. After any fader service, perform this procedure to re-calibrate the faders and crossfader.

1. Power off the Sixty-Two.

2. Move all faders to the center-most position.

3. Push down both DECK 1 CUE and DECK 2 CUE buttons at the same time.

4. While holding these buttons down, power on the Sixty-Two.

5. Immediately after powering up, the CUE lights will flash one time, indicating a successful calibration.

If the CUE lights flash three times, the sensors may have moved too far or all faders were not properly centered, and the faders cannot correctly calibrate.

Problems? Contact Rane Corporation customer service at 425-355-6000 or email us at [email protected].

Online help is available at dj.rane.com

.

37

SIXTY-TWO

OWNER’S MANUAL

Technical Specifications

Sixty-Two Specifications

Analog Inputs

…...Phono or Line level input

…...Phono Response

…...Max Phono Input

…...Max Line Input

ADCs

DACs

Digital Signal Processing

USB Audio

…...Operation

FlexFX Return

FlexFX Send

Mic Input

…...Tone Controls

…...Mic-Line level switch

Line Outputs: Frequency Response

All specifications typical unless otherwise stated

4 Stereo unbalanced RCA jacks

Rear panel switches for each input

RIAA ±1 dB, Gain: 31 dB at 1 kHz

126 mV

4 Vrms

24-bit 48 kHz; dynamic range 101 dB A-weighted

24-bit 48 kHz; dynamic range 107 dB A-weighted

48 kHz, 32-bit floating point

Six Stereo Record, Four Stereo Playback

48 kHz, 32-bit floating point

Stereo unbalanced ¼˝ TS (tip-sleeve) phone jacks

Stereo unbalanced ¼˝ TS (tip-sleeve) phone jacks

Balanced ¼˝ TRS & XLR combination jack

2-band, High and Low

Choose Line to connect wireless receiver

20 Hz to 20 kHz ±0.25 dB, Line in to Line out

…...THD+N <0.01% re 0 dBFS, 20 to 20 kHz, 20 kHz BW

…...Unbalanced jacks (RCA & FlexFX) Maximum 4 Vrms

…...Balanced jacks (Main & Booth) Maximum 8 Vrms

Universal Power Supply

USB Power

Unit: Conformity

......Size

......Weight

Shipping Size

......Weight

100 to 240 VAC, 50 Hz to 60 Hz, 15 W max

Mixer is self-powered

CE, FCC, cCSAus

14.25˝ x 10.5˝ x 4˝ (36.2 x 26.7 x 10.2 cm)

10 lb (4.3 kg)

7.75˝ H x 15˝ W x 19.25˝ D (19.7 x 38.1 x 49 cm)

14 lb (6.4 kg)

ADD 3.5” (8.9 cm) MINIMUM CLEARANCE FOR CABLES

.65" (1.6 cm) PROJECTION

14.2"

(36 cm)

.7"

(1.8 cm)

PRO-

JEC-

TION

ADD 3.5” (8.9 cm)

MIN. CLEARANCE

FOR PHONES

3.25" (8.3 cm)

4.2" (10.7 cm)

.7" (1.8 cm)

PROJECTION

38

SIXTY-TWO

OWNER’S MANUAL

Battle Bridge Accessory

When installing a Sixty-Two mixer in a coffin case, it is important to leave 10 centimeters (3.9 inches) in front and in back of the mixer to allow room for cables and access to controls. The rubber feet provided on the chassis for table top use should remain in place when installing the mixer in a coffin case. When in operation, the coffin case must provide 1 centimeter (0.39 inches) clearance on each side of the mixer and above the controls on the face of the mixer.

A battle bridge kit is available for the Sixty-Two Mixer (also fits the Sixty-Four and -Eight). The brackets install easily with three screws on each side. These are powder-coated electro-galvanized .075˝ steel.

14˝ EARS bring the total width of the mixer to 30.5 cm (12˝) for coffin mounting. These measure 35.8 x 1.9 x 7.7 cm (14˝ x .75˝ x 3˝). Shipping weight is 1.36 kg (3 pounds).

If you live in the U.S.A, you may buy these ears in the Rane Factory Store at dj.rane.com

. Outside the

U.S.A., contact your international representative — contacts are at dj.rane.com

.

