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XR
®
Powered Mixer
s
Operating
Manual
www.peavey.com
FCC/ICES Compliancy Statement
This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s).
Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, that may cause undesired operation.
Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de licence. L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2) I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d’en compromettre le fonctionnement.
Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the user’s authority to use the equipment.
Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures.
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
Caution
The equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment.
2
ENGLISH
XR®s
Powered Mixer
Congratulations on the purchase of your new XR®s powered mixer from Peavey®. The Peavey XRs is a revolutionary all in one powered mixer. Everything a musician or DJ needs providing up to eight combination XLR and ¼” inputs using Peavey’s award winning mic preamps and dual 500 Watt amplifiers for crystal clear audio reproduction. The Peavey XRs uses exclusive features like Mid-Morph to accurately improve tone and clarity of vocals. Feedback is quickly and easily identified and removed with Peavey’s dual 9-band graphic
EQ’s combined with our patented and revolutionary FLS Feedback Locating System. The XRs is equipped with Peavey’s exclusive
Kosmos-C technology, which drastically enhances the low end of the audio spectrum. Built-in 24-bit digital effects compliment the already feature packed unit.
Before you begin using your powered mixer it is very important to ensure that the product has the proper AC voltage supplied. You can find the proper voltage for your amp printed next to the IEC line (power) cord on the rear panel of the unit.
FEATURES:
• FLS® Feedback Locating System
• Mid-Morph® EQ
• Kosmos®-C
• On-board 24- bit digital effects with mute button
• Digital effects parameter control
• Combination XLR and 1/4” input jacks
• Dual 9-Band Graphic EQ with FLS
• Master Mic Mute
• Footswitchable effects defeat
• Global 48 Volt Phantom Power
• RCA, 1/8” Media input
• Bluetooth® Streaming Audio In
• Selectable Main or Monitor dual power section
• RCA Record outputs
• LED Meter bridge
• Power amp sub-sonic filter
• Clip and signal presence LED indicators
• Main and Monitor 1/4” line level outputs
• DDT ™ Speaker protection circuit
VENTILATION: For proper ventilation, allow 6” (15.5 cm) clearance on all sides.
3
Channel Strip for Channels 1-7
1 MIC/LINE INPUT (CH.1-8)
This combination input jack can accept either a ¼” (balanced or unbalanced) input or a XLR balanced, low-impedance connection. The tip is positive on the ¼” balanced input, and pin 2 is positive on the XLR
1
2 PAD (CH. 1-6)
When engaged, the pad reduces the input signal by 25dB. If you notice distortion from a particular channel or if the channel becomes loud very quickly, try engaging this switch. In addition to increasing the dynamic range, the channel can now accommodate a higher input level before clipping occurs, which may be helpful when close-mic’ing a loud guitar amp or drum kit, for example.
2
3 HIGH EQ
This High EQ shelving type of active tone control varies the treble frequencies (+/- 15 dB at
12kHz) and is designed to remove noise or add brilliance to the signal, depending on the quality of the source.
3
4 MID-MORPH EQ (CH. 1-7)
Where most mid-range controls work at just one frequency, the Mid-Morph works at two.
When turned counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound.
When turned clockwise, it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument definition can be achieved.
4
5 LOW EQ
A shelving type of EQ that varies the bass frequency levels (+/- 15dB at 80Hz). Low EQ adds depth to thin-sounding signals or cleans up the muddy ones. As with any EQ, use sparingly.
Too much of this EQ can give you a booming bottom end.
5
6 MONITOR SEND
The monitor send adjusts the level of the channel signal added to the monitor send (16).
7 EFFECTS SEND (CH. 1-7)
This control adjusts the level of channel signal added to the effects mix. The signal is sent to the internal effects processor. Turning the knob to the left (0) will turn off the effects on the associated channel, while turning the knob to the right will increase the amount of the selected effect.
6
7
8 CLIP
When this LED turns on or blinks red, it is an indication that the signal in the channel is potentially too strong and could cause distortion. Turn down the Level control (10) until the
Clip light is no longer present. If you are having difficulty getting a clean signal, try varying the output of the connected device, if possible.
