Zoom 2020 Specifications
Thank you for selecting the advanced guitar effects processor ZOOM Player 2020 (hereafter
called “2020”).
The 2020 is a sophisticated multi-effect device with the following features and functions:
• A total of 19 built-in individual effects, which can be combined in patches of
up to six effects of five types. 20 preset patches and a user memory for 20
additional patches offer extraordinary flexibility.
• Integrated foot pedals and informative control panel show settings at a glance
and allow easy operation like a compact effector.
• Compressor and distortion effects are generated using analog circuitry, to
assure rich and natural-sounding sustain and distortion effects.
• By using the optional foot controllers FP01 or FS01, pedal wah effects and
single effect on/off switching are possible, for further enhanced playability.
Please take the time to read this manual carefully, in order to get the most out of your 2020 and to
ensure optimum performance and reliability.
1
Contents
Safety Precautions • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 3
Usage Precautions • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 3
Terms Used in This Manual
•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••4
Names and Functions of Controls and Connectors
•••••••••••••••••••••••••••••••••••••••••••••••••5
Front Panel • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 5
Rear Panel • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6
Connection Examples • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
Connection to one guitar amplifier (Example 1) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
Connection to two guitar amplifiers (Example 2) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
Connection to a tape recorder or mixer (Example 3) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
Using headphones for monitoring (Example 4) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 7
Playing a Patch (Use of the Play Mode) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8
Selecting a Patch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 8
Adjusting the patch level • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 9
Bypassing the Effects • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 9
Editing a Patch (Use of the Edit Mode)
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10
What Is a Patch? • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10
Entering the Edit mode • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 10
Panel Display in Edit Mode • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 11
Editing a Patch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 11
Turning Effect Modules On and Off • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12
Compare • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12
Storing a Patch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 12
Effect Types and Parameters
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 13
Effect Module 1:Compressor + distortion (COMP+DIST) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 13
Effect Module 2: Equalizer (EQ) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 14
Effect Module 3: Modulation • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 15
Effect Module 4: Delay • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 16
Effect Module 5: Reverb • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 17
Patch Level • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 17
Other Functions • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 18
Restoring Individual Factory Preset Patches (Patch Recall) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 18
Restoring All Factory Preset Patches (Initialize) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 18
Application Examples for Use of Foot Pedal and Foot Switch
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19
Using the FP01 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19
Using the FS01 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 19
Specifications • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 20
2
Safety Precautions
Usage Precautions
Please observe the following safety tips and precautions to
ensure hazard-free use of the 2020.
• Electrical interference
• Power requirements
The 2020 is powered by the supplied AC adapter
AD0003/AD0004. Do not use any other kind of AC
adapter to prevent malfunction and safety hazards.
When wishing to use the 2020 in an area with a different
line voltage, please consult your local ZOOM distributor
about acquiring a proper AC adapter.
• Environment
Avoid using your 2020 in environments where it will be
exposed to:
• Temperature extremes
• High humidity or moisture
• Excessive dust or sand
• Excessive vibration or shock
The 2020 uses digital circuitry that may cause interference
and noise if placed too close to other electrical equipment,
such as TV sets and radio receivers. If such problems
occur, move the 2020 further away from the affected
equipment. Also, when fluorescent lights or devices with
built-in motors are close to the 2020, the unit may not
function properly.
• Cleaning
Use a soft, dry cloth to clean the 2020. If necessary,
slightly moisten the cloth. Do not use abrasive cleanser,
wax, or solvents (such as paint thinner or cleaning
alcohol), since these may dull the finish or damage the
surface.
Please keep this manual in a convenient place for future
reference.
• Handling
Since the 2020 is a precision electronic device, avoid
applying excessive force to the switches and buttons. Also
take care not to drop the unit, and do not subject it to
shock or excessive pressure.
• Alterations
Never open the case of the 2020 or attempt to modify the
product in any way since this can result in damage.
• Connecting cables and input and output jacks
You should always turn off the power to the 2020 and all
other equipment before connecting or disconnecting any
cables. Also make sure to disconnect all cables and the
AC adapter before moving the 2020.
3
Terms Used in This Manual
This manual has been written so that it can be easily understood also by first-time users. However, the 2020 offers
several special functions which are not available with a conventional compact effector. This section explains some of
the terms used throughout the manual to describe such functions.
• Effect Module
GROUP
The 2020 offers five basic effect groups, as shown in the
illustration below. Such an effect group is referred to as an
“effect module”. Each effect module can be thought of as a
single compact effector. The 2020 therefore operates like
five compact effectors connected in series. The following
effect modules are available:
USER
PATCH
INPUT
COMP+ DIST
EQ
MODULATION
DELAY
REVERB OUTPUT
PRESET
PATCH LEVEL
BANK No.
PATCH No.
0
1–4
1
1–4
2
1–4
3
1–4
4
1–4
0
1–4
1
1–4
2
1–4
3
1–4
4
1–4
• COMP+ DIST (Analog compressor and distortion
effects)
• EQ (Equalizer and wah effects)
• MODULATION (modulation effects such as chorus
and flanger)
• DELAY (delay effects)
• REVERB (reverberation effects)
• Parameter
• Effect Type
The functions of the 2020 can be roughly divided into three
different categories. These are called “modes”, as described
below.
Each effect module contains several effect variations which
are called “effect types”. Each effect module can use one
effect type at a time. For a list of effect types in each effect
module, see the table on page 13.
• Patches and Groups
The 2020 allows you to use a maximum of five effect
modules simultaneously. A combination of effect modules,
each with individual parameter settings plus the final output
level setting, is referred to as a “patch”.
The 2020 has two memory areas or “groups” where patches
are stored: the user group for patches created by the user,
and the preset group for factory defined patches where only
the output level can be changed.
