Yamaha | Drum Set ATT1510U | http://asia.yamaha.com/en/products/musical

http://www.yamaha.co.jp/english/product/drums/
http://asia.yamaha.com/en/products/musical-instruments/drums/el-drums/
Printed in Japan
In 2007, we celebrated our 40th anniversary in manufacturing drums with the
introduction of the PHX Series drums—a high-end series that brings together the
knowledge and skills we’ve gain over the past 40 years making drums.
Since their introduction these drums have received high acclaim from professional
drummers who are serious about their sound. They have also proven that drums, as
musical instruments, can be improved upon.
In 2009, we introduced an all-new Absolute Series. Redesigned from the ground up,
these drums inherit the concepts and skills acquired in the design of our PHX Series.
Even the hardware has been redesigned in order to provide the utmost in operability,
stability, and durability.
Select materials, precision processing, acoustically engineered designs and the skills of
our master craftsmen. With these resources at our disposal, we turned to drummers for
their valuable insight and began building numerous prototypes in our quest to design
the best drums possible.
Driven to deliver the best in musical instruments, we continue setting our sights higher
in our search for perfection.
Yamaha—Drum
Manufacturing with Tradition
Bass Drum "R-Version"
Bass Drum Spurs
When using a rack system or for musicians who
don’t want to obstruct the tonality of the bass drum
by mounting a tom, the "R-Version" Bass Drum has
been introduced to the PHX Series and Absolute
Series. Now you can experience every bit of that
pure bass drum sound.
(for PHX Series, Absolute Series, Oak Custom, RockTour)
The result of years of refinement, Yamaha bass
drum legs prevent bass drums from creeping
forward, in most instances without carpets or tacky
underlays. Quick and easy to use, Yamaha bass
drum legs keep bass drums rigid and immovable,
even under the hardest pounding. Thicker
tubing, combined with drum key operated height
adjustability and easy-slide metal points, as found
on our cymbal stands, provide enhanced stability.
INDEX
INTRO INDEX
1
SYSTEM DRUMS
PHX Series
Absolute Series
Recording Custom
Club Custom
Oak Custom
Rock Tour
Tour Custom
Stage Custom
GIGMAKER
SPECIFICATION
5
7
13
15
17
19
21
23
25
27
SIGNATURE SERIES
Hipgig
Hipgig Sr.
Club Jordan Cocktail Drum System
Junior Kit
Subkick
Wedges
31
32
32
33
34
34
SNARE DRUMS
Philosophy of the Yamaha Snare Drums
New Concept Snare
Wood Snare Series
Metal Snare Series
35
41
43
45
Artist
Yamaha Drummers
Sigunature Snare Series
47
53
HARDWARE
Foot Pedal
Hi-hat Stand
Snare Stand
Cymbal Stand
Tom Holder
Double Tom Stand
Drum Stool
Accessories
57
63
67
67
71
73
73
75
DTX DRUMS
77
Ball Mount & Clamp
Vent Holes
A tribute to Yamaha design technology, our original
ball mount and clamp has gone through very few
modifications over the years. A large, ultra-hard
resin ball sits in an attractive chromed housing, held
in place with a titanium ergonomic wing bolt. It is
the ultimate drummer-friendly mount, offering nonslip positioning virtually anywhere the drummer
can imagine. Additionally, it permits tuning of the
bottom head by simply rotating the drum.
The number of vent holes influences both the
drum's timbre and projection. PHX Series and New
Absolute Series are designed with one to ten vent
holes, depending upon the drum's dimensions. By
varying the number of holes, particularly on larger
shells, the drum's sustain length, amount of mid-bass
tone, and playing comfort can all be fine-tuned.
Floating Bass Drum System
A pipe post stabilizer on the pedal side of the bass
drum provides height adjustment and positions the
beater so that it strikes the center of the bass drum
batter head. A memory clamp on the pipe slides into
a special receiver on the bottom of the bass drum,
allowing for quick set up and exact height retention.
(for Absolute Series, Oak Custom)
*Some models may not be available in some countries.
*Colors shown in this catalog may not be represented exactly as the original colors due to printing processes involved.
*Specifications are subject to change without notice.
1
2
In 2007, we celebrated our 40th anniversary in manufacturing drums with the
introduction of the PHX Series drums—a high-end series that brings together the
knowledge and skills we’ve gain over the past 40 years making drums.
Since their introduction these drums have received high acclaim from professional
drummers who are serious about their sound. They have also proven that drums, as
musical instruments, can be improved upon.
In 2009, we introduced an all-new Absolute Series. Redesigned from the ground up,
these drums inherit the concepts and skills acquired in the design of our PHX Series.
Even the hardware has been redesigned in order to provide the utmost in operability,
stability, and durability.
Select materials, precision processing, acoustically engineered designs and the skills of
our master craftsmen. With these resources at our disposal, we turned to drummers for
their valuable insight and began building numerous prototypes in our quest to design
the best drums possible.
Driven to deliver the best in musical instruments, we continue setting our sights higher
in our search for perfection.
Yamaha—Drum
Manufacturing with Tradition
Bass Drum "R-Version"
Bass Drum Spurs
When using a rack system or for musicians who
don’t want to obstruct the tonality of the bass drum
by mounting a tom, the "R-Version" Bass Drum has
been introduced to the PHX Series and Absolute
Series. Now you can experience every bit of that
pure bass drum sound.
(for PHX Series, Absolute Series, Oak Custom, RockTour)
The result of years of refinement, Yamaha bass
drum legs prevent bass drums from creeping
forward, in most instances without carpets or tacky
underlays. Quick and easy to use, Yamaha bass
drum legs keep bass drums rigid and immovable,
even under the hardest pounding. Thicker
tubing, combined with drum key operated height
adjustability and easy-slide metal points, as found
on our cymbal stands, provide enhanced stability.
INDEX
INTRO INDEX
1
SYSTEM DRUMS
PHX Series
Absolute Series
Recording Custom
Club Custom
Oak Custom
Rock Tour
Tour Custom
Stage Custom
GIGMAKER
SPECIFICATION
5
7
13
15
17
19
21
23
25
27
SIGNATURE SERIES
Hipgig
Hipgig Sr.
Club Jordan Cocktail Drum System
Junior Kit
Subkick
Wedges
31
32
32
33
34
34
SNARE DRUMS
Philosophy of the Yamaha Snare Drums
New Concept Snare
Wood Snare Series
Metal Snare Series
35
41
43
45
Artist
Yamaha Drummers
Sigunature Snare Series
47
53
HARDWARE
Foot Pedal
Hi-hat Stand
Snare Stand
Cymbal Stand
Tom Holder
Double Tom Stand
Drum Stool
Accessories
57
63
67
67
71
73
73
75
DTX DRUMS
77
Ball Mount & Clamp
Vent Holes
A tribute to Yamaha design technology, our original
ball mount and clamp has gone through very few
modifications over the years. A large, ultra-hard
resin ball sits in an attractive chromed housing, held
in place with a titanium ergonomic wing bolt. It is
the ultimate drummer-friendly mount, offering nonslip positioning virtually anywhere the drummer
can imagine. Additionally, it permits tuning of the
bottom head by simply rotating the drum.
The number of vent holes influences both the
drum's timbre and projection. PHX Series and New
Absolute Series are designed with one to ten vent
holes, depending upon the drum's dimensions. By
varying the number of holes, particularly on larger
shells, the drum's sustain length, amount of mid-bass
tone, and playing comfort can all be fine-tuned.
Floating Bass Drum System
A pipe post stabilizer on the pedal side of the bass
drum provides height adjustment and positions the
beater so that it strikes the center of the bass drum
batter head. A memory clamp on the pipe slides into
a special receiver on the bottom of the bass drum,
allowing for quick set up and exact height retention.
(for Absolute Series, Oak Custom)
*Some models may not be available in some countries.
*Colors shown in this catalog may not be represented exactly as the original colors due to printing processes involved.
*Specifications are subject to change without notice.
1
2
“Air Seal System” Technology
Shell Materials
At Yamaha, the process of manufacturing drum
shells begins with the selection of the materials.
Select woods are cut into sheets with precision
cut diagonal ends. The plies are fit into a form and
hammered into place by a highly skilled craftsman.
The angled ends allow the craftsman to finely adjust
the ply length, thus maintaining proper tension. Ply
joints are staggered by 120-degrees and hammered
into place in the same manner. An air bag placed
inside of the shell and inflated at high-pressure puts
even pressure on the shell’s inner surface creating
a perfectly round shell with uniform thickness and
excellent durability.
This is the Air Seal System, a process that has been
in use at Yamaha for over 40 years.
High Performance Lugs
Yamaha lug casings hold tension rods firmly in place.
They afford precise tuning in the smallest increments
and do not slip. From our truly innovate Hook Lugs
which offer lightning quick changes, to fixed small
lugs. (Absolute and Oak Custom lugs) Each is low
mass and is designed to promote optimum shell
resonance.
Our legendary one-piece high-tension lugs are
precision-machined to allow severe, high tension
tuning also reinforced the shell.
MAPLE
Hard, dense maple delivers a warm tone with outstanding
sustain and is considered an excellent material for
making drums.
Yamaha goes to great lengths, sorting the woods into
finer grades and using them accordingly. Maple produces
a versatile tone that blends well with a wide range of
musical styles, making it popular with drummers from all
over the world.
BIRCH
Yamaha’s use of birch is longstanding. Remarkably
easy to work with, this hard, finely grained wood offers
excellent mid and low sustain with a solid, well-defined
high range. Our original “Recording Custom” drums are
made from birch grown in Hokkaido Japan.
OAK
AIR-SEAL
SYSTEM
Yamaha has developed special techniques for employing
oak, previously considered unworkable for drums. Our
oak shells offer tone that is at once loud, sensitive,
ringing, clean, and vibrant. While its inherent power
makes it the ideal heavy metal drum shell, its stark clarity
at low volumes have made it a new discovery for jazz
players. Oak is as individual as the drummer playing it.
Hybrid Shell Construction for PHX Series (Patent Pending)
With the wealth of knowledge that YAMAHA has amassed through the decades as the preeminent maker of musical
instruments, YAMAHA’s wood specialists have discovered new materials that provide optimal drum performance.
Jatoba, a Brazilian wood and the hardest material in the PHX hybrid shell, is positioned as the core ply and center note
of the drum. It is surrounded on either side by layers of kapur, a Malaysian hard wood. North American Maple, which
had long been considered a classic, high-quality drum shell material because of its hardness and viscosity, is actually
the softest wood in the shell construction; maple is the outer and inner plies of the shell.
This is the process used to complete the hybrid shell, in which the stiffness of the shell shifts from the center toward the
outside: the woods are hardest at the center and get softer toward the outer surfaces in either direction. This results in
an “excitation structure” that maximizes the shell's performance. The excitation structure increases the head’s vibration
to its full extent, achieving a sound unlike anything you’ve heard before. It produces an effect in sound waves similar to
rippling waves caused by a pebble dropped in water.
3
* The excitation structure increases
shell vibration to its maximum
through the use of relatively softer
materials for the external and
internal surface areas, whose
curvature is greatest when the
shell is vibrating, as well as by
using a hard material with a high
“spring” property for the core of
the shell lamination.
The wave pattern of the
harmonic overtone
Hook Lug
Absolute Lug
High Tension Lug
Yamaha Enhanced Sustain System—YESS / YESS II / YESS II-m
The secret of our YESS system is
twofold: First, it provides minimum
contact of hardware with shell; second,
it connects that hardware at the nodal
point* of the drum—the point at which
it will not interfere with shell vibration.
Nylon bushings on rod clamps afford
maximum stability. The YESS system
permits toms to be placed close together,
and does not interfere with quick head
changes. On floor toms, our YESS
system offers wide open sustain while
keeping toms stable under the heaviest
strokes.
The newly evolved YESS II Shell
Mounting System makes the most of the
shell's vibration. Employing a special
new rubber material and the "wood plate
mounting" method, vibrations from the
shell and hardware can be separated,
thus minimizing unwanted resonance.
Also, by positioning a part of that special
rubber material at the belly area (where
overtones are present) while most of
them are positioned at the nodal point,
the appropriate amounts of sustain and
overtone control are simultaneously
produced.
And also newly evolved YESS II-m is
using same technology but using metal
plate instead of wood plate.
A detailed drawing of Special Rubber
Nut
Nut
Wood Plate
Special Rubber
Shell
The wave pattern of the
fundamental tone
YESS II
YESS II-m
YESS
4
“Air Seal System” Technology
Shell Materials
At Yamaha, the process of manufacturing drum
shells begins with the selection of the materials.
Select woods are cut into sheets with precision
cut diagonal ends. The plies are fit into a form and
hammered into place by a highly skilled craftsman.
The angled ends allow the craftsman to finely adjust
the ply length, thus maintaining proper tension. Ply
joints are staggered by 120-degrees and hammered
into place in the same manner. An air bag placed
inside of the shell and inflated at high-pressure puts
even pressure on the shell’s inner surface creating
a perfectly round shell with uniform thickness and
excellent durability.
This is the Air Seal System, a process that has been
in use at Yamaha for over 40 years.
High Performance Lugs
Yamaha lug casings hold tension rods firmly in place.
They afford precise tuning in the smallest increments
and do not slip. From our truly innovate Hook Lugs
which offer lightning quick changes, to fixed small
lugs. (Absolute and Oak Custom lugs) Each is low
mass and is designed to promote optimum shell
resonance.
Our legendary one-piece high-tension lugs are
precision-machined to allow severe, high tension
tuning also reinforced the shell.
MAPLE
Hard, dense maple delivers a warm tone with outstanding
sustain and is considered an excellent material for
making drums.
Yamaha goes to great lengths, sorting the woods into
finer grades and using them accordingly. Maple produces
a versatile tone that blends well with a wide range of
musical styles, making it popular with drummers from all
over the world.
BIRCH
Yamaha’s use of birch is longstanding. Remarkably
easy to work with, this hard, finely grained wood offers
excellent mid and low sustain with a solid, well-defined
high range. Our original “Recording Custom” drums are
made from birch grown in Hokkaido Japan.
OAK
AIR-SEAL
SYSTEM
Yamaha has developed special techniques for employing
oak, previously considered unworkable for drums. Our
oak shells offer tone that is at once loud, sensitive,
ringing, clean, and vibrant. While its inherent power
makes it the ideal heavy metal drum shell, its stark clarity
at low volumes have made it a new discovery for jazz
players. Oak is as individual as the drummer playing it.
Hybrid Shell Construction for PHX Series (Patent Pending)
With the wealth of knowledge that YAMAHA has amassed through the decades as the preeminent maker of musical
instruments, YAMAHA’s wood specialists have discovered new materials that provide optimal drum performance.
Jatoba, a Brazilian wood and the hardest material in the PHX hybrid shell, is positioned as the core ply and center note
of the drum. It is surrounded on either side by layers of kapur, a Malaysian hard wood. North American Maple, which
had long been considered a classic, high-quality drum shell material because of its hardness and viscosity, is actually
the softest wood in the shell construction; maple is the outer and inner plies of the shell.
This is the process used to complete the hybrid shell, in which the stiffness of the shell shifts from the center toward the
outside: the woods are hardest at the center and get softer toward the outer surfaces in either direction. This results in
an “excitation structure” that maximizes the shell's performance. The excitation structure increases the head’s vibration
to its full extent, achieving a sound unlike anything you’ve heard before. It produces an effect in sound waves similar to
rippling waves caused by a pebble dropped in water.
3
* The excitation structure increases
shell vibration to its maximum
through the use of relatively softer
materials for the external and
internal surface areas, whose
curvature is greatest when the
shell is vibrating, as well as by
using a hard material with a high
“spring” property for the core of
the shell lamination.
The wave pattern of the
harmonic overtone
Hook Lug
Absolute Lug
High Tension Lug
Yamaha Enhanced Sustain System—YESS / YESS II / YESS II-m
The secret of our YESS system is
twofold: First, it provides minimum
contact of hardware with shell; second,
it connects that hardware at the nodal
point* of the drum—the point at which
it will not interfere with shell vibration.
Nylon bushings on rod clamps afford
maximum stability. The YESS system
permits toms to be placed close together,
and does not interfere with quick head
changes. On floor toms, our YESS
system offers wide open sustain while
keeping toms stable under the heaviest
strokes.
The newly evolved YESS II Shell
Mounting System makes the most of the
shell's vibration. Employing a special
new rubber material and the "wood plate
mounting" method, vibrations from the
shell and hardware can be separated,
thus minimizing unwanted resonance.
Also, by positioning a part of that special
rubber material at the belly area (where
overtones are present) while most of
them are positioned at the nodal point,
the appropriate amounts of sustain and
overtone control are simultaneously
produced.
And also newly evolved YESS II-m is
using same technology but using metal
plate instead of wood plate.
A detailed drawing of Special Rubber
Nut
Nut
Wood Plate
Special Rubber
Shell
The wave pattern of the
fundamental tone
YESS II
YESS II-m
YESS
4
TT
FT
BD
R2
Shells
PHXB2418MR x 2
PHXF1615M
PHXF1413M
PHXT1310M
PHXT1007M
NSD1455
To control the drum’s tone and articulation,
PHX floor tom, tom-tom and bass drum shells
each use different types of bearing edges.
All bearing edge angles are set at 30-degrees.
However, the radiuses of the bearing edges
differ to gain optimum acoustic performance
from the shell.
Additionally, a secret treatment process is used
to ensure that each edge is finished to a perfect
smoothness. This guarantees a very easy and
wide tuning range.
R4
At YAMAHA, prototype drums are the starting point of each drum’s evolution. These prototypes are created
in the Drum Laboratory where YAMAHA continually pursues the essence of musical perfection.
Under a completely new concept, the PHX (pronounced “phoenix”) Series is the pinnacle of excellence
in this prototyping process. Handcrafted by our expert technicians, it’s based on over 40 years of history,
tradition, experience, and technology.
The newly developed PHX Series reveals YAMAHA’s all-out pursuit of the ultimate in drum craftsmanship and sound.
Bearing Edge Shape
.8
R1
The PHX Series,
from the YAMAHA Drum Laboratory
Color Finishes
ASH
Gloss Finish
Sapphire Fade (SPF)
Textured Finish
Turquoise Fade (TQF)
Garnet Fade (GNF)
Textured Black Sunburst (TBS)
Textured Amber Sunburst (TAS)
Polar White
Shells
PHXB2216AGR
PHXT1613AG
PHXT1411AG
PHXT1209AG
PHXT1008AG
PHXT0807AG
VSD1460
3 types of surface finish
MAPLE
Gloss Finish
Matte Finish
Black Cherry Sunburst (BCS)
Matte Black (MBL)
Gloss Finish
Polar White (PWH)
Matte Natural (MNT)
Textured Finish
Matte Finish
Textured Amber Sunburst
A Range of Options
Specifications
BD
In addition to the qualities of tonality and functionality, YAMAHA has paid special attention to the values of
interior and exterior beauty.
The exterior of the PHX shell is available in classic maple or exotic burled ash finishes. Further, the Hook
Lugs and aluminum die-cast hoops are available in either gold or chrome options.
Experience the ultimate combination of unparalleled beauty with brilliant color finishes, including the fresh
and unique textured paint.
Diameter
x Depth
Model No.
22"
24"
x18"
PHXB
2418
x16"
PHXB
2416
10
10
x16"
PHXB
2216
x18"
PHXB
2018
10
10
10
Shell
Lug
Hoop
No. of Tuning Bolts
Head
Diameter
x Depth
Model No.
Batter: Remo PS3 Clear
18"
x 16"
PHXF
1816
FT
16"
x15"
PHXF
1615
14"
x13"
PHXF
1413
No. of Tuning Bolts
PHX badge with Phoenix
5
With Gold Parts
With Chrome Parts
Head
8
8
8
8
16"
PHXB
2016
TT
14"
13"
12"
x12"
x11"
x10"
x9"
x9"
x8"
PHXT
PHXT PHXT PHXT PHXT
PHXT
1412
1411 1310
1309 1209
1208
Hybrid Shell
Hook Lug
Aluminum Diecast Hoop
8
8
8
6
6
6
6
Clear Ambassador(Top) / Clear Ambassador(Bottom)
16"
x14"
x13"
PHXT PHXT
1614 1613
Shell
Lug
Hoop
BD (R Version -without Pipe Clamp)
18"
24"
22"
20"
x16"
x18"
x16"
x18"
x16"
x18"
x14"
PHXB
PHXB
PHXB
PHXB
PHXB
PHXB
PHXB
2418R 2416R 2218R 2216R 2018R 2016R
1814
Hybrid Shell
Hook Lug
Wood hoop
10
8
10
10
10
10
10
10
Front: PS3 SW without Hole
Coated A
Batter: Remo PS3 Clear
20"
x18"
PHXB
2218
10"
x8"
x7"
PHXT
PHXT
1008
1007
6
6
8"
x8"
PHXT
0808
x7"
PHXT
0807
5
5
6
TT
FT
BD
R2
Shells
PHXB2418MR x 2
PHXF1615M
PHXF1413M
PHXT1310M
PHXT1007M
NSD1455
To control the drum’s tone and articulation,
PHX floor tom, tom-tom and bass drum shells
each use different types of bearing edges.
All bearing edge angles are set at 30-degrees.
However, the radiuses of the bearing edges
differ to gain optimum acoustic performance
from the shell.
Additionally, a secret treatment process is used
to ensure that each edge is finished to a perfect
smoothness. This guarantees a very easy and
wide tuning range.
R4
At YAMAHA, prototype drums are the starting point of each drum’s evolution. These prototypes are created
in the Drum Laboratory where YAMAHA continually pursues the essence of musical perfection.
Under a completely new concept, the PHX (pronounced “phoenix”) Series is the pinnacle of excellence
in this prototyping process. Handcrafted by our expert technicians, it’s based on over 40 years of history,
tradition, experience, and technology.
The newly developed PHX Series reveals YAMAHA’s all-out pursuit of the ultimate in drum craftsmanship and sound.
Bearing Edge Shape
.8
R1
The PHX Series,
from the YAMAHA Drum Laboratory
Color Finishes
ASH
Gloss Finish
Sapphire Fade (SPF)
Textured Finish
Turquoise Fade (TQF)
Garnet Fade (GNF)
Textured Black Sunburst (TBS)
Textured Amber Sunburst (TAS)
Polar White
Shells
PHXB2216AGR
PHXT1613AG
PHXT1411AG
PHXT1209AG
PHXT1008AG
PHXT0807AG
VSD1460
3 types of surface finish
MAPLE
Gloss Finish
Matte Finish
Black Cherry Sunburst (BCS)
Matte Black (MBL)
Gloss Finish
Polar White (PWH)
Matte Natural (MNT)
Textured Finish
Matte Finish
Textured Amber Sunburst
A Range of Options
Specifications
BD
In addition to the qualities of tonality and functionality, YAMAHA has paid special attention to the values of
interior and exterior beauty.
The exterior of the PHX shell is available in classic maple or exotic burled ash finishes. Further, the Hook
Lugs and aluminum die-cast hoops are available in either gold or chrome options.
Experience the ultimate combination of unparalleled beauty with brilliant color finishes, including the fresh
and unique textured paint.
Diameter
x Depth
Model No.
22"
24"
x18"
PHXB
2418
x16"
PHXB
2416
10
10
x16"
PHXB
2216
x18"
PHXB
2018
10
10
10
Shell
Lug
Hoop
No. of Tuning Bolts
Head
Diameter
x Depth
Model No.
Batter: Remo PS3 Clear
18"
x 16"
PHXF
1816
FT
16"
x15"
PHXF
1615
14"
x13"
PHXF
1413
No. of Tuning Bolts
PHX badge with Phoenix
5
With Gold Parts
With Chrome Parts
Head
8
8
8
8
16"
PHXB
2016
TT
14"
13"
12"
x12"
x11"
x10"
x9"
x9"
x8"
PHXT
PHXT PHXT PHXT PHXT
PHXT
1412
1411 1310
1309 1209
1208
Hybrid Shell
Hook Lug
Aluminum Diecast Hoop
8
8
8
6
6
6
6
Clear Ambassador(Top) / Clear Ambassador(Bottom)
16"
x14"
x13"
PHXT PHXT
1614 1613
Shell
Lug
Hoop
BD (R Version -without Pipe Clamp)
18"
24"
22"
20"
x16"
x18"
x16"
x18"
x16"
x18"
x14"
PHXB
PHXB
PHXB
PHXB
PHXB
PHXB
PHXB
2418R 2416R 2218R 2216R 2018R 2016R
1814
Hybrid Shell
Hook Lug
Wood hoop
10
8
10
10
10
10
10
10
Front: PS3 SW without Hole
Coated A
Batter: Remo PS3 Clear
20"
x18"
PHXB
2218
10"
x8"
x7"
PHXT
PHXT
1008
1007
6
6
8"
x8"
PHXT
0808
x7"
PHXT
0807
5
5
6
High Quality x Customization
Absolute Series
Yamaha Hand Crafted Drums
Let's begin with a question: What would your ideal
drum kit be like? We could put that question to a
hundred drummers, and we'd certainly get a hundred
different answers. They'd all talk about the tone,
buildup, clarity and stick rebound, but each drummer
has his or her own tastes and preferences. Even the
shell color would be important.
With YAMAHA's Absolute Series you can create the
ideal drum kit by choosing your favorite elements
from our highest-quality materials and components.
So, why play just anybody's drum kit when you could
have your very own "dream kit"?
White Grape Sparkle
Birch Custom Absolute
Shells
BAB2218HR BAT1412H BAT1411H BAT1209H BAT1008H BAT0807H
Hardware
DFP9500D HS1200T CH750x2 CH755x4 CSBW CHH930 SS950 DS840
*The set dosen’t include Cymbals, Hardware (except Tom Holder), nor Rack.
*HEXRACK is limited stock.
Absolute Lug
Our complete specifications are passed on
to succeeding model lines, generation after
generation.
The already well-known “Absolute Lug,” for
instance, can be firmly secured with a single bolt.
It’s a complete secure lug that doesn’t interfere
with vibrations of the shell. The insertion plate,
which is located within the lug case, and the
nylon ring at the lower part of the lug nut control
the slackening of the tuning bolt, providing the
utmost in tuning stability.
Burgundy Sparkle
Maple / Birch Custom Absolute
Shells
MAB2220R BAF1615 BAF1413 BAT1208
Hardware
FP9500Cx2 HS1200D
DS840 CL945B
CH750
CH755x4 CSBW SS950
*The set dosen’t include Cymbals, Hardware (except Tom Holder), nor Rack.
*HEXRACK is limited stock.
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Hook Lug
The Hook Lug has been redesigned by
thoroughly improving our innovative hooktype Nouveau Lug (used in the conventional
Absolute Series) in every aspect. At the same
time, the greatness of the lug’s basic concept
has been maintained.
It can be said that the Hook Lug is truly
a next-generation lug that transcends
conventional lugs with its acoustical effect
and tuning stability, as well as with the sturdiness needed for high-tension tuning
and the way it facilitates quick head replacement. As with the Absolute Lug, the
insertion plate and nylon ring within the lug nut control the slackening of the
tuning bolt.
Air-Seal
System
Caramel Sparkle
Maple Custom Absolute
Shells
MAB1814 MAF1413 MAT1208
Hardware
FP8500B HS740A CS650A CS655Ax2 SS740A DS840 TH904A CL945B
*The set dosen’t include Cymbals, Hardware (except Tom Holder), nor Rack.
7
BD
FT/TT
Shell
7-ply
6-ply
Maple
Birch
7mm
6mm
,,P
Hook Absolute Lug Lug Nut YESS II-m YESS
Lug (Chrome)
(TT)
(FT)
BD
(Front)
BD
(Batter 18")
FT/TT
(Top)
%'
Aluminium Wood Hoop Floating Bass Drum Remo Ebony PS3 Clear
Die-cast
BD System Spurs Power Stroke P3 Coated
(3.0mm)
Ambassador
Clear
Emperor
FT/TT
(Bottom)
R-Version
BD
Hardware
18"
Clear
All Round Triple
Ambassador Ball Clamp Tom Holder
(Short Rod)
8
High Quality x Customization
Absolute Series
Yamaha Hand Crafted Drums
Let's begin with a question: What would your ideal
drum kit be like? We could put that question to a
hundred drummers, and we'd certainly get a hundred
different answers. They'd all talk about the tone,
buildup, clarity and stick rebound, but each drummer
has his or her own tastes and preferences. Even the
shell color would be important.
With YAMAHA's Absolute Series you can create the
ideal drum kit by choosing your favorite elements
from our highest-quality materials and components.
So, why play just anybody's drum kit when you could
have your very own "dream kit"?
White Grape Sparkle
Birch Custom Absolute
Shells
BAB2218HR BAT1412H BAT1411H BAT1209H BAT1008H BAT0807H
Hardware
DFP9500D HS1200T CH750x2 CH755x4 CSBW CHH930 SS950 DS840
*The set dosen’t include Cymbals, Hardware (except Tom Holder), nor Rack.
*HEXRACK is limited stock.
Absolute Lug
Our complete specifications are passed on
to succeeding model lines, generation after
generation.
The already well-known “Absolute Lug,” for
instance, can be firmly secured with a single bolt.
It’s a complete secure lug that doesn’t interfere
with vibrations of the shell. The insertion plate,
which is located within the lug case, and the
nylon ring at the lower part of the lug nut control
the slackening of the tuning bolt, providing the
utmost in tuning stability.
Burgundy Sparkle
Maple / Birch Custom Absolute
Shells
MAB2220R BAF1615 BAF1413 BAT1208
Hardware
FP9500Cx2 HS1200D
DS840 CL945B
CH750
CH755x4 CSBW SS950
*The set dosen’t include Cymbals, Hardware (except Tom Holder), nor Rack.
*HEXRACK is limited stock.
1\ORQ5LQJ
/XJ1XW
/XJ1XW+ROGLQJ3ODWH
Hook Lug
The Hook Lug has been redesigned by
thoroughly improving our innovative hooktype Nouveau Lug (used in the conventional
Absolute Series) in every aspect. At the same
time, the greatness of the lug’s basic concept
has been maintained.
It can be said that the Hook Lug is truly
a next-generation lug that transcends
conventional lugs with its acoustical effect
and tuning stability, as well as with the sturdiness needed for high-tension tuning
and the way it facilitates quick head replacement. As with the Absolute Lug, the
insertion plate and nylon ring within the lug nut control the slackening of the
tuning bolt.
Air-Seal
System
Caramel Sparkle
Maple Custom Absolute
Shells
MAB1814 MAF1413 MAT1208
Hardware
FP8500B HS740A CS650A CS655Ax2 SS740A DS840 TH904A CL945B
*The set dosen’t include Cymbals, Hardware (except Tom Holder), nor Rack.
7
BD
FT/TT
Shell
7-ply
6-ply
Maple
Birch
7mm
6mm
,,P
Hook Absolute Lug Lug Nut YESS II-m YESS
Lug (Chrome)
(TT)
(FT)
BD
(Front)
BD
(Batter 18")
FT/TT
(Top)
%'
Aluminium Wood Hoop Floating Bass Drum Remo Ebony PS3 Clear
Die-cast
BD System Spurs Power Stroke P3 Coated
(3.0mm)
Ambassador
Clear
Emperor
FT/TT
(Bottom)
R-Version
BD
Hardware
18"
Clear
All Round Triple
Ambassador Ball Clamp Tom Holder
(Short Rod)
8
Wood
YESS II-m
MAPLE
Carefully selected maple material is used. It offers rich, warm tone and abundant sustain. This material is
loved by drummers the world over, and is heard in every musical genre imaginable.
Y.E.S.S. II is an improved version of YAMAHA’s original tom mount, known as the Y.E.S.S. (Yamaha
Enhanced Sustain System). Its unique design, which minimizes interference with the shell’s natural
response—which some call the “rumble” —has been adopted for the PHX Series and is highly
praised by pro players worldwide. The Y.E.S.S. II-m model, which uses a metal plate instead of the
wood plate found in the Y.E.S.S., has been adopted for the Absolute Series, producing even longer
sustain.
BIRCH
We use the finest Hokkaido-grown birch material, and it’s noted for a fine grain and attractive gloss. Although
birch is hard, it has excellent workability. Drummers love its outstanding ability to carry the middle to low
tones, as well as its sharp but solid response in the upper register. Birch material is also used for the
Recording Custom, which can be considered the foundation of YAMAHA’s system drum.
$GHWDLOHGGUDZLQJRI6SHFLDO5XEEHU
Both the maple and birch shells are available in the seven-ply (BD) and six-ply (FT, TT, SD)
specifications. Excellent durability is achieved with the use of premium materials, and through the
combination of the air sealing system and YAMAHA’s advanced woodworking technologies. The
Absolute Series produces a well-balanced rumble. You can choose from a variety of sizes from an
8-inch tom-tom to a 24-inch bass drum.
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Set Configuration
Series
SO\%'
Maple Custom Absolute
Absolute Lug Models
SO\77)76'
Maple Custom Absolute
Hook Lug Models (Option)
Birch Custom Absolute
Absolute Lug Models
Birch Custom Absolute
Hook Lug Models (Option)
Set No.
Bass Drum
Floor Tom
Mounted Tom
Hardware
MA2F2
MAB2218
MAF1615
—
TH945B
MA2RF2
MAB2220R
MAF1615
—
MA2RT2
MAB2218R
—
MAT1412
—
MA0F2
MAB2016
MAF1413
—
TH945B
—
MAT2
—
—
MAT1209, MAT1008
—
MAH2F2
MAB2218H
MAF1615H
—
TH945B
MAHT2
—
—
MAT1209H, MAT1008H
—
BA2F2
BAB2218
BAF1615
—
TH945B
BA2RF2
BAB2220R
BAF1615
—
BA2RT2
BAB2218R
—
BAT1412
—
BA0F2
BAB2016
BAF1413
—
TH945B
—
BAT2
—
—
BAT1209, BAT1008
—
BAH2F2
BAB2218H
BAF1615H
—
TH945B
BAHT2
—
—
BAT1209H, BAT1008H
—
Specifications
%'
77
Lug
Vent Hole
Absolute Lug or New Hook Lug
Hoop
Aluminum Die-cast
BD Head
Front:Ebony PS3 with YAMAHA Logo, Batter:PS3 Clear (only 18"BD Coated Ambassador)
TT/FT Head
Top:Clear Emperor, Bottom:Clear Ambassador
SD Head
The vent hole plays an important role in performance, since it affects not only the sensation of
hitting the drum (the impact) but also the initial sound, sustain and tone.
Through an exhaustive series of prototypes, YAMAHA has discovered the optimal number and vent
hole position depending on the air capacity of each shell. Particularly, vent holes contribute to the
enhancement of tone colors in midrange to low-frequency sounds, as well as the control of sustain.
Top:Coated Ambassador, Bottom:Snare Ambassador
Tom Mount
Sound Holes
New YESS II-m mount
BD20"-24"
BD18"
FT
10
8
6
TT14"-16"
TT13"
TT8"-12"
SD"
4
2
1
1
Bearing Edge
45R1
BD Tension Bolt
T-Bolt
Maple Custom Absolute
BD
BD24"-20"
Diameter
BD18"
24"
x Depth
FT
Model No.
x18"
22"
x16"
MAB
MAB
MAB
2418/H 2418R/HR 2416/H
No.of Tuning Bolts
10
10
Diameter
18"
16"
x16"
x15"
x20"
20"
x18"
x16"
10
10
10
10
10
x Depth
No.of Tuning Bolts
MAF
MAF
1816/H 1615/H
8
8
18"
x16"
x14"
MAB
MAB
MAB
2018/H 2018R/HR 2016/H
10
10
FT
Model No.
x18"
MAB
MAB
MAB
MAB
MAB
2220/H 2220R/HR 2218/H 2218R/HR 2216/H
10
MAB
MAB
1814/H 1814F/HF
10
8
8
TT
14"
16"
14"
13"
12"
10"
8"
x13"
x14"
x13"
x12"
x11"
x10"
x9"
x9"
x8"
x8"
x7"
x7"
MAF
1413/H
MAT
1614/H
MAT
1613/H
MAT
1412/H
MAT
1411/H
MAT
1310/H
MAT
1309/H
MAT
1209/H
MAT
1208/H
MAT
1008/H
MAT
1007/H
MAT
0807/H
8
8
8
8
8
6
6
6
6
6
6
5
Birch Custom Absolute
BD
Diameter
TT14"-16"
24"
x18"
x Depth
TT13"
BD8"-12"
Model No.