10
9 SIG
When this LED is green, it is an indication the mixer is receiving signal at the input of the channel. If you are having trouble getting sound out of the mixer and this LED is not on, check the microphone, instrument or cable that is connected to the channel.
4
RCA
L
3.5mm
TRS
1 min
LEVEL max
2 min
LEVEL max
3 min
LEVEL max
4 min
LEVEL max
5 min
LEVEL max
6 min
LEVEL max
7 min
LEVEL max
8 min
LEVEL max min/off
LEVEL max
L
SUB OUT MONO
TRS BAL
1
CH. 1
min min min min
PAD max high max max max clip sig
2
CH. 2
min min min min 8
9
PAD max high max max max clip sig
3
CH. 3
min min min min
PAD max high max max max clip sig
4
CH. 4
min min min min
PAD max high max max max clip sig
5
CH. 5
min min min min
PAD
6
CH. 6
PAD
R ACTIVE
7
XLR-1/4”
CH. 7
MEDIA GLOBAL PHANTOM
POWER
INPUT SELECT
CH. 8
ENABLE
8
DIGITAL EFFECTS
USB MEDIA
R
RECORD OUT
UNBAL
NON-POWERED OUTPUTS
Press to Select
MAIN MON efx clip
EFX DEFEAT
USB
Press to Select
IN max min max min max high max max max clip sig min min min high max max max clip sig min min min high max max max clip sig min min min min
MIC MUTE
USB MEDIA PLAYBACK max max
63 125 250 500 1K 2K 4K 8K 12K max
+12
+6
0
-6
-12 max clip
MAIN
FLS FEEDBACK LOCATING SYSTEM sig
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
SIGNAL
LIMIT
-6
-12
-18
-24
-30
MONITOR
FLS FEEDBACK LOCATING SYSTEM
SIGNAL
LIMIT
-6
-12
-18
-24
-30
EFX TO MON min
LEVEL max min
LEVEL max
1
PAD
2
PAD
3
PAD
4
Media Input
11 12 14 15 16 17
RCA
L
3.5mm
TRS
L
SUB OUT MONO
TRS BAL
PAD
5
PAD
6
PAD
R ACTIVE
7
XLR-1/4” MEDIA GLOBAL PHANTOM
POWER
INPUT SELECT
ENABLE
8
R
POWER AMP 2
ASSIGN
RECORD OUT
UNBAL
MAIN OUT
TRS BAL
NON-POWERED OUTPUTS
MAIN MON
11
13 18 19 20
MIC/LINE INPUT
This combination input jack can accept either a ¼” (balanced or unbalanced) input or a XLR balanced, low-impedance connection. The tip is positive on the ¼” balanced input, and pin 2 is positive on the XLR
12 MEDIA INPUTS (CH.7 RCA and 3.5mm)
These inputs, both RCA and 3.5mm jacks accept a stereo input from the output of an MP3 Player, CD player, tape deck or other similar device.
13
INPUT SELECT SWITCH (CH. 7)
This switch allows the user to select the input signal being sent to channel 7. In the “up” position, the Mic-Line preamp is active. In the “down” position, the RCA- 3.5mm media inputs are active.
14 MIC/LINE INPUT
This combination input jack can accept either a ¼” (balanced or unbalanced) input or a XLR balanced, low-impedance connection. The tip is positive on the ¼” balanced input, and pin 2 is positive on the XLR.
15
RCA RECORD OUT
This pair of RCA jacks provides a signal to the recording inputs of a CD recorder, stereo tape deck or other recording device.
NOTE: Do not connect a single device to the Media Inputs (12) and Record Outputs (15). This improper setup forms a loop, which can cause severe feedback.
16a MAIN OUT (TRS Balanced)
This ¼” jack provides a signal from the main mix (after the graphic EQ) for an external power amplifier. An external power amplifier, such as our IPR series of amplifiers, can then drive additional speakers.
16b MONITOR OUT (TRS Balanced)
This ¼” jack provides a signal from the monitor mix (after the graphic EQ) for an external power amplifier. An external power amplifier, such as our IPR series of amplifiers, can then drive additional speakers.
