GHIBLI 16/
GHIBLI 16FX
User's Manual
16-CHANNEL MIXING
CONSOLE/WITH
DIGITAL EFFECTS
LTO
R
www.altoproaudio.com
Version 1.2 September 2006
English
SAFETY RELATED SYMBOLS
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
This symbol, wherever used, alerts you to the presence of un-insulated and dangerous voltages within the product enclosure. These are voltages that may be sufficient to constitute the risk of electric shock or death.
This symbol, wherever used, alerts you to important operating and maintenance instructions.
Please read.
Protective Ground Terminal
AC mains (Alternating Current)
Hazardous Live Terminal
ON:
Denotes the product is turned on.
OFF: Denotes the product is turned off.
WARNING
Describes precautions that should be observed to prevent the possibility of death or injury to the user.
CAUTION
Describes precautions that should be observed to prevent damage to the product.
Disposing of this product should not be placed in municipal waste and should be
Separate collection.
WARNING
Power Supply
Ensure that the mains source voltage (AC outlet) matches the voltage rating of the product. Failure to do so could result in damage to the product and possibly the user.
Unplug the product before electrical storms occur and when unused for long periods of time to reduce the risk of electric shock or fire.
External Connection
Always use proper ready-made insulated mains cabling (power cord). Failure to do so could result in shock/death or fire. If in doubt, seek advice from a registered electrician.
Do Not Remove Any Covers
Within the product are areas where high voltages may present. To reduce the risk of electric shock do not remove any covers unless the AC mains power cord is removed.
Covers should be removed by qualified service personnel only.
No user serviceable parts inside.
Fuse
To prevent fire and damage to the product, use only the recommended fuse type as indicated in this manual. Do not short-circuit the fuse holder. Before replacing the fuse, make sure that the product is
OFF and disconnected from the AC outlet.
Protective Ground
Before turning the product ON, make sure that it is connected to Ground. This is to prevent the risk of electric shock.
Never cut internal or external Ground wires. Likewise, never remove Ground wiring from the Protective
Ground Terminal.
Operating Conditions
Always install in accordance with the manufacturer's instructions.
To avoid the risk of electric shock and damage, do not subject this product to any liquid/rain or moisture.
Do not use this product when in close proximity to water.
Do not install this product near any direct heat source.
Do not block areas of ventilation. Failure to do so could result in fire.
Keep product away from naked flames.
IMPORTANT SAFETY INSTRUCTIONS
Read these instructions
Follow all instructions
Keep these instructions. Do not discard.
Heed all warnings.
Only use attachments/accessories specified by the manufacturer.
Power Cord and Plug
Do not tamper with the power cord or plug. These are designed for your safety.
Do not remove Ground connections!
If the plug does not fit your AC outlet seek advice from a qualified electrician.
Protect the power cord and plug from any physical stress to avoid risk of electric shock.
Do not place heavy objects on the power cord. This could cause electric shock or fire.
Cleaning
When required, either blow off dust from the product or use a dry cloth.
Do not use any solvents such as Benzol or Alcohol.
For safety, keep product clean and free from dust.
Servicing
Refer all servicing to qualified service personnel only.
Do not perform any servicing other than those instructions contained within the User's Manual.
1
TABLE OF CONTENTS
1. INTRODUCTION...........................................................................................................................................3
2. FEATURES...................................................................................................................................................3
3. READY TO START.......................................................................................................................................3
4. CONTROL ELEMENTS...............................................................................................................................4
5. INSTALLATION AND CONNECTION........................................................................................................10
6 . PRESET LIST .............................................................................................................................................13
7 . SYSTEM BLOCK DIAGRAMS ...................................................................................................................14
8 . TECHNICAL SPECIFICATION ...................................................................................................................16
9. WARRANTY................................................................................................................................................17
2
1. INTRODUCTION
Thank you very much for expressing your confidence in LTO products by purchasing GHIBLI 16(FX) 16-Channel Mixing
Console. You will get the smooth, accurate more natural and open sound from this apparatus, and it is really ideal for small gigs, recording and fixed PA installations. The GHIBLI 16(FX) is packed with features that can not be found in other con soles of its size: 4 mono (these are provided with ultra low noise microphone preamplifiers and Phantom Power at +18 Volt) and 4 stereo input channels, and each mono channel with 3 bands EQ + Mid Frequency sweep and MUTE function; highly accurate 4-segment bar graph meters; built-in high efficiency digital effects processor for GHIBLI 16FX only;
Your GHIBLI 16(FX) is very easy to operate but we advise you to go through each section of this manual carefully. In this way you will get the best out of your GHIBLI 16(FX).
