User manual | Sherwood R-772 Stereo Receiver User Manual

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SAFETY INSTRUCTIONS

1. Read Instructions - All the safety and operating instructions should be read before the product is operated.

2. Retain instructions - The safety and operating instructions should be retained for future reference.

3. Heed Warnings - All warnings on the product and in the operating instructions should be adhered to.

4. Follow Instructions - All operating and use instructions should be followed.

5. Cleaning - Unplug this product from the wall outlet before cleaning.

Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning.

6. Attachments - Do not use attachments not recommended by the product manufacturer as they may cause hazards.

7. Water and Moisture - Do not use this product near water - for example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement, or near a swimming pool; and the like.

8. Accessories - Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow the manufacturer’s instructions, and should use a mounting accessory recommended by the manufacturer.

9. A product and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart combination to overturn.

10. Ventilation - Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings

PORTABLE CART WARNING must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer’s instructions have been adhered to.

11. Power Sources - This product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions.

12. Grounding or Polarization - This product may be equipped with a polarized alternating-current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug.

Alternate Warnings - This product is equipped with a three-wire grounding-type plug, a plug having a third(grounding) pin. This plug will only fit into a grounding-type power outlet. this is a safety feature. If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the grounding-type plug.

13. Power-Cord Protection - Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product.

14. Outdoor Antenna Grounding - If an outside antenna or cable system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the

National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna-discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. See Figure 1.

15. Lightning - For added protection for this product during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the product due to lightning and power-line surges.

16. Power Lines - An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal.

17. Overloading - Do not overload wall outlets, extension cords, or integral convenience receptacles as this can result in a risk of fire or electric shock.

18. Object and Liquid Entry - Never push objects of any kind into this product through openings as they may touch dangerous voltage points or short-out parts that could result in a fire or electric shock.

Never spill liquid of any kind on the product.

19. Servicing - Do not attempt to service this product yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.

20. Damage Requiring Service - Unplug this product form the wall outlet and refer servicing to qualified service personnel under the following conditions: a) When the power-supply cord or plug is damaged, b) If liquid has been spilled, or objects have fallen into the product, c) If the product has been exposed to rain or water, d) If the product does not operate normally by following the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to its normal operation.

e) If the product has been dropped or damaged in any way, and f) When the product exhibits a distinct change in performance - this indicates a need for service.

21. Replacement Parts - When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards.

22. Safety Check - Upon completion of any service or repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operating condition.

23. Wall or Ceiling Mounting - The product should be mounted to a wall or ceiling only as recommended by the manufacturer.

24. Heat - The product should be situated away from heat sources such as radiators, heat registers, stoves, or other products

(including amplifiers) that produce heat.

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Introduction

READ THIS BEFORE OPERATING YOUR UNIT

This symbol is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

CAUTION

: TO REDUCE THE RISK OF ELECTRIC

SHOCK, DO NOT REMOVE COVER (OR

BACK). NO USER-SERVICEABLE PARTS

INSIDE. REFER SERVICING TO QUALIFIED

SERVICE PERSONNEL.

This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

WARNING

: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.

Caution regarding installation

Note : For heat dispersal, do not install this unit in a confined space such as a bookcase or similar enclosure.

Do not block ventilation openings or stack other equipment on the top.

Note to CATV System Installer :

This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.

FCC INFORMATION

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

� Reorient or relocate the receiving antenna.

� Increase the separation between the equipment and receiver.

� Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

� Consult the dealer or an experienced radio/TV technician for help.

Caution : Any changes or modifications in construction of this device which are not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

FOR YOUR SAFETY

U.S.A

CANADA

120 V

Units shipped to the U.S.A and CANADA are designed for operation on 120 V AC only.

Safety precaution with use of a polarized AC plug.

However, some products may be supplied with a nonpolarized plug.

CAUTION

: To prevent electric shock, match wide blade of plug to wide slot, fully insert.

ATTENTION

: Pour éviter chocs électriques, introduire la lame la plus large de la fiche dans la borne correspondante de la prise et pousser jusqu’ au fond.

CAUTION

• Leave a space around the unit for sufficient ventilation.

• Avoid installation in extremely hot or cold locations, or in an area that is exposed to direct sunlight or heating equipment.

• Keep the unit free from moisture, water, and dust.

• Do not let foreign objects in the unit.

• The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, table-cloths, curtains, etc.

• No naked flame sources, such as lighted candles, should be placed on the unit.

• Please be care the environmental aspects of battery disposal.

• The unit shall not be exposed to dripping or splashing for use.

• No objects filled with liquids, such as vases, shall be placed on the unit.

• Do not let insecticides, benzene, and thinner come in contact with the set.

• Never disassemble or modify the unit in any way.

■ Notes on the AC power cord and the wall outlet.

• The unit is not disconnected from the AC power source(mains) as long as it is connected to the wall outlet, even if the unit has been turned off.

• When disconnecting the power cord from the wall outlet, always pull the plug, not the power cord.

• Disconnect the plug from the wall outlet when not using the unit for long periods of time.

• The wall outlet shall be installed near the unit and shall be easily accessible.

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• SAFETY INSTRUCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

• Introduction

READ THIS BEFORE OPERATING YOUR UNIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

• System Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

• Front Panel Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

• Universal Remote Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

OPERATING COMPONENTS WITH REMOTE CONTROL . . . . . . . . . . . . . . . . . . . . . . 19

REMOTE CONTROL OPERATION RANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

LOADING BATTERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

USING FUNCTIONS OF REMOTE CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

• ROOM 2 Remote Controls

REMOTE CONTROL OPERATION RANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

LOADING BATTERY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

• Operations

LISTENING TO A PROGRAM SOURCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

SURROUND SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

ENJOYING SURROUND SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

LISTENING TO RADIO BROADCASTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

LISTENING TO XM SATELLITE RADIO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

(XM Satellite Radio (only for North America))

OTHER FUNCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

ROOM 2 SOURCE PLAYBACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

RECORDING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

DIGITAL AUDIO RECORDING WITH MD RECORDER . . . . . . . . . . . . . . . . . . . . . . . . . 46

• OSD Menu Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

SETTING THE SYSTEM SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

SETTING THE INPUT SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

SETTING THE SPEAKER / ROOM EQ SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

SETTING THE CH LEVEL SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

SETTING THE SOUND PARAMETER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

SETTING THE MULTI ROOM SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

• Troubleshooting Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

• Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

• Setup Code Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

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System Connections

• Pleas be certain that this unit is unplugged from the AC outlet before making any connections.

• Since different components often have different terminal names, carefully read the operating instructions of the component connected.

• Be sure to observe the color coding when connecting audio, video and speaker cords.

• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.

CONNECTING ANTENNAS

• Change the position of the FM indoor antenna until you get the best reception of your favorite

FM stations.

• A 75

Ω outdoor FM antenna may be used to further improve the reception. Disconnect the indoor antenna before replacing it with the outdoor one.

• Place the AM loop antenna as far as possible from the receiver, TV set, speaker cords and the AC input cord and set it to a direction for the best reception.

• If the reception is poor with the AM loop antenna, an AM outdoor antenna can be used in place of the AM loop antenna.

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CONNECTING VIDEO COMPONENTS

• The jacks of VIDEO 1 may also be connected to a DVD recorder or other digital video recording component.

For details, refer to the operating instructions of the component to be connected.

• The jacks of VIDEO 2/VIDEO 3 can also be connected to an additional video component such as a cable

TV tuner or satellite system.

• Connect the jacks of VIDEO 3 to the video component in the same way.

• There are three types of video jacks (COMPONENT, S-

VIDEO, (composite) VIDEO) for analog video connections and the HDMI connectors for digital video and audio connections. Connect them to the corresponding video jacks according to their capability.

• For your reference, the excellence in picture quality is as follows : "HDMI” > "COMPONENT" > "S-VIDEO" >

"(composite) VIDEO" .

• When making COMPONENT VIDEO connections, connect

"Y" to "Y", "P

" to "C

"(or "B-Y", "P

") and "P

" to

"(or "R-Y", "P

").

• When recording video program sources through VIDEO 1 OUT jacks or viewing ROOM 2 source through

ROOM 2 OUT jacks, you must use the same type of video jacks that you did connect to video playback components such as DVD player, cable TV tuner, etc.

• This unit is equipped with a function that up-converts composite video or S-Video signals to component video signals or down-converts S-Video signals to composite video signals and outputs them from the

MONITOR OUTs.

Because of this, you need not connect all the types of the MONITOR OUT jacks to the MONITOR TV.

• After connecting the video components, you should set the video mode correctly, referring to the following table on page 7. (For details, refer to "When selecting the VIDEO MODE" on page 54.)

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Continued

�

Relationship between the video input signal and the video output signal

COMPONENT

Video input signals

S-VIDEO (COMPOSITE) VIDEO

�

×��

�

Video Mode

Setting COMPONENT

Auto Component

Component * 1

S-Video* 2

Component

S-Video

Composite* 2 Composite video

Auto Component

Auto Component* 4

Auto S-Video

Auto Composite video

MONITOR OUTs

S-VIDEO

S-Video

Composite video

S-Video

Composite video

S-Video

Composite video

(COMPOSITE) VIDEO

Composite video* 3

S-Video

Composite video

S-Video

Composite video

Composite video* 3

S-Video

Composite video

* 1 : Component video signal can be output from the COMPONENT MONITOR OUT jacks only.

In this case, the OSD menu and the momentary OSD cannot be displayed.

* 2 : The video signal set in the VIDEO MODE menu can be output from all the types of MONITOR OUT jacks.

* 3 : The OSD menu and the momentary OSD cannot be displayed via (COMPOSITE) VIDEO MONITOR OUT jack.

* 4 : If the OSD menu operation is performed, the picture is automatically turned off and only the OSD menu is displayed via COMPONENT

MONITOR OUT jacks.

�

Note :

• When outputting the component video signal from the COMPONENT MONITOR OUT jacks as it was input, the momentary

OSD cannot be displayed.

�

HDMI (High Definition Multimedia Interface) connection : (*1)

• You can connect the source component (DVD player, etc.) to the display component (TV, projector, etc.) through this receiver with using a commercially available HDMI cord.

• The HDMI connection can carry uncompressed digital video signals and digital audio signals.

• The HDMI video stream signals (video signals) are theoretically compatible with DVI-D. When connecting to a TV monitor, etc., equipped with DVI-D connector, it is possible to connect using a commercially available HDMI-DVI converter cord.

Since the HDMI-to-DVI connection cannot carry any audio signals, you should make audio connections to play the audio signals on the component equipped with DVI-D connector. (For details, refer to the operating instructions of its.)

• If you connect the HDMI INs to your video components, it is easier to do so following the default settings.

• If your HDMI connection is different from the default setting, you should assign the HDMI INs you used with the "When selecting the HDMI ASSIGN" procedure on page 54.

• The default settings are as follows :

HDMI 1 : VIDEO 1, HDMI 2 : VIDEO 2

�

Copyright protection system

• This unit supports HDCP (High-bandwidth Digital Contents Protection), technology to protect copyright of digital video signals against illegal duplication. HDCP must also be supported on the components connected to this unit.

• This unit is HDMI Ver. 1.3 compatible.

• HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI licensing

LLC.

�

Notes :

• For stable signal transfer, we recommend using HDMI cords that are a maximum of 5 meters in length.

• Among the components that support HDMI, some components can control other components via the HDMI connector.

However, this unit cannot be controlled by another component via the HDMI connector.

• The audio signals from the HDMI connector (including the sampling frequency and bit length) may be limited by the component that is connected.

• The video signals will not be output properly if a component incompatible with HDCP is connected.

• If the resolutions of the video signals which are output from the HDMI MONITOR OUT and your monitor TV are not matched, the picture is not clear, natural or displayed. In this case, change the setting of the resolution on the source component (DVD player, etc.) to one which the monitor TV can handle. (For details, refer to the operating instructions of the source component.)

• When you want to enjoy only the picture on your TV, not the sound, you should set the HDMI AUDIO OUT to OFF not to output the digital audio signal from the HDMI MONITOR OUT of this receiver. (For details, refer to "When selecting the HDMI

AUDIO OUT" on page 50.)

�

Component video input default settings: (*2)

• If you connect the COMPONENT VIDEO INs to your video components, it is easier to do so following the default settings.

• If your component video connections are different from the default setting, you should assign the COMPONENT VIDEO INs you used with the “When selecting the VIDEO ASSIGN” procedure on page 54.

• The default settings are as follows:

COMPONENT IN 1 : VIDEO 1, COMPONENT IN 2 : VIDEO 2.

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CONNECTING AUDIO COMPONENTS

• For analog audio recording, the

ROOM 2 OUT jacks can be connected to audio recording equipment such as a tape deck, an MD recorder, etc. as shown beside.

CONNECTING EXTERNAL INS

• Use these jacks to connect the corresponding outputs of a DVD player or external decorder, etc. that has 6,

7 or 8 channel analog audio outputs.

• In case of 6 or 7 channel outputs, do not connect both of the SURROUND BACK L and R inputs or the

SURROUND BACK R input of this unit. (For details, refer to the operating instructions of the component to be connected.)

CONNECTING XM (only for North America)

• Connect the XM terminal to the XM Mini-Tuner system (sold separately).

• Position the XM Mini-Tuner system near a south-facing window to receive the best signal.

When making connections, also refer to the operating instructions of the XM Mini-Tuner system.

• For the best reception, check the signal strength of the XM radio signal with using signal strength display mode, then adjust the position of the XM Mini-Tuner system until "GOOD" is displayed.

(For details, refer to "Displaying XM information" on page 42.)

• To listen to XM Satellite Radio, refer to “XM Satellite Radio

(only for North America)” on page 40.

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CONNECTING DIGITAL INS AND OUT

• The OPTICAL and the COAXIAL DIGITAL OUTs of the components that are connected to this unit can be connected to these DIGITAL INs.

• A digital input should be connected to the components such as a CD player, DVD player, etc. capable of outputting DTS Digital Surround,

Dolby Digital or PCM format digital signals, etc.

• If the component with OPTICAL IN jack is connected to the OPTICAL OUT jack of this unit, you can record the high quality sound of CDs, etc.

without degradation.

• For details, refer to the operating instructions of the component connected.

• When making the COAXIAL DIGITAL connection, be sure to use a 75

COAXIAL cord, not a conventional AUDIO cord.

• All of the commercially available optical fiber cords cannot be used for the equipment. If there is an optical fiber cord which cannot be connected to your equipment, consult your dealer or nearest service organization.

�

Notes:

• Be sure to make either a OPTICAL or a COAXIAL DIGITAL connection on each component. (You don’t need to do both.)

• Depending on the digital audio signal format input into HDMI IN connector, some digital signals cannot be output from the OPTICAL OUT jack.

�

Digital input default settings

• If you connect the DIGITAL INs to your components, it is easier to do so following the default settings.

• If your DIGITAL connections are different from default settings, you should assign the DIGITAL INs you used with the “When selecting the AUDIO ASSIGN” procedure on page 54.

• The default settings are as follows :

OPTICAL IN 1 : VIDEO 1, OPTICAL IN 2 : VIDEO 2, COAXIAL IN 1 : CD, COAXIAL IN 2 : AUX.

CONNECTING DC TRIGGER OUT

• Connect a component to DC TRIGGER OUT jack that allows DC 12V to turn on when a specific input source is selected.

• For details, refer to the operating instructions of the components to be connected.

• To link DC TRIGGER OUT with a specific input source, refer to "When selecting the DC

TRIGGER" on page 55.

�

Notes:

• This output voltage (12V d.c., 100mA) is for (status) control only, it is not sufficient for drive capability.

• When making DC TRIGGER connection, you should use the stereo mini cord, not a mono mini cord.

CONNECTING SUBWOOFER PREOUT

• To emphasize the deep bass sounds, connect a powered subwoofer.

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CONNECTING SPEAKERS

• Be sure to connect speakers firmly and correctly according to the channel(left and right) and the polarity (+ and -). If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connection is incorrect, the sound will be unnatural and lack bass.

• For installing the speakers, refer to “Speaker placement” on page 11.

• After installing the speakers, first adjust the speaker settings according to your environment and speaker layout. (For details, refer to

“SETTING THE SPEAKER/ROOM EQ SETUP” on page 57.)

�

Surround back speakers

• When using only one surround back speaker, you should connect it to SURROUND

BACK/MULTI LEFT channel.

• Because this receiver cannot drive the surround back speakers and the ROOM 2 speakers simultaneously, you should assign their power amplifier correctly depending on how to use them.

(For details, refer to “CONNECTING ROOM 2

OUTS” on page 12 and “When selecting the

AMP ASSIGN” on page 49.)

�

Front Bi-Amp Connections.

• Some speakers are equipped with two sets of input terminals, for bi-amplification.

• If no other surround back speakers are used, you can connect the FRONT and the SURROUND

BACK/MULTI channels to the bi-amp-capable speakers. (For details, refer to the operating instructions of your bi-amp-capable speakers.)

• To drive the bi-amp-capable speakers, you should assign the power amplifier to "BI-AMP".