• Bank
The 2020 calls up patches in sets of four, and the foot pedals
serve to switch between patches. Such a set of four patches
is referred to as a “bank”. To select a patch, first specify the
group and the bank, and then use the foot pedals to select
patch number 1 - 4.
4
The elements which determine the sound of an effect are
referred to as “parameters”. Parameter values can be
adjusted for each effect module, to create your own patches
with the 2020.
• Mode
• Play Mode
In this mode, patches can be selected and played. This is
the default mode of the 2020 when power is turned on.
• Edit (Manual) Mode
In this mode, the parameters of each patch can be edited.
The mode can also be used as a manual mode to switch
effect modules on and off during a performance using a
foot pedal.
• Special Mode
Serves to return some or all patch data to the factory
preset condition.
Names and Functions of Controls and Connectors
Front Panel
COMP+ DIST
EFFECT 1 CLN I 3 OD I 5 DST I
2 CLN II 4 OD II 6 DST II
(9)
EQ
1 EQ
MODULATION
2 WAH
1 PIT
DELAY
2 PHA 3 FLG 4 TRM
5 STEP 6 CHO
PARM1
COMP
[0-3]
HIGH
[–7-+7]
SENS
[0-10]
PIT
[–12-+12]
DEPTH
[0-10]
[0-10](x100mS)
PARM2
EDGE
[0,1]
MID
[–7-+7]
FREQ
[1-64]
FINE
[–10-+10]
RATE
[1-50]
[0-99](mS)
3 – 6 GAIN
[1-8]
PARM3
PARM4
MIDf
[1-16]
2 – 5 PERK
[0-10]
BAL
[0-10]
PARM5
1 REV
2 E/R
DELAY TIME
6 STR
[0,1]
TIME
[0-90](x100mS)
TONE
[–7-+7]
FEEDBACK
[0-10]
MIX
[0-10]
MIX
[0-10]
2
EQ
(1)
BANK
GROUP • BANK
( )
USER
PRESET
BOTH
(2)
GROUP
PATCH LEVEL
(10)
[0-31]
LEVEL
[1-8]
1 COMP+DIST
(EDIT VALUE)
3 DELAY
TIME
[1-10]
FEEDBACK
[0-10]
LOW
[–7-+7]
ZNR
[0-15]
REVERB
1 MONO
2 PPD
(3)
STORE
3
MODULATION
4
B
DELAY
REVERB
VALUE
(8)
ZOOM
+
EDIT (MANUAL)
(4)
–
ADVANCED GUITAR EFFECTS PROCESSOR
CANCEL
1
PARAMETER SELECT
2
3
4
(5)
(6)
(7)
(11)
(1) Display
The display shows vital information for operating the 2020,
such as group and bank numbers of a patch, effect parameter
values and other messages.
(2) GROUP key
• In Play mode
Serves to select the memory group for the patch, as
follows.
USER
Only patches from the user group are
available.
PRESET Only patches from the preset group are
available.
BOTH
Patches from both groups are available.
• In Edit mode
Serves to compare the currently edited patch with the
patch before editing (compare function). For details,
please refer to page 12.
(3) STORE key
Serves to store an edited patch with its new parameter and
level settings in the user group.
(4) VALUE + / - keys
These keys serve to change the value of a parameter.
Tapping the VALUE + key increases the value by one step,
and tapping the VALUE - key decreases the value by one
step. Keeping a key depressed changes the value
continuously. To increase the speed of the change, press the
other key as well.
• In Play mode
The keys serve to adjust the output level of the patch.
• In Edit mode
The keys serve to select an effect type and adjust the
currently selected parameter.
(5) PARAMETER SELECT keys
Serve to select the parameter to be edited in Edit mode.
(6) EDIT (MANUAL) / CANCEL key
Pressing this key switches from Play mode to Edit mode.
The Edit mode can also be used as Manual mode to switch
effect modules on and off with a foot pedal.
The key also serves to return from the Edit mode to the Play
mode, and to cancel a store process.
5
(7) Edit mode LED
This LED lights up when the 2020 is in the Edit (Manual)
mode.
(10) BANK pedal
• In Play mode
Selects the next higher bank.
• In Edit (Manual) mode
Switches REVERB for the effect module on and off. The
pedal LED lights up when REVERB is on.
(8) Module cursor LED
• In Play mode
Lit LED indicates which effect module in the current
patch is ON.
• In Edit mode
Lit LED indicates which effect module in the currently
edited patch is ON, and flashing LED indicates the
currently edited effect module.
(11) Pedal 1 - 4
• In Play mode
The pedals serve to select a patch. The respective pedal
LED lights up.
• In Edit (Manual) mode
The pedals serve to switch the effect modules
COMP+DIST, EQ, MODULATION, DELAY on and off.
The respective pedal LED lights up.
(9) Parameter cursor LED
Flashing LED indicates the currently edited parameter in
Edit mode.
Rear Panel
INPUT
TUNER
OUT
CONTROL IN
MANUAL(SW)
VOLUME /WAH(PEDAL)
OUTPUT
L/MONO
R
PHONES
(REC OUT)
DC9V 150mA
SERIAL No.
(1)
(2)
(3)
(1) INPUT jack
Serves for connection of a guitar.
(2) TUNER OUT jack
The guitar signal from the input is supplied without
alteration at this output, to allow tuning without the need for
cabling changes.
(3) CONTROL IN VOLUME jack
This connector allows use of the optional foot pedal FP01 to
control the volume level of the 2020. Since the level is
adjusted between the EQ module and the MODULATION
module, the volume can be changed without affecting
reverberation.
(4) CONTROL IN MANUAL/WAH jack
This jack serves for connection of the optional foot switch
FS01 or foot pedal FP01. The FS01 can be used to switch
between Play mode and Manual mode, and the FP01 can be
used to control the wah effect of the EQ effect module.