12.6”

(32 cm)

8.6”

(21.8 cm)

5.6”

(14.2 cm)

.65" (1.6 cm) PROJECTION FOR POSTS

AUTO

BEATS

LOOP

DECK 1

SP-6 ASSIGN

BACK

LOAD

SCROLL

LOOPS

SYNC

ROLL

SYNC OFF

OUT

SAVE

SLIP

LOOP

SHIFT

MANUAL

SELECT

IN

BYPASS

MIC

CLEAN FEED

2

ON

4 6

OVER

8

0

LEVEL

10

OFF

HIGH

+6

OFF

LOW

+6

FLEXFX

1

INSERT

BPM

TIME

2

LEFT

PAN

RIGHT

LOW

FILTER

HIGH

FILTER

A

PH / CD

1 2

B

DECK 1

2

4

SOURCE

6

0

LEVEL

10

8

NUDGE

BEAT

FLEXFX

3

FLANGER

START / STOP

TAP

4

OFF

HIGH

+6

OFF

MID

+6

OFF

LOW

+6

5

PHASER

CUES

2

4

OFF

HIGH

+6

OFF

MID

+6

OFF

LOW

+6

ECHO

1

6

0

LEVEL

10

8

DECK 2

A

PH / CD

3 4

B

ROBOT

ON

2

SOURCE

LEFT

PAN

RIGHT

LOW

FILTER

HIGH

FLEXFX

3

REVERB

CUE

4

MIX

4

DECK 2

6

2 8

SP-6 ASSIGN

0

MAIN

10

4 6

2 8

2

0 10

SESSION OUT

4 6

8

0 10

SESSION IN

4 6

2

MANUAL

8

SELECT

SCROLL

LOOPS

AUTO

BEATS

0

BOOTH

10

BACK

LOAD

IN

SYNC

LOOP

EXT. INSERT

OUT

SYNC OFF

ROLL

4 6

2 8

LOOP

SLIP

SAVE

0

DEPTH

10

SHIFT

5

2

4

AUX

6

8

0

LEVEL

10

A B 1

CUE

DECK 1

2 3 SAMPLES

CUE

USB AUX

4 5 6

CUE

DECK 2

C D

PHONES

4 6

2

0

LEVEL

10

8

MIXER

14.2"

(36 cm)

BRIDGE

14.08"

(35.8 cm)

LOW

FILTER

HIGH CUE

PAN

MAIN

FLEXFX SPLIT CUE

39

1.6”

(4 cm)

RACK HOLE

HEIGHT FROM

THE BOTTOM

EARS

.75"

(1.9 cm)

SIXTY-TWO

10.5" (26.7 cm)

12" (30.5 cm) TOTAL WIDTH WITH MODEL “14" EARS”

.7" (1.8 cm) PROJECTION FOR KNOBS.

40

OWNER’S MANUAL

Limited Warranties

Factory Authorized Service

Your unit may someday need to be serviced by the Rane Factory if you live in the USA. International customers should contact your dealer or distributor for service. You must call the Rane factory before shipping. Please do not return your unit to Rane without prior authorization.

To obtain service or a Return Authorization in the USA, please phone Rane Corporation at 425-355-6000, or fax Rane at 425-347-7757.

Limited U.S.A. Warranty

RANE CORPORATION WARRANTS ALL RANE PRODUCTS (except those items classified and listed in "Wear Parts" on page 4) PURCHASED IN THE U.S. AGAINST DEFECTS IN MATERIAL OR WORKMANSHIP FOR A PERIOD

OF TWO (2) YEARS. WEAR PARTS ARE LIMITED TO A PERIOD OF NINETY (90) DAYS FROM THE INITIAL DATE OF

RETAIL PURCHASE FROM AN AUTHORIZED RANE DEALER—WEAR PARTS REQUIRE PROOF OF PURCHASE

DATE. This limited warranty extends to all purchasers or owners of the product during the warranty period beginning with the original retail purchase. Rane Corporation does not, however, warrant its products against any and all defects:

1) arising out of material or workmanship not provided or furnished by Rane, or 2) resulting from abnormal use of the product or use in violation of instructions, or 3) in products repaired or serviced by other than the Rane Factory, or 4) in products with removed or defaced serial numbers, or 5) in components or parts or products expressly warranted by another manufacturer. Rane agrees to supply all parts and labor to repair or replace defects covered by this limited warranty with parts or products of original or improved design, at its option in each respect, if the defective product is shipped prior to the end of the warranty period to the Rane Factory in the original packaging or a replacement supplied by Rane, with all transportation costs and full insurance paid each way by the purchaser or owner.