�

Note :

• Before making bi-amp connections, remove the short-circuiting bars from the terminals of your speakers.

Caution :

• Be sure to use the speakers with the impedance of 6 ohms or above.

• Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or the speakers.

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Speaker placement

Ideal speaker placement varies depending on the size of your room and the wall coverings, etc. The typical example of speaker placement and recommendations are as follows :

■

Front left and right speakers and center speaker

• Place the front speakers with their front surfaces as flush with TV or monitor screen as possible.

• Place the center speaker between the front left and right speakers and no further from the listening position than the front speakers.

• Place each speaker so that sound is aimed at the location of the listener’s ears when at the main listening position.

■

Surround left and right speakers

• Place the surround speakers approximately 1 meter (40 inches) above the ear level of a seated listener on the direct left and right of them or slightly behind.

■

Surround back left and right speakers

• Place the surround back speakers at the back facing the front at a narrower distance than front speakers.

• When using a single surround back speaker, place it at the rear center facing the front at a slightly higher position (0 to 20 cm ) than the surround speakers.

• We recommend installing the surround back speaker(s) at a slightly downward facing angle.

This effectively prevents the surround back channel signals from reflecting off the TV or screen at the front center, resulting in interference and making the sense of movement from the front to the back less sharp.

1. TV or Screen

2. Front left speaker

3. Subwoofer

4. Center speaker

5. Front right speaker

6. Surround left speaker

7. Surround right speaker

8. Surround back left speaker

9. Surround back right speaker

10. Surround center speaker

11. Listening position

■

Subwoofer

• The subwoofer reproduces powerful deep bass sounds.

Place a subwoofer anywhere in the front as desired.

■

Notes :

�

When using a conventional TV, to avoid interference with the TV picture, use only magnetically shielded front left and right and center speakers.

� To obtain the best surround effects, the speakers except the subwoofer should be full range speakers.

R-772(A) 2007.8.16 5:21 PM 페이지 12

10.

CONNECTING ROOM 2 OUTS

• ROOM 2 playback feature allows you to play a different program source in another room as well as one source in the main room at the same time.

• For ROOM 2 playback, connect the ROOM 2 OUT jacks to the amplifier, TV, etc. installed in another room, or connect the ROOM 2 speaker terminals to the speakers.

• Because this receiver cannot drive the surround back speakers and the ROOM 2 speakers simultaneously, you should assign their power amplifier correctly depending on how to use them. (For details, refer to "When selecting the AMP ASSIGN" on page 49.)

• When the ROOM 2 (AUDIO) OUT jacks are not connected to the ROOM 2 amplifier, you can connect these jacks to audio recording equipment such as a tape deck, an MD recorder, etc. for analog audio recording.

(For details, refer to "CONNECTING AUDIO COMPONENTS" on page 8.)

�

Notes :

• To minimize hum or noise, use high quality connection cords.

• You cannot use the digital audio signal for ROOM 2 playback.

11.

CONNECTING RF REMOTE ANTENNA

• Connect the supplied antenna to receive the RF (Radio

Frequency) beams from the universal remote control.

• If the antenna is connected to this receiver, even though there are obstacles such as walls, furniture, etc. in the way, you can control this receiver with the universal remote control. Therefore, you can control this receiver from another room with the universal remote control without connecting the multi-room system kit. (For details, refer to "CONNECTING MULTI-ROOM SYSTEM KIT" on page

13.)

�

Note:

• If the walls are too thick or the distance exceeds the operation range, you cannot control this receiver with the universal remote control. In such a case, connect the multi-room system kit to this receiver and set the transmission signal mode to "IR"(Infrared).

(For details, refer to "Changing the transmission signal" on page 28.)

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12.

CONNECTING MULTI-ROOM SYSTEM KIT

• The multi-room system kit(sold separately ) is essential for operation from a remote location .

For information on the multi-room system kit, contact the Xantech corporation at 1-800-843-5465 or www.xantech.com.

• IR IN jack allows you to control this receiver from another room with the remote control unit.

• To control this receiver from another room with the remote control unit, connect the IR IN jack to the output of the connecting block.

• If this receiver is located inside a cabinet or other enclosure where the signals from the remote control unit cannot enter, then operation with the remote control unit will not be possible. In such a case, connect the IR

IN jack to the output of the connecting block.

�

Notes:

• Remote operation may become unreliable if the IR receiver is exposed to strong light such as direct sunlight or inverted fluorescent.

• When the transmission signal mode is set to "RF", the IR receiver cannot accept the RF beams from the universal remote control and remote operation will become unreliable.

13.

CONNECTING PC FOR UPGRADES

• This receiver incorporates USB as well as RS-232C terminal that may be used in the future to update the operating software so that it will be able to support new digital audio formats, external control by using an external device and the like.

• Connect either USB or RS-232C terminal to your PC (you don't need to do both).

�

Notes:

• Programming for upgrades and external control requires specialized programming knowledge and for that reason we recommend that it only be done by qualified installers. For more information on future upgrades and external control, visit the Sherwood web site at www.sherwoodamerica.com or contact your dealer.

• Do not disconnect the connection cable while updating the operating software, etc.

Should this happen, it may be result in malfunction or cause damage to the unit.

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14.

SWITCHED AC OUTLETS

• These outlets are switched on (power-on mode) and off

(standby mode) according to power control as follows

(Maximum total capacity is 120 W (1A)).

Standby mode - Switched AC outlet off

Power - on mode - Switched AC outet on

15.

AC INPUT CORD

• Plug this cord into a wall AC outlet.

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Front Panel Controls

1. POWER switch

2. POWER ON/STANDBY button/indicator

3. VIDEO INPUT SELECTOR button

4. AUDIO INPUT SELECTOR button

5. EXTERNAL IN button

6. TUNER button

7. MASTER VOLUME CONTROL knob

8. HEADPHONE jack

9. SPEAKER button/indicator

10. SURROUND MODE button

11. STEREO button

12. SETUP button

13. CHANNEL LEVEL button

14. CONTROL UP/DOWN ( ▲ / ▼ ) buttons

15. ROOM 2 button

�FLUORESCENT DISPLAY

16. MEMORY/ENTER button

17. TUNING UP/DOWN(+/-) buttons

18. PRESET UP/DOWN(+/-) buttons

19. AUDIO ASSIGN button

20. MULTI CONTROL knob

21. REMOTE SENSOR

22. FLUORESCENT DISPLAY

For details, see below.

23. SETUP MIC jack

For details, see next page.

24. AUX IN jack

For details, see next page.

25. VIDEO 4 IN jacks

For details, see next page.

1. Input, frequency, volume level, operating information, etc.

2. Surround mode indicators

3. AUTO indicator

4. DIGITAL INPUT indicator

5. DIRECT indicator

6. Preset number, sleep time display

7. MEMORY indicator

8. PRESET indicator

9. SLEEP indicator

10. ROOM 2 indicator

11. TUNED indicator

12. STEREO indicator

R-772(A) 2007.8.16 5:21 PM 페이지 16

�

SETUP MIC JACK

• To use Auto Setup function, connect the supplied microphone to the SETUP MIC jack.(For details, refer to "When selecting the AUTO SETUP" on page 57.)

�

Notes:

• Because the microphone for Auto Setup is designed for use with this receiver, do not use a microphone other than the one supplied with this receiver.

• After you have completed the auto setup procedure, disconnect the microphone.

�

AUX IN JACK

• The AUX IN jack can be connected to an additional audio component such as an MP3 player, etc.

Note :

• When connecting this jack to an MP3 player, etc., you should use the stereo mini cord, not a mono mini cord.

�VIDEO 4 IN JACKS

• The VIDEO 4 IN jacks may be also connected to an additional video component such as a camcorder, a video game player, etc.

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Universal Remote Controls

This universal remote control can operate not only this receiver but also most popular brands of audio and video components such as CD players, tape decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc.

• To operate 7 components other than this receiver , you should enter the setup code for each component.

(For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 20.)

• The numbered buttons on the remote control have different functions in different device modes. For details, refer to

"FUNCTION TABLE of the NUMBERED BUTTONS" on the next page.

�

About the transmission signal

This remote control can emit not only the infrared beams which the conventional remote control(inculding the ROOM 2 remote control) uses but also the RF(Radio Frequency) beams which are stronger than those.

To operate this receiver and other components, this remote control should emit the infrared beams.

To operate this receiver only from longer distance even if there are obstacles such as walls, furniture, etc. in the way, this remote control should emit the RF beams.

Therefore, depending on how to use this remote control, you should set the tansmission signal mode to "IR"(default value) or "RF". (For details, refer to "Changing the transmission signal" on page 28.)

�

Notes :

• To receive the RF beams, you should connect the RF remote antenna to this receiver. (For details, refer to "CONNECTING

RF REMOTE ANTENNA" on page 12.)

• If the transmission signal mode is set to "RF", this remote control cannot control other audio and video components.

R-772(A) 2007.8.16 5:21 PM 페이지 18

� FUNCTION TABLE of the NUMBERED BUTTONS.

�

Notes :

• Some functions for each component may not be available or may work differently.

• Depending on other kinds of components that are available for each DEVICE button, some functions may not be available or may work differently, too.

• For details about functions, refer to the operating instructions of each component.

R-772(A) 2007.8.16 5:21 PM 페이지 19

OPERATING COMPONENTS WITH REMOTE CONTROL

Enter the setup code for each component other than this receiver. For detalis, refer to “Entering a setup code” on page 20.

Turn on the component you want to operate.

Press the DEVICE button on the remote control corresponding to the component you wish to operate.

REMOTE CONTROL OPERATION RANGE

�

In case that this remote control emits the infrared beams

• Use the remote control within a range of about 7 meters

(23 feet) and angles of up to 30 degrees aiming at the remote sensor.

Aim the remote control at the REMOTE

SENSOR of the component you wish to control and press the button corresponding to the operation you want.

�

Note :

• When you cannot operate any component, check if the transmission signal mode is set to "RF". (For details, refer to "Changing the transmission signal" on page 28.) �

In case that this remote control emits the RF beams

• Use the remote control within a disatance of about 10 meters (33 feet) toward this receiver.

LOADING BATTERIES

�

When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries within several minutes after removing old batteries.

�

If the betteries are removed or have been exhausted for a longer period of time, memorized contents will be cleared. Should this happen, you should memorize them again.

Remove the cover.

Load four alkaline batteries ("AAA" size, 1.5V) matching the polarity.

• Remove the batteries when they are not used for a long time.

• Do not use the rechargeable batteries (Ni-Cd type).

• Be sure to use alkaline batteries.

R-772(A) 2007.8.16 5:21 PM 페이지 20

USING FUNCTIONS OF REMOTE CONTROL

• This remote control can control up to 8 different components.

• Before operating audio and video components other than this receiver with using this remote control, the setup code for each component should be entered.

• For system remote control operation, "000" was stored previously in the memory of the device button "CD" for Sherwood CD player, "DVD" for Sherwood DVD player, "AUX" for Sherwood tape deck and "TV" for Sherwood TV respectively as its factory setup code. So, you don’t need to enter its code for each Sherwood component except in such a case that its code does not work.

� Note :

• If the transmission signal which this remote control emits is changed into "RF"(Radio Frequency), this remote contol cannot control other audio and video components. (For details, refer to "Changing the transmission signal" on page 28.)

Entering a setup code

• Setup code entry is the easiest way to program this remote control for operating audio and video components.

While "LEARN" is displayed, press the CURSOR

UP(

▲

)/DOWN(

▼

) buttons to select the setup code mode ("CODE"), then press the ENTER button.

Turn on the component you want to operate.

Find the setup codes according to the type and the brand name of your component, referring to

"Setup Code Table" on page 73.

Press and hold down both the ENTER button and the desired one of the DEVICE buttons for more than 2 seconds.

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, the mode changes as follows :

� LEARN � RF-IR � DELETE � MACRO �

� CODE � PUNCH �

• Then "PRESET" and 3 digit number are displayed.

• If "PRESET", etc. go off, start again from the above step 3.

While "PRESET", etc. are displayed, enter a 3 digit code and press the ENTER button, aiming the remote sensor on the component.

Example: When entering "001".

• Then "LEARN" is displayed on the LCD screen for several seconds.

�

Notes :

• The AUDIO button is unavailable for the audio components other than this receiver.

• During setting operation, to exit from the setting mode, press any of the DEVICE buttons.

• Then "OK" is displayed on the LCD screen.

• To be sure that the setup code is correct, press the

POWER ON (or STANDBY) button.

• If the setup code is correct, your component will be turned off.

• When your component is not turned off, repeat the above steps 2 to 5, trying entering each code for your component until you find one that works.

• If "NG" is displayed, retry entering the correct setup code while "PRESET" and 3 digit number are displayed.

R-772(A) 2007.8.16 5:21 PM 페이지 21

Operate the component using the corresponding function buttons.

• If any of buttons fails to operate as they should, start from the step

1 again to enter the correct setup code.

�

Note :

• Manufacturers may use different setup codes for the same product category. For that reason, it is important that you check to see if the code you have entered operates as many controls as possible. If only a few functions operate, check to see if another code will work with more buttons.

Repeat the above steps 1 to 6 for each of your other components.

Searching a setup code

• In addition to enter a setup code using "Setup

Code Table" on page 73, it is also possible to search through all the codes that are stored in the library of this remote control.

Turn on the component you want to operate.

While "PRESET" is displayed, search a setup code, aiming the remote control at the remote sensor on the component.

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, the setup code is selected one by one.

• If the selected code is correct, your component will be turned off.

• When your component is not turned off, repeat this step until you find one that works.

While "PRESET" is displayed, press the ENTER button to store the setup code.

Perform the steps 3 and 4 in "Entering a setup code" procedure on page 20 to select the setup code mode ("CODE").

• Then "OK" is displayed on the LCD screen.

Operate the component using the corresponding function buttons.

• If any of buttons fails to operate as they should, start from the step 1 again to find the correct setup code.

Repeat the above steps 1 to 5 for each of your other components.

R-772(A) 2007.8.16 5:21 PM 페이지 22

Programing the commands from other remote controls (LEARNING mode)

• If the setup codes are not available for your component or you want to program a missing or special function into one button of a device, the learning function enables this remote control to learn the commands from other remote controls.

Place this remote control and other remote control facing each other at a distance of 5 to 15 cm (2 to 6 inches ) apart.

While "SEL" is flickering, on this remote control, press the button corresponding to the function to be learned.

Example: If the function to be learned is playback, press the PLAY(

▶

) button.

Press and hold down the ENTER button and the desired one of the DEVICE buttons for more than 2 seconds.

• Then "LEARN" is displayed on the LCD screen for several seconds

� Note :

• During setting operation, to exit from the setting mode, press any of the DIVICE buttons.

While "LEARN" is displayed, press the ENTER button.

• Then "SEL" is flickering.

• If "SEL" goes off, start again from the above step 2.

• Then "READY" is displayed.

� Note:

• You cannot program a function into some buttons such as DEVICE, MACRO and LIGHT buttons.

While "READY" is displayed, on the other remote control, press the button of the function to be learned.

• If the command has been learned successfully,

"OK" is displayed and then "SEL" is flickering.

• If "ERROR" is displayed and then "SEL" is flickering, it means that for some reason the command was not learned. In this case, repeat the above steps 4 and 5.

�

Notes :

• If an incorrect signal has been sent or, in some cases, the command from other remote control simply cannot be learned.

• In some "ERROR" cases, the remote controls just need to be moved closer together or farther apart.

While "SEL" is flickering, repeat the above steps

4 and 5 to program all the commands you want to the buttons on this remote control under the same device mode.

� To exit from the setting mode, press any of the

DEVICE buttons.

Repeat the above steps 1 to 6 to program the commands from a different remote control.

Operate the newly programmed buttons to make sure the learning function was performed properly.

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Erasing the programmed command from one button

Perform the steps 3 and 4 in "Entering a setup code" procedure on page 20 to select the delecting mode ("DELETE").

• Then "BTTN" is displayed on the LCD screen for several seconds.

While "BTTN" is displayed, press the CURSOR

UP( ▲ )/DOWN( ▼ ) buttons to select the one command deleting mode (BTTN), then press the

ENTER button.

Erasing all the commands programmed under a device mode

Perform the steps 3 and 4 in "Entering a setup code" procedure on page 20 to select the deleting mode ("DELETE").

• Then "BTTN" is displayed on the LCD screen for several seconds.

While "BTTN" is displayed, press the CURSOR

UP( ▲ )/DOWN( ▼ ) buttons to select the all command deleting mode ("LEARN"), then press the ENTER button.

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, "BTTN" or "LEARN"(all command deleting mode) is selected.

• Then "SEL" is flickering.

• If "SEL" goes off, start again from the above step 1.

While "SEL" is flickering, press the button for the command you want to erase.

Example: When the button for the command to be erased is PLAY button.

• Then "SURE?" is displayed .

• If "SURE?" goes off, start again from the above step 1 .

While "SURE?" is displayed, press the ENTER button.

• "OK" is displayed and then "SEL" is flickering.

While "SEL" is flickering, repeat the above step

3 to erase other commands.

• Then all the commands programmed are erased.