17 SUB/MONO OUT (TRS Balanced)
This ¼” jack provides a signal that passes all signals under 150Hz. This can be used to drive an external subwoofer amplifier or a powered sub.
The level of signal tracks the main output.
5
Media Input
18 GLOBAL PHANTOM POWER
This switch, when depressed, applies +48 VDC to all input XLR connectors to power microphones that need phantom power to work.
This switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power.
If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR inputs that cannot handle this Voltage.
19 PHANTOM POWER LED
This LED shines when the PHANTOM POWER is activated.
20 POWER AMP 2 ASSIGN
This switch allows the user to select the signal that is assigned to power amp 2 (52). The user can either elect to send the Main mix signal or the Monitor mix signal to the second internal power amplifier. This allows the user to run both power amps for mains or use power amp 1 for mains and power amp 2 for monitors.
6
Channel Strip for Channel 8
21 USB MEDIA JACK (CH. 8)
Press to Select efx clip
CH. 1 CH. 2 CH. 8
USB MEDIA min max high min max high
USB Playback:
First, select the proper input for channel 8 by sliding the input selection switch (23) to the
USB position. The bottom of the LCD display will say “Insert USB drive”.
Insert your USB drive into the USB Media Jack (21) at the top of channel 8. The Media Player will now enter "Folder Navigation Mode". In this mode, you can scroll through a list of all min folders on the USB drive. Once you select a folder, the Media Player will enter "Song Navigation
Mode" which allows you to scroll through a list of all songs contained in the selected folder. If there are no songs in the selected folder, the LCD will display "No Songs". To return to Folder
Navigation Mode, scroll to the very beginning of the list and select the <FOLDERS> option.
high high high
Once the Media Player reaches the last song, it will automatically loop back to the beginning of the list.
23
24
25 max high
IN min
USB max
22
+12
+6
0
-6
-12
USB MEDIA PLAYBACK
Press to Select
EFX DEFEAT
MIC MUTE
63 125 250 500 1K 2K 4K 8K 12K
SIGNAL
LIMIT
-6
-12
-18
-24
-30 min min min
1 min
LEVEL max max max clip sig max min min min max 22 min max min max min max min max
The blue “Bluetooth Active LED” indicates the status of the Bluetooth connection. If the LED is off, the Bluetooth module is powered off. If the LED is slowly flashing, the XRs is not paired with any device, but is available for connection.. When the LED is lit solid, the source device is properly paired to the mixer and ready to play.
min max min max min max min max clip
To listen to music via the Bluetooth wireless connection, you must first pair (link) your XRs mixer with your Bluetooth phone and/or music device.
Turn off any Bluetooth devices previously paired with the XRs mixer.
clip clip
Turn on the Bluetooth feature on your phone or music device.
clip
Make sure the XRs is ready for a Bluetooth connection.
min max clip min sig sig sig sig
Place your phone or music device in Bluetooth search mode. The phone or music device will begin searching for the XRs.
2 min
LEVEL max
26
27 max clip
30 max max
3
LEVEL
4 min
LEVEL max
5 min
LEVEL max
6 min
LEVEL
If the pairing is successful, the Bluetooth Active LED will stop blinking and stay lit.
max
7 min
You are now ready to begin streaming through Bluetooth to the mixer. The level can be adjusted from the connected source or by the level control in Channel 8.
The XRs mixer will remember up to 10 devices that it was previously paired with and will automatically connect to the last device with which it was paired when turned on. To clear the paired device memory, make sure the mixer is in Bluetooth mode and press and hold the Previous button (35),
Play/Pause button (36), and Next button (37) for 5 seconds. The XRs mixer will ask if you would like to clear the Bluetooth memory. Select "Y" using the Media Select knob to clear the memory.
The XRs mixer will go through the process of clearing the memory, which should take approximately 15 seconds.
