S2 Digital I/O Analogue Radio Broadcast Mixer June 2012 catalogue Manufacturers of audio & video products for radio & TV broadcasters Radio Broadcast Mixing Consoles S2 Digital I/O Analogue Radio Broadcast Mixer Mixing Consoles - S2 S2 is a modular broadcast mixer which offers digital audio quality with analogue reliability in a modular format. S2 has both digital and analogue input channels, together with simultaneous analogue and digital outputs. Following on from the Sovereign range of audio mixers, S2 combines all the features needed of a radio broadcast mixer in a stylish, flush-mounting chassis : a wide range of input and output channels, PFL/cue, fader-start operation of equipment, automatic monitor muting on mic-live, light controlling remote outputs, optional EQ on input modules, gram amp input options and 2 main audio buses, allowing you to broadcast on the PRG bus while recording on the AUD bus, with bus output selection on each module. Innovative Design t 5IF4DIBTTJTJTBWBJMBCMFJONPEVMF width sections, allowing 5, 10, 15, 20, 25 and 30 module width mixers. This means S2 can be used for small newsrooms or large on-air situations. t .PEVMBSiQPQVQwJOQVUBOEPVUQVU channels means that the mixer can be maintained simply and quickly. Hot-swappable input channels can be individually removed and repaired whilst still on-air. t 5IFBOHMFPGUIFNFUFSCSJEHFDBOCF varied and set for best viewing position. t "OZNPEVMFDBOCFJOBOZQPTJUJPOTP that customising the mixer for your own purposes is easy. t -BSHFCBDLMJUCVUUPOTBMMPXZPVUPTFF the status of the mixer at all times. t 5IFGJUUFESFBSQBOFMIJEFTBMMDBCMF connections but can be simply unclipped and reclipped for maintenance. t 5IFNPEVMBSEFTJHOPGUIFEFTLHJWFTZPV the flexibility to expand it at a later date. You can even add another S2 mixer and link them together with a bus connector cable to allow for split desk configurations. Superb Audio Quality and Unquestionable Reliability t 5IF4VTFTUIFMBUFTU$SZTUBM semiconductor technology to allow input and output of digital audio signals up to 24 bit, 96kHz sample rate. t 5IFBOBMPHVFTJHOBMQBUITVTFMPX noise circuitry to provide superb audio performance well capable of satisfying radio listeners worldwide. t 5IFIJHISFMJBCJMJUZBOECVJMERVBMJUZPG4 minimises the chance of failure, avoiding lost air-time. Each module is individually checked twice before being assembled into the finished chassis and the whole unit is tested before shipping. t "-14MPOHUISPXNNGBEFSTHJWFB smooth, repeatable response and the XLR t t t t Neutrik connectors used are an industry standard. 5IFVTFPG7$"TDPOUSPMMFECZUIF faders ensures tight stereo tracking and eliminates mechanical and electronic noise. 4IBTBTFQBSBUF6QPXFSTVQQMZ providing regulated, ripple-free power to the mixer. There is also an optional switcher to control 2 power supplies providing redundancy. )JHIRVBMJUZTUBJOMFTTTUFFMJTVTFEGPSUIF chassis and screws to prevent corrosion in high humidity environments. &BDIDIBOOFMJTNFUBMDPBUFEJOUFSOBMMZUP provide exceptional EMC screening. Radio Broadcast Mixer Using S2-25 Chassis and Script Space. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Radio Broadcast Mixing Consoles There is a wide choice of input channels for the S2 mixer. Each channel has a number of common features : Changing the Input Level - Coarse gain is set using pre-set potentiometers on the channel circuit board which allow unbalanced inputs to be used on mono and stereo line inputs. The front panel TRIM control allows fine gain of ±12dB. Changing the Signal Pan, or Balance - The BAL/PAN control is used on mono channels to pan the mono input signal in the stereo image and on stereo channels to balance the stereo Programmable Button Settings image. To make the S2 modules as flexible as CUE/PFL (Pre Fade Listen) - Selecting the possible, every button on each channel can CUE/PFL button routes the pre-fader input be set to a number of different modes to signal to the monitoring system where the aid the use of the mixer and allow for extra signal can be heard via headphones and/ functionality. Each button can be set to either or loudspeakers. The button lights green operate manually, be permanently on, or when CUE/PFL is active and a jumper option permanently disabled. Also, the ON button X S2-CMM Mic/Mic Channel The mic/mic input channel is a dual mono microphone input with a button switch to select either Mic 1 or Mic 2. Each Mic input has jumper settable phantom power available at +48V and a high pass filter to remove low frequency rumbles. When enabled, the LF response of the microphone is rolled off at 125kHz, 6dB per octave. If the Mic input is used for the presenter’s mic it can also become the talkback mic. Equalisation is fitted as standard on this channel and is enabled by the EQ button, providing 10dB cut and boost at HF (6.5kHz) and LF (100Hz). The BAL/PAN control operates as follows : Full anti-clockwise pans the signal to the left and increases the signal by 3dB (right channel reduces by 70dB); full clockwise pans the signal to the right and increases the signal by 3dB (left channel reduces by 70dB). A balanced line level insert send and return is available for the Mic input. This is useful for hooking up an outboard effects unit to be used with the microphone. There are logic remote input controls for Mic Cough muting and Reverse Talkback, together with two separate output controls for Mic Cue lights, which can be momentary or latching. The remote outputs on the 9 way D-type plug are fed from NPN opto-isolators. Both Mic inputs have a jumper selectable output to facilitate either Control Room speaker or Studio speaker muting and the channel can also be used to control either one of two separate timer displays. Gold plated Neutrik XLR connectors are used for the audio inputs and outputs. S2-CMM Mic/Mic Channel and Rear. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Mixing Consoles - S2 Input Channels Assigning an Input Channel to an Output Bus - Switches at the top of the channel are used to select the output group routing, to either Program, Audition, or both output buses. Selecting the PGM and/or AUD buttons routes the channel audio to the PGM and/or AUD mix buses. The buttons illuminate green to indicate the routing status. is available to cancel the CUE/PFL selection X can be configured to operate in a number of modes, altering remote start functions, and when the fader is raised. This button works the channel ON function can be controlled with both a momentary and latched remotely by automation playout systems, operation - if held down, the selection is cancelled on release, otherwise the button is such as RCS® or VCS. alternate action. Scribble Pad - A scribble pad is provided at the bottom of the channel for user labelling Fader Start & ON Button Control - The of the channel function. ON button works in conjunction with the 100mm long-throw carbon fader and is used to control channel remotes (e.g. starting a CD player), routing and timers, etc. When RCS® is a registered trademark of Radio Computer Systems Inc. unlit, the channel is off. Flashing red indicates VCS is a wholly-owned that the channel has been selected to ON subsidiary of SciSys plc. but not routed to either PGM or AUD. Steady red indicates that the channel is ON and “armed”, ready for the fader to be raised. Raising the fader changes the illumination to green indicating that the channel is live. Alternatively, with the button unlit the fader may be raised and the channel can be operated simply by selecting ON. The illumination in this case toggles between unlit (channel OFF) and green (channel ON). Radio Broadcast Mixing Consoles S2-CML Mic/Line Channel The mic/line input channel is a mono input with a button switch to select either Mic or Mono Line. In addition the Line input can be configured with all the features of the Mic input when used as a Mic input with an external microphone amplifier, e.g. for monitor muting purposes. For the Mic input, phantom power at +48V can be configured. The Mic input has a jumper selectable high pass filter to remove low frequency rumbles. Gold plated Neutrik XLR connectors are used for the audio inputs and outputs. “ The ON button works in conjunction with the 100mm longthrow carbon fader and is used to control channel remotes (e.g. starting a CD player), routing and timers, etc. When unlit, the channel is off. Flashing red indicates that the channel has been selected to ON but not routed to either PGM or AUD. Steady red indicates that the channel is ON and “armed”, ready for the fader to be raised. Raising the fader changes the illumination to green indicating that the channel is live. Alternatively, with the button unlit the fader may be raised and the channel can be operated simply by selecting ON. The illumination in this case toggles between unlit (channel OFF) and green (channel ON). Equalisation is fitted as standard on this channel and is enabled by the EQ button, providing 10dB cut and boost at HF (6.5kHz) and LF (100Hz). A balanced line level insert send and return is available for the Mic input for the insertion of an effects, or voice, processor into the mic channel. The send and return is disabled in Line mode. There are logic remote input controls for Mic Cough muting and Reverse Talkback. There are output controls for Mic Cue lights and separate line remote start/stop controls by fader or ON button. Both latching and momentary contacts are catered for. The remote outputs on the 9 way D-type plug are fed from NPN opto-isolators. “ The Mic input provides a jumper selectable output to facilitate either Control Room speaker or Studio speaker muting and the channel can also be used to control either one of two separate timer displays. 48v Mic Line Mic 2 Mic Gain Insert Line 48v Line Trim VCA Trim Routing EQ HF/LF EQ PAN PFL To left Pgm output To right Pgm output VCA Inse RT Send Fader CPU To timer Bus Inse RT Return Mic cue light Cough/rev t/b PGM AUD PFL C/FEED T/B L R L R L R 1 2 1 2 Mutes Mixing Consoles - S2 Input Channels If the Mic input is used for the presenter’s mic it can also become the talkback mic. The talkback function will be retained when the channel input is switched to Line. PGM Line remotes T/b enable Aud Mic Line EQ Cue PFL ON To meter Select S2-CMM Mic/Mic Channel and S2-CML Mic/Line Channel. S2-CML Mic/Line Channel and Rear. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Radio Broadcast Mixing Consoles S2-CS S2-CSE Dual Stereo Line Channel Dual Stereo Line Channel with EQ The S2-CS dual stereo line channel has two balanced stereo inputs on Neutrik XLR connectors. The INP 1/INP 2 button selects which input is routed through the channel. The button is illuminated in red to indicate when Input 2 is selected. The operation of the button is inhibited when the channel is “live”. Continuous momentary start can be enabled such that when the fader is up and the channel is on, each press of the ON button triggers a momentary start. Two remote pins can also be configured for general use as either inputs, outputs, latching, or momentary and active high or low. Uses for this include channel live indication or specific channel function remote control. X S2-CSG S2-CSGE The S2-CSE channel is the dual stereo line channel as above but fitted with equalisation, providing 10dB cut and boost at HF (6.5kHz) and LF (100Hz). The EQ button places the equalisation in and out of the signal path. The button is illuminated in yellow when the EQ is active. The channel can be used to control either one of two separate timer displays. Stereo Line & Gram Channel Stereo Line & Gram Channel with EQ The S2-CSG channel is the dual stereo line channel fitted with an RIAA input amplifier on the second input. The balanced stereo line input is on Neutrik XLR connectors and the unbalanced RIAA stereo input on phonos. The channel is used for connecting a turntable or record deck. The GRAM inputs have RIAA equalisation suitable for magnetic pick-up