HOOKUP DIAGRAMS
Electric
Guitar
Acoustic
Guitar with
pickup
Bass
Guitar
Microphones
iPod
Docking Station
Mono Effects
Footswitch
Headphones
Hookup Diagrams
HOOKUP DIAGRAMS
press HI-Z
button
MIC
MIC
MIC
MIC
MIC
MIC
(UNBALANCED)
L
L
R
R
TAPE
IN
1
LINE
HI-Z
2
3
4
5/6
7/8
(MONO)
(MONO)
BAL /
UNBAL
BAL /
UNBAL
LINE/HI-Z IN 1
BAL /
UNBAL
LINE IN 2
BAL /
UNBAL
L
LINE IN 4
LINE IN 3
LINE IN 5
LINE IN 7
INSERT
U
U
C GAIN
MI
U
-20dB
IC GAIN
M
LEVEL
SET
U
-20dB
+50
+30dB
GAIN
EQ
-15 +15
OO
+15
U
OO
+15
OO
+15
U
OO
+15
FX
Drum
Machine
OO
+15
U
OO
+15
FX
PAN
OO
+15
U
OO
+15
FX
PAN
OO
+15
FX
PAN
R
OO
+15
U
OO
+15
OO
+15
U
OO
+15
FX
PAN
FOOTSWITCH
MAIN OUT
PHONES
15
10
5
5
0
0
5
5
10
15
48V
PHANTOM
POWER
POWER
10
MAIN
METERS
15
125
MON
250
500
1K
2K
MAIN MIX
MON
4K
8K
0dB=0dBu
+15
U
OO
+15
FX
PAN
USB
FX PRESETS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
PAN
OL
15
10
6
3
0
2
4
7
10
20
30
EQ IN
BYPASS
U
OO
+10
Effects Processor
Mono in, Stereo out
OO
FX
PAN
FX SEND
15
EQ
AUX
U
MON
FUSE: T1.6AL AC250V
R
10
HI
12kHz
-15 +15
AUX
U
BAL /
UNBAL
ST RETURN
LOW
80Hz
-15 +15
MON
L
BAL /
UNBAL
MON SEND
-15 +15
U
LOW
80Hz
AUX
FX
PAN
L
BAL /
UNBAL
R
MID
2.5kHz
-15 +15
U
~100-240V 50/60 Hz 25W
BAL /
UNBAL
L
-15 +15
U
MID
2.5kHz
-15 +15
U
U
HI
12kHz
LOW
80Hz
MON
+15
U
EQ
U
-15 +15
U
-15 +15
U
AUX
OO
GAIN
MID
2.5kHz
-15 +15
U
-20 +20
GAIN
HI
12kHz
(MONO)
STEREO GRAPHIC EQ
-20 +20
EQ
U
LOW
80Hz
MON
U
-15 +15
U
-15 +15
U
AUX
U
MON
U
LEVEL
SET
+50
MID
2.5kHz
-15 +15
AUX
U
MON
LINE IN 12
MANUFACTURING DATE
MAIN
LEFT
(BALANCED)
USB
BAL /
UNBAL
LOW CUT
100 Hz
HI
12kHz
LOW
80Hz
LINE IN 10
GAIN
EQ
U
-15 +15
U
-15 +15
AUX
U
MON
U
-15 +15
U
MID
2.5kHz
LOW
80Hz
-15 +15
AUX
+50
LOW CUT
100 Hz
HI
12kHz
-15 +15
U
C GAIN
MI
LEVEL
SET
LINE IN 11
R
LINE IN 8
GAIN
-15 +15
U
MID
2.5kHz
LOW
80Hz
U
EQ
U
HI
12kHz
-15 +15
U
LOW
80Hz
+50
+30dB
LOW CUT
100 Hz
-15 +15
U
MID
2.5kHz
C GAIN
MI
LEVEL
SET
GAIN
EQ
U
HI
12kHz
-15 +15
U
U
-20dB
+50
+30dB
LOW CUT
100 Hz
-15 +15
U
MID
2.5kHz
LINE IN 6
U
IC GAIN
M
LEVEL
SET
GAIN
EQ
U
HI
12kHz
U
U
-20dB
+50
+30dB
LOW CUT
100 Hz
-15 +15
U
INSERT
U
C GAIN
MI
LEVEL
SET
GAIN
LOW CUT
100 Hz
U
INSERT
BAL /
UNBAL
LINE IN 9
R
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
SERIAL NUMBER
MAIN
RIGHT
(BALANCED)
(MONO)
L
BAL /
UNBAL
ON
11/12
(MONO)
L
BAL /
UNBAL
R
INSERT
9/10
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
POWER
TAPE
OUT
INPUT LEVEL
PRESETS
L
R
MUTE
USB THRU
U
Laptop Computer
with Tracktion
for recording
BREAK
(MUTES ALL CHANNELS)
U
U
OL
L
R
L
MUTE
L
MUTE
OL
dB
10
R
MUTE
OL
1
dB
10
L
R
dB
10
L
MUTE
OL
2
R
dB
10
L
MUTE
OL
3
R
MUTE
OL
4
dB
10
L
R
MUTE
OL
5/6
dB
10
L
R
dB
10
OO
OL
9/10
dB
10
+15
