Roland f-110 Owner's manual

Roland f-110 Owner's manual
Ðóêîâîäñòâî
ïîëüçîâàòåëÿ
Äëÿ ñòðàí Åâðîïû
Äàííîå èçäåëèå ñîîòâåòñòâóåò òðåáîâàíèÿì äèðåêòèâû EMC îò 2004/108/EC.
Âîçìîæíîñòè
Èãðà íà ôîðòåïèàíî
ñòð. 24
Èãðà ðàçëè÷íûìè òåìáðàìè
F-110 ñîäåðæèò áîëåå 300 òåìáðîâ äëÿ ðàçëè÷íûõ ñòèëåé èãðû.
Íàñòðîéêà æåñòêîñòè êëàâèàòóðû
ñòð. 24
Ìîæíî âûáðàòü ÷óâñòâèòåëüíîñòü êëàâèàòóðû ïîä êîíêðåòíîãî èñïîëíèòåëÿ.
Òðàíñïîíèðîâàíèå êëàâèàòóðû
ñòð. 26
С помощью функции “Transpose” можно транспонировать клавиатуру, à òàêæå èçìåíèòü ñòðîé äëÿ èãðû â ñòèëå Baroque è äðóãèõ êëàññè÷åñêèõ èñòîðè÷åñêè ñëîæèâøèõñÿ ñòèëÿõ ñ êîððåêòíîé íàñòðîéêîé íîò.
ñòð. 50
Èãðà "â ÷åòûðå ðóêè"
Ìîæíî ðàçäåëèòü êëàâèàòóðó íà ëåâóþ è ïðàâóþ ñåêöèè è íåçàâèñèìî
èãðàòü â íèõ, êàê íà äâóõ èíñòðóìåíòàõ.
ñòð. 30
Èñïîëüçîâàíèå ìåòðîíîìà
Äîñòóïíî èñïîëíåíèå ïîä ìåòðîíîì.
Óïðàâëåíèå çâóêîì
Управление глубиной звука
ñòð. 45
Ìîæíî óñèëèòü åñòåñòâåííûé ðåçîíàíñ è ïðîñòðàíñòâåííîñòü çâóêà,
присущие роялю.
"Îæèâëåíèå" çâóêà
ñòð. 47
Ìîæíî ïðèäàòü çâóêó áîëüøóþ ïðîçðà÷íîñòü è åñòåñòâåííîñòü.
Îáðàáîòêà çâóêà ðåâåðáåðàöèåé
ñòð. 25
Äîñòóïíà îáðàáîòêà çâóêà ðåâåðáåðàöèåé, èìèòèðóþùåé ïðîñòðàíñòâåííûå
õàðàêòåðèñòèêè êîíöåðòíîãî çàëà.
3
Âîñïðîèçâåäåíèå ïüåñ
Âîñïðîèçâåäåíèå âñòðîåííûõ ïüåñ
ñòð. 32
F-110 ñîäåðæèò 65 ôîðòåïèàííûõ ïüåñ.
Èõ ñïèñîê ïðèâåäåí â êîíöå ðóêîâîäñòâà.
Ðàçäåëüíîå âîñïðîèçâåäåíèå ïàðòèé
ñòð. 33
Ìîæíî âûáðàòü режим, в котором ïàðòèè ïðàâîé или левой ðóêè, либо
àêêîìïàíåìåíòà воспроизводятся автоматически, а другая партия
играется самостоятельно.
Çàïèñü
ñòð. 36
Çàïèñü ñâîåãî èñïîëíåíèÿ
Îáëåã÷åííûé ïðîöåññ çàïèñè ïîçâîëÿåò ïîñòîÿííî óñîâåðøåíñòâîâàòü
ñâîå èñïîëíåíèå. Òàêæå äîñòóïíà íåçàâèñèìàÿ çàïèñü ïàðòèè êàæäîé ðóêè.
Ñîõðàíåíèå çàïèñàííîãî èñïîëíåíèÿ
ñòð. 41
Çàïèñàííûå ïüåñû ìîæíî ñîõðàíèòü â ïàìÿòü èíñòðóìåíòà.
Äîïîëíèòåëüíûå ôóíêöèè
Áëîêèðîâêà êíîïîê ïàíåëè
ñòð. 61
Ñ ïîìîùüþ ôóíêöèè Panel Lock ìîæíî áëîêèðîâàòü êíîïêè ïàíåëè.
Ýòî ïðåäîòâðàùàåò ñëó÷àéíîå èçìåíåíèå óñòàíîâîê â ïðîöåññå èñïîëíåíèÿ.
4
Ââåäåíèå
Áëàãîäàðèì çà âûáîð F-110 è ïîçäðàâëÿåì ñ ïðåêðàñíûì ïðèîáðåòåíèåì. ×òîáû îñâîèòü âñå âîçìîæíîñòè
èíñòðóìåíòà ðåêîìåíäóåì ïîëíîñòüþ è âíèìàòåëüíî ïðî÷åñòü äàííîå ðóêîâîäñòâî ïîëüçîâàòåëÿ.
Î ðóêîâîäñòâå ïîëüçîâàòåëÿ
Ïðåæäå âñåãî íåîáõîäèìî ïðî÷èòàòü ðàçäåë “Ïåðåä íà÷àëîì ðàáîòû” (ñòð. 19) äàííîãî ðóêîâîäñòâà, ãäå
îïèñàíà ïðîöåäóðà ïîäêëþ÷åíèÿ ñåòåâîãî àäàïòåðà è âêëþ÷åíèÿ ïèòàíèÿ èíñòðóìåíòà.
 ðóêîâîäñòâå ïîëüçîâàòåëÿ îïèñûâàþòñÿ êàê îñíîâíûå ôóíêöèè F-110, òàê è åãî äîïîëíèòåëüíûå
âîçìîæíîñòè, íàïðèìåð, çàïèñü ñîáñòâåííûõ ïüåñ.
Óñëîâíûå îáîçíà÷åíèÿ
Äëÿ ïðîñòîòû èçëîæåíèÿ ìàòåðèàëà â ðóêîâîäñòâå èñïîëüçóþòñÿ ñëåäóþùèå óñëîâíûå îáîçíà÷åíèÿ.
•  êâàäðàòíûå ñêîáêè [ ] çàêëþ÷åíû íàçâàíèÿ êíîïîê èëè ðåãóëÿòîðîâ, íàïðèìåð, êíîïêà [Piano].
• Ñòðîêè, íà÷èíàþùèåñÿ ñ
èëè çâåçäî÷êè (*), äîëæíû áûòü îáÿçàòåëüíî ïðî÷èòàíû.
• Íîìåðà ñòðàíèö, íà êîòîðûõ ðàçìåùåíà äîïîëíèòåëüíàÿ èíôîðìàöèÿ, îáîçíà÷àþòñÿ: (ñòð. **).
•  äàííîì ðóêîâîäñòâå ïðèâåäåíû ïðèìåðû ýêðàíîâ äèñïëåÿ. Îäíàêî, ñëåäóåò ó÷èòûâàòü, ÷òî â êîíêðåòíûé
èíñòðóìåíò ìîæåò áûòü óñòàíîâëåíà íîâàÿ âåðñèÿ îïåðàöèîííîé ñèñòåìû (íàïðèìåð, âêëþ÷àþùàÿ â ñåáÿ
îáíîâëåííûå çâóêè). Â ñâÿçè ñ ýòèì èçîáðàæåíèå íà äèñïëåå ìîæåò íå âñåãäà ñîâïàäàòü ñ òåì, êîòîðîå
ïðåäñòàâëåíî â äàííîì ðóêîâîäñòâå.
F-110 ÿâëÿåòñÿ ñòèëüíûì, îáëåã÷åííûì è êîìïàêòíûì öèôðîâûì ôîðòåïèàíî. Ïîýòîìó èçáåãàéòå óñòàíîâêè
èíñòðóìåíòà íà íåóñòîé÷èâóþ ïîâåðõíîñòü, à òàêæå íàõîæäåíèÿ ðÿäîì ñ íèì ïîñòîðîííèõ ëþäåé.
Ïðåæäå ÷åì ïðèñòóïèòü ê ðàáîòå, âíèìàòåëüíî îçíàêîìüòåñü ñ èíôîðìàöèåé, ïðèâåäåííîé â ðàçäåëàõ "Òåõíèêà áåçîïàñíîñòè" è "Âàæíûå çàìå÷àíèÿ". Òàì ñîäåðæàòñÿ âàæíûå ñâåäåíèÿ, êàñàþùèåñÿ
ïðàâèëüíîé ýêñïëóàòàöèè óñòðîéñòâà. Äëÿ òîãî, ÷òîáû ìàêñèìàëüíî ýôôåêòèâíî èñïîëüçîâàòü âñå
ôóíêöèîíàëüíûå âîçìîæíîñòè ïðèáîðà, âíèìàòåëüíî ïðî÷òèòå äàííîå ðóêîâîäñòâî öåëèêîì. Ñîõðàíèòå ðóêîâîäñòâî, îíî ìîæåò ïðèãîäèòüñÿ â äàëüíåéøåì.
Copyright © 2009 ROLAND CORPORATION
Âñå ïðàâà çàùèùåíû. Âîñïðîèçâåäåíèå äàííîãî ìàòåðèàëà, ïîëíîå èëè
÷àñòè÷íîå, áåç ïèñüìåííîãî ðàçðåøåíèÿ ROLAND CORPORATION çàïðåùåíî.
5
Ââåäåíèå
Îñíîâíûå âîçìîæíîñòè
Çâóêè ôîðòåïèàíî ñ íàñûùåííûì ðåçîíàíñîì è áîãàòîé ýêñïðåññèåé
Èíñòðóìåíò îñíàùåí çâóêîâûì ãåíåðàòîðîì, èñïîëüçóþùèì ñòåðåîôîíè÷åñêèå ñýìïëû, è ïîçâîëÿþùèì
âîññîçäàâàòü ðåàëèñòè÷íîå çâó÷àíèå êîíöåðòíîãî ðîÿëÿ ñ ìàêñèìàëüíîé òî÷íîé ïåðåäà÷åé âñåõ íþàíñîâ – â
òîì ÷èñëå ïðèçâóêà óäàðîâ ìîëîòî÷êîâ î ñòðóíû. Ìàêñèìàëüíàÿ ïîëèôîíèÿ 128 íîò îáåñïå÷èâàåò
ïîëíîöåííîå çâó÷àíèå äàæå ïðè èíòåíñèâíîì èñïîëüçîâàíèè ïåäàëåé.
Êðîìå ôîðòåïèàííûõ çâóêîâ F-110 ïðåäëàãàåò íàáîð òåìáðîâ ñàìûõ ðàçëè÷íûõ èíñòðóìåíòîâ. Áîëåå òîãî,
êëàâèàòóðó èíñòðóìåíòà ìîæíî èñïîëüçîâàòü äëÿ èãðû çâóêàìè óäàðíûõ èíñòðóìåíòîâ.
Îùóùåíèå èãðû íà ðîÿëå
F-110 îñíàùåí êëàâèàòóðîé ñ ìîëîòî÷êîâûì ìåõàíèçìîì PHA alpha II, êîòîðûé â òî÷íîñòè âîñïðîèçâîäèò
ðàáîòó ðîÿëüíîé êëàâèàòóðû, óòÿæåëåííîé â íèæíåì äèàïàçîíå è îáëåã÷åííîé â âûñîêîì.
Ïåäàëü ïîçâîëÿåò óïðàâëÿòü ãëóáèíîé ýôôåêòà. Ïîëüçóÿñü ýòîé ôóíêöèåé, ìîæíî äîñòè÷ü èñêëþ÷èòåëüíîãî
ðàçíîîáðàçèÿ â çâó÷àíèè èíñòðóìåíòà.
Êîìïàêòíûé äèçàéí
Ãëóáèíà êîðïóñà, âñåãî 34 ñì, ïîçâîëÿåò ðàçìåùàòü F-110 ïðàêòè÷åñêè â ëþáîì ìåñòå, äîñòóïíû ÷åðíûé è
áåëûé âàðèàíòû èñïîëíåíèÿ. Âûäâèæíàÿ êðûøêà ïðåäîõðàíÿåò êëàâèàòóðó îò ïîâðåæäåíèé, à ïðè èãðå òàêæå
ñëóæèò íîòíûì ïþïèòðîì.
Ôóíêöèîíàëüíàÿ ãèáêîñòü öèôðîâîãî ôîðòåïèàíî
Âîññîçäàíèå ðåâåðáåðàöèè êîíöåðòíîãî çàëà
Êðîìå âûñîêîêà÷åñòâåííîãî ýôôåêòà ðåâåðáåðàöèè, F-110 èìååò ôóíêöèþ 3D Sound Control, êîòîðàÿ
èìèòèðóåò ïðîñòðàíñòâåííîñòü çâó÷àíèÿ êîíöåðòíîãî ðîÿëÿ; à òàêæå ôóíêöèþ Dynamics Sound Control,
îáåñïå÷èâàþùóþ áîëåå ìîùíûé ôîðòåïèàííûé çâóê. Àêóñòè÷åñêèé ýôôåêò ðåâåðáåðàöèè çàëà ñîõðàíÿåòñÿ è
ïðè ðàáîòå â íàóøíèêàõ.
Óäîáíûå äëÿ çàíÿòèé ôóíêöèè è âñòðîåííûå ôîðòåïèàííûå ïüåñû ñ àêêîìïàíåìåíòîì
Ìåòðîíîì, 3-òðåêîâûé ñåêâåíñåð è âñòðîåííûå ôîðòåïèàííûå ïüåñû ñ îðêåñòðîâûì àêêîìïàíåìåíòîì
ñäåëàþò çàíÿòèÿ ìàêñèìàëüíî ýôôåêòèâíûìè.
Çàïèñü è ñîõðàíåíèå ìàòåðèàëà
Äàííûå, çàïèñàííûå â ñåêâåíñåð, ìîæíî ñîõðàíèòü âî âíóòðåííþþ ïàìÿòü F-110.
6
Ââåäåíèå
General MIDI
Ñòàíäàðò General MIDI ïðèçâàí ðàñøèðèòü âîçìîæíîñòè ñîãëàñîâàííîé ðàáîòû ïî MIDI èíñòðóìåíòîâ ðàçëè÷íûõ
ïðîèçâîäèòåëåé. Èíñòðóìåíòû è ìóçûêàëüíûå ôàéëû, óäîâëåòâîðÿþùèå ýòîìó ñòàíäàðòó, äîëæíû èìåòü ñîîòâåòñòâóþùèé
ëîãîòèï. Ïðè âîñïðîèçâåäåíèè íà ðàçëè÷íûõ èíñòðóìåíòàõ, ñîâìåñòèìûõ ñ General MIDI, ìóçûêàëüíûõ ôàéëîâ, êîòîðûå
ïîääåðæèâàþò ñòàíäàðò General MIDI, ïîëó÷àåòñÿ îòíîñèòåëüíî ñõîæåå çâó÷àíèå.
General MIDI 2
General MIDI 2 – äàëüíåéøåå ðàçâèòèå ñòàíäàðòà General MIDI. Ýòîò ôîðìàò ïðåäóñìàòðèâàåò áîëåå ãèáêèå âîçìîæíîñòè.
Ñòàíäàðò General MIDI íå ñîäåðæàë ðåêîìåíäàöèé îòíîñèòåëüíî ïðîöåäóð ðåäàêòèðîâàíèÿ çâóêîâ è óïðàâëåíèÿ
ýôôåêòàìè. Êðîìå òîãî, ðàñøèðåí äèàïàçîí èñïîëüçóåìûõ òåìáðîâ. Ãåíåðàòîðû çâóêà, ïîääåðæèâàþùèå ôîðìàò General
MIDI 2, àäåêâàòíî âîñïðîèçâîäÿò ìóçûêàëüíûå ôàéëû ôîðìàòîâ General MIDI è General MIDI 2.
 íåêîòîðûõ ñëó÷àÿõ ñòàíäàðò General MIDI íàçûâàþò General MIDI 1, ÷òîáû ÿâíî äèôôåðåíöèðîâàòü åãî îò ñòàíäàðòà
General MIDI 2.
GS Format
Ôîðìàò GS – íàáîð ñïåöèôèêàöèé êîìïàíèè Roland, ñòàíäàðòèçèðóþùèõ ãåíåðàòîðû çâóêà. Îí âêëþ÷àåò â ñåáÿ âñå
ñïåöèôèêàöèè ñòàíäàðòîâ General MIDI è ðàñøèðÿåò èõ çà ñ÷åò âîçìîæíîñòè èñïîëüçîâàíèÿ áîëåå áîãàòîé ïàëèòðû çâóêîâ
è áîëåå ìîùíîé ñèñòåìû èõ ðåäàêòèðîâàíèÿ, âêëþ÷àþùåé ðàçëè÷íûå äîïîëíèòåëüíûå îïöèè, íàïðèìåð, ýôôåêòû
ðåâåðáåðàöèè è õîðóñà. Ôîðìàò GS ðàçðàáàòûâàëñÿ ñ ó÷åòîì äàëüíåéøåãî ðàçâèòèÿ è ïðåäóñìàòðèâàåò âîçìîæíîñòü
ðàñøèðåíèÿ äîïóñòèìûõ çâóêîâ. Ôîðìàò GS âêëþ÷àåò â ñåáÿ ôîðìàòû General MIDI 1 è 2.
XGlite
XG lite – íàáîð ñïåöèôèêàöèé êîìïàíèè YAMAHA Corporation, êîòîðûé ðàñøèðÿåò ôîðìàò General MIDI 1
äîïîëíèòåëüíûìè çâóêàìè è ôóíêöèÿìè ðåäàêòèðîâàíèÿ. Îí ÿâëÿåòñÿ îáëåã÷åííîé âåðñèåé ñòàíäàðòà XG. Ìóçûêàëüíûå
ôàéëû ôîðìàòà XG ìîæíî âîñïðîèçâîäèòü íà àïïàðàòóðå êëàññà XG lite. Îäíàêî íàäî ïîíèìàòü, ÷òî íåêîòîðûå èç íèõ
ìîãóò âîñïðîèçâîäèòüñÿ íåêîððåêòíî, ïîñêîëüêó ïðåäóñìàòðèâàþò ðàáîòó ñ ìåíüøèì êîëè÷åñòâîì ïàðàìåòðîâ è
ýôôåêòîâ.
7
Ñîäåðæàíèå
Ââåäåíèå........................................................................................ 5
Îñíîâíûå âîçìîæíîñòè ....................................................................................................................................................................... 5
Óñëîâíûå îáîçíà÷åíèÿ........................................................................................................................................................ 5
Îñíîâíûå âîçìîæíîñòè ....................................................................................................................................................................... 6
Òåõíèêà áåçîïàñíîñòè ............................................................... 11
Âàæíûå çàìå÷àíèÿ .................................................................... 14
Îïèñàíèå ïàíåëåé...................................................................... 16
Ëèöåâàÿ ïàíåëü ......................................................................................................................................................................................16
Òûëüíàÿ ïàíåëü ......................................................................................................................................................................................17
Íèæíÿÿ ïàíåëü (ñïåðåäè ñëåâà)......................................................................................................................................................18
Ïåðåä íà÷àëîì ðàáîòû ............................................................. 19
Ïîäãîòîâêà ê ðàáîòå.............................................................................................................................................................................19
Ïîäêëþ÷åíèå øíóðà ïåäàëåé.........................................................................................................................................19
Ïîäêëþ÷åíèå ñåòåâîãî àäàïòåðà..................................................................................................................................19
Îòêðûòèå/çàêðûòèå êðûøêè ...........................................................................................................................................20
Âêëþ÷åíèå/îòêëþ÷åíèå ïèòàíèÿ ...................................................................................................................................................21
Ðåãóëèðîâêà ãðîìêîñòè ......................................................................................................................................................................21
Ïåäàëè.........................................................................................................................................................................................................22
Èñïîëüçîâàíèå íàóøíèêîâ...............................................................................................................................................................22
Èñïîëüçîâàíèå äåðæàòåëÿ íàóøíèêîâ ......................................................................................................................23
Èñïîëíåíèå ................................................................................. 24
Èñïîëíåíèå ðàçëè÷íûìè çâóêàìè.................................................................................................................................................24
Íàñòðîéêà ÷óâñòâèòåëüíîñòè êëàâèàòóðû (Key Touch).........................................................................................................24
Äîáàâëåíèå ê çâóêàì ðåâåðáåðàöèè (Reverb Effect)..............................................................................................................25
Èçìåíåíèå ãëóáèíû ýôôåêòà ðåâåðáåðàöèè ..........................................................................................................25
Èçìåíåíèå âûñîòû êëàâèàòóðû (Transpose)..............................................................................................................................26
Èñïîëíåíèå ñ íàëîæåíèåì äâóõ òåìáðîâ (Dual Play)............................................................................................................27
Èçìåíåíèå âàðèàöèè òåìáðà..........................................................................................................................................27
Èãðà ñ èñïîëüçîâàíèåì ðàçëè÷íûõ òåìáðîâ â ëåâîé è ïðàâîé ñåêöèÿõ êëàâèàòóðû (Split Play).....................28
Ïåðåêëþ÷åíèå ãðóïï è âàðèàöèé òåìáðîâ ..............................................................................................................28
Ñìåíà òî÷êè ðàçäåëà êëàâèàòóðû.................................................................................................................................29
Èñïîëüçîâàíèå ìåòðîíîìà...............................................................................................................................................................30
Ñìåíà òåìïà ............................................................................................................................................................................30
Èçìåíåíèå ðàçìåðà.............................................................................................................................................................30
Óñòàíîâêà ãðîìêîñòè ìåòðîíîìà..................................................................................................................................31
Îòñ÷åò òàêòîâ ïåðåä íà÷àëîì âîñïðîèçâåäåíèÿ....................................................................................................................31
Âîñïðîèçâåäåíèå ïüåñ .............................................................. 32
Ïðîñëóøèâàíèå ïüåñ ...........................................................................................................................................................................32
Ïîñëåäîâàòåëüíîå âîñïðîèçâåäåíèå âñåõ ïüåñ (All Song Play) .......................................................................................33
Ïðîñëóøèâàíèå îòäåëüíûõ ïàðòèé ..............................................................................................................................................33
Èçìåíåíèå ãðîìêîñòè âîñïðîèçâîäèìîé ïüåñû....................................................................................................................34
Èçìåíåíèå òåìïà ïüåñû .....................................................................................................................................................................34
Âîñïðîèçâåäåíèå ïüåñû â ôèêñèðîâàííîì òåìïå (Tempo Mute)..................................................................34
Èçìåíåíèå òîíàëüíîñòè âîñïðîèçâîäèìîé ïüåñû (Playback Transpose) ....................................................................35
8
Çàïèñü........................................................................................... 36
Çàïèñü èñïîëíåíèÿ ...............................................................................................................................................................................36
Ðàçäåëüíàÿ çàïèñü ïàðòèé äëÿ ðàçíûõ ðóê................................................................................................................................37
Çàïèñü âìåñòå ñ ïüåñîé.......................................................................................................................................................................39
Óäàëåíèå çàïèñàííîãî èñïîëíåíèÿ ..............................................................................................................................................40
Ñîõðàíåíèå çàïèñàííîãî ìàòåðèàëà ...................................... 41
Ñîõðàíåíèå ïüåñ....................................................................................................................................................................................41
Óäàëåíèå ïüåñû ......................................................................................................................................................................................42
Óäàëåíèå âñåõ ïüåñ ...............................................................................................................................................................................43
Ðàçëè÷íûå óñòàíîâêè ................................................................ 44
Îñíîâíûå îïåðàöèè â ðåæèìå Function.....................................................................................................................................44
Çâóêîâûå óñòàíîâêè..............................................................................................................................................................................45
Ýôôåêò òðåõìåðíîãî çâó÷àíèÿ (3D Sound Control)...............................................................................................45
Èçìåíåíèå ðåæèìà ýôôåêòà 3D (3D Mode)...............................................................................................................46
Óïðàâëåíèå ÷àñòîòíîé õàðàêòåðèñòèêîé F-110 (Equalizer) ...............................................................................46
Óñòàíîâêà ãðîìêîñòè (Master Gain)...............................................................................................................................47
Óñòàíîâêà ãðîìêîñòè (Master Gain)...............................................................................................................................47
Óñòàíîâêè êëàâèàòóðû.........................................................................................................................................................................48
“Îæèâëåíèå" çâó÷àíèÿ (Dynamics Sound Control) .................................................................................................48
Èçìåíåíèå áàëàíñà ãðîìêîñòè â ðåæèìå Dual Play (Dual Balance)................................................................49
Èçìåíåíèå âûñîòû çâó÷àíèÿ òåìáðà ñ øàãîì â îêòàâó (Octave Shift)..........................................................49
Ðàçäåëåíèå êëàâèàòóðû íà äâå çîíû äëÿ èãðû "â ÷åòûðå ðóêè" (Twin Piano)...........................................50
Óñòàíîâêè ïåäàëåé................................................................................................................................................................................51
Èçìåíåíèå ñïîñîáà âîçäåéñòâèÿ ïåäàëè Damper (Damper Pedal Part).......................................................51
Èçìåíåíèå ðåæèìîâ ðàáîòû ïåäàëåé (Center/Left Pedal Function) ..............................................................51
Óñòàíîâêè íàñòðîéêè ...........................................................................................................................................................................52
Ïîäñòðîéêà ïîä âûñîòó äðóãèõ èíñòðóìåíòîâ (Master Tuning) ......................................................................52
Âûáîð ñòðîÿ (Temperament)............................................................................................................................................52
Ðàñòÿíóòûé ñòðîé .................................................................................................................................................................53
Óñòàíîâêè äëÿ çâóêîâ ôîðòåïèàíî................................................................................................................................................54
Ñèìïàòè÷åñêèé ðåçîíàíñ ïðè íàæàòèè ïåäàëè Damper (Damper Resonance) .........................................54
Ðåçîíàíñ ñòðóí (String Resonance)................................................................................................................................54
Ðåçîíàíñ ñíÿòèÿ íîòû (Key Off Resonance)................................................................................................................54
Óñòàíîâêè îòñ÷åòà .................................................................................................................................................................................55
Ïðåäâàðèòåëüíûé îòñ÷åò ïîñëå âñòóïëåíèÿ (Countdown) ...............................................................................55
Âûáîð ïàðòèè, íà÷èíàþùåéñÿ ñ îòñ÷åòà (Countdown Part) ..............................................................................55
Óñòàíîâêè âîñïðîèçâåäåíèÿ ïüåñû ..............................................................................................................................................56
Âûáîð ïàðòèè, çàãëóøàåìîé êíîïêîé [E. Piano] (Accomp Track).....................................................................56
Óñòàíîâêè MIDI........................................................................................................................................................................................56
Âêëþ÷åíèå ðåêîìåíäîâàííûõ òåìáðîâ VIMA TUNES (Recommended Tone).............................................56
Ïðåäîòâðàùåíèå äóáëèðîâàíèÿ íîò ïðè ðàáîòå ñ ñåêâåíñåðîì (Local Control)....................................57
Óñòàíîâêà ïåðåäàþùåãî MIDI-êàíàëà (MIDI Transmit Channel)........................................................................58
Ïåðåäà÷à çàïèñàííûõ äàííûõ íà MIDI-óñòðîéñòâî (Composer MIDI Out)...................................................58
Ïðî÷èå óñòàíîâêè..................................................................................................................................................................................59
Ôóíêöèÿ V-LINK (V-LINK).....................................................................................................................................................59
Ñîõðàíåíèå óñòàíîâîê (Memory Backup)...................................................................................................................59
Âîññòàíîâëåíèå çàâîäñêèõ óñòàíîâîê (Factory Reset) .........................................................................................60
Áëîêèðîâêà êíîïîê ïàíåëè (Panel Lock) .....................................................................................................................................61
9
Ïîäêëþ÷åíèå âíåøíåãî îáîðóäîâàíèÿ................................. 62
Ïîäêëþ÷åíèå ê àóäèîîáîðóäîâàíèþ...........................................................................................................................................62
Ïîäêëþ÷åíèå F-110 ê âíåøíèì ìîíèòîðàì.............................................................................................................62
Âîñïðîèçâåäåíèå çâóêîâ àóäèîïëååðà ÷åðåç äèíàìèêè F-110 ......................................................................63
Ïîäêëþ÷åíèå MIDI-óñòðîéñòâ ..........................................................................................................................................................64
Ïîäêëþ÷åíèå MIDI-ñåêâåíñåðà ê F-110 ......................................................................................................................64
Âîñïðîèçâåäåíèå çâóêîâ MIDI-ìîäóëÿ ïðè èãðå íà F-110.................................................................................65
Ïîäêëþ÷åíèå ê êîìïüþòåðó.............................................................................................................................................................65
Íåèñïðàâíîñòè............................................................................ 66
Ñîîáùåíèÿ îá îøèáêàõ ............................................................ 68
Ñïèñîê òåìáðîâ .......................................................................... 69
Ñïèñîê íàáîðîâ óäàðíûõ.......................................................... 72
Ñïèñîê âñòðîåííûõ ïüåñ ........................................................... 75
Óñòàíîâêè, ñîõðàíÿåìûå ôóíêöèåé Memory Backup ........... 76
Òàáëèöà MIDI-ôóíêöèé .............................................................. 77
Òåõíè÷åñêèå õàðàêòåðèñòèêè .................................................. 78
10
Òåõíèêà áåçîïàñíîñòè
Íå ðàçáèðàéòå è íå ìîäèôèöèðóéòå ïðèáîð
Íå îòêðûâàéòå (íå âíîñèòå èçìåíåíèé âî âíóòðåííèå ñõåìû) è íå ðàçáèðàéòå ïðèáîð èëè
åãî ñåòåâîé àäàïòåð.
Íå ðàçìåùàéòå íà íåóñòîé÷èâîé ïîâåðõíîñòè
Óáåäèòåñü, ÷òî ïðèáîð ðàñïîëîæåí óñòîé÷èâî. Âî èçáåæàíèå êîëåáàíèÿ èíñòðóìåíòà íå
ïîìåùàéòå åãî íà íåóñòîé÷èâóþ, øàòêóþ èëè
íàêëîííóþ ïîâåðõíîñòè.
......................................................................................................................
......................................................................................................................
Íå ðåìîíòèðóéòå è íå çàìåíÿéòå äåòàëè
Ïîäêëþ÷àéòå ñåòåâîé àäàïòåð òîëüêî ê
ðîçåòêå ñ ñîîòâåòñòâóþùèì íàïðÿæåíèåì
Íå ïûòàéòåñü ñàìîñòîÿòåëüíî ðåìîíòèðîâàòü
ïðèáîð èëè çàìåíÿòü êàêèå-ëèáî åãî ÷àñòè (çà
èñêëþ÷åíèåì ñëó÷àåâ, îïèñàííûõ â äàííîì
ðóêîâîäñòâå). Ïðåäîñòàâüòå ðåìîíò ëèáî ôèðìå, ó êîòîðîé áûë ïðèîáðåòåí ïðèáîð, áëèæàéøåìó ñåðâèñíîìó öåíòðó Roland, ëèáî
àâòîðèçîâàííîìó äèñòðèáüþòîðó ôèðìû Roland.
......................................................................................................................
Íå õðàíèòå è íå èñïîëüçóéòå ïðèáîð â ñëåäóþùèõ
ìåñòàõ:
•
•
Ãäå îí ìîæåò ïîäâåðãíóòüñÿ âîçäåéñòâèþ
âûñîêèõ òåìïåðàòóð (íàïðèìåð, íà ïðÿìîì
ñîëíå÷íîì ñâåòå, â çàêðûòûõ àâòîìîáèëÿõ,
îêîëî îòîïèòåëüíûõ áàòàðåé è äðóãèõ
èñòî÷íèêîâ òåïëà);
Ñ âûñîêîé âëàæíîñòüþ (íàïðèìåð, â
âàííîé èëè íà âëàæíîì ïîëó);
•
Ñ âûñîêîé çàäûìëåííîñòüþ;
•
Ñ âûñîêèì óðîâíåì èñïàðåíèé;
•
Ñ âûñîêîé ñûðîñòüþ;
•
Ãäå îí ìîæåò ïîïàñòü ïîä äîæäü;
•
Ñ âûñîêîé çàïûëåííîñòüþ;
•
Ñ âûñîêèì óðîâíåì âèáðàöèè.
......................................................................................................................
Èñïîëüçóéòå òîëüêî ïðèëàãàåìûé ñåòåâîé
àäàïòåð. Ïîäêëþ÷àéòå ñåòåâîé øíóð òîëüêî ê
ñåòè, íàïðÿæåíèå â êîòîðîé ñîâïàäàåò ñ òåì,
êîòîðîå îáîçíà÷åíî íà êîðïóñå àäàïòåðà. Â
ïðîòèâíîì ñëó÷àå ìîæíî ïîâðåäèòü àïïàðàòóðó èëè ïîëó÷èòü óäàð ýëåêòðè÷åñêèì òîêîì.
......................................................................................................................
Ïîëüçóéòåñü òîëüêî ïðèëàãàåìûì ñåòåâûì
øíóðîì
Èñïîëüçóéòå òîëüêî ïðèëàãàåìûé ñåòåâîé
øíóð. Ýòîò øíóð íå äîëæåí èñïîëüçîâàòüñÿ
äëÿ äðóãèõ óñòðîéñòâ.
......................................................................................................................
Íå ïåðåêðó÷èâàéòå ñåòåâîé øíóð è íå êëàäèòå
íà íåãî òÿæåëûå ïðåäìåòû
Íå ïåðåêðó÷èâàéòå è íå òÿíèòå ñåòåâîé øíóð,
íå êëàäèòå íà íåãî òÿæåëûå ïðåäìåòû. Ýòî ìîæåò ïîâðåäèòü øíóð è ïðèâåñòè ê êîðîòêîìó
çàìûêàíèþ, êîòîðîå âûçîâåò ïîæàð èëè óäàð
ýëåêòðè÷åñêèì òîêîì!
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11
Òåõíèêà áåçîïàñíîñòè
Íå èãðàéòå äîëãî íà âûñîêîì óðîâíå
ãðîìêîñòè
Äàííûé èíñòðóìåíò, êàê èñïîëüçóåìûé àâòîíîìíî, òàê è ïîäêëþ÷åííûé ê óñèëèòåëþ, íàóøíèêàì èëè äèíàìèêàì, ìîæåò ïðîèçâîäèòü
çâóê âûñîêîãî óðîâíÿ ãðîìêîñòè, ñïîñîáíûé
ïðèâåñòè ê äëèòåëüíîé ïîòåðå ñëóõà. Åñëè ñëóõ
ïðèòóïèëñÿ èëè ïîÿâèëñÿ çâîí â óøàõ, íåìåäëåííî ïðåêðàòèòå èñïîëüçîâàíèå èíñòðóìåíòà è îáðàòèòåñü ê âðà÷ó.
......................................................................................................................
Èçáåãàéòå ïîïàäàíèÿ ïîñòîðîííèõ ïðåäìåòîâ
Íå äîïóñêàéòå ïîïàäàíèÿ âíóòðü èíñòðóìåíòà
ïîñòîðîííèõ ïðåäìåòîâ (íàïðèìåð, îãíåîïàñíûõ ìàòåðèàëîâ, ìîíåò, áóëàâîê) èëè æèäêîñòåé (âîäû, íàïèòêîâ, è ò.ä.).
......................................................................................................................
Íåìåäëåííî âûêëþ÷àéòå ïèòàíèå ïðè
èçìåíåíèÿõ â ðàáîòå èíñòðóìåíòà
Ñëåäóåò íåìåäëåííî ïðåêðàòèòü ðàáîòó ñ
ïðèáîðîì, âûêëþ÷èòü åãî, îòñîåäèíèòü îò ñåòè è îáðàòèòüñÿ â ôèðìó, ó êîòîðîé áûë ïðèîáðåòåí èíñòðóìåíò, â áëèæàéøèé ñåðâèñíûé
öåíòð Roland, ëèáî ê àâòîðèçîâàííîìó äèñòðèáüþòîðó ôèðìû Roland â ñëåäóþùèõ ñëó÷àÿõ:
•
Åñëè ñåòåâîé àäàïòåð, øíóð èëè âèëêà ïîâðåæäåíû;
•
Åñëè ïîÿâèëñÿ äûì èëè íåîáû÷íûé çàïàõ;
•
Åñëè âíóòðü ïðèáîðà ïîïàëè ïîñòîðîííèå ïðåäìåòû
èëè æèäêîñòü;
•
Åñëè èíñòðóìåíò ïîäâåðãñÿ âîçäåéñòâèþ âûñîêîé
âëàæíîñòè èëè ïîïàë ïîä äîæäü;
•
Åñëè èíñòðóìåíò ïåðåñòàë íîðìàëüíî ôóíêöèîíèðîâàòü èëè â åãî ðàáîòå ïðîèçîøëè äðóãèå èçìåíåíèÿ.