2. FEATURES
The GHIBLI 16(FX) 16-Channel Mixing Console is designed for professional application. It provides the following features:
Mono channels with 3 bands EQ + Mid Frequency sweep and MUTE function.
TUBE SOUND COMPRESSOR on the MIC1-4 channels + De-esser function.
Insert function for all mono channels.
Surround processor with center and surround out + Stereo Bass Enhancer.
Extremely high headroom offering more dynamic range
Balanced ultra low noise microphone inputs with "HIGH END PREAMP"
Suitable for live, studio and home applications
2 AUX Control per mono channel for internal/external effects and monitoring
High-quality, low tolerance components for highest results.
Rugged construction ensures long life and durability
External power supply design for professional applications.
3. READY TO START
3.1 There is a small black box provided with your GHIBLI 16(FX). This is the specific 18V AC input adapter. Connect the proper terminal into your GHIBLI 16(FX) and the adapter into an AC socket.
3.2 Be sure that the main power switch is turned off before connecting the mixer to the AC socket. Also, You should make sure that all input and output controls are turned down before connecting the AC adapter. This will avoid damage to your speakers and avoid excessive noise.
3.3 You shall turn on the mixer BEFORE the power amplifier and turn the mixer off AFTER the power amplifier once you have finished your working session.
3.4 Before disconnecting the GHIBLI 16(FX) always turn off the power switch.
3.5 Do not use solvents to clean your GHIBLI 16(FX). A dry and clean cloth will be OK.
3
4. CONTROL ELEMENTS
GHIBLI 16
2
3
1
MIC IN (BAL)
2
3
1
MIC IN (BAL)
2
3
1
MIC IN (BAL)
2
3
1
CH5 LEFT IN (MONO) CH7 LEFT IN (MONO)
CENTER &
SURROUND OUT
LTO
R
GHIBLI 16
16-CHANNEL MIXING CONSOLE
MIC IN (BAL)
CH6 RIGHT IN CH8 RIGHT IN AUX1 OUT
BALANCED +4dBu
LEFT
OUT
LINE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL) CH9-10 IN (LEFT) CH13-14 IN (LEFT) AUX2 OUT
INSERT INSERT INSERT INSERT
CH12-11 IN (RIGHT) CH16-15 IN (RIGHT)
PHONES
BALANCED +4dBu
RIGHT
OUT
OFF
LOW CUT
HARD
100Hz
SOFT
OFF
LOW CUT
HARD
100Hz
SOFT
OFF
LOW CUT
HARD
100Hz
SOFT
OFF
LOW CUT
HARD
100Hz
SOFT
BYPASS COMP DE-ES
GAIN
BYPASS COMP DE-ES
GAIN
BYPASS COMP DE-ES
GAIN
BYPASS COMP DE-ES
GAIN
CLIP
0
-20
0dB
+30
0dB
HIGH
15KHz
CLIP
0
-20
0dB
50
0dB
HIGH
15KHz
CLIP CLIP
0
-20
0dB
50
0dB
HIGH
15KHz
LINE
0
-20
0dB
50
0dB
HIGH
15KHz
-15
0dB
+15
MID
-15
0dB
+15
MID
-15
0dB
+15
MID
-15
0dB
+15
MID
-15
1KHz
+15
MID freq
Hz
600
0dB
5K
LOW
80Hz
-15
1KHz
+15
MID freq
Hz
600
0dB
5K
LOW
80Hz
-15
1KHz
+15
MID freq
Hz
600
0dB
5K
LOW
80Hz
-15
1KHz
+15
MID freq
Hz
600
0dB
5K
LOW
80Hz
OPERATING
0dB
BYPASS
-15
0dB
+15
AUX1 pre
-
0dB
+10
AUX2 post