FX MASTER
MUTE
OL
7/8
R
OO
+15
OO
MUTE
dB
10
ST RTN
dB
10
5
5
5
5
5
5
5
5
5
5
U
U
U
U
U
U
U
U
U
U
FX RTN
OO
+20
TAPE LEVEL
MON
MAIN
FX TO MON
OL
11/12
MAX
PHONES
dB
10
dB
10
Monitor EQ
5
5
U
U
5
5
5
5
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
30
30
30
30
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
SRM450v2 Powered Monitors
SRM450v2 Powered Speakers
Keyboard
This diagram shows a guitar connected directly to channel 1 (with the hi-z switch pressed in),
microphones attached to channels 2, 3, and 4, guitar effects processors connected to the left line-level
input of channel 5/6 and 7/8, a keyboard attached to channel 9/10's line-level inputs and a drum machine connected to channel 11/12. An iPod docking station is attached to the stereo tape inputs. An effects processor receives a mono input from the FX send and its stereo outputs connect to the
stereo return inputs.
Mackie SRM450v2 powered speakers are connected to the left and right main output. Two of these
speakers are also set up as stage monitors and connect to the mixer's monitor output via a graphic EQ.
The aux mon controls of each channel allow you to create a stage monitor mix that is independent of the
main mix. Use the external graphic EQ to adjust the stage monitor EQ as desired. Headphones are used
for monitoring, and a footswitch allows you to mute/un-mute the internal effects as desired.
A laptop connects to the USB port, and allows the 2-channel main mix of the performance to be recorded using Tracktion software. Two channels of audio can also play from the computer to the main mix.
Band System ProFX12
Hookup Diagrams
1
ProFX8 and ProFX12
Acoustic Guitar
and Mic
Electric
Guitar
Lavalier
Clip-on Mic
Microphones
iPod
Docking Station
Assistive Listening
System
Headphones
Mono Effects
MIC
MIC
MIC
MIC
MIC
MIC
(UNBALANCED)
L
L
R
R
TAPE
IN
1
LINE
HI-Z
2
3
4
5/6
7/8
BAL /
UNBAL
BAL /
UNBAL
LINE/HI-Z IN 1
BAL /
UNBAL
LINE IN 2
BAL /
UNBAL
L
LINE IN 4
LINE IN 3
LINE IN 5
LINE IN 7
INSERT
U
C GAIN
MI
U
-20dB
U
IC GAIN
M
LEVEL
SET
U
-20dB
+50
+30dB
GAIN
EQ
MON
OO
+15
U
OO
+15
MON
OO
+15
U
OO
+15
FX
MON
OO
+15
U
OO
+15
FX
OO
+15
U
OO
+15
FX
Dual Compressors
PAN
L
PAN
R
L
MUTE
PAN
R
L
MUTE
OL
dB
10
dB
10
dB
10
L
R
OO
+15
U
OO
+15
FX
OO
+15
U
OO
+15
BAL /
UNBAL
FUSE: T1.6AL AC250V
FOOTSWITCH
R
MAIN OUT
FX SEND
PHONES
15
15
10
10
5
5
0
0
5
5
EQ
10
HI
12kHz
15
LOW
80Hz
48V
PHANTOM
POWER
MAIN
METERS
15
250
500
1K
2K
MAIN MIX
MON
4K
8K
0dB=0dBu
USB
U
OO
+10
Effects Processor
Mono in, Stereo out
OO
+15
U
OO
+15
FX
PAN
PAN
OL
15
10
6
3
0
2
4
7
10
20
30
EQ IN
BYPASS
FX PRESETS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
PRESETS
INPUT LEVEL