LEVEL max sig min min min max max max clip
8 min
LEVEL max sig
MONITOR
FLS FEEDBACK LOCATING SYSTEM
+12
+6
0
-6
-12
29
63 125 250 500 1K 2K 4K 8K 12K
FLS FEEDBACK LOCATING SYSTEM
EFX TO MON min/off
LEVEL max min
LEVEL max
SIGNAL
LIMIT
-6
-12
-18
-24
-30 min
LEVEL max
7
Channel Strip for Channel 8
23 XLR/USB/BLUETOOTH SWITCH (CH. 8)
This switch allows the user to select the input signal being sent to channel 8. It can select between the Mic-Line preamp (XLR), the USB A connector or a wireless Bluetooth connection from an external device (phone, ipod or tablet).
24 HIGH EQ
This High EQ shelving type of active tone control varies the treble frequencies (+/- 15 dB at 12kHz) and is designed to remove noise or add brilliance to the signal, depending on the quality of the source.
25 MID EQ (CH. 8)
The mid EQ is a band-pass (peak/notch) type of active tone control that varies the mid-range frequencies (+/-15dB at 450Hz).
26 LOW EQ
A shelving type of EQ that varies the bass frequency levels (+/- 15dB at 80Hz). Low EQ adds depth to thin-sounding signals or cleans up the muddy ones. As with any EQ, use sparingly. Too much of this EQ can give you a booming bottom end.
27
MONITOR SEND
The monitor send adjusts the level of the channel signal added to the monitor send.
28 CLIP
When this LED turns on or blinks red, it is an indication that the signal in the channel is potentially too strong and could cause distortion.
Turn down the Level control (12) until the Clip light is no longer present. If you are having difficulty getting a clean signal, try varying the output of the connected device, if possible.
29 SIG
When this LED is green, it is an indication the mixer is receiving signal at the input of the channel. If you are having trouble getting sound out of the mixer and this LED is not on, check the microphone, instrument or cable that is connected to the channel.
30 LEVEL
This control sets the signal level sent to the main mix.
8
Front Panel
31 32 33 34
CH. 1 CH. 2 CH. 3 CH. 4 CH. 5 CH. 6 CH. 7 CH. 8
USB MEDIA
DIGITAL EFFECTS
EFX
SELECT
Press to Select efx clip
EFX DEFEAT
USB
Press to Select min min min min
1 min
LEVEL max high max max max clip sig max min min min min
2 min
LEVEL max high max max max clip sig max min min min min
3 min
LEVEL max high max max max clip sig max min min min min
4 min
LEVEL max high max max max clip sig max min min min min
5 min
LEVEL max high max max max clip sig max
6 min min min
31
32 min min
33
35
36
37
38
39 max min max
IN
USB MEDIA PLAYBACK
MEDIA
SELECT
MIC MUTE
63 125 250 500 1K 2K 4K 8K 12K
SIGNAL
LIMIT high high min max
36 37 38 39
-6
+6
DIGITAL EFFECTS LCD DISPLAY
0
-6
-12
-18
The top row of this LCD displays the currently selected Effect and the bottom row displays the status of the media inputs of channel 8. If chanmax min max min max
-12
MONITOR FLS FEEDBACK LOCATING SYSTEM
-24
-30 nel 8 is in “USB” mode, it can also be used for navigating the folders on the USB drive or displaying the current song playing.
EFX SELECT
63 125 250 500 1K 2K 4K 8K 12K
SIGNAL
The EFX select knob is used to navigate through the EFX presets. Turning the encoder changes the selection in the display. The new selection max min max min max
+12
+6
LIMIT
-6
-12
0 effect. To do this, press the EFX Select encoder, the display will change to the current parameter setting of the preset. Turn the EFX Select en-
-24 settings, press and hold the EFX Select encoder for 5 seconds and select "Y" when prompted.
max clip min max clip min max clip
MAIN FLS FEEDBACK LOCATING SYSTEM
EFX DEFEAT sig
EFX TO MON
-30 sig sig
This button mutes the effects being sent to the main mix and monitor mix, allowing the user to listen to a dry signal at the main outputs.
When muted, the switch will be red. This can also be activated with a momentary footswitch. See (53).
max
7 min
LEVEL max
8 min
LEVEL max min/off
LEVEL max min
LEVEL max min
LEVEL max
This LED blinks red when the signal being sent to the effects section is too high and is causing distortion. Find the source of the hot signal by reducing the EFX send (7) on each channel until the LED is no longer lighting (blinking red).
