Bogen TP30D CD Player User Manual

Output Connections
The DCM290P provides separate stereo
outputs via analog RCA connectors and
digital optical and coaxial connectors.
CD Player
This 5-Disc CD Player is capable of loading and removing discs without
interrupting play. Plays audio CDs as well as CD-R/RW discs with MP3
and WMA files. A rack mounting kit is included.
Playback Modes
Product Features:
• 5-Disc CD changer
• Load or remove discs without
interrupting play mode
• Stereo output via analog RCA jacks
and digital output via coaxial and
optical jacks
• Program up to 32 tracks from up to
five separate discs
• MP3 and WMA decoders
• 3-mode random playback (full random,
program random, disc sequential random)
• Includes rack mount kit (3 rack spaces)
• UL and C-UL listed
Power Requirements:
120V AC
17-1/8" W x 4-3/4" H x 15-3/4" D
Product Weight:
(without Rack Kit)
13 lb.
Audio track selection can be configured in
a variety of ways for playback. Tracks can
be played back sequentially or randomly,
manually or programmed (up to 32 tracks)
from any one or up to five loaded discs.
Random playback functions include random playback of tracks from one, all or
programmed tracks from the loaded discs.
Once all tracks are played back in random
order, "repeat playback" plays back the
same selected tracks in a different random
Intelligent Disc Scan
• Infrared remote control
When using the remote control, the disc
skip button rotates the carousel tray
clockwise or counterclockwise when
searching for a disc for faster playback.
* This product is not covered by Bogen Limited Warranty. Please contact
Customer Service for warranty information on this product.
Antenna Connections
Product Features:
• 75-ohm and 300-ohm antenna connectors
• Includes FM dipole antenna and AM loop
• Heavy-duty, commercial-grade construction
• Rack-mountable (1 rack space) with an
accessory mounting kit
• Output cables included
• UL and C-UL listed
Power Requirements:
Product Weight:
120V AC
10-1/2" W x 1-5/8" H x 7-1/8" D
6 lb.
Anyone who has installed a tuner inside
an industrial building knows that radio
signals don’t penetrate too far into these
steel-laced structures. Because the
TP30D is designed for industrial installations, it contains inputs for both external 300-ohm (twin line) and 75-ohm
(coaxial) antenna feeds. The 75-ohm
input uses an “f” connector and is ideal
for receiving feeds from antenna distribution systems or cable systems. For
convenience, the TP30D also provides a
built-in antenna that uses the AC line
cord as its antenna for those situations
that are less demanding.
The TP30D is a compact, commercial-grade AM/FM tuner for background music
applications. The 18 FM and 12 AM station presets can be automatically scanned
to make finding a desired station quick and easy. Stations are tuned using
push-button controls and the backlit LCD display.
• Provides background music on paging
systems and MOH for telephone systems
• PLL-synthesized tuning for drift-free
• Push-button controls
• Large, easy-to-read backlit LCD station
frequency display (orange)
• 18 FM and 12 AM station presets
• Automatic scanning of station presets
• Stereo or mono operation
• Excellent sensitivity, image rejection
and frequency response
• Precise tuning and superior signal quality
• Low hum, low noise, low distortion
MP3/WMA decoders play finalized CDR/RW discs containing MP3 or WMA
audio files. A single CD-R/RW disc can
contain up to 10 times more tracks than an
ordinary audio CD. Installations requiring
long-play background music are excellent
applications for CD-R/RW discs containing a large number of MP3 files.
MP3/WMA Decoders
Whether sitting on a shelf or mounted in
a rack, the TP30D is a great choice for an
industrial-grade tuner.
Rack Mount
Paging Input Details
The RM350D is oftentimes installed in retail locations for supplying background
music alone, but it has a full-featured microphone paging input that makes it ideal
for more demanding installations. The microphone input is a low-impedance balanced input that works with dynamic
microphones. Whenever a page is made,
the background music is muted. This can
be done in two ways: 1) audio activity on
the MIC input, or 2) a switch contact closure. For enhanced flexibility, the RM350D
can be set to respond to either a normally
open or normally closed switch contact.
The DDU250 and MBS1000A (see page 58)
are perfect desktop microphones for this
application since they each have a push-totalk function.