center
+10
PAN
-15
0dB
+15
AUX1 pre
-
0dB
+10
AUX2 post
center
+10
PAN
-15
0dB
+15
AUX1 pre
-
0dB
+10
AUX2 post
center
+10
PAN
-15
0dB
+15
AUX1 pre
-
0dB
+10
AUX2 post
center
+10
PAN
-
+10
PHONES
LEFT
-20
RIGHT
-10 0 10
ON
Left
CH
ON
0dB
Right
MUTE
LEVEL
CH
ON
Left
0dB
Right
MUTE
LEVEL
CH
ON
Left
0dB
Right
MUTE
LEVEL
CH
ON
Left
0dB
Right
MUTE
LEVEL
0dB
AUX1 pre
center
+10
PAN
0dB
AUX1 pre
center
+10
PAN
Left
0dB
Right
LEVEL
Left
0dB
Right
LEVEL
-
5-6
0dB
+10
AUX1 pre
-
7-8
+10
0dB
AUX1 pre
-
0dB
+10
LEVEL
-
0dB
+10
LEVEL
-
1
+10
-
2
+10
-
3
+10
-
4
+10
-
9-12
+10
-
+10
13-16
4
GHIBLI 16FX
2
3
1
MIC IN (BAL)
2
3
1
MIC IN (BAL)
2
3
1
MIC IN (BAL)
2
3
1
CH5 LEFT IN (MONO) CH7 LEFT IN (MONO)
CENTER &
SURROUND OUT
LTO
R
GHIBLI 16
FX
16-CHANNEL MIXING CONSOLE
WITH
DIGITAL EFFECTS
MIC IN (BAL)
CH6 RIGHT IN CH8 RIGHT IN AUX1 OUT
BALANCED +4dBu
LEFT
OUT
LINE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL) CH9-10 IN (LEFT) CH13-14 IN (LEFT)
AUX2 OUT
INSERT INSERT INSERT INSERT
CH12-11 IN (RIGHT) CH16-15 IN (RIGHT)
PHONES
BALANCED +4dBu
RIGHT
OUT
OFF
LOW CUT
HARD
100Hz
SOFT
OFF
LOW CUT
HARD
100Hz
SOFT
OFF
LOW CUT
HARD
100Hz
SOFT
OFF
LOW CUT
HARD
100Hz
SOFT
BYPASS COMP DE-ES
GAIN
BYPASS COMP DE-ES
GAIN
BYPASS COMP DE-ES
GAIN
BYPASS COMP DE-ES
GAIN
CLIP
0
-20
0dB
+30
0dB
HIGH
15KHz
CLIP
0
-20
0dB
50
0dB
HIGH
15KHz
CLIP
0
-20
0dB
50
0dB
HIGH
15KHz
CLIP
0
-20
0dB
50
0dB
HIGH
15KHz
-15
0dB
+15
MID
-15
0dB
+15
MID
-15
0dB
+15
MID
-15
0dB
+15
MID
15
16
14
13
1
2
3
12
11
10
9
8
PRESETS
7
6
4
5
-
+10
FX LEVEL
-15
1KHz
+15
MID freq
Hz
600
0dB
5K
LOW
80Hz
-15
1KHz
+15
MID freq
Hz
600
0dB
5K
LOW
80Hz
-15
1KHz
+15
MID freq
Hz
600
0dB
5K
LOW
80Hz
-15
1KHz
+15
MID freq
Hz
600
0dB
5K
LOW
80Hz
OPERATING
0dB
BYPASS ON
-15
0dB
+15
AUX1 pre
-
0dB
+10
AUX2 post
center
+10
PAN
-15
0dB
+15
AUX1 pre
-
0dB
+10
AUX2 post
center
+10
PAN
-15
0dB
+15
AUX1 pre
-
0dB
+10
AUX2 post
center
+10
PAN
-15
0dB
+15
AUX1 pre
-
0dB
+10
AUX2 post
center
+10
PAN
-
+10
PHONES
LEFT
RIGHT
-20 -10 0 10
Left
CH
ON
0dB
Right
MUTE
LEVEL
CH
ON
Left
0dB
Right
MUTE
LEVEL
CH
ON
Left
0dB
Right
MUTE
LEVEL
CH
ON
Left
0dB
Right
MUTE
LEVEL
9
12
13
16
1 VIBRAFLANGE
2 FUNKY
3 ROCKABILLY
4 BIGSTAGE
5
8
VIBRATO
FLANGER
CHORUS
-
+10
REVERB LEVEL
PEAK
0dB
AUX1 pre
center
+10
PAN
0dB
AUX1 pre
center
+10
PAN
Left
0dB
Right
LEVEL
Left
0dB
Right
LEVEL
-
5-6
0dB
+10
AUX1 pre
-
7-8
0dB
+10
AUX1 pre
-
0dB
+10
LEVEL
-
0dB
+10
LEVEL
-
1
+10
-
2
+10
-
3
+10
-
4
+10
-
9-12
+10
-
+10
13-16
5
4.1 THE MIC/LINE INPUT
1
These are Channel 1 through Channel 4. You can connect balanced, low impedance microphones or a low level signal to the XLR socket. On the
1/4" Line jack you can connect either a microphone or a line level instrument .