SD
No.of Tuning Bolts
22"
BAB
BAB
BAB
2418/H 2418R/HR 2416/H
10
x20"
x16"
10
20"
x18"
BAB
BAB
BAB
BAB
BAB
2220/H 2220R/HR 2218/H 2218R/HR 2216/H
10
10
10
10
10
10
FT
18"
16"
14"
x Depth
x16"
x15"
x13"
No.of Tuning Bolts
9
18"
BAB
BAB
BAB
2018/H 2018R/HR 2016/H
10
x14"
x16"
10
BAB
BAB
1814/H 1814F/HF
10
8
8
TT
Diameter
Model No.
x18"
x16"
16"
x14"
14"
x13"
x12"
13"
x11"
x10"
12"
x9"
x9"
10"
x8"
x8"
8"
x7"
x7"
BAF
BAF
BAF
BAT
BAT
BAT
BAT
BAT
BAT
BAT
BAT
BAT
BAT
BAT
1816/H 1615/H 1413/H 1614/H 1613/H 1412/H 1411/H 1310/H 1309/H 1209/H 1208/H 1008/H 1007/H 0807/H
8
8
8
8
8
8
8
6
6
6
6
6
6
5
10
Wood
YESS II-m
MAPLE
Carefully selected maple material is used. It offers rich, warm tone and abundant sustain. This material is
loved by drummers the world over, and is heard in every musical genre imaginable.
Y.E.S.S. II is an improved version of YAMAHA’s original tom mount, known as the Y.E.S.S. (Yamaha
Enhanced Sustain System). Its unique design, which minimizes interference with the shell’s natural
response—which some call the “rumble” —has been adopted for the PHX Series and is highly
praised by pro players worldwide. The Y.E.S.S. II-m model, which uses a metal plate instead of the
wood plate found in the Y.E.S.S., has been adopted for the Absolute Series, producing even longer
sustain.
BIRCH
We use the finest Hokkaido-grown birch material, and it’s noted for a fine grain and attractive gloss. Although
birch is hard, it has excellent workability. Drummers love its outstanding ability to carry the middle to low
tones, as well as its sharp but solid response in the upper register. Birch material is also used for the
Recording Custom, which can be considered the foundation of YAMAHA’s system drum.
$GHWDLOHGGUDZLQJRI6SHFLDO5XEEHU
Both the maple and birch shells are available in the seven-ply (BD) and six-ply (FT, TT, SD)
specifications. Excellent durability is achieved with the use of premium materials, and through the
combination of the air sealing system and YAMAHA’s advanced woodworking technologies. The
Absolute Series produces a well-balanced rumble. You can choose from a variety of sizes from an
8-inch tom-tom to a 24-inch bass drum.
1XW
1XW
7KHZDYHSDWWHPRI
WKHIXQGDPHQWDOWRQH
6KHOO
6SHFLDO5XEEHU
Set Configuration
Series
SO\%'
Maple Custom Absolute
Absolute Lug Models
SO\77)76'
Maple Custom Absolute
Hook Lug Models (Option)
Birch Custom Absolute
Absolute Lug Models
Birch Custom Absolute
Hook Lug Models (Option)
Set No.
Bass Drum
Floor Tom
Mounted Tom
Hardware
MA2F2
MAB2218
MAF1615
—
TH945B
MA2RF2
MAB2220R
MAF1615
—
MA2RT2
MAB2218R
—
MAT1412
—
MA0F2
MAB2016
MAF1413
—
TH945B
—
MAT2
—
—
MAT1209, MAT1008
—
MAH2F2
MAB2218H
MAF1615H
—
TH945B
MAHT2
—
—
MAT1209H, MAT1008H
—
BA2F2
BAB2218
BAF1615
—
TH945B
BA2RF2
BAB2220R
BAF1615
—
BA2RT2
BAB2218R
—
BAT1412
—
BA0F2
BAB2016
BAF1413
—
TH945B
—
BAT2
—
—
BAT1209, BAT1008
—
BAH2F2
BAB2218H
BAF1615H
—
TH945B
BAHT2
—
—
BAT1209H, BAT1008H
—
Specifications
%'
77
Lug
Vent Hole
Absolute Lug or New Hook Lug
Hoop
Aluminum Die-cast
BD Head
Front:Ebony PS3 with YAMAHA Logo, Batter:PS3 Clear (only 18"BD Coated Ambassador)
TT/FT Head
Top:Clear Emperor, Bottom:Clear Ambassador
SD Head
The vent hole plays an important role in performance, since it affects not only the sensation of
hitting the drum (the impact) but also the initial sound, sustain and tone.
Through an exhaustive series of prototypes, YAMAHA has discovered the optimal number and vent
hole position depending on the air capacity of each shell. Particularly, vent holes contribute to the
enhancement of tone colors in midrange to low-frequency sounds, as well as the control of sustain.
Top:Coated Ambassador, Bottom:Snare Ambassador
Tom Mount
Sound Holes
New YESS II-m mount
BD20"-24"
BD18"
FT
10
8
6
TT14"-16"
TT13"
TT8"-12"
SD"
4
2
1
1
Bearing Edge
45R1
BD Tension Bolt
T-Bolt
Maple Custom Absolute
BD
BD24"-20"
Diameter
BD18"
24"
x Depth
FT
Model No.
x18"
22"
x16"
MAB
MAB
MAB
2418/H 2418R/HR 2416/H
No.of Tuning Bolts
10
10
Diameter
18"
16"
x16"
x15"
x20"
20"
x18"
x16"
10
10
10
10
10
x Depth
No.of Tuning Bolts
MAF
MAF
1816/H 1615/H
8
8
18"
x16"
x14"
MAB
MAB
MAB
2018/H 2018R/HR 2016/H
10
10
FT
Model No.
x18"
MAB
MAB
MAB
MAB
MAB
2220/H 2220R/HR 2218/H 2218R/HR 2216/H
10
MAB
MAB
1814/H 1814F/HF
10
8
8
TT
14"
16"
14"
13"
12"
10"
8"
x13"
x14"
x13"
x12"
x11"
x10"
x9"
x9"
x8"
x8"
x7"
x7"
MAF
1413/H
MAT
1614/H
MAT
1613/H
MAT
1412/H
MAT
1411/H
MAT
1310/H
MAT
1309/H
MAT
1209/H
MAT
1208/H
MAT
1008/H
MAT
1007/H
MAT
0807/H
8
8
8
8
8
6
6
6
6
6
6
5
Birch Custom Absolute
BD
Diameter
TT14"-16"
24"
x18"
x Depth
TT13"
BD8"-12"
Model No.
SD
No.of Tuning Bolts
22"
BAB
BAB
BAB
2418/H 2418R/HR 2416/H
10
x20"
x16"
10
20"
x18"
BAB
BAB
BAB
BAB
BAB
2220/H 2220R/HR 2218/H 2218R/HR 2216/H
10
10
10
10
10
10
FT
18"
16"
14"
x Depth
x16"
x15"
x13"
No.of Tuning Bolts
9
18"
BAB
BAB
BAB
2018/H 2018R/HR 2016/H
10
x14"
x16"
10
BAB
BAB
1814/H 1814F/HF
10
8
8
TT
Diameter
Model No.
x18"
x16"
16"
x14"
14"
x13"
x12"
13"
x11"
x10"
12"
x9"
x9"
10"
x8"
x8"
8"
x7"
x7"
BAF
BAF
BAF
BAT
BAT
BAT
BAT
BAT
BAT
BAT
BAT
BAT
BAT
BAT
1816/H 1615/H 1413/H 1614/H 1613/H 1412/H 1411/H 1310/H 1309/H 1209/H 1208/H 1008/H 1007/H 0807/H
8
8
8
8
8
8
8
6
6
6
6
6
6
5
10
Color Finishes
Burgundy Sparkle (BGS) #57
Caramel Sparkle (CSK) #58
White Grape Sparkle (WGS) #59
Blue Ice Sparkle (BIS) #60
Midnight Skyblue (MNB) #61
Deep Blue (DBU) #62
Luminous White Sparkle (LWS) #63
Solid Silver (SOS) #64
Matte Natural (MNT) #65
Vintage Natural (VN) #01
Vintage Black (VB) #02
Cherry Wood (CW) #04
Solid Black (SOB) #06
Silver Sparkle (SLS) #07
Black Sparkle (BLP) #08
Red Pearl Natural (RPN) #09
White Marine Pearl (WMP) #11
Apple Sparkle Fade (ASF) #28
Black Sparkle Sunburst (BSS) #29
Blue Sparkle (BUP) #46
Red Sparkle (RDS) #47
Cherry Black Fade (CBF) #51
Midnight Sparkle (MNS) #52
Embossed Silver (ESL) #56
Midnight Sparkle
Luminous White Sparkle
What is “Vintage Finish”
The Vintage Finish is a special process developed by YAMAHA using a top-quality drum coating material.
The use of this unique coating allows us to create a finish that’s far thinner but harder than the regular
coating material. As a result, it’s possible to ensure the maximum vibratory response from the shell and
achieve a more brilliant, beautiful appearance. The Vintage Finish coating also protects the shell laminate
from humidity. One of its special features is that the color can become even more intense after the coating
is applied, depending on the wooden material’s surface condition, physical properties of the coating
material and other conditions such as ambient temperature and light. Please note that although individual
differences in color may occasionally appear depending on the condition of the wooden laminate (which
consists of natural materials), the period of purchase and the product’s storage condition, it’s one of the
special features of this coating specification. Therefore, it won’t affect the tonality of the product.
11
The Midnight Sparkle finish has a
black sparkle finish base. Please
understand that the colors in this
finish change in relation to light
conditions and the angle at which
you look at the drum, so the actual
appearance might differ from that
shown in the photo.
This newly developed Luminous White Sparkle appears to be a regular
white sparkle under normal lighting. But be forewarned: Thanks to a
special fluorescent coating, this spectacular finish glows in the dark.
Even on a dark stage, your YAMAHA Absolute kit will establish its own
unique territory!
12
Color Finishes
Burgundy Sparkle (BGS) #57
Caramel Sparkle (CSK) #58
White Grape Sparkle (WGS) #59
Blue Ice Sparkle (BIS) #60
Midnight Skyblue (MNB) #61
Deep Blue (DBU) #62
Luminous White Sparkle (LWS) #63
Solid Silver (SOS) #64
Matte Natural (MNT) #65
Vintage Natural (VN) #01
Vintage Black (VB) #02
Cherry Wood (CW) #04
Solid Black (SOB) #06
Silver Sparkle (SLS) #07
Black Sparkle (BLP) #08
Red Pearl Natural (RPN) #09
White Marine Pearl (WMP) #11
Apple Sparkle Fade (ASF) #28
Black Sparkle Sunburst (BSS) #29
Blue Sparkle (BUP) #46
Red Sparkle (RDS) #47
Cherry Black Fade (CBF) #51
Midnight Sparkle (MNS) #52
Embossed Silver (ESL) #56
Midnight Sparkle
Luminous White Sparkle
What is “Vintage Finish”
The Vintage Finish is a special process developed by YAMAHA using a top-quality drum coating material.
The use of this unique coating allows us to create a finish that’s far thinner but harder than the regular
coating material. As a result, it’s possible to ensure the maximum vibratory response from the shell and
achieve a more brilliant, beautiful appearance. The Vintage Finish coating also protects the shell laminate
from humidity. One of its special features is that the color can become even more intense after the coating
is applied, depending on the wooden material’s surface condition, physical properties of the coating
material and other conditions such as ambient temperature and light. Please note that although individual
differences in color may occasionally appear depending on the condition of the wooden laminate (which
consists of natural materials), the period of purchase and the product’s storage condition, it’s one of the
special features of this coating specification. Therefore, it won’t affect the tonality of the product.
11
The Midnight Sparkle finish has a
black sparkle finish base. Please
understand that the colors in this
finish change in relation to light
conditions and the angle at which
you look at the drum, so the actual
appearance might differ from that
shown in the photo.
This newly developed Luminous White Sparkle appears to be a regular
white sparkle under normal lighting. But be forewarned: Thanks to a
special fluorescent coating, this spectacular finish glows in the dark.
Even on a dark stage, your YAMAHA Absolute kit will establish its own
unique territory!
12
For over 30 years, the Recording Custom has set a benchmark for excellence. Possibly the most recorded
drum in history, it has enjoyed an unparalleled history of success and innovation. Although trends come and
go, the Recording Custom, with its birch shells and pristine interior and exterior finish, delivers a sound that
seems “pre-EQ-ed”, perfect for studio or multi-miking in any situation. Unmiked, it will hold its own—with
power and tone to spare.
Color Finishes
CW : Cherry Wood
SOB : Solid Black
Set Configuration
Individual Package
Contents
Set No.
Bass Drum
Floor Tom
—
—
Mounted Tom
Mounted Tom
Tom Holder
Tom Clamp
RY2F41
BD922Y
FT916Y
—
—
RY2F42
TT912Y
TT913Y
TH945B
—
RY2T41
BD922Y
TT914Y
—
—
RY2T42
TT910Y
TT912Y
TH945B
CL945B
RY0T41
BD920Y
TT914Y
—
—
RY0T42
TT910Y
TT912Y
TH945B
CL945B
RY2F4
Cherry Wood
RY2T4
Recording Custom
Shells
BD924Yx2 FT918Y FT916Y TT914Y TT912Y
RY0T4
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
Specifications
BD
Diameter
All Birch Shells
Recording Custom shells are crafted from select
cuts of birch. Floor toms and tom toms are
formed with 6-ply designs while bass drums
use 7-plies. The series is available in two color
finishes, a traditional cherry wood finish and
solid black.
Hi-Tension Lugs
Yamaha's one-piece high-tension lugs are
precision-machined to allow severe, high
tension tuning.
FT
26"
24"
22"
20"
18"
x Depth x14"
x14"
x14"
x14"
x14"
Standard
*BD
BD
BD
BD
Model *BD
Size
No. 926YJ 924YJ 922YJ 920YJ 918YJ
x Depth
18"
16"
TT
14"
16"
—
—
—
—
15"
14"
13"
12"
10"
x12"
x10"
x9"
x8"
x7 1/2"
TT
TT
TT
TT
TT
915YJ 914YJ 913YJ 912YJ 910YJ
—
x16"
x16"
x16"
x16"
x16"
x14"
x14"
x13"
x12"
x11"
x10"
x9"
x8"
Model
No.
—
*BD
924Y
BD
922Y
BD
920Y
—
FT
918Y
FT
916Y
FT
914Y
TT
916Y
TT
915Y
TT
914Y
TT
913Y
TT
912Y
TT
910Y
TT
908Y
No. of Tuning Bolts
10
10
10
10
8
8
8
8
8
8
8
6
6
6
5
Power
Size
*denotes made-to-order. (Unit: inch)
Lug O Ring
Birch
BD
FT/TT
7-ply
6-ply
Air-Seal
System
Standard Power High Tension Lug Nut Triple flange YESS
Lug
Size
(Steel / 1.6mm) (TT)
Size
(BD, TT) (BD, TT) (One-piece)
Lug Insertion Piece
Lug Nut
BD
(Front 20"~26")
BD
(Front 18")
BD
(Batter)
Pipe Bass Drum Yamaha
Yamaha
Remo
Clamp Spurs Stage Head Stage Head Pinstripe
13
8"
FT/TT
(Top)
FT/TT
(Bottom)
YESS
(FT)
Hardware
Remo Remo Clear All Round Triple
Pinstripe Ambassador Ball Clamp Tom Holder
(Short Rod)
14
For over 30 years, the Recording Custom has set a benchmark for excellence. Possibly the most recorded
drum in history, it has enjoyed an unparalleled history of success and innovation. Although trends come and
go, the Recording Custom, with its birch shells and pristine interior and exterior finish, delivers a sound that
seems “pre-EQ-ed”, perfect for studio or multi-miking in any situation. Unmiked, it will hold its own—with
power and tone to spare.
Color Finishes
CW : Cherry Wood
SOB : Solid Black
Set Configuration
Individual Package
Contents
Set No.
Bass Drum
Floor Tom
—
—
Mounted Tom
Mounted Tom
Tom Holder
Tom Clamp
RY2F41
BD922Y
FT916Y
—
—
RY2F42
TT912Y
TT913Y
TH945B
—
RY2T41
BD922Y
TT914Y
—
—
RY2T42
TT910Y
TT912Y
TH945B
CL945B
RY0T41
BD920Y
TT914Y
—
—
RY0T42
TT910Y
TT912Y
TH945B
CL945B
RY2F4
Cherry Wood
RY2T4
Recording Custom
Shells
BD924Yx2 FT918Y FT916Y TT914Y TT912Y
RY0T4
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
Specifications
BD
Diameter
All Birch Shells
Recording Custom shells are crafted from select
cuts of birch. Floor toms and tom toms are
formed with 6-ply designs while bass drums
use 7-plies. The series is available in two color
finishes, a traditional cherry wood finish and
solid black.
Hi-Tension Lugs
Yamaha's one-piece high-tension lugs are
precision-machined to allow severe, high
tension tuning.
FT
26"
24"
22"
20"
18"
x Depth x14"
x14"
x14"
x14"
x14"
Standard
*BD
BD
BD
BD
Model *BD
Size
No. 926YJ 924YJ 922YJ 920YJ 918YJ
x Depth
18"
16"
TT
14"
16"
—
—
—
—
15"
14"
13"
12"
10"
x12"
x10"
x9"
x8"
x7 1/2"
TT
TT
TT
TT
TT
915YJ 914YJ 913YJ 912YJ 910YJ
—
x16"
x16"
x16"
x16"
x16"
x14"
x14"
x13"
x12"
x11"
x10"
x9"
x8"
Model
No.
—
*BD
924Y
BD
922Y
BD
920Y
—
FT
918Y
FT
916Y
FT
914Y
TT
916Y
TT
915Y
TT
914Y
TT
913Y
TT
912Y
TT
910Y
TT
908Y
No. of Tuning Bolts
10
10
10
10
8
8
8
8
8
8
8
6
6
6
5
Power
Size
*denotes made-to-order. (Unit: inch)
Lug O Ring
Birch
BD
FT/TT
7-ply
6-ply
Air-Seal
System
Standard Power High Tension Lug Nut Triple flange YESS
Lug
Size
(Steel / 1.6mm) (TT)
Size
(BD, TT) (BD, TT) (One-piece)
Lug Insertion Piece
Lug Nut
BD
(Front 20"~26")
BD
(Front 18")
BD
(Batter)
Pipe Bass Drum Yamaha
Yamaha
Remo
Clamp Spurs Stage Head Stage Head Pinstripe
13
8"
FT/TT
(Top)
FT/TT
(Bottom)
YESS
(FT)
Hardware
Remo Remo Clear All Round Triple
Pinstripe Ambassador Ball Clamp Tom Holder
(Short Rod)
14
New Wood, New Sound, New Series
Our flagship PHX series drums radically changed drum design using a special blend
of newfound Asian woods to deliver an amazing tone that has gained great acclaim
from drummers around the globe. The major component in the mix and the wood that
gives these ultra high-end drums their characteristic warmth, is a wood called Kapur.
The sound of Kapur is now available in a brand new series of drums—the new Club Custom.
Made from 100% Kapur the Club Custom drums provide musicians with a new
tonality for creating great music. Warm and dry they play well with a wide variety of
musical styles. Sound balance is great making them perfect for use in the recording
studio, and they have a soft, mild character that lays down exceptionally well behind
vocals. Besides sounding great, Club Custom drums look great too with three special
“Swirl” finishes and two “Matte Wood” finishes to choose from.
Club Custom drums offer a fresh, unique sound that opens up a whole new range of
tonal possibilities for the drummer.
Swirl Orange set
Shell: CCB2015 CCF1413 CCT1208 CCS1455
Hardware: FP8500B HS1200 CS755 x 3 SS950 DS840 CL945LB
Black Wood set
Shell: CCB2215 CCF1615 CCT1208 CCS1455
Hardware: FP8500B HS1200 CS755 x 3 SS950 DS840
Swirl Black set
Shell: CCB2415R CCF1816 CCF1615 CCT1208 CCS1455
Hardware: FP8500B HS1200 CS755 x 3 SS950 x 2 DS840
Bass Drum Claw Hooks
Claw hooks on the bass drum deliver a classic look
that defines the attitude of the Club Custom.
Small Lugs
Resembling a vintage wrap covering, the
finish is painted directly onto the shell so as
not to affect the shell’s superb resonance.
Specifications
Bass Drum
Size
(Diameter x Depth)
R version without
pipe clamp
18”x15”
CCB1815
20”x15”
Floor Tom
22”x15”
CCB2015
CCB2215
CCB2015R
CCB2215R
24”x15”
Head
Bearing Edge
Bass Drum Claw
Hooks
TT mount
FT bracket
BD leg
15
16”x15”
18”x16”
8”x7”
10”x7”
12”x8”
13”x9”
CCF1413
CCF1615
CCF1816
CCT0807
CCT1007
CCT1208
CCT1309
Color
Finishes
Swirl Orange Swirl Black
Kapur 6ply
Kapur
Separate lug (Oak type)
Wood Hoop
Front: P3 Smooth White
Batter: Remo Clear P3 (20”-24”) Remo coated ambassador (18”)
1.6mm steel triple flange hoop
Batter: Remo coated ambassador Bottom: Remo clear ambassador
Air-Seal
System
—
—
Vertical type w/ wing bolt
—
Shell
15"
(18")
Universal
Size (BD)
BD
(Front)
60°R3
Classic Claw Hooks (Concert BD type)
—
—
Absolute type
1.6mm triple flange
hoops deliver a
more open sound.
Swirl Blue
Black Wood
Dark Wood
CCB2415R
Shell
Lug
Hoop
Tom Tom
14”x13”
Triple Flange
Hoops (1.6mm)
Separate type small lugs
minimize contact between
the shell and lug so the
shell can vibrate freely,
maximizing its sonic
potential.
The Swirl Finish
YESS
—
—
BD/FT/TT
6-ply
Small Lug Lug Insertion Triple flange YESS
(Steel / 1.6mm) (TT)
(Chrome)
plate
BD
(Batter 20"~24")
BD
(Batter 18")
FT/TT
(Top)
YESS
(FT)
Bass Drum
Legs
FT/TT
(Bottom)
18"
Floating R-Version P3 Smooth
BD
White
BD System
Remo
Clear P3
Remo Coated Remo Coated Remo Clear
Ambassador Ambassador Ambassador
16
New Wood, New Sound, New Series
Our flagship PHX series drums radically changed drum design using a special blend
of newfound Asian woods to deliver an amazing tone that has gained great acclaim
from drummers around the globe. The major component in the mix and the wood that
gives these ultra high-end drums their characteristic warmth, is a wood called Kapur.
The sound of Kapur is now available in a brand new series of drums—the new Club Custom.
Made from 100% Kapur the Club Custom drums provide musicians with a new
tonality for creating great music. Warm and dry they play well with a wide variety of
musical styles. Sound balance is great making them perfect for use in the recording
studio, and they have a soft, mild character that lays down exceptionally well behind
vocals. Besides sounding great, Club Custom drums look great too with three special
“Swirl” finishes and two “Matte Wood” finishes to choose from.
Club Custom drums offer a fresh, unique sound that opens up a whole new range of
tonal possibilities for the drummer.
Swirl Orange set
Shell: CCB2015 CCF1413 CCT1208 CCS1455
Hardware: FP8500B HS1200 CS755 x 3 SS950 DS840 CL945LB
Black Wood set
Shell: CCB2215 CCF1615 CCT1208 CCS1455
Hardware: FP8500B HS1200 CS755 x 3 SS950 DS840
Swirl Black set
Shell: CCB2415R CCF1816 CCF1615 CCT1208 CCS1455
Hardware: FP8500B HS1200 CS755 x 3 SS950 x 2 DS840
Bass Drum Claw Hooks
Claw hooks on the bass drum deliver a classic look
that defines the attitude of the Club Custom.
Small Lugs
Resembling a vintage wrap covering, the
finish is painted directly onto the shell so as
not to affect the shell’s superb resonance.
Specifications
Bass Drum
Size
(Diameter x Depth)
R version without
pipe clamp
18”x15”
CCB1815
20”x15”
Floor Tom
22”x15”
CCB2015
CCB2215
CCB2015R
CCB2215R
24”x15”
Head
Bearing Edge
Bass Drum Claw
Hooks
TT mount
FT bracket
BD leg
15
16”x15”
18”x16”
8”x7”
10”x7”
12”x8”
13”x9”
CCF1413
CCF1615
CCF1816
CCT0807
CCT1007
CCT1208
CCT1309
Color
Finishes
Swirl Orange Swirl Black
Kapur 6ply
Kapur
Separate lug (Oak type)
Wood Hoop
Front: P3 Smooth White
Batter: Remo Clear P3 (20”-24”) Remo coated ambassador (18”)
1.6mm steel triple flange hoop
Batter: Remo coated ambassador Bottom: Remo clear ambassador
Air-Seal
System
—
—
Vertical type w/ wing bolt
—
Shell
15"
(18")
Universal
Size (BD)
BD
(Front)
60°R3
Classic Claw Hooks (Concert BD type)
—
—
Absolute type
1.6mm triple flange
hoops deliver a
more open sound.
Swirl Blue
Black Wood
Dark Wood
CCB2415R
Shell
Lug
Hoop
Tom Tom
14”x13”
Triple Flange
Hoops (1.6mm)
Separate type small lugs
minimize contact between
the shell and lug so the
shell can vibrate freely,
maximizing its sonic
potential.
The Swirl Finish
YESS
—
—
BD/FT/TT
6-ply
Small Lug Lug Insertion Triple flange YESS
(Steel / 1.6mm) (TT)
(Chrome)
plate
BD
(Batter 20"~24")
BD
(Batter 18")
FT/TT
(Top)
YESS
(FT)
Bass Drum
Legs
FT/TT
(Bottom)
18"
Floating R-Version P3 Smooth
BD
White
BD System
Remo
Clear P3
Remo Coated Remo Coated Remo Clear
Ambassador Ambassador Ambassador
16
Shake It Up With Yamaha Oak
Yamaha is the only drum manufacturer bringing the full potential of oak to a drum kit. From the
punchy resonant lows of the bass drum to a snare that bites and toms that cut through, the power
of oak definitely shakes things up.
Played Loud, Played Heavy These Drums Respond
The introduction of the Oak Custom by Yamaha sent a shudder through the drum
industry. For low end that shakes the floors, crisp highs that penetrate, and mids that
ring through the mix, insist on the power of oak.
Oak Lugs
Bass Drum Legs
Oak custom drums feature newly designed lugs
with small footprints and single-bolt attachment
that minimize surface contact and maximize
shell resonance and sustain. A nylon insert
holds tension rods in place under heavy play.
Holdig these powerful drums in place are our
Absolute series bass drum legs. Large pipes
are Yamaha engineered for greater durability
and stability. Spurs slide in and out with a handy
knob that also shows spur position at a glance,
and a standard drum hey locks spures and
height adjustment in place.
Lug
Insertion
plate
Lug Nut
Color Finishes
Red Sparkle Set
Shells
NBD824UA
NFT816A
NFT814A
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
NTT812UA
NSD1470(HSS)
RDS:Red Sparkle
AMS:Amber Sunburst
BSS:Black Sparkle Sunburst SLS:Silver Spakle
ROK:Red Oak
AMO:York Honey Amber Oak MSB:Musashi Black
Oak Custom drums are available in seven high-gloss finishes. Amber Sunburst, Red Oak, Musashi
Black and York Honey Amber Oak are translucent hues that bring out the distinctive beauty of the
wood grain,while Red Sparkle, Silver Sparkle and Black Sparkle Sunburst glitters under lights,
epitomizing a vintage look.
Bass
Drums
24"
22"
20"
18"
Universal Size 17" NBD824UA 17" NBD822UA 17" NBD820UA 15" NBD818UFA
Floor
Toms
Power Size
Mounted
Toms
Standard Size
18"
16"
: Depth
*R-Version is available for BD of 20”~24”
14"
16" NFT818A 16" NFT816A 14" NFT814A
16"
14"
13"
10"
8"
7" NTT808JA
Universal Size
Power Size
12"
10" NTT813UA
14" NTT816A
9" NTT812UA 8" NTT810UA
12" NTT814A
Set Configuration
TH945B
Oak
Air-Seal
System
17
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
17"
CL945B
TH945B
CL945B
15"
(18")
Universal
Size (BD)
BD
(Front)
Black Sparkle Sunburst Set
■ Shells
NBD822UA X 2 NTT812UA
NTT810UA
NFT816A
NSD1470
NFT814A
Shell
TH945B
BD
Small Lug Lug Insertion YESS
Hoop
(TT)
plate
DynaHoop(Steel / 2.3mm) (Chrome)
(TT/FT)Wood Hoop(BD)
BD
BD
(Batter 20"~24") (Batter 18")
FT/TT
(Top)
FT/TT
(Bottom)
YESS Bass Drum
Legs
(FT)
Hardware
18"
Floating R-Version Remo Ebony Remo Power Remo Coated Remo Clear Remo Clear All Round Triple
BD System BD Power Stroke P3 Stroke P3 Ambassador Ambassador Ambassador Ball Clamp Tom Holder
(Short Rod) (Triple Hole)
18
Shake It Up With Yamaha Oak
Yamaha is the only drum manufacturer bringing the full potential of oak to a drum kit. From the
punchy resonant lows of the bass drum to a snare that bites and toms that cut through, the power
of oak definitely shakes things up.
Played Loud, Played Heavy These Drums Respond
The introduction of the Oak Custom by Yamaha sent a shudder through the drum
industry. For low end that shakes the floors, crisp highs that penetrate, and mids that
ring through the mix, insist on the power of oak.
Oak Lugs
Bass Drum Legs
Oak custom drums feature newly designed lugs
with small footprints and single-bolt attachment
that minimize surface contact and maximize
shell resonance and sustain. A nylon insert
holds tension rods in place under heavy play.
Holdig these powerful drums in place are our
Absolute series bass drum legs. Large pipes
are Yamaha engineered for greater durability
and stability. Spurs slide in and out with a handy
knob that also shows spur position at a glance,
and a standard drum hey locks spures and
height adjustment in place.
Lug
Insertion
plate
Lug Nut
Color Finishes
Red Sparkle Set
Shells
NBD824UA
NFT816A
NFT814A
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
NTT812UA
NSD1470(HSS)
RDS:Red Sparkle
AMS:Amber Sunburst
BSS:Black Sparkle Sunburst SLS:Silver Spakle
ROK:Red Oak
AMO:York Honey Amber Oak MSB:Musashi Black
Oak Custom drums are available in seven high-gloss finishes. Amber Sunburst, Red Oak, Musashi
Black and York Honey Amber Oak are translucent hues that bring out the distinctive beauty of the
wood grain,while Red Sparkle, Silver Sparkle and Black Sparkle Sunburst glitters under lights,
epitomizing a vintage look.
Bass
Drums
24"
22"
20"
18"
Universal Size 17" NBD824UA 17" NBD822UA 17" NBD820UA 15" NBD818UFA
Floor
Toms
Power Size
Mounted
Toms
Standard Size
18"
16"
: Depth
*R-Version is available for BD of 20”~24”
14"
16" NFT818A 16" NFT816A 14" NFT814A
16"
14"
13"
10"
8"
7" NTT808JA
Universal Size
Power Size
12"
10" NTT813UA
14" NTT816A
9" NTT812UA 8" NTT810UA
12" NTT814A
Set Configuration
TH945B
Oak
Air-Seal
System
17
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
17"
CL945B
TH945B
CL945B
15"
(18")
Universal
Size (BD)
BD
(Front)
Black Sparkle Sunburst Set
■ Shells
NBD822UA X 2 NTT812UA
NTT810UA
NFT816A
NSD1470
NFT814A
Shell
TH945B
BD
Small Lug Lug Insertion YESS
Hoop
(TT)
plate
DynaHoop(Steel / 2.3mm) (Chrome)
(TT/FT)Wood Hoop(BD)
BD
BD
(Batter 20"~24") (Batter 18")
FT/TT
(Top)
FT/TT
(Bottom)
YESS Bass Drum
Legs
(FT)
Hardware
18"
Floating R-Version Remo Ebony Remo Power Remo Coated Remo Clear Remo Clear All Round Triple
BD System BD Power Stroke P3 Stroke P3 Ambassador Ambassador Ambassador Ball Clamp Tom Holder
(Short Rod) (Triple Hole)
18
Make Your First Shot Your Best Shot
If you have your sights set on becoming a rock drummer,
it's important that the drums you are playing will help
you reach your goal. Yamaha's Rock Tour Series are the
perfect choice, delivering a solid, powerful sound with
sharp attack that will cut through and get you noticed.
Hardware and toms offer quality inherited from Yamaha's
high-end drum kits, and the kits provide excellent
durability and great cost performance. Rock Tour drums
are available in three all-new finishes, any one of which
will have you looking sharp on stage.
If you ready to make your mark, check out the new Rock
Tour drums and give it your best shot.
Textured Green (TG)
RT2FA
■SHELLS RTB2218AR RTF1615A RTT1208A RTS1460A
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
Badges
The embossed Yamaha logo design on
the V-shaped Rock Tour series badges.
Color Finishes
Matte Hardware for Textured Ash Finish
Applied painting technique from our top
Matte on Matte
end model PHX is used to bring out the
Yamaha’s Matte on Matte color schemes
start with a metallic colored matte finish
on the shells and compliment it with a
matte silver finish on lugs and hoops.
beautiful grain of the ash wood. This
striking finish is available on the Rock
Tour series in monotone and sunburst
variations.
Matte Blue Metallic (MUM)
RT2FM3M
■SHELLS RTB2218MR RTF1615M RTT1208M RTS1460M
MSM:Matte Silver Metallic MUM:Matte Blue Metallic MBM: Matte Black Metallic
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
TS:Textured Smoke
TG:Textured Green
TW:Textured Brown
TR:Textured Red
TSS:Textured Smoke Sunburst TGS:Textured Green Sunburst TWS: Textured Brown Sunburst TRS: Textured Red Sunburst
Set Configuration
Size No.
RT2F3M
RT2F3A
Bass Drum
RTB2218MR
RTB2218AR
Floor Tom
RTF1615M
RTF1615A
Tom Tom
RTT1208M
RTT1208A
Specifications
Size (Diameter x Depth)
Model No.
Mahogany
Ash
Air-Seal Shell
System
Texutured Brown Sunburst (TWS)
BD
(Front)
BD
(Batter)
Bass Drum Floor Tom
22"x18"
14"x13"
RTB2218MR RTF1413M
RTB2218AR RTF1413A
BD
FT/TT
9-ply
8-ply
9-ply
8-ply
YD Lug Triple flange YESS
(Steel / 1.6mm) (TT)
FT/TT
(Top)
Snare Drum
Tom Tom
10"x7"
14"x6"
13"x9"
RTT1309M RTT1007M RTS1460M
RTT1309A RTT1007A RTS1460A
YESS Bass Drum R-Version
BD
Spurs
(FT)
FT/TT
(Bottom)
RT2F3A
■SHELLS RTB2218AR RTF1615A RTT1208A RTS1460A
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
19
Remo
Remo
Ebony P3 Clear P3
Remo
Remo
Pinstripe Pinstripe
20
Make Your First Shot Your Best Shot
If you have your sights set on becoming a rock drummer,
it's important that the drums you are playing will help
you reach your goal. Yamaha's Rock Tour Series are the
perfect choice, delivering a solid, powerful sound with
sharp attack that will cut through and get you noticed.
Hardware and toms offer quality inherited from Yamaha's
high-end drum kits, and the kits provide excellent
durability and great cost performance. Rock Tour drums
are available in three all-new finishes, any one of which
will have you looking sharp on stage.
If you ready to make your mark, check out the new Rock
Tour drums and give it your best shot.
Textured Green (TG)
RT2FA
■SHELLS RTB2218AR RTF1615A RTT1208A RTS1460A
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
Badges
The embossed Yamaha logo design on
the V-shaped Rock Tour series badges.
Color Finishes
Matte Hardware for Textured Ash Finish
Applied painting technique from our top
Matte on Matte
end model PHX is used to bring out the
Yamaha’s Matte on Matte color schemes
start with a metallic colored matte finish
on the shells and compliment it with a
matte silver finish on lugs and hoops.
beautiful grain of the ash wood. This
striking finish is available on the Rock
Tour series in monotone and sunburst
variations.
Matte Blue Metallic (MUM)
RT2FM3M
■SHELLS RTB2218MR RTF1615M RTT1208M RTS1460M
MSM:Matte Silver Metallic MUM:Matte Blue Metallic MBM: Matte Black Metallic
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
TS:Textured Smoke
TG:Textured Green
TW:Textured Brown
TR:Textured Red
TSS:Textured Smoke Sunburst TGS:Textured Green Sunburst TWS: Textured Brown Sunburst TRS: Textured Red Sunburst
Set Configuration
Size No.
RT2F3M
RT2F3A
Bass Drum
RTB2218MR
RTB2218AR
Floor Tom
RTF1615M
RTF1615A
Tom Tom
RTT1208M
RTT1208A
Specifications
Size (Diameter x Depth)
Model No.