REW/PREV
A short press will rewind to the beginning of the current song. Pressing this button twice will take you to the previous song on the USB drive.
A long press will rewind through the current song, release to play when you reach the desired spot in the song.
PLAY/PAUSE
The play/pause button toggles the current song between play and pause. When the > is displayed, the song will be playing. When II is displayed, the song is paused.
FF/NEXT
A short press will advance the media player to the next song on the USB drive. A long press will fast forward through the current song, release to play when you reach the desired spot in the song.
MEDIA SELECT
Once a USB device is connected in channel 8, you can use the “Media Select” encoder to navigate through the folders/songs on the drive. Once the desired file is displayed on the screen, press the Media Select knob to cue that file. Use the controls on the mixer for play, pause, forward and reverse.
MIC MUTE
Depressing this button mutes the mic/line inputs in all 8 channels. The media inputs (RCA and 3.5mm) jacks on channel 7 and the USB/BT inputs on channel 8 are still “live”. This allows you to play break music, while muting all of the microphone inputs.
9
CH. 1 min min min min max high max max max clip sig
CH. 2 min min min min max high max max max clip sig
CH. 3 min min min min max high max max max clip sig
CH. 4 min min min min max high max max max clip sig
CH. 5 min min min min max high max max max clip sig
CH. 6 min min min min high max max max clip sig
CH. 7 min min min max high max max max clip sig
CH. 8
USB MEDIA
DIGITAL EFFECTS
USB
IN min min
41 min min
EFX
SELECT
Press to Select
Press to Select efx clip
EFX DEFEAT
USB MEDIA PLAYBACK
MEDIA
SELECT
MIC MUTE max
40 max
63 125 250 500 1K 2K 4K 8K 12K max
+12
+6
0
-6
-12 max clip
MAIN FLS FEEDBACK LOCATING SYSTEM sig
+12
+6
0
-6
-12
63 125 250 500 1K 2K 4K 8K 12K
SIGNAL
-18
-24
-30
LIMIT
-6
-12
MONITOR FLS FEEDBACK LOCATING SYSTEM
SIGNAL
-18
-24
-30
LIMIT
-6
-12
EFX TO MON
42
1 min
LEVEL max
2 min
LEVEL max
3 min
LEVEL max
4 min
LEVEL max
5 min
LEVEL max
6 min
LEVEL max
7 min
LEVEL max
8 min
LEVEL max min/off
LEVEL max min
LEVEL max min
LEVEL max
40
41
42
43
44
45
46
43 44 45 46
FLS
When feedback occurs, the corresponding LED of the frequency that is closest to the frequency that is feeding back will illuminate over the slider to be adjusted. Slowly bring the corresponding slider down until feedback is gone. The LED will remain illuminated for a few seconds after the feedback is gone. If the feedback doesn’t return, all of the LEDs will become active again, acting as a normal EQ.
GRAPHIC EQ
These nine-band Equalizers are designed to either be used to reduce feedback or to adjust the overall frequency response of the signal being sent to the amplifiers. Subtle adjustments made with the graphic equalizer can improve the way your loudspeaker system sounds in the room.
You should be aware however, that setting large amounts of boost or arbitrary curves can reduce amplifier headroom, leading to early distortion or just plain bad or unintelligible sound. Working with the FLS, the graphic EQ can also be used to reduce feedback. Each band of EQ can supply up to 12dB of boost or cut.
LEVEL LED LADDER
These LEDs indicate the signal level of the main mix and the monitor mix. The top LED indicates LIMIT and activation of our revolutionary
DDT speaker protection circuit. Peavey’s award winning speaker protection is built into the XRs powered mixer and is activated automatically to maximize the power amplifier without fear of distortion.
KOSMOS-C
The Kosmos-C uses special circuitry to enrich the sound of your system. This is not just a simple bass boost. It provides “natural bass enhancement” by adding harmonically related bass signals that track the envelope of the original signal. The amount of effect is greatly influenced by the source material and some experimenting may be necessary to get the best results.