To erase all the commands programmed under other device mode, repeat the above steps 1 to

R-772(A) 2007.8.16 5:21 PM 페이지 24

Programming a macro function

• The macro function enables you to program a series of button operations(up to 15) on this remote control into a single button.

• You can store up to three separate macro command sequences into "M1", "M2" and "M3" buttons.

Perform the steps 3 and 4 in "Entering a setup code" procedure on page 20 to select the macro mode ("MACRO").

• Then "M1" is displayed on the LCD screen for several seconds.

• During macro setting operation, pressing any of the DEVICE buttons cannot exit from the macro mode.

While "M1" is displayed, press the CURSOR

UP(

▲

)/DOWN(

▼

) buttons to select the MACRO button to be programmed into, then press the

ENTER button.

While "SEL" is flickering, press the operation buttons you want to program in order.

Example: When playing a DVD on the DVD player connected to VIDEO 2 jacks of this receiver.

① . Press "AUDIO" button to control this receiver.

② . Press "POWER ON" button to turn this receiver on.

③ . Press "VIDEO 2(7)" button to select the desired input source.

④

. Press "DVD" button to control the DVD player.

⑤ . Press "POWER ON" button to turn the DVD player on.

⑥

. Press "PLAY (

▶

)" button to start playback.

• Each time the operation buttons are pressed, the programmed order is displayed.

Press any of the MACRO buttons (M1~M3) to complete the programming.

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, "M1", "M2" or "M3" is selected.

• Then "SEL" is flickering.

• If "SEL" goes off, start again from the above step 1.

• Then "OK" is displayed.

�

To erase a macro program

• When erasing a macro program, perform the above steps 1, 2 and 4, but ignore the step 3.

�

To change a macro program

• When a new macro program is stored into a

MACRO button with performing the above steps

1 to 4, the previous macro program is erased from the memory of the MACRO button.

R-772(A) 2007.8.16 5:21 PM 페이지 25

Operating a macro function

• Aim the remote control at the REMOTE

SENSORs of the components to be controlled and press the MACRO button you want.

Example : When pressing "M1" button.

While "VOL" is displayed, press the CURSOR

UP( ▲ )/DOWN( ▼ ) buttons to select the desired punch-through mode, then press the ENTER button.

�

Notes:

• The codes programmed into a MACRO button will be transmitted at an interval of 0.5 seconds.

However, some components may not be able to complete one operation in 0.5 seconds and may miss the next code.

In this case, the macro function cannot control the corresponding components correctly.

• Be sure to use the remote control within the remote control operation range of the components.

• Depending on the operation status of the components, etc., the macro function cannot control the corresponding components correctly.

Programing a punch-through function

• The punch-through function allows the volume controls, channel controls or transport controls to link to a different device while a device is controlled with this remote control as a master device.

• For example, since this receiver will likely be used as the sound system while watching TV, you may want to use volume controls to operate this receiver although this remote control is set to control the TV.

Perform the steps 3 and 4 in "Entering a setup code" procedure on page 20 to select a master device and the punch-through mode ("PUNCH").

• Then "VOL" is displayed on the LCD screen for several seconds.

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, the mode changes as follows:

→

VOL : The volume punch -through mode

� allows the "VOLUME

▲

▼

" and

"MUTE" buttons to operate a different device.

DELETE : All punch-through deleting mode.

�

PLAY : The transport punch-through mode

� allows the "

◀◀

", "

●

", "

▶▶

", "

�◀◀

", "

�

▶▶�

" , "

◀/��

" and "

▶

" buttons to operate a different device.

→

CH : The channel punch-through mode allows the "CHANNEL

∧

∨

" and "CH.

LEVEL" buttons to operate a different device.

• Then the device to which you can link the selected punch-through mode is displayed.

R-772(A) 2007.8.16 5:21 PM 페이지 26

Continued

While the device is displayed, press the

CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired punch-through device, then press the ENTER button.

Operating a punch-through function

• While this remote control is set to control a master device, aim the remote control at the

REMOTE SENSOR of the punch-through device and press the desired button of the programmed punch-through controls.

Example: When pressing "PLAY (

▶

)" button.

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, depending on the selected punch-through mode, punch-through devices and the one punch-through deleting mode

("DELETE") are selected as follows :

• In case of the volume punch-through,

→ AUDIO � DELETE � TV ←

• In case of the transport punch-through,

→

�

DELETE

�

DVD

�

VCR

�

AUX

←

• In case of the channel punch-through,

→

�

DELETE

�

SAT

�

CABLE

�

VCR

←

• Then "OK" is displayed and the current punchthrough mode is displayed.

While the punch-through mode is displayed, repeat the above steps 2 and 3 to program other punch-through function under the same master device mode.

• Then the punch-through device is displayed on the LCD screen.

Erasing the programmed puch-through function

Perform the steps 3 and 4 in "Entering a setup code" procedure on page 20 to select a master device and the punch-through mode ("PUNCH").

• Then "VOL" is displayed on the LCD screen for several seconds.

While "VOL" is displayed, press the CURSOR

UP(

▲

)/DOWN(

▼

) buttons to select the punchthrough mode to be erased, then press the

ENTER button.

To program punch-through functions under other master device mode, repeat the above steps 1 to 4.

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, the mode changes as follows:

→

VOL

�

DELETE

�

PLAY

�

←

• Then the device is displayed .

R-772(A) 2007.8.16 5:21 PM 페이지 27

Continued

While the device is displayed, press the

CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the one punch-through deleting mode

("DELETE"), then press the ENTER button.

Erasing all the punch-through functions programmed under a master device mode

Perform the steps 3 and 4 in "Entering a setup code" procedure on page 20 to select a master device and the punch-through mode ("PUNCH").

• Then "VOL" is displayed on the LCD screen for several seconds.

While "VOL" is displayed, press the CURSOR

UP(

▲

)/DOWN(

▼

) buttons to select the all punch-through deleting mode ("DELETE").

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, depending on the selected punch-through mode, the punchthrough devices and the deleting mode

("DELETE") are selected.

• Then "OK" is displayed and the current punchthrough mode is displayed .

While the punch-through mode is displayed, repeat the above steps 2 and 3 to erase other punch-through function under the same master device mode.

To erase punch-through functions under other master device mode, repeat the above steps 1 to 4.

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, the mode changes as follows:

→

VOL

�

DELETE

�

PLAY

�

←

• Then "DELETE" is displayed .

While "DELETE" is displayed, to erase all the punch-through functions programmed under the master device mode, press ENTER button.

• Then "OK" is displayed and "DELETE" is displayed.

• To exit from the deleting mode, press any of the

DEVICE buttons.

To erase all the punch-through functions programmed under other master device mode, repeat the above steps 1 to 3.

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Changing the transmission signal

• This remote control can emit not only the infrared beams which the conventional remote control uses but also the RF(Radio Frequency) beams which are stronger than those.

• When you want to control this receiver from longer distance even if there are obstacles such as walls, furniture, etc. in the way, change the transmission signal into "RF"(Radio Frequency).

�

Notes:

• When the RF remote antenna is not connected, remote operation will become unreliable. (For details, refer to "CONNECTING RF REMOTE

ANTENNA" on page 12.)

• If the transmission signal mode is set to "RF"

(Radio Frequency), this remote control cannot control other audio and video components.

Press and hold down the ENTER button and any of the DEVICE buttons for more than 2 seconds.

While "RF" (or "IR") is displayed, press the

CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired transmission signal, then press the

ENTER button.

• Each time the CURSOR UP( ▲ )/DOWN( ▼ ) buttons are pressed, the mode changes as follows :

"RF" : This remote control emits the RF(Radio

Frequency) beams which stronger than the infrared beams.

"IR" : This remote control emits the infrared beams which the conventional remote control uses.

• Then "OK" is displayed.

�

When "RF" is set to.

To pair up this remote control and the receiver, press the CONTROL DOWN(

▼

) button and the

MEMORY/ENTER button simultaneously on the receiver.

• Then "LEARN" is displayed on the LCD screen for several seconds.

�

Note:

• During setting operation, to exit from the setting mode, press any of the DEVICE buttons.

While "LEARN" is displayed, press the

CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the transmission signal mode("RF-IR"), then press the ENTER button.

• "RF REMOCON PAIRING MODE" is displayed for several seconds on the display of the receiver.

• If "RF REMOCON PAIRING MODE" goes off, press these buttons again.

While "RF REMOCON PAIRING MODE" is displayed, press the ENTER button, aiming at the receiver.

• Then "RF" (or "IR") is displayed.

• If "RF" (or "IR") goes off, start again from the above step 1.

• Then "PAIRING SUCCESS" is displayed.

R-772(A) 2007.8.16 5:21 PM 페이지 29

ROOM 2 Remote Controls

This remote control unit is an additional remote control unit for the ROOM 2 source playback only.

• You can use the ROOM 2 functions with this remote control unit more conveniently in another room than with the universal remote control unit.

• For details on ROOM 2 operation, refer to "ROOM 2 SOURCE PLAYBACK" on page 44.

REMOTE CONTROL OPERATION RANGE

• Aim the ROOM 2 remote control at the IR receiver installed in another room.(For details, refer to "CONNECTING MULTI-ROOM SYSTEM

KIT" on page 13.)

• When you operate the ROOM 2 function in the main room, aim the ROOM 2 remote control at the remote sensor of this receiver.

LOADING BATTERY

Remove the cover.

Load the battery(CR2025) matching the polarity.

• Remove the battery when it is not used for a long time.

R-772(A) 2007.8.16 5:21 PM 페이지 30

Operations

�

Notes:

• Before operating this receiver with the supplied remote control, refer to "Universal Remote Controls" on page

17 for details about operation.

• Before operating this receiver, first set this unit as desired for optimum performance, doing the OSD menu setting procedures. (For details, refer to "OSD Menu Settings" on page 47.)

LISTENING TO A PROGRAM SOURCE

Select the desired input source.

Before operation

• Enter the standby mode.

• The POWER ON/STANDBY button lights up amber. This means that the receiver is not disconnected from the

AC mains and a small amount of current is retained to support the operation readiness.

• To switch the power off, push the

POWER switch again.

Then the power is cut off and the

POWER ON/STANDBY button goes off.

In the standby mode, turn the power on.

• Each time the "AUDIO" button on the front panel is pressed, the input source changes as follows:

→ CD → AUX → TAPE

• Each time the "VIDEO" button on the front panel is pressed, the input source changes as follows:

→

VIDEO 1

→

VIDEO 2

→

VIDEO 3

→

VIDEO 4

• Each time the "TUNER" button is pressed, the band changes as follows:

→ FM STereo → FM MONO → AM → XM

• Each time the POWER ON/STANDBY button on the front panel is pressed, the receiver is turned on to enter the operating mode (the POWER ON/

STANDBY button lights up blue) or off to enter the standby mode(the POWER ON/STANDBY button lights up amber).

• On the remote control, press the POWER ON button to enter the operating mode or press the

STANDBY button to enter the standby mode.

• In the standby mode, if the INPUT SELECTOR button is pressed, the receiver is turned on automatically and the desired input is selected.

Switch the speakers on.

• Then the SPEAKER indicator lights up and the sound can be heard from the speakers connected to the speaker terminals.

• When using the headphones for private listening, press the SPEAKER button again to switch the speakers off.

�

When selecting the EXTERNAL IN as desired,

• Depending on the power amplifier setting for the surround back channels and the surround back speaker setting, "EXT. IN" is displayed and 8(/7/6) separate analog signals from the component connected to this input pass through the tone and volume circuits only and can be heard from your speakers.

• Select the desired input source to cancel the external in function.

• These analog signals can be heard only, not recorded.

R-772(A) 2007.8.20 10:2 AM 페이지 31

When CD, AUX, VIDEO 1~ 4 is selected as an input source

• If the AUDIO MODE is set to the mode other than "DIGITAL" for the corresponding input source on the INPUT SETUP menu, you cannot hear the sound from the selected digital input.

(For details, refer to "SETTING THE INPUT

SETUP" on page 53.)

Press the AUDIO ASSIGN button.

Operate the selected component for playback.

• When playing back the program sources with surround sound, refer to “ENJOYING

SURROUND SOUND” on page 34.

Adjust the (overall) volume.

Muting the sound

• "AUD ~ " is displayed for several seconds.

• "AUD ~ " disappears, press the AUDIO ASSIGN button again.

Select the desired of the digital inputs connected while displaying "AUD ~ ".

• "MUTE" flickers.

• To resume the previous sound level, press it again.

Listening with headphones

• Each time the MULTI CONTOL knob is rotated or the CURSOR LEFT( ◀ )/RIGHT( ▶ ) buttons are pressed, the corresponding input is selected as follows :

■

Notes:

• When the selected digital input is not connected or assigned, "o1", "c1", etc (, meaning no digital signal input from it) or "d"(, meaning no audio assignment) flickers and no sound will be heard.

• The selected digital input is automatically assigned to the corresponding input source on the INPUT SETUP menu. (For details, refer to

"SETTING THE INPUT SETUP" on page 53.)

• The sound from the component connected to the selected digital input can be heard regardless of the selected input source.

• Ensure that the SPEAKER button is set to off.

• Depending on the signal format which is being input, you can listen in Dolby Headphone mode, stereo mode, etc. (For details, refer to "Listening in Dolby Headphone mode" on page 35).

• When the EXTERNAL IN is selected as an input source, only front left and front right channel signals can be reproduced through the headphones.

■

Note:

• Be careful not to set the volume too high when using headphones.

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SURROUND SOUND

• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound atmosphere in your personal Home Theater.

Surround modes

■

DTS Digital Surround

DTS Digital Surround(also called simply DTS) is a multi-channel digital signal format which can handle higher data rates. Discs bearing the “ ” include the recording of up to

5.1 channels of digital signals, which can be generally thought to provide better sound quality due to the lower audio compression required.

It also provides wide dynamic range and separation, resulting in magnificent sound.

■

DTS - ES Extended Surround™

( )

This is a new multi channel digital signal format which greatly improves the 360- degree surround impression and space expression thanks to further expanded surround signals, offering high compatibility with the conventional DTS format.

In addition to the 5.1 channels, DTS-ES Extended Surround also offers the surround back (sometimes also referred to as

“surround center”) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods as follows:

• DTS-ES™ Discrete 6.1

Because the signals for 6.1 channels (including the surround back channel) are fully independent, it is possible to achieve a sense that the acoustic image are moving about freely among the background sounds surrounding the listener from 360 degrees.

Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS -ES decoder, when played with a conventional DTS decoder, the surround back channel signals are automatically downmixed to the surround left and surround right channels so that none of the signal components are lost.

• DTS - ES™ Matrix 6.1

With this format, the additional surround back channel signals undergo matrix encoding and are input to the surround left and surround right channels beforehand. During playback, they are decoded to the surround left, surround right and surround back channels.

Because the bit stream format is 100% compatible with conventional DTS signals, the effect of the DTS-ES Matrix 6.1

format can be achieved even with DTS 5.1- channel signal sources. Of course, it is possible to play DTS-ES Matrix 6.1 channel signal sources with a DTS 5.1 - channel decoder.

When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded with a DTS - ES decoder, the format is automatically detected upon decoding and the optimum surround mode is selected.

However, some DTS - ES Matrix 6.1 sources may be detected as DTS sources. In this case, the DTS - ES Matrix mode should be selected manually to play these sources.

�

DTS Neo : 6™ surround

This mode applies conventional 2-channel signals such as digital PCM or analog stereo signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1channel surround playback. DTS Neo : 6 surround includes two modes for selecting the optimum decoding for the signal source.

• DTS Neo : 6 Cinema

This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with

6.1-channel sources.

• DTS Neo : 6 Music

This mode is suited mainly for playing music. The front left and front right signals bypass the decoder and are played directly so there is no loss of sound quality, and the effect of the surround signals from the center, surround left, surround right and surround back channels adds a natural sense of expansion to the sound field.

■

DTS 96/24

Conventional surround formats used sampling frequencies of

48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency. With DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz. In addition, this format has a resolution of 24 bits, resulting in the same frequency band and dynamic range as 96kHz / 24 bit PCM signals.

As with conventional DTS surround, DTS 96/24 is compatible with a maximum of 5.1 channels. DTS 96/24 is fully compatible with the conventional DTS surround format, so

DTS 96/24 sources can be played using a conventional DTS

5.1 channel decoder.

"DTS" and "DTS-ES I Neo:6" are registered trademarks of

DTS, Inc. "96/24" is a trademarks of DTS, Inc.

■

Dolby Digital

Dolby Digital is the multi- channel digital signal format developed by Dolby Laboratories. Discs bearing the

“ ” includes the recording of up to 5.1 channels of digital signals, which can reproduce much better sound quality, spatial expansion and dynamic range characteristics than the previous Dolby Surround effect.

■

Dolby Digital EX

This mode creates the back (sometimes also referred to as

“surround center”) signals from the surround left and right signals in Dolby Digital 5.1 channel source using a matrix decoder and provides 6.1 channel surround playback. For the best results, this mode should be selected during playback of sources(bearing the “ ”) recorded in Dolby Digital

EX. With this additional channel, you can experience more dynamic and realistic moving sound especially.