Note: You shall never connect an unbalanced microphone to the XLR socket if you do not want to damage both the microphone and the mixer.
Also, it is not possible to simultaneously use both the MIC&LINE inputs on the same channel, use only one of them for the appropriate source on each channel.
- PHANTOM POWER +18 Volts
It is available only on the XLR input sockets. Please make sure the power switch is turned off before connecting a microphone to the XLR input.
4.2 MONO CHANNEL INSERT
2
Insert points are provided for mono MIC channels, which can allow you to patch external signal processing devices into signal path. When you insert a TRS jack in the insert socket, the signal will be taken out after the channel compressor, sent to an external processor, and returned into the channel strip immediately before the EQ section. Of course, the jacks used must be stereo (Tip Send/Ring Return).
4.3 STEREO INPUT (CH5~CH16)
3
Each stereo channel comes with two unbalanced line level inputs on 1/4"
TRS jacks, which are used to connect left and right input signals. Use the
LEFT input when connect a mono input signal to the STEREO INPUT. The last two stereo channels feature an original and exclusive double stereo input for each stereo channel. This feature allows you to connect two stereo sources at the same time for each stereo channel, enlarging the real number of signals you can manage at the same time.
2
3
1
MIC IN (BAL)
LINE IN (UNBAL)
INSERT
CH5 LEFT IN (MONO) CH7 LEFT IN (MONO)
CH6 RIGHT IN CH8 RIGHT IN
1
2
3
CH9-10 IN (LEFT) CH13-14 IN (LEFT)
CH12-11 IN (RIGHT) CH16-15 IN (RIGHT)
4.4 LOW CUT
4
By pushing this switch you will activate a 100Hz low frequency filter that provides a precise cut for frequencies under 100Hz. You can use this facility to reduce the hum noise infected by the mains power supply, or the stage rumble while using a microphone.
4.5 THE TUBE SOUND COMPRESSOR SWITCH
5
The TSC switch (on the first 4 channels) activates the TUBE SOUND
COMPRESSOR and let you choose between Compressor and De-esser functions. The two yellow LEDs show the amount of compression applied to the input signal. Two algorithms are provided, one for soft compression with a threshold level of 0dB, and one for hard limiting with a threshold level of around +10dB. This dynamic processor works on the very entry stage of the channel and it can avoid also the channel clipping, maintain the best signal-to-noise ratio. The compression algorithm applied to the sound is shown by two yellow LEDs.
6
4.6 CLIP LED/0dB LED
6
The green LED illuminates when the signal overpasses the 0dB level, the red CLIP LED illuminates when the channel is going into overload.
If the CLIP LED becomes permanently on, reduce the amount of gain.