EFX TO MON
This switch toggles the EFX return signal being sent to the monitors. When it is lit, the effects signal is being sent to the monitors.
MONITOR LEVEL
The Monitor level control adjusts the level of the signal coming out of the Monitor send ¼” jack (15b). It can also be assigned to feed the 2nd power amplifier via the selector switch (20) on top of the mixer.
MAIN LEVEL
The Main level control sets the level of the main mix and the overall volume of the powered mixer.
10
Back Panel
47 48 51 52
POWER
ON
50/60 Hz 185 WATTS
Consumo de energia 185 Wh
A/C
47
49
POWER SWITCH
This is the main power switch.
50
CAUTION
FUSE
115V
T10AH/250V
220-240V
T5AH/250V
PIN 7878
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
AND OBJECTS FILLED WITH LIQUIDS, SUCH AS VASES, SHOULD NOT
HAZARD, REPLACE WITH SAME TYPE 250 VOLT FUSE.
AVIS: DANS LE BUT DE REDUIRE LES RISQUES D’INCENDIE OU DE
A LA PLUIE OU A L’HUMIDITE ET AUCUN OBJET REMPLI DE LIQUIDE,
PAR UN FUSIBLE DE MEME TYPE ET DE 250 VOLTS.
FUSE MUST BE CHANGED
TO T5AH/250V
230V
FCC ID: I4S-XRs CAN-ICES-3B/NMB-3B IC: 3642B-XRs
115V
FOR 115V OPERATION,
FUSE MUST BE CHANGED
TO T10AH/250V
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES. OPERATION IS SUBJECT
TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE
HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE
RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE UNDESIRED OPERATION.
A PRODUCT OF PEAVEY ELECTRONICS CORP.
DESIGNED AND ENGINEERED IN U.S.A.
MADE IN CHINA
MAIN
CONNECTORS COMPATIBLE
WITH TWIST-LOCK
CONNECTORS AND 1/4”
SPEAKER CABLE
PINOUT
TWIST-LOCK
1/4”
SPEAKER OUTPUTS
MINIMUM LOAD
4 OHMS PER AMPLIFIER
NEG
1-
SLV
CLASS 2 WIRING
MAIN/MONITOR
(WITH FRONT PANEL MONITOR SWITCH ACTIVE
THESE OUTPUTS RECEIVE SIGNAL FROM MONITOR SECTION)
FOOTSWITCH
EFFECTS DEFEAT
53
48 FUSE
This is the main safety fuse for the AC line voltage. Only replace with a fuse of the exact type and rating. If the fuse continues to open, do not over fuse. Take the unit to an authorized Peavey service center.
NOTE: If the main AC voltage is changed, the fuse must also be changed to one of the appropriate rating for the voltage you are switching to.
49 AC Power Inlet
This is the receptacle for an IEC line cord, which provides AC power to the unit. Connect the line cord to this connector to provide power to the unit. Damage to the equipment may result if improper line voltage is used. Never break off the ground pin on any equipment. It is provided for your safety. If the outlet used does not have a ground pin, a suitable grounding adapter should be used and the third wire should be grounded properly. To prevent the risk of shock or fire hazard, always make sure that the amplifier and all associated equipment is properly grounded.
NOTE: FOR UK ONLY
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: (1) The wire which is coloured green and yellow must be connected to the terminal which is marked by the letter E, or by the Earth symbol, or coloured green or green and yellow. (2) The wire which is coloured blue must be connected to the terminal which is marked with the letter N, or the colour black. (3) The wire which is coloured brown must be connected to the terminal which is marked with the letter L, or the colour red.
To avoid the risk of electrical shock, do not place fingers or any other objects into empty tube sockets while power is being supplied to unit.
50 Voltage Selector Switch
This switch allows the user to select between 115VAC / 60Hz or 230VAC / 50Hz. To change the voltage selector, you must first unscrew and remove the plastic cover that protects the switch. After changing the voltage, please replace the plastic cover to ensure the voltage level is not inadvertently altered.
NOTE: The fuse MUST be changed to the appropriate value to match the voltage you have selected. Please see the note on the back of the mixer for the correct value.