When Dolby Digital EX sources are decoded with a Dolby

Digital EX decoder, the format is automatically detected upon decoding and the Dolby Digital EX mode is selected.

However, some Dolby Digital EX sources may be detected as

Dolby Digital sources. In this case, the Dolby Digital EX mode should be selected manually to play these sources.

R-772(A) 2007.8.16 5:21 PM 페이지 33

■

Dolby Pro Logic IIx surround

Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1

channel sources and extends to 7.1channel surround playback. It delivers the most natural, full range and immersing 7.1 channel listening experience. Dolby Pro Logic

IIx surround includes three modes as follows :

• Dolby Pro Logic IIx Movie

When enjoying movies, this mode allows you to further enhance the cinematic quality by adding processing that emphasizes the sounds of the action special effects.

• Dolby Pro Logic IIx Music

When listening to music, this mode allows you to further enhance the sound quality by adding processing that emphasizes the musical effects.

• Dolby Pro Logic IIx Game

When playing games, this mode allows you to further enhance the dynamic surround effects by adding processing that emphasizes the surrounded and exciting sound.

■

Dolby Pro Logic II surround

This mode applies conventional 2-channel signals such as digital PCM or analog stereo signals as well as Dolby

Surround signals, etc. to surround processing to offer improvements over conventional Dolby Pro Logic circuits.

Dolby Pro Logic II surround includes Dolby Pro Logic II

Movie, Dolby Pro Logic II Music and Dolby Pro Logic II

Game like Dolby Pro Logic IIx surround.

■

Dolby Virtual Speaker

This mode creates a virtual surround sound field using as few as two front speakers, allowing you to experience listening from 5.1 channel speakers.

This mode is effective not only for 5.1 channel sources but also for stereo(2 channel) sources.

Dolby VIrtual Speaker includes two listening mode as follows:

• Dolby Virtual Speaker Reference

The width of the front sound image is defined by the actual distance between front speakers.

• Dolby Virtual Speaker Wide

The width of the front sound image seems to extend beyond the front speakers.

■

Dolby Headphone

The Dolby Headphone function simulates 5.1 channel surround sound , which allows you to enjoy 5.1 channel surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.

This mode is effective not only for 5.1 channel sources but also for stereo ( 2 channel ) sources.

Manufactured under license from Dolby Laboratories.

“Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories.

• The following modes apply conventional 2-channel signals such as digital PCM or analog stereo signals to high performance Digital Signal Processor to recreate sound fields artificially. Select one of the 7 provided surround modes according to the program source you want to play.

■

Theater

This mode provides the effect of being in a movie theater when watching a play.

■

Hall

This mode provides the ambience of a concert hall for classical music sources such as orchestral, chamber music or an instrumental solo.

■

Stadium

This mode provides the expansive sound field to achieve the true stadium effect when watching baseball or soccer games.

■

Room

This mode provides the sound field of a house with a low ceiling and hard walls for jazz music.

■

Panorama

This mode provides a dynamic and broad sound space to highten the overall impact of the sound track.

■

Classic

This mode provides the acoustic effects of a large concert hall for classical music.

■

Multi CH Stereo

This mode is designed for playing background music. The front, surround and surround back channels create a stereo image that encompasses the entire area.

• When using the EXTERNAL INs to play back the sound from the additional multi-channel decoder for surround sound, you can enjoy the corresponding surround sound, too.( For details, refer to the operating instructions of the component to be connected.)

For your reference, the sound from each channel can be reproduced according to the surround modes as follows:

Modes Channels

DTS, DTS 96/24

DTS ES DISCRETE/MATRIX

DTS NEO: 6 CINEMA/MUSIC

DOLBY DIGITAL

DOLBY DIGITAL EX

DOLBY PRO LOGIC IIx MOVIE/MUSIC/GAME

DOLBY PRO LOGIC II MOVIE/MUSIC/GAME

DOLBY VIRTUAL SPEAKER

MULTI PCM

Other Surrounds

STEREO

EXTERNAL IN

FRONT L/R

�

CENTER

�

—

�

(*): Depending on the subwoofer setting, the sound from the subwoofer channel may be reproduced.

SURROUND L/R SURROUND BACK L/R SUBWOOFER

�

—

�

—

�

—

�

—

�/—

�

—

�

— (*)

�

— (*)

�

• Depending on the speaker settings and the number of the encoded channels, etc., the sound from the corresponding channels cannot be reproduced.(For details, refer to "SETTING THE SPEAKER / ROOM EQ SETUP" on page 57.)

R-772(A) 2007.8.16 5:21 PM 페이지 34

ENJOYING SURROUND SOUND

�

Notes:

• Before surround playback, first perform the speaker setup procedure, etc. on the OSD menu for optimum performance.

(For details, refer to "SETTING THE SPEAKER/ROOM EQ SETUP" on page 57.)

• When playing digital signals from the Dolby Digital program source or selecting the surround mode such as Dolby Pro Logic II

/Dolby Pro Logic IIx Music, Dolby Headphone, Dolby Virtual Speaker modes, you can adjust their parameters for optimum surround effect. (For details, refer to "SETTING THE SOUND PARAMETER" on page 66.)

• When the EXTERNAL IN is selected as an input source, the surround modes cannot be selected.

Depending on how to select a surround mode, select the auto surround mode or the manual surround mode.

• Each time this button is pressed, the mode changes as follows :

Auto surround mode : The optimum surround mode will be

("AUTO" lights up.) automatically selected depending on the signal format being input.

Manual surround mode : You can select the desired of different

("AUTO" goes off.) surround modes selectable for the signal being input with using the MULTI

CONTROL knob or the SURROUND MODE

UP/DOWN (

�/�

) buttons.

■

Notes :

• Even when the auto surround mode is selected and the same type of digital signal format is being input, the optimum surround mode may vary depending on whether the speaker type is set to "NO" or not.

• When the auto surround mode is selected, the surround modes other than the optimum surround mode cannot be selected.

■

When selecting the manual surround mode with pressing the SURROUND MODE button on the front panel.

Select the desired surround mode.

• Each time the MULTI CONTROL knob is rotated or the SURROUND MODE UP / DOWN ( >/< ) buttons are pressed, the surround mode changes depending on the input signal format as follows :

Signal format being input

Dolby Digital EX 6.1 channel sources,

Dolby Digital 5.1 channel sources

Dolby Digital 2 channel sources

DTS ES Discrete/Matrix 6.1 channel sources

DTS sources,

DTS 96/24 sources

PCM (multi-channel) sources*

96 kHz PCM (2 channel) sources

PCM (2 channel) sources,

Analog stereo sources

Selectable surround mode

<DOLBY DIGITAL EX, DOLBY D + PLIIx MUSIC>, (DOLBY D + PLIIx MOVIE),

DOLBY DIGITAL, DOLBY VS REF, DOLBY VS WIDE

<DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE,

DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REF, DOLBY VS WIDE

<corresponding DTS ES mode, DTS + PLIIx MUSIC>, (DTS + PLIIx MOVIE), DTS,

DOLBY VS REF, DOLBY VS WIDE correnponding DTS mode, DOLBY VS REF, DOLBY VS WIDE, <DTS + NEO:6, DTS + PLIIx

MUSIC>, (DTS + PLIIx MOVIE)

MULTI PCM, <DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC>, DOLBY VS REF, DOLBY VS WIDE

<DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE,

DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REF, DOLBY VS WIDE,

NEO:6 CINEMA, NEO:6 MUSIC, THEATER, HALL, STADIUM, ROOM, PANORAMA, CLASSIC,

MULTI CH STEREO

• Depending on surround back speaker setting, some surround modes can be selected or not as follows:

< >: Possible only when surround back speaker is not set to "NO".

[ ] : Possible only when surround back speaker is set to "NO".

( ): Possible only when surround back speaker is set to " 2CH".

* : Depending on the signal format being input, the Dolby Pro Logic IIx modes and the Dolby Virtual Speaker modes may not be selected.

R-772(A) 2007.8.16 5:21 PM 페이지 35

Continued

�

To cancel the surround mode for stereo operation

• Depending on the signal format which is being input, either the stereo mode or the 2CH downmix mode is selected.

• To cancel either the stereo mode or the 2CH downmix mode, select the surround mode with using the MULTI CONTROL knob on the front panel or the SURROUND MODE UP/DOWN ( >/< ) buttons on the remote control.

�

2CH downmix mode

• This mode allows the multi-channel signals encoded in DTS or Dolby Digital format, etc. to be mixed down into

2 front channels and to be reproduced through only two front speakers or through headphones.

• When the SPEAKER button is set to off to listen with headphones, if the STEREO button is pressed while playing the multi-channel digital signals from DTS or Dolby Digital sources, etc., it will enter the 2CH downmix mode automatically.

• To cancel the 2CH downmix mode, select the Dolby Headphone mode with using the MULTI CONTROL knob on the front panel or the SURROUND MODE UP/DOWN ( >/< ) buttons on the remote control.

Listening in Dolby Headphone mode

• The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.

�

Note :

• Only when the SPEAKER button is set to off, the Dolby Headphone mode can be selected.

• Switch the speakers off to listen with headphones.

• Then "DOLBY HEADPHONE" (or "DOLBY H ~ ") is displayed and the Dolby Headphone mode is selected.

• To cancel the Dolby Headphone mode, press the SPEAKER button again.

Adjusting each channel level with test tone

• The volume level of each channel can be adjusted easily with the test tone function.

�

Note : When the SPEAKER button is set to off,

the test tone function does not work.

Enter the test tone mode.

At each channel, adjust the level as desired until the sound level of each speaker is heard to be equally loud.

• The test tone will be heard from the speaker of each channel for 2 seconds as follows:

Front Left Center Front Right Surround Right

Subwoofer Surround Left Surround Back Surr.Back Left Surr.Back Right

•

When the speaker setting is "NO", the test tone of the corresponding channel is not available.

• ( ) : Possible depending on whether the surround back channel is set to "2 CH" or "1 CH".

• You can select the desired channel with pressing the CONTROL UP/DOWN ( ▲/▼ ) buttons or the

CURSOR UP/DOWN (

▲/▼

) buttons.

Cancel the test tone function.

R-772(A) 2007.8.16 5:21 PM 페이지 36

Adjusting the current channel level

• After adjusting each channel level with test tone, adjust the channel levels either according to the program sources or to suit your tastes.

• You can adjust the current channel levels as desired. These adjusted levels are just memorized into user’s memory ("CAL"), not into preset memory("REF 1", "REF 2").

Press the CHANNEL LEVEL button.

Adjust the level of the selected channel as desired.

• Then the memory mode ("CAL" or "REF 1") is displayed for several seconds.

• When the memory mode or channel level disappears, press this button again.

Select the desired channel.

• The LFE level can be adjusted within the range of

-10~0 dB and other channel levels within the range of -15~+15 dB.

• In general, we recommend the LFE level to be adjusted to 0 dB.(However, the recommended

LFE level for some early DTS software is -10 dB.)

If the recommended levels seem too high, lower the setting as necessary.

Repeat the above steps 2 and 3 to adjust each channel level.

• Each time these buttons are pressed, the corresponding channel is selected as follows:

( ): Possible depending on whether the surround back channel is set to "2 CH" or "1 CH".

< >: Possible only when the digital signals from Dolby Digital or

DTS program sources that include LFE signal are input.

• Depending on the speaker settings("NO", etc.) and surround mode, etc., some channels cannot be selected.

• When the SPEAKER button is set to off, only the

Front Left, Front Right (and LFE) channels can be selected.

R-772(A) 2007.8.16 5:21 PM 페이지 37

Memorizing the adjusted channel levels

• You can memorize the adjusted channel levels into preset memory("REF 1", "REF 2") and recall the memorized whenever you want.

After performing the steps 1 ~ 4 in "Adjusting the current channel level" procedure on page 36, press the (MEMORY/) ENTER button.

Recalling the memorized channel levels

Press the CHANNEL LEVEL button.

• The "1" of "REF 1" indication flickers for several seconds.

Select the desired one of REF 1 and REF 2.

• "REF 1" (or "CAL") is displayed for several seconds.

• If the channel level mode display disappears, press this button again.

Select the desired one of REF 1 and REF 2.

• If the preset memory disappears, perform the above step 1 again.

Confirm your selection.

• Then the channel levels memorized into the selected preset memory are recalled.

• The adjusted channel levels have now been memorized into the selected memory.

R-772(A) 2007.8.20 10:2 AM 페이지 38

LISTENING TO RADIO BROADCASTS

Auto tuning

Select the desired band.

Manual tuning

• Manual tuning is useful when you already know the frequency of the desired station.

• After selecting the desired band, press the

TUNING UP(+) / DOWN(-) buttons repeatedly until the right frequency has been reached.

• Each time this button is pressed, the band changes as follows :

→ FM STereo → FM MONO → AM → XM

("ST" lights up) ("ST" goes off)

• When FM stereo broadcasts are poor because of weak broadcast signals, select the FM mono mode to reduce the noise, then FM broadcasts are reproduced in monaural sound.

• To listen to XM Satellite Radio, select XM mode.

(For details, refer to "XM Satellite Radio (only for

North America)" on page 40.)

Press the TUNING UP(+)/DOWN(-) buttons for more than 0.5 second.

Auto presetting

• Auto presetting function automatically searches for FM stations only and store them in the memory.

• While listening to FM or AM radio broadcasts, press and hold down the MEMORY/ENTER button for more than 2 seconds.

• Then "AUTO MEM" flickers and this receiver starts auto presetting.

• Up to 30 FM stations can be stored.

�

Notes:

• FM stations of weak strength cannot be memorized.

• To memorize AM stations or weak stations, preform "Manual presetting" procedure with using

"Manual tuning" operation.

• The tuner will now search until a station of sufficient strength has been found. The display shows the tuned frequency and "TUNED".

• If the station found is not the desired one, simply repeat this operation.

• Weak stations are skipped during auto tuning.

R-772(A) 2007.8.16 5:21 PM 페이지 39

Manual presetting

• You can store up to 30 preferred stations in the memory.

Tune in the desired station with auto or manual tuning.

Press the MEMORY/ENTER button.

Tuning to preset stations

• After selecting the tuner as an input source, select the desired preset number.

Scanning preset stations in sequence

• "MEM" is flickering for several seconds.

Select the desired preset number (1~30) and press the MEMORY/ENTER button.

• The receiver will start scanning the stations in the preset sequence and each station is received for 5 seconds.

• At the desired station, press this button again to stop scanning.

• The station has now been stored in the memory.

• A stored frequency is erased from the memory by storing another frequency in its place.

• If "MEM" goes off, start again from the above step 2.

Repeat the above steps 1 to 3 to memorize other stations.

�

MEMORY BACKUP FUNCTION

The following items, set before the receiver is turned off, are memorized.

• INPUT SELECTOR settings

• Surround mode settings

• Preset stations,etc.

R-772(A) 2007.8.16 5:21 PM 페이지 40

XM Satellite Radio (only for North America)

• This receiver is the XM Ready® receiver. You can receive XM Satellite Radio® by connecting to the XM Mini-Tuner system

(sold separately) and subscribing the XM service.

�

About XM Satellite Radio for U.S. & Canadian products

XM Satellite Radio offers an extraordinary variety of commercial-free music, plus the best in sports, news, talk and entertainment. XM is broadcast in superior digital audio from coast to coast. From rock to reggae, from classical to hip hop, XM has something for every music fan. XM’s dedication to playing the richest selection of music is matched by its passion for live sporting events, talk radio, up-to-the-minute news, stand-up comedy, children’s programming, and much more. For U.S.

customers, information about XM Satellite Radio is available online at www.xmradio.com. For Canadian customers, information about XM Canada is online at www.xmradio.ca.

�

XM Ready® legal for U.S. & Canadian products

Hardware and required monthly subscription sold separately. Other fees and taxes, including a one-time activation fee may apply.

Subscription fee is consumer only. All fees and programming subject to change. Channels with frequent explicit language are indicated with an XL. Channel blocking is available for XM radio receivers by calling 1-800-XMRADIO (US residents) and 1-877-

GET-XMSR (Canadian residents). For a full listing of the XM commercial-free channels and advertising-supported channels, visit lineup.xmradio.com (US residents) or xmradio.ca (Canadian residents). Subscriptions subject to Customer Agreement available at xmradio.com (US residents) and xmradio.ca (Canadian residents). Only available in the 48 contiguous United States and

�

XM Ready® subscriptions for U.S. Products & Canadian products

Once you have installed the XM Mini-Tuner Dock, inserted the XM Mini-Tuner, connected the XM Dock to your XM Ready® home audio system, and installed the antenna, you are ready to subscribe and begin receiving XM programming. There are three places to find your eight character XM Radio ID: on the XM Mini-Tuner, on the XM Mini-Tuner package, and on XM

Channel 0. Record the Radio ID in the following eight squares for reference.