cartridges. Selecting the LINE/GRAM button switches the channel input between Stereo Line and RIAA . The button is illuminated in red to indicate when Gram (RIAA) is selected. The operation of the button is inhibited when the channel is “live”. S2-CS Dual Stereo Line Channel and S2-CSE Dual Stereo Line Channel with EQ and Rear. The 100mm VCA fader provides unity gain when fully open. The channel input signal is routed to the outputs whenever the fader is open, the ON button is selected and either or both of the routing buttons are selected. There are separate logic remote output controls for both of the two inputs providing start/stop functions by fader, or ON button. Remotes, etc, are triggered when the fader is up and the channel ON button shows green. The start function can be configured to be either momentary (500mS) or latched for each input. The remote outputs on the 9 way D-type plug are fed from NPN opto-isolators. Continuous momentary start can be enabled such that when the fader is up and the channel is on, each press of the ON button triggers a momentary start. Two remote pins can also be configured for general use as either inputs, outputs, latching, or momentary and active high or low. Uses for this include channel live indication or specific channel function remote control. The BAL/PAN control adjusts the stereo balance in the following manner : Full anticlockwise shifts the signal to the left and increases the signal by 6dB (right channel reduces by 6dB); full clockwise shifts the signal to the right and increases the signal by 6dB (left channel reduces by 6dB). The 100mm VCA fader provides unity gain when fully open. The channel input signal is routed to the outputs whenever the fader is open, the ON button is selected and either or both of the routing buttons are selected. X Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Mixing Consoles - S2 Input Channels There are separate logic remote output controls for both of the two inputs providing start/stop functions by fader, or ON button. Remotes, etc, are triggered when the fader is up and the channel ON button shows green. The start function can be configured to be either momentary (500mS) or latched for each input. The remote outputs on the 9 way D-type plug are fed from NPN opto-isolators. X The BAL/PAN control adjusts the stereo balance in the following manner : Full anticlockwise shifts the signal to the left and increases the signal by 6dB (right channel reduces by 6dB); full clockwise shifts the signal to the right and increases the signal by 6dB (left channel reduces by 6dB). Radio Broadcast Mixing Consoles X The S2-CSGE channel is the stereo line & gram channel as above but fitted with equalisation, providing 10dB cut and boost at HF (6.5kHz) and LF (100Hz). The EQ button places the equalisation in and out of the signal path. The button is illuminated in yellow when the EQ is active. The channel can be used to control either one of two separate timer displays. S2-CDS Digital Dual Stereo Channel The digital dual stereo channel has two 24-bit 96kHz digital inputs with an INP 1/INP 2 button switch to select between them. The button is illuminated in red to indicate when Input 2 is selected. The operation of the button is inhibited when the channel is “live”. Mixing Consoles - S2 Input Channels Either input can be configured to be balanced AES/EBU on standard XLR, or S/ PDIF on phono sockets, selected by internal jumpers. An additional jumper option can be used to decode emphasis when indicated by certain status bits in the incoming data stream. The digital signals are converted to analogue and from this point the channel functions are the same as the S2-CS Dual Stereo Line channel with the addition that when the ON button flashes green, it means that there is no valid digital input. “ Switches at the top of the channel are used to select the output group routing, to either Program, Audition, or both output buses. Selecting the PGM and/or AUD buttons routes the channel audio to the PGM and/or AUD mix buses. “ S2-CDSE Digital Dual Stereo Channel with EQ This channel is the digital dual stereo channel as above but fitted with equalisation. The HF and LF controls are used to adjust the equalisation of the signal. The HF control boosts and cuts the signal by 10dB at 6.5kHz. The LF control boosts and cuts the signal by 10dB at 100Hz. The EQ button places the equalisation in and out of the signal path and is illuminated yellow when the EQ is active. S2-CSG Stereo Line & Gram Channel and S2-CSGE Stereo Line & Gram Channel with EQ and Rear. Both S2-CDS and S2-CDSE channels can be used to control either one of two separate timer displays. S2-CDS Digital Dual Stereo Channel and S2-CDSE Digital Dual Stereo Channel with EQ and Rear. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Radio Broadcast Mixing Consoles 6 Way Stereo Source Select Channel with EQ The 6 way stereo line source select channel has 6 balanced stereo inputs on a 25 way D-type connector selectable by a 6 way mechanical interlocking switch bank, numbered 1 - 6. A depressed button indicates the selected input. The switch bank also controls 6 sets of remote outputs allowing each source to have a set of start/stop remotes. The remote starts can be set as momentary or latching. The HF and LF controls are used to adjust the equalisation of the signal. The HF control boosts and cuts the signal by 10dB at 6.5kHz. The LF control boosts and cuts the signal by 10dB at 100Hz. The EQ button places the equalisation in and out of the signal path and is illuminated yellow when the EQ is active. Continuous momentary start can also be enabled such that when the fader is up and the channel is on, each press of the ON button triggers a momentary start. The channel can be used to control either one of two separate timer displays. S2-CSMM Stereo Mix Minus Channel configured by jumper settings as a mono sum of mix-minus on the left channel and continuous talkback on the right channel (for some ISDN codecs and hybrid applications). The stereo mix-minus channel has one balanced stereo line level input and a balanced stereo mix-minus output, on XLR connectors. The channel is intended for use where a remote stereo source, such as another studio connected via ISDN, requires a stereo cleanfeed return. The cleanfeed is generated by the mix-minus method from either the PGM or AUD outputs, depending on the routing selection. The fader, or ON button, control a logic remote output function. The remote function can be configured to be either momentary or latched. The remote outputs on the 9 way D-type plug are fed from NPN opto-isolators. Selecting the CUE/PFL & T/B button routes the pre-fader input signal to the monitoring system where the signal can be heard via headphones and/or loudspeakers. In addition, talkback is routed to the cleanfeed output. This enables the presenter/technical operator to communicate with the remote source prior to going live to air. PFL can be automatically disabled when the fader is opened. Continuous momentary start can be enabled such that when the fader is up and the channel is on, each press of the ON button triggers a momentary start. Two remote pins can also be configured for general use as either inputs, outputs, latching, or momentary and active high or low. Uses for this include channel live indication or specific channel function remote control. X The outputs on this channel can be Routing Left Trim Input 1 Line Left Right Trim Input 1 Line Right EQ LINE 1/2 HF/LF EQ A Fader 1 3 2 B AES/SPDIF 2 1 3 2 AES/SPDIF Input Select 1 Aud Inp 1 inp 2 EQ C / Feed Left Null C / Feed Right Null Cue PFL On From PGM Output L From PGM Output R D/A 3 Input 1 AES/EBU Input 2 AES/EBU Input 1 A SPDIF B Input 2 Input 1 remotes Input 2 remotes PFL CPU PGM S2-C6SS 6 Way Stereo Source S2-CSMM Stereo Mix Minus Select Channel With EQ and Rear. Channel and Rear. BAL To S2-OMC & S2-OMS CPU VCA Right Trim Input 2 Line Right PGM AUD PFL C/FEED T/B L R L R L R 1 2 1 2 VCA Left Trim Input 2 Line Left Input 2 RIAA Option TRIM 1 3 2 Digital Input Version Stereo Mix-Minus Version 6 x Stereo Bal Inputs 6 way Input And Remote Output Selector 6 x Remote Start/Stop Stereo Selector Version Left Input Amp Right Input Amp S2-CSG Stereo Line With Gram (S2-CSGE with EQ), S2-CS Dual Stereo (S2-CSE with EQ), S2-CDS Digital Dual Stereo (S2-CDSE with EQ), S2-CSMM Stereo Mix Minus and S2-C6SS Stereo Source Select. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Mixing Consoles - S2 Input Channels The channel is fitted with EQ as standard and other functions are similar to the S2-CSE Dual Stereo channel with EQ. Mutes S2-C6SS Radio Broadcast Mixing Consoles AUD main output to the mix minus system. The mix minus is derived from the PGM output when selecting both PGM and AUD. Equalisation is fitted as standard on this channel and operates in the same was as on the S2-CSE channel. “ S2 is a new breed of radio broadcast mixer. Using the latest technology components, S2 offers digital audio quality with analogue reliability in a modular format. The channel can be used to control either one of two separate timer displays. S2-CT Telco Channel The telco input channel controls the connection to a telephone balance unit (or hybrid). It has one balanced line level mono input on Neutrik XLR, and one balanced line level cleanfeed output to return to the hybrid. PGM button is inhibited when the channel is “live”. Selecting the PGM button also routes the channel to one of the two true cleanfeed buses (jumper selectable). When selecting only the AUD button, for example to record off-line telephone conversations, a cleanfeed is generated via the channel mixminus system. When both PGM and AUD are selected the channel operates in the true cleanfeed mode, sending the PGM signal to the cleanfeed bus. Selecting the CUE/PFL & T/B button routes the pre-fader input signal to the monitoring system where the signal can be heard via headphones and/or loudspeakers. In addition, talkback is automatically routed back to the caller via the cleanfeed system. This enables the presenter, or technical operator, to communicate with the caller prior to putting the caller live to air. PFL can be automatically disabled when the fader is opened. Equalisation is fitted as standard and is enabled by the EQ button, providing 10dB cut and boost at HF (6.5kHz) and LF (100Hz). The EQ button places the equalisation in and out of the signal path and is illuminated yellow when the EQ is active. There is a logic remote output to place the hybrid “on hold” by using the LINE HOLD button. The remote output on the 9 way D-type plug is fed from an NPN optoisolator and it can be made momentary or latching. “ The telco input channel controls the connection to a telephone balance unit (or hybrid). Selecting the PGM and/or AUD buttons routes the channel audio output to the PGM and/or AUD mix buses. The buttons are illuminated in green to indicate the routing status. Changing the status of the “ S2-CB This blank channel is used to fill in areas of the mixer where you don’t require an input or output channel. Routing Input HF/LF EQ PFL PAN PFLTo Meter Select To Talkback Output Fade R CPU PGM S2-CB Blank Channel. EQ PGM AUD PFL C/FEED T/B L R L R L R 1 2 1 2 VCA C/Feed Output Hybrid Latch S2-CT Telco Input Channel and Rear. VCA Trim Input Trim Blank Channel Mutes Mixing Consoles - S2 Input Channels “ X Selecting the PGM and/or AUD buttons routes the channel audio output to the PGM and/or AUD mix buses. Selecting the PGM button also routes the PGM main output via the mix minus system to the cleanfeed output. Selecting the AUD button routes the Aud EQ Cue T/B ON Cleanfeed Selection And routing Null L From AUD R Output Mix Bus S2-CT Telco Input Channel. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Radio Broadcast Mixing Consoles There are six different output channels available, for controlling monitoring in both a Control Room and separate Studio, with the two main output channels also having a master fader option. The master output channels provide balanced analogue audio outputs as well as simultaneous AES/EBU or S/PDIF digital audio outputs for both PRG and AUD buses. The analogue mono output can be selected from PRG or AUD and meter selection is available to show either the PRG bus, AUD bus, or to follow the Control Room Monitor selection. A minimum of 3 channels need to be fitted into a mixer : channels S2-OMC, S2-ODP (or S2-ODPF) and S2-ODA (or S2-ODAF) must be fitted and S2-OMS is optional. S2-OMC Control Room Monitor Channel The control room monitor channel is common to every mixer and is used for the monitoring of various sources on the control room loudspeakers (MONITOR) on a 6.35mm stereo jack socket and presenter’s headphones (PHONES) on 6.35mm stereo jack sockets. Front panel control knobs are used to vary the monitor and headphone levels and headphones can be plugged in on the front or the rear of this channel. The control room monitor loudspeaker and headphone levels are variable between 0 (cut off ) and 10 (max). AUTO CUE/PFL buttons adjacent to each level control allow the monitoring of PFL when an input channel has been selected to CUE/PFL. In addition, SPLIT CUE/PFL can be selected to the headphones, which will place the selected source in mono in one ear and PFL in mono in the other. This channel controls the signal conditioning for the talkback input and output and routes these signals to and from the talkback bus. Internal jumpers can be configured to allow talkback to replace or dim the selected source, dimming independently on monitor speakers or headphones. A Global Talkback system can be configured to allow every contribution point in the control room and studio to communicate with each other via their microphone and headphones. S2-OMS Studio Monitor Channel PGM Aud O/P O/P L R L R Rev T/B Timers The studio monitor channel is optional and is used for the monitoring of various sources on the studio loudspeakers (MONITOR) on a 6.35mm stereo jack socket and studio A four way electronically interlocking switch headphones (PHONES) on a 6.35mm stereo bank selects the source routed to the speakers jack socket. and headphones from either of two external inputs (EXT 1, EXT 2), the PGM, or AUD output. A front panel control is used to vary the monitor level. The studio monitor The buttons illuminate to show the selected loudspeaker level can be variable between source, PGM and AUD in green, EXT 1 and 0 (cut off ) and 10 (max). The output will need EXT 2 in red. The external inputs can be used to be fed to a suitable power amplifier to for monitoring an off air signal or another X drive the loudspeakers. Headphones with studio output. PFL T/B O/P O/P L R 1 2 PGM Aud EXT 1 To S2-CT Telco Cleanfeed Selection L&R EXT 2 Auto Cue Studio T/B From Mutes Bus Level CPU Auto Cue Split Cue Studio C/Room Cue/PFL Mute/ Dim Talkback Global T/B Level S2-OMS Studio Monitor Channel and S2-OMC Control Room Monitor Channel. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Pres/Studio Headphones Rev T/B Talkback Output To Monitor Meters S2-OMC Control Room S2-OMS Studio Monitor Monitor Channel and Rear. Channel and Rear. External Inputs C/room/ Studio Monitors Mixing Consoles - S2 Output Channels Both Control Room and Studio Monitor channels are available for controlling what’s routed to the presenter’s and guest’s headphones and monitor speakers. 2 external inputs can also be monitored. An illuminated Mute LED shows when a live microphone channel in the control room has muted the speakers, to prevent feedback. Mute outputs on the remote connector of the PGM output channel can be used to remotely illuminate “Mic Live” lights. Radio Broadcast Mixing Consoles X impedances of 35 ohms and above can be driven directly from the channel headphone connector on the rear panel. green, EXT 1 and EXT 2 in red. External inputs can be used for monitoring an off air signal or another studio output. A four way electronically interlocking switch bank selects the source routed to the speakers and headphones from either of two external inputs (EXT 1, EXT 2), the PGM, or AUD output. The buttons illuminate to show the selected source, PGM and AUD in An illuminated Mute LED shows when a live microphone channel in the studio has muted the speakers. Mute outputs on the remote connector of the AUD output channel can be used to remotely illuminate “Mic Live” lights. The main power input from the S2-PSU is on this channel. Button switches at the top of the channel select the mono output source from either PGM or AUD. The Mono compatible output could be used to feed a mono transmitter or any station output monitoring system that requires a mono signal, such as a background music system. Green illuminated AUTO CUE/PFL buttons adjacent to each level control allow the monitoring of PFL when an input channel has been selected to CUE/PFL, either to the monitors or headphones. Mixing Consoles - S2 Output Channels The digital output status bits (consumer or professional), output sample size (16, 20 or 24 bits) and sample rate (automatically or by internal jumpers A separate Studio T/B button is provided to from 32 kHz to 96 kHz) can be set. allow the presenter/engineer to talk to the The digital output can be synchronised studio monitors and/or headphones and from an external input, or from an internal jumpers allow this talkback to on-board master clock. There are 4 replace or dim the selected source. different sync modes : Master, Auto, Auto A Global Talkback system can be configured to Lock and Slave. allow every contribution point in the control The illuminated LOCK LED shows that room and studio to communicate with each the digital output is locked to the other via their microphone and headphones. onboard master clock, incoming word clock or AES/EBU or S/PDIF sync signal. The channel automatically locks to a valid sync clock, flashing if sync is lost. Digital PGM