By using a WMT1A matching transformer,
the MIC input can be connected to the
paging port of a telephone system. The
audio-activated mute function of the
RM350D will cause the background music
to mute whenever a page is made. In addition, this input also has automatic level
control (ALC), which controls how loud a
page can be and ensures that people with
loud voices don’t boom over the paging
Music-On-Hold Source
The RM350D lets you make the most of
your paging/background music system. A
Pre-Page output connector on the rear of
the unit supplies only the background
music without any of the paging announcements. Connect this output to the
telephone system’s music-on-hold input
and callers will enjoy the background
music too. The Pre-Page output will supply either the tuner or AUX
program material depending on the
setting of the AUX/Tuner button.
Speaker Zones
Built into the RM350D is a convenient 4zone selector switch group. These pushon/push-off switches allow you
to control how paging is distributed
throughout a facility. Simply turn on and
off groups of speakers as needs change.
An “ALL” button is also provided to turn
on all system speakers, overriding any individual setting.
Mount Kit
(2 rack spaces)
The RM350D is a unique self-contained paging system with an AM/FM tuner, providing
35 watts of paging power. A low-impedance, balanced microphone input is provided for
microphone paging announcements or telephone paging when used with an accessory
transformer (WMT1A). A music-only output can feed announcement-free background
music to other equipment or to a telephone music-on-hold input.
Product Features:
• 35-Watt amplifier for 4- to 8-ohm, 25V,
or 70V speaker systems
• Built-in AM/FM tuner
• 18 FM and 12 AM station presets
• PLL-synthesized tuning for drift-free operation
• 2 inputs: 1 MIC (Lo-Z), 1 AUX (Hi-Z)
• Four speaker zone switches allow paging
in up to four different areas, any combination, or All-Call
• Single button control for All-Call
• Tuner/AUX selector switch
• Auxiliary input for external music sources
• Automatic muting of background music
during pages (voice-activated)
• Music mute optionally controlled with
external contact closure (N.O. or N.C.)
• Automatic Level Control of microphone
announcements assures excellent
• Separate controls for music, volume, bass,
treble, and microphone input for paging
• Music-only output unaffected by volume
or tone controls
• Push-button tuner controls
• Large, easy-to-read, backlit LCD station
frequency display (orange)
• FM dipole antennas included
• Compact, heavy-duty, commercial-grade
• Rack-mountable with accessory
mounting kit
• Stereo-to-mono AUX input cables included
• UL and C-UL listed
Power Requirements:
12" W x 3-1/2" H x 8-1/2" D
Product Weight:
AUX Input Can accept signal from
a CD Player, or other
line-level source.
Automatic Level Control Switch Switch controls the ALC circuit.
When ON, the ALC will maintain
a uniform output level between microphone users.
120V AC
13 lb.
Antenna Connections Connections for 300-ohm,
75-ohm coax, or for AM
loop antenna.
Microphone XLR
Input - Accepts a
balanced, Lo-Z
Pre-Page Output Output contains tuner or
auxiliary program material,
but no paging. For use as
telephone on-hold music
source. The output is
independent of the tone
and volume controls.
Impedance SelectorAn impedance
jumper is provided to
set the output signal
on the zone taps.
Tape/Boost OutputTape recorder connection
or feed to another
Speaker Outputs & Zones Provides for connection of
70V, 25V, and 4- and 8-ohm
speakers in up to
4 speaker zones.
Space Saving
The CDR1 is a combination
CD Player and AM/FM Receiver,
providing reliable, economic
background music for sound systems.
Dual Outputs
Product Features:
• Single Disc CD Player & AM/FM Receiver
• Stereo & Mono signal out
• 1W minimum, @ 8-ohms stereo output
Power Requirements:
12V DC/ 3A
• Adjustable loudness contour
• 12- or 24-hour time display
7-1/4" W x 2-1/8" H x 9-1/4" D
• AUX input via 1/8" stereo jack
Product Weight:
4 lb.
• Pluggable screw terminal connector
for antenna & speaker wiring
• Rack-mountable (2 rack spaces)
w/ accessory mounting kit
• External power supply (UL and C-UL listed) included
CD Player: • Plays CD, CD-R, and CD-RW discs
• Browse, Repeat, Random Play, and Pause functions
A unique feature of the CDR1 is its dual
outputs. Since it is designed for paging
systems, a set of signal level RCA outputs
is available on the rear of the unit. These
outputs can feed the music or AUX inputs
of a paging system directly. But the CDR1
also contains a pair of 1-watt outputs that
can drive 8-ohm speakers directly. These
outputs provide a convenient way to supply local music or to monitor the receiver
tuning, without the need to run paging
speakers into the equipment room.