NOTE When connecting the FP01 to a CONTROL IN jack,
use the EXP. OUT connector of the FP01.
6
(4)
(5)
(6)
(7)
(5) OUTPUT L/MONO/R connectors
Serves for connection to a guitar amplifier. To use the 2020
in stereo, connect cables to both jacks. For a monaural
setup, connect the cable to the L/MONO jack.
(6) PHONES (REC OUT) jack
For connection of a pair of stereo headphones. Since the
output at this jack has been processed by an amp simulator,
it can also be used as recording output for connection to a
tape recorder or mixer.
(7) DC INPUT (AC adapter) jack
The supplied AC adapter is connected here. To guard
against inadvertently disconnecting the adapter cable, wind
the cable once around the hook. As long as the AC adapter
is connected here, the unit is turned on. There is no separate
power switch.
Connection Examples
Connection to one guitar amplifier
(Example 1)
Connection to a tape recorder or mixer
(Example 3)
GUITAR AMPLIFIER
OUTPUT L/MONO
INPUT
MTR/Mixer
INPUT
PHONES OUT
ZOOM
ZOOM
2020
2020
To use the 2020 with one guitar amplifier, connect the
output of the musical instrument to the INPUT jack of the
2020, and the OUTPUT L/MONO jack of the 2020 to the
amplifier. With this connection, stereo effects such as reverb
and ping-pong delay are output in mono.
By connecting an adapter cable to the PHONES jack with a
stereo miniature phone plug at one end and two standard
mono phone plugs (or two RCA-type phono plugs) at the
other end, the output of the 2020 can be fed directly to a
multi-track tape recorder or a mixer. Since the PHONES
Connection to two guitar amplifiers
(Example 2)
jack output is processed by an amp simulator, the recording
will have the characteristic guitar amplifier sound, although
it is a line connection.
Using headphones for monitoring
(Example 4)
OUTPUT
L/MONO
GUITAR AMPLIFIER
OUTPUT R
INPUT
ZOOM
INPUT
PHONES OUT
2020
To use the 2020 with two guitar amplifiers, connect the
OUTPUT L/R jacks of the 2020 to the amplifiers. A well
balanced stereo sound can be obtained when the stereo
effects are activated.
ZOOM
2020
This setup is suitable for example to practice individually
without disturbing others.
7
Playing a Patch (Use of the Play Mode)
In the Play mode, a patch is selected and played. When the
2020 is turned on, it goes into the Play mode automatically.
In the Play mode, the following information is shown on the
display.
Selecting a Patch
(1) Group
The currently selected group is shown in the GROUP
field.
• Turn on the amplifier(s) and adjust the volume to a
suitable position while playing the instrument. The
2020 is turned on automatically when the cable from
the AC adapter is connected to the 2020.
• Turn off the amplifier(s) and set the volume control to
minimum. Then connect the 2020 to the instrument
and amplifier(s).
(2) Bank number
The currently selected bank number is shown in the
BANK field.
• Select the desired group with the GROUP key.
In the 2020, patches are divided into the user group for
patches which can be created and altered freely by the user,
and the preset group for factory defined patches where only
the output level can be changed. Choose the group from
which you want to select a patch. With each push of the
GROUP key, the group setting cycles through the following
three settings which are shown on the display.
(3) Patch number
The currently selected patch number is indicated by the
pedal LED (1 - 4).
(4) Effect module on/off
The effect module on/off condition in the patch is
indicated by the module cursor LED.
• U (USER)
User group only
• P (PRESET)
Preset group only
• U or P (BOTH) User group and preset group
(1)
COMP+ DIST
EFFECT 1 CLN I 3 OD I 5 DST I
2 CLN II 4 OD II 6 DST II
EQ
1 EQ
1 PIT
COMP
[0-3]
HIGH
[–7-+7]
SENS
[0-10]
PIT
[–12-+12]
DEPTH
[0-10]
PARM2
EDGE
[0,1]
MID
[–7-+7]
FREQ
[1-64]
FINE
[–10-+10]
RATE
[1-50]
3 – 6 GAIN
[1-8]
PARM4
MIDf
[1-16]
DELAY
2 PHA 3 FLG 4 TRM
5 STEP 6 CHO
PARM1
PARM3
2 – 5 PERK
[0-10]
BAL
[0-10]
1 MONO
2 PPD
[0-10](x100mS)
DELAY TIME
[0-99](mS)
6 STR
[0,1]
REVERB
1 REV
2 E/R
TIME
[0-90](x100mS)
TONE
[–7-+7]
FEEDBACK
[0-10]
MIX
[0-10]
MIX
[0-10]
2
EQ
BANK
GROUP • BANK
( )
USER
PRESET
BOTH
GROUP
PATCH LEVEL
[0-31]
LEVEL
[1-8]
1 COMP+DIST
(EDIT VALUE)
3 DELAY
TIME
[1-10]
FEEDBACK
[0-10]
LOW
[–7-+7]
ZNR
[0-15]
PARM5
(4)
MODULATION
2 WAH
(2)
STORE
3
MODULATION
4
DELAY
B
REVERB
VALUE
ZOOM
+
EDIT (MANUAL)
–
ADVANCED GUITAR EFFECTS PROCESSOR
CANCEL
1
8
2
PARAMETER SELECT
3
4
(3)
• Select the bank with the bank pedal.
Bypassing the Effects
A bank is a group of four patches. There are five banks each
(numbered 0 through 4) for the user group and the preset
group. With each push of the bank pedal, the bank number is
incremented by one. The bank number display flashes.
You can temporarily turn off all effects in a patch. This is
useful for example to check the sonic character of a patch.