......................................................................................................................
Íå îñòàâëÿéòå äåòåé áåç ïðèñìîòðà
Åñëè ðåáåíîê ïîëüçóåòñÿ èíñòðóìåíòîì, íåîáõîäèì ïîñòîÿííûé êîíòðîëü âçðîñëîãî çà
ñîáëþäåíèåì èì âñåõ ïðàâèë òåõíèêè áåçîïàñíîñòè.
......................................................................................................................
Íå äîïóñêàéòå óäàðîâ èëè ïàäåíèÿ
Ïðåäîõðàíÿéòå èíñòðóìåíò îò óäàðîâ.
Íå áðîñàéòå åãî!)
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12
Íå ïåðåãðóæàéòå ñåòåâóþ ðîçåòêó
Íå ïîäêëþ÷àéòå ê îäíîé ðîçåòêå ñëèøêîì
áîëüøîå ÷èñëî ðàçëè÷íûõ óñòðîéñòâ. Áóäüòå
îñîáåííî âíèìàòåëüíû ïðè èñïîëüçîâàíèè
óäëèíèòåëåé. Ñîâîêóïíàÿ ìîùíîñòü âñåõ óñòðîéñòâ, ïîäñîåäèíåííûõ ê óäëèíèòåëþ, íå
äîëæíà ïðåâûøàòü äîïóñòèìûé óðîâåíü íàãðóçêè óäëèíèòåëÿ (Âò/À).  ïðîòèâíîì ñëó÷àå
èçîëÿöèÿ êàáåëÿ íàãðååòñÿ è ðàñïëàâèòñÿ.
......................................................................................................................
Áóäüòå âíèìàòåëüíû, èñïîëüçóÿ èíñòðóìåíò â
äðóãèõ ñòðàíàõ
Ïðåæäå ÷åì èñïîëüçîâàòü èíñòðóìåíò â äðóãîé ñòðàíå, ïðîêîíñóëüòèðóéòåñü ñ ôèðìîé, ó
êîòîðîé îí áûë ïðèîáðåòåí, â áëèæàéøåì
ñåðâèñíîì öåíòðå Roland, ëèáî ó àâòîðèçîâàííîãî äèñòðèáüþòîðà ôèðìû Roland.
Îáåñïå÷üòå âåíòèëÿöèþ èíñòðóìåíòà
Èíñòðóìåíò è åãî ñåòåâîé àäàïòåð äîëæíû
áûòü ðàñïîëîæåíû òàê, ÷òîáû èì áûëà îáåñïå÷åíà íåîáõîäèìàÿ âåíòèëÿöèÿ.
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Áåðèòåñü òîëüêî çà êîðïóñ ðàçúåìà
Âêëþ÷àÿ øíóð ñåòåâîãî àäàïòåðà â ðîçåòêó
èëè â èíñòðóìåíò, äåðæèòåñü òîëüêî çà êîðïóñ
âèëêè èëè ðàçúåìà, íå òÿíèòå çà øíóð.
......................................................................................................................
Ïåðèîäè÷åñêè ïðîòèðàéòå ñåòåâóþ âèëêó îò
ïûëè
Ðåãóëÿðíî îòñîåäèíÿéòå ñåòåâîé àäàïòåð è
ïðîòèðàéòå åãî îò ïûëè ñóõîé òðÿïêîé, ÷òîáû
óáðàòü ñ íåãî âñå ëèøíåå. Êðîìå òîãî, âñåãäà
îòñîåäèíÿéòå ñåòåâîé øíóð îò ðîçåòêè, åñëè
íå ïîëüçóåòåñü èíñòðóìåíòîì äëèòåëüíîå âðåìÿ. Ñêîïëåíèå ïûëè íà ðîçåòêå èëè âèëêå ìîæåò íàðóøèòü èçîëÿöèþ è ïðèâåñòè ê ïîæàðó.
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Õðàíèòå êàáåëè â áåçîïàñíîì ìåñòå
Ñëåäèòå çà òåì, ÷òîáû øíóðû è êàáåëè íå çàïóòûâàëèñü è íå ïåðåãèáàëèñü. Õðàíèòå èõ â
íåäîñòóïíîì äëÿ äåòåé ìåñòå.
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Òåõíèêà áåçîïàñíîñòè
Íå êëàäèòå íà èíñòðóìåíò òÿæåëûå ïðåäìåòû
Íå ñàäèòåñü íà èíñòðóìåíò è íå êëàäèòå íà íåãî òÿæåëûå ïðåäìåòû.
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Íå áåðèòåñü çà ñåòåâîé àäàïòåð ìîêðûìè
ðóêàìè
Íå âñòàâëÿéòå ñåòåâîé àäàïòåð â ðîçåòêó è íå
âûíèìàéòå åãî îòòóäà ìîêðûìè ðóêàìè.
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Ìåðû ïðåäîñòîðîæíîñòè ïðè ïåðåâîçêå
Ïðè òðàíñïîðòèðîâêå èíñòðóìåíòà ñîáëþäàéòå îïèñàííûå íèæå ìåðû áåçîïàñíîñòè. Ïåðåìåùàòü èíñòðóìåíò ñëåäóåò âäâîåì.
Íåîáõîäèìî íåñòè åãî àêêóðàòíî, íå íàêëîíÿÿ.
Óáåäèòåñü, ÷òî äåðæèòå åãî ïðî÷íî, ÷òîáû èçáåæàòü òðàâìû è ïîâðåæäåíèÿ èíñòðóìåíòà.
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Ñëåäèòå çà òåì, ÷òîáû íå ïîòåðÿòü áîëòû,
êîòîðûìè èíñòðóìåíò êðåïèòñÿ ê ñòîéêå.
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Îòñîåäèíèòå ñåòåâîé øíóð.
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Îòñîåäèíèòå âñå øíóðû îò âíåøíèõ
óñòðîéñòâ.
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Çàêðîéòå êðûøêó.
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Ïåðåä ÷èñòêîé îòêëþ÷èòå èíñòðóìåíò îò ñåòè
Ïåðåä íà÷àëîì ÷èñòêè èíñòðóìåíòà âûêëþ÷èòå åãî è îòñîåäèíèòå ñåòåâîé àäàïòåð îò ðîçåòêè (ñòð. 19).
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Åñëè îæèäàåòñÿ ãðîçà, îòêëþ÷èòå èíñòðóìåíò
îò ñåòè
Ïðè ïðèáëèæåíèè ãðîçû îòñîåäèíèòå îò ðîçåòêè ñåòåâîé àäàïòåð.
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Ìåðû ïðåäîñòîðîæíîñòè ïðè îòêðûòèè è
çàêðûòèè êðûøêè
Îñòîðîæíî îòêðûâàéòå è çàêðûâàéòå êðûøêó, ÷òîáû íå ïðèùåìèòü ïàëüöû (ñòð. 20). Åñëè
èíñòðóìåíò èñïîëüçóþò äåòè, íåîáõîäèì êîíòðîëü âçðîñëûõ íàä íèìè.
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Õðàíèòå ìåëêèå äåòàëè â íåäîñòóïíîì äëÿ
äåòåé ìåñòå
Âî èçáåæàíèå ïðîãëàòûâàíèÿ õðàíèòå ñëåäóþùèå ìåëêèå äåòàëè èíñòðóìåíòà â ìåñòàõ, íåäîñòóïíûõ äëÿ äåòåé.
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Îïàñàéòåñü îæîãîâ
Îáëàñòü òûëüíîé ïàíåëè âîêðóã ðàçúåìà DC In
è çàæèìà êàáåëÿ ñèëüíî íàãðåâàåòñÿ; áóäüòå
îñòîðîæíû, íå îáîæãèòåñü.
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Ïðèëàãàåìûå êîìïîíåíòû
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Âèíòû äëÿ ñòîéêè
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Çàæèì øíóðà
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Âèíò-áàðàøåê äåðæàòåëÿ íàóøíèêîâ
Ñúåìíûå êîìïîíåíòû
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Ðåãóëÿòîð ãðîìêîñòè
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Ïðåäóïðåæäåíèå
F-110 îáîðóäîâàí âûäâèæíîé êðûøêîé. Îòêðûâàÿ è
çàêðûâàÿ åå, ñëåäèòå çà òåì, ÷òîáû ëàäîíè è ïàëüöû íå
ïîïàëè â çàçîðû ìåæäó êðûøêîé è êîðïóñîì èíñòðóìåíòà (ñòð. 20).
Äåòè äîëæíû ïîëüçîâàòüñÿ èíñòðóìåíòîì F-110 òîëüêî
ïîä íàáëþäåíèåì âçðîñëûõ è ïîñëå íàäëåæàùåãî èíñòðóêòèðîâàíèÿ.
13
Âàæíûå çàìå÷àíèÿ
Èñòî÷íèê ïèòàíèÿ
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Íå ïîäêëþ÷àéòå èíñòðóìåíò ê èñòî÷íèêó ýëåêòðîïèòàíèÿ,
ê êîòîðîìó óæå ïîäêëþ÷åíû ýëåêòðîïðèáîðû ñ èñïîëüçîâàíèåì ïðåîáðàçîâàòåëÿ íàïðÿæåíèÿ (òàêèå êàê õîëîäèëüíèê, ñòèðàëüíàÿ ìàøèíà, ìèêðîâîëíîâàÿ ïå÷ü èëè êîíäèöèîíåð), à òàêæå ñíàáæåííûå ìîòîðîì.  çàâèñèìîñòè îò
òîãî, êàê èñïîëüçóþòñÿ òàêèå ýëåêòðîïðèáîðû, ñåòåâàÿ íàâîäêà ìîæåò âûçâàòü ñáîè â ðàáîòå àïïàðàòóðû è ïîñëóæèòü ïðè÷èíîé ñëûøèìûõ øóìîâûõ ïîìåõ. Åñëè
îòäåëüíóþ ñåòåâóþ ðîçåòêó èñïîëüçîâàòü íåâîçìîæíî, òî
ìåæäó èíñòðóìåíòîì è àïïàðàòóðîé íåîáõîäèìî ïîäêëþ÷èòü ôèëüòð ïîäàâëåíèÿ ñåòåâûõ íàâîäîê.
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×åðåç íåñêîëüêî ÷àñîâ ðàáîòû ïðèáîðà ñåòåâîé àäàïòåð
íàãðåâàåòñÿ è íà÷èíàåò èçëó÷àòü òåïëî. Òàêàÿ ñèòóàöèÿ ÿâëÿåòñÿ øòàòíîé è íå äîëæíà âûçûâàòü áåñïîêîéñòâà.
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Äî ïîäêëþ÷åíèÿ èíñòðóìåíòà ê äðóãèì óñòðîéñòâàì, îòêëþ÷èòå ýëåêòðîïèòàíèå âñåõ ïðèáîðîâ. Ýòî ïîçâîëèò èçáåæàòü ïîâðåæäåíèÿ äèíàìèêîâ èëè äðóãèõ óñòðîéñòâ.
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Íå îñòàâëÿéòå íà ïîâåðõíîñòè èíñòðóìåíòà ïðåäìåòû èç
ðåçèíû èëè âèíèëà.  ïðîòèâíîì ñëó÷àå ïîâåðõíîñòü ôîðòåïèàíî ìîæåò äåôîðìèðîâàòüñÿ èëè èçìåíèòü öâåò.
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Íå ñòàâüòå ïðåäìåòû íà êëàâèøè è êíîïêè èíñòðóìåíòà –
ýòî ìîæåò ïðèâåñòè ê íåèñïðàâíîñòÿì.
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Íå ïðèêëåèâàéòå íà èíñòðóìåíò íàêëåéêè – ïðè èõ óäàëåíèè åãî ïîâåðõíîñòü ìîæåò áûòü ïîâðåæäåíà.
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 çàâèñèìîñòè îò ìàòåðèàëà è òåìïåðàòóðû ïîâåðõíîñòè,
íà êîòîðîé ñòîèò ïðèáîð, åãî ðåçèíîâûå íîæêè ìîãóò èçìåíèòü öâåò èëè èñïîðòèòü ïîâåðõíîñòü. ×òîáû èçáåæàòü
ýòîãî, ìîæíî ïîìåñòèòü ïîä íîæêè êóñîê âîéëîêà èëè òêàíè. Ïðè ýòîì ñëåäèòå, ÷òîáû ïðèáîð ñëó÷àéíî íå ñîñêîëüçíóë ñ ïîâåðõíîñòè.
Óõîä
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Äëÿ ÷èñòêè ïðèáîðà èñïîëüçóéòå ìÿãêóþ ÷èñòóþ òêàíü èëè
àíàëîãè÷íûé ìàòåðèàë, ñëåãêà ñìî÷åííûé âîäîé. Äëÿ óäàëåíèÿ çàãðÿçíåíèé èñïîëüçóéòå òêàíü, ñìî÷åííóþ ñëàáûì
íåàáðàçèâíûì ìîþùèì ñðåäñòâîì. Çàòåì ïðîòðèòå ïðèáîð ìÿãêîé ñóõîé òêàíüþ.
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Èñïîëüçîâàíèå áåíçèíà, ðàñòâîðèòåëÿ èëè ñïèðòà çàïðåùàåòñÿ. Ýòî ìîæåò ïðèâåñòè ê èçìåíåíèþ öâåòà è/èëè äåôîðìàöèè êîðïóñà ïðèáîðà.
Ðàçìåùåíèå
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Ïðè èñïîëüçîâàíèè èíñòðóìåíòà ðÿäîì ñ ìîùíûìè óñèëèòåëÿìè (èëè äðóãèì îáîðóäîâàíèåì, ñîäåðæàùèì êðóïíûå
òðàíñôîðìàòîðû), ìîãóò âîçíèêíóòü íàâîäêè. ×òîáû ðàçðåøèòü ýòó ïðîáëåìó, èçìåíèòå ïðîñòðàíñòâåííóþ îðèåíòàöèþ èíñòðóìåíòà èëè óäàëèòå åãî îò èñòî÷íèêà ïîìåõ.
Ïðèáîð ìîæåò ÿâëÿòüñÿ èñòî÷íèêîì ïîìåõ äëÿ òåëå- è ðàäèîïðèåìíèêîâ. Íå óñòàíàâëèâàéòå åãî â íåïîñðåäñòâåííîé áëèçîñòè îò îáîðóäîâàíèÿ òàêîãî òèïà.
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Ïîñòîðîííèé øóì ìîæåò ïîÿâèòüñÿ, åñëè â íåïîñðåäñòâåííîé áëèçîñòè îò àïïàðàòóðû èñïîëüçóþòñÿ áåñïðîâîäíûå
ñðåäñòâà ñâÿçè, íàïðèìåð, ìîáèëüíûå òåëåôîíû. Ýòîò øóì
âîçíèêàåò, êîãäà ïðîõîäèò âõîäÿùèé èëè èñõîäÿùèé ñèãíàë, à òàêæå âî âðåìÿ ðàçãîâîðà. Ïðè âîçíèêíîâåíèè ïîäîáíûõ ïðîáëåì íåîáõîäèìî ïåðåíåñòè òàêèå ñðåäñòâà
ñâÿçè ïîäàëüøå îò àïïàðàòóðû èëè âûêëþ÷èòü èõ.
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Ñëåäèòå çà òåì, ÷òîáû íà èíñòðóìåíò íå ïîïàäàëè ïðÿìûå
ñîëíå÷íûå ëó÷è, ðàçìåùàéòå åãî íà óäàëåíèè îò ïðèáîðîâ, èçëó÷àþùèõ òåïëî, íå îñòàâëÿéòå âíóòðè çàêðûòûõ àâòîìîáèëåé è â äðóãèõ ìåñòàõ, ïîäâåðæåííûõ
èíòåíñèâíîììó òåïëîâîìó âîçäåéñòâèþ. Îñâåòèòåëüíûå
ïðèáîðû òàêæå íå äîëæíû íàõîäèòñÿ ñëèøêîì áëèçêî ê
ïîâåðõíîñòè èíñòðóìåíòà. Ïðè ïîâûøåííîé òåìïåðàòóðå
åãî êîðïóñ ìîæåò äåôîðìèðîâàòüñÿ èëè èçìåíèòü öâåò.
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Ïðè ïåðåìåùåíèè àïïàðàòóðû ñ îäíîãî ìåñòà íà äðóãîå, â
êîòîðûõ íàáëþäàåòñÿ çíà÷èòåëüíûé ïåðåïàä òåìïåðàòóðû
è/èëè âëàæíîñòè, âíóòðè ìîãóò îáðàçîâàòüñÿ êàïëè âîäû
(êîíäåíñàò). Åñëè ïîïûòàòüñÿ èñïîëüçîâàòü àïïàðàòóðó â
òàêîì ñîñòîÿíèè, â ðåçóëüòàòå ìîæåò âîçíèêíóòü íåèñïðàâíîñòü èëè ñáîè â ðàáîòå. Ïîýòîìó, ïðåæäå ÷åì ïðèñòóïèòü ê ýêñïëóàòàöèè àïïàðàòóðû, íåîáõîäèìî ïîäîæäàòü
íåñêîëüêî ÷àñîâ, ÷òîáû êîíäåíñàò âûñîõ.
14
Ðåìîíò è äàííûå
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Ïîìíèòå î òîì, ÷òî ïðè îòïðàâêå ïðèáîðà â ðåìîíò äàííûå åãî âíóòðåííåé ïàìÿòè ìîãóò áûòü ïîòåðÿíû. Ïîýòîìó
ïðåäâàðèòåëüíî èõ íåîáõîäèìî ñîõðàíèòü íà äðóãîå MIDIóñòðîéñòâî, ëèáî çàïèñàòü íà áóìàãó (ïðè âîçìîæíîñòè).
Âî âðåìÿ ðåìîíòà èíñòðóìåíòà îñîáîå âíèìàíèå óäåëÿåòñÿ ñîõðàííîñòè äàííûõ âíóòðåííåé ïàìÿòè. Îäíàêî âîçìîæíû ñèòóàöèè, íàïðèìåð, âûõîä èç ñòðîÿ ñõåì ïàìÿòè, â
êîòîðûõ ýòîãî äîáèòüñÿ íåâîçìîæíî. Êîìïàíèÿ Roland íå
íåñåò îòâåòñòâåííîñòè çà ñîõðàííîñòü äàííûõ âíóòðåííåé
ïàìÿòè ïðèáîðà.
Ìåðû ïðåäîñòîðîæíîñòè
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Ïîìíèòå, ÷òî â ðåçóëüòàòå ïîëîìêè èëè íåñîáëþäåíèÿ
ïðàâèë ýêñïëóàòàöèè ïðèáîðà ñîäåðæèìîå ïàìÿòè ìîæåò
áûòü áåçâîçâðàòíî ïîòåðÿíî. Äëÿ òîãî ÷òîáû ñíèçèòü ðèñê
ïîòåðè äàííûõ, ðåêîìåíäóåòñÿ ïåðèîäè÷åñêè ñîõðàíÿòü
ñîäåðæèìîå ïàìÿòè íà äðóãîå MIDI-óñòðîéñòâî.
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Âîçìîæíû ñèòóàöèè, â êîòîðûõ âîññòàíîâèòü äàííûå âíóòðåííåé ïàìÿòè ïðèáîðà íå ïðåäñòàâëÿåòñÿ âîçìîæíûì.
Êîìïàíèÿ Roland íå íåñåò îòâåòñòâåííîñòè çà ñîõðàííîñòü
äàííûõ.
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Ïîæàëóéñòà, îáðàùàéòåñü àêêóðàòíî ñ êíîïêàìè, ðåãóëÿòîðàìè è äðóãèìè êîíòðîëëåðàìè. Íåàêêóðàòíîå îáðàùåíèå
ìîæåò ïðèâåñòè ê ïîâðåæäåíèþ àïïàðàòóðû.
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Íå óäàðÿéòå ïî äèñïëåþ è íå íàæèìàéòå íà íåãî.
Âàæíûå çàìå÷àíèÿ
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Ïðè ïîäñîåäèíåíèè/îòñîåäèíåíèè øíóðîâ è êàáåëåé íèêîãäà íå òÿíèòå çà øíóð. Äåðæèòå òîëüêî ñàì ðàçúåì, ÷òîáû íå ïîâðåäèòü âíóòðåííèå ýëåìåíòû êàáåëÿ.
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×òîáû íå âûçûâàòü íåäîâîëüñòâà îêðóæàþùèõ, ïîñòàðàéòåñü ðàçóìíî óñòàíàâëèâàòü óðîâåíü ãðîìêîñòè. À ÷òîáû
íå äóìàòü îá ýòîì âîâñå, îñîáåííî íî÷üþ, ëó÷øå èñïîëüçîâàòü íàóøíèêè.
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Ïðè òðàíñïîðòèðîâêå ïðèáîðà èñïîëüçóéòå îðèãèíàëüíóþ
çàâîäñêóþ óïàêîâêó, âêëþ÷àÿ ïðîêëàäî÷íûé ìàòåðèàë äëÿ
ñìÿã÷åíèÿ óäàðîâ, èëè àíàëîãè÷íûå ìàòåðèàëû.
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Íå ïðèëàãàéòå ÷ðåçìåðíûõ ôèçè÷åñêèõ óñèëèé ïðè îáðàùåíèè ñ ïþïèòðîì.
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Íåêîòîðûå êîììóòàöèîííûå êàáåëè ñîäåðæàò ðåçèñòîðû.
Ñ äàííîé àïïàðàòóðîé èõ èñïîëüçîâàòü íåëüçÿ. Ýòî ìîæåò
ïðèâåñòè ê òîìó, ÷òî óðîâåíü çâóêà áóäåò ëèáî ÷ðåçâû÷àéíî íèçêèì, ëèáî åãî íåâîçìîæíî áóäåò ñëóøàòü. Çà èíôîðìàöèåé î õàðàêòåðèñòèêàõ ñîåäèíèòåëüíûõ êàáåëåé
îáðàùàéòåñü ê èõ ïðîèçâîäèòåëÿì.
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Ïðåæäå ÷åì îòêðûòü èëè çàêðûòü êðûøêó èíñòðóìåíòà,
óáåäèòåñü, ÷òî ïîáëèçîñòè íåò ìåëêèõ äîìàøíèõ æèâîòíûõ.  ïðîòèâíîì ñëó÷àå, âñëåäñòâèå êîíñòðóêòèâíûõ îñîáåííîñòåé èíñòðóìåíòà, îíè ìîãóò îêàçàòüñÿ âíóòðè íåãî è
ïîãèáíóòü.
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GS (
) – çàðåãèñòðèðîâàííàÿ òîðãîâàÿ ìàðêà
Roland Corporation.
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MMP (Moore Microprocessor Portfolio) îáîçíà÷àåò
ïîðòôîëèî ïàòåíòà ìèêðîïðîöåññîðíîé
àðõèòåêòóðû, ðàçðàáîòàííîé Technology Properties
Limited (TPL). Êîìïàíèÿ Roland ïîëó÷èëà ëèöåíçèþ íà
äàííóþ òåõíîëîãèþ ó TPL Group.
15
Îïèñàíèå ïàíåëåé
Ëèöåâàÿ ïàíåëü
fig.Front-j.eps_88
Âûêëþ÷àòåëü [Power]
Êíîïêà [–]
Âêëþ÷àåò/âûêëþ÷àåò èíñòðóìåíò (ñòð. 21).
Ïîçâîëÿåò âûáðàòü ïðåäûäóùóþ ïüåñó íà ýêðàíå âûáîðà
ïüåñ (ñòð. 32).
Ðåãóëÿòîð [Volume]
Åñëè óäåðæèâàòü ýòó êíîïêó âî âðåìÿ âîñïðîèçâåäåíèÿ
ïüåñû, òî íà÷íåòñÿ ïåðåìîòêà ïüåñû íàçàä (ñòð. 32).
Óñòàíàâëèâàåò óðîâåíü ãðîìêîñòè F-110 (ñòð. 21).
Ïðè ðàáîòå ñ íàóøíèêàìè óñòàíàâëèâàåò óðîâåíü ãðîìêîñòè â íàóøíèêàõ (ñòð. 22).
Êíîïêà [Reverb]
Äîáàâëÿåò ðåâåðáåðàöèþ, ñâîéñòâåííóþ äëÿ èñïîëíåíèÿ
â êîíöåðòíîì çàëå (ñòð. 25).
Êíîïêà [Transpose]
Êíîïêà [+]
Òðàíñïîíèðóåò êëàâèàòóðó è/èëè ïüåñó (ñòð. 26).
Âûáèðàåò ñëåäóþùóþ ïüåñó íà ýêðàíå âûáîðà ïüåñ
(ñòð. 32).
Óäåðæèâàÿ ýòó êíîïêó è íàæèìàÿ êíîïêó [Split], ìîæíî ðåãóëèðîâàòü ÷óâñòâèòåëüíîñòü êëàâèàòóðû (ñòð. 24).
Åñëè óäåðæèâàòü ýòó êíîïêó âî âðåìÿ âîñïðîèçâåäåíèÿ
ïüåñû, òî íà÷íåòñÿ ïåðåìîòêà ïüåñû âïåðåä (ñòð. 32).
Ðàçäåëÿåò êëàâèàòóðó íà äâå îáëàñòè äëÿ èãðû ïðàâîé è
ëåâîé ðóêàìè, ïîçâîëÿÿ íàçíà÷àòü íà êàæäóþ îáëàñòü ðàçíûå òåìáðû (ñòð. 28).
Èñïîëüçóéòå äàííóþ êíîïêó äëÿ âûáîðà âàðèàöèé òåìáðà
(ñòð. 24), à òàêæå äëÿ ðåäàêòèðîâàíèÿ ÷èñëîâûõ çíà÷åíèé
ðàçëè÷íûõ ïàðàìåòðîâ.
Ïðè îäíîâðåìåííîì íàæàòèè íà êíîïêè [–] è [+] çàãðóæàåòñÿ çàâîäñêîå çíà÷åíèå âûáðàííîãî ïàðàìåòðà.
Êíîïêè TONE
Äèñïëåé
Ïîçâîëÿþò âûáèðàòü çâóê (ãðóïïó òåìáðîâ) äëÿ èãðû íà
èíñòðóìåíòå (ñòð. 24).
Îòîáðàæàåò: íîìåð òåìáðà, íîìåð ïüåñû, òåìï, ðàçìåð,
íàçâàíèå ôóíêöèè, à òàêæå ÷èñëîâûå çíà÷åíèÿ ðàçëè÷íûõ
óñòàíîâîê.
Êíîïêà [Split]
Êíîïêà [
] (Play/Stop)
Çàïóñêàåò è îñòàíàâëèâàåò âîñïðîèçâåäåíèå âñòðîåííûõ
èëè çàïèñàííûõ ïüåñ (ñòð. 32).
Òàêæå ýòîé êíîïêîé çàïóñêàåòñÿ çàïèñü èñïîëíÿåìîãî ìàòåðèàëà (ñòð. 36).
Êíîïêà [
] (Rec)
Ïîçâîëÿåò çàïèñàòü ñâîå èñïîëíåíèå âî âíóòðåííþþ ïàìÿòü F-110 (ñòð. 36).
16
Èñïîëüçóéòå äàííóþ êíîïêó äëÿ âûáîðà âàðèàöèé òåìáðà
(ñòð. 24), à òàêæå äëÿ ðåäàêòèðîâàíèÿ ÷èñëîâûõ çíà÷åíèé
ðàçëè÷íûõ ïàðàìåòðîâ.
Ïðè îäíîâðåìåííîì íàæàòèè íà êíîïêè [–] è [+] çàãðóæàåòñÿ çàâîäñêîå çíà÷åíèå âûáðàííîãî ïàðàìåòðà.
Êíîïêà [Song]
Âûáèðàåò ïüåñó äëÿ âîñïðîèçâåäåíèÿ (ñòð. 32). Òàêæå ïðè
íàæàòèè íà íåå íà äèñïëåé âûâîäèòñÿ òåêóùàÿ óñòàíîâêà
òåìïà èëè ðàçìåðà.
Êíîïêà [Metronome]
Âêëþ÷àåò è îòêëþ÷àåò ìåòðîíîì (ñòð. 30).
Òàêæå çàïóñêàåò îòñ÷åò òàêòîâ ïåðåä íà÷àëîì ïüåñû
(ñòð. 31)
Îïèñàíèå ïàíåëåé
.
Áëîêèðîâêà êíîïîê ïàíåëè
Ñ ïîìîùüþ ôóíêöèè Panel Lock ìîæíî çàáëîêèðîâàòü âñå êíîïêè âî èçáåæàíèå ñëó÷àéíûõ èçìåíåíèé ïàðàìåòðîâ â
ïðîöåññå èñïîëíåíèÿ. Ñì. “Áëîêèðîâêà êíîïîê ïàíåëè (Panel Lock)” (ñòð. 61).
Òûëüíàÿ ïàíåëü
fig.Rear-j.eps_88
Ðàçúåìû MIDI In/Out
Ðàçúåì DC In (DC Inlet)
Ñëóæàò äëÿ ïîäêëþ÷åíèÿ ê èíñòðóìåíòó âíåøíèõ MIDI-óñòðîéñòâ è îáìåíà ñ íèìè MIDI-äàííûìè (ñòð. 64).
Ñëóæèò äëÿ ïîäêëþ÷åíèÿ ïðèëàãàåìîãî ñåòåâîãî àäàïòåðà (ñòð. 19).
Âõîäíûå ðàçúåìû (L/Mono, R)
Äåðæàòåëü øíóðà
Ñëóæàò äëÿ ïîäêëþ÷åíèÿ àóäèîîáîðóäîâàíèÿ èëè äðóãîãî ýëåêòðîííîãî ìóçûêàëüíîãî èíñòðóìåíòà è ïðîñëóøèâàíèÿ èõ ñèãíàëîâ ÷åðåç äèíàìèêè F-110 (ñòð. 63).
Èñïîëüçóåòñÿ äëÿ ôèêñàöèè øíóðà ïðèëàãàåìîãî ñåòåâîãî àäàïòåðà (ñòð. 19).
Êëåììà çàçåìëåíèÿ
Âûõîäíûå ðàçúåìû (L/Mono, R)
Ñëóæàò äëÿ ïîäêëþ÷åíèÿ F-110 ê âíåøíåé ñèñòåìå çâóêîóñèëåíèÿ (ñòð. 62).
 öåëÿõ áåçîïàñíîñòè ýêñïëóàòàöèè àïïàðàòóðû äàííóþ
êëåììó ìîæíî ïîäñîåäèíèòü ê ñòåðæíþ èëè øèíå çàçåìëåíèÿ (ñòð. 19).
Ðàçúåì Pedal
Ñëóæèò äëÿ ïîäñîåäèíåíèÿ ïåäàëåé, âñòðîåííûõ â ïîäñòàâêó èíñòðóìåíòà (ñòð. 19).
17
Îïèñàíèå ïàíåëåé
Íèæíÿÿ ïàíåëü (ñïåðåäè ñëåâà)
Ðàçúåìû Headphone
Ñëóæàò äëÿ ïîäêëþ÷åíèÿ íàóøíèêîâ. F-110 ïîçâîëÿåò îäíîâðåìåííî èñïîëüçîâàòü äâå ïàðû íàóøíèêîâ (ñòð. 22).
Äåðæàòåëü íàóøíèêîâ
Åñëè íàóøíèêè íå èñïîëüçóþòñÿ, èõ ìîæíî ïîâåñèòü íà
äàííûé äåðæàòåëü (ñòð. 23).
18
fig.Bottom.eps_88
Ïåðåä íà÷àëîì ðàáîòû
3. Çàêðåïèòå êàáåëü àäàïòåðà â äåðæàòåëå òàê, êàê
Ïîäãîòîâêà ê ðàáîòå
ïîêàçàíî íà ðèñóíêå.
fig.ACAdpt02.eps_88
Òûëüíàÿ ïàíåëü
Ïîäêëþ÷åíèå øíóðà ïåäàëåé
Ïîäêëþ÷èòå ðàçúåì øíóðà ïåäàëåé, èäóùåãî îò ïîäñòàâêè, ê ðàçúåìó Pedal òûëüíîé ïàíåëè F-110.
Âñòàâëÿéòå ðàçúåì â ãíåçäî Pedal äî óïîðà.
fig.PedalCord.eps_88
Äåðæàòåëü øíóðà
Øíóð ïðèëàãàåìîãî
ñåòåâîãî àäàïòåðà
Êëåììà çàçåìëåíèÿ
×òîáû ïðåäîòâðàòèòü íàðóøåíèå ïèòàíèÿ óñòðîéñòâà (íàïðèìåð, ñëó÷àéíîå âûäåðãèâàíèå êàáåëÿ èç
ðàçúåìà) è èçáåæàòü íåæåëàòåëüíîé íàãðóçêè íà
ðàçúåì ñåòåâîãî àäàïòåðà, çàêðåïèòå êàáåëü àäàïòåðà â äåðæàòåëå, êàê ïîêàçàíî íà ðèñóíêå.
4. Âèëêó ñåòåâîãî øíóðà âñòàâüòå â ðîçåòêó.
Ïîäêëþ÷åíèå ñåòåâîãî àäàïòåðà
×òîáû íå ïîâðåäèòü äèíàìèêè è/èëè äðóãîå îáîðóäîâàíèå, ïåðåä ëþáîé êîììóòàöèåé óñòàíîâèòå â ìèíèìóì ãðîìêîñòü è îòêëþ÷èòå ïèòàíèå âñåõ
ïðèáîðîâ.
1. Ïîäêëþ÷èòå ê ïðèëàãàåìîìó ñåòåâîìó àäàïòåðó
ñåòåâîé øíóð.
Ïðè íåîáõîäèìîñòè çàêðåïèòå øíóð ñåòåâîãî àäàïòåðà
çàæèìàìè.
Èñïîëüçóéòå òîëüêî ïðèëàãàåìûé ñåòåâîé àäàïòåð, à
òàêæå óáåäèòåñü â ñîîòâåòñòâèè ïàðàìåòðîâ ñåòè íàïðÿæåíèþ, óêàçàííîìó íà êîðïóñå àäàïòåðà. Äðóãèå
áëîêè ïèòàíèÿ ìîãóò èìåòü îòëè÷íóþ ïîëÿðíîñòü
èëè ïàðàìåòðû, ïîýòîìó èõ ïðèìåíåíèå ìîæåò ïðèâåñòè ê ïîâðåæäåíèþ àïïàðàòóðû èëè ïîðàæåíèþ
ýëåêòðè÷åñêèì òîêîì
fig.ACAdpt01.eps_88
Ñåòåâîé àäàïòåð
Ñåòåâîé øíóð
Èíäèêàòîð
Ê ðîçåòêå
Ðàçìåùàéòå ñåòåâîé àäàïòåð òàê, ÷òîáû åãî èíäèêàòîð (ñì. ðèñóíîê) ñìîòðåë ââåðõ, à ñòîðîíà ñ íàäïèñÿìè — âíèç.
Èíäèêàòîð ïðè âêëþ÷åíèè ñåòåâîãî àäàïòåðà â ðîçåòêó çàãîðàåòñÿ.
Ôîðìà âèëêè ñåòåâîãî øíóðà çàâèñèò îò ðåãèîíà ïîñòàâêè.
2. Ïîäêëþ÷èòå ñåòåâîé àäàïòåð ê ðàçúåìó DC In
òûëüíîé ïàíåëè.
