Yamaha RX-V890 Receiver

Yamaha RX-V890 Receiver
RX-V890
Natural Sound Stereo Receiver
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
OWNER’S MANUAL
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
Contents
PROFILE OF THIS UNIT ............................ 6
SPEAKER SETUP FOR THIS UNIT ........... 7
CONNECTIONS ......................................... 9
ADJUSTMENT BEFORE OPERATION .... 15
BASIC OPERATIONS .............................. 18
TUNING OPERATIONS ........................... 21
IMPORTANT!
Please record the serial number of this
unit in the space below.
Model:
Serial No.:
The serial number is located on the rear
of the unit.
Retain this Owner’s Manual in a safe
place for future reference.
USING THE DIGITAL SOUND FIELD
PROCESSOR (DSP) ................................ 25
SETTING THE SLEEP TIMER ................. 30
REMOTE CONTROL TRANSMITTER ..... 31
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE
THIS UNIT TO RAIN OR MOISTURE.
• Explanation of Graphical Symbols
The lightning flash with arrowhead
symbol, within an equilateral triangle,
is intended to alert you to the
presence of uninsulated “dangerous
voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to
alert you to the presence of
important operating and
maintenance (servicing) instructions
in the literature accompanying the
appliance.
SAFETY INSTRUCTIONS
1 Read Instructions — All the safety and operating
instructions should be read before the unit is operated.
2 Retain Instructions — The safety and operating
instructions should be retained for future reference.
3 Heed Warnings — All warnings on the unit and in the
A. The power-supply cord or the plug has been damaged;
or
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
operating instructions should be adhered to.
D. The unit does not appear to operate normally or exhibits
4 Follow Instructions — All operating and other
a marked change in performance; or
instructions should be followed.
E. The unit has been dropped, or the enclosure damaged.
5 Water and Moisture — The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen sink,
laundry tub, in a wet basement, or near a swimming pool, etc.
6 Carts and Stands — The unit should be used only with
a cart or stand that is recommended by the
manufacturer.
16 Servicing — The user should not attempt service the
unit beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines — An outdoor antenna should be located
away from power lines.
6A An unit and cart combination should be
moved with care. Quick stops,
excessive force, and uneven surfaces
may cause the unit and cart
combination to overturn.
7 Wall or Ceiling Mounting — The unit should be mounted
to a wall or ceiling only as recommended by the
manufacturer.
8 Ventilation — The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block
the ventilation openings; or placed in a built-in
installation, such as a bookcase or cabinet that may
impede the flow of air through the ventilation openings.
18 Grounding or Polarization — Precautions should be taken
so that the grounding or polarization is not defeated.
19 Outdoor Antenna Grounding — If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against voltage
surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to grounding
electrodes, and requirements for the grounding electrode.
EXAMPLE OF ANTENNA GROUNDING
9 Heat — The unit should be situated away from heat
sources such as radiators, stoves, or other appliances
that produce heat.
MAST
GROUND
CLAMP
10 Power Sources — The unit should be connected to a
power supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection — Power-supply cords should
be routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning — The unit should be cleaned only as
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810-20)
ELECTRIC
SERVICE
EQUIPMENT
GROUNDING CONDUCTORS
(NEC SECTION 810-21)
GROUND CLAMPS
POWER SERIVCE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250, PART H)
NEC – NATIONAL ELECTRICAL CODE
recommended by the manufacturer.
13 Nonuse Periods — The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry — Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of unit.
15 Damage Requiring Service — The unit should be
serviced by qualified service personnel when:
Note to CATV system installer:
This reminder is provided to call the CATV system
installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT
1 To ensure the finest performance, please read this
2
3
4
5
manual carefully. Keep it in a safe place for future
reference.
Install your unit in a cool, dry, clean place – away from
windows, heat sources, and too much vibration, dust,
moisture or cold. Avoid sources of hum (transformers,
motors). To prevent fire or electrical shock, do not
expose to rain and water.
Do not operate the unit upside-down. It may overheat,
possibly causing damage.
Never open the cabinet. If a foreign object drops into
the set, contact your dealer.
Do not use force on switches, knobs or cords. When
moving the set, first turn the unit off. Then gently
disconnect the power plug and the cords connecting to
other equipment. Never pull the cord itself.