To have best signal-to-noise ratio set the gain so that the green 0dB LED becomes lighted.
4.7 INPUT LEVEL SETTING
7
This control is provided with 2 different indication rings: one is for the
MIC input and the other for the LINE input. When you use a MIC input you shall read the INSIDE ring (0~50dB); when you use a LINE input you shall read the OUTSIDE ring (-20~+30dB).
4.8 The 3 BANDS EQUALISER
- HI
8
This is the treble control. You can use it to get rid of high frequency noises or to boost the sound of cymbals or the high harmonics of the human voice. The gain range goes from -15dB to +15dB with a center frequency of 15kHz.
- MID
9
This is the midrange control. It can affect most fundamental frequencies of all musical instruments and human voice. An attentive use of this control will give you a very wide panorama of sound effects. The gain range goes from -15dB to +15dB.
- MID FREQUENCY SWEEP
10
This control allow to choose the ceuter frequency of the mid band in a range going from 600Hz to 5KHz.
- LOW
11
This is the bass control. It is used to boost male voice, kickdrum or bass guitar. Your system will sound much bigger than what it is. The gain range goes from -15dB to +15dB and the center frequency is 80Hz.
4.9 AUX 1& 2
12
This control is used to adjust the level of respective channel signal sent to the Auxiliary Bus. The configuration of AUX1 is pre-fader so the signal sent to the AUX Bus 1 will not be affected by the LEVEL control of that particular channel. The AUX2 is post-fader so the signal sent to AUX Bus
2 will be affected by the channel LEVEL control. In this GHIBLI 16FX,
The AUX2 signal also feeds the internal digital effect processor.
4.10 PAN
13
This is the PANORAMA control. You can adjust the stereo image of the signal via this control. Keep this control in center position and your signal will be positioned in the middle of stage. Turn this control fully counterclockwise and the signal will be present only on the left speaker and viceversa. Of course a wide number of intermediate positions are available.
4.11 MUTE SWITCH
14
Mono channels are provided with a MUTE switch that allows to switch on and off the channel signal, both on Left and Right buses and on AUX ones.
4.12 LEVEL
15
This control will adjust the overall level of this channel and set the amount of signal sent to the Main output, and to the Surround and Center outputs.
7
OFF
LOW CUT
HARD
100Hz
SOFT
BYPASS COMP DE-ES
GAIN
CLIP
MIC
0
-20
0dB
+30
0dB
HIGH
15KHz
-15
0dB
+15
MID
9
-15
1KHz
+15
MID freq
Hz
600
0dB
5K
LOW
80Hz
10
11
-15
0dB
+15
AUX1 pre
-
0dB
+10
AUX2 post
center
+10
PAN
12
13
Left
CH
ON
0dB
Right
MUTE
LEVEL
14
15
6
7
8
4
5
-
1
+10
4.13 AUX1 pre
16
The AUX1 control allows to manage the signals coming from the stereo inputs and send them to AUX1 output in order to feed the monitors. The level of this signal is not affected by the channel
LEVEL control.
4.14 PAN
17
This control allows to choose the position of a mono input signal into the stereo field. It allows also to modify the amount of left and right level for a stereo input signal (balance function).
4.15 LEVEL
18
It determines the amount of the input signal on the main mix (LEFT and RIGHT output) and on the Surround and Center outputs.
0dB
AUX1 pre
0dB
AUX1 pre
center
+10
PAN
center
+10
PAN
Left
0dB
Right
LEVEL
Left
0dB
Right
LEVEL
16
17
18
-
5-6
0dB
+10
AUX1 pre
-
7-8
0dB
+10
AUX1 pre
-
0dB
+10
LEVEL
-
0dB
+10
LEVEL
19
4.16 AUX1 pre
19
The AUX1 control allows to manage the signals coming from the stereo inputs and send them to AUX1 output in order to feed the monitors. The level of this signal is not affected by the channel
LEVEL control.
4.17 LEVEL
20
It is channel's LEVEL control and it determines the amount of the input signals on the main mix (LEFT and RIGHT output) and on the Surround and Center outputs.