51 POWER AMP 1 SPEAKER OUTPUTS (MAIN MIX)
Dual two-conductor ¼” – Speakon combination jacks that can be connected to your speakers. Each amplifier has a minimum load impedance of 4 ohms. This means you can connect either one 4-ohm, one 8-ohm or two 8-ohm speakers to each amplifier. Do not operate below rated minimum impedance. For maximum power transfer and to prevent damage to your amplifier, be sure to use speaker cables and not instrument cables to connect to the speakers. We recommend the use of 18-guage or larger speaker wire.
Back Panel
52 POWER AMP 2 SPEAKER OUTPUTS (MAIN MIX or MONITOR MIX)
Dual two-conductor ¼” – Speakon combination jacks that can be connected to your speakers. Each amplifier has a minimum load impedance of 4 ohms. This means you can connect either one 4-ohm, one 8-ohm or two 8-ohm speakers to each amplifier. Do not operate below rated minimum impedance. For maximum power transfer and to prevent damage to your amplifier, be sure to use speaker cables and not instrument cables to connect to the speakers. We recommend the use of 18-guage or larger speaker wire. The signal going to Power Amp 2 is determined by the position of the Power Amp 2 Assign switch (20). In the “MAIN” position, the main mix is fed to power amp 1 and power amp 2. In the “MON” position, the main mix is fed to power amp 1 and the monitor mix is fed to power amp 2.
53 Footswitch (TRS) Effects Defeat/Mic Mute (Global)
This 1/4" (TRS) jack accepts a momentary 1/4" TRS dual button footswitch (Peavey part # 03014070) designed to defeat the effects (tip to sleeve) and activate the MIC MUTE switch (39, ring to sleeve). The status of either function will be displayed by the lighting of the switch on the front panel. If the effects are muted, either by the footswitch or the front panel switch (33), the EFX MUTE switch will glow red. If the
Mics are muted, either by the footswitch or the front panel switch (39), the MIC MUTE switch will glow red.
A single button footswitch (Peavey part # 03050680) can be used, but it will only work on the "Effects Defeat". In this case, the "Mic Mute" status can only be toggled by the front panel switch (39).
12
Effects (parameter)
PLATE (TIME) DESCRIPTION
P1
P2
P3
P4
P5
Bright
Gentle LP
Med LP
Hard LP
Dark
HALL (TIME)
H1
H2
H3
Vox Fox
Vox Huge
Vox Glow
H4
H5
Strings
Brass Hall
ROOM (TIME)
R1 Vox Air
PREDELAY
35 ms
48 ms
62 ms
78 ms
95 ms
ROOM
DAMP FACTOR
ROOM SIZE FRONT END HP BACK END LP MORE DESCRIPTIVE
35 ms
42 ms
10 ms
Med
Med
Med
Med
Large
Large
Subtle
Subtle
Subtle
Subtle
Subtle
Subtle
30 ms
35 ms
Med
High
Med
Med
Subtle
Subtle
Subtle
Moderate
30 ms Low Small Aggressive Subtle
NAME
Med Hall
Cathedral
Auditorium
Concert Hall
Concert Hall 2
Hard Walls
R2
R3
R4
R5
Vox Club
Snare Low
AC GTR
Brass Room
DELAY (TIME)
D1 Double
D2 Slapback
D3 Bright, Few Repeats
D4 Bright, More Repeats
35 ms
70 ms
42 ms
40 ms
High
Low
Med
High
Small
Small
Small
Med
Subtle
Moderate
Moderate
Subtle
Moderate
Subtle
Subtle
Moderate
Club
Bathroom
Med Walls
Med Room Damped Walls
D5
D6
D7
D8
Bright, Most Repeats
Dark, Few Repeats
Dark, More Repeats
Dark, Most Repeats
ENHANCE (CUTOFF FREQ)
E1 Light Harmonics
E2
E3
Moderate Harmonics
Heavy Harmonics
CHORUS (RATE)
C1 High Depth, Slow Rate
C2
C3
C4
Mod Depth, Wide Rate
Short Depth, Wide Rate 10 ms
Short Depth, Fast Rate
PREDELAY
10 ms
10 ms
5 ms
CHORUS TIME RATE
20 ms
5 ms
2 ms
1 ms
0.1 – 1 Hz
0.5 - 4 Hz
0.5 - 6 Hz
5 - 15 Hz
MODULATION
Random Sine
Random Sine
Sine
Random Sine
C5 High Depth, Mod Rate 2 ms 20 ms 0.2 - 3 Hz Random Sine
Block Diagram
SPEAKER OUTPUTS MAIN OUT
REC OUT
CH. 7/8
CH. 1-6
EFX
MON
EFFECTS MEDIA
MUTE MICS MUTE MICS
MUTE MICS MUTE MICS
XLR USB
Specifications
INPUT SENSITIVITY:
Mic In to full power at the power amp. Master Volume Nom.
