Meyer Sound CP-10 Stereo Equalizer User Manual

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Meyer Sound CP-10 Stereo Equalizer User Manual | Manualzz
Features
Complementary phase
Symmetrical boost/cut
CP-10
Calibrated controls
Complementary Phase
Parametric Equalizer
Automatic bypass switching
Gold-socketed p.c. boards
Ease of service
Long-term reliability
Applications
Sound system equalization
Recording studio tuning
Resonance elimination
Early echo suppression
Outboard recording EQ
The Meyer Sound CP-10 Complementary Phase Parametric Equalizer is
a two-channel unit, each channel
comprising five bands of fully parametric equalization and individual highand low-cut shelving filters.
The CP-10 is designed for precision
room equalization in sound reinforcement or studio monitoring, and
features Meyer Sound’s exclusive
Complementary Phase circuitry.
Capable of matching exactly the
properties of typical acoustic resonances and reflections, this unique
circuitry makes possible simultaneous
improvements to an installed system’s
amplitude and phase response.
The CP-10 equalizer is an integral
component of Meyer Sound’s proprietary SIM® (Source Independent
Measurement) system. Coupling highresolution, in-concert, multiple-point
measurement with Complementary
Phase equalization, this revolutionary
technology assures unprecedented
sound system performance — even in
the most difficult acoustical environments. (For more information on SIM,
contact Meyer Sound.)
The CP-10 also serves as a very
effective, high-quality outboard equalizer for music recording. Its graceful,
symmetrical parametric filters and
natural phase characteristics ensure
maximum flexibility with minimum
sonic perturbation. Coupled with very
low harmonic distortion and a 110 dB
dynamic range, these attributes place
the CP-10 in a class with the finest
outboard equalizers available.
With specifications to meet the most
demanding professional requirements,
the Meyer Sound CP-10 offers uncompromised performance in recording and
reinforcement applications. Individually
socketed, field-replaceable circuit cards
and automatic bypass switching ensure
maximum reliability with extended use.
Meyer Sound Laboratories, Inc.
2832 San Pablo Avenue
Berkeley, CA 94702
(510) 486-1166
FAX (510) 486-8356
CP-10 Specifications
Frequency Response1
Total Harmonic Distortion2
Hum and Noise
Dynamic Range3
Inputs
Type
Impedance
Level4
Outputs
Type
Impedance
Level
Controls
Front Panel
Rear Panel
Indicators
Power
Ready
Clip (Input and Output)
Connectors
Power
Physical
Dimensions
Weight
The clearly marked front panel includes
individual in/out switches for each equalization band, with separate, calibrated
frequency, bandwidth and boost/cut
controls. LEDs indicate power status and
signal clipping.
Signal flow through the device is
controlled by a delayed relay which allows
the CP-10 circuitry to stabilize before it is
engaged. When power to the CP-10 is
20 Hz – 20 kHz ±0.5 dB
< 0.01%
-90 dBV “A” weighted, unbalanced
110 dB
Balanced active
20k ohms balanced
+4 dBu nominal, +20 dBu maximum
Balanced active push-pull
300 ohms, 150 ohms per branch unbalanced
+4 dBu nominal, +26 dBu maximum
EQ In/Out, Center Frequency, Bandwidth,
Boost/Cut, Lo and Hi Shelving Cut
Ground Lift switch, Gain switch,
AC Voltage switch
Green LED
Green LED
Red LEDs
3-pin XLR male (outputs) and female (inputs)
120/240V AC, 50/60 Hz, rear-panel switchable
Notes:
1. All equalization circuits
out.
2. 1 kHz input at +4 dBu
3. “A” weighted noise floor
to maximum RMS output
4. Within the operating band
of each channel, maximum input level is the
minimum worst-case
level achieved before
clipping.
19" W x 3 1/2" H x 7 1/2" D standard rack mount
13 lbs (5.9 kg)
interrupted, input signals are bypassed
directly to the corresponding outputs.
The front panel may be removed without
affecting control settings, and each
equalization stage resides on a separate,
gold-socketed circuit card for ease of
service. An optional smoked plastic security
cover discourages tampering in fixed
installations.
Individual In/Out switches for
each frequency band
Center frequency selection
(10:1 range)
Bandwidth control (0.1 octave
to 1.1 octaves, continuously
variable)
Boost or cut ( ± 15 dB)
High and low shelving cut filter
controls
LEDs indicate power status and
A ground lift switch floats audio
common (XLR connector pin 1) from
the chassis. (Earth and chassis are
always connected for safety.)
A gain switch adjusts for unity gain
with either balanced or unbalanced
input signal connections. (Outputs
remain balanced at all times.)

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