Receiver: • 30 Station presets: 5 selectable bands (3 FM and 2 AM)
can be programmed with 6 stations each
• Manual Tuner, Auto Seek, and Preset Scan features
• Pluggable screw terminal inputs for AM loop and FM dipole antennas
• F-Type connector for coaxial 75-ohm antenna
Mount Kit
Product Features:
• Automatic Frequency Control prevents signal drift
• LED indicator illuminates when the signal is strongest
• 1W output for MOH to telephone systems
• Line-level output for background music to paging systems
• Connects to a variety of telephone and paging systems
including self-amplified speaker systems
• Built-in monitor speaker makes tuning easy
• Telescoping antenna built-in or
connect to an external antenna
• Volume and tone controls
Power Requirements: 12V or 24V DC power supply
• Wall-mountable
(not included)
3-3/8" W x 6" H x 1-1/2" D
Another feature that makes the FMR
unique is its external antenna connections. The built-in telescoping antenna is
convenient, but radio signals don’t penetrate very far into most industrial buildings. Connect the FMR’s external antenna
terminals to a roof antenna or RF distribution feed for crystal-clear reception.
The FMR is an advanced commercial music
source. It may be housed in a compact and
familiar package, but this is no simple transistor radio. It has two types of outputs. The
line output is designed to interface with
any AUX input, and the 1-watt output has
enough power to supply even older telephone systems’ music-on-hold inputs.
They both have level controls so you can
use them simultaneously. The FMR also has
a tone control to further shape the sound.
This economical FM Radio Receiver provides
background music (BGM) to paging systems
or music-on-hold (MOH) to telephone systems.
Product Weight:
Commercial Sound Use
The CDR1 is an excellent choice for supplying background music to a paging
system. It incorporates a full-featured
receiver and CD player in an extremely
compact size. When rack-mounted using
the optional mounting kit, the CDR1 fits
in 2 rack spaces.
Power Supply
(12V DC)
1 lb.
Bogen's microphone line includes a variety of types and styles (handheld, wireless handheld/lavaliere, desktop, gooseneck, boundary,
and overhead hanging) to meet your application needs, from paging systems to instrument and vocal reproduction. These
microphones provide clear, natural, intelligible sound reproduction with accurate response and dependable performance.
UHF Wireless Microphone Systems
• UHT16 Handheld Mic
• UDR16 UHF Receiver
These Wireless Microphone Systems offer users the freedom to
move around while speaking. System choices consist of a 16-channel
PLL-synthesized UHF Receiver with either a handheld microphone
or lavaliere microphone and body-pack transmitter.
UHT16 Handheld Microphone
• Sleek metal housing with internal antenna
for optimum aesthetics and durable long life
•Uni-directional neodymium dynamic cartridge
for optimum sound, maximum feedback rejection,
and minimal handling noise
• Audio mute switch allows convenient audio muting while
leaving the transmitter "ON"
• LED indicator: Unit "ON", and "Low Battery Alert"
• Convenient, economical operation with AA alkaline
or NiMH batteries (2x)
• Mic clip available (model MC28)
• 2" dia. x 9-1/8" long; 10 oz.
• UBP16 Body-Pack
& Lavaliere Mic
• UDR16 UHF Receiver
UBP16 Body-Pack w/Lavaliere Microphone
• Audio mute switch allows convenient audio muting while
leaving the transmitter "ON"
• LED indicator: Unit "ON", and "Low Battery Alert"
• Locking 3.5mm mini-jack provides secure connection for
removable microphone
• Convenient, economical operation with AAA alkaline
or NiMH batteries (2x)
• 2-1/4" W x 3-3/8" H x 1-1/8" D; 3 oz.
UDR16 16-Channel PLL-Synthesized UHF Receiver
• Offers 16 user-selectable frequencies in UHF 470-510 MHz band;
120 dB dynamic range; operation up to 500 feet line-of-sight
• DigiTRU Diversity™ for maximum range and dropout protection,
full LED indicators, 1/4" unbalanced and XLR balanced outputs,
Tone Squelch™ for locking out potential interference, noiseless
transmitter ON/OFF switching, and level control for unbalanced output
• Half-rack receiver design with front panel dual antennas, powered
by wall power adapter
• 8-1/8" W x 1-7/8" H x 5-1/2" D; 1 lb.
Rack Mount
(Single Unit)
Rack Mount
(Double Unit)
Dynamic Desktop Microphone
Desktop Paging Microphone
The DDU250 is a high-quality, dynamic, gooseneck desktop
microphone ideal for any PA system. The gooseneck permits
the user to adjust the microphone’s angle and height to suit
the user’s needs. 4-1/4" W x 18-1/4" H x 6-1/4" D; 3.5 lb.