 çàâèñèìîñòè îò êîíêðåòíîé èíñòàëëÿöèè ìîæåò
âîçíèêíóòü äèñêîìôîðò èëè îùóùåíèå, ÷òî ïðè ïðèêîñíîâåíèè ê ïîâåðõíîñòè óñòðîéñòâà ïî ðóêàì ó êàê
áóäòî ïðîáåãàþò ìóðàøêè. Ýòî ÿâëÿåòñÿ ðåçóëüòàòîì
äåéñòâèÿ ñëàáîãî çàðÿäà, êîòîðûé àáñîëþòíî áåçâðåäåí. Íî, åñëè ðàçäðàæàåò, ïîäêëþ÷èòå êëåììó çàçåìëåíèÿ ê âíåøíåìó çàçåìëåíèþ. Êîãäà óñòðîéñòâî
çàçåìëåíî, â çàâèñèìîñòè îò îñîáåííîñòè óñòàíîâêè
ìîæåò âîçíèêíóòü ëåãêèé ôîí. Åñëè âû íå óâåðåíû â
òîì, êàê ïðîèçâîäèòü çàçåìëåíèå, ñâÿæèòåñü ñ ïðåäñòàâèòåëÿìè áëèæàéøåãî ñåðâèñíîãî öåíòðà Roland
èëè äèñòðèáüþòîðîì Roland.
Ìåñòà, íå ïðåäíàçíà÷åííûå äëÿ çàçåìëåíèÿ
• Âîäîïðîâîäíûå òðóáû (âîçìîæíî ïîðàæåíèå
ýëåêòðè÷åñêèì òîêîì)
• Ãàçîâûå òðóáû (âîçìîæåí ïîæàð èëè âçðûâ)
• Ñòîÿêè çàçåìëåíèÿ òåëåôîííûõ ëèíèé èëè ãðîìîîòâîäà (âîçìîæíî ïîðàæåíèå ìîëíèåé)
19
Ïåðåä íà÷àëîì ðàáîòû
Îòêðûòèå/çàêðûòèå êðûøêè
Çàêðûòèå êðûøêè
1. Çàõâàòèòå êðûøêó äâóìÿ ðóêàìè è àêêóðàòíî
Îòêðûâàéòå/çàêðûâàéòå êðûøêó òîëüêî äâóìÿ ðóêàìè. Ïðè íåïîëíîì îòêðûòèè êðûøêà F-110 ìîæåò
ðåçêî çàêðûòüñÿ, áóäüòå âíèìàòåëüíû, ÷òîáû íå
òðàâìèðîâàòü ïàëüöû.
îïóñòèòå åå.
fig.lidclose2.eps_88
Îòêðûòèå êðûøêè
1. Çàõâàòèòå êðûøêó äâóìÿ ðóêàìè è òîëêàéòå åå
âïåðåä â íàïðàâëåíèè òûëüíîé ïàíåëè F-110.
fig.lidopen1.eps_88
Ìàëåíüêèå äåòè äîëæíû çàíèìàòüñÿ íà èíñòðóìåíòå
òîëüêî ïîä ïðèñìîòðîì âçðîñëûõ.
Ïðè íåîáõîäèìîñòè ïåðåäâèíóòü èíñòðóìåíò ïðåäâàðèòåëüíî óáåäèòåñü â òîì, ÷òî êðûøêà çàêðûòà.
2. Íàæèìàéòå íà êðûøêó äî òåõ ïîð, ïîêà îíà íå
óñòàíîâèòñÿ â âåðõíåå ïîëîæåíèå (ñì. ðèñ.).
fig.lidopen2.eps_88
Îòêðûâàÿ è çàêðûâàÿ êðûøêó, ñëåäèòå, ÷òîáû ïàëüöû
íå ïîïàëè ìåæäó ñêëàäûâàþùèìèñÿ ÷àñòÿìè. Íå çàêðûâàéòå êðûøêó ñ çàõâàòîì ñíèçó, ýòî ìîæåò ïðèâåñòè ê çàùåìëåíèþ ïàëüöåâ ìåæäó ÷àñòÿìè êðûøêè.
Íå äàâèòå ñèëüíî ïðè îòêðûòèè êðûøêè, ïîñêîëüêó
F-110 ìîæåò óïàñòü. Ïðè îòêðûòèè/çàêðûòèè êðûøêè
äåðæèòåñü òîëüêî çà åå êðàÿ.
fig.lidcaution01.eps_88
fig.lidcaution02.eps_88
20
Ïåðåä íà÷àëîì ðàáîòû
Âêëþ÷åíèå/îòêëþ÷åíèå
ïèòàíèÿ
Âûêëþ÷åíèå ïèòàíèÿ
1. Óñòàíîâèòå ðåãóëÿòîð [Volume] â ïîëîæåíèå ìèíèìàëüíîé ãðîìêîñòè (âëåâî äî óïîðà).
fig.VolumeMin-j.eps_88
Ïî îêîí÷àíèè êîììóòàöèè (ñòð. 19) ìîæíî âêëþ÷èòü
ïèòàíèå èíñòðóìåíòà ñ ïîìîùüþ ñëåäóþùåé ïðîöåäóðû. Íàðóøåíèå íèæåèçëîæåííîé ïîñëåäîâàòåëüíîñòè ìîæåò ïðèâåñòè ê âîçíèêíîâåíèþ íåïîëàäîê
èëè ïîâðåæäåíèþ äèíàìèêîâ.
2. Íàæìèòå êíîïêó [Power].
Âêëþ÷åíèå ïèòàíèÿ
fig.PowerOff.eps_88
Îòæàòü
1. Óñòàíîâèòå ðåãóëÿòîð [Volume] â ïîëîæåíèå ìèíèìàëüíîé ãðîìêîñòè (âëåâî äî óïîðà).
OFF
fig.VolumeMin-j.eps_88
Äèñïëåé ïîãàñíåò, è èíñòðóìåíò âûêëþ÷èòñÿ.
2. Íàæìèòå êíîïêó [Power].
Ðåãóëèðîâêà ãðîìêîñòè
fig.PowerOn.eps_88
Íàæàòü
ON
Ìîæíî ðåãóëèðîâàòü ãðîìêîñòü èñïîëíåíèÿ èëè âîñïðîèçâåäåíèÿ ïüåñû, íàõîäÿùåéñÿ âî âíóòðåííåé ïàìÿòè.
Ïðè ðàáîòå â íàóøíèêàõ óñòàíàâëèâàéòå íóæíóþ ãðîìêîñòü ðåãóëÿòîðîì [Volume].
1. Ðåãóëÿòîðîì [Volume] óñòàíîâèòå íóæíóþ ãðîìÏèòàíèå èíñòðóìåíòà âêëþ÷èòñÿ, è çàãîðÿòñÿ èíäèêàòîðû
êíîïîê [Piano] è [Reverb].
Ñïóñòÿ íåáîëüøîé ïðîìåæóòîê âðåìåíè èíñòðóìåíò áóäåò ãîòîâ ê ðàáîòå.
êîñòü.
Èãðàÿ íà êëàâèàòóðå, îòðåãóëèðóéòå ãðîìêîñòü çâó÷àíèÿ
èíñòðóìåíòà.
Âðàùåíèå ðåãóëÿòîðà âïðàâî óâåëè÷èâàåò ãðîìêîñòü,
âëåâî – ïîíèæàåò.
fig.VolMinMax.eps_88
Èíñòðóìåíò ñíàáæåí ñõåìîé çàùèòû. Ïîýòîìó ïîëíîå âêëþ÷åíèÿ èíñòðóìåíòà ïðîèñõîäèò ÷åðåç íåñêîëüêî ñåêóíä ïîñëå ïîäà÷è ïèòàíèÿ.
3. Ðåãóëÿòîðîì [Volume] óñòàíîâèòå íóæíûé óðî-
Ìåíüøå
Áîëüøå
âåíü ãðîìêîñòè.
21
Ïåðåä íà÷àëîì ðàáîòû
Ïåäàëè
Ïåäàëè èñïîëüçóþòñÿ, ãëàâíûì îáðàçîì, äëÿ èãðû çâóêîì
ôîðòåïèàíî. Èõ ôóíêöèè îïèñàíû íèæå.
fig.Pedals-e.eps_88
Ïåäàëü Soft
Ïåäàëü Sostenuto
Ïåäàëü Damper
Íà ïåäàëü Sostenuto è Soft ìîæíî íàçíà÷àòü òàêæå è
äðóãèå ôóíêöèè. Ñì. “Èçìåíåíèå ðåæèìîâ ðàáîòû
ïåäàëåé (Center/Left Pedal Function)” (ñòð. 51).
Ïðåæäå ÷åì ïîäñîåäèíèòü èëè îòñîåäèíèòü øíóð ïåäàëè, îòêëþ÷èòå ïèòàíèå F-110. Îòñîåäèíåíèå øíóðà
ïåäàëè âî âðåìÿ ðàáîòû èíñòðóìåíòà ìîæåò ïðèâåñòè ê "çàâèñàíèþ" ýôôåêòà, íàçíà÷åííîãî íà ïåäàëü.
Èñïîëüçîâàíèå íàóøíèêîâ
Óäåðæèâàåò çâó÷àíèå èñïîëíÿåìûõ íîò.
Íàëè÷èå íàóøíèêîâ ïîçâîëÿåò èãðàòü íà èíñòðóìåíòå â
ëþáîå âðåìÿ ñóòîê, íå áåñïîêîÿ îêðóæàþùèõ. F-110 ïðåäóñìàòðèâàåò îäíîâðåìåííîå ïîäêëþ÷åíèå äâóõ ïàð íàóøíèêîâ, òàê êàê èìååò äâà ðàçúåìà. Ýòî î÷åíü óäîáíî äëÿ
çàíÿòèé è ïðè èãðå â ÷åòûðå ðóêè.
Ïðè íàæàòèè íà ýòó ïåäàëü íîòû ïðîäîëæàþò çâó÷àòü äàæå ïîñëå îòïóñêàíèÿ êëàâèø.
Åñëè èñïîëüçóåòñÿ òîëüêî îäíà ïàðà íàóøíèêîâ, ïîäêëþ÷èòå èõ ê ëþáîìó èç äâóõ ñîîòâåòñòâóþùèõ ðàçúåìîâ.
Ïåäàëü Damper (ïðàâàÿ)
Ïðîäîëæèòåëüíîñòü çâó÷àíèÿ çàâèñèò îò ñèëû íàæàòèÿ íà
ïåäàëü.
Íà àêóñòè÷åñêîì ôîðòåïèàíî íàæàòèå äåìïôåðíîé ïåäàëè îòîäâèãàåò äåìïôåð, ÷òî îáåñïå÷èâàåò áîãàòûé îáùèé
ðåçîíàíñ ñòðóí. F-110 èìèòèðóåò ýòó îñîáåííîñòü àêóñòè÷åñêîãî ôîðòåïèàíî.
fig.Headphones-e.eps_88
Íàóøíèêè
Çâó÷àíèå ðåçîíàíñà ñòðóí ìîæåò áûòü èçìåíåíî.
Ñì. ñòð. 54.
Ïåäàëü Sostenuto (öåíòðàëüíàÿ)
Óäåðæèâàåò íîòû, êîòîðûå óæå çâó÷àëè â ìîìåíò íàæàòèÿ
ïåäàëè.
Ïåäàëü Soft (ëåâàÿ)
Ýòà ïåäàëü èñïîëüçóåòñÿ äëÿ ñìÿã÷åíèÿ çâóêà.
Ïðè íàæàòèè ïåäàëè çâóê ïðèãëóøàåòñÿ. Ýòî ñîîòâåòñòâóåò äåéñòâèþ ëåâîé ïåäàëè àêóñòè÷åñêîãî ôîðòåïèàíî.
Ìÿãêîñòü çâó÷àíèÿ òåìáðà ìîæåò èçìåíÿòüñÿ â çàâèñèìîñòè îò ñèëû íàæàòèÿ íà ïåäàëü.
1. Ïîäêëþ÷èòå íàóøíèêè ê ðàçúåìó, íàõîäÿùåìóñÿ íà íèæíåé ïàíåëè ñëåâà.
Åñëè ïîäêëþ÷åíû õîòÿ áû îäíè íàóøíèêè, òî äèíàìèêè
F-110 îòêëþ÷àþòñÿ.
2. Óðîâåíü ãðîìêîñòè â íàóøíèêàõ óñòàíàâëèâàåòñÿ ðåãóëÿòîðîì [Volume] (ñòð. 21).
22
Ïåðåä íà÷àëîì ðàáîòû
Çàìå÷àíèÿ ïî èñïîëüçîâàíèþ íàóøíèêîâ
• Íàóøíèêè òðåáóþò àêêóðàòíîãî îáðàùåíèÿ. Âî èçáåæàíèå
ïîâðåæäåíèÿ êàáåëÿ áåðèòåñü òîëüêî çà ãàðíèòóðó èëè çà
ðàçúåì.
• Íàóøíèêè ìîãóò âûéòè èç ñòðîÿ, åñëè âî âðåìÿ ïîäêëþ÷åíèÿ óðîâåíü ãðîìêîñòè áûë ñëèøêîì âûñîêèì. Ïåðåä
ïîäêëþ÷åíèåì íàóøíèêîâ íå çàáóäüòå óñòàíîâèòü ãðîìêîñòü â ìèíèìóì.
• Âî èçáåæàíèå ïðîáëåì ñî ñëóõîì èëè ñ íàóøíèêàìè íå çàâûøàéòå ãðîìêîñòü. Ðàáîòàéòå íà ðàçóìíîì óðîâíå ãðîìêîñòè.
• Èñïîëüçóéòå íàóøíèêè ñî ñòåðåîäæåêîì 1/4".
Èñïîëüçîâàíèå äåðæàòåëÿ
íàóøíèêîâ
Åñëè íàóøíèêè íå èñïîëüçóþòñÿ, èõ ìîæíî ïîâåñèòü íà
ñïåöèàëüíî ïðåäóñìîòðåííûé äåðæàòåëü.
Óñòàíîâêà äåðæàòåëÿ íàóøíèêîâ
1. Âñòàâüòå ïðèëàãàåìûé äåðæàòåëü â ñïåöèàëüíîå îòâåðñòèå íà íèæíåé ïàíåëè ñëåâà (ñì. ðèñ.)
è çàêðóòèòå åãî.
2. Çàôèêñèðóéòå ïîëîæåíèå äåðæàòåëÿ ñ ïîìîùüþ ãàéêè-áàðàøêà.
fig.Bottom-hook.eps_88
Äåðæàòåëü íàóøíèêîâ
Íå âåøàéòå íà äåðæàòåëü íè÷åãî, êðîìå íàóøíèêîâ.
 ïðîòèâíîì ñëó÷àå ìîæíî ïîâðåäèòü äåðæàòåëü
èëè ñàì èíñòðóìåíò.
23
Èñïîëíåíèå
Èñïîëíåíèå ðàçëè÷íûìè
çâóêàìè
F-110 èìååò áîëåå 300 âñòðîåííûõ çâóêîâ, êîòîðûå ïîçâîëÿþò ðàáîòàòü â ðàçëè÷íûõ ìóçûêàëüíûõ ñòèëÿõ.
Ýòè çâóêè íàçûâàþòñÿ òåìáðàìè. Îíè ðàçäåëåíû íà 4
ãðóïïû, êàæäîé èç êîòîðûõ ñîîòâåòñòâóåò ñâîÿ êíîïêà
Tone.
Ïðè âêëþ÷åíèè èíñòðóìåíòà àâòîìàòè÷åñêè âûáèðàåòñÿ
òåìáð "Grand Piano 1".
fig.SoundSelect.eps_88
Áëîêèðîâêà êíîïîê ïàíåëè
Ñ ïîìîùüþ ôóíêöèè Panel Lock ìîæíî çàáëîêèðîâàòü âñå êíîïêè âî èçáåæàíèå ñëó÷àéíûõ èçìåíåíèé
ïàðàìåòðîâ â ïðîöåññå èñïîëíåíèÿ. Ñì. “Áëîêèðîâêà êíîïîê ïàíåëè (Panel Lock)” (ñòð. 61).
Íàñòðîéêà ÷óâñòâèòåëüíîñòè
êëàâèàòóðû (Key Touch)
Ïðåäóñìîòðåíà âîçìîæíîñòü âûáîðà ÷óâñòâèòåëüíîñòè
(æåñòêîñòè) êëàâèø, ÷òîáû àäàïòèðîâàòü êëàâèàòóðó ïîä
êîíêðåòíîãî èñïîëíèòåëÿ.
fig.KeyTouch.eps_88
1. Íàæàâ êíîïêó Tone, âûáåðèòå ãðóïïó òåìáðîâ.
Ïðîçâó÷èò òåìáð íîìåð 1 âûáðàííîé ãðóïïû. Ïîèãðàéòå
íà êëàâèàòóðå.
Äèñïëåé îòîáðàçèò íàçâàíèå è íîìåð òåêóùåãî òåìáðà.
fig.d-1.eps_88
1. Óäåðæèâàÿ êíîïêó [Transpose], íàæìèòå êíîïêó
[Split].
2. Êíîïêàìè [-]/[+] âûáåðèòå íóæíûé òåìáð èç
Äèñïëåé îòîáðàçèò òåêóùóþ óñòàíîâêó Key Touch.
ãðóïïû.
Ïðè èãðå íà êëàâèàòóðå çàçâó÷èò âûáðàííûé òåìáð.
Ïðè ñëåäóþùåì âûáîðå äàííîé ãðóïïû ïî óìîë÷àíèþ áóäåò óñòàíàâëèâàòüñÿ èìåííî ýòîò òåìáð.
2. Ïðîäîëæàÿ óäåðæèâàòü [Transpose] è [Split], íàæìèòå êíîïêó [–] èëè [+] äëÿ ñìåíû çíà÷åíèÿ.
fig.d–M-.eps_88
fig.d-5.eps_88
Äèñïëåé
 ñëó÷àå îòñóòñòâèÿ êàêîé-ëèáî àêòèâíîñòè èíñòðóìåíòà ÷åðåç íåêîòîðûé ïðîìåæóòîê âðåìåíè äèñïëåé ïåðåéäåò â ñëåäóþùèé ðåæèì.
Îïèñàíèå
Çâóê èìååò îäèíàêîâóþ ãðîìêîñòü, íåçàâèñèìî îò ñêîðîñòè íàæàòèÿ êëàâèø.
Fixed
fig.nanimo.eps_88
Ñàìàÿ âûñîêàÿ ÷óâñòâèòåëüíîñòü êëàâèàòóðû.
Super Light
Îòíîñèòåëüíî òåìáðîâ ñì. “Ñïèñîê òåìáðîâ”
(ñòð. 69).
Light
Ñóùåñòâóþò òåìáðû, â êîòîðûõ íåêîòîðûå êëàâèøè
íå çâó÷àò.
24
Ïîçâîëÿåò äîñòèãíóòü ôîðòèññèìî ìåíüøèìè óñèëèÿìè, ÷åì ïðè óñòàíîâêå
“Medium”. Îñîáåííî óäîáíî èñïîëüçîâàòü
ýòîò ðåæèì äëÿ äåòåé.
Èñïîëíåíèå
Äèñïëåé
Îïèñàíèå
Ñòàíäàðòíàÿ ÷óâñòâèòåëüíîñòü, òèòïè÷íàÿ äëÿ àêóñòè÷åñêîãî ôîðòåïèàíî.
Medium
Heavy
Íèçêàÿ ÷óâñòâèòåëüíîñòü êëàâèàòóðû.
Äëÿ èãðû ôîðòèññèìî íà êëàâèøè íàäî
íàæèìàòü ñ áîëüøåé ñèëîé, ÷åì ïðè óñòàíîâêå “Medium”. Ïîçâîëÿåò óñèëèòü ýêñïðåññèâíîñòü èñïîëíåíèÿ.
Èçìåíåíèå ãëóáèíû ýôôåêòà
ðåâåðáåðàöèè
Ïðåäóñìîòðåí âûáîð 10 óðîâíåé ãëóáèíû ýôôåêòà ðåâåðáåðàöèè.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæèìàéòå êíîïêó
[–] èëè [+].
Çíà÷åíèå ãëóáèíû ðåâåðáåðàöèè îòîáðàçèòñÿ íà äèñïëåå.
Î÷åíü íèçêàÿ ÷óâñòâèòåëüíîñòü êëàâèàòóðû.
fig.d-4.eps_88
Super Heavy
3. Îòïóñòèòå êíîïêè [Transpose] è [Shift].
Äàííóþ óñòàíîâêó ìîæíî ñîõðàíèòü âî âíóòðåííþþ
ïàìÿòü ñ ïîìîùüþ ôóíêöèè Memory Backup (ñòð. 59).
Äîáàâëåíèå ê çâóêàì
ðåâåðáåðàöèè (Reverb Effect)
Äàííóþ óñòàíîâêó ìîæíî ñîõðàíèòü âî âíóòðåííþþ
ïàìÿòü ñ ïîìîùüþ ôóíêöèè Memory Backup (ñòð. 59).
Íåëüçÿ âûáèðàòü èíäèâèäóàëüíûå óñòàíîâêè ãëóáèíû ðåâåðáåðàöèè äëÿ êàæäîãî òåìáðà.
Ýôôåêò ïðèìåíÿåòñÿ ñ îäèíàêîâîé ãëóáèíîé êî âñåì
òåìáðàì.
Äàííàÿ óñòàíîâêà íå âëèÿåò íà ãëóáèíó ðåâåðáåðàöèè âîñïðîèçâîäèìîé ïüåñû.
Çâóê èíñòðóìåíòà ìîæíî îáðàáîòàòü ýôôåêòîì ðåâåðáåðàöèè.  ýòîì ñëó÷àå ñîçäàåòñÿ îùóùåíèå èãðû â êîíöåðòíîì çàëå èëè äðóãîì ïîìåùåíèè.
fig.Reverb.eps_88
1. Íàæìèòå êíîïêó [Reverb], ÷òîáû åå èíäèêàòîð
çàãîðåëñÿ.
Åñëè ïðè âêëþ÷åíèè F-110 êíîïêà óæå ãîðèò, íàæèìàòü íà
íåå íå òðåáóåòñÿ.
Ïîèãðàéòå íà êëàâèàòóðå èíñòðóìåíòà. Ýôôåêò ðåâåðáåðàöèè âîçäåéñòâóåò íà âåñü òåìáð.
Âûêëþ÷åíèå ýôôåêòà ðåâåðáåðàöèè
1. Íàæìèòå êíîïêó [Reverb], ÷òîáû åå èíäèêàòîð
ïîãàñ.
Ýôôåêò ðåâåðáåðàöèè íåäîñòóïåí, åñëè äëÿ ïàðàìåòðà Twin Piano Mode âûáðàíî çíà÷åíèå “2”.
25
Èñïîëíåíèå
Èçìåíåíèå âûñîòû
êëàâèàòóðû (Transpose)
Ôóíêöèÿ "Transpose" ïîçâîëÿåò ïðè íåîáõîäèìîñòè èçìåíÿòü òîíàëüíîñòü, íå ìåíÿÿ ïðèâû÷íîé àïïëèêàòóðû.
Òðàíñïîíèðîâàíèå ìîæíî èñïîëüçîâàòü ïðè àêêîìïàíèðîâàíèè, èçìåíÿÿ ñòðîé â ñîîòâåòñòâèè ñ äèàïàçîíîì âîêàëèñòà.
Ýòà ôóíêöèÿ òàêæå ïîçâîëÿåò èñïîëíÿòü ïüåñû ñ áîëüøèì
êîëè÷åñòâîì äèåçîâ ( ) èëè áåìîëåé ( ) â òîíàëüíîñòè
ñ áîëåå ëåãêîé àïïëèêàòóðîé.
fig.Transp.eps_88
Óäåðæèâàÿ êíîïêó [Transpose] è îäíîâðåìåííî íàæàâ êíîïêè [-] è [+], ìîæíî âåðíóòü èíñòðóìåíòó åãî
îðèãèíàëüíûé ñòðîé (óñòàíîâêà 0).
Åñëè Transpose Mode óñòàíîâèòü â “Sng” (òðàíñïîíèðîâàíèå òîëüêî âîñïðîèçâîäÿùåéñÿ ïüåñû), òðàíñïîíèðîâàíèå êëàâèàòóðû ñòàíîâèòñÿ íåäîñòóïíî.
Åñëè èíòåðâàë òðàíñïîíèðîâàíèÿ çàäàåòñÿ ñ ïîìîùüþ êëàâèàòóðû, òî ïðè íàæàòèè íåñêîëüêèõ êëàâèø
ýòà óñòàíîâêà îêàæåòñÿ íåêîððåêòíîé.
×òîáû ïîñìîòðåòü, êîððåêòíî ëè áûëî ââåäåííî çíà÷åíèå, îòïóñòèòå êíîïêó [Transpose] è âíîâü íàæìèòå
åå.
Ïðè îòêëþ÷åíèè ïèòàíèÿ èëè âûáîðå äðóãîé ïüåñû
çíà÷åíèå òðàíñïîíèðîâàíèÿ âîçâðàùàåòñÿ â “0”.
F-110 ïðåäóñìàòðèâàåò âîçìîæíîñòü òðàíñïîíèðîâàíèÿ
âûñîòû òîëüêî êëàâèàòóðû, êëàâèàòóðû è ïüåñû îäíîâðåìåííî èëè òîëüêî ïüåñû (Playback Transpose; ñòð. 35)
(Transpose Mode; ñòð. 49).
Ñîãëàñíî çàâîäñêèì óñòàíîâêàì ïðè âêëþ÷åíèè èíñòðóìåíòà ïî óìîë÷àíèþ òðàíñïîíèðîâàíèå ïðèìåíÿåòñÿ ê
êëàâèàòóðå è ïüåñå îäíîâðåìåííî.
1. Óäåðæèâàÿ êíîïêó [Transpose], íàæìèòå êëàâèøó, ñîîòâåòñòâóþùóþ òîíèêå òðåáóåìîé òîíàëüíîñòè (â ýòîì ñëó÷àå âçÿòàÿ íîòà íå çâó÷èò.)
Ïðè íàæàòîé êíîïêå [Transpose] íà äèñïëåå îòîáðàæàåòñÿ
èíòåðâàë òðàíñïîíèðîâàíèÿ.
fig.d-0.eps_88
Óñòàíîâêè òðàíñïîíèðîâàíèÿ ìîæíî èçìåíÿòü, óäåðæèâàÿ êíîïêó [Transpose] è íàæèìàÿ êíîïêè [-] èëè
[+].
Äîñòóïíûé äèàïàçîí çíà÷åíèé: -6 – 0 – 5 (ñ øàãîì â ïîëóòîí).
Ïðè âûáîðå çíà÷åíèÿ, îòëè÷íîãî îò 0, êíîïêà [Transpose]
ãîðèò.  ýòîì ñëó÷àå ñ åå ïîìîùüþ ìîæíî âêëþ÷àòü è îòêëþ÷àòü ôóíêöèþ òðàíñïîíèðîâàíèÿ.
Ïîñëå îòïóñêàíèÿ êíîïêè [Transpose] äèñïëåé âåðíåòñÿ ê
ïðåäûäóùåìó ýêðàíó.
26
Ïðèìåð: èñïîëíåíèå ïüåñû â Ìè-ìàæîð
ïîñëå òðàíñïîíèðîâàíèÿ èç Äî-ìàæîð
Óäåðæèâàÿ êíîïêó [Transpose], íàæìèòå êëàâèøó E (ïîñêîëüêó E ÿâëÿåòñÿ òîíèêîé).
Åñëè ïðèíÿòü íîòó Ñ çà òî÷êó îòñ÷åòà, òî èíòåðâàë ìåæäó
íåé è íîòîé Å ñîñòàâèò 4 êëàâèøè, âêëþ÷àÿ ÷åðíûå (4 ïîëóòîíà ââåðõ). Ïîýòîìó äèñïëåé îòîáðàçèò "4".
fig.Transpose.eps_88
Ñûãðàíî
CEG
Çâó÷èò
EG #B
Èñïîëíåíèå
Èñïîëíåíèå ñ íàëîæåíèåì
äâóõ òåìáðîâ (Dual Play)
Ñ ïîìîùüþ îäíîé êëàâèøè ìîæíî âîñïðîèçâîäèòü äâà
òåìáðà îäíîâðåìåííî. Ýòîò ðåæèì íàçûâàåòñÿ "Dual Play”.
Íàïðèìåð, ïîïðîáóåì íàëîæèòü çâóêè ôîðòåïèàíî è
ñòðóííûõ.
fig.SoundSelect.eps_88
1. Óäåðæèâàÿ êíîïêó [Piano], íàæìèòå êíîïêó
Îòêëþ÷åíèå ðåæèìà Dual Play
1. Íàæìèòå îäíó èç êíîïîê Tone.
Áóäåò âîñïðîèçâîäèòüñÿ òîëüêî òåìáð, ñîîòâåòñòâóþùèé
íàæàòîé êíîïêå.
Âûñîòó çâó÷àíèÿ òåìáðà Tone 2 â äàííûé ìîìåíò
ìîæíî èçìåíèòü íà îêòàâó. Ñì. “Èçìåíåíèå âûñîòû
çâó÷àíèÿ òåìáðà ñ øàãîì â îêòàâó (Octave Shift)”
(ñòð. 49).
 ðåæèìå Dual ïðè íàæàòèè íà ïåäàëü Damper ýôôåêò âîçäåéñòâóåò íà îáà òåìáðà – Tone 1 è Tone 2.
Îäíàêî, ýòà óñòàíîâêà ìîæåò áûòü èçìåíåíà ñ òåì,
÷òîáû ýôôåêò âîçäåéñòâîâàë òîëüêî íà îäèí èç òåìáðîâ. Ñì. “Èçìåíåíèå ñïîñîáà âîçäåéñòâèÿ ïåäàëè
Damper (Damper Pedal Part)” (ñòð. 51).
[Strings].
Èíäèêàòîðû îáåèõ êíîïîê çàãîðÿòñÿ.
Ïîèãðàéòå íà êëàâèàòóðå. Çâóêè ôîðòåïèàíî è ñòðóííûõ
çâó÷àò îäíîâðåìåííî.
Îäíîâðåìåííîå íàæàòèå äâóõ êíîïîê Tone àêòèâèçèðîâàëî â äàííîé ñèòóàöèè ðåæèì Dual Play.
 çàâèñèìîñòè îò êîìáèíàöèè âûáðàííûõ òåìáðîâ,
âòîðîé òåìáð ìîæåò íå îáðàáàòûâàòüñÿ ýôôåêòàìè.
Èçìåíåíèå âàðèàöèè òåìáðà
Òåìáð, íàçíà÷åííûé íà ëåâóþ êíîïêó, íàçûâàåòñÿ "Tone
1", íà ïðàâóþ – "Tone 2”.
Èçìåíåíèå òåìáðà Tone 1
 ðåæèìàõ Split èëè Twin Piano ðåæèì Dual íåäîñòóïåí.
1. Íàæìèòå êíîïêó [–] èëè [+].
Óñòàíîâêà áàëàíñà ãðîìêîñòè äâóõ òåìáðîâ îïèñàíà
íà ñòð. 48.
Èçìåíåíèå òåìáðà Tone 2
1. Óäåðæèâàÿ êíîïêó Tone òåìáðà Tone 2 (ñàìóþ
ïðàâóþ èç ïîäñâå÷åííûõ êíîïîê Tone), íàæìèòå
êíîïêó [-] èëè [+].
27
Èñïîëíåíèå
Èãðà ñ èñïîëüçîâàíèåì ðàçëè÷íûõ òåìáðîâ â ëåâîé è ïðàâîé
ñåêöèÿõ êëàâèàòóðû (Split Play)
Èñïîëíåíèå íà êëàâèàòóðå, ðàçäåëåííîé íà ëåâóþ è ïðàâóþ ÷àñòè, íàçûâàåòñÿ èãðîé ñ ðàçäåëåíèåì êëàâèàòóðû ("Split Play").
Íîòà, êîòîðàÿ äåëèò êëàâèàòóðó íà äâå ÷àñòè, íàçûâàåòñÿ òî÷êîé ðàçäåëà êëàâèàòóðû ("Split Point").
Ïî óìîë÷àíèþ òî÷êîé ðàçäåëà êëàâèàòóðû ÿâëÿåòñÿ “F
3.” Ñîîòâåòñòâóþùàÿ åé êëàâèøà îòíîñèòñÿ ê ëåâîé ÷àñòè êëàâèàòóðû.
Çâóê ïðàâîé ñåêöèè êëàâèàòóðû íàçûâàåòñÿ "òåìáðîì ïðàâîé ðóêè", ëåâîé ñåêöèè – "òåìáðîì ëåâîé ðóêè".
fig.SplitPoint-e.eps_88
Òî÷êà ðàçäåëà (ïî óìîë÷àíèþ: F3)
A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 …
C3
Òåìáð ëåâîé ðóêè
 êà÷åñòâå ïðèìåðà ïîïðîáóåì ïîèãðàòü â ðåæèìå Split
Play, èñïîëüçóÿ òåìáð ôîðòåïèàíî (êíîïêà [Piano]).
fig.SplitF-110.eps_88
C4
C5
B7 C8
Òåìáð ïðàâîé ðóêè
Ïåðåêëþ÷åíèå ãðóïï è âàðèàöèé
òåìáðîâ
Ñìåíà òåìáðà ïðàâîé ðóêè
1. Êíîïêîé Tone âûáåðèòå ãðóïïó òåìáðîâ.
1. Íàæìèòå êíîïêó [Piano].
Áóäåò âûáðàí òåìáð ôîðòåïèàíî.
2. Íàæìèòå êíîïêó [-] èëè [+] äëÿ âûáîðà âàðèàöèè
òåìáðà.
2. Íàæìèòå êíîïêó [Split], ÷òîáû åå èíäèêàòîð çàãîðåëñÿ.
Ñìåíà òåìáðà ëåâîé ðóêè
Êëàâèàòóðà ðàçäåëèòñÿ íà ëåâóþ è ïðàâóþ ñåêöèè ñ òî÷êîé ðàçäåëà F 3.
1. Óäåðæèâàÿ êíîïêó [Split], êíîïêîé Tone âûáåðè-
 ñåêöèè ïðàâîé ðóêè êëàâèàòóðû èñïîëüçóåòñÿ òåìáð
ôîðòåïèàíî, â ñåêöèè ëåâîé ðóêè – òåìáð “A.
Bass+Cymbal”.
òå ãðóïïó òåìáðîâ.
2. Óäåðæèâàÿ êíîïêó [Split], íàæìèòå êíîïêó [-]
èëè [+] äëÿ âûáîðà âàðèàöèè òåìáðà.
Îòêëþ÷åíèå ðåæèìà Split Play
1. Íàæìèòå êíîïêó [Split], ÷òîáû åå èíäèêàòîð ïîãàñ.
Òåìáð ïðàâîé ðóêè ðàñïðîñòðàíèòñÿ íà âñþ êëàâèàòóðó.
Ïðè ïåðåõîäå èç ðåæèìà Dual Play (ñòð. 27) â ðåæèì
Split Play òåìáð Tone 1, èñïîëüçîâàâøèéñÿ â Dual Play,
íàçíà÷àåòñÿ íà òåìáð ïðàâîé ðóêè â ðåæèìå Split
Play.
28
 äàííûé ìîìåíò ìîæíî èçìåíèòü âûñîòó çâó÷àíèÿ
òåìáðà ëåâîé ðóêè íà îêòàâó. Ñì. “Èçìåíåíèå âûñîòû çâó÷àíèÿ òåìáðà ñ øàãîì â îêòàâó (Octave Shift)”
(ñòð. 49).
Èñïîëíåíèå
Ñìåíà òî÷êè ðàçäåëà êëàâèàòóðû
Ìîæíî âûáðàòü äðóãóþ òî÷êó ðàçäåëà êëàâèàòóðû (íîòó,
êîòîðàÿ äåëèò êëàâèàòóðó íà äâå ñåêöèè) â èíòåðâàëå
ìåæäó Â1 è Â6.
Ïî óìîë÷àíèþ óñòàíàâëèâàåòñÿ òî÷êà ðàçäåëà “F
Îòîáðàæåíèå òî÷êè ðàçäåëà
3”.