Mahogany
Ash
Air-Seal Shell
System
Texutured Brown Sunburst (TWS)
BD
(Front)
BD
(Batter)
Bass Drum Floor Tom
22"x18"
14"x13"
RTB2218MR RTF1413M
RTB2218AR RTF1413A
BD
FT/TT
9-ply
8-ply
9-ply
8-ply
YD Lug Triple flange YESS
(Steel / 1.6mm) (TT)
FT/TT
(Top)
Snare Drum
Tom Tom
10"x7"
14"x6"
13"x9"
RTT1309M RTT1007M RTS1460M
RTT1309A RTT1007A RTS1460A
YESS Bass Drum R-Version
BD
Spurs
(FT)
FT/TT
(Bottom)
RT2F3A
■SHELLS RTB2218AR RTF1615A RTT1208A RTS1460A
*Cymbals and Hardware (except Tom holder/Tom clamp) are not included.
19
Remo
Remo
Ebony P3 Clear P3
Remo
Remo
Pinstripe Pinstripe
20
Cranberry Red
TC2T5
■SHELLS
TBD822U
TTT814
TTT812U
TTT810U
TSD0846
*Cymbals and Hardware (except Tom
holder/Tom clamp) are not included.
Maple Shell and Rounder Bearing Edge Deliver Rich Tone
with Just the Right Amount of Sustain
All Shells 100% Maple *
Lacquer finish
60 Rounded Edge
All maple shells give the Tour Custom drums its warm, bright
tone. Shells are designed with a 60-degree R2 bearing edge
that adds the tonal depth found in vintage drums and just the
right amount of sustain. Finished with a high gloss lacquer (all
new colors) maximizes the sonic potential of the maple shell
creating drums that sound and play great in any musical style.
* Bass drum hoops are made of Maple and Philippine Mahogany
Natural Wood
TC2FS5
■SHELLS
TBD822U TTT812U TSD0846
TFT816 TTT810U
Color Finishes
NW: Natural Wood
RBS: Red Black Sunburst
Brown Sunburst
TC2T5
■SHELLS
TBD822U
TTT814
TTT812U
TTT810U
TSD0846
CR: Cranberry Red
BKO: Brack Onyx
BRS: Brown Sunburst
Set Configuration
*Cymbals and Hardware (except Tom
holder/Tom clamp) are not included.
*Cymbals and Hardware (except Tom
holder/Tom clamp) are not included.
TH945B
CL945LB
CL945LB
TH945B
Black Onyx
TC2T5
■SHELLS
TBD822U
TTT814
TTT812U
TTT810U
TSD0846
Bass Drums
15"
Mounted Toms
BD
(Front)
Maple
Air-Seal
System
Shell
17"
BD
(Batter 20"~24")
FT/TT
(Top)
FT/TT
(Bottom)
15"
(18")
Universal
Triple Flange Separete
Size (BD)
Hoop
Lug
(Steel / 1.6mm)
YESS
(TT)
Remo UK Remo UK
Remo UK
YESS Bass Drum Remo UK
Spurs Ebony Power Clear Power
Clear
Clear
(FT)
Stroke P3
Stroke P3 Ambassador Ambassador
Hardware
*Cymbals and Hardware (except Tom
holder/Tom clamp) are not included.
21
All Round Triple
Ball Clamp Tom Holder
(Short Rod)
22
Cranberry Red
TC2T5
■SHELLS
TBD822U
TTT814
TTT812U
TTT810U
TSD0846
*Cymbals and Hardware (except Tom
holder/Tom clamp) are not included.
Maple Shell and Rounder Bearing Edge Deliver Rich Tone
with Just the Right Amount of Sustain
All Shells 100% Maple *
Lacquer finish
60 Rounded Edge
All maple shells give the Tour Custom drums its warm, bright
tone. Shells are designed with a 60-degree R2 bearing edge
that adds the tonal depth found in vintage drums and just the
right amount of sustain. Finished with a high gloss lacquer (all
new colors) maximizes the sonic potential of the maple shell
creating drums that sound and play great in any musical style.
* Bass drum hoops are made of Maple and Philippine Mahogany
Natural Wood
TC2FS5
■SHELLS
TBD822U TTT812U TSD0846
TFT816 TTT810U
Color Finishes
NW: Natural Wood
RBS: Red Black Sunburst
Brown Sunburst
TC2T5
■SHELLS
TBD822U
TTT814
TTT812U
TTT810U
TSD0846
CR: Cranberry Red
BKO: Brack Onyx
BRS: Brown Sunburst
Set Configuration
*Cymbals and Hardware (except Tom
holder/Tom clamp) are not included.
*Cymbals and Hardware (except Tom
holder/Tom clamp) are not included.
TH945B
CL945LB
CL945LB
TH945B
Black Onyx
TC2T5
■SHELLS
TBD822U
TTT814
TTT812U
TTT810U
TSD0846
Bass Drums
15"
Mounted Toms
BD
(Front)
Maple
Air-Seal
System
Shell
17"
BD
(Batter 20"~24")
FT/TT
(Top)
FT/TT
(Bottom)
15"
(18")
Universal
Triple Flange Separete
Size (BD)
Hoop
Lug
(Steel / 1.6mm)
YESS
(TT)
Remo UK Remo UK
Remo UK
YESS Bass Drum Remo UK
Spurs Ebony Power Clear Power
Clear
Clear
(FT)
Stroke P3
Stroke P3 Ambassador Ambassador
Hardware
*Cymbals and Hardware (except Tom
holder/Tom clamp) are not included.
21
All Round Triple
Ball Clamp Tom Holder
(Short Rod)
22
STAGE CUSTOM
ALL BIRCH SHELL
Natural Wood (NW)
100% Birch Shell Stage Custom has evolved again
■ SCB0F51
BBD620U
BFT614
BFT610U
TH945B
BSD0655
As with the introduction of Stage Custom in 1995 YAMAHA once again sets the
standards of value and sound.
By borrowing from our legendary Recording Custom drums, we are proud to
introduce new 100% Birch Shell Stage Custom.
■ SCBHW12
BTT612U
CS755 x 2
HS740A
SS740A
FP7210A
Shell
The shell is a key factor in a drum’s ability
to "rumble," or resonate. Accordingly, the
Stage Custom employs 100% birch - a
classic in the realm of high-class drum
kits. Moreover, with its six-ply structure
the Stage Custom accurately conveys the
vibrations produced at the impact surface,
achieving performance that overwhelms
anything in its class.
Cranberry Red
(CR)
ALL BIRCH 6PLY
1Boom Cymbal Stands adopt a new boom tilter design for improved stability and adjustability.
2A center tilter that can be set for highly accurate cymbal positioning and player articulation.
3The YESS specification floor-tom bracket, incorporating a wing bolt.
4Improved snare basket mechanism.
1
2
3
■ SCB8F3
BBD618U
BFT614U
BTT610J
BSD0655
CL945LB
4
■ HW680
CS655A x 2
HS650A
SS650A
FP6110A
Color Finishes
Sapphire Blue (SB)
■ SCB2FS51
BBD622U
BFT616
BTT610U
BSD0655
TH945B
■ SCB12HW
BTT612U
CS755 x 2
HS740A
SS740A
FP7210A
RB : Raven Black
SB : Sapphire Blue
* CR : Cranberry Red * NW : Natural Wood
DSM : Dark Silver Metallic
* “SCB8F3” color only Natural Wood and Cranberry Red.
Bass
Drums
24"
22"
20"
18"
17" BBD624U
17" BBD622U
17" BBD620U
15" BBD618U
Floor
Toms
16" BFT618
18"
Mounted
Toms
16"
14"
16" BFT616
16"
14" BFT614
14"
14" BTT616
: Depth
13" BFT614U
13"
12"
10" BTT613U
12" BTT614
9" BTT612U
8" BTT612J
10"
8"
8" BTT610U
7" BTT608J
Set Configuration
Set No.
SCB2FS5
Individual Package
Contents
Bass Drum
Mounted Tom
Floor Tom
Cymbal Stand
Tom Tom
Hi-Hat Stand
Tom Holder/Tom Clamp
Snare Stand
SCB2FS51
BBD622U
BFT616
BTT610U
TH945B
SCBHW12
BTT612U
CS755x2
HS740A
SS740A
FP7210A
SCB0F51
SCBHW12
BBD620U
BTT612U
BFT614
CS755x2
BFT610U
HS740A
TH945B
SS740A
BSD0655
SCB0F5
SCB8F3
—
BBD618U
BFT614U
BTT612J
CL945LB
HW680
(Recommend)
CS655Ax2
HS650A
SS650A
FP6110A
BD
(Front)
BD
(Batter)
Snare Drum
Foot Pedal
BSD0655
FP7210A
—
—
FT/TT
(Top)
FT/TT
(Bottom)
Yamaha
Clear
Ambassador
Yamaha
Clear
Diplomat
Birch
BD
Triple Flange Hoop Separate
Lug
(Steel / 1.6mm)
(FT/TT)Wood Hoop(BD)
Hardware
Shell
Lug Nut
YESS
(TT)
YESS
(FT)
Bass Drum
Legs
Yamaha
Yamaha
Black
Clear
Ambassador Ambassador
All Round Triple
Ball Clamp Tom Holder
(Short Rod)
23
24
STAGE CUSTOM
ALL BIRCH SHELL
Natural Wood (NW)
100% Birch Shell Stage Custom has evolved again
■ SCB0F51
BBD620U
BFT614
BFT610U
TH945B
BSD0655
As with the introduction of Stage Custom in 1995 YAMAHA once again sets the
standards of value and sound.
By borrowing from our legendary Recording Custom drums, we are proud to
introduce new 100% Birch Shell Stage Custom.
■ SCBHW12
BTT612U
CS755 x 2
HS740A
SS740A
FP7210A
Shell
The shell is a key factor in a drum’s ability
to "rumble," or resonate. Accordingly, the
Stage Custom employs 100% birch - a
classic in the realm of high-class drum
kits. Moreover, with its six-ply structure
the Stage Custom accurately conveys the
vibrations produced at the impact surface,
achieving performance that overwhelms
anything in its class.
Cranberry Red
(CR)
ALL BIRCH 6PLY
1Boom Cymbal Stands adopt a new boom tilter design for improved stability and adjustability.
2A center tilter that can be set for highly accurate cymbal positioning and player articulation.
3The YESS specification floor-tom bracket, incorporating a wing bolt.
4Improved snare basket mechanism.
1
2
3
■ SCB8F3
BBD618U
BFT614U
BTT610J
BSD0655
CL945LB
4
■ HW680
CS655A x 2
HS650A
SS650A
FP6110A
Color Finishes
Sapphire Blue (SB)
■ SCB2FS51
BBD622U
BFT616
BTT610U
BSD0655
TH945B
■ SCB12HW
BTT612U
CS755 x 2
HS740A
SS740A
FP7210A
RB : Raven Black
SB : Sapphire Blue
* CR : Cranberry Red * NW : Natural Wood
DSM : Dark Silver Metallic
* “SCB8F3” color only Natural Wood and Cranberry Red.
Bass
Drums
24"
22"
20"
18"
17" BBD624U
17" BBD622U
17" BBD620U
15" BBD618U
Floor
Toms
16" BFT618
18"
Mounted
Toms
16"
14"
16" BFT616
16"
14" BFT614
14"
14" BTT616
: Depth
13" BFT614U
13"
12"
10" BTT613U
12" BTT614
9" BTT612U
8" BTT612J
10"
8"
8" BTT610U
7" BTT608J
Set Configuration
Set No.
SCB2FS5
Individual Package
Contents
Bass Drum
Mounted Tom
Floor Tom
Cymbal Stand
Tom Tom
Hi-Hat Stand
Tom Holder/Tom Clamp
Snare Stand
SCB2FS51
BBD622U
BFT616
BTT610U
TH945B
SCBHW12
BTT612U
CS755x2
HS740A
SS740A
FP7210A
SCB0F51
SCBHW12
BBD620U
BTT612U
BFT614
CS755x2
BFT610U
HS740A
TH945B
SS740A
BSD0655
SCB0F5
SCB8F3
—
BBD618U
BFT614U
BTT612J
CL945LB
HW680
(Recommend)
CS655Ax2
HS650A
SS650A
FP6110A
BD
(Front)
BD
(Batter)
Snare Drum
Foot Pedal
BSD0655
FP7210A
—
—
FT/TT
(Top)
FT/TT
(Bottom)
Yamaha
Clear
Ambassador
Yamaha
Clear
Diplomat
Birch
BD
Triple Flange Hoop Separate
Lug
(Steel / 1.6mm)
(FT/TT)Wood Hoop(BD)
Hardware
Shell
Lug Nut
YESS
(TT)
YESS
(FT)
Bass Drum
Legs
Yamaha
Yamaha
Black
Clear
Ambassador Ambassador
All Round Triple
Ball Clamp Tom Holder
(Short Rod)
23
24
Feature
Tom Holder
Wood Hoop (Bass Drum)
The GIGMAKER drum kit features Yamaha’s
exclusive ball mount and clamp tom holders
that let you easily set the drum’s head to any
angle with a single bolt.
This unique system
delivers excellent
stability and
outstanding
durability as well.
Bass drums fitted with wood hoops produce a
warmer tone along with powerful presence and
greater expression.
Hardware
Glitter Finish
GIGMAKER drum shells feature glitter color
finishes like those on our high-end drum kits.
The finishes are
available in five
different colors.
Durability and flexibility make Yamaha hardware
second-to-none for touring professionals in
every corner of the globe. Yamaha 600 series
hardware features locking resin cymbal tilters
with extra-large felts, a professional grade HH
clutch and maximum tolerance nylon-belt kick
pedals.
Seamless Hoop
GIGMAKER by Yamaha implements extruded
hoop manufacturing technology ensuring
consistency and
tuning stability.
Environment & Quality
Environmentally Friendly Design (Formaldehyde Standard)
Formaldehyde, which is used in adhesives for wood, has been linked to allergies. At Yamaha, we
have put in place a group-wide program aimed at reducing the use of formaldehyde in our products.
In line with this we are improving equipment, adhesives, processing conditions, etc., in our drum
manufacturing process. GIGMAKER drums exceed standards set in both Germany and Japan,
which are considered the world’s most stringent to date, and comply with CARB (California Air
Resources Board) regulations in California, U.S.A.
Yamaha Quality
At Yamaha, we believe that entry-level models should deliver a fundamental level of performance
and deliver a satisfying experience both playing and musically. Just like our high-end drum kits,
GIGMAKER drums must pass strict quality standards. No kit is allowed to leave the factory without
clearing a number of quality checks that include tone quality, sound output, hardware stability and
durability.
GM2F5
GM2F51
BD22”x16” / FT16”x16” /
TT12”x9” / Tom Holder
GM2F52
TT13”x9.5” / SD14”x5.5”
GM2F53
CS651WA / SS650WA /
HS650WA / FP6110A
Color Finishes
Burgundy Glitter
Blue Ice Glitter
White Grape Glitter
Silver Glitter
Black Glitter
Black
Set Configuration
GM0F5
GM0F51
BD20”x16” / FT14”x14” /
TT10”x8” / TomHolder
GM0F52
TT12”x9” / SD14”x5.5”
GM2F53
CS651WA / SS650WA /
HS650WA / FP6110A
25
GM2F5
GM0F5
GM2F51
GM2F52
GM2F53A
GM0F51
GM0F52
GM2F53A
BD 22"x16"
TT 13"x9 1/2"
CS651W
BD 20"x16"
TT 12"x9"
CS651W
FT 16"x16"
SD 14"x5 1/2"
HS650W
FT 14"x14"
SD 14"x5 1/2"
HS650W
TT 12"x9"
SS650W
TT 10"x8"
SS650W
THGM
FP6110
THGM
FP6110
Specifications
Shell
Hoop
Head
Lug
Mount
BassDrum
7ply
Wood
FloorTom
TomTom
6ply
Steel 1.5mm
Clear with Yamaha logo
Separate lug
TH type
SnareDrum
Coated
26
Feature
Tom Holder
Wood Hoop (Bass Drum)
The GIGMAKER drum kit features Yamaha’s
exclusive ball mount and clamp tom holders
that let you easily set the drum’s head to any
angle with a single bolt.
This unique system
delivers excellent
stability and
outstanding
durability as well.
Bass drums fitted with wood hoops produce a
warmer tone along with powerful presence and
greater expression.
Hardware
Glitter Finish
GIGMAKER drum shells feature glitter color
finishes like those on our high-end drum kits.
The finishes are
available in five
different colors.
Durability and flexibility make Yamaha hardware
second-to-none for touring professionals in
every corner of the globe. Yamaha 600 series
hardware features locking resin cymbal tilters
with extra-large felts, a professional grade HH
clutch and maximum tolerance nylon-belt kick
pedals.
Seamless Hoop
GIGMAKER by Yamaha implements extruded
hoop manufacturing technology ensuring
consistency and
tuning stability.
Environment & Quality
Environmentally Friendly Design (Formaldehyde Standard)
Formaldehyde, which is used in adhesives for wood, has been linked to allergies. At Yamaha, we
have put in place a group-wide program aimed at reducing the use of formaldehyde in our products.
In line with this we are improving equipment, adhesives, processing conditions, etc., in our drum
manufacturing process. GIGMAKER drums exceed standards set in both Germany and Japan,
which are considered the world’s most stringent to date, and comply with CARB (California Air
Resources Board) regulations in California, U.S.A.
Yamaha Quality
At Yamaha, we believe that entry-level models should deliver a fundamental level of performance
and deliver a satisfying experience both playing and musically. Just like our high-end drum kits,
GIGMAKER drums must pass strict quality standards. No kit is allowed to leave the factory without
clearing a number of quality checks that include tone quality, sound output, hardware stability and
durability.
GM2F5
GM2F51
BD22”x16” / FT16”x16” /
TT12”x9” / Tom Holder
GM2F52
TT13”x9.5” / SD14”x5.5”
GM2F53
CS651WA / SS650WA /
HS650WA / FP6110A
Color Finishes
Burgundy Glitter
Blue Ice Glitter
White Grape Glitter
Silver Glitter
Black Glitter
Black
Set Configuration
GM0F5
GM0F51
BD20”x16” / FT14”x14” /
TT10”x8” / TomHolder
GM0F52
TT12”x9” / SD14”x5.5”
GM2F53
CS651WA / SS650WA /
HS650WA / FP6110A
25
GM2F5
GM0F5
GM2F51
GM2F52
GM2F53A
GM0F51
GM0F52
GM2F53A
BD 22"x16"
TT 13"x9 1/2"
CS651W
BD 20"x16"
TT 12"x9"
CS651W
FT 16"x16"
SD 14"x5 1/2"
HS650W
FT 14"x14"
SD 14"x5 1/2"
HS650W
TT 12"x9"
SS650W
TT 10"x8"
SS650W
THGM
FP6110
THGM
FP6110
Specifications
Shell
Hoop
Head
Lug
Mount
BassDrum
7ply
Wood
FloorTom
TomTom
6ply
Steel 1.5mm
Clear with Yamaha logo
Separate lug
TH type
SnareDrum
Coated
26
Specifications
Components
Diameter
PHX
Series
Absolute
Series
(Maple Custom)
Absolute
Series
(Birch Custom)
Recording
Custom
Club
Custom
Oak
Custom
Rock
Tour
Tour
Custom
Stage
Custom
GIGMAKER
27
Bass Drums
26"
24"
22"
20"
Mounted Toms
Floor Toms
18"
x16"
x16"
x16" x14"
xDepth
—
PHXB2416(R) PHXB2216(R) PHXB2016(R) PHXB1814
Model No.
Size
x18"
x18" x18"
xDepth
—
—
Model No.
PHXB2418(R) PHXB2218(R) PHXB2018(R)
x16"
x16"
x16"
x14"
xDepth
—
Model No.
MAB2416/H MAB2216/H MAB2016/H MAB1814/H
xDepth
x18" x18"
x18" x14"
—
Model No.
MAB2418/H MAB2218/H MAB2018/H MAB1814F/HF
xDepth
x18" x18"
x18"
—
—
Size
MAB2418R/HR MAB2218R/HR MAB2018R/HR
Model No.
xDepth
x20"
—
—
—
—
MAB2220/H
Model No.
x20"
xDepth
—
—
—
—
MAB2220R/HR
Model No.
x16" x14"
x16"
x16"
xDepth
—
BAB2416/H BAB2216/H BAB2016/H BAB1814/H
Model No.
x18"
x18" x18"
x14"
xDepth
—
BAB2418/H BAB2218/H BAB2018/H BAB1814F/HF
Model No.
x18" x18" x18"
xDepth
Size
— BAB2418R/HR BAB2218R/HR
—
BAB2018R/HR
Model No.
x20"
xDepth
—
—
—
—
Model No.
BAB2220/H
x20"
xDepth
—
—
—
—
Model No.
BAB2220R/HR
x14" x14"
x14" x14"
Standard xDepth x14"
Size Model No. BD926YJ BD924YJ BD922YJ BD920YJ BD918YJ
x16"
x16"
x16"
Power xDepth
—
—
Size Model No.
BD924Y BD922Y BD920Y
x15" x15"
x15"
xDepth
—
—
CCB2215 CCB2015 CCB1815
Size Model No.
x15" x15" x15"
xDepth
—
—
CCB2415R CCB2215R CCB2015R
Model No.
x15"
x17"
x17"
x17"
xDepth
—
NBD824UA NBD822UA NBD820UA NBD818UFA
Model No.
Size
x17"
x17"
x17"
xDepth
—
—
NBD824UAR NBD822UAR NBD820UAR
Model No.
xDepth
x18"
—
— RTB2218MR —
—
Size Model No.
xDepth
x18"
—
—
— RTB2218AR —
Model No.
Standard xDepth
—
—
—
—
—
Size Model No.
xDepth
x17" x17"
x17"
x15"
Universal
—
Size Model No.
TBD824U TBD822U TBD820U TBD818U
Power xDepth
—
—
—
—
—
Size Model No.
Standard xDepth
—
—
—
—
—
Size Model No.
xDepth
x17"
x17"
x15"
Universal
x17"
—
Size Model No.
BBD624U BBD622U BBD620U BBD618U
Power xDepth
—
—
—
—
—
Size Model No.
Power xDepth
x16"
x16"
—
—
—
Size
18"
16"
14"
16"
x13"
x13" PHXT1613
x15"
x16"
PHXF1816 PHXF1615 PHXF1413 x14"
PHXT1614
x13"
x15"
x13"
x16"
MAF1816/H MAF1615/H MAF1413/H MAT1613/H
x14"
—
—
—
MAT1614/H
15"
—
—
—
—
14"
13"
12"
10"
8"
x11"
x7"
x7"
x9"
x8"
PHXT1411 PHXT1309 PHXT1208 PHXT1007 PHXT0807
x12"
x10"
x9"
x8"
x8"
PHXT1412 PHXT1310 PHXT1209 PHXT1008 PHXT0808
x7"
x8"
x7"
x11"
x9"
MAT1411/H MAT1309/H MAT1208/H MAT1007/H MAT0807/H
x12"
x10"
x9"
x8"
—
MAT1412/H MAT1310/H MAT1209/H MAT1008/H
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
x16"
BAF1816/H
x15"
BAF1615/H
x13"
BAF1413/H
—
—
—
—
x13"
BAT1613/H
x14"
BAT1614/H
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
x16"
FT918Y
x16"
CCF1816
x16"
FT916Y
x15"
CCF1615
x14"
FT914Y
x13"
CCF1413
x14"
TT916Y
x12"
TT915YJ
x13"
TT915Y
x10"
TT914YJ
x12"
TT914Y
—
—
—
—
—
x7"
x8"
x7"
x9"
x11"
BAT1411/H BAT1309/H BAT1208/H BAT1007/H BAT0807/H
x9"
x8"
x12" x10"
—
BAT1412/H BAT1310/H BAT1209/H BAT1008/H
—
—
—
—
x16"
NFT818A
x16"
NFT816A
x14"
NFT814A
x14"
NTT816A
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
x15"
x13"
RFT1615M RFT1413M
x15"
x13"
RFT1615A RFT1413A
—
x9"
x8" x7 1/2"
—
TT913YJ TT912YJ TT910YJ
x11"
x10"
x9"
x8"
TT913Y TT912Y TT910Y TT908Y
x7"
x9"
x8"
x7"
CCT1309 CCT1208 CCT1007 CCT0807
—
—
—
—
x10"
x9"
x8"
x7"
x12"
NTT814A NTT813UA NTT812UA NTT810UA NTT0808JA
—
—
—
—
—
—
—
—
—
—
—
—
x16"
TFT818
x16"
TFT816
x14"
TFT814
x14"
TTT816
—
x12"
TTT814
—
—
—
—
—
—
—
—
—
—
—
x16"
BFT618
x16"
BFT616
x14"
BFT614U
x14"
BFT614
x14"
BTT616
—
x16"
x14"
—
—
—
—
x9"
x8"
x7"
RTT1309M RTT1208M RTT1007M
x9"
x8"
x7"
RTT1309A RTT1208A RTT1007A
—
—
—
x10"
x9"
x8"
TTT813U TTT812U TTT810U
—
—
—
—
—
—
x7"
TTT808J
—
—
x7 1/2" x7"
BTT610J BTT608J
x10"
x9"
x8"
—
BTT613U BTT612U BTT610U
—
—
—
x12"
BTT614
—
—
—
—
—
—
x9 1/2"
x9"
x8"
—
28
Specifications
Components
Diameter
PHX
Series
Absolute
Series
(Maple Custom)
Absolute
Series
(Birch Custom)
Recording
Custom
Club
Custom
Oak
Custom
Rock
Tour
Tour
Custom
Stage
Custom
GIGMAKER
27
Bass Drums
26"
24"
22"
20"
Mounted Toms
Floor Toms
18"
x16"
x16"
x16" x14"
xDepth
—
PHXB2416(R) PHXB2216(R) PHXB2016(R) PHXB1814
Model No.
Size
x18"
x18" x18"
xDepth
—
—
Model No.
PHXB2418(R) PHXB2218(R) PHXB2018(R)
x16"
x16"
x16"
x14"
xDepth
—
Model No.
MAB2416/H MAB2216/H MAB2016/H MAB1814/H
xDepth
x18" x18"
x18" x14"
—
Model No.
MAB2418/H MAB2218/H MAB2018/H MAB1814F/HF
xDepth
x18" x18"
x18"
—
—
Size
MAB2418R/HR MAB2218R/HR MAB2018R/HR
Model No.
xDepth
x20"
—
—
—
—
MAB2220/H
Model No.
x20"
xDepth
—
—
—
—
MAB2220R/HR
Model No.
x16" x14"
x16"
x16"
xDepth
—
BAB2416/H BAB2216/H BAB2016/H BAB1814/H
Model No.
x18"
x18" x18"
x14"
xDepth
—
BAB2418/H BAB2218/H BAB2018/H BAB1814F/HF
Model No.
x18" x18" x18"
xDepth
Size
— BAB2418R/HR BAB2218R/HR
—
BAB2018R/HR
Model No.
x20"
xDepth
—
—
—
—
Model No.
BAB2220/H
x20"
xDepth
—
—
—
—
Model No.
BAB2220R/HR
x14" x14"
x14" x14"
Standard xDepth x14"
Size Model No. BD926YJ BD924YJ BD922YJ BD920YJ BD918YJ
x16"
x16"
x16"
Power xDepth
—
—
Size Model No.
BD924Y BD922Y BD920Y
x15" x15"
x15"
xDepth
—
—
CCB2215 CCB2015 CCB1815
Size Model No.
x15" x15" x15"
xDepth
—
—
CCB2415R CCB2215R CCB2015R
Model No.
x15"
x17"
x17"
x17"
xDepth
—
NBD824UA NBD822UA NBD820UA NBD818UFA
Model No.
Size
x17"
x17"
x17"
xDepth
—
—
NBD824UAR NBD822UAR NBD820UAR
Model No.
xDepth
x18"
—
— RTB2218MR —
—
Size Model No.
xDepth
x18"
—
—
— RTB2218AR —
Model No.
Standard xDepth
—
—
—
—
—
Size Model No.
xDepth
x17" x17"
x17"
x15"
Universal
—
Size Model No.
TBD824U TBD822U TBD820U TBD818U
Power xDepth
—
—
—
—
—
Size Model No.
Standard xDepth
—
—
—
—
—
Size Model No.
xDepth
x17"
x17"
x15"
Universal
x17"
—
Size Model No.
BBD624U BBD622U BBD620U BBD618U
Power xDepth
—
—
—
—
—
Size Model No.
Power xDepth
x16"
x16"
—
—
—
Size
18"
16"
14"
16"
x13"
x13" PHXT1613
x15"
x16"
PHXF1816 PHXF1615 PHXF1413 x14"
PHXT1614
x13"
x15"
x13"
x16"
MAF1816/H MAF1615/H MAF1413/H MAT1613/H
x14"
—
—
—
MAT1614/H
15"
—
—
—
—
14"
13"
12"
10"
8"
x11"
x7"
x7"
x9"
x8"
PHXT1411 PHXT1309 PHXT1208 PHXT1007 PHXT0807
x12"
x10"
x9"
x8"
x8"
PHXT1412 PHXT1310 PHXT1209 PHXT1008 PHXT0808
x7"
x8"
x7"
x11"
x9"
MAT1411/H MAT1309/H MAT1208/H MAT1007/H MAT0807/H
x12"
x10"
x9"
x8"
—
MAT1412/H MAT1310/H MAT1209/H MAT1008/H
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
x16"
BAF1816/H
x15"
BAF1615/H
x13"
BAF1413/H
—
—
—
—
x13"
BAT1613/H
x14"
BAT1614/H
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
x16"
FT918Y
x16"
CCF1816
x16"
FT916Y
x15"
CCF1615
x14"
FT914Y
x13"
CCF1413
x14"
TT916Y
x12"
TT915YJ
x13"
TT915Y
x10"
TT914YJ
x12"
TT914Y
—
—
—
—
—
x7"
x8"
x7"
x9"
x11"
BAT1411/H BAT1309/H BAT1208/H BAT1007/H BAT0807/H
x9"
x8"
x12" x10"
—
BAT1412/H BAT1310/H BAT1209/H BAT1008/H
—
—
—
—
x16"
NFT818A
x16"
NFT816A
x14"
NFT814A
x14"
NTT816A
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
x15"
x13"
RFT1615M RFT1413M
x15"
x13"
RFT1615A RFT1413A
—
x9"
x8" x7 1/2"
—
TT913YJ TT912YJ TT910YJ
x11"
x10"
x9"
x8"
TT913Y TT912Y TT910Y TT908Y
x7"
x9"
x8"
x7"
CCT1309 CCT1208 CCT1007 CCT0807
—
—
—
—
x10"
x9"
x8"
x7"
x12"
NTT814A NTT813UA NTT812UA NTT810UA NTT0808JA
—
—
—
—
—
—
—
—
—
—
—
—
x16"
TFT818
x16"
TFT816
x14"
TFT814
x14"
TTT816
—
x12"
TTT814
—
—
—
—
—
—
—
—
—
—
—
x16"
BFT618
x16"
BFT616
x14"
BFT614U
x14"
BFT614
x14"
BTT616
—
x16"
x14"
—
—
—
—
x9"
x8"
x7"
RTT1309M RTT1208M RTT1007M
x9"
x8"
x7"
RTT1309A RTT1208A RTT1007A
—
—
—
x10"
x9"
x8"
TTT813U TTT812U TTT810U
—
—
—
—
—
—
x7"
TTT808J
—
—
x7 1/2" x7"
BTT610J BTT608J
x10"
x9"
x8"
—
BTT613U BTT612U BTT610U
—
—
—
x12"
BTT614
—
—
—
—
—
—
x9 1/2"
x9"
x8"
—
28
Set Configuration
Set Configuration
Absolute Series
Maple
Custom
(Absolute Lug )
Rock Tour
Custom
(Hook Lug)
Birch
Custom
(Absolute Lug )
(Hook Lug)
RTT1208M
—
RT2F3A
RFT1615A
RTT1208A
HW780
CSAT924A
CL945B
—
Tour Custom
7+%
0$%5 0$)
—
0$5)
0$57 0$%5
0$%
—
)7
—
0$7
—
0$)
—
0$7
0$7
—
0$%+ 0$)+
0$+7
—
%$)
%$%
—
%$%5 %$)
%$57
%$%5
%$)
%$%
—
—
7+%
—
%$7
—
%$7
%$7
—
—
—
—
RY2F4
RY2T4
RY0T4
—
—
7+%
%$7+
%$7+
—
,QGLYLGXDO
3DFNDJH
&RQWHQWV
%'
)7
77
77
RY2F41
BD922Y
FT916Y
—
—
RY2F42
TT912Y
TT913Y
TH945B
—
RY2T41
BD922Y
TT914Y
—
—
RY2T42
TT910Y
TT912Y
TH945B
CL945B
RY0T41
BD920Y
TT914Y
—
—
RY0T42
TT910Y
TT912Y
TH945B
CL945B
,QGLYLGXDO
3DFNDJH
&RQWHQWV
³
NY2T4A
NY0T4A
,QGLYLGXDO
3DFNDJH
&RQWHQWV
%'
)7
776'
7RP+ROGHU
7RP&ODPS
77
6'
³
7RP&ODPS
%'
77
)7
77
³
NY2FS42A NTT812UA NTT810UA
NY2T41A
NBD822UA NTT814A
NY2T42A
NTT812UA NTT810UA
NY0T41A
NBD820UA NTT814A
NY0T42A
NTT812UA NTT810UA
³
7RP+ROGHU 7RP&ODPS
Recommended
H/W
TTT810U TH945B
TC2FS51 TBD822U TFT816
TC2FS52 TTT812U TSD0846
—
—
TC2F41
—
CL945LB
—
TC2F42
TBD822U TFT816
TTT812U TSD0846
TC2T51
TBD822U TTT812U TSD0846 CL945B
TC2T52
TTT810U TTT814
—
—
TH945B
HW780
HW780
HW780
CSAT924A
Stage Custom
%'
,QGLYLGXDO
3DFNDJH
&RQWHQWV
6HW1R
)7
77
SCB2FS51 BBD622U BFT616
%'
BTT610U TH945B
SCB12HW BTT612U CS755x2 HS740A
SCB0F51 BBD620U BFT614
SCB0F5
)RRW3HGDO
6'
7RP&ODPS
+L+DW6WDQG 6QDUH6WDQG
7RP+ROGHU
77
&\PEDO6WDQG
BSD0655
SS740A
FP7210A
BTT610U TH945B
BSD0655
SCB12HW BTT612U CS755x2 HS740A
SS740A
FP7210A
GIGMAKER
)7
%'
6HW1R
,QGLYLGXDO
3DFNDJH
&RQWHQWV
77
7RP+ROGHU
77
6'
³
³
&6
+L+DW6WDQG
6QDUH6WDQG
)RRW3HGDO
TT 12"x9"
THGM
—
—
GM2F51 BD 22"x16"
FT 16"x16"
GM2F5 GM2F52 TT 13"x9 1/2" SD 14"x5 1/2"
GM2F53A CS651W
HS650W
SS650W
FP6110
GM0F51 BD 20"x16"
FT 14"x14"
TT 10"x8"
THGM
—
—
SS650W
FP6110
GM0F5 GM0F52 TT 12"x9"
SD 14"x5 1/2"
—
—
TH945B
—
—
—
TH945B
CL945B
HW880
CS865 x2
HS850
SS850
FP9500C
—
—
HW780
CS755 x2
HS740A
SS740A
FP7210A
TH945B
CL945B
HW680
CS655A x2
HS650A
SS650A
FP6110A
HW680W
CS665A x2
HS650WA
SS650WA FP7210A
BD= Bass Drum, FT= Floor Tom, TT= Tom Tom, SD= Snare Drum
29
TC2T5
RTB2218AR
³
7RP+ROGHU 7RP&ODPS
NY2FS41A NBD822UA NFT816A
NY2FS4A
TC2F4
%'
SCB2FS5
Oak Custom
6HW1R
TC2FS5
7+%
Recording Custom
6HW1R
6HW1R
7+%
—
%$%+ %$)+
%$+7
—
—
%$)
—
7+%
0$7+
0$7+
%$)
%$5)
%$+)
RFT1615M
—
0$%
%$7
Birch
Custom
RT2F3M RTB2218MR
0$)
0$)
0$+)
Recommended
H/W
6HW1R
0$7
Maple
77
+DUGZDUH
%'
0$)
)7
77
6HW1R
GM2F53A CS651W
HS650W
Hardware Set
30
Set Configuration
Set Configuration
Absolute Series
Maple
Custom
(Absolute Lug )
Rock Tour
Custom
(Hook Lug)
Birch
Custom
(Absolute Lug )
(Hook Lug)
RTT1208M
—
RT2F3A
RFT1615A
RTT1208A
HW780
CSAT924A
CL945B
—
Tour Custom
7+%
0$%5 0$)
—
0$5)
0$57 0$%5
0$%
—
)7
—
0$7
—
0$)
—
0$7
0$7
—
0$%+ 0$)+
0$+7
—
%$)
%$%
—
%$%5 %$)
%$57
%$%5
%$)
%$%
—
—
7+%
—
%$7
—
%$7
%$7
—
—
—
—
RY2F4
RY2T4
RY0T4
—
—
7+%
%$7+
%$7+
—
,QGLYLGXDO
3DFNDJH
&RQWHQWV
%'
)7
77
77
RY2F41
BD922Y
FT916Y
—
—
RY2F42
TT912Y
TT913Y
TH945B
—
RY2T41
BD922Y
TT914Y
—
—
RY2T42
TT910Y
TT912Y
TH945B
CL945B
RY0T41
BD920Y
TT914Y
—
—
RY0T42
TT910Y
TT912Y
TH945B
CL945B
,QGLYLGXDO
3DFNDJH
&RQWHQWV
³
NY2T4A
NY0T4A
,QGLYLGXDO
3DFNDJH
&RQWHQWV
%'
)7
776'
7RP+ROGHU
7RP&ODPS
77
6'
³
7RP&ODPS
%'
77
)7
77
³
NY2FS42A NTT812UA NTT810UA
NY2T41A
NBD822UA NTT814A
NY2T42A
NTT812UA NTT810UA
NY0T41A
NBD820UA NTT814A
NY0T42A
NTT812UA NTT810UA
³
7RP+ROGHU 7RP&ODPS
Recommended
H/W
TTT810U TH945B
TC2FS51 TBD822U TFT816
TC2FS52 TTT812U TSD0846
—
—
TC2F41
—
CL945LB
—
TC2F42
TBD822U TFT816
TTT812U TSD0846
TC2T51
TBD822U TTT812U TSD0846 CL945B
TC2T52
TTT810U TTT814
—
—
TH945B
HW780
HW780
HW780
CSAT924A
Stage Custom
%'
,QGLYLGXDO
3DFNDJH
&RQWHQWV
6HW1R
)7
77
SCB2FS51 BBD622U BFT616
%'
BTT610U TH945B
SCB12HW BTT612U CS755x2 HS740A
SCB0F51 BBD620U BFT614
SCB0F5
)RRW3HGDO
6'
7RP&ODPS
+L+DW6WDQG 6QDUH6WDQG
7RP+ROGHU
77
&\PEDO6WDQG
BSD0655
SS740A
FP7210A
BTT610U TH945B
BSD0655
SCB12HW BTT612U CS755x2 HS740A
SS740A
FP7210A
GIGMAKER
)7
%'
6HW1R
,QGLYLGXDO
3DFNDJH
&RQWHQWV
77
7RP+ROGHU
77
6'
³
³
&6
+L+DW6WDQG
6QDUH6WDQG
)RRW3HGDO
TT 12"x9"
THGM
—
—
GM2F51 BD 22"x16"
FT 16"x16"
GM2F5 GM2F52 TT 13"x9 1/2" SD 14"x5 1/2"
GM2F53A CS651W
HS650W
SS650W
FP6110
GM0F51 BD 20"x16"
FT 14"x14"
TT 10"x8"
THGM
—
—
SS650W
FP6110
GM0F5 GM0F52 TT 12"x9"
SD 14"x5 1/2"
—
—
TH945B
—
—
—
TH945B
CL945B
HW880
CS865 x2
HS850
SS850
FP9500C
—
—
HW780
CS755 x2
HS740A
SS740A
FP7210A
TH945B
CL945B
HW680
CS655A x2
HS650A
SS650A
FP6110A
HW680W
CS665A x2
HS650WA
SS650WA FP7210A
BD= Bass Drum, FT= Floor Tom, TT= Tom Tom, SD= Snare Drum
29
TC2T5
RTB2218AR
³
7RP+ROGHU 7RP&ODPS
NY2FS41A NBD822UA NFT816A
NY2FS4A
TC2F4
%'
SCB2FS5
Oak Custom
6HW1R
TC2FS5
7+%
Recording Custom
6HW1R
6HW1R
7+%
—
%$%+ %$)+
%$+7
—
—
%$)
—
7+%
0$7+
0$7+
%$)
%$5)
%$+)
RFT1615M
—
0$%
%$7
Birch
Custom
RT2F3M RTB2218MR
0$)
0$)
0$+)
Recommended
H/W
6HW1R
0$7
Maple
77
+DUGZDUH
%'
0$)
)7
77
6HW1R
GM2F53A CS651W
HS650W
Hardware Set
30
Rick Marotta
Larger Diameters Offer Greater Performance
The Rick Marotta Signature Hipgig offers drummers a
complete kit that can be packed into Bass Drum for easy
transport. When setup two toms, the snare drum and two
cymbals all attach to the bass drum by means of three pipe
clamps. When packed up, the two tom toms and the snare
drum fit neatly into the two-piece bass drum. The bass drum
fits into separate soft case, for transport. All drums are fitted
with special Remo heads. For performance that is hard to
believe, in a kit as compact as this, take a close look at your
nearest Yamaha dealer.