GROUP=PRESET
GROUP=USER
GROUP=BOTH
• In the Play mode, press the pedal whose LED is lit (the
pedal that was used to choose the current patch
number) once more.
All effects in the patch are now bypassed and the original
instrument sound is heard. In the bypass condition, the
LEDs of pedals 1 - 4 flash and the indication “bP” appears
alternately on the group and bank number display.
Press the same pedal again, or select a different patch to
return to normal play mode.
pressing the BANK key does not yet change the
NOTE Only
patch. To activate the patch and change the sound,
press one of the pedals 1 - 4, as described below.
• Select the patch by pressing one of the pedals 1 - 4.
The LED of that pedal lights up, showing that the patch has
been selected.
Adjusting the patch level
The final output level of the patch — called the patch level
— is also stored as a parameter along with the other
parameters of the patch. In the Play mode, the patch level
only can be adjusted.
• Press the VALUE + / - keys in the Play mode.
When one of the VALUE + / - keys is pressed, the current
patch level setting is shown on the display as a numeric
value (0 - 31). Pressing VALUE + increases the value and
pressing VALUE - decreases it. To change values
continuously, hold down the key. To change values more
rapidly, press the other key as well.
NOTE • The patch level setting change made in this way is
only temporary. If you select a different patch
without storing the new level setting first, the
setting will be lost. (For details on how to store
settings, please refer to page 12.)
• While other parameters of patches from the preset
group cannot be altered, the patch level can be
changed and stored. This is useful for example to
match levels when combining user patches with
preset patches.
9
Editing a Patch (Use of the Edit Mode)
What Is a Patch?
Entering the Edit mode
Before you attempt to edit a patch, you should have a
general idea how patches are created. In the 2020, a patch
can contain the following effect modules:
• Select the desired patch in the Play mode (from the
user group or the preset group) and press the
EDIT/CANCEL key. The 2020 is now in the Edit
mode, and the Edit mode LED lights up.
• COMP+DIST (Analog compressor and distortion
effects)
• Pressing the EDIT/CANCEL key once more returns
the 2020 to the Play mode.
• EQ (Equalizer and wah effects)
• MODULATION (modulation effects such as chorus
and flanger)
• DELAY (delay effects)
• REVERB (reverberation effects)
A combination of these effect modules, each with individual
parameter settings plus the final patch level setting, is
referred to as a “patch”.
In the Edit mode, you can call up the various parameters of
an effect module and change these parameters according to
your wishes and preferences.
PATCH
INPUT
COMP+ DIST
EQ
MODULATION
DELAY
REVERB
1 CLEAN 1
2 CLEAN 2
3 OVERDRIVE 1
4 OVERDRIVE 2
5 DISTORTION 1
6 DISTORTION 2
1 EQ
2 WAH
1 PITCH
2 PHASER
3 FLANGER
4 TREMOLO
5 STEP
6 CHORUS
1 MONO DELAY
2 Pingpong DELAY
1 REVERB
2 E/R
3 DELAY
PATCH LEVEL
FP01
10
OUTPUT
(3)
BAL
[0-10]
2 – 5 PERK
[0-10]
6 STR
[0,1]
COMP+ DIST
EQ
EFFECT 1 CLN I 3 OD I 5 DST I
2 CLN II 4 OD II 6 DST II
1 EQ
MODULATION
2 WAH
PARM1
COMP
[0-3]
HIGH
[–7-+7]
SENS
[0-10]
PIT
[–12-+12]
DEPTH
[0-10]
PARM2
EDGE
[0,1]
MID
[–7-+7]
FREQ
[1-64]
FINE
[–10-+10]
RATE
[1-50]
3 – 6 GAIN
[1-8]
PARM3
2 – 5 PERK
[0-10]
BAL
[0-10]
PARM5
REVERB
1 MONO
2 PPD
1 REV
2 E/R
[0-10](x100mS)
DELAY TIME
[0-99](mS)
TIME
[0-90](x100mS)
TONE
[–7-+7]
FEEDBACK
[0-10]
MIX
[0-10]
MIX
[0-10]
2
(2)
GROUP • BANK
( )
USER
PRESET
BOTH
GROUP
PATCH LEVEL
[0-31]
LEVEL
[1-8]
1 COMP+DIST
(EDIT VALUE)
3 DELAY
TIME
[1-10]
FEEDBACK
[0-10]
6 STR
[0,1]
LOW
[–7-+7]
ZNR
[0-15]
PARM4
MIDf
[1-16]
DELAY
2 PHA 3 FLG 4 TRM
5 STEP 6 CHO
1 PIT
STORE
3
EQ
4
MODULATION
B
DELAY
REVERB
VALUE
(1)
ZOOM
+
EDIT (MANUAL)
–
ADVANCED GUITAR EFFECTS PROCESSOR
CANCEL
1
PARAMETER SELECT
2
3
4
Panel Display in Edit Mode
Editing a Patch
In the Edit mode, the following information is shown on the
panel display.
• In the Edit mode, use the PARAMETER SELECT
keys to select the desired parameter.
(1) Effect module on/off
The LEDs of pedals for effect modules which are on
(pedals 1 - 4 and BANK pedal) are lit.
The left/right PARAMETER SELECT keys control the
module cursor LEDs and the up/down PARAMETER
SELECT keys control the parameter cursor LEDs. The
display indication changes accordingly.
HINT
The pedals 1 - 4 and the BANK pedal correspond to
the following effect modules.
Pedal 1
Pedal 2
Pedal 3
Pedal 3
BANK pedal
• Use the VALUE +/- keys to change the parameter
value.
(2) Parameter value
The value of the parameter currently selected for editing
is shown on the display.
The value of the currently selected parameter is changed. To
change values continuously, hold down the key. To change
values quickly, press the other key as well.
(3) Parameter type
The type of the parameter currently selected for editing
is indicated by the flashing module cursor LED and
parameter cursor LED.