L
R
MUTE
USB THRU
U
Laptop
with Tracktion
recording
the service
POWER
10
125
MON
FX
PAN
L
BAL /
UNBAL
MON SEND
ST RETURN
AUX
U
MON
FX
PAN
R
L
MUTE
dB
10
R
L
MUTE
OL
3
R
Compressor/Limiter
BREAK
(MUTES ALL CHANNELS)
U
U
OL
OL
2
+15
PAN
MUTE
OL
1
OO
FX
L
BAL /
UNBAL
R
-15 +15
AUX
MON
~100-240V 50/60 Hz 25W
BAL /
UNBAL
L
-15 +15
U
LOW
80Hz
-15 +15
U
USB
MID
2.5kHz
-15 +15
U
LOW
80Hz
(BALANCED)
(MONO)
-15 +15
U
MID
2.5kHz
AUX
U
U
HI
12kHz
-15 +15
MON
+15
U
EQ
U
-15 +15
U
-15 +15
U
LOW
80Hz
OO
GAIN
MID
2.5kHz
AUX
MON
-20 +20
GAIN
HI
12kHz
MANUFACTURING DATE
MAIN
LEFT
STEREO GRAPHIC EQ
-20 +20
EQ
U
-15 +15
U
U
-15 +15
U
-15 +15
U
LOW
80Hz
U
+50
MID
2.5kHz
AUX
U
LINE IN 12
LEVEL
SET
(BALANCED)
BAL /
UNBAL
LOW CUT
100 Hz
HI
12kHz
-15 +15
LINE IN 10
GAIN
EQ
U
-15 +15
U
LOW
80Hz
AUX
U
-15 +15
U
MID
2.5kHz
-15 +15
U
+50
LOW CUT
100 Hz
HI
12kHz
-15 +15
U
LOW
80Hz
AUX
U
C GAIN
MI
LEVEL
SET
LINE IN 11
R
LINE IN 8
GAIN
-15 +15
U
MID
2.5kHz
-15 +15
AUX
U
EQ
U
HI
12kHz
-15 +15
U
LOW
80Hz
-15 +15
+50
+30dB
LOW CUT
100 Hz
-15 +15
U
MID
2.5kHz
C GAIN
MI
LEVEL
SET
GAIN
EQ
U
HI
12kHz
-15 +15
U
U
-20dB
+50
+30dB
LOW CUT
100 Hz
-15 +15
U
MID
2.5kHz
LINE IN 6
U
IC GAIN
M
LEVEL
SET
GAIN
EQ
U
HI
12kHz
U
U
-20dB
+50
+30dB
LOW CUT
100 Hz
-15 +15
U
INSERT
U
C GAIN
MI
LEVEL
SET
GAIN
LOW CUT
100 Hz
U
INSERT
BAL /
UNBAL
LINE IN 9
R
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
SERIAL NUMBER
MAIN
RIGHT
(MONO)
L
BAL /
UNBAL
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
ON
11/12
(MONO)
L
BAL /
UNBAL
R
INSERT
9/10
(MONO)
(MONO)
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
POWER
TAPE
OUT
dB
10
L
R
MUTE
OL
4
dB
10
R
L
MUTE
OL
5/6
dB
10
R
OO
OL
9/10
dB
10
+15
FX MASTER
MUTE
OL
7/8
OO
+15
dB
10
ST RTN
OO
MAX
PHONES
FX TO MON
OO
dB
10
FX RTN
+20
TAPE LEVEL
MAIN
MON
MUTE
OL
11/12
Monitor EQ
dB
10
dB
10
5
5
5
5
5
5
5
5
5
5
5
5
U
U
U
U
U
U
U
U
U
U
U
U
5
5
5
5
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
30
30
30
30
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
OO
SRM450v2 Powered Monitors
HD1521 Powered Speakers
Keyboard
This diagram shows various microphones attached to channels 1 to 4, a mic'd guitar on channel 5/6, a guitar effects processor connected to the left line-level input of channel 7/8 and a keyboard attached to channel 9/10's line-level inputs. An iPod docking station is attached to the stereo tape inputs. An effects processor receives a mono input from the FX send and its stereo outputs connect to the stereo
return inputs. An assistive listening system is connected to the line-level main output. Dual compressors
are connected to the inserts of channels 1 to 4, allowing vocal compression.