-
9-12
+10
-
+10
13-16
20
4.18 24 BIT DIGITAL EFFECTS (For GHIBLI 16FX Model only)
- PRESETS
21
Adjust this knob to select the right effect you wish to perform. There are total 16 options for you: Vibraflange, Funky,
Rockabilly, Bigstage, Vibrato, Flanger and Chorus etc.
- FX LEVEL CONTROL
22
This control is used to adjust the output level of FX signal, which can be varied from -to 10dB.
- REVERB LEVEL CONTROL
23
This control is used to adjust the output level of REVERB signal, which can be varied form -to 10dB.
- PEAK LED
24
This LED will illuminate when the internal effect signal is too high and possibly distorted.
In case of the digital effect module being muted, this LED also lights up.
21
22
13
15
16
14
1
2
3
12
11
10
9
8
PRESETS
7
6
4
5
-
+10
FX LEVEL
5
8
9
12
1 VIBRAFLANGE
2 FUNKY
3 ROCKABILLY
4 BIGSTAGE
13
16
VIBRATO
FLANGER
CHORUS
-
+10
REVERB LEVEL
PEAK
24
24
8
4.19 OPERATING LED
25
The operating LED, when is on, shows that the main power supply is present and the mixer is operating.
4.20 PHONES
26
This control sets the amount of signal sent to the PHONES output.
4.21 VU METER
27
It is the output VU meter of the mixer, it shows both the left and right output signal level.
4.22 BASS ENHANCER
28
This is the BASS ENHANCER processor switch. Inserting this processor it is possible to increase and optimize the general performance at low frequency of the mixer.
4.23 MAIN MIX LEVEL
29
This control sets the amount of signal sent to the MAIN MIX
LEFT and RIGHT outputs.
OPERATING
0dB
BYPASS
-
+10
PHONES
LEFT
RIGHT
-20 -10 0 10
ON
4.24 CENTER & SURROUND OUT
30
This is Center and Surround output of the mixer. You can pick up their signals using an insert cable.
4.25 AUX1 OUT
31
This is the AUX1 output, it is useful to connect active monitors to the mixer.
4.26 AUX2 OUT
32
This is the AUX2 output, using its signal it is possible to feed an external effect processors, wiring the effect return to one of the stereo channels of the mixer.
30
31
4.27 PHONES
33
This socket will be used to send the signal to a pair of headphones as well as active monitors.
32
4.28 MAIN MIX OUTPUT
34
This stereo output is controlled by the MAIN MIX LEVEL on the front panel and will send the audio signal to an external amplifier. It is electronically balanced and it has got a professional standard level of +4dBu. You can use both for stereo and for surround system wiring.
33
CENTER &
SURROUND OUT
AUX1 OUT
AUX2 OUT
PHONES
4.29 REAR PANEL
- POWER SUPPLY
35
Used to connect the supplied 24V AC adapter, supplied by
- POWER ON/OFF SWITCH
36
This switch is used to turn the main power ON and OFF.
36 35
LTO company only .
LTO
R
GHIBLI 16
FX
16-CHANNEL MIXING CONSOLE
WITH
DIGITAL EFFECTS
BALANCED +4dBu
LEFT
OUT
BALANCED +4dBu
RIGHT
OUT
MODEL
SERIAL
POWER
ON
POWER
SUPPLY
9
27
29
34
25
28
26
5. INSTALLATION AND CONNECTION
Ok, you have got to this point and you are now in the position to successfully operate your GHIBLI 16(FX). However, we advise you to read carefully the following section to be the real master of your own mixer. Not paying enough attention to the input signal level, to the routing of the signal and the assignment of the signal will result in unwanted distortion, a corrupted signal or no sound at all. So you should follow these procedures for every single channel:
1). Before connecting mics or instruments, make sure that the power of all your systems components including the mixer is turned off. Also, make sure that all input and output controls of your mixer are turned down. This will avoid damage to your speakers and avoid excessive noise.
2). Properly connect all external devices such as microphone, power amplifier, speakers etc.
3). Connect the 24V AC adapter to the mixer and main power.