Output Channel Synchronisation can be jumper disabled. This channel is common to every mixer and provides a digital and analogue output from the PGM mix bus. The digital output is available as a balanced AES/EBU signal via a standard XLR or as S/PDIF on phono Digital PGM Output Channel sockets. The balanced analogue PGM with Master Fader output and mono output is on a 15 way The S2-ODPF channel also has a 100mm D-type connector. This also carries the VCA output fader for production use which two sets of latching relay contacts for the provides unity gain when fully open. control room mutes. S2-ODP PGM Aud O/P O/P L R L R REV T/B Timers S2-ODPF PFL T/B O/P O/P L R 1 2 Fader Option From Left PGM Bus Analogue PGM (AUD) Output Left From Right PGM Bus Analogue PGM (AUD) Output Right Digital Audio Interface Meter Select 1 3 2 From L&R PFL Bus A B Meterbridge 1 From Mutes Bus AES/SPDIF 2 CPU CR S2-ODP Only MON 3 Aud 2 From CPU Analogue Mono Output 1 Output Select 3 A/D PGM AES/EBU PGM (Aud) Output SPDIF PGM (Aud) Output SPDIF Sync AES/EBU Sync AES/SPDIF Word Clock From Talkback Bus S2-ODP Digital PGM Output Channel and S2-ODPF Digital PGM Output Channel with Master Fader and Rear. S2-ODP Digital PGM Output Channel (S2-ODPF with Master Fader) and S2-ODA Digital AUD Output Channel (S2-ODAF with Master Fader). Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Radio Broadcast Mixing Consoles Digital AUD Output Channel This channel is also common to every mixer and provides a digital and analogue output from the AUD mix bus. The digital output is available as a balanced AES/EBU signal via a standard XLR or as S/PDIF on phono sockets. The balanced analogue AUD outputs are available on a 15 way D-type connector which also carries the two sets of latching relay contacts for the studio mutes. The digital output status bits (consumer or professional), output sample size (16, 20 or 24 bits) and sample rate (automatically or by internal jumpers from 32 kHz to 96 kHz) can be set. The digital output can be synchronised from an external input, or from an on-board master clock. There are 4 different sync modes : Master, Auto, Auto Lock and Slave. The illuminated LOCK LED shows that the digital output is locked to the onboard master clock, incoming word clock or AES/ EBU or S/PDIF compatible sync signal. The channel automatically searches for a sync signal on the Word Clock, or the selected digital input, and automatically locks to a valid sync clock. If sync is lost then the indicator will flash. Synchronisation can be jumper disabled. S2-PG S2 Penny & Giles Conductive Plastic Fader The input and output channels of an S2 mixer can optionally be fitted with high quality Penny & Giles faders. S2-ODAF Digital AUD Output Channel with Master Fader S2-ODA Digital AUD Output Channel and S2-ODAF Digital AUD Output Channel with Master Fader and Rear. The S2-ODAF channel also has a 100mm VCA output fader for production use which provides unity gain when fully open. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Mixing Consoles - S2 Output Channels Button switches at the top of the channel select the monitoring source to the meterbridge. Meters in the meterbridge which are connected to the “Monitor Meter” position will display the selected signal from the electronically interlocking PGM, AUD, or CR MON buttons. The CR MON signal source is whatever is being monitored on the presenter’s headphone on the control room monitor channel, pre talkback and level control. This signal could be PGM, AUD, EXT 1, EXT 2, or PFL, as selected by the presenter. “ Following on from the Sovereign range of audio mixers, S2 combines all the features needed of a radio broadcast mixer in a stylish, flushmounting chassis : a wide range of input and output channels, PFL/cue, fader-start operation of equipment, automatic monitor muting on miclive, light controlling remote outputs, optional EQ on input modules, gram amp input options and 2 main audio buses, allowing you to broadcast on the PRG bus while recording on the AUD bus, with bus output selection on each module. “ S2-ODA PGM Aud O/P O/P L R L R Rev T/B In the meterbridge area you can choose from four styles of metering, a phase meter, a dual timer, a PFL/ Talkback loudspeaker, 2 talkback modules, 3 switch panels and a range of blanking plates. S2’s meterbridge modules are freely assignable so that you can position them exactly where you want them. Timers Mixing Consoles - S2 Meterbridge Modules Radio Broadcast Mixing Consoles The dual meter panels are used for monitoring console signal levels. Up to three different meter panels can be housed in the meterbridge. The meters can be configured internally to be fed from one of three signal sources, the selected source indicated by a LED : Select The output of the meter switch on the AUD output module which can show PGM, AUD, or CR MON, which is the selected monitor source on the control room monitor module, (EXT 1, EXT 2, PGM, or AUD) interrupted by PFL. Program PGM output which can optionally be interrupted by PFL. PFL The output of the PFL bus. S2 Without Meterbridge The S2 is available without a meterbridge. This does affect some of the features available on the mixer. Contact [email protected] sonifex.co.uk for further information and pricing. In the meterbridge area you can choose from four styles of metering, a phase meter, a dual timer, a PFL/Talkback loudspeaker, 2 talkback modules and a range of blanking plates. S2’s meterbridge modules are freely assignable so that you can position them exactly where you want them. PFL T/B O/P O/P L R 1 2 From Monitor Output S2-ML REV T/B S2-MT Dual Timer, Clock And Date Display CUE/PFL Talkback Loudspeaker CUE/PFL REV T/B St ar t St op Reset Mode St ar t S t op Reset Mode To cleanfeed Left (S2-CSMM) PGM Meters Monitor Meters To Cleanfeed Right (S2-CSMM) PFL Meters Phase Meters S2-MPPM Dual PPM Meter Panel S2-MPPT True Dual PPM Meter Panel S2-MVU Dual VU Meter Panel S2-ML53 Dual LED Bar Graph Meter S2-MPH PHase Meter Panel S2-MPPM/T Meterbridge PPM Panel, S2-MVU Meterbridge VU Meter Panel, S2-ML53 Meterbridge LED Meter Panel, S2-MPH Meterbridge Phase Meter Panel, S2-MTBS Station Master and S2-MTB6 6 Way Talkback Panels, S2-MT Meterbridge Dual Timer Panel and S2-ML Meterbridge Loudspeaker Monitor and Talkback Panel. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Radio Broadcast Mixing Consoles “ In the meterbridge area you can choose from four styles of metering, a phase meter, a dual timer, a PFL/Talkback loudspeaker, 2 talkback modules and a range of blanking plates. S2-MVU S2-ML53 Meterbridge VU Meter Panel Meterbridge LED Meter Panel The S2-MVU two moving coil VU meters are configured such that a 1kHz signal, at +4dBu at the PGM output, will indicate a meter reading of 0VU. The LED meter consists of 53 LEDs showing both VU and peak representation. Both PPM and VU scales are shown, one on each side of the LED bar-graph. “ Meterbridge PPM Meter Panel S2-MPPT Meterbridge True PPM Meter Panel The S2-MPPM panel has two fast-reading moving-coil meters with PPM-style scale. The S2-MPPT panel has two moving-coil PPM movements, conforming to true PPM ballistics. The PPMs have a 1-7 scale and are configured such that a 1kHz signal, at 0dB at the PGM output, will indicate a meter reading of 4. Each mark on the PPM scale indicates a 4dB change in signal level. S2-MPH Meterbridge Phase Meter Panel The S2-MPH is a phase meter which operates on the selected source to the meters. 5 LED indicators show the phase angle in 45 degree steps from 0 (in-phase) to 180 (out of phase). A separate phase meter can be linked to each meter in the meterbridge. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Mixing Consoles - S2 Meterbridge Modules S2-MPPM Radio Broadcast Mixing Consoles S2-MT S2-MSB1 Meterbridge Dual Timer Panel S2 Meterbridge Switch Panel With 1 Button S2-M6SS Meterbridge 6 Way Source Select Panel Mixing Consoles - S2 Meterbridge Modules This is a meterbridge panel, 1 channel wide, with 1 button which can be used for bespoke control of the S2, or for your own purposes, e.g. equipment control. Contact Sonifex with your particular mixer control requirements. Each of the dual timers can be used for timing events triggered by Timer 1, Timer 2, or the Mic fader open signal. In addition the upper timer is used for displaying the time of day and the lower timer for displaying the date. The illumination pattern of the red LEDs indicates the timer display mode. The date and time can be synchronised to a very accurate internal clock or optionally from an external source, MSF, DCF, SMPTE, or RS232 time code string. S2-ML Meterbridge Loudspeaker Monitor Panel S2-MSB3 S2 Meterbridge Switch Panel With 3 Buttons This is a meterbridge panel, 1 channel wide, with 3 buttons which can be used for bespoke control of the S2, or for your own purposes, e.g. equipment control, or for transmission control linked to an RB-OA3 on-air switcher. Contact Sonifex with your particular mixer control requirements. The meterbridge source selector panel produces a stereo analogue audio output from 6 selectable stereo analogue sources, which can be connected to a stereo input channel within the mixer, or the EXT 1 and EXT 2 monitor inputs, to provide up to 12 external monitor inputs. There are 6 illuminated push buttons, which select and indicate the current channel selection. The 6 stereo sources are connected on the rear of the panel via a connector, which uses exactly the same pin configuration as the stereo audio source input connector on the S2-C6SS channel. Alternative Button Text For meterbridge panels, the buttons can be supplied with different printed script. A few examples are shown here, but for a full list, please go to the Sonifex website: www.sonifex.co.uk/s2/s2-buttons.shtml The S2-ML speaker is used for monitoring PFL and reverse talkback in the control room directly from the mixer. Two control knobs are provided for adjusting the levels of the PFL and Talkback signals from cut-off at 0 to unity gain at 10. The speaker is muted automatically when the control room mute is active, to prevent feedback. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Radio Broadcast Mixing Consoles “ The dual meter panels are used for monitoring console signal levels. Up to three different meter panels can be housed in the meterbridge. S2-MTBS Meterbridge Station Master Talkback Panel “ S2-MB1-5 Meterbridge 6 Way Talkback Panel This is used for communicating with up to 6 other locations, studios or mixers, and with the Sonifex TB-6D and TB-6R talkback intercoms. While a button is pressed, the switch is illuminated and the talkback is active. The buttons work with both a momentary and latched operation - if held down, the selection is cancelled on release. Otherwise the button is alternate action. Meterbridge Blanking Plates 1 - 5 Meterbridge blanking plates are available in channel widths from 1 to 5 inclusive and are used to fill areas in the meterbridge not occupied by active modules. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Mixing Consoles - S2 Meterbridge Modules This is used for interfacing with a Sonifex Station Master studio switcher and talkback router, or the RB-OA3 on-air switcher, and has buttons for talkback, Offer and Accept switching and profanity delay control. S2-MTB6 Radio Broadcast Mixing Consoles The S2 chassis is available in 5 channel width sections, allowing 5, 10, 15, 20, 25 and 30 channel width mixers. This means S2 can be used for small newsrooms or large on-air situations. S2-05 Model No. S2-05 S2-10 S2-15 S2-20 S2-25 S2-30 Number of Channels 5 10 15 20 25 30 Script Space S2-10 Chassis Mixing Consoles - S2 Chassis Sizes S2-7SS Chassis Sizes Chassis Design Chassis Chassis with 5 channel width sections. Chassis with 10 channel width sections. The script space occupies an area of 7 channel widths, and is designed to hold documents or scripts for the mixer operator when desk space is at a premium. The S2-7SS Script Space is 266mm wide x 390mm deep. S2-10SS Script Space S2-15 S2-20 Chassis Chassis Chassis with 15 channel width sections. S2-25 Chassis with 20 channel width sections. This script space is 10 channels wide and is large enough for a small keyboard. The S2-10SS Script Space is 380mm wide x 390mm deep. S2-30 Chassis Chassis Chassis with 25 channel width sections. Chassis with 30 channel width sections. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Radio Broadcast Mixing Consoles Woodwork Rear Edge 276mm 40mm Solutions Single Mixer Furniture Package Showing an S2-25 Mixer. 506mm S2 Mixer Viewed from Side Profile 196mm S2-5 387mm S2-10 Woodwork Front Edge 577mm S2-15 768mm S2-20 958mm S2-25 1149mm S2-30 180mm 10mm 7° 117mm 23mm Mounting Holes 5mm Diameter 505mm 521mm 565mm Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Mixing Consoles - S2 Mixer Placement In Furniture S2 Placement in Cut-Out Viewed from Above Radio Broadcast Mixing Consoles S2-PSU S2-BI Power Supply Bus Interlink Cable Dimensions (S2-PSU) (Raw): (Boxed): 48cm (W) x 24.3cm (D) x 4.4cm (H) 19” (W) x 10” (D) x 3.5” (H) 51cm (W) x 41.5cm (D) x 17cm (H) 20” (W) x 16.3” (D) x 6.7” (H) Weight (S2-PSU) Nett: 6kg Gross: 7.8kg Nett: 13.2lbs Gross: 17lbs The S2-PSU is a 1U high rack-mount unit, which supplies power to the entire range of S2 mixers. A lead with a special 9 pin D-Type socket on each end is used to connect the power supply to the S2-ODP PGM output channel on the mixer. LEDs on the front of the unit indicate whether the power to the voltage rails is being supplied correctly. This is used to connect two S2 chassis so that they can function as one mixer. Note that a maximum total of 30 channels is allowed in a split mixer configuration. “ S2 offers digital audio quality with analogue reliability in a modular format. S2 has both digital and analogue input channels, together with simultaneous analogue and digital outputs. “ Mixing Consoles - S2 Power Supply S2-PSU Front Panel. S2-PSU Back Panel. S2-PSUS Dual Power Supply Switcher Dimensions (S2-PSUS) (Raw): (Boxed): 48cm (W) x 23cm (D) x 4.4cm (H) 19” (W) x 9” (D) x 1.7” (H) 55cm (W) x 39.3cm (D) x 8.5cm (H) 21.6” (W) x 15.5” (D) x 3.4” (H) Weight (S2-PSUS) S2-PSUS Front Panel. The S2-PSUS is a passive power switcher which takes the power feeds from 2 x S2-PSU units and switches between them in the event of failure. Two trailing leads 0.5m in length connect to 2 x S2-PSU units. With LED failure indicators and GPI alarms, the S2-PSUS is the perfect dual redundant power supply module. Nett: 1.58kg Gross: 2kg Nett: 3.5lbs Gross: 4.4lbs S2-PSUS Back Panel. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Radio Broadcast Mixing Consoles Technical Specification For S2 Stereo Inputs (unity -89dB gain, no routing): Stereo Inputs (unity -86dB gain, one channel routed): Stereo Inputs (unity -83dB gain, two channels routed): Input/Output Gain Range Mic Input: Preset pot +13dB to +66dB ref -50dBu, TRIM pot ±12dB Mono Line Input: Preset pot -6dB to +10dB ref 0dBu, TRIM pot ±12dB Stereo Line Input: Preset pot -6dB to +10dB ref 0dBu, TRIM pot ±12dB Telco Input: Preset pot -6dB to +10dB ref 0dBu, TRIM pot ±12dB Telco Output: Preset pot -6dB to +4dB ref 0dBu Mix Minus Input: Preset pot -6dB to +10dB ref 0dBu, TRIM pot ±12dB Mix Minus Output: Preset pot -3dB to +3dB ref 0dBu Digital Input: 0dBFS = +12dBu on input; TRIM pot ±12dB allowing 0dBu to +24dBu Digital Output: 0dBFS = +18dBu Equalisation LF Shelving at 100Hz: ±7dB HF Shelving at 6.5kHz: ±7dB Frequency Response Mic Input: 40Hz to 20kHz, -1dB,+0dB (-3dB at 130Hz with HPF in) Line Inputs: 20Hz to 20kHz, - 0.5dB,+0dB RIAA Input: 30Hz to 16kHz ±1.5dB RIAA equalised Distortion Total Harmonic Distortion: 0.015% at 1kHz, 0dB 0.025% at 10kHz, 0dB Crosstalk Inter-channel: Stereo: < -90dBu -90dBu at 1kHz Range Pan Range: Balance Range: Common Mode Rejection Ratio Mic Input: > 100dB at 70dB gain Digital I/O Sync Input Sample 30kHz - 100kHz Rate: Output Sample Rates 32kHz, 44.1kHz, 48kHz, & 96kHz (Using Onboard Clock): (Using Sync Input): 30kHz - 100kHz Output Sample Width: 16, 20, 24 bit Output Headphone Output Load: Maximum Output (Analogue): Noise (20Hz to 20kHz) Mic Input E.I.N.: -129dB with 150Ω source Stereo Inputs (fader -89dB ref 0dB down, no routing): Stereo Inputs (fader -89dB down, one channel routed): Pot position: Fully clockwise, centre, fully anti-clockwise; Left: Off, 0dB, +3dB; Right: +3dB, 0dB, Off respectively. ±6dB Power Power (S2-PSU): >45Ω, 400Ω recommended +26dBu balanced into 2kΩ or greater Filtered IEC, switchable 115V, 230V, fused, 210Ω max. S2 Mixer Weights and Boxed Dimensions For S2 Mixer Type S2-30 S2-25 S2-20 S2-15 S2-10 S2-05 Width (cm) 137cm 117cm 100cm 80cm 60cm 60cm Width (inches) 53.9” 46.0” 39.4” 31.5” 23.6” 23.6” Depth (cm) 70cm 70cm 70cm 70cm 70cm 70cm Depth (inches) 27.6” 27.6” 27.6” 27.6” 27.6” 27.6” Height (cm) 45cm 45cm 45cm 45cm 45cm 45cm Height (inches) 17.7” 17.7” 17.7” 17.7” 17.7” 17.7” Gross Weight (kg) 36kg 35kg 33kg 27kg 25kg 22kg Gross Weight (lbs) 79lbs 77lbs 73lbs 59lbs 55lbs 48lbs Nett Weight (kg) 32kg 31kg 29kg 24kg 22kg 20kg Please note that the weights given are approximate because the exact weight will depend on the mixer modules chosen. Tel: +44 (0)1933 650 700 Fax: +44 (0)1933 650 726 Email: [email protected] Internet: www.sonifex.co.uk Nett Weight (lbs) 70lbs 68lbs 64lbs 53lbs 48lbs 44lbs Mixing Consoles - S2 Input/Output Impedances Mic Input: > 1k5Ω electronically balanced Mono Line Input: > 20kΩ electronically balanced Stereo Line Input: > 20kΩ electronically balanced PGM & AUD Output: < 75Ω electronically balanced Mono Output: < 75Ω electronically balanced Monitor Outputs: < 75Ω unbalanced AES Input/Output: 110Ω S/PDIF Input/Output: 75Ω BNC Wordclock input: 50Ω www.sonifex.co.uk t:+44 (0)1933 650 700 f:+44 (0)1933 650 726 [email protected] 61 Station Road Irthlingborough Nor thants NN9 5QE United Kingdom
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