The MBS1000A is a dynamic, dual-impedance,
desktop microphone designed for all industrial and
commercial public address and paging applications.
4-3/8" W x 9-3/8" H x 5-7/8" D; 1.25 lb.
• Cardioid pickup pattern
• Push-to-lock and push-to-talk switches
• Excellent speech intelligibility with low ambient noise
• Effective feedback control
• 16" long, fully flexible gooseneck stalk shock-mounted to a heavy
zinc die cast base
• 10-ft. cable with external contact closure outputs for the talk switches
• 500-ohm Impedance
• Frequency response range of 100 Hz - 12 kHz
• Sensitivity of -76 dB +/- 3 dB
• Cardioid pickup pattern
• Locking mechanism with push-to-talk bar for
long announcements
• Push-to-talk or lift-to-talk operation
• Impedance: Hi-Z, 50k ohms; Lo-Z, 500 ohms
• Frequency response range of 45 Hz - 15 kHz
• Sensitivity: Lo-Z: -72 dB +/- 3 dB; Hi-Z: -52 dB +/- 3 dB
• Rubberized black finish with die cast base
• 4-conductor, 2-shielded cable included
Professional Handheld
Stage Microphone
Condenser Gooseneck
The HDU250 is a dynamic microphone ideal for acoustically
demanding environments. It features a heavy zinc die cast case
with a rigid, low noise cable-mount system and a lockable silent
reed switch. 7" D x 2 " dia.; 1 lb.
• Cardioid pickup pattern
• High-output design with excellent gain before feedback characteristics
• High sound pressure capability without distortion
• Low sensitivity to breath/pop noise
• Efficient shock-mount system prevents handling and
transmission noise
• High sensitivity Neodymium capsule
• 250-ohm Low-impedance
• Frequency response range of 50 Hz - 18 kHz
• Sensitivity of -72 dB +/- 3 dB
• Integral multi-layer breath/wind filter; includes mic clip
• Rubberized black finish; rugged, reliable construction
Handheld Stage
Dynamic Gooseneck
• Cardioid pickup pattern
• Wide dynamic range with high-end sparkle and minimum feedback
• Low sensitivity to breath and popping sounds
• Lockable, silent on/off reed switch
• 500-ohm Impedance
• Frequency response range of 70 Hz - 15 kHz
• Sensitivity of -70 dB +/- 3 dB
• Rubber shock-mount system for attenuation of handling & cable noise
• Rigid, low-noise cable-mount system
• Rubberized black finish; durable ball-shaped design; includes mic clip
Handheld Public
Address Microphone
The HDO100 is an attractive, dynamic microphone perfectly suited for
public address applications and instrument sound reproduction.
6-1/2" D x 1-1/2" dia.; 1 lb.
• Omni-directional pickup pattern
• Clean, clear reproduction with minimal ambient sound
• Low sensitivity to handling noise and stage vibrations
• Lockable, silent on/off reed switch
• 500-ohm Impedance
• Frequency response range of 70 Hz - 15 kHz
• Sensitivity of -72 dB +/- 3 dB
• Internal rubber shock isolation system
• Rugged, reliable construction; includes mic clip
• Rubberized black finish
Mic Windscreen
(for GCU250)
Mic Clip
(for HD Handhelds)
The GDU150 is a dynamic, gooseneck microphone that features
a durable all-metal case with a non-glare black finish. It has a
10-1/4" long, fully flexible neck with an integral XLR mounting
base. 17" L x 1-1/4" dia.; 1 lb.
• Cardioid pickup pattern
• Outstanding speech intelligibility, feedback rejection,
and user sound isolation
• High sound pressure capability and low sensitivity
to breath/pop noise
• Superior shock-mount system to reject handling and
transmission noise
• Integral multi-layer breath/wind filter
• 500-ohm Impedance
• Frequency response range of 100 Hz - 12 kHz
• Sensitivity of -75 dB +/- 3 dB
• Silent push-on/push-off talk switch on base
• Rugged, reliable construction
Industrial Gooseneck
• Cardioid pickup pattern
• Clean, accurate vocal reproduction with low ambient noise
• Integral breath/wind filter
• 250-ohm Impedance
• Frequency response range of 50 Hz - 18 kHz
• Sensitivity of -65 dB +/- 3 dB
• Snap-on windscreen
• Durable all-metal case with non-glare black finish
The HDU150 is an attractive, dynamic, all-purpose microphone ideally
suited for a wide variety of vocal and sound reinforcement applications.
6-1/2" D x 1-1/2" dia.; 1 lb.