4). Now, turn on the power of any perpheral devices, and then power up the mixer.
Note: the power amplifier or powered monitors shall be turned on after the mixer and turned off before the mixer.
5). Set the output level of your GHIBLI 16(FX) or the connected power amplifier at no more than 75%.
6). Now, set the PHONE level at no more than 50%.
7). Set HI, MID and LOW EQ controls on the middle position
8). Set panoramic controls on the middle position.
9). While speaking into the mic (or playing the instrument), adjust the channel level control so to maintain a good headroom and ideal dynamic range.
10). You can shape the tone of each channel by adjusting the equalizer controls as desired.
11). Now repeat the same sequence for all other input channels. The Main LED Meter could move up into the red section.
In this case you can adjust the overall output level through the MAIN MIX control.
12). For GHIBLI 16FX, you can select desired DSP sound effects via PRESET and FX & REVERB LEVEL controls.
10
5.1 SOME FINAL TIPS ON WIRING CONFIGURATION
You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schemes.
Ring=Right Signal
Sleeve
Tip
Ring
Strain Clamp
Tip=Left Signal
Sleeve=Ground/Screen
Use for Headphone
1/4" Stereo (TRS) Jack Plug
Sleeve
Tip
Strain Clamp
Tip=Signal
Sleeve=Ground/Screen
Use for Mono Line In, Mono 1/4"Jack Plugs
1/4" Mono (TS) Jack Plug
Ring=Return Signal
Sleeve
Tip
Ring
Strain Clamp
Tip=Send Signal
Sleeve=Ground/Screen
Use for Insert Points
1/4" Stereo (TRS) Jack Plug
2=Hot(+)
2
3
1
1=Ground/Screen
3=Cold(-)
Use for Balanced Mic Inputs
(For unbalanced use, connect pin 1 to 3)
3-pin XLR Male Plug
(seen from soldering side)
2=Hot(+)
2
3
1
1=Ground/Screen
3=Cold(-)
Use for Main output
(For unbalanced use, leave pin 3 unconnected)
3-pin XLR Line Socket
(seen from soldering side)
11
Ring=Return Signal (Connected together)
To Channel Insert
Sleeve=Ground/Screen
Tip=Signal
To Tape or FX Input
Sleeve=Ground/Screen
'Tapped' Connection Direct Output Lead
(Enables the Insert to be used as a Direct Output while maintaining the channel signal flow)
To Processor Input
Tip
Sleeve=Ground/Screen
Tip=Send Signal
To Channel Insert
Sleeve
Ring
Ring=Return Signal
To Processor Output
-Stereo lead for insert Connection
(To be used when the processor does not employ a single jack connection for the In/Out Connections)
12
6. PRESET LIST FOR GHIBLI 16FX
8
9
6
7
10
11
12
13
Position
1
2
3
4
5
14
15
16
Name
Vibraflange
Funky
Rockabilly
Bigstage
Vibrato4
Vibrato3
Vibrato2
Vibrato1
Flanger4
Flanger3
Flanger2
Flanger1
Chorus4
Chorus3
Chorus2
Chorus1
Eff.1 Variat (REVERB)
Spring Rev.
Spring Rev.
Tape Rev.
Hall Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Base Rev.
