Ðóêîâîäñòâî ïîëüçîâàòåëÿ

Ðóêîâîäñòâî ïîëüçîâàòåëÿ
Ðóêîâîäñòâî ïîëüçîâàòåëÿ
Îáîçíà÷åíèÿ, èñïîëüçóåìûå â ðóêîâîäñòâå
Íàçâàíèÿ êíîïîê çàêëþ÷åíû â êâàäðàòíûå ñêîáêè [ ], íàïðèìåð, [ENTER].
Ññûëêà íà ñòðàíèöó îáîçíà÷àåòñÿ êàê (ñòð. **).
Èñïîëüçóþòñÿ ñëåäóþùèå ñèìâîëû.
Îáîçíà÷àåò âàæíûå çàìå÷àíèÿ; ÷èòàòü îáÿçàòåëüíî.
Îáîçíà÷àåò äîïîëíèòåëüíóþ èíôîðìàöèþ î ðàáîòå; ÷èòàòü ïðè íåîáõîäèìîñòè.
Îáîçíà÷àåò èíôîðìàöèþ î ïîëåçíûõ ñîâåòàõ; ÷èòàòü ïðè íåîáõîäèìîñòè.
Îáîçíà÷àåò èíôîðìàöèþ î ññûëêàõ; ÷èòàòü ïðè íåîáõîäèìîñòè.
Îáîçíà÷àåò èíôîðìàöèþ î òåðìèíàõ; ÷èòàòü ïðè íåîáõîäèìîñòè.
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* Â äàííîì ðóêîâîäñòâå ïðèâåäåíû ïðèìåðû ýêðàíîâ äèñïëåÿ. Îäíàêî, â êîíêðåòíûé èíñòðóìåíò ìîæåò áûòü
óñòàíîâëåíà äðóãàÿ âåðñèÿ îïåðàöèîííîé ñèñòåìû (íàïðèìåð, ñîäåðæàùàÿ íîâûå çâóêè). Ïîýòîìó èíôîðìàöèÿ íà äèñïëåå ìîæåò íå âñåãäà ñîâïàäàòü ñ òîé, êîòîðàÿ ïðåäñòàâëåíà â äàííîì ðóêîâîäñòâå.
201a
Ïðåæäå ÷åì ïðèñòóïèòü ê ðàáîòå âíèìàòåëüíî îçíàêîìüòåñü ñ èíôîðìàöèåé, ïðèâåäåííîé íà ñòðàíèöàõ 3 – 7. Òàì ñîäåðæàòñÿ âàæíûå ñâåäåíèÿ, êàñàþùèåñÿ ïðàâèëüíîé ýêñïëóàòàöèè óñòðîéñòâà. Äëÿ òîãî ÷òîáû ìàêñèìàëüíî ýôôåêòèâíî èñïîëüçîâàòü âñå ôóíêöèîíàëüíûå âîçìîæíîñòè ïðèáîðà, âíèìàòåëüíî ïðî÷òèòå äàííîå ðóêîâîäñòâî öåëèêîì. Ñîõðàíèòå ðóêîâîäñòâî, îíî ìîæåò
ïðèãîäèòüñÿ â äàëüíåéøåì.
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Copyright © 2009 ROLAND CORPORATION
Âñå ïðàâà çàùèùåíû. Âîñïðîèçâåäåíèå äàííîãî ìàòåðèàëà, ïîëíîå èëè ÷àñòè÷íîå, áåç ïèñüìåííîãî ðàçðåøåíèÿ êîðïîðàöèè
ROLAND çàïðåùåíî.
Òåõíèêà áåçîïàñíîñòè
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Íå âñêðûâàéòå ïðèáîð è íå ïðîèçâîäèòå ñàìîñòîÿòåëüíî êàêèå-ëèáî ìîäèôèêàöèè âíóòðè íåãî èëè
ñåòåâîãî àäàïòåðà.
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Íå ïðîèçâîäèòå ñàìîñòîÿòåëüíî ðåìîíò ïðèáîðà
è íå çàìåíÿéòå äåòàëè âíóòðè íåãî (çà èñêëþ÷åíèåì ñëó÷àåâ, îïèñàííûõ â ðóêîâîäñòâå). Çà îáñëóæèâàíèåì îáðàùàéòåñü â ñåðâèñíûé öåíòð èëè ê
îôèöèàëüíîìó äèñòðèáüþòîðó Roland.
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• âëàæíîñòè (â âàííûõ êîìíàòàõ, ïðà÷å÷íûõ, íà
ìîêðîì ïîëó);
• çàäûìëåííîñòè;
Íå ïåðåêðó÷èâàéòå è íå òÿíèòå ñëèøêîì ñèëüíî
øíóð ýëåêòðîïèòàíèÿ, íå ñòàâüòå íà íåãî òÿæåëûå
ïðåäìåòû.  ïðîòèâíîì ñëó÷àå ìîæíî ïîâðåäèòü
åãî è óñòðîèòü êîðîòêîå çàìûêàíèå. Ïîâðåæäåííûé øíóð ýëåêòðîïèòàíèÿ ìîæåò ñòàòü èñòî÷íèêîì
ïîæàðà èëè ïîðàæåíèÿ ýëåêòðîòîêîì!
• ñ âûñîêèì óðîâíåì èñïàðåíèé;
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• ñûðîñòè;
010
• ãäå îí ìîæåò ïîïàñòü äîæäü;
•
• çàïûëåííîñòè;
• ñ âûñîêèì óðîâíåì âèáðàöèè.
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Ïðèáîð âñåãäà äîëæåí óñòàíàâëèâàòüñÿ òîëüêî â
ðýê èëè íà ñòîéêó, ðåêîìåíäîâàííûå Roland.
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006
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Ïðè èñïîëüçîâàíèè ïðèáîðà ñ ðýêîì èëè ñòîéêîé,
ðåêîìåíäîâàííûìè Roland, äàííûå ïðèñïîñîáëåíèÿ äîëæíû îáåñïå÷èâàòü ñòàáèëüíîñòü èíñòðóìåíòà. Íå óñòàíàâëèâàéòå åãî íà øàòàþùèåñÿ
ñòîéêè èëè íà íàêëîííûå ïîâåðõíîñòè, íå îáåñïå÷èâàþùèå óñòîé÷èâîå ðàçìåùåíèå ïðèáîðà.
Äàííûé ïðèáîð, ïî îòäåëüíîñòè èëè â êîìáèíàöèè
ñ óñèëèòåëåì è íàóøíèêàìè èëè äèíàìèêàìè, ìîæåò ïðîèçâîäèòü çâóê òàêîãî óðîâíÿ ãðîìêîñòè,
êîòîðûé ñïîñîáåí ïðèâåñòè ê äëèòåëüíîé ïîòåðå
ñëóõà. Íå èãðàéòå äîëãî ñ âûñîêèì èëè äèñêîìôîðòíûì óðîâíåì ãðîìêîñòè. Åñëè íàáëþäàåòñÿ ñíèæåíèå ñëóõà èëè ïîÿâèëñÿ çâîí â óøàõ,
íåìåäëåííî âûêëþ÷èòå àïïàðàòóðó, à çàòåì ïðîêîíñóëüòèðóéòåñü ñ âðà÷îì.
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Ïîëüçóéòåñü òîëüêî âõîäÿùèì â êîìïëåêò ñåòåâûì
êàáåëåì. Òàêæå íå èñïîëüçóéòå ýòîò êàáåëü ñ äðóãèì îáîðóäîâàíèåì.
Íå õðàíèòå è íå èñïîëüçóéòå ïðèáîð â óñëîâèÿõ:
• ýêñòðåìàëüíûõ òåìïåðàòóð (íà ïðÿìîì ñîëíå÷íîì ñâåòå, â çàêðûòîì àâòîìîáèëå, âáëèçè îòîïèòåëüíûõ ïðèáîðîâ, íåïîñðåäñòâåííî íà
ãåíåðèðóþùåì òåïëî îáîðóäîâàíèè è ò.ï.);
•
Èñïîëüçóéòå òîëüêî ïðèëàãàåìûé ê ïðèáîðó ñåòåâîé àäàïòåð. Òàêæå óáåäèòåñü â ñîîòâåòñòâèè ñåòåâîãî íàïðÿæåíèÿ ìàðêèðîâêå íà êîðïóñå àäàïòåðà. Áëîêè ïèòàíèÿ äðóãèõ òèïîâ ìîãóò èìåòü îòëè÷íóþ ïîëÿðíîñòü èëè áûòü ðàññ÷èòàíû íà äðóãîå
íàïðÿæåíèå, ïîýòîìó èõ ïðèìåíåíèå ìîæåò èñïîðòèòü ïðèáîð èëè ïðèâåñòè ê ïîðàæåíèþ ýëåêòðîòîêîì.
Íå äîïóñêàéòå ïîïàäàíèÿ â ïðèáîð íèêàêèõ ïîñòîðîííèõ ïðåäìåòîâ (òàêèõ êàê æèäêîñòè, ìîíåòû,
âèíòû è ò.ï.).
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Òåõíèêà áåçîïàñíîñòè
012b
101b
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Íåìåäëåííî îòêëþ÷èòå ïðèáîð, âûíüòå ñåòåâîé
àäàïòåð èç ðîçåòêè è îáðàòèòåñü ïî ìåñòó ïðèîáðåòåíèÿ àïïàðàòóðû, â áëèæàéøèé ñåðâèñíûé
öåíòð èëè ê óïîëíîìî÷åííîìó äèñòðèáüþòîðó
Roland, åñëè:
•
• Ïîâðåæäåí ñåòåâîé àäàïòåð, øíóð èëè øòåïñåëü ýëåêòðîïèòàíèÿ;
•
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• Ïîÿâèëñÿ äûì èëè íåîáû÷íûé çàïàõ;
• Âíóòðü ïðèáîðà ïîïàëè ïîñòîðîííèå ïðåäìåòû èëè ïðîëèòà æèäêîñòü;
• Ïðèáîð ïîïàë ïîä äîæäü (èëè íàìîê ïî èíîé
ïðè÷èíå);
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Òàì, ãäå åñòü ìàëåíüêèå äåòè, âçðîñëûå äîëæíû
íàáëþäàòü çà íèìè äî òåõ ïîð, ïîêà ðåáåíîê íå áóäåò â ñîñòîÿíèè ñîáëþäàòü âñå ïðàâèëà, íåîáõîäèìûå äëÿ áåçîïàñíîé ýêñïëóàòàöèè ïðèáîðà.
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Ïåðåä èñïîëüçîâàíèåì ïðèáîðà âíèìàòåëüíî ïðî÷òèòå âñå ïðèëàãàåìûå ê íåìó èíñòðóêöèè.
Èìåéòå â âèäó, ÷òî â çàâèñèìîñòè îò ýêñïðåññèâíîñòè èñïîëíåíèÿ âîçìîæíî îïðîêèäûâàíèå èíñòðóìåíòà èëè ñòîéêè äàæå ïðè âûïîëíåíèè âñåõ
èçëîæåííûõ â ðóêîâîäñòâå ïîëüçîâàòåëÿ èíñòðóêöèé. Ïîýòîìó ïðè êàæäîì èñïîëüçîâàíèè ñòîéêè
óáåæäàéòåñü â óñòîé÷èâîñòè èíñòðóìåíòà è ñòîéêè.
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102c
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014
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Äëÿ èñïîëüçîâàíèÿ ñ äàííûì èíñòðóìåíòîì ïðåäíàçíà÷åíà ñòîéêà Roland KS-8/12. Èñïîëüçîâàíèå
äðóãèõ ñòîåê ìîæåò ïðèâåñòè ê íåãàòèâíûì ïîñëåäñòâèÿì.
101f
• Ïðèáîð íå ðàáîòàåò â íîðìàëüíîì ðåæèìå,
èëè â åãî ðàáîòå îáíàðóæèëèñü ñóùåñòâåííûå
èçìåíåíèÿ.
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Ðàçìåùàéòå îáîðóäîâàíèå è ñåòåâîé àäàïòåð òàê,
÷òîáû îáåñïå÷èòü õîðîøóþ âåíòèëÿöèþ.
Ïðè âêëþ÷åíèè/âûêëþ÷åíèè ïèòàíèÿ äåðæèòåñü
íå çà êàáåëü, à çà âèëêó.
Îáåðåãàéòå ïðèáîð îò ñèëüíûõ óäàðîâ
(íå ðîíÿéòå åãî!).
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103b
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015
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Íå âêëþ÷àéòå ñåòåâîé øíóð â ðîçåòêó, ê êîòîðîé
óæå ïîäêëþ÷åíî ñëèøêîì ìíîãî äðóãèõ ýëåêòðîïðèáîðîâ. Áóäüòå îñîáåííî âíèìàòåëüíû ïðè èñïîëüçîâàíèè óäëèíèòåëåé – ñîâîêóïíàÿ ìîùíîñòü
ýëåêòðîïðèáîðîâ, ïîäêëþ÷àåìûõ ê óäëèíèòåëþ
(Âò/À), íå äîëæíà áûòü âûøå ïðåäåëüíî äîïóñòèìîé äëÿ äàííîãî óäëèíèòåëÿ. Èçáûòî÷íàÿ íàãðóçêà
ìîæåò ïðèâåñòè ê ïåðåãðåâó è äàæå ðàñïëàâëåíèþ
èçîëÿöèè øíóðà ýëåêòðîïèòàíèÿ.
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Ïðè ýêñïëóàòàöèè ïðèáîðà â ñòðàíå, îòëè÷íîé îò
ñòðàíû-ïðîèçâîäèòåëÿ, ïðîêîíñóëüòèðóéòåñü ñ
ïðîäàâöîì, áëèæàéøèìè ñåðâèñíûì öåíòðîì
êîìïàíèè èëè àâòîðèçîâàííûì äèëåðîì Roland.
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Íå ïåðåãèáàéòå øíóðû è êàáåëè. Êðîìå òîãî, âñå
øíóðû è êàáåëè äîëæíû áûòü ðàçìåùåíû â íåäîñòóïíîì äëÿ äåòåé ìåñòå.
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Íåîáõîäèìî ðåãóëÿðíî âûêëþ÷àòü ñåòåâîé àäàïòåð èç ðîçåòêè è ïðîòèðàòü åãî ìÿãêîé ñàëôåòêîé,
÷òîáû óäàëèòü ñ êîíòàêòîâ âñå çàãðÿçíåíèÿ. Òàêæå
ñëåäóåò âûêëþ÷àòü øòåïñåëü èç ñåòåâîé ðîçåòêè,
åñëè àïïàðàòóðà äëèòåëüíîå âðåìÿ íå èñïîëüçóåòñÿ. Ëþáîå ïîïàäàíèå ãðÿçè ìåæäó øòåïñåëåì è ðîçåòêîé ìîæåò íàðóøèòü èçîëÿöèþ è ïðèâåñòè ê
âîçãîðàíèþ.
Íå ñàäèòåñü íà ïðèáîð è íå êëàäèòå íà íåãî òÿæåëûå ïðåäìåòû.
Áàòàðåè íåëüçÿ íàãðåâàòü, çàêîðà÷èâàòü, áðîñàòü â
îãîíü èëè â âîäó.
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107c
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Íèêîãäà íå âêëþ÷àéòå ñåòåâîé àäàïòåð è íå âûêëþ÷àéòå åãî èç ðîçåòêè âëàæíûìè ðóêàìè.
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ÍÅ âîñïðîèçâîäèòå ïðèëàãàåìûé äèñê CD-ROM íà
áûòîâîì CD-ïðîèãðûâàòåëå. Âûñîêèé óðîâåíü âîñïðîèçâåäåíèÿ ìîæåò ïîâðåäèòü ñëóõ, âûâåñòè èç
ñòðîÿ äèíàìèêè èëè äðóãèå ÷àñòè àóäèîñèñòåìû.
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Íå îñòàâëÿéòå áàòàðåè Ni-MH íà ïðÿìîì ñîëíå÷íîì ñâåòå, âáëèçè èñòî÷íèêîâ òåïëà, îãíÿ è ò. ä.
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108b
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Ïðè ïåðåìåùåíèè óñòðîéñòâà îòñîåäèíèòå ñåòåâîé àäàïòåð è âñå êàáåëè, êîììóòèðóþùèå ïðèáîð
ñ âíåøíèì îáîðóäîâàíèåì.
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Òåõíèêà áåçîïàñíîñòè
109b
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Ïåðåä ÷èñòêîé ïðèáîðà âûêëþ÷èòå åãî è îòêëþ÷èòå ñåòåâîé àäàïòåð îò ðîçåòêè (ñòð. 17).
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Ïðè ïðèáëèæåíèè ãðîçû îòêëþ÷èòå ñåòåâîé àäàïòåð îò ðîçåòêè.
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Ïðè íåêîððåêòíîì èñïîëüçîâàíèè áàòàðåè ìîãóò
ïðîòå÷ü èëè âçîðâàòüñÿ. Ýòî ìîæåò ïðèâåñòè ê
ïîâðåæäåíèþ ïðèáîðà èëè ê òðàâìå. Â öåëÿõ áåçîïàñíîñòè ïðî÷òèòå è ñîáëþäàéòå ñëåäóþùèå ìåðû
ïðåäîñòîðîæíîñòè (ñòð. 17).
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• Ñëåäóéòå èíñòðóêöèÿì ïî óñòàíîâêå áàòàðåé.
Ñîáëþäàéòå ïîëÿðíîñòü.
2
• Ïî âîçìîæíîñòè íå èñïîëüçóéòå íîâûå áàòàðåè
âìåñòå ñî ñòàðûìè è íå óñòàíàâëèâàéòå áàòàðåè ðàçëè÷íûõ òèïîâ.
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• Åñëè íå ïëàíèðóåòñÿ èñïîëüçîâàòü óñòðîéñòâî
â òå÷åíèå äëèòåëüíîãî âðåìåíè, ñîõðàíèòå
âàæíûå äàííûå íà íàêîïèòåëü USB, à çàòåì èçâëåêèòå áàòàðåè.
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• Åñëè áàòàðåÿ ïðîòåêëà, óäàëèòå çàãðÿçíåíèå èç
îòñåêà áàòàðåé áóìàæíûì ïîëîòåíöåì èëè ìÿãêîé òêàíüþ. Çàòåì óñòàíîâèòå íîâûå áàòàðåè.
×òîáû èçáåæàòü îæîãà, óáåäèòåñü, ÷òî ñîäåðæèìîå ïðîòåêøåé áàòàðåè íå ïîïàëî íà ðóêè èëè
êîæó. Áóäüòå îñîáåííî îñòîðîæíû, ÷òîáû ñîäåðæèìîå áàòàðåè íå ïîïàëî â ãëàçà èëè â îáëàñòü âîêðóã íèõ. Åñëè ýòî ïðîèçîøëî,
íåìåäëåííî ïðîìîéòå ãëàçà áîëüøèì êîëè÷åñòâîì ïðîòî÷íîé âîäû.
6
• Íå õðàíèòå áàòàðåè âìåñòå ñ ìåòàëëè÷åñêèìè
îáúåêòàìè, òàêèìè êàê øàðèêîâûå ðó÷êè,
øïèëüêè, áóëàâêè è ò. ï.
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Èñïîëüçîâàííûå áàòàðåè íåîáõîäèìî óòèëèçèðîâàòü â ñîîòâåòñòâèè ñî ñòàíäàðòàìè áåçîïàñíîñòè,
ïðèíÿòûìè â âàøåì ðåãèîíå.
..................................................................................................................................
118c
•
Õðàíèòå âñå ìåëêèå äåòàëè, âõîäÿùèå â êîìïëåêò
ïîñòàâêè, âíå çîíû äîñÿãàåìîñòè äåòåé, ÷òîáû îíè
ñëó÷àéíî íå ïðîãëîòèëè èõ.
..................................................................................................................................
5
Âàæíûå çàìå÷àíèÿ
Ïèòàíèå: èñïîëüçîâàíèå áàòàðåé
Óõîä
301
401a
•
Íå ïîäêëþ÷àéòå óñòðîéñòâî ê èñòî÷íèêó ýëåêòðîïèòàíèÿ, ê êîòîðîìó óæå ïîäêëþ÷åíû ýëåêòðîïðèáîðû ñ ïðåîáðàçîâàòåëåì íàïðÿæåíèÿ (õîëîäèëüíèê, ñòèðàëüíàÿ ìàøèíà, ìèêðîâîëíîâàÿ
ïå÷ü èëè êîíäèöèîíåð), à òàêæå ñíàáæåííûå ìîòîðîì. Ñåòåâàÿ
íàâîäêà, ñîçäàâàåìàÿ òàêèìè ýëåêòðîïðèáîðàìè, ìîæåò âûçâàòü
ñáîè â ðàáîòå àïïàðàòóðû è ïîñëóæèòü ïðè÷èíîé øóìîâûõ ïîìåõ. Åñëè îòäåëüíóþ ñåòåâóþ ðîçåòêó èñïîëüçîâàòü íåâîçìîæíî,
òî ìåæäó ýëåêòðîïðèáîðîì è àïïàðàòóðîé íåîáõîäèìî ïîäêëþ÷èòü ôèëüòð ïîäàâëåíèÿ ñåòåâûõ íàâîäîê.
302
•
×åðåç íåñêîëüêî ÷àñîâ ðàáîòû ïðèáîðà ñåòåâîé àäàïòåð íàãðåâàåòñÿ è íà÷èíàåò èçëó÷àòü òåïëî. Ýòî — øòàòíàÿ ñèòóàöèÿ.
•
402
•
452
•
Ïîñêîëüêó ïîòðåáëåíèå ýëåêòðîýíåðãèè ïðè ðàáîòå ïðèáîðà äîñòàòî÷íî âåëèêî, ðåêîìåíäóåòñÿ èñïîëüçîâàòü ñåòåâîé àäàïòåð.
Ïðè ïèòàíèè îò áàòàðåé èñïîëüçóéòå àêêóìóëÿòîðû Ni-MH.
304a
•
Èñïîëüçîâàíèå áåíçèíà, ðàñòâîðèòåëÿ èëè àëêîãîëÿ çàïðåùàåòñÿ. Ýòî ìîæåò ïðèâåñòè ê èçìåíåíèþ öâåòà è/èëè äåôîðìàöèè
êîðïóñà ïðèáîðà.
Ðåìîíò è äàííûå
303a
•
Äëÿ ÷èñòêè ïðèáîðà èñïîëüçóéòå ìÿãêóþ ÷èñòóþ òêàíü èëè àíàëîãè÷íûé ìàòåðèàë, ñëåãêà ñìî÷åííûé âîäîé. Äëÿ óäàëåíèÿ ãðÿçè
èñïîëüçóéòå òêàíü, ñìî÷åííóþ ñëàáûì íåàáðàçèâíûì ìîþùèì
ñðåäñòâîì. Çàòåì ïðîòèðàéòå ïðèáîð ìÿãêîé ñóõîé òêàíüþ.
Âî âðåìÿ óñòàíîâêè èëè çàìåíû áàòàðåé âñåãäà âûêëþ÷àéòå ïèòàíèå ïðèáîðà è îòñîåäèíÿéòå îò íåãî âñå îñòàëüíûå ïîäêëþ÷åííûå óñòðîéñòâà. Ýòî ïîçâîëèò èçáåæàòü ïîâðåæäåíèÿ äèíàìèêîâ
è äðóãèõ óñòðîéñòâ.
Ïîìíèòå î òîì, ÷òî ïðè îòïðàâêå ïðèáîðà â ðåìîíò äàííûå åãî
âíóòðåííåé ïàìÿòè ìîãóò áûòü ïîòåðÿíû. Ïîýòîìó ïðåäâàðèòåëüíî èõ íåîáõîäèìî ñîõðàíèòü íà óñòðîéñòâî USB, ëèáî ïåðåïèñàòü
íà áóìàãó (ïðè âîçìîæíîñòè). Âî âðåìÿ ðåìîíòà èíñòðóìåíòà
îñîáîå âíèìàíèå óäåëÿåòñÿ ñîõðàííîñòè äàííûõ âíóòðåííåé ïàìÿòè. Îäíàêî âñòðå÷àþòñÿ ñèòóàöèè (íàïðèìåð, âûõîä èç ñòðîÿ
ñõåì ïàìÿòè), â êîòîðûõ ýòîãî äîáèòüñÿ íåâîçìîæíî. Êîìïàíèÿ
Roland îòâåòñòâåííîñòè çà ñîõðàííîñòü äàííûõ âíóòðåííåé ïàìÿòè ïðèáîðà íå íåñåò.
307
•
Äî ïîäêëþ÷åíèÿ ïðèáîðà ê äðóãèì óñòðîéñòâàì, îòêëþ÷èòå ýëåêòðîïèòàíèå âñåé àïïàðàòóðû. Ýòî ïîçâîëèò èçáåæàòü ïîâðåæäåíèÿ äèíàìèêîâ èëè äðóãèõ óñòðîéñòâ.
Ìåðû ïðåäîñòîðîæíîñòè
551
•
Add
•
Ïðè ðàáîòå îò áàòàðåé îòêëþ÷àéòå îò ïðèáîðà ñåòåâîé àäàïòåð.
Add
•
Êîãäà áàòàðåè óñòàíîâëåíû, ïîäêëþ÷åíèå/îòêëþ÷åíèå ñåòåâîãî
øíóðà èëè êàáåëÿ ïèòàíèÿ ñåòåâîãî àäàïòåðà ïðè âêëþ÷åííîì
ïèòàíèè âûçîâåò åãî îòêëþ÷åíèå. Ïåðåä âûïîëíåíèåì äåéñòâèé
òàêîãî ðîäà íåîáõîäèìî îòêëþ÷àòü ïèòàíèå ïðèáîðà.
552
•
Ðàçìåùåíèå
351
•
•
Ïðèáîð ìîæåò ÿâëÿòüñÿ èñòî÷íèêîì ïîìåõ äëÿ òåëå- è ðàäèîïðèåìíèêîâ. Íå óñòàíàâëèâàéòå åãî âáëèçè îò òàêîãî îáîðóäîâàíèÿ.
•
Åñëè âáëèçè îò ïðèáîðà èñïîëüçóþòñÿ áåñïðîâîäíûå ñðåäñòâà
ñâÿçè (íàïðèìåð, ìîáèëüíûå òåëåôîíû), òî ïðè âõîäÿùåì èëè èñõîäÿùåì ñèãíàëå, à òàêæå âî âðåìÿ ðàçãîâîðà ìîæåò ïîÿâèòüñÿ
øóì. Ïðè âîçíèêíîâåíèè ïîäîáíûõ ïðîáëåì íåîáõîäèìî ïåðåíåñòè òàêèå óñòðîéñòâà ïîäàëüøå îò ïðèáîðà èëè âûêëþ÷èòü èõ.
354a
•
Íå ðàçìåùàéòå ïðèáîð íà ïðÿìûõ ñîëíå÷íûõ ëó÷àõ, îêîëî èñòî÷íèêîâ òåïëà, âíóòðè çàêðûòîãî àâòîìîáèëÿ è íå ïîäâåðãàéòå âîçäåéñòâèþ ïåðåïàäîâ òåìïåðàòóðû. Èíà÷å ïðèáîð ìîæåò
äåôîðìèðîâàòüñÿ èëè èçìåíèòü ñâîé öâåò.
355b
•
Ïðè ïåðåìåùåíèè ïðèáîðà èç îäíîãî ìåñòà â äðóãîå, åñëè â íèõ
íàáëþäàåòñÿ çíà÷èòåëüíûé ïåðåïàä òåìïåðàòóðû è/èëè âëàæíîñòè, âíóòðè ìîãóò îáðàçîâàòüñÿ êàïëè âîäû (êîíäåíñàò). Åñëè
èñïîëüçîâàòü ïðèáîð â òàêîì ñîñòîÿíèè, ìîæåò âîçíèêíóòü íåèñïðàâíîñòü èëè ñáîè â ðàáîòå. Ïîýòîìó, ïðåæäå ÷åì ïðèñòóïèòü ê
ýêñïëóàòàöèè àïïàðàòóðû, íåîáõîäèìî ïîäîæäàòü íåñêîëüêî ÷àñîâ, ÷òîáû êîíäåíñàò âûñîõ.
•
•
6
 çàâèñèìîñòè îò ìàòåðèàëà è òåìïåðàòóðû ïîâåðõíîñòè, íà êîòîðîé ñòîèò ïðèáîð, åãî ðåçèíîâûå íîæêè ìîãóò èçìåíèòü öâåò
èëè èñïîðòèòü ïîâåðõíîñòü. ×òîáû èçáåæàòü ýòîãî, ìîæíî ïîìåñòèòü ïîä íîæêè êóñîê âîéëîêà èëè òêàíè. Ïðè ýòîì ñëåäèòå, ÷òîáû ïðèáîð ñëó÷àéíî íå ñîñêîëüçíóë ñ ïîâåðõíîñòè.
Ïðè ïîäñîåäèíåíèè/îòñîåäèíåíèè øíóðîâ è êàáåëåé íèêîãäà íå
òÿíèòå çà øíóð. Äåðæèòå òîëüêî ñàì ðàçúåì, ÷òîáû íå ïîâðåäèòü
âíóòðåííèå ýëåìåíòû êàáåëÿ.
558a
•
×òîáû íå áåñïîêîèòü ñîñåäåé, ïîñòàðàéòåñü ðàçóìíî óñòàíàâëèâàòü óðîâåíü ãðîìêîñòè. À ÷òîáû íå äóìàòü îá ýòîì âîâñå (îñîáåííî íî÷üþ), ëó÷øå èñïîëüçîâàòü íàóøíèêè.
559a
•
Ïðè òðàíñïîðòèðîâêå ïðèáîðà èñïîëüçóéòå îðèãèíàëüíóþ óïàêîâêó èëè àíàëîãè÷íûå ìàòåðèàëû.
561
•
Èñïîëüçóéòå òîëüêî ðåêîìåíäóåìóþ ïåäàëü ýêñïðåññèè (EV-5;
ïðèîáðåòàþòñÿ îòäåëüíî). Ïîäêëþ÷åíèå ïåäàëåé äðóãèõ òèïîâ
ìîæåò ïîâðåäèòü ïðèáîð.
562
•
Íåêîòîðûå êîììóòàöèîííûå êàáåëè ñîäåðæàò ðåçèñòîðû. Ñ äàííîé àïïàðàòóðîé èõ èñïîëüçîâàòü íåëüçÿ. Ýòî ìîæåò ïðèâåñòè ê
òîìó, ÷òî óðîâåíü çâóêà áóäåò ëèáî ÷ðåçâû÷àéíî íèçêèì, ëèáî
åãî íåâîçìîæíî áóäåò ñëóøàòü. Çà èíôîðìàöèåé î õàðàêòåðèñòèêàõ ñîåäèíèòåëüíûõ êàáåëåé îáðàùàéòåñü ê èõ ïðîèçâîäèòåëÿì.
566a
•
Íå îñòàâëÿéòå íèêàêèõ îáúåêòîâ íà êëàâèàòóðå èíñòðóìåíòà. Â
ïðîòèâíîì ñëó÷àå îíà ìîæåò âûéòè èç ñòðîÿ.
360
Íå óäàðÿéòå ïî äèñïëåþ è íå íàæèìàéòå íà íåãî.
556
358
•
Ïîæàëóéñòà, îáðàùàéòåñü àêêóðàòíî ñ êíîïêàìè, ñëàéäåðàìè è
äðóãèìè êîíòðîëëåðàìè. Íåàêêóðàòíîå îáðàùåíèå ìîæåò ïðèâåñòè ê ïîâðåæäåíèþ àïïàðàòóðû.
554
352b
•
Âîçìîæíû ñèòóàöèè, â êîòîðûõ âîññòàíîâèòü äàííûå âíóòðåííåé ïàìÿòè èíñòðóìåíòà èëè óñòðîéñòâà USB íå ïðåäñòàâëÿåòñÿ
âîçìîæíûì. Êîìïàíèÿ Roland îòâåòñòâåííîñòè çà ñîõðàííîñòü
äàííûõ íå íåñåò.
553
Ïðè èñïîëüçîâàíèè àïïàðàòóðû ðÿäîì ñ ìîùíûìè óñèëèòåëÿìè
(èëè îáîðóäîâàíèåì, ñîäåðæàùèì êðóïíûå òðàíñôîðìàòîðû),
ìîãóò âîçíèêíóòü íàâîäêè. ×òîáû ðàçðåøèòü ýòó ïðîáëåìó, èçìåíèòå ïðîñòðàíñòâåííóþ îðèåíòàöèþ àïïàðàòóðû èëè óäàëèòå åå
îò èñòî÷íèêà ïîìåõ.
352a
•
Ïîìíèòå, ÷òî â ðåçóëüòàòå ïîëîìêè èëè íåñîáëþäåíèÿ ïðàâèë
ýêñïëóàòàöèè ïðèáîðà ñîäåðæèìîå ïàìÿòè ìîæåò áûòü áåçâîçâðàòíî ïîòåðÿíî. Äëÿ òîãî ÷òîáû ñíèçèòü ðèñê ïîòåðè äàííûõ, ðåêîìåíäóåòñÿ ïåðèîäè÷åñêè ñîõðàíÿòü ñîäåðæèìîå ïàìÿòè íà
óñòðîéñòâî USB.
Äèàïàçîí ðàáîòû êîíòðîëëåðà D Beam çíà÷èòåëüíî ñíèæàåòñÿ
ïðè èñïîëüçîâàíèè åãî ïîä ïðÿìûìè ñîëíå÷íûìè ëó÷àìè. Ïîæàëóéñòà, âîçäåðæèâàéòåñü îò ïðèìåíåíèÿ êîíòðîëëåðà D Beam
âíå ïîìåùåíèé.
566b
•
×óâñòâèòåëüíîñòü êîíòðîëëåðà D Beam çàâèñèò îò îñâåùåíèÿ â
çîíå ðàñïîëîæåíèÿ èíñòðóìåíòà. Åñëè êàæåòñÿ, ÷òî êîíòðîëëåð
ôóíêöèîíèðóåò íåêîððåêòíî, îòðåãóëèðóéòå åãî ÷óâñòâèòåëüíîñòü â ñîîòâåòñòâèè ñ óðîâíåì îêðóæàþùåãî îñâåùåíèÿ.
Âàæíûå çàìå÷àíèÿ
Èñïîëüçîâàíèå USB-íàêîïèòåëåé
204
704
* Microsoft è Windows ÿâëÿþòñÿ çàðåãèñòðèðîâàííûìè òîðãîâûìè
ìàðêàìè êîðïîðàöèè Microsoft.
•
Àêêóðàòíî óñòàíàâëèâàéòå USB-íàêîïèòåëü, ïîêà îí íå âñòàíåò
òî÷íî â ñëîò.
705
•
Íå ïðèêàñàéòåñü ê êîíòàêòàì USB-íàêîïèòåëÿ. Èçáåãàéòå çàãðÿçíåíèÿ êîíòàêòîâ.
* Îôèöèàëüíûì íàçâàíèåì Windows® ÿâëÿåòñÿ "Îïåðàöèîííàÿ ñèñòåìà Microsoft® Windows®”.
207
708
•
206j
USB-íàêîïèòåëü ñîáðàí ñ âûñîêîé òî÷íîñòüþ è òðåáóåò àêêóðàòíîãî îáðàùåíèÿ. Ñîáëþäàéòå ñëåäóþùèå ïðàâèëà:
* Apple è Macintosh ÿâëÿþòñÿ çàðåãèñòðèðîâàííûìè òîðãîâûìè
ìàðêàìè Apple Inc.
• ×òîáû èçáåæàòü ïîâðåæäåíèÿ íàêîïèòåëÿ ñòàòè÷åñêèì ýëåêòðè÷åñòâàì, ïðåæäå ÷åì âçÿòü åãî â ðóêè, ñíèìèòå çàðÿä ñ òåëà
è îäåæäû.
209
• Íå ïðèêàñàéòåñü ê êîíòàêòíîé ÷àñòè êàðòû è íå äîïóñêàéòå åå
ñîïðèêîñíîâåíèÿ ñ ìåòàëëè÷åñêèìè ïðåäìåòàìè.
* Âñå íàçâàíèÿ ïðîäóêöèè, óïîìèíàþùèåñÿ â ýòîì äîêóìåíòå, ÿâëÿþòñÿ òîðãîâûìè ìàðêàìè èëè çàðåãèñòðèðîâàííûìè òîðãîâûìè
ìàðêàìè ñîîòâåòñòâóþùèõ âëàäåëüöåâ.
• Íå ñãèáàéòå è íà áðîñàéòå íàêîïèòåëè, íå ïîäâåðãàéòå èõ âîçäåéñòâèþ ñèëüíûõ óäàðîâ èëè âèáðàöèè.
* Mac OS ÿâëÿåòñÿ òîðãîâîé ìàðêîé Apple Inc.
220
238
• Íå ïîäâåðãàéòå íàêîïèòåëè âîçäåéñòâèþ ïðÿìûõ ñîëíå÷íûõ
ëó÷åé, íå îñòàâëÿéòå â çàêðûòûõ àâòîìîáèëÿõ èëè äðóãèõ àíàëîãè÷íûõ ìåñòàõ (òåìïåðàòóðà õðàíåíèÿ îò - 25 äî 85° C).
* Òåõíîëîãèÿ êîäèðîâàíèÿ çâóêà MPEG Layer-3 ëèöåíçèðîâàíà
Fraunhofer IIS Corporation è THOMSON Multimedia Corporation.
• Èçáåãàéòå ïîïàäàíèÿ âëàãè íà íàêîïèòåëè.
Îáðàùåíèå ñ CD-ROM
* MatrixQuest™ 2009 TEPCO UQUEST, LTD. Âñå ïðàâà
çàùèùåíû.
USB-ôóíêöèîíàëüíîñòü èíñòðóìåíòà îñíîâàíà íà
òåõíîëîãèè MatrixQuest êîìïàíèè TEPCO UQUEST, LTD.
801
Add
• Íå ðàçáèðàéòå è íå ìîäèôèöèðóéòå íàêîïèòåëè.
•
Íå ïðèêàñàéòåñü è íå öàðàïàéòå ðàáî÷óþ ñòîðîíó (ïîâåðõíîñòü ñ
êîäèðîâàííûìè äàííûìè) äèñêà. Ïîâðåæäåííûé èëè çàãðÿçíåííûé äèñê áóäåò ðàáîòàòü ñî ñáîÿìè. ×èñòèòå äèñêè ñ ïîìîùüþ
ñïåöèàëüíûõ ñðåäñòâ.
Add
* MMP (Moore Microprocessor Portfolio) îáîçíà÷àåò ïîðòôîëèî ïàòåíòà ìèêðîïðîöåññîðíîé àðõèòåêòóðû, ðàçðàáîòàííîé Technology
Properties Limited (TPL). Êîìïàíèÿ Roland ïîëó÷èëà ëèöåíçèþ íà
äàííóþ òåõíîëîãèþ ó TPL Group.
7
Îñíîâíûå âîçìîæíîñòè
Ïðîôåññèîíàëüíûé ñèíòåçàòîð â ïîðòàòèâíîì èñïîëíåíèè
Ïðîôåññèîíàëüíûé ñèíòåçàòîð, ñîäåðæàùèé áîëåå 1000 òåìáðîâ èíñòðóìåíòîâ
• Áîëåå òûñÿ÷è òåìáðîâ èíñòðóìåíòîâ, âêëþ÷àÿ ôîðòåïèàíî, îðãàí, ñòðóííûå, äóõîâûå è çâóêè ñèíòåçà — âñå íåîáõîäèìîå äëÿ “æèâîé”
ðàáîòû.
Äîñòóïíûé èíòóèòèâíûé ïîëüçîâàòåëüñêèé èíòåðôåéñ
• Íåïîñðåäñòâåííûé äîñòóï ê çâóêàì ïîñðåäñòâîì êíîïîê òåìáðîâ.
• Âîçìîæíîñòü “ðàçäåëåíèÿ” êëàâèàòóðû, ïîçâîëÿþùàÿ, íàïðèìåð, èãðàòü òåìáðîì ðîÿëÿ ïðàâîé ðóêîé è òåìáðîì áàñà — ëåâîé; èëè “íàñëîåíèÿ” êëàâèàòóðû äëÿ íàëîæåíèÿ äâóõ òåìáðîâ, íàïðèìåð, ôîðòåïèàíî è ñòðóííûõ.
• Êðóïíûé äèñïëåé ñ ïîâûøåííîé ðàçáîð÷èâîñòüþ, èäåàëüíûé äëÿ ðàáîòû íà êîíöåðòå.
Ðàáîòà îò áàòàðåé, ïîâûøàþùàÿ ìîáèëüíîñòü ðàáîòû (ïîääåðæêà àêêóìóëÿòîðîâ Ni-MH ôîðìàòà AA)
• Ëåãêèé êîìïàêòíûé êîðïóñ, ïëþñ âîçìîæíîñòü ðàáîòû îò áàòàðåé.
• Âîçìîæíîñòü èñïîëüçîâàíèÿ JUNO-Di ñîâìåñòíî ñ áàòàðåéíûì óñèëèòåëåì äëÿ ðàáîòû íà óëèöå èëè íà êîíöåðòå.
Ïîääåðæêà âîñïðîèçâåäåíèÿ ôàéëîâ MP3, WAV, AIFF è SMF ñ îïöèîíàëüíîãî íàêîïèòåëÿ USB äëÿ óäîáñòâà èñïîëíåíèÿ ïîä àêêîìïàíåìåíò
• Âîñïðîèçâåäåíèå ôàéëîâ MP3, WAV, AIFF èëè SMF ñ íàêîïèòåëÿ USB — ïðåêðàñíàÿ âîçìîæíîñòü îðãàíèçîâàòü èñïîëíåíèå ïîä àêêîìïàíåìåíò íà êîíöåðòå.
• Ïðèëàãàåìàÿ ïðîãðàììà “Playlist Editor” (Win/Mac), ñ ôóíêöèåé ñîçäàíèÿ ñïèñêà ïüåñ äëÿ èõ âîñïðîèçâåäåíèÿ â îïðåäåëåííîì ïîðÿäêå.
Ìèêðîôîííûé âõîä ñ íåçàâèñèìûì áëîêîì ýôôåêòîâ ðåâåðáåðàöèè è âîêîäåðà
• Ìèêðîôîííûé âõîä — ýòî ïðåêðàñíàÿ ïîääåðæêà äëÿ ïîþùèõ èíñòðóìåíòàëèñòîâ. Áëàãîäàðÿ íàëè÷èþ áëîêà ýôôåêòîâ, ìîæíî îðãàíèçîâàòü íåçàâèñèìóþ îáðàáîòêó âîêàëà.
• Âñòðîåííûé ýôôåêò âîêîäåðà, ïðåäîñòàâëÿþùèé íåîãðàíè÷åííûå âîçìîæíîñòè äëÿ âûñòóïëåíèé.
Ïðèëàãàåìîå ïðîãðàììíîå îáåñïå÷åíèå ðåäàêöèè äëÿ ïëàòôîðì PC/Mac
• Áëàãîäàðÿ ïðèëàãàåìîé ïðîãðàììå “JUNO-Di Editor” ìîæíî îñóùåñòâëÿòü ðåäàêöèþ çâóêà, êàê è â ïðîôåññèîíàëüíûõ ñèíòåçàòîðàõ.
8
Ñîäåðæàíèå
Òåõíèêà áåçîïàñíîñòè.......................................................................................................................................................... 3
Âàæíûå çàìå÷àíèÿ ................................................................................................................................................................. 6
Îñíîâíûå âîçìîæíîñòè ...................................................................................................................................................... 8
Ââåäåíèå.............................................................................13
Îïèñàíèå ïàíåëåé......................................................................................14
Ëèöåâàÿ ïàíåëü........................................................................................................................................................14
Òûëüíàÿ ïàíåëü .......................................................................................................................................................16
Ïîäãîòîâêà ê ðàáîòå..................................................................................17
Ïîäêëþ÷åíèå ñåòåâîãî àäàïòåðà..................................................................................................................................17
Óñòàíîâêà áàòàðåé (îïöèîíàëüíûõ).............................................................................................................................17
Èçâëå÷åíèå áàòàðåé..............................................................................................................................................18
Âðåìÿ çàìåíû áàòàðåé (èíäèêàòîð BATTERY)............................................................................................18
Ïîäêëþ÷åíèå âíåøíåãî îáîðóäîâàíèÿ.....................................................................................................................18
Ïîäêëþ÷åíèå äèíàìèêîâ èëè íàóøíèêîâ ..................................................................................................18
Ïîäêëþ÷åíèå ïåäàëè ............................................................................................................................................19
Ïîäêëþ÷åíèå ìèêðîôîíà...................................................................................................................................19
Ïîäêëþ÷åíèå ïîðòàòèâíîãî àóäèîóñòðîéñòâà.........................................................................................19
Âêëþ÷åíèå/îòêëþ÷åíèå ïèòàíèÿ ..................................................................................................................................20
Îòêëþ÷åíèå ïèòàíèÿ.............................................................................................................................................20
Óñòàíîâêà óðîâíÿ ãðîìêîñòè (ðåãóëÿòîð [VOLUME]) ...........................................................................................20
Ðåãóëèðîâêà êîíòðàñòíîñòè äèñïëåÿ (ðåãóëÿòîð [LCD CONTRAST]) .............................................................20
Âêëþ÷åíèå/îòêëþ÷åíèå ïîäñâåòêè äèñïëåÿ ...........................................................................................................21
Èñïîëüçîâàíèå çàùèòíîãî êîæóõà USB-íàêîïèòåëÿ............................................................................................21
Ïðîñëóøèâàíèå äåìî-ïüåñ..............................................................................................................................................21
Ðàáîòà ñ èíñòðóìåíòîì ....................................................23
Èñïîëíåíèå áàëëàä....................................................................................24
Ïåäàëü — ðàçúåì HOLD PEDAL..................................................................................................................................... 24
Îáðàáîòêà ðåâåðáåðàöèåé — ðåãóëÿòîð [REVERB] ............................................................................................. 25
Âûáîð ïàò÷à ........................................................................................................................................................................... 25
Ïðîñëóøèâàíèå ïàò÷à — êíîïêà [PREVIEW]............................................................................................................ 25
Èãðà íà äæàçîâîì ýëåêòðîïèàíî ............................................................26
Îáðàáîòêà ýôôåêòîì ..........................................................................................................................................................27
Èãðà íà ðîê-îðãàíå ....................................................................................28
Ýôôåêò Rotary + ìîäóëÿöèÿ äæîéñòèêîì ................................................................................................................. 29
Äæîéñòèê âûñîòû òîíà/ìîäóëÿöèè............................................................................................................................. 29
Èñïîëíåíèå ïîï-ìóçûêè...........................................................................30
Íàñëîåíèå ïàò÷åé — êíîïêà [DUAL] .......................................................................................................................... 31
Èãðà íåñêîëüêèìè ïàò÷àìè — êíîïêà [PERFORM] ............................................................................................... 31
Èãðà â ñòèëå “ðèòì ýíä áëþç” ..................................................................32
Èñïîëíåíèå ðàçíûìè ïàò÷àìè — êíîïêà [SPLIT] ................................................................................................. 33
Ñìåíà òî÷êè ðàçäåëà êëàâèàòóðû................................................................................................................................ 33
Èçìåíåíèå âûñîòû ñòðîÿ ñ øàãîì â îêòàâó — êíîïêè OCTAVE [DOWN]/[UP] ......................................... 34
Âîñïðîèçâåäåíèå ïàòòåðíîâ óäàðíûõ — êíîïêà [RHYTHM PATTERN] ....................................................... 35
Ñìåíà ãðóïïû ïàòòåðíîâ óäàðíûõ .............................................................................................................................. 35
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Ñîäåðæàíèå
Èñïîëíåíèå â ñòèëå Bossa Nova ...............................................................36
Èãðà àêêîðäàìè âçÿòèåì îòäåëüíûõ íîò — êíîïêà [CHORD MEMORY] ..................................................... 37
Èñïîëíåíèå àðïåäæèî — êíîïêà [ARPEGGIO] ....................................................................................................... 37
Èñïîëíåíèå â ñòèëå “òåõíî” .....................................................................38
Ìîäèôèêàöèÿ ïàò÷à — ðåãóëÿòîðû [CUTOFF]/[RESONANCE].......................................................................... 39
Ìîäèôèêàöèÿ ïàò÷à — êîíòðîëëåð D Beam/êíîïêà [SOLO SYNTH] ............................................................ 39
Èãðà çâóêàìè óäàðíûõ ..............................................................................40
Èãðà ñèíòåçàòîðíûìè çâóêàìè ...............................................................41
Îáîãàùåíèå çâóêà — êíîïêà [SUPER LAYER]........................................................................................................... 41
Èñïîëíåíèå ïîä âîêàë...............................................................................42
Èñïîëüçîâàíèå âîêîäåðà ................................................................................................................................................ 42
Íàñòðîéêà âîêîäåðà .......................................................................................................................................................... 43
Ðàáîòà ñ ìèêðîôîíîì — ðåãóëÿòîð MIC IN [VOLUME]/êíîïêà [REVERB] .................................................... 43
Èçìåíåíèå âûñîòû òîíà ñ øàãîì â ïîëóòîí — êíîïêà [TRANSPOSE].......................................................... 44
Òðàíñïîíèðîâàíèå ............................................................................................................................................................. 44
Êîíöåðòíîå èñïîëíåíèå ...........................................................................45
Íàçíà÷åíèå è çàãðóçêà ëþáèìûõ çâóêîâ — êíîïêè FAVORITE [ON/OFF] è [BANK] ................................ 46
Ïåðåêëþ÷åíèå áàíêîâ ëþáèìûõ çâóêîâ................................................................................................................... 46
Âîñïðîèçâåäåíèå ïüåñ — êíîïêà [SONG LIST]....................................................................................................... 49
Âûáîð ïàò÷åé ïî èõ íîìåðó — êíîïêà [NUMERIC]............................................................................................... 49
Èñïîëüçîâàíèå àóäèîïëååðîâ...................................................................................................................................... 49
Ñîõðàíåíèå óñòàíîâîê — êíîïêà [WRITE] ..............................................52
Ñïðàâî÷íèê ........................................................................53
Îáçîð............................................................................................................54
Îðãàíèçàöèÿ JUNO-Di.........................................................................................................................................................54
Óñòàíîâêè êëàâèàòóðû äëÿ èñïîëíåíèÿ íà JUNO-Di ............................................................................................54
Íàáîðû óäàðíûõ......................................................................................................................................................55
Èñïîëüçîâàíèå ýôôåêòîâ ...................................................................................................................................55
Ïàìÿòü èíñòðóìåíòà..............................................................................................................................................56
Îñíîâû ðàáîòû ñ JUNO-Di.................................................................................................................................................57
Ôóíêöèè êíîïêè [SHIFT] .......................................................................................................................................57
Èçìåíåíèå çíà÷åíèé.............................................................................................................................................57
Ââîä ÷èñåë (êíîïêà [NUMERIC]) ........................................................................................................................57
Íàèìåíîâàíèå..........................................................................................................................................................58
Èçìåíåíèå òåìïà ....................................................................................................................................................58
Ãëàâíûé ýêðàí ..........................................................................................................................................................58
Äåòàëüíàÿ ðåäàêöèÿ ïàò÷åé.....................................................................59
Óñòàíîâêè ïàò÷à ....................................................................................................................................................................59
Ðåäàêöèÿ óñòàíîâîê ïàò÷à Volume, Portamento, Mono/Poly è Bend Range (Patch Edit) ..........59
Óñòàíîâêà ãðîìêîñòè íàáîðà óäàðíûõ (Rhythm Edit).............................................................................60
Óñòàíîâêà ãðîìêîñòè êàæäîé ïàðòèè â ðåæèìàõ Split, Dual è Super Layer (Part Edit) ..............60
Ðåäàêöèÿ ýôôåêòîâ (MFX/Chorus/Reverb) (Effect Edit) .........................................................................................61
Îïðåäåëåíèå ïåðâîãî çàãðóæàåìîãî ïàò÷à êàæäîé ãðóïïû ...........................................................................62
Ñîõðàíåíèå óñòàíîâîê.......................................................................................................................................................62
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Ñîäåðæàíèå
Ðàñøèðåííûå ôóíêöèè èñïîëíåíèÿ.......................................................63
Óïðàâëåíèå çâóêîì ñ ïîìîùüþ êîíòðîëëåðà D Beam ........................................................................................63
Óñòàíîâêè êîíòðîëëåðà D Beam ......................................................................................................................63
Ìîäèôèêàöèÿ çâóêà ðåãóëÿòîðàìè (SOUND MODIFY) .........................................................................................65
Óñòàíîâêè ðåæèìà Split......................................................................................................................................................66
Ñìåíà òî÷êè ðàçäåëà.............................................................................................................................................66
Íàçíà÷åíèå âûáðàííîãî ïàò÷à íà ïàðòèþ Lower ....................................................................................66
Ïåðåìåíà ìåñòàìè äâóõ ïàò÷åé â ðåæèìàõ Split/Dual ...........................................................................66
Îêòàâíûé ñäâèã (Octave Shift) .........................................................................................................................................67
Óñòàíîâêè àðïåäæèî...........................................................................................................................................................67
Óñòàíîâêè ïàìÿòè àêêîðäîâ ............................................................................................................................................69
“Ëþáèìûå” óñòàíîâêè.........................................................................................................................................................69
Ïðîñìîòð è óäàëåíèå ëþáèìûõ çâóêîâ........................................................................................................69
Óïðàâëåíèå èçîáðàæåíèÿìè îò êëàâèàòóðû (êíîïêà [V-LINK]) .......................................................................70
Ôóíêöèÿ V-LINK ........................................................................................................................................................70
Ïðèìåð êîììóòàöèè..............................................................................................................................................70
Âêëþ÷åíèå/îòêëþ÷åíèå V-LINK ........................................................................................................................70
Óñòàíîâêè V-LINK .....................................................................................................................................................70
Èñïîëüçîâàíèå ïëååðà ïüåñ.....................................................................71
Âîñïðîèçâåäåíèÿ ìóçûêàëüíûõ ôàéëîâ (SONG PLAYER) ...................................................................................71
Òèïû âîñïðîèçâîäèìûõ ôàéëîâ......................................................................................................................71
Âûáîð è âîñïðîèçâåäåíèå ïüåñ (êíîïêà [SONG LIST])...........................................................................72
Óêàçàòåëü âîñïðîèçâåäåíèÿ..............................................................................................................................72
Óñòàíîâêà ãðîìêîñòè ïëååðà ïüåñ ..................................................................................................................72
Èçìåíåíèå òåìïà ïüåñû (SMF)..........................................................................................................................72
Âûáîð è âîñïðîèçâåäåíèå ñïèñêà..................................................................................................................73
Èñïîëíåíèå ïîä ôîíîãðàììó (êíîïêà [C. CANCEL/MINUS ONE]) ......................................................73
Âîñïðîèçâåäåíèå ïàòòåðíîâ óäàðíûõ (êíîïêà [RHYTHM PATTERN])............................................................74
Âîñïðîèçâåäåíèå ïàòòåðíîâ óäàðíûõ..........................................................................................................74
Âûáîð ãðóïïû óäàðíûõ/íàáîðà óäàðíûõ ....................................................................................................74
Ãðîìêîñòü ïàòòåðíà óäàðíûõ ............................................................................................................................74
Îñòàëüíûå óñòàíîâêè ................................................................................75
Óñòàíîâêè, âîçäåéñòâóþùèå íà ðàáîòó âñåãî JUNO-Di (SYSTEM) ...................................................................75
Ïðîöåäóðà ðåäàêöèè ñèñòåìíûõ óñòàíîâîê ..............................................................................................75
Ñèñòåìíûå ïàðàìåòðû .........................................................................................................................................75
Ñîõðàíåíèå è èíèöèàëèçàöèÿ äàííûõ (UTILITY) ....................................................................................................77
Òèïû ñîõðàíÿåìûõ äàííûõ.................................................................................................................................77
Ñîõðàíåíèå äàííûõ íà íàêîïèòåëü USB (BACKUP)..................................................................................77
Çàãðóçêà ñîõðàíåííûõ äàííûõ ñ íàêîïèòåëÿ USB â JUNO-Di (RESTORE)........................................77
Âîññòàíîâëåíèå çàâîäñêèõ óñòàíîâîê (FACTORY RESET) ......................................................................78
Èíèöèàëèçàöèÿ íàêîïèòåëÿ USB (USB MEMORY FORMAT) ...................................................................78
Ïðîñëóøèâàíèå äåìî-ïüåñ (DEMO PLAY)..................................................................................................................79
Ïðîñìîòð âåðñèè ñèñòåìû (VERSION INFO) ..............................................................................................................79
Ïîäêëþ÷åíèå âíåøíåãî MIDI-îáîðóäîâàíèÿ .......................................80
Ïîíÿòèå MIDI...........................................................................................................................................................................80
Ðàçúåìû MIDI ............................................................................................................................................................80
MIDI-êàíàëû è ìóëüòèòåìáðàëüíûå òîí-ãåíåðàòîðû ..........................................................................................80
Èñïîëüçîâàíèå JUNO-Di â êà÷åñòâå ìàñòåð-êëàâèàòóðû (Ðåæèì MIDI Controller)..................................81
Óñòàíîâêà êàíàëà ïåðåäà÷è ...............................................................................................................................81
Óñòàíîâêè ðåæèìà MIDI Controller ..................................................................................................................81
Èñïîëüçîâàíèå JUNO-Di â êà÷åñòâå çâóêîâîãî ìîäóëÿ MIDI............................................................................82
Óïðàâëåíèå JUNO-Di îò âíåøíåãî MIDI-óñòðîéñòâà.............................................................................................82
Óñòàíîâêà êàíàëà ïðèåìà....................................................................................................................................82
Ñêâîçíàÿ ïåðåäà÷à äàííûõ ................................................................................................................................83
11
Ñîäåðæàíèå
Îáìåí MIDI-ñîîáùåíèÿìè ñ êîìïüþòåðîì..............................................................................................................83
Óñòàíîâêà äðàéâåðà USB .....................................................................................................................................84
Âûáîð äðàéâåðà USB .............................................................................................................................................84
Ïîäêëþ÷åíèå JUNO-Di ê êîìïüþòåðó............................................................................................................84
Èñïîëüçîâàíèå ïðîãðàìì JUNO-Di Editor/Librarian/ Playlist Editor ...............................................................85
Óñòàíîâêà â êîìïüþòåð ïðîãðàìì JUNO-Di Editor/Librarian/Playlist Editor ..................................85
Ïðèëîæåíèå .......................................................................87
Óñòðàíåíèå íåèñïðàâíîñòåé ....................................................................88
Ñîîáùåíèÿ îá îøèáêàõ ............................................................................92
Ñïèñîê ýôôåêòîâ ........................................................................................93
Ñïèñîê ïàò÷åé .......................................................................................... 105
Ñïèñîê íàáîðîâ óäàðíûõ....................................................................... 116
Ñïèñîê ïåðôîðìàíñîâ............................................................................ 123
Ñïèñîê ãðóïï ïàòòåðíîâ óäàðíûõ ........................................................ 124
Ñïèñîê àêêîðäîâ ôóíêöèè Chord Memory .......................................... 125
Òàáëèöà MIDI-ôóíêöèé ........................................................................... 127
Òåõíè÷åñêèå õàðàêòåðèñòèêè ............................................................... 128
12
Ââåäåíèå
13
Îïèñàíèå ïàíåëåé
Ëèöåâàÿ ïàíåëü
fig.Front.eps_70
1
1
2
3
Ðàçúåì USB MEMORY
Ñëóæèò äëÿ ïîäêëþ÷åíèÿ USB-íàêîïèòåëÿ (ïðèîáðåòàåòñÿ îòäåëüíî).