Compared to the original Hipgig, drum diameters on the new Hipgig
Sr. have all been increased to offer drummers greater tone and performance in a still compact, easy to transport drum kit. The bass drum
diameter has increased two inches, from the original 16 inches to 18,
while the 14 and 12 inch tom toms and the 13 inch snare are all onesize larger than before.
The 7-ply shells are made of Birch and Philippine Mahogany using our
original Air-Seal System.
TT10HGAL
size : 10” x 6 1/2”
(Sold Separately)
* Soft case supplied.
The tom will not fit inside the bass drum.
Add-On* 8” and 12” Toms Provide the Hipgig with Greater Expressive Power and Versatility.
Hipgig SR. Set
■ HG8T41AL
Shell Set
BD Soft Casex1
BD18HGAL
TT, SD Soft Casex1
TT14HGAL
Hardware Soft Casex1
TT12HGAL
DS750
SD13HGAL
*Sold separately
* CL940LB x 3 are necessary to mount SD &
Toms on BD.
TT08HGARM
* Soft case supplied.
The tom will not fit inside
the bass drum.
size : 8” x 5 1/2”
TT12HGARM
* Soft case supplied.
The tom will not fit inside the bass drum.
* Cymbals & Hardware are not included.
* This model is sold as a set only. IIndividual
components are not sold separately.
size : 12” x 6 1/2”
JAGUAR PATTERN
COLOR
FINISHES
JGR :
JAGUAR PATTERN
Specification
Bass Drum (Separate type)
■ HG6T41ARM
Shell Set
Shells
13"x5"
Top
Remo Renaissance Power Stroke 3 (Batter)
Remo Ambassador Coated
Remo Ambassador Coated
Remo Renaissance Power Stroke 3 (Front)
Remo Clear Ambassador
Remo Ambassador Snare
CHERRY WOOD
* Cymbals & Hardware are not included.
* This model is sold as a set only. Individual
components are not sold separately.
Bass Drum
16"x20"
Tom Tom
13"x7"
Snare Drum
12"x5"
CW :
MY :
WMP :
CHERRY WOOD MELLOW YELLOW WHITE MARINE PEARL
7-ply
BD
(Front)
12"x6 1/2"
Club Cooktail Drum System
Hipgig
Air-Seal
System
14"x8 1/2"
Triple flange steel (1.6mm)
Bottom
Playing Yamaha
Drums
since 1977
Tom Tom
10"x6"
18"x22"
Hoops
Head
Snare Drum
Birch & Philippine Mahogany 7-ply
Size (DiameterxDepth)
BD16HGARM
TT13HGARM
TT10HGARM
SD12HGARM
BD Soft Casex1
TT,SD Soft Casex1
Mounted Toms
WMP :
WHITE MARINE PEARL
Birch/
Philipine
Mahogany
BD
(Batter)
Remo
Remo
Renaissance Renaissance
Power Stroke 3 Power Stroke 3
BD
7-ply
FT, TT , SD Separate Lug One-piece Lug Nut Triple flange TT MOUNT Pipe Bass Drum Floating
Spurs BD System
Clamp
(Steel / 1.6mm)
(BD/FT/TT) Lug (SD)
TT/FT
(Top)
Remo
Pinstripe
TT/FT
(Bottom)
SD
(Top)
SD
(Bottom) Hardware
All Round
Remo
Remo
Remo
Ambassador Ambassador Ball Clamp
Clear
Snare
Ambassador Coated
(Long Rod)
Recommended Hardware
DS750 x 1
HS650A x 1
TH904A x 1
CL940B x 1
CL940LB x 2
CH755 x 2
FP7210A x 1
PPC4A x 1
SLS :
Silver Sparkle
PKS :
Pink Sparkle
Specification
Bass Drum (Separate type)
Shells
Size (DiameterxDepth)
16"x20"
Hoops
No. of Tuning Bolts
31
Mounted Toms
Snare Drum
Birch & Philippine Mahogany 7-ply
13"x7"
10"x6"
12"x5"
Triple flange steel (1.6mm)
8
6
6
6
32
Rick Marotta
Larger Diameters Offer Greater Performance
The Rick Marotta Signature Hipgig offers drummers a
complete kit that can be packed into Bass Drum for easy
transport. When setup two toms, the snare drum and two
cymbals all attach to the bass drum by means of three pipe
clamps. When packed up, the two tom toms and the snare
drum fit neatly into the two-piece bass drum. The bass drum
fits into separate soft case, for transport. All drums are fitted
with special Remo heads. For performance that is hard to
believe, in a kit as compact as this, take a close look at your
nearest Yamaha dealer.
Compared to the original Hipgig, drum diameters on the new Hipgig
Sr. have all been increased to offer drummers greater tone and performance in a still compact, easy to transport drum kit. The bass drum
diameter has increased two inches, from the original 16 inches to 18,
while the 14 and 12 inch tom toms and the 13 inch snare are all onesize larger than before.
The 7-ply shells are made of Birch and Philippine Mahogany using our
original Air-Seal System.
TT10HGAL
size : 10” x 6 1/2”
(Sold Separately)
* Soft case supplied.
The tom will not fit inside the bass drum.
Add-On* 8” and 12” Toms Provide the Hipgig with Greater Expressive Power and Versatility.
Hipgig SR. Set
■ HG8T41AL
Shell Set
BD Soft Casex1
BD18HGAL
TT, SD Soft Casex1
TT14HGAL
Hardware Soft Casex1
TT12HGAL
DS750
SD13HGAL
*Sold separately
* CL940LB x 3 are necessary to mount SD &
Toms on BD.
TT08HGARM
* Soft case supplied.
The tom will not fit inside
the bass drum.
size : 8” x 5 1/2”
TT12HGARM
* Soft case supplied.
The tom will not fit inside the bass drum.
* Cymbals & Hardware are not included.
* This model is sold as a set only. IIndividual
components are not sold separately.
size : 12” x 6 1/2”
JAGUAR PATTERN
COLOR
FINISHES
JGR :
JAGUAR PATTERN
Specification
Bass Drum (Separate type)
■ HG6T41ARM
Shell Set
Shells
13"x5"
Top
Remo Renaissance Power Stroke 3 (Batter)
Remo Ambassador Coated
Remo Ambassador Coated
Remo Renaissance Power Stroke 3 (Front)
Remo Clear Ambassador
Remo Ambassador Snare
CHERRY WOOD
* Cymbals & Hardware are not included.
* This model is sold as a set only. Individual
components are not sold separately.
Bass Drum
16"x20"
Tom Tom
13"x7"
Snare Drum
12"x5"
CW :
MY :
WMP :
CHERRY WOOD MELLOW YELLOW WHITE MARINE PEARL
7-ply
BD
(Front)
12"x6 1/2"
Club Cooktail Drum System
Hipgig
Air-Seal
System
14"x8 1/2"
Triple flange steel (1.6mm)
Bottom
Playing Yamaha
Drums
since 1977
Tom Tom
10"x6"
18"x22"
Hoops
Head
Snare Drum
Birch & Philippine Mahogany 7-ply
Size (DiameterxDepth)
BD16HGARM
TT13HGARM
TT10HGARM
SD12HGARM
BD Soft Casex1
TT,SD Soft Casex1
Mounted Toms
WMP :
WHITE MARINE PEARL
Birch/
Philipine
Mahogany
BD
(Batter)
Remo
Remo
Renaissance Renaissance
Power Stroke 3 Power Stroke 3
BD
7-ply
FT, TT , SD Separate Lug One-piece Lug Nut Triple flange TT MOUNT Pipe Bass Drum Floating
Spurs BD System
Clamp
(Steel / 1.6mm)
(BD/FT/TT) Lug (SD)
TT/FT
(Top)
Remo
Pinstripe
TT/FT
(Bottom)
SD
(Top)
SD
(Bottom) Hardware
All Round
Remo
Remo
Remo
Ambassador Ambassador Ball Clamp
Clear
Snare
Ambassador Coated
(Long Rod)
Recommended Hardware
DS750 x 1
HS650A x 1
TH904A x 1
CL940B x 1
CL940LB x 2
CH755 x 2
FP7210A x 1
PPC4A x 1
SLS :
Silver Sparkle
PKS :
Pink Sparkle
Specification
Bass Drum (Separate type)
Shells
Size (DiameterxDepth)
16"x20"
Hoops
No. of Tuning Bolts
31
Mounted Toms
Snare Drum
Birch & Philippine Mahogany 7-ply
13"x7"
10"x6"
12"x5"
Triple flange steel (1.6mm)
8
6
6
6
32
“True power is not always revealed visually.”
SKRM100
Russ Miller's idea put into reality. Large diameter diaphragm
captures bass drum sub-frequencies.
Junior Kit (2 packages)
■ JK6F4AMK
BD16AJKMK
FT13AJKMK
TT10AJKMK
SD12AJKMK
CL940LB
The SUBKICK consists of a 10" x 5" birch and Philippine mahogany 7-ply shell that houses a 16cm,
50-watt low-frequency driver cone that acts as a diaphragm for this sub-frequency capture device.
While its large diameter enables the SUBKICK to capture the natural low frequencies produced by the
bass drum it can be used in tandem with a standard kick mic setup, to deliver an extremely powerful
bass drum tone. The SUBKICK also works effectively with a floor tom, bass guitar, low brass, etc.
■ JK6F42DMK
Positioning Produces a Wide Range of Tonal Variations
CS651Ax2
SS652
HS650A
FP6210A
DS550U
Varying placement and proximity of the Subkick affects the nature of the sound captured, opening
the door to a wide range of tonal possibilities. Try it directly in front of the sound hole or from various distances in front of the head to “dial in” degrees of ambience, punch, and volume. The Subkick works equally well in the studio and live.
Specially Designed Stand Offers Versatile Placement
The three-legged stand and ball clamp offer excellent stability and durability while the ball clamp offers versatile placement and angle adjustment of the mic unit.
Silver
SPECIFICATIONS
* Cymbals are not included.
* This model is sold as a set only.
Individual components
are not sold separately.
A Compact Drum Kit That's Great For Kids
"Why don't you make a real drum kit for kids?" That request
by Manu Katché caught our designer's ears and had them
designing this new compact drum kit. Compact, it is designed for kids but it is far from being a toy. A 16"x16" 9-ply
bass drum with a 6-ply 13"x12" floor tom, 10"x7" tom and
12"x5" snare are all made of quality Philippine Mahogany
using our original Air Seal System to produce shells that
are perfectly round. Compact and easily transportable,
these drums deliver tone that is so unbelievably real you
might just be tempted to use it on gigs of your own.
9-ply
Philippine
Mahogany
Air-Seal
System
BD
BD
(Front)
Playing Yamaha Drums since 1988
Manu Katché JUNIOR KIT
Tom Tom
10"x7"
Bass Drum
16"x16"
Snare drums
12"x5"
Model
Size
Shell
Color Finish
Hoop
Lug (Tuning Bolts)
Head (Top & Bottom)
Type
Polar Pattern
Output Jack
Weight
Frequency Response
Output Impedance
Front Sensitivity
L.A. session player, Russ Miller, was looking for a way to produce a cross stick sound from 12- and 13-inch snares when he
came up with the idea for the Groove-Wedge. It attaches to the
tuning bolts on most drums fitted with standard metal rims. The
LA
Groove-Wedge is designed for cross stick and rim shots while the
Cascara-Wedge, which attaches in the same manner, functions as
a percussion board.
Floor Tom
13"x12"
6-ply
FT, TT , SD Separate Lug One-piece Lug Nut Triple flange TT MOUNT Pipe
Clamp
(Steel / 1.6mm)
(BD/FT/TT) Lug (SD)
BD
(Batter)
TT/FT
(Top)
TT/FT
(Bottom)
SD
(Top)
SKRM100
10"x5"
Birch & Philippine Mahogany 7-ply (w/ Rod Clamp)
Vintage Black
Triple Flange Steel (1.6mm)
One-piece Lug (6)
Mesh Head
Dynamic
Bi-directional
XLR-3-32 (cannon) jack
Main unit : 4kg, Stand : 3kg
50Hz~2000Hz
9
-47dB/ Bar (1kHz)
SL : Silver
Groove-Wedge RMGW
Jingle-Wedge RMJW
Cascara-Wedge RMCW
T h e a l l m a p l e 1 9 - p l y G r o ove Wedge easily attaches to most 8- to
15-inch drums fitted with standard
metal rims. In addition to great rim
shots it offers a wide variety of
sonic possibilities.
The Jingle-Wedge fits on most 10to 15-inch drums* to add the timbre
of a tambourine to the beat. It layers
well with the sound of other drums
and is also great for creating classic
R&B backbeats when layered with
the snare.
The dancing Cuban cascara rhythm is
usually played on the side of the floor
tom. The cascara wedge fits most
10- to 18-inch drums. The 7-ply construction gives an authentic cascara
tone while protecting drum shells from
abrasion.
SD
(Bottom) Hardware
BK : BLACK
Bass Drum Floating
Remo
Spurs BD System UK Ebony
Remo
Remo
Remo
UK Clear
UK Coated UK Clear
Power Stroke 3 Power Stroke 3
Remo
UK
Coated
Remo
UK
Clear
All Round
Ball Clamp
(Long Rod)
PL : Purple
Specification
Bass Drum
Shells
Size (DiameterxDepth)
Philippine Mahogany 9-ply
16"x16"
Hoops
Head
33
Floor Tom
13"x12"
Mounted Tom
Snare Drum
Philippine Mahogany 6-ply
10"x7"
12"x5"
Triple flange steel (1.6mm)
Top
Remo UK Clear Power Stroke 3 (Batter)
Remo UK Coated
Remo UK Coated
Bottom
Remo UK Ebony Power Stroke 3 (Front)
Remo UK Clear
Remo UK Snare
*Excluding the YD Stage Cusutom Series 14inch 6-hole drum.
34
“True power is not always revealed visually.”
SKRM100
Russ Miller's idea put into reality. Large diameter diaphragm
captures bass drum sub-frequencies.
Junior Kit (2 packages)
■ JK6F4AMK
BD16AJKMK
FT13AJKMK
TT10AJKMK
SD12AJKMK
CL940LB
The SUBKICK consists of a 10" x 5" birch and Philippine mahogany 7-ply shell that houses a 16cm,
50-watt low-frequency driver cone that acts as a diaphragm for this sub-frequency capture device.
While its large diameter enables the SUBKICK to capture the natural low frequencies produced by the
bass drum it can be used in tandem with a standard kick mic setup, to deliver an extremely powerful
bass drum tone. The SUBKICK also works effectively with a floor tom, bass guitar, low brass, etc.
■ JK6F42DMK
Positioning Produces a Wide Range of Tonal Variations
CS651Ax2
SS652
HS650A
FP6210A
DS550U
Varying placement and proximity of the Subkick affects the nature of the sound captured, opening
the door to a wide range of tonal possibilities. Try it directly in front of the sound hole or from various distances in front of the head to “dial in” degrees of ambience, punch, and volume. The Subkick works equally well in the studio and live.
Specially Designed Stand Offers Versatile Placement
The three-legged stand and ball clamp offer excellent stability and durability while the ball clamp offers versatile placement and angle adjustment of the mic unit.
Silver
SPECIFICATIONS
* Cymbals are not included.
* This model is sold as a set only.
Individual components
are not sold separately.
A Compact Drum Kit That's Great For Kids
"Why don't you make a real drum kit for kids?" That request
by Manu Katché caught our designer's ears and had them
designing this new compact drum kit. Compact, it is designed for kids but it is far from being a toy. A 16"x16" 9-ply
bass drum with a 6-ply 13"x12" floor tom, 10"x7" tom and
12"x5" snare are all made of quality Philippine Mahogany
using our original Air Seal System to produce shells that
are perfectly round. Compact and easily transportable,
these drums deliver tone that is so unbelievably real you
might just be tempted to use it on gigs of your own.
9-ply
Philippine
Mahogany
Air-Seal
System
BD
BD
(Front)
Playing Yamaha Drums since 1988
Manu Katché JUNIOR KIT
Tom Tom
10"x7"
Bass Drum
16"x16"
Snare drums
12"x5"
Model
Size
Shell
Color Finish
Hoop
Lug (Tuning Bolts)
Head (Top & Bottom)
Type
Polar Pattern
Output Jack
Weight
Frequency Response
Output Impedance
Front Sensitivity
L.A. session player, Russ Miller, was looking for a way to produce a cross stick sound from 12- and 13-inch snares when he
came up with the idea for the Groove-Wedge. It attaches to the
tuning bolts on most drums fitted with standard metal rims. The
LA
Groove-Wedge is designed for cross stick and rim shots while the
Cascara-Wedge, which attaches in the same manner, functions as
a percussion board.
Floor Tom
13"x12"
6-ply
FT, TT , SD Separate Lug One-piece Lug Nut Triple flange TT MOUNT Pipe
Clamp
(Steel / 1.6mm)
(BD/FT/TT) Lug (SD)
BD
(Batter)
TT/FT
(Top)
TT/FT
(Bottom)
SD
(Top)
SKRM100
10"x5"
Birch & Philippine Mahogany 7-ply (w/ Rod Clamp)
Vintage Black
Triple Flange Steel (1.6mm)
One-piece Lug (6)
Mesh Head
Dynamic
Bi-directional
XLR-3-32 (cannon) jack
Main unit : 4kg, Stand : 3kg
50Hz~2000Hz
9
-47dB/ Bar (1kHz)
SL : Silver
Groove-Wedge RMGW
Jingle-Wedge RMJW
Cascara-Wedge RMCW
T h e a l l m a p l e 1 9 - p l y G r o ove Wedge easily attaches to most 8- to
15-inch drums fitted with standard
metal rims. In addition to great rim
shots it offers a wide variety of
sonic possibilities.
The Jingle-Wedge fits on most 10to 15-inch drums* to add the timbre
of a tambourine to the beat. It layers
well with the sound of other drums
and is also great for creating classic
R&B backbeats when layered with
the snare.
The dancing Cuban cascara rhythm is
usually played on the side of the floor
tom. The cascara wedge fits most
10- to 18-inch drums. The 7-ply construction gives an authentic cascara
tone while protecting drum shells from
abrasion.
SD
(Bottom) Hardware
BK : BLACK
Bass Drum Floating
Remo
Spurs BD System UK Ebony
Remo
Remo
Remo
UK Clear
UK Coated UK Clear
Power Stroke 3 Power Stroke 3
Remo
UK
Coated
Remo
UK
Clear
All Round
Ball Clamp
(Long Rod)
PL : Purple
Specification
Bass Drum
Shells
Size (DiameterxDepth)
Philippine Mahogany 9-ply
16"x16"
Hoops
Head
33
Floor Tom
13"x12"
Mounted Tom
Snare Drum
Philippine Mahogany 6-ply
10"x7"
12"x5"
Triple flange steel (1.6mm)
Top
Remo UK Clear Power Stroke 3 (Batter)
Remo UK Coated
Remo UK Coated
Bottom
Remo UK Ebony Power Stroke 3 (Front)
Remo UK Clear
Remo UK Snare
*Excluding the YD Stage Cusutom Series 14inch 6-hole drum.
34
Philosophy of the Yamaha Snare Drums
OAK
Wood Hoops
Our 19-ply vintage wood hoops are crafted
from select maple, specially coated with urethane for maximum durability. Wood hoops
promote an organic sound characterized by
good sustain. Rim-shots gain solidity and
power simply not found with other hoops.
Wood Hoop Waves
The power spectrum decreases smoothly from low frequency to high frequency ranges. Harmonic sounds are rich in middle frequency range (300-600Hz).
BIRCH
Die-cast Hoops Waves
The power spectrum is low in middle frequency range and harmonic sounds
in high frequency range (600-2,000Hz) is outstanding.
BEECH
MAPLE
Wood Shells
The sound of any drum starts with the shell. The creation of all Yamaha shells starts with the selection of the finest materials possible. Excellent woods are carefully selected and cut into plies and
sealed together precisely with evenly distributed air pressure using our Air-Seal System. As a result
every shell created with this process is in round and of uniform thickness to an incredibly perfect
degree, and produces superior tone quality with exceptional durability.
Zinc Die-cast
(3.0mm)
Aluminium Die-cast
(new type/3.0mm)
Triple flange Steel
(1.6mm)
Dyna Hoop(2.3mm)
Metal Hoops
BRASS
ALUMINUM
STEEL
COPPER
Metal Shells
Every Yamaha snare drum is in round and has a finely honed edge and carefully shaped snare
bed. Steel shells are 1.2mm thick; brass and copper shells are 1.5mm thick; and aluminum shells
are set at 2.0mm.
Brass shells deliver a rich, colorful tone with well-balanced definition through the dynamic range.
Some say that brass lies between steel and wood in timbre. Versatile enough for concert settings,
copper shell snare drums are characterized by sharp attack and strong low frequency response.
Steel shell snare drums exhibit strong attack, a bright tone, and long and sustaining rim-shots.
Aluminum shells offer a light, clean, and dry tone with plenty of body.
35
The design and composition of the hoop play an important role in the sound of the snare drum, especially when
executing rim-shots. Yamaha employs three types of
metal hoops (steel, aluminum, and zinc) and two different
manufacturing processes (roll forming and die-cast) in
the production of four different hoop styles(see characteristics chart below).
The standard 1.6mm steel hoop can be used in all situations for a wide-open sound. The 2.3mm Dyna Hoop
offers a sharper response and more solid rim-shots. Our
3.0mm zinc die-cast hoop firmly anchors the drumhead
and delivers penetrating, full-bodied rim-shots. The
3.0mm Aluminum Die-Cast hoop provides many of the
attributes of the Zinc hoop but without the extra-weight.
Rim-shots are slightly more open, while attack and decay
are magnified. Aluminum Die-Cast and Zinc Die-Cast
hoops fix the head securely on the bearing edge. This
precise head seating promotes natural tone and minimizes sound loss.
36
Philosophy of the Yamaha Snare Drums
OAK
Wood Hoops
Our 19-ply vintage wood hoops are crafted
from select maple, specially coated with urethane for maximum durability. Wood hoops
promote an organic sound characterized by
good sustain. Rim-shots gain solidity and
power simply not found with other hoops.
Wood Hoop Waves
The power spectrum decreases smoothly from low frequency to high frequency ranges. Harmonic sounds are rich in middle frequency range (300-600Hz).
BIRCH
Die-cast Hoops Waves
The power spectrum is low in middle frequency range and harmonic sounds
in high frequency range (600-2,000Hz) is outstanding.
BEECH
MAPLE
Wood Shells
The sound of any drum starts with the shell. The creation of all Yamaha shells starts with the selection of the finest materials possible. Excellent woods are carefully selected and cut into plies and
sealed together precisely with evenly distributed air pressure using our Air-Seal System. As a result
every shell created with this process is in round and of uniform thickness to an incredibly perfect
degree, and produces superior tone quality with exceptional durability.
Zinc Die-cast
(3.0mm)
Aluminium Die-cast
(new type/3.0mm)
Triple flange Steel
(1.6mm)
Dyna Hoop(2.3mm)
Metal Hoops
BRASS
ALUMINUM
STEEL
COPPER
Metal Shells
Every Yamaha snare drum is in round and has a finely honed edge and carefully shaped snare
bed. Steel shells are 1.2mm thick; brass and copper shells are 1.5mm thick; and aluminum shells
are set at 2.0mm.
Brass shells deliver a rich, colorful tone with well-balanced definition through the dynamic range.
Some say that brass lies between steel and wood in timbre. Versatile enough for concert settings,
copper shell snare drums are characterized by sharp attack and strong low frequency response.
Steel shell snare drums exhibit strong attack, a bright tone, and long and sustaining rim-shots.
Aluminum shells offer a light, clean, and dry tone with plenty of body.
35
The design and composition of the hoop play an important role in the sound of the snare drum, especially when
executing rim-shots. Yamaha employs three types of
metal hoops (steel, aluminum, and zinc) and two different
manufacturing processes (roll forming and die-cast) in
the production of four different hoop styles(see characteristics chart below).
The standard 1.6mm steel hoop can be used in all situations for a wide-open sound. The 2.3mm Dyna Hoop
offers a sharper response and more solid rim-shots. Our
3.0mm zinc die-cast hoop firmly anchors the drumhead
and delivers penetrating, full-bodied rim-shots. The
3.0mm Aluminum Die-Cast hoop provides many of the
attributes of the Zinc hoop but without the extra-weight.
Rim-shots are slightly more open, while attack and decay
are magnified. Aluminum Die-Cast and Zinc Die-Cast
hoops fix the head securely on the bearing edge. This
precise head seating promotes natural tone and minimizes sound loss.
36
Philosophy of the Yamaha Snare Drums
Bearing Edge
In 40 years of product development, Yamaha has found four wood snare drum bearing edge
designs that produce unique tonal character and depth. Sharp edges deliver sharper tone with
excellent response and rounded angles produce a rounder, thicker tone. Varying the thickness of
the radius top allows for further modification.
Using different bearing designs on the top and bottom of the snare is also effective in modifying the tone.
Sonic Hoop
Snare Bed
Snare bed depth greatly influences snare
effectiveness making it the most important factor
in creating the snare drum sound. Yamaha
offers three snare bed types; a standard 1.8mm,
a 2.7mm that offers greater snare sensitivity,
and the 3.5mm used on the Steve Gadd
Signature Snare Drum.
• Standard 1.8mm
• For Sensitive Sound 2.7mm
• For Staccato Sound 3.5mm
Vent Holes
The number of vent holes in the shell has an
impact on projection. The number of vent holes
found in Yamaha snare drums will vary according
to the type of tone being sought.
While the single hole is standard, a two-hole
design like that used on the Sensitive Series,
offers greater response, and the nine-hole design
on the Loud Series delivers a crisp sound.
37
“Sonic Hoop Reinforcement Concept”
In the past, reinforcement hoops were used
to compensate for inadequacies inherent
to old shell designs that would often cause
the shell go out of round. Utilizing Yamaha's
Air Seal System, it is virtually impossible for
shells to go out of round. Our reasoning for
using reinforcement hoops now is strictly a
musical one. We utilize these hoops to bring
out particular tonal characteristics, giving the
drummer new and specific musical choices.
When a shell is being created via our Air Seal
System, the Yamaha “Sonic Hoops”are being
treated at the same time. In the end, this
original process causes the hoops and shell
to act as one unit as opposed to merely two
pieces being glued together. This guarantees a
sturdy reinforcement. Musically, it also produces
a short sustain of the fundamental note, while
also giving a rich and longer overtone.
Sonic Hoops can be found on the
V-Series(VSD), Steve Jordan, and Andre
Ceccarelli models.
38
Philosophy of the Yamaha Snare Drums
Bearing Edge
In 40 years of product development, Yamaha has found four wood snare drum bearing edge
designs that produce unique tonal character and depth. Sharp edges deliver sharper tone with
excellent response and rounded angles produce a rounder, thicker tone. Varying the thickness of
the radius top allows for further modification.
Using different bearing designs on the top and bottom of the snare is also effective in modifying the tone.
Sonic Hoop
Snare Bed
Snare bed depth greatly influences snare
effectiveness making it the most important factor
in creating the snare drum sound. Yamaha
offers three snare bed types; a standard 1.8mm,
a 2.7mm that offers greater snare sensitivity,
and the 3.5mm used on the Steve Gadd
Signature Snare Drum.
• Standard 1.8mm
• For Sensitive Sound 2.7mm
• For Staccato Sound 3.5mm
Vent Holes
The number of vent holes in the shell has an
impact on projection. The number of vent holes
found in Yamaha snare drums will vary according
to the type of tone being sought.
While the single hole is standard, a two-hole
design like that used on the Sensitive Series,
offers greater response, and the nine-hole design
on the Loud Series delivers a crisp sound.
37
“Sonic Hoop Reinforcement Concept”
In the past, reinforcement hoops were used
to compensate for inadequacies inherent
to old shell designs that would often cause
the shell go out of round. Utilizing Yamaha's
Air Seal System, it is virtually impossible for
shells to go out of round. Our reasoning for
using reinforcement hoops now is strictly a
musical one. We utilize these hoops to bring
out particular tonal characteristics, giving the
drummer new and specific musical choices.
When a shell is being created via our Air Seal
System, the Yamaha “Sonic Hoops”are being
treated at the same time. In the end, this
original process causes the hoops and shell
to act as one unit as opposed to merely two
pieces being glued together. This guarantees a
sturdy reinforcement. Musically, it also produces
a short sustain of the fundamental note, while
also giving a rich and longer overtone.
Sonic Hoops can be found on the
V-Series(VSD), Steve Jordan, and Andre
Ceccarelli models.
38
Philosophy of the Yamaha Snare Drums
Strainers
Yamaha strainers have undergone many design refinements. Today they are industry standards in
terms of ergonomics, effectiveness, and quiet use. Fine snare adjustments are made with a central
knob that allows small tension increments. Other adjustments are made with a drum key.
Two-piece snare holding plate
Smooth Lever Operation
Snare strings looped around the two plates
are held securely in place and out of the way.
(The two-piece snare holding plate is not
employed on detachable strainer system.)
All Yamaha strainer levers are designed
for ease of grip and liquid smooth
operation. At rest, they lock reliably. G and
H lever types are particularly smooth and
feature finger- fitting contoured levers.
Drum Key Tightening
A drum key secures
snare strings to
plates for quick
operation and to
ensure
non-slip
snare performance.
Silicon Rubber
(H type)
Shell
Holding Plate Position
Head
Snare String
H type strainers are positioned closer to
the shell to provide greater lifting power
for superior snare to head contact.
Hoop
Silicon Rubber
P and B type
levers utilize a
silicon rubber on
the lock and lever
parts for secure
locking with quiet
operation.
Lugs
(P type)
Minimum Contact
Yamaha strainers are designed to contact
Snare Plate
Snare Wire the shell minimally, as are our butt plates,
ensuring full shell vibration.
Shell
Our lugs incorporate special lug receiving units, not springs, for seating tuning rods securely.
Nouveau Lugs on our Brass and Copper series snares employ a floating design that eliminates
contact between lug casing and shell. The lug casing hitches only to a fixed shell bolt and can
be snapped off for quick head changes. Our other more conventional lug casings are small in
size, minimizing lug-to-shell contact, and incorporating nylon inserts that prevent tuning rods
from loosening under heavy rimshots. Our high-tension one-piece lugs can accommodate heads
tensioned to the limit.
Nouveau Lug
One-piece Lug
B type (butt end) strainers
also minimize strainer to
shell contact.
Lug Insertion
Plate
Lug Nut
Snares
Lug Nut
Yamaha snare drums utilize two different basic
snare types, stainless steel and hi-carbon steel,
each possessing unique sonic characteristics.
Strong nylon strings or woven filament tapes attach
snare stands securely to strainer and butt plates.
Lug Nut
Holding
Plate
Bolt on Shell
Snare Plate (Pat. Pend.)
Yamaha snare plates offer superior snare to
head contact due to the slight bend in their
design. When the string is drawn tight, the edge
of the patented snare plate is pulled upward
putting the snare in full contact with the head.
Snare plates in the CP series are made using
a special bonding agent between the plate and
the coil that provides greater durability and
finer response compared to previous designs.
Snare coils on CP series snare drums are now
covered with a special new finish that allows
more of the material’s tone to come through.
Small Lug
Nylon Ring
Lug Insertion
Plate
Lug Nut
Nylon Strings
Nylon Braid
Strong Snare Strings
Nylon strings are covered with a nylon braid for
maximum strength and durability.
39
40
Philosophy of the Yamaha Snare Drums
Strainers
Yamaha strainers have undergone many design refinements. Today they are industry standards in
terms of ergonomics, effectiveness, and quiet use. Fine snare adjustments are made with a central
knob that allows small tension increments. Other adjustments are made with a drum key.
Two-piece snare holding plate
Smooth Lever Operation
Snare strings looped around the two plates
are held securely in place and out of the way.
(The two-piece snare holding plate is not
employed on detachable strainer system.)
All Yamaha strainer levers are designed
for ease of grip and liquid smooth
operation. At rest, they lock reliably. G and
H lever types are particularly smooth and
feature finger- fitting contoured levers.
Drum Key Tightening
A drum key secures
snare strings to
plates for quick
operation and to
ensure
non-slip
snare performance.
Silicon Rubber
(H type)
Shell
Holding Plate Position
Head
Snare String
H type strainers are positioned closer to
the shell to provide greater lifting power
for superior snare to head contact.
Hoop
Silicon Rubber
P and B type
levers utilize a
silicon rubber on
the lock and lever
parts for secure
locking with quiet
operation.