Note: The XM Radio ID does not use the letters “I”, “O”, “S” or “F”. Activate your XM Satellite Radio service in the U.S. online at http://activate.xmradio.com or call 1-800-XM-RADIO (1-800-967-2346). You will need a major credit card. XM will send a signal from the satellites to activate the full channel lineup. Activation normally takes 10 to 15 minutes, but during peak busy periods you may need to keep your XM Ready home audio system on for up to an hour. When you can access the full channel lineup on your XM Ready home audio system you are done. For more information or to subscribe in Canada, visit XM on the Web at www.xmradio.ca or call XM’s Listener Care at 1-877-GET-XMSR (1-877-438-9677).

LISTENING TO XM SATELLITE RADIO

Signing up for XM Satellite Radio

• Before using XM Satellite Radio, you must first sign up for an account. You will need a major credit card and your XM Satellite Radio ID, which you can get from this receiver as explained below.

Press the TUNER button repeatedly to select XM mode.

Press the TUNING UP(+)/DOWN(-) buttons repeatedly to select "XM 000".

• Then "XM ~" is displayed.

• Then your XM Satellite Radio ID is displayed.

• You can find the XM Satellite Radio ID on the XM Mini-

Tuner itself and the XM Mini-Tuner package. too.

To sign up, access the website at

"http://activate.xmradio.com" or call "1-800-967-

2346".

R-772(A) 2007.8.16 5:21 PM 페이지 41

Channel search

• In the XM mode, press the TUNING UP (+)/DOWN (-) buttons repeatedly to select the desired channel.

Direct search

• Direct search is useful when you already know the channel number.

In the XM mode, select the direct search mode.

While displaying "XM CH

��

", select the desired channel number with pressing the

NUMERIC (0 ~ 9) buttons.

Examples: For

For

124

• When "XM CH

��

" disappears, repeat again from the above step 1.

• Each time this button is pressed, the search mode changes as follows:

→

XM CH

��

→

Category name

→

OFF

(Direct search) (Category search)

�

Note:

• When using channel search or preset search, press this button to select the search off.

Category search

• Category search allows you to select the desired channel by the selected category.

In the XM mode, select the category search mode.

While displaying a category name, select the desired category, then press the ENTER button.

• Then a category name is displayed.

• Each time these buttons are pressed, one of different categories is selected.

• When a category name disappears, repeat again from the above step 1.

R-772(A) 2007.8.16 5:21 PM 페이지 42

Continued

While displaying the selected category, select the desired channel.

Presetting channels

• You can store up to 30 preferred channels in the memory.

Select the desired channel with preforming channel search, direct search or category search.

Preset search

• In the XM mode, select the desired preset channel.

To memorize the channels, perform the steps 2 to

4 in "Manual presetting" procedure on page 39.

Displaying XM information

• You can display XM information such as channel name, artist name, song title and signal strength.

• In the XM mode,

�

Note:

• If the information on artist name, song title or category is not available, it will not be displayed correctly.

�

Signal strength display mode

• If the reception is poor, you can check the signal strength of the XM radio signal and adjust the position of the XM antenna until "GOOD" is displayed.

• Each time the DISPLAY button is pressed, the display mode changes as follows:

→ Channel number/name → Artist name → Song title → Category

Volume ← Surround mode ← Input signal ← Signal strength("GOOD", "MARGINAL", "WEAK", "NO SIGNL") ←

�

Error message and status

• If an operation takes longer than usual or an error occurs, one of the following messages may be displayed.

Message

ANTENNA

UPDATING

NO SIGNL

OFF AIR

Status

The XM antenna is not connected correctly. Check the antenna.

The XM user encryption code is being updated. Please wait.

The signal is too weak. Check the antenna connection and reposition it for the best reception.

This receiver is tuning or decoding audio or text data. Please wait.

The selected XM channel is not currently broadcasting. Select another channel.

R-772(A) 2007.8.20 10:2 AM 페이지 43

OTHER FUNCTIONS

Operating the sleep timer

• The sleep timer allows the system to continue to operate for a specified period of time before automatically shutting off.

• To set the receiver to automatically turn off after the specified period of time.

Displaying the audio information

• You can check the audio information on the input source.

• During playback,

• Each time this button is pressed, the sleep time changes as follows:

→

---

→

OFF

Unit : minutes

• While operating the sleep timer, " " lights up.

Adjusting the brightness of the fluorescent display

• Each time this button is pressed, the display mode changes as follows :

→

Input signal

→

Surround mode

→

Volume

→

Input source

• When the EXTERNAL IN is selected as an input source, the surround mode is not displayed.

• When XM satellite radio function is available in your country, for details on the XM information, see "Displaying XM information" on page 42.

• Each time this button is pressed, the brightness of the fluorescent display changes as follows:

→ ON → dimmer → OFF

• In the display OFF mode, pressing any button will cancel the display OFF mode.

R-772(A) 2007.8.16 5:21 PM 페이지 44

ROOM 2 SOURCE PLAYBACK

■

• This function allows enjoying one source in the main room and playing another in a different room at the same time.

• When you connect the multi-room system kit to the IR IN jack of this receiver, you can control this receiver with not only the universal remote control unit but also the ROOM 2 remote control unit in a different room, too. (For details, refer to

"CONNECTING MULTI-ROOM SYSTEM KIT" on page 13 and "ROOM 2 Remote Controls" on page 29.)

�

Notes:

• The analog signals from the EXTERNAL INs and the digital signals cannot be output to the different room, meaning no playback in a different room.

• You cannot play the ROOM 2 source in any surround mode.

When using the buttons on the remote control unit.

■

When using the buttons on the front panel.

Press the ROOM 2 button.

Press the ROOM 2 button to enter the ROOM 2 mode.

• ROOM 2 ~ is displayed for several seconds.

• Each time this button is pressed, the ROOM 2 mode changes as follows :

OFF : To turn off the ROOM 2 function. ("R2" goes off .)

�

ON : To turn it on. ("R2" lights up.)

�

Note :

• When the ROOM 2 mode is set to OFF, you cannot adjust the ROOM 2 volume.

• ROOM 2 ~ is displayed for several seconds.

• When the ROOM 2 setting mode disappears, press the ROOM 2 button again.

Select the desired mode while displaying the ROOM 2 setting mode.

• Each time the INPUT button on the universal remote control unit is pressed, the

ROOM 2 input can be selected among MAIN source, TUNER, CD, AUX,

TAPE, VIDEO 1 ~ VIDEO 4.

Select the desired input as a ROOM 2 source.

Adjust the ROOM 2 volume.

• Each time these buttons are pressed, the mode changes as follows :

ROOM 2 ~ : To turn on or

(ROOM 2 mode) off the ROOM 2

� function.

IN ~ : To select the desired ROOM 2 source.

(ROOM 2 input)

�

VOL ~ : To adjust the volume on the power

(ROOM 2 volume) amplifier assigned to "BACK ← →

ROOM 2" or "ROOM 2".

�

Note : When the ROOM 2 mode is set to OFF, the ROOM 2 input and the ROOM 2 volume cannot be selected

Set the selected mode as desired.

• You can adjust the volume on the power amplifier assigned to "BACK

← →

ROOM 2" or "ROOM 2" when the ROOM 2 speaker terminals are connected to the speakers in a different room. (For details, refer to "When selecting the AMP

ASSIGN" on page 49.)

• The MUTE button on the ROOM 2 remote control unit can be available only when the ROOM 2 function is operating.

■ When selecting the ROOM 2 mode.

OFF : To turn off the ROOM 2

� function. ("R2" goes off.)

ON : To turn it on. ("R2" lights up.)

■ When selecting the ROOM 2 input.

• You can select the desired among

MAIN source, TUNER, CD, AUX,

TAPE, VIDEO 1 ~ VIDEO 4 as a ROOM 2 source.

■ When selecting the ROOM 2 volume.

• You can adjust the volume on the power amplifier assigned to "BACK ← → ROOM 2" or "ROOM 2" when the ROOM 2 speaker terminals are connected to the speakers in a different room. (For details, refer to

"When selecting the AMP ASSIGN" on page 49.)

Start play on the component related to the ROOM 2 source.

�

Notes:

• When the EXTERNAL IN is selected as a main input, if the MAIN source is selected as a ROOM 2 input, no audio signal can be heard in the different room (ROOM 2).

• Even when this receiver enters the standby mode, in such a case that "R2" lights up still and the POWER ON/STANDBY button lights up blue as it does in the operating mode, meaning only the ROOM 2 circuitry operates, the ROOM 2 source can be played independently.

• When you do not use the ROOM 2 function, turn off the ROOM 2 function to save electricity.

R-772(A) 2007.8.16 5:21 PM 페이지 45

RECORDING

• The analog signals from the EXTERNAL INs as well as the digital signals from the coaxial or optical digital input can be heard but cannot be recorded.

• When recording the analog signals from CD, AUX, VIDEO 1 ~ 4, be sure to select the "ANALOG" for the AUDIO MODE.

(For details, refer to "When selecting the AUDIO MODE" on page 54.)

• The volume and tone (bass, treble) settings have no effect on the recording signals.

Dubbing the audio and video signals separately onto VIDEO 1

Recording with TAPE

• To record the analog signals onto the recording equipment, be sure to connect the ROOM2 OUT jacks to the recording equipment. (For details, refer to "CONNECTING AUDIO COMPONENTS" on page 8.)

Select the desired input as a recording source except for TAPE.

Example: When dubbing the VIDEO 2 video signal and the CD audio signal separately onto VIDEO 1.

Select VIDEO 2 as a video recording source.

Select CD as an audio recording source.

Turn on the ROOM 2.

Select the MAIN as a ROOM 2 input.

Start recording on the VIDEO 1.

Start play on the VIDEO 2 and the CD respectively.

• The audio signal from the CD and the video signal from the VIDEO 2 will be dubbed and you can enjoy them on the TV set and from the speakers.

�

Note :

Be sure to observe the order of the above steps 1 and

Start recording on the TAPE.

Start play on the desired input.

R-772(A) 2007.8.16 5:21 PM 페이지 46

Dubbing from video components onto

VIDEO 1

Select the desired of VIDEO 2 ~ 4 as a recording source except VIDEO 1.

Select the desired of CD, AUX, VIDEO 1~4 as a recording source.

Start recording on the VIDEO 1.

Start play on the desired input.

• The audio and video signals from the desired input will be dubbed onto the VIDEO 1 and you can enjoy them on the TV set and from the speakers.

DIGITAL AUDIO RECORDING WITH MD RECORDER

• Only when the OPTICAL DIGITAL OUT of this receiver is connected to the OPTICAL DIGITAL IN of the MD recorder or CD recorder, you can enjoy high-quality sound of digital recording without converting the original signals. Refer to

"CONNECTING VIDEO COMPONENTS", "CONNECTING

AUDIO COMPONENTS" and "CONNECTING DIGITAL

INS and OUT" on pages 6~9 and the operating instructions of the MD recorder or CD recorder.

�

Notes:

• Depending on the digital audio signal format input into the

HDMI IN connector, some digital signals cannot be output from the OPTICAL DIGITAL OUT jack.

• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.

• In most DVDs and SACDs as well as some CDs, etc., digital recording may not be available depending on the signal format.

• There are some restrictions on recording digital signals.

When making digital recordings, refer to the operating instructions of your digital recording equipment to know what restrictions are imposed.

�

In case of recording the digital audio signal input into a HDMI IN connector

• Select the desired recording source to which the HDMI

IN is connected and assigned and then perform the steps 3 and 4 (, but ignore the step 2).

�

Note :

• If the AUDIO MODE is set to the mode other than

"HDMI" for the corresponding recording source on the

INPUT SETUP menu, the digital audio signals will not be output and there will be no recording. (For details, refer to "When selecting the AUDIO MODE" on page

54.)

For digital recording, select the digital input as recording signal input.

�

Note :

• If the AUDIO MODE is set to the mode other than

"DIGITAL" for the corresponding recording source on the INPUT SETUP menu, the digital audio signals from the selected digital input will not be output and there will be no recording. (For details, refer to "When CD, AUX, VIDEO 1~ 4 is selected as an input source" on page 31 and "When selecting the AUDIO MODE" on page 54.)

Start recording on the component connected to the OPTICAL DIGITAL OUT.

Start play on the desired input.

R-772(A) 2007.8.16 5:21 PM 페이지 47

OSD Menu Settings

• The OSD (On-Screen Display) menu is a setting menu that is displayed on the monitor TV and allows you to perform the setup procedures easily. In most situations, you will only need to set this once during the installation and layout of your home theater, and it rarely needs to be changed later.

The OSD menu consists of 6 main menus ; system setup, input setup, speaker / room EQ setup, CH level setup, sound parameter and multi room setup. These menus are then divided up into various sub-menus.

■

Notes:

• The OSD menu and the momentary OSD cannot be displayed via the HDMI MONITOR OUT connector.

• Depending on the VIDEO MODE setting and the video connections between this receiver and the video component, the OSD menu and the momentary OSD cannot be displayed via (COMPOSITE) VIDEO MONITOR OUT jack, or the picture is automatically turned off and only the OSD menu can be displayed via COMPONENT MONITOR OUT jacks. (For details, refer to "Relationship between the video input signal and the video output signal" on page 7.)

■

Navigating through the OSD menu

• The explanations here assume you are using the buttons on the remote control when performing the OSD menu operation. However, you can use the buttons on the front panel as well.

The buttons on the front panel correspond to those on the remote control as shown below.

Turn the menu screen on.

MULTI

• The main menu will be shown.

• To turn the menu screen off, press this button again.

Select the desired menu using the CURSOR UP(

▲

)/DOWN(

▼

) buttons.

R-772(A) 2007.8.16 5:21 PM 페이지 48

Confirm your selection.

�

When selecting the SYSTEM SETUP

�

When selecting the INPUT SETUP

�

When selecting the SPEAKER /ROOM EQ SETUP

�

When selecting the CH LEVEL SETUP

�

When selecting the SOUND PARAMETER

�

When selecting the MULTI ROOM SETUP

• For the setting details, see page in �.

• Adjust the setting(s) in each setting category to your preference.

• When the SETUP button is pressed on a sub-menu, the menu screen will be turned off.

R-772(A) 2007.8.16 5:21 PM 페이지 49

SETTING THE SYSTEM SETUP

Press the CURSOR LEFT( ◀ )/RIGHT( ▶ ) buttons to set the selected item as desired.

• AMP ASSIGN : To assign the surround back channels' power amplifier correctly depending on how to use the speakers.

• SUBWOOFER MODE : To select the desired subwoofer mode.

• HDMI AUDIO OUT : To output the digital audio signals from the

HDMI MONITOR OUT connector.

• TONE CONTROL : To adjust the tone (bass and treble) as desired.

• CINEMA EQ : To select the desired cinema EQ mode.

• BACKGROUND : To select the desired background color of the momentary OSD and the OSD menu.

• MOMENTARY OSD : To turn on or off the OSD that shows the status corresponding to each operation momentarily.

• OSD POSITION ADJUST : To adjust the positon of the momentary OSD and the OSD menu.

When selecting the items other than OSD

POSITION ADJUST

Press the CURSOR UP(

▲ to select the desired item.

)/DOWN(

▼

) buttons

When selecting the AMP ASSIGN

• The surround back channels' power amplifier can drive the surround back speakers, the ROOM 2 speakers or the front bi-amp capable speakers.

Depending on how to use the speakers, you should assign the power amplifier correctly. (For details, refer to "CONNECTING SPEAKERS" on page 10 and "CONNECTING ROOM 2 OUTS" on page 12.)

BACK ← → ROOM 2 : When connecting this receiver to the surround back speakers and the ROOM 2 speakers both, the power amplifier automatically drives the surround back speakers or the ROOM 2 speakers depending on whether the

ROOM 2 function is turned off or on.

BI - AMP : To drive the front bi-amp capable speakers when connecting the FRONT and the SURROUND BACK/MULTI channels to them.

SURR BACK : To drive the surround back speakers when connecting the

SURROUND BACK/MULTI channels to them.

ROOM 2 : To drive the ROOM 2 speakers when connecting the ROOM 2 channels to them.

R-772(A) 2007.8.16 5:21 PM 페이지 50

Continued

When selecting the SUBWOOFER MODE

• "SW PLUS

＋

" mode is valid only when "FRONT" and "CENTER" are set to "FULL RANGE" and

"SUBWOOFER" is set to "YES" on the SPEAKER/ROOM EQ SETUP menu. (For details, refer to "SETTING

THE SPEAKER/ ROOM EQ SETUP" on page 57.)

NORMAL : When the low frequency signals of channels set to "FULL RANGE" are reproduced from those channels only. In this mode, the low frequency signals that are reproduced from the subwoofer channel is only the low frequency signals of LFE (from the multi-channel sources that contains LFE

(Low Frequency Effects) channel, also called the ".1" channel) and the channels set to the setting value other than "FULL RANGE".

SW PLUS

＋

: When the low frequency signals of channels set to "FULL RANGE" are reproduced simultaneously from those channels and the subwoofer channel.

In this mode, the low frequency range expands more uniformly through the room, but depending on the size and shape of the room, interference may result in a decrease of the actual volume of the low frequency range.

When selecting the HDMI AUDIO OUT

• The HDMI connection can carry uncompressed digital video signals and digital audio signals.