Limited Warranty Outside the U.S.A.

RANE PRODUCTS ARE WARRANTED ONLY IN THE COUNTRY WHERE PURCHASED, THROUGH THE AUTHORIZED

RANE DISTRIBUTOR IN THAT COUNTRY, AGAINST DEFECTS IN MATERIAL OR WORKMANSHIP, THE SPECIFIC

PERIOD OF THIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL

PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME OF PURCHASE. Rane

Corporation does not, however, warrant its products against any and all defects: 1) arising out of materials or workmanship not provided or furnished by Rane, or 2) resulting from abnormal use of the product or use in violation of instructions, or 3) in products repaired or serviced by other than authorized Rane repair facilities, or 4) in products with removed or defaced serial numbers, or 5) in components or parts or products expressly warranted by another manufacturer. Rane agrees, through the applicable authorized distributor, to repair or replace defects covered by this limited warranty with parts or products of original or improved design, at its option in each respect, if the defective product is shipped prior to the end of the warranty period to the designated authorized Rane warranty repair facility in the country where purchased, or to the Rane factory in the U.S., in the original packaging or a replacement supplied by Rane, with all transportation costs and full insurance paid each way by the purchaser or owner.

ALL REMEDIES AND THE MEASURE OF DAMAGES ARE LIMITED TO THE ABOVE SERVICES, IT IS POSSIBLE THAT

ECONOMIC LOSS OR INJURY TO PERSON OR PROPERTY MAY RESULT FROM THE FAILURE OF THE PRODUCT;

HOWEVER, EVEN IF RANE HAS BEEN ADVISED OF THIS POSSIBILITY, THIS LIMITED WARRANTY DOES NOT

COVER ANY SUCH CONSEQUENTIAL OR INCIDENTAL DAMAGES. SOME STATES OR COUNTRIES DO NOT ALLOW

THE LIMITATIONS OR EXCLUSION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION

MAY NOT APPLY TO YOU.

ANY AND ALL WARRANTIES, EXPRESS OR IMPLIED, ARISING BY LAW, COURSE OF DEALING, COURSE OF

PERFORMANCE, USAGE OF TRADE, OR OTHERWISE, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES

OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED TO A PERIOD OF TWO (2)

YEARS FROM EITHER THE DATE OF ORIGINAL RETAIL PURCHASE OR, IN THE EVENT NO PROOF OF PURCHASE

DATE IS AVAILABLE, THE DATE OF MANUFACTURE, SOME STATES OR COUNTRIES DO NOT ALLOW LIMITATIONS

ON HOW LONG AN IMPLIED WARRANTY LASTS, SO THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU. THIS

LIMITED WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY ALSO HAVE OTHER RIGHTS WHICH

VARY FROM STATE TO STATE, COUNTRY TO COUNTRY.

SIXTY-TWO

41

OWNER’S MANUAL

Warranty Procedure - Valid in U.S.A. only

NOTICE! You must complete and return the warranty card or register your product online to extend the Warranty from 2 years to 3 years!

TO VALIDATE YOUR EXTENDED WARRANTY: Use the postcard that came in the box with your unit, or go to the

support page at dj.rane.com and click on product registration . Fill out the warranty completely, being sure to include the model and serial number of the unit since this is how warranties are tracked. If your Rane product was purchased in the U.S.A., mail the completed card or register online with to Rane Corporation within 10 days from the date of purchase. If you purchased the product outside the U.S.A. you must file your warranty registration with the Rane Distributor in that country.

It is advised that you keep your bill of sale as proof of purchase, should any difficulties arise concerning the registration of the warranty card. NOTICE: IT IS NOT

NECESSARY TO REGISTER IN ORDER TO RECEIVE RANE CORPORATION’S STANDARD TWO YEAR LIMITED

WARRANTY.

WARRANTY REGISTRATION is made and tracked by MODEL AND SERIAL NUMBERS ONLY, not by the purchaser’s or owner’s name. Therefore any warranty correspondence or inquires MUST include the model and serial number of the product in question. Be sure to fill in the model and serial number in the space provided below and keep this in a safe place for future reference.