Lugs
(P type)
Minimum Contact
Yamaha strainers are designed to contact
Snare Plate
Snare Wire the shell minimally, as are our butt plates,
ensuring full shell vibration.
Shell
Our lugs incorporate special lug receiving units, not springs, for seating tuning rods securely.
Nouveau Lugs on our Brass and Copper series snares employ a floating design that eliminates
contact between lug casing and shell. The lug casing hitches only to a fixed shell bolt and can
be snapped off for quick head changes. Our other more conventional lug casings are small in
size, minimizing lug-to-shell contact, and incorporating nylon inserts that prevent tuning rods
from loosening under heavy rimshots. Our high-tension one-piece lugs can accommodate heads
tensioned to the limit.
Nouveau Lug
One-piece Lug
B type (butt end) strainers
also minimize strainer to
shell contact.
Lug Insertion
Plate
Lug Nut
Snares
Lug Nut
Yamaha snare drums utilize two different basic
snare types, stainless steel and hi-carbon steel,
each possessing unique sonic characteristics.
Strong nylon strings or woven filament tapes attach
snare stands securely to strainer and butt plates.
Lug Nut
Holding
Plate
Bolt on Shell
Snare Plate (Pat. Pend.)
Yamaha snare plates offer superior snare to
head contact due to the slight bend in their
design. When the string is drawn tight, the edge
of the patented snare plate is pulled upward
putting the snare in full contact with the head.
Snare plates in the CP series are made using
a special bonding agent between the plate and
the coil that provides greater durability and
finer response compared to previous designs.
Snare coils on CP series snare drums are now
covered with a special new finish that allows
more of the material’s tone to come through.
Small Lug
Nylon Ring
Lug Insertion
Plate
Lug Nut
Nylon Strings
Nylon Braid
Strong Snare Strings
Nylon strings are covered with a nylon braid for
maximum strength and durability.
39
40
Capitalizing on 40 years of expertise in the
manufacture of high-performance drums,
we’ve completely renewed our series of
standard-type snare drums.Every member of
the YAMAHA series now has added the ability
to express the characteristics unique to a
range of musical genres, and to create sounds
that suit any musical genre. This is the series
with the sound you’ve been searching for.
V-Series (VSD)
"Vintage" Concept
VSD1460
V-Series (VSD) “Vintage” Concept
S-Series (MSD) “Sensitive” Concept L-Series (NSD) “Loud” Concept
To obtain the rich sound of a vintage snare
dr um suitable for any musical genre, the
V- S e r i e s ( V S D ) i n c o r p o ra t e s a va r i e t y o f
specifications.
YAMAHA’s original reinforced shell is equipped
with a ring formed through the Airseal System,
which is also used for the Airseal shell. The
Vintage Finish process delivers maximum
vibrator y response in this series. The
V-Series(VSD) is available in four visual themes,
including new colors. The series features
minimized lugs and bolts, as well as a slightly
deeper snare head. These factors are there to
bring out the amazing tonality you expect from
YAMAHA. You’ll feel and hear the difference
from the various first beat.
We have tuned the popular Maple Custom Series
snare drum to produce even greater sensitivity
and tonal control.
By carefully processing the top bearing edge
to make it a rounder, 60-degree 2R edge,
deeper fundamental tone has been brought out.
Additionally, by giving the bottom rim a sharper
angle of 45-degree 1R, the bottom head and the
snare react more sensitively to each other. The
greater depth of the bottom head contributes to
that sensitivity.
■Size:14"x6"
This is a special drum using YAMAHA’s
original OAK material, which is highly regarded
in the world of rock thanks to its massive
volume and short decay.
Particularly, because nine vent holes release
the excess air from the shell, the power of the
snare drum concentrates on the backbeat.
This system produces powerful bite and huge
sound output.
The lug and hoop are all finished in black
chrome. Setting the lug in an offset position
provides a sharper image as well.
S-Series (MSD)
"Sensitive" Concept
MSD1455
■Size:14"x5 1/2"
MSD1465
■Size:14"x6 1/2"
COLOR FINISHES
VBK :
VN :
Vintage Natural Vintage Black
VA :
Vintage Apple
VBR :
Vintage Brown
L-Series (NSD)
"Loud" Concept
COLOR FINISHES
COLOR FINISHES
NSD1455
■Size:14"x5 1/2"
AS :
TM :
Amber Sunburst Turquoise Maple
MB :
MNO :
Matte Natural OAK Musashi Black
CW :
Cherry Wood
ROK : Red OAK SS : Solid Silver
BSS :
Blue Sparkle
Sunburst
NSD1470
41
■Size:14"x7"
BKSS :
Black Sparkle
Sunburst
TS : Temple Silver
HSS :
Habanero Sparkle
Sunburst
SB: Sea Blue
VN :
AS :
Vintage Natural Antique Sunburst
MSD1365
■Size:13"x6 1/2"
BM :
Black Maple
RPN :
Red Pearl Natural
42
Capitalizing on 40 years of expertise in the
manufacture of high-performance drums,
we’ve completely renewed our series of
standard-type snare drums.Every member of
the YAMAHA series now has added the ability
to express the characteristics unique to a
range of musical genres, and to create sounds
that suit any musical genre. This is the series
with the sound you’ve been searching for.
V-Series (VSD)
"Vintage" Concept
VSD1460
V-Series (VSD) “Vintage” Concept
S-Series (MSD) “Sensitive” Concept L-Series (NSD) “Loud” Concept
To obtain the rich sound of a vintage snare
dr um suitable for any musical genre, the
V- S e r i e s ( V S D ) i n c o r p o ra t e s a va r i e t y o f
specifications.
YAMAHA’s original reinforced shell is equipped
with a ring formed through the Airseal System,
which is also used for the Airseal shell. The
Vintage Finish process delivers maximum
vibrator y response in this series. The
V-Series(VSD) is available in four visual themes,
including new colors. The series features
minimized lugs and bolts, as well as a slightly
deeper snare head. These factors are there to
bring out the amazing tonality you expect from
YAMAHA. You’ll feel and hear the difference
from the various first beat.
We have tuned the popular Maple Custom Series
snare drum to produce even greater sensitivity
and tonal control.
By carefully processing the top bearing edge
to make it a rounder, 60-degree 2R edge,
deeper fundamental tone has been brought out.
Additionally, by giving the bottom rim a sharper
angle of 45-degree 1R, the bottom head and the
snare react more sensitively to each other. The
greater depth of the bottom head contributes to
that sensitivity.
■Size:14"x6"
This is a special drum using YAMAHA’s
original OAK material, which is highly regarded
in the world of rock thanks to its massive
volume and short decay.
Particularly, because nine vent holes release
the excess air from the shell, the power of the
snare drum concentrates on the backbeat.
This system produces powerful bite and huge
sound output.
The lug and hoop are all finished in black
chrome. Setting the lug in an offset position
provides a sharper image as well.
S-Series (MSD)
"Sensitive" Concept
MSD1455
■Size:14"x5 1/2"
MSD1465
■Size:14"x6 1/2"
COLOR FINISHES
VBK :
VN :
Vintage Natural Vintage Black
VA :
Vintage Apple
VBR :
Vintage Brown
L-Series (NSD)
"Loud" Concept
COLOR FINISHES
COLOR FINISHES
NSD1455
■Size:14"x5 1/2"
AS :
TM :
Amber Sunburst Turquoise Maple
MB :
MNO :
Matte Natural OAK Musashi Black
CW :
Cherry Wood
ROK : Red OAK SS : Solid Silver
BSS :
Blue Sparkle
Sunburst
NSD1470
41
■Size:14"x7"
BKSS :
Black Sparkle
Sunburst
TS : Temple Silver
HSS :
Habanero Sparkle
Sunburst
SB: Sea Blue
VN :
AS :
Vintage Natural Antique Sunburst
MSD1365
■Size:13"x6 1/2"
BM :
Black Maple
RPN :
Red Pearl Natural
42
TSD0846
BAS1460
2R
White Grape Sparkle
MAS1470
Tour Custom
All Maple 6-ply
MAS1440
■Size :14”x6
TSD0846
COLOR FINISHES
NW:
Natural Wood
RBS:
CR:
Red Black Sunburst Cranberry Red
BKO:
Black Onyx
BRS:
Brown Sunburst
BSD0655
1R
Solid Silver
Midnight Sky Blue
Absolute (Maple Custom Absolute / Birch Custom Absolute)
■Size :14”x7”
MAS1470,BAS1470
COLOR FINISHES
■Size :Size:14”x6”
MAS1460(H),BAS1460(H)
■Size :14”x4”
MAS1440
24 colors in total
*Refer to the color chart on page 11
BSD1250
BSD1050
1R
CCS1455
3R
Stage Custom Birch
60º
All Birch 6-ply
■Size :12”x5”
BSD1250
■Size :10”x5”
BSD1050
B
2.7
COLOR FINISHES
RB: Raven Black
Club Custom
■Size :14”x5 1/2”
BSD0655
SB: Sapphire Blue
CR: Cranberry Red NW: Natural Wood DSM: Dark Silver Metallic
*BSD1250,1050: Naturel Wood (NW) only.
■Size :14”x5 1/2”
CCS1455
NSD1365M
COLOR FINISHES
Swirl Orange
Swirl Black
NSD085A
Swirl Blue
Black Wood
Dark Wood
1R
45
NSD1260MBGW
Oak Custom
All Oak 6-ply
NSD1047M
■Size :14”x5.5”
NSD085A
COLOR FINISHES
RDS:
Red Sparkle
AMS:
BSS:
MSB:
Amber Sunburst Black Sparkle Sunburst Musashi Black
AMO:
York Honey Amber Oak
Musashi
All Oak 7-ply
SLS:
Silver Sparkle
43
ROK:
Red Oak
■Size :13”x6 1/2”
NSD1365M
COLOR FINISHES
■Size :12”x6”
NSD1260MBGW
■Size:10"x4 3/4"
NSD1047M
MB :
Musashi Black
44
TSD0846
BAS1460
2R
White Grape Sparkle
MAS1470
Tour Custom
All Maple 6-ply
MAS1440
■Size :14”x6
TSD0846
COLOR FINISHES
NW:
Natural Wood
RBS:
CR:
Red Black Sunburst Cranberry Red
BKO:
Black Onyx
BRS:
Brown Sunburst
BSD0655
1R
Solid Silver
Midnight Sky Blue
Absolute (Maple Custom Absolute / Birch Custom Absolute)
■Size :14”x7”
MAS1470,BAS1470
COLOR FINISHES
■Size :Size:14”x6”
MAS1460(H),BAS1460(H)
■Size :14”x4”
MAS1440
24 colors in total
*Refer to the color chart on page 11
BSD1250
BSD1050
1R
CCS1455
3R
Stage Custom Birch
60º
All Birch 6-ply
■Size :12”x5”
BSD1250
■Size :10”x5”
BSD1050
B
2.7
COLOR FINISHES
RB: Raven Black
Club Custom
■Size :14”x5 1/2”
BSD0655
SB: Sapphire Blue
CR: Cranberry Red NW: Natural Wood DSM: Dark Silver Metallic
*BSD1250,1050: Naturel Wood (NW) only.
■Size :14”x5 1/2”
CCS1455
NSD1365M
COLOR FINISHES
Swirl Orange
Swirl Black
NSD085A
Swirl Blue
Black Wood
Dark Wood
1R
45
NSD1260MBGW
Oak Custom
All Oak 6-ply
NSD1047M
■Size :14”x5.5”
NSD085A
COLOR FINISHES
RDS:
Red Sparkle
AMS:
BSS:
MSB:
Amber Sunburst Black Sparkle Sunburst Musashi Black
AMO:
York Honey Amber Oak
Musashi
All Oak 7-ply
SLS:
Silver Sparkle
43
ROK:
Red Oak
■Size :13”x6 1/2”
NSD1365M
COLOR FINISHES
■Size :12”x6”
NSD1260MBGW
■Size:10"x4 3/4"
NSD1047M
MB :
Musashi Black
44
SD2465
Steel
1.2mm
SD2455
Triple flange One-piece
(Steel / 1.6mm) Lug
B
DC
IP
Lug Nut
(14", 13")
Lug Nut
(12", 10")
Short / 20 Short / 14
Snare Bed Hi-carbon Hi-carbon
Depth Steel Snare Steel Snare
(14", 13") (12", 10")
REMO
REMO
Yamaha
Yamaha
(Top)
(Bottom)
(Top)
(Bottom)
Yamaha
Y.E.S.S.
B-6 type
IP type
DC type Ambassador Ambassador Yamaha
Snare Coated Head Snare Head (SD2240)
Coated
(RELEASE) (Detachable) (BUTT)
(14", 13") (14", 13") (12", 10") (12", 10")
(x4")
(RELEASE)
STEEL
Detachable Strainer
■Size :14”x6 1/2” ■Size :14”x5 1/2” ■Size :13”x5 1/2”
SD2465
SD2455
SD2355
■Size :13”x4”
SD2340
■Size :12”x5 1/2” ■Size :12”x4”
SD2255
SD2240
■Size :10”x5 1/2”
SD2055
Nouveau Lug
SD266A
■Nouveau Lugs on Brass
and Copper Shells
SD265A
Nouveau Lugs utilize a floating design that eliminates contact between the lug casing and
shell by hitching the lugs to the bolts at the shell side so the shell can resonate freely. Their
quick release design also provides for very quick head changes and reduces the risk of
losing washers since it is no longer necessary to entirely remove the tuning bolt.
■Designed to Deliver Greater Power
New Brass and Copper shells (1.5 mm thick) are designed thicker than previous models
(1.2 mm thick) to deliver a more powerful tone.
Stage Custom Steel
■Size :14"x6 1/2"
■Size:14"x5 1/2"
SD266A
SD265A
■Brass, Steel Shell Lineup Includes
Small Diameter Snares
Brass and steel shells are both available in smaller diameter 13-inch configurations. The
steel lineup also includes two 12-inch configurations and a 10-inch model. The 12-inch
and 10-inch diameter shells are fitted with rod clamps so you can attach the snare drum to
a tom stand and use it as an effect snare.
SD4470
Brass
SD4455
I
■“Detachable Strainer” Brass, Copper,
and Aluminum Shells
(Detachable Strainers are also employed on the release side of four-inch deep steel models).
■ Detachable Snare System (Pat.Pend.)
DynaHoop Nouveau
(Steel / 2.3mm) Lug
1.5mm
IP
Short / 20
Lug Nut Snare Bed Hi-carbon
Depth Steel Snare
IP
REMO
REMO
(Top)
(Bottom)
I type
IP type
IP type Ambassador Ambassador
(Detachable) (Detachable) (Detachable) Coated
Snare
(RELEASE)
(x4")
(BUTT)
(RELEASE)
BRASS
■Size :14”x7
SD4470
■Size :14”x5 1/2”
SD4455
■Size :14”x4”
SD4440
■Size :13”x6 1/2”
SD4365
■Size :13”x5 1/2”
SD4355
■Size :13”x4”
SD4340
SD6465
SD6455
Copper
1.5mm
I
IP
IP
REMO
REMO
(Top)
(Bottom)
I type
IP type
IP type Ambassador Ambassador
(Detachable) (Detachable) (Detachable) Coated
Snare
(RELEASE)
(x4")
(BUTT)
(RELEASE)
COPPER
■Size :14”x6 1/2”
SD6465
Short / 20
Lug Nut Snare Bed Hi-carbon
Depth Steel Snare
DynaHoop Nouveau
(Steel / 2.3mm) Lug
■Size :14”x5 1/2”
SD6455
■Size :14”x4”
SD6440
SD3465
SD3455
Aluminum
2.0mm DynaHoop One-piece Lug Insertion Snare Bed
(Steel /
Lug
Plate
Depth
2.3mm)
I
ALUMINUM
■Size :14”x6 1/2”
SD3465
45
IP
REMO
REMO
(Top)
(Bottom)
Short / 20
IP type Ambassador Ambassador
Hi-carbon I type
Snare
Steel Snare (Detachable) (Detachable) Coated
(RELEASE) (BUTT)
■Size :14”x5 1/2”
SD3455
46
SD2465
Steel
1.2mm
SD2455
Triple flange One-piece
(Steel / 1.6mm) Lug
B
DC
IP
Lug Nut
(14", 13")
Lug Nut
(12", 10")
Short / 20 Short / 14
Snare Bed Hi-carbon Hi-carbon
Depth Steel Snare Steel Snare
(14", 13") (12", 10")
REMO
REMO
Yamaha
Yamaha
(Top)
(Bottom)
(Top)
(Bottom)
Yamaha
Y.E.S.S.
B-6 type
IP type
DC type Ambassador Ambassador Yamaha
Snare Coated Head Snare Head (SD2240)
Coated
(RELEASE) (Detachable) (BUTT)
(14", 13") (14", 13") (12", 10") (12", 10")
(x4")
(RELEASE)
STEEL
Detachable Strainer
■Size :14”x6 1/2” ■Size :14”x5 1/2” ■Size :13”x5 1/2”
SD2465
SD2455
SD2355
■Size :13”x4”
SD2340
■Size :12”x5 1/2” ■Size :12”x4”
SD2255
SD2240
■Size :10”x5 1/2”
SD2055
Nouveau Lug
SD266A
■Nouveau Lugs on Brass
and Copper Shells
SD265A
Nouveau Lugs utilize a floating design that eliminates contact between the lug casing and
shell by hitching the lugs to the bolts at the shell side so the shell can resonate freely. Their
quick release design also provides for very quick head changes and reduces the risk of
losing washers since it is no longer necessary to entirely remove the tuning bolt.
■Designed to Deliver Greater Power
New Brass and Copper shells (1.5 mm thick) are designed thicker than previous models
(1.2 mm thick) to deliver a more powerful tone.
Stage Custom Steel
■Size :14"x6 1/2"
■Size:14"x5 1/2"
SD266A
SD265A
■Brass, Steel Shell Lineup Includes
Small Diameter Snares
Brass and steel shells are both available in smaller diameter 13-inch configurations. The
steel lineup also includes two 12-inch configurations and a 10-inch model. The 12-inch
and 10-inch diameter shells are fitted with rod clamps so you can attach the snare drum to
a tom stand and use it as an effect snare.
SD4470
Brass
SD4455
I
■“Detachable Strainer” Brass, Copper,
and Aluminum Shells
(Detachable Strainers are also employed on the release side of four-inch deep steel models).
■ Detachable Snare System (Pat.Pend.)
DynaHoop Nouveau
(Steel / 2.3mm) Lug
1.5mm
IP
Short / 20
Lug Nut Snare Bed Hi-carbon
Depth Steel Snare
IP
REMO
REMO
(Top)
(Bottom)
I type
IP type
IP type Ambassador Ambassador
(Detachable) (Detachable) (Detachable) Coated
Snare
(RELEASE)
(x4")
(BUTT)
(RELEASE)
BRASS
■Size :14”x7
SD4470
■Size :14”x5 1/2”
SD4455
■Size :14”x4”
SD4440
■Size :13”x6 1/2”
SD4365
■Size :13”x5 1/2”
SD4355
■Size :13”x4”
SD4340
SD6465
SD6455
Copper
1.5mm
I
IP
IP
REMO
REMO
(Top)
(Bottom)
I type
IP type
IP type Ambassador Ambassador
(Detachable) (Detachable) (Detachable) Coated
Snare
(RELEASE)
(x4")
(BUTT)
(RELEASE)
COPPER
■Size :14”x6 1/2”
SD6465
Short / 20
Lug Nut Snare Bed Hi-carbon
Depth Steel Snare
DynaHoop Nouveau
(Steel / 2.3mm) Lug
■Size :14”x5 1/2”
SD6455
■Size :14”x4”
SD6440
SD3465
SD3455
Aluminum
2.0mm DynaHoop One-piece Lug Insertion Snare Bed
(Steel /
Lug
Plate
Depth
2.3mm)
I
ALUMINUM
■Size :14”x6 1/2”
SD3465
45
IP
REMO
REMO
(Top)
(Bottom)
Short / 20
IP type Ambassador Ambassador
Hi-carbon I type
Snare
Steel Snare (Detachable) (Detachable) Coated
(RELEASE) (BUTT)
■Size :14”x5 1/2”
SD3455
46
Yamaha Drummers (International)
Independen
Gorden Campbell
Steely Dan
Keith Carlock
The Corrs
Caroline Corr
Fiona Apple, Michelle Branch
Charley Drayton
McCoy Tyner, Miles Davis
Al Foster
Paul Simon, Eric Clapton, James Taylor
Steve Gadd
Indipendent,Birdland Big Band
Tommy Igoe
Hida Jimbo, Intelligent Jazz, Independent
Akira Jimbo
Independent
Rick Marotta
Jamiroquai
Derrick Mckenzie
Pat Metheny
Antonio Sanchez
Jack Johnson
Adam Topol
Zak Bond
Independent
Hiroyuki Noritake
Fragile
Kozo Suganuma
Xavier Muriel
Independent
Buckcherry
Eric Clapton, John Mayer Trio,
Sonny Rollins, James Taylor
Independent, LA Studio
Dave Weckl Band, Chick Corea
Dave Weckl
Staind
Jon Wysocki
Questlove
Shannon Larkin
Larry Mullen, Jr.
The Roots
Godsmack
U2
Dave MacClain
Roy Haynes
Manu Katche
Machine Head
Jazz LegendJohn Scofield
Sting, Peter Gabriel, Jan Garbarek
Chris Hesse
Sully Erna
Steve Hass
Hoobastank
Godsmack
John Scofield
Justin Foley
Mino Cinelu
Sonny Emory
David Garibaldi
Killswitch Engage
Miles Davis, Sting, David Sanborn
Bruce Hornsby, Bette Midler
Tower of Power
Billy Cobham
Paul Bostaph
Will Champion
Phil Ehart
Independent
TESTAMENT
Coldplay
Kansas
Matt Cameron
Mike Bordin
Terri Lyne Carrington
Pearl Jam, Sound Garden
Ozzy Osbourne
Herbie Hancock
Russ Miller
Tommy Aldridge
Steve Jordan
Whitesnake
48
47
■ Japan
Yamaha Drummers (International)
Independen
Gorden Campbell
Steely Dan
Keith Carlock
The Corrs
Caroline Corr
Fiona Apple, Michelle Branch
Charley Drayton
McCoy Tyner, Miles Davis
Al Foster
Paul Simon, Eric Clapton, James Taylor
Steve Gadd
Indipendent,Birdland Big Band
Tommy Igoe
Hida Jimbo, Intelligent Jazz, Independent
Akira Jimbo
Independent
Rick Marotta
Jamiroquai
Derrick Mckenzie
Pat Metheny
Antonio Sanchez
Jack Johnson
Adam Topol
Zak Bond
Independent
Hiroyuki Noritake
Fragile
Kozo Suganuma
Xavier Muriel
Independent
Buckcherry
Eric Clapton, John Mayer Trio,
Sonny Rollins, James Taylor
Independent, LA Studio
Dave Weckl Band, Chick Corea
Dave Weckl
Staind
Jon Wysocki
Questlove
Shannon Larkin
Larry Mullen, Jr.
The Roots
Godsmack
U2
Dave MacClain
Roy Haynes
Manu Katche
Machine Head
Jazz LegendJohn Scofield
Sting, Peter Gabriel, Jan Garbarek
Chris Hesse
Sully Erna
Steve Hass
Hoobastank
Godsmack
John Scofield
Justin Foley
Mino Cinelu
Sonny Emory
David Garibaldi
Killswitch Engage
Miles Davis, Sting, David Sanborn
Bruce Hornsby, Bette Midler
Tower of Power
Billy Cobham
Paul Bostaph
Will Champion
Phil Ehart
Independent
TESTAMENT
Coldplay
Kansas
Matt Cameron
Mike Bordin
Terri Lyne Carrington
Pearl Jam, Sound Garden
Ozzy Osbourne
Herbie Hancock
Russ Miller
Tommy Aldridge
Steve Jordan
Whitesnake
48
47
■ Japan
João Viana
Budhy Haryono
Deddy Riyono
Ungu
Roman
Farzad Gheysaripour
Tiket
Letto
Independent
Kuki Stolarski
Alvin Eka Putra
Widi Puradiredja
Raden Adisty Sofie
Zeca Baleiro, Funk Como Le Gusta
NOXA, Cemetary Dance Club
Maliq d'sential
She
Shane Wakker
Claudio Oliveira
Denny AJD
Yadi Mulyadi (Wok)
Bodyjar, Cola Wars
Player Session
Opera
Matta
Anthony Mitolo
Warren Trout
Lucas Kastrup
Moska, Leila Pinheiro,
Jorge Vercillo
Empire of the Sun
Jimmy Barnes
Ponto de Equilíbrio
ADAM WESTON
Daniel Piazzolla
Lee Maloney
KOSTA THEODOSIS
Birds Of Tokyo
Escalandrum
Diesel, Ghostwriters
Amy Meredith
Kimberley Moyes
Cristian Judurcha
Kristian Hopes
The Presets
Juan Carlos Baglietto
Grinspoon
Leandro Savelon
Leo De Cecco
Douglas Las Casas
Attaque 77
Três de Paus, SOLO, Player Session
Bittencourt Project, Edu Ardanuy
(Dr. Sin), Kiko Loureiro (Angra), Karma
Marcell Cardoso
Shaun Sibbes
Gordan Rytmeister
Sneaky Sound Systems
Australian Idol/ Independent
Toby Dundas
Mark Charters
The Temper Trap
TSMOR, Freelance, Theatre
Leonardo Alvarez
Charly Alberti
independent-session drummer
Carlos Figueroa Salazar
D'masif
Wahyu Piaji
■ Indonesia
e-COX, SOLO, Player Session
Igor Willcox
Nidji
Mochamad Adry Perkasa
■ Chile
Hentriesa Yulmedia
Independent
Jonas Wang
BLP, Agnes Monica, OneWay
Magi Trisandi
Rif
Timotius
Saint Loco
Titik Handayani/ Syuman
Independent
50
49
Soda Stereo--Mole
■ Brazil
■ Iran
El Cuatrillo
■ Australia
Secion
■ Argentina
America, and Eurasian Countries
Yamaha Drummers in Asia, Oceania, Latin
João Viana
Budhy Haryono
Deddy Riyono
Ungu
Roman
Farzad Gheysaripour
Tiket
Letto
Independent
Kuki Stolarski
Alvin Eka Putra
Widi Puradiredja
Raden Adisty Sofie
Zeca Baleiro, Funk Como Le Gusta
NOXA, Cemetary Dance Club
Maliq d'sential
She
Shane Wakker
Claudio Oliveira
Denny AJD
Yadi Mulyadi (Wok)
Bodyjar, Cola Wars
Player Session
Opera
Matta
Anthony Mitolo
Warren Trout
Lucas Kastrup
Moska, Leila Pinheiro,
Jorge Vercillo
Empire of the Sun
Jimmy Barnes
Ponto de Equilíbrio
ADAM WESTON
Daniel Piazzolla
Lee Maloney
KOSTA THEODOSIS
Birds Of Tokyo
Escalandrum
Diesel, Ghostwriters
Amy Meredith
Kimberley Moyes
Cristian Judurcha
Kristian Hopes
The Presets
Juan Carlos Baglietto
Grinspoon
Leandro Savelon
Leo De Cecco
Douglas Las Casas
Attaque 77
Três de Paus, SOLO, Player Session
Bittencourt Project, Edu Ardanuy
(Dr. Sin), Kiko Loureiro (Angra), Karma
Marcell Cardoso
Shaun Sibbes
Gordan Rytmeister
Sneaky Sound Systems
Australian Idol/ Independent
Toby Dundas
Mark Charters
The Temper Trap
TSMOR, Freelance, Theatre
Leonardo Alvarez
Charly Alberti
independent-session drummer
Carlos Figueroa Salazar
D'masif
Wahyu Piaji
■ Indonesia
e-COX, SOLO, Player Session
Igor Willcox
Nidji
Mochamad Adry Perkasa
■ Chile
Hentriesa Yulmedia
Independent
Jonas Wang
BLP, Agnes Monica, OneWay
Magi Trisandi
Rif
Timotius
Saint Loco
Titik Handayani/ Syuman
Independent
50
49
Soda Stereo--Mole
■ Brazil
■ Iran
El Cuatrillo
■ Australia
Secion
■ Argentina
America, and Eurasian Countries
Yamaha Drummers in Asia, Oceania, Latin
Namgoong Yon
Independent
Walid T. Tawil
La Gusana Ciega
Germán Arroyo
Hello Seahorse
Gabriel de León "Bonz"
BIG Band Mexico
Mario Garcia
Zoé
Rodrigo Guardiola
Camila
Rodrigo Ortega
Montez de Durango
Daniel Terrazas
5DIEZ
Grigory "GREG" Karpov
Epidemia
Dmitry Krivenkov
Crescendo
Aekpong Cherdtham
Infinity
Sutipong Pankong
Wahala
Adolfo Herrera
Troker
Frankie Mares
Panda
Jorge "Kross" Vazquez
Dildo
Rodrigo Vieyra
Playa Limbo
Servando Yañez
Oleg Butman
Gilberto "Nut" Castillo
Enrique "Bugs" Gonzalez
Oleg Butman's Trio
Kalimba
Aleks Syntek
Julio Moran
Jerry Felix
Eduardo Carrillo
Luis Mario Garza
Independent
Independent
Agora
Pesado
Elohim Corona
Azlan Rudy
Bruno Bressa
Moderatto
POP Shuvit
Volovan
Alfonso Andre
John Ashley Thomas
Jaguares/ Caifanes
Independent
Sonstar
Independent
■ Russia
Cherry Filter
Lee Sangmin
Independent
Ben Ball
Independent
Nima Navapour
Independent
Independent
Miguel Hernandez
Vladimir Zhurkin
Lundstrem's State Jazz Music
Chamber Orchestra
Alexander "Poruchik"
Schigolev Korol' i Shut
D.O.M.S.
Rafael Lee
Soda Gree
Jim Wei
Independent
Andrey Kuzmenchuk
Robert Nalin
Independent
Er Chow Kiat
Independent
■ Thailand
■ Singapore
52
51
■ Venezuela
■ Ukraine
■ Taiwan
■ Mexico
■ Malaysia
■ Lebanon
■ Korea
■ Iran
America, and Eurasian Countries
Yamaha Drummers in Asia, Oceania, Latin
Namgoong Yon
Independent
Walid T. Tawil
La Gusana Ciega
Germán Arroyo
Hello Seahorse
Gabriel de León "Bonz"
BIG Band Mexico
Mario Garcia
Zoé
Rodrigo Guardiola
Camila
Rodrigo Ortega
Montez de Durango
Daniel Terrazas
5DIEZ
Grigory "GREG" Karpov
Epidemia
Dmitry Krivenkov
Crescendo
Aekpong Cherdtham
Infinity
Sutipong Pankong
Wahala
Adolfo Herrera
Troker
Frankie Mares
Panda
Jorge "Kross" Vazquez
Dildo
Rodrigo Vieyra
Playa Limbo
Servando Yañez
Oleg Butman
Gilberto "Nut" Castillo
Enrique "Bugs" Gonzalez
Oleg Butman's Trio
Kalimba
Aleks Syntek
Julio Moran
Jerry Felix
Eduardo Carrillo
Luis Mario Garza
Independent
Independent
Agora
Pesado
Elohim Corona
Azlan Rudy
Bruno Bressa
Moderatto
POP Shuvit
Volovan
Alfonso Andre
John Ashley Thomas
Jaguares/ Caifanes
Independent
Sonstar
Independent
■ Russia
Cherry Filter
Lee Sangmin
Independent
Ben Ball
Independent
Nima Navapour
Independent
Independent
Miguel Hernandez
Vladimir Zhurkin
Lundstrem's State Jazz Music
Chamber Orchestra
Alexander "Poruchik"
Schigolev Korol' i Shut
D.O.M.S.