Mackie HD1521 powered speakers are connected to the left and right main output via a compressor/
limiter. Two SRM450v2 powered speakers are set up as stage monitors and connect to the mixer's monitor output via a graphic EQ. The aux mon controls of each channel allow you to create a stage
monitor mix that is independent of the main mix. Use the external graphic EQ to adjust the stage monitor EQ, as desired. Headphones are used for monitoring.
A laptop connects to the USB port, and allows the 2-channel main mix of the service to be recorded using Tracktion software. Two channels of audio can also play from the computer to the main mix.
House of Worship System ProFX12
2
ProFX8 and ProFX12
iPod
Docking Station
CD Player
Headphones
MIC
MIC
MIC
MIC
(UNBALANCED)
L
L
R
R
TAPE
IN
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
TAPE
OUT
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
SERIAL NUMBER
POWER
1
LINE
HI-Z
2
3/4
5/6
(MONO)
BAL /
UNBAL
LINE/HI-Z IN 1
L
LINE IN 2
LINE IN 3
LINE IN 5
U
C GAIN
MI
U
-20dB
U
C GAIN
MI
LEVEL
SET
U
-20dB
+50
+30dB
GAIN
+50
+30dB
EQ
MID
2.5kHz
MID
2.5kHz
AUX
U
+15
U
OO
+15
OO
+15
U
OO
+15
FX
OO
+15
U
OO
+15
FX
PAN
+15
U
OO
+15
FX
PAN
-15 +15
AUX
U
MON
OO
MON
OO
+15
U
OO
+15
FX
PAN
5
5
0
0
5
5
10
FX
PAN
48V
PHANTOM
POWER
POWER
10
15
15
125
LOW
80Hz
AUX
U
MON
10
250
1K
500
2K
MAIN MIX
MON
4K
MAIN
METERS
0dB=0dBu
OL
15
10
6
3
0
2
4
7
10
20
30
USB
FX PRESETS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
PAN
8K
EQ IN
BYPASS
-15 +15
U
-15 +15
AUX
U
MON
PHONES
15
10
MID
2.5kHz
LOW
80Hz
-15 +15
AUX
U
MON
OO
LOW
80Hz
-15 +15
-15 +15
HI
12kHz
-15 +15
U
MAIN OUT
15
-15 +15
U
MID
2.5kHz
-15 +15
U
LOW
80Hz
LOW
80Hz
EQ
U
HI
12kHz
MID
2.5kHz
-15 +15
U
-15 +15
U
GAIN
-15 +15
U
FX SEND
FOOTSWITCH
R
STEREO GRAPHIC EQ
-20 +20
EQ
U
HI
12kHz
BAL /
UNBAL
ST RETURN
LOW CUT
100Hz
-15 +15
U
MANUFACTURING DATE
(BALANCED)
L
BAL /
UNBAL
MON SEND
R
U
GAIN
EQ
U
HI
12kHz
-15 +15
U
L
BAL /
UNBAL
R
LEVEL
SET
BAL /
UNBAL
L
BAL /
UNBAL
(BALANCED)
MAIN
LEFT
USB
(MONO)
LINE IN 8
+50
U
LOW CUT
100 Hz
EQ
U
HI
12kHz
-15 +15
U
C GAIN
MI
LEVEL
SET
GAIN
LOW CUT
100 Hz
LINE IN 7
R
+50
U
GAIN
LOW CUT
100 Hz
U
C GAIN
MI
LEVEL
SET
BAL /
UNBAL
LINE IN 6
LINE IN 4
ON
(MONO)
L
BAL /
UNBAL
R
INSERT
INSERT
7/8
(MONO)
MAIN
RIGHT
Hookup Diagrams
Microphones
U
OO
+10
INPUT LEVEL
L
R
PRESETS
Laptop running Tracktion
and DJ software
MUTE
USB THRU
U
BREAK
(MUTES ALL CHANNELS)
U
U
OL
L
L
R
MUTE
MUTE
1
5
U
5
L
dB
10
5
L
R
MUTE
OL
OL
dB
10
R
R
L
MUTE
OL
3/4
5
dB
10
OO
OL
5/6
dB
10
+15
OO
FX MASTER