931
* Àêêóðàòíî âñòàâëÿéòå USB-íàêîïèòåëü â ðàçúåì äî óïîðà.
* Ïîäêëþ÷àéòå USB-íàêîïèòåëü òîëüêî ïîñëå âêëþ÷åíèÿ ïèòàíèÿ
JUNO-DI. Íå âûíèìàéòå åãî äî îòêëþ÷åíèÿ ïèòàíèÿ èíñòðóìåíòà.
2
Êîíòðîëëåð D BEAM
Êîíòðîëëåð D Beam ïîçâîëÿåò ñ ïîìîùüþ ïåðåìåùåíèÿ ðóêè óïðàâëÿòü ðàçëè÷íûìè ýôôåêòàìè îáðàáîòêè çâóêà.
Ôóíêöèÿ êîíòðîëëåðà D Beam îïðåäåëÿåòñÿ òðåìÿ îïèñàííûìè íèæå
êíîïêàìè. Ïðè âêëþ÷åíèè ôóíêöèè îòîáðàæàåòñÿ ýêðàí óñòàíîâîê.
Êíîïêà [SOLO SYNTH]
4
5
6
Êíîïêà MIC IN [REVERB]
Âêëþ÷àåò/îòêëþ÷àåò ðåâåðáåðàöèþ äëÿ ñèãíàëà ñ âõîäà MIC INPUT
(ñòð. 43).
5
KEYBOARD
Êíîïêà [SPLIT]
Ðàçäåëÿåò êëàâèàòóðó íà ëåâóþ è ïðàâóþ çîíû, ïîçâîëÿÿ âîñïðîèçâîäèòü ðàçíûå ïàò÷è â êàæäîé èç íèõ (ñòð. 33).
Êíîïêà [DUAL]
Îáåñïå÷èâàåò ðåæèì "íàñëîåíèÿ" êëàâèàòóðû, ïîçâîëÿÿ âîñïðîèçâîäèòü äâà ïàò÷à îäíîâðåìåííî (ñòð. 31).
Êíîïêà [SUPER LAYER]
D Beam ôóíêöèîíèðóåò, êàê ìîíîôîíè÷åñêèé ñèíòåçàòîð (ñòð. 63).
Âêëþ÷àåò ðåæèì “Super Layer”, óñèëèâàþùèé ïðîñòðàíñòâåííûé ýôôåêò âûáðàííîãî ïàò÷à (ñòð. 41).
Êíîïêà [EXPRESSION]
Êíîïêà [ARPEGGIO]
D Beam óïðàâëÿåò ýêñïðåññèåé èñïîëíåíèÿ (ñòð. 63).
Âêëþ÷àåò/îòêëþ÷àåò àðïåäæèàòîð. Ïðè âêëþ÷åíèè ôóíêöèè îòîáðàæàåòñÿ ýêðàí óñòàíîâîê (ñòð. 37, ñòð. 67).
Êíîïêà [ASSIGNABLE]
Ïîçâîëÿåò íàçíà÷àòü íà êîíòðîëëåð D Beam ðàçëè÷íûå ôóíêöèè
(ñòð. 63).
* Óäåðæèâàÿ êíîïêó [SHIFT] è íàæàâ îäíó èç äàííûõ êíîïîê, ìîæíî
ïåðåéòè ê ýêðàíó óñòàíîâîê áåç ðåàëüíîãî âêëþ÷åíèÿ/îòêëþ÷åíèÿ ñîîòâåòñòâóþùåé ôóíêöèè.
3
Ðåãóëÿòîð [VOLUME]
Óñòàíàâëèâàåò îáùóþ ãðîìêîñòü ñèãíàëà íà ðàçúåìàõ OUTPUT è
PHONES (ñòð. 20).
4
MODE/MIC
Êíîïêà [MENU]
Îòîáðàæàåò ìåíþ ñèñòåìíûõ óñòàíîâîê è âñïîìîãàòåëüíûõ ôóíêöèé, à òàêæå èñïîëüçóåòñÿ äëÿ ðåäàêöèè çâóêîâ è óñòàíîâîê.
Êíîïêà [MIDI CONTROLLER]
Âûáèðàåò ðåæèì MIDI Controller, ïîçâîëÿþùèé óïðàâëÿòü âíåøíèì
òîí-ãåíåðàòîðîì ïî MIDI (ñòð. 81).
Êíîïêà [PREVIEW]
Óäåðæèâàéòå íàæàòîé äàííóþ êíîïêó äëÿ ïðîñëóøèâàíèÿ âûáðàííîãî çâóêà (ñòð. 25).
Ðåãóëÿòîð MIC IN [VOLUME]
Óñòàíàâëèâàåò óðîâåíü ñèãíàëà íà âõîäå MIC INPUT (ñòð. 43).
14
Êíîïêà [CHORD MEMORY]
Âêëþ÷àåò/îòêëþ÷àåò ôóíêöèþ CHORD MEMORY (ïàìÿòü àêêîðäîâ).
Ïðè âêëþ÷åíèè ôóíêöèè îòîáðàæàåòñÿ ýêðàí óñòàíîâîê
(ñòð. 37, ñòð. 69).
Êíîïêà [V-LINK]
Âêëþ÷àåò/îòêëþ÷àåò ôóíêöèþ V-LINK Ïðè âêëþ÷åíèè ôóíêöèè îòîáðàæàåòñÿ ýêðàí óñòàíîâîê V-LINK (ñòð. 70).
Êíîïêà [TRANSPOSE]
Óäåðæèâàÿ íàæàòîé êíîïêó [TRANSPOSE] è íàæèìàÿ êíîïêè [+]/[-],
ìîæíî òðàíñïîíèðîâàòü êëàâèàòóðó ñ øàãîì â ïîëóòîí (ñòð. 44).
Êíîïêè OCTAVE [DOWN] è [UP]
Òðàíñïîíèðóåò êëàâèàòóðó ñ øàãîì â îêòàâó (ñòð. 34).
Îïèñàíèå ïàíåëåé
fig.Front.eps_70
7
6
8
7
Èíäèêàòîð BATTERY
Ïðè ðàáîòå JUNO-Di îò áàòàðåé, îòîáðàæàåò îñòàâøèéñÿ çàðÿä áàòàðåé (ñòð. 18).
Êîãäà áàòàðåè çàðÿæåíû, èíäèêàòîð íå ãîðèò.
SONG PLAYER
Êíîïêà [RHYTHM PATTERN]
Âêëþ÷àåò/îòêëþ÷àåò ïàòòåðí óäàðíûõ (ñòð. 35, ñòð. 74).
Êîãäà áàòàðåè íà÷èíàþò ðàçðÿæàòüñÿ, èíäèêàòîð çàãîðàåòñÿ.
Êíîïêà [C. CANCEL/MINUS ONE]
Åñëè ïðîäîëæàòü ðàáîòó ñ JUNO-Di, èíäèêàòîð íà÷íåò ìèãàòü; çàìåíèòå áàòàðåè ïðè ïåðâîé âîçìîæíîñòè.
Âêëþ÷àåò/îòêëþ÷àåò ôóíêöèþ Center Cancel èëè Minus-One (ñòð. 73).
* Åñëè ïðîäîëæàòü ðàáîòó ïðè ìèãàþùåì èíäèêàòîðå, äèñïëåé îòîáðàçèò “Low Battery!”, è äàëüíåéøàÿ ðàáîòà áóäåò íåâîçìîæíà.
Êíîïêà [SONG LIST]
Îòîáðàæàåò ñïèñîê ïüåñ, íàõîäÿùèõñÿ íà USB-íàêîïèòåëå (ñòð. 72).
Êíîïêè [
Êíîïêà [NUMERIC]
Åñëè êíîïêà âêëþ÷åíà, êíîïêàìè [RHYTHM (0)] – [PERFORM (9)] ìîæíî
ââîäèòü ÷èñëîâûå çíà÷åíèÿ (ñòð. 57).
Êíîïêà FAVORITE [ON/OFF]
Âêëþ÷àåò/îòêëþ÷àåò ôóíêöèþ Favorite (ëþáèìûõ óñòàíîâîê) (ñòð. 46).
Êíîïêà FAVORITE [BANK]
Åñëè êíîïêà âêëþ÷åíà, êíîïêàìè [RHYTHM (0)] – [PERFORM (9)] ìîæíî
âûáèðàòü áàíêè Favorite (ñòð. 46).
Äèñïëåé
Îòîáðàæàåò èíôîðìàöèþ î òåêóùåì ñîñòîÿíèè èíñòðóìåíòà.
Êîëåñî
]è[
]
Äàííûìè êíîïêàìè ìîæíî âûáèðàòü ïüåñó èëè èçìåíÿòü ïîçèöèþ
âîñïðîèçâåäåíèÿ â ïüåñå (ñòð. 72).
Åñëè êíîïêà [RHYTHM PATTERN] âêëþ÷åíà, äàííûå êíîïêè ïåðåêëþ÷àþò ïàòòåðíû óäàðíûõ (ñòð. 74).
Êíîïêà [LEVEL]
Óñòàíàâëèâàåò ãðîìêîñòü ïàòòåðíà óäàðíûõ èëè ïüåñû
(ñòð. 72, ñòð. 74).
Êíîïêà [PLAY/STOP] / [DEMO]
Çàïóñêàåò è îñòàíàâëèâàåò âîñïðîèçâåäåíèå ïàòòåðíà óäàðíûõ èëè
ïüåñû (ñòð. 72, ñòð. 74).
Ñëóæàò äëÿ èçìåíåíèÿ çíà÷åíèé. Åñëè ïðè âðàùåíèè êîëåñà óäåðæèâàòü êíîïêó [SHIFT], èçìåíåíèÿ áóäóò ïðîèñõîäèòü áûñòðåå (ñòð. 57).
Åñëè íàêîïèòåëü USB íå ïîäêëþ÷åí, è êíîïêà [RHYTHM PATTERN] íå
ãîðèò, íàæàòèå äàííîé êíîïêè çàïóñêàåò/îñòàíàâëèâàåò âîñïðîèçâåäåíèå äåìî-ïüåñ (ñòð. 21).
[RHYTHM] – [PERFORM] / [0] – [9] (Êíîïêè ïàò÷åé)
Êíîïêà [TAP TEMPO]
Ñëóæàò äëÿ âûáîðà ãðóïïû ïàò÷åé (ñòð. 25). Äëÿ âûáîðà ïàò÷åé òåêóùåé ãðóïïû ìîæíî èñïîëüçîâàòü êîëåñî.
Ïîçâîëÿåò çàäàòü òåìï (ñòð. 58).
Êîãäà êíîïêà [NUMERIC] âêëþ÷åíà, äàííûìè êíîïêàìè ìîæíî ââîäèòü ÷èñëîâûå çíà÷åíèÿ.
8
SOUND MODIFY
Êíîïêà [WRITE]
Ðåãóëÿòîðû ENVELOPE [ATTACK] è [RELEASE]
Ñîõðàíÿåò ðåçóëüòàòû ðåäàêöèè âî âíóòðåííåé ïàìÿòè (ñòð. 52, ñòð. 62).
Èçìåíÿþò çâóê â ðåàëüíîì âðåìåíè (ñòð. 65).
Êíîïêè êóðñîðà [
Ðåãóëÿòîðû [CUTOFF] è [RESONANCE]
]/[
]/[
]/[
]
Ïåðåìåùàþò êóðñîð ââåðõ/âíèç/âëåâî/âïðàâî (ñòð. 57).
Èçìåíÿþò çâóê â ðåàëüíîì âðåìåíè (ñòð. 66).
Êíîïêà [SHIFT]
Ðåãóëÿòîð [REVERB]
Èñïîëüçóåòñÿ ñîâìåñòíî ñ äðóãèìè êíîïêàìè äëÿ âûïîëíåíèÿ ðàçëè÷íûõ ôóíêöèé.
Óñòàíàâëèâàåò óðîâåíü îáùåé ðåâåðáåðàöèè çâóêà (ñòð. 66).
Êíîïêà [EXIT]
Âîçâðàùàåò ê ïðåäûäóùåìó ýêðàíó èëè çàêðûâàåò îòêðûòîå îêíî.
Íà íåêîòîðûõ ýêðàíàõ îòìåíÿåò âûïîëíÿåìóþ ôóíêöèþ.
Êíîïêà [ENTER]
Ñëóæèò äëÿ ïîäòâåðæäåíèÿ ââîäà çíà÷åíèÿ èëè âûïîëíåíèÿ îïåðàöèè.
9
Äæîéñòèê
Ïîçâîëÿåò óïðàâëÿòü âûñîòîé òîíà èëè ïðèìåíÿòü âèáðàòî (ñòð. 29).
9
15
Îïèñàíèå ïàíåëåé
Òûëüíàÿ ïàíåëü
fig.Rear.eps_70
1
1
2
3 4 5
6
Ðåãóëÿòîð [LCD CONTRAST]
Óñòàíàâëèâàåò êîíòðàñòíîñòü äèñïëåÿ (ñòð. 20).
2
Ðàçúåìû MIDI (OUT, IN)
Ñëóæàò äëÿ ïîäêëþ÷åíèÿ äðóãèõ MIDI-óñòðîéñòâ â öåëÿõ îáìåíà MIDIñîîáùåíèÿìè (ñòð. 80).
3
Ðàçúåì HOLD PEDAL
Ñëóæèò äëÿ ïîäêëþ÷åíèÿ îïöèîíàëüíîãî íîæíîãî ïåðåêëþ÷àòåëÿ
(ñåðèè DP è ò.ï.), èñïîëüçóþùåãîñÿ â êà÷åñòâå ïåäàëè óäåðæàíèÿ çâóêà (ñòð. 19).
Ïîñêîëüêó äàííûé ðàçúåì ïîääåðæèâàåò òåõíèêó ïîëóïåäàëèðîâàíèÿ, ïðè ïîäêëþ÷åíèè îïöèîíàëüíîé äåìïôåðíîé ïåäàëè (DP-10)
ìîæíî ñ ïîìîùüþ íåå óïðàâëÿòü òîí÷àéøèìè íþàíñàìè ïðè èãðå
ôîðòåïèàííûìè òåìáðàìè.
4
Ðàçúåì MIC INPUT
Íåñèììåòðè÷íûé ðàçúåì 1/4” ñëóæèò äëÿ ïîäêëþ÷åíèÿ äèíàìè÷åñêèõ ìèêðîôîíîâ (-50 dBu) (ñòð. 19).
5
8
7
Ðàçúåì EXT INPUT
Ñëóæèò äëÿ ïîäêëþ÷åíèÿ ïîðòàòèâíîãî àóäèîïëååðà èëè àíàëîãè÷íîãî óñòðîéñòâà (ñòð. 19).
8
9 10 11 12
Ðàçúåì USB COMPUTER
Ñëóæèò äëÿ ïîäêëþ÷åíèÿ JUNO-DI ê êîìïüþòåðó ïî USB (ñòð. 84).
9
Äåðæàòåëü øíóðà
Ñëóæèò äëÿ êðåïëåíèÿ øíóðà ñåòåâîãî àäàïòåðà (ñòð. 17).
10 Ðàçúåì DC IN
Ñëóæèò äëÿ ïîäêëþ÷åíèÿ øíóðà ñåòåâîãî àäàïòåðà (ñòð. 17).
Íåîáõîäèìî èñïîëüçîâàòü òîëüêî ïðèëàãàåìûé ñåòåâîé àäàïòåð.
11 Êíîïêà [POWER]
Âêëþ÷àåò/îòêëþ÷àåò ïèòàíèå (ñòð. 20).
12 Êëåììà çàçåìëåíèÿ
 íåêîòîðûõ ñëó÷àÿõ ïðè êàñàíèè ïîâåðõíîñòè ïðèáîðà, ïîäêëþ÷åííîãî ìèêðîôîíà èëè ìåòàëëè÷åñêèõ ÷àñòåé äðóãèõ îáúåêòîâ, íàïðèìåð, ãèòàð, ìîæåò âîçíèêíóòü îùóùåíèå ïîêàëûâàíèÿ. Ýòî ÿâëåíèå
âûçâàíî íåçíà÷èòåëüíûì ýëåêòðè÷åñêèì çàðÿäîì, êîòîðûé àáñîëþòíî áåçîïàñåí. Îäíàêî, ÷òîáû èçáåæàòü ýòîãî, ïîäêëþ÷èòå äàííóþ
êëåììó ê âíåøíåìó çàçåìëåíèþ. Ïîñëå çàçåìëåíèÿ ïðèáîðà ìîæåò
âîçíèêíóòü íåáîëüøîé ôîí, îáóñëîâëåííûé êîíêðåòíîé èíñòàëëÿöèåé.  ëþáîì ñëó÷àå ìîæíî îáðàòèòüñÿ â ñåðâèñíûé öåíòð Roland.
926a
Íåïîäõîäÿùèå îáúåêòû äëÿ çàçåìëåíèÿ:
* Ïðè èñïîëüçîâàíèè êàáåëåé ñ ðåçèñòîðàìè óðîâåíü ãðîìêîñòè
îáîðóäîâàíèÿ, ïîäêëþ÷åííîãî ê ãíåçäàì EXT INPUT, ìîæåò áûòü
íèçêèì. Èñïîëüçóéòå êîììóòàöèîííûå êàáåëè áåç ðåçèñòîðîâ.
• Âîäîïðîâîäíûå òðóáû (ìîæåò âûçâàòü óäàð ýëåêòðîòîêîì)
6
Ðàçúåìû OUTPUT (R, L /MONO)
Ñëóæàò äëÿ âûâîäà ñòåðåîôîíè÷åñêîãî àóäèîñèãíàëà íà óñèëèòåëü
èëè ìèêøåð. Ïðè ðàáîòå ñ ìîíîñèãíàëàìè èñïîëüçóéòå òîëüêî ðàçúåì L/MONO (ñòð. 18).
7
Ðàçúåì PHONES
Ñëóæèò äëÿ ïîäêëþ÷åíèÿ íàóøíèêîâ (îïöèîíàëüíûõ) (ñòð. 18).
16
• Ãàçîâûå òðóáû (ìîæåò ïðèâåñòè ê ïîæàðó èëè âçðûâó)
• Òåëåôîííîå èëè ãðîçîâîå çàçåìëåíèå (ìîæåò ïðåäñòàâëÿòü îïàñíîñòü âî âðåìÿ ãðîçû)
Ïîäãîòîâêà ê ðàáîòå
Ïîäêëþ÷åíèå ñåòåâîãî àäàïòåðà
Óñòàíîâêà áàòàðåé (îïöèîíàëüíûõ)
Äëÿ îáåñïå÷åíèÿ àâòîíîìíîãî ïèòàíèÿ JUNO-Di òðåáóåòñÿ 8 àêêóìóëÿòîðîâ Ni-MH ôîðìàòà AA.
1. Óáåäèòåñü, ÷òî êíîïêà [POWER] îòêëþ÷åíà.
2. Ïîäêëþ÷èòå âõîäÿùèé â êîìïëåêò ñåòåâîé øíóð ê
Ïðèãîäíûå òèïû áàòàðåé
ïðèëàãàåìîìó ñåòåâîìó àäàïòåðó.
3. Ïîäêëþ÷èòå ñåòåâîé àäàïòåð ê ðàçúåìó DC IN íà
JUNO-Di, à ñåòåâîé øíóð — ê ðîçåòêå.
fig.ACcord-e.eps_97
● Ðåêîìåíäóåòñÿ èñïîëüçîâàíèå àêêóìóëÿòîðîâ Ni-MH.
Îíè îáåñïå÷èâàþò îêîëî 5 ÷àñîâ íåïðåðûâíîé ðàáîòû,
õîòÿ â êîíå÷íîì èòîãå ñðîê èõ ñëóæáû îïðåäåëÿåòñÿ óñëîâèÿìè ýêñïëóàòàöèè (íàïðèìåð, ïðè ïîäêëþ÷åíèè íàêîïèòåëÿ USB äëèòåëüíîñòü íåïðåðûâíîé ðàáîòû
óìåíüøàåòñÿ äî 4 ÷àñîâ).
Íå èñïîëüçóéòå ùåëî÷íûå èëè óãîëüíî-öèíêîâûå
áàòàðåè.
Îáðàùåíèå ñ áàòàðåÿìè
DC IN
Ðàçúåì
Èíäèêàòîð
Ê ðîçåòêå
Ñåòåâîé øíóð
Ñåòåâîé àäàïòåð
• Ðàçìåñòèòå ñåòåâîé àäàïòåð òàê, ÷òîáû åãî ñòîðîíà ñ èíäèêàòîðîì (ñì. ðèñ.) áûëà îáðàùåíà ââåðõ, à ñòîðîíà ñ
òåêñòîâîé èíôîðìàöèåé — âíèç.
• Ïðè âêëþ÷åíèè ñåòåâîãî àäàïòåðà â ðîçåòêó èíäèêàòîð
çàãîðàåòñÿ.
• Âî èçáåæàíèå ñëó÷àéíîãî îòêëþ÷åíèÿ ïèòàíèÿ ïðèáîðà
(ðàñêîììóòàöèè ðàçúåìà ïèòàíèÿ) è ðàçáàëòûâàíèÿ ãíåçäà ïèòàíèÿ çàêðåïëÿéòå øíóð ïèòàíèÿ â äåðæàòåëå, êàê
ïîêàçàíî íà ðèñóíêå.
fig.cordhook-e.eps
Äåðæàòåëü
êàáåëÿ
Ðàçúåì DC IN
Øíóð ñåòåâîãî
àäàïòåðà
● Ïðè ðàáîòå îò áàòàðåé îòêëþ÷èòå ñåòåâîé àäàïòåð îò
JUNO-Di.
● Åñëè áàòàðåè óñòàíîâëåíû, îòêëþ÷åíèå/ïîäêëþ÷åíèå ñåòåâîãî àäàïòåðà ê ðàçúåìó DC èëè ê ðîçåòêå ïðèâîäèò ê
îòêëþ÷åíèþ ïèòàíèÿ JUNO-Di. Ïåðåä òàêîãî ðîäà äåéñòâèÿìè íåîáõîäèìî îòêëþ÷èòü ïèòàíèå èíñòðóìåíòà.
● Ïîêàçàíèÿ èíäèêàòîðà BATTERY ÿâëÿþòñÿ ïðèáëèçèòåëüíûìè.
● Íå èñïîëüçóéòå îäíîâðåìåííî íîâûå è ñòàðûå áàòàðåè, à
òàêæå áàòàðåè ðàçíûõ òèïîâ.
● Åñëè JUNO-Di äëèòåëüíîå âðåìÿ íå èñïîëüçóåòñÿ, ñîõðàíèòå âàæíûå äàííûå íà íàêîïèòåëü USB è èçâëåêèòå áàòàðåè.
● Íåîñòîðîæíîå îáðàùåíèå ñ áàòàðåÿìè, àêêóìóëÿòîðàìè
èëè çàðÿäíûì óñòðîéñòâîì ìîæåò ïðèâåñòè ê ïðîòåêàíèþ, âîçãîðàíèþ èëè âçðûâó áàòàðåé. Ïåðåä íà÷àëîì ðàáîòû îáÿçàòåëüíî îçíàêîìüòåñü ñ äîêóìåíòàöèåé íà
èñïîëüçóåìûå ýëåìåíòû.
● Äëÿ çàðÿäêè àêêóìóëÿòîðîâ èñïîëüçóéòå òîëüêî ðåêîìåíäîâàííîå èõ ïðîèçâîäèòåëåì óñòðîéñòâî.
1. Íàäàâèòå íà çàùåëêè êðûøêè áàòàðåéíîãî îòñåêà íà
íèæíåé ïàíåëè JUNO-Di è ñíèìèòå êðûøêó.
fig.BattCase-1.eps
Ê ñåòåâîìó àäàïòåðó
• Îòêðûâàÿ êðûøêó áàòàðåéíîãî îòñåêà, ñëåäèòå, ÷òîáû
ïîä íåå íå ïîïàëè ïîñòîðîííèå îáúåêòû (ñïè÷êè, ìîíåòû, ñêðåïêè, è ò.ä.) èëè æèäêîñòè (âîäà, ñîê, è ò.ä.).
• Ïåðåâîðà÷èâàÿ èíñòðóìåíò, ïîäëîæèòå ïîä åãî óãëû
ñòîïêè ãàçåò èëè æóðíàëîâ, ÷òîáû íå ïîâðåäèòü êíîïêè è
ðåãóëÿòîðû.
• Ïåðåâîðà÷èâàÿ èíñòðóìåíò, ñîáëþäàéòå îñòîðîæíîñòü,
÷òîáû íå óðîíèòü èëè íå îïðîêèíóòü åãî.
17
Ïîäãîòîâêà ê ðàáîòå
2. Óñòàíîâèòå áàòàðåè â îòñåê, ñîáëþäàÿ ïîëÿðíîñòü ñîãëàñíî îáîçíà÷åíèÿì "+" è "-".
fig.BattCase-2.eps
Ïîäêëþ÷åíèå âíåøíåãî
îáîðóäîâàíèÿ
Ïîäêëþ÷åíèå äèíàìèêîâ èëè íàóøíèêîâ
Ñëåäóéòå èíñòðóêöèè ïî óñòàíîâêå áàòàðåé è ñîáëþäàéòå
ïîëÿðíîñòü.
3. Çàêðîéòå êðûøêó îòñåêà áàòàðåé.
Ïîñêîëüêó JUNO-Di íå ñîäåðæèò óñèëèòåëÿ èëè äèíàìèêîâ, åãî íåîáõîäèìî ïîäêëþ÷àòü ê òàêèì àóäèîóñòðîéñòâàì, êàê êëàâèøíûé óñèëèòåëü, ñèñòåìà ìîíèòîðèíãà èëè äîìàøíÿÿ ñòåðåîñèñòåìà, èëè æå
ïðîñëóøèâàòü çâóê ÷åðåç íàóøíèêè.
×òîáû îöåíèòü âñå çâóêîâûå âîçìîæíîñòè JUNO-Di, èñïîëüçóéòå ñòåðåîñèñòåìó. Ïðè èñïîëüçîâàíèè ìîíîñèñòåìû ïîäêëþ÷àéòå åå ê
ðàçúåìó OUTPUT L/MONO íà JUNO-Di.
Èçâëå÷åíèå áàòàðåé
Ïåðåä èçâëå÷åíèåì áàòàðåé îòêëþ÷èòå ïèòàíèå JUNO-Di, çàòåì îòêðîéòå êðûøêó áàòàðåéíîãî îòñåêà è èçâëåêèòå èç íåãî áàòàðåè.
Âðåìÿ çàìåíû áàòàðåé
(èíäèêàòîð BATTERY)
Àóäèîêàáåëè íå âõîäÿò â êîìïëåêò ïîñòàâêè JUNO-Di. Èõ
ñëåäóåò ïðèîáðåñòè îòäåëüíî.
921
×òîáû èçáåæàòü ñáîåâ â ðàáîòå è/èëè ïîâðåæäåíèÿ àêóñòè÷åñêîé ñèñòåìû èëè äðóãèõ óñòðîéñòâ, ïåðåä êîììóòàöèåé
óñòàíîâèòå ìèíèìàëüíûé óðîâåíü ãðîìêîñòè è âûêëþ÷èòå
ïèòàíèå âñåõ óñòðîéñòâ.
fig.connect-output_e.eps
Ïðè ðàçðÿäå áàòàðåé èíäèêàòîð BATTERY, ðàñïîëîæåííûé â ëåâîé
÷àñòè äèñïëåÿ, íà÷èíàåò ìèãàòü èëè ñâåòèòüñÿ.
• Êîãäà áàòàðåè íà÷èíàþò ðàçðÿæàòüñÿ, èíäèêàòîð çàãîðàåòñÿ.
• Åñëè ïðîäîëæàòü ðàáîòó ñ JUNO-Di, èíäèêàòîð íà÷íåò ìèãàòü; çàìåíèòå áàòàðåè ïðè ïåðâîé âîçìîæíîñòè.
• Åñëè ïðîäîëæàòü ðàáîòó ïðè ìèãàþùåì èíäèêàòîðå, äèñïëåé îòîáðàçèò "Low Battery!", è äàëüíåéøàÿ ðàáîòà áóäåò íåâîçìîæíà.
Ñòåðåîíàóøíèêè
• Ïîêàçàíèÿ èíäèêàòîðà BATTERY ÿâëÿþòñÿ ïðèáëèçèòåëüíûìè.
×òîáû ñíèçèòü ýíåðãîïîòðåáëåíèå, ìîæíî îòêëþ÷èòü ïîäñâåòêó äèñïëåÿ. Ñì. “Âêëþ÷åíèå/îòêëþ÷åíèå ïîäñâåòêè äèñïëåÿ” (ñòð. 21).
Òàêæå äëÿ ñîõðàíåíèÿ çàðÿäà áàòàðåé ìîæíî èñïîëüçîâàòü
ñèñòåìíóþ óñòàíîâêó “POWER SAVE MODE”.
Ñì. “Óñòàíîâêè, âîçäåéñòâóþùèå íà ðàáîòó âñåãî JUNO-Di
(SYSTEM)” (ñòð. 75).
Ìèêøåð è ò.ä.
Óñèëèòåëü ìîùíîñòè
18
Àêòèâíûå ìîíèòîðû
Ïîäãîòîâêà ê ðàáîòå
Ïîäêëþ÷åíèå ïåäàëè
Ïîäêëþ÷èòå ïåäàëüíûé ïåðåêëþ÷àòåëü (ñåðèè DP; îïöèîíàëüíûé) ê
ðàçúåìó HOLD PEDAL òûëüíîé ïàíåëè.
Ïðè óäåðæàíèè ïåäàëè íàæàòîé íîòû áóäóò ïðîäîëæàòü çâó÷àòü
(óäåðæèâàòüñÿ) äàæå ïðè ñíÿòèè ðóê ñ êëàâèàòóðû.
fig.connect-pedal.eps
Ïîäêëþ÷åíèå ìèêðîôîíà
Ïîäêëþ÷èòå ìèêðîôîí ê ðàçúåìó MIC INPUT òûëüíîé ïàíåëè.
Çâóê ìèêðîôîíà ìîæíî îáðàáîòàòü ýôôåêòîì. Ñì. “Èñïîëüçîâàíèå âîêîäåðà” (ñòð. 42).
fig.connect-audio.eps_e
Äèíàìè÷åñêèé
ìèêðîôîí
Ñ ïîìîùüþ ïåäàëè òàêæå ìîæíî óïðàâëÿòü ðàçëè÷íûìè
ôóíêöèÿìè. Ñì. “Óñòàíîâêè, âîçäåéñòâóþùèå íà ðàáîòó âñåãî JUNO-Di (SYSTEM)” â ðàçäåëå “HOLD PEDAL” (ñòð. 75).
Êðîìå ïåäàëüíîãî ïåðåêëþ÷àòåëÿ (ñåðèè DP), ìîæíî ïîäêëþ÷èòü äåìïôåðíóþ ïåäàëü (DP-10) èëè ïåäàëü ýêñïðåññèè (EV-5).
Èñïîëüçóéòå òîëüêî ðåêîìåíäîâàííóþ ïåäàëü ýêñïðåññèè
(EV-5; ïðèîáðåòàåòñÿ îòäåëüíî). Ïîäêëþ÷åíèå äðóãèõ ïåäàëåé ýêñïðåññèè ìîæåò ïîâðåäèòü èíñòðóìåíò.
Ïðè îïðåäåëåííîì ïîëîæåíèè ìèêðîôîíà îòíîñèòåëüíî
äèíàìèêîâ ìîæåò âîçíèêíóòü àêóñòè÷åñêîå ñàìîâîçáóæäåíèå ("âîé").  òàêîì ñëó÷àå ïðîèçâåäèòå ñëåäóþùèå ìàíèïóëÿöèè:
1. Èçìåíèòå íàïðàâëåíèå ìèêðîôîíà.
2. Îòîäâèíüòå ìèêðîôîí îò äèíàìèêîâ.
3. Óìåíüøèòå ãðîìêîñòü.
Ïîäêëþ÷åíèå ïîðòàòèâíîãî
àóäèîóñòðîéñòâà
Äëÿ ïðîñëóøèâàíèÿ àóäèîñèãíàëîâ MP3- èëè äðóãîãî ïëååðà ïîäêëþ÷èòå åãî ê ðàçúåìó EXT INPUT òûëüíîé ïàíåëè.
Àóäèîêàáåëè íå âõîäÿò â êîìïëåêò ïîñòàâêè JUNO-Di. Èõ
ñëåäóåò ïðèîáðåñòè îòäåëüíî.
fig.connect-audio.eps_e
Ïîðòàòèâíûé
àóäèîïëååð
Ðàçúåì
EXT INPUT
19
Ïîäãîòîâêà ê ðàáîòå
Âêëþ÷åíèå/îòêëþ÷åíèå ïèòàíèÿ
Îòêëþ÷åíèå ïèòàíèÿ
1. Ïåðåä îòêëþ÷åíèåì ïèòàíèÿ âûïîëíèòå ñëåäóþùåå:
941
Ïî çàâåðøåíèè êîììóòàöèè âêëþ÷èòå ïèòàíèå ðàçëè÷íûõ
óñòðîéñòâ â íóæíîì ïîðÿäêå. Íàðóøåíèå ïîðÿäêà âêëþ÷åíèÿ ìîæåò âûçâàòü ñáîè â ðàáîòå è/èëè ïîâðåæäåíèå äèíàìèêîâ è äðóãèõ óñòðîéñòâ.
1. Ïåðåä âêëþ÷åíèåì ïèòàíèÿ JUNO-Di óáåäèòåñü, ÷òî:
• Âñå óñòðîéñòâà ñêîììóòèðîâàíû êîððåêòíî.
• Ãðîìêîñòü JUNO-Di è âñåõ ïîäêëþ÷åííûõ àóäèîóñòðîéñòâ óñòàíîâëåíà â ìèíèìóì.
2. Âêëþ÷èòå êíîïêó [POWER] íà òûëüíîé ïàíåëè
JUNO-Di.
• Óñòàíîâèòå â ìèíèìóì ãðîìêîñòü JUNO-Di è âñåõ ïîäêëþ÷åííûõ
àóäèîóñòðîéñòâ.
• Ñîõðàíèòå ñîçäàííûå çâóêè è äàííûå JUNO-Di.
2. Îòêëþ÷èòå ïèòàíèå âñåõ ïîäêëþ÷åííûõ óñòðîéñòâ.
3. Îòêëþ÷èòå êíîïêó [POWER] íà JUNO-Di.
Óñòàíîâêà óðîâíÿ ãðîìêîñòè
(ðåãóëÿòîð [VOLUME])
fig.power-onoff.eps
1. Ðåãóëÿòîðîì [VOLUME] óñòàíîâèòå ãðîìêîñòü.
Âðàùåíèå ðåãóëÿòîðà âëåâî óìåíüøàåò ãðîìêîñòü, à âïðàâî —
óâåëè÷èâàåò.
Òàêæå îòðåãóëèðóéòå ãðîìêîñòü ïîäêëþ÷åííûõ óñòðîéñòâ.
fig.volume2.eps
Äàæå åñëè ãðîìêîñòü óñòàíîâëåíà â ìèíèìóì, ïðè âêëþ÷åíèè ïèòàíèÿ âîçìîæíî ïîÿâëåíèå êàêîãî-ëèáî çâóêà, íî ýòî
ÿâëÿåòñÿ øòàòíîé ñèòóàöèåé, íå ñâèäåòåëüñòâóþùåé î íåèñïðàâíîñòè.
×òîáû îáåñïå÷èòü íàäëåæàùóþ ðàáîòó äæîéñòèêà âûñîòû
òîíà, íå ïðèêàñàéòåñü ê íåìó ïðè âêëþ÷åíèè ïèòàíèÿ
JUNO-Di.
fig.Bender2-e.eps
Ðåãóëèðîâêà êîíòðàñòíîñòè äèñïëåÿ (ðåãóëÿòîð [LCD CONTRAST])
Åñëè ïîñëå âêëþ÷åíèÿ ïèòàíèÿ JUNO-Di èëè ïðè ïðîäîëæèòåëüíîé
ðàáîòå ñèìâîëû íà äèñïëåå ñòàíîâÿòñÿ òðóäíî÷èòàåìûìè, íàñòðîéòå
êîíòðàñòíîñòü äèñïëåÿ ðåãóëÿòîðîì [LCD CONTRAST].
fig.LCDcontrast.eps
3. Âêëþ÷èòå ïèòàíèå âñåõ ïîäêëþ÷åííûõ óñòðîéñòâ.
4. Èãðàÿ íà êëàâèàòóðå è ïðîñëóøèâàÿ çâóê, ïîñòåïåííî
óâåëè÷èâàéòå ãðîìêîñòü JUNO-Di è ïîäêëþ÷åííûõ óñòðîéñòâ äî íóæíîãî óðîâíÿ.
fig.volume1.eps
20
Ïîäãîòîâêà ê ðàáîòå
Âêëþ÷åíèå/îòêëþ÷åíèå
ïîäñâåòêè äèñïëåÿ
 öåëÿõ ïðîäëåíèÿ ñðîêà ñëóæáû áàòàðåé ìîæíî îòêëþ÷èòü ïîäñâåòêó äèñïëåÿ.
1. Óäåðæèâàÿ êíîïêó [SHIFT], íàæìèòå êíîïêó [EXIT].
Ïîäñâåòêà äèñïëåÿ îòêëþ÷èòñÿ.
Ïðîñëóøèâàíèå äåìî-ïüåñ
Íèæå ïðèâåäåíà ïðîöåäóðà ïðîñëóøèâàíèÿ äåìî-ïüåñ.
1. Âêëþ÷èòå JUNO-Di; ñì. “Âêëþ÷åíèå/îòêëþ÷åíèå ïèòàíèÿ” (ñòð. 20).
2. Íàæìèòå êíîïêó [PLAY/STOP].
Îòîáðàçèòñÿ ýêðàí “DEMO”.
Äåìî-ïüåñà íà÷íåò âîñïðîèçâîäèòüñÿ.
Âêëþ÷åíèå ïîäñâåòêè äèñïëåÿ
1. Óäåðæèâàÿ êíîïêó [SHIFT], íàæìèòå êíîïêó [ENTER].
Ïîäñâåòêà äèñïëåÿ âêëþ÷èòñÿ.
3. Äëÿ îñòàíîâà âîñïðîèçâåäåíèÿ íàæìèòå êíîïêó
[PLAY/STOP] èëè [EXIT].
Îòîáðàçèòñÿ ýêðàí “DEMO MENU”.
Îãðàíè÷åíèå ýíåðãîïîòðåáëåíèÿ ìîæíî îïðåäåëèòü ñèñòåìíîé óñòàíîâêîé “POWER SAVE MODE”.
Ñì. “Óñòàíîâêè, âîçäåéñòâóþùèå íà ðàáîòó âñåãî JUNO-Di
(SYSTEM)” (ñòð. 75).
Òàêæå ìîæíî âûáðàòü äåìî-ïüåñó ñ ïîìîùüþ êíîïîê êóðñîðà.
4. Íàæìèòå êíîïêó [EXIT] äëÿ âûõîäà èç ýêðàíà “DEMO
MENU”.
Èñïîëüçîâàíèå çàùèòíîãî
êîæóõà USB-íàêîïèòåëÿ
N¹
Íàçâàíèå
Êîìïîçèòîð
Ïðàâîîáëàäàòåëü
1
Have you met?
Mitsuru Sakaue
©2009 Roland Corporation
2
Di Groove
Adrian Scott
©2009 Roland Corporation
Äëÿ çàùèòû ïîäêëþ÷åííîãî ê JUNO-Di USB-íàêîïèòåëÿ îò êðàæè ìîæíî èñïîëüçîâàòü ïðèëàãàåìûé êîæóõ.
3
JUNO Pops
Mitsuru Sakaue
©2009 Roland Corporation
fig.CoverLock.eps
4
Takedown
Scott Tibbs
©2009 Roland Corporation
Âñå ïðàâà çàùèùåíû. Íåëåãàëüíîå èñïîëüçîâàíèå äàííîãî
ìàòåðèàëà â öåëÿõ, îòëè÷íûõ îò ÷àñòíûõ, ïðåñëåäóåòñÿ ïî
çàêîíó.
Ïðè âîñïðîèçâåäåíèè ìóçûêè íèêàêèõ äàííûõ ÷åðåç ðàçúåì MIDI OUT íå ïåðåäàåòñÿ.
Ïðåäóïðåæäåíèå
● Èñïîëüçóéòå òîëüêî ïðèëàãàåìûå âèíòû.
● Äëÿ çàòÿãèâàíèÿ è îñëàáëåíèÿ âèíòîâ èñïîëüçóéòå òîëüêî ïðèëàãàåìûé êëþ÷ Allen. Ïðèìåíåíèå äðóãîãî èíñòðóìåíòà ìîæåò ïîâðåäèòü ãîëîâêè âèíòîâ.
Ïðè ïîäêëþ÷åíèè íàêîïèòåëÿ USB äëÿ âîñïðîèçâåäåíèÿ
äåìî-ïüåñ ìîæíî âûáðàòü “Demo Play” íà ýêðàíå “MENU”.
Ñì. “Ïðîñëóøèâàíèå äåìî-ïüåñ (DEMO PLAY)” (ñòð. 79).
● Íå çàòÿãèâàéòå âèíòû ñëèøêîì ñèëüíî. Ýòî ìîæåò ïîâðåäèòü ãîëîâêè âèíòîâ è ïðèâåñòè ê ïðîñêàëüçûâàíèþ êëþ÷à.
● Äëÿ çàòÿãèâàíèÿ âèíòîâ âðàùàéòå êëþ÷ Allen ïî ÷àñîâîé ñòðåëêå,
äëÿ îñëàáëåíèÿ — ïðîòèâ.
fig.screw-e.eps
îñëàáèòü
çàòÿíóòü
● Õðàíèòå ñíÿòûå âèíòû â íåäîñòóïíîì äëÿ äåòåé ìåñòå, ÷òîáû îíè
ñëó÷àéíî íå ïðîãëîòèëè èõ.
21
ÇÀÌÅÒÊÈ
22
Ðàáîòà ñ èíñòðóìåíòîì
 äàííîé ãëàâå îïèñûâàþòñÿ ôóíêöèè, äîñòóïíûå ïðè èñïîëíåíèè ìóçûêè íà JUNO-Di.
 êàæäîì ðàçäåëå ïðèâåäåíû ïàðòèòóðû äëÿ ðàçëè÷íûõ ìóçûêàëüíûõ ñòèëåé.
Ïðèëàãàåìûé CD-ROM ñîäåðæèò àóäèîäàííûå, ñîîòâåòñòâóþùèå êàæäîé ïàðòèòóðå.
Àóäèîäàííûå íà ïðèëàãàåìîì CD-ROM
Èìÿ ôàéëà
Ðàçäåë
Ñòð.
01_Piano_Ballad.wav
“Èñïîëíåíèå áàëëàä”
ñòð. 24
02_Jazz_EP.wav
“Èãðà íà äæàçîâîì ýëåêòðîïèàíî”
ñòð. 26
03_Rock_Organ.wav
“Èãðà íà ðîê-îðãàíå”
ñòð. 28
04_PianoString_Dual.wav
“Èñïîëíåíèå ïîï-ìóçûêè”
ñòð. 30
05_R&B_Split.wav
“Èãðà â ñòèëå “ðèòì ýíä áëþç””
ñòð. 32
06_Ac_Guitar.wav
“Èñïîëíåíèå â ñòèëå Bossa Nova”
ñòð. 36
07_Techno_Arp.wav
“Èñïîëíåíèå â ñòèëå “òåõíî””
ñòð. 38
08_Drum_Kit.wav
“Èãðà çâóêàìè óäàðíûõ”
ñòð. 40
“Êîíöåðòíîå èñïîëíåíèå”
ñòð. 45
JUNO-Di_Song.wav
JUNO-Di_Song_Backing.wav
Âîçìîæíû íåêîòîðûå ðàçëè÷èÿ â çâó÷àíèè àóäèîäàííûõ ñ CD-ROM è çâó÷àíèåì
ñàìîãî JUNO-Di.
23
Èñïîëíåíèå áàëëàä
Íèæå îïèñàí âûáîð ïàò÷à ðîÿëÿ äëÿ èñïîëíåíèÿ áàëëàä. Ïîäêëþ÷èâ îïöèîíàëüíóþ ïåäàëü, ìîæíî óïðàâëÿòü
çâóêîì àíàëîãè÷íî äåìïôåðíîé ïåäàëè ðîÿëÿ. Îáðàáîòàâ çâóê ýôôåêòîì ðåâåðáåðàöèè, ìîæíî äîáèòüñÿ
îùóùåíèÿ èãðû â êîíöåðòíîì çàëå.
Èñïîëíåíèå Ballads
Êíîïêà [PIANO]
Ðåãóëÿòîð [REVERB]
Êíîïêè âûáîðà ïàò÷åé
Êíîïêà [PREVIEW]
Âûáîð ïàò÷à
Íàæìèòå êíîïêó [PIANO].
Áóäåò âûáðàí ïàò÷ ðîÿëÿ.
°
Èñïîëíåíèå
Èãðàéòå ïî íîòàì.
Âàæíàÿ
ôóíêöèÿ
Ïåäàëü — ðàçúåì HOLD PEDAL
Ïîäêëþ÷èòå îïöèîíàëüíóþ ïåäàëü (ñåðèè DP) ê ðàçúåìó HOLD PEDAL
òûëüíîé ïàíåëè JUNO-Di.
Ïðè íàæàòèè ïåäàëè ïàò÷ áóäåò ïðîäîëæàòü çâó÷àòü äî ìîìåíòà åå
îòïóñêàíèÿ (àíàëîãè÷íî äåìïôåðíîé ïåäàëè ðîÿëÿ). Èñïîëüçóéòå ïåäàëü âî âðåìÿ èãðû.
Íà ïåäàëü òàêæå ìîæíî íàçíà÷èòü è äðóãèå ôóíêöèè.
Memo
24
Ñì. “Óñòàíîâêè, âîçäåéñòâóþùèå íà ðàáîòó âñåãî JUNO-Di
(SYSTEM)”, ðàçäåë “HOLD PEDAL” (ñòð. 75).
Èñïîëíåíèå áàëëàä
Piano Ballad
Âàæíàÿ
=120
Îáðàáîòêà ðåâåðáåðàöèåé — ðåãóëÿòîð
[REVERB]
ôóíêöèÿ
Ñ ïîìîùüþ ýôôåêòà ðåâåðáåðàöèè ìîæíî ñîçäàòü îùóùåíèå èãðû â êîíöåðòíîì çàëå.
Äëÿ óïðàâëåíèÿ ãëóáèíîé ðåâåðáåðàöèè èñïîëüçóåòñÿ ðåãóëÿòîð [REVERB].
Äåéñòâèå
Âûáîð ïàò÷à
Âûïîëíèòå ñëåäóþùèå øàãè:
1.
Êíîïêàìè ïàò÷åé âûáåðèòå ãðóïïó ïàò÷åé.
2.
Êîëåñîì âûáåðèòå ïàò÷.
Ïðè èãðå íà êëàâèàòóðå âîñïðîèçâîäèòñÿ ïàò÷, èìÿ êîòîðîãî
îòîáðàæàåòñÿ íà íà äèñïëåå.
Term
Ýôôåêò
Ýôôåêò ñëóæèò äëÿ èçìåíåíèÿ îáùåãî çâó÷àíèÿ ïàò÷à.
Tip
Ïðîñëóøèâàíèå ïàò÷à — êíîïêà [PREVIEW]
Êíîïêà [PREVIEW] óäîáíà ïðè âûáîðå ïàò÷à.
Åñëè óäåðæèâàòü íàæàòîé êíîïêó [PREVIEW], òî ïðè âûáîðå ïàò÷à åãî çâóêîì âîñïðîèçâîäèòñÿ ôðàçà.
Ïðè îòïóñêàíèè êíîïêè âîñïðîèçâåäåíèå ôðàçû ïðåêðàòèòñÿ.
Êàæäîé ãðóïïå ïàò÷åé ñîîòâåòñòâóåò ñâîÿ ôðàçà.
25
Èãðà íà äæàçîâîì ýëåêòðîïèàíî
Íèæå îïèñàí âûáîð ïàò÷à ýëåêòðîïèàíî äëÿ èñïîëíåíèÿ äæàçîâûõ ôðàç.
Ìîæíî ìåíÿòü ìàíåðó èãðû ïîñðåäñòâîì îáðàáîòêè ïàò÷à ðàçëè÷íûìè ýôôåêòàìè.
Èñïîëíåíèå Jazz Electric Piano
Êíîïêà [PIANO]
Êîëåñî
Êíîïêà [SHIFT]
Âûáîð ïàò÷à
Íàæìèòå êíîïêó [PIANO].
2
Íàæìèòå êíîïêó [
].
Áóäåò âûáðàí ïàò÷ ýëåêòðîïèàíî.
3
Êîëåñîì âûáåðèòå “046: Stage Phazer”.
Èñïîëíåíèå
Èãðàéòå ïî íîòàì.
26
Êíîïêè êóðñîðà
Èãðà íà äæàçîâîì ýëåêòðîïèàíî
Jazz EP
=120
Îáðàáîòêà ýôôåêòîì
Åñëè âûáðàòü ýôôåêò “Stage Phazer”, çâóê áóäåò îáðàáîòàí ýôôåêòîì ôàçåðà.
Íèæå îïèñàíî èñïîëüçîâàíèå ýôôåêòà “Tremolo”.
Óäåðæèâàÿ êíîïêó [SHIFT], íàæìèòå êíîïêó [PIANO].
Îòîáðàçèòñÿ ýêðàí “MFX”.
Íà ýêðàíå “MFX” ìîæíî âûáðàòü ýôôåêò, êîòîðûì áóäåò îáðàáîòàí òåêóùèé ïàò÷.
Âêëþ÷åíèå/îòêëþ÷åíèå ýôôåêòà
Òèï ýôôåêòà
Äëÿ äîñòóïà ê ýêðàíó “MFX” ìîæíî èñïîëüçîâàòü êíîïêó
Memo
[MENU]. Ñì. “Ðåäàêöèÿ ýôôåêòîâ (MFX/Chorus/Reverb)
(Effect Edit)” (ñòð. 61).
Äåòàëüíûå óñòàíîâêè ýôôåêòà
2
Êîëåñîì âûáåðèòå “17: TREMOLO”.
Áóäåò âûáðàí òèï ýôôåêòà “Tremolo”.
3
Ñûãðàéòå ïðèëàãàåìóþ ïàðòèòóðó.
Ïîýêñïåðèìåíòèðóéòå ñ ðàçëè÷íûìè ýôôåêòàìè.
Term
Tremolo/Phaser
Òðåìîëî ìîäóëèðóåò ãðîìêîñòü çâóêà, à ôàçåð ñîçäàåò ýôôåêò “âðàùàþùåãîñÿ çâóêà”.
Ýòè ýôôåêòû èñïîëüçîâàëèñü â ðÿäå ëåãåíäàðíûõ ýëåêòðîïèàíî 70-õ ãîäîâ.