COMP+ DIST
EFFECT 1 CLN I 3 OD I 5 DST I
2 CLN II 4 OD II 6 DST II
PARM1
PARM2
COMP
[0-3]
EDGE
[0,1]
3 – 6 GAIN
[1-8]
PARM3
PARM4
The topmost row of parameter LEDs corresponds to
the EFFECT parameter which changes the effect
type. When the effect type is changed, the setting of
parameters 1 - 5 also changes. Therefore it is best to
first select the effect type and then work on the other
parameters when creating an effect from scratch.
HINT
COMP+DIST
EQ
MODULATION
DELAY
REVERB
ZNR
[0-15]
EQ
MODULATION
1 EQ
2 WAH
HIGH
[–7- +7]
SENS
[0-10]
PIT
[–12-+12]
MID
[–7-+7]
FREQ
[1-64]
FINE
[–10-+10]
MIDf
[1-16]
1 PIT
BAL
[0-10]
DELAY
2 PHA 3 FLG 4 TRM
5 STEP 6 CHO
DEPTH
[0-10]
[0-10](x100mS)
DELAY TIME
RATE
[1-50]
2 – 5 PERK
[0-10]
1 MONO
2 PPD
[0-99](mS)
6 STR
[0,1]
TIME
[0-90](x100mS)
TONE
[–7-+7]
FEEDBACK
[0-10]
MIX
[0-10]
MIX
[0-10]
PATCH LEVEL
[0-31]
LEVEL
[1-8]
1 COMP+DIST
2
EQ
3 DELAY
TIME
[1-10]
FEEDBACK
[0-10]
LOW
[–7-+7]
PARM5
REVERB
1 REV
2 E/R
3
MODULATION
4
DELAY
B
REVERB
11
HINT
For details on the parameters of each effect module,
please refer to “Effect Types and Parameters” on
page 13.
• Change other parameters in the same way.
setting changes made in this way are only
NOTE Parameter
temporary. If you return to the Play mode or select a
different patch without storing the new settings first,
the settings will be lost. For details on how to store a
patch, please refer to next section.
Turning Effect Modules On and Off
Storing a Patch
If an edited patch (or a patch whose patch level setting was
changed in the Play mode) is not stored, the change will be
lost when another patch is selected. To preserve a setting,
store the patch as described below.
• Press the STORE key in the Play mode or Edit mode.
This activates the store mode, and you can now choose the
bank number and patch number in which you want to store
the patch.
patches from the preset group, parameters other
NOTE For
than the patch level cannot be stored. Therefore,
even if a patch was chosen from the preset group, the
store destination will automatically become “U”
(user group) if a parameter other than the patch level
was changed. If only the patch level was changed,
the store destination can also be “P” (preset group).
In the Edit mode, each effect can be turned on and off
independently from others.
• Pressing a pedal corresponding to an effect module
that is currently on (pedal LED and effect module
cursor LED are lit) turns the effect module off.
• Use the BANK pedal and pedals 1 - 4 to specify the
bank number and patch number.
The LED goes out. Press the pedal again to turn the effect
back on.
If no input is made, the patch will be stored in the original
bank number and patch number.
HINT
The effect module on/off setting can also be stored as
part of a patch.
NOTE When a patch is stored, the patch that was previously
stored in that number will be overwritten (erased).
Take care not to erase a patch that you want to keep.
When wishing to restore the factory preset patches,
please refer to the explanation on page 18.
Compare
During editing, it is possible to temporarily return to the
setting that was active before starting the editing process.
This is called the “compare” function.
• Press the STORE key again. The patch is stored, and
the 2020 reverts to the Play mode.
If the STORE key has not yet been pressed for the
NOTE second time, you can use the EDIT/CANCEL key to
cancel the store process and return to the
immediately preceding mode.
• In the Edit mode, press the GROUP key.
The previous value of the parameter where the cursor is
currently located and the indication “CP” appear alternately
on the display.
• Press the GROUP key once more.
The 2020 returns to the Edit mode.
HINT
12
The compare function is useful for example to check
how a certain parameter change affects the overall
sound. When the parameter is selected with the
PARAMETER SELECT keys, the value of that
parameter is shown on the display.
HINT
When connecting the FP01 to a CONTROL IN jack,
use the EXP. OUT connector of the FP01.
Effect Types and Parameters
In this section, all effect types and parameters of the 2020 are explained. Parameters that are the same for several
effects are explained in detail only the first time they appear.
COMP+ DIST
EQ
MODULATION
DELAY
REVERB
1 CLEAN 1
2 CLEAN 2
3 OVERDRIVE 1
4 OVERDRIVE 2
5 DISTORTION 1
6 DISTORTION 2
1 EQ
2 WAH
1 PITCH
2 PHASER
3 FLANGER
4 TREMOLO
5 STEP
6 CHORUS
1 MONO DELAY
2 Pingpong DELAY
1 REVERB
2 E/R
3 DELAY
■ Effect Module 1:
Compressor + distortion (COMP+DIST)
The compressor effect maintains the volume at a certain
level without impairing the sense of tone and attack. The
distortion effect produces a characteristic tube- amplifierlike distortion combined with long sustain.
Parameter 1
Parameter 2
Parameter 4
COMP
EDGE
ZNR
0 to 3
0, 1
0 to 15
3 OD I (Overdrive 1)
Overdrive effect with the warm distortion sound that is
typical for tube amplifiers.
1 CLN I (Clean 1)
This effect type uses only the compressor, to obtain a clean
sound without distortion. The effect is especially suitable for
electric guitars.
Parameter 1
Parameter 2
Parameter 4
PATCH
LEVEL
COMP
EDGE
ZNR
0 to 3
0, 1
0 to 15
Explanation
(1)COMP (compressor): determines the depth of the
compression. The higher the value, the smaller the level
difference, and the longer sustain is obtained.