MUTE
OL
2
R
+15
OO
FX TO MON
MUTE
OL
7/8
dB
10
ST RTN
dB
10
5
5
5
FX RTN
OO
TAPE LEVEL
MON
MAIN
dB
10
dB
10
5
5
U
U
U
U
U
U
U
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
30
10
+20
PHONES
U
CD Turntable
5
MAX
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
OO
OO
OO
OO
OO
OO
OO
OO
OO
Effects Processor
Reverb
Compressor
SRM450v2 Powered Monitors
HD1531 Powered Speakers
This diagram shows two microphones attached to channels 1 and 2, a CD player connected to the line-level inputs of channel 3/4 and a CD turntable connected to the line-level inputs of channel 7/8.
An iPod docking station is attached to the stereo tape inputs. An effects processor receives a mono input
from the FX send and its stereo outputs connect to the stereo return inputs. A reverb and compressor are connected to the insert of channel 1 allowing vocal compression and a touch of reverb.
Mackie HD1531 powered speakers are connected to the left and right main output. Two SRM450v2
powered speakers are set up as stage monitors and connect to the mixer's monitor output. The aux mon
controls of each channel allow you to create a stage monitor mix that is independent of the main mix.
Switch the internal graphic EQ to adjust the stage monitor EQ if desired. Headphones are used for monitoring.
A laptop connects to the USB port and allows 2-channel output of DJ software to play in the main mix.
It may also be used to record a set on the computer for posterity.
DJ System ProFX8
Hookup Diagrams
3
ProFX8 and ProFX12
Microphones
TV monitor
Video
CD+G Player
Headphones
MIC
MIC
MIC
MIC
(UNBALANCED)
L
L
R
R
TAPE
IN
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
TAPE
OUT
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
1
LINE
HI-Z
2
3/4
5/6
(MONO)
BAL /
UNBAL
LINE/HI-Z IN 1
L
LINE IN 2
LINE IN 3
LINE IN 5
INSERT
INSERT
U
U
-20dB
U
-20dB
+50
+30dB
GAIN
+50
+30dB
EQ
MID
2.5kHz
MID
2.5kHz
AUX
U
OO
+15
U
OO
+15
U
FX
OO
OO
FX
+15
OO
OO
AUX
U
MON
OO
+15
U
FX
+15
PAN
-15 +15
+15
U
FX
+15
PAN
OO
OO
FX
+15
PAN
10
10
5
5
0
0
OO
+15
PAN
48V
PHANTOM
POWER
5
10
POWER
10
15
15
125
LOW
80Hz
MON
+15
U
PHONES
15
250
1K
500
2K
MAIN MIX
MON
MID
2.5kHz
AUX
U
MAIN OUT
4K
MAIN
METERS
0dB=0dBu
OL
15
10
6
3
0
2
4
7
10
20
30
USB
FX PRESETS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
PAN
8K
EQ IN
BYPASS
-15 +15
U
-15 +15
MON
FX SEND
FOOTSWITCH
R
5
HI
12kHz
LOW
80Hz
AUX
U
MON
BAL /
UNBAL
ST RETURN
EQ
U
MID
2.5kHz
-15 +15
AUX
U
MON
L
BAL /
UNBAL
MON SEND
15
-15 +15
U
-15 +15
U
LOW
80Hz
(BALANCED)
STEREO GRAPHIC EQ
HI
12kHz
MID