More Microphone
on Page 60
The GCU250 is a high-performance, partially rigid, 15- 14" adjustable gooseneck condenser microphone capable of meeting
the stringent demands of today's conference and PA systems. It is
an intelligent choice for sound reinforcement applications. It has
an integral XLR male connector mounting base and requires a 9V52V DC phantom power source. Slim and compact, the GCU250
is designed to minimize intrusion between the user and the audience. 18-1/4" L x 3/4" dia.; 4 ounces.
The MGN19 is a dynamic, push-button activated
microphone designed for all industrial and commercial
public address and paging applications.
23-1/2" L x 1-1/4" dia.; 1.25 lb.
• Omni-directional pickup pattern
• Rugged, reliable design for quality, long-term use
under strenuous handling conditions
• 400-ohm Impedance
• Frequency response range of 50 Hz - 12 kHz, w/ 2 kHz boost
• Sensitivity of -76 dB +/- 3 dB
• Push-to-talk switch on MIC housing
• Chrome-plated screen & gooseneck with black Cycolac® housing
• 4-conductor, 2-shielded cable included
• 19" flexible neck with mounting flange
Professional Overhead
Hanging Microphone
Professional Boundary
The WCU250 is a back electret condenser, professional microphone perfectly suited for picking up audio from large
groups. Because it can hang from the ceiling and is compact in
size, the WCU250 is very useful in minimizing visual
distraction for the performers and the audience alike,
and limits intrusion into the working space.
The WCU250 cable is terminated by a mini-XLR (female). A miniXLR to standard XLR adapter (included) houses the pre-amplifier.
It requires an external 9V - 52V DC phantom power supply.
1-1/4" D x 1/2" dia.; 5 ounces.
• Cardioid pickup pattern
• Clear, crisp sound with outstanding ambient noise isolation
• Utilizes a superior-quality, state-of-the-art transducer element
and circuitry
• Transformerless, direct-coupled design to ensure clear, transparent
reproduction of even the most delicate transients at the highest
output levels
• Phantom power operated
• 250-ohm Impedance
• Frequency response range of 50 Hz - 18 kHz
• Sensitivity of -65 dB +/- 3 dB
• Integrated metal hanger; matte black finish; 20-ft. cable included
• Stainless steel, adjustable black hanger
The SCU250 is an unobtrusive, surface-mount, boundary, condenser
microphone ideal for meeting rooms, conferences, and stage productions
where minimum visibility is ideal. It requires an external 9V - 52V DC
phantom power supply. 2-3/4" W x 3/4" H x 3-1/4" D; 1 lb.
• Cardioid pickup pattern
• Full, rich reproduction of voice and music
• Low sensitivity to stage vibration and thumping noise
• Well-suited in capturing the sound source and immediate surroundings
• Excellent user sound isolation with excellent feedback rejection
• Phantom power operated
• 250-ohm Impedance
• Frequency response range of 20 Hz - 18 kHz
• Sensitivity of -58 dB +/- 3 dB
• Low-impedance balanced output
• Mounting keyways for hanging or for secure attachment to
the mounting surface
• Heavy-duty metal case; matte black finish
• Outputs for interfacing with auxiliary equipment
(other accessories listed on page 59)
SF4 - Floor Stand
MFM - Flange Mount
•34" to 62" adjustable height
•Round 10" diameter die cast
base, 9 lb.
•Grip-action clutch and
chrome-plated tubing
•For use with models GCU250 & GDU150
•3-pin female XLR connector, non-shock-isolated
• 3-1/4 " H x 1-3/4" dia. base, 3 ounces
SB6 - Floor Boom Stand
MSM - Shock-Isolated Microphone Base
•Telescopic floor stand
•Sliding 30" boom arm
•34" to 62" adjustable
height, 6 lb.
•Chrome-plated tubing
•Tripod base
•For use with models GCU250 & GDU150
•Provides superior mechanical noise and vibration handling
•Lightweight ABS material housing
•XLR (female) connector
•Thick, shock-absorbing rubber cushion
•4-3/4" W x 1-3/4" H x 4" D; 6 ounces
DS3 - Desk Stand
•3" chrome-finish tube
•6" cast iron base, 3 lb.
XLR25 - Microphone Cable
•For use with models HDU250,
HDU150, & HDO100
•25' cable; Male XLR to female XLR,
2-conductor plus shield
MAC - Microphone Cable Assembly
•For use with models HDU250,
HDU150, & HDO100
•25' cable; Female XLR to stripped and tinned
wires, 2-conductor plus shield