(2)EDGE: At a setting of “1”, the treble range is
emphasized. This parameter makes the sound more
distinct.
(4)ZNR (Zoom Noise Reduction): This parameter
adjusts the threshold for the ZNR feature which cuts
noise during performance pauses. You should set the
parameter to a value as high as possible, but without
causing the instrument release to sound unnatural.
2 CLN II (Clean 2)
Parameter 1
Parameter 2
Parameter 3
Parameter 4
COMP
EDGE
GAIN
ZNR
0 to 3
0, 1
1 to 8
0 to 15
Explanation
(3)GAIN: Determines distortion intensity in the overdrive
circuit. The higher the value, the deeper the distortion.
4 OD II (Overdrive 2)
Overdrive effect with heavy, fuzzy distortion.
Parameter 1
Parameter 2
Parameter 3
Parameter 4
COMP
EDGE
GAIN
ZNR
0 to 3
0, 1
1 to 8
0 to 15
5 DST I (Distortion 1)
Hard distortion effect similar to a large amplifier driven to
full capacity.
Clean sound effect with flat characteristics that is suitable
also for electro-acoustic guitar.
13
Parameter 1
Parameter 2
Parameter 3
Parameter 4
COMP
EDGE
GAIN
ZNR
is the center frequency.
(4)LOW (low range): Adjusts the low frequency range. A
value of 0 (zero) signifies flat response. The higher the
value, the stronger is the low frequency boost.
(5)LEVEL: Determines the EQ module output level.
0 to 3
0, 1
1 to 8
0 to 15
6 DST II (Distortion 2)
The LEVEL parameter allows compensation for the
change in output level due to a tone boost or cut.
HINT
When HIGH, MID, and LOW are all at the flat
setting, the LEVEL setting "5" produces the same
volume as EQ OFF.
Distortion with a thick, full-bodied character that is ideal for
the heavy metal genre.
Parameter 1
Parameter 2
Parameter 3
Parameter 4
COMP
EDGE
GAIN
ZNR
0 to 3
0, 1
1 to 8
0 to 15
2 WAH
This is an auto wah effect where the emphasized frequency
range changes according to the dynamics of the input signal.
If the optional foot pedal FP01 is used, manual pedal wah is
also possible.
■ Effect Module 2: Equalizer (EQ)
This effect module comprises two effect types to control the
tonal character of the sound.
Parameter 1
Parameter 2
Parameter 5
SENS
FREQ
LEVEL
0 to 10
1 to 64
1 to 8
1 EQ (Equalizer)
Explanation
(1)SENS (sensitivity): Determines the sensitivity of the
auto wah effect. The bigger the value, the bigger the
frequency change even at low volume levels. At a setting
of 0 (zero), the frequency range emphasis acts as a fixed
bandpass filter.
(2)FREQ (frequency): Determines the reference
frequency.
This is an equalizer with independent boost/cut for the high,
medium, and low frequency range. The mid-range control is
a parametric type allowing the user to freely select the
center frequency.
Parameter 1
Parameter 2
Parameter 3
Parameter 4
Parameter 5
HI
MID
MID f
LOW
LEVEL
-7
-7
0
-7
1
to
to
to
to
to
+7
+7
16
+7
8
At a SENS setting of 0 (zero), the foot pedal FP01
acts as a pedal wah, and at other settings as a
controller which changes the auto wah sensitivity. For
details, please refer to page 19.
HINT
Explanation
(1)HI (high range): Adjusts the high frequency range. A
value of 0 (zero) signifies flat response. The higher the
value, the stronger is the high frequency boost.
(2)MID (midrange): Adjusts the medium frequency range.
A value of 0 (zero) signifies flat response. The higher the
value, the stronger is the medium frequency boost.
(3)MID f (midrange frequency): Determines the center
frequency for cut/boost. The higher the value, the higher
Equalizer Operation
Gain
Mid f
0
Frequency
LOW
14
MID
HI
■ Effect Module 3: Modulation
3 FLG (Flanger)
This effect module has six effect types which vary the pitch
over time.
This effect adds a delayed component to the direct sound,
with periodically changing delay time in the range of several
to several tens of milliseconds. The result is an intense,
distinct sound. When combined with distortion, a swirling
“jet sound” type flanger effect can be obtained.
1 PIT (Pitch)
This effect shifts the pitch up to one octave up or down, and
adds the shifted signal to the direct sound.
Parameter 1
Parameter 2
Parameter 3
PIT
FINE
BAL
Parameter 1
Parameter 2
Parameter 3
-12 to +12
-10 to +10
0 to 10
4 TRM (Tremolo)
This effect periodically varies the intensity of the sound.
The effect can be adjusted from conventional tremolo to a
strong clipping effect.
By setting the pitch to 0 (zero) and somewhat raising
the FINE parameter, you can create a chorus effect
with slight modulation.
Parameter 1
Parameter 2
Parameter 3
2 PHA (Phase)
This effect adds a phase-shifted component to the direct
sound, with a variable amount of phase shift. The effect
creates a warm, distinct sound that is different for example
from flanger or chorus.
Parameter 1
Parameter 2
Parameter 3
DEPTH
RATE
PEAK
0 to 10
1 to 50
0 to 10
Explanation
(1)DEPTH: Determines the depth of the flanger effect.
(2)RATE: Determines the speed of the flanger variation.
(3)PEAK: Determines the amount of feedback. Increasing
this parameter stresses the modulation impression and
adds a distinct character to the sound.
Explanation
(1)PIT (Pitch): Determines the pitch change in semitone
steps. The setting range is one octave up or down.
(2)FINE: Allows fine adjustment of pitch.