27
Èãðà íà ðîê-îðãàíå
Íèæå îïèñàíî èñïîëíåíèå íà îðãàíå â ñòèëå “ðîê 70-õ ãîäîâ”.
Áóäåò âûáðàí ïàò÷ îðãàíà, îáðàáîòàííûé ýôôåêòîì “Rotary”.
Ñ ïîìîùüþ äæîéñòèêà ìîæíî îñóùåñòâëÿòü òîíàëüíûå âàðèàöèè.
Èñïîëíåíèå Rock Organ
Êíîïêà [KEYBOARD/ORGAN]
Äæîéñòèê
Âûáîð ïàò÷à
Íàæìèòå êíîïêó [KEYBOARD/ORGAN].
Áóäåò âûáðàí ïàò÷ “001: HardRockORG1”.
°
Èñïîëíåíèå
Èãðàéòå ïî íîòàì.
28
Êîëåñî
Èãðà íà ðîê-îðãàíå
Rock Organ
Âàæíàÿ
=104
Ýôôåêò Rotary + ìîäóëÿöèÿ äæîéñòèêîì
Ïðè èñïîëüçîâàíèè ýôôåêòà “Rotary”, åãî ÷àñòîòó ìîæíî èçìåíÿòü, ïåðåìåùàÿ äæîéñòèê âïåðåä.
ôóíêöèÿ
 ìîìåíò âðåìåíè, îòìå÷åííûé â ïàðòèòóðå ìåòêîé “
ðóêîé ïåðåìåùàéòå äæîéñòèê âïåðåä.
”, íàæìèòå ïåäàëü Hold (ñòð. 24) è ëåâîé
×àñòîòà ýôôåêòà ìåíÿåòñÿ ñîãëàñíî ïåðåìåùåíèÿì äæîéñòèêà.
Îïåðèðóÿ äæîéñòèêîì ëåâîé ðóêîé, ìîæíî îáðàáàòûâàòü ýôôåêòàìè ïàò÷, êîòîðûé âîñïðîèçâîäèòñÿ ïðàâîé ðóêîé.
Ïðè èñïîëíåíèè ïàò÷åì, êîòîðûé èñïîëüçóåò ýôôåêò (MFX) “Rotary” èëè “VK Rotary”, ÷àñMemo òîòà ýôôåêòà âðàùåíèÿ áóäåò ìåíÿòüñÿ ïðè êàæäîì ïåðåìåùåíèè äæîéñòèêà ìîäóëÿöèè. Îòíîñèòåëüíî óñòàíîâîê ýôôåêòîâ ñì. ñòð. 61.
Âàæíàÿ
Äæîéñòèê âûñîòû òîíà/ìîäóëÿöèè
Ïðè èñïîëíåíèè ïàò÷åì, íå îáðàáîòàííûì ýôôåêòîì Rotary, äæîéñòèê
ôóíêöèÿ
âûñîòû òîíà/ìîäóëÿöèè âûïîëíÿåò ñëåäóþùèå ôóíêöèè:
Ïðè èãðå íà êëàâèàòóðå ìîæíî ïîíèæàòü âûñîòó òîíà, ïåðåìåùàÿ
äæîéñòèê âëåâî, èëè óâåëè÷èâàòü åå, ïåðåìåùàÿ äæîéñòèê âïðàâî. Ýòîò
Âûñîòà òîíà
ïðîöåññ íàçûâàåòñÿ ïîäñòðîéêîé âûñîòû òîíà (Pitch Bend).
Ïåðåìåùåíèå äæîéñòèêà îò ñåáÿ âêëþ÷àåò âèáðàòî. Ýòî íàçûâàåòñÿ ìîäóëÿöèåé.
Ïåðåìåùàÿ äæîéñòèê âïðàâî-âëåâî è îò ñåáÿ, ìîæíî óïðàâëÿòü ýòèìè
äâóìÿ ýôôåêòàìè îäíîâðåìåííî.
Term
Ìîäóëÿöèÿ
Rotary/Rotary Speaker
“Rotary” — ýòî ýôôåêò âðàùàþùèõñÿ äèíàìèêîâ, îáû÷íî èñïîëüçóþùèéñÿ ñ îðãàíàìè. Òàêèå äèíàìèêè
÷àñòî ïðèìåíÿëèñü â äæàçå 60-õ è õàðä-ðîêå 70-õ ãîäîâ.
29
Èñïîëíåíèå ïîï-ìóçûêè
Íèæå îïèñàíî èñïîëíåíèå ïîï-ìóçûêè ðàçëè÷íûìè ïàò÷àìè.
Ñ ïîìîùüþ ôóíêöèè “Dual” ìîæíî îðãàíèçîâàòü íàñëîåíèå äâóõ ðàçëè÷íûõ ïàò÷åé.
 äàííîì ïðèìåðå áóäóò èñïîëüçîâàíû ïàò÷è ðîÿëÿ è ñòðóííûõ.
Èñïîëíåíèå Pops
Êíîïêà [PIANO]
Êíîïêà [DUAL]
Êíîïêà [ORCHESTRA]
Âûáîð ïàò÷à
Íàæìèòå êíîïêó [PIANO].
2
Êîëåñîì âûáåðèòå “001: 88StageGrand.”
Áóäåò âûáðàí ïàò÷ ðîÿëÿ.
Âêëþ÷åíèå ðåæèìà Dual
Íàæìèòå êíîïêó [DUAL], îíà çàãîðèòñÿ.
Âêëþ÷èòñÿ ðåæèì Dual.
2
Íàæìèòå êíîïêó [ORCHESTRA].
3
Êîëåñîì âûáåðèòå “0c010: X Hall Str”.
Áóäåò âûáðàí ïàò÷ ñòðóííûõ.
Ïðè èãðå íà êëàâèàòóðå áóäóò îäíîâðåìåííî çâó÷àòü ïàò÷è ðîÿëÿ è ñòðóííûõ.
30
Èìÿ ïåðôîðìàíñà
Èìÿ ïàò÷à, âûáðàííîãî
ïåðâûì
Èìÿ ïàò÷à, âûáðàííîãî âòîðûì
Èñïîëíåíèå ïîï-ìóçûêè
Piano/String Dual
=110
°
Èñïîëíåíèå
Èãðàéòå ïî íîòàì.
Òàêæå ìîæíî âîñïðîèçâåñòè ïàòòåðí óäàðíûõ, êàê îïèñàíî íà ñòð. 34 – 35. Äëÿ ýòîãî âûáåðèòå
ãðóïïó ïàòòåðíîâ óäàðíûõ “002: Pop 2”.
Îòêëþ÷åíèå ðåæèìà Dual
Íàæìèòå êíîïêó [DUAL], îíà ïîãàñíåò.
Ðåæèì Dual îòêëþ÷èòñÿ.
Âàæíàÿ
ôóíêöèÿ
Íàñëîåíèå ïàò÷åé — êíîïêà [DUAL]
Áëàãîäàðÿ ðåæèìó “Dual”, ìîæíî îäíîâðåìåííî âîñïðîèçâîäèòü äâà ðàçëè÷íûõ ïàò÷à.
Ïîñëå âûáîðà ïåðâîãî ïàò÷à íàæìèòå êíîïêó [DUAL] è âûáåðèòå âòîðîé ïàò÷, íàêëàäûâàåìûé íà
ïåðâûé.
Ïðè ïåðâîì íàæàòèè êíîïêè [DUAL] îíà çàãîðèòñÿ, è ðåæèì Dual âêëþ÷èòñÿ.
Ïðè âòîðîì íàæàòèè êíîïêè [DUAL] îíà ïîãàñíåò, è ðåæèì Dual îòêëþ÷èòñÿ.
Tip
Èãðà íåñêîëüêèìè ïàò÷àìè — êíîïêà [PERFORM]
Ïðè îäíîâðåìåííîì èñïîëüçîâàíèè íåñêîëüêèõ ïàò÷åé, íàïðèìåð, â ðåæèìàõ Dual, Split (ñòð. 33) è
Super Layer (ñòð. 41), çàãîðàåòñÿ êíîïêà [PERFORM].
Ïîñëå èçìåíåíèÿ óñòàíîâîê (íàïðèìåð, èñïîëüçóåìîãî ïàò÷à) â ðåæèìàõ Dual, Split èëè Layer, èõ ìîæíî
ñîõðàíèòü â ÿ÷åéêè ïàìÿòè ñ íîìåðàìè îò 501 äî 564 (ñòð. 52).
Êíîïêà [PERFORM] òàêæå èìååò íåñêîëüêî ïðåñåòîâ äëÿ èãðû íåñêîëüêèìè ïàò÷àìè. “Ïåðôîðìàíñîì”
íàçûâàåòñÿ ñîâîêóïíîñòü óñòàíîâîê, îïðåäåëÿþùèõ ðåæèì îäíîâðåìåííîãî âîñïðîèçâåäåíèÿ
íåñêîëüêèõ ïàò÷åé.
Åñëè íàæàòü êíîïêó [PERFORM], â âåðõíåé ÷àñòè ýêðàíà îòîáðàçèòñÿ íàçâàíèå ïåðôîðìàíñà.
31
Èãðà â ñòèëå “ðèòì ýíä áëþç”
Íèæå îïèñàíà èãðà â ñòèëå R&B ñ èñïîëüçîâàíèåì ôóíêöèè “Split” äëÿ èñïîëíåíèÿ ïàðòèè áàñà ëåâîé ðóêîé è
ïàðòèè ôîðòåïèàíî — ïðàâîé. Òàêæå ìîæíî èñïîëüçîâàòü ôóíêöèþ “Octave Shift” äëÿ ïîíèæåíèÿ íà îêòàâó
ïàò÷à ïðàâîé ðóêè.
Ôóíêöèÿ “Rhythm Pattern” ïîçâîëÿåò âîñïðîèçâîäèòü ïàòòåðíû óäàðíûõ, êîòîðûå ìîæíî èñïîëüçîâàòü â
êà÷åñòâå ðèòìè÷åñêîãî àêêîìïàíåìåíòà.
Èñïîëíåíèå R&B
Êíîïêà [SPLIT]
Êíîïêà [PIANO]
Êíîïêà [GUITAR/BASS]
Âûáîð ïàò÷à
Íàæìèòå êíîïêó [PIANO].
2
Êîëåñîì âûáåðèòå “063: EP Trem 1“.
Áóäåò âûáðàí ïàò÷ ýëåêòðîïèàíî.
Âêëþ÷åíèå ðåæèìà Split
Íàæìèòå êíîïêó [SPLIT], îíà çàãîðèòñÿ.
Ðåæèì Split âêëþ÷èòñÿ.
2
Íàæìèòå êíîïêó [GUITAR/BASS].
3
Êîëåñîì âûáåðèòå “Gt056: Finger Bs 1”.
Èìÿ ïåðôîðìàíñà
Áóäåò âûáðàí ïàò÷ áàñà.
Èìÿ ïàò÷à UPPER
×òîáû èñïîëíÿòü ðàçíûå ïàò÷è ïðàâîé è ëåâîé ðóêàìè, ìîæíî
ðàçäåëèòü êëàâèàòóðó, êàê óêàçàíî íà ðèñóíêå.
Ïàò÷ ëåâîé ðóêè íàçûâàåòñÿ “LOWER” (íèæíèé), ïàò÷ ïðàâîé
ðóêè íàçûâàåòñÿ “UPPER” (âåðõíèé).
Èìÿ ïàò÷à LOWER
Òî÷êà ðàçäåëà (C4)
LOWER
32
UPPER
Èãðà â ñòèëå “ðèòì ýíä áëþç”
R&B Split
=92
Èñïîëíåíèå
Èãðàéòå ïî íîòàì.
Âàæíàÿ
ôóíêöèÿ
Èñïîëíåíèå ðàçíûìè ïàò÷àìè — êíîïêà [SPLIT]
Ðåæèì Split ïîçâîëÿåò ðàçäåëèòü êëàâèàòóðó â çàäàííîé íîòå íà çîíû ïðàâîé è ëåâîé ðóê ñ âîñïðîèçâåäåíèåì ðàçëè÷íûõ ïàò÷åé â êàæäîé èç çîí.
Ïîñëå âûáîðà ïàò÷à äëÿ ïðàâîé ðóêè íàæìèòå êíîïêó [SPLIT] äëÿ ðàçäåëåíèÿ êëàâèàòóðû íà äâå çîíû. Çàòåì âûáåðèòå ïàò÷ äëÿ ëåâîé ðóêè.
Ïðè ïåðâîì íàæàòèè êíîïêè [SPLIT] îíà çàãîðèòñÿ, è ðåæèì Split âêëþ÷èòñÿ.
Ïðè âòîðîì íàæàòèè êíîïêè [SPLIT] îíà ïîãàñíåò, è ðåæèì Split îòêëþ÷èòñÿ.
Äåéñòâèå
Ñìåíà òî÷êè ðàçäåëà êëàâèàòóðû
 ðåæèìå Split ìîæíî ìåíÿòü òî÷êó ðàçäåëà êëàâèàòóðû:
1.
Êîãäà êíîïêà [SPLIT] ãîðèò, óäåðæèâàÿ êíîïêó [SPLIT], íàæìèòå êëàâèøó, ñîîòâåòñòâóþùóþ íîâîé òî÷êå
ðàçäåëà.
Âçÿòàÿ íîòà ñòàíåò òî÷êîé ðàçäåëà.
Òî÷êà ðàçäåëà âõîäèò â çîíó UPPER.
2.
Ïî îêîí÷àíèè óñòàíîâêè íàæìèòå êíîïêó [EXIT].
33
Èãðà â ñòèëå “ðèòì ýíä áëþç”
Êîëåñî
Êíîïêè OCTAVE [DOWN]/[UP]
Êíîïêà [RHYTHM PATTERN]
Êíîïêà [PLAY/STOP]
Ñäâèã âûñîòû ñòðîÿ ïàðòèè ïðàâîé ðóêè íà îêòàâó
Ìîæíî òðàíñïîíèðîâàòü ïàò÷ Upper ïàðòèè ïðàâîé ðóêè íà îêòàâó âíèç.
Íàæìèòå êíîïêó [
âåðõíåãî ïàò÷à.
] äëÿ ïåðåìåùåíèÿ êóðñîðà íà íîìåð
Áóäåò âûáðàí ïàò÷ Upper.
2
Íàæìèòå êíîïêó OCTAVE [DOWN].
Ïàðòèÿ UPPER áóäåò òðàíñïîíèðîâàíà íà îêòàâó âíèç.
Èçìåíåíèå âûñîòû ñòðîÿ ñ øàãîì â îêòàâó —
êíîïêè OCTAVE [DOWN]/[UP]
Âàæíàÿ
ôóíêöèÿ
Ìîæíî èçìåíÿòü âûñîòó ñòðîÿ ñ øàãîì â îêòàâó. Ýòà ôóíêöèÿ íàçûâàåòñÿ “Octave Shift”.
Åñëè ïðàâîé ðóêîé èñïîëíÿåòñÿ, íàïðèìåð, ëèíèÿ áàñà, ÷òîáû äîáèòüñÿ åñòåñòâåííîñòè çâó÷àíèÿ,
ìîæíî òðàíñïîíèðîâàòü êëàâèàòóðó íà îäíó èëè äâå îêòàâû âíèç.
Äëÿ òðàíñïîíèðîâàíèÿ ïî îêòàâàì èñïîëüçóþòñÿ êíîïêè OCTAVE [DOWN] è [UP].
Íàæàòèå êíîïêè [DOWN] ïîíèæàåò âûñîòó ñòðîÿ íà îäíó îêòàâó, à íàæàòèå [UP] — óâåëè÷èâàåò.
Äîñòóïíà ðåãóëèðîâêà âûñîòû ñòðîÿ â ïðåäåëàõ îò òðåõ îêòàâ âíèç (-3) äî òðåõ îêòàâ ââåðõ (+3).
Memo Òàêæå ñì. “Îêòàâíûé ñäâèã (Octave Shift)” (ñòð. 67).
Âîñïðîèçâåäåíèå ïàòòåðíîâ óäàðíûõ
Íàæìèòå êíîïêó [RHYTHM PATTERN], îíà çàãîðèòñÿ.
Âêëþ÷èòñÿ ðåæèì Rhythm Pattern, è îòîáðàçèòñÿ ýêðàí “RHYTHM
PATTERN”.
2
34
Êîëåñîì âûáåðèòå “017: R&B”.
Èãðà â ñòèëå “ðèòì ýíä áëþç”
R&B Split
3
=92
Íàæìèòå êíîïêó [PLAY/STOP].
Çàïóñòèòñÿ âîñïðîèçâåäåíèå ïàòòåðíà R&B.
Èãðàéòå ïîä íåãî ïî íîòàì.
4
Íàæìèòå êíîïêó [PLAY/STOP] äëÿ îñòàíîâà âîñïðîèçâåäåíèÿ ïàòòåðíà óäàðíûõ.
Îòêëþ÷åíèå âñåõ ôóíêöèé
Åñëè íàæàòü êíîïêó [SPLIT], îíà ïîãàñíåò, è ðåæèì Split îòêëþ÷èòñÿ.
Åñëè îäíîâðåìåííî íàæàòü êíîïêè OCTAVE [DOWN] è [UP], çíà÷åíèå Octave Shift âåðíåòñÿ ê “0”, è
âûñîòà ñòðîÿ êëàâèàòóðû áóäåò âîññòàíîâëåíà.
Åñëè íàæàòü êíîïêó [RHYTHM PATTERN], îíà ïîãàñíåò, è ðåæèì Rhythm Pattern îòêëþ÷èòñÿ.
Âàæíàÿ
ôóíêöèÿ
Âîñïðîèçâåäåíèå ïàòòåðíîâ óäàðíûõ — êíîïêà [RHYTHM PATTERN]
JUNO-Di ñîäåðæèò ìíîæåñòâî ïàòòåðíîâ óäàðíûõ äëÿ ðàáîòû â ðàçëè÷íûõ ìóçûêàëüíûõ ñòèëÿõ.
Îäíè ïàòòåðíû óäàðíûõ èñïîëüçóþò íåáîëüøîå êîëè÷åñòâî èíñòðóìåíòîâ, äðóãèå ÿâëÿþòñÿ áîëåå
íàñûùåííûìè. Ïàòòåðíû, êîòîðûå çàäåéñòâóþò ìíîãî èíñòðóìåíòîâ óäàðíûõ, ìîæíî èñïîëüçîâàòü
äëÿ ïðèïåâîâ, ïåðåõîäîâ ìåæäó êóïëåòàìè èëè ïðîñòî â êà÷åñòâå ðèòìè÷åñêîãî àêêîìïàíåìåíòà
ïðè èìïðîâèçàöèÿõ.
Memo
Òàêæå ñì. “Âîñïðîèçâåäåíèå ïàòòåðíîâ óäàðíûõ (êíîïêà [RHYTHM PATTERN])” (ñòð. 74).
Äåéñòâèå
Ñìåíà ãðóïïû ïàòòåðíîâ óäàðíûõ
×òîáû èçìåíèòü ãðóïïó ïàòòåðíîâ óäàðíûõ (ñòèëü):
1.
Íàæìèòå êíîïêó [RHYTHM PATTERN], îíà çàãîðèòñÿ.
2.
Êîëåñîì âûáåðèòå ãðóïïó ïàòòåðíîâ óäàðíûõ.
Èìÿ ãðóïïû ïàòòåðíîâ óäàðíûõ
Ïàòòåðí óäàðíûõ èçìåíèòñÿ.
Memo
Ñì. “Ñïèñîê ãðóïï ïàòòåðíîâ óäàðíûõ” (ñòð. 124).
Èìÿ íàáîðà óäàðíûõ
35
Èñïîëíåíèå â ñòèëå Bossa Nova
Íèæå îïèñàíî èñïîëüçîâàíèå ïàòòåðíà Bossa Nova äëÿ èñïîëíåíèÿ ëåâîé ðóêîé. Ôóíêöèÿ “Chord Memory”
ïîçâîëÿåò âîñïðîèçâîäèòü ñëîæíûå àêêîðäû ñ ïîìîùüþ âñåãî îäíîé êëàâèøè. Ôóíêöèÿ “Arpeggio” ãåíåðèðóåò àðïåäæèî íà îñíîâå âçÿòûõ àêêîðäîâ.
Èñïîëíåíèå Bossa Nova
Êíîïêà [CHORD MEMORY]
Êíîïêà [GUITAR/BASS]
Êíîïêà [ARPEGGIO]
Êîëåñî
Âûáîð ïàò÷à
Íàæìèòå êíîïêó [GUITAR/BASS].
2
Êîëåñîì âûáåðèòå “009: Bright Nylon”.
Áóäåò âûáðàí ïàò÷ ãèòàðû.
Âêëþ÷åíèå ôóíêöèè Chord Memory
Íàæìèòå êíîïêó [CHORD MEMORY], îíà çàãîðèòñÿ.
Ôóíêöèÿ Chord Memory âêëþ÷èòñÿ.
Îòîáðàçèòñÿ ýêðàí “CHORD MEMORY”.
2
Êîëåñîì âûáåðèòå íàáîð àêêîðäîâ “005: Jazz 3”.
Èìÿ íàáîðà àêêîðäîâ
Íà êàæäóþ êëàâèøó áóäåò íàçíà÷åí àêêîðä. Âçÿòèå íîòû C (äî)
âîñïðîèçâåäåò àêêîðä CM9 C-E-G-B-D (äî-ìè-ñîëü-ñè-ðå.)
Óñòàíîâêè ôóíêöèè Chord Memory
Âêëþ÷åíèå ôóíêöèè Arpeggio
Íàæìèòå êíîïêó [ARPEGGIO], îíà çàãîðèòñÿ.
Ôóíêöèÿ Arpeggio âêëþ÷èòñÿ.
36
Èñïîëíåíèå â ñòèëå Bossa Nova
Ac. Guitar (Bossa Nova)
=102
°
Îòîáðàçèòñÿ ýêðàí “ARPEGGIO”.
Èìÿ ñòèëÿ àðïåäæèî
2
Êîëåñîì âûáåðèòå ñòèëü àðïåäæèî “123: Key Bckng1(a)”.
Óñòàíîâêè ôóíêöèè Arpeggio
°
Èñïîëíåíèå
Èãðàéòå ïî íîòàì.
Âêëþ÷èòå ôóíêöèè Chord Memory è Arpeggio è ñûãðàéòå ïàðòèþ, ïîìå÷åííóþ “PLAY” â ïàðòèòóðå. Ýòî áóäåò íàìíîãî ïðîùå, ÷åì âûèãðûâàíèå ïàðòèè “CM/ARP”.
Òàêæå äëÿ âîñïðîèçâåäåíèÿ ïàòòåðíà óäàðíûõ Bossa Nova ìîæíî âûïîëíèòü ïðîöåäóðó, îïèñàííóþ íà ñòð. 34 – 35. Äëÿ ýòîãî âûáåðèòå ãðóïïó ïàòòåðíîâ óäàðíûõ “015: Bossa”.
Îòêëþ÷åíèå âñåõ ôóíêöèé
Åñëè íàæàòü êíîïêó [CHORD MEMORY], îíà ïîãàñíåò, è ôóíêöèÿ Chord Memory îòêëþ÷èòñÿ.
Åñëè íàæàòü êíîïêó [ARPEGGIO], îíà ïîãàñíåò, è ôóíêöèÿ Arpeggio îòêëþ÷èòñÿ.
Âàæíàÿ
ôóíêöèÿ
Èãðà àêêîðäàìè âçÿòèåì îòäåëüíûõ íîò — êíîïêà [CHORD MEMORY]
Áëàãîäàðÿ ôóíêöèè “Chord Memory”, ìîæíî áåðÿ âñåãî îäíó íîòó, âîñïðîèçâåñòè àêêîðä ëþáîé ñëîæíîñòè.
Íàæìèòå êíîïêó [CHORD MEMORY], îíà çàãîðèòñÿ, è ôóíêöèÿ Chord Memory âêëþ÷èòñÿ.
×òîáû îòêëþ÷èòü ôóíêöèþ Chord Memory, åùå ðàç íàæìèòå êíîïêó [CHORD MEMORY], îíà ïîãàñíåò.
Memo
Âàæíàÿ
ôóíêöèÿ
Äîïîëíèòåëüíî ñì. “Óñòàíîâêè ïàìÿòè àêêîðäîâ” (ñòð. 69).
Èñïîëíåíèå àðïåäæèî — êíîïêà [ARPEGGIO]
Íàæìèòå êíîïêó [APPEGGIO], îíà çàãîðèòñÿ, è ôóíêöèÿ Arpeggio âêëþ÷èòñÿ.
“Àðïåäæèî” ïðåäñòàâëÿåò ñîáîé ñòèëü âîñïðîèçâåäåíèÿ, â êîòîðîì íîòû àêêîðäà èñïîëíÿþòñÿ ïîîòäåëüíîñòè. Äëÿ ðàáîòû ñ ôóíêöèåé Arpeggio íåîáõîäèìî áðàòü àêêîðäû, ÷òîáû àðïåäæèî âîñïðîèçâîäèëèñü ñîãëàñíî ñîñòàâëÿþùèì àêêîðä íîòàì.
Memo
Äîïîëíèòåëüíî ñì. “Óñòàíîâêè àðïåäæèî” (ñòð. 67).
37
Èñïîëíåíèå â ñòèëå “òåõíî”
Íèæå îïèñàíà ïðîöåäóðà âûáîðà ïàò÷à äëÿ èãðû â ñòèëå Techno íà÷àëà 80-õ ãîäîâ è èñïîëüçîâàíèÿ ðåãóëÿòîðîâ äëÿ óïðàâëåíèÿ çâóêîì â ðåàëüíîì âðåìåíè. Äëÿ óñèëåíèÿ ýêñïðåññèè èñïîëíåíèÿ òàêæå ìîæíî èñïîëüçîâàòü ôóíêöèþ Arpeggio è êîíòðîëëåð D Beam.
Èñïîëíåíèå Techno Sounds
Êîíòðîëëåð D Beam
Êîëåñî
Ðåãóëÿòîð [CUTOFF]
Ðåãóëÿòîð [RESONANCE]
Êíîïêà [SYNTH]
Êíîïêà [SOLO SYNTH]
Êíîïêà [ARPEGGIO]
Âûáîð ïàò÷à
Íàæìèòå êíîïêó [SYNTH].
2
Êîëåñîì âûáåðèòå “188: BPF Saw”.
°
Âêëþ÷åíèå ôóíêöèè Arpeggio
Íàæìèòå êíîïêó [ARPEGGIO], îíà çàãîðèòñÿ.
Âêëþ÷èòñÿ ôóíêöèÿ Arpeggio, è îòîáðàçèòñÿ ýêðàí “ARPEGGIO”.
2
Êîëåñîì âûáåðèòå ñòèëü àðïåäæèî “116: Sliced 9 (a)”.
Òðàíñïîíèðîâàíèå êëàâèàòóðû âíèç íà îêòàâó
Ðàçìåðîâ êëàâèàòóðû JUNO-Di íåäîñòàòî÷íî äëÿ èñïîëíåíèÿ ïàðòèè “Play” ïðèëàãàåìîé ïàðòèòóðû. Ïîýòîìó äëÿ òðàíñïîíèðîâàíèÿ êëàâèàòóðû íà îêòàâó âíèç òðåáóåòñÿ èñïîëüçîâàòü
ôóíêöèþ “Octave Shift” è èñïîëíÿòü ïàðòèþ íà îêòàâó âûøå, ÷åì â ïðèëàãàåìîé ïàðòèòóðå.
Íàæìèòå êíîïêó OCTAVE [DOWN].
Êëàâèàòóðà áóäåò òðàíñïîíèðîâàíà íà îêòàâó âíèç.
38
Èñïîëíåíèå â ñòèëå “òåõíî”
Techno Arp
=126
Èñïîëíåíèå
Èãðàéòå ïî íîòàì.
Âêëþ÷èòå ôóíêöèþ Arpeggio è ñûãðàéòå ïàðòèþ “Play” ïðèëàãàåìîé ïàðòèòóðû.
Áåðèòå íîòû íà îêòàâó âûøå, ÷åì â ïðèëàãàåìîé ïàðòèòóðå äëÿ èñïîëíåíèÿ ïàðòèè “Arp Rhy”.
Îòêëþ÷åíèå âñåõ ôóíêöèé
Åñëè íàæàòü êíîïêó [ARPEGGIO], îíà ïîãàñíåò, è ôóíêöèÿ Arpeggio îòêëþ÷èòñÿ.
Åñëè îäíîâðåìåííî íàæàòü êíîïêè OCTAVE [DOWN] è [UP], çíà÷åíèå Octave Shift âåðíåòñÿ ê “0”,
è âûñîòà ñòðîÿ êëàâèàòóðû áóäåò âîññòàíîâëåíà.
Âàæíàÿ
ôóíêöèÿ
Ìîäèôèêàöèÿ ïàò÷à — ðåãóëÿòîðû [CUTOFF]/[RESONANCE]
Äàííûå ðåãóëÿòîðû âîçäåéñòâóþò íà îïðåäåëåííûé äèàïàçîí
÷àñòîò ïàò÷à.
Âðàùåíèå ðåãóëÿòîðà [CUTOFF] âïðàâî ïîâûøàåò ïðîçðà÷íîñòü
çâóêà, âðàùåíèå âëåâî — ïðèãëóøàåò çâóê.
Âðàùåíèå ðåãóëÿòîðà [RESONANCE] âïðàâî óñèëèâàåò âûðàçèòåëüíîñòü çâóêà, âðàùåíèå âëåâî — óìåíüøàåò åå.
Memo
Âàæíàÿ
ôóíêöèÿ
Òàêæå ñì. “Ìîäèôèêàöèÿ çâóêà ðåãóëÿòîðàìè (SOUND MODIFY)” (ñòð. 65).
Ìîäèôèêàöèÿ ïàò÷à — êîíòðîëëåð D Beam/êíîïêà [SOLO SYNTH]
Êîíòðîëëåð D Beam ðàñïîëîæåí â âåðõíåé ëåâîé ÷àñòè èíñòðóìåíòà.
Èì ìîæíî óïðàâëÿòü, ïåðåìåùàþ ðóêó, êàê ïîêàçàíî íà ðèñóíêå.
Ïîä êîíòðîëëåðîì D Beam ðàñïîëîæåíû òðè êíîïêè, îïðåäåëÿþùèå
åãî ôóíêöèþ.  äàííîì ñëó÷àå, èñïîëüçóåì êíîïêó [SOLO SYNTH].
Íàæìèòå êíîïêó [SOLO SYNTH], îíà çàãîðèòñÿ. Ïåðåìåùàéòå ðóêó
ââåðõ-âíèç íàä êîíòðîëëåðîì D Beam äëÿ óïðàâëåíèÿ âûñîòîé ïàò÷à.
Ýòî ïîçâîëÿåò ñîçäàâàòü çâóêè, ñâîéñòâåííûå ìîíîôîíè÷åñêèì ñèíòåçàòîðàì.
Memo
Òàêæå ñì. “Óïðàâëåíèå çâóêîì ñ ïîìîùüþ êîíòðîëëåðà D
Beam” (ñòð. 63).
39
Èãðà çâóêàìè óäàðíûõ
JUNO-Di ñîäåðæèò ìíîæåñòâî íàáîðîâ óäàðíûõ, íàçíà÷àåìûõ íà êëàâèàòóðó è ñîäåðæàùèõ îãðîìíûé ñïåêòð
ïåðêóññèîííûõ èíñòðóìåíòîâ è çâóêîâûõ ýôôåêòîâ. Âûáðàâ íàáîð óäàðíûõ, ìîæíî èãðàòü çâóêàìè óäàðíûõ ñ
ïîìîùüþ êëàâèàòóðû.
Êíîïêà [RHYTHM]
S. Drum
B. Drum
Crush Cymbal
Hi-Hat
Âûáîð íàáîðà óäàðíûõ
Íàæìèòå êíîïêó [RHYTHM].
Áóäåò âûáðàí íàáîð óäàðíûõ “001: Pop Kit 1”.
°
Èñïîëíåíèå
Èãðàéòå ïî íîòàì.
Íà÷íèòå ñ èíñòðóìåíòîâ “B. Drum” è “S. Drum”, çàòåì äîáàâëÿéòå çâóêè “Hi-Hat”.
Drum Kit
40
=112
Èãðà ñèíòåçàòîðíûìè çâóêàìè
Íèæå îïèñàíî èñïîëíåíèå ïàò÷åì “Synth Lead”, êîòîðûé ÿâëÿåòñÿ íàèáîëåå ðàñïðîñòðàíåííûì ñðåäè ìíîæåñòâà ñèíòåçàòîðíûõ çâóêîâ.
Ñ ïîìîùüþ ôóíêöèè “Super Layer” ìîæíî îáîãàòèòü çâóê.
Èñïîëíåíèå Synthesizer Sounds
Êíîïêà [SUPER LAYER]
Êîëåñî
Êíîïêà [SYNTH]
Âûáîð ïàò÷à
Íàæìèòå êíîïêó [SYNTH].
2
Êîëåñîì âûáåðèòå “013: Saw Lead 4”.
°
Âêëþ÷åíèå ôóíêöèè Super Layer
Íàæìèòå êíîïêó [SUPER LAYER], îíà çàãîðèòñÿ.
Ôóíêöèÿ Super Layer âêëþ÷èòñÿ.
Îòêëþ÷åíèå ôóíêöèè Super Layer
Íàæìèòå êíîïêó [SUPER LAYER], îíà ïîãàñíåò.
Ôóíêöèÿ Super Layer îòêëþ÷èòñÿ.
Âàæíàÿ
Îáîãàùåíèå çâóêà — êíîïêà [SUPER LAYER]
Èìÿ ïåðôîðìàíñà
ôóíêöèÿ
Ìîæíî îðãàíèçîâàòü ìíîãîêðàòíîå íàñëîåíèå îäíîãî ïàò÷à ñ íåáîëüøèì ñäâèãîì âûñîòû òîíà êàæäîãî ñëîÿ. Ýòî íàçûâàåòñÿ “ðàñ-
Èìÿ ïàò÷à
ñòðîéêà”.
Ñ ïîìîùüþ ôóíêöèè “Super Layer” ìîæíî ñîçäàòü íåñêîëüêî ðàññòðîåííûõ íàñëîåíèé ïàò÷à äëÿ îáîãàùåíèÿ îáùåãî çâó÷àíèÿ.
Êîëè÷åñòâî ïàðòèé
Íàæìèòå êíîïêó [SUPER LAYER]. Îíà çàãîðèòñÿ, è ôóíêöèÿ Super
Layer âêëþ÷èòñÿ.
Ñäâèã âûñîòû òîíà
×òîáû îòêëþ÷èòü Super Layer, ñíîâà íàæìèòå êíîïêó [SUPER LAYER], îíà ïîãàñíåò.
41
Èñïîëíåíèå ïîä âîêàë
Ìîæíî ïîäêëþ÷èòü ê JUNO-Di îïöèîíàëüíûé ìèêðîôîí è ïåòü â ïðîöåññå èñïîëíåíèÿ. Äëÿ ýòîãî ìîæíî
èñïîëüçîâàòü ëþáóþ ïðèãëÿíóâøóþñÿ èç ïðèëàãàåìûõ íîòíóþ ïàðòèòóðó.
 JUNO-Di ìîæíî óïðàâëÿòü ãðîìêîñòüþ è îáðàáîòêîé ñèãíàëà ìèêðîôîíà. Òàêæå ìîæíî èçìåíÿòü õàðàêòåð
ãîëîñà ïîñðåäñòâîì ýôôåêòà “Vocoder”.
Ñ ïîìîùüþ ôóíêöèè “Transpose” ìîæíî íàñòðîèòü òîíàëüíîñòü êëàâèàòóðû ïîä ëþáîé âîêàë.
Singing Along While You Play
Êíîïêà [PIANO]
Êîëåñî
Êíîïêà [VOCAL/PAD]
Êíîïêè êóðñîðà
Êíîïêà [SHIFT]
Èñïîëüçîâàíèå âîêîäåðà
Äåéñòâèå
Âûáåðèòå ýôôåêò “Vocoder” è îáðàáîòàéòå èì ãîëîñîâîé ñèãíàë ìèêðîôîíà.
1.
Íàæìèòå êíîïêó [VOCAL/PAD].
2.
Êîëåñîì âûáåðèòå “036: VOCODER Ens”.
3.
Èãðàÿ íà êëàâèàòóðå, ãîâîðèòå â ìèêðîôîí.
Ãîëîñ áóäåò îáðàáîòàí ýôôåêòîì âîêîäåðà. Âçÿòûå íà êëàâèàòóðå íîòû çàäàþò
âûñîòó òîíà.
Äëÿ ðàáîòû ýôôåêòà âîêîäåðà íåîáõîäèìî îäíîâðåìåííî ïåòü è èãðàòü íà
êëàâèàòóðå, èíà÷å çâóêà íå áóäåò.
Åñëè âûáðàí îòëè÷íûé îò “036: VOCODER Ens” ïàò÷, åãî ìîæíî
Memo
Term
àíàëîãè÷íî îáðàáîòàòü ñ ïîìîùüþ ýôôåêòà “79: VOCODER”.
Âîêîäåð
Âîêîäåð ñëóæèò äëÿ îáðàáîòêè ÷åëîâå÷åñêîãî ãîëîñà, ïðèäàâàÿ åìó àòîíàëüíûé ðîáîòîïîäîáíûé
ïðèçâóê.
42
Èñïîëíåíèå ïîä âîêàë
Äåéñòâèå
Íàñòðîéêà âîêîäåðà
Âûáåðèòå ýôôåêò “Vocoder” è îáðàáîòàéòå èì ãîëîñ ñ ìèêðîôîíà.
1.
Íàæìèòå êíîïêó [VOCAL/PAD].
2.
Êîëåñîì âûáåðèòå “036: VOCODER Ens”.
3.
Óäåðæèâàÿ êíîïêó [SHIFT], íàæìèòå êíîïêó [PIANO].
Îòîáðàçèòñÿ ýêðàí “MFX”.
Áóäåò âûáðàí òèï ýôôåêòà “79:VOCODER”.
4.
Êíîïêîé [
5.
Êîëåñîì èçìåíèòå çíà÷åíèå.
Ïàðàìåòð
] âûáåðèòå íàñòðàèâàåìûé ïàðàìåòð.
Çíà÷åíèå
Îïèñàíèå
0 – 127
Âõîäíàÿ ÷óâñòâèòåëüíîñòü ìèêðîôîíà.
×åì áîëüøå çíà÷åíèå, òåì âûøå ÷óâñòâèòåëüíîñòü.
Çàâûøåííûå çíà÷åíèÿ ìîãóò ïðèâåñòè ê èñêàæåíèÿì çâóêà.
Synth Level
0 – 127
Âõîäíîé óðîâåíü ïàò÷à, âûáðàííîãî â JUNO-Di
×åì áîëüøå çíà÷åíèå, òåì âûøå óðîâåíü ãðîìêîñòè ïàò÷à.
Íåîáõîäèìî óñòàíàâëèâàòü áàëàíñ ìåæäó äàííûì ïàò÷åì è ãîëîñîâûì ñèãíàëîì ñ ìèêðîôîíà.
Mic Mix
0 – 127
Óðîâåíü ñèãíàëà ìèêðîôîíà, ìèêøèðóåìîãî ñ âûõîäîì âîêîäåðà.
×åì áîëüøå çíà÷åíèå, òåì âûøå óðîâåíü ïðÿìîãî ñèãíàëà.
Level
0 – 127
Óðîâåíü ñèãíàëà, ïðîõîäÿùåãî ÷åðåç âîêîäåð.
×åì áîëüøå çíà÷åíèå, òåì âûøå óðîâåíü ñèãíàëà ýôôåêòà.
Mic Sens
Âàæíàÿ
ôóíêöèÿ
Ðàáîòà ñ ìèêðîôîíîì — ðåãóëÿòîð MIC IN [VOLUME]/êíîïêà [REVERB]
Óðîâåíü ãîëîñîâîãî ñèãíàëà ñ ìèêðîôîíà, ïîäêëþ÷åííîãî ê
JUNO-Di, óñòàíàâëèâàåòñÿ ðåãóëÿòîðîì MIC IN [VOLUME].
Åñëè âêëþ÷èòü êíîïêó MIC IN [REVERB], ãîëîñîâîé ñèãíàë ñ ìèêðîôîíà áóäåò îáðàáîòàí ýôôåêòîì ðåâåðáåðàöèè. Îí ïîäîáåí ýõîýôôåêòó, èñïîëüçóåìîìó â êàðàîêå.
Ìîæíî íàñòðîèòü óðîâåíü ðåâåðáåðàöèè íà ìèêðî-
Memo ôîííîì âõîäå. Ñì. “Óñòàíîâêè, âîçäåéñòâóþùèå íà ðàáîòó âñåãî JUNO-Di (SYSTEM)”, ðàçäåë “Rev Level (Reverb Level)” (ñòð. 76).
43
Èñïîëíåíèå ïîä âîêàë
Êíîïêà [TRANSPOSE]
Êíîïêè [-] è [+]
Âàæíàÿ
ôóíêöèÿ
Èçìåíåíèå âûñîòû òîíà ñ øàãîì â ïîëóòîí — êíîïêà [TRANSPOSE]
Ôóíêöèÿ Transpose ïîçâîëÿåò èçìåíÿòü âûñîòó ñòðîÿ êëàâèàòóðû ñ øàãîì â ïîëóòîí. Ýòî óäîáíî
äëÿ ïîäñòðîéêè êëàâèàòóðû ïîä âîêàë êîíêðåòíîãî èñïîëíèòåëÿ.
Ýòî òàêæå óäîáíî äëÿ òðàíñïîíèðîâàíèÿ çâóêà èíñòðóìåíòà, íàïðèìåð, òðóáû èëè êëàðíåòà ïîä òîíàëüíîñòü, èñïîëüçóåìóþ â íîòíîé ïàðòèòóðå.
Äåéñòâèå
1.
Òðàíñïîíèðîâàíèå
Óäåðæèâàÿ êíîïêó [TRANSPOSE], íàæèìàéòå êíîïêó [-] èëè [+].
Çàäàéòå èíòåðâàë òðàíñïîíèðîâàíèÿ â ïîëóòîíàõ (G – F#: -5 – +6 ïîëóòîíîâ).
Ïðè íàæàòèè êíîïêè â âåðõíåé ÷àñòè ýêðàíà îòîáðàæàåòñÿ òåêóùàÿ óñòàíîâêà.
×åðåç íåêîòîðîå âðåìÿ ïîñëå îòïóñêàíèÿ êíîïêè âíåøíèé âèä ýêðàíà âîññòàíàâëèâàåòñÿ.
Åñëè çíà÷åíèå òðàíñïîíèðîâàíèÿ îòëè÷íî îò "C", êíîïêà [TRANSPOSE]
çàãîðàåòñÿ.
Äëÿ ñáðîñà çíà÷åíèÿ â “C”, óäåðæèâàÿ êíîïêó [TRANSPOSE], îäíîâðåìåííî íàæìèòå êíîïêè [-] è [+].
44
Êîíöåðòíîå èñïîëíåíèå
Ïðè ðàáîòå íà ñöåíå òðåáóåòñÿ áûñòðî ïåðåêëþ÷àòü ïàò÷è è óñòàíîâêè. Äëÿ ýòîãî ïðåäíàçíà÷åíà ôóíêöèÿ
“Favorite”, ïîçâîëÿþùàÿ íàçíà÷àòü ïàò÷è è óñòàíîâêè íà êíîïêè â òîì ïîðÿäêå, â êîòîðîì îíè áóäóò èñïîëüçîâàòüñÿ íà êîíöåðòå.
Íèæå òàêæå îïèñàíî èñïîëüçîâàíèå “ïëååðà ïüåñ” äëÿ âîñïðîèçâåäåíèÿ àóäèîäàííûõ.
Èñïîëíåíèå Live
FAVORITE 0 – 9
Êíîïêà FAVORITE [ON/OFF]
Íàçíà÷åíèå “ëþáèìûõ” çâóêîâ
Âîçìîæíî íàçíà÷åíèå ÷àñòî èñïîëüçóåìûõ ïàò÷åé è óñòàíîâîê, êîòîðûå çàäåéñòâóþò íåñêîøëüêî ïàò÷åé, íàïðèìåð, â ðåæèìàõ Split è Dual, íà äåñÿòü êíîïîê [0] – [9]. Ýòî ïîçâîëÿåò ìîìåíòàëüíî ïåðåêëþ÷àòü ýòè ïàò÷è è óñòàíîâêè íàæàòèåì îäíîé êíîïêè.
Íàïðèìåð, íàçíà÷èì â êà÷åñòâå ëþáèìûõ çâóêîâ âñå ïàò÷è, èñïîëüçóåìûå â ïàðòèòóðå íà
ñòð. 50, â ïîðÿäêå èõ èñïîëüçîâàíèÿ.
Âûáåðèòå íàçíà÷àåìûé ïåðôîðìàíñ èëè ïàò÷.
Êíîïêîé [PERFORM] âûáåðèòå “007: JUNO Di Lead”.
2
Óäåðæèâàÿ êíîïêó FAVORITE [ON/OFF], íàæìèòå êíîïêó [0].
Âûáðàííûé ïåðôîðìàíñ áóäåò íàçíà÷åí íà FAVORITE 0.
3
Ïîâòîðèòå øàãè 1 è 2 äëÿ íàçíà÷åíèÿ ïàò÷åé íà FAVORITE 1
è 2, êàê óêàçàíî â òàáëèöå.
FAVORITE
Êíîïêà
ïàò÷à
Ïàò÷
°
0
[PERFORM]
1
[PIANO]
2
[PERFORM]
007:
Pf051:
007:
JUNO Di Lead VelSpdWurly JUNO Di Lead
Çàãðóçêà “ëþáèìûõ” çâóêîâ
Íàæìèòå êíîïêó FAVORITE [ON/OFF], îíà çàãîðèòñÿ.
Íàæìèòå îäíó èç êíîïîê [1] – [9] äëÿ çàãðóçêè ëþáèìûõ çâóêîâ.
2
Êíîïêàìè [1] – [9] ââåäèòå íîìåð ëþáèìîãî çâóêà.
Áóäóò âûáèðàòüñÿ ëþáèìûå ïàò÷è èëè óñòàíîâêè.
45
Êîíöåðòíîå èñïîëíåíèå
Êíîïêà FAVORITE [BANK]
Êîëåñî
Êíîïêè êóðñîðà
Êíîïêà [MENU]
Êíîïêà [EXIT]
Êíîïêà [ENTER]
Êíîïêà FAVORITE [ON/OFF]
Âàæíàÿ
Íàçíà÷åíèå è çàãðóçêà ëþáèìûõ çâóêîâ — êíîïêè FAVORITE [ON/OFF]
è [BANK]
ôóíêöèÿ
Ôóíêöèÿ “Favorite” ïîçâîëÿåò ìîìåíòàëüíî ïåðåêëþ÷àòü ëþáèìûå çâóêè íàæàòèåì îäíîé êíîïêè.
Äëÿ íàçíà÷åíèÿ è çàãðóçêè ëþáèìûõ çâóêîâ ñëóæàò êíîïêè [0] – [9].
×òîáû ïåðåêëþ÷àòü ëþáèìûå çâóêè, äîëæíà áûòü âêëþ÷åíà êíîïêà FAVORITE [ON/OFF].
Ïðè íàçíà÷åíèè ëþáèìîãî çâóêà êíîïêà FAVORITE [ON/OFF] ìîæåò áûòü îòêëþ÷åíà.
• Äåñÿòü ëþáèìûõ çâóêîâ, 0 – 9, ñîñòàâëÿþò
íàáîð. Äîñòóïíî íàçíà÷åíèå äî 10 íàáîðîâ.
N¹ áàíêà
• Íàáîð ëþáèìûõ çâóêîâ 0 – 9 çàïèñûâàåòñÿ â
0
âèäå “áàíêà”.
N¹ ëþáèìîãî çâóêà (FAVORITE)
0
1
2
3
4
:
9
5
6
7
8
9
5
6
7
8
9
:
0
1
2
3
4
Äëÿ íàçíà÷åíèÿ â êà÷åñòâå ëþáèìûõ óñòàíîâîê êëàâèàòóðû, íàïðèìåð, ïàò÷åé èëè òî÷êè
ðàçäåëà, èõ ïðåäâàðèòåëüíî òðåáóåòñÿ ñîõðàíèòü.
Ñì. “Ñîõðàíåíèå óñòàíîâîê — êíîïêà [WRITE]” (ñòð. 52).
Memo
Äåéñòâèå
Ìîæíî ïîäòâåðäèòü íàçíà÷åíèå ëþáèìûõ çâóêîâ èëè óäàëèòü èõ.
Ñì. ““Ëþáèìûå” óñòàíîâêè” (ñòð. 69).
Ïåðåêëþ÷åíèå áàíêîâ ëþáèìûõ çâóêîâ
Ïðè ðàáîòå íà êîíöåðòå óäîáíî ñîçäàâàòü äëÿ êàæäîé ïüåñû îòäåëüíûé áàíê ñî ñâîåé êîíôèãóðàöèåé ïàò÷åé è
äðóãèõ óñòàíîâîê. Áàíêè ëþáèìûõ çâóêîâ ìîæíî ìåíÿòü è ïðè îòêëþ÷åííîé êíîïêå FAVORITE [ON/OFF].
1.
Íàæìèòå êíîïêó FAVORITE [BANK], îíà çàãîðèòñÿ.
Ñîîòâåòñòâóþùàÿ òåêóùåìó áàíêó êíîïêà [0] – [9] íà÷íåò ìèãàòü.
]
2.
Íàæìèòå îäíó èç êíîïîê îò [0] äî [9].
Áóäåò âûáðàí áàíê, ñîîòâåòñòâóþùèé íàæàòîé êíîïêå.
46
Êîíöåðòíîå èñïîëíåíèå
Íàçíà÷åíèå ôóíêöèé íà ïåäàëü
Ïîñëå íàçíà÷åíèÿ ëþáèìûõ çâóêîâ, èõ ìîæíî ïåðåêëþ÷àòü ñ ïîìîùüþ ïåäàëè. Ýòî ïîçâîëÿåò
ìåíÿòü ëþáèìûå çâóêè, íå îòðûâàÿ ðóê îò êëàâèàòóðû.
Memo
Òàêæå ñì. “Ïîäêëþ÷åíèå ïåäàëè” (ñòð. 19).
Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí ìåíþ.
2
Êíîïêàìè [
] [
êíîïêó [ENTER].
] âûáåðèòå “SYSTEM” è íàæìèòå
Îòîáðàçèòñÿ ýêðàí ñèñòåìíûõ óñòàíîâîê (ñòð. 75).
3
Êíîïêàìè [
] [
“HOLD PEDAL”.
] â âåðõíåé ÷àñòè ýêðàíà âûáåðèòå
Îòîáðàçèòñÿ ýêðàí óñòàíîâîê ïåäàëè.
4
Êîëåñîì âûáåðèòå “FAV-UP” (Favorite Up).
Òåïåðü ïåäàëü áóäåò ïðè êàæäîì íàæàòèè ïåðåêëþ÷àòü ëþáèìûå çâóêè.
5
Íàæìèòå êíîïêó [EXIT].
Óñòàíîâêà áóäåò ñîõðàíåíà.
Ñîõðàíåíèå àóäèîäàííûõ íà íàêîïèòåëü USB
Ñ ïîìîùüþ êîìïüþòåðà ñêîïèðóéòå íà íàêîïèòåëü USB ñ ïðèëàãàåìîãî CD-ROM àóäèîäàííûå,
íåîáõîäèìûå äëÿ èñïîëíåíèÿ.
 ïàïêå “Audio Files” íà ïðèëàãàåìîì CD-ROM âûáåðèòå
àóäèîôàéë “JUNO-Di_Song_Backing.wav” è ñêîïèðóéòå åãî
íà íàêîïèòåëü USB.
JUNO-Di_Song_
Backing.wav
Íàêîïèòåëü USB
47
Êîíöåðòíîå èñïîëíåíèå
Ðàçúåì EXT INPUT
Êíîïêà [SONG LIST]
Ðàçúåì USB MEMORY
Êíîïêà [NUMERIC]
Êíîïêà [PLAY/STOP]
Èñïîëüçîâàíèå ïëååðà ïüåñ
Ñ ïîìîùüþ ôóíêöèè “Song Player” ìîæíî âîñïðîèçâîäèòü ïüåñû, ñîäåðæàùèå àóäèîäàííûå.
Ïîäêëþ÷èòå íàêîïèòåëü USB ê ðàçúåìó USB MEMORY.
Íàêîïèòåëü USB
2
Íàæìèòå êíîïêó [SONG LIST], îíà çàãîðèòñÿ.
Îòîáðàçèòñÿ ýêðàí ñïèñêà ïüåñ.
Èìÿ ñïèñêà âîñïðîèçâåäåíèÿ
Èìÿ ïüåñû
3
Êîëåñîì âûáåðèòå ïüåñó äëÿ âîñïðîèçâåäåíèÿ
(JUNO_Di_Song_Backing.wav).
4
Íàæìèòå êíîïêó [PLAY/STOP].
Âûáðàííàÿ ïüåñà íà÷íåò âîñïðîèçâîäèòüñÿ.
5
Äëÿ îñòàíîâà âîñïðîèçâåäåíèÿ ïîâòîðíî íàæìèòå êíîïêó
[PLAY/STOP].
Ïðè ñëåäóþùåì íàæàòèè êíîïêè [PLAY/STOP] âîñïðîèçâåäåíèå
ïüåñû ïðîäîëæèòñÿ ñ òî÷êè îñòàíîâà.
48
Êîíöåðòíîå èñïîëíåíèå
°
Èñïîëíåíèå
Íàæìèòå êíîïêó [PLAY/STOP] äëÿ âîñïðîèçâåäåíèÿ ïüåñû è ñûãðàéòå ïàðòèþ, îòìå÷åííóþ â
ïàðòèòóðå ïîìåòêîé “Lead”.
Åñëè íàæàòü ïåäàëü â ìîìåíò âðåìåíè, îòìå÷åííûé ìåòêîé “
êëþ÷àòñÿ, è ïàò÷ êëàâèàòóðû èçìåíèòñÿ.
”, ëþáèìûå óñòàíîâêè ïåðå-
Ïîýêñïåðèìåíòèðóéòå ñ ðàçëè÷íûìè âàðèàöèÿìè, íàïðèìåð, èçìåíèòå ëþáèìûé ïàò÷ èëè
âêëþ÷èòå ðåæèì Split, ÷òîáû ñûãðàòü ïàðòèþ, îáîçíà÷åííóþ â ïàðòèòóðå ñåðûì öâåòîì.
Âàæíàÿ
ôóíêöèÿ
Âîñïðîèçâåäåíèå ïüåñ — êíîïêà [SONG LIST]
Ôóíêöèÿ “Song Player” ïîçâîëÿåò âîñïðîèçâîäèòü ïüåñû (àóäèîôàéëû/SMF) ñ íàêîïèòåëÿ USB.
Ïîðÿäîê âîñïðîèçâåäåíèÿ ïüåñ îïðåäåëÿåòñÿ â ñïèñêå âîñïðîèçâåäåíèÿ (Playlist). Èñïîëüçîâàíèå
ôóíêöèè “Playlist” óäîáíî ïðè ñîçäàíèè ñïèñêà âîñïðîèçâåäåíèÿ ïüåñ, â êîòîðîì ïüåñû óïîðÿäî÷åíû íóæíûì îáðàçîì.