WARRANTY SERVICE MUST BE PERFORMED ONLY BY AN AUTHORIZED RANE SERVICE FACILITY LOCATED

IN THE COUNTRY WHERE THE UNIT WAS PURCHASED, OR (if product was purchased in the U.S.) AT THE RANE

FACTORY IN THE U.S.. If the product is being sent to Rane for repair, please call the factory for a Return Authorization number. We recommend advance notice be given to the repair facility to avoid possible needless shipment in case the problem can be solved over the phone. UNAUTHORIZED SERVICE PERFORMED ON ANY RANE PRODUCT WILL

VOID ITS EXISTING FACTORY WARRANTY.

FACTORY SERVICE: If you wish your Rane product to be serviced at the factory, it must be shipped FULLY INSURED,

IN THE ORIGINAL PACKING OR EQUIVALENT. This warranty will NOT cover repairs on products damaged through improper packaging. If possible, avoid sending products through the mail. Be sure to include in the package:

1. Complete return street shipping address (P.O. Box numbers are NOT acceptable).

2. A detailed description of any problems experienced, including the make and model numbers of any other system equipment.

3. Remote power supply, if applicable.

Repaired products purchased in the U.S. will be returned prepaid freight via the same method they were sent to Rane.

Products purchased in the U.S., but sent to the factory from outside the U.S. MUST include return freight funds, and the sender is fully responsible for all customs procedures, duties, tariffs and deposits.

In order to qualify for Rane’s one year extended warranty (for a total of 3 years parts and labor), the warranty must be completely filled out and sent to us immediately. Valid in USA only.

We recommend you write your serial number here in your owners manual and on your sales receipt for your records.

SERIAL NUMBER:____________________________PURCHASE DATE:___________________________

dj.rane.com

is your center for support, accessories, community, and learning how to get the most from your Sixty-Two Mixer.

SIXTY-TWO

OWNER’S MANUAL

42

Declaration of Conformity

Application of

Council Directives:

2001/95/EC 2002/96/EC

2004/108/EC 2006/95/EC

2011/65/EU

Manufacturer:

Rane Corporation

10802 47th Avenue West

Mukilteo WA 98275-5000 USA

Standard(s) to which

conformity is declared:

EN60065: 2002/A1:2006/A11:2008/A2:2010/A12:2011

EN55103-1:2009

EN55103-2:2009

EN50581:2012

ENVIRONMENT E2

SERIAL NUMBERS 850000 - 950000

CE MARK FIRST AFFIXED IN: 2012

This equipment has been tested and found to be in compliance with all applicable standards and regulations applying to the EU’s Low Voltage (LV) directive 2006/95/EC and Electromagnetic Compatibility

(EMC) directive, 2004/108/EC. In order for the customer to maintain compliance with this regulation, high quality shielded cable must be used for interconnection to other equipment. Modification of the equipment, other than that expressly outlined by the manufacturer, is not allowed under this directive. The user of this equipment shall accept full responsibility for compliance with the LV directive and the EMC directive in the event that the equipment is modified without written consent of the manufacturer. This declaration of conformity is issued under the sole responsibility of Rane Corporation.

Type of Equipment: Professional Audio Signal Processing

Brand: Rane

Model: Sixty-Two, Sixty-Two Z

Immunity Results:

Test Description

THD+N: 4 dBu, 400 Hz, BW 20 Hz - 20 kHz

Measurement Conditions

RF Electromagnetic Fields Immunity

80 MHz -1000 MHz, 1 kHz AM, 80% depth, 3V/m <-72 dB

1400 MHz - 2700 MHz, 1 kHz AM, 80% depth, 3V/m <-72 dB

Conducted RF Disturbances Immunity

150 kHz - 80 MHz, 1 kHz AM, 80% depth, 3V rms

Magnetic Fields Immunity

50 Hz - 10 kHz, 3.0 - 0.3 A/m

Common Mode Immunity (Signal Ports)

50 Hz - 10 kHz, -20 dBu

<-71 dB

<-75 dB

<-69 dB

Bandpass re: 4 dBu, 1/3-octave

I, the undersigned, hereby declare that the equipment specified above conforms to the Directive(s) and Standard(s) shown above.

(Signature)

January 25, 2012

(Date)

Greg Frederick

(Full Name)

Compliance Engineer

(Position)

Mukilteo WA USA

(Place)

SIXTY-TWO

OWNER’S MANUAL

43

SIXTY-TWO

OWNER’S MANUAL

44

SIXTY-TWO

PART 22489