Depending on whether these digital audio signals are output from the HDMI MONITOR OUT of this receiver or not, you should set the HDMI AUDIO OUT correctly.

OFF : Not to output the digital audio signals from the HDMI MONITOR OUT of this receiver, meaning these

� signals are heard from the speakers connected to this receiver.

ON : To output the digital audio signals, meaning these signals are heard from the speakers of your TV.

�

Notes:

• When the HDMI AUDIO OUT is set to ON, no sound will be heard from the speakers connected to this receiver (except ROOM 2 speakers) even though any input source is selected.

• If your TV cannot support some digital audio formats, no sound may be heard from its speakers even when the HDMI AUDIO OUT is set to ON.

When selecting the TONE CONTROL

OFF : To listen to a program source without the tone effect. ("DIRECT" indicator lights up.)

�

ON : To adjust the tone for your taste. ("DIRECT" indicator goes off.)

■ When the TONE CONTROL is set to ON to adjust the tone (bass and treble)

①

. Press the ENTER button to enter the tone adjustment mode.

R-772(A) 2007.8.16 5:21 PM 페이지 51

Continued

②

. Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select the desired tone mode.

③ . Press the CURSOR LEFT( ◀ )/RIGHT( ▶ ) buttons to adjust the selected tone as desired.

• The tone level can be adjusted within the range of -10 ~

+10 dB.

• In general, we recommend the bass and treble to be adjusted to 0 dB (flat level).

• Extreme settings at high volume may damage your speakers.

• To complete tone adjustment, repeat the above steps ② and ③ .

When selecting the CINEMA EQ

OFF : To turn off the cinema EQ function.

�

ON : To compensate for edgy or shrill movie sound tracks.

When selecting the BACKGROUND

BLACK : To display the black as the color background of the momentary OSD and the OSD menu.

�

BLUE : To display the blue.

■

Note : Only when no video signals are input into this unit, the selected background color will be displayed.

When selecting the MOMENTARY OSD

ON : To turn on the OSD function that shows the status corresponding to each operation on this unit

� momentarily.

OFF : To turn it off.

■

Note : When outputting the component video signal from the COMPONENT MONITOR OUT jacks as it was

input, the momentary OSD cannot be displayed.

R-772(A) 2007.8.16 5:21 PM 페이지 52

When selecting the OSD POSITION ADJUST

• You can adjust the position of the momentary OSD and the OSD menu that are displayed on the monitor TV.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the OSD POSITION ADJUST, then press the

ENTER button.

Press the CURSOR UP(

▲

)/DOWN(

▼

)/LEFT(

◀

)/RIGHT(

▶

) buttons to adjust the position of the momentary

OSD and the OSD menu as desired.

R-772(A) 2007.8.16 5:21 PM 페이지 53

SETTING THE INPUT SETUP

• This menu allows you to make the various settings depending on how to use the input sources connected to this receiver.

When selecting the items other than NAME

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired input source, then press the ENTER button.

Example: When selecting the VIDEO 1

�

When selecting the menu of page 2 or page 1.

• Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select "GO TO NEXT ~ ", then press the ENTER button.

Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select the desired item.

■

Note :

• Depending on the input source, some items other than

DC TRIGGER cannot be selected.

Press the CURSOR LEFT( ◀ )/RIGHT( ▶ ) buttons to set the selected item as desired.

R-772(A) 2007.8.16 5:21 PM 페이지 54

Continued

When selecting the HDMI ASSIGN

• You should assign the connected HDMI INs to the desired of VIDEO 1 ~ VIDEO 4.

(For details, refer to "CONNECTING VIDEO COMPONENTS" on pages 6 ~ 7.)

• You can select HDMI 1 or HDMI 2.

■

Note :

• In such a case that a HDMI IN is assigned to two input sources or more, when these input sources are selected, the uncompressed digital video signals (and digital audio signals when the HDMI AUDIO OUT is set to ON) input into the same

HDMI IN can be output from the HDMI MONITOR OUT of this receiver.

When selecting the VIDEO ASSIGN

• You should assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1 ~ 4.

(For details, refer to "CONNECTING VIDEO COMPONENTS" on pages 6 ~ 7.)

• You can select the desired of COMP 1 ~ 2.

■

Note :

• In such a case that a COMPONENT VIDEO IN is assigned to two input sources or more, when these input sources are selected, the component video signals can be viewed from the same COMPONENT VIDEO IN.

When selecting the VIDEO MODE

• You can select the video input signal to be output from the MONITOR OUTs.

AUTO : When there are multiple video input signals, the video input signals are detected and the video input signal to be output from the MONITOR OUTs is selected automatically in the following order : component video, S-video, composite video.

COMPOSITE : The signal that is input into the (COMPOSITE) VIDEO jack is always played. The composite video input signal is up-converted and output from the S-VIDEO and COMPONENT MONITOR OUT jacks.

S-VIDEO : The signal that is input into the S-VIDEO jack is always played. The S-Video input signal is converted and output from the (COMPOSITE) VIDEO and COMPONENT MONITOR OUT jacks.

COMPONENT : The signals that are input into the COMPONENT jacks are always played.

Because video conversion is not performed, no video signals are output from the MONITOR OUT jacks when there are no video signals that are input into the COMPONENT jacks.

• For details, refer to "Relationship between the video input signal and the video output signal" on page 7.

■

Note :

• When selecting the VIDEO 4, S-VIDEO cannot be selected.

When selecting the AUDIO ASSIGN

• You should assign the connected DIGITAL INs to the desired of CD, AUX and VIDEO 1 ~ VIDEO 4.

(For details, refer to "CONNECTING DIGITAL INS AND OUT" on page 9.)

• You can select the desired of OPT 1, OPT 2, COAX1 and COAX 2.

■

Note :

• In such a case that a DIGITAL IN is assigned to two input sources or more, when these input sources are selected, the digital audio signals can be heard from the same DIGITAL IN.

When selecting the AUDIO MODE

• You can select the desired audio input signal to be played.

■

Notes :

• Be sure to set the AUDIO MODE to the audio input which is connected and assigned to the selected input source.

• When the HDMI AUDIO OUT is set to ON, no sound will be heard from the speakers connected to this receiver (except ROOM

2 speakers).

• When the AUDIO MODE is set to HDMI, you should set the HDMI ASSIGN correctly. If not, "H1", "H2" (, meaning no digital audio signal input from it) or "Hd" (, meaning no HDMI assignment) flickers on the unit's display and no sound will be heard.

• When the AUDIO MODE is set to DIGITAL, you should set the AUDIO ASSIGN correctly. If not, "o1", "c1", etc.(, meaning no digital signal input from it) or "d" (, meaning no audio assignment) flickers on the unit's display and no sound will be heard.

AUTO : When there are multiple audio input signals, the audio input signals are detected and the audio input signal to be played is selected automatically in the priority order of them :

HDMI audio > DIGITAL audio > ANALOG audio

HDMI : The signal that is input into the HDMI IN is always played.

DIGITAL : The signal that is input into the OPTICAL or the COAXIAL DIGITAL IN is always played.

ANALOG : The signal that is input into the analog AUDIO INs is always played.

R-772(A) 2007.8.16 5:21 PM 페이지 55

Continued

When selecting the AUTO SURROUND

• Depending on how to select a surround mode, you can select the auto surround mode or the manual surround mode.

ON : The optimum surround mode will be automatically selected depending on the signal

(Auto surround mode) format being input.

�

OFF : You can select the disired of different surround modes selectable for the signal being

(Manual surround mode) input with using the MULTI CONTROL knob or the SURROUND MODE UP/DOWN

( >/< ) buttons. (For details, refer to "When selecting the manual surround mode with pressing the SURROUND MODE button on the front panel" on page 34.)

■

Notes :

• When the auto surround mode is selected, the surround modes other than the optimum surround mode cannot be selected.

When selecting the AUDIO REMASTER

• The remastering processes the input signal digitally and converts its digital sampling frequency to twice the current frequency (88.2/96 kHz) for a more detailed sound reproduction.

ON : To process the input signal digitally and to convert its sampling frequency to 88.2/96 kHz for a more

� detailed sound reproduction.

OFF : To turn off the remastering function.

■

Note :

• The remastering function have no effect on the input digital signal from the 88.2/96 kHz source or higher as well as the digital signal that is output from the OPTICAL DIGITAL OUT of this receiver.

When selecting the AV SYNC

• There may be a slight time delay between the video and audio signals in case that some video playback equipments may process the video signals later than the audio signals due to signal processing procedure, etc.. Should this happen, you can adjust the time delay of audio signals to synchronize the sound with the picture.

• The time delay can be adjusted within the range of 0 ~ 200 msec.

When selecting the DC TRIGGER

• To turn on the component connected to the DC TRIGGER OUT jack when this input source is selected, you should set the DC TRIGGER to ON for this input source.

OFF : To turn off the DC trigger function.

�

ON: To turn it on.

• For details, refer to "CONNECTING DC TRIGGER OUT" on page 9.

R-772(A) 2007.8.16 5:21 PM 페이지 56

When selecting the NAME

• You can give names to the input sources other than tuner.

• Up to 7 characters can be entered for each name.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired input source, then press the ENTER button.

Press the CURSOR LEFT(

◀

)/ RIGHT(

▶

) buttons to select the desired digit.

• Then the selected digit will flicker.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to enter the desired character on the flickering digit.

Example: When selecting the VIDEO 1

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the NAME, then press the ENTER button.

• You can enter the desired among blank, A ~ Z, a ~ z, 0 ~ 9, (, ), � , +, , , -, ., /.

Repeat the above steps 3 and 4 to enter the desired characters on the rest of the digits.

Confirm your entry.

• The first digit flickers.

• The name is stored in the memory.

■

To resume its factory input source name.

• Make a blank on each digit and press the ENTER button.

R-772(A) 2007.8.16 5:21 PM 페이지 57

SETTING THE SPEAKER / ROOM EQ SETUP

• After you have installed this receiver and connected all the components, you should adjust the speaker settings for the optimum sound acoustics according to your environment and speaker layout.

• Even when you change speakers, speaker positions, or the layout of your listening environment, you should adjust the speaker settings, too.

• When performing the AUTO SETUP procedure, you need not perform the SPEAKER CONFIGURATION,

SPEAKER DISTANCE, SPEAKER CROSSOVER and CH LEVEL SETUP procedures.

• AUTO SETUP : To set the speaker setup and channel level setup automatically.

• SPEAKER CONFIGURATION : To adjust the speakers depending on whether they are connected or not.

• SPEAKER DISTANCE: To select the distance between the listening position and each speaker to set the delay time automatically for optimum surround playback.

• SPEAKER CROSSOVER : To select the desired crossover frequency.

• ROOM EQ SETUP : To adjust the room EQ as desired.

When selecting the AUTO SETUP

• Auto Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound. Auto

Setup has the feature that provides the optimum listening environment at the listening position in your room, where there are often multiple listeners viewing programs together.

You should connect the supplied microphone to the SETUP MIC jack so that this receiver can analyze the information from a series of test tones emitted from speakers at the listening position and can adjust the configuration, distance, sound level, crossover frequency and frequency response of each speaker automatically.

• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform the "When selecting the SPEAKER CONFIGURATION" on page 59, "When selecting the SPEAKER

DISTANCE" on page 60, "When selecting the SPEAKER CROSSOVER" on page 61, "Adjusting each channel level with test tone" on page 35 and "Adjusting the current channel level" on page 36.

• After the auto setup has been completed, set the room EQ as desired. (For details, refer to "When selecting the

ROOM EQ SETUP" on page 62.)

�

Preparations

① . Check that the speakers are securely connected to this receiver.

• If your subwoofer has adjustable volume and crossover frequency, set the volume halfway and set the crossover frequency to the maximum or the low pass filter off.

②

. Connect the supplied microphone to the SETUP

MIC jack on the front panel.(For details, refer to

"SETUP MIC JACK" on page 16.)

■

Notes :

• Because the microphone for Auto Setup is designed for use with this receiver, to use the auto setup function, do not use a microphone other than the one supplied with this receiver.

• After you have completed the auto setup procedure, disconnect the microphone.

Place the microphone on a flat level surface at the listening position.

• If possible, use a tripod, etc. to attach the microphone at the same height as your ears would be when you are seated in your listening position.

• Ensure there are no obstacles between the speakers and the microphone.

R-772(A) 2007.8.16 5:21 PM 페이지 58

Continued

Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select the AUTO SETUP, then press the ENTER button.

Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select the START, then press the ENTER button.

When the auto setup has been completed.

• Loud test tones are output successively and then if a series of auto setup procedure has been completed, "COMPLETED" will be displayed.

• To stop the auto setup procedure while performing it, press the ENTER button.

In such a case that the auto setup procedure is stopped before "COMPLETED" is displayed, the results of each adjustment may not be memorized.

• If there may be a problem with speaker or microphone connection, error message will be displayed. In this case, turn off the power, check the connection and then retry the auto setup procedure.

■

Notes :

• Before starting auto setup, be sure not to set the HDMI AUDIO OUT to ON.

• Because the test tones are loud, ensure there no infants or small children in the room.

• For best results, ensure the room is as quiet as possible during the auto setup procedure.

If there is too much ambient noise, the results may not be satisfactory.

To memorize the results, press the CURSOR LEFT(

◀

)/ RIGHT(

▶

) buttons to select the APPLY, then press the ENTER button.

• Then the results are memorized and the SPEAKER/ ROOM EQ SETUP menu is displayed.

• Each time the CURSOR LEFT( ◀ )/ RIGHT( ▶ ) buttons are pressed, the

APPLY or the CANCEL is selected.

• When the CANCEL is selected, the results are not memorized.

• Check the results on each setup menu(SPEKER CONFIGURATION menu on page 59, SPEAKER DISTANCE menu on page 60, SPEAKER

CROSSOVER menu on page 61 and CH LEVEL SETUP menu for

"CALIBRATE" mode on page 64).

• If the results are not satisfactory, you can retry the auto setup procedure or personalize your speaker setup and channel level setup by making the settings manually. (For details, refer to "When selecting the SPEAKER CONFIGURATION" on page 59, "When selecting the

SPEAKER DISTANCE" on page 60, "When selecting the SPEAKER

CROSSOVER" on page 61, "Adjusting each channel level with test tone" on page 35 and "Adjusting the current channel level" on page 36.)

R-772(A) 2007.8.16 5:21 PM 페이지 59

When selecting the SPEAKER CONFIGURATION

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the SPEAKER CONFIGURATION, then press the

ENTER button.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired speaker.

Press the CURSOR LEFT(

◀

)/ RIGHT(

▶) buttons to set the selected speaker as desired.

YES/NO: Select the desired depending on whether the speakers are connected or not.

2CH/1CH: Select the desired depending on the number of speakers connected to SURROUND BACK/

MULTI channels.

�

Notes :

• When speakers are not set to "NO", you should set their distances from listening position and crossover frequencies according to their frequency characteristics. (For details, refer to "When selecting the SPEAKER

DISTANCE" on page 60 and "When selecting the SPEAKER CROSSOVER" on page 61.)

• When the "SURROUND" is set to "NO", "BACK/MULTI" cannot be set to "2CH" or "1CH".

• When the surround back channels' power amplifier is assigned to "BI-AMP" or "ROOM 2", the "BACK/MULTI" cannot be selected. (For details, refer to "When selecting the AMP ASSIGN" on page 49.)

Repeat the above steps 2 and 3 until the speakers are all set as desired.

R-772(A) 2007.8.16 5:21 PM 페이지 60

When selecting the SPEAKER DISTANCE

Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select the SPEAKER DISTANCE, then press the ENTER button.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired item.

�

Note :

• You cannot select the subwoofer and the speakers set to "NO".

Press the CURSOR LEFT(

◀

)/RIGHT(

▶

) buttons to set the selected item as desired.

�

When selecting the desired unit

• You can select either METERS or FEET.

• Once a unit is selected, the distances are automatically changed in the selected unit.

�

When setting the distance

• You can set the distance within the range of 0.1 ~ 9.0

meters in 0.1 meter intervals (or 0.5 ~ 30 feet in 0.5

feet intervals).

Repeat the above steps

2 and 3 until the distances are all set as desired.

�

About the speaker distance

When enjoying multi-channel surround playback with Dolby Digital and DTS sources, etc., it is ideal that the center, surround and surround back speakers should be the same distance from the main listening position as the front speakers. By entering the distance between the listening position and each speaker, the delay times of center, surround and surround back speakers are automatically adjusted to create an ideal listening environment virtually as if the center, surround and surround back speakers were at their ideal locations respectively.

R-772(A) 2007.8.16 5:21 PM 페이지 61

When selecting the SPEAKER CROSSOVER

• Set the crossover frequency according to the frequency characteristics of the speakers connected.

(For details on the frequency characteristics, refer to the operating instructions of the speakers.)

• If the frequency range of your speaker is 100 Hz ~ 20 kHz, the crossover frequency should be set to 100 Hz

(or slightly higher).

• The low frequencies below the crossover frequency are to output from subwoofer or the speakers which are set to "FULL RANGE" (when not using a subwoofer).