2.5kHz
-15 +15
-15 +15
R
GAIN
-15 +15
U
-15 +15
U
LOW
80Hz
LOW
80Hz
R
-20 +20
EQ
U
HI
12kHz
-15 +15
U
-15 +15
U
-15 +15
U
L
BAL /
UNBAL
LOW CUT
100Hz
EQ
U
HI
12kHz
-15 +15
U
(BALANCED)
MAIN
LEFT
USB
BAL /
UNBAL
L
BAL /
UNBAL
U
GAIN
MAIN
RIGHT
(MONO)
LINE IN 8
LEVEL
SET
+50
U
LOW CUT
100 Hz
EQ
U
HI
12kHz
-15 +15
U
C GAIN
MI
GAIN
LOW CUT
100 Hz
LINE IN 7
LINE IN 6
LEVEL
SET
+50
U
GAIN
LOW CUT
100 Hz
U
C GAIN
MI
LEVEL
SET
BAL /
UNBAL
R
LINE IN 4
U
C GAIN
MI
LEVEL
SET
ON
(MONO)
L
BAL /
UNBAL
R
C GAIN
MI
7/8
(MONO)
MANUFACTURING DATE
SERIAL NUMBER
POWER
U
OO
+10
INPUT LEVEL
L
R
PRESETS
MUTE
USB THRU
U
Laptop Computer
with Karaoke Software
BREAK
(MUTES ALL CHANNELS)
U
U
OL
L
L
R
MUTE
Effects Processor
L
MUTE
OL
OL
dB
10
R
1
dB
10
L
R
MUTE
dB
10
L
MUTE
OL
2
R
dB
10
OO
OL
5/6
dB
10
+15
FX MASTER
MUTE
OL
3/4
R
OO
+15
OO
FX TO MON
MUTE
OL
7/8
dB
10
ST RTN
dB
10
FX RTN
MAX
OO
TAPE LEVEL
MON
MAIN
dB
10
dB
10
5
5
5
5
5
5
5
5
5
U
U
U
U
U
U
U
U
U
5
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
30
Dual Compressor
+20
PHONES
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
OO
OO
OO
OO
OO
OO
OO
OO
OO
SRM450v2
Powered
Speaker
SRM1801
Powered
Subwoofer
SRM350v2 Powered Monitors
This diagram shows microphones attached to channels 1 to 4 and a CD+G player connected to the
line-level inputs of channel 7/8. An effects processor receives a mono input from the FX send and its
stereo outputs connect to the stereo return inputs. A dual compressor is connected to the insert of channel
1 and 2, allowing vocal compression.
Mackie SRM450v2 powered speakers and SRM1801 powered subwoofers are connected to the left
and right main output. Two SRM450v2 powered speakers are set up as stage monitors and connect to
the mixer's monitor output. The aux mon controls of each channel allow you to create a stage monitor
mix that is independent of the main mix. Headphones are used for monitoring.
A laptop running Karaoke software connects to the USB port and allows a 2-channel output to play in
the main mix.
The CD+G player allows karaoke text and graphics to be displayed on the TV monitor.
Karaoke System ProFX8
4
ProFX8 and ProFX12
Condenser
microphone
for vocals
Headphones
Amplifier
Modeler
Headphone Amp
press HI-Z
button
MIC
MIC
MIC
MIC
(UNBALANCED)
L
L
R
R
TAPE
IN
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
TAPE
OUT
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
SERIAL NUMBER
POWER
1
LINE
HI-Z
2
3/4
5/6
(MONO)
BAL /
UNBAL
LINE/HI-Z IN 1
L
LINE IN 2
LINE IN 3
LINE IN 5
INSERT
INSERT
U
U
-20dB
U
-20dB