Ñïèñîê ïüåñ â ñïèñêå âîñïðîèçâåäåíèÿ íàçûâàåòñÿ “ñïèñêîì ïüåñ” (Song List).
Äëÿ âûáîðà ïüåñ ïîäêëþ÷èòå ê JUNO-Di íàêîïèòåëü USB è íàæìèòå êíîïêó [SONG LIST].
Memo
Òàêæå ñì. “Èñïîëüçîâàíèå ïëååðà ïüåñ” (ñòð. 71).
Memo “Ñïèñîê âîñïðîèçâåäåíèÿ” ìîæíî ñîçäàòü â ïðèëàãàåìîé ïðîãðàììå “Playlist Editor”.
Tip
Âûáîð ïàò÷åé ïî èõ íîìåðó — êíîïêà [NUMERIC]
Åñëè âêëþ÷èòü êíîïêó [NUMERIC], êíîïêàìè [0] – [9] ìîæíî ââîäèòü ÷èñëîâûå çíà÷åíèÿ.
Ýòî ïîçâîëÿåò âûáèðàòü ïàò÷è, ââîäÿ èõ íîìåðà.
1.
Íàæìèòå îäíó èç êíîïîê ïàò÷åé.
2.
Íàæìèòå êíîïêó [NUMERIC], îíà çàãîðèòñÿ.
3.
Êíîïêàìè [0] – [9] çàäàéòå íîìåð.
4.
Íàæìèòå êíîïêó [ENTER] äëÿ ïîäòâåðæäåíèÿ.
Áóäåò âûáðàí ïàò÷ ñ çàäàííûì íîìåðîì.
Tip
Èñïîëüçîâàíèå àóäèîïëååðîâ
Àóäèîóñòðîéñòâî, íàïðèìåð, MP3-ïëååð, ìîæíî ïîäêëþ÷èòü ê ðàçúåìó EXT INPUT íà JUNO-Di è ïðîñëóøèâàòü âîñïðîèçâîäèìûå èì àóäèîñèãíàëû.
49
Êîíöåðòíîå èñïîëíåíèå
Juno-Di Song
Ñìåíà FAVORITE
Ñìåíà FAVORITE
50
Êîíöåðòíîå èñïîëíåíèå
fig.score–09-2.eps_90
51
Ñîõðàíåíèå óñòàíîâîê —
êíîïêà [WRITE]
Åñëè â ðåæèìå Split èçìåíåíû óñòàíîâêè ïàò÷åé èëè îêòàâ èëè åñëè èçìåíåíû ýôôåêòû äëÿ âûáðàííîãî ïàò÷à, ïîñëå îòêëþ÷åíèÿ ïèòàíèÿ èëè ïåðåêëþ÷åíèÿ ïàò÷à äàííûå èçìåíåíèÿ áóäóò
óòåðÿíû. ×òîáû ýòîãî íå ïðîèçîøëî, ñîõðàíèòå óñòàíîâêè.
Ïàò÷è è óñòàíîâêè ñîõðàíÿþòñÿ â ïîëüçîâàòåëüñêóþ ïàìÿòü (User), íóìåðàöèÿ ÿ÷ååê êîòîðîé
íà÷èíàåòñÿ ñ 501.
Ïðè âíåñåíèè êàêèõ-ëèáî èçìåíåíèé â ïàò÷è, èõ èìåíà èëè èõ óñòàíîâêè, ïîñëå èìåíè ïàò÷à
Memo
íà ýêðàíå îòîáðàæàåòñÿ çâåçäî÷êà (*). Îíà ïðîïàäàåò ïîñëå ñîõðàíåíèÿ óñòàíîâêè.
Òàêæå ñì. “Ñîõðàíåíèå óñòàíîâîê” (ñòð. 62).
Îòðåäàêòèðóéòå âûáðàííûå óñòàíîâêè.
2
Íàæìèòå êíîïêó [WRITE].
Îòîáðàçèòñÿ ýêðàí “WRITE”.
Íîìåð ÿ÷åéêè ïàìÿòè
Èìÿ
3
4
Êîëåñîì âûáåðèòå íîìåð ÿ÷åéêè äëÿ ñîõðàíåíèÿ.
5
Çàäàéòå èìÿ óñòàíîâêè.
Êíîïêîé [
] ïåðåìåñòèòå êóðñîð (_) â íèæíþþ
÷àñòü äèñïëåÿ.
Îòíîñèòåëüíî îïðåäåëåíèÿ èìåíè ñì. ñòð. 58.
6
Ââåäÿ èìÿ, íàæìèòå êíîïêó [ENTER] èëè [WRITE].
Îòîáðàçèòñÿ çàïðîñ íà ïîäòâåðæäåíèå.
7
Íàæìèòå êíîïêó [ENTER] äëÿ ñîõðàíåíèÿ óñòàíîâêè.
Äëÿ îòêàçà îò ñîõðàíåíèÿ íàæìèòå êíîïêó [EXIT].
Íå îòêëþ÷àéòå ïèòàíèå èíñòðóìåíòà â ïðîöåññå ñîõðàíåíèÿ óñòàíîâîê.
Memo
52
Äëÿ áûñòðîãî äîñòóïà ê óñòàíîâêàì, ñîõðàíåííûì â ÿ÷åéêàõ ïàìÿòè îò 501 è âûøå, íàæìèòå
êíîïêó ïàò÷à è íåñêîëüêî ðàç êíîïêó [
].
Ñïðàâî÷íèê
53
Îáçîð
Îðãàíèçàöèÿ JUNO-Di
JUNO-Di ñîñòîèò èç ñåêöèè êîíòðîëëåðîâ, ñåêöèè òîí-ãåíåðàòîðà è
ñåêöèè ïëååðà ïüåñ.
fig.BasicStruct-e.eps
Ñåêöèÿ ïëååðà ïüåñ
Âîñïðîèçâåäåíèå
Ïëååð ïüåñ
Ïàòòåðí óäàðíûõ
Ñåêöèÿ
òîí-ãåíåðàòîðà
Óñòàíîâêè êëàâèàòóðû äëÿ
èñïîëíåíèÿ íà JUNO-Di
Åñëè íå âäàâàòüñÿ â ïîäðîáíîñòè, èñïîëíåíèå íà JUNO-Di îñóùåñòâëÿåòñÿ äâóìÿ ñïîñîáàìè — çâóêîì îäíîãî ïàò÷à (íàïðèìåð, ðîÿëÿ
èëè ãèòàðû) èëè æå çâóêàìè íåñêîëüêèõ ïàò÷åé îäíîâðåìåííî, íàïðèìåð, ëèíèÿ áàñà èñïîëíÿåòñÿ ëåâîé ðóêîé, à ôîðòåïèàííàÿ ìåëîäèÿ — ïðàâîé.
Èãðà îäíèì çâóêîì
Èãðà
Ñåêöèÿ êîíòðîëëåðîâ
(êëàâèàòóðà, äæîéñòèê è ò.ä.)
Ñåêöèÿ êîíòðîëëåðîâ
Êíîïêàìè [RHYTHM] – [SYNTH] âûáåðèòå òðåáóåìûé ïàò÷.
Êíîïêè ãðóïï ïàò÷åé îáåñïå÷èâàþò äîñòóï ê ïîäãðóïïàì. Íàïðèìåð,
êíîïêà [PIANO] ïîçâîëÿåò âûáèðàòü êàê çâóêè ôîðòåïèàíî, òàê è çâóêè ýëåêòðîïèàíî, à êíîïêà [GUITAR/BASS] ðåàëèçóåò äîñòóï ê çâóêàì
ãèòàð è áàñ-ãèòàð. Äëÿ âûáîðà ïîäãðóïïû íàæìèòå ñîîòâåòñòâóþùóþ
êíîïêó, à çàòåì èñïîëüçóéòå êíîïêè [
][
]. Åñëè èìåþòñÿ ñîõðàíåííûå ïîëüçîâàòåëüñêèå ïàò÷è, èõ ìîæíî âûáèðàòü ñ ïîìîùüþ
êíîïêè [
].
Ýòà ñåêöèÿ ñîñòîèò èç êëàâèàòóðû, äæîéñòèêà, êîíòðîëëåðà D Beam,
ðåãóëÿòîðîâ è êíîïîê ïàíåëè, à òàêæå ïåäàëè, êîòîðàÿ ïîäêëþ÷àåòñÿ
ê òûëüíîé ïàíåëè. Èíôîðìàöèÿ îá èñïîëíåíèè, ãåíåðèðóåìàÿ ïðè
íàæàòèè/îòïóñêàíèè êëàâèøè èëè íàæàòèè ïåäàëè Hold, ïðåîáðàçîâûâàåòñÿ â MIDI-ñîîáùåíèÿ è ïîäàåòñÿ â ñåêöèþ òîí-ãåíåðàòîðà è/
èëè íà âíåøíåå MIDI-óñòðîéñòâî.
Êíîïêîé [RHYTHM] âûáèðàþòñÿ íàáîðû óäàðíûõ, ñîñòîÿùèå èç ïåðêóññèîííûõ èíñòðóìåíòîâ, íàçíà÷åííûõ íà íîòû êëàâèàòóðû.
Ñåêöèÿ òîí-ãåíåðàòîðà
Èãðà íåñêîëüêèìè çâóêàìè
Ýòà ñåêöèÿ ïðîèçâîäèò çâóê. Îíà ïîëó÷àåò MIDI-ñîîáùåíèÿ îò ñåêöèè êîíòðîëëåðîâ è/èëè âíåøíåãî MIDI-óñòðîéñòâà, ãåíåðèðóåò ìóçûêàëüíûé ñèãíàë ñîãëàñíî ïðèíÿòûì MIDI-ñîîáùåíèÿì è ïåðåäàåò
åãî íà âûõîäíûå ðàçúåìû èëè íà âûõîä íàóøíèêîâ.
Äëÿ èñïîëíåíèÿ íåñêîëüêèìè çâóêàìè âêëþ÷èòå êíîïêó [PERFORM]
(îíà çàãîðèòñÿ).
Ñåêöèÿ ïëååðà ïüåñ
×òîáû ïîëó÷èòü äîñòóï ê äðóãèì óñòàíîâêàì èñïîëíåíèÿ íåñêîëüêèìè çâóêàìè èñïîëüçóéòå êíîïêó [PERFORM].
Ïëååð ïüåñ èñïîëüçóåòñÿ äëÿ âîñïðîèçâåäåíèÿ àóäèîôàéëîâ èëè
äàííûõ SMF, õðàíÿùèõñÿ íà USB-íàêîïèòåëå.
Òàêæå îí ìîæåò âîñïðîèçâîäèòü ïàòòåðíû óäàðíûõ ðàçíûõ ñòèëåé.
Ïîñëå ðåäàêöèè èëè ñîçäàíèÿ íîâûõ óñòàíîâîê èõ ìîæíî ñîõðàíèòü â
êà÷åñòâå “ïîëüçîâàòåëüñêèõ ïåðôîðìàíñîâ” â ÿ÷åéêàõ ïàìÿòè îò 501
äî 564.
Ïàðàëëåëüíî ñ âîñïðîèçâåäåíèåì ìîæíî èñïîëíÿòü ïàðòèè íà êëàâèàòóðå.
Äëÿ âûáîðà ïîëüçîâàòåëüñêîãî ïåðôîðìàíñà íàæìèòå ñíà÷àëà êíîï].
êó [PERFORM], à çàòåì — êíîïêó [
Ïðè èñïîëüçîâàíèè ïëååðà ïüåñ JUNO-Di ìîæíî ñîçäàòü
ñïèñîê, îïðåäåëÿþùèé ïîðÿäîê èõ ïðîèãðûâàíèÿ. Äëÿ ñîçäàíèÿ ñïèñêà âîñïðîèçâåäåíèÿ íåîáõîäèìî âîñïîëüçîâàòüñÿ ïðèëàãàåìîé ïðîãðàììîé "Playlist Editor".
Ñì. “Èñïîëüçîâàíèå ïðîãðàìì JUNO-Di Editor/Librarian/
Playlist Editor” (ñòð. 85).
Äîñòóïíà ðåäàêöèÿ ýôôåêòîâ è ïðî÷èõ óñòàíîâîê ïàò÷à ñ ïîñëåäóþùèì èõ ñîõðàíåíèåì â ïàò÷å.
Îòðåäàêòèðîâàííûå ïàò÷è ñîõðàíÿþòñÿ â êà÷åñòâå “ïîëüçîâàòåëüñêèõ” â ÿ÷åéêàõ ïàìÿòè îò 501 äî 628.
Ê óñòàíîâêàì, îòíîñÿùèìñÿ ê èñïîëíåíèþ íåñêîëüêèìè çâóêàìè, îòíîñÿòñÿ “Split”, “Dual” è “Super Layer” (îïèñàííûå íèæå), âêëþ÷àåìûå
êíîïêàìè [SPLIT], [DUAL] è [SUPER LAYER] ñîîòâåòñòâåííî.
Èãðà ðàçëè÷íûìè çâóêàìè ïðàâîé è ëåâîé ðóêîé
(Split)
Ðåæèì Split ïîçâîëÿåò ðàçäåëèòü êëàâèàòóðó â çàäàííîé íîòå íà çîíû
ïðàâîé è ëåâîé ðóê ñ âîñïðîèçâåäåíèåì ðàçëè÷íûõ çâóêîâ â êàæäîé
èç çîí, íàïðèìåð, ëèíèÿ áàñà áóäåò èñïîëíÿòüñÿ ëåâîé ðóêîé, à ôîðòåïèàííàÿ ìåëîäèÿ — ïðàâîé.
Ñíà÷àëà ïðîèçâåäèòå âûáîð ïàò÷à äëÿ ïðàâîé ðóêè. Çàòåì íàæìèòå
êíîïêó [SPLIT]; êëàâèàòóðà ðàçäåëèòñÿ íà çîíû ïðàâîé è ëåâîé ðóêè,
ïîçâîëÿÿ âûáðàòü ïàò÷ äëÿ ëåâîé ðóêè.
Íîòà ðàçäåëåíèÿ êëàâèàòóðû íàçûâàåòñÿ "òî÷êîé ðàçäåëà", ïîëîæåíèå êîòîðîé ìîæíî ðåäàêòèðîâàòü è ñîõðàíÿòü.
Îòíîñèòåëüíî ðåæèìà Split ñì. ñòð. 33.
54
Îáçîð
Âîñïðîèçâåäåíèå íàñëîåííûõ çâóêîâ (Dual)
Ðåæèì Dual ïîçâîëÿåò èãðàòü îäíîâðåìåííî äâóìÿ ïàò÷àìè íà âñåé
êëàâèàòóðå. Íàïðèìåð, ìîæíî îðãàíèçîâàòü íàñëîåíèå çâóêîâ ôîðòåïèàíî è ñòðóííûõ.
Âûáåðèòå îäèí èç òðåáóåìûõ ïàò÷åé, çàòåì íàæìèòå êíîïêó [DUAL].
Òåïåðü ïðè èãðå íà êëàâèàòóðå áóäóò âîñïðîèçâîäèòüñÿ äâà çâóêà îäíîâðåìåííî, ïðè ýòîì ìîæíî áóäåò âûáðàòü âòîðîé ïàò÷.
Èñïîëüçîâàíèå ýôôåêòîâ
JUNO-Di ñîäåðæèò âñòðîåííûå ïðîöåññîðû ýôôåêòîâ, óñòàíîâêè êàæäîãî èç êîòîðûõ ìîæíî ðåäàêòèðîâàòü íåçàâèñèìî.
Ìóëüòèýôôåêòû
Îòíîñèòåëüíî ðåæèìà Dual ñì. ñòð. 31.
Ìóëüòèýôôåêòû — ýòî ìíîãîöåëåâûå ýôôåêòû, ñóùåñòâåííî èçìåíÿþùèå õàðàêòåð çâó÷àíèÿ ïóòåì èçìåíåíèÿ ñàìîãî çâóêà.
Îáîãàùåíèå çâóêà ïàò÷à (Super Layer)
Äîñòóïíî 79 ðàçíûõ òèïîâ ýôôåêòîâ.
Ðåæèì “Super Layer” îðãàíèçóåò ìíîãîêðàòíîå íàñëîåíèå îäíîãî è
òîãî æå çâóêà ñ íåêîòîðîé ðàññòðîéêîé, ÷òî îáîãàùàåò îáùåå çâó÷àíèå è ñîçäàåò îùóùåíèå ïðîñòðàíñòâåííîñòè. Ýòî ýôôåêòèâíî ïðè
èãðå ñèíòåçàòîðíûìè çâóêàìè.
Êðîìå ïðîñòûõ ýôôåêòîâ, òàêèõ êàê Distortion èëè Flanger, ìîæíî òàêæå âûáèðàòü äðóãèå ýôôåêòû. Õîòÿ õîðóñ è ðåâåðáåðàöèÿ âõîäÿò â
ñîñòàâ íåêîòîðûõ ìóëüòèýôôåêòîâ, ïðåäóñìîòðåíû íåçàâèñèìûå ýôôåêòû õîðóñà è ðåâåðáåðàöèè.
Äëÿ èñïîëüçîâàíèÿ ðåæèìà Super Layer âûáåðèòå íóæíûé ïàò÷ è çàòåì íàæìèòå êíîïêó [SUPER LAYER].
Äëÿ ïåðôîðìàíñà ìîæíî îäíîâðåìåííî èñïîëüçîâàòü ìóëüòèýôôåêòû òðåõ òèïîâ — MFX1, MFX2 è MFX3. Äëÿ ïàò÷à äîñòóïåí òîëüêî îäèí
ìóëüòèýôôåêò.
Îòíîñèòåëüíî ðåæèìà Super Layer ñì. ñòð. 41.
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ìîæíî îñóùåñòâëÿòü áîëåå äåòàëüíóþ ðåäàêöèþ ïàò÷åé è ïåðôîðìàíñîâ, ÷åì ïîñðåäñòâîì ðåãóëèðîâîê ëèöåâîé ïàíåëè
JUNO-Di. Ñì. ðóêîâîäñòâî ïîëüçîâàòåëÿ “JUNO-Di Editor”.
Ñîçäàííûå â ïðîãðàììå “JUNO-Di Editor” ïàò÷è è ïåðôîðìàíñû ìîæíî çàãðóçèòü â JUNO-Di.
“Ëþáèìûå” çâóêè
 “ëþáèìûõ” çâóêàõ õðàíÿòñÿ ÷àñòî èñïîëüçóåìûå ïàò÷è è ïåðôîðìàíñû, êîòîðûå ìîæíî âûçûâàòü íàæàòèåì îäíîé êíîïêè.
Îòðåäàêòèðîâàâ ïàò÷ èëè ïåðôîðìàíñ, åãî ìîæíî áóäåò ñîõðàíèòü â
ïîëüçîâàòåëüñêóþ ïàìÿòü, à çàòåì — çàðåãèñòðèðîâàòü â êà÷åñòâå
ëþáèìîãî çâóêà.
Ñì. ñòð. 45, ñòð. 46.
Óñòàíîâêè äëÿ MFX3 ïðîèçâîäÿòñÿ â ïðèëàãàåìîé ïðîãðàììå “JUNO-Di Editor”.
Õîðóñ è ðåâåðáåðàöèÿ
Äëÿ îäíîãî ïàò÷à ìîæíî èñïîëüçîâàòü îäèí ýôôåêò õîðóñà è îäèí
ýôôåêò ðåâåðáåðàöèè.
Õîðóñ ïðèäàåò çâóêó ãëóáèíó è ïðîñòðàíñòâåííîñòü, à òàêæå ìîæåò
ôóíêöèîíèðîâàòü â ðåæèìå õîðóñà èëè çàäåðæêè.
Ðåâåðáåðàöèÿ ìîäåëèðóåò ïðîñòðàíñòâåííûå õàðàêòåðèñòèêè çàëîâ
èëè àóäèòîðèé. Äîñòóïíû 5 ðàçëè÷íûõ òèïîâ ðåâåðáåðàöèè.
Õîðóñ è ðåâåðáåðàöèþ ìîæíî íàñòðîèòü íåçàâèñèìî äëÿ èãðû ïàò÷åì êàê òàêîâûì èëè ïàò÷åì ñ èñïîëüçîâàíèåì ôóíêöèé Split, Dual
èëè Super Layer (êîãäà ãîðèò êíîïêà [PERFORM]).
Òàêèì îáðàçîì, ýôôåêòû îäíîãî ïàò÷à è íàáîðà óäàðíûõ ïðè èãðå îäíèì ïàò÷åì èëè â ðåæèìàõ Split, Dual è Super Layer ìîãóò îòëè÷àòüñÿ.
Íàáîðû óäàðíûõ
Íàáîð óäàðíûõ — ýòî ãðóïïà, ñîñòîÿùàÿ èç ðÿäà ðàçëè÷íûõ óäàðíûõ
èíñòðóìåíòîâ è çâóêîâûõ ýôôåêòîâ.
Ïðè íàæàòèè êíîïêè [RHYTHM] âûáèðàåòñÿ íàáîð óäàðíûõ, ïîçâîëÿþùèé èãðàòü íà êëàâèàòóðå ïåðêóññèîííûìè çâóêàìè.
 ðàçíûõ íàáîðàõ óäàðíûõ îäíà è òà æå íîòà ìîæåò ñîîòâåòñòâîâàòü
ðàçíûì ïåðêóññèîííûì èíñòðóìåíòàì.
Ïðåäóñìîòðåíî ìíîæåñòâî íàáîðîâ óäàðíûõ äëÿ èãðû â ðàçëè÷íûõ
ìóçûêàëüíûõ ñòèëÿõ.
Ñì. “Ñïèñîê íàáîðîâ óäàðíûõ” (ñòð. 116).
55
Îáçîð
Âðåìåííàÿ ïàìÿòü
Ïàìÿòü èíñòðóìåíòà
Ïàò÷è è äðóãèå óñòàíîâêè ñîõðàíÿþòñÿ â ïàìÿòè. Èìåþòñÿ òðè òèïà
ïàìÿòè: âðåìåííàÿ, ïåðåçàïèñûâàåìàÿ è íåïåðåçàïèñûâàåìàÿ.
fig.Memory-Flow-e.eps
Íàêîïèòåëü USB
Ïüåñà
SMF
Àóäèîôàéë
System
User
Çàãðóçêà
Çàïèñü
JUNO-Di
Âðåìåííàÿ çîíà
Ýòî — îáëàñòü, õðàíÿùàÿ äàííûå ïàò÷à èëè ïåðôîðìàíñà, âûáðàííûõ ñ ïîìîùüþ êíîïîê ïàíåëè.
Ïðè èãðå íà êëàâèàòóðå çâóê ïðîèçâîäèòñÿ íà îñíîâå äàííûõ âðåìåííîé çîíû. Ïðè ðåäàêöèè ïàò÷à èëè ïåðôîðìàíñà äàííûå â ïàìÿòè
íå èçìåíÿþòñÿ; îíè çàãðóæàþòñÿ âî âðåìåííóþ çîíó è ðåäàêòèðóþòñÿ òàì.
Óñòàíîâêè âî âðåìåííîé ïàìÿòè òåðÿþòñÿ ïðè âûêëþ÷åíèè ïèòàíèÿ
èëè ñìåíå ïàò÷à/ïåðôîðìàíñà. Äëÿ ñîõðàíåíèÿ èçìåíåíèé, èõ íåîáõîäèìî çàïèñàòü â ïåðåçàïèñûâàåìóþ ïàìÿòü.
Ïåðåçàïèñûâàåìàÿ ïàìÿòü
Ïîëüçîâàòåëüñêàÿ ïàìÿòü (User)
System
 ïîëüçîâàòåëüñêîé ïàìÿòè õðàíÿòñÿ íåîáõîäèìûå äàííûå.
Äëÿ ñîõðàíåíèÿ óñòàíîâîê ïàò÷à, íàáîðà óäàðíûõ èëè ïåðôîðìàíñà
âûïîëíèòå ñîîòâåòñòâóþùóþ êîìàíäó (ñòð. 62).
User
Preset
Ëþáèìûå óñòàíîâêè òàêæå õðàíÿòñÿ â ïîëüçîâàòåëüñêîé ïàìÿòè.
Ïàò÷
Ñèñòåìíàÿ ïàìÿòü (System)
Ïåðôîðìàíñ
GM (GM2)
Íàáîð óäàðíûõ
Ïàò÷
Ïåðôîðìàíñ
Íàáîð óäàðíûõ
Ëþáèìûå
óñòàíîâêè
Íàáîð óäàðíûõ
Ïàò÷
Âûáîð
Âûáîð
Âûáîð
Âûáîð
Çàïèñü
Âðåìåííàÿ çîíà
Çäåñü ñîõðàíÿþòñÿ óñòàíîâêè ñèñòåìíûõ ïàðàìåòðîâ, îïðåäåëÿþùèõ ôóíêöèîíèðîâàíèå JUNO-Di â öåëîì.
Ñèñòåìíûå óñòàíîâêè ñîõðàíÿþòñÿ àâòîìàòè÷åñêè ïðè âûõîäå ñ ýêðàíà ñèñòåìíûõ óñòàíîâîê.
 ñèñòåìíîé ïàìÿòè òàêæå õðàíÿòñÿ óñòàíîâêè ðåæèìà MIDI-êîíòðîëëåðîâ è ïàò÷à, êîòîðûé áóäåò çàãðóæàòüñÿ ïåðâûì ïðè âûáîðå ñîîòâåòñòâóþùåé ãðóïïû.
Íàêîïèòåëü USB
Íà íàêîïèòåëü USB ñîõðàíÿþòñÿ ñëåäóþùèå äàííûå:
• Ïîëüçîâàòåëüñêèå ïàò÷è (íàáîðû óäàðíûõ)
 ðåæèìå “ïåðôîðìàíñà” ìîæíî îäíîâðåìåííî èñïîëüçîâàòü íåñêîëüêî ïàò÷åé ñ èõ íåçàâèñèìûìè óñòàíîâêàìè, òàêèìè êàê Split, Dual èëè Super Layer.
• Ïîëüçîâàòåëüñêèå ïåðôîðìàíñû
• Ëþáèìûå óñòàíîâêè
• Óñòàíîâêè ðåæèìà MIDI-êîíòðîëëåðîâ
• Ñèñòåìíûå óñòàíîâêè
• Ïàò÷, êîòîðûé çàðóæàåòñÿ ïåðâûì ïðè âûáîðå ñîîòâåòñòâóþùåé
ãðóïïû
Íåïåðåçàïèñûâàåìàÿ ïàìÿòü
Ïðåñåòíàÿ ïàìÿòü (Preset)
Äàííûå ïðåñåòíîé ïàìÿòè íå ïåðåçàïèñûâàþòñÿ.
Îäíàêî, èõ ìîæíî çàãðóçèòü âî âðåìåííóþ çîíó, èçìåíèòü, à çàòåì
ñîõðàíèòü â ïåðåçàïèñûâàåìîé ïàìÿòè.
56
Îáçîð
Èçìåíåíèå çíà÷åíèÿ
Îñíîâû ðàáîòû ñ JUNO-Di
Äëÿ èçìåíåíèÿ çíà÷åíèÿ èñïîëüçóéòå êîëåñî.
fig.dial.eps
Ôóíêöèè êíîïêè [SHIFT]
fig.shift.eps
Ïðè âðàùåíèè êîëåñà ïî ÷àñîâîé ñòðåëêå çíà÷åíèå âîçðàñòàåò, ïðîòèâ ÷àñîâîé ñòðåëêè — óìåíüøàåòñÿ.
Óäåðæèâàÿ íàæàòîé [SHIFT] è íàæàâ äðóãóþ êíîïêó, ìîæíî âûâåñòè
ýêðàí äëÿ ñîîòâåòñòâóþùèõ êíîïêå óñòàíîâîê. Òî åñòü, [SHIFT] ÿâëÿåòñÿ "ãîðÿ÷åé êëàâèøåé" äëÿ ñîîòâåòñòâóþùåãî ýêðàíà.
Íàïðèìåð, åñëè óäåðæèâàÿ [SHIFT], íàæàòü êíîïêó [PIANO], îòîáðàçèòñÿ ýêðàí óñòàíîâîê MFX.
Ïðè óäåðæàíèè íàæàòîé êíîïêè [SHIFT] è âðàùåíèè êîëåñà ñìåíà
çíà÷åíèÿ ïðîèñõîäèò ñ áîëüøèìè èíòåðâàëàìè.
Ââîä ÷èñåë (êíîïêà [NUMERIC])
Åñëè âêëþ÷èòü êíîïêó [NUMERIC], òî êíîïêàìè [RHYTHM (0)] –
[PERFORM (9)] ìîæíî ââîäèòü ÷èñëîâûå çíà÷åíèÿ.
Ñì. îïèñàíèå êàæäîé êîíêðåòíîé ôóíêöèè.
fig.numeric.eps
Èçìåíåíèå çíà÷åíèé
Ïåðåìåùåíèå êóðñîðà
Íà îäíîì ýêðàíå èëè îêíå îòîáðàæàåòñÿ íåñêîëüêî ïàðàìåòðîâ èëè
îáúåêòîâ.
×òîáû îòðåäàêòèðîâàòü ïàðàìåòð, âûáåðèòå êóðñîðîì åãî çíà÷åíèå.
×òîáû âûáðàòü îáúåêò, óñòàíîâèòå êóðñîð íà íåãî.
Ýòèì ñïîñîáîì ìîæíî çàäàâàòü íîìåðà ïàò÷åé, ïåðôîðìàíñîâ èëè
ñîîáùåíèé MIDI Program Change.
1. Êíîïêàìè êóðñîðà âûäåëèòå ïîëå çíà÷åíèÿ.
2. Íàæìèòå êíîïêó [NUMERIC], îíà çàãîðèòñÿ.
fig.disp-Cursor-e.eps_70
Êíîïêè [0] – [9] ïîäñâåòÿòñÿ.
3. Êíîïêàìè [0] – [9] ââåäèòå ÷èñëîâîå çíà÷åíèå è íàæìèòå [ENTER].
Ââåäåííîå çíà÷åíèå áóäåò ïðèíÿòî, è ïîäñâåòêà êíîïîê [0] – [9]
ïîãàñíåò.
Êóðñîð
Ïåðåìåùàéòå êóðñîð êíîïêàìè êóðñîðà.
Åñëè ïîâòîðíî íàæàòü [NUMERIC] áåç íàæàòèÿ [ENTER], ïîäñâåòêà
êíîïîê [0] – [9] ïîãàñíåò, íî çíà÷åíèå íå èçìåíèòñÿ.
Ïåðåêëþ÷åíèå ñòðàíèö
Åñëè â ëåâîé èëè â ïðàâîé ÷àñòè ýêðàíà îòîáðàæàþòñÿ ñòðåëêè (ñì.
ðèñ.), ýòî îçíà÷àåò, ÷òî â óêàçàííîì ñòðåëêîé íàïðàâëåíèè èìååòñÿ
äîïîëíèòåëüíàÿ ñòðàíèöà.
Åñëè âêëþ÷èòü [NUMERIC] è ââåñòè ÷èñëî, à çàòåì íàæàòü
[EXIT] ââåäåííîå çíà÷åíèå ñáðîñèòñÿ.
fig.disp-Page-e.eps
Ïåðåêëþ÷àéòå ñòðàíèöû êíîïêàìè êóðñîðà [
][
].
57
Îáçîð
Íàèìåíîâàíèå
Ãëàâíûé ýêðàí
 ðàìêàõ JUNO-Di ìîæíî îïðåäåëÿòü èìåíà ïàò÷åé, íàáîðîâ óäàðíûõ
è ïåðôîðìàíñîâ. Ïðîöåäóðà îäèíàêîâà äëÿ âñåõ ýòèõ òèïîâ äàííûõ.
Ýêðàí, â âåðõíåé ñòðîêå êîòîðîãî îòîáðàæàåòñÿ èìÿ ïàò÷à èëè ïåðôîðìàíñà, íàçûâàåòñÿ “ãëàâíûé ýêðàí”.
fig.disp-Name.eps_70
Îáû÷íî, ïåðåõîä ê ãëàâíîìó ýêðàíó ïðîèñõîäèò ïîñëå íàæàòèÿ êíîïêè [EXIT] íåñêîëüêî ðàç.
Ãëàâíûé ýêðàí äëÿ ðåæèìà ïàò÷à
1. Êíîïêàìè [
][
] ïåðåìåñòèòå êóðñîð â ïîëå ââî-
äà ñèìâîëà.
2. Êîëåñîì âûáåðèòå ñèìâîë.
Äîñòóïíûå ñèìâîëû
•  âåðõíåé ñòðîêå îòîáðàæàåòñÿ èìÿ ïàò÷à.
ïðîáåë, A – Z, a – z, 0 – 9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | }
• Ýòîò ýêðàí îòîáðàæàåòñÿ ñðàçó ïîñëå âêëþ÷åíèÿ ïèòàíèÿ.
Ãëàâíûé ýêðàí äëÿ ðåæèìà ïåðôîðìàíñà
Èçìåíåíèå òåìïà
Óñòàíîâêà òåìïà ðàñïðîñòðàíÿåòñÿ íà âåñü JUNO-Di.
Ýòîé óñòàíîâêîé îïðåäåëÿåòñÿ òåìï ñëåäóþùèõ ôóíêöèé.
• Ïàòòåðíû óäàðíûõ
• Àðïåäæèî
• Â âåðõíåé ñòðîêå îòîáðàæàåòñÿ èìÿ ïåðôîðìàíñà.
• Âîñïðîèçâåäåíèå ïüåñ (SMF)
1. Íàæìèòå êíîïêó [TAP TEMPO].
 âåðõíåé ñòðîêå ýêðàíà îòîáðàçèòñÿ çíà÷åíèå òåìïà.
fig.disp-tempo.eps_70
Èíäèêàöèÿ “*” íà ãëàâíîì ýêðàíå
Åñëè óñòàíîâêè ïàò÷à èëè ïåðôîðìàíñà îòðåäàêòèðîâàíû, íà
ãëàâíîì ýêðàíå ïîÿâëÿåòñÿ çâåçäî÷êà “*”.
•  ðåæèìå ïàò÷à “*” äîáàâëÿåòñÿ ê èìåíè ïàò÷à, åñëè ðåäàêòèðóþòñÿ óñòàíîâêè çâóêà (Patch Edit; ñòð. 59 èëè Rhythm Edit;
ñòð. 60).
2. Íàæìèòå êíîïêó [TAP TEMPO] òðè è áîëåå ðàçà â íóæíîì òåìïå.
Òåìï áóäåò âû÷èñëåí íà îñíîâå èíòåðâàëîâ ìåæäó íàæàòèÿìè
êíîïêè.
3. Ïî îêîí÷àíèè óñòàíîâêè íàæìèòå êíîïêó [EXIT].
Åñëè çíà÷åíèå òåìïà îòîáðàæàåòñÿ íà ýêðàíå, åãî ìîæíî
êîððåêòèðîâàòü êîëåñîì.
Çíà÷åíèå òåìïà, çàäàííîå îïèñàííûì âûøå ñïîñîáîì, áóäåò ñáðîøåíî ïðè îòêëþ÷åíèè ïèòàíèÿ. ×òîáû ñîõðàíèòü
íîâóþ óñòàíîâêó òåìïà, èñïîëüçóéòå ñèñòåìíóþ óñòàíîâêó
“System Tempo” (ñòð. 75).
Åñëè óñòàíîâèòü ñèñòåìíûé ïàðàìåòð “Sync Mode” (ñòð. 76)
â “SLAVE”, â ïîëå çíà÷åíèÿ òåìïà áóäåò îòîáðàæàòüñÿ
“MIDI”; è òåìï áóäåò îïðåäåëÿòüñÿ ñîîáùåíèÿìè MIDI clock
âíåøíåãî MIDI-óñòðîéñòâà.
58
• Â ðåæèìå ïåðôîðìàíñà “*” äîáàâëÿåòñÿ ê èìåíè ïåðôîðìàíñà,
åñëè èçìåíÿþòñÿ ïàò÷è èëè ðåäàêòèðóþòñÿ óñòàíîâêè (Part
Edit; ñòð. 60).
• Â ðåæèìå ïåðôîðìàíñà “*” äîáàâëÿåòñÿ ê èìåíè ïåðôîðìàíñà,
åñëè ðåäàêòèðóþòñÿ óñòàíîâêè ïàò÷à (Patch Edit; ñòð. 59,
Rhythm Edit; ñòð. 60).
Ïîñëå ñîõðàíåíèÿ îòðåäàêòèðîâàííîãî ïàò÷à èëè ïåðôîðìàíñà
â ïîëüçîâàòåëüñêóþ ïàìÿòü çâåçäî÷êà “*” ñ ýêðàíà ïðîïàäàåò.
Íåñîõðàíåííûå óñòàíîâêè áóäóò óòåðÿíû ïðè ñìåíå
çâóêà èëè îòêëþ÷åíèè ïèòàíèÿ. ×òîáû ýòîãî íå ïðîèçîøëî, ñîõðàíèòå èõ â ïîëüçîâàòåëüñêóþ ïàìÿòü.
Ñì. “Ñîõðàíåíèå óñòàíîâîê” (ñòð. 62).
Äåòàëüíàÿ ðåäàêöèÿ ïàò÷åé
5. Êîëåñîì èçìåíèòå çíà÷åíèå.
Óñòàíîâêè ïàò÷à
Ðåäàêöèÿ óñòàíîâîê ïàò÷à Volume,
Portamento, Mono/Poly è Bend Range
(Patch Edit)
Ïðîöåññ èçìåíåíèÿ óñòàíîâîê ïàò÷à íàçûâàåòñÿ “ðåäàêöèÿ ïàò÷à
(PATCH EDIT)”.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Patch Level
0 – 127
Ãðîìêîñòü ïàò÷à.
Portamento
Sw
OFF, ON
Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà ïîðòàìåíòî: âêëþ÷åí (ON) èëè íåò (OFF).
* Ïîðòàìåíòî — ýòî ýôôåêò ïëàâíîãî
ñêîëüæåíèÿ âûñîòû òîíà ìåæäó ïîñëåäîâàòåëüíî âçÿòûìè íîòàìè. Èñïîëüçîâàíèåì ïîðòàìåíòî, êîãäà
ïàðàìåòð Mono/Poly óñòàíîâëåí â
“MONO”, ìîæíî èìèòèðîâàòü òåõíèêó ñëàéäåðíîé èãðû íà ñòðóííîì èíñòðóìåíòå, íàïðèìåð, ãèòàðå.
Portamento
Time
0 – 127
Îïðåäåëÿåò âðåìÿ ïîðòàìåíòî.
×åì áîëüøå çíà÷åíèå, òåì äëèòåëüíåå
ýôôåêò ïîðòàìåíòî.
MONO,
POLY
Îïðåäåëÿåò ïîëèôîíè÷åñêîå (POLY)
èëè ìîíîôîíè÷åñêîå (MONO) çâó÷àíèå
ïàò÷à.
MONO: Çâó÷èò òîëüêî ïîñëåäíÿÿ âçÿòàÿ
íîòà. Ýòà óñòàíîâêà ýôôåêòèâíà ïðè
âîñïðîèçâåäåíèè òåìáðà ñîëüíîãî èíñòðóìåíòà, íàïðèìåð, ñàêñîôîíà èëè
ôëåéòû.
POLY: Îäíîâðåìåííî ìîãóò âîñïðîèçâîäèòüñÿ äâå è áîëåå íîò.
0 – +48
Äèàïàçîí èçìåíåíèÿ âûñîòû òîíà ñ òî÷íîñòüþ äî ïîëóòîíà ïðè ïåðåìåùåíèè
äæîéñòèêà Pitch Bend â êðàéíåå ïðàâîå
ïîëîæåíèå.
Íàïðèìåð, åñëè äàííûé ïàðàìåòð óñòàíîâèòü â “+12,”, ïðè ïåðåìåùåíèè
äæîéñòèêà Pitch Bend â êðàéíåå ïðàâîå
ïîëîæåíèå âûñîòà òîíà óâåëè÷èòñÿ íà
îêòàâó.
0 – -48
Äèàïàçîí èçìåíåíèÿ âûñîòû òîíà ñ òî÷íîñòüþ äî ïîëóòîíà ïðè ïåðåìåùåíèè
äæîéñòèêà Pitch Bend â êðàéíåå ëåâîå
ïîëîæåíèå.
Íàïðèìåð, åñëè äàííûé ïàðàìåòð óñòàíîâèòü â “-48”, ïðè ïåðåìåùåíèè
äæîéñòèêà Pitch Bend â êðàéíåå ëåâîå
ïîëîæåíèå âûñîòà òîíà îïóñòèòñÿ íà 4
îêòàâû.
Äëÿ ðåäàêöèè òåêóùåãî ïàò÷à âûïîëíèòå ñëåäóþùóþ ïðîöåäóðó.
1. Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí “MENU”.
2. Êíîïêàìè [
][
êíîïêó [ENTER].
] âûáåðèòå “EDIT" è íàæìèòå
3. Êíîïêàìè [
][
] äîáåéòåñü îòîáðàæåíèÿ â âåðõíåé ñòðîêå äèñïëåÿ “PATCH EDIT”.
Mono/Poly
fig.disp-ptachedit.eps_70
Äîñòóï ê ýêðàíó ðåäàêöèè òàêæå ìîæíî ïîëó÷èòü, óäåðæèâàÿ êíîïêó [SHIFT] è íàæàâ êíîïêó [RHYTHM].
Bend Range
Up
 ðåæèìàõ Split è Dual èìÿ ïàðòèè îòîáðàæàåòñÿ â âåðõíåé ñòðîêå ýêðàíà.
Äëÿ ðåæèìà Split
U: Âåðõíÿÿ ïàðòèÿ (UPPER)
L: Íèæíÿÿ ïàðòèÿ (LOWER)
Äëÿ ðåæèìà Dual
1: Ïàðòèÿ 1
2: Ïàðòèÿ 2
4. Êíîïêàìè [
][
] âûáåðèòå ïàðàìåòð.
Bend Range
Down
6. Íàæìèòå êíîïêó [EXIT] äëÿ âûõîäà ñ ýêðàíà ðåäàêöèè.
Ïîñêîëüêó âíîñèìûå èçìåíåíèÿ ÿâëÿþòñÿ âðåìåííûìè è
òåðÿþòñÿ ïîñëå îòêëþ÷åíèÿ ïèòàíèÿ èëè ïåðåêëþ÷åíèè
ïàò÷à, èõ íåîáõîäèìî ñîõðàíÿòü â ïîëüçîâàòåëüñêóþ ïàìÿòü èíñòðóìåíòà (ñòð. 62).
Åñëè ïàò÷ áûë îòêîððåêòèðîâàí, íà ãëàâíîì ýêðàíå ïîñëå
åãî èìåíè îòîáðàæàåòñÿ “*”. Ïîñëå ñîõðàíåíèÿ ïàò÷à “*” èñ÷åçàåò (ñòð. 62).
59
Äåòàëüíàÿ ðåäàêöèÿ ïàò÷åé
Óñòàíîâêà ãðîìêîñòè íàáîðà óäàðíûõ
(Rhythm Edit)
Ïðîöåññ èçìåíåíèÿ óñòàíîâîê íàáîðà óäàðíûõ (ñòð. 55) íàçûâàåòñÿ
“ðåäàêöèÿ íàáîðà óäàðíûõ (RHYTHM EDIT)”.
Äëÿ ðåäàêöèè òåêóùåãî íàáîðà óäàðíûõ âûïîëíèòå ñëåäóþùóþ ïðîöåäóðó.
1. Íàæìèòå êíîïêó [MENU].
Óñòàíîâêà ãðîìêîñòè êàæäîé ïàðòèè â
ðåæèìàõ Split, Dual è Super Layer (Part Edit)
 ðåæèìå ïåðôîðìàíñà (ò.e., êîãäà ãîðèò êíîïêà [PERFORM]) ïðîöåññ
èçìåíåíèÿ óñòàíîâîê ïàðòèé, íà êîòîðûå íàçíà÷åíû ïàò÷è, íàçûâàåòñÿ “ðåäàêöèÿ ïàðòèè (PART EDIT)”.
1. Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí “MENU”.
Îòîáðàçèòñÿ ýêðàí “MENU”.
2. Êíîïêàìè [
2. Êíîïêàìè [
][
êíîïêó [ENTER].
] âûáåðèòå “EDIT" è íàæìèòå
][
êíîïêó [ENTER].
] âûáåðèòå “EDIT" è íàæìèòå
3. Êíîïêàìè [
3. Êíîïêàìè [
][
] äîáåéòåñü îòîáðàæåíèÿ â âåðõíåé ñòðîêå äèñïëåÿ “RHYTHM EDIT”.
][
] äîáåéòåñü îòîáðàæåíèÿ â âåðõíåé ñòðîêå äèñïëåÿ “PART EDIT”.
fig.disp-rhyedit.eps_70
fig.disp-rhyedit.eps_70
Äîñòóï ê ýêðàíó ðåäàêöèè òàêæå ìîæíî ïîëó÷èòü, óäåðæèâàÿ êíîïêó [SHIFT] è íàæàâ êíîïêó [RHYTHM].
 ðåæèìàõ Split è Dual èìÿ ïàðòèè îòîáðàæàåòñÿ â âåðõíåé ñòðîêå ýêðàíà.
Äîñòóï ê ýêðàíó ðåäàêöèè òàêæå ìîæíî ïîëó÷èòü, óäåðæèâàÿ êíîïêó [SHIFT] è íàæàâ êíîïêó [PERFORM].
4. Êíîïêàìè [
][
] âûáåðèòå ïàðàìåòð.
5. Êîëåñîì èçìåíèòå çíà÷åíèå.
Äëÿ ðåæèìà Split
U: Âåðõíÿÿ ïàðòèÿ (UPPER)
L: Íèæíÿÿ ïàðòèÿ (LOWER)
Äëÿ ðåæèìà Dual
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Part 1 (Upper)
Level
0 – 127
Ãðîìêîñòü ïàðòèè 1.
 ðåæèìå Split ýòîò ïàðàìåòð èçìåíÿåò
ãðîìêîñòü ïàðòèè Upper.
0 – 127
Ãðîìêîñòü ïàðòèè 2.
 ðåæèìå Split ýòîò ïàðàìåòð èçìåíÿåò
ãðîìêîñòü ïàðòèè Lower.
 ðåæèìå Super Layer ýòîò ïàðàìåòð íå
îòîáðàæàåòñÿ.
1: Ïàðòèÿ 1
2: Ïàðòèÿ 2
Part 2 (Lower)
Level
4. Êíîïêàìè [
][
] âûáåðèòå ïàðàìåòð.
5. Êîëåñîì èçìåíèòå çíà÷åíèå.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Rhythm Level
0 – 127
Ãðîìêîñòü íàáîðà óäàðíûõ.
6. Íàæìèòå êíîïêó [EXIT] äëÿ âûõîäà ñ ýêðàíà ðåäàêöèè.
Ïîñêîëüêó âíîñèìûå èçìåíåíèÿ ÿâëÿþòñÿ âðåìåííûìè è
òåðÿþòñÿ ïîñëå îòêëþ÷åíèÿ ïèòàíèÿ èëè ïåðåêëþ÷åíèè
ïàò÷à, èõ íåîáõîäèìî ñîõðàíÿòü â ïîëüçîâàòåëüñêóþ ïàìÿòü èíñòðóìåíòà (ñòð. 62).
Åñëè íàáîð óäàðíûõ îòðåäàêòèðîâàí, íà ãëàâíîì ýêðàíå
ïîñëå åãî èìåíè îòîáðàæàåòñÿ “*”. Ïîñëå ñîõðàíåíèÿ íàáîðà óäàðíûõ “*” èñ÷åçàåò (ñòð. 62).
60
6. Íàæìèòå êíîïêó [EXIT] äëÿ âûõîäà ñ ýêðàíà ðåäàêöèè.
Ïîñêîëüêó âíîñèìûå èçìåíåíèÿ ÿâëÿþòñÿ âðåìåííûìè è
òåðÿþòñÿ ïîñëå îòêëþ÷åíèÿ ïèòàíèÿ èëè ïåðåêëþ÷åíèè
ïàò÷à, èõ íåîáõîäèìî ñîõðàíÿòü â ïîëüçîâàòåëüñêóþ ïàìÿòü èíñòðóìåíòà (ñòð. 62).
Åñëè ïåðôîðìàíñ îòðåäàêòèðîâàí, íà ãëàâíîì ýêðàíå ïîñëå åãî èìåíè îòîáðàæàåòñÿ “*”. Ïîñëå ñîõðàíåíèÿ ïåðôîðìàíñà “*” èñ÷åçàåò (ñòð. 62).
Êîãäà â ðåæèìå ïåðôîðìàíñà (ò.e., êîãäà ãîðèò êíîïêà
[PERFORM]) ôóíêöèè Split, Dual è Super Layer îòêëþ÷åíû, íà
øàãå 4 ìîæíî âûáðàòü Part 3 – Part 16. (Íàïðèìåð, åñëè íàæàòü êíîïêó [PERFORM] è âûáðàòü “64: GM2 Template”.)
Äåòàëüíàÿ ðåäàêöèÿ ïàò÷åé
5. Êîëåñîì èçìåíèòå çíà÷åíèå.
Ðåäàêöèÿ ýôôåêòîâ (MFX/Chorus/
Reverb) (Effect Edit)
Ïðîöåññ èçìåíåíèÿ óñòàíîâîê ýôôåêòîâ íàçûâàåòñÿ “ðåäàêöèÿ ýôôåêòîâ”.
Óñòàíîâêè ýôôåêòîâ ïðîèçâîäÿòñÿ íåçàâèñèìî äëÿ ïàò÷à è äëÿ ïåðôîðìàíñà, èñïîëüçóþùåãî ðåæèìû Split, Dual èëè Super Layer (êîãäà
ãîðèò êíîïêà [PERFORM]).
Ïðè èñïîëüçîâàíèè òîëüêî îäíîãî ïàò÷à
Äëÿ êàæäîãî ïàò÷à äîñòóïíû ìóëüòèýôôåêò (MFX), õîðóñ è ðåâåðáåðàöèÿ.
Ïðè èñïîëüçîâàíèè íåñêîëüêèõ ïàò÷åé
Äëÿ êàæäîãî ïåðôîðìàíñà äîñòóïíû òðè ìóëüòèýôôåêòà (MFX1,
MFX2, MFX3), õîðóñ è ðåâåðáåðàöèÿ. Â ðåæèìàõ Split èëè Dual äîñòóïíû äâà ìóëüòèýôôåêòà (MFX1, MFX2).
Äëÿ Super Layer
MFX1 – 3
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
OFF, ON
Îïðåäåëÿåò, áóäåò (ON) èëè íåò (OFF)
èñïîëüçîâàòüñÿ ìóëüòèýôôåêò MFX 1 –
3.
* Äàííàÿ óñòàíîâêà âîçäåéñòâóåò íà
âåñü JUNO-Di.
* Äàííàÿ óñòàíîâêà íå ñîõðàíÿåòñÿ.
00: THRU – 79:
VOCODER
(MFX Type)
00 – 79
Âûáîð òèïà ìóëüòèýôôåêòà, èñïîëüçóåìîãî MFX1 – 3.
Çíà÷åíèå "00: THRU" ñîîòâåòñòâóåò îòêëþ÷åíèþ ìóëüòèýôôåêòà.
Ïàðàìåòðû
äëÿ êàæäîãî
òèïà MFX
Ðåäàêöèÿ ïàðàìåòðîâ âûáðàííîãî MFX.
Ñì. “Ïàðàìåòðû ìóëüòèýôôåêòîâ (MFX1 – 3, MFX)”
(ñòð. 93).
Cho Send
Level
0 – 127
Óðîâåíü ïîñûëà íà õîðóñ äëÿ ñèãíàëà,
ïðîøåäøåãî ÷åðåç ìóëüòèýôôåêò.
Åñëè îáðàáîòêà õîðóñîì íå òðåáóåòñÿ,
âûáåðèòå çíà÷åíèå “0”.
0 – 127
Óðîâåíü ïîñûëà íà ðåâåðáåðàöèþ äëÿ
ñèãíàëà, ïðîøåäøåãî ÷åðåç ìóëüòèýôôåêò.
Åñëè îáðàáîòêà ðåâåðáåðàöèåé íå òðåáóåòñÿ, âûáåðèòå çíà÷åíèå “0”.
Çíà÷åíèå
Îïèñàíèå
Chorus switch
OFF, ON
Îïðåäåëÿåò, áóäåò (ON) èëè íåò (OFF)
èñïîëüçîâàòüñÿ õîðóñ.
* Äàííàÿ óñòàíîâêà âîçäåéñòâóåò íà
âåñü JUNO-Di.
* Äàííàÿ óñòàíîâêà íå ñîõðàíÿåòñÿ.
00: OFF – 03:
GM2 CHORUS
(Chorus Type)
00 – 03
Òèï õîðóñà.
Åñëè âûáðàòü “00: OFF”, õîðóñ áóäåò îòêëþ÷åí.
Ïàðàìåòðû
äëÿ êàæäîãî
òèïà õîðóñà
Ðåäàêöèÿ ïàðàìåòðîâ âûáðàííîãî õîðóñà.
Ñì. “Ïàðàìåòðû õîðóñà” (ñòð. 104).
MFX 1 – 3
switch
MFX1 âîçäåéñòâóåò íà âñå ïàðòèè.
Äëÿ Split
MFX1 âîçäåéñòâóåò íà ïàðòèþ Upper, MFX2 — íà ïàðòèþ Lower.
Rev Send
Level
Äëÿ Dual
MFX1 âîçäåéñòâóåò íà ïàðòèþ 1, MFX2 — íà ïàðòèþ 2.
CHORUS
 îñòàëüíûõ ñëó÷àÿõ
Ñ ïîìîùüþ ïðîãðàììû “JUNO-Di Editor” ìîæíî ðåäàêòèðîâàòü óñòàíîâêè MFX1 – 3.
Ïàðàìåòð
Ñ ïîìîùüþ ïðîãðàììû “JUNO-Di Editor” ìîæíî äåòàëüíî
ðåäàêòèðîâàòü óñòàíîâêè MFX äëÿ êàæäîé ïàðòèè.
1. Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí “MENU”.
2. Êíîïêàìè [
][
êíîïêó [ENTER].
] âûáåðèòå “EDIT" è íàæìèòå
3. Êíîïêàìè [
][
] äîáåéòåñü îòîáðàæåíèÿ â âåðõíåé ñòðîêå äèñïëåÿ íóæíîãî ýôôåêòà.
REVERB
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Reverb switch
OFF, ON
Îïðåäåëÿåò, áóäåò (ON) èëè íåò (OFF)
èñïîëüçîâàòüñÿ ðåâåðáåðàöèÿ.
* Äàííàÿ óñòàíîâêà âîçäåéñòâóåò íà
âåñü JUNO-Di.
* Äàííàÿ óñòàíîâêà íå ñîõðàíÿåòñÿ.
00: OFF – 05:
GM2 REVERB
(Reverb Type)
00 – 05
Òèï ðåâåðáåðàöèè.
Åñëè âûáðàòü “00: OFF”, ðåâåðáåðàöèÿ
áóäåò îòêëþ÷åíà.