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the SPEAKER CROSSOVER, then press the

ENTER button.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired speaker.

�

Note :

• You cannot select the subwoofer and the speakers set to "NO".

Press the CURSOR LEFT(

◀

)/RIGHT(

▶

) buttons to set the crossover frequency as desired.

• You can adjust the crossover frequency within the range of 40 ~ 250 Hz.

• Select "FULL RANGE" when the selected speaker can fully reproduce the low frequencies below 40 Hz.

Repeat the above steps 2 and 3 until the crossover frequencies are all set as desired.

R-772(A) 2007.8.16 5:21 PM 페이지 62

When selecting the ROOM EQ SETUP

• The room EQ is a kind of room equalizer for your speakers. According to the acoustic characteristics of your room measured by the auto setup, the room EQ automatically adjusts the frequency response of your speakers.

• If you use different brands or sizes of speakers for some channels or have a room with unique acoustic characteristics, such as walls, furniture, and the dimensions or the shape of the room, we recommend using the room EQ.

■

Note :

• To use the room EQ, first you should finish measuring the acoustic characteristics of your room performing the auto setup.

(For details, refer to "When selecting the AUTO SETUP" on page 57.)

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the ROOM EQ SETUP, then press the ENTER button.

Parameter mode

Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select the MODE.

Press the CURSOR LEFT( ◀ )/RIGHT( ▶ ) buttons to select the desired room EQ mode.

OFF : When turning off the room EQ.

FLAT : To adjust the frequency response of all speakers to the flattest response. This mode is suitable for multi channel music surround sound sources.

FRONT : To adjust the frequency response of the surround and the surround back speakers to match the characteristics of the front speakers.

USER : To adjust the tonal quality of the different speakers

(except the subwoofer) manually.

■

Note :

• Only when the auto setup has been performed, the FLAT and the FRONT modes can be selected.

R-772(A) 2007.8.16 5:21 PM 페이지 63

Continued

■

When selecting the USER mode

• You can adjust the parametric EQ settings to optimize the frequency characteristics of this unit's parametric equalizer to match the acoustic characteristics of your room.

• The parametric equalizer uses a combination of the following three parameters to provide highly precise adjustment of the frequency characteristics.

※

Frequency

• This unit has 5 equalizer bands for each channel. You can adjust the specified frequency bands each within the following frequency ranges :

20 Hz ~ 120 Hz, 130Hz ~ 500 Hz, 550 Hz ~ 1.9 kHz, 2 kHz ~ 7.5 kHz, 8 kHz ~ 20 kHz

※ Gain

• This parameter is adjustable within the range of -24 ~ +24 dB in 1 dB intervals.

※ Q factor

• The width of the specified frequency band is referred to as the Q factor. This parameter is adjustable within the range of 0 ~ 24 in 1 intervals.

■ Notes :

• When selecting the mode other than "USER" mode, you cannot select the EQ parameters for each channel.

• You cannot select the channel of the subwoofer and the speakers set to "NO".

① . Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the CHANNEL, then press the CURSOR

LEFT(

◀

)/RIGHT(

▶

) buttons to select the desired channel.

② . Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the parameter mode, then press the CURSOR

LEFT(

◀

)/RIGHT(

▶

) buttons to select the Fc (Frequency) mode.

③ . Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired frequency band, then press the

CURSOR LEFT(

◀

)/RIGHT(

▶

) buttons to select the desired frequency.

④ . Repeat the above step ③ until the desired frequency is selected for each frequency band.

⑤ . Repeat the above steps ② ~ ④ to adjust the gain of each specified frequency band.

⑥

. Repeat the above steps

②

④ to adjust the Q factor of each specified frequency band.

⑦ . Repeat the above steps ① ~ ⑥ until the EQ parameters of other channels are all adjusted as desired.

R-772(A) 2007.8.16 5:21 PM 페이지 64

SETTING THE CH LEVEL SETUP

Memory mode

■

Note :

• Depending on the speaker settings("NO", etc.), some channels cannot be selected.

Adjusting the current channel level

• You can adjust the current channel levels as desired. These adjusted levels are just memorized into user’s memory("CALIBRATE"), not into preset memory("REFERENCE 1", "REFERENCE 2").

• After adjusting each channel level with test tone, adjust the channel levels either according to the program sources or to suit your tastes.(For details, refer to "Adjusting each channel level with test tone" on page 35.)

Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select the desired channel.

■

When adjusting the LFE LEVEL

① . Press the CURSOR UP( ▲ )/DOWN( ▼ )buttons to select the LFE LEVEL SETUP, then press the ENTER button.

② . Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired program source.

Press the CURSOR LEFT(

◀

)/RIGHT(

▶

) buttons to adjust the level of the selected channel or program source's LFE as desired.

• The LFE level can be adjusted within the range of

-10 ~ 0 dB and other channel levels within the range of -15 ~ +15 dB

• In general, we recommend the LFE level to be adjusted to 0 dB.(However, the recommended

LFE level for some early DTS software is -10 dB.)

If the recommended levels seem too high, lower setting as necessary.

Repeat the above steps 1 and 2 to adjust each channel level.

R-772(A) 2007.8.16 5:21 PM 페이지 65

Memorizing the adjusted channel levels

• You can memorize the adjusted channel levels into preset memory("REFERENCE 1", "REFERENCE 2") and recall the memorized whenever you want.

After performing the steps 1 ~ 3 in "Adjusting the current channel level" procedure on page 64, press the

CURSOR UP(

▲

)/DOWN(

▼

) buttons to select a channel (, not the MODE (memory mode) and the LFE

LEVEL SETUP), then press the ENTER button.

• The "REFERENCE 1" indication flickers.

Press the CURSOR LEFT( ◀ )/RIGHT( ▶ ) buttons to select the desired preset memory, then press the

ENTER button.

• Each time the CURSOR LEFT( ◀ ) or RIGHT( ▶ ) button is pressed, "REFERENCE 1" or

"REFERENCE 2" is selected.

• The adjusted channel levels have now been memorized into the selected memory.

Recalling the memorized channel levels

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the MODE(memory mode).

• "CALIBRATE" may be displayed instead of

"REFERENCE 1" or "REFERENCE 2".

Press the CURSOR LEFT(

◀

)/RIGHT(

▶

) buttons to select the desired one of REFERENCE 1 and

REFERENCE 2.

• Then the channel levels memorized into the selected preset memory are recalled.

R-772(A) 2007.8.16 5:21 PM 페이지 66

SETTING THE SOUND PARAMETER

• NIGHT MODE : To adjust the dynamic range compression that makes faint sound easier to hear at low volume levels.

• DOLBY PLII MUSIC : To adjust the various surround parameters for optimum surround effect.

• DOLBY HEADPHONE : To select the desired listening mode for

Dolby Headphone mode.

• DOLBY VIRTUAL SPEAKER : To select the speaker layout to be used actually for each Dolby

Virtual Speaker mode.

When selecting the NIGHT MODE

• This function compresses the dynamic range of previously specified parts of the Dolby Digital sound track

(with extremely high volume) to minimize the difference in volume between the specified and non-specified parts.

This makes it easy to hear all of the sound track when watching movies at night at low levels.

�

Notes:

• The night mode setting is valid only when the digital signals from the Dolby Digital program source are being input.

• In some Dolby Digital softwares, the night mode setting may not be valid.

Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select the NIGHT MODE, then press the ENTER button.

Press the CURSOR LEFT(

◀

)/ RIGHT(

▶

) buttons to adjust the dynamic range compression as desired.

0.0 (OFF)

�

0.1 Lower compression

�

0.2

0.9

�

1.0 (MAX)

Higher compression

R-772(A) 2007.8.16 5:21 PM 페이지 67

When selecting the DOLBY PLII MUSIC

• You can adjust the various surround parameters for optimum surround effect.

�

Note:

• The parameter settings are valid only when listening in either Dolby Pro Logic II Music mode or the Dolby Pro

Logic IIx Music mode.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the DOLBY PLII MUSIC, then press the ENTER button.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired parameter.

Press the CURSOR LEFT(

◀

)/ RIGHT(

▶

) buttons to adjust the selected parameter as desired.

�

When selecting the PANORAMA mode

This mode extends the front stereo image to include the surround speakers for an exciting "wraparound" effect with side wall imaging. Select "OFF" or "ON"(default value:OFF).

�

When selecting the CENTER WIDTH control

This adjusts the center image so it may be heard only from the center speaker, only from the left/right speakers as a phantom image, or from all three front speakers to varying degrees. The control can be set in 8 steps from 0 to 7

(default value : 3).

�

When selecting the DIMENSION control

This gradually adjusts the soundfield either towards the front or towards the rear. The control can be set in 7 steps from -3 to +3(default value : 0).

Repeat the above steps 2 and 3 to adjust other parameters.

R-772(A) 2007.8.16 5:21 PM 페이지 68

When selecting the DOLBY HEADPHONE

• You can select the desired listening mode for Dolby Headphone mode.

�

Note:

• The listening mode setting is valid only when playing analog stereo, PCM 2 channel or Dolby Digital 2 channel source.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the DOLBY HEADPHONE, then press the ENTER button.

Press the CURSOR LEFT(

◀

)/ RIGHT(

▶

) buttons to select the desired listening mode.

MOVIE : This provides the surround effect suitable for movie sources.

MUSIC 1 : This provides the surround effect suitable for music sources.

MUSIC 2 : This provides less surround effect compared to

MUSIC 1 mode.

R-772(A) 2007.8.16 5:21 PM 페이지 69

When selecting the DOLBY VIRTUAL SPEAKER

• You can select the speaker layout to be used actually for each Dolby Virtual Speaker mode.

�

Note:

• The speaker layout settings are valid only when listening in a Dolby Virtual Speaker mode.

Press the CURSOR UP(

▲

)/DOWN(

▼

) buttons to select the DOLBY VIRTUAL SPEAKER, then press the

ENTER button.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired Dolby Virtual Speaker mode.

Press the CURSOR LEFT(

◀

)/RIGHT(

▶

) buttons to select the desired speaker layout.

� When selecting the Dolby Virtual Speaker Reference mode

2 SPK : When using 2 front speakers only.

3 SPK : When using 2 front and center speakers.

� When selecting the Dolby Virtual Speaker Wide mode

2 SPK : When using 2 front speakers only.

3 SPK : When using 2 front and center speakers.

4 SPK : When using 2 front and 2 surround speakers.

5 SPK : When using 2 front, center and 2 surround speakers.

�

Note:

• When the speakers are set to "NO", the corresponding speaker layouts cannot be selected.

Repeat the above steps 2 and 3 to select the desired speaker layout for another Dolby Virtual Speaker mode.

R-772(A) 2007.8.16 5:21 PM 페이지 70

SETTING THE MULTI ROOM SETUP

• The ROOM 2 function allows enjoying one source in the main room while playing another in a different room at the same time.

• ROOM 2 : To turn on or off the ROOM 2 function.

• INPUT : To select the desired ROOM 2 source.

• VOLUME : To adjust the volume on the power amplifier assigned to "BACK

← →

ROOM 2" or "ROOM 2".

�

Notes:

• The analog signals from the EXTERNAL INs and the digital signals cannot be output to the different room, meaning no playback in a different room.

• You cannot play the ROOM 2 source in any surround mode.

Press the CURSOR UP( ▲ )/DOWN( ▼ ) buttons to select the desired item.

�

Note:

• The VOLUME cannot be adjusted when the AMP ASSIGN is assigned to "BI-AMP" or "SURR BACK".

(For details, refer to "When selecting the AMP ASSIGN" on page 49.)

Press the CURSOR LEFT(

◀

)/RIGHT(

▶

) buttons to set the selected item as desired.

When selecting the ROOM 2

OFF : To turn off the ROOM 2 function.

↕

ON : To turn it on.

�

Notes:

• When the ROOM 2 is set to OFF, the INPUT and the VOLUME cannot be selected.

• When you do not use the ROOM 2 function, set the ROOM 2 to OFF to save electricity.

When selecting the INPUT

• You can select the desired among MAIN source, TUNER, CD, AUX, TAPE, VIDEO 1 ~ VIDEO 4 as a

ROOM 2 source.

�

Note:

• When the EXTERNAL IN is selected as a main input, if the MAIN source is selected as a ROOM 2 input, no audio signal can be heard in the different room (ROOM 2).

When selecting the VOLUME

• You can adjust the volume on the power amplifier assigned to "BACK

← →

ROOM 2" or "ROOM 2" when the ROOM 2 speaker terminals are connected to the speakers in a different room.

�

Note:

• You can adjust the VOLUME only when the surround back channels' power amplifier is assigned to "BACK

← → ROOM 2" or "ROOM 2". (For details, refer to "When selecting the AMP ASSIGN" on page 49.)

R-772(A) 2007.8.16 5:21 PM 페이지 71

Troubleshooting Guide

If a fault occurs, run through the table below before taking your receiver for repair.

If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation, consult your dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the warranty.

PROBLEM

No power

POSSIBLE CAUSE

• The AC input cord is disconnected.

• Poor connection at AC wall outlet or the outlet is dead or off.

REMEDY

• Connect cord securely.

• Check the outlet using a lamp or another appliance.

No sound • The speaker wires are disconnected.

• The master volume is adjusted too low.

• The MUTE button is pressed to ON.

• Incorrect selection of input source.

• Incorrect connections between the components.

• The HDMI AUDIO OUT is set to ON.

• The settings related to audio are set incorrectly.

• Check the speaker connections.

• Adjust the master volume.

• Press the MUTE button to cancel the muting effect.

• Select the desired input source correctly.

• Make connections correctly.

• Set it to OFF. (For details, refer to "When selecting the HDMI AUDIO OUT" on page 50.)

• Set the settings correctly. (For details, refer to

"SETTING THE INPUT SETUP" on page 53.)

No sound from the surround speakers

No sound from the center speaker

No sound from the surround back speakers

No picture

No picture with an HDMI connection

Stations cannot be received

Preset stations cannot be received

Poor FM reception

Continuous or intermittent hissing noise during AM reception, especially at night.

Remote control unit does not operate.

OSD function is not available.

• Surround mode is switched off(stereo mode).

• Master volume and surround level are too low.

• Monaural source is used.

• Surround speaker setting is "NO".

• Dolby Virtual Speaker, stereo mode, etc is selected.

• Center speaker setting is "NO".

• Master volume and center level are too low.

• The input signal format or the current surround mode cannot support the 7.1(or 6.1) surround.

• The surround back channels' power amplifier is assigned to "BI-AMP" or "ROOM 2".

• Master volume and surround back level are too low.

• Surround back speaker setting is "NO".

• Video connections between this unit and the monitor TV are not made correctly.

• Incorrect selection of input source on the monitor

TV.

• The settings related to video are set incorrectly.

• HDMI connection between this unit and the monitor TV are not made correctly.

• The monitor TV or other equipments do not support HDCP.

• No antenna is connected.

• The desired station frequency is not tuned in.

• Antenna is in wrong position.

• An incorrect station frequency has been memorized.

• The memorized stations are cleared.

• No antenna is connected.

• The antenna is not positioned for the best reception.

• Weak signals.

• Noise is caused by motors, fluorescent lamps or lightning, etc.

• Batteries are not loaded or exhausted.

• The remote sensor is obstructed.

• Video connections between this unit and the monitor TV are not made correctly.

• Select a surround mode.

• Adjust master volume and surround level.

• Select a stereo or surround source.

• Select the desired surround speaker setting.

• Select the desired surround mode.

• Select the desired center speaker setting.

• Adjust master volume and center level.

• Under the proper situations, perform the 7.1(or

6.1) surround playback.(For details, refer to

"ENJOYING SURROUND SOUND" on page 34.)

• Assign the power amplifier to the surround back channels.(For details, refer to "When selecting the AMP ASSIGN"on page 49.)

• Adjust master volume and surround back level.

• Select the desired surround back speaker setting.

• Make proper video connections.

• Select the input source correctly.

• Set the settings correctly. (For details, refer to

"SETTING THE INPUT SETUP" on page 53.)

• Make proper HDMI connection.

• This unit will not output video signal unless the connected equipments supports HDCP.

• Connect an antenna.

• Tune in the desired station frequency.

• Move antenna and retry tuning.

• Memorize the correct station frequency.

• Memorize the stations again.

• Connect an antenna.

• Change the position of the antenna.

• Install an outdoor FM antenna.

• Keep the receiver away from noise sources.

• Install an outdoor AM antenna.

• Replace the batteries.

• Remove the obstacle.

• Make proper video connections.