Ïðè îòîáðàæåíèè òî÷êè ðàçäåëà íà äèñïëåé âûâîäèòñÿ èìÿ íîòû è ÷èñëî, ñîîòâåòñòâóþùåå îêòàâå.
1. Óäåðæèâàÿ êíîïêó [Split], íàæìèòå êëàâèøó,
÷òîáû âûáðàòü íîâóþ òî÷êó ðàçäåëà.
Âûáðàííàÿ íîòà ñòàíåò òî÷êîé ðàçäåëà êëàâèàòóðû; íà
äèñïëåå îòîáðàçèòñÿ åå íàçâàíèå.
fig.d-C3.eps_88
Èìÿ íîòû Îêòàâà
Äèñïëåé
Èìÿ íîòû
Äèñïëåé
Èìÿ íîòû
Êëàâèøà òî÷êè ðàçäåëà ïðèíàäëåæèò ê ñåêöèè ëåâîé ðóêè êëàâèàòóðû.
C
F
Ïîñëå îòïóñêàíèÿ êëàâèøè äèñïëåé âåðíåòñÿ â ïðåæíåå
ñîñòîÿíèå.
C
G
D
A
E
A
E
B
F
B
Äàííóþ óñòàíîâêó ìîæíî ñîõðàíèòü âî âíóòðåííþþ
ïàìÿòü ñ ïîìîùüþ ôóíêöèè Memory Backup (ñòð. 59).
fig.SplitPoint-3-e.eps_88
Òî÷êà ðàçäåëà (ïî óìîë÷àíèþ: F3)
A0
C1
B1 C2
C3
C4
C5
C6
B6 C7
C8
Äîñòóïíûé äèàïàçîí âûáîðà òî÷êè ðàçäåëà (B1 – B6)
29
Èñïîëíåíèå
Èñïîëüçîâàíèå ìåòðîíîìà
Âî âðåìÿ èñïîëíåíèÿ ìîæíî èñïîëüçîâàòü ìåòðîíîì.
F-110 îñíàùåí ìíîãîôóíêöèîíàëüíûì ìåòðîíîìîì ñ ðåãóëèðîâêîé ãðîìêîñòè è ðàçìåðà.
Ñìåíà òåìïà
1. Íàæìèòå êíîïêó [Song] íåñêîëüêî ðàç, ïîêà íà
äåñïëåé íå âûâåäåòñÿ çíà÷åíèå òåìïà.
fig.SongPlusMin.eps_88
Ïðè âîñïðîèçâåäåíèè ïüåñû ìåòðîíîì çâó÷èò ñîãëàñíî
åå òåìïó è ðàçìåðó.
fig.MetroF-110.eps_88
Êíîïêà [Song] çàãîðèòñÿ, è äèñïëåé îòîáðàçèò ÷èñëîâîå
çíà÷åíèå òåìïà.
fig.d-108.eps_88
1. Íàæìèòå êíîïêó [Metronome], ÷òîáû åå èíäèêàòîð çàãîðåëñÿ.
Ìåòðîíîì íà÷íåò çâó÷àòü, è íà äèñïëåé íà íåêîòîðîå âðåìÿ âûâåäåòñÿ çíà÷åíèå òåêóùåãî òåìïà.
2. Êíîïêàìè [–] èëè [+] èçìåíèòå òåìï.
Èíäèêàòîð êíîïêè [Metronome] íà÷íåò ìèãàòü êðàñíûì è
çåëåíûì öâåòàìè â çàäàííîì ðàçìåðå è òåìïå.
Ñîîòâåòñòâèå ìåæäó ðàçìåðîì è òåìïîì
Êðàñíûé öâåò ñîîòâåòñòâóåò ñèëüíîé äîëå, çåëåíûé – ñëàáîé.
Ðàçìåð
Òåìï
2/2ı
= 5 – 250
x/4
ı
= 10 – 500
3/8
ı
6/8, 9/8, 12/8ı
= 20 – 999
Åñëè íèêàêèå îïåðàöèè íà èíñòðóìåíòå íå âûïîëíÿþòñÿ, òî ÷åðåç íåêîòîðîå âðåìÿ äèñïëåé îòîáðàçèò
ñëåäóþùåå.
= 7 – 333
fig.nanimo.eps_88
Èçìåíåíèå ðàçìåðà
1. Íàæìèòå êíîïêó [Song] íåñêîëüêî ðàç, ïîêà íà
äåñïëåé íå âûâåäåòñÿ çíà÷åíèå ðàçìåðà.
Îòêëþ÷åíèå ìåòðîíîìà
Çíà÷åíèå ðàçìåðà îòîáðàæàåòñÿ â ÷èñëàõ ñ òî÷êîé (“.”) â
ñåðåäèíå.
fig.d-44.eps_88
1. Íàæìèòå êíîïêó [Metronome].
30
Èñïîëíåíèå
2. Êíîïêàìè [–] èëè [+] èçìåíèòå ðàçìåð.
Óñòàíîâêà ãðîìêîñòè ìåòðîíîìà
Äèñïëåé
Ðàçìåð
Äèñïëåé
Ðàçìåð
Äîñòóïíû 11 óðîâíåé ðåãóëèðîâêè ãðîìêîñòè ìåòðîíîìà.
2/2
6/4
Ïðè âêëþ÷åíèè ïèòàíèÿ âûáèðàåòñÿ óðîâåíü “5”.
fig.PlusMinMetro.eps_88
Çâó÷àò
òîëüêî ñëàáûå äîëè.
7/4
2/4
3/8
3/4
6/8
4/4
9/8
5/4
12/8
1. Óäåðæèâàÿ êíîïêó [Metronome], íàæìèòå êíîïêó [-] èëè [+].
Íà äèñïëåå îòîáðàçèòñÿ óðîâåíü ãðîìêîñòè ìåòðîíîìà.
fig.d-5.eps_88
Ïðè âûáîðå çíà÷åíèÿ "0" ìåòðîíîì íå ñëûøåí.
Çàïèñü èñïîëíåíèÿ îñóùåñòâëÿåòñÿ â çàäàííîì ðàçìåðå ìåòðîíîìà.
Ïðè âîñïðîèçâåäåíèè ïüåñû äëÿ ìåòðîíîìà âûáèðàåòñÿ åå ðàçìåð.
 ïðîöåññå âîñïðîèçâåäåíèÿ ïüåñû ðàçìåð ìåòðîíîìà èçìåíèòü íåâîçìîæíî.
Îòñ÷åò òàêòîâ ïåðåä íà÷àëîì
âîñïðîèçâåäåíèÿ
Ïðè èãðå âìåñòå ñî âñòðîåííîé ïüåñîé î÷åíü âàæíî âîâðåìÿ âñòóïèòü. Äëÿ ýòîãî ìîæíî âêëþ÷èòü ðåæèì, ïðè êîòîðîì ïåðåä íà÷àëîì âîñïðîèçâåäåíèÿ ìåòðîíîì áóäåò
îòñ÷èòûâàòü íåñêîëüêî òàêòîâ.
1. Íàæìèòå êíîïêó [
] ïðè âêëþ÷åííîì ìåò-
ðîíîìå.
Ïåðåä çàïóñêîì âîñïðîèçâåäåíèÿ ïüåñû ïðîçâó÷àò äâà
òàêòà ïðåäâàðèòåëüíîãî îòñ÷åòà.
Íå ïóòàéòå ïðåäâàðèòåëüíûé îòñ÷åò ("count-in") ñ
"count-down" – îòñ÷åòîì â êîíöå âñòóïèòåëüíîé ÷àñòè ïüåñû, ïåðåä íà÷àëîì ìåëîäèè (ñòð. 55).
31
Âîñïðîèçâåäåíèå ïüåñ
Ïðîñëóøèâàíèå ïüåñ
Ìîæíî ïðîñëóøàòü âñòðîåííûå (ïðåñåòíûå) ïüåñû èç
âíóòðåííåé ïàìÿòè. F-110 ñîäåðæèò 65 ïðåñåòíûõ ïüåñ.
fig.PlusMinPlaySong.eps_88
Åñëè ïüåñà íå ñîõðàíåíà
Åñëè çàïèñàííàÿ ïüåñà íå ñîõðàíåíà, òî ïðè âûáîðå
äðóãîé ïüåñû äèñïëåé îòîáðàçèò ñîîáùåíèå “dEL”.
fig.d-dEL.eps_88
Íåâîçìîæíî âîñïðîèçâîäèòü äðóãóþ ïüåñó, åñëè â
ïàìÿòè èíñòðóìåíòà èìååòñÿ íåñîõðàíåííàÿ.
Âûáîð ïüåñû
1. Íàæìèòå êíîïêó [Song] íåñêîëüêî ðàç, ïîêà íå
×òîáû ñòåðåòü íåñîõðàíåííóþ çàïèñü è çàïóñòèòü
âîñïðîèçâåäåíèå äðóãîé ïüåñû, íàæìèòå êíîïêó
[
]. Åñëè ñòèðàòü çàïèñü íå ñëåäóåò, íàæìèòå êíîïêó [
]. Ïðîöåäóðà ñîõðàíåíèÿ çàïèñè îïèñàíà
â ðàçäåëå “Ñîõðàíåíèå ïüåñ” (ñòð. 41).
îòîáðàçèòñÿ “USr” (èëè íîìåð, ïåðåä êîòîðûì
ñòîèò áóêâà “P” èëè “U”).
2. Êíîïêîé [-] èëè [+] âûáåðèòå ïüåñó.
Ýêðàí âûáîðà ïüåñ
fig.d-P05.eps_88
Ïðè êàæäîì íàæàòèè êíîïêè [–] èëè [+] èíôîðìàöèÿ íà ýêðàíå âûáîðà ïüåñ áóäåò ìåíÿòüñÿ.
fig.SongDisplay.eps_88
Çàïèñàííàÿ, íî íå ñîõðàíåííàÿ ïüåñà
Ïüåñà âî âíóò-
ðåííåé ïàìÿòè
Ïðåñåòíàÿ ïüåñà âî
âíóòðåííåé ïàìÿòè
Âîñïðîèçâåäåíèå ïüåñû
3. Íàæìèòå êíîïêó [
].
Çàïóñòèòñÿ âîñïðîèçâåäåíèå âûáðàííîé ïüåñû. Êîãäà
ïüåñà çàêîí÷èòñÿ, âîñïðîèçâåäåíèå îñòàíîâèòñÿ.
×òîáû îñòàíîâèòü âîñïðîèçâåäåíèå åùå ðàç íàæìèòå
êíîïêó [
].
Ïðè ñëåäóþùåì íàæàòèè êíîïêè [
] âîñïðîèçâåäåíèå çàïóñòèòñÿ ñ òî÷êè, â êîòîðîé áûëî îñòàíîâëåíî.
Ïåðåìîòêà âïåðåä è íàçàä
• Äëÿ ïåðåõîäà â íà÷àëî ñëåäóþùåé ïüåñû íàæìèòå êíîïêó
[+].
• Äëÿ ïåðåõîäà â íà÷àëî òåêóùåé ïüåñû íàæìèòå êíîïêó [–].
Åñëè óêàçàòåëü âîñïðîèçâåäåíèÿ óæå íàõîäèòñÿ â íà÷àëå
ïüåñû, ïðîèçîéäåò ïåðåõîä â íà÷àëî ïðåäûäóùåé ïüåñû.
• ×òîáû ïåðåìîòàòü òåêóùóþ ïüåñó âïåðåä, ïðè åå âîñïðîèçâåäåíèè íàæìèòå è óäåðæèâàéòå êíîïêó [+]. Ïðè íàæàòèè êíîïêè íà äèñïëåå â òå÷åíèè íåñêîëüêèõ ñåêóíä
îòîáðàæàåòñÿ íîìåð òàêòà
• ×òîáû ïåðåìîòàòü òåêóùóþ ïüåñó íàçàä, ïðè åå âîñïðîèçâåäåíèè íàæìèòå è óäåðæèâàéòå íàæàòîé êíîïêó [–].
32
Íîìåðà, íà÷èíàþùèåñÿ ñ “P”, ñîîòâåòñòâóþò ïðåñåòíûì
ïüåñàì (ñòð. 75).
Íîìåðà, íà÷èíàþùèåñÿ ñ “U”, ñîîòâåòñòâóþò ïüåñàì, ñîõðàíåííûì âî âíóòðåííþþ ïàìÿòü F-110.
Èíäèêàöèÿ “U.**” íå îòîáðàæàåòñÿ, åñëè â ïàìÿòè
èíñòðóìåíòà ïüåñû îòñóòñòâóþò.
Ñïèñîê âñòðîåííûõ ïüåñ ïðèâåäåí íà ñòð. 75.
Åñëè íà èíñòðóìåíòå íå âûïîëíÿþòñÿ íèêàêèå îïåðàöèè, òî ÷åðåç íåêîòîðîå âðåìÿ äèñïëåé îòîáðàçèò
ñëåäóþùåå.
fig.nanimo.eps_88
Âîñïðîèçâåäåíèå ïüåñ
Ïîñëåäîâàòåëüíîå âîñïðîèçâåäåíèå âñåõ ïüåñ (All Song Play)
Íèæå îïèñàíà ïðîöåäóðà ïîñëåäîâàòåëüíîãî âîñïðîèçâåäåíèÿ âñåõ ïüåñ âíóòðåííåé ïàìÿòè.
fig.PlusMinPlaySong.eps_88
Ïðîñëóøèâàíèå îòäåëüíûõ
ïàðòèé
Èíñòðóìåíò ïðåäóñìàòðèâàåò âîçìîæíîñòü âîñïðîèçâåäåíèÿ îòäåëüíûõ ïàðòèé âñòðîåííûõ ïüåñ. Ýòî î÷åíü
óäîáíî äëÿ çàíÿòèé. Íàïðèìåð, ìîæíî óïðàæíÿòüñÿ, èãðàÿ îäíîâðåìåííî ñ ïüåñîé, â êîòîðîé îòêëþ÷åíà ïàðòèÿ
îäíîé ðóêè.
fig.TrackSelectz.eps_88
1. Íàæìèòå êíîïêó [Song] íåñêîëüêî ðàç, ïîêà íå
îòîáðàçèòñÿ “USr” (èëè íîìåð, ïåðåä êîòîðûì
ñòîèò áóêâà “P” èëè “U”).
2. Êíîïêàìè [-]/[+] âûáåðèòå ïüåñó è îáëàñòü ïàìÿ-
Ïàðòèè ïüåñû íàçíà÷àþòñÿ íà êíîïêè ñëåäóþùèì îáðàçîì.
fig.TrackButtonz.eps_88
òè (“P” èëè “U”) äëÿ âîñïðîèçâåäåíèÿ ïåðâîé.
3. Óäåðæèâàÿ êíîïêó [Song], íàæìèòå êíîïêó
[
].
Äèñïëåé îòîáðàçèò "ALL", è çàïóñòèòñÿ ïîñëåäîâàòåëüíîå
âîñïðîèçâåäåíèå âñåõ ïüåñ, íà÷èíàÿ ñ âûáðàííîé.
Ïî îêîí÷àíèè ïîñëåäíåé ïüåñû íà÷íåòñÿ ïîâòîðíîå âîñïðîèçâåäåíèå ïüåñ, íà÷èíàÿ ñ ïåðâîé.
fig.d-ALL.eps_88
Ïüåñû âûáðàííîé îáëàñòè ïàìÿòè áóäóò âîñïðîèçâîäèòüñÿ öèêëè÷íî.
Ïàðòèÿ
àêêîìïàíåìåíòà
Ïàðòèÿ
ïðàâîé ðóêè
Ïàðòèÿ ëåâîé ðóêè
Ïàðòèÿ ëåâîé ðóêè íàçíà÷åíà íà êíîïêó [Strings],
ïðàâîé ðóêè – íà êíîïêó [Others], îñòàëüíûå ïàðòèè –
íà êíîïêó [E. Piano]. "Òðåêè" – ýòî äîðîæêè, â êîòîðûõ
ñîäåðæàòñÿ ìóçûêàëüíûå äàííûå.
1. Âûáåðèòå íóæíóþ ïüåñó (ñòð. 32).
2. Íàæìèòå êíîïêó [
4. ×òîáû îñòàíîâèòü âîñïðîèçâåäåíèå, íàæìèòå
êíîïêó [
], ÷òîáû çàïóñòèòü âîñ-
ïðîèçâåäåíèå ïüåñû.
], åå èíäèêàòîð ïîãàñíåò.
3. Óäåðæèâàÿ êíîïêó [
Ïîñëå íàæàòèÿ êíîïêè [
] âîñïðîèçâåäåíèå
îñòàíîâèòñÿ. Ïîâòîðíîå íàæàòèå êíîïêè [
]
âîçîáíîâèò âîñïðîèçâåäåíèå ñ òîé òî÷êè, â êîòîðîé
ïüåñà áûëà îñòàíîâëåíà (ïðè ýòîì ñëåäóþùàÿ ïüåñà
âîñïðîèçâîäèòüñÿ íå áóäåò). ×òîáû ñíîâà çàïóñòèòü
âîñïðîèçâåäåíèå âñåõ ïüåñ, óäåðæèâàÿ êíîïêó
[Song], íàæìèòå êíîïêó [
].
Ñïèñîê âñòðîåííûõ ïüåñ ïðèâåäåí íà ñòð. 75.
], íàæìèòå êíîïêó îò-
êëþ÷àåìîé ïàðòèè.
Íàæìèòå êíîïêó [E. Piano], [Strings] èëè [Others].
Èíäèêàòîð íàæàòîé êíîïêè ïîãàñíåò, à ñîîòâåòñòâóþùàÿ
åé ïàðòèÿ îòêëþ÷èòñÿ.
Åñëè òðåáóåòñÿ ðàçó÷èòü ïàðòèþ ïðàâîé ðóêè, óäåðæèâàÿ êíîïêó [
], íàæìèòå êíîïêó [Others],
÷òîáû åå èíäèêàòîð ïîãàñ. Ïðè âîñïðîèçâåäåíèè
äàííîé ïüåñû ïàðòèÿ ïðàâîé ðóêè áóäåò îòêëþ÷åíà.
Ïàðòèþ, êîòîðàÿ áóäåò îòêëþ÷àòüñÿ ïðè íàæàòèè íà
êíîïêó [E. Piano], ìîæíî âûáðàòü ñàìîñòîÿòåëüíî.
Ñì. ñòð. 56.
33
Âîñïðîèçâåäåíèå ïüåñ
Åñëè îòêëþ÷èòü àêêîìïàíåìåíò äî çàïóñêà âîñïðîèçâåäåíèÿ, òî âñòóïëåíèå çâó÷àòü íå áóäåò.
Èçìåíåíèå òåìïà ïüåñû
Òåìï âñòðîåííîé ïüåñû ìîæíî ìåíÿòü.
Ïðè ñìåíå ïüåñû óñòàíîâêè îòêëþ÷åíèÿ òðåêîâ ñáðàñûâàþòñÿ.
Íàïðèìåð, çàìåäëèâ òåìï, ìîæíî óïðîñòèòü ðàçó÷èâàíèå
ñëîæíûõ ïàññàæåé.
1. Íàæìèòå êíîïêó [Song] íåñêîëüêî ðàç, ïîêà íå
Èçìåíåíèå ãðîìêîñòè
âîñïðîèçâîäèìîé ïüåñû
îòîáðàçèòñÿ çíà÷åíèå òåìïà.
Èíäèêàòîð êíîïêè [Song] çàãîðèòñÿ, è äèñïëåé îòîáðàçèò
çíà÷åíèå òåìïà.
fig.d-108.eps_88
Íèæå îïèñàíà ïðîöåäóðà óñòàíîâêè ãðîìêîñòè âîñïðîèçâîäèìîé ïüåñû.
Äàííàÿ ôóíêöèÿ î÷åíü óäîáíà, íàïðèìåð, ïðè ðàçó÷èâàíèè íîâîãî ìàòåðèàëà. Îíà ïîçâîëÿåò óñòàíîâèòü íóæíûé
áàëàíñ ãðîìêîñòè ìåæäó êëàâèàòóðîé è çâó÷àíèåì âñòðîåííîé ïüåñû.
1. Óäåðæèâàÿ êíîïêó [
], íàæìèòå êíîïêó [–]
èëè [+].
Åñëè óäåðæèâàòü êíîïêó [
çíà÷åíèå ãðîìêîñòè.
], äèñïëåé îòîáðàçèò
Äèàïàçîí çíà÷åíèé: îò 0 äî 127.
fig.d-127.eps_88
2. Êíîïêàìè [-]/[+] èçìåíèòå òåìï.
Âîñïðîèçâåäåíèå ïüåñû â
ôèêñèðîâàííîì òåìïå (Tempo Mute)
 íåêîòîðûõ âñòðîåííûõ ïüåñàõ òåìï ìåíÿåòñÿ.
Èìååòñÿ âîçìîæíîñòü óñòàíîâèòü ïîñòîÿííûé òåìï äëÿ
òàêèõ ïüåñ.
1. Íàæìèòå êíîïêó [Song] íåñêîëüêî ðàç, ïîêà íå
îòîáðàçèòñÿ çíà÷åíèå òåìïà.
Ïðè âûêëþ÷åíèè èíñòðóìåíòà ãðîìêîñòü âîñïðîèçâåäåíèÿ ïüåñû âîçâðàùàåòñÿ ê çíà÷åíèþ “127”.
Èíäèêàòîð êíîïêè [Song] çàãîðèòñÿ, è äèñïëåé îòîáðàçèò
çíà÷åíèå òåìïà.
2. Óäåðæèâàÿ êíîïêó [Song], êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Êíîïêà
Äèñïëåé
Îïèñàíèå
[+]
Òî÷êà
Ïüåñà âîñïðîèçâîäèòñÿ â ôèêñèðîâàííîì òåìïå.
[–]
Áåç òî÷êè
Ïüåñà âîñïðîèçâîäèòñÿ ñ èçìåíåíèÿìè òåìïà, êîòîðûå áûëè èçíà÷àëüíî çàëîæåíû ïðè åå çàïèñè.
fig.d-120.eps_88
Îòîáðàæàåòñÿ ïðè
ôèêñèðîâàííîì òåìïå
Ïðè ñìåíå ïüåñ ôóíêöèÿ Tempo Mute îòêëþ÷àåòñÿ.
34
Âîñïðîèçâåäåíèå ïüåñ
Èçìåíåíèå òîíàëüíîñòè
âîñïðîèçâîäèìîé ïüåñû
(Playback Transpose)
Ôóíêöèÿ Playback Transpose ïîçâîëÿåò èçìåíÿòü òîíàëüíîñòü âîñïðîèçâîäèìîé ïüåñû.
fig.Transp.eps_88
1. Çàïóñòèòå âîñïðîèçâåäåíèå ïüåñû (ñòð. 32).
2. Óäåðæèâàÿ êíîïêó [Transpose], êíîïêàìè [-]/[+]
èçìåíèòå òîíàëüíîñòü.
Òîíàëüíîñòü èçìåíÿåòñÿ ñ øàãîì â ïîëóòîí.
Åñëè óäåðæèâàòü íàæàòîé êíîïêó [Transpose], óñòàíîâêà
ôóíêöèè Playback Transpose îòîáðàæàåòñÿ íà äèñïëåå.
Äèàïàçîí çíà÷åíèé: -6 – 0 – 5 (ñ øàãîì â ïîëóòîí). Ïðè âûáîðå çíà÷åíèÿ, îòëè÷íîãî îò "0", èíäèêàòîð êíîïêè
[Transpose] çàãîðàåòñÿ.
Èíòåðâàë òðàíñïîíèðîâàíèÿ òàêæå ìîæíî çàäàòü, óäåðæèâàÿ êíîïêó [Transpose] è âçÿâ íóæíóþ íîòó íà êëàâèàòóðå F-110.
Åñëè çíà÷åíèå òðàíñïîíèðîâàíèÿ îòëè÷àåòñÿ îò "0", ñ ïîìîùüþ êíîïêè [Transpose] ìîæíî âêëþ÷àòü/îòêëþ÷àòü
ôóíêöèþ Playback Transpose.
Åñëè óäåðæèâàòü êíîïêó [Transpose], òî îäíîâðåìåííî íàæàâ êíîïêè [-] è [+], ìîæíî óñòàíîâèòü îðèãèíàëüíîå çíà÷åíèå òðàíñïîíèðîâàíèÿ (0).
Ôóíêöèÿ Playback Transpose íåäîñòóïíà, åñëè ïàðàìåòð Transpose Mode (ñòð. 49) óñòàíîâëåí â “Kbd”
(Keyboard).
Ïðè âûáîðå íîâîé ïüåñû óñòàíîâêà òðàíñïîíèðîâàíèÿ âîçâðàùàåòñÿ ê çíà÷åíèþ “0”.
35
Çàïèñü
F-110 ïîçâîëÿåò áûñòðî çàïèñàòü èñïîëíåíèå.
Ìîæíî ïðîñëóøàòü ñäåëàííóþ çàïèñü, ÷òîáû îöåíèòü êà÷åñòâî èñïîëíåíèÿ, à òàêæå èãðàòü íà èíñòðóìåíòå ïîä ðàíåå çàïèñàííûé àêêîìïàíåìåíò.
Ïðåäóñìîòðåíû ñëåäóþùèå ðåæèìû çàïèñè.
Çàïèñü èñïîëíåíèÿ
Íèæå îïèñûâàòñÿ çàïèñü èñïîëíåíèÿ íà êëàâèàòóðå áåç
èñïîëüçîâàíèÿ âñòðîåííîé ïüåñû.
fig.RecordButtonz-i.eps_88
• Çàïèñü òîëüêî èñïîëíåíèÿ: ñòð. 36
• Çàïèñü íà âûáðàííûé òðåê: ñòð. 37
• Ïåðåçàïèñü: ñòð. 37
• Çàïèñü ïîä âñòðîåííóþ ïüåñó: ñòð. 39
Ïîäãîòîâêà ê çàïèñè
Âî âíóòðåííþþ ïàìÿòü ìîæíî çàïèñàòü òîëüêî îäíó
ïüåñó. Âòîðàÿ è ïîñëåäóþùèå ïüåñû áóäóò ïî ìåðå
çàïèñè óäàëÿòü ïðåäûäóùèé ìàòåðèàë. Ïîýòîìó ïåðåä çàïèñüþ íîâîé ïüåñû ñòàðóþ ðåêîìåíäóåòñÿ óäàëèòü (ñòð. 40).
fig.OverRec.eps_88
1. Íàæìèòå êíîïêó [Song] íåñêîëüêî ðàç, ïîêà íå
îòîáðàçèòñÿ “USr” (èëè íîìåð, ïåðåä êîòîðûì
ñòîèò áóêâà “P” èëè “U”).
Åñëè äèñïëåé îòîáðàæàåò òàêèå àááðåâèàòóðû, êàê “P.01”,
“U.01” (èëè äðóãîå çíà÷åíèå ïîñëå “P” èëè “U”), íàæèìàéòå
êíîïêó [–], ÷òîáû îòîáðàçèëîñü ñëåäóþùåå.
1-é ïðîõîä
2-é ïðîõîä
fig.d-USr.eps_88
Ðåçóëüòàò ïåðâîé
çàïèñè ñîõðàíåí
Åñëè ïüåñà íå ñîõðàíåíà
Åñëè çàïèñàííàÿ ïüåñà íå ñîõðàíåíà, òî ïðè âûáîðå
äðóãîé ïüåñû äèñïëåé îòîáðàçèò ñîîáùåíèå “dEL”.
fig.d-dEL.eps_88
Àááðåâèàòóðà "USr" òàêæå ìîæåò áûòü âûçâàíà è ñëåäóþùèì ñïîñîáîì: óäåðæèâàÿ êíîïêó [Song], íàæìèòå êíîïêó [
].
2. Âûáåðèòå òåìáð èñïîëíåíèÿ (ñòð. 24).
3. Ïðè íåîáõîäèìîñòè âêëþ÷èòå ìåòðîíîì.
Íàæìèòå êíîïêó [Metronome] (ñòð. 30).
Âûáåðèòå òåìï è ðàçìåð ïüåñû (ñòð. 30).
Íåâîçìîæíî âîñïðîèçâåñòè äðóãóþ ïüåñó, åñëè â ïàìÿòè èíñòðóìåíòà èìååòñÿ íåñîõðàíåííàÿ.
×òîáû ñòåðåòü íåñîõðàíåííóþ çàïèñü è çàïóñòèòü
âîñïðîèçâåäåíèå äðóãîé ïüåñû, íàæìèòå êíîïêó
[
]. Åñëè ñòèðàòü çàïèñü íå ñëåäóåò, íàæìèòå êíîïêó [
].
Ðåæèì ãîòîâíîñòè ê çàïèñè
4. Íàæìèòå êíîïêó [
].
Èíäèêàòîð êíîïêè [
] çàãîðèòñÿ; èíäèêàòîð êíîïêè
[
] íà÷íåò ìèãàòü è F-110 ïåðåéäåò â ðåæèì ãîòîâíîñòè ê çàïèñè.
Äëÿ îòìåíû çàïèñè âíîâü íàæìèòå êíîïêó [
36
].
Çàïèñü
Íà÷àëî çàïèñè
5. Íàæìèòå êíîïêó [
] èëè ïîèãðàéòå íà êëà-
âèàòóðå.
Ïîñëå äâóõ òàêòîâ îòñ÷åòà íà÷íåòñÿ çàïèñü.
Åñëè íà÷àòü èãðàòü, íå íàæèìàÿ êíîïêó [
íà÷èíàåòñÿ ñðàçó áåç îòñ÷åòà ìåòðîíîìà.
], çàïèñü
Âî âðåìÿ çàïèñè ãîðÿò èíäèêàòîðû êíîïîê [
[
].
]è
 ïðîöåññå îòñ÷åòà ìåòðîíîìà íà äèñïëåå ñíà÷àëà
ïîÿâèòñÿ ñîîáùåíèå "-2" (îñòàëîñü 2 òàêòà), çàòåì "-1"
(îñòàëñÿ 1 òàêò äî íà÷àëà çàïèñè).
Ðàçäåëüíàÿ çàïèñü ïàðòèé äëÿ
ðàçíûõ ðóê
Ñåêâåíñåð F-110 èìååò òðè òðåêà. Áëàãîäàðÿ èì èìååòñÿ
âîçìîæíîñòü îòäåëüíîé çàïèñè ïàðòèé êàæäîé ðóêè íà
ñîîòâåòñòâóþùèå òðåêè (íàïðèìåð, ïàðòèþ ïðàâîé ðóêè
ìîæíî çàïèñàòü íà òðåê êíîïêè [Strings], à ïàðòèþ ïðàâîé
ðóêè – íà òðåê êíîïêè [Others]. Êðîìå òîãî, ìîæíî ïåðåïèñàòü îïðåäåëåííûé òðåê óæå çàïèñàííîé ïüåñû.
Áîëåå òîãî, ìîæíî âûáðàòü òðåê àêêîìïàíåìåíòà êíîïêîé
[E. Piano].
fig.RECSep.eps_88
Îñòàíîâ çàïèñè
6. Íàæìèòå êíîïêó [
].
Çàïèñü îñòàíîâèòñÿ. Òàêæå ìîæíî íàæàòü êíîïêó [
].
Ïðîñëóøèâàíèå çàïèñàííîãî ìàòåðèàëà
7. Åñëè àááðåâèàòóðà “Usr.” íà äèñïëåå íå îòîáðàæàåòñÿ, íàæèìàéòå êíîïêó [Song] äî åå ïîÿâëåíèÿ.
Ñîîòâåòñòâèå ìåæäó êíîïêàìè è
çàïèñûâàåìûìè ïàðòèÿìè
Çàïèñûâàåìûå ïàðòèè íàçíà÷àþòñÿ íà êíîïêè òðåêîâ
ñëåäóþùèì îáðàçîì.
• Twin Piano (ñòð. 50), ðåæèì Split (ñòð. 28)
Çàïèñûâàåìàÿ ïàðòèÿ
8. Íàæìèòå êíîïêó [–].
Êíîïêà
Twin Piano
Ðåæèì Split
[Others]
Ïðàâàÿ ñåêöèÿ
Òåìáð ïðàâîé ðóêè
[Strings]
Ëåâàÿ ñåêöèÿ
Òåìáð ëåâîé ðóêè
Ïðîèçîéäåò ïåðåõîä â íà÷àëî çàïèñàííîé ïüåñû.
9. Íàæìèòå êíîïêó [
].
Çàïóñòèòñÿ âîñïðîèçâåäåíèå çàïèñàííîãî ìàòåðèàëà.
Åñëè íàæàòü êíîïêó [
] ïðè âêëþ÷åííîì ìåòðîíîìå, òî ïåðåä çàïóñêîì âîñïðîèçâåäåíèÿ ïðîçâó÷èò îòñ÷åò â äâà òàêòà.
10. ×òîáû îñòàíîâèòü âîñïðîèçâåäåíèå, åùå ðàç
íàæìèòå êíîïêó [
].
Ïîñëå âûêëþ÷åíèÿ èíñòðóìåíòà çàïèñàííàÿ ïüåñà
áóäåò óäàëåíà áåç âîçìîæíîñòè âîññòàíîâëåíèÿ. ×òîáû ýòîãî íå ïðîèçîøëî, ñîõðàíèòå åå âî âíóòðåííþþ
ïàìÿòü. Ñì. ñòð. 41.
• Îáû÷íûé ðåæèì èñïîëíåíèÿ (èãðà îäíèì
òåìáðîì) è èãðà ñ íàëîæåíèåì (ñòð. 27)
Ïðè çàïèñè íà îäèí òðåê
Çàïèñü ïðîèçâîäèòñÿ íà çàäàííûé òðåê.
Ïðè çàïèñè íåñêîëüêèõ òðåêîâ
Çàïèñü îñóùåñòâëÿåòñÿ â ñëåäóþùåì ïîðÿäêå:
Êíîïêà [Others] -> Êíîïêà [Strings] -> Êíîïêà
[E. Piano].
Åñëè çàïèñàííûé ìàòåðèàë íå ñîõðàíåí, âîñïðîèçâåäåíèå äðóãîé ïüåñû íåâîçìîæíî. Çàïèñü íåîáõîäèìî ëèáî óäàëèòü (ñòð. 40), ëèáî ñîõðàíèòü (ñòð. 41).
37
Çàïèñü
Óñòàíîâêè äëÿ çàïèñè
×òîáû îñòàíîâèòü çàïèñü, òàêæå ìîæíî íàæàòü êíîïêó [
].
1. Íàæìèòå êíîïêó [Song] íåñêîëüêî ðàç, ïîêà íå
îòîáðàçèòñÿ “USr” (èëè íîìåð, ïåðåä êîòîðûì
ñòîèò áóêâà “P” èëè “U”).
Çàïèñü äîïîëíèòåëüíîé ïàðòèè
Åñëè äèñïëåé îòîáðàæàåò òàêèå àááðåâèàòóðû, êàê “P.01”,
“U.01” (èëè äðóãîå çíà÷åíèå ïîñëå “P” èëè “U”), íàæèìàéòå
êíîïêó [–], ÷òîáû îòîáðàçèëîñü ñëåäóþùåå.
6. Åñëè àááðåâèàòóðà “Usr.” íà äèñïëåå íå îòîáðà-
fig.d-USr.eps_88
æàåòñÿ, íàæèìàéòå êíîïêó [Song] äî åå ïîÿâëåíèÿ.
7. Íàæìèòå êíîïêó [–].
Ïðîèçîéäåò ïåðåõîä â íà÷àëî çàïèñàííîé ïüåñû.
Àááðåâèàòóðà "USr" òàêæå ìîæåò áûòü âûçâàíà è ñëåäóþùèì ñïîñîáîì: óäåðæèâàÿ êíîïêó [Song], íàæìèòå êíîïêó [
].
2. Íàæìèòå êíîïêó [
].
Èíäèêàòîð êíîïêè [
] çàãîðèòñÿ, èíäèêàòîð êíîïêè
[
] íà÷íåò ìèãàòü, è F-110 ïåðåéäåò â ðåæèì ãîòîâíîñòè ê çàïèñè.
×òîáû îòìåíèòü çàïèñü, åùå ðàç íàæìèòå êíîïêó [
8. Íàæìèòå êíîïêó [
].