(3)BAL (Balance): Determines the balance between effect
sound and direct sound. At a setting of 0 (zero), the
output signal contains only the direct sound, and at a
setting of 10 only the effect sound.
HINT
DEPTH
RATE
PEAK
DEPTH
RATE
PEAK
0 to 10
1 to 50
0 to 10
Explanation
(1)DEPTH: Determines the depth of the tremolo effect.
(2)RATE: Determines the speed of the tremolo variation.
(3)PEAK: Increasing this parameter deforms the tremolo
waveform to a trapezoid shape, which causes a strong
clipping effect and adds a distinct character to the sound.
0 to 10
1 to 50
0 to 10
5 STEP
Explanation
(1)DEPTH: Determines the depth of phase shift.
(2)RATE: Determines the speed of phase shift.
(3)PEAK: Adds a distinct character to the sound by
emphasizing the effect.
This effect causes random pitch changes and creates an auto
arpeggio sound.
Parameter 1
Parameter 2
Parameter 3
DEPTH
RATE
PEAK
0 to 10
1 to 50
0 to 10
Effect of the PEAK Parameter
Level
Level
PEAK=0
Time
PEAK=10
Time
15
Explanation
(1)DEPTH: Determines the depth of the pitch change.
(2)RATE: Determines the speed of the effect (arpeggio rate)
(3)PEAK: Determines the amount of feedback. Increasing
this parameter stresses the feeling of modulation and
adds a distinct character to the sound.
HINT
This effect creates a sound that is similar to the
sample- and-hold function of a synthesizer.
6 CHO (Chorus)
This effect adds a component with periodically changing
pitch to the direct sound, which results in a spatially wide
impression. The effect can be used in mono or stereo. In
principle, this is similar to the flanger effect, but without the
PEAK parameter.
Parameter 1
Parameter 2
Parameter 3
DEPTH
RATE
STEREO
0 to 10
1 to 50
0, 1
Explanation
(1)DEPTH: Determines the depth of the pitch change.
(2)RATE: Determines the speed of the rate change.
(3)STEREO: A setting of 0 (zero) gives a monaural effect
and a setting of 1 a stereo effect.
HINT
1 MONO
Orthodox digital delay with a delay time of up to 1000
milliseconds.
Parameter 1
Parameter 2
Parameter 3
Parameter 4
DELAY TIME (x100 ms)
DELAY TIME(x1 ms)
FEEDBACK
MIX
0 to 10
0 to 99
0 to 10
0 to 10
Explanation
(1)DELAY TIME (x100 ms): This parameter adjusts the
delay time (interval between delayed sounds) in 100-ms
steps.
(2)DELAY TIME (x1 ms): This parameter adjusts the
delay time in 1-ms steps. The sum of parameters (1) and
(2) becomes the final delay time. When parameter (1) is
10 (= 1000 ms), parameter (2) is fixed at 0 (zero).
(3)FEEDBACK: Determines the number of repetitions of
the delay sound. The higher the value, the more
repetitions are added.
(4)MIX: Determines the balance between effect sound and
direct sound. At a setting of 0 (zero), the output signal
contains only the direct sound, and at a setting of 10 only
the effect sound.
2 PPD (Ping-pong delay)
To obtain a pleasant chorus effect, adjust the depth
according to the rate parameter.
This is a ping-pong type delay where the delayed sound
alternates between the left and right channel.
■ Effect Module 4: Delay
This effect module adds an echo component to the direct
sound. You can choose between simple monaural delay and
stereo ping-pong delay.
Parameter 1
Parameter 2
Parameter 3
Parameter 4
DELAY TIME (x100 ms)
DELAY TIME (x1 ms)
FEEDBACK
MIX
0 to 10
0 to 99
0 to 10
0 to 10
When the 2020 is used in a monaural configuration,
NOTE only short delay signals are output from the
OUTPUT L/MONO jack.
Ping-pong Delay
(Delay Left)
Left
(Direct)
Right
16
(Delay Right)
■ Effect Module 5: Reverb
This effect module includes three types of reverberation
effects.
contains only the direct sound, and at a setting of 10 only
the effect sound.
the 2020 is used in a monaural configuration,
NOTE When
only short delay signals are output from the
OUTPUT L/MONO jack.
1 REV1 (Reverb 1)
HINT
This effect simulates hall-type reverberation, adding rich
ambience to the sound.
Parameter 1
Parameter 2
Parameter 3
TIME
TONE
MIX
1 to 10
-7 to +7
0 to 10
Explanation
(1)TIME: Determines the duration of the reverberation.
Higher values increase the reverb time and the apparent
room size.
(2)TONE: Determines the tonal quality of the
reverberation. The higher the value, the brighter the
sound.
(3)MIX: Determines the balance between effect sound and
direct sound.
2 E/R (Early Reflections)
This is a short, room-type reverb effect, which adds body
and ambience to the sound without causing excessive
boominess.
Parameter 1
Parameter 2
Parameter 3
TIME
TONE
MIX
By combining this effect with the ping-pong delay of
the DELAY module, complex multiple delay effects
can be created.
■ Patch Level
Parameters 4 and 5 of the REVERB module serve to set the
patch level. This setting can also be stored as part of the
patch.
Parameter 4
Parameter 5
PATCH LEVEL
PATCH LEVEL
0 to 31
0 to 31
Explanation
(4)/(5) PATCH LEVEL: Determines the individual output
level for each patch.
HINT
The patch level parameter can be set regardless of
the REVERB module on/off status. It is also possible
to change the patch level in the Play mode.
When all modules are OFF, the PATCH LEVEL
setting "25" produces the same volume as in the
bypass mode.
1 to 10
-7 to +7
0 to 10
3 Delay
This effect is similar to the ping-pong delay of the DELAY
module, but with a maximum delay time of 900
milliseconds.