Ïàðàìåòðû
äëÿ êàæäîãî
òèïà ðåâåðáåðàöèè
Ðåäàêöèÿ ïàðàìåòðîâ âûáðàííîãî ýôôåêòà ðåâåðáåðàöèè.
Ñì. “Ïàðàìåòðû ðåâåðáåðàöèè” (ñòð. 104).
Äîñòóïíûå ýôôåêòû çàâèñÿò îò òåêóùåãî ðåæèìà.
Ïðè âûáîðå òîëüêî îäíîãî ïàò÷à
“MFX”, “CHORUS”, “REVERB”
Ïðè èñïîëüçîâàíèè Super Layer
“MFX1”, “CHORUS”, “REVERB”
Ïðè èñïîëüçîâàíèè Split èëè Dual
“MFX1”, “MFX2”, “CHORUS”, “REVERB”
 îñòàëüíûõ ñëó÷àÿõ
“MFX1”, “MFX2”, “MFX2”, “CHORUS”, “REVERB”
fig.disp-mfxedit.eps_70
6. Íàæìèòå êíîïêó [EXIT] äëÿ âûõîäà ñ ýêðàíà ðåäàêöèè.
Äîñòóï ê ýêðàíó ðåäàêöèè òàêæå ìîæíî ïîëó÷èòü, óäåðæèâàÿ êíîïêó [SHIFT] è íàæàâ êíîïêó [PIANO].
4. Êíîïêàìè [
][
] âûáåðèòå ïàðàìåòð.
61
Äåòàëüíàÿ ðåäàêöèÿ ïàò÷åé
Ïîñêîëüêó âíîñèìûå èçìåíåíèÿ ÿâëÿþòñÿ âðåìåííûìè è
òåðÿþòñÿ ïîñëå îòêëþ÷åíèÿ ïèòàíèÿ èëè ïåðåêëþ÷åíèè
ïàò÷à, èõ íåîáõîäèìî ñîõðàíÿòü â ïîëüçîâàòåëüñêóþ ïàìÿòü èíñòðóìåíòà.
Êîãäà ïðîèçâîäÿòñÿ ìîäèôèêàöèè ïàò÷à èëè ïåðôîðìàíñà,
íà ãëàâíîì ýêðàíå ïîñëå åãî èìåíè îòîáðàæàåòñÿ “*”. Ïîñëå
ñîõðàíåíèÿ ïàò÷à èëè ïåðôîðìàíñà “*” èñ÷åçàåò.
Ïàðàìåòð “MFX SOURCE” ïåðôîðìàíñà îïðåäåëÿåò, êàêèå
óñòàíîâêè ýôôåêòîâ áóäóò èñïîëüçîâàòüñÿ: ïåðôîðìàíñà
èëè ïàò÷à. Äàííûé ïàðàìåòð óñòàíàâëèâàåòñÿ â ïðîãðàììå
“JUNO-Di Editor”.
Îïðåäåëåíèå ïåðâîãî çàãðóæàåìîãî ïàò÷à êàæäîé ãðóïïû
Ìîæíî çàäàòü ïàò÷, êîòîðûé áóäåò çàãðóæàòüñÿ ïåðâûì ïðè íàæàòèè
êíîïêè ãðóïïû ïàò÷åé ñðàçó æå ïîñëå âêëþ÷åíèÿ ïèòàíèÿ.
1. Âûáåðèòå ïàò÷.
2. Óäåðæèâàÿ êíîïêó [WRITE], íàæìèòå ñâåòÿùóþñÿ
êíîïêó ãðóïïû ïàò÷åé.
Ïðè ñëåäóþùåì âêëþ÷åíèè ïèòàíèÿ íàæàòèå äàííîé êíîïêè áóäåò çàãðóæàòü ïàò÷, âûáðàííûé íà øàãå 1.
Âûáðàòü êíîïêó ãðóïïû ïàò÷åé, îòëè÷íóþ îò âûáðàííîé íà
øàãå 1, íåâîçìîæíî.
Ìîæíî ïîâòîðíî âûáðàòü çàäàííûé òàêèì îáðàçîì ïàò÷
äâóêðàòíûì íàæàòèåì ñîîòâåòñòâóþùåé êíîïêè.
Ñîõðàíåíèå óñòàíîâîê
Ïîñêîëüêó ðåçóëüòàòû ðåäàêöèè óñòàíîâîê ÿâëÿþòñÿ âðåìåííûìè è
òåðÿþòñÿ ïîñëå îòêëþ÷åíèÿ ïèòàíèÿ èëè ïåðåêëþ÷åíèè ïàò÷à, èõ íåîáõîäèìî ñîõðàíÿòü â ïîëüçîâàòåëüñêóþ ïàìÿòü èíñòðóìåíòà, íà÷èíàÿ ñ ÿ÷åéêè 501.
Êîãäà ïðîèçâîäÿòñÿ ìîäèôèêàöèè óñòàíîâîê, íà ãëàâíîì
ýêðàíå ïîñëå èìåíè ïàò÷à èëè ïåðôîðìàíñà îòîáðàæàåòñÿ
“*”. Ïîñëå ñîõðàíåíèÿ óñòàíîâîê “*” èñ÷åçàåò.
Ïîñëå ñîõðàíåíèÿ óñòàíîâîê ðàíåå ñîäåðæàùèåñÿ â ÿ÷åéêå çàïèñè äàííûå áóäóò ïåðåïèñàíû.
1. Âûáåðèòå ñîõðàíÿåìûé ïàò÷ èëè ïåðôîðìàíñ.
Äëÿ ïåðôîðìàíñà (êîãäà ãîðèò êíîïêà [PERFORM]) ñîõðàíÿåìûå
äàííûå çàâèñÿò îò ìåñòîïîëîæåíèÿ êóðñîðà.
Íàïðèìåð, äëÿ ðåæèìà Split, åñëè êóðñîð íàõîäèòñÿ â âåðõíåé
ñòðîêå ýêðàíà, áóäåò ñîõðàíåí ïåðôîðìàíñ. Åñëè êóðñîð íàõîäèòñÿ â ñðåäíåé ñòðîêå ýêðàíà, áóäåò ñîõðàíåí ïàò÷ Upper. Â
ýòîì ñëó÷àå ýêðàí “PATCH WRITE” îòîáðàçèò “U”. Åñëè êóðñîð íàõîäèòñÿ â íèæíåé ñòðîêå ýêðàíà, áóäåò ñîõðàíåí ïàò÷ Lower.
2. Íàæìèòå êíîïêó [WRITE].
Îòîáðàçèòñÿ ýêðàí “WRITE”.
Ïðè ñîõðàíåíèè ïàò÷à îòîáðàçèòñÿ ýêðàí “PATCH WRITE”.
Ïðè ñîõðàíåíèè íàáîðà óäàðíûõ îòîáðàçèòñÿ ýêðàí “RHYTHM
SET WRITE” èëè “RHYTHM WRITE”.
Ïðè ñîõðàíåíèè ïåðôîðìàíñà îòîáðàçèòñÿ ýêðàí “PERFORM
WRITE”.
3. Êîëåñîì âûáåðèòå íîìåð ÿ÷åéêè çàïèñè.
4. Íàæìèòå êíîïêó [
] äëÿ ïåðåìåùåíèÿ êóðñîðà â
íèæíþþ ñòðîêó äèñïëåÿ.
5. Ââåäèòå èìÿ.
Ñì. “Íàèìåíîâàíèå” (ñòð. 58).
6. Ïîñëå ââîäà èìåíè íàæìèòå êíîïêó [ENTER] èëè
[WRITE].
Îòîáðàçèòñÿ çàïðîñ íà ïîäòâåðæäåíèå.
Äëÿ îòêàçà íàæìèòå êíîïêó [EXIT].
7. Íàæìèòå êíîïêó [ENTER] äëÿ ñîõðàíåíèÿ óñòàíîâîê.
 ïðîöåññå ñîõðàíåíèÿ äàííûõ íèêîãäà íå îòêëþ÷àéòå ïèòàíèå JUNO-Di.
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Ðàñøèðåííûå ôóíêöèè èñïîëíåíèÿ
Óïðàâëåíèå çâóêîì ñ ïîìîùüþ
êîíòðîëëåðà D Beam
Êîíòðîëëåð D Beam óïðàâëÿåò ïàðàìåòðàìè çà ñ÷åò ïåðåìåùåíèÿ ðóêè íàä íèì. Óïðàâëÿåìûé ýôôåêò çàâèñèò îò íàçíà÷åííîé íà êîíòðîëëåð ôóíêöèè.
1. Íàæìèòå êíîïêó D BEAM [SOLO SYNTH], [EXPRESSION]
èëè [ASSIGNABLE] äëÿ âêëþ÷åíèÿ êîíòðîëëåðà D
Beam.
Êíîïêà
Îïèñàíèå
Óñòàíîâêè êîíòðîëëåðà D Beam
1. Íàæìèòå îäíó èç êíîïîê D BEAM [SOLO SYNTH],
[EXPRESSION] èëè [ASSIGNABLE], îíà çàãîðèòñÿ.
 çàâèñèìîñòè îò íàæàòîé êíîïêè îòîáðàçèòñÿ îäèí èç ñëåäóþùèõ ýêðàíîâ ðåäàêöèè.
Óäåðæèâàÿ êíîïêó [SHIFT] è íàæàâ îäíó èç êíîïîê êîíòðîëëåðà D BEAM, ìîæíî ïîëó÷èòü äîñòóï ê ñîîòâåòñòâóþùåìó
ýêðàíó áåç âêëþ÷åíèÿ/îòêëþ÷åíèÿ êîíòðîëëåðà D Beam.
• Ýêðàí “SOLO SYNTH”
fig.disp-solosynth.eps_70
[SOLO SYNTH]
Êîíòðîëëåð D Beam èñïîëüçóåòñÿ â êà÷åñòâå ìîíîôîíè÷åñêîãî ñèíòåçàòîðà.
[EXPRESSION]
Êîíòðîëëåð D Beam äîáàâëÿåò ýêñïðåññèþ âñåì
çâóêàì.
[ASSIGNABLE]
Êîíòðîëëåð D Beam óïðàâëÿåò íàçíà÷åííîé íà íåãî
ôóíêöèåé.
• Ýêðàí “EXPRESSION”
fig.disp-express.eps_70
2. Èãðàÿ íà êëàâèàòóðå, ðàñïîëîæèòå ðóêó íàä êîíòðîëëåðîì D Beam è ìåäëåííî ïåðåìåùàéòå åå ââåðõâíèç.
Ïðîèçâîäèìûé ýôôåêò çàâèñèò îò íàçíà÷åííîé íà D Beam ôóíêöèè.
3. Äëÿ îòêëþ÷åíèÿ êîíòðîëëåðà D Beam åùå ðàç íàæìè-
• Ýêðàí “ASSIGNABLE”
fig.disp-assign.eps_70
òå âûáðàííóþ íà øàãå 1 êíîïêó, åå èíäèêàòîð ïîãàñíåò.
Äèàïàçîí äåéñòâèÿ êîíòðîëëåðà D Beam
fig.DBeamRange.eps
Äèàïàçîí äåéñòâèÿ êîíòðîëëåðà D Beam
ïîêàçàí íà ðèñóíêå. Âíå ýòîãî äèàïàçîíà ïåðåìåùåíèÿ ðóêè ýôôåêòà íå ïðîèçâîäÿò. Êîãäà êîíòðîëëåð D Beam
ðåàãèðóåò íà ïåðåìåùåíèÿ ðóêè, ñâåòÿùàÿñÿ êíîïêà D BEAM íà÷èíàåò ìèãàòü.
2. Êíîïêàìè [
][
] âûáåðèòå ïàðàìåòð.
Ïðè ïðÿìîì ñîëíå÷íîì îñâåùåíèè äèàïàçîí äåéñòâèÿ
êîíòðîëëåðà D Beam ñóæàåòñÿ. Íàñòðàèâàéòå åãî ÷óâñòâèòåëüíîñòü â çàâèñèìîñòè îò ëîêàëüíîãî îñâåùåíèÿ.
Ñì. “Óñòàíîâêè, âîçäåéñòâóþùèå íà ðàáîòó âñåãî
JUNO-Di (SYSTEM)”, “DBEAM SETTINGS” (ñòð. 76)
63
Ðàñøèðåííûå ôóíêöèè èñïîëíåíèÿ
3. Êîëåñîì èçìåíèòå çíà÷åíèå.
SOLO SYNTH
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Level
0 – 127
Çàäàåò ãðîìêîñòü Solo Synth.
Range
2OCT, 4OCT, 8OCT
Çàäàåò âûñîòíûé äèàïàçîí Solo Synth: 2 îêòàâû, 4 îêòàâû èëè 8 îêòàâ.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Range Min
0 – 127
Çàäàåò íèæíèé ïðåäåë äèàïàçîíà êîíòðîëëåðà D Beam.
Åñëè ïîëîæåíèå ðóêè âûøå ýòîãî ïðåäåëà, êîíòðîëëåð D Beam íå ôóíêöèîíèðóåò.
0 – 127
Çàäàåò âåðõíèé ïðåäåë äèàïàçîíà êîíòðîëëåðà D Beam.
Åñëè ïîëîæåíèå ðóêè íèæå ýòîãî ïðåäåëà, êîíòðîëëåð D Beam íå ôóíêöèîíèðóåò.
* Åñëè Range Max ìåíüøå, ÷åì Range Min, äèàïàçîí èçìåíåíèé èíâåðòèðóåòñÿ
ïî âåðòèêàëè.
EXPRESSION
0
Range Min
Range Max
Range Max
127
ASSIGNABLE
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Type
MODULATION,
PORTA-TIME,
VOLUME,
PAN,
PORTAMENTO,
SOSTENUTO,
RESONANCE,
RELEASE-TIME,
ATTACK-TIME,
CUTOFF,
DECAY-TIME,
VIB-RATE,
VIB-DEPTH,
VIB-DELAY,
CHORUS-SEND,
REVERB-SEND,
AFTERTOUCH,
BEND-UP,
BEND-DOWN,
START/STOP
Îïðåäåëÿåò ôóíêöèþ, óïðàâëÿåìóþ êîíòðîëëåðîì D Beam.
×èñëà â ñêîáêàõ ( ) îáîçíà÷àþò íîìåð ñîîáùåíèÿ Control Change, âûðàáàòûâàåìîãî êîíòðîëëåðîì D Beam ïðè íàçíà÷åíèè íà íåãî ñîîòâåòñòâóþùåé ôóíêöèè.
* Âîçäåéñòâèå ôóíêöèè çàâèñèò îò òåêóùèõ óñòàíîâîê. Ñì. ñíîñêó âíèçó òàáëèöû.
MODULATION (CC01): Âèáðàòî
PORTA-TIME (CC05): Âðåìÿ ïîðòàìåíòî (ñòð. 59)
VOLUME (CC07): Ãðîìêîñòü
PAN (CC10): Ïàíîðàìà
PORTAMENTO (CC65): Âêëþ÷àåò/îòêëþ÷àåò ïîðòàìåíòî (ñòð. 59)
SOSTENUTO (CC66): Áóäóò óäåðæèâàòüñÿ òîëüêî ðàíåå âçÿòûå íîòû.
RESONANCE (CC71): Ðåçîíàíñ (ñòð. 66)
RELEASE-TIME (CC72): Âðåìÿ çàòóõàíèÿ (ñòð. 65)
ATTACK-TIME (CC73): Âðåìÿ àòàêè (ñòð. 65)
CUTOFF (CC74): ×àñòîòà ñðåçà (ñòð. 66)
DECAY-TIME (CC75): Âðåìÿ ñïàäà (ñòð. 65)
VIB-RATE (CC76): ×àñòîòà âèáðàòî
VIB-DEPTH (CC77): Ãëóáèíà âèáðàòî
VIB-DELAY (CC78): Âðåìÿ çàäåðæêè äî çàïóñêà âèáðàòî
CHORUS-SEND (CC93): Óðîâåíü ñèãíàëà, ïîäàâàåìîãî íà õîðóñ
REVERB-SEND (CC91): Óðîâåíü ñèãíàëà, ïîäàâàåìîãî íà ðåâåðáåðàöèþ
AFTERTOUCH: Êàíàëüíîå ïîñëåêàñàíèå
BEND-UP: Óïðàâëÿåò èçìåíåíèåì âûñîòû â äèàïàçîíå, îïðåäåëåííûì çíà÷åíèåì “Bend Range Up” (ñòð. 59).
BEND-DOWN: Óïðàâëÿåò èçìåíåíèåì âûñîòû â äèàïàçîíå, îïðåäåëåííûì çíà÷åíèåì “Bend Range Down” (ñòð. 59).
START/STOP: Çàïóñêàåò/îñòàíàâëèâàåò ïëååð ïüåñ (ñòð. 72) èëè ïàòòåðí óäàðíûõ (ñòð. 74).
Range Min
0 – 127
Çàäàåò íèæíèé ïðåäåë äèàïàçîíà êîíòðîëëåðà D Beam.
Åñëè ïîëîæåíèå ðóêè âûøå ýòîãî ïðåäåëà, êîíòðîëëåð D Beam íå ôóíêöèîíèðóåò.
Range Max
0 – 127
Çàäàåò âåðõíèé ïðåäåë äèàïàçîíà êîíòðîëëåðà D Beam.
Åñëè ïîëîæåíèå ðóêè íèæå ýòîãî ïðåäåëà, êîíòðîëëåð D Beam íå ôóíêöèîíèðóåò.
* Åñëè Range Max ìåíüøå, ÷åì Range Min, äèàïàçîí èçìåíåíèé èíâåðòèðóåòñÿ ïî âåðòèêàëè.
* Âîçäåéñòâèå ôóíêöèè, îïðåäåëåííîé ïàðàìåòðîì “Type”, çàâèñèò îò óñòàíîâîê JUNO-Di.
Äëÿ ïàò÷à ýôôåêò âîçäåéñòâóåò íà òåêóùèé ïàò÷.
Äëÿ ïåðôîðìàíñà (êîãäà ãîðèò êíîïêà [PERFORM]) ýôôåêò âîçäåéñòâóåò ñëåäóþùèì îáðàçîì:
 ðåæèìå Dual èëè Super Layer: íà âñå ïàðòèè
 ðåæèìå Split è îñòàëüíûõ ñëó÷àÿõ: íà òåêóùóþ ïàðòèþ
4. Íàæìèòå êíîïêó [EXIT] äëÿ âûõîäà ñ ýêðàíà ðåäàêöèè.
64
Ðàñøèðåííûå ôóíêöèè èñïîëíåíèÿ
Ìîäèôèêàöèÿ çâóêà
ðåãóëÿòîðàìè (SOUND MODIFY)
Ìîäèôèêàöèÿ èçìåíåíèé ãðîìêîñòè
(ðåãóëÿòîðû ENVELOPE [ATTACK]/[RELEASE])
Äëÿ ìîäèôèêàöèè çâóêà â ðåàëüíîì âðåìåíè ìîæíî èñïîëüçîâàòü
ðåãóëÿòîðû SOUND MODIFY.
"Îãèáàþùàÿ (envelope)" — ýòî êðèâàÿ, îïèñûâàþùàÿ èçìåíåíèÿ
ãðîìêîñòè âî âðåìåíè îò âîçíèêíîâåíèÿ çâóêà äî åãî ïîëíîãî çàòóõàíèÿ. Â êëàâèøíûõ èíñòðóìåíòàõ îãèáàþùàÿ çàäàåò èçìåíåíèÿ
ãðîìêîñòè îò íàæàòèÿ êëàâèøè è äî çàòóõàíèÿ ïîñëå åå îòïóñêàíèÿ.
fig.soundmodify.eps
fig.envelope-e.eps
A: Attack time
D: Decay time
S: Sustain level
R: Release time
Ãðîìêîñòü
Îêîí÷àíèå
çâóêà
S
A
Åñëè â êà÷åñòâå ïàò÷à âûáðàí íàáîð óäàðíûõ, ðåãóëÿòîðû
ENVELOPE [ATTACK]/[RELEASE] è [CUTOFF]/ [RESONANCE] áóäóò íåçàâèñèìî âîçäåéñòâîâàòü íà êàæäóþ íîòó óäàðíûõ.
Ïðè âðàùåíèè îäíîãî èç ýòèõ ðåãóëÿòîðîâ áóäåò îòîáðàæàòüñÿ òåêóùàÿ íîòà (íàïðèìåð, C4).
Äëÿ èçìåíåíèÿ òåêóùåé íîòû íàæìèòå ñîîòâåòñòâóþùóþ
íîâîé íîòå êëàâèøó.
Ïàðàìåòðû, óïðàâëÿåìûå ðåãóëÿòîðàìè SOUND MODIFY, çàâèñÿò îò ðåæèìà ðàáîòû JUNO-Di.
Ñì. ñîîòâåòñòâóþùèå ðàçäåëû.
Äëÿ ïåðôîðìàíñà âîçäåéñòâèå ýòèõ ðåãóëÿòîðîâ çàâèñèò îò
ñëåäóþùèõ óñòàíîâîê.
Äëÿ Dual èëè Super Layer
Âñå ïàðòèè
Äëÿ Split è â îñòàëüíûõ ñëó÷àÿõ
Òåêóùàÿ ïàðòèÿ
 çàâèñèìîñòè îò óñòàíîâîê ïàò÷à, âðàùåíèå ðåãóëÿòîðà
ìîæåò íå èìåòü ýôôåêòà.
D
R
Note-on
Âðåìÿ
Note-off
A: Attack time:
Âðåìÿ îò íàæàòèÿ êëàâèøè äî äîñòèæåíèÿ ìàêñèìàëüíîé ãðîìêîñòè çâóêà.
D: Decay time:
Âðåìÿ ñïàäà ãðîìêîñòè çâóêà îò ìàêñèìóìà äî
óðîâíÿ ñóñòåéíà.
S: Sustain level: Ãðîìêîñòü çâóêà ïðè óäåðæàíèè êëàâèøè íàæàòîé.
R: Release time: Âðåìÿ çàòóõàíèÿ çâóêà ïîñëå îòïóñêàíèÿ êëàâèøè.
 JUNO-Di äîñòóïíû äâà ðåãóëÿòîðà ENVELOPE, óïðàâëÿþùèå âðåìåíàìè A (Attack) è R (Release) òåêóùåãî ïàò÷à.
Ðåãóëÿòîð [ATTACK]
Çàäàåò âðåìÿ ìåæäó íàæàòèåì êëàâèøè
è ìîìåíòîì äîñòèæåíèÿ ìàêñèìàëüíîãî óðîâíÿ ãðîìêîñòè.
Âðàùåíèå ðåãóëÿòîðà âïðàâî óâåëè÷èâàåò çíà÷åíèå, âðàùåíèå âëåâî — ñîêðàùàåò.
Âîçäåéñòâèå
(óñòàíîâêà JUNO-Di)
Ïàðàìåòð
Çíà÷åíèå
Ëþáàÿ ïàðòèÿ
(êíîïêà [PERFORM] ãîðèò)
ATK OFFSET *
(Attack Time Offset)
-64 – +63
Ïàò÷
(êíîïêà [PERFORM] íå ãîðèò)
ATTACK TIME OFFSET *
-63 – +63
Íàáîð óäàðíûõ
(êíîïêà [PERFORM] íå ãîðèò)
AMP ENV T1*
0 – 127
Ðåãóëÿòîð [RELEASE]
Çàäàåò âðåìÿ ìåæäó îòïóñêàíèåì êëàâèøè è ïîëíûì çàòóõàíèÿ çâóêà.
Âðàùåíèå ðåãóëÿòîðà âïðàâî óâåëè÷èâàåò çíà÷åíèå, âðàùåíèå âëåâî — ñîêðàùàåò.
Âîçäåéñòâèå
(óñòàíîâêà JUNO-Di)
Ïàðàìåòð
Çíà÷åíèå
Ëþáàÿ ïàðòèÿ
(êíîïêà [PERFORM] ãîðèò)
REL TIME OFFSET *
(Release Time Offset)
-64 – +63
Ïàò÷
(êíîïêà [PERFORM] íå ãîðèò)
RELEASE TIME OFFSET *
-63 – +63
Íàáîð óäàðíûõ
(êíîïêà [PERFORM] íå ãîðèò)
AMP ENV T4 *
0 – 127
Ïàðàìåòðû, îáîçíà÷åííûå â òàáëèöå “*”, îòîáðàæàþòñÿ â
ïðîãðàììå “JUNO-Di Editor”.
65
Ðàñøèðåííûå ôóíêöèè èñïîëíåíèÿ
Ìîäèôèêàöèÿ òåìáðàëüíûõ èçìåíåíèé
(ðåãóëÿòîðû [CUTOFF]/[RESONANCE])
Äàííûå ðåãóëÿòîðû ïðîèçâîäÿò íàñòðîéêó ïàðàìåòðîâ ôèëüòðà, âîçäåéñòâóþùåãî íà îïðåäåëåííûé äèàïàçîí ÷àñòîò çâóêà.
Îíè âîçäåéñòâóþò íà òåêóùèé ïàò÷.
Ðåãóëÿòîð [CUTOFF]
Çàäàåò ÷àñòîòó ñðåçà, ñ êîòîðîé ôèëüòð
íà÷èíàåò ðàáîòàòü.
Âðàùåíèå ðåãóëÿòîðà âïðàâî ïîâûøàåò
ïðîçðà÷íîñòü çâóêà, âðàùåíèå âëåâî —
ïðèãëóøàåò çâóê.
Âîçäåéñòâèå
(óñòàíîâêà JUNO-Di)
Ïàðàìåòð
Çíà÷åíèå
Ëþáàÿ ïàðòèÿ
(êíîïêà [PERFORM] ãîðèò)
COF OFFSET *
(Cutoff Offset)
-64 – +63
Ïàò÷
(êíîïêà [PERFORM] íå ãîðèò)
CUTOFF OFFSET *
-63 – +63
Íàáîð óäàðíûõ
(êíîïêà [PERFORM] íå ãîðèò)
UTOFF *
0 – 127
Ðåãóëÿòîð [RESONANCE]
Îïðåäåëÿåò ðåçîíàíñ ôèëüòðà âáëèçè
÷àñòîòû ñðåçà.
Âðàùåíèå ðåãóëÿòîðà âïðàâî óñèëèâàåò
âûðàçèòåëüíîñòü ýôôåêòà, âðàùåíèå
âëåâî — óìåíüøàåò åå.
Âîçäåéñòâèå
(óñòàíîâêà JUNO-Di)
Ïàðàìåòð
Ëþáàÿ ïàðòèÿ
(êíîïêà [PERFORM] ãîðèò)
RES OFFSET *
(Resonance Offset)
-64 – +63
Ïàò÷
(êíîïêà [PERFORM] íå ãîðèò)
RES OFFSET *
(Resonance Offset)
-63 – +63
Íàáîð óäàðíûõ
(êíîïêà [PERFORM] íå ãîðèò)
RES *
(Resonance)
0 – 127
Óñòàíîâêè ðåæèìà Split
Îòíîñèòåëüíî ôóíêöèè Split ñì. ðàçäåë “Èñïîëíåíèå ðàçíûìè ïàò÷àìè — êíîïêà [SPLIT]” (ñòð. 33).
Ñìåíà òî÷êè ðàçäåëà
 ðåæèìå Split ìîæíî ìåíÿòü òî÷êó ðàçäåëà (íîòó ðàçäåëåíèÿ êëàâèàòóðû íà äâå çîíû).
Äëÿ ýòîãî ìîæíî âûáðàòü åå (ñòð. 33) èëè èñïîëüçîâàòü ñëåäóþùóþ
ïðîöåäóðó.
1. Êîãäà êíîïêà [SPLIT] ñâåòèòñÿ, óäåðæèâàÿ êíîïêó
[SHIFT], íàæìèòå êíîïêó [SPLIT].
Îòîáðàçèòñÿ òåêóùàÿ óñòàíîâêà.
fig.disp-splitpoint.eps
Çíà÷åíèå
2. Êîëåñîì âûáåðèòå íîâóþ òî÷êó ðàçäåëà.
Äèàïàçîí: C#2 – C7
Ïàðàìåòðû, îáîçíà÷åííûå â òàáëèöå “*”, îòîáðàæàþòñÿ â
ïðîãðàììå “JUNO-Di Editor”.
Äîáàâëåíèå ê çâóêó ðåâåðáåðàöèè (ðåãóëÿòîð
[REVERB])
Âîçìîæíà îáðàáîòêà âîñïðîèçâîäèìîãî ñ êëàâèàòóðû çâóêà ýôôåêòîì ðåâåðáåðàöèè.
Ýòîò ýôôåêò óñèëèâàåò ïðîñòðàíñòâåííîñòü çâó÷àíèÿ, ïðèñóùóþ èñïîëíåíèþ â êîíöåðòíîì çàëå èëè äðóãîì ïîìåùåíèè.
Ðåãóëÿòîð [REVERB]
Îïðåäåëÿåò ãëóáèíó ðåâåðáåðàöèè.
Âðàùåíèå ðåãóëÿòîðà âïðàâî óñèëèâàåò ðåâåðáåðàöèþ, âðàùåíèå âëåâî — îñëàáëÿåò
åå.
Ïàðàìåòð
Çíà÷åíèå
Reverb Level
0 – 127
Íîòà, ñîîòâåòñòâóþùàÿ òî÷êå ðàçäåëà âõîäèò â çîíó Upper.
3. Ïî îêîí÷àíèè óñòàíîâîê íàæìèòå êíîïêó [EXIT].
Íàçíà÷åíèå âûáðàííîãî ïàò÷à íà ïàðòèþ
Lower
Êîãäà êíîïêà [PERFORM] íå ãîðèò, ìîæíî íàçíà÷èòü òåêóùèé ïàò÷ íà
ïàðòèþ Lower ðàçäåëåííîé êëàâèàòóðû.
* Ñòàíäàðòíî, ïðè íàæàòèè êíîïêè [SPLIT] äëÿ âêëþ÷åíèÿ ðåæèìà
Split òåêóùèé ïàò÷ íàçíà÷àåòñÿ íà ïàðòèþ Upper.
1. Óäåðæèâàÿ êíîïêó [
], íàæìèòå êíîïêó [SPLIT], îíà
çàãîðèòñÿ.
Ðåæèì Split âêëþ÷èòñÿ, è òåêóùèé ïàò÷ áóäåò íàçíà÷åí íà ïàðòèþ Lower.
Ïåðåìåíà ìåñòàìè äâóõ ïàò÷åé â
ðåæèìàõ Split/Dual
 ðåæèìå Split èëè Dual ìîæíî ïîìåíÿòü ìåñòàìè äâà ïàò÷à.
• Ïîìåñòèòå êóðñîð íà íîìåð ïàò÷à âåðõíåé ïàðòèè (U)
Ýôôåêò äîñòóïåí ïðè óñòàíîâêå “Reverb Switch” â “ON” íà
ýêðàíå ðåäàêöèè ýôôåêòà. Ñì. “Ðåäàêöèÿ ýôôåêòîâ (MFX/
Chorus/Reverb) (Effect Edit)” (ñòð. 61).
èëè ïàðòèè 1 (1) è, óäåðæèâàÿ êíîïêó [SHIFT], íàæìèòå
êíîïêó [
].
• Ïîìåñòèòå êóðñîð íà íîìåð ïàò÷à íèæíåé ïàðòèè (L)
èëè ïàðòèè 2 (2) è, óäåðæèâàÿ êíîïêó [SHIFT], íàæìèòå
êíîïêó [
].
66
Ðàñøèðåííûå ôóíêöèè èñïîëíåíèÿ
Îêòàâíûé ñäâèã (Octave Shift)
Óñòàíîâêè àðïåäæèî
Ôóíêöèÿ "îêòàâíîãî ñäâèãà" òðàíñïîíèðóåò âûñîòó êëàâèàòóðû ñ øàãîì â îêòàâó.
1.
Îòíîñèòåëüíî ôóíêöèè Arpeggio ñì. ðàçäåë “Èñïîëíåíèå
àðïåäæèî — êíîïêà [ARPEGGIO]” (ñòð. 37).
Íàæìèòå êíîïêó OCTAVE [DOWN] èëè [UP].
Óñòàíîâêè àðïåäæèî íå ñîõðàíÿþòñÿ.
1. Íàæìèòå êíîïêó [ARPEGGIO], îíà çàãîðèòñÿ. Èëè æå,
óäåðæèâàÿ êíîïêó [SHIFT], íàæìèòå êíîïêó [ARPEGGIO].
Îòîáðàçèòñÿ ýêðàí “ARPEGGIO”.
Ïðè êàæäîì íàæàòèè íà êíîïêó [DOWN] âûñîòà ïîíèæàåòñÿ íà
îäíó îêòàâó, à íà [UP] — ïîâûøàåòñÿ.
fig.disp-arpe.eps_70
Äîñòóïíà ðåãóëèðîâêà âûñîòû òîíà â ïðåäåëàõ îò òðåõ îêòàâ
âíèç (-3) äî òðåõ îêòàâ ââåðõ (+3).
Åñëè çíà÷åíèå îòëè÷íî îò "0", çàãîðàåòñÿ êíîïêà OCTAVE [DOWN]
èëè [UP].
Óäåðæèâàÿ êíîïêó [SHIFT] è íàæàâ êíîïêó [ARPEGGIO], ìîæíî ïîëó÷èòü äîñòóï ê ýêðàíó “ARPEGGIO” áåç âêëþ÷åíèÿ/îòêëþ÷åíèÿ ôóíêöèè Arpeggio.
Îäíîâðåìåííîå íàæàòèå OCTAVE [DOWN] è [UP] ñáðàñûâàåò çíà÷åíèå â "0".
Âîçäåéñòâèå óñòàíîâêè îêòàâíîãî ñäâèãà çàâèñèò îò ðåæèìà ðàáîòû.
Ïðè èñïîëüçîâàíèè òîëüêî îäíîãî ïàò÷à
2. Êíîïêàìè [
][
] âûáåðèòå ïàðàìåòð.
3. Êîëåñîì èçìåíèòå çíà÷åíèå.
Òðàíñïîíèðóåòñÿ òåêóùèé ïàò÷. Äàííàÿ óñòàíîâêà íå ñîõðàíÿåòñÿ.
Ïðè èñïîëüçîâàíèè íåñêîëüêèõ ïàò÷åé
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
(Arpeggio
Style)
001 – 128
Âûáèðàåò áàçîâûé ñòèëü èñïîëíåíèÿ àðïåäæèî.
Part
Part1
(Upper),
Part2
(Lower),
Part3 – 16
Îïðåäåëÿåò ïàðòèþ, èñïîëüçóþùóþ àðïåäæèî â ïåðôîðìàíñå (êîãäà êíîïêà [PERFORM]
ãîðèò). Äëÿ àðïåäæèî ìîæíî îïðåäåëèòü
òîëüêî îäíó ïàðòèþ.
Åñëè íà ïàðòèþ íàçíà÷åí íàáîð óäàðíûõ,
ìîæíî âîñïðîèçâåñòè âìåñòå ñ àðïåäæèî è
ïàòòåðí óäàðíûõ.
* Äàííûé ïàðàìåòð íåäîñòóïåí ïðè âêëþ÷åííîé êíîïêå [SUPER LAYER].
* Âûáðàííàÿ çäåñü ïàðòèÿ äîñòóïíà êàê äëÿ
ôóíêöèè àðïåäæèî, òàê è äëÿ ôóíêöèè ïàìÿòè àêêîðäîâ.
Arpeggio
Hold
ON, OFF
Ïðè çíà÷åíèè ON àðïåäæèî áóäåò çâó÷àòü
äàæå ïîñëå ñíÿòèÿ ðóê ñ êëàâèàòóðû.
1/4,
1/8,
1/8L,
1/8H,
1/12,
1/16,
1/16L,
1/16H,
1/24
Îïðåäåëÿåò äëèòåëüíîñòü íîò è ðàçðåøåíèå
"ñåòêè", èñïîëüçóåìîé ïðè ñîçäàíèè àðïåäæèî íà ýêðàíå Arpeggio Style, à òàêæå âåëè÷èíó îòêëîíåíèÿ îò ñåòêè, "øàôôëà" (íåò/
ñëàáûé/ñèëüíûé).
1/4: ×åòâåðòíàÿ íîòà (îäíà ñåêöèÿ ñåòêè =
îäíà äîëÿ)
1/8: Âîñüìàÿ íîòà (äâå ñåêöèè ñåòêè = îäíà
äîëÿ)
1/8L: Âîñüìàÿ íîòà ñ øàôôëîì (äâå ñåêöèè
ñåòêè = îäíà äîëÿ, ñëàáûé øàôôë)
1/8H: Âîñüìàÿ íîòà ñ øàôôëîì (äâå ñåêöèè
ñåòêè = îäíà äîëÿ, ñèëüíûé øàôôë)
1/12: Âîñüìàÿ òðèîëü (òðè ñåêöèè ñåòêè =
îäíà äîëÿ)
1/16: 16-ÿ íîòà (÷åòûðå ñåêöèè ñåòêè = îäíà äîëÿ)
1/16L: 16-ÿ íîòà ñ øàôôëîì (÷åòûðå ñåêöèè
ñåòêè = îäíà äîëÿ, ñëàáûé øàôôë)
1/16H: 16-ÿ íîòà ñ øàôôëîì (÷åòûðå ñåêöèè ñåòêè = îäíà äîëÿ, ñèëüíûé øàôôë)
1/24: 16-ÿ òðèîëü (6 ñåêöèé ñåòêè = îäíà
äîëÿ)
* Óñòàíîâêè ñåòêè òàêæå èñïîëüçóþòñÿ ïàòòåðíîì óäàðíûõ.
Âîçäåéñòâèå ôóíêöèè Octave Shift îïðåäåëÿåòñÿ ñëåäóþùèì îáðàçîì.
Äëÿ Dual èëè Super Layer
Òðàíñïîíèðóþòñÿ âñå ïàðòèè.
Äàííàÿ óñòàíîâêà çàïîìèíàåòñÿ äëÿ êàæäîé ïàðòèè ïîñëå ñîõðàíåíèÿ ïåðôîðìàíñà.
Äëÿ Split è â îñòàëüíûõ ñëó÷àÿõ
Òðàíñïîíèðóåòñÿ òåêóùèé ïàò÷.
Óñòàíîâêó Octave Shift ìîæíî çàäàòü äëÿ êàæäîé ïàðòèè îòäåëüíî.
Äàííàÿ óñòàíîâêà çàïîìèíàåòñÿ äëÿ êàæäîé ïàðòèè ïîñëå ñîõðàíåíèÿ ïåðôîðìàíñà.
Grid
67
Ðàñøèðåííûå ôóíêöèè èñïîëíåíèÿ
Ïàðàìåòð
Duration
Motif
Velocity
Oct Range
Accent
Çíà÷åíèå
Îïèñàíèå
30 – 120%,
Full
Îïðåäåëÿåò, âîñïðîèçâîäÿòñÿ çâóêè ñòàêêàòî (êîðîòêî è îòðûâèñòî) èëè òåíóòî (ïðîòÿæíî).
30 – 120: Íàïðèìåð, ïðè âûáîðå "30" äëèòåëüíîñòü íîòû â ñåòêå (èëè ïðè ñîåäèíåíèè ëèãàìè ñåðèè ñåòîê, â ðåçóëüòèðóþùåé ñåòêå) áóäåò ñîñòàâëÿòü 30% îò ïîëíîé
äëèòåëüíîñòè íîòû, çàäàííîé â òèïå ñåòêè.
Full: Äàæå åñëè ñåòêà íå ñîåäèíåíà ëèãîé,
íîòà ïðîäîëæàåò çâó÷àòü äî ìîìåíòà âîçíèêíîâåíèÿ íîâîé.
* Óñòàíîâêè äëèòåëüíîñòè òàêæå èñïîëüçóþòñÿ ïàòòåðíîì óäàðíûõ.
(Ñì. ñòð. 68.)
Ìåòîä, èñïîëüçóåìûé äëÿ âîñïðîèçâåäåíèÿ
àðïåäæèî, åñëè âçÿòî áîëüøå íîò, ÷åì îïðåäåëåíî â ñòèëå àðïåäæèî.
Ñì. “Âûáîð âîñõîäÿùèõ/íèñõîäÿùèõ âàðèàöèé (Motif)” (ñòð. 68).
Îïðåäåëÿåò ãðîìêîñòü âîñïðîèçâîäèìûõ
íîò.
REAL: Âûáèðàåòñÿ, ÷òîáû velocity íîò çàâèñåëà îò ñêîðîñòè íàæàòèÿ íà êëàâèøè.
REAL, 1 – 127
1 – 127: Âûáèðàåòñÿ, ÷òîáû êàæäàÿ íîòà
èìåëà ôèêñèðîâàííóþ velocity íåçàâèñèìî
îò ñêîðîñòè íàæàòèÿ íà êëàâèøè.
-3 – +3
Äîáàâëÿåò ýôôåêò ñäâèãà àðïåäæèî ÷åðåç
îäèí âðåìåííîé öèêë ñ øàãîì â îêòàâó (îêòàâíûé äèàïàçîí).
Ìîæíî îñóùåñòâëÿòü ñäâèã ââåðõ èëè âíèç
(äî òðåõ îêòàâ ââåðõ/âíèç).
0 – 100
Ïðè âîñïðîèçâåäåíèè àðïåäæèî, velocity
êàæäîé íîòû àðïåäæèî îïðåäåëÿåòñÿ
velocity íîò, çàïðîãðàììèðîâàííûõ â ñòèëå
àðïåäæèî. Äîñòóïíà íàñòðîéêà èíòåíñèâíîñòè "ðàñøèðåíèÿ" ðàçáðîñà ãðîìêîñòè
íîò.
Ïðè óñòàíîâêå "100" íîòû àðïåäæèî áóäóò
èìåòü velocity, çàïðîãðàììèðîâàííóþ â
ñòèëå àðïåäæèî. Ïðè óñòàíîâêå "0" íîòû
àðïåäæèî áóäóò çâó÷àòü ñ ôèêñèðîâàííîé
velocity.
4. Ïî îêîí÷àíèè óñòàíîâîê íàæìèòå êíîïêó [EXIT].
Âûáîð âîñõîäÿùèõ/íèñõîäÿùèõ âàðèàöèé
(Motif)
Ìîæíî âûáðàòü ìåòîä, èñïîëüçóåìûé äëÿ âîñïðîèçâåäåíèÿ çâóêîâ
(ìîòèâ), åñëè áåðåòñÿ áîëüøå íîò, ÷åì çàïðîãðàììèðîâàíî äëÿ ñòèëÿ
àðïåäæèî.
* Åñëè êîëè÷åñòâî íàæàòûõ êëàâèø ìåíüøå, ÷åì êîëè÷åñòâî íîò â
ñòèëå, òî ïî óìîë÷àíèþ áóäåò âîñïðîèçâîäèòüñÿ íàæàòàÿ êëàâèøà ñ íàèáîëüøåé âûñîòîé.
Çíà÷åíèå
Îïèñàíèå
Up (L)
 êàæäîì öèêëå áóäåò çâó÷àòü ñàìàÿ íèæíÿÿ èç íàæàòûõ
êëàâèø, à íîòû áóäóò âîñïðîèçâîäèòüñÿ ïî ïîðÿäêó, íà÷èíàÿ ñ ñàìîé íèæíåé èç íàæàòûõ êëàâèø.
Up (L&H)
 êàæäîì öèêëå áóäóò çâó÷àòü ñàìàÿ íèæíÿÿ è ñàìàÿ âåðõíÿÿ íàæàòûå êëàâèøè, à íîòû áóäóò âîñïðîèçâîäèòüñÿ
ïî ïîðÿäêó, íà÷èíàÿ ñ ñàìîé íèæíåé èç íàæàòûõ êëàâèø.
Up (_)
Íîòû âîñïðîèçâîäÿòñÿ ïî ïîðÿäêó îò ñàìîé íèæíåé èç
íàæàòûõ êëàâèø. Íè îäíà èç íîò íå âîñïðîèçâîäèòñÿ â
ñëåäóþùåì öèêëå ïîâòîðíî.
Down (L)
 êàæäîì öèêëå áóäåò çâó÷àòü ñàìàÿ íèæíÿÿ èç íàæàòûõ
êëàâèø, à íîòû áóäóò âîñïðîèçâîäèòüñÿ ïî ïîðÿäêó, íà÷èíàÿ ñ ñàìîé âåðõíåé èç íàæàòûõ êëàâèø.
Down (L&H)
 êàæäîì öèêëå áóäåò çâó÷àòü ñàìàÿ íèæíÿÿ è ñàìàÿ âåðõíÿÿ íàæàòûå êëàâèøè, à íîòû áóäóò âîñïðîèçâîäèòüñÿ
ïî ïîðÿäêó, íà÷èíàÿ ñ ñàìîé âåðõíåé èç íàæàòûõ êëàâèø.
Down (_)
Íîòû âîñïðîèçâîäÿòñÿ ïî ïîðÿäêó îò ñàìîé âåðõíåé èç
íàæàòûõ êëàâèø. Íè îäíà èç íîò íå âîñïðîèçâîäèòñÿ â
ñëåäóþùåì öèêëå ïîâòîðíî.
U/D (L)
Íîòû áóäóò çâó÷àòü îò ñàìîé íèæíåé äî ñàìîé âåðõíåé
íàæàòûõ êëàâèø è îáðàòíî äî ñàìîé íèæíåé, â êàæäîì
öèêëå çâó÷èò ñàìàÿ íèæíÿÿ êëàâèøà.
U/D (L&H)
 êàæäîì öèêëå áóäóò çâó÷àòü ñàìàÿ íèæíÿÿ è ñàìàÿ âåðõíÿÿ íàæàòûå êëàâèøè, à íîòû áóäóò âîñïðîèçâîäèòüñÿ
ïî ïîðÿäêó îò ñàìîé íèæíåé èç íàæàòûõ êëàâèø, à çàòåì
â îáðàòíîì ïîðÿäêå.
U/D (_)
Íîòû âîñïðîèçâîäÿòñÿ ïî ïîðÿäêó îò ñàìîé íèæíåé èç
íàæàòûõ êëàâèø, à çàòåì ñíîâà â îáðàòíîì ïîðÿäêå. Íè
îäíà èç íîò íå âîñïðîèçâîäèòñÿ â ñëåäóþùåì öèêëå ïîâòîðíî.
Rand (L)
Íîòû áóäóò çâó÷àòü ïðîèçâîëüíî, â êàæäîì öèêëå áóäåò
çâó÷àòü ñàìàÿ íèæíÿÿ èç íàæàòûõ êëàâèø.
Rand (_)
 êàæäîì öèêëå çâó÷èò ñàìàÿ íèæíÿÿ èç íàæàòûõ êëàâèø,
íîòû áóäóò çâó÷àòü ïðîèçâîëüíî. Íè îäíà èç íîò íå âîñïðîèçâîäèòñÿ â ñëåäóþùåì öèêëå ïîâòîðíî.
Phrase
Ïðè íàæàòèè âñåãî îäíîé êëàâèøè âîñïðîèçâåäåòñÿ ôðàçà, ñîîòâåòñòâóþùàÿ âûñîòå âçÿòîé íîòû. Ïðè íàæàòèè
íåñêîëüêèõ êëàâèø âîñïðîèçâîäèòñÿ ôðàçà, ñîîòâåòñòâóþùàÿ íîòå, âçÿòîé ïîñëåäíåé.
<Ïðèìåð>
Ðàáîòà ñòèëÿ, íà÷èíàÿ ñ ñàìîé íèæíåé íîòû "1-2-3-2" ïðè íàæàòèè
êëàâèø “C-D-E-F-G”
• Ïðè âûáîðå â êà÷åñòâå ìîòèâà “UP (L)”:
C-D-E-D −> C-E-F-E −> C-F-G-F (−> ïîâòîðÿåòñÿ)
• Ïðè âûáîðå â êà÷åñòâå ìîòèâà “UP (_)”:
C-D-E-D −> D-E-F-E −> E-F-G-F (−> ïîâòîðÿåòñÿ)
• Ïðè âûáîðå â êà÷åñòâå ìîòèâà “U/D (L&H)”:
C-D-G-D −> C-E-G-E −> C-F-G-F −> C-E-G-E (−> ïîâòîðÿåòñÿ)
68
Ðàñøèðåííûå ôóíêöèè èñïîëíåíèÿ
Óñòàíîâêè ïàìÿòè àêêîðäîâ
“Ëþáèìûå” óñòàíîâêè
Îòíîñèòåëüíî ôóíêöèè Chord Memory ñì. ðàçäåë “Èãðà àêêîðäàìè âçÿòèåì îòäåëüíûõ íîò — êíîïêà [CHORD
MEMORY]” (ñòð. 37).
Îòíîñèòåëüíî ôóíêöèè Favorite ñì. ðàçäåë “Íàçíà÷åíèå è
çàãðóçêà ëþáèìûõ çâóêîâ — êíîïêè FAVORITE [ON/OFF] è
[BANK]” (ñòð. 46).
Óñòàíîâêè ïàìÿòè àêêîðäîâ íå ñîõðàíÿþòñÿ.
1. Íàæìèòå êíîïêó [CHORD MEMORY], îíà çàãîðèòñÿ.
Èëè æå, óäåðæèâàÿ êíîïêó [SHIFT], íàæìèòå êíîïêó
[CHORD MEMORY].
Îòîáðàçèòñÿ ýêðàí “CHORD MEMORY”.
Ïðîñìîòð è óäàëåíèå ëþáèìûõ çâóêîâ
Ìîæíî ïðîñìîòðåòü èëè óäàëèòü íàçíà÷åííûå ëþáèìûå çâóêè.
1. Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí “MENU”.
fig.disp-chordmem.eps_70
2. Êíîïêàìè [
][
] âûáåðèòå “FAVORITE UTILITY" è
íàæìèòå êíîïêó [ENTER].
Îòîáðàçèòñÿ ýêðàí “FAVORITE UTILITY”.
fig.disp-chordmem.eps
Óäåðæèâàÿ êíîïêó [SHIFT] è íàæàâ êíîïêó [CHORD
MEMORY], ìîæíî ïîëó÷èòü äîñòóï ê ýêðàíó “CHORD
MEMORY” áåç âêëþ÷åíèÿ/îòêëþ÷åíèÿ ôóíêöèè Chord
Memory.
2. Êíîïêàìè êóðñîðà âûáåðèòå ïàðàìåòð.
3. Êîëåñîì èçìåíèòå çíà÷åíèå.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
(Íàáîð
àêêîðäîâ)
001 – 017
Âûáîð íàáîðîâ àêêîðäîâ, íàçíà÷åííûõ
íà íîòû C – B.
KEY
C–B
Òîíèêà àêêîðäà.
UP,
DOWN,
ALT,
OFF
Íîòû â àêêîðäå áóäóò çâó÷àòü ïîñëåäîâàòåëüíî, à íå îäíîâðåìåííî.
Ïîñêîëüêó ñêîðîñòü âîñïðîèçâåäåíèÿ
èçìåíÿåòñÿ ñîãëàñíî ñêîðîñòè íàæàòèÿ
íà êëàâèøè, ìîæíî ñ ïîìîùüþ äèíàìèêè èñïîëíåíèÿ ðåàëèñòè÷íî èìèòèðîâàòü èãðó íà ãèòàðå.
UP: Íîòû âîñïðîèçâîäÿòñÿ ñíèçó
ââåðõ.
DOWN: Íîòû âîñïðîèçâîäÿòñÿ ñâåðõó âíèç.
ALT: Ïîðÿäîê âîñïðîèçâåäåíèÿ íîò
ìåíÿåòñÿ ïðè êàæäîì íàæàòèè íà
êëàâèøó.
OFF: Íîòû âîñïðîèçâîäÿòñÿ â âèäå
àêêîðäà.
Roll Type
Óäåðæèâàÿ êíîïêó [SHIFT] è íàæàâ êíîïêó FAVORITE [ON/OFF],
ìîæíî ïîëó÷èòü äîñòóï ê ýêðàíó “FAVORITE UTILITY”.
Îòîáðàçèòñÿ òåêóùèé ëþáèìûé çâóê.
 ñðåäíåé ñòðîêå äèñïëåÿ îòîáðàæàåòñÿ íîìåð ëþáèìîãî çâóêà,
à â íèæíåé — åãî ñîäåðæèìîå. Åñëè íàçíà÷åíèå îòñóòñòâóåò, íà
ýêðàí âûâîäèòñÿ “Not registered”.
Íà ýêðàíå “FAVORITE UTILITY” ìîæíî ïðîèçâîäèòü ñëåäóþùèå
îïåðàöèè.
Êíîïêè
Äåéñòâèå
[
][
]
Ñìåíà íîìåðà ëþáèìîãî çâóêà.
[
][
]
Ñìåíà áàíêà ëþáèìîãî çâóêà.
[ENTER]
Óäàëåíèå ëþáèìîãî çâóêà.
Îòîáðàçèòñÿ çàïðîñ íà ïîäòâåðæäåíèå;
ïîñëå ïîâòîðíîãî íàæàòèÿ êíîïêè
[ENTER] ëþáèìûé çâóê áóäåò óäàëåí.
Äëÿ îòêàçà îò óäàëåíèÿ íàæìèòå êíîïêó
[EXIT].
3. Íàæìèòå êíîïêó [EXIT] äëÿ âûõîäà ñ ýêðàíà
“FAVORITE UTILITY”.
Äëÿ ïåðôîðìàíñà (êîãäà ãîðèò êíîïêà [PERFORM]) ôóíêöèÿ
Chord Memory âîçäåéñòâóåò íà ïàðòèþ, âûáðàííóþ äëÿ àðïåäæèî ïàðàìåòðîì “Part” (ñòð. 67).
69
Ðàñøèðåííûå ôóíêöèè èñïîëíåíèÿ
Óïðàâëåíèå èçîáðàæåíèÿìè îò
êëàâèàòóðû (êíîïêà [V-LINK])
Âêëþ÷åíèå/îòêëþ÷åíèå V-LINK
1. Íàæìèòå êíîïêó [V-LINK], îíà çàñâåòèòñÿ.
Îòîáðàçèòñÿ ýêðàí “V-LINK”, è íàñòðîéêè V-LINK àêòèâèðóþòñÿ.
fig.disp – Vlink.eps
Ôóíêöèÿ V-LINK
V-LINK (
) — ýòî ôóíêöèÿ, ñèíõðîíèçèðóþùàÿ ìóçûêàëüíîå èñïîëíåíèå è âèäåîèçîáðàæåíèå. Êîììóòàöèÿ ïî MIDI óñòðîéñòâ, ñîâìåñòèìûõ ñ V-LINK, óïðîùàåò èñïîëüçîâàíèå ðàçíîîáðàçíûõ âèäåîýôôåêòîâ, ñâÿçàííûõ ñ ìóçûêàëüíûìè ïðîèçâåäåíèÿìè.
Íàïðèìåð, ïîäêëþ÷åíèå ê JUNO-Di óñòðîéñòâà Edirol P-10 ïîçâîëÿåò
ñëåäóþùåå.
• Ñ ïîìîùüþ êëàâèàòóðû JUNO-Di (ëåâàÿ îêòàâà) âûáèðàòü èçîáðàæåíèÿ.
Ðàáîòà íà JUNO-Di
Ñ ïîìîùüþ êëàâèàòóðû è ðåãóëÿòîðîâ JUNO-Di ìîæíî óïðàâëÿòü
èçîáðàæåíèÿìè îäíîâðåìåííî ñ èñïîëíåíèåì íà JUNO-Di.