+50
+30dB
GAIN
+50
+30dB
EQ
MID
2.5kHz
MID
2.5kHz
-15 +15
-15 +15
AUX
U
OO
+15
U
OO
OO
+15
OO
OO
+15
PAN
L
R
MUTE
L
MUTE
1
dB
10
OO
MON
OO
+15
U
FX
Keyboard
OO
+15
OO
R
L
MUTE
dB
10
5
0
0
dB
10
POWER
10
15
15
250
1K
500
2K
MAIN MIX
MON
4K
8K
MAIN
METERS
0dB=0dBu
OL
15
10
6
3
0
2
4
7
10
20
30
EQ IN
BYPASS
USB
FX PRESETS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
PAN
U
OO
+20
INPUT LEVEL
L
USB THRU
U
BREAK
(MUTES ALL CHANNELS)
OO
U
+15
FX MASTER
OO
U
+15
OO
FX TO MON
MUTE
OL
7/8
dB
10
ST RTN
dB
10
FX RTN
MAX
OO
TAPE LEVEL
MON
MAIN
dB
10
dB
10
5
5
5
5
5
5
5
5
U
U
U
U
U
U
U
U
U
5
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
20
30
30
30
30
40
50
60
OO
Electronic Drum Kit
30
30
30
30
+20
PHONES
5
30
R
PRESETS
MUTE
OL
R
OL
5/6
48V
PHANTOM
POWER
5
10
MUTE
OL
3/4
+15
PAN
L
R
MUTE
dB
10
AUX
U
FX
OL
2
-15 +15
+15
U
PAN
R
OL
OL
dB
10
+15
U
10
5
125
LOW
80Hz
MON
FX
+15
PAN
L
OO
FX
10
MID
2.5kHz
AUX
U
PHONES
15
-15 +15
U
-15 +15
MON
+15
U
FX
HI
12kHz
LOW
80Hz
AUX
U
MON
MAIN OUT
FX SEND
5
EQ
U
MID
2.5kHz
-15 +15
AUX
U
MON
FOOTSWITCH
R
15
-15 +15
U
-15 +15
U
LOW
80Hz
BAL /
UNBAL
STEREO GRAPHIC EQ
HI
12kHz
MID
2.5kHz
(BALANCED)
L
BAL /
UNBAL
MON SEND
ST RETURN
GAIN
-15 +15
U
-15 +15
U
LOW
80Hz
LOW
80Hz
R
-20 +20
EQ
U
HI
12kHz
-15 +15
U
-15 +15
U
-15 +15
U
R
LOW CUT
100Hz
EQ
U
HI
12kHz
-15 +15
U
L
BAL /
UNBAL
MANUFACTURING DATE
MAIN
LEFT
USB
BAL /
UNBAL
L
BAL /
UNBAL
U
GAIN
(BALANCED)
(MONO)
LINE IN 8
LEVEL
SET
+50
U
LOW CUT
100 Hz
EQ
U
HI
12kHz
-15 +15
U
C GAIN
MI
GAIN
LOW CUT
100 Hz
LINE IN 7
LINE IN 6
LEVEL
SET
+50
U
GAIN
LOW CUT
100 Hz
U
C GAIN
MI
LEVEL
SET
BAL /
UNBAL
R
LINE IN 4
U
C GAIN
MI
LEVEL
SET
ON
(MONO)
L
BAL /
UNBAL
R
C GAIN
MI
7/8
(MONO)
MAIN
RIGHT
Hookup Diagrams
Electric
Guitar
Acoustic
Guitar with
pickup
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
OO
OO
OO
OO
OO
OO
OO
OO
Desktop
MR8mk2 Powered Reference Monitors
Mac or PC
using Tracktion
This diagram shows an acoustic guitar connected directly to channel 1 (with the hi-z switch pressed in), a condenser microphone attached to the channel 2 mic input, a guitar amplifier modeler connected to
the line-level inputs of channel 3/4, an electronic drum kit connected to channel 5/6 and a keyboard attached to channel 7/8.
Mackie MR8mk2 powered reference monitors are connected to the left and right main output for careful and accurate monitoring of the performance.
A desktop computer connects to the USB port and allows the 2-channel main mix to be recorded and 2 channels to be played back using Tracktion software.