Parameter 1
Parameter 2
Parameter 3
TIME (x10 ms)
FEEDBACK
MIX
0 to 90
0 to 10
0 to 10
Explanation
(1)TIME (x10 ms): This parameter adjusts the delay time
in 10-ms steps.
(2)FEEDBACK: Determines the number of repetitions of
the delay sound. The higher the value, the more
repetitions are added.
(3)MIX: Determines the balance between effect sound and
direct sound. At a setting of 0 (zero), the output signal
17
Other Functions
Restoring Individual Factory Preset
Patches (Patch Recall)
Restoring All Factory Preset Patches
(Initialize)
The 2020 contains a ROM (read-only memory) in which all
factory preset patch data are permanently stored. Even if
patches have been edited and stored in the user group (or
patch level settings have been changed and stored in the
preset group), the original factory preset patches can be
individually recalled at any time.
This special function returns all patches in the preset group
and the user group to the factory preset condition. Use this
function with care, because all patches you have stored in
the user group will be lost.
• Turn off the 2020 (with the amplifier volume set to
minimum), and turn the unit back on while keeping
the EDIT/CANCEL key depressed.
The indication “FC” flashes on the display. This shows that
the unit is ready for recalling individual patches from the
internal ROM.
• Press the STORE key.
You now can select the group, bank number and patch
number you want to restore.
The indication “FC” appears alternately on the group and
bank number display.
• Use the GROUP key, BANK pedal, and pedals 1 - 4 to
select the desired patch.
At this time, the sound of the patch can be monitored.
• Press the STORE key once more.
The selected patch is now restored to the same setting as
when the unit was shipped. (For patches in the preset group,
the patch level is set to the initial value.)
• Turn off the 2020, and then turn it on again for normal
use.
The 2020 will be in regular Play mode.
18
• Turn off the 2020 (with the amplifier volume set to
minimum), and turn the unit back on while keeping
the STORE key depressed.
The indication “AL” flashes on the display. This shows that
the unit is ready for recalling all patches from the internal
ROM.
• When wishing to initialize all patches
Press the STORE key once more. This restores all patches
to their factory preset condition. The 2020 then switches
to the Play mode.
• When wishing to cancel the function
Press the EDIT/CANCEL key. The 2020 switches to the
Play mode without changing the patch settings.
Application Examples for Use of Foot Pedal and Foot Switch
The optional foot pedal FP01 and foot switch FS01 allow easy volume control and mode switching during a
performance.
Using the FP01
The optional foot pedal FP01 can serve to operate the
volume control or WAH function of the 2020 and to switch
effects.
• Using the FP01 to Control the Volume
• Connect the FP01 to the CONTROL IN VOLUME
jack of the 2020.
The action of the FP01 depends on the SENS parameter
setting of the WAH effect.
• If SENS is set to 0 (zero)
The auto wah function of the effect is turned off, and the
FP01 operates as a pedal wah.
• If SENS is not set to 0 (zero)
The FP01 varies the auto wah SENS parameter between 0
and 10. This means that the FP01 acts as an auto wah
controller.
NOTE When connecting the FP01 to a CONTROL IN jack,
use the EXP. OUT connector of the FP01.
FP01
INPUT
CONTROL IN VOLUME
Using the FS01
The optional foot switch FS01 can be used to switch
between the normal Play mode and the Manual mode where
effects can be individually switched on and off.
ZOOM
2020
• In the Play mode of the 2020, use the foot pedal while
playing the instrument.
• Turn off the 2020, and connect the FS01 to the
CONTROL IN MANUAL/WAH jack of the 2020.
general volume control of the 2020 is
NOTE The
independent of the individual patch level settings.
Since the level is adjusted between the EQ module
and the MODULATION module, operating the
volume control does not affect reverberation.
• Using the FP01 for Pedal Wah
FS01
INPUT
CONTROL IN MANUAL/WAH
• Turn off the 2020, and connect the FP01 to the
CONTROL IN MANUAL/WAH jack of the 2020.
ZOOM
2020
• Turn on the 2020 and select the patch.
FP01
• Push the FS01 once.
INPUT
CONTROL IN MANUAL/WAH
This switches the 2020 to the Manual (Edit) mode. The
on/off status of individual effect modules can now be
controlled with the BANK pedal and pedals 1 - 4.
ZOOM
2020
• Turn on the 2020 and select the effect type WAH in the
EQ module.
NOTE In Manual mode, selecting patches is not possible.
• Push the FS01 once more.
19
Specifications
The 2020 reverts to the normal Play mode, and patch selection is possible.
ZOOM PLAYER 2020
Number of effect programs:
A / D conversion:
D / A conversion:
19 types (5 modules)
16-bit 64-times oversampling MASH converter
16-bit linear
Inputs:
Guitar input Phone Jack (Mono) x 1
(nominal input level -20 dBm, input impedance 470 kΩ)
Line
Phone Jack (Mono) x 2
Headphones (also recording output): Mini phone jack (Stereo)
PHONES (output power 35 mW into 32 ohms)
REC OUT (nominal output level -20 dBm,
recommended load impedance 10 KΩ or more)
Tuner out
Phone Jack (Mono) x 1
(nominal output level -20 dBm,
recommended load impedance 47 KΩ or more)
Outputs:
Control connectors:
Foot pedal input
Manual mode foot switch / wah control input
Display:
2-character, 7-segment LED display
Power supply:
9 V DC, 150 mA (from supplied AC adapter)
Dimensions:
300 x 210 x 42 (W x D x H)
Weight:
1.2 kg
* 0 dBm=0.775 Vrms
* Design and specifications subject to change without notice.
20
Was this manual useful for you? yes no
Thank you for your participation!

* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project

Download PDF

advertisement