R-772(A) 2007.8.16 5:21 PM 페이지 72

Specifications

�

AMPLIFIER SECTION

• Power output, stereo mode, 6

, THD 1.0 %, 40 Hz~20 kHz | 2

100 W

• Total harmonic distortion, at -3 dB, 6

, 1 kHz | 0.05%

• Intermodulation distortion

60 Hz : 7 kHz= 4 : 1 SMPTE, 6

, 95 W | 0.05%

• Input sensitivity/impedance

Line (CD, TAPE, VIDEO) | 300 mV/47k

• Signal to noise ratio, IHF "A" weighted

Line (CD, TAPE, VIDEO) | 100 dB

• Frequency response

Line (CD, TAPE, VIDEO), 10 Hz ~ 100 kHz | +0, -3 dB

• Output level

ROOM 2 OUT, 2.2 k

| 300 mV

• Bass/Treble control, 100 Hz/10 kHz | ±10 dB

• Surround mode, only channel driven

Front power output, 6

, 1 kHz, THD 1.0 % | 110W / 110 W

Center power output, 6

, 1 kHz, THD 1.0 % | 110 W

Surround power output, 6

, 1 kHz, THD 1.0 % | 110 W / 110W

Surround back (/MULTI) / ROOM 2 power output, 6

, 1 kHz, THD 1.0 % | 110 W / 110W

�

DIGITAL AUDIO SECTION

• Sampling frequency | 32, 44.1, 48, 96 kHz

• Digital input level

Coaxial, 75

| 0.5 Vp-p

Optical, 660 nm | -15 ~ -21 dBm

�

VIDEO SECTION

• Video format | NTSC

• Input sensitivity(=Output level), 75

Video (Composite(normal)) | 1 Vp-p

S-Video (luminance signal) | 1 Vp-p

(chrominance signal) | 0.286 Vp-p

Component video (R-Y signal) | 0.5 Vp-p

(B-Y signal) | 0.5 Vp-p

(Y signal)

• HDMI connector | 19 pin

| 1.0 Vp-p

�

FM TUNER SECTION

• Tuning frequency range | 87.5~108 MHz

• Usable sensitivity, THD 3%, S/N 30 dB | 12.8 dBf

• 50 dB quieting sensitivity, mono/stereo | 20.2 / 45.3 dBf

• Signal to noise ratio, 65 dBf, mono/stereo | 70 / 65 dB

• Total harmonic distortion, 65 dBf,1 kHz, mono/stereo | 0.5 / 0.8 %

• Frequency response, 30 Hz~15 kHz | ±3 dB

• Stereo separation, 1 kHz | 32 dB

• Capture ratio | 4.0 dB

• IF rejection ratio | 60 dB

�

AM TUNER SECTION

• Tuning frequency range | 520~1710 kHz

• Usable sensitivity | 500 µV/m

• Signal to noise ratio | 40 dB

• Selectivity | 25 dB

�

GENERAL

• Power supply | 120 V ~ 60 Hz

• Power consumption | 3.7 A

• Switched AC outlets | TOTAL 120 W (1 A) max.

• Dimensions (W

D, including protruding parts) | 440

141

370 mm(17-3/8

5-1/2

14-1/2 inches)

• Weight (Net) | 10.1 kg (22.3 Ibs)

Note: Design and specifications are subject to change without notice for improvements.

R-772(A) 2007.8.16 5:21 PM 페이지 73

Daewoo

Daytron

Denon

Dumont

Dwin

Electroband

Emerson

Envision

Fisher

Fujitsu

Funai

Futuretech

Gibralter

Setup Code Table

TV

AOC

Admiral

Aiko

Akai

Alaron

Ambassador

America Action

Ampro

Anam

Audiovox

Baysonic

Belcor

Bell & Howell

Bradford

Brockwood

Broksonic

CXC

Candle

Carnivale

Carver

Celebrity

Cineral

Citizen

Concerto

Contec

Craig

Crosley

Crown

Curtis Mathes

005 003

041 031

014

005

026

024

027

043

027 047 048 049

030 027 014 034

027

003

019 001

027

003

028 031

027

005 011

005

010

050

030 014

012 005 011 006 014

011

027

010

027 006

007 010 019 008 030 041

012 005 016 011 001 006

022 032 038 040

030 003 006 014 034 035

003

016

002 003

044 036

050

019 028 031 027 029 025

003 026 006 024 034 035

005

019

026

027 026 023

027

007 008 030 041 029 025

004 015 038 040

002 005 003

Midland

Minutz

Mitsubishi

Motorola

Multitech

NAD

NEC

NTC

Nikko

Onwa

Optimus

Optonica

Orion

Panasonic

Penney

Pilco

Philips

LXI

Logik

Luxman

MGA

MTC

Magnavox

Magestic

Marantz

Matsushita

Magatron

Memorex

Goldstar

Gradiente

Grunpy

Hallmark

Harley Davidson

Harman/Kardon

Havard

Hitachi

Infinity

Inteq

JBL

JCB

JVC

KEC

KTV

Kenwood

005 025 003 011

009 011

027 026

025

026

010

027

016 011 018

010

002

010

050

009 046

027

027 005 006

005 003

011 003

007 010 019 020 025

001

011

017 005 025 003

012 005 003 011

010 005 026

001

010 005

042

025 016

019 042 031 017 025 011

001

007 002 008 006 015

004

041 017 025 003

041

027

020 025 022

005 003 011

014

005 025 014

027

019 042 022

041 021

028 031 026

008 042

007 020 008 012 005 025

004 003 011 006 015 040

010 031 005 016 003

010

R-772(A) 2007.8.16 5:21 PM 페이지 74

Pilot

Pioneer

Portland

Prism

Proscan

Proton

Pulsar

Quasar

RCA

Radio Shack

Realistic

Runco

SSS

Sampo

Samsung

Samsux

Sansei

Sansui

Sanyo

Scimitsu

Scotch

Scott

Sears

Semivox

Semp

Sharp

Sherwood

Shogun

Signature

Sony

Soundesign

Squareview

Starlite

Supreme

Sylvania

Symphonic

TMK

Tandy

Technics

Technoi Ace

Techwood

Teknika

Telefunken

Toshiba

Totevision

Vector Research

Victor

Vidikron

005 003 006

022

003 006 014

008

007

025 032

002 003

008 042 021

007 008 041 003 013 015

037 038 039 040

007 019 021 027 005 025

003 011 006

019 021 027 005 025 003

011 006

002 005 033

027 003

005 006

012 005 025 003 011 045

006

030

031

019

003

025

028 027 025 003 026

007 010 019 020 025 026

011 006

027

020

041 021 006

000

003

001

050

027 025 026

023

027

050

010 005

023

025 011 024

041

008 042

026

008 011

010 027 017 012 003 026

011 001 006 014

011

019 020 012

006

005

009

010

Vidtech

Wards

White Westinghouse

Yamaha

Zenith

025 003

010 021 005 025 004 003

026 011 001

031 034 035

005 003

002 031 001 014

VCR

Admiral

Adventura

Aiko

Aiwa

Akai

America Action

America High

Asha

Audiovox

Beaumark

Bell & Howell

Brocksonic

Broksonic

CCE

Calix

Canon

Carver

Cineral

Citizen

Colt

Craig

Curtis Mathes

Cybernex

Daewoo

Denon

Dynatech

Electrohome

Electrophonic

Emerex

Emerson

Fisher

Fuji

Funai

Garrard

Go Video

GoldStar

Gradiente

HI-Q

Harley Davidson

Harman/Kardon

Harwood

027 021

000

025

005 000

026

025

004

023

005

023

017

021

020 018 021 001

015 025

005

004

081

025

005 025

015

005 012 023 015 024

013 004 026 028

023

010 025

008

000

005

002

005 020 000 018 009 021

001 025

012 017

004 003

000

013 004 027 023

000

052

005 006

000

012

000

016 006

015

R-772(A) 2007.8.16 5:21 PM 페이지 75

Minolta

Mitsubishi

Motorola

Multitech

NEC

Nikko

Noblex

Olympus

Opimus

Orion

Panasonic

Penny

Pentax

Philco

Philips

Pilot

Pioneer

Profitronic

Proscan

Protec

Pulsar

Quarter

Quartz

Quasar

RCA

Radio Shack

Radix

Randex

Headquarter

Hitachi

Hughes Net.Sys

JVC

Jensen

KEC

KLH

Kenwood

Kodak

LXI

Lloyd’s

Logik

MEI

MGA

MGN Technology

MTC

Magnasonic

Magnavox

Magnin

Marantz

Marta

Matsushita

Memorex

011

000 008 026

008

014 026

026

005 025

015

014 026 006

004 005

005

000

015

004

023 009

023

023 000

025

004 007 016 000 019

023

004 016

005

004 028 029

004 005 027 007 012 023

000 017 021 011 031 032

008

027 014 009

004 027

000 015

017 014 026 006

005

023

004

005

014

023

013

015

007

011

005 027 017 028 029 030

031 032

020 021 001

004 028 022 029 031

004 005 023 008 006

008

004 021

004 016

004 028 029 031

013 004 027 023 008 019

000

005

Semp

Sharp

Shintom

Shogun

Singer

Sony

Syvania

Symphonic

TMK

Tatung

Teac

Technics

Teknika

Thomas

Toshiba

Totevision

Unitech

Vector

Vector Research

Video Concepts

Videosonic

Wards

Realistic

Runco

STS

Samsung

Sanky

Sansui

Sanyo

Scott

Sears

White WestingHouse

XR-100

Yamaha

Zenith

Ameira High

Brocksonic

Colt

Cutis Mathes

Daewoo

Emerson

Funai

Hitachi

Lloyds

MGA

Megavox

004 005 027 012 000 017

011

007

008

023 010 033

027 007

000 014 021 026 024

012 023 017 011

020 010 018 009

004 005 012 000 008 017

011

010

027

015

023

015

004 002 000 003

004 016 000 009

000

023

026

000 026

004 028

004 005 000

000

010 009

005 023

023

010

006

010

023

013 004 027 012 016 023

000 008 015 019

021 025

004 000 015

006

007 000 021 003

004 (TV use 008)

001

015

004 (TV use 008)

025

001

000

004 (TV use 008) 013 (TV use 012)

027 (TV use 041) 023

004 (TV use 008) 000

000

023

016 (TV use 010) 004 (TV use 008)

000

R-772(A) 2007.8.16 5:21 PM 페이지 76

Magnin

Memorex

Mitsubishi

Orion

Panasonic

Penney

Quasar

RCA

Sansui

Sanyo

Sear

Sharp

Sony

Symphonic

Zenith

023

005 028 (TV use 025)

027 (TV use 041)

001

004 (TV use 008) 028 (TV use 042)

004 (TV use 008) 023

028 (TV use 042)

004 (TV use 008) 028 (TV use 042)

013 (TV use 012) 004 (TV use 008)

027 (TV use 041)

000

023

000 005

027 (TV use 041)

002 (TV use 000)

000

DVD

Harman/Kardon

JVC

Kenwood

Megavox

Mitsubishi

Onkyo

Panasonic

Philips

Pioneer

Proscan

RCA

Samsung

Sherwood

Sony

Technics

Theta Digital

Toshiba

Yamaha

Zenith

009

008

005

011

016

011

013

011 006

003 014 026

002

017

001 012 000 018 019

020 021 022 023 025

004

013

014

011

013 007

011 010

CBL

ABC

Allegro

Archer

Bell&Howell

Century

Citizen

Comtronics

Contec

Easten

Emerson

Everquest

Focus

Garrard

Gemini

General Instrument

GoldStar

Goodmind

Hamlin

Hitachi

Hytex

Jasco

Jerrold

002 003 009 030

007 006 008

018

009

018

014

011

001

026

010

022

018

010

033

021

026

021

014

276 006 034

017 040

026

012 020 004 013

006

007

010 018 021

002 007 033 032 009 010

006 034

Movie Time

NSC

Oak

Optimus

015

011

031

Panasonic

Philips

016 031

018

Pioneer 017 025

Popular Mechanics 022

RCA

Radio Shack

Recoton

Regal

Regency

Rembrandt

Sherwood

SL Marx

Smasung

Scientific Atlanta

Signal

Signature

Sprucer

Starcom

031

010

022

012

001

006

000

014

017

003

010

006

031

002

021

020

014

023

014

010

026

030

028

027

R-772(A) 2007.8.16 5:21 PM 페이지 77

Stargate

Starquest

TV86

Teleview

Tocom

Tusa

Unika

United Artists

Universal

Viewstar

Zenith

Zentek

010 014 026

010

015

014

007 008

010

018

007

153 019

015

024

022

SAT

AlphaStar

Chaparral

Echostar

Expreevu

General Instrument

HTS

Hitachi

Hughes Net.Sys

JVC

Jerrold

Megavox

Memorex

Next Level

Panasonic

Philips

Primestar

RCA

Radio Shack

Realistic

Sherwood

Sony

Star Choice

Toshiba

Uniden

Zenith

008

001

009

016 015 018

009

011

007

009

016 015

006 005

006

017

006 005

016 015

003 002 012

018

014

000

004

018

010

006 005 014

013

AUX-TAPE/MD

Sherwood 000 (for tape deck)

035 (for MD recorder)

AUX-LD

Denon

Mitsubishi

NAD

Pioneer

Sony

007

017 018

AUX-TAPE

Aiwa

Carver

Harman/Kardon

JVC

Kenwood

Megavox

Marantz

Onkyo

Opimus

Panasonic

Pioneer

Sansui

Sony

Technics

Victor

Wards

Yamaha

004 034

004

016 004

022 024

008

004

012 025

002 020

038

002 020 011

004

021 014 026

038

024

002

010 009

AUX-AMP

Aiwa

Carver

Curtis Mathes

Denon

Harman/Kardon

Linn

Megavox

Marantz

Panasonic

Philips

Pioneer

Sony

Technics

Wards

Yamaha

029

023

027

037

040

023

039

023 040

003 027

019 033

039

003

028

R-772(A) 2007.8.16 5:21 PM 페이지 78

AUX-HOME AUTOMATION

Lutron

One For All

Radio Shack

Security System

Universal X10

X10

043

044

042

043

042

AUX-DBS

Aiwa

Fisher

Harman/Kardon

JBL

JVC

Jerrold

RCA

Scientific Artlanta

Sony

Starcom

045 059 029

005

046

047

031

006

032

045

031

AUX-ACCESSARY

Archer

GC Electronics

Jebsee

Rabbit

Radio Shack

013

036

013

CD

Aiwa

Burmester

California Audio Lab

Carver

DKK

Denon

Emerson

Fisher

Garrard

Genexxa

Harman/Kardon

Hitachi

JVC

010 030

019

002

010 012 020

001

028 034

035

012 033

019 018

004 035

010 011

004

007

Panasonic

Parasound

Philips

Pioneer

Proton

QED

Quasar

RCA

Realistic

Rotel

SAE

Sansui

Sanyo

Scott

Sears

Sharp

Sherwood

Kenwood

Krell

LXI

Linn

MCS

MTC

Megavox

Marantz

Mission

NSM

Nikko

Onkyo

Opimus

Sony

Soundesign

Tascam

Teac

Technics

Victor

Wards

Yamaha

Yorx

003 029 016 024 025

010

035

010

002

019

010 035

002 010 013

010

033

008 026

001 004 012 035 029

019 009 021 020

002 031

019

010 023

004 035 021 017

010

002

012 035 006 036

012 019 013

010 019

010

010 035

012

035

029 013 037

013 027 038 039 040 041

000

001 014 022

009

019

019 018 033 013

002 031

007

010 006

005 015

032

R-772(A) 2007.8.16 5:21 PM 페이지 1

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User manual | Sherwood R-772 Stereo Receiver User Manual

SAFETY INSTRUCTIONS

Introduction

READ THIS BEFORE OPERATING YOUR UNIT

CAUTION

WARNING

: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.

Caution regarding installation

FOR YOUR SAFETY

CAUTION

ATTENTION

CAUTION

CONTENTS

• SAFETY INSTRUCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

• Introduction

• System Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

• Front Panel Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

• Universal Remote Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

• ROOM 2 Remote Controls

• Operations

• OSD Menu Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

• Troubleshooting Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

• Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

• Setup Code Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

System Connections

CONNECTING ANTENNAS

CONNECTING VIDEO COMPONENTS

Continued

Note :

CONNECTING AUDIO COMPONENTS

CONNECTING EXTERNAL INS

CONNECTING XM (only for North America)

CONNECTING DIGITAL INS AND OUT

Notes:

Digital input default settings

CONNECTING DC TRIGGER OUT

Notes:

CONNECTING SUBWOOFER PREOUT

CONNECTING SPEAKERS

Surround back speakers

Front Bi-Amp Connections.

Note :

Caution :

Speaker placement

Front left and right speakers and center speaker

Surround left and right speakers

Surround back left and right speakers

Subwoofer

Notes :

CONNECTING ROOM 2 OUTS

Notes :

CONNECTING RF REMOTE ANTENNA

Note:

CONNECTING MULTI-ROOM SYSTEM KIT

Notes:

CONNECTING PC FOR UPGRADES

SWITCHED AC OUTLETS

AC INPUT CORD

Front Panel Controls

SETUP MIC JACK

Notes:

AUX IN JACK

Note :

Universal Remote Controls

Notes :

OPERATING COMPONENTS WITH REMOTE CONTROL

REMOTE CONTROL OPERATION RANGE

LOADING BATTERIES

USING FUNCTIONS OF REMOTE CONTROL

Entering a setup code

Note :

Searching a setup code

Programing the commands from other remote controls (LEARNING mode)

Notes :

Erasing the programmed command from one button

Erasing all the commands programmed under a device mode

Programming a macro function

To erase a macro program

To change a macro program