Home Studio System ProFX8
Hookup Diagrams
5
ProFX8 and ProFX12
Microphones
Headphones
MIC
MIC
MIC
MIC
(UNBALANCED)
L
L
R
R
TAPE
IN
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
TAPE
OUT
AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
SERIAL NUMBER
POWER
1
LINE
HI-Z
2
3/4
5/6
(MONO)
BAL /
UNBAL
LINE/HI-Z IN 1
(MONO)
L
LINE IN 2
LINE IN 3
LINE IN 5
INSERT
U
C GAIN
MI
U
-20dB
U
C GAIN
MI
LEVEL
SET
U
-20dB
+50
+30dB
GAIN
+50
+30dB
EQ
MID
2.5kHz
MID
2.5kHz
MON
OO
MON
+15
U
OO
+15
U
FX
OO
OO
OO
+15
PAN
OO
OO
MON
OO
+15
U
FX
+15
PAN
LOW
80Hz
AUX
U
+15
U
FX
OO
FX
+15
PAN
10
10
5
5
0
0
5
5
10
OO
+15
PAN
48V
PHANTOM
POWER
POWER
10
15
15
125
-15 +15
MON
+15
U
FX
+15
LOW
80Hz
MON
PHONES
15
250
1K
500
2K
MAIN MIX
MON
MID
2.5kHz
AUX
U
FOOTSWITCH
R
MAIN OUT
4K
MAIN
METERS
0dB=0dBu
OL
15
10
6
3
0
2
4
7
10
20
30
USB
FX PRESETS
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
PAN
8K
EQ IN
BYPASS
-15 +15
U
-15 +15
AUX
U
HI
12kHz
MID
2.5kHz
-15 +15
AUX
U
FX SEND
15
-15 +15
U
-15 +15
U
LOW
80Hz
-15 +15
AUX
U
MID
2.5kHz
-15 +15
U
LOW
80Hz
LOW
80Hz
-15 +15
EQ
U
HI
12kHz
-15 +15
U
BAL /
UNBAL
STEREO GRAPHIC EQ
GAIN
EQ
U
HI
12kHz
U
OO
+20
INPUT LEVEL
L
R
Laptop Computer
with Tracktion
PRESETS
MUTE
USB THRU
U
BREAK
(MUTES ALL CHANNELS)
U
U
OL
L
L
R
MUTE
dB
10
L
R
MUTE
OL
1
dB
10
5
5
U
U
5
R
L
MUTE
OL
2
dB
10
R
L
MUTE
OL
3/4
dB
10
R
OO
OL
5/6
CD Turntable
dB
10
+15
FX MASTER
MUTE
OL
MANUFACTURING DATE
(BALANCED)
L
BAL /
UNBAL
MON SEND
ST RETURN
LOW CUT
100Hz
-15 +15
U
-15 +15
U
-15 +15
U
R
-20 +20
GAIN
EQ
U
HI
12kHz
-15 +15
U
R
U
LEVEL
SET
BAL /
UNBAL
L
BAL /
UNBAL
(BALANCED)
MAIN
LEFT
USB
(MONO)
L
BAL /
UNBAL
LINE IN 8
+50
U
LOW CUT
100 Hz
EQ
U
HI
12kHz
-15 +15
U
C GAIN
MI
LEVEL
SET
GAIN
LOW CUT
100 Hz
LINE IN 7
LINE IN 6
+50
U
GAIN
LOW CUT
100 Hz
U
C GAIN
MI
LEVEL
SET
BAL /
UNBAL
R
LINE IN 4
ON
(MONO)
L
BAL /
UNBAL
R
INSERT
7/8
MAIN
RIGHT
OO
+15
OO
FX TO MON
MUTE
OL
7/8
dB
10
ST RTN
dB
10
5
5
5
5
5
U
U
U
U
U
5
5
5
5
5
5
10
10
10
10
10
10
20
20
20
20
20
20
30
30
30
30
30
30
FX RTN
MAX
OO
+20
PHONES
TAPE LEVEL
MON
MAIN
dB
10
dB
10
Effects/ Sampler
5
5
U
U
5
5
10
10
10
20
20
20
30
30
30
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
40
50
60
OO
OO
OO
OO
OO
OO
OO
OO
OO
MR8mk2 Powered Reference Monitors
Keyboard workstation
This diagram shows microphones attached to the channel 1 and 2 mic inputs, a keyboard workstation attached to channel 3/4's line-level inputs and a CD turntable connected to channel 5/6's line-level
inputs. An effects/sampler receives a mono input from the FX send and its stereo outputs connect to the
stereo return inputs.
Mackie MR8mk2 powered reference monitors are connected to the left and right main output for careful and accurate monitoring.
A desktop computer connects to the USB port and allows the 2-channel main mix to be recorded and 2 channels played back using Tracktion software.
Podcast System ProFX8
6
ProFX8 and ProFX12
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