Rafael Lee
Soda Gree
Jim Wei
Independent
Andrey Kuzmenchuk
Robert Nalin
Independent
Er Chow Kiat
Independent
■ Thailand
■ Singapore
52
51
■ Venezuela
■ Ukraine
■ Taiwan
■ Mexico
■ Malaysia
■ Lebanon
■ Korea
■ Iran
America, and Eurasian Countries
Yamaha Drummers in Asia, Oceania, Latin
anton
anton FIG
andre
andre CECCARELLI
Andre Ceccarelli Signature Model
■ MSD1455AC
Maple shell, 14” x 5 1/2”,
4-ply with Reinforcement, 10-lugs,
Zinc die-cast hoop, Special chrome,
Lime Green Sparkle finish
jimmy
CHAMBERLIN
Jimmy Chamberlin Signature Model
■ SD2455JC
Steel shell, 14 x 5 1/2”,
10-lug, aluminum die-cast hoops;
Matte Chrome finish
Anton Fig Signature Model
■ MSD14AF
Maple shell, 14” x 6”, 7-ply, 10-lug,
19-ply vintage wood hoop,
vintage interior finish, Solid Black finish
steve
steve GADD
Steve Gadd Signature Model
■ BSD14ASG
Birch shell, 14” x 5”, 6-ply, 10-lug, black
vintage wood hoops, decagonal-shape
bottom hoop, 3.5mm snare bed, Solid
Black finish
■ MSD14ASG
ndugu
ndugu CHANCLER
Ndugu Chancler Signature Model
■ SD255ANC
Steel shell, 14” x 5 1/2”,
10-lug, 2.3mm DynaHoop,
snare diverter, White finish
billy
billyCOBHAM
COBHAM
Billy Cobham Signature Model
■ ASD1460BC
Maple shell, 14” x 6”, 6-ply, 8-lug,
19-ply vintage wood hoop, extended
snare; Silver Sparkle or Solid Black finish
sonny
sonny EMORY
Sonny Emory Signature Model
■ WSD1455SE
Beech shell, 14” x 5 1/2”,
8-ply/10mm shell, 10-lug,
zinc die-cast hoop, special grain,
Vintage finish
53
Maple shell, 14" x 5", 7-ply, 10-lug,
black vintage wood hoops, decagonal-shape bottom hoop, 3.5mm snare
bed, Solid Black finish
■ SD255ASG
Steel shell, 14" x 5 1/2", /
10-lug, black vintage wood hoops,
decagonal-shape bottom hoop,
3.5mm snare bed, Black finish
david
davidGARIBALDI
David Garibaldi Signature Model
■ SD435ADG
Brass shell, 14” x 3 1/2”, 10-lug,
zinc die-cast rims, Blue Nickel Alloy finish
roy HAYNES
Roy Haynes Signature Model
■ SD655ARH
Hand-hammered copper shell,
14” x 5 1/2”, 10-lug, 2.3mm steel
triple-flange rims, internal muffler
54
anton
anton FIG
andre
andre CECCARELLI
Andre Ceccarelli Signature Model
■ MSD1455AC
Maple shell, 14” x 5 1/2”,
4-ply with Reinforcement, 10-lugs,
Zinc die-cast hoop, Special chrome,
Lime Green Sparkle finish
jimmy
CHAMBERLIN
Jimmy Chamberlin Signature Model
■ SD2455JC
Steel shell, 14 x 5 1/2”,
10-lug, aluminum die-cast hoops;
Matte Chrome finish
Anton Fig Signature Model
■ MSD14AF
Maple shell, 14” x 6”, 7-ply, 10-lug,
19-ply vintage wood hoop,
vintage interior finish, Solid Black finish
steve
steve GADD
Steve Gadd Signature Model
■ BSD14ASG
Birch shell, 14” x 5”, 6-ply, 10-lug, black
vintage wood hoops, decagonal-shape
bottom hoop, 3.5mm snare bed, Solid
Black finish
■ MSD14ASG
ndugu
ndugu CHANCLER
Ndugu Chancler Signature Model
■ SD255ANC
Steel shell, 14” x 5 1/2”,
10-lug, 2.3mm DynaHoop,
snare diverter, White finish
billy
billyCOBHAM
COBHAM
Billy Cobham Signature Model
■ ASD1460BC
Maple shell, 14” x 6”, 6-ply, 8-lug,
19-ply vintage wood hoop, extended
snare; Silver Sparkle or Solid Black finish
sonny
sonny EMORY
Sonny Emory Signature Model
■ WSD1455SE
Beech shell, 14” x 5 1/2”,
8-ply/10mm shell, 10-lug,
zinc die-cast hoop, special grain,
Vintage finish
53
Maple shell, 14" x 5", 7-ply, 10-lug,
black vintage wood hoops, decagonal-shape bottom hoop, 3.5mm snare
bed, Solid Black finish
■ SD255ASG
Steel shell, 14" x 5 1/2", /
10-lug, black vintage wood hoops,
decagonal-shape bottom hoop,
3.5mm snare bed, Black finish
david
davidGARIBALDI
David Garibaldi Signature Model
■ SD435ADG
Brass shell, 14” x 3 1/2”, 10-lug,
zinc die-cast rims, Blue Nickel Alloy finish
roy HAYNES
Roy Haynes Signature Model
■ SD655ARH
Hand-hammered copper shell,
14” x 5 1/2”, 10-lug, 2.3mm steel
triple-flange rims, internal muffler
54
akira
akira JIMBO
Akira Jimbo Signature Model
■ WSD13AJ
Beech shell, 13” x 7”, 8-ply, 6-lug, Vintage
interior finish, White Sparkle finish
manu
manuKATCHÉ
KATCHÉ
Manu Katché Signature Model
■ SD465AMK
Black-plated brass shell, 14” x 6 1/2”,
10-lug, zinc die-cast top hoop/aluminum
die-cast bottom hoop,
Black Nickel Alloy finish
■ SD455AMK
Black-plated brass shell, 14" x 5 1/2",
10-lug, zinc die-cast top hoop/aluminum
die-cast bottom hoop,
Black Nickel Alloy finish
kozo
kozo SUGANUMA
Kozo Suganuma Signature Model
■ SD6455KS
Copper Shell, 14” x 5 1/2”, 10 lug,
zinc die-cast hoops, No Center Beads
on Shell
paul
paul LEIM
Paul Leim Signature Model
■ SD465APL
Chrome-plated brass shell, 14” x 6 1/2”,
black-chromed aluminum die-cast hoops,
dual strainer, one-piece gold-plated lugs,
30-strand snares
■ SD455APL
Chrome-plated brass shell, 14" x 5
1/2", black-chromed aluminum die-cast
hoops, dual strainer,one-piece goldplated lugs, 30-strand snares
elvin
elvin JONES
Elvin Jones Signature Model
■ MSD1470EJ
Maple shell, 14” x 7”, 7-ply, 10-lug,
19-ply vintage hoop, gold lug,
Gold Sparkle finish
dave
dave WECKL
Dave Weckl Signature Model
■ MSD14ADW
Maple shell, 14” x 5 1/2”, 8-lug, Nouveau
lug casings, aluminum die-cast hoops,
dual strainer design, Solid Black finish
■ MSD13ADW
Maple shell, 13” x 5 1/2”, 6-lug, Nouveau
lug casings, aluminum die-cast hoops,
dual strainer design, Solid Black finish
55
mike
mike BORDIN
Mike Bordin Signature Model
■ SD6465MB
Copper shell, 14 x 6 1/2”, 10-lug,
2.3mm black-finished DynaHoop,
hand-hammered bottom half
shell; Clear Black finish
steve
steve JORDAN
Steve Jordan Signature Model
■ MSD1365SJ
Maple shell, 13" x 6 1/2", 4-ply with
reinforcement rings, 8-lug,
1.6mm triple-flanged hoop,
Matte Natural finish
■ SD08CJ
Birch/mahogany shell, 8" x 5", 7-ply,
5 lugs, YESS mounting bracket, L-arm
mounts directly to cocktail drum,
Silver Sparkle or Pink Sparkle finish
56
akira
akira JIMBO
Akira Jimbo Signature Model
■ WSD13AJ
Beech shell, 13” x 7”, 8-ply, 6-lug, Vintage
interior finish, White Sparkle finish
manu
manuKATCHÉ
KATCHÉ
Manu Katché Signature Model
■ SD465AMK
Black-plated brass shell, 14” x 6 1/2”,
10-lug, zinc die-cast top hoop/aluminum
die-cast bottom hoop,
Black Nickel Alloy finish
■ SD455AMK
Black-plated brass shell, 14" x 5 1/2",
10-lug, zinc die-cast top hoop/aluminum
die-cast bottom hoop,
Black Nickel Alloy finish
kozo
kozo SUGANUMA
Kozo Suganuma Signature Model
■ SD6455KS
Copper Shell, 14” x 5 1/2”, 10 lug,
zinc die-cast hoops, No Center Beads
on Shell
paul
paul LEIM
Paul Leim Signature Model
■ SD465APL
Chrome-plated brass shell, 14” x 6 1/2”,
black-chromed aluminum die-cast hoops,
dual strainer, one-piece gold-plated lugs,
30-strand snares
■ SD455APL
Chrome-plated brass shell, 14" x 5
1/2", black-chromed aluminum die-cast
hoops, dual strainer,one-piece goldplated lugs, 30-strand snares
elvin
elvin JONES
Elvin Jones Signature Model
■ MSD1470EJ
Maple shell, 14” x 7”, 7-ply, 10-lug,
19-ply vintage hoop, gold lug,
Gold Sparkle finish
dave
dave WECKL
Dave Weckl Signature Model
■ MSD14ADW
Maple shell, 14” x 5 1/2”, 8-lug, Nouveau
lug casings, aluminum die-cast hoops,
dual strainer design, Solid Black finish
■ MSD13ADW
Maple shell, 13” x 5 1/2”, 6-lug, Nouveau
lug casings, aluminum die-cast hoops,
dual strainer design, Solid Black finish
55
mike
mike BORDIN
Mike Bordin Signature Model
■ SD6465MB
Copper shell, 14 x 6 1/2”, 10-lug,
2.3mm black-finished DynaHoop,
hand-hammered bottom half
shell; Clear Black finish
steve
steve JORDAN
Steve Jordan Signature Model
■ MSD1365SJ
Maple shell, 13" x 6 1/2", 4-ply with
reinforcement rings, 8-lug,
1.6mm triple-flanged hoop,
Matte Natural finish
■ SD08CJ
Birch/mahogany shell, 8" x 5", 7-ply,
5 lugs, YESS mounting bracket, L-arm
mounts directly to cocktail drum,
Silver Sparkle or Pink Sparkle finish
56
YA M A H A
SYSTEM
HARDWARE
Foot Pedal
Hihat Stand
Cymbal Stand
Snare Stand
Drum Stool
Hardware should maximize the performance and capabilities of the drum.
Drummers worldwide have long held Yamaha hardware in high regard for
its outstanding durability and reliability.
New products like our pattern-less footboards were each conceived from
ideas brought to us by individual players. As times, music, players, and
possibilities evolve, so does Yamaha System Hardware.
In Pursuit of Smooth Action
Double Tom Stand
4 Drive System Types
Four Drive Types Offer Four Different Feels
(FP9500D Series)
The FP9500D’s light pedal work is made
possible through the utilization of an aluminum
die-cast link. The pedal stroke starts out light
when pressed but delivers dynamic pedal
action with an overwhelming sense of speed.
(FP9500D, DFP9500D)
Direct Drive
9500D
A die-cast aluminum link provides a direct
connection between the pedal and beater
that transmits pedal control directly to the
beater. This high performance drive delivers
an overwhelming sense of speed. (FP9500D,
DFP9500D)
CHAIN DRIVE &
BELT DRIVE
Double Chain Drive
FEELING
HEAVY
Tom Holder
9500C, 8500C
DIRECT DRIVE
LIGHT
The double chain drive offers reliable and
durable operation with uniform action. The
FP9500C/8500C and DFP9500C/9500CL come
with a belt letting you switch to a belt drive
system if preferred.
ACTION
Single Chain Drive
7210A
New Footboard Design
The wider pedal design provides a larger
contact surface for your foot delivering a
lighter feel and greater playability. Grip is
enhanced in the heel section, and the patternless surface offers both moderate gripping and
smooth movement. A weight balance on the
end delivers great playability. (FP9500 series,
DFP8500 series, DFP series)
The FP8500C/8500B both feature longer
footboards. The same length as used on the hi-hat
pedals offers smoother switching to the sub pedal.
57
The single chain drive provides uniform action
with a natural feel.
Belt Drive
8500B
The belt drive has supple touch and feel that
isn’t found in chain drive systems.
58
YA M A H A
SYSTEM
HARDWARE
Foot Pedal
Hihat Stand
Cymbal Stand
Snare Stand
Drum Stool
Hardware should maximize the performance and capabilities of the drum.
Drummers worldwide have long held Yamaha hardware in high regard for
its outstanding durability and reliability.
New products like our pattern-less footboards were each conceived from
ideas brought to us by individual players. As times, music, players, and
possibilities evolve, so does Yamaha System Hardware.
In Pursuit of Smooth Action
Double Tom Stand
4 Drive System Types
Four Drive Types Offer Four Different Feels
(FP9500D Series)
The FP9500D’s light pedal work is made
possible through the utilization of an aluminum
die-cast link. The pedal stroke starts out light
when pressed but delivers dynamic pedal
action with an overwhelming sense of speed.
(FP9500D, DFP9500D)
Direct Drive
9500D
A die-cast aluminum link provides a direct
connection between the pedal and beater
that transmits pedal control directly to the
beater. This high performance drive delivers
an overwhelming sense of speed. (FP9500D,
DFP9500D)
CHAIN DRIVE &
BELT DRIVE
Double Chain Drive
FEELING
HEAVY
Tom Holder
9500C, 8500C
DIRECT DRIVE
LIGHT
The double chain drive offers reliable and
durable operation with uniform action. The
FP9500C/8500C and DFP9500C/9500CL come
with a belt letting you switch to a belt drive
system if preferred.
ACTION
Single Chain Drive
7210A
New Footboard Design
The wider pedal design provides a larger
contact surface for your foot delivering a
lighter feel and greater playability. Grip is
enhanced in the heel section, and the patternless surface offers both moderate gripping and
smooth movement. A weight balance on the
end delivers great playability. (FP9500 series,
DFP8500 series, DFP series)
The FP8500C/8500B both feature longer
footboards. The same length as used on the hi-hat
pedals offers smoother switching to the sub pedal.
57
The single chain drive provides uniform action
with a natural feel.
Belt Drive
8500B
The belt drive has supple touch and feel that
isn’t found in chain drive systems.
58
Foot Pedal
Yamaha System Hardware Analysis
Bearings
Sub Frame
Single Foot Pedal
Double Foot Pedal
2-Way Beater
Beater Angle Adjustment
Frame Structure
This convertible beater incorporates two types
of beaters into a single unit. One side is a
normal felt type while the other is made of
plastic that delivers a feeling close to wood.
(FP9500, DFP9500 series)
Loosening the adjustment screw lets you freely
adjust the beater angle along with the footboard
angle. (All models)
This Yamaha original design incorporates a sub-frame just below the rocker shaft to deliver greater
stability and durability. Drummers will experience smoother, more stable movement particularly in
double pedal setups since bearings for both the main and remote beaters are incorporated into the
sub-frame. (All models)
Spring
Tension
Adjustment Nut
Spring Tension
Adjustment Nut
Beater Shaft Rocker (Pat. Pend.)
The teardrop shaped shaft hole holds the shaft
securely. (All models)
The shaft’s flat surface keeps the 2-way beater
from swiveling while playing.
Spring Tension Adjustment Lock
System
One hand spring tension adjustment is easy.
A lock bolt secures the setting to prevent
loosening during play. (Excluding FP7210A)
Bass Drum Hoop Clamp
A wing bolt firmly tightens the clamp for secure attachment. It also allows the clamp to
accommodate different hoop thicknesses.
Spring Roller with Built-in Bearings
Base Frame Tie Rods
Smooth Moving Universal Joint
Precision bearings deliver smooth, natural pedal
action. (Excluding FP7210A)
Rubber coated tie rod ends prevent the
footboard and base frame from becoming
disconnected. (FP8500B)
A universal joint on the rocker shaft provides
angular flexibility for smoother movement. (All
models with double foot pedals).
Compact and Convenient SemiHard Case
The 9500 Series pedals come with a specially
designed semi hard case. This case provides
protection from damage even when storing the
pedals in the trunk case along with the stands
that are missing their rubber feet. (FP9500
series, DFP9500 series)
Footboard Angle Adjustment
The pedal angle can be set freely to any angle without affecting beater angle. This lets you set the
pedal angle you want when the pedal is not pressed. A tuning key is used to make the adjustment,
which also lets you align pedal height with your sub, and hi-hat pedals. (FP/DFP9500 Series)
59
60
Foot Pedal
Yamaha System Hardware Analysis
Bearings
Sub Frame
Single Foot Pedal
Double Foot Pedal
2-Way Beater
Beater Angle Adjustment
Frame Structure
This convertible beater incorporates two types
of beaters into a single unit. One side is a
normal felt type while the other is made of
plastic that delivers a feeling close to wood.
(FP9500, DFP9500 series)
Loosening the adjustment screw lets you freely
adjust the beater angle along with the footboard
angle. (All models)
This Yamaha original design incorporates a sub-frame just below the rocker shaft to deliver greater
stability and durability. Drummers will experience smoother, more stable movement particularly in
double pedal setups since bearings for both the main and remote beaters are incorporated into the
sub-frame. (All models)
Spring
Tension
Adjustment Nut
Spring Tension
Adjustment Nut
Beater Shaft Rocker (Pat. Pend.)
The teardrop shaped shaft hole holds the shaft
securely. (All models)
The shaft’s flat surface keeps the 2-way beater
from swiveling while playing.
Spring Tension Adjustment Lock
System
One hand spring tension adjustment is easy.
A lock bolt secures the setting to prevent
loosening during play. (Excluding FP7210A)
Bass Drum Hoop Clamp
A wing bolt firmly tightens the clamp for secure attachment. It also allows the clamp to
accommodate different hoop thicknesses.
Spring Roller with Built-in Bearings
Base Frame Tie Rods
Smooth Moving Universal Joint
Precision bearings deliver smooth, natural pedal
action. (Excluding FP7210A)
Rubber coated tie rod ends prevent the
footboard and base frame from becoming
disconnected. (FP8500B)
A universal joint on the rocker shaft provides
angular flexibility for smoother movement. (All
models with double foot pedals).
Compact and Convenient SemiHard Case
The 9500 Series pedals come with a specially
designed semi hard case. This case provides
protection from damage even when storing the
pedals in the trunk case along with the stands
that are missing their rubber feet. (FP9500
series, DFP9500 series)
Footboard Angle Adjustment
The pedal angle can be set freely to any angle without affecting beater angle. This lets you set the
pedal angle you want when the pedal is not pressed. A tuning key is used to make the adjustment,
which also lets you align pedal height with your sub, and hi-hat pedals. (FP/DFP9500 Series)
59
60
Foot Pedal
Single Foot Pedal
Single Foot Pedal
FP9500C
FP8500C
Double Foot Pedal
DFP8500C
Double Foot Pedal
DFP9500C
Single Foot Pedal
Single Foot Pedal
FP8500B
Single Foot Pedal
FP7210A
FP9500D
Double Foot Pedal
DFP9500CL
Option
Felt Beater
Felt Beater
Felt Beater
BT610A
BT810A
BT910A
Double Foot Pedal
Felt Beater
Wood Beater
2-Way Beater
DFP9500D
BT912A
BT914A
BT950
Direct Drive
Double Chain Drive
(Convertible to the
Specification List
FP9500D DFP9500D
FP9500C
DFP9500C
Belt Drive
Single Chain Drive
FP8500B
FP7210A
BeltDrive)
DFP9500CL
(L Type)
FP8500C
DFP8500C
Yamaha Base Plate
●
●
●
●
(Linked with
connecting rods)
(Linked with connecting rods)
Semi-Hard Case
●
●
●
ー
ー
ー
Yamaha's Frame Design
●
●
●
●
●
●
BD Hoop Clamp System
●
●
●
●
●
ー
Foot Board Angle Adjustment
●
●
●
ー
●
ー
Patternless Foot Board
●
●
●
●
●
ー
Tear Drop Beater Shaft Rocker
●
●
●
●
●
●
Beater Angle Adjustment
●
●
●
●
●
●
Spring Roller with Bearings
●
●
●
●
●
ー
Spring Adjust Lock System
●
●
●
●
●
ー
Long Foot Board
ー
ー
ー
●
●
ー
2way Beater
●
●
●
ー
ー
ー
61
62
Foot Pedal
Single Foot Pedal
Single Foot Pedal
FP9500C
FP8500C
Double Foot Pedal
DFP8500C
Double Foot Pedal
DFP9500C
Single Foot Pedal
Single Foot Pedal
FP8500B
Single Foot Pedal
FP7210A
FP9500D
Double Foot Pedal
DFP9500CL
Option
Felt Beater
Felt Beater
Felt Beater
BT610A
BT810A
BT910A
Double Foot Pedal
Felt Beater
Wood Beater
2-Way Beater
DFP9500D
BT912A
BT914A
BT950
Direct Drive
Double Chain Drive
(Convertible to the
Specification List
FP9500D DFP9500D
FP9500C
DFP9500C
Belt Drive
Single Chain Drive
FP8500B
FP7210A
BeltDrive)
DFP9500CL
(L Type)
FP8500C
DFP8500C
Yamaha Base Plate
●
●
●
●
(Linked with
connecting rods)
(Linked with connecting rods)
Semi-Hard Case
●
●
●
ー
ー
ー
Yamaha's Frame Design
●
●
●
●
●
●
BD Hoop Clamp System
●
●
●
●
●
ー
Foot Board Angle Adjustment
●
●
●
ー
●
ー
Patternless Foot Board
●
●
●
●
●
ー
Tear Drop Beater Shaft Rocker
●
●
●
●
●
●
Beater Angle Adjustment
●
●
●
●
●
●
Spring Roller with Bearings
●
●
●
●
●
ー
Spring Adjust Lock System
●
●
●
●
●
ー
Long Foot Board
ー
ー
ー
●
●
ー
2way Beater
●
●
●
ー
ー
ー
61
62
Hi-Hat Stand
Cymbal Holder and
Angle Adjustment
The reversible design features felt on one side
and rubber on the other, and can be switched
according to you needs.
Also, a newly designed angle adjustment screw
automatically locks after adjustment to prevent
loosening during performance.
(HS1200T, 1200D, 1200)
Yamaha System Hardware Analysis
Drum Key Holder
Footboard Angle Adjustment
Keep your drum key in the handy holder on the
stand’s pipe.
(HS1200T, 1200D, 1200)
Pedal angle, when not depressed, can be set freely. This lets you align pedal height with other
pedals such as in a double foot pedal setup. Rubber coated tie rods help to prevent pedal hopping.
(HS1200T, 1200D, 1200)
Big Rubber Feet and Spikes
A push-lock spike incorporated into the large rubber feet offer additional stopping power. Extending
and retracting the spikes are as easy as pressing the push lock.
(HS1200T, 1200D, 1200)
Toggle Link System
Single and Double Braced Legs
Spring Tension Adjustment
A double-braced center leg and single-braced
side legs provide stability while reducing
interference with adjacent stands in your setup.
(HS1200)
Spring tension adjustment (the force that opens
the top cymbal) is quick with the large dial.
The new design makes it easy to rotate and
an indicator located under the dial gives you a
visual indication of the amount of tension set.
(HS1200T, 1200D, 1200)
The toggle link system on the HS1200T
offers light and nimble pedal work. The
first part of the pedal stroke feels really
light but becomes increasingly heavier and
closer to normal weight as the pedal stroke
progresses. There is also little impact on
the frame when the foot is removed from
the pedal and the system delivers quiet
operation. (HS1200T)
Power
Normal Direct Link System
Spring Tension
Range
Toggle Link System
0
Long and Regular Rods
Footboard
Hi-hat cymbal height
With long rod: 739.5mm-1052mm
With Regular rod: 739.5mm-902mm
Tw o r o d s , o n e l o n g o n e s u p p l i e d t o
accommodate lower plating positions.
The new wider pedal design provides a
greater contact surface for your foot delivering
a lighter feel and greater playability. Grip is
enhanced in the heel section, and the patternless surface provides both moderate gripping
and smooth movement. A weight balance on
the end delivers great playability. Slim form
allows closer setting of the double foot pedal.
(HS1200T, 1200D, 1200)
63
Amount Pedal
is Depressed
Foot board
(1) Compared to normal direct link systems,
the feeling is very light at the top of the
stroke. And even if spring tension is
increased, the amount of power required at
the top of the stroke does not change.
(2) As the pedal is further depressed, it starts
to react more like a normal direct link system
with the end of the stroke feeling nearly
the same as a normal direct link pedal.
The peculiar action produced by this power
enhancing system (lever, etc.) decreases as
the pedal is depressed.
64
Hi-Hat Stand
Cymbal Holder and
Angle Adjustment
The reversible design features felt on one side
and rubber on the other, and can be switched
according to you needs.
Also, a newly designed angle adjustment screw
automatically locks after adjustment to prevent
loosening during performance.
(HS1200T, 1200D, 1200)
Yamaha System Hardware Analysis
Drum Key Holder
Footboard Angle Adjustment
Keep your drum key in the handy holder on the
stand’s pipe.
(HS1200T, 1200D, 1200)
Pedal angle, when not depressed, can be set freely. This lets you align pedal height with other
pedals such as in a double foot pedal setup. Rubber coated tie rods help to prevent pedal hopping.
(HS1200T, 1200D, 1200)
Big Rubber Feet and Spikes
A push-lock spike incorporated into the large rubber feet offer additional stopping power. Extending
and retracting the spikes are as easy as pressing the push lock.
(HS1200T, 1200D, 1200)
Toggle Link System
Single and Double Braced Legs
Spring Tension Adjustment
A double-braced center leg and single-braced
side legs provide stability while reducing
interference with adjacent stands in your setup.
(HS1200)
Spring tension adjustment (the force that opens
the top cymbal) is quick with the large dial.
The new design makes it easy to rotate and
an indicator located under the dial gives you a
visual indication of the amount of tension set.
(HS1200T, 1200D, 1200)
The toggle link system on the HS1200T
offers light and nimble pedal work. The
first part of the pedal stroke feels really
light but becomes increasingly heavier and
closer to normal weight as the pedal stroke
progresses. There is also little impact on
the frame when the foot is removed from
the pedal and the system delivers quiet
operation. (HS1200T)
Power
Normal Direct Link System
Spring Tension
Range
Toggle Link System
0
Long and Regular Rods
Footboard
Hi-hat cymbal height
With long rod: 739.5mm-1052mm
With Regular rod: 739.5mm-902mm
Tw o r o d s , o n e l o n g o n e s u p p l i e d t o
accommodate lower plating positions.
The new wider pedal design provides a
greater contact surface for your foot delivering
a lighter feel and greater playability. Grip is
enhanced in the heel section, and the patternless surface provides both moderate gripping
and smooth movement. A weight balance on
the end delivers great playability. Slim form
allows closer setting of the double foot pedal.
(HS1200T, 1200D, 1200)
63
Amount Pedal
is Depressed
Foot board
(1) Compared to normal direct link systems,
the feeling is very light at the top of the
stroke. And even if spring tension is
increased, the amount of power required at
the top of the stroke does not change.
(2) As the pedal is further depressed, it starts
to react more like a normal direct link system
with the end of the stroke feeling nearly
the same as a normal direct link pedal.
The peculiar action produced by this power
enhancing system (lever, etc.) decreases as
the pedal is depressed.
64
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
HS1200T
HS1200D
HS1200
HS850
HS740A
HS650A
Option
Long & Regular Rods
Extension Rod
PERS
PERL
Locking Hi-hat
Clutch
LC930A
This extension rod adds an
extra 4” (10cm) of height to the
hi-hat stand.
4VKLS5V
(]HPSHISL/LPNO[9HUNL
3VJRPUN/POH[*S\[JO
Closed Hi-hat Holder
LC810A
CHH930
Position a hi-hat in
your setup anywhere
you like. Spring
tension is adjustable.
HS1200T
HS1200D
HS1200
HS850
HS740A
HS650A
eJT
eJT
eJT
e JT
e JT
e JT
●
●
●
ー
ー
ー
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●
●
●
●
●
●
●
●
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● ^P[O0UKPJH[VY
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●
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●
ー
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● ^P[O:WPRL
●
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Front side legs angle
open 150 degree
+V\ISL)YHJLK3LNZ
Front side legs angle
open 150 degree
:PUNSL)YHJLK3LNZ
Front side legs angle
open 150 degree
:PUNSL)YHJLK3LNZ
Front side legs angle
open 120 degree
Long & Regular Rod
Long & Regular Rod
Long & Regular Rod
Regular Rod
Regular Rod
Regular Rod
*`TIHS:\WWVY[
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65
Hi-hat Clutch
ー
66
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
Hi-Hat Stand
HS1200T
HS1200D
HS1200
HS850
HS740A
HS650A
Option
Long & Regular Rods
Extension Rod
PERS
PERL
Locking Hi-hat
Clutch
LC930A
This extension rod adds an
extra 4” (10cm) of height to the
hi-hat stand.
4VKLS5V
(]HPSHISL/LPNO[9HUNL
3VJRPUN/POH[*S\[JO
Closed Hi-hat Holder
LC810A
CHH930
Position a hi-hat in
your setup anywhere
you like. Spring
tension is adjustable.
HS1200T
HS1200D
HS1200
HS850
HS740A
HS650A
eJT
eJT
eJT
e JT
e JT
e JT
●
●
●
ー
ー
ー
/HYK9\IILY-LS[
/HYK9\IILY-LS[
/HYK9\IILY
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-LS[
-LS[
● ^-P_PUN5\[
● ^-P_PUN5\[
● ^-P_PUN5\[
●
●
●
●
●
●
●
●
ー
● ^P[O0UKPJH[VY
● ^P[O0UKPJH[VY
● ^P[O0UKPJH[VY
●
● 0UJYLTLU[Z
ー
-VV[)VHYK(UNSL(KQ\Z[TLU[
●
●
●
ー
ー
ー
;VNNSL3PUR:`Z[LT
●
ー
ー
ー
ー
● ^P[O:WPRL
● ^P[O:WPRL
● ^P[O:WPRL
●
●
5VYTHS
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
+V\ISL:PUNSL)YHJLK3LNZ
Front side legs angle
open 150 degree
+V\ISL)YHJLK3LNZ
Front side legs angle
open 150 degree
:PUNSL)YHJLK3LNZ
Front side legs angle
open 150 degree
:PUNSL)YHJLK3LNZ
Front side legs angle
open 120 degree
Long & Regular Rod
Long & Regular Rod
Long & Regular Rod
Regular Rod
Regular Rod
Regular Rod
*`TIHS:\WWVY[
*`TIHS(UNSL(KQ\Z[TLU[
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65
Hi-hat Clutch
ー
66
Snare Stand
Snare Stand
Snare Stand
Snare Stand
Snare Stand (for 12")
SS950
SS850
SS740A
SS662
4VKLS5V
Adjustable Angle Tilter
Snare Basket
Snare angle adjustment is
speedy and flexible. Yamaha’s
exclusive Ball Clamp design
on the SS950 lets you set your
snare at any angle you like.
The large wing bolt tightens
securely to hold the angle.
Adjustment Knob
Improved grip design delivers
great gripping power.
Big Rubber Feet and
Spikes
In addition to the wide leg
stance, the big rubber feet
deliver maximum grip to hold
the stand securely in place.
(]HPSHISL/LPNO[9HUNL
SS950
eJT
SS850
eJT
SS740A
eJT
SS662
eJT
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●
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:PUNSL)YHJLK3LNZ
:PUNSL)YHJLK3LNZ
Cymbal Stand
Boom Cymbal Stand
Boom Cymbal Stand
Boom Cymbal Stand
Straight Cymbal Stand
Straight Cymbal Stand
Straight Cymbal Stand
Straight Cymbal Stand
CS965
CS755
CS655A
CS850
CS750
CS660A
CS650A
Boom Cymbal Stand
CS865
4VKLS5V
(]HPSHISL/LPNO[9HUNL
6MMZL[;PS[LY
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67
Boom Cymbal Stand
CS665A
CS965
CS865
CS755
CS665A
CS655A
CS850
CS750
CS660A
CS650A
eJT
eJT
eJT
eJT
eJT
eJT
eJT
eJT
eJT
ー
ー
ー
●
●
ー
ー
●
●
ー
ー
●
ー
ー
ー
●
ー
ー
●
●
ー
ー
ー
●
ー
ー
ー
●
●
●
ー
ー
●
●
ー
ー
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+V\ISL)YHJLK3LNZ
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+V\ISL)YHJLK3LNZ
:PUNSL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
:PUNSL)YHJLK3LNZ
68
Snare Stand
Snare Stand
Snare Stand
Snare Stand
Snare Stand (for 12")
SS950
SS850
SS740A
SS662
4VKLS5V
Adjustable Angle Tilter
Snare Basket
Snare angle adjustment is
speedy and flexible. Yamaha’s
exclusive Ball Clamp design
on the SS950 lets you set your
snare at any angle you like.
The large wing bolt tightens
securely to hold the angle.
Adjustment Knob
Improved grip design delivers
great gripping power.
Big Rubber Feet and
Spikes
In addition to the wide leg
stance, the big rubber feet
deliver maximum grip to hold
the stand securely in place.
(]HPSHISL/LPNO[9HUNL
SS950
eJT
SS850
eJT
SS740A
eJT
SS662
eJT
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Cymbal Stand
Boom Cymbal Stand
Boom Cymbal Stand
Boom Cymbal Stand
Straight Cymbal Stand
Straight Cymbal Stand
Straight Cymbal Stand
Straight Cymbal Stand
CS965
CS755
CS655A
CS850
CS750
CS660A
CS650A
Boom Cymbal Stand
CS865
4VKLS5V
(]HPSHISL/LPNO[9HUNL
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67
Boom Cymbal Stand
CS665A
CS965
CS865
CS755
CS665A
CS655A
CS850
CS750
CS660A
CS650A
eJT
eJT
eJT
eJT
eJT
eJT
eJT
eJT
eJT
ー
ー
ー
●
●
ー
ー
●
●
ー
ー
●
ー
ー
ー
●
ー
ー
●
●
ー
ー
ー
●
ー
ー
ー
●
●
●
ー
ー
●
●
ー
ー
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
:PUNSL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
:PUNSL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
:PUNSL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
:PUNSL)YHJLK3LNZ
68
Cymbal Stand
Yamaha System Hardware Analysis
Option
Cymbal Stand Boom Weight
CSBW
New Step Free Tilter
Center Tilter
Step free angle adjustment lets you set the
cymbal at any position you like. Supporting
the cymbal’s weight in the center of the pipe
provides a more stable setting. (CS900 Series,
CS800 Series)
T h e C e n t e r T i l t e r, l o n g p o p u l a r a m o n g
knowledgeable players, has been revived in
the CS700/CH700 Series, CSAT942/940 and
CWH940 series. By supporting the weight of
the cymbal at the center, greater stability is
achieved.
Offset Tilter
The offset tilter stores parallel to the pipe
making transport easy and preventing damage.
This tilter is used in the CS600 series, which is
noted for its light, compact design.
Memory Clamp/Lock
Precision
Gear
Mechanism
Wing Bolt
(heat-treated
hard steel)
Cymbal Holder
Cymbal Holder
Cowbell Holder
CH750
CH755
CWH940
Placing Type
BoomTilter Mechanism
R e t a i n i n g YA M A H A ’s t r a d i t i o n a l g e a r
mechanism, we now introduce the “clipping”
method for securing the boom arm.Through this
specification, the main unit of the boom arm
becomes more resistant to scratches. It ensures
extra peace of mind, even during complex setup
adjustments.It begins with the CS965, 865, 755,
CH755, 750.
Cymbal Stand Attachment
Cymbal Stand Attachment
CSAT940
CSAT924A
The CSAT940 can be used for two stage
cymbal arrangements or a closed hi-hat
arrangement.
The CSAT924A connects to the pipes of
stands and holders allowing a wide variety of
set-ups and positions to be easily achieved.
Boom Arm
(Steel Bar)
Pressing type Boom Tilter
Mechanism
A precision gear mechanism provides precise
adjustment of the boom arm’s angle. A wing
bolt firmly fixes the boom arm in place while a
memory clamp/lock offers quick positioning and
prevents rotating. (CS665A, 655A)
Small Wing Nut,
Tilter Sleeve & Felt
A polycarbonate tilter sleeve encases just
enough of the head bolt to provide optimum
securing of the cymbal. Utilization of a wing nut
lets you play the cymbal bell without it getting in
the way of the stick.
Boom Cymbal Holder
* The CSAT940 and CSAT942 attach to
cymbal stands and holders (except the
CS655A, CS650A, CS660A, CS665A).
Yamaha’s cymbal holder fits into the main pipe
making it easier to pack and transport.
Cymbal Stand Attachment
Tight & Secure
Unified Diameter Center Pipe
CSAT942
Specially designed by Yamaha, the nylon
bushing holds the pipe firmly in place even
when lightly tightened. Since the wing bolt is
tightened through a steel nut, the durability of
the bolt is increased. (All models)
The center tube assembly accommodates
the same 22.2mm diameter pipe as found on
other stands so you can replace the upper tube
assembly with that of another cymbal stand or
tom holder.
(except CS655A, CS650A)
The CSAT942 connects to the tilter and offers fine
angle adjustment.
Big Rubber Feet
In addition to wide stance legs, the big rubber
feet supply maximum non-slip grip to keep the
stand firmly in place.
69
70
Cymbal Stand
Yamaha System Hardware Analysis
Option
Cymbal Stand Boom Weight
CSBW
New Step Free Tilter
Center Tilter
Step free angle adjustment lets you set the
cymbal at any position you like. Supporting
the cymbal’s weight in the center of the pipe
provides a more stable setting. (CS900 Series,
CS800 Series)
T h e C e n t e r T i l t e r, l o n g p o p u l a r a m o n g
knowledgeable players, has been revived in
the CS700/CH700 Series, CSAT942/940 and
CWH940 series. By supporting the weight of
the cymbal at the center, greater stability is
achieved.
Offset Tilter
The offset tilter stores parallel to the pipe
making transport easy and preventing damage.
This tilter is used in the CS600 series, which is
noted for its light, compact design.
Memory Clamp/Lock
Precision
Gear
Mechanism
Wing Bolt
(heat-treated
hard steel)
Cymbal Holder
Cymbal Holder
Cowbell Holder
CH750
CH755
CWH940
Placing Type
BoomTilter Mechanism
R e t a i n i n g YA M A H A ’s t r a d i t i o n a l g e a r
mechanism, we now introduce the “clipping”
method for securing the boom arm.Through this
specification, the main unit of the boom arm
becomes more resistant to scratches. It ensures
extra peace of mind, even during complex setup
adjustments.It begins with the CS965, 865, 755,
CH755, 750.
Cymbal Stand Attachment
Cymbal Stand Attachment
CSAT940
CSAT924A
The CSAT940 can be used for two stage
cymbal arrangements or a closed hi-hat
arrangement.
The CSAT924A connects to the pipes of
stands and holders allowing a wide variety of
set-ups and positions to be easily achieved.
Boom Arm
(Steel Bar)
Pressing type Boom Tilter
Mechanism
A precision gear mechanism provides precise
adjustment of the boom arm’s angle. A wing
bolt firmly fixes the boom arm in place while a
memory clamp/lock offers quick positioning and
prevents rotating. (CS665A, 655A)
Small Wing Nut,
Tilter Sleeve & Felt
A polycarbonate tilter sleeve encases just
enough of the head bolt to provide optimum
securing of the cymbal. Utilization of a wing nut
lets you play the cymbal bell without it getting in
the way of the stick.
Boom Cymbal Holder
* The CSAT940 and CSAT942 attach to
cymbal stands and holders (except the
CS655A, CS650A, CS660A, CS665A).
Yamaha’s cymbal holder fits into the main pipe
making it easier to pack and transport.
Cymbal Stand Attachment
Tight & Secure
Unified Diameter Center Pipe
CSAT942
Specially designed by Yamaha, the nylon
bushing holds the pipe firmly in place even
when lightly tightened. Since the wing bolt is
tightened through a steel nut, the durability of
the bolt is increased. (All models)
The center tube assembly accommodates
the same 22.2mm diameter pipe as found on
other stands so you can replace the upper tube
assembly with that of another cymbal stand or
tom holder.
(except CS655A, CS650A)
The CSAT942 connects to the tilter and offers fine
angle adjustment.
Big Rubber Feet
In addition to wide stance legs, the big rubber
feet supply maximum non-slip grip to keep the
stand firmly in place.
69
70
Tom Holder
Ball Mount & Clamp
Memory Clamp
The Yamaha original ball mount and clamp
system offers unparalleled flexibility and ease of
positioning. A generous sized hard synthetic resin
ball sits in an attractive chromed housing that
permits the tom hex rod to be positioned in almost
any imaginable position. The ball joint friction- free
operation provides ease of set up, while a large
wing bolt provides one touch locking.
Attaching the clamp at an ideal position
reduces setup time. Helps eliminate rattle
and noise and can be used inverted.
Large Wing Bolt
Steel Plate
Hard Resin Ball
Cap
CL945B
Triple Tom Holder
Pipe Cap
The cap reduces
noise and protects
the holder when
no tom clamp is
inserted.
The Yamaha triangular triple tom holder expands
the range of possibilities for creative setups.
Cymbals or tom toms can be added as your style
demands.
Cap eliminates
unnecessary
vibrations from
the bass drum.
Tom Clamp(for YESS)
Tom Clamp(for YESS)
Tom Clamp
Tom Clamp
Tom Holder(for YESS)
Tom Holder
Tom Holder
CL945LB
CL945B
CL940LB
CL940B
TH945B
TH940B
TH904A
The TH904A fits into
a cymbal stand’s
lower pipe section.