Eff.2 Variat (FX)
Waves
Funky style
Slow & Soft Flanger
Solo Flanging
Vibrato modul. Speed 4
Vibrato modul. Speed 3
Vibrato modul. Speed 2
Vibrato modul. Speed 1
Flanger modul. Speed 3 + mod. Depth + Feedbk
Flanger modul. Speed 4 + mod. Depth + Feedbk
Flanger modul. Speed 2
Flanger modul. Speed 1
Chorus modul. Speed 4
Chorus modul. Speed 3
Chorus modul. Speed 2 + mod. Depth
Chorus modul. Speed 1
13
7. SYSTEM BLOCK DIAGRAMS
GHIBLI 16
2
S BU
US
HT-
T-B
RIG
LEF
AUX-1
AUX-
RN TN
14
7. SYSTEM BLOCK DIAGRAMS
GHIBLI 16
2
S BU
US
HT-
T-B
RIG
LEF
AUX-1
AUX-
RN TN
14
8. TECHNICAL SPECIFICATION
Mono input channels
Stereo input channels
Equalization
Main Mix Section
Power Supply (AC/AC Adapter)
Microphone input
Bandwidth
Distortion (THD & N)
Gain range
SNR (Signal to Noise Ratio)
Line input
Bandwidth
Distortion (THD & N)
Line level range
Max input level
Line input
Bandwidth
Distortion (THD & N)
Hi shelving
Mid bell
Low shelving
Max output
AUX Sends max out
Phones Out
Center, Surround output
Signal-to-Noise Ratio
Main voltage
Physical
Dimension (W D H)
Net weight
Shipping weight electronically balanced
15Hz to 20kHz, +/3dB
0.007% at +4dBu, 1kHz, Bandwidth 20KHz
0dB to 50dB (MIC) unbalanced
15Hz to 60kHz, +/3dB
0.007% at +4dBu, 1kHz, Bandwidth 60KHz
-20dBu to +30dBu
+10dBu unbalanced
10Hz to 55kHz, +/3dB
0.007% at +4dBu, 1kHz, Bandwidth 80KHz
+ 15dB @12kHz
+ 15dB @600~5kHz
+ 15dB @80Hz
+26dBu balanced
+22dBu unbalanced
+22dBu unbalanced
+22dBu unbalanced
112dB, all channels at Unity Gain
USA/Canada ~115VAC, 60Hz;
Europe ~230VAC, 50Hz;
U.K./Australia ~240VAC, 50Hz
Japan ~100VAC, 60Hz
270mm 198mm 43mm
1.73Kg
2.45Kg
16
9. WARRANTY
10.1 WARRANTY REGISTRATION CARD
To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty Registration Card within10 days of the Purchase Date.
All the information presented in this Warranty Registration Card gives the manufacturer a better understanding of the sales status, so as to purport a more effective and efficient after-sales warranty service.
Please fill out all the information carefully and genuinely, miswriting or absence of this card will void your warranty service.
10.2 RETURN NOTICE
a. In case of return for any warranty service, please make sure that the product is well packed in its original shipping carton, and it can protect your unit from any other extra damage.
b. Please provide a copy of your sales receipt or other proof of purchase with the returned machine, and give detail information about your return address and contact telephone number.
c. A brief description of the defect will be appreciated.
d. Please prepay all the costs involved in the return shipping, handling and insurance.
10.3 TERMS AND CONDITIONS
a.
LTO warrants that this product will be free from any defects in materials and/or workmanship for a period of 1 year from the purchase date if you have completed the Warranty Registration Card in time.
b. The warranty service is only available to the original consumer, who purchased this product directly from the retail dealer, and it can not be transferred.
c. During the warranty service,
LTO may repair or replace this product at its own option at no charge to you for parts or for labor in accordance with the right side of this limited warranty.
d. This warranty does not apply to the damages to this product that occurred as the following conditions:
Instead of operating in accordance with the user's manual thoroughly, any abuse or misuse of this product.
Normal tear and wear.
The product has been altered or modified in any way.
Damage which may have been caused either directly or indirectly by another product / force / etc.
Abnormal service or repairing by anyone other than the qualified personnel or technician.
And in such cases, all the expenses will be charged to the buyer.
e. In no event shall
LTO be liable for any incidental or consequential damages. Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above exclusion or limitation may not apply to you.
f. This warranty gives you the specific rights, and these rights are compatible with the state laws, you may also have other statutory rights that may vary from state to state.
17
SEIKAKU TECHNICAL GROUP LIMITED
No. 1, Lane 17, Sec. 2, Han Shi West Road, Taichung 40151, Taiwan http://www.altoproaudio.com Tel: 886-4-22313737 email: [email protected] Fax: 886-4-22346757
All rights reserved to ALTO. All features and content might be changed without prior notice. Any photocopy, translation, or reproduction of part of this manual without written permission is forbidden. Copyright c 2006 SEIKAKU GROUP
NF01889-1.2