• Ñ ïîìîùüþ äæîéñòèêà JUNO-Di óïðàâëÿòü ñêîðîñòüþ âîñïðîèçâåäåíèÿ âèäåîðÿäà.
Êíîïêà/Ðåãóëÿòîð/
Êëàâèàòóðà
Îïèñàíèå
• Ñ ïîìîùüþ ðåãóëÿòîðîâ JUNO-Di óïðàâëÿòü ÿðêîñòüþ è îòòåíêîì
èçîáðàæåíèÿ.
Êëàâèøè (ëåâàÿ îêòàâà)
Ïåðåêëþ÷àþò èçîáðàæåíèÿ.
Ðåãóëÿòîð [CUTOFF]
Óïðàâëÿåò ÿðêîñòüþ è îòòåíêîì.
Ðåãóëÿòîð [RESONANCE]
Óïðàâëÿåò íàñûùåííîñòüþ.
Ðåãóëÿòîð [REVERB]
Óïðàâëÿåò âðåìåíåì ïåðåêëþ÷åíèÿ èçîáðàæåíèé.
Äæîéñòèê Pitch Bend
Óïðàâëÿåò ñêîðîñòüþ âîñïðîèçâåäåíèÿ âèäåîðÿäà.
Ïðèìåð êîììóòàöèè
MIDI-êàáåëåì ïîäêëþ÷èòå ðàçúåì MIDI OUT íà JUNO-Di ê ðàçúåìó
MIDI IN óñòðîéñòâà EDIROL P-10.
Ïåðåä ïîäêëþ÷åíèåì ê äðóãèì óñòðîéñòâàì âûêëþ÷èòå èõ
ïèòàíèå. Ýòî ïîçâîëèò èçáåæàòü ñáîêâ â ðàáîòå è/èëè ïîâðåæäåíèÿ àêóñòè÷åñêîé ñèñòåìû èëè äðóãîãî îáîðóäîâàíèÿ.
2. Íàõîäÿñü íà ýêðàíå “V-LINK”, åùå ðàç íàæìèòå êíîïêó [V-LINK].
Êíîïêà [V-LINK] ïîãàñíåò, è ôóíêöèÿ V-LINK âûêëþ÷èòñÿ.
fig.VlinkP10.eps
Óñòàíîâêè V-LINK
1. Íàæìèòå êíîïêó [V-LINK] äëÿ äîñòóïà ê ýêðàíó “V-LINK”.
JUNO-Di
MIDI OUT
Îòîáðàçèòñÿ ýêðàí “V-LINK”.
fig.disp – Vlink.eps
MIDI IN
2. Êíîïêàìè [
][
] âûáåðèòå ïàðàìåòð.
3. Êîëåñîì âûáåðèòå çíà÷åíèå.
EDIROL P-10
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Tx Channel
1 – 16
MIDI-êàíàë óïðàâëåíèÿ óñòðîéñòâîì V-LINK.
Speed Ctrl
0 - 1 - 2, 0.5 - 1 - 2, 0 - 1 - 4,
0.5 - 1 - 4, 0 - 1 - 8, 0.5 - 1 - 8,
0 - 1 - 16, 0.5 - 1 - 16, 0 - 1 - 32,
0.5 - 1 - 32, 0 - 2 - 4, 0 - 4 - 8,
0 - 8 - 16, 0 - 16 - 32, (-1) - 0 - 1,
(-2) - 1 - 4, (-6) - 1 - 8
Äèàïàçîí ñêîðîñòè âîñïðîèçâåäåíèÿ âèäåîðÿäà.
Òðè çíà÷åíèÿ ñêîðîñòè âîñïðîèçâåäåíèÿ (îòíîñèòåëüíî ñòàíäàðòíîé) ñîîòâåòñòâóþò ëåâîìó,
öåíòðàëüíîìó è ïðàâîìó ïîëîæåíèþ äæîéñòèêà Pitch Bend.
Óñòàíîâêè ïðè âûõîäå ñ ýêðàíà “V-LINK” ñîõðàíÿþòñÿ.
70
Èñïîëüçîâàíèå ïëååðà ïüåñ
Ïëååð ïüåñ â JUNO-Di ðåàëèçóåò äâå ôóíêöèè — ïàòòåðíà óäàðíûõ
(Rhythm Pattern) è ïëååðà ïüåñ (Song Player).
• Ñðåäñòâàìè JUNO-Di ñîçäàâàòü ñïèñêè âîñïðîèçâåäåíèÿ
íåâîçìîæíî, äëÿ ýòîãî íåîáõîäèìî óñòàíîâèòü ïðèëàãàåìóþ ïðîãðàììó “Playlist Editor”.
Ôóíêöèÿ Song Player
• Playlist Editor ïîääåðæèâàåò äî 999 ïüåñ è 999 ñïèñêîâ
âîñïðîèçâåäåíèÿ, íî â JUNO-Di ìîæíî èñïîëüçîâàòü
ìàêñèìóì 399 ïüåñ è 399 ñïèñêîâ âîñïðîèçâåäåíèÿ.
Âîñïðîèçâîäèò ïüåñû (àóäèîôàéëû èëè äàííûå SMF) ñ íàêîïèòåëÿ
USB. Ïüåñû ìîæíî âîñïðîèçâîäèòü â ïîðÿäêå, îïðåäåëåííîì â "ñïèñêå âîñïðîèçâåäåíèÿ”.
• Ìîæíî âîñïðîèçâîäèòü îòäåëüíûå ïüåñû áåç ñîçäàíèÿ
ñïèñêà.  ýòîì ñëó÷àå, íåîáõîäèìî ïîìåñòèòü âîñïðîèçâîäèìûå ôàéëû â êîðíåâóþ äèðåêòîðèþ íàêîïèòåëÿ
USB. Â êîðíåâîé äèðåêòîðèè ìîæåò ñîäåðæàòüñÿ ìàêñèìóì 99 ïüåñ.
Playlist:
Äëÿ âîñïðîèçâåäåíèÿ íåñêîëüêèõ ïüåñ íà JUNO-Di ìîæíî
ñîçäàòü ñïèñîê, â êîòîðîì îíè áóäóò âîñïðîèçâîäèòüñÿ. Ýòî
îñóùåñòâëÿåòñÿ â ïðèëàãàåìîé ïðîãðàììå “Playlist Editor”.
• Ïîääåðæèâàåòñÿ âîñïðîèçâåäåíèå àóäèîôàéëîâ òîëüêî
ñ ÷àñòîòîé äèñêðåòèçàöèè 44.1 êÃö.
Song list:
Ýòîò òåðìèí îòíîñèòñÿ ê ïüåñàì ñïèñêà, óêàçàííûì â ñïèñêå
âîñïðîèçâåäåíèÿ.
Ñòðóêòóðà ïàïîê
Ôóíêöèÿ Rhythm Pattern (ñòð. 74)
Âîñïðîèçâîäèò ïàòòåðíû óäàðíûõ äëÿ ðàçëè÷íûõ ìóçûêàëüíûõ ñòèëåé.
Ïðè èñïîëüçîâàíèè ïðèëàãàåìîé ïðîãðàììû “Playlist Editor” ñîçäàþòñÿ ñëåäóþùèå ïàïêè è ôàéëû.
Êîðíåâàÿ äèðåêòîðèÿ
Ïàïêà ROLAND
Îäíîâðåìåííîå èñïîëüçîâàíèå ïëååðà ïüåñ è ïàòòåðíîâ
óäàðíûõ íåâîçìîæíî.
Ïàïêà PLAYLIST
Ñïèñêè âîñïðîèçâåäåíèÿ ìîãóò íå îòîáðàæàòüñÿ, åñëè êàêèå-ëèáî îïåðàöèè ñ äàííûìè ïüåñ â ïàïêå PLAYLIST ïðîèçâîäèëèñü â îáõîä ïðîãðàììû Playlist Editor.
Âîñïðîèçâåäåíèÿ ìóçûêàëüíûõ
ôàéëîâ (SONG PLAYER)
Íèæå ïðèâåäåíà ïðîöåäóðà èñïîëüçîâàíèÿ ïëååðà ïüåñ JUNO-Di äëÿ
âîñïðîèçâåäåíèÿ ìóçûêàëüíûõ ôàéëîâ.
1. Ñêîïèðóéòå äàííûå èç êîìïüþòåðà íà íàêîïèòåëü
Òèïû âîñïðîèçâîäèìûõ ôàéëîâ
SMF
Ôîðìàò
0 èëè 1
* Äëÿ SMF ôîðìàòà 1 èìåþòñÿ îãðàíè÷åíèÿ íà êîëè÷åñòâî âîñïðîèçâîäèìûõ òðåêîâ.
Ðàçìåð
Îêîëî 240 Êá ìàêñèìóì (çàâèñèò îò
ñîäåðæèìîãî SMF)
System exclusive
Ðàçìåð ïàêåòà 512 èëè ìåíüøå
×àñòîòà
äèñêðåòèçàöèè
44.1 êÃö
Ðàçðåøåíèå
8/16/24 áèò
Ôîðìàò
MPEG-1 audio layer 3
×àñòîòà
äèñêðåòèçàöèè
44.1 êÃö
Áèòðåéò
32/40/48/56/64/80/96/112/128/160/
192/224/256/320 kbps,
VBR (ïåðåìåííûé)
USB.
Ïîääåðæèâàþòñÿ ôàéëû ôîðìàòîâ SMF, WAV, AIFF è MP3.
Ñì. “Òèïû âîñïðîèçâîäèìûõ ôàéëîâ”.
2. Ïîäêëþ÷èòå íàêîïèòåëü USB ê JUNO-Di è âîñïðîèçâåäèòå ìóçûêàëüíûé ôàéë.
• Èñïîëüçóéòå íàêîïèòåëè USB, ïðåäëàãàåìûå Roland. Êîððåêòíàÿ ðàáîòà ñ íàêîïèòåëÿìè äðóãèõ ïðîèçâîäèòåëåé
íå ãàðàíòèðóåòñÿ.
Àóäèîôàéëû
WAV/AIFF
• Ïîäêëþ÷àéòå íàêîïèòåëü USB ïîñëå âêëþ÷åíèÿ ïèòàíèÿ
JUNO-Di.
• Íå îòêëþ÷àéòå íàêîïèòåëü USB ïðè âêëþ÷åííîì ïèòàíèè.
Ñîçäàíèå ñïèñêà âîñïðîèçâåäåíèÿ
MP3
 êîìïüþòåðå çàïóñòèòå ïðèëàãàåìóþ ïðîãðàììó "Playlist Editor" è ñîçäàéòå ñïèñîê âîñïðîèçâåäåíèÿ. Ïðè èñïîëüçîâàíèè JUNO-Di äëÿ
âîñïðîèçâåäåíèÿ òðåêîâ àêêîìïàíåìåíòà æåëàòåëüíî çàðàíåå ñîçäàòü ñïèñîê, îïðåäåëÿþùèé ïîðÿäîê âîñïðîèçâåäåíèÿ òðåêîâ.
Ðàáîòà ñ ïðîãðàììîé "Playlist Editor" èçëîæåíà â ïðèëàãàåìîì ê íåé
ðóêîâîäñòâå.
71
Èñïîëüçîâàíèå ïëååðà ïüåñ
Âûáîð è âîñïðîèçâåäåíèå ïüåñ
(êíîïêà [SONG LIST])
1. Ïîäêëþ÷èòå ê JUNO-Di íàêîïèòåëü USB, ñîäåðæàùèé
ñïèñêè âîñïðîèçâåäåíèÿ è ïüåñû.
Óêàçàòåëü âîñïðîèçâåäåíèÿ
Äëÿ ïåðåìåùåíèÿ óêàçàòåëÿ âîñïðîèçâåäåíèÿ èñïîëüçóéòå ñëåäóþùèå êíîïêè.
Êíîïêà
Îïèñàíèå
[
]
Âîçâðàò ê íà÷àëó ïüåñû. Ïðè åå íàæàòèè â íà÷àëå
ïüåñû ïðîèçîéäåò ïåðåõîä ê íà÷àëó ïðåäûäóùåé
ïüåñû. Óäåðæàíèå êíîïêè îñóùåñòâëÿåò ïåðåìîòêó
ïüåñû íàçàä.
[
]
Ïåðåìåùåíèå ê ñëåäóþùåé ïüåñå. Óäåðæàíèå êíîïêè îñóùåñòâëÿåò ïåðåìîòêó ïüåñû âïåðåä.
2. Íàæìèòå êíîïêó [SONG LIST].
Êíîïêà çàñâåòèòñÿ, è îòîáðàçèòñÿ ýêðàí ñî ñïèñêîì ïüåñ.
fig.disp-songlist.eps_70
[PLAY/STOP]
3. Êîëåñîì èëè êíîïêàìè [
][
] âûáåðèòå ïüåñó äëÿ
âîñïðîèçâåäåíèÿ.
Çàïóñê/îñòàíîâ âîñïðîèçâåäåíèÿ ïüåñû.
Åñëè ïåðåêëþ÷èòü âîñïðîèçâîäèìóþ ïüåñó íà ýêðàíå, îòëè÷íîì îò ýêðàíà ñî ñïèñêîì ïüåñ, âîçìîæíà çàäåðæêà çàïóñêà âîñïðîèçâåäåíèÿ íà íåñêîëüêî ñåêóíä.
4. Íàæìèòå êíîïêó [PLAY/STOP].
Âûáðàííàÿ ïüåñà íà÷íåò âîñïðîèçâîäèòüñÿ.
Ïîñëå âûáîðà ïüåñû ìîæíî íàæàòü êíîïêó [SONGLIST],
[ENTER] èëè [EXIT] äëÿ âîçâðàòà íà ãëàâíûé ýêðàí. Äàæå â
ïðîöåññå âîñïðîèçâåäåíèÿ ïüåñû ìîæíî èçìåíèòü âîñïðîèçâîäèìûé ñ êëàâèàòóðû ïàò÷ è èãðàòü åãî çâóêîì ïîä àêêîìïàíåìåíò ïüåñû.
5. Äëÿ îñòàíîâà âîñïðîèçâåäåíèÿ íàæìèòå êíîïêó
[PLAY/STOP].
Ïðè ñëåäóþùåì íàæàòèè êíîïêè [PLAY/STOP] âîñïðîèçâåäåíèå
ïðîäîëæèòñÿ ñ òî÷êè îñòàíîâà.
Óñòàíîâêà ãðîìêîñòè ïëååðà ïüåñ
1. Íàæìèòå êíîïêó [LEVEL].
Èíäèêàöèÿ â âåðõíåé ñòðîêå áóäåò ìåíÿòüñÿ ñîãëàñíî òåêóùåìó ñîñòîÿíèþ ïëååðà ïüåñ.
• Åñëè âîñïðîèçâîäÿòñÿ àóäèîäàííûå, çäåñü áóäåò îòîáðàæàòüñÿ
“AUDIO LEVEL”.
• Åñëè âîñïðîèçâîäÿòñÿ äàííûå SMF, çäåñü áóäåò îòîáðàæàòüñÿ
“SMF LEVEL”.
2. Êîëåñîì îòðåãóëèðóéòå ãðîìêîñòü.
Ãðîìêîñòü ïëååðà ïüåñ áóäåò ìåíÿòüñÿ.
Çíà÷åíèå: 0 – 127
• Äàííûå èñïîëíåíèÿ ïðè âîñïðîèçâåäåíèè SMF íà
ðàçúåì USB COMPUTER íå ïåðåäàþòñÿ.
• Ïðè âîñïðîèçâåäåíèè SMF âêëþ÷èòå êíîïêó
[PERFORM].
• Äëÿ èãðû íà êëàâèàòóðå ïîä àêêîìïàíåìåíò SMF
ñíà÷àëà âûáåðèòå ïåðôîðìàíñ äëÿ êëàâèàòóðû, à çàòåì çàïóñòèòå âîñïðîèçâåäåíèå ôàéëà. Ïðè âîñïðîèçâåäåíèè SMF íå ïåðåêëþ÷àéòå ïåðôîðìàíñû.
• Åñëè çàïóñòèòü âîñïðîèçâåäåíèè SMF â ïðîöåññå
ðåäàêöèè ïåðôîðìàíñà èëè ïàò÷à, ñîäåðæèìîå âðåìåííîé ïàìÿòè ïåðåïèñûâàåòñÿ, è ìîäèôèöèðîâàííûå äàííûå òåðÿþòñÿ. ×òîáû ýòîãî íå ïðîèçîøëî,
ïåðåä âîñïðîèçâåäåíèåì SMF ñîõðàíèòå íóæíûå
äàííûå (ñòð. 62).
• Ïðè âîñïðîèçâåäåíèè ïüåñû îïåðàöèè çàïèñè è
ôóíêöèè Utility (ñòð. 77) íåäîñòóïíû.
• Ïîääåðæèâàþòñÿ àóäèîôàéëû òîëüêî ñ ÷àñòîòîé
äèñêðåòèçàöèè 44.1 êÃö.
• Â JUNO-Di ìîæåò õðàíèòüñÿ äî 399 ïüåñ èëè ñïèñêîâ
âîñïðîèçâåäåíèÿ. (Äëÿ ïðîãðàììû Playlist Editor èõ
êîëè÷åñòâî ñîñòàâëÿåò 999.)
72
3. Íàæìèòå êíîïêó [EXIT] äëÿ âîçâðàòà ê ïðåäûäóùåìó
ýêðàíó.
Óñòàíîâëåííûå òàêèì îáðàçîì çíà÷åíèÿ “AUDIO LEVEL” è
“SMF LEVEL” òåðÿþòñÿ ïðè îòêëþ÷åíèè ïèòàíèÿ. ×òîáû èõ
ñîõðàíèòü, âîñïîëüçóéòåñü ñèñòåìíûìè óñòàíîâêàìè
“Audio Level” è “SMF Level” (ñòð. 75).
Èçìåíåíèå òåìïà ïüåñû (SMF)
Òåìï âîñïðîèçâåäåíèÿ ïüåñ SMF ìîæíî èçìåíÿòü.
Ñì. “Èçìåíåíèå òåìïà” (ñòð. 58).
Äàæå ïðè âûáîðå àóäèîôàéëà óñòàíîâêà òåìïà îòîáðàæàåòñÿ, è åãî çíà÷åíèå ìîæíî èçìåíèòü, íî òåìï ïüåñû ïðè ýòîì
íå èçìåíèòñÿ.
Èñïîëüçîâàíèå ïëååðà ïüåñ
Âûáîð è âîñïðîèçâåäåíèå ñïèñêà
1. Ïîäêëþ÷èòå ê JUNO-Di íàêîïèòåëü USB, ñîäåðæàùèé
ñïèñêè âîñïðîèçâåäåíèÿ è ïüåñû.
2. Íàæìèòå êíîïêó [SONG LIST].
Êíîïêà çàñâåòèòñÿ, è îòîáðàçèòñÿ ýêðàí ñî ñïèñêîì ïüåñ.
3. Íàæìèòå êíîïêó [
].
Îòîáðàçèòñÿ ýêðàí “PLAYLIST SELECT”.
fig.disp-playlist.eps_70
Èñïîëíåíèå ïîä ôîíîãðàììó
(êíîïêà [C. CANCEL/MINUS ONE])
Åñëè íàæàòü êíîïêó [C. CANCEL/MINUS ONE] ïðè âîñïðîèçâåäåíèè
ïüåñû SMF, âûáðàííàÿ ïàðòèÿ áóäåò ìüþòèðîâàíà (çàãëóøåíà); â ñëó÷àå àóäèîôàéëà, áóäóò ïîäàâëåíû çâóêè, ðàñïîëîæåííûå â öåíòðå
ñòåðåîïàíîðàìû.
Ýòî ïîçâîëÿåò èñïîëíÿòü ïîä ôîíîãðàììó ñâîþ ïàðòèþ âìåñòî çàãëóøåííîé, à òàêæå óäàëÿòü âîêàë èëè ìåëîäèþ ïüåñû, ÷òîáû èñïîëíÿòü
èõ ñàìîñòîÿòåëüíî.
 çàâèñèìîñòè îò òèïà ïüåñû äîñòóïíû ñëåäóþùèå ôóíêöèè.
Òèï
ôàéëà
SMF
Ôóíêöèÿ
Îïèñàíèå
Minus-One
Çàãëóøàåò âûáðàííóþ ïàðòèþ. Ñì. “Óñòàíîâêè, âîçäåéñòâóþùèå íà ðàáîòó âñåãî
JUNO-Di (SYSTEM)”, ïàðàìåòð “MINUS ONE”
(ñòð. 76).
Center cancel
Ïîäàâëÿåò çâóêè, ðàñïîëîæåííûå â öåíòðå
ñòåðåîïàíîðàìû, íàïðèìåð, âîêàëà èëè ìåëîäèè.
* Óäàëåíèå âîêàëà íå âñåãäà äàåò ïîëîæèòåëüíûå ðåçóëüòàòû.
4. Êîëåñîì èëè êíîïêàìè [
][
] âûáåðèòå ñïèñîê
âîñïðîèçâåäåíèÿ è íàæìèòå êíîïêó [ENTER].
Îòîáðàçèòñÿ âûáðàííûé ñïèñîê âîñïðîèçâåäåíèÿ.
Àóäèîôàéë
Íàõîäÿñü íà ýêðàíå “PLAYLIST SELECT”, ìîæíî íàæàòü êíîïêó [
] äëÿ äîñòóïà ê ýêðàíó ñî ñïèñêîì ïüåñ âûáðàííîãî
ñïèñêà âîñïðîèçâåäåíèÿ.
5. Íàæìèòå êíîïêó [PLAY/STOP].
Ïüåñû èç âûáðàííîãî ñïèñêà íà÷íóò âîñïðîèçâîäèòüñÿ â çàäàííîì ïîðÿäêå.
1. Íàæìèòå êíîïêó [C. CANCEL/MINUS ONE], îíà çàñâåòèòñÿ.
Ïðè âîñïðîèçâåäåíèè ïüåñû SMF âûáðàííàÿ ïàðòèÿ áóäåò çàãëóøåíà. Ïðè âîñïðîèçâåäåíèè àóäèîôàéëà áóäóò ïîäàâëåíû çâóêè, ðàñïîëîæåííûå â öåíòðå ñòåðåîïàíîðàìû.
6. Äëÿ îñòàíîâà âîñïðîèçâåäåíèÿ íàæìèòå êíîïêó
[PLAY/STOP].
Ïðè ñëåäóþùåì íàæàòèè êíîïêè [PLAY/STOP] âîñïðîèçâåäåíèå
ïðîäîëæèòñÿ ñ òî÷êè îñòàíîâà.
2. ×òîáû îòêëþ÷èòü ôóíêöèþ Minus-One èëè Center
Cancel, íàæìèòå êíîïêó [C. CANCEL/MINUS ONE], îíà
ïîãàñíåò.
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Èñïîëüçîâàíèå ïëååðà ïüåñ
Âîñïðîèçâåäåíèå ïàòòåðíîâ
óäàðíûõ
(êíîïêà [RHYTHM PATTERN])
Âûáîð ãðóïïû óäàðíûõ/íàáîðà óäàðíûõ
×òîáû âûáðàòü ïàòòåðí óäàðíûõ äðóãîãî ñòèëÿ, ñìåíèòå ãðóïïó ïàòòåðíîâ óäàðíûõ.
Ïðè ñìåíå ãðóïïû ïàòòåðíîâ óäàðíûõ òàêæå èçìåíÿòñÿ ïàòòåðíû, íàçíà÷åííûå íà êíîïêè [1] – [6].
Ïîíÿòèå ïàòòåðíà óäàðíûõ:
Ïàòòåðí óäàðíûõ ÿâëÿåòñÿ ðèòìè÷åñêîé ôðàçîé, èñïîëíÿåìîé çâóêàìè óäàðíûõ èëè ïåðêóññèîííûõ èíñòðóìåíòîâ.
JUNO-Di ñîäåðæèò ïàòòåðíû óäàðíûõ äëÿ ìíîæåñòâà ìóçûêàëüíûõ ñòèëåé. Èõ ìîæíî èñïîëüçîâàòü â êà÷åñòâå àêêîìïàíåìåíòà äëÿ èãðû íà êëàâèàòóðå.
Íàáîð óäàðíûõ, èñïîëüçóþùèéñÿ ïðè âîñïðîèçâåäåíèè ïàòòåðíà
óäàðíûõ, îïðåäåëÿåòñÿ ãðóïïîé ïàòòåðíîâ óäàðíûõ, îäíàêî, íàáîðû
óäàðíûõ ïðè íåîáõîäèìîñòè ìîæíî ðåäàêòèðîâàòü.
Óñòàíîâêè ïàòòåðíà óäàðíûõ íå ñîõðàíÿþòñÿ.
1. Íàæìèòå êíîïêó [RHYTHM PATTERN], îíà çàñâåòèòñÿ.
Ïîíÿòèå ãðóïïû óäàðíûõ:
Ñîâîêóïíîñòü ïàòòåðíîâ óäàðíûõ îäíîãî ìóçûêàëüíîãî
ñòèëÿ íàçûâàåòñÿ ãðóïïîé ïàòòåðíîâ óäàðíûõ.
“Ñïèñîê ãðóïï ïàòòåðíîâ óäàðíûõ” (ñòð. 124)
Îòîáðàçèòñÿ ýêðàí “RHYTHM PATTERN”.
2. Êíîïêàìè [
][
] ïåðåìåñòèòå êóðñîð â ñðåäíþþ
ñòðîêó ýêðàíà è êîëåñîì âûáåðèòå ãðóïïó ïàòòåðíîâ
óäàðíûõ.
Çíà÷åíèÿ: 001 – 024
Âîñïðîèçâåäåíèå ïàòòåðíîâ óäàðíûõ
1. Íàæìèòå êíîïêó [RHYTHM PATTERN], îíà çàñâåòèòñÿ.
Îòîáðàçèòñÿ ýêðàí “RHYTHM PATTERN”.
fig.disp-RhyPat.eps_70
Ïðè ñìåíå ãðóïïû ïàòòåðíîâ óäàðíûõ áóäåò âûáðàí íàèáîëåå
ïîäõîäÿùèé íàáîð óäàðíûõ.
3. Êíîïêîé [
] ïåðåìåñòèòå êóðñîð â íèæíþþ ñòðîêó
ýêðàíà è êîëåñîì âûáåðèòå íàáîð óäàðíûõ.
Çíà÷åíèÿ: Rh001 – Rh029
Ãðîìêîñòü ïàòòåðíà óäàðíûõ
2. Íàæìèòå êíîïêó [PLAY/STOP].
Äàííàÿ óñòàíîâêà íå ñîõðàíÿåòñÿ.
Ïàòòåðí óäàðíûõ íà÷íåò âîñïðîèçâîäèòüñÿ.
3. Êíîïêàìè [1] – [6] èëè [
][
] âûáå-
ðèòå ïàòòåðí óäàðíûõ.
1. Íàæìèòå êíîïêó [LEVEL].
 âåðõíåé ñòðîêå ýêðàíà îòîáðàçèòñÿ çíà÷åíèå ãðîìêîñòè.
fig.disp-RhyPat.eps_70
Ñîîòâåòñòâóþùàÿ âûáðàííîìó ïàòòåðíó êíîïêà íà÷íåò ìèãàòü.
Âìåñòî íàæàòèÿ êíîïêè [PLAY/STOP] íà øàãå 2 òàêæå ìîæíî
çàïóñòèòü âîñïðîèçâåäåíèå ïàòòåðíà óäàðíûõ íàæàòèåì
êíîïêè îò [1] äî [6].
4. Äëÿ îñòàíîâà âîñïðîèçâåäåíèÿ ïàòòåðíà íàæìèòå
êíîïêó [PLAY/STOP].
Äëÿ îñòàíîâà âîñïðîèçâåäåíèÿ ïàòòåðíà òàêæå ìîæíî íàæàòü
ìèãàþùóþ êíîïêó [1] – [6].
Ïðè âîñïðîèçâåäåíèè ïàòòåðíà óäàðíûõ èñïîëüçóþòñÿ óñòàíîâêè àðïåäæèî “Grid” è “Duration” (ñòð. 67, ñòð. 68).
74
2. Êîëåñîì èçìåíèòå ãðîìêîñòü.
Çíà÷åíèÿ: 1 – 127
3. Íàæìèòå êíîïêó [EXIT] äëÿ âîçâðàòà ê ïðåäûäóùåìó
ýêðàíó.
Îñòàëüíûå óñòàíîâêè
Óñòàíîâêè, âîçäåéñòâóþùèå íà ðàáîòó âñåãî JUNO-Di (SYSTEM)
Ñèñòåìíûå óñòàíîâêè âîçäåéñòâóþò íà ðàáîòó JUNO-Di â öåëîì, íàïðèìåð, óñòàíîâêè ÷óâñòâèòåëüíîñòè êëàâèàòóðû èëè ðåæèìà ïðèåìà MIDIñîîáùåíèé.
Ïðîöåäóðà ðåäàêöèè ñèñòåìíûõ óñòàíîâîê
1. Íàæìèòå êíîïêó [MENU].
3. Êíîïêàìè [
2. Êíîïêàìè [
][
êíîïêó [ENTER].
][
] âûáåðèòå óñòàíîâêó äëÿ
ðåäàêöèè.
Îòîáðàçèòñÿ ýêðàí “MENU”.
] âûáåðèòå “SYSTEM" è íàæìèòå
Îòîáðàçèòñÿ ýêðàí óñòàíîâîê.
4. Êíîïêàìè [
][
] ïåðåìåñòèòå êóðñîð íà
ðåäàêòèðóåìûé ïàðàìåòð.
5. Êîëåñîì èçìåíèòå çíà÷åíèå.
fig.disp-system.eps_70
6. Íàæìèòå êíîïêó [EXIT] äëÿ âûõîäà ñ ýêðàíà
óñòàíîâîê.
Ñèñòåìíûå óñòàíîâêè áóäóò àâòîìàòè÷åñêè ñîõðàíåíû.
Ñèñòåìíûå ïàðàìåòðû
Ìåíþ
KEYBOARD
TOUCH
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Velo Curve
(Velocity Curve)
LIGHT, MEDIUM,
HEAVY
×óâñòâèòåëüíîñòü êëàâèàòóðû.
LIGHT: Îáëåã÷åííàÿ ñèíòåçàòîðíàÿ êëàâèàòóðà. Ïîçâîëÿåò äîñòèãíóòü ôîðòèññèìî ìåíüøèìè óñèëèÿìè, ÷åì ïðè
óñòàíîâêå "MEDIUM". Îñîáåííî óäîáíî èñïîëüçîâàòü ýòîò ðåæèì ïðè îáó÷åíèè äåòåé.
MEDIUM: Ñòàíäàðòíàÿ ÷óâñòâèòåëüíîñòü, òèïè÷íàÿ äëÿ àêóñòè÷åñêîãî ôîðòåïèàíî.
HEAVY: Íèçêàÿ ÷óâñòâèòåëüíîñòü êëàâèàòóðû. Äëÿ èãðû ôîðòèññèìî íà êëàâèøè íàäî íàæèìàòü ñ áîëüøåé ñèëîé,
÷åì ïðè óñòàíîâêå "MEDIUM". Ïîçâîëÿåò óñèëèòü ýêñïðåññèâíîñòü èñïîëíåíèÿ.
Velo Sens
(Velocity Sense)
-63 – +63
Ïðîèçâîäèò òî÷íóþ íàñòðîéêó ÷óâñòâèòåëüíîñòè êëàâèàòóðû, ñîãëàñíî âûáîðó “Velo Curve”.
×åì âûøå çíà÷åíèå, òåì áîëüøå ñîîòâåòñòâèå velocity ñèëå çâóêîèçâëå÷åíèÿ.
Velocity
REAL, 1 – 127
Âåëè÷èíà velocity, êîòîðàÿ ïåðåäàåòñÿ ïðè èãðå íà êëàâèàòóðå
REAL: Ïåðåäàåòñÿ ôàêòè÷åñêàÿ velocity êëàâèàòóðû.
1 – 127: Íåçàâèñèìî îò ñèëû çâóêîèçâëå÷åíèÿ, ïåðåäàåòñÿ ôèêñèðîâàííàÿ velocity.
Master Tune
415.3 – 466.2 Hz
Îáùàÿ íàñòðîéêà JUNO-Di.
Äèñïëåé îòîáðàæàåò ÷àñòîòó íîòû A4 (öåíòðàëüíîå A).
Output Gain
-12 – +12 dB
Âûõîäíîé óðîâåíü JUNO-Di.
Íàïðèìåð, ïðè çàäåéñòâîâàíèè îòíîñèòåëüíî íåáîëüøîãî êîëè÷åñòâà ãîëîñîâ, óñèëåíèå âûõîäíîãî ñèãíàëà óëó÷øèò ñîãëàñîâàíèå ñ âíåøíèìè óñòðîéñòâàìè çàïèñè/îçâó÷èâàíèÿ.
System Tempo
5 – 300
Òåìï JUNO-Di.
Audio Level
0 – 127
Ãðîìêîñòü âîñïðîèçâåäåíèÿ àóäèîôàéëîâ ïëååðîì ïüåñ.
SMF Level
0 – 127
Ãðîìêîñòü âîñïðîèçâåäåíèÿ ôàéëîâ SMF ïëååðîì ïüåñ.
MODULATION,
PORTA-TIME,
VOLUME,
PAN,
EXPRESSION,
HOLD,
PORTAMENTO,
SOSTENUTO,
RESONANCE,
RELEASE-TIME,
ATTACK-TIME,
CUTOFF,
DECAY-TIME,
Ôóíêöèÿ ïåäàëè, ïîäêëþ÷åííîé ê ðàçúåìó HOLD PEDAL.
×èñëà â ñêîáêàõ ( ) îáîçíà÷àþò íîìåð ñîîáùåíèÿ Control Change, âûðàáàòûâàåìîãî ïåäàëüþ ïðè íàçíà÷åíèè íà
íåå ñîîòâåòñòâóþùåé ôóíêöèè.
* Âíå çàâèñèìîñòè îò âûáðàííîé ôóíêöèè, ýôôåêò áóäåò âîçäåéñòâîâàòü íà òåêóùèé ïàò÷ â ðåæèìå Patch èëè íà òåêóùóþ ïàðòèþ â ðåæèìå Performance (ò.e., êîãäà ãîðèò êíîïêà [PERFORM]).
MODULATION (CC01): Âèáðàòî
PORTA-TIME (CC05): Âðåìÿ ïîðòàìåíòî (ñòð. 59)
VOLUME (CC07): Ãðîìêîñòü
PAN (CC10): Ïàíîðàìà
EXPRESSION (CC11): Óðîâåíü ýêñïðåññèè
HOLD (CC64): Ïðè íàæàòèè íà ïåäàëü áóäóò óäåðæèâàòüñÿ âçÿòûå äî è ïîñëå íàæàòèÿ íîòû.
PORTAMENTO (CC65): Âêëþ÷àåò/îòêëþ÷àåò ïîðòàìåíòî (ñòð. 59)
SOSTENUTO (CC66): Ïðè íàæàòèè íà ïåäàëü áóäóò óäåðæèâàòüñÿ òîëüêî ðàíåå âçÿòûå íîòû.
RESONANCE (CC71): Ðåçîíàíñ (ñòð. 66)
RELEASE-TIME (CC72): Âðåìÿ çàòóõàíèÿ (ñòð. 65)
ATTACK-TIME (CC73): Âðåìÿ àòàêè (ñòð. 65)
CUTOFF (CC74): ×àñòîòà ñðåçà (ñòð. 66)
DECAY-TIME (CC75): Âðåìÿ ñïàäà (ñòð. 65)
SOUND
HOLD
PEDAL
Assign
75
Îñòàëüíûå óñòàíîâêè
Ìåíþ
Ïàðàìåòð
Çíà÷åíèå
Assign
VIB-RATE,
VIB-DEPTH,
VIB-DELAY,
CHORUS-SEND,
REVERB-SEND,
AFTERTOUCH,
START/STOP,
TAP-TEMPO,
PROG-UP,
PROG-DOWN,
FAV-UP,
FAV-DOWN
Continuous
Hold
OFF, ON
Îïðåäåëÿåò, äîñòóïíà (ON) èëè íåò (OFF) ïîääåðæêà ðàçúåìîì HOLD PEDAL ôóíêöèè ïîëîâèííîãî íàæàòèÿ ïåäàëè.
Åñëè âûáðàíà ïîääåðæêà ôóíêöèè ïîëîâèííîãî íàæàòèÿ, ñ ïîìîùüþ ïîäêëþ÷åííîé îïöèîíàëüíîé ïåäàëè ýêñïðåññèè (DP-10 è ò.ä.) ìîæíî áîëåå òî÷íî óïðàâëÿòü ïåðôîðìàíñàìè, ãäå èñïîëüçóþòñÿ ôîðòåïèàííûå òåìáðû.
STANDARD,
REVERSE
Âûáîð ïîëÿðíîñòè ïåäàëè, ïîäêëþ÷åííîé ê ðàçúåìó HOLD PEDAL.
Íà íåêîòîðûõ ïåäàëÿõ ýëåêòðè÷åñêèé ñèãíàë, âûäàâàåìûé ïðè íàæàòèè èëè îòïóñêàíèè ïåäàëè, ïðîòèâîïîëîæåí
ïî çíàêó ñèãíàëó äðóãèõ ïåäàëåé. Åñëè äåéñòâèå ïåäàëè ïðîòèâîïîëîæíî îæèäàåìîìó, óñòàíîâèòå ýòîò ïàðàìåòð â
"REVERSE". Åñëè èñïîëüçóåòñÿ ïåäàëü Roland (áåç ïåðåêëþ÷àòåëÿ ïîëÿðíîñòè), óñòàíîâèòå ýòîò ïàðàìåòð â
"STANDARD”.
Local Switch
OFF, ON
Îïðåäåëÿåò, îòñîåäèíåí ëè (OFF) âíóòðåííèé çâóêîâîé ãåíåðàòîð îò ñåêöèè êîíòðîëëåðîâ (êëàâèàòóðà, äæîéñòèê,
ðåãóëÿòîðû, êíîïêè, êîíòðîëëåð D Beam, ïåäàëü è ò.ä.); èëè íåò (ON).
Îáû÷íî âûáèðàåòñÿ "ON", íî äëÿ óïðàâëåíèÿ òîëüêî âíåøíèìè çâóêîâûìè ìîäóëÿìè ñ ïîìîùüþ êëàâèàòóðû è êîíòðîëëåðîâ JUNO-Di âûáåðèòå "OFF”.
Patch Rx/Tx Ch
1 – 16
Êàíàë, èñïîëüçóåìûé äëÿ ïåðåäà÷è è ïðèåìà MIDI-ñîîáùåíèé ïàðòèè êëàâèàòóðû.
Ñì. “Óñòàíîâêà êàíàëà ïðèåìà” (ñòð. 82).
Tx Edit Data
OFF, ON
Ðàçðåøàåò (ON) èëè çàïðåùàåò (OFF) ïåðåäà÷ó èçìåíåíèé, ïðîèçâåäåííûõ â óñòàíîâêàõ ïàò÷à è ïåðôîðìàíñà, â
ôîðìàòå ñèñòåìíûõ ýêñêëþçèâíûõ ñîîáùåíèé.
Soft Through
OFF, ON
Ïðè âûáîðå "ON" âõîäÿùèå MIDI-ñîîáùåíèÿ áóäóò ïåðåäàâàòüñÿ íà ðàçúåì MIDI OUT áåç èçìåíåíèé.
Sync Mode
MASTER, SLAVE
Îïðåäåëÿåò ñèíõðîñèãíàëû, èñïîëüçóåìûå JUNO-Di.
MASTER: Âûáåðèòå ýòó óñòàíîâêó ïðè èñïîëüçîâàíèè JUNO-Di ñàìîñòîÿòåëüíî áåç ñèíõðîíèçàöèè ñ äðóãèìè óñòðîéñòâàìè.
SLAVE: JUNO-Di — âåäîìîå óñòðîéñòâî. Âûáåðèòå ýòó óñòàíîâêó äëÿ ñèíõðîíèçàöèè JUNO-Di ñ ñîîáùåíèÿìè MIDI
Clock, ïðèíèìàåìûìè îò äðóãîãî MIDI-óñòðîéñòâà.
USB Driver
VENDER,
GENERIC
Îïðåäåëÿåò äðàéâåð USB.
* Ýòà óñòàíîâêà àêòèâèðóåòñÿ ïîñëå ïåðåçàãðóçêè ïèòàíèÿ èíñòðóìåíòà.
Rev Level
(Reverb Level)
0 – 127
Óðîâåíü ðåâåðáåðàöèè íà ìèêðîôîííîì âõîäå.
Rev Type
(Reverb Type)
ROOM1, ROOM2,
STAGE1,
STAGE2,
HALL1, HALL2,
DELAY,
PAN-DELAY
Òèï ðåâåðáåðàöèè/çàäåðæêè.
ROOM1: Êîðîòêèå îòðàæåíèÿ ñ âûñîêîé ïëîòíîñòüþ
ROOM2: Êîðîòêèå îòðàæåíèÿ ñ ìàëîé ïëîòíîñòüþ
STAGE1: Äëèòåëüíàÿ ðåâåðáåðàöèÿ
STAGE2: Ñèëüíûå ðàííèå îòðàæåíèÿ
HALL1: Ïðîçðà÷íàÿ ðåâåðáåðàöèÿ
HALL2: Ðåâåðáåðàöèÿ ñ ìíîæåñòâîì îòòåíêîâ
DELAY: Ñòàíäàðòíàÿ çàäåðæêà
PAN-DELAY: Çàäåðæêà ñ ïîî÷åðåäíûì ïàíîðàìèðîâàíèåì ìåæäó êàíàëàìè
Rev Time
(Reverb Time)
0 – 127
Äëèòåëüíîñòü ðåâåðáåðàöèè (ïðè óñòàíîâêå Rev Type â ROOM1 – HALL2) èëè âðåìÿ çàäåðæêè (ïðè óñòàíîâêå Rev
Type â DELAY èëè PAN-DELAY).
Mic Mode
ALL, VOCODER
Îïðåäåëÿåò ïðîõîæäåíèå ñèãíàëà ìèêðîôîíà: âñåãäà (ALL) èëè òîëüêî ïðè óñòàíîâêå MFX (ñòð. 61) â “79:VOCODER”
(VOCODER).
HOLD
PEDAL
Polarity
Îïèñàíèå
VIB-RATE (CC76): ×àñòîòà âèáðàòî
VIB-DEPTH (CC77): Ãëóáèíà âèáðàòî
VIB-DELAY (CC78): Âðåìÿ çàäåðæêè äî çàïóñêà âèáðàòî
CHORUS-SEND (CC93): Óðîâåíü ñèãíàëà, ïîäàâàåìîãî íà õîðóñ
REVERB-SEND (CC91): Óðîâåíü ñèãíàëà, ïîäàâàåìîãî íà ðåâåðáåðàöèþ
AFTERTOUCH: Êàíàëüíîå ïîñëåêàñàíèå
START/STOP: Çàïóñê/îñòàíîâ ïüåñû (ñòð. 72) èëè ïàòòåðíà óäàðíûõ (ñòð. 74).
TAP-TEMPO: Òåìï, îïðåäåëÿåìûé ÷àñòîòîé íàæàòèÿ ïåäàëè.
PROG-UP: Âûáîð ïàò÷à ñ íîìåðîì íà åäèíèöó áîëüøèì â ðåæèìå Patch èëè ïåðôîðìàíñà ñ íîìåðîì íà åäèíèöó
áîëüøèì â ðåæèìå Performance.
PROG-DOWN: Âûáîð ïàò÷à ñ íîìåðîì íà åäèíèöó ìåíüøèì â ðåæèìå Patch èëè ïåðôîðìàíñà ñ íîìåðîì íà åäèíèöó ìåíüøèì â ðåæèìå Performance.
FAV-UP: Âûáîð áàíêà èëè ëþáèìîé óñòàíîâêè ñ íîìåðîì íà åäèíèöó áîëüøèì.
FAV-DOWN: Âûáîð áàíêà èëè ëþáèìîé óñòàíîâêè ñ íîìåðîì íà åäèíèöó ìåíüøèì.
MIDI
MIC IN
SETTINGS
MINUS
ONE
Parts to Mute
Part 1 – Part16,
4&5, 1&4&5,
All except 10,
All except 2&10
Âûáîð ïàðòèé, çàãëóøàåìûõ ôóíêöèåé Minus One (ñòð. 73) ïðè âîñïðîèçâåäåíèè ïüåñ SMF. Çàãëóøàþòñÿ ïàðòèè,
èìåþùèå óñòàíîâêó ON.
Part 1 – Part16: Çàãëóøàþòñÿ âûáðàííûå ïàðòèè 1 – 16.
4&5: Çàãëóøàþòñÿ ïàðòèè 4 è 5.
1&4&5: Çàãëóøàþòñÿ ïàðòèè 1, 4 è 5.
All except 10: Çàãëóøàþòñÿ âñå ïàðòèè, êðîìå ïàðòèè 10.  áîëüøèíñòâå ñëó÷àåâ çâó÷àò òîëüêî óäàðíûå.
All except 2&10: Çàãëóøàþòñÿ âñå ïàðòèè, êðîìå ïàðòèé 2 è 10.
DBEAM
SETTINGS
D Beam Sens
0 – 127
Óñòàíàâëèâàåò ÷óâñòâèòåëüíîñòü êîíòðîëëåðà D Beam.
×åì áîëüøå çíà÷åíèå, òåì âûøå ñêîðîñòü ðåàêöèè êîíòðîëëåðà D Beam.
Time
OFF, 1min, 3min,
5min, 10min,
15min, 20min,
30min, 60min
Âðåìåííîé èíòåðâàë äî ïåðåõîäà JUNO-Di â “ñïÿùèé ðåæèì”.
POWER
SAVE
MODE
76
Îñòàëüíûå óñòàíîâêè
Ñîõðàíåíèå è èíèöèàëèçàöèÿ
äàííûõ (UTILITY)
Çäåñü ìîæíî âûïîëíèòü îïåðàöèè ñ äàííûìè, õðàíÿùèìèñÿ â ïîëüçîâàòåëüñêîé ïàìÿòè JUNO-Di è íà íàêîïèòåëå USB.
Ïîäêëþ÷àéòå íàêîïèòåëü USB ïîñëå âêëþ÷åíèÿ ïèòàíèÿ
JUNO-Di. Íå îòñîåäèíÿéòå íàêîïèòåëü USB ïðè âêëþ÷åííîì ïèòàíèè.
Èñïîëüçóéòå íàêîïèòåëè USB, ïîñòàâëÿåìûå Roland.
Ñòàáèëüíàÿ ðàáîòà ïðè èñïîëüçîâàíèè íàêîïèòåëåé äðóãèõ
ïðîèçâîäèòåëåé íå ãàðàíòèðóåòñÿ.
Çàãðóçêà ñîõðàíåííûõ äàííûõ ñ
íàêîïèòåëÿ USB â JUNO-Di (RESTORE)
Ìîæíî çàãðóçèòü â JUNO-Di ñîõðàíåííûå ðàíåå íà íàêîïèòåëü USB
óñòàíîâêè. Ýòà îïåðàöèÿ íàçûâàåòñÿ "Restore”.
Åñëè â ïàìÿòè JUNO-Di ñîäåðæàòñÿ âàæíûå äàííûå, èìåéòå
â âèäó, ÷òî ïðè âûïîëíåíèè äàííîé îïåðàöèè îíè áóäóò
óòåðÿíû. ×òîáû ýòîãî íå ïðîèçîøëî, ñîõðàíèòå èõ íà íàêîïèòåëü USB ïåðåä âûïîëíåíèåì ïðîöåäóðû.
1. Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí “MENU”.
2. Êíîïêàìè [
Òèïû ñîõðàíÿåìûõ äàííûõ
Íà íàêîïèòåëü USB ìîæíî ñîõðàíèòü ñëåäóþùèå óñòàíîâêè JUNO-Di.
• Ïîëüçîâàòåëüñêèå ïàò÷è è ïåðôîðìàíñû
• Ëþáèìûå óñòàíîâêè
• Óñòàíîâêè ðåæèìà MIDI Controller
][
êíîïêó [ENTER].
] âûáåðèòå “UTILITY" è íàæìèòå
Îòîáðàçèòñÿ ýêðàí “UTILITY”.
3. Êíîïêàìè [
][
êíîïêó [ENTER].
] âûáåðèòå “RESTORE" è íàæìèòå
Îòîáðàçèòñÿ ñëåäóþùèé ýêðàí.
fig.disp-utilrestore.eps_70
• Ïàò÷, âûáèðàåìûé ïåðâûì ïðè íàæàòèè êíîïêè ãðóïïû ïàò÷åé
• Ñèñòåìíûå óñòàíîâêè
Ñîõðàíåíèå äàííûõ íà íàêîïèòåëü USB
(BACKUP)
4. Íàæìèòå êíîïêó [ENTER].
Äëÿ îòìåíû íàæìèòå êíîïêó [EXIT].
Íà íàêîïèòåëü USB ìîæíî ñîõðàíèòü ïîëüçîâàòåëüñêèå äàííûå. Ýòà
îïåðàöèÿ íàçûâàåòñÿ "Backup”.
Ïî îêîí÷àíèè îïåðàöèè îòîáðàçèòñÿ ñëåäóþùèé ýêðàí.
fig.disp-restorecomp.eps
1. Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí “MENU”.
2. Êíîïêàìè [
][
êíîïêó [ENTER].
] âûáåðèòå “UTILITY" è íàæìèòå
5. Âûêëþ÷èòå è ñíîâà âêëþ÷èòå ïèòàíèå JUNO-Di.
Îòîáðàçèòñÿ ýêðàí “UTILITY”.
fig.disp-uility.eps_70
3. Êíîïêàìè [
][
êíîïêó [ENTER].
] âûáåðèòå “BACKUP" è íàæìèòå
Îòîáðàçèòñÿ ñëåäóþùèé ýêðàí.
fig.disp-utilbackup.eps_70
4. Íàæìèòå êíîïêó [ENTER].
Äëÿ îòìåíû íàæìèòå êíîïêó [EXIT].
Ïî îêîí÷àíèè îïåðàöèè îòîáðàçèòñÿ ýêðàí “UTILITY”.
77
Îñòàëüíûå óñòàíîâêè
Âîññòàíîâëåíèå çàâîäñêèõ óñòàíîâîê
(FACTORY RESET)
Äàííàÿ ôóíêöèÿ ñëóæèò äëÿ âîññòàíîâëåíèè âñåõ óñòàíîâîê JUNO-Di
â ñîñòîÿíèå, çàïðîãðàììèðîâàííîå çàâîäîì-èçãîòîâèòåëåì. Ýòà îïåðàöèÿ íàçûâàåòñÿ "Factory Reset”.
Åñëè â ïàìÿòè JUNO-Di ñîäåðæàòñÿ âàæíûå äàííûå, èìåéòå
â âèäó, ÷òî ïðè âûïîëíåíèè äàííîé îïåðàöèè îíè áóäóò
óòåðÿíû. ×òîáû ýòîãî íå ïðîèçîøëî, ñîõðàíèòå èõ íà íàêîïèòåëü USB ïåðåä âûïîëíåíèåì ïðîöåäóðû.
1. Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí “MENU”.
2. Êíîïêàìè [
][
êíîïêó [ENTER].
] âûáåðèòå “UTILITY" è íàæìèòå
Îòîáðàçèòñÿ ýêðàí “UTILITY”.
3. Êíîïêàìè [
][
] âûáåðèòå “FACTORY RESET" è
íàæìèòå êíîïêó [ENTER].
Èíèöèàëèçàöèÿ íàêîïèòåëÿ USB
(USB MEMORY FORMAT)
Íàêîïèòåëü USB ìîæíî èíèöèàëèçèðîâàòü (îòôîðìàòèðîâàòü). Ýòà
îïåðàöèÿ íàçûâàåòñÿ "USB Memory Format”.
Åñëè íàêîïèòåëü USB ñîäåðæèò âàæíûå äàííûå, èìåéòå â
âèäó, ÷òî ïðè âûïîëíåíèè äàííîé îïåðàöèè îíè áóäóò óòåðÿíû.
1. Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí “MENU”.
2. Êíîïêàìè [
][
êíîïêó [ENTER].
] âûáåðèòå “UTILITY" è íàæìèòå
Îòîáðàçèòñÿ ýêðàí “UTILITY”.
3. Êíîïêàìè [
][
] âûáåðèòå “USB MEMORY
FORMAT" è íàæìèòå êíîïêó [ENTER].
Îòîáðàçèòñÿ ñëåäóþùèé ýêðàí.
fig.disp-utilusb.eps_70
Îòîáðàçèòñÿ ñëåäóþùèé ýêðàí.
fig.disp-uitlreset.eps_70
4. Íàæìèòå êíîïêó [ENTER].
4. Íàæìèòå êíîïêó [ENTER].
Äëÿ îòìåíû íàæìèòå êíîïêó [EXIT].
Ïî îêîí÷àíèè îïåðàöèè îòîáðàçèòñÿ ñëåäóþùèé ýêðàí.
fig.disp-resetcomp.eps_70
5. Âûêëþ÷èòå è ñíîâà âêëþ÷èòå ïèòàíèå JUNO-Di.
78
Äëÿ îòìåíû íàæìèòå êíîïêó [EXIT].
Îñòàëüíûå óñòàíîâêè
Ïðîñëóøèâàíèå äåìî-ïüåñ
(DEMO PLAY)
Ìîæíî ïðîâåðèòü âåðñèþ îïåðàöèîííîé ñèñòåìû JUNO-Di.
1. Íàæìèòå êíîïêó [MENU].
Îòîáðàçèòñÿ ýêðàí “MENU”.
1. Íàæìèòå êíîïêó [MENU].
2. Êíîïêàìè [
][
] âûáåðèòå “DEMO PLAY" è
íàæìèòå êíîïêó [ENTER].
Îòîáðàçèòñÿ ýêðàí “DEMO MENU”.
3. Êîëåñîì èëè êíîïêàìè [
Ïðîñìîòð âåðñèè ñèñòåìû
(VERSION INFO)
][
] âûáåðèòå äåìî-
ïüåñó.
Îòîáðàçèòñÿ ýêðàí “MENU”.
2. Êíîïêàìè [
][
] âûáåðèòå “VERSION INFO" è
íàæìèòå êíîïêó [ENTER].
Îòîáðàçèòñÿ ýêðàí “Version Info” ñ èíôîðìàöèåé î âåðñèè
óñòàíîâëåííîé îïåðàöèîííîé ñèñòåìû.
4. Íàæìèòå êíîïêó [ENTER] èëè [PLAY/STOP].
Âûáðàííàÿ äåìî-ïüåñà íà÷íåò âîñïðîèçâîäèòüñÿ.
Åñëè âûáðàòü “ALL Songs”, áóäóò ïðîèãðàíû ïüåñû ñ ïåðâîé ïî
÷åòâåðòóþ, è çàòåì âîñïðîèçâåäåíèå îñòàíîâèòñÿ.
 ïðîöåññå âîñïðîèçâåäåíèÿ ïüåñû êíîïêàìè [
]
[
] ìîæíî âûáðàòü ïðåäûäóùóþ èëè ïîñëåäóþùóþ
ïüåñó.
Ïðè îòîáðàæåíèè ýêðàíà "DEMO MENU" è ïðè âîñïðîèçâåäåíèè äåìî-ïüåñû èãðà íà êëàâèàòóðå íåäîñòóïíà.