9. Óäåðæèâàÿ êíîïêó [
], íàæìèòå êíîïêó çàïèñûâàåìîãî òðåêà òàê, ÷òîáû åå èíäèêàòîð íà÷àë
ìèãàòü.
Ïðè âûáîðå òðåêà ñ óæå èìåþùåéñÿ çàïèñüþ íîâûé
ìóçûêàëüíûé ìàòåðèàë áóäåò çàïèñàí ïîâåðõ íåå. Òàêèì îáðàçîì, ñòàðàÿ çàïèñü áóäåò óòåðÿíà.
].
3. Óäåðæèâàÿ êíîïêó [
], íàæìèòå êíîïêè òðåêîâ, íà êîòîðûå çàïèñü ïðîèçâîäèòüñÿ íå áóäåò,
èõ èíäèêàòîðû ïîãàñíóò.
Êîãäà óäåðæèâàåòñÿ êíîïêà [
], êíîïêè [E. Piano],
[Strings] è [Others] ìèãàþò, åñëè ñîîòâåòñòâóþùèå èì òðåêè ïóñòû. Åñëè òðåêè ñîäåðæàò äàííûå, ñîîòâåòñòâóþùèå
êíîïêè ãîðÿò.
Îäíîâðåìåííàÿ çàïèñü íà íåñêîëüêî òðåêîâ íåäîñòóïíà.
Èíäèêàòîð êíîïêè [
] çàãîðèòñÿ, èíäèêàòîð êíîïêè
[
] íà÷íåò ìèãàòü, è F-110 ïåðåéäåò â ðåæèì ãîòîâíîñòè ê çàïèñè.
×òîáû îòìåíèòü çàïèñü íàæìèòå êíîïêó [
10. Íàæìèòå êíîïêó [
].
Ìîæíî çàïóñòèòü çàïèñü è íà÷àòü èãðàòü, íå íàæèìàÿ
êíîïêè [
].  ýòîì ñëó÷àå çàïèñü çàïóñêàåòñÿ ïðè
âçÿòèè ïåðâîé íîòû áåç îòñ÷åòà ìåòðîíîìà.
Êîãäà çàïèñü íà÷íåòñÿ, çàãîðÿòñÿ èíäèêàòîðû êíîïîê
[
]è[
].
Çàïèñü
4. Íàæìèòå êíîïêó [
] åùå ðàç.
 ïðîöåññå îòñ÷åòà ìåòðîíîìà íà äèñïëåå ñíà÷àëà
ïîÿâèòñÿ ñîîáùåíèå "-2" (îñòàëîñü 2 òàêòà), çàòåì "-1"
(îñòàëñÿ 1 òàêò äî íà÷àëà çàïèñè).
].
Ïîñëå 2 òàêòîâ îòñ÷åòà íà÷èíàåòñÿ çàïèñü.
Åñëè çàïèñûâàòü äîïîëíèòåëüíûå ïàðòèè, íå óäàëÿÿ
ïðåäûäóùåé çàïèñè, òî ñîõðàíÿòñÿ åå óñòàíîâêè òåìïà è ðàçìåðà.
Ìîæíî çàïóñòèòü çàïèñü è íà÷àòü èãðàòü, íå íàæèìàÿ
êíîïêè [
].  ýòîì ñëó÷àå çàïèñü çàïóñêàåòñÿ ïðè
âçÿòèè ïåðâîé íîòû áåç îòñ÷åòà ìåòðîíîìà.
Êîãäà çàïèñü íà÷íåòñÿ, çàãîðÿòñÿ èíäèêàòîðû êíîïîê
[
]è[
].
11. ×òîáû îñòàíîâèòü çàïèñü, íàæìèòå êíîïêó
[
 ïðîöåññå îòñ÷åòà ìåòðîíîìà íà äèñïëåå ñíà÷àëà
ïîÿâèòñÿ ñîîáùåíèå "-2" (îñòàëîñü 2 òàêòà), çàòåì "-1"
(îñòàëñÿ 1 òàêò äî íà÷àëà çàïèñè).
5. ×òîáû îñòàíîâèòü çàïèñü, íàæìèòå êíîïêó
[
38
].
].
×òîáû îñòàíîâèòü çàïèñü, òàêæå ìîæíî íàæàòü êíîïêó [
].
Çàïèñü
Ïðîñëóøèâàíèå çàïèñàííîãî ìàòåðèàëà
Óñòàíîâêè èñïîëíåíèÿ
12. Åñëè àááðåâèàòóðà “Usr.” íà äèñïëåå íå îòîáðà-
1. Âûáåðèòå ïüåñó.
æàåòñÿ, íàæèìàéòå êíîïêó [Song] äî åå ïîÿâëåíèÿ.
Ñì. “Âîñïðîèçâåäåíèå ïüåñ” (ñòð. 32).
2. Âûáåðèòå òåìáð äëÿ èñïîëíåíèÿ (ñòð. 24).
13. Íàæìèòå êíîïêó [–].
Ïðîèçîéäåò ïåðåõîä â íà÷àëî çàïèñàííîé ïüåñû.
14. Íàæìèòå êíîïêó [
].
Íà÷íåòñÿ âîñïðîèçâåäåíèå çàïèñàííîãî ìàòåðèàëà.
3. Çàäàéòå òåìï çàïèñè (ñòð. 34).
Çàïèñü ïðîèçâîäèòñÿ â òåìïå âûáðàííîé ïüåñû. Åñëè çàïèñü èñïîëíåíèÿ îñóùåñòâëÿåòñÿ âìåñòå ñ ïüåñîé, òî áóäåò âûáðàí è åå ðàçìåð.
15. ×òîáû îñòàíîâèòü âîñïðîèçâåäåíèå, åùå ðàç
íàæìèòå êíîïêó [
].
Ïîñëå âûêëþ÷åíèÿ èíñòðóìåíòà çàïèñàííàÿ ïüåñà
áóäåò óäàëåíà áåç âîçìîæíîñòè âîññòàíîâëåíèÿ. ×òîáû ýòîãî íå ïðîèçîøëî, ñîõðàíèòå åå âî âíóòðåííþþ
ïàìÿòü. Ñì. “Ñîõðàíåíèå ïüåñ” (ñòð. 41).
Åñëè çàïèñàííûé ìàòåðèàë íå ñîõðàíåí, âîñïðîèçâåäåíèå äðóãîé ïüåñû íåâîçìîæíî. Çàïèñü íåîáõîäèìî ëèáî óäàëèòü (ñòð. 40), ëèáî ñîõðàíèòü (ñòð. 41).
Çàïèñü âìåñòå ñ ïüåñîé
 ýòîì ðàçäåëå îïèñûâàåòñÿ îäíîâðåìåííîå èñïîëíåíèå
ïîä ïüåñó èç âíóòðåííåé ïàìÿòè, à òàêæå çàïèñü ýòîãî ñîâìåñòíîãî èñïîëíåíèÿ.
Íàïðèìåð, ìîæíî âêëþ÷èòü ïàðòèþ ëåâîé ðóêè è îäíîâðåìåííî çàïèñûâàòü ïàðòèþ ïðàâîé ðóêè.
Èñïîëíÿåìàÿ ïàðòèÿ çàïèñûâàåòñÿ íà òðåê, âûáðàííûé
êíîïêàìè Track.
fig.RecordWorks.eps_88
Óñòàíîâêè çàïèñè
4. Íàæìèòå êíîïêó [
].
5. Óäåðæèâàÿ êíîïêó [
], íàæìèòå êíîïêó òðåêà
çàïèñûâàåìîé ïàðòèè òàê, ÷òîáû åå èíäèêàòîð
íà÷àë ìèãàòü.
Òåïåðü ìîæíî çàïèñûâàòü ñîáñòâåííîå èñïîëíåíèå, îäíîâðåìåííî ïðîñëóøèâàÿ âûáðàííóþ ïüåñó.
Èíäèêàòîð êíîïêè [
] çàãîðèòñÿ, èíäèêàòîð êíîïêè
[
] íà÷íåò ìèãàòü, è F-110 ïåðåéäåò â ðåæèì ãîòîâíîñòè ê çàïèñè.
×òîáû îòìåíèòü çàïèñü íàæìèòå êíîïêó [
] åùå ðàç.
Ñîîòâåòñòâèå ìåæäó êíîïêàìè òðåêîâ è
çàïèñûâàåìûìè ïàðòèÿìè
Êíîïêà
Ïàðòèÿ èñïîëíåíèÿ
[E. Piano]
Îñòàëüíûå ïàðòèè
[Strings]
Ïàðòèÿ ëåâîé ðóêè
[Others]
Ïàðòèÿ ïðàâîé ðóêè
Çàïèñü
6. Íàæìèòå êíîïêó [
Ìàòåðèàë âûáðàííîãî òðåêà äëÿ ïðîñëóøèâàíèÿ â
ïðîöåññå çàïèñè íå äîñòóïåí.
].
Ïîñëå 2 òàêòîâ îòñ÷åòà íà÷èíàåòñÿ çàïèñü.
Ìîæíî çàïóñòèòü çàïèñü è íà÷àòü èãðàòü, íå íàæèìàÿ
êíîïêè [
].  ýòîì ñëó÷àå çàïèñü ïðè âçÿòèè ïåðâîé íîòû áåç îòñ÷åòà ìåòðîíîìà.
Êîãäà çàïèñü íà÷íåòñÿ, çàãîðÿòñÿ èíäèêàòîðû êíîïîê
[
]è[
].
 ïðîöåññå îòñ÷åòà ìåòðîíîìà íà äèñïëåå ñíà÷àëà
ïîÿâèòñÿ ñîîáùåíèå "-2" (îñòàëîñü 2 òàêòà), çàòåì "-1"
(îñòàëñÿ 1 òàêò äî íà÷àëà çàïèñè).
39
Çàïèñü
Îñòàíîâ çàïèñè
7. Íàæìèòå êíîïêó [
].
Çàïèñü îñòàíîâèòñÿ. Òàêæå äëÿ ýòîãî ìîæíî íàæàòü êíîïêó [
].
Óäàëåíèå çàïèñàííîãî
èñïîëíåíèÿ
Ñäåëàííàÿ çàïèñü ìîæåò áûòü óäàëåíà.
fig.RecordButtonz.eps_88
Ïðîñëóøèâàíèå çàïèñàííîãî ìàòåðèàëà
8. Åñëè àááðåâèàòóðà “Usr.” íà äèñïëåå íå îòîáðàæàåòñÿ, íàæèìàéòå êíîïêó [Song] äî åå ïîÿâëåíèÿ.
1. Æìèòå êíîïêó [Song] äî òåõ ïîð, ïîêà íå ïîÿâèò-
9. Íàæìèòå êíîïêó [–].
ñÿ àááðåâèàòóðà “USr.”.
Ïðîèçîéäåò ïåðåõîä â íà÷àëî çàïèñàííîãî ìàòåðèàëà.
10. Íàæìèòå êíîïêó [
fig.d-USrdotExp-e.eps_88
].
Îòîáðàæàåòñÿ ïðè íàëè÷èè
çàïèñàííîé, íî íå ñîõðàíåííîé ïüåñû.
Íà÷íåòñÿ âîñïðîèçâåäåíèå çàïèñàííîãî ìàòåðèàëà.
11. ×òîáû îñòàíîâèòü âîñïðîèçâåäåíèå, åùå ðàç
íàæìèòå êíîïêó [
].
2. Íàæìèòå êíîïêó [+].
Ñîîáùåíèå "dEL" íà÷íåò ìèãàòü.
fig.d-dEL.eps_88
Ïîñëå âûêëþ÷åíèÿ èíñòðóìåíòà çàïèñàííàÿ ïüåñà
áóäåò óäàëåíà áåç âîçìîæíîñòè âîññòàíîâëåíèÿ. ×òîáû ýòîãî íå ïðîèçîøëî, ñîõðàíèòå åå âî âíóòðåííþþ
ïàìÿòü. Ñì. “Ñîõðàíåíèå ïüåñ” (ñòð. 41).
Åñëè çàïèñàííûé ìàòåðèàë íå ñîõðàíåí, âîñïðîèçâåäåíèå äðóãîé ïüåñû íåâîçìîæíî. Çàïèñü íåîáõîäèìî ëèáî óäàëèòü (ñòð. 40), ëèáî ñîõðàíèòü (ñòð. 41).
Åñëè ïüåñó óäàëÿòü íå òðåáóåòñÿ, íàæìèòå êíîïêó
[
].
3. Íàæìèòå êíîïêó [
].
Çàïèñàííàÿ ïüåñà áóäåò óäàëåíà.
Óäàëèòü ïüåñó ìîæíî òàêæå ñëåäóþùèì ñïîñîáîì:
óäåðæèâàÿ íàæàòîé êíîïêó [Song], íàæìèòå êíîïêó
[
].
Ïðè âûêëþ÷åíèè èíñòðóìåíòà çàïèñàííûé ìàòåðèàë
óäàëÿåòñÿ.
40
Ñîõðàíåíèå çàïèñàííîãî ìàòåðèàëà
Ñîõðàíåíèå ïüåñ
Ñîõðàíåíèå ïüåñû
4. Íàæìèòå êíîïêó [
Çàïèñàííóþ ïüåñó ìîæíî ñîõðàíèòü âî âíóòðåííþþ ïàìÿòü èíñòðóìåíòà.
Åñëè çàïèñàííûé ìàòåðèàë íå ñîõðàíèòü, òî ïîñëå âûêëþ÷åíèÿ ïèòàíèÿ F-110 îí áóäåò óäàëåí. Ïîýòîìó íóæíóþ çàïèñü íåîáõîäèìî ñîõðàíèòü.
].
Äèñïëåé îòîáðàçèò “Sur”, è êíîïêè [
÷íóò ìèãàòü.
]è[
] íà-
fig.d-Sur.eps_88
fig.SaveButtonz.eps_88
Äëÿ îòìåíû ñîõðàíåíèÿ íàæìèòå êíîïêó [
5. Íàæìèòå êíîïêó [
].
].
Ïüåñà áóäåò ñîõðàíåíà.
fig.d-SAv.eps_88
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
fig.d-Fnc.eps_88
Íèêîãäà íå îòêëþ÷àéòå ïèòàíèå èíñòðóìåíòà, åñëè
íà äèñïëåå îòîáðàæàåòñÿ ñîîáùåíèå “SAv”.
6. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
2. Óäåðæèâàÿ êíîïêó [Song], êíîïêàìè [-] è [+] äîáåéòåñü, ÷òîáû íà äèñïëåé âûâåëîñü “SAv”.
Ïîñëå îòïóñêàíèÿ êíîïêè îòîáðàçèòñÿ ñëåäóþùåå ñîîáùåíèå, è êíîïêà [
] íà÷íåò ìèãàòü.
fig.d-U01.eps_88
Îòîáðàæàåìûé íà äèñïëåå íîìåð âñåãäà ñîîòâåòñòâóåò
ïåðâîé ñâîáîäíîé ÿ÷åéêå ïàìÿòè User è ìîæåò îòëè÷àòüñÿ îò ïðèâåäåííîãî íà ðèñóíêå.
3. Êíîïêàìè [-]/[+] âûáåðèòå íîìåð ÿ÷åéêè ïàìÿòè
äëÿ ñîõðàíåíèÿ.
Åñëè â íèæíåì ïðàâîì óãëó äèñïëåÿ îòîáðàæàåòñÿ òî÷êà,
ïîä ýòèì íîìåðîì óæå èìååòñÿ ñîõðàíåííàÿ ïüåñà.
Âûáåðèòå ñâîáîäíûé íîìåð. Åñëè òðåáóåòñÿ ñòåðåòü íåíóæíóþ ïüåñó è çàìåíèòü åå íîâîé çàïèñüþ, âûáåðèòå íîìåð íåíóæíîé ïüåñû.
fig.d-SongExist-e.eps_88
Îòîáðàæàåòñÿ, åñëè
ïüåñà ñîõðàíåíà
41
Ñîõðàíåíèå çàïèñàííîãî ìàòåðèàëà
Óäàëåíèå ïüåñû
Óäàëåíèå ïüåñû
4. Íàæìèòå êíîïêó [
Íèæå îïèñàíà ïðîöåäóðà óäàëåíèÿ èç âíóòðåííåé ïàìÿòè
çàïèñàííîé ðàíåå ïüåñû.
].
Äèñïëåé îòîáðàçèò “Sur”, è êíîïêè [
÷íóò ìèãàòü.
]è[
] íà-
fig.d-Sur.eps_88
Îòíîñèòåëüíî óäàëåíèÿ âñåõ ïüåñ èç âíóòðåííåé ïàìÿòè ñì. “Óäàëåíèå âñåõ ïüåñ” (ñòð. 43).
fig.SaveButtonz.eps_88
Äëÿ îòìåíû óäàëåíèÿ íàæìèòå êíîïêó [
5. Íàæìèòå êíîïêó [
].
].
Ïüåñà áóäåò óäàëåíà.
fig.d-dEL.eps_88
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
fig.d-Fnc.eps_88
2. Óäåðæèâàÿ êíîïêó [Song], êíîïêàìè [-] è [+] äîáåéòåñü, ÷òîáû äèñïëåé îòîáðàçèë “dEL”.
Ïîñëå îòïóñêàíèÿ êíîïêè îòîáðàçèòñÿ ñëåäóþùåå ñîîáùåíèå, è êíîïêà [
] íà÷íåò ìèãàòü.
fig.d-U01.eps_88
Îòîáðàæàåìûé íà äèñïëåå íîìåð âñåãäà ñîîòâåòñòâóåò
ïåðâîé çàïèñàííîé ÿ÷åéêå ïàìÿòè User è ìîæåò îòëè÷àòüñÿ îò ïðèâåäåííîãî íà ðèñóíêå.
3. Êíîïêàìè [-]/[+] âûáåðèòå óäàëÿåìóþ ïüåñó.
42
Íèêîãäà íå îòêëþ÷àéòå ïèòàíèå èíñòðóìåíòà, åñëè
íà äèñïëåå ìèãàåò ñîîáùåíèå “dEL”.
Åñëè óäàëåííàÿ ïüåñà ÿâëÿëàñü åäèíñòâåííîé â ïàìÿòè F-110, äèñïëåé íà êîðîòêîå âðåìÿ îòîáðàçèò ñîîáùåíèå “non”.
6. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Ñîõðàíåíèå çàïèñàííîãî ìàòåðèàëà
5. Íàæìèòå êíîïêó [
Óäàëåíèå âñåõ ïüåñ
].
fig.d-dEL.eps_88
Íèæå îïèñàíà ïðîöåäóðà óäàëåíèÿ âñåõ ïüåñ èç âíóòðåííåé ïàìÿòè.
Äàííàÿ ïðîöåäóðà óäàëÿåò âñå ñîäåðæèìîå ïàìÿòè
èíñòðóìåíòà. Óäàëåííûå äàííûå âîññòàíîâëåíèþ íå
ïîäëåæàò, ïîýòîìó ðåêîìåíäóåòñÿ êàê ìîæíî áîëåå
âíèìàòåëüíî ïîäõîäèòü ê äàííîìó ïðîöåññó.
Âñå ñîäåðæèìîå âíóòðåííåé ïàìÿòè áóäåò óäàëåíî, è äèñïëåé îòîáðàçèò ñîîáùåíèå “non”.
Íè â êîåì ñëó÷àå íå îòêëþ÷àéòå ïèòàíèå èíñòðóìåíòà, åñëè íà äèñïëåå ìèãàåò ñîîáùåíèå “dEL”.
fig.SaveButtonz.eps_88
6. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
fig.d-Fnc.eps_88
2. Óäåðæèâàÿ êíîïêó [Song], êíîïêàìè [-] è [+] äîáåéòåñü, ÷òîáû äèñïëåé îòîáðàçèë “dEL”.
Åñëè âíóòðåííÿÿ ïàìÿòü ïóñòà, ñëåäóþùèå øàãè íå
äîñòóïíû.
Ïîñëå îòïóñêàíèÿ êíîïêè îòîáðàçèòñÿ ñïèñîê âñåõ ïüåñ
âíóòðåííåé ïàìÿòè, è êíîïêà [
] íà÷íåò ìèãàòü.
3. Íàæèìàéòå êíîïêó [–] äî òåõ ïîð, ïîêà äèñïëåé
íå îòîáðàçèò “ALL”.
4. Íàæìèòå êíîïêó [
].
Äèñïëåé îòîáðàçèò “Sur”, è êíîïêè [
÷íóò ìèãàòü.
]è[
] íà-
fig.d-Sur.eps_88
Äëÿ îòìåíû óäàëåíèÿ íàæìèòå êíîïêó [
].
43
Ðàçëè÷íûå óñòàíîâêè
Íàõîäÿñü â ðåæèìå Function, ìîæíî çàäàâàòü ðàçëè÷íûå
óñòàíîâêè, ñâÿçàííûå ñ èñïîëíåíèåì èëè çàïèñüþ.
Êíîïêà
Ôóíêöèÿ
Ñòð.
Dual Balance
ñòð. 48
Îñíîâíûå îïåðàöèè â
ðåæèìå Function
[Split]
(è [–]/[+])
Octave Shift
ñòð. 49
Twin Piano Mode
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
ñòð. 50
[Transpose].
Master Tuning
fig.F-110Function.eps_88
ñòð. 52
Temperament
ñòð. 52
Tonic
Èíäèêàòîðû êíîïîê [Reverb] è [Transpose] çàãîðÿòñÿ.
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
fig.d-Fnc.eps_88
ñòð. 53
[Piano]
(è [–]/[+])
Stretched Tuning
ñòð. 53
Damper Resonance
ñòð. 54
2. Íàæìèòå îäíó èç ìèãàþùèõ êíîïîê, ÷òîáû âûáðàòü èçìåíÿåìóþ óñòàíîâêó.
String Resonance
ñòð. 54
Ïîêà êíîïêà íàæàòà, íà äèñïëåå îòîáðàæàåòñÿ èìÿ âûáðàííîé óñòàíîâêè. Åå çíà÷åíèå âûâîäèòñÿ íà äèñïëåé
ïîñëå îòïóñêàíèÿ êíîïêè.
Key Off Resonance
ñòð. 54
3. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
3D Sound Control
4. ×òîáû èçìåíèòü è äðóãèå óñòàíîâêè, âåðíèòåñü
ñòð. 45
ê øàãó 2 è âûáåðèòå ñëåäóþùóþ óñòàíîâêó.
3D Mode
ñòð. 46
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Dynamics Sound Control
Èíäèêàòîðû êíîïîê âåðíóòñÿ â ïðåäûäóùèå ñîñòîÿíèÿ.
Ïðè îòêëþ÷åíèè ïèòàíèÿ èíñòðóìåíòà óñòàíîâêè, êîòîðûå áûëè èçìåíåíû, âîçâðàùàþòñÿ ê ñâîèì ïåðâîíà÷àëüíûì çíà÷åíèÿì. ×òîáû ñîõðàíèòü èçìåíåíèÿ,
âûïîëíèòå ïðîöåäóðó Memory Backup (ñòð. 59).
ñòð. 47
EQ Low
[E. Piano]
(è [–]/[+])
ñòð. 46
EQ Medium
ñòð. 46
EQ High
ñòð. 46
Master Gain
ñòð. 47
44
Ðàçëè÷íûå óñòàíîâêè
Êíîïêà
Ôóíêöèÿ
Ñòð.
Çâóêîâûå óñòàíîâêè
Damper Pedal Part
ñòð. 51
Center Pedal Function
[Strings]
(è [–]/[+])
ñòð. 51
Ýôôåêò òðåõìåðíîãî çâó÷àíèÿ
(3D Sound Control)
Left Pedal Function
ñòð. 51
Memory Backup
ñòð. 59
Ôóíêöèÿ 3D Sound Control ñîçäàåò îùóùåíèå îáúåìíîñòè
çâó÷àíèÿ, êàê ïðè èãðå íà êîíöåðòíîì ðîÿëå. Èñïîëüçîâàíèå ýòîé ôóíêöèè ïðèäàåò èñïîëíåíèþ åñòåñòâåííûé ðåçîíàíñ è îáúåì çâó÷àíèÿ àêóñòè÷åñêîãî èíñòðóìåíòà.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Local Control
ñòð. 57
[Transpose].
ñòð. 58
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function). Êíîïêè [Split], [Piano], [E. Piano], [Strings], [Others], [Song] è
[Metronome] íà÷íóò ìèãàòü.
MIDI Transmit Channel
fig.d-Fnc.eps_88
Composer MIDI Out
[Others]
(è [–]/[+])
ñòð. 58
V-LINK Channel
ñòð. 59
2. Óäåðæèâàÿ êíîïêó [E. Piano], êíîïêàìè [-] è [+]
äîáåéòåñü, ÷òîáû äèñïëåé îòîáðàçèë “3D”.
fig.d-3d.eps_88
Recommended Tone
ñòð. 56
Factory Reset
ñòð. 60
Ïîñëå îòïóñêàíèÿ êíîïêè îòîáðàçèòñÿ ýêðàí óñòàíîâîê.
3. Êíîïêàìè [-]/[+] íàñòðîéòå ãëóáèíó ýôôåêòà.
Save a Song
ñòð. 41
Ïðåäóñìîòðåí âûáîð ÷åòûðåõ óðîâíåé ýòîãî ïàðàìåòðà.
×åì âûøå çíà÷åíèå, òåì áîëüøå ãëóáèíà ýôôåêòà.
Deleting songs
ñòð. 42,
ñòð. 43
[Song]
(è [–]/[+])
fig.d-3.eps_88
Transpose Mode
ñòð. 49
Äàííóþ óñòàíîâêó ìîæíî ñîõðàíèòü âî âíóòðåííþþ
ïàìÿòü ñ ïîìîùüþ ôóíêöèè Memory Backup (ñòð. 59).
Accomp Track
ñòð. 56
Ðåæèì ôóíêöèè 3D Sound Control ìîæíî èçìåíÿòü
(ñòð. 46).
Countdown
ñòð. 55
[Metronome]
(è [–]/[+])
Countdown Part
ñòð. 55
Äàííàÿ ôóíêöèÿ íå âîçäåéñòâóåò íà ñèãíàëû âíåøíèõ óñòðîéñòâ, ïîäêëþ÷åííûõ êî âõîäíîìó ðàçúåìó
èíñòðóìåíòà, à òàêæå íà ñèãíàëû âíåøíèõ MIDI-óñòðîéñòâ, ïîäêëþ÷åííûõ ê ðàçúåìó MIDI Out.
Panel Lock
[Reverb] +
[Metronome]
ñòð. 61
Ïðè âêëþ÷åíèè ðåæèìà Twin Piano (çíà÷åííèÿ “1”
èëè “2”, ñòð. 50) ôóíêöèÿ 3D Sound Control íåäîñòóïíà.
45
Ðàçëè÷íûå óñòàíîâêè
4. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Óïðàâëåíèå ÷àñòîòíîé
õàðàêòåðèñòèêîé F-110 (Equalizer)
Îòêëþ÷åíèå ôóíêöèè 3D Sound Control
1. Ïîâòîðèòå îïèñàííûå âûøå øàãè (1) – (3), íî âûáðàâ “OFF”.
Ïðè íåîáõîäèìîñòè, ìîæíî èçìåíÿòü óðîâåíü íèçêèõ,
ñðåäíèõ è âûñîêèõ ÷àñòîò â äèàïàçîíå îò -12 äî +12 äÁ.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
2. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [E. Piano], êíîïêàìè [–] èëè
Èçìåíåíèå ðåæèìà ýôôåêòà 3D
(3D Mode)
Óïðàâëÿåò ýôôåêòîì 3D Sound Control (ñòð. 45).
[+] âûáåðèòå îäíó èç ñëåäóþùèõ îïöèé:
Óñòàíîâêà
Îïèñàíèå
Óðîâåíü íèçêèõ ÷àñòîò.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Óðîâåíü ñðåäíèõ ÷àñòîò.
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [E. Piano], êíîïêàìè [–] èëè
Óðîâåíü âûñîêèõ ÷àñòîò.
[+] âûáåðèòå “3dM”.
3. Îòïóñòèòå êíîïêó [E. Piano] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
Auto
Speaker
Headphones
Îïèñàíèå
Ïðè ðàáîòå ñ íàóøíèêàìè, ýôôåêò òðåõìåðíîãî çâó÷àíèÿ îïòèìèçèðóåòñÿ äëÿ
íàóøíèêîâ. Åñëè íàóøíèêè íå ïîäêëþ÷åíû, ýôôåêò òðåõìåðíîãî çâó÷àíèÿ
îïòèìèçèðóåòñÿ äëÿ äèíàìèêîâ.
Èñïîëüçóåòñÿ çíà÷åíèå 3D Sound
Control, îïòèìàëüíîå äëÿ äèíàìèêîâ,
íåçàâèñèìî îò òîãî, ïîäêëþ÷åíû íàóøíèêè èëè íåò.
Êðîìå òîãî, åñëè ê âûõîäíûì ðàçúåìàì èíñòðóìåíòà ïîäêëþ÷åíû âíåøíèå äèíàìèêè, çâóê áóäåò òàêæå
îáðàáàòûâàòüñÿ òðåõìåðíûì ýôôåêòîì.
Èñïîëüçóåòñÿ çíà÷åíèå 3D Sound
Control, îïòèìàëüíîå äëÿ íàóøíèêîâ,
íåçàâèñèìî îò òîãî, ïîäêëþ÷åíû îíè
èëè íåò.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
46
3. Îòïóñòèòå êíîïêó [E. Piano] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Äîñòóïíû çíà÷åíèÿ ìåæäó “-12” è “12” äÁ. Îòðèöàòåëüíûå
çíà÷åíèÿ óìåíüøàþò óñèëåíèå ïîëîñû ÷àñòîò, ïîëîæèòåëüíûå – óâåëè÷èâàþò.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Ðàçëè÷íûå óñòàíîâêè
Óñòàíîâêà ãðîìêîñòè (Master Gain)
Äàííûé ïàðàìåòð ïîçâîëÿåò êîìïåíñèðîâàòü ñíèæåíèå
èëè óâåëè÷åíèå îáùåãî óðîâíÿ â ðåçóëüòàòå âîçäåéñòâèÿ
óñòàíîâîê ýêâàëàéçåðà “EqL”, “EqM” è “EqH”.
Ïðè èãðå íà èíñòðóìåíòå ÷åðåç ïîäêëþ÷åííóþ âíåøíþþ
àóäèîñèñòåìó ãðîìêîñòü çâóêà ìîæåò îêàçàòüñÿ íåäîñòàòî÷íîé äàæå â òîì ñëó÷àå, êîãäà ðåãóëÿòîð ãðîìêîñòè
F-110 óñòàíîâëåí â ìàêñèìóì. Äàííóþ ïðîáëåìó ìîæíî
óñòðàíèòü, èçìåíèâ óñòàíîâêó ïàðàìåòðà Master Gain.
“Îæèâëåíèå" çâó÷àíèÿ
(Dynamics Sound Control)
Óêðàñèòü èñïîëíåíèå ìîæíî, ïðèäàâ çâó÷àíèþ èíñòðóìåíòà èñêëþ÷èòåëüíóþ ÿñíîñòü è ïðîçðà÷íîñòü.
fig.PluMinEpi.eps_88
Óñòàíîâêè Master Gain âëèÿþò òàêæå íà ãðîìêîñòü çâóêà
âî âñòðîåííûõ äèíàìèêàõ èíñòðóìåíòà è íàóøíèêàõ.
Ïðè ñëèøêîì âûñîêîì óðîâíå ãðîìêîñòè çâóê ìîæåò
èñêàæàòüñÿ.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
fig.d-Fnc.eps_88
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [E. Piano], êíîïêàìè [–] èëè
[+] âûáåðèòå “MAS”.
3. Îòïóñòèòå êíîïêó [E. Piano] è ïðîñìîòðèòå òåêó-
2. Óäåðæèâàÿ êíîïêó [E. Piano], êíîïêàìè [-] è [+]
äîáåéòåñü, ÷òîáû äèñïëåé îòîáðàçèë “dYn”.
fig.d-dYn.eps_88
ùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Ïîñëå îòïóñêàíèÿ êíîïêè îòîáðàçèòñÿ ýêðàí óñòàíîâîê.
fig.d-OFF.eps_88
Çíà÷åíèÿ
Îïèñàíèå
-10 – 0 – 10
Èçìåíÿåò óðîâåíü ãðîìêîñòè F-110. Îòðèöàòåëüíûå çíà÷åíèÿ óìåíüøàþò åãî,
ïîëîæèòåëüíûå – óâåëè÷èâàþò. Èñïîëüçóéòå ýòîò ïàðàìåòð, ÷òîáû èçáåæàòü èñêàæåíèé.
3. Êíîïêàìè [-]/[+] âûáåðèòå òðåáóåìóþ óñòàíîâêó.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Óñòàíîâêà
Îïèñàíèå
OFF
Äèíàìè÷åñêàÿ îáðàáîòêà çâóêà îòêëþ÷åíà.
1 (Sharp)
Óñèëèâàåò äèàïàçîíû íèçêèõ è âûñîêèõ ÷àñòîò.
2 (Clear)
 ýòîì ðåæèìå àêêîðäû íèçêèõ ðåãèñòðîâ çâó÷àò áîëåå îò÷åòëèâî.
3 (Power)
Óñèëèâàåò äèàïàçîí íèçêèõ ÷àñòîò.
4. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Äèñïëåé âåðíåòñÿ â îáû÷íûé ðåæèì.
47
Ðàçëè÷íûå óñòàíîâêè
Äàííóþ óñòàíîâêó ìîæíî ñîõðàíèòü âî âíóòðåííþþ
ïàìÿòü ñ ïîìîùüþ ôóíêöèè Memory Backup (ñòð. 59).
Óñòàíîâêè êëàâèàòóðû
Äëÿ íåêîòîðûõ òåìáðîâ èñïîëüçîâàíèå ýòîé ôóíêöèè ìîæåò ïðèâåñòè ê èñêàæåíèþ çâóêà.
Èçìåíåíèå áàëàíñà ãðîìêîñòè â
ðåæèìå Dual Play (Dual Balance)
Ôóíêöèÿ Dynamics Sound Control íå âîçäåéñòâóåò íà
ñèãíàë âõîäíîãî ðàçúåìà èíñòðóìåíòà, à òàêæå íà
ñèãíàë ðàçúåìà MIDI Out.
Áàëàíñ ãðîìêîñòè ìåæäó òåìáðàìè Tone 1 è 2 ìîæíî èçìåíèòü.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Split], êíîïêàìè [–] èëè [+]
âûáåðèòå “dbL”.
3. Îòïóñòèòå êíîïêó [Split] è ïðîñìîòðèòå òåêóùóþ
óñòàíîâêó.
Îòîáðàçèòñÿ òåêóùèé áàëàíñ ãðîìêîñòè.
fig.d-9-3-e.eps_88
Ãðîìêîñòü Ãðîìêîñòü
Tone 1
Tone 2
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Áàëàíñ ãðîìêîñòè èçìåíèòñÿ.
×òîáû âåðíóòüñÿ ê îðèãèíàëüíîìó çíà÷åíèþ áàëàíñà
ãðîìêîñòè, îäíîâðåìåííî íàæìèòå êíîïêè [-] è [+].
Äàííóþ óñòàíîâêó ìîæíî ñîõðàíèòü âî âíóòðåííþþ
ïàìÿòü ñ ïîìîùüþ ôóíêöèè Memory Backup (ñòð. 59).
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
48
Ðàçëè÷íûå óñòàíîâêè
Ðåæèì òðàíñïîíèðîâàíèÿ
(Transpose Mode)
Ôóíêöèÿ òðàíñïîíèðîâàíèÿ èñïîëüçóåòñÿ äëÿ òîãî, ÷òîáû èçìåíèòü âûñîòó ñòðîÿ ïüåñû è êëàâèàòóðû îäíîâðåìåííî, ëèáî âûñîòó ñòðîÿ òîëüêî ïüåñû, ëèáî âûñîòó
ñòðîÿ òîëüêî êëàâèàòóðû.