(Except the CS650A
and CS655A)
Tom Holder
4VKLS5V
TH945B
9VK
;VT/VSKLY)HZL
TH940B
:OVY[MVY@,::
3VUN
;YPWSL4V\U[
;YPWSL4V\U[
Tom Clamp
4VKLS5V
71
CL940B
CL945LB
CL945B
CL940LB
9VK
:OVY[MVY@,::
:OVY[MVY@,::
3VUN
3VUN
7PWL
3VUN
:OVY[
3VUN
:OVY[
72
Tom Holder
Ball Mount & Clamp
Memory Clamp
The Yamaha original ball mount and clamp
system offers unparalleled flexibility and ease of
positioning. A generous sized hard synthetic resin
ball sits in an attractive chromed housing that
permits the tom hex rod to be positioned in almost
any imaginable position. The ball joint friction- free
operation provides ease of set up, while a large
wing bolt provides one touch locking.
Attaching the clamp at an ideal position
reduces setup time. Helps eliminate rattle
and noise and can be used inverted.
Large Wing Bolt
Steel Plate
Hard Resin Ball
Cap
CL945B
Triple Tom Holder
Pipe Cap
The cap reduces
noise and protects
the holder when
no tom clamp is
inserted.
The Yamaha triangular triple tom holder expands
the range of possibilities for creative setups.
Cymbals or tom toms can be added as your style
demands.
Cap eliminates
unnecessary
vibrations from
the bass drum.
Tom Clamp(for YESS)
Tom Clamp(for YESS)
Tom Clamp
Tom Clamp
Tom Holder(for YESS)
Tom Holder
Tom Holder
CL945LB
CL945B
CL940LB
CL940B
TH945B
TH940B
TH904A
The TH904A fits into
a cymbal stand’s
lower pipe section.
(Except the CS650A
and CS655A)
Tom Holder
4VKLS5V
TH945B
9VK
;VT/VSKLY)HZL
TH940B
:OVY[MVY@,::
3VUN
;YPWSL4V\U[
;YPWSL4V\U[
Tom Clamp
4VKLS5V
71
CL940B
CL945LB
CL945B
CL940LB
9VK
:OVY[MVY@,::
:OVY[MVY@,::
3VUN
3VUN
7PWL
3VUN
:OVY[
3VUN
:OVY[
72
Double Tom
Double
Tom
Stands
Stand
Double Tom
Stand
Yamaha’s double tom
stands have long been
recognized for their
outstanding freedom
i n p o s i t i o n i n g d r u m s.
Their simple and durable
design offers stable
setting while the ball
clamp system’s ability
to rotate 360 lets you
position your toms or an
additional snare drum
exactly where you want.
Double Tom Stand
(for YESS)
Double Tom Stand
WS950A
WS955A
Double Tom Stand
(for YESS)
WS865A
Double Tom Stand
WS860A
Double Tom Stand
(for large diameter
tom14",15",16")
WS904A
Light in weight, this
stand's excellent
stability can easily hold
a pair of large toms.
4VKLS5V
WS955A
WS950A
WS865A
WS860A
WS904A
eJT
eJT
eJT
eJT
eJT
:OVY[MVY@,::
3VUN
:OVY[MVY@,::
3VUN
ー
;YPWSL4V\U[
;YPWSL4V\U[
;YPWSL4V\U[
;YPWSL4V\U[
;YPWSL4V\U[
(]HPSHISL/LPNO[9HUNL
9VK
;VT/VSKLY)HZL
)PN9\IILY-LL[
3LN+LZPNU
Like the tom holder, all
double tom stands utilize the
triple hole base.
●
●
●
●
●
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
Stool
Large Seat Mount
(480mm x 390mm)
*\ZOPVU
Drum Stool
Drum Stool
DS840
DS750
7S`^VVK
Four Double
Legs
3LH[OLYL[[L
)HZLWHULS
3HYNL(S\TPU\T
+PLJHZ[4V\U[
Large Seat
Mount
Rotate the seat to
adjust height then
tighten the clamp to
secure. (DS950, 840)
Drum Stool
DS950
:LH[
:LH[4V\U[
/LPNO[(KQ\Z[TLU[
3LN(ZZ»`
73
Aluminum die-cast type.
Offers great stability
and durability. (DS950,
840)
Back Support
BKS110
(for DS950)
Drum Stool
DS550U
Big Rubber Feet
4VKLS5V
Large Seat
Mount
DS950
DS840
DS750
DS550U
3HYNL:X\HYL:LH[+LZPNU
>_ +TT
9V\UK:LH[+LZPNU
TT+PHTL[LY
9V\UK:LH[+LZPNU
TT+PHTL[LY
9V\UK:LH[+LZPNU
TT+PHTL[LY
3HYNL(3+PLJHZ[:LH[4V\U[
3HYNL(3+PLJHZ[:LH[4V\U[
(3+PLJHZ[:LH[4V\U[
(3+PLJHZ[:LH[4V\U[
:JYL^9VKeTT
:JYL^9VKeTT
*SHTW9VK;`WLeTT
*SHTW9VK;`WLeTTUVOVSL^TLTVY`JSHTW
+V\ISL)YHJLK
>PKL:[HUJL3LNZ
+V\ISL)YHJLK
>PKL:[HUJL3LNZ
:PUNSL)YHJLK3LNZ
:PUNSL)YHJLK3LNZ
74
Double Tom
Double
Tom
Stands
Stand
Double Tom
Stand
Yamaha’s double tom
stands have long been
recognized for their
outstanding freedom
i n p o s i t i o n i n g d r u m s.
Their simple and durable
design offers stable
setting while the ball
clamp system’s ability
to rotate 360 lets you
position your toms or an
additional snare drum
exactly where you want.
Double Tom Stand
(for YESS)
Double Tom Stand
WS950A
WS955A
Double Tom Stand
(for YESS)
WS865A
Double Tom Stand
WS860A
Double Tom Stand
(for large diameter
tom14",15",16")
WS904A
Light in weight, this
stand's excellent
stability can easily hold
a pair of large toms.
4VKLS5V
WS955A
WS950A
WS865A
WS860A
WS904A
eJT
eJT
eJT
eJT
eJT
:OVY[MVY@,::
3VUN
:OVY[MVY@,::
3VUN
ー
;YPWSL4V\U[
;YPWSL4V\U[
;YPWSL4V\U[
;YPWSL4V\U[
;YPWSL4V\U[
(]HPSHISL/LPNO[9HUNL
9VK
;VT/VSKLY)HZL
)PN9\IILY-LL[
3LN+LZPNU
Like the tom holder, all
double tom stands utilize the
triple hole base.
●
●
●
●
●
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
+V\ISL)YHJLK3LNZ
Stool
Large Seat Mount
(480mm x 390mm)
*\ZOPVU
Drum Stool
Drum Stool
DS840
DS750
7S`^VVK
Four Double
Legs
3LH[OLYL[[L
)HZLWHULS
3HYNL(S\TPU\T
+PLJHZ[4V\U[
Large Seat
Mount
Rotate the seat to
adjust height then
tighten the clamp to
secure. (DS950, 840)
Drum Stool
DS950
:LH[
:LH[4V\U[
/LPNO[(KQ\Z[TLU[
3LN(ZZ»`
73
Aluminum die-cast type.
Offers great stability
and durability. (DS950,
840)
Back Support
BKS110
(for DS950)
Drum Stool
DS550U
Big Rubber Feet
4VKLS5V
Large Seat
Mount
DS950
DS840
DS750
DS550U
3HYNL:X\HYL:LH[+LZPNU
>_ +TT
9V\UK:LH[+LZPNU
TT+PHTL[LY
9V\UK:LH[+LZPNU
TT+PHTL[LY
9V\UK:LH[+LZPNU
TT+PHTL[LY
3HYNL(3+PLJHZ[:LH[4V\U[
3HYNL(3+PLJHZ[:LH[4V\U[
(3+PLJHZ[:LH[4V\U[
(3+PLJHZ[:LH[4V\U[
:JYL^9VKeTT
:JYL^9VKeTT
*SHTW9VK;`WLeTT
*SHTW9VK;`WLeTTUVOVSL^TLTVY`JSHTW
+V\ISL)YHJLK
>PKL:[HUJL3LNZ
+V\ISL)YHJLK
>PKL:[HUJL3LNZ
:PUNSL)YHJLK3LNZ
:PUNSL)YHJLK3LNZ
74
Ring Mutes
Wood Hoops
Size : 16”
Size : 12”
Size : 14”
Size : 10”
Size : 13”
Size : 8”
Model
VH0805T
VH1006T
VH1206T
VH1306T
VH1408T
VH1408F
VH1508T
VH1608T
VH1608F
VH1808F
VH1408S
VH1410S
Application Diameter Holes
Tom Tom
8"
5
Tom Tom
10"
6
Tom Tom
12"
6
Tom Tom
13"
6
Tom Tom
14"
8
Floor Tom
14"
8
Tom Tom
15"
8
Tom Tom
16"
8
Floor Tom
16"
8
Floor Tom
18"
8
Snare
14"
8
Snare
14"
10
MU13SG MU13S2 MU14S2
MU14S1
Snare Strings & Tapes
Snares
SNT10
HI-CARBON STEEL SNARES
SNDH
SN14DS
SN12DH
MU13SG
13” (Width 18mm) Black
MU14SG
14” (Width 18mm) Black
MU13S2
13” (Width 18mm)
MU14S2
14” (Width 18mm)
MU14S1
14” (Width 36mm)
SNC10 (4 Snare Strings)
SNT10 (4 Snare Tape)
STAINLESS STEEL
SNARES
SNRS
SN10DH
SNC10
SNRSW
SN13DS
SN14SG
SN13SG
SN08DH
SN1320CP
SN1420CP
SN14RS
Staging Heads
SN13RS
SN1425CP
Model
Hi-carbon Steel
SN-DH
SN-14DS
SN-13DS
SN-14SG
SN-13SG
SN-12DH
SN-10DH
SN-08DH
SN-DL
SN-D
SN-1314
SN-1425
SN-1525
SN-1320CP
SN-1420CP
SN-1425CP
SN-RS
SN-RSW
SN-14RS
SN-13RS
SN-14SW
SN-14SWL
Brass SN-E
Stainless Steel
75
Strands
Application
20 strands
14 strands
14 strands
10 strands
10 strands
14 strands
14 strands
14 strands
20 strands
20 strands
14 strands
25 strands
25 strands
20 strands
20 strands
25 strands
20 strands
30 strands
14 strands
14 strands
14 strands
14 strands
8 strands
Short
Short
Short
Short
Short
Short
Short
Short
Long
Short
Short
Short
Short
Coated Finish/Short
Coated Finish/Short
Coated Finish/Short
Short
Short
Short
Short
Short
Long
Long
250BL
250BLH
Size BD18 (18")
250BL
250SWH2
250BL Black
250BLH
Black with Cut Out
250BLH2
Black with Small
Cut Out
250SWH2
White Smooth with
Cut Out
BD20 (20")
BD22 (22")
BD24 (24")
BD26 (26")
SH18250BL SH20250BL
SH22250BL
SH24250BL
SH26250BL
250BLH
SH20250BLH SH22250BLH
SH24250BLH SH26250BLH
250BLH2
SH20250BLH2 SH22250BLH2 SH24250BLH2
250SWH2 *SH18250SW SH20250SWH2 SH22250SWH2 SH24250SWH2
*SH18250SW has no cut out.
Tuning Keys
DK15
DK20
76
Ring Mutes
Wood Hoops
Size : 16”
Size : 12”
Size : 14”
Size : 10”
Size : 13”
Size : 8”
Model
VH0805T
VH1006T
VH1206T
VH1306T
VH1408T
VH1408F
VH1508T
VH1608T
VH1608F
VH1808F
VH1408S
VH1410S
Application Diameter Holes
Tom Tom
8"
5
Tom Tom
10"
6
Tom Tom
12"
6
Tom Tom
13"
6
Tom Tom
14"
8
Floor Tom
14"
8
Tom Tom
15"
8
Tom Tom
16"
8
Floor Tom
16"
8
Floor Tom
18"
8
Snare
14"
8
Snare
14"
10
MU13SG MU13S2 MU14S2
MU14S1
Snare Strings & Tapes
Snares
SNT10
HI-CARBON STEEL SNARES
SNDH
SN14DS
SN12DH
MU13SG
13” (Width 18mm) Black
MU14SG
14” (Width 18mm) Black
MU13S2
13” (Width 18mm)
MU14S2
14” (Width 18mm)
MU14S1
14” (Width 36mm)
SNC10 (4 Snare Strings)
SNT10 (4 Snare Tape)
STAINLESS STEEL
SNARES
SNRS
SN10DH
SNC10
SNRSW
SN13DS
SN14SG
SN13SG
SN08DH
SN1320CP
SN1420CP
SN14RS
Staging Heads
SN13RS
SN1425CP
Model
Hi-carbon Steel
SN-DH
SN-14DS
SN-13DS
SN-14SG
SN-13SG
SN-12DH
SN-10DH
SN-08DH
SN-DL
SN-D
SN-1314
SN-1425
SN-1525
SN-1320CP
SN-1420CP
SN-1425CP
SN-RS
SN-RSW
SN-14RS
SN-13RS
SN-14SW
SN-14SWL
Brass SN-E
Stainless Steel
75
Strands
Application
20 strands
14 strands
14 strands
10 strands
10 strands
14 strands
14 strands
14 strands
20 strands
20 strands
14 strands
25 strands
25 strands
20 strands
20 strands
25 strands
20 strands
30 strands
14 strands
14 strands
14 strands
14 strands
8 strands
Short
Short
Short
Short
Short
Short
Short
Short
Long
Short
Short
Short
Short
Coated Finish/Short
Coated Finish/Short
Coated Finish/Short
Short
Short
Short
Short
Short
Long
Long
250BL
250BLH
Size BD18 (18")
250BL
250SWH2
250BL Black
250BLH
Black with Cut Out
250BLH2
Black with Small
Cut Out
250SWH2
White Smooth with
Cut Out
BD20 (20")
BD22 (22")
BD24 (24")
BD26 (26")
SH18250BL SH20250BL
SH22250BL
SH24250BL
SH26250BL
250BLH
SH20250BLH SH22250BLH
SH24250BLH SH26250BLH
250BLH2
SH20250BLH2 SH22250BLH2 SH24250BLH2
250SWH2 *SH18250SW SH20250SWH2 SH22250SWH2 SH24250SWH2
*SH18250SW has no cut out.
Tuning Keys
DK15
DK20
76
Rack
Monitor
System
HXR4LD
Size: 2,100(W) x 1,100(D) x 920(H) mm
(83 x 44 x 37 inch)
> DTX 950K
MS100DR
Designed for mounting on the DTXdrums tube racks, these monitor
systems incorporate a pair of satellite speakers matched with a powered
sub-woofer. The punchy bass and stereo sound projects toward you
from the kit so you’ll feel like you are playing acoustic drums.
Includes Speaker Cable x2, Phone Cable x2
SPAT1 Speaker
Attachment
40W Satellite Speakers
Size:127(W) x 106(D) x 205(H) mm
(5 x 4-11/16 x 8-5/64 inch)
MS50DR
RS130
100W Sub Woofer Unit
Size: 540(W) x 350(D) x 505(H) mm
(21-17/64 x 13-25/32 x 19-57/64 inch)
Includes Speaker Cable x2, Phone Cable x2
Size: 1,600(W) x 1,000(D) x 980(H) mm
(63 x 40 x 39 inch)
> DTX 900K
SPAT1 Speaker
Attachment
20W Satellite Speakers
Size: 127(W) x 106(D) x 205(H) mm
(5 x 4-11/16 x 8-5/64 inch)
MS40DR
50W Sub Woofer Unit
Size: 451(W) x 330(D) x 380(H) mm
(17-3/4 x 13 x 15-31/32 inch)
Includes Speaker Cable x2, Phone Cable x2
20W Satellite Speakers
Size: 97(W) x 159(D) x 178(H) mm
(3-13/16 x 6-1/4 x 7 inch)
RS700
RS500
Size: 1,346(W) x 766.3(D) x 835(H) mm
(53 x 30 x 33 inch)
> DTX 750K
Size: 1,196(W) x 528.3(D) x 812.3(H) mm
(47 x 21 x 32 inch)
> DTX 700K / 540K / 520K
40W Sub Woofer Unit
Size: 350(W) x 210(D) x 321(H) mm
(13-25/32 x 8-17/64 x 12-41/64 inch)
Option
Cymbal Attachment
(w/Clamp)
Tom Holder (w/Clamp)
TPCL150
CYAT150
Tom Holder
(w/Clamp)
Cymbal
Attachment
(w/Clamp)
TPCL65
CYAT65
RS85A
RS40
Size: 840(W) x 670(D) x 980(H) mm
(33 x 26 x 39 inch)
> DTX 550K
Size: 740(W) x 570(D) x 980(H) mm
(30 x 23 x 39 inch)
> DTX 500K
SPAT1 Speaker Attachment
SPAT1 holds a pair of Yamaha
(MSP3, MS101 III) or similar
speakers. (L/R side set)
* Not intended for use with
Drum Trigger
DT10
speakers weighing over 5kg.
UX16
Drum Trigger
DT20
* Attaches to the shell or head on an acoustic drum and
transmits a trigger signal to the drum trigger module.
■ Package List
Kit
DTX950K
Tone Generator
Pad Set 1
Pat Set 2
Rack
78
This bus-powered USB MIDI
interface does not require
a power adaptor and offers
16 OUT/16 IN MIDI Channel
control.
DTX900K
DTX750K
DTX900
DTX700K
DTX540K
DTX520K
DTX700
DTP902
DTP901
XP120SD, XP100Tx2,
XP120Tx2, HS740A, CH755
XP120SD, XP100Tx3, HS740A,
CH755
DTP750P
XP100SD, XP80x3, KP65, SS662
DTX550K
DTP700P
XP80, XP70x3, KP65
DTP520P
DTP502
DTLK9
XP80, TP65x3, KP65
TP65x3, PCY135, PCY155,
RHH135, HS650A, KP65
TP65x5, KP65, PCY65x2,
HH65, FP6110A
DTP900
DTP750C
DTP700C
DTP520C
XP100SD
KP125W, PCY135x2, PCY155, RHH135,
CH750x2, SS662
PCY135x2, PCY155, RHH135, HS650A,
CH750x2, CHH755
PCY135x2, RHH135,
HS650A
PCY135, PCY100x2,
HH65, HH Holder
XP100SD
HXR4LD
RS130
RS700
DTX500K
DTX500
RS500
RS85A
RS40
77
Rack
Monitor
System
HXR4LD
Size: 2,100(W) x 1,100(D) x 920(H) mm
(83 x 44 x 37 inch)
> DTX 950K
MS100DR
Designed for mounting on the DTXdrums tube racks, these monitor
systems incorporate a pair of satellite speakers matched with a powered
sub-woofer. The punchy bass and stereo sound projects toward you
from the kit so you’ll feel like you are playing acoustic drums.
Includes Speaker Cable x2, Phone Cable x2
SPAT1 Speaker
Attachment
40W Satellite Speakers
Size:127(W) x 106(D) x 205(H) mm
(5 x 4-11/16 x 8-5/64 inch)
MS50DR
RS130
100W Sub Woofer Unit
Size: 540(W) x 350(D) x 505(H) mm
(21-17/64 x 13-25/32 x 19-57/64 inch)
Includes Speaker Cable x2, Phone Cable x2
Size: 1,600(W) x 1,000(D) x 980(H) mm
(63 x 40 x 39 inch)
> DTX 900K
SPAT1 Speaker
Attachment
20W Satellite Speakers
Size: 127(W) x 106(D) x 205(H) mm
(5 x 4-11/16 x 8-5/64 inch)
MS40DR
50W Sub Woofer Unit
Size: 451(W) x 330(D) x 380(H) mm
(17-3/4 x 13 x 15-31/32 inch)
Includes Speaker Cable x2, Phone Cable x2
20W Satellite Speakers
Size: 97(W) x 159(D) x 178(H) mm
(3-13/16 x 6-1/4 x 7 inch)
RS700
RS500
Size: 1,346(W) x 766.3(D) x 835(H) mm
(53 x 30 x 33 inch)
> DTX 750K
Size: 1,196(W) x 528.3(D) x 812.3(H) mm
(47 x 21 x 32 inch)
> DTX 700K / 540K / 520K
40W Sub Woofer Unit
Size: 350(W) x 210(D) x 321(H) mm
(13-25/32 x 8-17/64 x 12-41/64 inch)
Option
Cymbal Attachment
(w/Clamp)
Tom Holder (w/Clamp)
TPCL150
CYAT150
Tom Holder
(w/Clamp)
Cymbal
Attachment
(w/Clamp)
TPCL65
CYAT65
RS85A
RS40
Size: 840(W) x 670(D) x 980(H) mm
(33 x 26 x 39 inch)
> DTX 550K
Size: 740(W) x 570(D) x 980(H) mm
(30 x 23 x 39 inch)
> DTX 500K
SPAT1 Speaker Attachment
SPAT1 holds a pair of Yamaha
(MSP3, MS101 III) or similar
speakers. (L/R side set)
* Not intended for use with
Drum Trigger
DT10
speakers weighing over 5kg.
UX16
Drum Trigger
DT20
* Attaches to the shell or head on an acoustic drum and
transmits a trigger signal to the drum trigger module.
■ Package List
Kit
DTX950K
Tone Generator
Pad Set 1
Pat Set 2
Rack
78
This bus-powered USB MIDI
interface does not require
a power adaptor and offers
16 OUT/16 IN MIDI Channel
control.
DTX900K
DTX750K
DTX900
DTX700K
DTX540K
DTX520K
DTX700
DTP902
DTP901
XP120SD, XP100Tx2,
XP120Tx2, HS740A, CH755
XP120SD, XP100Tx3, HS740A,
CH755
DTP750P
XP100SD, XP80x3, KP65, SS662
DTX550K
DTP700P
XP80, XP70x3, KP65
DTP520P
DTP502
DTLK9
XP80, TP65x3, KP65
TP65x3, PCY135, PCY155,
RHH135, HS650A, KP65
TP65x5, KP65, PCY65x2,
HH65, FP6110A
DTP900
DTP750C
DTP700C
DTP520C
XP100SD
KP125W, PCY135x2, PCY155, RHH135,
CH750x2, SS662
PCY135x2, PCY155, RHH135, HS650A,
CH750x2, CHH755
PCY135x2, RHH135,
HS650A
PCY135, PCY100x2,
HH65, HH Holder
XP100SD
HXR4LD
RS130
RS700
DTX500K
DTX500
RS500
RS85A
RS40
77
Snare/Tom
Cymbal/Hi-Hat/Kick
3-Zone Pad
Pad Controller
A 3-zone design
offers the same
expressive
capabilities as
acoustic drums,
making closed
rim shots, open
rim shots, and
other playing
techniques
possible.
Pad pitch and
snare tension
are adjustable
from the pad
with a single
knob.
(XP120SD/T,
XP100SD/T)
The Hi-Hat System that
Reproduces Your Every Nuance
Cymbals that Deliver Realistic Expression
Performance
The 3-zone cymbal pad, which can express a different
sound in each of the cup, bow and edge zones. It also has
the “choke” function, providing performance expression
similar to that of an actual cymbal.
XP120SD
XP120T
Size: 12-inch Snare
> DTX 950K / 900K
Size: 12-inch Tom
> DTX 950K
The RHH135 features a vertical-motion
hi-hat system that uses a genuine
Yamaha hi-hat stand (as provided with
the DTXdrums kit) and produces a
realistic feeling pedal action. Moreover,
the system can express various
hi-hat techniques, such as open/close
position, half open, closed pedal and
foot splash.
By using a real
stand you can
match your
acoustic setup to
make practice
more effective.
PCY155
PCY135
Size: 15-inch
> DTX 950K / 900K / 750K
Size: 13-inch
> DTX 950K / 900K
750K / 700K
540K / 520K
PCY65S
XP100SD
XP100T
Size: 10-inch Snare
> DTX 750K
Size: 10-inch Tom
> DTX 950K / 900K
PCY100
Size: 10-inch
> DTX 540K / 520K
PCY65
DTX 500K
RHH135
XP80
80
Size: 8-inch Snare / Tom
> DTX 750K / 700K
540K / 520K
Size: 13-inch
> DTX 950K / 900K
750K / 700K
XP70
Size: 7-inch Snare / Tom
> DTX 700K / 540K
TP65S
TP65
Size: 7.5-inch Snare / Tom
Size: 7.5-inch Snare / Tom
> DTX 520K / 500K
HH65
KP65
> DTX 540K / 520K / 500K
> DTX 750K / 700K
540K / 520K / 500K
KP125W Size: 12-inch
> DTX 950K / 900K
79
Snare/Tom
Cymbal/Hi-Hat/Kick
3-Zone Pad
Pad Controller
A 3-zone design
offers the same
expressive
capabilities as
acoustic drums,
making closed
rim shots, open
rim shots, and
other playing
techniques
possible.
Pad pitch and
snare tension
are adjustable
from the pad
with a single
knob.
(XP120SD/T,
XP100SD/T)
The Hi-Hat System that
Reproduces Your Every Nuance
Cymbals that Deliver Realistic Expression
Performance
The 3-zone cymbal pad, which can express a different
sound in each of the cup, bow and edge zones. It also has
the “choke” function, providing performance expression
similar to that of an actual cymbal.
XP120SD
XP120T
Size: 12-inch Snare
> DTX 950K / 900K
Size: 12-inch Tom
> DTX 950K
The RHH135 features a vertical-motion
hi-hat system that uses a genuine
Yamaha hi-hat stand (as provided with
the DTXdrums kit) and produces a
realistic feeling pedal action. Moreover,
the system can express various
hi-hat techniques, such as open/close
position, half open, closed pedal and
foot splash.
By using a real
stand you can
match your
acoustic setup to
make practice
more effective.
PCY155
PCY135
Size: 15-inch
> DTX 950K / 900K / 750K
Size: 13-inch
> DTX 950K / 900K
750K / 700K
540K / 520K
PCY65S
XP100SD
XP100T
Size: 10-inch Snare
> DTX 750K
Size: 10-inch Tom
> DTX 950K / 900K
PCY100
Size: 10-inch
> DTX 540K / 520K
PCY65
DTX 500K
RHH135
XP80
80
Size: 8-inch Snare / Tom
> DTX 750K / 700K
540K / 520K
Size: 13-inch
> DTX 950K / 900K
750K / 700K
XP70
Size: 7-inch Snare / Tom
> DTX 700K / 540K
TP65S
TP65
Size: 7.5-inch Snare / Tom
Size: 7.5-inch Snare / Tom
> DTX 520K / 500K
HH65
KP65
> DTX 540K / 520K / 500K
> DTX 750K / 700K
540K / 520K / 500K
KP125W Size: 12-inch
> DTX 950K / 900K
79
SPECIFICATIONS
DTX950K
MODEL
Snare
Tom 1
Tom 2
DTX900K
XP100SD
for SNARE
for SNARE
Floor Tom 1
XP100T for TOM
XP100T for TOM
XP120T
XP100T
Floor Tom 2
XP120T
for TOM
for TOM
XP80
XP80
XP70
XP70
TP65
TP65
XP70
XP70
TP65
TP65
XP80
XP70
TP65
XP70
TP65
PCY100
PCY135
PCY135
PCY155
HXR4LD
(HEXRACK)
PCY135
PCY100
RS130
Voices
1,115 drums + 211 melodies
100 (50 user kits)
Songs
3 Demos, 44 songs, 40 Pad songs
You can add up
to 5 pads
/
Individual OUT x 6
—
You can add up
to 6 pads
PCY135
USB
/
PCY155
RS700
RS500
64
64
PCY135
RS85A
RS500
DTX700
128 melodies
120
(60 user kits)
70 (20 user kits)
2 Demos, 44 songs,
17 Pad songs
3 Demos, 41 Practices songs, 19 Pad songs
You can add up
to 2 pads
You can add up
to 3 pads
427 drums + 22 melodies
You can add up to 4 pads
USB
×/
×/
82
Click
Tempo
Beat
Timing
×/×
To Host / Device
DTX500
DTX900 SPECIFICATIONS
Tone Generator
Polyphony
64 notes
Drum and percussion: 1,115, Melodies: 211
Voices
Drum Kits
Preset: 50, User: 50,
External: 1584 (or 99 x 16, in the external
USB storage device)
Effects
Reverb: 9, Chorus: 19, Variation: 51 (Drum Kit),
Insertion: 51 (AUX IN/SAMPLING IN),
Master Effect: 9, Master EQ: 5 bands
Sequencer
Note Capacity
Approx. 152,000 notes
Note Resolution 480 ppq (parts per quarter note)
Song Recording type Real-time
Song tracks
2 tracks
Songs
Demo: 3, Practice: 44, Pad: 40, User: 50
Sequence Format Proprietary, SMF format 0
Audio Import
Available *Requires Optional DIMM installed
Sampling
Samples
1,016
Sample Data Bits 16 bits
Sampling Time
44.1kHz: 6 min. 20 sec.
* Mono/Stereo 22.05kHz: 12 min. 40 sec.
11.025kHz: 25 min. 20 sec.
5.5125kHz: 55 min. 40 sec.
Sample formats Proprietary, WAV, AIFF
RS40
32
DTX700 SPECIFICATIONS
DTX900
PCY65
1,268 drums +
USB
Input / Output
TP65
PCY65
PCY135
PCY155
Drum Kit
Available
DTX500K
TP65
KP65
RHH135
Sampling / Cubase AI × Not Available
DTX520K
XP80
RHH135
64
Expandability
DTX540K
—
Polyphony
STANDARD PHONE L/R
DTX550K
XP100SD
KP125W
Rack
DTX700K
XP80
for TOM
Kick Pad
HH Pad
Crash Cymbal 1
Crash Cymbal 2
Ride Cymbal
Tone Generator
DTX750K
XP120SD
30 to 300 BPM, Tap Tempo supported.
1/4 to 16/4, 1/8 to 16/8, 1/16 to 16/16
Accent, Quarter note, Eighth note,
Sixteenth note, Triplet
Training Functions Measure break, Groove check, Rhythm gate
Others
• USB TO DEVICE/TO HOST
Connectors
• OUTPUT [L/MONO] (Standard mono phone)
• OUTPUT [R] (Standard mono phone)
• DIGITAL OUT (EIAJ CP1201, IEC60958, S/P DIF)
• INDIVIDUAL OUTPUT 1 to 6 (Standard mono phone)
• Trigger Input 1 to 9, 12 to 15 (Standard stereo phone,
L: Trigger Input, R: Rim Switch)
• Trigger Input 10 and 11 (Standard stereo phone,
L: Trigger Input, R: Trigger Input)
• HI-HAT CONTROL (Standard stereo phone)
• AUX IN/SAMPLING IN (Standard stereo phone)
• PHONES (Standard stereo phone)
• MIDI IN/OUT
Dimensions, Weight 334 (W) x 285 (D) x 96 (H) mm,
3.6kg (13-5/32 x 11-15/64 x 3-25/32 inch, 7.94 lbs)
Accessories
Power Adaptor (PA-300B, or an equivalent),
Module holder, Module holder fastening
screws x 4, Owner's Manual, Data List,
DVD-ROM (Cubase AI)
Tone Generator
Polyphony
64 notes
Voices
Drum and percussion: 1,268, Melodies: 128
Drum Kits
Preset: 50, User: 10* all of which may be
edited and overwritten
Effects
Reverb: 6, Chorus: 6, Variation: 42 Kit EQ: 4 band,
Master EQ: 3 bands
Sequencer
Note Capacity
Approx. 152,000 notes
Note Resolution 480 ppq (parts per quarter note)
Song Recording type Real-time replace
Song tracks
1 tracks
Songs
Demo: 2, Practice: 44, Pad: 17, User:
30* all of which may be edited and overwritten
Sequence Format Proprietary, SMF format 0
Audio Import
Samples
500
Sample Data Bits 16 bits
Sampling Time
44.1kHz: 23 sec.
* Mono/Stereo 22.05kHz: 46 sec.
11.025kHz: 1 min. 32 sec.
5.5125kHz: 3 min. 4 sec.
Sample formats WAV, AIFF
Click
Tempo
30 to 300 BPM, Tap Tempo supported.
Beat
1/4 to 16/4, 1/8 to 16/8, 1/16 to 16/16
Timing
Accent, Quarter note, Eighth note,
Sixteenth note, Triplet
Training Functions Measure break, Groove check, Rhythm gate
Others
• USB TO DEVICE/TO HOST
Connectors
• OUTPUT [L/MONO] (Standard mono phone)
• OUTPUT [R] (Standard mono phone)
• Trigger Input 1 to 8, 11 (Standard stereo phone,
L: Trigger Input, R: Rim Switch)
• Trigger Input 9 and 10 (Standard stereo phone,
L: Trigger Input, R: Trigger Input)
• HH-KICK (Standard stereo phone)
• HI-HAT CONTROL (Standard stereo phone)
• AUX IN (Stereo Mini)
• PHONES (Standard stereo phone)
• MIDI IN/OUT
Dimensions, Weight 277 (W) x 213 (D) x 95 (H) mm,
1.5kg (10-29/32 x 8-25/64 x 2-3/4 inch, 3.31 lbs)
Accessories
Power Adaptor (PA-150, or an equivalent),
Module holder, Module holder fastening
screws x 4, Owner's Manual, Data List,
DVD-ROM (Cubase AI)
DTX500 SPECIFICATIONS
Tone Generator
Polyphony
Voices
Drum Kits
Effects
Sequencer
Note Capacity
Note Resolution
Song Recording type
Song tracks
Songs
Click
Tempo
Beat
Timing
32 notes
Drum and percussion: 427, Melodies: 22
Preset: 50, User: 20
Reverb: 19, Master EQ: 2 bands
Approx. 16,000 notes
96 ppq (parts per quarter note)
Real-time replace
1 track
Demo: 3, Practice: 41, Pad: 19, User: 20
30 to 300 BPM, Tap Tempo supported.
1/4 to 9/4
Accent, Quarter note, Eighth note,
Sixteenth note, Triplet
Training Functions Measure break, Groove check, Rhythm gate
Others
• OUTPUT [L/MONO] (Standard mono phone)
Connectors
• OUTPUT [R] (Standard mono phone)
• Trigger Input 1, 5, 6, 7 (Standard stereo phone,
L: Trigger Input, R: Rim Switch)
• Trigger Input 2, 3, 4, 8 (Standard stereo phone,
L: Trigger Input, R: Trigger Input)
• HI-HAT CONTROL (Standard stereo phone)
• AUX IN (Stereo Mini)
• PHONES (Standard stereo phone)
• MIDI IN/OUT
Dimensions, Weight 252 (W) x 147 (D) x 52 (H) mm,
898g (9-15/16 x 5-13/16 x 2-1/16 inch, 2 lbs)
Accessories
Power Adaptor (PA-130A or PA-3C)
81
SPECIFICATIONS
DTX950K
MODEL
Snare
Tom 1
Tom 2
DTX900K
XP100SD
for SNARE
for SNARE
Floor Tom 1
XP100T for TOM
XP100T for TOM
XP120T
XP100T
Floor Tom 2
XP120T
for TOM
for TOM
XP80
XP80
XP70
XP70
TP65
TP65
XP70
XP70
TP65
TP65
XP80
XP70
TP65
XP70
TP65
PCY100
PCY135
PCY135
PCY155
HXR4LD
(HEXRACK)
PCY135
PCY100
RS130
Voices
1,115 drums + 211 melodies
100 (50 user kits)
Songs
3 Demos, 44 songs, 40 Pad songs
You can add up
to 5 pads
/
Individual OUT x 6
—
You can add up
to 6 pads
PCY135
USB
/
PCY155
RS700
RS500
64
64
PCY135
RS85A
RS500
DTX700
128 melodies
120
(60 user kits)
70 (20 user kits)
2 Demos, 44 songs,
17 Pad songs
3 Demos, 41 Practices songs, 19 Pad songs
You can add up
to 2 pads
You can add up
to 3 pads
427 drums + 22 melodies
You can add up to 4 pads
USB
×/
×/
82
Click
Tempo
Beat
Timing
×/×
To Host / Device
DTX500
DTX900 SPECIFICATIONS
Tone Generator
Polyphony
64 notes
Drum and percussion: 1,115, Melodies: 211
Voices
Drum Kits
Preset: 50, User: 50,
External: 1584 (or 99 x 16, in the external
USB storage device)
Effects
Reverb: 9, Chorus: 19, Variation: 51 (Drum Kit),
Insertion: 51 (AUX IN/SAMPLING IN),
Master Effect: 9, Master EQ: 5 bands
Sequencer
Note Capacity
Approx. 152,000 notes
Note Resolution 480 ppq (parts per quarter note)
Song Recording type Real-time
Song tracks
2 tracks
Songs
Demo: 3, Practice: 44, Pad: 40, User: 50
Sequence Format Proprietary, SMF format 0
Audio Import
Available *Requires Optional DIMM installed
Sampling
Samples
1,016
Sample Data Bits 16 bits
Sampling Time
44.1kHz: 6 min. 20 sec.