5. Äëÿ îñòàíîâà âîñïðîèçâåäåíèÿ íàæìèòå êíîïêó
[EXIT] èëè [PLAY/STOP].
Âîñïðîèçâåäåíèå îñòàíîâèòñÿ, è ïðîèçîéäåò âîçâðàò ê ýêðàíó
“DEMO MENU”.
Íàæìèòå êíîïêó [EXIT] äëÿ âûõîäà ñ ýêðàíà “DEMO MENU”.
Ñì. “Ïðîñëóøèâàíèå äåìî-ïüåñ” (ñòð. 21).
Åñëè íàêîïèòåëü USB íå ïîäêëþ÷åí è êíîïêà [RHYTHM
PATTERN] îòêëþ÷åíà (íå ãîðèò), ìîæíî âîñïðîèçâåñòè
äåìî-ïüåñó, íàæàâ êíîïêó [PLAY/STOP].
79
Ïîäêëþ÷åíèå âíåøíåãî MIDI-îáîðóäîâàíèÿ
Ïðèìåð:
Ïîíÿòèå MIDI
MIDI, ñîêðàùåííî îò Musical Instrument Digital Interface (öèôðîâîé èíòåðôåéñ ìóçûêàëüíûõ èíñòðóìåíòîâ), — ýòî óíèâåðñàëüíûé ñòàíäàðò, ïîçâîëÿþùèé ïðîèçâîäèòü îáìåí äàííûìè ïüåñ, ñîîáùåíèÿìè
îá èçìåíåíèè â çâó÷àíèè è äðóãîé èíôîðìàöèåé ìåæäó ìóçûêàëüíûìè èíñòðóìåíòàìè. Ñîåäèíèâ MIDI-êàáåëåì óñòðîéñòâà, îáîðóäîâàííûå MIDI-ðàçúåìàìè, ìîæíî ñ îäíîé êëàâèàòóðû óïðàâëÿòü
âîñïðîèçâåäåíèåì íà íåñêîëüêèõ MIDI-èíñòðóìåíòàõ, àâòîìàòè÷åñêè èçìåíÿòü óñòàíîâêè ïî õîäó ïüåñû è ìíîãîå äðóãîå.
Ñêîíôèãóðèðóéòå JUNO-Di äëÿ ïåðåäà÷è ïî êàíàëàì 1 è 2, çàòåì íàñòðîéòå çâóêîâîé ìîäóëü À äëÿ ïðèåìà òîëüêî ïî êàíàëó 1, à çâóêîâîé ìîäóëü  — òîëüêî ïî êàíàëó 2. Ïîñëå ýòîãî, ìîæíî áóäåò ñîçäàòü
àíñàìáëü, â êîòîðîì çâóê ãèòàðû èñõîäèò èç çâóêîâîãî ìîäóëÿ À, à
çâóê áàñ-ãèòàðû — èç çâóêîâîãî ìîäóëÿ Â.
fig.MidiCh2-j.eps
MIDI OUT
Êàíàëû ïåðåäà÷è: 1, 2
MIDI-êëàâèàòóðà
Ðàçúåìû MIDI
JUNO-Di îáîðóäîâàí MIDI-ðàçúåìàìè äâóõ òèïîâ, êàæäûé èç êîòîðûõ
èìååò ñâîþ ôóíêöèþ.
fig.midiconnector
MIDI IN
Çâóêîâîé
ìîäóëü À
MIDI THRU
Êàíàë ïðèåìà: 1
Çâóêîâîé Êàíàë ïðèåìà: 2
ìîäóëü B
MIDI IN
Ïðè èñïîëüçîâàíèè â êà÷åñòâå çâóêîâîãî ìîäóëÿ JUNO-Di ìîæåò îñóùåñòâëÿòü ïðèåì ïî øåñòíàäöàòè MIDI-êàíàëàì. Çâóêîâûå ìîäóëè,
àíàëîãè÷íî JUNO-Di ïðèíèìàþùèå èíôîðìàöèþ ïî íåñêîëüêèì
MIDI-êàíàëàì îäíîâðåìåííî äëÿ âîñïðîèçâåäåíèÿ íà íèõ ðàçíûõ
çâóêîâ, íàçûâàþòñÿ ìóëüòèòåìáðàëüíûìè çâóêîâûìè ìîäóëÿìè.
GM
GM (General MIDI) — ýòî íàáîð ñïåöèôèêàöèé äëÿ ñòàíäàðòèçàöèè MIDI-âîçìîæíîñòåé çâóêîâûõ ìîäóëåé. Çâóêîâûå ìîäóëè è
ìóçûêàëüíûå ôàéëû, êîòîðûå îòâå÷àþò ñòàíäàðòó General MIDI,
Ðàçúåì MIDI IN
Ýòîò ðàçúåì ïðèíèìàåò MIDI-ñîîáùåíèÿ, ïåðåäàâàåìûå ñ âíåøíèõ
MIDI-óñòðîéñòâ. JUNO-Di ìîæåò ïðèíèìàòü ýòè ñîîáùåíèÿ äëÿ âîñïðîèçâåäåíèÿ íîò, âûáîðà çâóêîâ è ò.ä.
îòìå÷åíû ëîãîòèïîì GM (
). Ìóçûêàëüíûå ôàéëû ñ ëîãîòèïîì GM ìîæíî âîñïðîèçâîäèòü íà çâóêîâîì ìîäóëå ñ ëîãîòèïîì GM ïðàêòè÷åñêè ñ îäèíàêîâûì ìóçûêàëüíûì çâó÷àíèåì.
GM2
Ðàçúåì MIDI OUT
Ýòîò ðàçúåì ïåðåäàåò MIDI-ñîîáùåíèÿ íà âíåøíèå MIDI-óñòðîéñòâà.
Îí èñïîëüçóåòñÿ äëÿ óïðàâëåíèÿ âíåøíèìè MIDI-óñòðîéñòâàìè.
MIDI-êàíàëû è ìóëüòèòåìáðàëüíûå òîí-ãåíåðàòîðû
Ñòàíäàðò MIDI ïîçâîëÿåò îòäåëüíî ïåðåäàâàòü ðàçëè÷íûå ñîîáùåíèÿ
íà íåñêîëüêî MIDI-óñòðîéñòâ ïîñðåäñòâîì îäíîãî MIDI-êàáåëÿ. Ýòî
âîçìîæíî áëàãîäàðÿ êîíöåïöèè MIDI-êàíàëîâ. Ïðèíöèï MIDI-êàíàëîâ àíàëîãè÷åí ïðèíöèïó òåëåâèçèîííûõ. Ïåðåêëþ÷åíèå êàíàëîâ íà
òåëåâèçîðå ïîçâîëÿåò çðèòåëþ ñìîòðåòü ïðîãðàììû ðàçíûõ ñòàíöèé
òåëåâåùàíèÿ. Ýòî ïðîèñõîäèò ïîòîìó, ÷òî èíôîðìàöèÿ ïåðåäàåòñÿ
ïî êàíàëó, íà êîòîðûé íàñòðîåíû è ïåðåäàò÷èê, è ïðèåìíèê.
fig.MidiCh1-j.eps
Èíôîðìàöèÿ ðàçíûõ ñòàíöèé òåëåâåùàíèÿ
ïåðåäàåòñÿ ñ ïîìîùüþ àíòåííû
Ñòàíöèÿ A
Ñòàíöèÿ B
Ñòàíöèÿ C
Âûáîð íóæíîé ñòàíöèè
MIDI-ïðîòîêîë âêëþ÷àåò â ñåáÿ êàíàëû îò 1 äî 16; MIDI-ñîîáùåíèÿ ïåðåäàþòñÿ â ïðèáîðû-ïðèåìíèêè, íàñòðîåííûå íà òîò æå êàíàë, ÷òî è
óñòðîéñòâî-ïåðåäàò÷èê.
80
GM2 (
) — ýòî íàáîð ñïåöèôèêàöèé, ïîääåðæèâàþùèé
ñòàíäàðò GM è ïðåäëàãàþùèé ðàñøèðåííûå âîçìîæíîñòè ýêñïðåññèè è ñîâìåñòèìîñòü. Ñïåöèôèêàöèè, íà êîòîðûå íå ðàñïðîñòðàíÿåòñÿ ñòàíäàðò GM, íàïðèìåð, ðåäàêöèÿ çâóêîâ è
îáðàáîòêà ýôôåêòàìè, â GM 2 îïðåäåëåíû. Áîëåå òîãî, ïðåäóñìîòðåíî ðàñøèèðåíèå äèàïàçîíà äîñòóïíûõ çâóêîâ.
Çâóêîâûå ìîäóëè ñòàíäàðòà GM 2 êîððåêòíî âîñïðîèçâîäÿò ìóçûêàëüíûå ôàéëû ñ ëîãîòèïîì GM è GM 2.  íåêîòîðûõ ñëó÷àÿõ
îáû÷íûé ôîðìàò GM, íå ïîääåðæèâàþùèé íîâûõ âîçìîæíîñòåé, íàçûâàåòñÿ "GM 1" äëÿ ÿâíîé äôôåðåíöèàöèè îò GM 2.
Ïîäêëþ÷åíèå âíåøíåãî MIDI-îáîðóäîâàíèÿ
Èñïîëüçîâàíèå JUNO-Di â
êà÷åñòâå ìàñòåð-êëàâèàòóðû
(Ðåæèì MIDI Controller)
Óñòàíîâêà êàíàëà ïåðåäà÷è
Óñòàíîâèòå êàíàë ïåðåäà÷è JUNO-Di â ñîîòâåòñòâèè ñ êàíàëîì, ïî êîòîðîìó ïðèíèìàåò èíôîðìàöèþ âíåøíåå MIDI-óñòðîéñòâà.
1. Íàõîäÿñü íà ýêðàíå “MIDI CONTROLLER”, âûäåëèòå
Ìîæíî ïîäêëþ÷èòü âíåøíåå MIDI-óñòðîéñòâî ê ðàçúåìó MIDI OUT íà
JUNO-Di è óïðàâëÿòü ýòèì óñòðîéñòâîì îò JUNO-Di.
êóðñîðîì çíà÷åíèå “MIDI Ch”.
2. Êîëåñîì èçìåíèòå çíà÷åíèå.
Ïðèìåð êîììóòàöèè
Äèàïàçîí: 1 – 16
fig.midi-control-e.eps
Óñòàíîâêè êàíàëîâ âíåøíåãî MIDI-óñòðîéñòâà îïèñàíû â
ïðèëàãàåìîé ê íåìó äîêóìåíòàöèè.
Çâóêîâîé ìîäóëü MIDI
Óñòàíîâêè ðåæèìà MIDI Controller
MIDI IN
fig.disp-midicont.eps
MIDI OUT
1. Íàõîäÿñü íà ýêðàíå “MIDI CONTROLLER”, êíîïêàìè
JUNO-Di
1. Íàæìèòå êíîïêó [MIDI CONTROLLER], îíà çàãîðèòñÿ.
Îòîáðàçèòñÿ ýêðàí “MIDI CONTROLLER”, è JUNO-Di ïåðåéäåò â ðåæèì MIDI Controller.
 ðåæèìå MIDI Controller íà JUNO-Di ìîæíî âûïîëíÿòü ñëåäóþùèå îïåðàöèè.
• Ïðè íàæàòèÿõ íà êíîïêè [0] – [9] áóäóò ïåðåäàâàòüñÿ íàçíà÷åííûå íà íèõ ñîîáùåíèÿ Program Change.
êóðñîðà âûáåðèòå ðåäàêòèðóåìûé ïàðàìåòð.
2. Êîëåñîì èçìåíèòå çíà÷åíèå.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
MIDI Ch
1 – 16
Êàíàë ïåðåäà÷è
MIDI-ñîîáùåíèé.
Local Sw
OFF, ON
Îïðåäåëÿåò, áóäóò ëè
MIDI-ñîîáùåíèÿ ïåðåäàâàòüñÿ íà òîí-ãåíåðàòîð JUNO-Di ïðè ðàáîòå
ñ èíñòðóìåíòîì.
PC
1 – 128
Ïåðåäàâàåìûé íîìåð
Program Change.
MSB
0 – 127, OFF
(Åñëè çàäàíî "OFF", LSB
òàêæå áóäåò “OFF”.)
Ïåðåäàâàåìûé íîìåð
MSB.
LSB
0 – 127, OFF
(Åñëè çàäàíî "OFF", MSB
òàêæå áóäåò "OFF”.)
Ïåðåäàâàåìûé íîìåð
LSB.
Knob
ATTACK,
RELEASE,
REVERB,
CUTOFF,
RESONANCE
Âûáîð ðåãóëÿòîðà
SOUND MODIFY äëÿ íàçíà÷åíèÿ êîíòðîëëåðà.
Knob Assign
CC01 – 31,
CC33 – 95,
PITCH BEND,
AFTERTOUCH
Íàçíà÷åíèå êîíòðîëëåðà íà âûáðàííûé ðåãóëÿòîð SOUND MODIFY.
• Ïðè âðàùåíèè ðåãóëÿòîðîâ SOUND MODIFY áóäóò ïåðåäàâàòüñÿ
ñîîáùåíèÿ Control Change.
Ïåðåäàâàåìûå â ðåæèìå MIDI Controller íîìåðà íîò îïðåäåëÿþòñÿ íàæèìàåìûìè êëàâèøàìè, à òàêæå çàäàííûìè óñòàíîâêàìè òðàíñïîíèðîâàíèÿ (ñòð. 44) è îêòàâíîãî ñäâèãà
(ñòð. 34).
 ðåæèìå MIDI Controller ìîæíî èñïîëüçîâàòü ôóíêöèè àðïåäæèî (ñòð. 37) è ïàìÿòè àêêîðäîâ (ñòð. 37).
2. Äëÿ âûõîäà èç ðåæèìà MIDI íàæìèòå êíîïêó [MIDI
CONTROLLER], îíà ïîãàñíåò.
 ðåæèìå MIDI Controller êîíòðîëëåð D Beam íå ôóíêöèîíèðóåò.
Èçìåíåííûå óñòàíîâêè ïðè âûõîäå èç ðåæèìà MIDI
Controller çàïîìèíàþòñÿ.
81
Ïîäêëþ÷åíèå âíåøíåãî MIDI-îáîðóäîâàíèÿ
Èñïîëüçîâàíèå JUNO-Di â
êà÷åñòâå çâóêîâîãî ìîäóëÿ MIDI
Ìîæíî èñïîëüçîâàòü JUNO-Di â êà÷åñòâå çâóêîâîãî ìîäóëÿ MIDI äâóìÿ ñïîñîáàìè: â ðåæèìå Patch äëÿ âîñïðîèçâåäåíèÿ îäíîãî ïàò÷à
èëè â ðåæèìå Performance äëÿ îäíîâðåìåííîãî âîñïðîèçâåäåíèÿ íåñêîëüêèõ ïàò÷åé.
Óïðàâëåíèå JUNO-Di îò âíåøíåãî
MIDI-óñòðîéñòâà
Ïðèìåð êîììóòàöèè
fig.midi-receive-j.eps
MIDI OUT
Ðåæèì Patch
 ðåæèìå Patch ìîæíî âîñïðîèçâîäèòü ñ ïîìîùüþ êëàâèàòóðû èëè
äðóãîãî óñòðîéñòâà çâóê îäíîãî ïàò÷à JUNO-Di. Ïîñêîëüêó ðåæèì
Patch ïðåäîñòàâëÿåò äëÿ îäíîãî ïàò÷à ìíîæåñòâî ýôôåêòîâ, â íåì
ìîæíî ñîçäàâàòü áîãàòûå çâóêîâûå âàðèàöèè.
MIDI-ñåêâåíñîð
 ðåæèìå Patch òàêæå ëåãêî ïðîèçâîäèòü ðåäàêöèþ âûáðàííîãî ïàò÷à, ÷òî ïîçâîëÿåò ñîçäàâàòü ìíîæåñòâî íåïîâòîðèìûõ çâóêîâ.
 ðåæèìå Patch êíîïêà [PERFORM] íå ãîðèò.
MIDI IN
Ðåæèì Performance
 ðåæèìå ïåðôîðìàíñà ìîæíî îäíîâðåìåííî èñïîëüçîâàòü íåñêîëüêî ïàò÷åé èëè íàáîðîâ óäàðíûõ.
Åñëè êíîïêà [PERFORM] âêëþ÷åíà (ãîðèò), JUNO-Di íàõîäèòñÿ â ðåæèìå Performance.
Ïåðôîðìàíñ ñîäåðæèò 16 "ïàðòèé". Íà êàæäóþ èç íèõ ìîæíî íàçíà÷èòü ïàò÷ èëè íàáîð óäàðíûõ äëÿ ñîçäàíèÿ àíñàìáëåâîãî çâó÷àíèÿ
èëè íàñëîåíèÿ çâóêîâ.
Ñòðóêòóðà ïåðôîðìàíñà
JUNO-Di
Óñòàíîâêà êàíàëà ïðèåìà
Óñòàíîâèòå êàíàë ïåðåäà÷è âíåøíåãî MIDI-óñòðîéñòâà â ñîîòâåòñòâèè ñ êàíàëîì, ïî êîòîðîìó ïðèíèìàåò èíôîðìàöèþ JUNO-Di.
 ðåæèìå Patch
Ïåðôîðìàíñ ñîñòîèò èç ïàò÷åé è íàáîðîâ óäàðíûõ, íàçíà÷åííûõ íà
êàæäóþ èõ 16 ïàðòèé è ïîääåðæèâàåò óïðàâëåíèå 16 çâóêàìè îäíîâðåìåííî.
Êàíàë ïðèåìà ÿâëÿåòñÿ ñèñòåìíîé óñòàíîâêîé. Êàê îïèñàíî â ðàçäåëå
“Ïðîöåäóðà ðåäàêöèè ñèñòåìíûõ óñòàíîâîê” (ñòð. 75), â ìåíþ “MIDI”
âûáåðèòå ïàðàìåòð “Patch Rx/Tx Ch” è çàäàéòå êàíàë ïðèåìà.
Ïàðòèÿ
 ðåæèìå Performance
"Ïàðòèåé" íàçûâàåòñÿ ñòðóêòóðíûé ýëåìåíò, íà êîòîðûé íàçíà÷àåòñÿ
ïàò÷ èëè íàáîð óäàðíûõ. Â ðåæèìå Performance êàæäûé ïåðôîðìàíñ
ñîäåðæèò 16 ïàðòèé, íà êàæäóþ èç êîòîðûõ ìîæíî íàçíà÷èòü ïàò÷
èëè íàáîð óäàðíûõ.
JUNO-Di ïîääåðæèâàåò ôîðìàò GM2; ïðè ïðèåìå MIDI-ñîîáùåíèÿ
“GM2 System On” èíñòðóìåíò áóäåò ãîòîâ ê âîñïðîèçâåäåíèþ GM2ñîâìåñòèìîãî ôàéëà SMF. Èëè æå, åñëè íàæàòü êíîïêó [PERFORM] è
âûáðàòü ”64: GM2 Template”, JUNO-Di ìîæíî áóäåò èñïîëüçîâàòü â êà÷åñòâå çâóêîâîãî ìîäóëÿ, ñîâìåñòèìîãî ñ ôîðìàòîì GM2.
fig.Performance-e.eps
Ïåðôîðìàíñ
Ïàðòèÿ 16
×òîáû èñïîëüçîâàòü JUNO-Di â êà÷åñòâå ìóëüòèòåìáðàëüíîãî çâóêîâîãî ìîäóëÿ íàæìèòå êíîïêó [PERFORM] è âûáåðèòå “63:
Seq:Template”.
• Åñëè âûáðàí ïðåñåò “63: Seq:Template” èëè “64: GM2 Template”,
êàíàëû ïðèåìà ðàñïðåäåëÿòñÿ ñëåäóþùèì îáðàçîì: ïàðòèÿ 1 íà
êàíàë 1, ïàðòèÿ 2 íà êàíàë 2, ... ïàðòèÿ 16 íà êàíàë 16.
Ïàðòèÿ 1
Ïàò÷/
Íàáîð óäàðíûõ
82
• Åñëè âûáðàí ðåæèì Super Layer, êàíàë ïðèåìà ïðèíóäèòåëüíî
óñòàíàâëèâàåòñÿ â 1.
• Åñëè âûáðàí ðåæèì Dual èëè Split, êàíàë ïðèåìà äëÿ ïàðòèè 1
(âåðõíåé) óñòàíàâëèâàåòñÿ â 1, äëÿ ïàðòèè 2 (íèæíåé) — â 2.
Ïîäêëþ÷åíèå âíåøíåãî MIDI-îáîðóäîâàíèÿ
Ñêâîçíàÿ ïåðåäà÷à äàííûõ
“Ñêâîçíîé” íàçûâàåòñÿ ïåðåäà÷à MIDI-äàííûõ ñ ðàçúåìà MIDI IN íà
ðàçúåì MIDI OUT áåç êàêèõ-ëèáî èçìåíåíèé.
Îáìåí MIDI-ñîîáùåíèÿìè ñ
êîìïüþòåðîì
Åñëè îïöèîíàëüíûì êàáåëåì USB ñîåäèíèòü ðàçúåì USB COMPUTER
òûëüíîé ïàíåëè JUNO-Di ñ ðàçúåìîì USB êîìïüþòåðà, áóäåò äîñòóïíî ñëåäóþùåå:
Ïðèìåð êîììóòàöèè
Soft Thru
MIDI IN
MIDI OUT
JUNO-Di
MIDI OUT
MIDI IN
● Âîñïðîèçâåäåíèå ôàéëîâ SMF â MIDI-ïðèëîæåíèÿõ êîìïüþòåðà
çâóêàìè JUNO-Di. JUNO-Di ïîääåðæèâàåò ôîðìàò GM2; ïðè ïðèåìå MIDI-ñîîáùåíèÿ “GM2 System On” èíñòðóìåíò áóäåò ãîòîâ ê
âîñïðîèçâåäåíèþ GM2-ñîâìåñòèìîãî ôàéëà SMF. Èëè æå, åñëè íàæàòü êíîïêó [PERFORM] è âûáðàòü ”64: GM2 Template”, JUNO-Di
ìîæíî áóäåò èñïîëüçîâàòü â êà÷åñòâå çâóêîâîãî ìîäóëÿ, ïîääåðæèâàþùåãî ôîðìàò GM2.
● Îáìåí MIDI-ñîîáùåíèÿìè ìåæäó JUNO-Di è ñåêâåíñîðíûìè ïðèëîæåíèÿìè, ÷òî ðàñøèðÿåò âîçìîæíîñòè ñîçäàíèÿ è ðåäàêöèè ìóçûêàëüíûõ ïðîèçâåäåíèé. ×òîáû èñïîëüçîâàòü JUNO-Di â
êà÷åñòâå ìóëüòèòåìáðàëüíîãî çâóêîâîãî ìîäóëÿ, íàæìèòå êíîïêó
[PERFORM] è âûáåðèòå “63: Seq:Template”.
Ïðèìåð êîììóòàöèè
fig.midi-usb-e.eps
MIDI-êëàâèàòóðà
Çâóêîâîé ìîäóëü MIDI
Êîìïüþòåð
Ê ðàçúåìó USB
êîìïüþòåðà
Åñëè ïàðàìåòð Soft Through óñòàíîâëåí â “OFF”, MIDI-äàííûå, ïîñòóïàþùèå íà ðàçúåì MIDI IN, ïåðåäàþòñÿ â òîí-ãåíåðàòîð JUNO-Di è óïðàâëÿþò èì. MIDI-äàííûå ñ ðàçúåìà MIDI IN íà ðàçúåì MIDI OUT íå
ïåðåäàþòñÿ.
Åñëè ïàðàìåòð Soft Through óñòàíîâëåí â “ON”, MIDI-äàííûå, ïîñòóïàþùèå íà ðàçúåì MIDI IN, óïðàâëÿþò òîí-ãåíåðàòîðîì JUNO-Di, à òàêæå ïåðåäàþòñÿ íà ðàçúåì MIDI OUT.
Êàáåëü USB
Óñòàíîâêà Soft Through ÿâëÿåòñÿ ñèñòåìíîé. Êàê îïèñàíî â ðàçäåëå
“Ïðîöåäóðà ðåäàêöèè ñèñòåìíûõ óñòàíîâîê” (ñòð. 75), â ìåíþ “MIDI”
âûáåðèòå ïàðàìåòð “Soft Through” è îïðåäåëèòå åãî çíà÷åíèå (“ON”
èëè “OFF”).
Ðàçúåì USB COMPUTER
Ñòàíäàðòíî âûáèðàåòñÿ óñòàíîâêà “OFF”.
JUNO-Di
Ñèñòåìíûå òðåáîâàíèÿ è äîïîëíèòåëüíàÿ èíôîðìàöèÿ èçëîæåíû íà âåá-ñàéòå Roland.
http://www.roland.com/
Êîððåêòíîñòü ðàáîòû çàâèñèò îò òèïà êîìïüþòåðà. Çà ïîäðîáíîñòÿìè îáðàùàéòåñü íà âåá-ñàéò Roland.
Ïðèìå÷àíèÿ
● Ïåðåä êîììóòàöèåé îáîðóäîâàíèÿ óñòàíîâèòå â ìèíèìóì ãðîìêîñòü âñåõ ïðèáîðîâ è îòêëþ÷èòå èõ ïèòàíèå,
÷òîáû íå ïîâðåäèòü äèíàìèêè èëè äðóãèå óñòðîéñòâà.
● Ïî USB ìîãóò ïåðåäàâàòüñÿ òîëüêî MIDI-äàííûå.
● Êàáåëü USB â êîìïëåêò ïîñòàâêè JUNO-Di íå âõîäèò è
ïðèîáðåòàåòñÿ îòäåëüíî.
● Âêëþ÷àéòå ïèòàíèå JUNO-Di ïåðåä çàïóñêîì MIDI-ïðèëîæåíèÿ â êîìïüþòåðå. Íå âêëþ÷àéòå è íå îòêëþ÷àéòå ïèòàíèå JUNO-Di â ïðîöåññå ðàáîòû MIDI-ïðèëîæåíèÿ.
83
Ïîäêëþ÷åíèå âíåøíåãî MIDI-îáîðóäîâàíèÿ
1. Íàæìèòå êíîïêó [MENU].
Óñòàíîâêà äðàéâåðà USB
Îòîáðàçèòñÿ ýêðàí “MENU”.
2. Êíîïêàìè [
Èñïîëüçîâàíèå ôóíêöèè USB òðåáóåò, ÷òîáû â êîìïüþòåðå
áûë óñòàíîâëåí USB-äðàéâåð ñ ïðèëàãàåìîãî CD-ROM.
][
êíîïêó [ENTER].
] âûáåðèòå “SYSTEM” è íàæìèòå
Îòîáðàçèòñÿ ýêðàí óñòàíîâîê.
Ñîîòâåòñòâóþùèé äðàéâåð ñîäåðæèòñÿ íà äèñêå CD-ROM (JUNO-Di
CD). Åãî òàêæå ìîæíî çàãðóçèòü ñ âåá-ñàéòà Roland:
http://www.roland.com/
Ïîñêîëüêó äðàéâåð è ïðîöåäóðà åãî óñòàíîâêè çàâèñÿò îò îïåðàöèîííîé ñèñòåìû, ïåðåä íà÷àëîì óñòàíîâêè ïðî÷èòàéòå ôàéë Readme,
íàõîäÿùèéñÿ íà CD-ROM.
3. Êíîïêàìè [
][
êíîïêó [ENTER].
] âûáåðèòå “MIDI” è íàæìèòå
4. Êíîïêàìè [
][
] âûáåðèòå “USB Driver” è íàæìèòå êíîïêó [ENTER].
5. Êîëåñîì âûáåðèòå äðàéâåð.
Ïîíÿòèå äðàéâåðà USB MIDI
Äðàéâåð USB MIDI — ýòî ïðîãðàììà, ÿâëÿþùååñÿ ñâÿçóþùèì
çâåíîì â ïåðåäà÷å äàííûõ ìåæäó ïðèëîæåíèÿìè êîìïüþòåðà
(ò.å., ñåêâåíñîðîì) è JUNO-Di ïðè ïîäêëþ÷åíèè ïîñëåäíåãî ê
êîìïüþòåðó ñ ïîìîùüþ USB-êàáåëÿ.
Äðàéâåð USB ïåðåäàåò äàííûå èç ïðèëîæåíèÿ â JUNO-Di è, íàîáîðîò, ñîîáùåíèÿ èç JUNO-Di â ïðèëîæåíèå.
Çíà÷åíèå
Îïèñàíèå
VENDER
Âûáèðàåòñÿ ïðè èñïîëüçîâàíèè äðàéâåðà USB ñ ïðèëàãàåìîãî CD-ROM èëè äðàéâåðà USB, çàãðóæåííîãî ñ âåáñàéòà Roland.
GENERIC
Âûáèðàåòñÿ ïðè èñïîëüçîâàíèè ñòàíäàðòíîãî äðàéâåðà
USB, ïðåäëàãàåìîãî îïåðàöèîííîé ñèñòåìîé êîìïüþòåðà.
fig.Driver-e.eps
6. Íàæìèòå êíîïêó [EXIT] äëÿ âîçâðàòà ê ïðåäûäóùåìó
ýêðàíó.
Ïðèëîæåíèå
Óñòàíîâêà áóäåò ñîõðàíåíà.
7. Âûêëþ÷èòå è ñíîâà âêëþ÷èòå ïèòàíèå.
Äðàéâåð
USB
Ðàçúåì USB
Ïðè ñìåíå óñòàíîâêè "USB Driver" äëÿ êîððåêòíîé ðàáîòû
JUNO-Di íåîáõîäèìî âûêëþ÷èòü è ñíîâà âêëþ÷èòü ïèòàíèå.
Êàáåëü USB
Êîìïüþòåð
Ïîäêëþ÷åíèå JUNO-Di ê êîìïüþòåðó
Ðàçúåì
USB COMPUTER
1. Óñòàíîâèòå â êîìïüþòåð äðàéâåð USB.
Ñì. “Óñòàíîâêà äðàéâåðà USB”.
2. Ïðè íåîáõîäèìîñòè ïðîèçâåäèòå êîíôèãóðàöèþ
äðàéâåðà USB â JUNO-Di.
JUNO-Di
Ñì. “Âûáîð äðàéâåðà USB”.
Ïî óìîë÷àíèþ èñïîëüçóåòñÿ óñòàíîâêà “VENDER”. Åå íå òðåáóåòñÿ ìåíÿòü ïðè óñòàíîâêå äðàéâåðà USB ñ ïðèëàãàåìîãî
CD-ROM èëè çàãðóæåííîãî ñ âåá-ñàéòà Roland.
Âûáîð äðàéâåðà USB
3. Îïöèîíàëüíûì êàáåëåì USB ïîäêëþ÷èòå JUNO-Di ê
êîìïüþòåðó.
Ìîæíî îïðåäåëèòü äðàéâåð USB, èñïîëüçóþùèéñÿ ïðè ïîäêëþ÷åíèè
JUNO-Di ê êîìïüþòåðó ïîñðåäñòâîì ðàçúåìà USB COMPUTER.
Ïî óìîë÷àíèþ èñïîëüçóåòñÿ óñòàíîâêà “VENDER”. Åå íå òðåáóåòñÿ ìåíÿòü ïðè óñòàíîâêå äðàéâåðà USB ñ ïðèëàãàåìîãî
CD-ROM èëè çàãðóæåííîãî ñ âåá-ñàéòà Roland.
Ïåðåä èçìåíåíèåì ýòîé óñòàíîâêè îòêëþ÷èòå êàáåëü USB.
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Ïîäêëþ÷åíèå âíåøíåãî MIDI-îáîðóäîâàíèÿ
Èñïîëüçîâàíèå ïðîãðàìì
JUNO-Di Editor/Librarian/ Playlist
Editor
Ïðèëàãàåìûå ïðîãðàììû JUNO-Di Editor/Librarian/Playlist Editor ïîçâîëÿþò èñïîëüçîâàòü ïîòåíöèàë JUNO-Di â ïîëíîì îáúåìå.
Ïðîãðàììà JUNO-Di Editor ðåàëèçóåò ðåäàêòèðîâàíèå â êîìïüþòåðå
çâóêîâ è äðóãèõ óñòàíîâîê JUNO-Di. Ïàðàìåòðû ìîæíî íàçíà÷àòü íà
ñëàéäåðû è ðåãóëÿòîðû ýêðàíà êîìïüþòåðà, óïðîùàÿ èõ ðåäàêöèþ.
Ñîçäàííûå â ïðîãðàììå JUNO-Di Editor ïàò÷è ìîæíî âûáèðàòü êíîïêàìè ïàò÷åé JUNO-Di. Ñîçäàííûå â ïðîãðàììå JUNO-Di Editor ïåðôîðìàíñû ìîæíî âûáèðàòü ñ ïîìîùüþ êíîïêè [PERFORM].
Ïðîãðàììà JUNO-Di Librarian ïîçâîëÿåò óïðàâëÿòü ñ êîìïüþòåðà ïàðàìåòðàìè JUNO-Di â âèäå áèáëèîòåêè, ïðåäîñòàâëÿÿ ýôôåêòèâíîå
óïðàâëåíèå ïàò÷àìè, íàáîðàìè óäàðíûõ è ïåðôîðìàíñàìè.
Ïðîãðàììà Playlist Editor ïîçâîëÿåò ñîçäàâàòü ñïèñêè âîñïðîèçâåäåíèÿ äëÿ ïëååðà ïüåñ (ñòð. 71) è îïðåäåëÿòü ïîðÿäîê âîñïðîèçâåäåíèÿ
ïüåñ íà êîíöåðòå, à òàêæå óñòàíàâëèâàòü ãðîìêîñòü êàæäîé ïüåñû.
Ïðîãðàììà Playlist Editor ïîääåðæèâàåò 999 ïüåñ è 999 ñïèñêîâ âîñïðîèçâåäåíèÿ, îäíàêî, JUNO-Di ìîæåò èñïîëüçîâàòü
òîëüêî 399 ïüåñ è 399 ñïèñêîâ âîñïðîèçâåäåíèÿ.
Ðàáîòà ñ ïðîãðàììàìè îïèñàíà â ïðèëàãàåìîé ê íèì äîêóìåíòàöèè.
Óñòàíîâêà â êîìïüþòåð ïðîãðàìì
JUNO-Di Editor/Librarian/Playlist Editor
1. Âëîæèòå ïðèëàãàåìûé äèñê “JUNO-Di CD-ROM” â ïðèâîä CD-ROM êîìïüþòåðà è çàïóñòèòå ñîîòâåòñòâóþùèé îïåðàöèîííîé ñèñòåìå èíñòàëëÿòîð.
Macintosh
Ïàïêà
Editor
Driver
Playlist Editor
Ôàéë
JUNO-Di Editor
Installer.mpkg
JUNOSeries
USBDriver.pkg
Playlist Editor
Installer.pkg
Ïàïêà
Editor
Driver /XP
/Vista
Playlist Editor
Ôàéë
setup(.exe)
setup(.exe)
setup(.exe)
Windows
Ïîñëå çàïóñêà èíñòàëëÿòîðà ñëåäóéòå ýêðàííûì èíñòðóêöèÿì.
85
ÇÀÌÅÒÊÈ
86
Ïðèëîæåíèå
87
Óñòðàíåíèå íåèñïðàâíîñòåé
Åñëè JUNO-Di íå ôóíêöèîíèðóåò íàäëåæàùèì îáðàçîì, ñíà÷àëà ïðîâåðüòå ñëåäóþùèå ïóíêòû. Åñëè ïðîáëåìà íå ðåøèòñÿ, îáðàòèòåñü ê äèëåðó èëè
â áëèæàéøèé ñåðâèñíûé öåíòð Roland.
* Åñëè âî âðåìÿ ðàáîòû íà ýêðàíå ïîÿâèëîñü êàêîå-íèáóäü ñîîáùåíèå, ñì. “Ñîîáùåíèÿ îá îøèáêàõ” (ñòð. 92).
Ïðîáëåìû, êàñàþùèåñÿ âñåãî JUNO-Di
Â
Î
•
•
Íå âêëþ÷àåòñÿ ïèòàíèå.
Ïðîâåðüòå ñëåäóþùåå.
Â
Î
•
•
òå ñëåäóþùåå.
Íå îòêëþ÷åí ëè ïåðåêëþ÷àòåëü êëàâèàòóðû?
íîì ñîåäèíåíèè àäàïòåðà è ñåòåâîãî øíóðà (ñòð. 17).
Âêëþ÷èòå ïåðåêëþ÷àòåëü êëàâèàòóðû.
Ïðè ðàáîòå îò áàòàðåé îòêëþ÷àéòå îò JUNO-Di ñåòåâîé àäàïòåð.
Ïðîáëåìû ñî çâóêîì
Íåò çâóêà.
Íå çàãëóøåíà ëè ïàðòèÿ?
Óñòàíîâèòå ïàðàìåòð Mute â "OFF".
Â
Î
Âêëþ÷åíî ëè ïèòàíèå ïîäêëþ÷åííûõ óñèëèòåëåé è ìîíèòîðîâ?
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Íå óñòàíîâëåí ëè ðåãóëÿòîð [VOLUME] â ìèíèìóì?
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Ïðàâèëüíî ëè âûïîëíåíà êîììóòàöèÿ?
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Ñëûøåí ëè çâóê â íàóøíèêàõ?
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øåðà. Åùå ðàç ïðîâåðüòå êàáåëè è óñèëèòåëü/ìèêøåð.
Åñëè ïðè èãðå íà êëàâèàòóðå çâóê íå ñëûøåí, ïðîâåðüòå, íå âûêëþ÷åí ëè ïåðåêëþ÷àòåëü Local Switch.
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UPPER
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ïðîãðàììû “JUNO-Di Editor”.
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Íå çàíèæåíà ëè ãðîìêîñòü âñëåäñòâèå ìàíèïóëÿöèé ñ ïåäàëüþ,
Ïðîâåðüòå ñëåäóþùåå.
Íå ïðèìåíåí ëè èñêàæàþùèé çâóê ýôôåêò?
óðîâåíü ãðîìêîñòè ýòîé ïàðòèè.
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Åñëè èñêàæåíû âñå çâóêè, ðåãóëÿòîðîì [VOLUME] óìåíüøèòå
óðîâåíü ãðîìêîñòè.
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Âîçìîæíî çàâûøåíî çíà÷åíèå ïàðàìåòðà Output Gain?
Ïðîâåðüòå ñèñòåìíóþ óñòàíîâêó “SOUND” (ñòð. 75).
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Íåêîððåêòíàÿ âûñîòà òîíà.
Ïðîâåðüòå ñëåäóþùåå.
Íå ñáèòà ëè íàñòðîéêà JUNO-Di?
Ïðîâåðüòå óñòàíîâêó “Master Tune” (ñòð. 75).
êîíòðîëëåðîì D Beam èëè ïîñðåäñòâîì MIDI-ñîîáùåíèé (ñîîáùåíèÿìè Volume èëè Expression), êîòîðûå ïðèíèìàþòñÿ îò âíå-
Çâóê èñêàæåí.
Åñëè çâóê îïðåäåëåííîãî ïàò÷à èëè ïàðòèè èñêàæåí, óìåíüøèòå
Êîððåêòíû ëè óñòàíîâêè ïàðàìåòðà Effect?
Òàêæå ïðîâåðüòå óñòàíîâêè ýôôåêòîâ ñ ïîìîùüþ ïðèëàãàåìîé
Part Key Range
Ïàðàìåòð PERFORM KEYBOARD RANGE LOWER/UPPER
Íå çàíèæåíû ëè çíà÷åíèÿ óñòàíîâîê Part Level?
Ïðîâåðüòå óñòàíîâêè Effect ON/OFF (ñòð. 61).
Tone Key Range
Ïàðàìåòð VELOCITY & KEY RANGE PATCH KEY RANGE LOWER/
Íå çàíèæåí ëè óðîâåíü ãðîìêîñòè ïàò÷à?
Ïðîâåðüòå óðîâåíü êàæäîé ïàðòèè (ñòð. 60).
Íå óñòàíîâëåí ëè îãðàíè÷åííûé äèàïàçîí íîò?
êè Key Range äëÿ Patch Tone è Performance Part.
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Âêëþ÷èòå ïåðåêëþ÷àòåëü Local Switch (ñòð. 76).
Ïðîâåðüòå óñòàíîâêó óðîâíÿ.
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðü-
Åñëè íå çâó÷èò îïðåäåëåííûé äèàïàçîí íîò, ïðîâåðüòå óñòàíîâ-
Åñëè çâóê â íàóøíèêàõ ñëûøåí, âîçìîæíî ïîâðåæäåíû ñîåäèíèòåëüíûå êàáåëè, èëè ïðîèçîøåë ñáîé â ðàáîòå óñèëèòåëÿ/ìèê-
Íå çâó÷àò îïðåäåëåííûå âûñîòíûå äèàïàçîíû.
òå ñëåäóþùåå.
Ïðîâåðüòå ñëåäóþùåå.
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Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðü-
íåí ê ðîçåòêå è ê ðàçúåìó íà òûëüíîé ïàíåëè, à òàêæå â êîððåêò-
òàíèÿ JUNO-Di.
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Íå çàíèæåí ëè óðîâåíü ãðîìêîñòè ïàðòèè?
Óáåäèòåñü, ÷òî ñåòåâîé àäàïòåð JUNO-Di ïðàâèëüíî ïîäñîåäè-
âîãî àäàïòåðà èëè åãî ñåòåâîãî øíóðà âûçîâåò îòêëþ÷åíèå ïè-
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Ïðîâåðüòå ñëåäóþùåå.
Ïðîâåðüòå óðîâåíü êàæäîé ïàðòèè (ñòð. 60).
Åñëè áàòàðåè óñòàíîâëåíû, ïîäñîåäèíåíèå/îòñîåäèíåíèå ñåòå-
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Íå çâó÷èò îïðåäåëåííàÿ ïàðòèÿ.
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Íå èçìåíåíà ëè âûñîòà ïîñðåäñòâîì ïåäàëè èëè ñîîáùåíèé
Pitch Bend, ïðèíèìàåìûõ îò âíåøíåãî MIDI-óñòðîéñòâà?
øíåãî MIDI-óñòðîéñòâà?
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Ñ ïîìîùüþ ïðîãðàììû “JUNO-Di Editor” ïðîâåðüòå óñòàíîâêè
Coarse Tune èëè Fine Tune äëÿ îïðåäåëåííûõ ïàðòèé.
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Çâóê ïðåðûâàåòñÿ.
Ñ ïîìîùüþ ïðîãðàììû “JUNO-Di Editor” ïðîâåðüòå ñëåäóþùåå.
Çâóêè ïðåðûâàþòñÿ ïðè îäíîâðåìåííîì èñïîëüçîâàíèè áîëåå
128 ãîëîñîâ.
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Ñîêðàòèòå êîëè÷åñòâî èñïîëüçóåìûõ òåìáðîâ.
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Óâåëè÷üòå çíà÷åíèå Voice Reserve äëÿ ïàðòèé, êîòîðûå íå äîëæíû îòêëþ÷àòüñÿ.
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Óñòðàíåíèå íåèñïðàâíîñòåé
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Ïðè èãðå íà êëàâèàòóðå íîòû íå çàòèõàþò.
Íå ïåðåïóòàíà ëè ïîëÿðíîñòü ïåäàëè Hold?
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Ïðîâåðüòå óñòàíîâêó ïàðàìåòðà Hold Pedal Polarity (ñòð. 76).
Èíîãäà, ïðè èãðå ëåãàòî âûñîòà òîíà íå âîçðàñòàåò.
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðüòå ñëåäóþùåå.
Åñëè ïàðàìåòð Legato Switch óñòàíîâëåí â "ON", ïàðàìåòð Legato
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Íåäîñòóïíû íåêîòîðûå çâóêè.
Retrigger — â "OFF", à âû óäåðæèâàåòå êëàâèøè íàæàòûìè â âåð-
Åñëè ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” óñòà-
õíåì ðåãèñòðå äëÿ èãðû ëåãàòî, âåðõíèé ïðåäåë âûñîòû òîíà
íîâèòü ãðóïïó ïàò÷à â “NO ASSIGN”, ïðèíàäëåæàùèå åé ïàò÷è
âîëíû ìîæåò áûòü ïðåâûøåí, ïîýòîìó âûñîòà äàëåå íå âîçðàñ-
âûáðàòü ðåãóëÿòîðàìè ïàíåëè JUNO-Di áóäåò íåâîçìîæíî.
òåò, à îñòàíàâëèâàåòñÿ â îïðåäåëåííîé òî÷êå. Ê òîìó æå, ïðè èñïîëüçîâàíèè ðàçëè÷íûõ âåðõíèõ ïðåäåëîâ âûñîòû äëÿ âîëí
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Çâóê ïðåðûâàåòñÿ ïðè ïåðåêëþ÷åíèè ïàò÷åé â ðåæèìå Patch.
ïàò÷à çâóê ìîæåò íå âîñïðîèçâîäèòüñÿ â MONO. Ïðè çíà÷èòåëü-
JUNO-Di ïîääåðæèâàåò ðàáîòó ñ ìóëüòèýôôåêòàìè ðàçëè÷íûõ
Retrigger â "ON".
òèïîâ, ïîýòîìó ïðè ñìåíå ïàò÷åé òàêæå ìîæåò ïåðåêëþ÷èòüñÿ è
òèï ìóëüòèýôôåêòà.
 íåêîòîðûõ ñëó÷àÿõ ìîãóò íàáëþäàòüñÿ ñóùåñòâåííûå ðàñõîæäåíèÿ ìåæäó çâóêîì ïàò÷à è ìóëüòèýôôåêòà, ïîýòîìó ïðîèçâî-
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íûõ èçìåíåíèÿõ âûñîòû òîíà óñòàíîâèòå ïàðàìåòð Legato
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Ñòðàííîå çâó÷àíèå íîò â âåðõíèõ ðåãèñòðàõ êëàâèàòóðû.
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Èíîãäà, ïðè íàæàòèè êëàâèø â âåðõíåé çîíå êëàâèàòóðû JUNO-
äèìûå ïðè ïåðåêëþ÷åíèè ïàò÷åé è ïðè èñïîëüçîâàíèè
Di çâóê ìîæåò ïðîïàäàòü, åãî âûñîòà ïåðåñòàòü óâåëè÷èâàòüñÿ;
çàâîäñêèõ ýôôåêòîâ çâóêè ìîãóò çàãëóøàòüñÿ. Èíîãäà, íàïðèìåð,
èëè íà îïðåäåëåííûõ êëàâèøàõ ìîæåò âîçíèêàòü øóì. Ýòî ïðî-
êîãäà íå èñïîëüçóþòñÿ çíà÷èòåëüíî âîçäåéñòâóþùèå íà çâóê
èñõîäèò ÷àùå âñåãî èç-çà ïðåâûøåíèÿ âåðõíåãî ïðåäåëà âûñîòû
ìóëüòèýôôåêòû, óñòàíîâêà ïàðàìåòðà Patch Remain â "ON" ñ ïî-
òîíà JUNO-Di, ïîýòîìó äàííàÿ ïðîáëåìà îòñóòñòâóåò â íîðìàëü-
ìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïîçâîëÿåò ïå-
íî èñïîëüçóåìûõ äèàïàçîíàõ. Íî, â ëþáîì ñëó÷àå, ýòî íå ÿâëÿåò-
ðåêëþ÷àòü ïàò÷è áåç çàãëóøåíèÿ çâóêîâ.
ñÿ ñáîåì.
Ïðè ïåðåêëþ÷åíèè ïàò÷åé â ðåæèìå Patch ãðîìêîñòü
è äðóãèå ïàðàìåòðû, óñòàíîâëåííûå ñ ïîìîùüþ
Control Change, ñáðàñûâàþòñÿ.
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Ïàò÷ â ïåðôîðìàíñå çâó÷èò èíà÷å, ÷åì îòäåëüíî.
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðüòå ñëåäóþùåå.
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor óñòàíîâèòå
 ðåæèìå Performance ïàðàìåòðû êàæäîé ïàðòèè ïåðôîðìàíñà
ïàðàìåòð Patch Remain â "ON". Òåïåðü äàæå ïðè ñìåíå ïàò÷à
ìîãóò âîçäåéñòâîâàòü íà òàêèå ïàðàìåòðû, êàê Pan, Octave è
ïðèíÿòûå ñîîáùåíèÿ Control Change îñòàþòñÿ àêòóàëüíûìè è
Filter, îïðåäåëåííûå â ïàò÷å. Òàêèì îáðàçîì, ïàò÷è â ðåæèìå
ïàðàìåòðû â çíà÷åíèÿ ïî óìîë÷àíèþ íå ñáðàñûâàþòñÿ.
Performance ìîãóò çâó÷àòü îòëè÷íî îò ðåæèìà Patch.
Ê òîìó æå, õîòÿ è ïàò÷ ìîæåò ñîäåðæàòü òåìáðû, ñîçäàííûå ñ ïî-
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Çíà÷åíèå Tone Delay çàäàíî â òåðìèíàõ äëèòåëüíîñòè íîòû, îäíàêî ïðè çàìåäëåíèè òåìïà âðåìÿ çàäåðæêè íå ìåíÿåòñÿ.
ìîùüþ ìóëüòèýôôåêòîâ, ìóëüòèýôôåêòû, èñïîëüçóåìûå â ïåð-
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðü-
ïåðôîðìàíñà.
òå ñëåäóþùåå.
Ñóùåñòâóåò ìàêñèìàëüíî äîïóñòèìîå çíà÷åíèå äëÿ ïàðàìåòðà
Tone Delay Time. Ïîýòîìó, åñëè óñòàíîâêà âðåìåíè îïðåäåëåíà
ôîðìàíñå, ìîãóò îòëè÷àòüñÿ îò ìóëüòèýôôåêòîâ, âûáðàííûõ äëÿ
ïàò÷à. Ïðîâåðüòå óñòàíîâêè ìóëüòèýôôåêòîâ, Chorus è Reverb
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Íå âîñïðîèçâîäÿòñÿ àðïåäæèî è ïàòòåðíû óäàðíûõ.
Íå óñòàíîâëåí ëè ñèñòåìíûé ïàðàìåòð “Sync Mode” (ñòð. 76) â
äëèòåëüíîñòüþ íîòû, à òåìï çàìåäëÿåòñÿ, òî ïîñëå äîñòèæåíèÿ
“SLAVE”?
ýòîãî ìàêñèìóìà, çíà÷åíèå äàëüøå óâåëè÷èâàòüñÿ íå áóäåò. Âåð-
 ýòîì ñëó÷àå JUNO-Di îæèäàåò ïðèåìà ñîîáùåíèé MIDI clock ñ
õíèé ïðåäåë âðåìåíè çàäåðæêè èìååò ìàêñèìàëüíîå çíà÷åíèå,
âíåøíåãî óñòðîéñòâà.
ïðåâûñèòü êîòîðîå íåâîçìîæíî.
Åñëè ñèíõðîíèçèðîâàòüñÿ îò âíåøíåãî óñòðîéñòâà íå òðåáóåòñÿ,
óñòàíîâèòå ïàðàìåòð “Sync Mode” â “MASTER”.
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Äàæå åñëè ïàíîðàìèðîâàòü ïàò÷ ïîëíîñòüþ â îäèí
êàíàë, çâóê òàêæå ñëûøåí è â äðóãîì êàíàëå.
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Âñòðîåííûå ýôôåêòû JUNO-Di ÿâëÿþòñÿ ñòåðåîôîíè÷åñêèìè, ïîýòîìó ïðè îáðàáîòêå èìè ïàò÷à, íåâçèðàÿ íà óñòàíîâêó ïàíîðàìû, çâóêè ýôôåêòà áóäóò ñëûøíû â îáîèõ êàíàëàõ.
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Óñòðàíåíèå íåèñïðàâíîñòåé
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Âðåìÿ çàäåðæêè â ìóëüòèýôôåêòå 43: TAP DELAY èëè
äðóãàÿ óñòàíîâêà âðåìåíè çàäåðæêè çàäàíà â òåðìèíàõ äëèòåëüíîñòè íîò, è çàòåì òåìï çàìåäëÿåòñÿ; íå
âûõîäèò ëè âðåìÿ çàäåðæêè ïðè èçìåíåíèè òåìïà çà
ïðåäåëû óñòàíîâëåííîé äëèòåëüíîñòè?
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Òàêèå óñòàíîâêè âðåìåíè çàäåðæêè èìåþò âåðõíèé ïðåäåë, ïîý-
Ïðîáëåìû ñ ýôôåêòàìè
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Ýôôåêòû íå äåéñòâóþò.
Ïðîâåðüòå ñëåäóþùåå.
Âêëþ÷åíû ëè ýôôåêòû?
òîìó, åñëè âåðõíèé ïðåäåë çíà÷åíèÿ, çàäàííîãî â òåðìèíàõ äëè-
Ïðîâåðüòå ñîñòîÿíèå (âêë./îòêë.) êàæäîãî ýôôåêòà (ñòð. 61).
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òåëüíîñòè íîò, ïðè çàìåäëåíèè òåìïà ïðåâûøåí, ýòî çíà÷åíèå
Êîððåêòíû ëè óñòàíîâêè ðàçëè÷íûõ ýôôåêòîâ? (ñòð. 61)
áîëüøå âîçðàñòàòü íå áóäåò. Âåðõíèé ïðåäåë âðåìåíè âñåãäà
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðü-
èìååò ìàêñèìàëüíîå çíà÷åíèå, ïðåâûñèòü êîòîðîå íåâîçìîæíî.
òå ñëåäóþùåå.
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Óñòàíîâëåí ëè â ðåæèìå Performance ïàðàìåòð Output Assign
äëÿ êàæäîé ïàðòèè â “MFX”?
Èíîãäà, íàïðèìåð, â ñëó÷àå “064: GM2 Template”, ïî óìîë÷àíèþ
ïàðàìåòð Output Assign íå óñòàíîâëåí â “MFX”.
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Åñëè óðîâåíü ïîñûëà êàæäîãî ýôôåêòà óñòàíîâëåí â 0, ýôôåêò
áóäåò îòñóòñòâîâàòü.
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Ïðîáëåìû ñ ñîõðàíåíèåì äàííûõ
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Ïåðôîðìàíñ çâó÷èò íå òàê, êàê â ìîìåíò åãî ñîõðàíåíèÿ.
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Åñëè óñòàíîâêè èñïîëüçóåìîãî ïåðôîðìàíñîì ïàò÷à èçìåíåíû,
èëè åñëè âðåìåííûé ïàò÷ ïåðôîðìàíñà èçìåíåí âíåøíèì MIDI-
Äàæå åñëè óðîâåíü ïîñûëà êàæäîãî ýôôåêòà óñòàíîâëåí íå â 0,
óñòðîéñòâîì, ýòè ïàò÷è òàêæå äîëæíû áûòü ñîõðàíåíû.
ýôôåêòû áóäóò îòñóòñòâîâàòü, åñëè äëÿ Output Level, Chorus Level
Åñëè èñïîëüçóåìûå ïåðôîðìàíñîì ïàò÷è áûëè îòðåäàêòèðîâà-
èëè Reverb Level ìóëüòèýôôåêòà âûáðàíî çíà÷åíèå 0.