Èçìåíåíèå âûñîòû çâó÷àíèÿ òåìáðà
ñ øàãîì â îêòàâó (Octave Shift)
Âûñîòà òåìáðà Tone 2 â ðåæèìå Dual Play (ñòð. 27), à òàêæå
òåìáðà ëåâîé ðóêè â ðåæèìå Split Play (ñòð. 28) ìîæåò èçìåíÿòüñÿ ñ øàãîì â îäíó îêòàâó.
Ñì. Transpose (ñòð. 26), Playback Transpose (ñòð. 35)
Èçìåíåíèå âûñîòû ñ øàãîì â îêòàâó íàçûâàåòñÿ “Octave
Shift”.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Íàïðèìåð, â ðåæèìå Split Play ìîæíî ïîäíÿòü òåìáð ëåâîé ðóêè äî âûñîòû òåìáðà ïðàâîé ðóêè.
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
2. Óäåðæèâàÿ êíîïêó [Song], êíîïêàìè [–] èëè [+]
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
âûáåðèòå “trS”.
2. Óäåðæèâàÿ êíîïêó [Split], êíîïêàìè [–] èëè [+]
3. Îòïóñòèòå êíîïêó [Song] è ïðîñìîòðèòå òåêó-
âûáåðèòå “Oct”.
ùóþ óñòàíîâêó.
3. Îòïóñòèòå êíîïêó [Split] è ïðîñìîòðèòå òåêóùóþ
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
Îïèñàíèå
óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Çíà÷åíèÿ
Òðàíñïîíèðîâàíèå êëàâèàòóðû
-2 – 0 – 2
Òðàíñïîíèðîâàíèå ïüåñû
Òðàíñïîíèðîâàíèå êëàâèàòóðû è ïüåñû
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
Äèàïàçîí èçìåíåíèÿ âûñîòû ñòðîÿ – îò äâóõ îêòàâ âíèç (2) äî äâóõ îêòàâ ââåðõ (2).
Êàæäûé ðàç ïðè íàæàòèè êíîïêè [-] ñòðîé ïîíèæàåòñÿ íà
îäíó îêòàâó; ïðè íàæàòèè êíîïêè [+] – ïîâûøàåòñÿ íà îäíó îêòàâó.
Äëÿ âîçâðàùåíèÿ ê ïåðâîíà÷àëüíîé âûñîòå ñòðîÿ, îäíîâðåìåííî íàæìèòå îáå êíîïêè [-] è [+].
âûõîäà èç ðåæèìà Function.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
49
Ðàçëè÷íûå óñòàíîâêè
Ðàçäåëåíèå êëàâèàòóðû íà äâå çîíû äëÿ èãðû "â ÷åòûðå ðóêè" (Twin Piano)
Ìîæíî ðàçäåëèòü êëàâèàòóðó íà äâå íåçàâèñèìûå ñåêöèè
(ïðàâóþ è ëåâóþ), ÷òîáû äâà ÷åëîâåêà ìîãëè îäíîâðåìåííî èãðàòü â îäíîì è òîì æå âûñîòíîì äèàïàçîíå.
3. Îòïóñòèòå êíîïêó [Piano] è ïðîñìîòðèòå òåêó-
Ýòî îçíà÷àåò, ÷òî îäíî öèôðîâîå ôîðòåïèàíî F-110 ìîæåò çàìåíèòü äâà èíñòðóìåíòà.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Äàííóþ ôóíêöèþ î÷åíü óäîáíî èñïîëüçîâàòü äëÿ çàíÿòèé,
êîãäà ó÷åíèê ðàçó÷èâàåò íîâûé ìàòåðèàë, ïîâòîðÿÿ åãî çà
ó÷èòåëåì.
Êîãäà âêëþ÷åí ðåæèì Twin Piano (çíà÷åíèÿ “1” èëè “2”),
èíñòðóìåíò ïåðåõîäèò â ñëåäóþùåå ñîñòîÿíèå.
ùóþ óñòàíîâêó.
Äîñòóïåí âûáîð îäíîãî èç ñëåäóþùèõ âàðèàíòîâ.
Óñòàíîâêà
Îïèñàíèå
OFF
Ðåæèì Twin Piano îòêëþ÷åí.
1
Êëàâèàòóðà äåëèòñÿ íà äâå îäèíàêîâûå
ñåêöèè. Êàê è îáû÷íî, ïðè èãðå â âåðõíèõ äèàïàçîíàõ îáåèõ çîí çâóê áóäåò
èäòè ñïðàâà; ïðè èãðå â íèæíèõ – ñëåâà.
2
Êëàâèàòóðà äåëèòñÿ íà äâå îäèíàêîâûå
ñåêöèè. Íîòû, áåðóùèåñÿ â ïðàâîé çîíå, áóäóò âîñïðîèçâîäèòüñÿ ïðàâûì
äèíàìèêîì; íîòû, áåðóùèåñÿ â ëåâîé
çîíå – ëåâûì.
• Êëàâèàòóðà äåëèòñÿ íà äâå íåçàâèñèìûå ñåêöèè (ëåâóþ è
ïðàâóþ), ñ "Äî" ïåðâîé îêòàâû â öåíòðå êàæäîé ñåêöèè.
• Íà ëåâóþ è ïðàâóþ ñåêöèè íàçíà÷àåòñÿ îäèí è òîò æå
òåìáð (Grand Piano 1).
• Ïðàâàÿ ïåäàëü ðàáîòàåò â ðåæèìå Damper äëÿ ïðàâîé
ñåêöèè êëàâèàòóðû, ëåâàÿ – â ýòîì æå ðåæèìå äëÿ ëåâîé
ñåêöèè.
• Åñëè ôóíêöèÿ Twin Piano âêëþ÷àåòñÿ ïðè âêëþ÷åííîì ðåæèìå Split èëè Dual, ïîñëåäíèå îòêëþ÷àþòñÿ.
Åñëè âûáðàí ðåæèì "2", ðåâåðáåðàöèÿ îòêëþ÷àåòñÿ.
• Ôóíêöèÿ 3D Sound Control è ýôôåêò îòêëþ÷àþòñÿ.
Äëÿ íåêîòîðûõ òåìáðîâ ðàçäåëåíèå çâóêà ìåæäó äèíàìèêàìè íåäîñòóïíî, äàæå ïðè âûáîðå óñòàíîâêè "2".
×òîáû íàçíà÷èòü ëåâóþ ñåêöèþ òîëüêî íà ëåâûé äèíàìèê, à ïðàâóþ – òîëüêî íà ïðàâûé, âûáåðèòå äëÿ
ðåæèìà Twin Piano óñòàíîâêó “2”.
Ýòà óñòàíîâêà íå çàïîìèíàåòñÿ ïîñëå îòêëþ÷åíèÿ ïèòàíèÿ F-110. Ïðè ñëåäóþùåì âêëþ÷åíèè ïèòàíèÿ
F-110 ýòîò ïàðàìåòð áóäåò èìåòü çíà÷åíèå “OFF”.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
âûõîäà èç ðåæèìà Function.
2. Óäåðæèâàÿ êíîïêó [Piano], êíîïêàìè [–] èëè [+]
âûáåðèòå “tPn”.
Åñëè âûáðàòü “1” èëè “2”, äèñïëåé îòîáðàçèò ñëåäóþùåå,
èíäèöèðóÿ àêòèâíîñòü ðåæèìà Twin Piano:
fig.d-P-P.eps_88
fig.TwinPiano.eps_88
C1
C3
50
C2
C4
C3
C4
C5
C6
C5
C3
C6
C4
C7
C5
C8
C6
Ðàçëè÷íûå óñòàíîâêè
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Óñòàíîâêè ïåäàëåé
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
Èçìåíåíèå ñïîñîáà âîçäåéñòâèÿ
ïåäàëè Damper (Damper Pedal Part)
2. Óäåðæèâàÿ êíîïêó [Strings], êíîïêàìè [-]/[+] âûáåðèòå ïåäàëü, ôóíêöèþ êîòîðîé ñëåäóåò èçìåíèòü.
Îáû÷íî ïðè íàæàòèè íà ïåäàëü Damper â ðåæèìàõ Dual
èëè Split ýôôåêò, íàçíà÷åííûé íà ýòó ïåäàëü, âîçäåéñòâóåò
íà îáà òåìáðà. Îäíàêî, ìîæíî âûáðàòü òåìáð, íà êîòîðûé
áóäåò âîçäåéñòâîâàòü ýôôåêò äàííîé ïåäàëè.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
: Öåíòðàëüíàÿ ïåäàëü
: Ëåâàÿ ïåäàëü
3. Îòïóñòèòå êíîïêó [Strings] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
2. Óäåðæèâàÿ êíîïêó [Strings], êíîïêàìè [–] èëè [+]
âûáåðèòå “dPr”.
Óñòàíîâêà
3. Îòïóñòèòå êíîïêó [Strings] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
Sostenuto
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
Îïèñàíèå
Ïåäàëü ðàáîòàåò â ðåæèìå Sostenuto
(äîñòóïíî òîëüêî äëÿ öåíòðàëüíîé ïåäàëè)
Ïåäàëü ðàáîòàåò â ðåæèìå Soft (äîñòóïíî òîëüêî äëÿ ëåâîé ïåäàëè)
Soft
Ýôôåêò ïðèìåíÿåòñÿ ê îáîèì òåìáðàì
Ýôôåêò ïðèìåíÿåòñÿ òîëüêî ê òåìáðó
Tone 1 (â ðåæèìå Dual)/òåìáðó ïðàâîé
ðóêè (â ðåæèìå Split)
Îïèñàíèå
Effects Switch
Ýôôåêò ïðèìåíÿåòñÿ òîëüêî ê òåìáðó
Tone 2 (â ðåæèìå Dual)/òåìáðó ëåâîé
ðóêè (â ðåæèìå Split)
Ïåäàëü âêëþ÷àåò/îòêëþ÷àåò ðàçëè÷íûå ýôôåêòû. Ïðè âûáîðå ýôôåêòà
Rotary ñ ïîìîùüþ ïåäàëè ìîæíî óïðàâëÿòü ñêîðîñòüþ âðàùåíèÿ äèíàìèêà.
* Äëÿ êàæäîãî òåìáðà îïðåäåëåíû íàèáîëåå ïîäõîäÿùèå ýôôåêòû.
Ïåäàëü âûïîëíÿåò ôóíêöèþ êíîïêè
[
].
Play/Stop
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Layer
Èçìåíåíèå ðåæèìîâ ðàáîòû ïåäàëåé
(Center/Left Pedal Function)
Octave
Ïðè âêëþ÷åíèè èíñòðóìåíòà ëåâàÿ ïåäàëü ïî óìîë÷àíèþ
ÿâëÿåòñÿ ïåäàëüþ Soft, à öåíòðàëüíàÿ – ïåäàëüþ Sostenuto
(ñòð. 22).
Íàæàòèå ïåäàëè äîáàâèò ê òåêóùåìó
çâó÷àíèþ òåìáð Tone 2 ïðè èãðå â ðåæèìå Dual.
* Äàííàÿ ôóíêöèÿ äåéñòâóåò òîëüêî â
ðåæèìå Dual.
Íàæàòèå ïåäàëè äîáàâèò ê òåêóùåìó
çâó÷àíèþ çâóê íà îêòàâó âûøå.
* Äàííàÿ ôóíêöèÿ íå äåéñòâóåò â ðåæèìàõ Twin Piano, Dual èëè Split.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Îäíàêî, ýòè ïåäàëè ìîãóò âûïîëíÿòü è äðóãèå ôóíêöèè.
51
Ðàçëè÷íûå óñòàíîâêè
Óñòàíîâêè íàñòðîéêè
Ïîäñòðîéêà ïîä âûñîòó äðóãèõ
èíñòðóìåíòîâ (Master Tuning)
Ïðè èãðå âìåñòå ñ äðóãèìè ìóçûêàíòàìè ìîæíî ïîäñòðîèòü âûñîòó ñòðîÿ F-110 ïîä íèõ.
Ñòàíäàðòíîé îáû÷íî ñ÷èòàåòñÿ âûñîòà, êîòîðàÿ ñîîòâåòñòâóåò âûñîòå íîòû "Ëÿ" ïåðâîé îêòàâû. ×òîáû àíñàìáëåâîå çâó÷àíèå áûëî áîëåå ÷èñòûì, óáåäèòåñü, ÷òî
èíñòðóìåíòû íàñòðîåíû îäèíàêîâî.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Âûáîð ñòðîÿ (Temperament)
Êëàññè÷åñêèå ïðîèçâåäåíèÿ, íàïðèìåð, ïüåñû áàðîêêî,
ìîãóò èñïîëíÿòüñÿ ñ èñïîëüçîâàíèåì ñîîòâåòñòâóþùèõ
èñòîðè÷åñêèõ ñòðîåâ (ìåòîäîâ íàñòðîåê).
Áîëüøèíñòâî ñîâðåìåííûõ ïüåñ ñî÷èíåíû è èñïîëíÿþòñÿ â ðàâíîìåðíîòåìïåðèðîâàííîì ñòðîå (ñàìîì ðàñïðîñòðàíåííîì íà ñåãîäíÿøíèé äåíü). Îäíàêî â áîëåå
ðàííåé ìóçûêå ñóùåñòâîâàëî áîëüøîå ðàçíîîáðàçèå äðóãèõ âèäîâ ñòðîÿ. Èñïîëíåíèå ïüåñû â îðèãèíàëüíîì ñòðîå
ïîçâîëÿåò ïîëó÷èòü óäîâîëüñòâèå îò ãàðìîíè÷åñêèõ ñîçâó÷èé, êîòîðûå èçíà÷àëüíî ïðåäïîëàãàëèñü êîìïîçèòîðàìè â èõ ïðîèçâåäåíèÿõ.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Piano], êíîïêàìè [–] èëè [+]
2. Óäåðæèâàÿ êíîïêó [Piano], êíîïêàìè [–] èëè [+]
âûáåðèòå “tun”.
3. Îòïóñòèòå êíîïêó [Piano] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
fig.d-400.eps_88
Íà äèñïëåå îòîáðàçÿòñÿ ïîñëåäíèå òðè öèôðû çíà÷åíèÿ
÷àñòîòû – 440.0 Ãö.
Óñòàíîâêà
15.3 Hz - 40.0 Hz - 66.2 Hz
(415.3 Hz - 440.0 Hz - 466.2 Hz)
âûáåðèòå “tnP”.
3. Îòïóñòèòå êíîïêó [Piano] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
fig.d-Temperament.eps_88
Ñòðîé Òîíèêà
Ïðåäóñìîòðåí âûáîð âîñüìè ðàçëè÷íûõ ñòðîåâ.
Óñòàíîâêà
Ñòðîé
Îïèñàíèå
Equal
 ýòîì ñòðîå êàæäàÿ îêòàâà
ðàçäåëåíà íà äâåíàäöàòü ðàâíûõ äîëåé (ïîëóòîíîâ). Êàæäûé èíòåðâàë
õàðàêòåðèçóåòñÿ íåáîëüøèì
äèññîíàíñîì.
Just (Major)
Îòëè÷àåòñÿ êîíñîíàíñíûì
çâó÷àíèåì òåðöèé è êâèíò. Îí
íå ïîäõîäèò äëÿ èñïîëíåíèÿ
ìåëîäèè è íå ìîæåò òðàíñïîíèðîâàòüñÿ, íî õàðàêòåðèçóåòñÿ áëàãîçâó÷èåì.
Just (Minor)
Íàòóðàëüíûé ìàæîðíûé ñòðîé
îòëè÷àåòñÿ îò îäíîèìåííîãî
ìèíîðíîãî òåì, ÷òî ñîâåðøåííûìè èíòåðâàëàìè ÿâëÿþòñÿ
êâèíòà è ìàëàÿ òåðöèÿ.
Ïî óìîë÷àíèþ èíñòðóìåíò èìååò óñòàíîâêó
“40.0 (440.0 Hz)”.
1
Íàæìèòå îäíîâðåìåííî êíîïêè [–] è [+] äëÿ âîçâðàòà ê çàâîäñêîé íàñòðîéêå (440 Hz).
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
2
3
52
Ðàçëè÷íûå óñòàíîâêè
fig.d-Temperament.eps_88
Óñòàíîâêà
Ñòðîé
Îïèñàíèå
4
Arabic
Ýòîò ëàä èñïîëüçóåòñÿ â àðàáñêîé ìóçûêå.
Kirnberger
Ýòîò óñîâåðøåíñòâîâàííûé
ñòðîé ñî÷åòàåò â ñåáå ýëåìåíòû ñòðîåâ Meantone è Just, äîïóñêàÿ áîëüøóþ ñâîáîäó
ìîäóëÿöèè. Âîçìîæíî èñïîëíåíèå ïðîèçâåäåíèé âî âñåõ
òîíàëüíîñòÿõ.
5
6
7
8
Meantone
Ýòîò ñòðîé ÿâëÿåòñÿ ñðåäíèì
ìåæäó òåìïåðèðîâàííûì è íàòóðàëüíûì, äîïóñêàÿ, òàêèì
îáðàçîì, òðàíñïîçèöèè â äðóãèå òîíàëüíîñòè.
Pythagorean
Ýòîò ñòðîé, èçîáðåòåííûé ôèëîñîôîì Ïèôàãîðîì, èñêëþ÷àåò äèññîíàíñ â êâàðòàõ è
êâèíòàõ. Íåìíîãî äèññîíèðóþò àêêîðäû, ñîäåðæàùèå òåðöèþ, íî ìåëîäèè î÷åíü
áëàãîçâó÷íû.
Werckmeister
Ýòîò ñòðîé ñî÷åòàåò â ñåáå ýëåìåíòû Ñðåäíåãî è Ïèôàãîðåéñêîãî ñòðîåâ. Âîçìîæíî
èñïîëíåíèå ïðîèçâåäåíèÿ âî
âñåõ òîíàëüíîñòÿõ.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Ñòðîé Òîíèêà
Äèñïëåé C
C
d
E_
E
F
F
G
A_
A
b_
b
Òîíèêà
C
D
E
E
F
F
G
A
A
B
B
C
Ïðè èãðå â àíñàìáëå ïîìíèòå, ÷òî â çàâèñèìîñòè îò
êëþ÷à ìîæåò ïðîèñõîäèòü íåêîòîðûé ñäâèã âûñîòû
íîò.
Íàñòðàèâàéòå F-110 â ñîîòâåòñòâèè ñ îñíîâíûì ñòðîåì îñòàëüíûõ èíñòðóìåíòîâ.
10. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Ðàñòÿíóòûé ñòðîé
Ýòîò ñòðîé õàðàêòåðåí äëÿ ôîðòåïèàíî. Â íåì íèæíèå íîòû ôîðòåïèàíî íàñòðàèâàþòñÿ ÷óòü íèæå, à âåðõíèå – ÷óòü
âûøå ïî ñðàâíåíèþ ñ ðàâíîìåðíî òåìïåðèðîâàííûì
ñòðîåì.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Îïðåäåëåíèå òîíèêè
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
Èãðàÿ â ëþáîì äðóãîì ñòðîå, êðîìå ðàâíîìåðíî òåìïåðèðîâàííîãî, íåîáõîäèìî çàäàòü òîíèêó èñïîëíÿåìîé ïüåñû (äðóãèìè ñëîâàìè – íîòó, êîòîðàÿ ñîîòâåòñòâóåò "äî" â
òîíàëüíîñòè äî-ìàæîð èëè "ëÿ" â òîíàëüíîñòè ëÿ-ìèíîð).
2. Óäåðæèâàÿ êíîïêó [Piano], êíîïêàìè [–] èëè [+]
Ïðè èãðå â ðàâíîìåðíî òåìïåðèðîâàííîì ñòðîå òîíèêó
çàäàâàòü íå íóæíî.
3. Îòïóñòèòå êíîïêó [Piano] è ïðîñìîòðèòå òåêó-
6. Âûáåðèòå ðåæèì Function (åñëè òðåáóåòñÿ).
Åñëè ðåæèì Function âêëþ÷åí, ïåðåéäèòå ê øàãó (7).
7. Óäåðæèâàÿ êíîïêó [Piano], êíîïêàìè [–] èëè [+]
âûáåðèòå “tnE”.
8. Îòïóñòèòå êíîïêó [Piano] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
9. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
âûáåðèòå “Str”.
ùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
Îïèñàíèå
"Ðàñòÿãèâàåò" ñòðîé êëàâèàòóðû. Äàííàÿ óñòàíîâêà ïîäõîäèò äëÿ èñïîëíåíèÿ ôîðòåïèàííûõ ñîëüíûõ ïàðòèé.
Ñòàíäàðòíàÿ îãèáàþùàÿ ñòðîÿ. Ïîäõîäèò äëÿ èñïîëíåíèÿ â ðåæèìå Dual
(ñòð. 27) èëè ïðè èãðå â àíñàìáëå.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
53
Ðàçëè÷íûå óñòàíîâêè
Óñòàíîâêè äëÿ çâóêîâ
ôîðòåïèàíî
Ñèìïàòè÷åñêèé ðåçîíàíñ ïðè íàæàòèè
ïåäàëè Damper (Damper Resonance)
Ðåçîíàíñ ñòðóí (String Resonance)
Äàííàÿ óñòàíîâêà âîññîçäàåò ðåçîíàíñíûå êîëåáàíèÿ
ñòðóí àêóñòè÷åñêîãî ôîðòåïèàíî, êîãäà êëàâèøà íàæèìàåòñÿ ïðè äðóãèõ íàæàòûõ êëàâèøàõ.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Óðîâåíü äåìïôåðíîãî ðåçîíàíñà ìîæåò áûòü èçìåíåí.
Íà àêóñòè÷åñêîì ôîðòåïèàíî íàæàòèå äåìïôåðíîé ïåäàëè îáåñïå÷èâàåò äîïîëíèòåëüíûé ðåçîíàíñ ñòðóí íå
òîëüêî íàæàòûõ êëàâèø, ÷òî äîáàâëÿåò â çâóê áîãàòûå ðåâåðáåðàöèè è íàñûùåííîñòü. Ïðè íàæàòèè ïåäàëè
Damper â F-110 âîññîçäàåòñÿ ýòîò ýôôåêò (äåìïôåðíûé
ðåçîíàíñ).
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Piano], êíîïêàìè [–] èëè [+]
âûáåðèòå “rSt”.
3. Îòïóñòèòå êíîïêó [Piano] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Piano], êíîïêàìè [–] èëè [+]
Óñòàíîâêà
Îïèñàíèå
OFF, 1 – 10
×åì âûøå çíà÷åíèå ýòîãî ïàðàìåòðà,
òåì ãðîì÷å ðåçîíàíñ ñòðóí.
Óñòàíîâêà "OFF" âûêëþ÷àåò äàííóþ
ôóíêöèþ.
âûáåðèòå “rES”.
3. Îòïóñòèòå êíîïêó [Piano] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
Îïèñàíèå
OFF, 1 – 10
×åì âûøå çíà÷åíèå ýòîãî ïàðàìåòðà,
òåì ãðîì÷å äåìïôåðíûé ðåçîíàíñ.
Óñòàíîâêà "OFF" âûêëþ÷àåò äàííóþ
ôóíêöèþ.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Ðåçîíàíñ ñíÿòèÿ íîòû
(Key Off Resonance)
Ðåçîíàíñ Key Off âîññîçäàåò ìÿãêèé çâóê äåìïôåðà, ïðèãëóøàþùåãî ñòðóíó ïðè îòïóñêàíèè êëàâèøè àêóñòè÷åñêîãî ðîÿëÿ.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Piano], êíîïêàìè [–] èëè [+]
âûáåðèòå “rOF”.
3. Îòïóñòèòå êíîïêó [Piano] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
54
Ðàçëè÷íûå óñòàíîâêè
Óñòàíîâêà
Îïèñàíèå
OFF, 1 – 10
×åì âûøå çíà÷åíèå, òåì ãðîì÷å ðåçîíàíñ Key Off.
Ïðè âûáîðå çíà÷åíèÿ "OFF" äàííàÿ
ôóíêöèÿ îòêëþ÷åíà.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Âûáîð ïàðòèè, íà÷èíàþùåéñÿ ñ
îòñ÷åòà (Countdown Part)
Äàííàÿ ôóíêöèÿ îïðåäåëÿåò ïàðòèþ, ïåðåä êîòîðîé áóäåò
âîñïðîèçâîäèòüñÿ îòñ÷åò ìåòðîíîìà.
Îòñ÷åò áóäåò çâó÷àòü ïåðåä íà÷àëîì âîñïðîèçâåäåíèÿ
âûáðàííîé ïàðòèè.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Óñòàíîâêè îòñ÷åòà
Ïðåäâàðèòåëüíûé îòñ÷åò ïîñëå
âñòóïëåíèÿ (Countdown)
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Metronome], êíîïêàìè [–]
èëè [+] âûáåðèòå “Cd.P”.
3. Îòïóñòèòå êíîïêó [Metronome] è ïðîñìîòðèòå
Îòñ÷åò ìåòðîíîìà "Count-down" çâó÷èò â êîíöå âñòóïèòåëüíîé ÷àñòè ïüåñû – ïåðåä íà÷àëîì èãðû íà èíñòðóìåíòå. Îí ïîìîãàåò ïîäñòðîèòüñÿ ïîä òåìï è ðàçìåð ïüåñû,
âìåñòå ñ êîòîðîé èñïîëíÿåòñÿ ïàðòèÿ, è âîâðåìÿ âñòóïèòü.
òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Îïèñàíèå
Ïàðòèè ïðàâîé è ëåâîé ðóê ïüåñû
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
Ïàðòèÿ ëåâîé ðóêè ïüåñû
2. Óäåðæèâàÿ êíîïêó [Metronome], êíîïêàìè [–]
èëè [+] âûáåðèòå “Ctd”.
Ïàðòèÿ ïðàâîé ðóêè ïüåñû
3. Îòïóñòèòå êíîïêó [Metronome] è ïðîñìîòðèòå
òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
1 – 16
Ïàðòèè 1 – 16
Ïðè âûáîðå íîâîé ïüåñû äàííàÿ óñòàíîâêà âîçâðàùàåòñÿ ê çíà÷åíèþ “r - L”.
Îïèñàíèå
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
Îòñ÷åò çâó÷èò
âûõîäà èç ðåæèìà Function.
Îòñ÷åò íå çâó÷èò
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
55
Ðàçëè÷íûå óñòàíîâêè
Óñòàíîâêè âîñïðîèçâåäåíèÿ
ïüåñû
Óñòàíîâêè MIDI
Íèæå îïèñàíî îïðåäåëåíèå ðàçëè÷íûõ óñòàíîâîê MIDI.
Òàêæå ñì. “Ïîäêëþ÷åíèå MIDI-óñòðîéñòâ” (ñòð. 64).
Âûáîð ïàðòèè, çàãëóøàåìîé êíîïêîé
[E. Piano] (Accomp Track)
Íèæå îïèñàíà ïðîöåäóðà çàãëóøåíèÿ âûáðàííîé ïàðòèè
ñ ïîìîùüþ êíîïêè [E. Piano], ïðè ýòîì åå èíäèêàòîð ãàñíåò.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Song], êíîïêàìè [–] èëè [+]
âûáåðèòå “A.tr”.
3. Îòïóñòèòå êíîïêó [Song] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
Ìîæíî ïîäêëþ÷èòü ïîðò MIDI In íà F-110 ê ïîðòó MIDI OUT
êîìïüþòåðíîãî MIDI-èíòåðôåéñà è âîñïðîèçâîäèòü êîìïàêò-äèñêè VIMA (VIMA TUNES). Äëÿ ýòîãî òðåáóåòñÿ ïðîãðàììíîå îáåñïå÷åíèå “VIMA TUNES PLAYER”,
íàõîäÿùååñÿ â ñâîáîäíîì äîñòóïå íà ñàéòå Roland:
http://www.roland.com/products/en/
* Âûáåðèòå â àëôàâèòíîì ñïèñêå ïðîäóêöèè ñòðàíèöó F-110
è çàòåì îòêðîéòå ñòðàíèöó “Download”.
Ïüåñû íà êîìïàêò-äèñêàõ VIMA (VIMA TUNES) ñîäåðæàò òàê
íàçûâàåìûå "ðåêîìåíäîâàííûå òåìáðû", êîòîðûå ñïåöèàëüíî ïîäîáðàíû äëÿ êàæäîé êîíêðåòíîé ïüåñû.
Îïèñàíèå
Ïðè âûáîðå ïüåñû ñ êîìïàêò-äèñêà VIMA (VIMA TUNES) ðåêîìåíäîâàííûå òåìáðû íàçíà÷àþòñÿ íà êíîïêè [E. Piano],
[Strings] è [Others], è èíäèêàòîðû ýòèõ êíîïîê íà÷èíàþò
ìèãàòü.
Çàãëóøàþòñÿ ïàðòèè àêêîìïàíåìåíòà è
ðèòìà.
Íàæàâ íà ìèãàþùóþ êíîïêó, ìîæíî âûáðàòü îäèí èç òðåõ
ðåêîìåíäîâàííûõ äëÿ âûáðàííîé ïüåñû òåìáðîâ.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
Âêëþ÷åíèå ðåêîìåíäîâàííûõ òåìáðîâ VIMA TUNES (Recommended Tone)
Çàãëóøàåòñÿ òîëüêî ïàðòèÿ àêêîìïàíåìåíòà. (Ïàðòèÿ ðèòìà çâó÷èò.)
Ìîæíî âûáðàòü, áóäóò ëè ðåêîìåíäîâàííûå òåìáðû àâòîìàòè÷åñêè íàçíà÷àòüñÿ íà êíîïêè ñåêöèè Tone, èëè íåò.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Çàãëóøàåòñÿ òîëüêî ïàðòèÿ ðèòìà.
(Ïàðòèÿ àêêîìïàíåìåíòà çâó÷èò.)
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ íàæàòîé êíîïêó òðåêà [Others], êíîïÝòè óñòàíîâêè ìîæíî èçìåíÿòü òîëüêî ïîñëå âûáîðà
ïüåñû.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
56
êàìè [-]/[+] äîáåéòåñü, ÷òîáû äèñïëåé îòîáðàçèë
“rtn”.
Çíà÷åíèå ïàðàìåòðà âûâîäèòñÿ íà äèñïëåé ïîñëå îòïóñêàíèÿ êíîïêè.
Ðàçëè÷íûå óñòàíîâêè
3. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
Îïèñàíèå
Ïðè âûáîðå ïüåñû ñ êîìïàêò-äèñêà VIMA
(VIMA TUNES) ðåêîìåíäîâàííûå òåìáðû
àâòîìàòè÷åñêè íàçíà÷àþòñÿ íà êíîïêè
òåìáðîâ [E. Piano], [Strings] è [Others].
Ðåêîìåíäîâàííûå òåìáðû íå èñïîëüçóþòñÿ, ìîãóò áûòü âûáðàíû òîëüêî âñòðîåííûå òåìáðû F-110.
Local Off:
Êëàâèàòóðà è âñòðîåííûé ñåêâåíñåð íå ñîåäèíåíû ñ âíóòðåííèì çâóêîâûì ãåíåðàòîðîì. Âî âðåìÿ èãðû íà êëàâèàòóðå äàííûå ïîñòóïàþò òîëüêî íà ðàçúåì MIDI OUT, à íà
âñòðîåííûé ãåíåðàòîð íå ïåðåäàþòñÿ.
fig.LocalOff.eps_88
Çâóê îòñóòñòâóåò
Çâóêîâîé ãåíåðàòîð
Local Off
Ïî óìîë÷àíèþ âûáèðàåòñÿ çíà÷åíèå “On”.
4. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
Ïðåäîòâðàùåíèå äóáëèðîâàíèÿ íîò
ïðè ðàáîòå ñ ñåêâåíñåðîì (Local
Control)
Êîììóòèðóÿ ñ èíñòðóìåíòîì âíåøíèé MIDI-ñåêâåíñåð, ïàðàìåòð Local Control ñëåäóåò îòêëþ÷èòü (ñîñòîÿíèå Off).
Ïîñêîëüêó îáû÷íî â ñåêâåíñåðå ïàðàìåòð Thru âêëþ÷åí,
òî ïðè èãðå íà êëàâèàòóðå äàííûå ïåðåäàþòñÿ íà âíóòðåííèé çâóêîâîé ãåíåðàòîð ïî äâóì öåïÿì – Local Control
(1) è (2) (ñì. èëëþñòðàöèþ). Â ðåçóëüòàòå, ïðè âçÿòèè îäíîé
íîòû çâóê âîñïðîèçâîäèòñÿ äâàæäû. ×òîáû ýòîãî èçáåæàòü, îòêëþ÷èòå Local Control (1), è ñîîáùåíèÿ MIDI áóäóò
ïîñòóïàòü íà çâóêîâîé ãåíåðàòîð òîëüêî èç ñåêâåíñåðà.
fig.LocalControl.eps_88
(1) Local On
Ñåêâåíñeð
Çâóêîâîé
ãåíåðàòîð
MIDI
IN
MIDI
OUT
MIDI
OUT
MIDI
IN
Ïàìÿòü
Êàæäàÿ íîòà çâó÷èò äâàæäû
(2) Soft Thru On
Local On:
Êëàâèàòóðà è âñòðîåííûé ñåêâåíñåð ïîäêëþ÷åíû ê âíóòðåííåìó çâóêîâîìó ãåíåðàòîðó.
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Others], êíîïêàìè [–] èëè [+]
âûáåðèòå “L.Ct”.
3. Îòïóñòèòå êíîïêó [Others] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Óñòàíîâêà
Îïèñàíèå
Ïàðàìåòð Local Control âêëþ÷åí (On). Êëàâèàòóðà è âñòðîåííûé ñåêâåíñåð ïîäêëþ÷åíû ê âíóòðåííåìó çâóêîâîìó
ãåíåðàòîðó.
Ïàðàìåòð Local Control âûêëþ÷åí (Off).
Êëàâèàòóðà è âñòðîåííûé ñåêâåíñåð íå ñîåäèíåíû ñ âíóòðåííèì çâóêîâûì ãåíåðàòîðîì. Âî âðåìÿ èãðû íà êëàâèàòóðå èëè
âîñïðîèçâåäåíèÿ ïüåñû ñîîòâåòñòâóþùèå
íîòû íå çâó÷àò, à MIDI-ñîîáùåíèÿ ïîäàþòñÿ íà ðàçúåì MIDI OUT.
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
fig.LocalOn.eps_88
Çâóê ïðèñóòñòâóåò
Çâóêîâîé ãåíåðàòîð
Local On
57
Ðàçëè÷íûå óñòàíîâêè
Óñòàíîâêà ïåðåäàþùåãî MIDI-êàíàëà
(MIDI Transmit Channel)
Äàííàÿ óñòàíîâêà îïðåäåëÿåò êàíàë, ïî êîòîðîìó F-110
ïåðåäàåò äàííûå.
Ïðîòîêîë MIDI ïîçâîëÿåò îäíîâðåìåííî ïåðåäàâàòü è
ïðèíèìàòü ñîîáùåíèÿ ïî 16 êàíàëàì (1 – 16). Ïîäêëþ÷àÿ
MIDI-ìîäóëè è íàçíà÷àÿ íà íèõ ñîîòâåòñòâóþùèå MIDI-êàíàëû, ìîæíî èãðàòü çâóêàìè ýòèõ ïîäêëþ÷åííûõ óñòðîéñòâ.
F-110 ïðèíèìàåò èíôîðìàöèþ ïî âñåì øåñòíàäöàòè êàíàëàì (1 – 16).
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Others], êíîïêàìè [–] èëè [+]
Ïåðåäà÷à çàïèñàííûõ äàííûõ íà
MIDI-óñòðîéñòâî (Composer MIDI Out)
Åñëè ôóíêöèÿ Composer MIDI Out âêëþ÷åíà, òî ïüåñó, çàïèñàííóþ íà F-110, ìîæíî ïåðåäàòü íà âíåøíåå MIDI-óñòðîéñòâî èëè êîìïüþòåð.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Others], êíîïêàìè [–] èëè [+]
âûáåðèòå “Out”.
3. Îòïóñòèòå êíîïêó [Others] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
âûáåðèòå “Ch.”.