Full Nominal
-40 dBu -22 dBu
Line In to full power at the power amp. Master Volume Nom.
Full Nominal
-10 dBu +8 dBu
CHANNEL EQ:
Shelving EQ
Low EQ
Mid-Morph
Low
High
High EQ
80 Hz ±15 dB
250 Hz ±15 dB
4 kHz ±15 dB
12 kHz ±15 dB
CLIP LED:
Clip LEDs come on 3 dB before clipping.
FREQUENCY RESPONSE:
All controls nominal (detent)
Mic to Main 20 Hz – 20 kHz +0, -1 dB
Line to Main 20 Hz – 30 kHz +0, -1 dB
Mic to Amp 50 Hz – 20 kHz +0, -3 dB
Line to Amp 40 Hz – 20 kHz +0, -3 dB
PHANTOM POWER:
+48 VOLTS
NOISE:
Main = Main line output, 22 – 22 kHz filter
Amp 1 = Amplifier output, loaded at 4 Ohms, through AP
AUX-0025 switching amplifier filter
All controls full down.
Main <-95 dBu
Amp 1 <-60 dBu
Master Volume nominal
Main <-88 dBu
Amp 1 <-55 dBu
THD:
All controls nominal
<0.01% @ main line output, -30 dBu in mic input Channel 1
<0.5% @ amp 1 @ 400 Watts into 4 Ohms
All controls nominal
<0.005% @ main line output, +4 dBu in line input Channel 1
<0.5% @ amp 1 @ 400 Watts into 4 Ohms
MASTER EQ:
80Hz
250Hz
500Hz
1kHz
2kHz
4kHz
10kHz
±12 dB
±12 dB
±12 dB
±12 dB
±12 dB
±12 dB
±12 dB
METER ARRAY:
LIMIT
-6 dB
-12 dB
-18 dB
-24 dB
-30 dB
AMP LIMITER:
Limits amplifier power just before clipping. The limiter holds the amp power without clipping and can be driven up to 18 dB past maximum output.
AMPLIFIER OUTPUT POWER:
120VAC
Both channels loaded at 8 ohms: 280 Watts RMS per ch
Both channels loaded at 4 ohms: 500 Watts RMS per ch
POWER REQUIREMENTS:
Domestic: 120VAC 50/60Hz
Export: 230VAC 50/60Hz
200 Watts Nominal
200 Watts Nominal
SIZE:
Dimensions:
WEIGHT:
H x W x D
7.75" x 15.5" x 9.375"
19.69cm x 39.37cm x 23.81cm
13 lbs.
5.9 kgs
Features and specifications subject to change without notice.
Peavey Electronics Corporation • 5022 Hartley Peavey Drive • Meridian, MS • 39305
(601) 483-5365 • FAX (601) 486-1278 • www.peavey.com • EX000139 • ©2011
15
www.peavey.com
Warranty registration and information for U.S. customers available online at
www.peavey.com/warranty or use the QR tag below
Features and specifications subject to change without notice.
Peavey Electronics Corporation 5022 Hartley Peavey Drive Meridian, MS 39305 (601) 483-5365 FAX (601) 486-1278
Logo referenced in Directive 2002/96/EC Annex IV
(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005
The bar is the symbol for marking of new waste and is applied only to equipment manufactured after
13 August 2005
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