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íû, ïðè çàïèñè ýòîãî ïåðôîðìàíñà, äèñïëåé JUNO-Di îòîáðàçèò
ñîîáùåíèå ñ çàïðîñîì îá îòêàçå îò ýòèõ ïàò÷åé.  òàêèõ ñëó÷àÿõ
Âñåãäà âêëþ÷åí Modulation èëè äðóãîé êîíòðîëëåð.
ñíà÷àëà ñîõðàíèòå ïàò÷ èëè íàáîð óäàðíûõ, à çàòåì ñíîâà ñîõðà-
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðü-
íèòå ïåðôîðìàíñ (ñòð. 62).
òå óñòàíîâêè Matrix Controller
JUNO-Di ïîçâîëÿåò èñïîëüçîâàòü Matrix Control äëÿ óïðàâëåíèÿ
ïàò÷àìè â ðåàëüíîì âðåìåíè. Matrix Control ðàáîòàåò â êà÷åñòâå
èñòî÷íèêà óïðàâëåíèÿ äëÿ Control Change è äðóãèõ MIDI-ñîîá-
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Ïàò÷è çâó÷àò íå òàê, êàê â ìîìåíò èõ ñîõðàíåíèÿ.
Èçìåíåíèÿ, âíåñåííûå â ïàò÷ ñ ïîìîùüþ ñîîáùåíèé Control
Change, êîòîðûå ïðèíÿòû îò âíåøíåãî MIDI-óñòðîéñòâà, ñîõðà-
ùåíèé, ïðèíèìàåìûõ JUNO-Di è ïðîèçâîäèò èçìåíåíèÿ ðàçëè÷-
íèòü íåâîçìîæíî.
íûõ ïàðàìåòðîâ ïàò÷à íà îñíîâå ýòèõ ñîîáùåíèé.
 çàâèñèìîñòè îò ýòèõ óñòàíîâîê, JUNO-Di ìîæåò ðåàãèðîâàòü íà
MIDI-ñîîáùåíèÿ, ïðèíèìàåìûå îò âíåøíèõ MIDI-óñòðîéñòâ, â ðåçóëüòàòå ýòîãî ïàò÷è ìîãóò çâó÷àòü ïî-äðóãîìó.
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Ïîâûøåíèå óðîâíÿ ïîñûëà õîðóñà èëè ðåâåðáåðàöèè
äëÿ ïàðòèè ïåðôîðìàíñà íå ñîïðîâîæäàåòñÿ ñîîòâåòñòâóþùèì ýôôåêòîì.
Ïðîáëåìû ñ ïüåñàìè
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Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðüòå ñëåäóþùåå.
Õîòÿ ìîæíî ïðîèçâåñòè óñòàíîâêè óðîâíÿ ïîñûëà õîðóñà è ðåâåðáåðàöèè äëÿ ïàðòèè ïåðôîðìàíñà, ýòè çíà÷åíèÿ óñòàíàâëèâà-
Íàêîïèòåëü USB íå ðàñïîçíàåòñÿ.
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Âîçìîæíî, íàêîïèòåëü USB îòôîðìàòèðîâàí íåêîððåêòíî.
JUNO-Di ïîääåðæèâàåò íàêîïèòåëè USB, îòôîðìàòèðîâàííûå â
FAT. Åñëè èñïîëüçóåòñÿ äðóãîé ôîðìàò, îòôîðìàòèðóéòå íàêîïèòåëü USB, èñïîëüçóÿ FAT.
ìàëüíî (127), êîãäà â èñïîëüçóåìîì ïàò÷å óðîâåíü ïîñûëà çàíè-
÷å â çàâèñèìîñòè îò òîãî, èñïîëüçóþòñÿ ìóëüòèýôôåêòû èëè íåò.
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Èñïîëüçîâàíèå Matrix Control èëè àíàëîãè÷íûõ
ñðåäñòâ óïðàâëåíèÿ LFO ïðèâîäèò ê ïîÿâëåíèþ øóìà ïðè ðåçêîì èçìåíåíèè ïàíîðàìû.
Âîçìîæíû ñëåäóþùèå ïðè÷èíû.
Ïüåñû íå ðàçìåùåíû â êîðíåâîé äèðåêòîðèè.
æàòüñÿ íà äèñïëåå JUNO-Di.
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Âîçìîæíî äàííûå ïüåñ â ïàïêå PLAYLIST äîáàâëÿëèñü/óäàëÿëèñü/èçìåíÿëèñü â îáõîä ïðîãðàììû Playlist Editor.
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Âîçìîæíî, íàêîïèòåëü USB îòôîðìàòèðîâàí íåêîððåêòíî.
Èç-çà ñïåöèàëèçèðîâàííîé îáðàáîòêè, èñïîëüçóåìîé äëÿ ïàíî-
JUNO-Di ïîääåðæèâàåò íàêîïèòåëè USB, îòôîðìàòèðîâàííûå â
ðàìû, êîòîðàÿ èçìåíÿåò óðîâåíü ãðîìêîñòè â ëåâîì è ïðàâîì
FAT. Åñëè èñïîëüçóåòñÿ äðóãîé ôîðìàò, îòôîðìàòèðóéòå íàêîïè-
êàíàëàõ, ðåçêèå ïåðåìåùåíèÿ ïàíîðàìû, âûçûâàþùèå áûñòðûå
òåëü USB, èñïîëüçóÿ FAT.
èçìåíåíèÿ ýòèõ óðîâíåé, ñîçäàþò çíà÷èòåëüíûå èçìåíåíèÿ
ãðîìêîñòè, â ðåçóëüòàòå ÷åãî ìîæåò âîçíèêíóòü øóì.
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Íå îòîáðàæàþòñÿ ïüåñû.
Äàæå åñëè ïîìåñòèòü ïüåñó â íîâóþ ïàïêó, îíà íå áóäåò îòîáðà-
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” óìåíüøèòå ñêîðîñòü èçìåíåíèÿ ÷àñòîòû (LFO Rate).
Âîçìîæíî äàííûå ïüåñ â ïàïêå PLAYLIST äîáàâëÿëèñü/óäàëÿ-
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öèè äëÿ èñïîëüçóåìîãî ïàò÷à. Òî åñòü, äàæå åñëè çíà÷åíèå ìàêñè-
ðàçíûå óñòàíîâêè óðîâíåé ïîñûëà õîðóñà è ðåâåðáåðàöèè â ïàò-
Âîçìîæíû ñëåäóþùèå ïðè÷èíû.
ëèñü/èçìåíÿëèñü â îáõîä ïðîãðàììû Playlist Editor.
þò òîëüêî âåðõíèé ïðåäåë óðîâíåé ïîñûëà õîðóñà è ðåâåðáåðà-
æåí, ýôôåêò áóäåò îòñóòñòâîâàòü. Êðîìå òîãî, ìîãóò ïðèìåíÿòüñÿ
Íå îòîáðàæàþòñÿ ñïèñêè âîñïðîèçâåäåíèÿ.
Óñòðàíåíèå íåèñïðàâíîñòåé
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Ïüåñû íå âîñïðîèçâîäÿòñÿ.
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Ïðè èñïîëüçîâàíèè ïðîãðàììû ñåêâåíñîðà ðåãóëÿòîðû è äðóãèå êîíòðîëëåðû íå âîçäåéñòâóþò íà çâóê.
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Äëÿ íåêîòîðûõ ñåêâåíñîðíûõ ïðîãðàìì ñîîáùåíèÿ System
Âîçìîæíû ñëåäóþùèå ïðè÷èíû.
Ïüåñû (àóäèîôàéëû) ñ îòëè÷íîé îò 44.1 êÃö ÷àñòîòîé äèñêðåòèçà-
Exclusive ñ ïîìîùüþ ôóíêöèè Thru íå ïåðåäàþòñÿ. Åñëè èñïîëü-
öèè JUNO-Di íå âîñïðîèçâîäÿòñÿ.
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Ôàéëà ïüåñû äàííîãî òèïà JUNO-Di íå ðàñïîçíàåòñÿ.
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Äàííûå ïüåñû ïîâðåæäåíû.
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Âîçìîæíî äàííûå ïüåñ â ïàïêå PLAYLIST äîáàâëÿëèñü/óäàëÿëèñü/èçìåíÿëèñü â îáõîä ïðîãðàììû Playlist Editor.
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çóåòñÿ òàêàÿ ïðîãðàììà, äëÿ çàïèñè ñèñòåìíûõ ýêñêëþçèâíûõ ñîîáùåíèé âêëþ÷èòå ñëåäóþùèå óñòàíîâêè.
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 ðåæèìå Patch
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 ðåæèìå Performance
Ïàðàìåòð Local Switch (ñòð. 76).
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðü-
Îòñóòñòâóåò çâóê ïðè âîñïðîèçâåäåíèè.
òå ñîñòîÿíèå ïåðåêëþ÷àòåëÿ êëàâèàòóðû.
Ïðîâåðüòå ñëåäóþùåå.
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Óñòàíîâêó ðåãóëÿòîðà [VOLUME].
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Çíà÷åíèå LEVEL, îòîáðàæàþùååñÿ ïðè íàæàòèè êíîïêè [LEVEL]
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Åñëè Bend Range (äèàïàçîí ïîäñòðîéêè âûñîòû òîíà)
äëÿ ïàò÷à óâåëè÷èâàåòñÿ (48), âûñîòà âîçðàñòàåò íåäîñòàòî÷íî, äàæå ïðè ïðèåìå MIDI-ñîîáùåíèÿ Pitch
Bend.
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 òî âðåìÿ êàê Bend Range â ïàò÷å ìîæíî óñòàíàâëèâàòü îò 0 äî
(ñòð. 72, ñòð. 74).
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Óñòàíîâêè Minus-one (ñòð. 76)
48, ïðè èñïîëüçîâàíèè ðÿäà âîëí ñ âîçðàñòàþùåé âûñîòîé (â +
íàïðàâëåíèè), ýòî âîçðàñòàíèå ìîæåò â îïðåäåëåííîé òî÷êå
Ïðîáëåìû ñ MIDI è âíåøíèìè
óñòðîéñòâàìè
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ïðåêðàòèòüñÿ. Õîòÿ äëÿ âåðõíåãî ïðåäåëà óâåëè÷åíèÿ âûñîòû
òîíà çíà÷åíèå 12 äîïóñòèìî, áóäüòå âíèìàòåëüíû ïðè óñòàíîâêå
Bend Range âûøå ýòîãî çíà÷åíèÿ.
Íå çâó÷èò ïîäêëþ÷åííîå MIDI-óñòðîéñòâî.
Ïðîâåðüòå ñëåäóþùåå.
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Íàñòðîåí ëè èíñòðóìåíò íà ïåðåäà÷ó MIDI-ñîîáùåíèé?
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 ðåæèìå Patch
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Ïàðàìåòð “Patch Rx/Tx Ch” â óñòàíîâêàõ SYSTEM “MIDI” (ñòð. 76)
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 ðåæèìå Performance
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Êîððåêòíî ëè ïîäêëþ÷åí ìèêðîôîí?
Èñïîëüçóåòñÿ ëè êîíäåíñàòîðíûé ìèêðîôîí?
JUNO-Di íå ïîääåðæèâàåò ðàáîòó êîíäåíñàòîðíûõ ìèêðîôîíîâ.
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Âîçìîæíî çàíèæåí óðîâåíü ìèêðîôîíà.
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Âîçìîæíî â ñèñòåìíûõ óñòàíîâêàõ “MIC IN SETTINGS” ïàðàìåòð
MIDI-ñîîáùåíèÿ íå ïåðåäàþòñÿ äëÿ ïàðòèé, äëÿ êîòîðûõ äàííûé ïåðåêëþ÷àòåëü îòêëþ÷åí.
Ïðîâåðüòå ñëåäóþùåå.
Ïðîâåðüòå êîììóòàöèþ.
Ñ ïîìîùüþ ïðèëàãàåìîé ïðîãðàììû “JUNO-Di Editor” ïðîâåðüòå ñîñòîÿíèå ïåðåêëþ÷àòåëÿ êëàâèàòóðû.
Ñèãíàë ìèêðîôîíà îòñóòñòâóåò/çàíèæåí.
Íå çàêðûò ëè ðåãóëÿòîð MIC IN [VOLUME]?
“Mic Mode” óñòàíîâëåí â “VOCODER”?
Íå ïðèíèìàþòñÿ ýêñêëþçèâíûå ñîîáùåíèÿ.
 ýòîì ñëó÷àå ìèêðîôîí äîñòóïåí òîëüêî ïðè âûáîðå ýôôåêòà
Ñîâïàäàåò ëè íîìåð Device ID ïåðåäàþùåãî óñòðîéñòâà ñ íîìå-
“VOCODER” (ñòð. 76).
ðîì Device ID â JUNO-Di?
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Ïàðàìåòð Device ID ðàâåí “17” è íå èçìåíÿåòñÿ.
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Íàáîð óäàðíûõ JUNO-Di íå çâó÷èò ïðè ïîäêëþ÷åíèè
âíåøíåãî ñåêâåíñîðà èëè MIDI-êëàâèàòóðû ê ðàçúåìó
MIDI IN.
Çàíèæåí óðîâåíü ãðîìêîñòè èíñòðóìåíòà, ïîäêëþ÷åííîãî ê JUNO-Di.
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Íå èñïîëüçóåòñÿ ëè êîììóòàöèîííûé êàáåëü ñ ðåçèñòîðîì?
Èñïîëüçóéòå êîììóòàöèîííûé êàáåëü áåç ðåçèñòîðà.
Ïðîâåðüòå, ñîâïàäàåò ëè ïåðåäàþùèé MIDI-êàíàë âíåøíåãî
MIDI-óñòðîéñòâà ñ ïðèåìíûì MIDI-êàíàëîì JUNO-Di. Ïðèåìíûé
MIDI-êàíàë, èñïîëüçóåìûé JUNO-Di â ðåæèìå Patch, óñòàíàâëèâàåòñÿ ïàðàìåòðîì Kbd Patch RX/TX Channel. Äàííûå íàáîðà óäàðíûõ ïåðôîðìàíñà îáû÷íî ïðèíèìàþòñÿ ïî MIDI-êàíàëó 10.
Ïðîáëåìû ñ íàêîïèòåëåì USB
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Íàêîïèòåëü USB íå ðàñïîçíàåòñÿ.
Ôàéëû íå îòîáðàæàþòñÿ.
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Ïðîâåðüòå ôîðìàò íàêîïèòåëÿ USB.
JUNO-Di ïîääåðæèâàåò íàêîïèòåëè USB, îòôîðìàòèðîâàííûå â
FAT. Åñëè èñïîëüçóåòñÿ äðóãîé ôîðìàò, îòôîðìàòèðóéòå íàêîïèòåëü USB, èñïîëüçóÿ FAT.
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Çàïèñü íà íàêîïèòåëü USB íå ïðîèçâîäèòñÿ
Ïðîâåðüòå ñëåäóþùåå.
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Óñòàíîâëåíà ëè çàùèòà îò çàïèñè íàêîïèòåëÿ USB?
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Äîñòàòî÷íî ëè íà íàêîïèòåëå USB ñâîáîäíîãî ìåñòà?
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Ñîîáùåíèÿ îá îøèáêàõ
Åñëè îïåðàöèÿ èëè êàêîé-ëèáî ïðîöåññ âûïîëíåíû íåêîððåêòíî, îòîáðàæàåòñÿ ñîîáùåíèå îá îøèáêå.
Ïðîàíàëèçèðóéòå ïîÿñíåíèå äëÿ ñîîòâåòñòâóþùåãî ñîîáùåíèÿ îá îøèáêå è ïðèìèòå ñîîòâåòñòâóþùèå ìåðû.
Ñîîáùåíèå
Çíà÷åíèå
Äåéñòâèå
USB Mem Not Ready!
Íàêîïèòåëü USB íå ïîäêëþ÷åí.
Ïîäêëþ÷èòå íàêîïèòåëü USB.
Ñáîé çàãðóçêè äàííûõ ñ íàêîïèòåëÿ USB.
Óáåäèòåñü â êîððåêòíîñòè ïîäêëþ÷åíèÿ íàêîïèòåëÿ USB.
Âîçìîæíî ôàéë ïîâðåæäåí.
Íå èñïîëüçóéòå ýòîò ôàéë.
Ðàáîòà ñ ôàéëîì äàííîãî ôîðìàòà íå ïîääåðæèâàåòñÿ.
Íå èñïîëüçóéòå ýòîò ôàéë.
Çàïðàøèâàåìûé ôàéë íà íàêîïèòåëå USB íå íàéäåí.
Ïðîâåðüòå íàëè÷èå ôàéëà íà íàêîïèòåëå USB.
Ñáîé çàïèñè äàííûõ íà íàêîïèòåëü USB.
Óáåäèòåñü â êîððåêòíîñòè ïîäêëþ÷åíèÿ íàêîïèòåëÿ USB.
Çàïèñü íåâîçìîæíà âñëåäñòâèå ïåðåïîëíåíèÿ ïàìÿòè íàêîïèòåëÿ USB.
Óäàëèòå ëèøíþþ èíôîðìàöèþ ñ íàêîïèòåëÿ USB èëè èñïîëüçóéòå äðóãîé íàêîïèòåëü USB ñ äîñòàòî÷íûì îáúåìîì ñâîáîäíîãî
ìåñòà.
Ôàéë èëè íàêîïèòåëü USB çàùèùåí îò çàïèñè.
Ñíèìèòå çàùèòó îò çàïèñè ôàéëà èëè íàêîïèòåëÿ USB.
JUNO-Di íå ìîæåò âîñïðîèçâåñòè ýòîò ôàéë.
Íå èñïîëüçóéòå ýòîò ôàéë.
Äàííàÿ ïüåñà íå ïåðåäàíà èç Playlist Editor íà íàêîïèòåëü
USB.
Âûáåðèòå ïüåñó è ïåðåäàéòå åå äàííûå èç Playlist Editor íà íàêîïèòåëü USB.
Âîñïðîèçâåäåíèå íåâîçìîæíî, ïîñêîëüêó ïðåâûøåí ëèìèò êîëè÷åñòâà ïüåñ, ïîääåðæèâàåìûé JUNO-Di.
JUNO-Di ìîæåò ðàñïîçíàâàòü äî 99 ïüåñ â êîðíåâîé äèðåêòîðèè
è â ñóììå äî 399 ïüåñ âî âñåõ ñïèñêàõ âîñïðîèçâåäåíèÿ.
Sys Mem Damaged!
Âîçìîæíî ïîâðåæäåíèå ñèñòåìíîé ïàìÿòè.
Âûïîëíèòå îïåðàöèþ Factory Reset.
Åñëè ïðîáëåìà îñòàëàñü, îáðàòèòåñü ê äèëåðó èëè â áëèæàéøèé
ñåðâèñíûé öåíòð Roland.
MIDI Buffer Full!
Ïðèåì áîëüøîãî îáúåìà MIDI-äàííûõ, êîòîðûé íå ìîæåò
áûòü îáðàáîòàí.
Óìåíüøèòå êîëè÷åñòâî ïåðåäàâàåìûõ MIDI-ñîîáùåíèé.
MIDI Offline!
Îòñóòñòâóþò äàííûå íà ðàçúåìå MIDI IN.
Ïðîâåðüòå èñïðàâíîñòü MIDI-êàáåëÿ, ïîäêëþ÷åííîãî ê ðàçúåìó
MIDI IN â JUNO-Di è êîððåêòíîñòü MIDI-êîììóòàöèè.
Now Playing!
Çàïóùåíî âîñïðîèçâåäåíèå ïëååðà ïüåñ.
Îñòàíîâèòå âîñïðîèçâåäåíèå èëè äîæäèòåñü åãî îêîí÷àíèÿ.
Battery Low!
Áàòàðåè ðàçðÿæåíû.
Çàìåíèòå áàòàðåè èëè èñïîëüçóéòå ñåòåâîé àäàïòåð.
No More Favorites!
Ðåãèñòðàöèÿ äîïîëíèòåëüíûõ ëþáèìûõ óñòàíîâîê íåâîçìîæíà.
Ïðîâåðüòå êîëè÷åñòâî èìåþùèõñÿ ëþáèìûõ óñòàíîâîê è óñòàíîâêó íàïðàâëåíèÿ èõ ïåðåêëþ÷åíèÿ (“FAV-UP” èëè “FAVDOWN”), íàçíà÷åííîãî íà ïåäàëü (ñòð. 76).
Read Error!
Write Error!
Incorrect File!
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Ñïèñîê ýôôåêòîâ
Ïàðàìåòðû ìóëüòèýôôåêòîâ (MFX1 – 3, MFX)
Ìóëüòèýôôåêòû ïðåäñòàâëÿþò ñîáîé 79 ðàçëè÷íûõ òèïîâ ýôôåêòîâ. Íåêîòîðûå èç íèõ ñîñòîÿò èç äâóõ èëè áîëåå ðàçëè÷íûõ ýôôåêòîâ, ñîåäèíåííûõ ïîñëåäîâàòåëüíî.
FILTER (10 òèïîâ)
DELAY (13 òèïîâ)
01
EQUALIZER
ñòð. 94
43
DELAY
ñòð. 99
02
SPECTRUM
ñòð. 94
44
LONG DELAY
ñòð. 99
03
ISOLATOR
ñòð. 94
45
SERIAL DELAY
ñòð. 100
04
LOW BOOST
ñòð. 94
46
MODULATION DELAY
ñòð. 100
05
SUPER FILTER
ñòð. 95
47
3TAP PAN DELAY
ñòð. 100
06
STEP FILTER
ñòð. 95
48
4TAP PAN DELAY
ñòð. 100
07
ENHANCER
ñòð. 95
49
MULTI TAP DELAY
ñòð. 100
08
AUTO WAH
ñòð. 95
50
REVERSE DELAY
ñòð. 100
09
HUMANIZER
ñòð. 95
51
SHUFFLE DELAY
ñòð. 100
10
SPEAKER SIMULATOR
ñòð. 95
52
3D DELAY
ñòð. 100
53
ANALOG DELAY
ñòð. 101
MODULATION (12 òèïîâ)
11
PHASER
ñòð. 95
54
ANALOG LONG DELAY
ñòð. 101
12
STEP PHASER
ñòð. 96
55
TAPE ECHO
ñòð. 101
13
MLT STAGE PHASER
ñòð. 96
14
INFINITE PHASER
ñòð. 96
56
LOFI NOISE
ñòð. 101
15
RING MODULATOR
ñòð. 96
57
LOFI COMPRESS
ñòð. 101
16
STEP RING MOD
ñòð. 96
58
LOFI RADIO
ñòð. 101
17
TREMOLO
ñòð. 96
59
TELEPHONE
ñòð. 101
18
AUTO PAN
ñòð. 96
60
PHONOGRAPH
ñòð. 101
19
STEP PAN
ñòð. 97
20
SLICER
ñòð. 97
61
PITCH SHIFTER
ñòð. 101
21
ROTARY
ñòð. 97
62
2VOI PCH SHIFTER
ñòð. 102
22
VK ROTARY
ñòð. 97
63
STEP PCH SHIFTER
ñòð. 102
CHORUS (12 òèïîâ)
LO-FI (5 òèïîâ)
PITCH (3 òèïà)
REVERB (2 òèïà)
23
CHORUS
ñòð. 97
24
FLANGER
ñòð. 97
25
STEP FLANGER
ñòð. 97
26
HEXA-CHORUS
ñòð. 97
66
OD → CHORUS
ñòð. 102
27
TREMOLO CHORUS
ñòð. 97
67
OD → FLANGER
ñòð. 102
28
SPACE-D
ñòð. 98
68
OD → DELAY
ñòð. 102
29
3D CHORUS
ñòð. 98
69
DST → CHORUS
ñòð. 102
30
3D FLANGER
ñòð. 98
70
DST → FLANGER
ñòð. 102
31
3D STEP FLANGER
ñòð. 98
71
DST → DELAY
ñòð. 103
32
2BAND CHORUS
ñòð. 98
72
ENH → CHORUS
ñòð. 103
33
2BAND FLANGER
ñòð. 98
73
ENH → FLANGER
ñòð. 103
34
2BAND STEP FLNGR
ñòð. 98
74
ENH → DELAY
ñòð. 103
75
CHORUS → DELAY
ñòð. 103
DYNAMICS (8 òèïîâ)
64
REVERB
ñòð. 102
65
GATED REVERB
ñòð. 102
COMBINATION (12 òèïîâ)
35
OVERDRIVE
ñòð. 98
76
FLANGER → DELAY
ñòð. 103
36
DISTORTION
ñòð. 98
77
CHORUS → FLANGER
ñòð. 103
37
VS OVERDRIVE
ñòð. 99
38
VS DISTORTION
ñòð. 99
39
GUITAR AMP SIM
ñòð. 99
40
COMPRESSOR
ñòð. 99
41
LIMITER
ñòð. 99
42
GATE
ñòð. 99
PIANO (1 òèï)
78
SYMPATHETIC RESO
ñòð. 103
VOCODER (1 òèï)
79
VOCODER
ñòð. 103
93
Ñïèñîê ýôôåêòîâ
Çíà÷åíèÿ â òåðìèíàõ äëèòåëüíîñòè íîò
Íåêîòîðûå ïàðàìåòðû ýôôåêòîâ (òàêèå, êàê Rate èëè Delay Time) ìîæíî çàäàâàòü â ôîðìàòå äëèòåëüíîñòè íîò. Çíà÷åíèå òåêóùåé óñòàíîâêè â òåðìèíàõ äëèòåëüíîñòè íîò ñîïðîâîæäàåòñÿ öèôðîâûì
çíà÷åíèåì.
*
Åñëè çíà÷åíèå Rate çàäàíî â âèäå íîòû, ìîäóëÿöèÿ áóäåò ñèíõðîíèçèðîâàíà ñ òåìïîì âîñïðîèçâåäåíèÿ äàííûõ SMF.
01: EQUALIZER
Òðåõïîëîñíûé ñòåðåîýêâàëàéçåð (Í×, Ñ×, Â×).
Ïàðàìåòð
Low Gain
Mid Gain
High Gain
Level
Çíà÷åíèå
Îïèñàíèå
-15 – +15 dB
Óñèëåíèå äèàïàçîíà Í×
-15 – +15 dB
Óñèëåíèå äèàïàçîíà Ñ×
-15 – +15 dB
Óñèëåíèå äèàïàçîíà Â×
0 – 127
Âûõîäíîé óðîâåíü
Íîòíûå çíà÷åíèÿ:
fig.MFX-note2.e_88
1/64-ÿ òðèîëü
1/64-ÿ
1/32-ÿ òðèîëü
1/32-ÿ
1/16-ÿ òðèîëü
1/32-ÿ ñ òî÷êîé
1/16-ÿ
1/8-ÿ òðèîëü
1/16-ÿ ñ òî÷êîé
1/8-ÿ
1/4-ÿ òðèîëü
1/8-ÿ ñ òî÷êîé
1/4-ÿ
1/2-ÿ òðèîëü
1/4-ÿ ñ òî÷êîé
1/2-ÿ
Öåëàÿ òðèîëü
1/2-ÿ ñ òî÷êîé
Öåëàÿ
Äâîéíàÿ òðèîëü
Öåëàÿ ñ òî÷êîé
Äâîéíàÿ
Åñëè âðåìÿ çàäåðæêè çàäàíî íîòîé, ïîíèæåíèå òåìïà áóäåò
óâåëè÷èâàòü âðåìÿ çàäåðæêè òîëüêî äî îïðåäåëåííîãî
ïðåäåëà. Ýòî âûçâàíî îãðàíè÷åíèåì ìàêñèìàëüíîãî âðåìåíè ñàìîãî ýôôåêòà çàäåðæêè; ñíèæåíèå òåìïà â êàêîé-òî
ìîìåíò ïðèâåäåò ê äîñòèæåíèþ ýòîãî ïðåäåëà, íà êîòîðîì
âðåìÿ çàäåðæêè çàôèêñèðóåòñÿ. Âåðõíèé ïðåäåë ñîîòâåòñòâóåò ìàêñèìàëüíîìó çíà÷åíèþ, êîòîðîå ìîæíî çàäàòü ïðè
óñòàíîâêå âðåìåíè çàäåðæêè â âèäå ÷èñëîâîãî çíà÷åíèÿ.
Chorus Send è Reverb Send
Ãëóáèíà îáðàáîòêè çâóêà ýôôåêòîì õîðóñà è ðåâåðáåðàöèè ñ ïîìîùüþ ìóëüòèýôôåêòà îïðåäåëÿåòñÿ óñòàíîâêàìè “Cho Send Level” è
“Rev Send Level”.
02: SPECTRUM
Ýòî — ñòåðåî ñïåêòð. Ñïåêòð ïðåäñòàâëÿåò ñîáîé ðàçíîâèäíîñòü
ôèëüòðà, èçìåíÿþùåãî òåìáð çà ñ÷åò óñèëåíèÿ èëè îñëàáëåíèÿ óðîâíÿ îïðåäåëåííûõ ÷àñòîò.
Ïàðàìåòð
Band (250Hz)
Band (1000Hz)
Band (4000Hz)
Level
Çíà÷åíèå
Îïèñàíèå
-15 – +15 dB
Óñèëåíèå êàæäîé èç ÷àñòîòíûõ ïîëîñ
0 – 127
Âûõîäíîé óðîâåíü
03: ISOLATOR
Ýêâàëàéçåð, äîáàâëÿþùèé çâóêó ñïåöèàëüíûå ýôôåêòû çà ñ÷åò çíà÷èòåëüíîãî ñíèæåíèÿ ãðîìêîñòè â ðàçëè÷íûõ äèàïàçîíàõ.
Ïàðàìåòð
Boost/
Cut Low
Boost/
Cut Mid
Boost/
Cut High
Level
Çíà÷åíèå
Îïèñàíèå
-60 – +4 dB
Óñèëåíèå/îñëàáëåíèå äèàïàçîíîâ Â×,
Ñ× è Í×.
Ïðè -60 äÁ ñèãíàë îòñóòñòâóåò, ïðè
0 äÁ óðîâåíü âõîäíîãî ñèãíàëà îñòàåòñÿ íåèçìåííûì.
0 – 127
Âûõîäíîé óðîâåíü
Ñì. “Ðåäàêöèÿ ýôôåêòîâ (MFX/Chorus/Reverb) (Effect Edit)” (ñòð. 61).
04: LOW BOOST
Ïîâûøàåò óðîâåíü íèçêî÷àñòîòíîãî äèàïàçîíà, ôîðìèðóÿ ìîùíûé
áàñîâûé çâóê.
Ïàðàìåòð
Boost Gain
Level
94
Çíà÷åíèå
Îïèñàíèå
0 – +12 dB
Ñòåïåíü óñèëåíèÿ äèàïàçîíà Í×
0 – 127
Âûõîäíîé óðîâåíü
Ñïèñîê ýôôåêòîâ
05: SUPER FILTER
09: HUMANIZER
Ôèëüòð ñ î÷åíü áîëüøîé êðóòèçíîé ñðåçà. Âîçìîæíî èçìåíåíèå ÷àñòîòû ñðåçà ôèëüòðà.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
LPF, BPF, HPF,
NOTCH
Òèï ôèëüòðà
×àñòîòíûé äèàïàçîí, ïðîïóñêàåìûé
ôèëüòðîì
LPF: íèæå ÷àñòîòû ñðåçà
BPF: â îáëàñòè ÷àñòîòû ñðåçà
HPF: âûøå ÷àñòîòû ñðåçà
NOTCH: âñå ÷àñòîòû, êðîìå îáëàñòè
÷àñòîòû ñðåçà
Filter Cutoff
0 – 127
×àñòîòà ñðåçà ôèëüòðà
×åì áîëüøå çíà÷åíèå, òåì âûøå ÷àñòîòà ñðåçà.
Level
0 – 127
Âûõîäíîé óðîâåíü
Filter Type
Äîáàâëÿåò ãëàñíûå çâóêè, ñîçäàþùèå îùóùåíèå ÷åëîâå÷åñêîãî ãîëîñà.
Ïàðàìåòð
Vowel1
Vowel2
Çíà÷åíèå
Rate
0.05 – 10.00 Hz,
íîòà
×àñòîòà ïåðåêëþ÷åíèÿ äâóõ ãëàñíûõ çâóêîâ
Level
0 – 127
Âûõîäíîé óðîâåíü
a, e, i, o, u
a, e, i, o, u
Îïèñàíèå
Âûáèðàåò ãëàñíûé çâóê.
10: SPEAKER SIMULATOR
Èìèòèðóåò òèï àêóñòè÷åñêîé ñèñòåìû.
Ïàðàìåòð
Speaker
Level
06: STEP FILTER
Ôèëüòð ñ ïîøàãîâîé ìîäóëÿöèåé ÷àñòîòû ñðåçà. Ìîæíî çàäàòü ïàòòåðí, îïðåäåëÿþùèé èçìåíåíèå ÷àñòîòû ñðåçà.
Ïàðàìåòð
Filter Type
Çíà÷åíèå
Îïèñàíèå
LPF, BPF, HPF,
NOTCH
Òèï ôèëüòðà
×àñòîòíûé äèàïàçîí, ïðîïóñêàåìûé
ôèëüòðîì
LPF: íèæå ÷àñòîòû ñðåçà
BPF: â îáëàñòè ÷àñòîòû ñðåçà
HPF: âûøå ÷àñòîòû ñðåçà
NOTCH: âñå ÷àñòîòû, êðîìå îáëàñòè
÷àñòîòû ñðåçà
Rate
0.05 – 10.00 Hz,
íîòà
×àñòîòà ìîäóëÿöèè
Level
0 – 127
Âûõîäíîé óðîâåíü
07: ENHANCER
Óïðàâëÿåò ñòðóêòóðîé âûñîêî÷àñòîòíûõ îáåðòîíîâ, ïðèäàâàÿ çâóêó
äîïîëíèòåëüíóþ ÿðêîñòü è ïëîòíîñòü.
Ïàðàìåòð
Low Gain
High Gain
Level
Çíà÷åíèå
Îïèñàíèå
-15 – +15 dB
Óñèëåíèå äèàïàçîíà Í×
-15 – +15 dB
Óñèëåíèå äèàïàçîíà Â×
0 – 127
Âûõîäíîé óðîâåíü
Çíà÷åíèå
Îïèñàíèå
(Ñì. òàáëèöó)
Òèï ãðîìêîãîâîðèòåëÿ
0 – 127
Âûõîäíîé óðîâåíü
Òåõíè÷åñêèå õàðàêòåðèñòèêè àêóñòè÷åñêèõ ñèñòåì
 êîëîíêå "Äèíàìèê" óêàçàí äèàìåòð êàæäîãî èç äèíàìèêîâ (â äþéìàõ), à òàêæå èõ êîëè÷åñòâî.  êîëîíêå "Ìèêðîôîí" èñïîëüçóþòñÿ ñëåäóþùèå ñîêðàùåíèÿ: "Ä" — äèíàìè÷åñêèé, "Ê" — êîíäåíñàòîðíûé.
Òèï
SMALL 1
SMALL 2
MIDDLE
JC-120
BUILT-IN 1
BUILT-IN 2
BUILT-IN 3
BUILT-IN 4
BUILT-IN 5
BG STACK 1
BG STACK 2
MS STACK 1
MS STACK 2
METAL STACK
2-STACK
3-STACK
Êàáèíåò
Äèíàìèê
Ìèêðîôîí
ìàëûé îòêðûòîãî òèïà
10
Ä
ìàëûé îòêðûòîãî òèïà
10
Ä
îòêðûòîãî òèïà
12 x 1
Ä
îòêðûòîãî òèïà
12 x 2
Ä
îòêðûòîãî òèïà
12 x 2
Ä
îòêðûòîãî òèïà
12 x 2
Ê
îòêðûòîãî òèïà
12 x 2
Ê
îòêðûòîãî òèïà
12 x 2
Ê
îòêðûòîãî òèïà
12 x 2
Ê
çàêðûòîãî òèïà
12 x 2
Ê
áîëüøîé çàêðûòîãî òèïà
12 x 2
Ê
áîëüøîé çàêðûòîãî òèïà
12 x 4
Ê
áîëüøîé çàêðûòîãî òèïà
12 x 4
Ê
áîëüøîé äâîéíîé ñòåê
12 x 4
Ê
áîëüøîé äâîéíîé ñòåê
12 x 4
Ê
áîëüøîé òðîéíîé ñòåê
12 x 4
Ê
11: PHASER
08: AUTO WAH
Öèêëè÷íî óïðàâëÿåò ôèëüòðîì äëÿ ñîçäàíèÿ ïåðèîäè÷åñêèõ èçìåíåíèé òåìáðà.
Ïàðàìåòð
Polarity
Level
Çíà÷åíèå
Îïèñàíèå
UP, DOWN
Íàïðàâëåíèå èçìåíåíèÿ ÷àñòîòû ïðè ìîäóëÿöèè ôèëüòðà àâòî-âàó.
UP: Èçìåíåíèÿ ïðîèñõîäÿò â ñòîðîíó
âûñîêèõ ÷àñòîò.
DOWN: Èçìåíåíèÿ ïðîèñõîäÿò â ñòîðîíó íèçêèõ ÷àñòîò.
0 – 127
Çâóê ñî ñìåùåííîé ôàçîé äîáàâëÿåòñÿ ê îðèãèíàëüíîìó ñèãíàëó, è
ðåçóëüòàò ìîäóëèðóåòñÿ.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Mode
4-STAGE, 8-STAGE,
12-STAGE
Êîëè÷åñòâî êàñêàäîâ ôàçåðà
Rate
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè
Mix
0 – 127
Óðîâåíü ñèãíàëà ñî ñìåùåííîé
ôàçîé
Level
0 – 127
Âûõîäíîé óðîâåíü
Âûõîäíîé óðîâåíü
95
Ñïèñîê ýôôåêòîâ
12: STEP PHASER
16:
Ïîñòåïåííî èçìåíÿþùèéñÿ ýôôåêò ôàçåðà.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Mode
4-STAGE, 8-STAGE,
12-STAGE
Êîëè÷åñòâî êàñêàäîâ ôàçåðà
Step Rate
0.10 – 20.00 Hz, íîòà
×àñòîòà ïîøàãîâûõ èçìåíåíèé
ýôôåêòà ôàçåðà
Mix
0 – 127
Óðîâåíü ñèãíàëà ñî ñìåùåííîé
ôàçîé
Level
0 – 127
Âûõîäíîé óðîâåíü
STEP RING MOD
(STEP RING MODULATOR)
Ýòî — êîëüöåâîé ìîäóëÿòîð, êîòîðûé èñïîëüçóåò 16-øàãîâóþ ñåêâåíöèþ äëÿ èçìåíåíèÿ ÷àñòîòû ìîäóëÿöèè.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Rate
0.05 – 10.00 Hz, íîòà
×àñòîòà ñìåíû øàãîâ 16-øàãîâîé
ñåêâåíöèè
Level
0 – 127
Âûõîäíîé óðîâåíü
17: TREMOLO
13: MLT STAGE PHASER
Öèêëè÷åñêè ìîäóëèðóåò ãðîìêîñòü äëÿ äîáàâëåíèÿ ýôôåêòà òðåìîëî.
Èñêëþ÷èòåëüíî âûñîêèå óñòàíîâêè ðàçíîñòè ôàç ñîçäàþò ãëóáîêèé
ýôôåêò ôàçåðà.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Mode
4-STAGE, 8-STAGE,
12-STAGE, 16-STAGE,
20-STAGE, 24-STAGE
Êîëè÷åñòâî êàñêàäîâ ôàçåðà
Rate
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè
Mix
0 – 127
Óðîâåíü ñèãíàëà ñî ñìåùåííîé
ôàçîé
Level
0 – 127
Âûõîäíîé óðîâåíü
Ïàðàìåòð
Mod Wave
Rate
Level
Çíà÷åíèå
Îïèñàíèå
TRI, SQR, SIN, SAW1,
SAW2
Ôîðìà âîëíû ìîäóëÿöèè
TRI: òðåóãîëüíàÿ
SQR: ïðÿìîóãîëüíàÿ
SIN: ñèíóñîèäàëüíàÿ
SAW1/2: ïèëîîáðàçíàÿ
SAW1
SAW2
0.05 – 10.00 Hz, íîòà
×àñòîòà èçìåíåíèé
0 – 127
Âûõîäíîé óðîâåíü
14: INFINITE PHASER
Ôàçåð ñ ïîñòîÿííûì ïîâûøåíèåì/ïîíèæåíèåì ÷àñòîòû, ñ êîòîðîé
ìîäóëèðóåòñÿ çâóê.
18: AUTO PAN
Öèêëè÷åñêè ìîäóëèðóåò ïîëîæåíèå çâóêà â ñòåðåîïîëå.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Mode
1, 2, 3, 4
×åì âûøå çíà÷åíèå, òåì ãëóáæå
ýôôåêò ôàçåðà.
Speed
-100 – +100
Ñêîðîñòü ïîâûøåíèÿ èëè ïîíèæåíèÿ ÷àñòîòû ìîäóëÿöèè çâóêà
(+: ââåðõ/ -: âíèç)
Level
0 – 127
Âûõîäíîé óðîâåíü
Ïàðàìåòð
Mod Wave
Çíà÷åíèå
Îïèñàíèå
TRI, SQR, SIN, SAW1,
SAW2
Ôîðìà âîëíû ìîäóëÿöèè
TRI: òðåóãîëüíàÿ
SQR: ïðÿìîóãîëüíàÿ
SIN: ñèíóñîèäàëüíàÿ
SAW1/2: ïèëîîáðàçíàÿ
SAW1
R
SAW2
R
L
L
15: RING MODULATOR
Ýôôåêò àìïëèòóäíîé ìîäóëÿöèè âõîäíîãî ñèãíàëà, îáðàçóþùèé êîëîêîëüíûé çâóê. Ìîæíî ìåíÿòü ÷àñòîòó ìîäóëÿöèè ñîãëàñíî èçìåíåíèÿì ãðîìêîñòè çâóêà, ïîäàâàåìîãî íà ýôôåêò.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Frequency
0 – 127
×àñòîòà, íà êîòîðîé ïðîèñõîäèò ìîäóëÿöèÿ.
Level
0 – 127
Âûõîäíîé óðîâåíü
96
Rate
Level
0.05 – 10.00 Hz, íîòà
×àñòîòà èçìåíåíèé
0 – 127
Âûõîäíîé óðîâåíü
Ñïèñîê ýôôåêòîâ
19: STEP PAN
23: CHORUS
Èñïîëüçóåò 16-øàãîâóþ ñåêâåíöèþ äëÿ èçìåíåíèÿ ïîëîæåíèÿ çâóêà â
ñòåðåîïîëå.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Rate
0.05 – 10.00 Hz, íîòà
×àñòîòà ñìåíû øàãîâ 16-øàãîâîé
ñåêâåíöèè
Level
0 – 127
Âûõîäíîé óðîâåíü
Ýòî — ñòåðåîõîðóñ.
Ïàðàìåòð
Rate
Depth
Level
Çíà÷åíèå
Îïèñàíèå
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè
0 – 127
Ãëóáèíà ìîäóëÿöèè
0 – 127
Âûõîäíîé óðîâåíü
24: FLANGER
20: SLICER
"Íàðåçàåò" çâóê è ïðåâðàùàåò åãî â àêêîìïàíåìåíò. Îñîáåííî ýôôåêòèâåí ïðè ïðèìåíåíèè ê äëèòåëüíûì çâóêàì.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Rate
0.05 – 10.00 Hz,
íîòà
×àñòîòà ñìåíû øàãîâ 16-øàãîâîé ñåêâåíöèè
Level
0 – 127
Âûõîäíîé óðîâåíü
21: ROTARY
Ýòî — ñòåðåîôëýíæåð. LFO èìååò îäèíàêîâóþ ôàçó äëÿ ïðàâîãî è ëåâîãî êàíàëîâ. Ýôôåêò ôîðìèðóåò ìåíÿþùèéñÿ ìåòàëëè÷åñêèé ðåçîíàíñ, íàïîìèíàþùèé çâóê ðåàêòèâíîãî ñàìîëåòà. Ôèëüòð ïîçâîëÿåò
ðåãóëèðîâàòü òåìáð çâóêà ôëýíæåðà.
Ïàðàìåòð
Rate
Depth
Level
Çíà÷åíèå
Îïèñàíèå
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè
0 – 127
Ãëóáèíà ìîäóëÿöèè
0 – 127
Âûõîäíîé óðîâåíü
25: STEP FLANGER
Ýòîò ýôôåêò èìèòèðóåò çâóê âðàùàþùèõñÿ äèíàìèêîâ, êîòîðûå ÷àñòî
èñïîëüçîâàëîñü â ðàííèõ ìîäåëÿõ ýëåêòðîîðãàíîâ.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Speed
SLOW, FAST
Îäíîâðåìåííî ïåðåêëþ÷àåò ÷àñòîòó âðàùåíèÿ ðîòîðîâ Í× è Â×.
SLOW: Çàìåäëÿåò âðàùåíèå
FAST: Óñêîðÿåò âðàùåíèå
Slow Speed
Fast Speed
Level
0.05 – 10.00 Hz
Íèçêàÿ ñêîðîñòü (SLOW) âðàùåíèÿ
0.05 – 10.00 Hz
Âûñîêàÿ ñêîðîñòü (FAST) âðàùåíèÿ
0 – 127
Âûõîäíîé óðîâåíü
Ôëýíæåð ñ ïîøàãîâûì èçìåíåíèåì âûñîòû. ×àñòîòó èçìåíåíèÿ âûñîòû ìîæíî óñòàíàâëèâàòü â íîòíûõ çíà÷åíèÿõ îò çàäàííîãî òåìïà.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Step Rate
0.10 – 20.00 Hz, íîòà
×àñòîòà (ïåðèîä) èçìåíåíèÿ âûñîòû
Level
0 – 127
Âûõîäíîé óðîâåíü
26: HEXA-CHORUS
Èñïîëüçóåò 6-ôàçíûé õîðóñ (øåñòü ñëîåâ îáðàáîòàííîãî õîðóñîì
çâóêà), óâåëè÷èâàþùèé áîãàòñòâî è ïðîñòðàíñòâåííîñòü çâóêà.
22: VK ROTARY
Ýòîò ýôôåêò ôîðìèðóåò èçìåíÿåìóþ àìïëèòóäíî-÷àñòîòíóþ õàðàêòåðèñòèêó âðàùàþùåãîñÿ äèíàìèêà ñ ïîä÷åðêíóòûìè áàñàìè.
Ýôôåêò èìååò òå æå õàðàêòåðèñòèêè, ÷òî è âñòðîåííûé âðàùàþùèéñÿ äèíàìèê â VK7.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Speed
SLOW, FAST
Îäíîâðåìåííî ïåðåêëþ÷àåò ÷àñòîòó âðàùåíèÿ ðîòîðîâ Í× è Â×.
SLOW: Çàìåäëÿåò âðàùåíèå
FAST: Óñêîðÿåò âðàùåíèå
Slow Speed
Fast Speed
Level
0.05 – 10.00 Hz
Íèçêàÿ ñêîðîñòü (SLOW) âðàùåíèÿ
0.05 – 10.00 Hz
Âûñîêàÿ ñêîðîñòü (FAST) âðàùåíèÿ
0 – 127
Âûõîäíîé óðîâåíü
Ïàðàìåòð
Rate
Depth
Level
Çíà÷åíèå
Îïèñàíèå
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè
0 – 127
Ãëóáèíà ìîäóëÿöèè
0 – 127
Âûõîäíîé óðîâåíü
27: TREMOLO CHORUS
Ýôôåêò õîðóñà ñ äîáàâëåííûì òðåìîëî (öèêëè÷åñêàÿ ìîäóëÿöèÿ
ãðîìêîñòè).
Ïàðàìåòð
Tremolo Rate
Level
Çíà÷åíèå
Îïèñàíèå
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè òðåìîëî
0 – 127
Âûõîäíîé óðîâåíü
97
Ñïèñîê ýôôåêòîâ
28: SPACE-D
33: 2 BAND FLANGER
Ñîñòàâíîé õîðóñ, èñïîëüçóþùèé äâóõôàçíóþ ìîäóëÿöèþ â ñòåðåî. Íå
äàåò ýôôåêòà ìîäóëÿöèè, íî ôîðìèðóåò ïðîçðà÷íûé ýôôåêò õîðóñà.
Ïàðàìåòð
Rate
Depth
Level
Ýôôåêò ôëýíæåðà ñ íåçàâèñèìûìè äèàïàçîíàìè íèçêèõ è âûñîêèõ
÷àñòîò.
Çíà÷åíèå
Îïèñàíèå
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè
Low Rate
0.05 – 10.00 Hz, íîòà
0 – 127
Ãëóáèíà ìîäóëÿöèè
×àñòîòà ìîäóëÿöèè íèçêî÷àñòîòíîãî çâóêà ôëýíæåðà
0 – 127
Âûõîäíîé óðîâåíü
High Rate
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè âûñîêî÷àñòîòíîãî çâóêà ôëýíæåðà
Depth
0 – 127
Ãëóáèíà ìîäóëÿöèè çâóêà ôëýíæåðà
Level
0 – 127
Âûõîäíîé óðîâåíü
29: 3D CHORUS
Äîáàâëÿåò çâóêó õîðóñà ýôôåêò 3D. Çâóê õîðóñà áóäåò ïîçèöèîíèðîâàòüñÿ íà 90 ãðàäóñîâ âëåâî è íà 90 ãðàäóñîâ âïðàâî.
34: 2BAND STEP FLANGR
Çíà÷åíèå
Îïèñàíèå
Ýôôåêò ïîøàãîâîãî ôëýíæåðà ñ íåçàâèñèìûìè äèàïàçîíàìè íèçêèõ
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè
è âûñîêèõ ÷àñòîò.
Depth
0 – 127
Ãëóáèíà ìîäóëÿöèè ýôôåêòà õîðóñà
Level
0 – 127
Âûõîäíîé óðîâåíü
Ïàðàìåòð
Rate
30: 3D FLANGER
Äîáàâëÿåò çâóêó ôëýíæåðà ýôôåêò 3D. Çâóê ôëýíæåðà áóäåò ïîçèöèîíèðîâàòüñÿ íà 90 ãðàäóñîâ âëåâî è íà 90 ãðàäóñîâ âïðàâî.
Ïàðàìåòð
Rate
Depth
Level
Çíà÷åíèå
Îïèñàíèå
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè
0 – 127
Ãëóáèíà ìîäóëÿöèè
0 – 127
Âûõîäíîé óðîâåíü
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Lo Stp Rate
0.10 – 20.00 Hz, íîòà
×àñòîòà ñìåíû øàãîâ äëÿ íèçêî÷àñòîòíîãî çâóêà ôëýíæåðà
Hi Stp Rate
0.10 – 20.00 Hz, íîòà
×àñòîòà ñìåíû øàãîâ äëÿ âûñîêî÷àñòîòíîãî çâóêà ôëýíæåðà
Level
0 – 127
Âûõîäíîé óðîâåíü
35: OVERDRIVE
Ñîçäàåò ìÿãêèå èñêàæåíèÿ, àíàëîãè÷íûå ïðîèçâîäèìûì ëàìïîâûìè
óñèëèòåëÿìè.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Amp Type
SMALL, BUILT-IN,
2-STACK, 3-STACK
Òèï ãèòàðíîãî óñèëèòåëÿ
SMALL: ìàëûé óñèëèòåëü
BUILT-IN: îäèíàðíûé óñèëèòåëü
2-STACK: áîëüøîé ñòåê èç
äâóõ óñèëèòåëåé
3-STACK: áîëüøîé ñòåê èç
òðåõ óñèëèòåëåé
31: 3D STEP FLANGER
Äîáàâëÿåò çâóêó ïîøàãîâîãî ôëýíæåðà ýôôåêò 3D. Çâóê ôëýíæåðà áóäåò ïîçèöèîíèðîâàòüñÿ íà 90 ãðàäóñîâ âëåâî è íà 90 ãðàäóñîâ âïðàâî.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Drive
0 – 127
Ñòåïåíü èñêàæåíèé
Òàêæå èçìåíÿåò ãðîìêîñòü.
Step Rate
0.10 – 20.00 Hz, íîòà
×àñòîòà (ïåðèîä) èçìåíåíèÿ âûñîòû
Level
0 – 127
Âûõîäíîé óðîâåíü
Level
0 – 127
Âûõîäíîé óðîâåíü
36: DISTORTION
32: 2 BAND CHORUS
Ýôôåêò õîðóñà ñ íåçàâèñèìûìè äèàïàçîíàìè íèçêèõ è âûñîêèõ ÷àñòîò.
Ñîçäàåò áîëåå ÿðêî âûðàæåííûå èñêàæåíèÿ ïî ñðàâíåíèþ ñ îâåðäðàéâîì.
Ïàðàìåòð
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Low Rate
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè íèçêî÷àñòîòíîãî çâóêà õîðóñà
High Rate
0.05 – 10.00 Hz, íîòà
×àñòîòà ìîäóëÿöèè âûñîêî÷àñòîòíîãî çâóêà õîðóñà
Depth
0 – 127
Ãëóáèíà ìîäóëÿöèè çâóêà õîðóñà
Level
0 – 127
Âûõîäíîé óðîâåíü
98
Çíà÷åíèå
Îïèñàíèå
Amp Type
SMALL, BUILT-IN,
2-STACK, 3-STACK
Òèï ãèòàðíîãî óñèëèòåëÿ
SMALL: ìàëûé óñèëèòåëü
BUILT-IN: îäèíàðíûé óñèëèòåëü
2-STACK: áîëüøîé ñòåê èç
äâóõ óñèëèòåëåé
3-STACK: áîëüøîé ñòåê èç
òðåõ óñèëèòåëåé
Drive
0 – 127
Ñòåïåíü èñêàæåíèé
Òàêæå èçìåíÿåò ãðîìêîñòü.
Level
0 – 127
Âûõîäíîé óðîâåíü
Ñïèñîê ýôôåêòîâ
37: VS OVERDRIVE
41: LIMITER
Îâåðäðàéâ, ñîçäàþùèé òÿæåëûå èñêàæåíèÿ.
Ïàðàìåòð
Çíà÷åíèå
Îïèñàíèå
Amp Type
SMALL, BUILT-IN,
2-STACK, 3-STACK
Òèï ãèòàðíîãî óñèëèòåëÿ
SMALL: ìàëûé óñèëèòåëü
BUILT-IN: îäèíàðíûé óñèëèòåëü
2-STACK: áîëüøîé ñòåê èç äâóõ
óñèëèòåëåé
3-STACK: áîëüøîé ñòåê èç òðåõ
óñèëèòåëåé
Drive
0 – 127
Ñòåïåíü èñêàæåíèé
Òàêæå èçìåíÿåò ãðîìêîñòü.
Level
0 – 127
Âûõîäíîé óðîâåíü
Äèñòîðøí, ñîçäàþùèé òÿæåëûå èñêàæåíèÿ.
Çíà÷åíèå
Îïèñàíèå
SMALL, BUILT-IN,
2-STACK, 3-STACK
Òèï ãèòàðíîãî óñèëèòåëÿ
SMALL: ìàëûé óñèëèòåëü
BUILT-IN: îäèíàðíûé óñèëèòåëü
2-STACK: áîëüøîé ñòåê èç äâóõ
óñèëèòåëåé
3-STACK: áîëüøîé ñòåê èç òðåõ
óñèëèòåëåé
Drive
0 – 127
Ñòåïåí&uum