Óñòàíîâêà
Îïèñàíèå
3. Îòïóñòèòå êíîïêó [Others] è ïðîñìîòðèòå òåêóùóþ óñòàíîâêó.
Çàïèñàííûé ìàòåðèàë ïåðåäàåòñÿ.
4. Êíîïêàìè [-]/[+] èçìåíèòå óñòàíîâêó.
Çàïèñàííûé ìàòåðèàë íå ïåðåäàåòñÿ.
Óñòàíîâêà (êàíàë)
OFF, 1 – 16
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
Ïðè âûáîðå óñòàíîâêè "OFF" MIDI-äàííûå ñ F-110 íå
ïåðåäàþòñÿ.
Îòíîñèòåëüíî êîììóòàöèè MIDI-ìîäóëåé ñ èíñòðóìåíòîì ñì. “Ïîäêëþ÷åíèå MIDI-óñòðîéñòâ” (ñòð. 64).
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
58
Ðàçëè÷íûå óñòàíîâêè
6. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
Ïðî÷èå óñòàíîâêè
âûõîäà èç ðåæèìà Function.
Èíäèêàòîð êíîïêè âåðíåòñÿ â ïðåäûäóùåå ñîñòîÿíèå.
Ôóíêöèÿ V-LINK (V-LINK)
Åñëè ôóíêöèÿ V-LINK âêëþ÷åíà, äèñïëåé îòîáðàçèò ñëåäóþùåå.
fig.d-VLinkOn.eps_88
Ñêîììóòèðîâàâ ñ F-110 ñîâìåñòèìîå ñ V-LINK âèäåîóñòðîéñòâî, ìîæíî áóäåò óïðàâëÿòü èçîáðàæåíèÿìè â ïðîöåññå èãðû íà èíñòðóìåíòå.
Óïðàâëÿòü èçîáðàæåíèÿìè ìîæíî ñ ïîìîùüþ 12 êðàéíèõ
ëåâûõ êëàâèø èíñòðóìåíòà.
Âî èçáåæàíèå ïîâðåæäåíèÿ äèíàìèêîâ è óñèëèòåëåé ïåðåä êîììóòàöèåé èíñòðóìåíòà ñ äðóãèìè óñòðîéñòâàìè óñòàíîâèòå ðåãóëÿòîðû ãðîìêîñòè âñåõ
óñòðîéñòâ â ìèíèìóì è îòêëþ÷èòå èõ ïèòàíèå.
fig.V-LINK-Keyboard.eps_88
V-LINK
V-LINK (
) – ýòî ðàçðàáîòàííàÿ ôèðìîé
Roland òåõíîëîãèÿ, êîòîðàÿ ïîçâîëÿåò îáúåäèíèòü èñïîëíåíèå ìóçûêè è óïðàâëåíèå âèçóàëüíîé èíôîðìàöèåé.
Èñïîëüçóÿ âèäåî îáîðóäîâàíèå, ñîâìåñòèìîå ñ V-LINK,
ìîæíî âêëþ÷àòü âî âðåìÿ èãðû âèçóàëüíûå ýôôåêòû, êîòîðûå óñèëÿò âûðàçèòåëüíîñòü è ýìîöèîíàëüíîñòü ïîäà÷è èñïîëíÿåìîãî ìóçûêàëüíîãî ìàòåðèàëà.
Èñïîëüçîâàíèå ôóíêöèè V-LINK
1. Óäåðæèâàÿ êíîïêó [Song], íàæìèòå êíîïêó
[Metronome].
Äèñïëåé îòîáðàçèò “_._._”, åñëè ôóíêöèÿ V-LINK âêëþ÷åíà,
èëè “. .”, åñëè âûêëþ÷åíà. Ïðè íåîáõîäèìîñòè ïîâòîðèòå
ýòîò øàã äëÿ âûáîðà “_._._”.
2. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
Ïîêà ôóíêöèÿ V-LINK âêëþ÷åíà, êðàéíèå 12 êëàâèø â
ëåâîé ÷àñòè êëàâèàòóðû íå çâó÷àò, à èñïîëüçóþòñÿ
äëÿ ïåðåêëþ÷åíèÿ èçîáðàæåíèé.
7. Äëÿ âûõîäà èç ðåæèìà V-LINK, óäåðæèâàÿ êíîïêó [Song], íàæìèòå êíîïêó [Metronome] äëÿ âûáîðà “. . .”.
Ñîõðàíåíèå óñòàíîâîê
(Memory Backup)
Êàê ïðàâèëî, ïðè âûêëþ÷åíèè ïèòàíèÿ èíñòðóìåíòà ðàçëè÷íûå óñòàíîâêè âîçâðàùàþòñÿ ê ñâîèì çàâîäñêèì çíà÷åíèÿì. Îäíàêî íåêîòîðûå îòêîððåêòèðîâàííûå
óñòàíîâêè ìîæíî ñîõðàíèòü âî âíóòðåííþþ ïàìÿòü èíñòðóìåíòà, ÷òîáû ïîñëå âêëþ÷åíèÿ ïèòàíèÿ ñíîâà ðàáîòàòü
ñ íèìè.
Ýòà ôóíêöèÿ íàçûâàåòñÿ Memory Backup”.
3. Óäåðæèâàÿ êíîïêó [Others], êíîïêàìè [–] èëè [+]
âûáåðèòå “vLn”.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
4. Îòïóñòèòå êíîïêó [Others] è ïðîñìîòðèòå òåêó-
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
ùóþ óñòàíîâêó.
5. Êíîïêàìè [-]/[+] âûáåðèòå MIDI-êàíàë
.
Óñòàíîâêà (êàíàë V-LINK)
1 – 16
59
Ðàçëè÷íûå óñòàíîâêè
2. Óäåðæèâàÿ êíîïêó [Others], êíîïêàìè [–] èëè [+]
âûáåðèòå “buP”.
Äèñïëåé îòîáðàçèò “buP”, è êíîïêà [
ãàòü.
] íà÷íåò ìè-
Âîññòàíîâëåíèå çàâîäñêèõ
óñòàíîâîê (Factory Reset)
fig.d-buP.eps_88
Èìååòñÿ âîçìîæíîñòü âîññòàíîâëåíèÿ çàâîäñêèõ óñòàíîâîê âñåõ ïàðàìåòðîâ. Ýòà ôóíêöèÿ íàçûâàåòñÿ Factory
Reset.
3. Íàæìèòå êíîïêó [
].
Äèñïëåé îòîáðàçèò “Sur”, è êíîïêè [
÷íóò ìèãàòü.
]è[
] íà-
Èñïîëüçóéòå ýòó ôóíêöèþ äëÿ òîãî, ÷òîáû óñòàíîâêè, ñîõðàíåííûå ñ ïîìîùüþ ôóíêöèè Memory Backup, âîçâðàòèëèñü ê ñâîèì çàâîäñêèì çíà÷åíèÿì.
Ïðè âîññòàíîâëåíèè çàâîäñêèõ óñòàíîâîê ïîëüçîâàòåëüñêèå óñòàíîâêè óäàëÿþòñÿ.
fig.d-Sur.eps_88
Äëÿ îòìåíû îïåðàöèè íàæìèòå êíîïêó [
Äàííàÿ ôóíêöèÿ íå óäàëÿåò ïüåñû èç âíóòðåííåé ïàìÿòè. Åñëè òðåáóåòñÿ ïîëíîñòüþ î÷èñòèòü ñîäåðæèìîå âíóòðåííåé ïàìÿòè, îáðàòèòåñü ê ðàçäåëó
“Óäàëåíèå âñåõ ïüåñ” (ñòð. 43).
].
4. Äëÿ âûïîëíåíèÿ îïåðàöèè íàæìèòå êíîïêó
[
].
Íà äèñïëåå íà÷íåò ìèãàòü ñîîáùåíèå “buP”.
Íèêîãäà íå îòêëþ÷àéòå ïèòàíèå èíñòðóìåíòà, åñëè
íà äèñïëåå ìèãàåò ñîîáùåíèå “buP”.
1. Óäåðæèâàÿ êíîïêó [Reverb], íàæìèòå êíîïêó
[Transpose].
Äèñïëåé îòîáðàçèò "Fnc" (âêëþ÷åí ðåæèì Function).
2. Óäåðæèâàÿ êíîïêó [Others], êíîïêàìè [–] èëè [+]
âûáåðèòå “Fct”.
Ïîñëå çàâåðøåíèÿ îïåðàöèè äèñïëåé îòîáðàçèò “Fnc”.
fig.d-Fnc.eps_88
Äèñïëåé îòîáðàçèò “Fct”, è êíîïêà [
ãàòü.
] íà÷íåò ìè-
fig.d-Fct.eps_88
Ïîäðîáíàÿ èíôîðìàöèÿ î ñîõðàíåíèè óñòàíîâîê âî
âíóòðåííþþ ïàìÿòü íàõîäèòñÿ â ðàçäåëå “Óñòàíîâêè,
ñîõðàíÿåìûå ôóíêöèåé Memory Backup” (ñòð. 76).
5. Íàæìèòå êíîïêó [Reverb] èëè [Transpose] äëÿ
âûõîäà èç ðåæèìà Function.
3. Íàæìèòå êíîïêó [
].
Äèñïëåé îòîáðàçèò “Sur”, è êíîïêè [
÷íóò ìèãàòü.
] íà-
fig.d-Sur.eps_88
Äëÿ îòìåíû îïåðàöèè íàæìèòå êíîïêó [
60
]è[
].
Ðàçëè÷íûå óñòàíîâêè
4. Äëÿ âûïîëíåíèÿ îïåðàöèè íàæìèòå êíîïêó
[
].
Íèêîãäà íå îòêëþ÷àéòå ïèòàíèå èíñòðóìåíòà, åñëè
íà äèñïëåå ìèãàåò ñîîáùåíèå “Fct”.
Ïîñëå îêîí÷àíèÿ ïðîöåññà Factory Reset íà äèñïëåå îòîáðàæàåòñÿ ñëåäóþùàÿ èíôîðìàöèÿ.
fig.d-End.eps_88
Áëîêèðîâêà êíîïîê ïàíåëè
(Panel Lock)
Ñ ïîìîùüþ äàííîé ôóíêöèè ìîæíî çàáëîêèðîâàòü âñå
êíîïêè èíñòðóìåíòà. Ýòî ïîìîæåò èçáåæàòü ñëó÷àéíîãî
èçìåíåíèÿ óñòàíîâîê (íàïðèìåð, åñëè íà èíñòðóìåíòå èãðàåò ðåáåíîê).
1. Íàæìèòå îäíîâðåìåííî êíîïêè [Reverb] è
[Metronome].
5. Óñòàíîâèòå ðåãóëÿòîð [Volume] â ìèíèìóì.
6. Âûêëþ÷èòå è âíîâü âêëþ÷èòå ïèòàíèå èíñòðó-
Ôóíêöèÿ áëîêèðîâêè ïàíåëè âêëþ÷èòñÿ. Âñå êíîïêè áóäóò
çàáëîêèðîâàíû.
Íà äèñïëåå îòîáðàçèòñÿ ñëåäóþùåå.
fig.d-lock.eps_88
ìåíòà.
Íàæàòèå ýòèõ êíîïîê â ïðîöåññå âîñïðîèçâåäåíèÿ
èëè çàïèñè ïüåñû àâòîìàòè÷åñêè îñòàíîâèò äàííûå
ïðîöåññû.
Îòìåíà áëîêèðîâêè êíîïîê ïàíåëè
Äëÿ îòêëþ÷åíèÿ ôóíêöèè áëîêèðîâêè êíîïîê ñíîâà îäíîâðåìåííî íàæìèòå êíîïêè [Reverb] è [Metronome].
Ðåæèì áëîêèðîâêè ïîñëå âûêëþ÷åíèÿ ïèòàíèÿ èíñòðóìåíòà îòìåíÿåòñÿ.
61
Ïîäêëþ÷åíèå âíåøíåãî îáîðóäîâàíèÿ
Ïîäêëþ÷åíèå ê àóäèîîáîðóäîâàíèþ
Ïîäêëþ÷èâ F-110 ê àêòèâíûì ìîíèòîðàì èëè àóäèîñèñòåìå, èìåþùåé ëèíåéíûé âõîä, ìîæíî ïðîñëóøèâàòü çâóêîâîé ñèãíàë èíñòðóìåíòà ÷åðåç ýòî àóäèîîáîðóäîâàíèå.
•
Âî èçáåæàíèå ïîâðåæäåíèÿ äèíàìèêîâ è óñèëèòåëåé,
ïåðåä êîììóòàöèåé óñòàíîâèòå âñå ðåãóëÿòîðû ãðîìêîñòè â ìèíèìóì è âûêëþ÷èòå ïèòàíèå âñåõ ñêîììóòèðîâàííûõ óñòðîéñòâ.
•
Íåêîòîðûå àóäèîêàáåëè ìîãóò ñîäåðæàòü ðåçèñòîðû.
Íå èñïîëüçóéòå êàáåëè ýòîãî òèïà äëÿ êîììóòàöèè,
èíà÷å óðîâåíü çâóêà ìîæåò áûòü çàíèæåí.
Åñëè ê âõîäàì F-110 ïîäêëþ÷èòü âîñïðîèçâîäÿùåå àóäèîîáîðóäîâàíèå, åãî ñèãíàëû ìîæíî áóäåò ïðîñëóøèâàòü
÷åðåç F-110.
Äëÿ êîììóòàöèè èñïîëüçóéòå àóäèîêàáåëè ñî ñòàíäàðòíûìè äæåêàìè 1/4" (ïðèîáðåòàþòñÿ îòäåëüíî).
Ïîäêëþ÷åíèå F-110 ê âíåøíèì ìîíèòîðàì
fig.F-110Audio1-e.eps_88
Àêòèâíûå ìîíèòîðû è ò.ä.
Âûõîäíûå ðàçúåìû
Âõîä (Line In)
1. Óñòàíîâèòå â ìèíèìóì ðåãóëÿòîðû ãðîìêîñòè
Âûêëþ÷åíèå ïèòàíèÿ
F-110 è àêòèâíûõ ìîíèòîðîâ.
2. Âûêëþ÷èòå ïèòàíèå F-110 è ïîäêëþ÷àåìûõ àêòèâíûõ ìîíèòîðîâ.
3. Ñ ïîìîùüþ àóäèîêàáåëåé (ïðèîáðåòàþòñÿ îòäåëüíî) îñóùåñòâèòå êîììóòàöèþ.
4. Âêëþ÷èòå ïèòàíèå F-110.
5. Âêëþ÷èòå ïèòàíèå àêòèâíûõ ìîíèòîðîâ.
6. Îòðåãóëèðóéòå ãðîìêîñòü F-110 è àêòèâíûõ ìîíèòîðîâ.
Ïðè èãðå íà F-110 çâóê âîñïðîèçâîäèòñÿ ÷åðåç ñêîììóòèðîâàííûå ñ íèì àêòèâíûå ìîíèòîðû.
62
1. Óñòàíîâèòå â ìèíèìóì ðåãóëÿòîðû ãðîìêîñòè
F-110 è àêòèâíûõ ìîíèòîðîâ.
2. Âûêëþ÷èòå ïèòàíèå àêòèâíûõ ìîíèòîðîâ.
3. Âûêëþ÷èòå ïèòàíèå F-110.
Ïîäêëþ÷åíèå âíåøíåãî îáîðóäîâàíèÿ
Âîñïðîèçâåäåíèå çâóêîâ àóäèîïëååðà ÷åðåç äèíàìèêè F-110
fig.F-110Audio2-e.eps_88
Âõîäíûå
ðàçúåìû
Âûõîä (Line Out)
Öèôðîâîé àóäèîïëååð è ò.ä.
1. Óñòàíîâèòå â ìèíèìóì ðåãóëÿòîðû ãðîìêîñòè
Âûêëþ÷åíèå ïèòàíèÿ
F-110 è àóäèîïëååðà.
2. Âûêëþ÷èòå ïèòàíèå F-110 è àóäèîïëååðà.
3. Ñ ïîìîùüþ àóäèîêàáåëåé (ïðèîáðåòàþòñÿ îòäåëüíî) îñóùåñòâèòå êîììóòàöèþ.
4. Âêëþ÷èòå ïèòàíèå àóäèîïëååðà.
1. Óñòàíîâèòå â ìèíèìóì ðåãóëÿòîðû ãðîìêîñòè
F-110 è àóäèîïëååðà.
2. Âûêëþ÷èòå ïèòàíèå F-110.
3. Âûêëþ÷èòå ïèòàíèå àóäèîïëååðà.
5. Âêëþ÷èòå ïèòàíèå F-110.
6. Îòðåãóëèðóéòå ãðîìêîñòü F-110 è àóäèîïëååðà.
Çâóê ïîäêëþ÷åííîãî àóäèîïëååðà áóäåò âîñïðîèçâîäèòüñÿ ÷åðåç âñòðîåííûå äèíàìèêè F-110.
Óñòàíàâëèâàéòå ãðîìêîñòü ñ ïîìîùüþ ðåãóëèðîâîê
àóäèîïëååðà.
63
Ïîäêëþ÷åíèå âíåøíåãî îáîðóäîâàíèÿ
Ïîäêëþ÷åíèå MIDI-óñòðîéñòâ
Ïîäêëþ÷èâ ê èíñòðóìåíòó âíåøíèé MIDI-ìîäóëü, ìîæíî
îáìåíèâàòüñÿ ñ íèì MIDI-ñîîáùåíèÿìè, óïðàâëÿÿ óñòðîéñòâîì ñ ïîìîùüþ èíñòðóìåíòà, è íàîáîðîò èíñòðóìåíòîì ñ ïîìîùüþ óñòðîéñòâà. Íàïðèìåð, ìîæíî èãðàòü
òåìáðàìè äðóãîãî èíñòðóìåíòà èëè ïåðåêëþ÷àòü èõ.
Ïîäêëþ÷åíèå MIDI-ñåêâåíñåðà ê F-110
fig.MIDI1-e2.eps_88
Ðàçúåì
MIDI Out
Ïîíÿòèå MIDI
MIDI – Musical Instrument Digital Interface (öèôðîâîé
èíòåðôåéñ äëÿ ìóçûêàëüíûõ èíñòðóìåíòîâ). Ýòî îáùåïðèíÿòûé ñòàíäàðò äëÿ îáìåíà ìóçûêàëüíûìè
äàííûìè ìåæäó ðàçëè÷íûìè ýëåêòðîííûìè èíñòðóìåíòàìè è êîìïüþòåðîì.
MIDI-êàáåëü
F-110 ñíàáæåí MIDI-ðàçúåìàìè, ÷åðåç êîòîðûå èäåò
îáìåí MIDI-èíôîðìàöèåé ñ âíåøíèìè óñòðîéñòâàìè.
MIDI-ñåêâåíñeð
Ïîäêëþ÷åíèå óñòðîéñòâà Roland ñåðèè MT
fig.MIDI1-e.eps_88
Ðàçúåì
MIDI Out
MIDI-êàáåëü
Roland ñåðèè MT
Êîììóòèðóÿ F-110 ñ MIDI-ñåêâåíñåðîì, âûáèðàéòå
ðåæèì “Local Off.” Ñì. “Ïðåäîòâðàùåíèå äóáëèðîâàíèÿ íîò ïðè ðàáîòå ñ ñåêâåíñåðîì (Local Control)”
(ñòð. 57).
64
Ïîäêëþ÷åíèå âíåøíåãî îáîðóäîâàíèÿ
Âîñïðîèçâåäåíèå çâóêîâ
MIDI-ìîäóëÿ ïðè èãðå íà F-110
fig.F-110MIDI2-e.eps_88
Ðàçúåì
MIDI Out
Ïîäêëþ÷åíèå ê êîìïüþòåðó
Ñ ïîìîùüþ îïöèîíàëüíîãî èíòåðôåéñà USB MIDI ïîäêëþ÷èòå F-110 ê êîìïüþòåðó.
Åñëè â ïîäêëþ÷åííîì ê F-110 êîìïüþòåðå óñòàíîâëåí
ïðîãðàììíûé ñåêâåíñåð, çàïèñàííóþ â F-110 ïüåñó ìîæíî
ñîõðàíèòü â êîìïüþòåð.
Ïðèìåð êîììóòàöèè
* Âî èçáåæàíèå ïîâðåæäåíèÿ äèíàìèêîâ è óñèëèòåëåé, ïåðåä êîììóòàöèåé óñòàíîâèòå âñå ðåãóëÿòîðû ãðîìêîñòè â
ìèíèìóì è âûêëþ÷èòå ïèòàíèå âñåõ ñêîììóòèðîâàííûõ
óñòðîéñòâ.
MIDI-êàáåëü
Çâóêîâîé ìîäóëü MIDI
Êîììóòàöèÿ
* Äëÿ êîððåêòíîé êîììóòàöèè ñ êîìïüþòåðîì â ïîñëåäíèé
òðåáóåòñÿ óñòàíîâèòü “äðàéâåð MIDI”. Ñì. äîêóìåíòàöèþ
íà êîíêðåòíûé MIDI-èíòåðôåéñ.
Êàáåëåì èíòåðôåéñà USB MIDI ñîåäèíèòå ïîðò USB êîìïüþòåðà ñ ðàçúåìàìè MIDI íà F-110.
fig.F-110comp.e.eps_88
1. Óñòàíîâèòå â ìèíèìóì ðåãóëÿòîðû ãðîìêîñòè
Ðàçúåìû
MIDI Out/In
F-110 è ïîäêëþ÷àåìîãî ê íåìó MIDI-ìîäóëÿ.
2. Âûêëþ÷èòå ïèòàíèå F-110 è ïîäêëþ÷àåìîãî ê
íåìó MIDI-ìîäóëÿ.
3. Ñ ïîìîùüþ MIDI-êàáåëåé (ïðèîáðåòàþòñÿ îòäåëüíî) ñêîììóòèðóéòå èíñòðóìåíò ñ MIDI-ìîäóëåì.
Ê ïîðòó USB
êîìïüþòåðà
4. Âêëþ÷èòå ïèòàíèå F-110 è MIDI-ìîäóëÿ.
5. Îòðåãóëèðóéòå ãðîìêîñòü F-110 è MIDI-ìîäóëÿ.
Èíòåðôåéñ USB MIDI
Êîìïüþòåð
6. Ñîîòâåòñòâóþùèì îáðàçîì íàñòðîéòå êàíàëû
ïðèåìà/ïåðåäà÷è MIDI-äàííûõ (ñòð. 58).
65
Íåèñïðàâíîñòè
Ïðè âîçíèêíîâåíèè ïðîáëåì â ïðîöåññå ðàáîòû ñ èíñòðóìåíòîì ïðî÷èòàéòå ýòîò ðàçäåë.
Íåèñïðàâíîñòü
Ïðè÷èíà/Äåéñòâèå
Ñòð.
Íå âêëþ÷àåòñÿ ïèòàíèå
Ïðàâèëüíî ëè ïîäêëþ÷åí ñåòåâîé àäàïòåð?
ñòð. 19
Ïðàâèëüíî ëè ïîäêëþ÷åíû ïåäàëè?
Âñòàâüòå ðàçúåì êàáåëÿ ïåäàëè â ãíåçäî äî óïîðà.
ñòð. 19
Îòñîåäèíåíèå øíóðà ïåäàëè ïðè âêëþ÷åííîì èíñòðóìåíòå ìîæåò âûçâàòü íåïðåðûâíîå äåéñòâèå ýôôåêòà, íàçíà÷åííîãî íà ïåäàëü. Ïîýòîìó, ïðåæäå ÷åì ïîäêëþ÷àòü è îòêëþ÷àòü ïåäàëü, íå çàáóäüòå âûêëþ÷èòü ïèòàíèå F-110.
—
Åñëè íà ïåäàëè Soft èëè Sostenuto íàçíà÷åíû äðóãèå ôóíêöèè, ïåäàëè íå áóäóò ðàáîòàòü
â øòàòíîì ðåæèìå.
ñòð. 51
Âíåøíèå óñòðîéñòâà "ôîíÿò"
Íå ïîäêëþ÷åíû ëè âíåøíèå ïðèáîðû ê ðàçíûì ðîçåòêàì?
Ñ ïîìîùüþ ðàçâåòâèòåëÿ ïîäêëþ÷èòå âñå ïðèáîðû ê îäíîé ðîçåòêå.
—
Âõîäíîé ñèãíàë èìååò ñëèøêîì íèçêèé óðîâåíü
Âîçìîæíî, èñïîëüçóåìûé äëÿ êîììóòàöèè êàáåëü ñîäåðæèò ðåçèñòîð?
Èñïîëüçóéòå êàáåëü áåç ðåçèñòîðà.
—
Íå óñòàíîâëåíû ëè ðåãóëÿòîðû ãðîìêîñòè èíñòðóìåíòà èëè ïîäêëþ÷åííîãî óñòðîéñòâà
â ìèíèìóì?
ñòð. 21
ñòð. 62
Íå ïîäêëþ÷åíû ëè ê èíñòðóìåíòó íàóøíèêè?
Íå ñêîììóòèðîâàí ëè ñ ãíåçäîì íàóøíèêîâ êàêîé-ëèáî ðàçúåì?
Äèíàìèêè èíñòðóìåíòà îòêëþ÷àþòñÿ, åñëè ãíåçäî íàóøíèêîâ çàäåéñòâîâàíî.
ñòð. 22
Íå âûáðàí ëè ðåæèì Local Off?
 ýòîì ñëó÷àå çâóê íå âîñïðîèçâîäèòñÿ. Âûáåðèòå ðåæèì Local On.
ñòð. 57
Íå âûáðàí ëè ðåæèì Local Off?
 ýòîì ñëó÷àå çâóê ïðè âîñïðîèçâåäåíèè ïüåñû ñëûøåí íå áóäåò. Âûáåðèòå ðåæèì Local
On.
ñòð. 57
Íå óñòàíîâëåí ëè óðîâåíü ãðîìêîñòè ïüåñû â "0”?
ñòð. 34
Íå âêëþ÷åíà ëè ôóíêöèÿ V-LINK?
 ýòîì ñëó÷àå êðàéíèå 12 êëàâèø â ëåâîé ÷àñòè êëàâèàòóðû èñïîëüçóþòñÿ äëÿ óïðàâëåíèÿ âèçóàëüíûìè ýôôåêòàìè.
ñòð. 59
Âêëþ÷åíû ëè âñå èñïîëüçóåìûå óñòðîéñòâà?
—
Ïðàâèëüíî ëè ïîäêëþ÷åíû MIDI-êàáåëè?
ñòð. 64
Ñîâïàäàþò ëè MIDI-êàíàëû F-110 è ïîäêëþ÷åííîãî óñòðîéñòâà?
ñòð. 58
Ìàêñèìàëüíàÿ ïîëèôîíèÿ F-110 ñîñòàâëÿåò 128 ãîëîñîâ.  ðåæèìå Dual ïðè îäíîâðåìåííîé èãðå ñ ïüåñîé è ÷àñòîì èñïîëüçîâàíèè ïåäàëè Damper ìàêñèìàëüíîå ÷èñëî ãîëîñîâ ìîæåò áûòü ïðåâûøåíî.  ýòîì ñëó÷àå âîçìîæíî âûïàäåíèå íåêîòîðûõ íîò.
—
Íå óñòàíîâëåí ëè ðåæèì òðàíñïîíèðîâàíèÿ Transpose?
ñòð. 26
Ïðàâèëüíî ëè îïðåäåëåíà óñòàíîâêà Master Tune?
ñòð. 52
Ïðàâèëüíî ëè îïðåäåëåíà óñòàíîâêà Temperament?
ñòð. 52
Íå íàõîäèòñÿ ëè F-110 â ðåæèìå Dual?
ñòð. 27
Åñëè F-110 ïîäêëþ÷åí ê âíåøíåìó ñåêâåíñåðó, îòêëþ÷èòå ðåæèì èëè Local Control â èíñòðóìåíòå (OFF), èëè Soft Thru â ñåêâåíñåðå.
ñòð. 57
Êíîïêè [E. Piano], [Strings] è [Others] èñïîëüçóþòñÿ òàêæå äëÿ âûáîðà "ðåêîìåíäîâàííûõ òåìáðîâ”.
Ïðè çàâîäñêèõ óñòàíîâêàõ ïîäêëþ÷åíèå F-110 ê êîìïüþòåðó çàïóñêàåò ïðîãðàììó
“VIMA TUNES PLAYER”, è âûáîð ïüåñû ñòàíäàðòà VIMA (VIMA TUNES) àâòîìàòè÷åñêè íàçíà÷èò íà êíîïêè [E. Piano], [Strings] è [Others] “ðåêîìåíäîâàííûå” òåìáðû.
Äàííóþ ôóíêöèþ ìîæíî îòêëþ÷èòü, è "ðåêîìåíäîâàííûå òåìáðû" íå áóäóò àâòîìàòè÷åñêè íàçíà÷àòüñÿ íà ýòè êíîïêè.
ñòð. 56
Ïåäàëü íå ðàáîòàåò èëè èíñòðóìåíò çâó÷èò, êàê ïðè íàæàòîé ïåäàëè, íåçàâèñèìî îò åå
ïîëîæåíèÿ
Íåò çâóêà
Íåò çâóêà
Íåò çâóêà ïðè âîñïðîèçâåäåíèè ïüåñû
Íåò çâóêà â ëåâîé ÷àñòè êëàâèàòóðû
Íåò çâóêà (ïðè ïîäêëþ÷åííîì
MIDI-óñòðîéñòâå)
Âîñïðîèçâîäÿòñÿ íå âñå íîòû
Íîòû çâó÷àò íåêîððåêòíî
Íåêîððåêòíûé ñòðîé êëàâèàòóðû èëè ïüåñû
Ïðè íàæàòèè êëàâèø íîòû çâó÷àò äâàæäû (äóáëèðóþòñÿ)
Ïðè íàæàòèè êíîïîê [E. Piano],
[Strings] èëè [Others] âûáèðàþòñÿ íåêîððåêòíûå òåìáðû
66
Íåèñïðàâíîñòè
Íåèñïðàâíîñòü
Ïðè÷èíà/Äåéñòâèå
Ñòð.
Íå âêëþ÷àþòñÿ ýôôåêòû
 ðåæèìàõ èãðû ñ íàëîæåíèåì (Dual) è ðàçäåëåíèåì (Split) äëÿ äâóõ âûáðàííûõ òåìáðîâ ìîãóò èñïîëüçîâàòüñÿ ðàçëè÷íûå ýôôåêòû. Ïîýòîìó êàêîé-ëèáî ýôôåêò ìîæåò íå
ðàáîòàòü äëÿ òåìáðà 2 (â ðåæèìå Dual) èëè äëÿ òåìáðà ëåâîé ðóêè (â ðåæèìå Split).
—
Èíñòðóìåíò íå ðåàãèðóåò íà
îòêëþ÷åíèå ýôôåêòà ðåâåðáåðàöèè
Òàê êàê ôîðòåïèàííûå çâóêè F-110 èìèòèðóþò ãëóáèíó è ðåçîíàíñ çâó÷àíèÿ àêóñòè÷åñêîãî ðîÿëÿ, îùóùåíèå åñòåñòâåííîé ðåâåðáåðàöèè àêóñòè÷åñêîãî èíñòðóìåíòà ìîæåò
îñòàòüñÿ, íåñìîòðÿ íà îòêëþ÷åíèå ýôôåêòà ðåâåðáåðàöèè. Ñì. “Ðåçîíàíñ ñíÿòèÿ íîòû
(Key Off Resonance)” (ñòð. 54).
—
 âåðõíåì äèàïàçîíå êëàâèø
íåîæèäàííî ìåíÿåòñÿ çâóê
 àêóñòè÷åñêîì ôîðòåïèàíî íîòû â âåðõíèõ ïîëóòîðà îêòàâàõ ïðîäîëæàþò çâó÷àòü äàæå ïîñëå îòïóñêàíèÿ êëàâèø, íåçàâèñèìî îò ïåäàëè Damper, òàê êàê ñòðóíû ôîðòåïüÿíî â âåðõíåì äèàïàçîíå íå ïðèãëóøàþòñÿ äåìïôåðàìè. Ïîýòîìó èõ çâó÷àíèå òàêæå
ìîäèôèöèðóåòñÿ. F-110 èìèòèðóåò ýòó îñîáåííîñòü àêóñòè÷åñêîãî èíñòðóìåíòà.
—
Âîçíèêàåò âûñîêèé íåïðèÿòíûé äëÿ ñëóõà çâåíÿùèé çâóê
Ïðè èñïîëüçîâàíèè íàóøíèêîâ:
Íåêîòîðûå ôîðòåïèàííûå òåìáðû ñîäåðæàò âûñîêî÷àñòîòíóþ êîìïîíåíòó, êîòîðàÿ
íàïîìèíàåò ìåòàëëè÷åñêóþ ðåâåðáåðàöèþ. Ýòî ïîëíîñòüþ ñîîòâåòñòâóåò õàðàêòåðèñòèêàì àêóñòè÷åñêîãî ôîðòåïèàíî è íå ÿâëÿåòñÿ íåèñïðàâíîñòüþ. Òàê êàê ýòîò çâóê
ñëûøåí òîëüêî ïðè î÷åíü ñèëüíîé ðåâåðáåðàöèè, ðåêîìåíäóåòñÿ óìåíüøèòü çíà÷åíèå ýòîãî ýôôåêòà.
Ïðè èñïîëüçîâàíèè äèíàìèêîâ:
Ïðè÷èíà, âåðîÿòíî, çàêëþ÷àåòñÿ â äðóãîì, íàïðèìåð, âî âíóòðåííåì ðåçîíàíñå èíñòðóìåíòà. Ïðîêîíñóëüòèðóéòåñü ó äèëåðà èëè â ñåðâèñíîì öåíòðå êîìïàíèè Roland.
—
Åñëè â íàóøíèêàõ äðåáåçã îòñóòñòâóåò:
Î÷åíü ãðîìêèé çâóê ìîæåò âûçâàòü ðåçîíàíñ äèíàìèêîâ èëè ðàñïîëîæåííûõ ïîáëèçîñòè ïðåäìåòîâ. Ðåçîíèðîâàòü ìîãóò òàêæå ôëóîðåñöåíòíûå ëàìïû è ñòåêëÿííûå
äâåðè. Îñîáåííî ÷àñòî ýòî ïðîèñõîäèò, êîãäà óñèëåíû áàñû, à óðîâåíü ãðîìêîñòè
ñëèøêîì âûñîê. Äëÿ ïîäàâëåíèÿ ýòîãî ðåçîíàíñà íåîáõîäèìî ñäåëàòü ñëåäóþùåå:
• Ðàñïîëîæèòå äèíàìèêè íà ðàññòîÿíèè 10 – 15 ñì îò ñòåí è äðóãèõ ïîâåðõíîñòåé.
• Óìåíüøèòå ãðîìêîñòü.
• Îòîäâèíüòå äèíàìèêè ïîäàëüøå îò ðåçîíèðóþùèõ ïðåäìåòîâ.
Åñëè äðåáåçã ñëûøåí è â íàóøíèêàõ:
Ïðè÷èíà, âåðîÿòíî, â äðóãîì. Ïðîêîíñóëüòèðóéòåñü ó äèëåðà èëè â ñåðâèñíîì öåíòðå
ôèðìû Roland.
—
Ó íåêîòîðûõ òåìáðàõ ïðè âûñîêèõ óñòàíîâêàõ ãðîìêîñòè çâó÷àíèå ìîæåò èñêàæàòüñÿ.
Óìåíüøèòå ãðîìêîñòü, ëèáî çíà÷åíèå óñòàíîâêè Master Gain.
ñòð. 21
Íåêîððåêòíîå çâó÷àíèå íèçêèõ íîò (äðåáåçæàíèå)
Íåêîððåêòíîå âîñïðîèçâåäåíèå ïüåñû
Íå çàïóñêàåòñÿ âîñïðîèçâåäåíèå ïüåñû
Íå îòîáðàæàåòñÿ ëè íà äèñïëåå ñîîáùåíèå “dEL”?
Âíóòðåííèå ïüåñû íåëüçÿ ïðîñëóøàòü äî òåõ ïîð, ïîêà â ïàìÿòè èíñòðóìåíòà íàõîäèòñÿ
íåñîõðàíåííàÿ çàïèñü. Ñîõðàíèòå ïüåñó ëèáî óäàëèòå åå èç ïàìÿòè, à çàòåì âíîâü çàïóñòèòå âîñïðîèçâåäåíèå.