* Mono/Stereo 22.05kHz: 12 min. 40 sec.
11.025kHz: 25 min. 20 sec.
5.5125kHz: 55 min. 40 sec.
Sample formats Proprietary, WAV, AIFF
RS40
32
DTX700 SPECIFICATIONS
DTX900
PCY65
1,268 drums +
USB
Input / Output
TP65
PCY65
PCY135
PCY155
Drum Kit
Available
DTX500K
TP65
KP65
RHH135
Sampling / Cubase AI × Not Available
DTX520K
XP80
RHH135
64
Expandability
DTX540K
—
Polyphony
STANDARD PHONE L/R
DTX550K
XP100SD
KP125W
Rack
DTX700K
XP80
for TOM
Kick Pad
HH Pad
Crash Cymbal 1
Crash Cymbal 2
Ride Cymbal
Tone Generator
DTX750K
XP120SD
30 to 300 BPM, Tap Tempo supported.
1/4 to 16/4, 1/8 to 16/8, 1/16 to 16/16
Accent, Quarter note, Eighth note,
Sixteenth note, Triplet
Training Functions Measure break, Groove check, Rhythm gate
Others
• USB TO DEVICE/TO HOST
Connectors
• OUTPUT [L/MONO] (Standard mono phone)
• OUTPUT [R] (Standard mono phone)
• DIGITAL OUT (EIAJ CP1201, IEC60958, S/P DIF)
• INDIVIDUAL OUTPUT 1 to 6 (Standard mono phone)
• Trigger Input 1 to 9, 12 to 15 (Standard stereo phone,
L: Trigger Input, R: Rim Switch)
• Trigger Input 10 and 11 (Standard stereo phone,
L: Trigger Input, R: Trigger Input)
• HI-HAT CONTROL (Standard stereo phone)
• AUX IN/SAMPLING IN (Standard stereo phone)
• PHONES (Standard stereo phone)
• MIDI IN/OUT
Dimensions, Weight 334 (W) x 285 (D) x 96 (H) mm,
3.6kg (13-5/32 x 11-15/64 x 3-25/32 inch, 7.94 lbs)
Accessories
Power Adaptor (PA-300B, or an equivalent),
Module holder, Module holder fastening
screws x 4, Owner's Manual, Data List,
DVD-ROM (Cubase AI)
Tone Generator
Polyphony
64 notes
Voices
Drum and percussion: 1,268, Melodies: 128
Drum Kits
Preset: 50, User: 10* all of which may be
edited and overwritten
Effects
Reverb: 6, Chorus: 6, Variation: 42 Kit EQ: 4 band,
Master EQ: 3 bands
Sequencer
Note Capacity
Approx. 152,000 notes
Note Resolution 480 ppq (parts per quarter note)
Song Recording type Real-time replace
Song tracks
1 tracks
Songs
Demo: 2, Practice: 44, Pad: 17, User:
30* all of which may be edited and overwritten
Sequence Format Proprietary, SMF format 0
Audio Import
Samples
500
Sample Data Bits 16 bits
Sampling Time
44.1kHz: 23 sec.
* Mono/Stereo 22.05kHz: 46 sec.
11.025kHz: 1 min. 32 sec.
5.5125kHz: 3 min. 4 sec.
Sample formats WAV, AIFF
Click
Tempo
30 to 300 BPM, Tap Tempo supported.
Beat
1/4 to 16/4, 1/8 to 16/8, 1/16 to 16/16
Timing
Accent, Quarter note, Eighth note,
Sixteenth note, Triplet
Training Functions Measure break, Groove check, Rhythm gate
Others
• USB TO DEVICE/TO HOST
Connectors
• OUTPUT [L/MONO] (Standard mono phone)
• OUTPUT [R] (Standard mono phone)
• Trigger Input 1 to 8, 11 (Standard stereo phone,
L: Trigger Input, R: Rim Switch)
• Trigger Input 9 and 10 (Standard stereo phone,
L: Trigger Input, R: Trigger Input)
• HH-KICK (Standard stereo phone)
• HI-HAT CONTROL (Standard stereo phone)
• AUX IN (Stereo Mini)
• PHONES (Standard stereo phone)
• MIDI IN/OUT
Dimensions, Weight 277 (W) x 213 (D) x 95 (H) mm,
1.5kg (10-29/32 x 8-25/64 x 2-3/4 inch, 3.31 lbs)
Accessories
Power Adaptor (PA-150, or an equivalent),
Module holder, Module holder fastening
screws x 4, Owner's Manual, Data List,
DVD-ROM (Cubase AI)
DTX500 SPECIFICATIONS
Tone Generator
Polyphony
Voices
Drum Kits
Effects
Sequencer
Note Capacity
Note Resolution
Song Recording type
Song tracks
Songs
Click
Tempo
Beat
Timing
32 notes
Drum and percussion: 427, Melodies: 22
Preset: 50, User: 20
Reverb: 19, Master EQ: 2 bands
Approx. 16,000 notes
96 ppq (parts per quarter note)
Real-time replace
1 track
Demo: 3, Practice: 41, Pad: 19, User: 20
30 to 300 BPM, Tap Tempo supported.
1/4 to 9/4
Accent, Quarter note, Eighth note,
Sixteenth note, Triplet
Training Functions Measure break, Groove check, Rhythm gate
Others
• OUTPUT [L/MONO] (Standard mono phone)
Connectors
• OUTPUT [R] (Standard mono phone)
• Trigger Input 1, 5, 6, 7 (Standard stereo phone,
L: Trigger Input, R: Rim Switch)
• Trigger Input 2, 3, 4, 8 (Standard stereo phone,
L: Trigger Input, R: Trigger Input)
• HI-HAT CONTROL (Standard stereo phone)
• AUX IN (Stereo Mini)
• PHONES (Standard stereo phone)
• MIDI IN/OUT
Dimensions, Weight 252 (W) x 147 (D) x 52 (H) mm,
898g (9-15/16 x 5-13/16 x 2-1/16 inch, 2 lbs)
Accessories
Power Adaptor (PA-130A or PA-3C)
81
DTX520K
The centerpiece of a drummer’s performance is the snare drum.
This model features the DTX-PAD snare pad which greatly
enhances your practice sessions by giving you the proper
response to improve your technique.
*Foot pedal not included.
*Wiring not shown.
■ DTX520K SPECIFICATIONS
Module
Pad Snare
Tom1,2
Floor Tom
Crash Cymbal
Ride Cymbal
Hi-Hat
(Hi-Hat stand)
Kick
Rack
DTX500K
DTX500
XP80
XP65×2
XP65
PCY100
PCY135
RHH100
HH65
KP65
RS500
3-zone Pad
1-zone Pad
1-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
Designed as an entry model to the DTXdrums line of drum products
this system features great training functions to help improve your
skills at home. The rack system is fold-able for easy storage and
the kit includes a genuine Yamaha bass drum pedal.
ELECTRONIC PERCUSSION PAD
The DTX-MULTI 12 is an electronic percussion pad equipped with 12 trigger pads and an
onboard library of sounds that include drums, percussion, pitched instruments, ethnic
instruments, DJ sounds, and sound effects. You can import 64MB of custom samples,
expand the unit with five drum triggers or pads, or connect via USB to a computer. The
DTX-MULTI 12 suits any playing style, and provides drummers at all levels with unlimited
inspiration from its all-in-one design.
MULTI VOICES AND EFFECTS
The DTX-MULTI 12 comes loaded with a total
of 1,277 voices that include an expansive
collection of stunning voices and effects from
our renowned MOTIF Series synthesizers plus
a wealth of new percussion sounds. You can
use this extensive palette of percussive tones
to create custom kits that fit your playing
needs.
MULTI PLAY MODES
Stick Mode, Hand Mode, Finger Mode. The
DTX-MULTI 12 lets you choose the way you
want to play and best express yourself.
MULTI ASSIGNMENTS
Up to four voices can be assigned to a single
pad for simultaneous or sequential playback.
You can also have voices that change
according to your dynamics. This opens up a
wide range of playing possibilities.
MULTI PATTERNS
A total of 128 phrase patterns covering a wide
range of musical styles are included with
the DTX-MULTI 12. User memory allocations
are also provided so you can record your
own patterns and assign them to the pads. A
sophisticated click track function even lets
you control the tempo live-off-the-floor.
*Foot pedal included.
*Wiring not shown.
MULTI PURPOSE
■ DTX500K SPECIFICATIONS
Module
DTX500
Pad Snare
XP65
Tom1,2
XP65×2
Floor Tom
XP65
Crash Cymbal
PCY65
Ride Cymbal
PCY65
Hi-Hat
TP65
(Hi-Hat controller)
HH65
Kick
KP65
(Foot pedal)
FP6110A
Rack
RS40
84
The DTX-MULTI 12 features make it flexible
enough for Multiple applications. It’s a great
solution for anyone looking to:
1-zone Pad
1-zone Pad
1-zone Pad
1-zone Pad
1-zone Pad
1: Easily add electronics to an acoustic drum
kit
2: Compliment hand drums with a full palette
of percussion sounds
3: Integrate electronic percussion and drums
into their computer based music production
system
4: Create a compact drum kit for portable
playability
USB
Option
Stand
Module Attachment
PS940
MAT1
83
DTX520K
The centerpiece of a drummer’s performance is the snare drum.
This model features the DTX-PAD snare pad which greatly
enhances your practice sessions by giving you the proper
response to improve your technique.
*Foot pedal not included.
*Wiring not shown.
■ DTX520K SPECIFICATIONS
Module
Pad Snare
Tom1,2
Floor Tom
Crash Cymbal
Ride Cymbal
Hi-Hat
(Hi-Hat stand)
Kick
Rack
DTX500K
DTX500
XP80
XP65×2
XP65
PCY100
PCY135
RHH100
HH65
KP65
RS500
3-zone Pad
1-zone Pad
1-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
Designed as an entry model to the DTXdrums line of drum products
this system features great training functions to help improve your
skills at home. The rack system is fold-able for easy storage and
the kit includes a genuine Yamaha bass drum pedal.
ELECTRONIC PERCUSSION PAD
The DTX-MULTI 12 is an electronic percussion pad equipped with 12 trigger pads and an
onboard library of sounds that include drums, percussion, pitched instruments, ethnic
instruments, DJ sounds, and sound effects. You can import 64MB of custom samples,
expand the unit with five drum triggers or pads, or connect via USB to a computer. The
DTX-MULTI 12 suits any playing style, and provides drummers at all levels with unlimited
inspiration from its all-in-one design.
MULTI VOICES AND EFFECTS
The DTX-MULTI 12 comes loaded with a total
of 1,277 voices that include an expansive
collection of stunning voices and effects from
our renowned MOTIF Series synthesizers plus
a wealth of new percussion sounds. You can
use this extensive palette of percussive tones
to create custom kits that fit your playing
needs.
MULTI PLAY MODES
Stick Mode, Hand Mode, Finger Mode. The
DTX-MULTI 12 lets you choose the way you
want to play and best express yourself.
MULTI ASSIGNMENTS
Up to four voices can be assigned to a single
pad for simultaneous or sequential playback.
You can also have voices that change
according to your dynamics. This opens up a
wide range of playing possibilities.
MULTI PATTERNS
A total of 128 phrase patterns covering a wide
range of musical styles are included with
the DTX-MULTI 12. User memory allocations
are also provided so you can record your
own patterns and assign them to the pads. A
sophisticated click track function even lets
you control the tempo live-off-the-floor.
*Foot pedal included.
*Wiring not shown.
MULTI PURPOSE
■ DTX500K SPECIFICATIONS
Module
DTX500
Pad Snare
XP65
Tom1,2
XP65×2
Floor Tom
XP65
Crash Cymbal
PCY65
Ride Cymbal
PCY65
Hi-Hat
TP65
(Hi-Hat controller)
HH65
Kick
KP65
(Foot pedal)
FP6110A
Rack
RS40
84
The DTX-MULTI 12 features make it flexible
enough for Multiple applications. It’s a great
solution for anyone looking to:
1-zone Pad
1-zone Pad
1-zone Pad
1-zone Pad
1-zone Pad
1: Easily add electronics to an acoustic drum
kit
2: Compliment hand drums with a full palette
of percussion sounds
3: Integrate electronic percussion and drums
into their computer based music production
system
4: Create a compact drum kit for portable
playability
USB
Option
Stand
Module Attachment
PS940
MAT1
83
DTX550K
Using technology from our top-of-the-line kit, the
affordable DTX500 series is designed for every
drummer who wants to play for fun or serious practice.
The compact configuration of the DTX550K is centered on the
Snare, Hi-Hat and Ride Cymbal, three of the core components of any
drum kit. With an amazing feel and a diverse array of functions, the
DTX550K comes with an impressive range of sounds that make it an
ideal choice, whether practicing at home or performing live on stage.
*Foot pedal not included.
*Wiring not shown.
670mm
(26inch)
Features
840mm
(33inch)
■ DTX550K SPECIFICATIONS
Module
Pad Snare
Tom1,2
Floor Tom
Crash Cymbal
Ride Cymbal
Hi-Hat
(Hi-Hat stand)
Kick
Rack
DTX500
XP100SD
TP65×2
TP65
PCY135
PCY155
RHH135
HS650A
KP65
RS85A
3-zone Pad
1-zone Pad
1-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
Compact Design Requires Minimum
Space For Setup
DTX540K
Compact design reduces the amount of
space required for setup while having no
effect on performance.
The advanced cymbals of this kit let you play the bell, bow and
edge and are choke-able for more realistic performance. The
DTX-PAD snare allows for head, cross-stick and rim shot and all
DTX-PAD toms and floor tom make this a superb set for honing real
drum technique with dynamic expression.
Extensive Functions For Practice
Included is a collection of functions that
make practice fun while helping you
to improve your skills. Those functions
include the Groove Check function, which
checks your timing accuracy, the Rhythm
Gate function that only allows those notes
struck in time to be produced, and the
Challenge Mode which automatically
analyzes the accuracy of your playing and
sets an appropriate level for you.
Advanced Metronome Makes A Great
Practice Aid
An advanced metronome system lets you
set the voice, volume and pitch of individual
clicks. The system also features a Measure
Break function that lets you mute the click
for a set number for measures, a Timer
function that sets the metronome’s operating
time, and a Tap function that lets you set the
tempo for the click by tapping on a pad.
86
*Foot pedal not included.
*Wiring not shown.
Expandable With Additional Pads
Add a China cymbal, two bass drums, etc.,
to customize your kit. You can also upgrade
the system with higher quality pads.
■ DTX540K SPECIFICATIONS
Module
Pad Snare
Tom1,2
Floor Tom
Crash Cymbal
Ride Cymbal
Hi-Hat
(Hi-Hat stand)
Kick
Rack
DTX500
XP80
XP70×2
XP70
PCY100
PCY135
RHH100
HH65
KP65
RS500
3-zone Pad
1-zone Pad
1-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
85
DTX550K
Using technology from our top-of-the-line kit, the
affordable DTX500 series is designed for every
drummer who wants to play for fun or serious practice.
The compact configuration of the DTX550K is centered on the
Snare, Hi-Hat and Ride Cymbal, three of the core components of any
drum kit. With an amazing feel and a diverse array of functions, the
DTX550K comes with an impressive range of sounds that make it an
ideal choice, whether practicing at home or performing live on stage.
*Foot pedal not included.
*Wiring not shown.
670mm
(26inch)
Features
840mm
(33inch)
■ DTX550K SPECIFICATIONS
Module
Pad Snare
Tom1,2
Floor Tom
Crash Cymbal
Ride Cymbal
Hi-Hat
(Hi-Hat stand)
Kick
Rack
DTX500
XP100SD
TP65×2
TP65
PCY135
PCY155
RHH135
HS650A
KP65
RS85A
3-zone Pad
1-zone Pad
1-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
Compact Design Requires Minimum
Space For Setup
DTX540K
Compact design reduces the amount of
space required for setup while having no
effect on performance.
The advanced cymbals of this kit let you play the bell, bow and
edge and are choke-able for more realistic performance. The
DTX-PAD snare allows for head, cross-stick and rim shot and all
DTX-PAD toms and floor tom make this a superb set for honing real
drum technique with dynamic expression.
Extensive Functions For Practice
Included is a collection of functions that
make practice fun while helping you
to improve your skills. Those functions
include the Groove Check function, which
checks your timing accuracy, the Rhythm
Gate function that only allows those notes
struck in time to be produced, and the
Challenge Mode which automatically
analyzes the accuracy of your playing and
sets an appropriate level for you.
Advanced Metronome Makes A Great
Practice Aid
An advanced metronome system lets you
set the voice, volume and pitch of individual
clicks. The system also features a Measure
Break function that lets you mute the click
for a set number for measures, a Timer
function that sets the metronome’s operating
time, and a Tap function that lets you set the
tempo for the click by tapping on a pad.
86
*Foot pedal not included.
*Wiring not shown.
Expandable With Additional Pads
Add a China cymbal, two bass drums, etc.,
to customize your kit. You can also upgrade
the system with higher quality pads.
■ DTX540K SPECIFICATIONS
Module
Pad Snare
Tom1,2
Floor Tom
Crash Cymbal
Ride Cymbal
Hi-Hat
(Hi-Hat stand)
Kick
Rack
DTX500
XP80
XP70×2
XP70
PCY100
PCY135
RHH100
HH65
KP65
RS500
3-zone Pad
1-zone Pad
1-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
85
DTX750K
This kit provides greater freedom in setting and a realistic
drumming experience. Not only can you perform using the highquality internal sounds, you can also connect to a computer for
use as the optimal VST instrument controller.
The sound and feel make you think
you’re playing acoustic drums.
The on-board training functions, the
ability to load your own samples
via USB, plus the ability to connect
directly to a computer make
the DTX700 series a serious tool for
the modern drummer.
*Foot pedal not included.
*Wiring not shown.
■ DTX750K SPECIFICATIONS
Module
DTX700
Pad Snare
XP100SD
(Snare stand)
SS662
Tom1,2
XP80×2
Floor Tom
XP80
Crash Cymbal1,2
PCY135×2
Ride Cymbal
PCY155
Hi-Hat
RHH135
(Hi-Hat stand)
HS650A
Kick
KP65
Rack
RS700
Features
No Compromise Sound Quality
There are a total of 1,396 sounds covering
a broad spectrum of instruments, including
an essential selection of Yamaha acoustic
drum sounds like Oak Custom series, as
well as percussion and effect sounds. It
also contains a wide variety of sounds from
Yamaha’s famed MOTIF XF synthesizer.
Used in combination with the DTX-PAD,
the DTX700 module delivers even greater
expressiveness and realism.
Hi-Hat With Real Playability
This full-fledged hi-hat system consists of a
pad that sets onto the supplied hi-hat stand—
the same type of stand typically used in an
acoustic drum kit. This hi-hat pad system can
play both open and
closed sounds as
well as a foot splash.
it also uses a 2-zone
design consisting of
edge and bow
sections, which add
to its realistic feel
and playability.
DTX700K
3-zone Pad
3-zone Pad
3-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
Combining the superior playability of the DTX-PADs, real hi-hat
controller and natural sounds, this system is superb for authentic
training to really improve your acoustic drumming skills.
Use for Recording Or Music Production
Import Original Voices Via
The USB Jack
Using a USB memory device, it’s easy to
import your favorite
voices (WAV/AIFF) into
the DTX700. Once in
the device you can
edit and assign the
voices to pads to
create your own,
original drum kit.
88
The DTX700 easily connects to a computer
via a USB cable (sold separately) making it a
great for recording MIDI data into a DAW or
for playing a VST sound source.
Steinberg’s Cubase
AI is included with
the kit so you can
start creating
music right away.
*Foot pedal not included.
*Wiring not shown.
■ DTX700K SPECIFICATIONS
Module
Pad Snare
Tom1,2
Floor Tom
Crash Cymbal1,2
Ride Cymbal
Hi-Hat
(Hi-Hat stand)
Kick
Rack
DTX700
XP80
XP70×2
XP70
PCY135
PCY135
RHH135
HS650A
KP65
RS500
3-zone Pad
1-zone Pad
1-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
87
DTX750K
This kit provides greater freedom in setting and a realistic
drumming experience. Not only can you perform using the highquality internal sounds, you can also connect to a computer for
use as the optimal VST instrument controller.
The sound and feel make you think
you’re playing acoustic drums.
The on-board training functions, the
ability to load your own samples
via USB, plus the ability to connect
directly to a computer make
the DTX700 series a serious tool for
the modern drummer.
*Foot pedal not included.
*Wiring not shown.
■ DTX750K SPECIFICATIONS
Module
DTX700
Pad Snare
XP100SD
(Snare stand)
SS662
Tom1,2
XP80×2
Floor Tom
XP80
Crash Cymbal1,2
PCY135×2
Ride Cymbal
PCY155
Hi-Hat
RHH135
(Hi-Hat stand)
HS650A
Kick
KP65
Rack
RS700
Features
No Compromise Sound Quality
There are a total of 1,396 sounds covering
a broad spectrum of instruments, including
an essential selection of Yamaha acoustic
drum sounds like Oak Custom series, as
well as percussion and effect sounds. It
also contains a wide variety of sounds from
Yamaha’s famed MOTIF XF synthesizer.
Used in combination with the DTX-PAD,
the DTX700 module delivers even greater
expressiveness and realism.
Hi-Hat With Real Playability
This full-fledged hi-hat system consists of a
pad that sets onto the supplied hi-hat stand—
the same type of stand typically used in an
acoustic drum kit. This hi-hat pad system can
play both open and
closed sounds as
well as a foot splash.
it also uses a 2-zone
design consisting of
edge and bow
sections, which add
to its realistic feel
and playability.
DTX700K
3-zone Pad
3-zone Pad
3-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
Combining the superior playability of the DTX-PADs, real hi-hat
controller and natural sounds, this system is superb for authentic
training to really improve your acoustic drumming skills.
Use for Recording Or Music Production
Import Original Voices Via
The USB Jack
Using a USB memory device, it’s easy to
import your favorite
voices (WAV/AIFF) into
the DTX700. Once in
the device you can
edit and assign the
voices to pads to
create your own,
original drum kit.
88
The DTX700 easily connects to a computer
via a USB cable (sold separately) making it a
great for recording MIDI data into a DAW or
for playing a VST sound source.
Steinberg’s Cubase
AI is included with
the kit so you can
start creating
music right away.
*Foot pedal not included.
*Wiring not shown.
■ DTX700K SPECIFICATIONS
Module
Pad Snare
Tom1,2
Floor Tom
Crash Cymbal1,2
Ride Cymbal
Hi-Hat
(Hi-Hat stand)
Kick
Rack
DTX700
XP80
XP70×2
XP70
PCY135
PCY135
RHH135
HS650A
KP65
RS500
3-zone Pad
1-zone Pad
1-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
87
DTX950K
The embodiment of Yamaha’s signature obsession for quality.
Providing the full natural expressiveness attainable only with the
best kits, this set truly unleashes the drummer’s musical potential.
The ultimate fusion of natural response and advanced
technology lets you express yourself anytime you feel
the need to groove.
*Foot pedal not included.
*Wiring not shown.
■ DTX950K SPECIFICATIONS
Module
DTX900
Pad Snare
XP120SD
3-zone Pad
(Snare stand)
SS662
Tom1,2
XP100T×2
3-zone Pad
Floor Tom1,2
XP120T×2
3-zone Pad
Crash Cymbal1,2 PCY135×2
3-zone Pad
Ride Cymbal
PCY155
3-zone Pad
Hi-Hat
RHH135
2-zone Pad
(Hi-Hat stand)
HS740A
Kick
KP125W
Rack
HXR4LD (HEXRACK)
Outstanding Performance For
Performing Live, Recording,
Or Music Production
Features
Delivers Real Playability
Experience the ultimate in feel and
playability with the 3-zone DTX-PAD used
for snare and tom drums, also the hi-hat
controlled with the hi-hat stand, 3-zone
cymbal pads that produce different sounds
according to where the pad is hit, the large
kick pad, and more.
Authentic acoustic drum sounds, expertly
engineered drum sounds, percussion sounds,
and more; the DTX900 Drum Trigger Module
provides a wide-ranging collection that
covers nearly any musical style. Superior
sound quality meets the demands necessary
for stage or recording use. Accompanied
with Steinberg’s Cubase AI DAW application,
all you need to do is connect the module to a
computer with a USB cable (sold separately)
and start creating music right away.
DTX900K
Superb expression and responsiveness in a professional quality system.
Whether you’re working on a new lick or simply letting your imagination
run wild, this balanced configuration of top-spec components is perfect
for every type of drumming.
Unique DTX Functions Deliver
Awe-Inspiring Expressive Power
Add Original Sounds With Sampling
You can load data from an external source
into the module then assign the voices
to the pads to play. You can also sample
external sound sources directly into the
unit via the AUX IN jack, or even sample
yourself playing. Once in the device, data
can be processed with the onboard effects,
etc., to create your own, original drum kit.
90
Powerful capabilities like the Stack
Function, which layers multiple voices on a
single pad and plays them simultaneously,
and the Alternate Function, which changes
the voice each time the pad is struck, are
unique to DTXdrums. These let you create
original ways to play that are impossible to
perform with acoustic drums.
*Foot pedal not included.
*Wiring not shown.
■ DTX900K SPECIFICATIONS
Module
DTX900
Pad Snare
XP120SD
(Snare stand)
SS662
Tom1,2
XP100T×2
Floor Tom
XP100T
Crash Cymbal1,2 PCY135×2
Ride Cymbal
PCY155
Hi-Hat
RHH135
(Hi-Hat stand)
HS740A
Kick
KP125W
Rack
RS130
3-zone Pad
3-zone Pad
3-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
89
DTX950K
The embodiment of Yamaha’s signature obsession for quality.
Providing the full natural expressiveness attainable only with the
best kits, this set truly unleashes the drummer’s musical potential.
The ultimate fusion of natural response and advanced
technology lets you express yourself anytime you feel
the need to groove.
*Foot pedal not included.
*Wiring not shown.
■ DTX950K SPECIFICATIONS
Module
DTX900
Pad Snare
XP120SD
3-zone Pad
(Snare stand)
SS662
Tom1,2
XP100T×2
3-zone Pad
Floor Tom1,2
XP120T×2
3-zone Pad
Crash Cymbal1,2 PCY135×2
3-zone Pad
Ride Cymbal
PCY155
3-zone Pad
Hi-Hat
RHH135
2-zone Pad
(Hi-Hat stand)
HS740A
Kick
KP125W
Rack
HXR4LD (HEXRACK)
Outstanding Performance For
Performing Live, Recording,
Or Music Production
Features
Delivers Real Playability
Experience the ultimate in feel and
playability with the 3-zone DTX-PAD used
for snare and tom drums, also the hi-hat
controlled with the hi-hat stand, 3-zone
cymbal pads that produce different sounds
according to where the pad is hit, the large
kick pad, and more.
Authentic acoustic drum sounds, expertly
engineered drum sounds, percussion sounds,
and more; the DTX900 Drum Trigger Module
provides a wide-ranging collection that
covers nearly any musical style. Superior
sound quality meets the demands necessary
for stage or recording use. Accompanied
with Steinberg’s Cubase AI DAW application,
all you need to do is connect the module to a
computer with a USB cable (sold separately)
and start creating music right away.
DTX900K
Superb expression and responsiveness in a professional quality system.
Whether you’re working on a new lick or simply letting your imagination
run wild, this balanced configuration of top-spec components is perfect
for every type of drumming.
Unique DTX Functions Deliver
Awe-Inspiring Expressive Power
Add Original Sounds With Sampling
You can load data from an external source
into the module then assign the voices
to the pads to play. You can also sample
external sound sources directly into the
unit via the AUX IN jack, or even sample
yourself playing. Once in the device, data
can be processed with the onboard effects,
etc., to create your own, original drum kit.
90
Powerful capabilities like the Stack
Function, which layers multiple voices on a
single pad and plays them simultaneously,
and the Alternate Function, which changes
the voice each time the pad is struck, are
unique to DTXdrums. These let you create
original ways to play that are impossible to
perform with acoustic drums.
*Foot pedal not included.
*Wiring not shown.
■ DTX900K SPECIFICATIONS
Module
DTX900
Pad Snare
XP120SD
(Snare stand)
SS662
Tom1,2
XP100T×2
Floor Tom
XP100T
Crash Cymbal1,2 PCY135×2
Ride Cymbal
PCY155
Hi-Hat
RHH135
(Hi-Hat stand)
HS740A
Kick
KP125W
Rack
RS130
3-zone Pad
3-zone Pad
3-zone Pad
3-zone Pad
3-zone Pad
2-zone Pad
89
The DTX-PAD Offers The Ideal Feel
After years of designing and manufacturing some of the world’s finest drums,
Yamaha knows what it means for drums to feel good and play naturally. We
designed the DTX-PAD to be the new standard in electronic drum pads, providing
drummers with a pad that feels good, offers playability that is as close as possible
to acoustic drums, and is exceptionally quiet. Teaming up with the world’s
top drummers to satisfy their demanding sense of perfection, we focused our
knowledge and experience into designing the DTX-PAD. This next generation drum
pad allows for true development of acoustic drumming techniques.
Floating System
esigning the pad with a floating playing surface improves pad
sensitivity. This allows it to clearly articulate accents from ff to pp
and detailed ghost notes—all essential requirements for drums.
Pad Controller
Pad Controller
Pad pitch and snare tension
are adjustable from the pad
with a single knob.
(XP120SD/T, XP100SD/T)
TCS Head Incorporates A Bubbled Structure
Inside the TCS head are a countless number of tiny bubbles. Controlling
the size and density of the bubbles produces a variety of advantages.
Stick Control Close To Acoustic Drums
Rim
A 3-zone design offers the same
expressive capabilities as acoustic
drums, making closed rim shots, open
rim shots, and other playing techniques
possible (excluding the XP70).
Open Rim Shot
TCS Head
(Textured Cellular Silicone Head)
Like a coated head on an acoustic
drum, a certain amount of
roughness helps to control stick
slippage after hitting the head. This
provides stick control comparable
to that on an acoustic drum.
Stick control on the pad surface has been fine-tuned to a level that is
close to what you experience on an acoustic drum. Rebound is natural
with just the right amount of bounce to get the stick back into position in
time for the next stroke. Snare and tom pads also have a slightly different
response so as you move around the set it feels almost as natural as an
acoustic kit. (XP120SD/T, XP100SD/T)
Closed Rim Shot
●
Feels Comfortable To Play
Years of research has resulted in a playing surface that offers optimum rebound
and stiffness delivering playing comfort that makes it hard to stop playing.
●
Extremely Quiet
Bubbles in the TCS head act to cushion the stick’s blow reducing the amount of
“sound” produced when playing.
●
Reduces Stress On Wrists And Elbows
When the stick hits the pad’s surface, the bubbles absorb the shock to
significantly reduce stress on wrists and elbows.
We believe
DTXdrums
Akira Jimbo
92
Teddy Campbell
Chris Hesse
(Hoobastank)
Ndugu Chancler Russ Miller
Marvin McQuitty
91
The DTX-PAD Offers The Ideal Feel
After years of designing and manufacturing some of the world’s finest drums,
Yamaha knows what it means for drums to feel good and play naturally. We
designed the DTX-PAD to be the new standard in electronic drum pads, providing
drummers with a pad that feels good, offers playability that is as close as possible
to acoustic drums, and is exceptionally quiet. Teaming up with the world’s
top drummers to satisfy their demanding sense of perfection, we focused our
knowledge and experience into designing the DTX-PAD. This next generation drum
pad allows for true development of acoustic drumming techniques.
Floating System
esigning the pad with a floating playing surface improves pad
sensitivity. This allows it to clearly articulate accents from ff to pp
and detailed ghost notes—all essential requirements for drums.
Pad Controller
Pad Controller
Pad pitch and snare tension
are adjustable from the pad
with a single knob.
(XP120SD/T, XP100SD/T)
TCS Head Incorporates A Bubbled Structure
Inside the TCS head are a countless number of tiny bubbles. Controlling
the size and density of the bubbles produces a variety of advantages.
Stick Control Close To Acoustic Drums
Rim
A 3-zone design offers the same
expressive capabilities as acoustic
drums, making closed rim shots, open
rim shots, and other playing techniques
possible (excluding the XP70).
Open Rim Shot
TCS Head
(Textured Cellular Silicone Head)
Like a coated head on an acoustic
drum, a certain amount of
roughness helps to control stick
slippage after hitting the head. This
provides stick control comparable
to that on an acoustic drum.
Stick control on the pad surface has been fine-tuned to a level that is
close to what you experience on an acoustic drum. Rebound is natural
with just the right amount of bounce to get the stick back into position in
time for the next stroke. Snare and tom pads also have a slightly different
response so as you move around the set it feels almost as natural as an
acoustic kit. (XP120SD/T, XP100SD/T)
Closed Rim Shot
●
Feels Comfortable To Play
Years of research has resulted in a playing surface that offers optimum rebound
and stiffness delivering playing comfort that makes it hard to stop playing.
●
Extremely Quiet
Bubbles in the TCS head act to cushion the stick’s blow reducing the amount of
“sound” produced when playing.
●
Reduces Stress On Wrists And Elbows
When the stick hits the pad’s surface, the bubbles absorb the shock to
significantly reduce stress on wrists and elbows.
We believe
DTXdrums
Akira Jimbo
92
Teddy Campbell
Chris Hesse
(Hoobastank)
Ndugu Chancler Russ Miller
Marvin McQuitty
91
Incredibly Quiet Lets You Play At Times
And In Places You Couldn’t Have Before
The DTXdrums series electronic drum sets - Created for all
drummers with a passion to be the best that they can be.
The realistic feel and rich expressive sound of these
instruments will take you to even greater musical heights.
Acoustic drums are among
the loudest of instruments.
We want drummers to
enjoy playing more, so we
designed the DTXdrums
with quietness in mind.
Since sound and vibration
levels are very low, they make
it possible for drummers to play
at times and in places that they
couldn’t have before.
What Can
Electronic Drums Do?
Yamaha’s DTXdrums are
on the cutting edge of
sound, playability, and
expressiveness in pursuit
of the ultimate in
electronic drums, and
expanding the
possibilities of the
instrument.
Functions That Help You
Improve Your Skills
There are a number of
important skills that every
drummer should acquire,
including a solid rhythm,
the ability to play a groove,
arranging, etc. The DTXdrums
incorporate some significant
functions designed to help
you develop and improve on
your drumming skills. Refer to
page 13 for more information
on these great practice aids.
Performing Live or Recording
Play With A Broad Range Of Sounds
With their superior sounds and
exceptional feel and playability, the
DTXdrums are perfect for practice,
performing live, or recording. They
can also be connected with a USB
cable to a computer and used as
an interface for recording MIDI
data into a DAW application, or for
playing a VST tone generator.
The possibilities are endless. Choose kits from a collection of essential Yamaha
acoustic drum sounds, or select from the broad range of drum, percussion, and
effect sounds. Play sounds from kits that professional drummers use or play
digital sounds that electronic drums are known for. You can expand on this by
processing the sounds with the built-in effects, or create your own original voices,
incorporating them into kits that expand your playing potential.
94
93
Incredibly Quiet Lets You Play At Times
And In Places You Couldn’t Have Before
The DTXdrums series electronic drum sets - Created for all
drummers with a passion to be the best that they can be.
The realistic feel and rich expressive sound of these
instruments will take you to even greater musical heights.
Acoustic drums are among
the loudest of instruments.
We want drummers to
enjoy playing more, so we
designed the DTXdrums
with quietness in mind.
Since sound and vibration
levels are very low, they make
it possible for drummers to play
at times and in places that they
couldn’t have before.
What Can
Electronic Drums Do?
Yamaha’s DTXdrums are
on the cutting edge of
sound, playability, and
expressiveness in pursuit
of the ultimate in
electronic drums, and
expanding the
possibilities of the
instrument.
Functions That Help You
Improve Your Skills
There are a number of
important skills that every
drummer should acquire,
including a solid rhythm,
the ability to play a groove,
arranging, etc. The DTXdrums
incorporate some significant
functions designed to help
you develop and improve on
your drumming skills. Refer to
page 13 for more information
on these great practice aids.
Performing Live or Recording
Play With A Broad Range Of Sounds
With their superior sounds and
exceptional feel and playability, the
DTXdrums are perfect for practice,
performing live, or recording. They
can also be connected with a USB
cable to a computer and used as
an interface for recording MIDI
data into a DAW application, or for
playing a VST tone generator.
The possibilities are endless. Choose kits from a collection of essential Yamaha
acoustic drum sounds, or select from the broad range of drum, percussion, and
effect sounds. Play sounds from kits that professional drummers use or play
digital sounds that electronic drums are known for. You can expand on this by
processing the sounds with the built-in effects, or create your own original voices,
incorporating them into kits that expand your playing potential.
94
93
http://asia.yamaha.com/en/products/musical-instruments/drums/el-drums/
Printed in Japan
http://www.yamaha.co.jp/english/product/drums/
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