ñòð. 32
 ïüåñå íå ñëûøíà ïàðòèÿ îäíîãî èíñòðóìåíòà
Íå çàãëóøåí ëè òðåê?
Åñëè èíäèêàòîð êíîïêè òðåêà íå ãîðèò, ïàðòèÿ, íàçíà÷åííàÿ íà íåå, íå âîñïðîèçâîäèòñÿ. Óäåðæèâàÿ êíîïêó [
], íàæìèòå êíîïêó [E. Piano], [Strings] è/èëè [Others], ÷òîáû ñîîòâåòñòâóþùèé èíäèêàòîð çàãîðåëñÿ.
ñòð. 33
Íå ðàáîòàþò ôóíêöèè çàïèñè/âîñïðîèçâåäåíèÿ
Íå ðàáîòàåò ôóíêöèÿ çàïèñè
Âûáðàíà ëè äëÿ çàïèñè õîòÿ áû îäíà êíîïêà òðåêà?
ñòð. 37
ñòð. 39
Çàïèñàííàÿ ïüåñà óäàëåíà èç
ïàìÿòè èíñòðóìåíòà
Ýòî ìîãëî ïðîèçîéòè ïðè âûêëþ÷åíèè F-110 èëè âûáîðå äðóãîé ïüåñû. Óäàëåííàÿ ïüåñà íå ìîæåò áûòü âîññòàíîâëåíà. Ïåðåä âûêëþ÷åíèåì ïèòàíèÿ ñîõðàíÿéòå çàïèñü âî
âíóòðåííþþ ïàìÿòü èíñòðóìåíòà.
ñòð. 41
67
Ñîîáùåíèÿ îá îøèáêàõ
68
Èíäèêàöèÿ
Îïèñàíèå
E.11
Äëÿ ñîõðàíåíèÿ äàííûõ íåäîñòàòî÷íî ñâîáîäíîé ïàìÿòè.
Óäàëèòå èç ïàìÿòè íåíóæíûå ôàéëû (ñòð. 42) è ïîâòîðèòå îïåðàöèþ.
E.30
Âíóòðåííÿÿ ïàìÿòü F-110 ïåðåïîëíåíà.
E.40
Ñ âíåøíåãî MIDI-óñòðîéñòâà ïåðåäàåòñÿ ñëèøêîì áîëüøîé ïîòîê MIDI-äàííûõ, è èíñòðóìåíò íå óñïåâàåò åãî îáðàáîòàòü.
Ñîêðàòèòå îáúåì ïåðåäàâàåìîé èíôîðìàöèè.
E.41
MIDI-êàáåëü áûë îòêëþ÷åí.
Óáåäèòåñü â òîì, ÷òî MIDI-êàáåëü ïîäêëþ÷åí êîððåêòíî.
E.43
Îøèáêà ïðè ïåðåäà÷å MIDI-äàííûõ.
Ïðîâåðüòå MIDI-êàáåëü è ïîäêëþ÷åííûå MIDI-óñòðîéñòâà.
E.51
Ïðîèçîøëà ñèñòåìíàÿ îøèáêà.
Ïîïðîáóéòå ïîâòîðèòü îïåðàöèþ, ïîñëå êîòîðîé ïîÿâèëîñü ýòî ñîîáùåíèå. Åñëè ýòî ñîîáùåíèå ïîÿâëÿåòñÿ ñíîâà, îáðàòèòåñü â ñåðâèñíûé öåíòð Roland.
–––
Âêëþ÷åíà ôóíêöèÿ Panel Lock (ñòð. 61).
P–P
Âêëþ÷åíà ôóíêöèÿ Twin Piano (ñòð. 50).
dEL
Åñëè çàïèñàííîå èñïîëíåíèå åùå íå ñîõðàíåíî è âûáèðàåòñÿ äðóãàÿ ïüåñà, íà äèñïëåå îòîáðàæàåòñÿ
ìèãàþùåå ñîîáùåíèå “dEL” (ñòð. 42).
Ñïèñîê òåìáðîâ
Piano
# Èìÿ
1 Grand Piano1
* ×èñëà â òàáëèöå òðåáóþòñÿ ïðè ïåðåêëþ÷åíèè òåìáðîâ F-110
ñ ïîìîùüþ âíåøíåãî MIDI-óñòðîéñòâà.
MSB: Bank select MSB, LSB: Bank select LSB, PC: Program change
# Èìÿ
MSB
LSB
PC
0
68
1
MSB
LSB
PC
14 Decay Choir*
1
64
53
26
15 Dcy ChoirPad*
1
66
90
* Òåìáðû, îòìå÷åííûå "*", ïîäõîäÿò
äëÿ íàëîæåíèÿ íà çâóê ôîðòåïèàíî.
# Èìÿ
MSB
LSB
PC
Piano 2
121
0
2
27
Piano 2w
121
1
2
28
Piano 3
121
0
3
29
Piano 3w
121
1
3
30
Honky-tonk
121
0
4
31
Honky-tonk w
121
1
4
2 Piano + Str.
25
64
1
3 Harpsichord
0
66
7
4 Grand Piano2
16
67
1
5 Piano+Choir
26
64
1
32
E.Piano 1
121
0
5
4
33
Detuned EP 1
121
1
5
34
Vintage EP
121
2
5
35
'60s E.Piano
121
3
5
36
E.Piano 2
121
0
6
37
Detuned EP 2
121
1
6
38
St.FM EP
121
2
6
39
EP Legend
121
3
6
40
EP Phase
121
4
6
41
Harpsichord
121
0
7
42
Coupled Hps.
121
1
7
43
Harpsi.w
121
2
7
44
Harpsi.o
121
3
7
45
Clav.
121
0
8
46
Pulse Clav.
121
1
8
47
Celesta
121
0
9
48
Glockenspiel
121
0
10
49
Music Box
121
0
11
50
Vibraphone
121
0
12
51
Vibraphone w
121
1
12
52
Marimba
121
0
13
53
Marimba w
121
1
13
54
Xylophone
121
0
14
55
TubularBells
121
0
15
56
Church Bell
121
1
15
57
Carillon
121
2
15
58
Santur
121
0
16
59
Organ 1
121
0
17
60
TremoloOrgan
121
1
17
'60s Organ
121
2
17
6 Honky-tonk
0
64
Others
# Èìÿ
MSB
LSB
PC
Organ
E.Piano
1
ChurchOrgan1
0
66
20
2
ChurchOrgan2
8
69
20
MSB
LSB
PC
3
Combo Jz.Org
0
70
19
1 Pop E.Piano
16
67
5
4
Ballad Organ
0
69
19
2 FM E.Piano
0
70
6
5
Nason flt 8'
16
66
20
3 Vibraphone
0
0
12
6
Mellow Bars
32
68
17
# Èìÿ
0
0
9
7
Light Organ
32
69
17
24
65
5
8
Lower Organ
0
66
17
6 Clav.
0
67
8
7 Morning Lite
0
68
99
4 Celesta
5 '60s E.Piano
Strings
# Èìÿ
MSB
LSB
PC
Guitar
9
Nylon-str.Gt
0
0
25
10
Steel-str.Gt
0
0
26
11
AcousticBass
0
71
33
12
A.Bass+Cymbl
0
66
33
13
FingeredBass
0
0
34
GM2
Strings
1 Rich Strings
0
71
50
14
STANDARD Set
120
0
1
2 OrchestraStr
0
64
49
15
ROOM Set
120
0
9
3 Harp
0
68
47
16
POWER Set
120
0
17
4 Violin
0
0
41
17
ELEC.Set
120
0
25
5 Flute
0
64
74
18
ANALOG Set
120
0
26
6 PizzicatoStr
0
0
46
19
JAZZ Set
120
0
33
7 DecayStrings*
1
65
50
20
BRUSH Set
120
0
41
Voice
8 Aerial Choir
8
64
53
9 Jazz Scat
0
65
55
10 Soft Pad
0
64
90
11 Female Aahs
8
66
53
12 Male Aahs
8
68
53
13 Thum Voice
0
66
54
21
ORCH.Set
120
0
49
22
SFX Set
120
0
57
* 14 – 22 ÿâëÿþòñÿ íàáîðàìè óäàðíûõ. Ñì. ñòð. 72 – 74.
MSB
LSB
PC
61
Piano 1
121
0
1
62
Organ 2
121
3
17
24
Piano 1w
121
1
1
63
Perc.Organ 1
121
0
18
25
Piano 1d
121
2
1
64
Chorus Organ
121
1
18
#
Èìÿ
23
69
* ×èñëà â òàáëèöå òðåáóþòñÿ ïðè ïåðåêëþ÷åíèè òåìáðîâ F-110
ñ ïîìîùüþ âíåøíåãî MIDI-óñòðîéñòâà.
MSB: Bank select MSB, LSB: Bank select LSB, PC: Program change
Ñïèñîê òåìáðîâ
# Èìÿ
MSB
LSB
PC
# Èìÿ
MSB
LSB
PC
# Èìÿ
MSB
LSB
PC
65
Perc.Organ 2
121
2
18
104 FretlessBass
121
0
36
143 Trumpet
121
0
57
66
Rock Organ
121
0
19
105 Slap Bass 1
121
0
37
144 Dark Trumpet
121
1
57
67
Church Org.1
121
0
20
106 Slap Bass 2
121
0
38
145 Trombone 1
121
0
58
68
Church Org.2
121
1
20
107 Synth Bass 1
121
0
39
146 Trombone 2
121
1
58
69
Church Org.3
121
2
20
108 WarmSyn.Bass
121
1
39
147 Bright Tb
121
2
58
70
Reed Organ
121
0
21
109 Synth Bass 3
121
2
39
148 Tuba
121
0
59
71
Puff Organ
121
1
21
110 Clav.Bass
121
3
39
149 MuteTrumpet1
121
0
60
72
Accordion 1
121
0
22
111 Hammer
121
4
39
150 MuteTrumpet2
121
1
60
73
Accordion 2
121
1
22
112 Synth Bass 2
121
0
40
151 French Horn1
121
0
61
74
Harmonica
121
0
23
113 Synth Bass 4
121
1
40
152 French Horn2
121
1
61
75
Bandoneon
121
0
24
114 RubberSyn.Bs
121
2
40
153 Brass 1
121
0
62
76
Nylon-str.Gt
121
0
25
115 Attack Pulse
121
3
40
154 Brass 2
121
1
62
77
Ukulele
121
1
25
116 Violin
121
0
41
155 Synth Brass1
121
0
63
78
Nylon Gt o
121
2
25
117 Slow Violin
121
1
41
156 Synth Brass3
121
1
63
79
Nylon Gt 2
121
3
25
118 Viola
121
0
42
157 AnalogBrass1
121
2
63
80
Steel-str.Gt
121
0
26
119 Cello
121
0
43
158 Jump Brass
121
3
63
81
12-str.Gt
121
1
26
120 Contrabass
121
0
44
159 Synth Brass2
121
0
64
82
Mandolin
121
2
26
121 Tremolo Str.
121
0
45
160 Synth Brass4
121
1
64
83
Steel+Body
121
3
26
122 PizzicatoStr
121
0
46
161 AnalogBrass2
121
2
64
84
Jazz Guitar
121
0
27
123 Harp
121
0
47
162 Soprano Sax
121
0
65
85
Hawaiian Gt
121
1
27
124 Yang Qin
121
1
47
163 Alto Sax
121
0
66
86
Clean Guitar
121
0
28
125 Timpani
121
0
48
164 Tenor Sax
121
0
67
87
Chorus Gt 1
121
1
28
126 Strings
121
0
49
165 Baritone Sax
121
0
68
88
Mid Tone Gt
121
2
28
127 Orchestra
121
1
49
166 Oboe
121
0
69
89
Muted Guitar
121
0
29
128 '60s Strings
121
2
49
167 English Horn
121
0
70
90
Funk Guitar1
121
1
29
129 Slow Strings
121
0
50
168 Bassoon
121
0
71
91
Funk Guitar2
121
2
29
130 Syn.Strings1
121
0
51
169 Clarinet
121
0
72
92
Chorus Gt 2
121
3
29
131 Syn.Strings3
121
1
51
170 Piccolo
121
0
73
93
Overdrive Gt
121
0
30
132 Syn.Strings2
121
0
52
171 Flute
121
0
74
94
Guitar Pinch
121
1
30
133 Choir 1
121
0
53
172 Recorder
121
0
75
95
DistortionGt
121
0
31
134 Choir 2
121
1
53
173 Pan Flute
121
0
76
96
Gt Feedback1
121
1
31
135 Voice
121
0
54
174 Bottle Blow
121
0
77
97
Dist.Rtm Gt
121
2
31
136 Humming
121
1
54
175 Shakuhachi
121
0
78
98
Gt Harmonics
121
0
32
137 Synth Voice
121
0
55
176 Whistle
121
0
79
99
Gt Feedback2
121
1
32
138 Analog Voice
121
1
55
177 Ocarina
121
0
80
100 AcousticBass
121
0
33
139 OrchestraHit
121
0
56
178 Square Lead1
121
0
81
101 FingeredBass
121
0
34
140 Bass Hit
121
1
56
179 Square Lead2
121
1
81
102 Finger Slap
121
1
34
141 6th Hit
121
2
56
180 Sine Lead
121
2
81
103 Picked Bass
121
0
35
142 Euro Hit
121
3
56
181 Saw Lead 1
121
0
82
70
* ×èñëà â òàáëèöå òðåáóþòñÿ ïðè ïåðåêëþ÷åíèè òåìáðîâ F-110
ñ ïîìîùüþ âíåøíåãî MIDI-óñòðîéñòâà.
MSB: Bank select MSB, LSB: Bank select LSB, PC: Program change
# Èìÿ
MSB
LSB
PC
182 Saw Lead 2
121
1
82
183 Doctor Solo
121
2
184 Natural Lead
121
185 SequencedSaw
121
186 Syn.Calliope
# Èìÿ
Ñïèñîê òåìáðîâ
MSB
LSB
PC
221 Kalimba
121
0
109
82
222 Bagpipe
121
0
3
82
223 Fiddle
121
4
82
224 Shanai
121
121
0
83
225 Tinkle Bell
187 Chiffer Lead
121
0
84
188 Charang
121
0
189 Wire Lead
121
1
190 Solo Vox
121
191 5th Saw Lead
# Èìÿ
MSB
LSB
PC
260 Car Engine
121
1
126
110
261 Car Stop
121
2
126
0
111
262 Car Pass
121
3
126
0
112
263 Car Crash
121
4
126
121
0
113
264 Siren
121
5
126
226 Agogo
121
0
114
265 Train
121
6
126
85
227 Steel Drums
121
0
115
266 Jetplane
121
7
126
85
228 Woodblock
121
0
116
267 Starship
121
8
126
0
86
229 Castanets
121
1
116
268 Burst Noise
121
9
126
121
0
87
230 Taiko
121
0
117
269 Applause
121
0
127
192 Bass+Lead
121
0
88
231 Concert BD
121
1
117
270 Laughing
121
1
127
193 Delayed Lead
121
1
88
232 Melodic Tom1
121
0
118
271 Screaming
121
2
127
194 Fantasia
121
0
89
233 Melodic Tom2
121
1
118
272 Punch
121
3
127
195 Warm Pad
121
0
90
234 Synth Drum
121
0
119
273 Heart Beat
121
4
127
196 Sine Pad
121
1
90
235 TR-808 Tom
121
1
119
274 Footsteps
121
5
127
197 Polysynth
121
0
91
236 Elec.Perc.
121
2
119
275 Gun Shot
121
0
128
198 Space Voice
121
0
92
237 Reverse Cym.
121
0
120
276 Machine Gun
121
1
128
199 Itopia
121
1
92
238 Gt FretNoise
121
0
121
277 Laser Gun
121
2
128
200 Bowed Glass
121
0
93
239 Gt Cut Noise
121
1
121
278 Explosion
121
3
128
201 Metallic Pad
121
0
94
240 BsStringSlap
121
2
121
202 Halo Pad
121
0
95
241 Breath Noise
121
0
122
203 Sweep Pad
121
0
96
242 Fl.Key Click
121
1
122
204 Ice Rain
121
0
97
243 Seashore
121
0
123
205 Soundtrack
121
0
98
244 Rain
121
1
123
206 Crystal
121
0
99
245 Thunder
121
2
123
207 Synth Mallet
121
1
99
246 Wind
121
3
123
208 Atmosphere
121
0
100
247 Stream
121
4
123
209 Brightness
121
0
101
248 Bubble
121
5
123
210 Goblins
121
0
102
249 Bird 1
121
0
124
211 Echo Drops
121
0
103
250 Dog
121
1
124
212 Echo Bell
121
1
103
251 Horse Gallop
121
2
124
213 Echo Pan
121
2
103
252 Bird 2
121
3
124
214 Star Theme
121
0
104
253 Telephone 1
121
0
125
215 Sitar 1
121
0
105
254 Telephone 2
121
1
125
216 Sitar 2
121
1
105
255 DoorCreaking
121
2
125
217 Banjo
121
0
106
256 Door
121
3
125
218 Shamisen
121
0
107
257 Scratch
121
4
125
219 Koto
121
0
108
258 Wind Chimes
121
5
125
220 Taisho Koto
121
1
108
259 Helicopter
121
0
126
* Åñëè ïîñëåäîâàòåëüíî ïåðåêëþ÷àòü íîìåðà òåìáðîâ ãðóïïû
"Others", óäåðæèâàÿ íàæàòîé êíîïêó
[+] èëè [-], òî íîìåðà òåìáðîâ ïåðåñòàíóò ìåíÿòüñÿ ïî äîñòèæåíèè íîìåðîâ 14 è 23.
Äëÿ âûáîðà òåìáðà ñ ïîñëåäóþùèì
íîìåðîì îòïóñòèòå, à çàòåì âíîâü
íàæìèòå êíîïêó [+] èëè [-].
71
Ñïèñîê íàáîðîâ óäàðíûõ
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
Standard Set
Room Set
Power Set
Electronic Set
High-Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Kick Drum 2
Kick Drum 1
Side Stick
Snare Drum
Hand Clap
Electric Snare 3
Low Tom 2
Closed Hi-Hat 1
[EXC1]
Low Tom 1
Pedal Hi-Hat 1
[EXC1]
Mid Tom 2
Open Hi-Hat 1
[EXC1]
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal 1
Ride Bell 1
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Woodblock
Low Woodblock
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle
[EXC5]
Open Triangle
[EXC5]
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-----
High-Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Room Kick 1
Side Stick
Room Snare
Hand Clap
Electric Snare 4
Room Low Tom 2
Closed Hi-Hat 2
[EXC1]
Room Low Tom 1
Pedal Hi-Hat 2
[EXC1]
Room Mid Tom 2
Open Hi-Hat 2
[EXC1]
Room Mid Tom 1
Room High Tom 2
Crash Cymbal 3
Room High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Woodblock
Low Woodblock
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle
[EXC5]
Open Triangle
[EXC5]
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-----
High-Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 1
Power Kick
Side Stick
Power Snare
Hand Clap
Electric Snare 5
Power Low Tom 2
Closed Hi-Hat 2
[EXC1]
Power Low Tom 1
Pedal Hi-Hat 2
[EXC1]
Power Mid Tom 2
Open Hi-Hat 2
[EXC1]
Power Mid Tom 1
Power High Tom 2
Crash Cymbal 3
Power High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Woodblock
Low Woodblock
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle
[EXC5]
Open Triangle
[EXC5]
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-----
High-Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Power Kick
Electric Kick
Side Stick
Electric Snare 1
Hand Clap
Electric Snare 2
Electric Low Tom 2
Closed Hi-Hat 2
[EXC1]
Electric Low Tom 1
Pedal Hi-Hat 2
[EXC1]
Electric Mid Tom 2
Open Hi-Hat 2
[EXC1]
Electric Mid Tom 1
Electric High Tom 2
Crash Cymbal 3
Electric High Tom 1
Ride Cymbal 3
Reverse Cymbal
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Woodblock
Low Woodblock
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle
[EXC5]
Open Triangle
[EXC5]
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-----
* ------: Íåò çâóêà.
* [EXC]: èç ãðóïïû ïåðêóññèîííûõ èíñòðóìåíòîâ ñ îäíèì è òåì æå íîìåðîì EXC â äàííûé ìîìåíò âðåìåíè ìîæåò çâó÷àòü òîëüêî
îäèí.
72
Ñïèñîê íàáîðîâ óäàðíûõ
Analog Set
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
High-Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
TR-808 Kick 2
TR-808 Kick 1
TR-808 Rim shot
TR-808 Snare
Hand Clap
Electric Snare 6
TR-808 Low Tom 2
TR-808 Closed Hi-Hat 1 [EXC1]
TR-808 Low Tom 1
TR-808 Closed Hi-Hat 2 [EXC1]
TR-808 Mid Tom 2
TR-808 Open Hi-Hat [EXC1]
TR-808 Mid Tom 1
TR-808 High Tom 2
TR-808 Crash Cymbal
TR-808 High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
TR-808 High Conga
TR-808 Mid Conga
TR-808 Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
TR-808 Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Woodblock
Low Woodblock
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle
[EXC5]
Open Triangle
[EXC5]
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-----
Jazz Set
Brush Set
Orchestra Set
High-Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Jazz Kick
Side Stick
Jazz Snare
Hand Clap
Electric Snare 7
Jazz Low Tom
Closed Hi-Hat 2
[EXC1]
Low Tom 1
Pedal Hi-Hat 2
[EXC1]
Mid Tom 2
Open Hi-Hat 2
[EXC1]
Jazz Mid Tom
Jazz High Tom 2
Crash Cymbal 3
Jazz High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Woodblock
Low Woodblock
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle
[EXC5]
Open Triangle
[EXC5]
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-----
High-Q
Slap
Scratch Push
[EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Jazz Kick
Side Stick
Brush Tap
Brush Slap1
Brush Swirl
Brush Low Tom 2
Brush Closed Hi-Hat [EXC1]
Brush Low Tom 1
Brush Pedal Hi-Hat [EXC1]
Brush Mid Tom 2
Brush Open Hi-Hat [EXC1]
Brush Mid Tom 1
Brush High Tom 2
Jazz Crash Cymbal
Brush High Tom 1
Jazz Ride Cymbal 1
Chinese Cymbal 2
Jazz Ride Cymbal 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Woodblock
Low Woodblock
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle
[EXC5]
Open Triangle
[EXC5]
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
-----
Closed Hi-Hat 2
[EXC1]
Pedal Hi-Hat 2
[EXC1]
Open Hi-Hat 2
[EXC1]
Ride Cymbal 3
Sticks
Square Click
Metronome Click
Metronome Bell
Concert Bass Drum 2
Concert Bass Drum 1
Side Stick
Concert Snare Drum
Castanets
Concert Snare Drum
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani C
Timpani C#
Timpani D
Timpani D#
Timpani E
Timpani F
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibraslap
Concert Cymbal 1
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
[EXC3]
Long Guiro
[EXC3]
Claves
High Woodblock
Low Woodblock
Mute Cuica
[EXC4]
Open Cuica
[EXC4]
Mute Triangle
[EXC5]
Open Triangle
[EXC5]
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
[EXC6]
Open Surdo
[EXC6]
Applause
* ------: Íåò çâóêà.
* [EXC]: èç ãðóïïû ïåðêóññèîííûõ èíñòðóìåíòîâ ñ îäíèì è òåì æå íîìåðîì EXC â äàííûé ìîìåíò âðåìåíè ìîæåò çâó÷àòü òîëüêî
îäèí.
73
Ñïèñîê íàáîðîâ óäàðíûõ
SFX Set
27
28
29
30
31
32
33
34
35
C2 36
37
38
39
40
41
42
43
44
45
46
47
C3 48
49
50
51
52
53
54
55
56
57
58
59
C4 60
61
62
63
64
65
66
67
68
69
70
71
C5 72
73
74
75
76
77
78
79
80
81
82
83
C6 84
85
86
87
88
------------------------------------------------High Q
Slap
Scratch Push [EXC7]
Scratch Pull
[EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Guitar Fret Noise
Guitar Cutting Noise Up
Guitar Cutting Noise Down
String Slap of Double Bass
Fl.Key Click
Laughing
Screaming
Punch
Heart Beat
Footsteps 1
Footsteps 2
Applause
Door Creaking
Door
Scratch
Wind Chimes
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
Train
Jet Plane
Helicopter
Starship
Gun Shot
Machine Gun
Laser Gun
Explosion
Dog
Horse-Gallop
Birds
Rain
Thunder
Wind
Seashore
Stream
Bubble
-----------------
* ------: Íåò çâóêà.
* [EXC]: èç ãðóïïû ïåðêóññèîííûõ èíñòðóìåíòîâ ñ îäíèì è òåì æå íîìåðîì EXC â äàííûé ìîìåíò âðåìåíè ìîæåò çâó÷àòü òîëüêî
îäèí.
74
Ñïèñîê âñòðîåííûõ ïüåñ
N¹
Èìÿ
N¹
Èìÿ
1
La Fille aux Cheveux de Lin
36
Jagerlied
2
La Campanella
37
Menuet Antique
3
Trio Grande
38
Fur Elise
4
Scherzo No.2
39
Turkischer Marsch (Mozart)
5
Sonate No.15
40
Standchen
6
Liebestraume 3
41
Humoreske
7
Etude, op.10-3
42
Blumenlied
8
Je te veux
43
Alpenglockchen
9
Valse, op.64-1
44
Menuett G dur (Beethoven)
10
Golliwog’s Cakewalk
45
Venezianisches Gondellied
11
Fantaisie-Impromptu
46
Alpenabendrote
12
Arabesque 1
47
Farewell to the Piano
13
An der schonen, blauen Donau
48
Brautchor
14
Auf Flugeln des Gesanges
49
Battle of Waterloo
15
Mazurka No.5
50
Wiener Marsch
16
Gymnopedie 1
51
Le Coucou
17
Etude, op.25-1
52
Menuett G dur (Bach)
18
Clair de Lune
53
Spinnerlied
19
Etude, op.10-5
54
Gavotte
20
Dr. Gradus ad Parnassum
55
Heidenroslein
21
Grande Valse Brillante
56
Zigeuner Tanz
22
La priere d’une Vierge
57
La Cinquantaine
23
Course en Troïka
58
Csikos Post
24
To The Spring
59
Dolly’s Dreaming Awakening
25
Valse, op.64-2
60
La Violette
26
Radetzky Marsch
61
Frohlicher Landmann
27
Traumerei
62
Sonatine op.36-1 (Clementi)
28
Moments Musicaux 3
63
Sonatine op.20-1 (Kuhlau)
29
Prelude, op.28-15
64
Sonatine No.5 (Beethoven)
30
Harmonious Blacksmith
65
Fly Flee
31
Ungarische Tanze 5
32
Turkischer Marsch (Beethoven)
33
Nocturne No.2
34
Fruhlingslied
35
Praludium
* Èñïîëüçîâàíèå äàííûõ ïüåñ, âõîäÿùèõ â êîìïëåêò ïîñòàâêè, ðàçðåøàåòñÿ òîëüêî â ÷àñòíûõ öåëÿõ, íå ïðåñëåäóþùèõ èçâëå÷åíèÿ ïðèáûëè. Èñïîëüçîâàíèå èõ â äðóãèõ
öåëÿõ áåç ðàçðåøåíèÿ ïðàâîîáëàäàòåëÿ ïðåñëåäóåòñÿ ïî
çàêîíó. Êðîìå òîãî, çàïðåùàåòñÿ èõ òèðàæèðîâàíèå áåç
ðàçðåøåíèÿ ñîáñòâåííèêà.
75
Óñòàíîâêè, ñîõðàíÿåìûå ôóíêöèåé Memory Backup
76
Óñòàíîâêà
Ñòðàíèöà
Key Touch
ñòð. 24
3D Sound Control (On/Off, Depth)
ñòð. 45
Dynamics Sound Control (Off, Type)
ñòð. 47
Reverb (On/Off, Depth)
ñòð. 25
Dual Balance
ñòð. 48
Split Point
ñòð. 29
3D Mode
ñòð. 46
Transpose Mode
ñòð. 49
Damper Pedal Part
ñòð. 51
Tuning
ñòð. 52
Temperament (Temperament, Tonic)
ñòð. 52
Stretch Tuning
ñòð. 53
Damper Resonance
ñòð. 54
String Resonance
ñòð. 54
Key Off Resonance
ñòð. 54
EQ Low, EQ Medium, EQ High
ñòð. 46
Òàáëèöà MIDI-ôóíêöèé
Òàáëèöà MIDI-ôóíêöèé
Öèôðîâîå ôîðòåïèàíî
Ìîäåëü F-110
Ôóíêöèÿ
Òàáëèöà MIDI-ôóíêöèé
Ïåðåäà÷à
1 – 16
15 – 113
Ïðèåì
Äàòà: 1 ìàðòà, 2009
Âåðñèÿ: 1.00
Äîïîëíèòåëüíî
1 – 16
1 – 16
0 – 127
0 – 127
0 – 127
0 – 127
N¹ ïðîãðàìì 1 – 128
(123 – 125)
Ïðèìå÷àíèÿ
*1 O/x âûáèðàþòñÿ ïîñðåäñòâîì Sys Ex
*2 Âñåãäà ðàñïîçíàåòñÿ, êàê Ì=1
O: Äà
x: Íåò
77
Òåõíè÷åñêèå õàðàêòåðèñòèêè
F-110: Öèôðîâîå ôîðòåïèàíî
<Êëàâèàòóðà>
Êëàâèàòóðà
88 êëàâèø (PHA alpha II)
Æåñòêîñòü êëàâèàòóðû
Off, L1, L2, M, H1, H2
Ðåæèìû êëàâèàòóðû
Whole (îáû÷íûé), Dual (áàëàíñ ãðîìêîñòè òåìáðîâ ðåãóëèðóåòñÿ), Split (òî÷êà ðàçäåëà óñòàíàâëèâàåòñÿ),
Twin piano
<Çâóêîâîé ãåíåðàòîð> 88-íîòíûé ñýìïëèðîâàííûé ñòåðåîçâóê ôîðòåïèàíî, ñîâìåñòèì ñ ôîðìàòàìè GM2/GS/XGlite
Ìàêñ. ïîëèôîíèÿ
128 ãîëîñîâ
Êîëè÷åñòâî òåìáðîâ
306 (âêëþ÷àÿ 8 íàáîðîâ óäàðíûõ è íàáîð ýôôåêòîâ SFX)
Ñòðîé
8 òèïîâ ñ íàçíà÷àåìîé òîíèêîé
Ðàñòÿíóòûé ñòðîé
Âêëþ÷åí/Âûêëþ÷åí
Îáùàÿ íàñòðîéêà
415.3 – 466.2 Ãö (ñ øàãîì â 0.1 Ãö)
Òðàíñïîíèðîâàíèå
Êëàâèàòóðû:
Âîñïðîèçâåäåíèÿ:
Ýôôåêòû
Reverb (Off/1 – 10)
String Resonance (òîëüêî äëÿ ôîðòåïèàííûõ òåìáðîâ, Off/1 – 10)
Damper Resonance (òîëüêî äëÿ ôîðòåïèàííûõ òåìáðîâ, Off/1 – 10)
Key Off Resonance (òîëüêî äëÿ ôîðòåïèàííûõ òåìáðîâ, Off/1 – 10)
Ýêâàëàéçåð
3-ïîëîñíûé öèôðîâîé
-6 – +5 (ñ øàãîì â ïîëóòîí)
-6 – +5 (ñ øàãîì â ïîëóòîí)
<Ðåêîðäåð>
Òðåêè
3
Ïüåñû
Ñåêöèÿ âñòðîåííîãî ñåêâåíñåðà: 1
Âíóòðåííÿÿ ïàìÿòü: äî 99
Ìàêñ. ÷èñëî íîò
Ïðèáëèçèòåëüíî 30 000
Óïðàâëåíèå
Song Select, Play/Stop, Rec, Previous/Rewind, Next/Fast-forward, Track Mute, Tempo, Tempo Mute, All Song
Play, Count-in, Count-down, Song Volume
Òåìï
×åòâåðòíûå íîòû = îò 10 äî 500
Ðàçðåøåíèå
120 òèêîâ íà ÷åòâåðòíóþ íîòó
Ìåòðîíîì
Ðàçìåð:
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
Ãðîìêîñòü: 0 – 10
<Âíóòðåííÿÿ ïàìÿòü>
Ïüåñû
Äî 99
Ñîõðàíåíèå ïüåñû
Ñòàíäàðòíûå MIDI-ôàéëû (Format 0)
<Äðóãîå>
78
Âñòðîåííûå ïüåñû
65
Íîìèíàëüíàÿ âûõîäíàÿ ìîùíîñòü
12 Âò x 2
Äèíàìèêè
8 ñì x 12 ñì x 2
Äèñïëåé
7 ñåãìåíòîâ, 3 ñèìâîëà, ñâåòîäèîäíûé
Óïðàâëåíèå
Ãðîìêîñòü
Ïåäàëè
Damper (÷óâñòâèòåëüíà ê ãëóáèíå íàæàòèÿ)
Soft (÷óâñòâèòåëüíà ê ãëóáèíå íàæàòèÿ, âîçìîæíî ïåðåíàçíà÷åíèå ôóíêöèè)
Sostenuto (âîçìîæíî ïåðåíàçíà÷åíèå ôóíêöèè)
Äðóãèå ôóíêöèè
Áëîêèðîâêà êíîïîê ïàíåëè, V-LINK
Òåõíè÷åñêèå õàðàêòåðèñòèêè
Ðàçúåìû
Ïèòàíèå
Pedal
Input (L/Mono, R)
Output (L/Mono, R)
MIDI (IN, OUT)
Phones (ñòåðåî) x 2
Ïèòàíèå
12 Â ïîñòîÿííîãî òîêà
Ïîòðåáëÿåìàÿ ìîùíîñòü
48 Âò
Ãàáàðèòû
1361 (Ø) x 302 (Ã) x 778 (Â) ìì (êðûøêà çàêðûòà)
1361 (Ø) x 342 (Ã) x 778 (Â) ìì (êðûøêà çàêðûòà, ôèêñàòîðû* óñòàíîâëåíû)
1361 (Ø) x 305 (Ã) x 910 (Â) ìì (êðûøêà îòêðûòà)
1361 (Ø) x 342 (Ã) x 910 (Â) ìì (êðûøêà îòêðûòà, ôèêñàòîðû* óñòàíîâëåíû)
* Ôèêñàòîðû ðàñïîëîæåíû íà áîêîâûõ ñòîðîíàõ êðûøêè è ïîâûøàþò åå óñòîé÷èâîñòü.
Âåñ
35 êã
Êîìïëåêòàöèÿ
Ðóêîâîäñòâî ïîëüçîâàòåëÿ
Ñåòåâîé àäàïòåð
Ñåòåâîé øíóð (äëÿ ïîäêëþ÷åíèÿ ñåòåâîãî àäàïòåðà)
Äåðæàòåëü íàóøíèêîâ
* Â èíòåðåñàõ ðàçâèòèÿ ïðîäóêòà ñïåöèôèêàöèè è âíåøíèé âèä èíñòðóìåíòà ìîãóò áûòü èçìåíåíû áåç îòäåëüíîãî óâåäîìëåíèÿ.
79
Äàííûé ñèìâîë îçíà÷àåò, ÷òî îòìå÷åííîå èì èçäåëèå
äîëæíî óòèëèçèðîâàòüñÿ îòäåëüíî îò äîìàøíèõ îòõîäîâ,
ñîãëàñíî ïðèíÿòîìó â êîíêðåòíîé ñòðàíå çàêîíîäàòåëüñòâó.
Èíôîðìàöèÿ
Ïðè íåîáõîäèìîñòè ðåìîíòà îáðàùàéòåñü â áëèæàéøèé
òåõöåíòð Roland ïî àäðåñó:
Roland Music
Äîðîæíàÿ óë., ä. 3, êîðï.6
117 545 Ìîñêâà, Ðîññèÿ
Òåë: (495) 981-4967
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