6 Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
7 Always set the volume control to “– ∞” before starting
8
9
10
11
the audio source play: increase the volume gradually to
an appropriate level after the play is started.
To prevent lightning damage, pull out the power cord and
remove the antenna cable during an electrical storm.
Be sure to read the “Troubleshooting” section on common
operating errors before concluding that your unit is faulty.
Do not connect audio equipment to the AC outlets on
the rear panel if that equipment requires more power
than the outlets are rated to provide.
When not planning to use this unit for long periods of
time (ie., vacation, etc.), disconnect the AC power plug
from the wall outlet.
The apparatus is not disconnected from the AC power
source as long as it is connected to the wall outlet, even
if the apparatus itself is turned off.
FCC INFORMATION
1. IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT! This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved
by Yamaha may void your authority, granted by the
FCC, to use the product.
Compliance with FCC regulations does not guarantee
that interference will not occur in all installations. If
this product is found to be the source of interference,
which can be determined by turning the unit “OFF”
and “ON”, please try to eliminate the problem by using
one of the following measures:
2. IMPORTANT: When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC
authorization to use this product in the USA.
Relocate either this product or the device that is being
affected by the interference.
3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC
Regulations, Part 15 for Class “B” digital devices.
Compliance with these requirements provides a
reasonable level of assurance that your use of this
product in a residential environment will not result in
harmful interference with other electronic devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Utilize power outlets that are on different branch (circuit
breaker of fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce
satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can
not locate the appropriate retailer, please contact
Yamaha Electronics Corp., U.S.A. 6600 Orangethorpe
Ave, Buena Park, CA 90620
The above statement apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out
of your equipment by playing it at a safe level. One that lets
the sound come through loud and clear without annoying
blaring or distortion – and, most importantly, without
affecting your sensitive hearing. Since hearing damage from
loud sounds is often undetectable until it is too
late, YAMAHA and the Electronic Industries
Association’s Consumer Electronics Group
recommend you to avoid prolonged exposure
from excessive volume levels.
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are contained.
• Remote Control Transmitter
• Indoor FM Antenna
Remote
TRANSMIT
USER
LEARN
/LEARN YPC
POWER
SLEEP
TV
VCR
SKIP
AUX
PHONO
DISC
SKIP
SEARCH
PAUSE/STOP
DECK A/B
PRESET
CD
TUNER
+
STOP
PLAY
TAPE 1
REC/PAUSE
DIR A
DIR B
TAPE 2 MON
SEARCH
REC MUTE
PLAY
A/B/C/D/E
—
SEARCH
PAUSE/STOP
PLAY
LD/TV
CHAPTER/CH
DISPLAY
STOP
VCR 1
VCR 2
—
+
PRO LOGIC
ENHANCED
70mm
MOVIE THEATER
TV
THEATER
1
2
3
4
SPORTS
JAZZ CLUB
• AM Loop Antenna
SURROUND
STADIUM
ROCK
5
6
7
CHURCH
HALL
9
10
DSP
ON/OFF
+
+
+
RESET
CLEAR
MUTING
—
• Batteries (size AA, LR6, UM-3)
4
+
DELAY
TIME
REAR LEVEL
—
MASTER
VOLUME
TEST
CENTER LEVEL
—
V–AUX
8
EFFECT
—
• User Program Sheets
Features
• Five Speaker Configuration
Front:
100 W + 100 W (8Ω) RMS Output Power,
0.015% THD, 20-20,000 Hz
120 W + 120 W (6Ω) RMS Output Power,
0.04% THD, 20-20,000 Hz (USA Model Only)
Center:
100 W (8Ω) RMS Output Power,
0.015% THD, 1 kHz
Rear:
25 W + 25 W (8Ω) RMS Output Power,
0.08% THD, 1 kHz
• Digital Sound Field Processor
10 Programs including “Cinema DSP” 70mm Movie Theater
• Automatic Input Balance Control for Dolby Surround
• Test Tone Generator for Easier Speaker Output Balance Adjustment
• 3 Center Channel Modes (NORMAL/WIDE/PHANTOM)
• 40-Station Random Access Preset Tuning
• Automatic Preset Tuning (FM only)
• Preset Station Shifting Capability (Preset Editing)
• IF Count Direct PLL Synthesizer Tuning System
• Video Signal Input/Output Capability
• SLEEP Timer
• Remote Control Capability
• Program and status messages superimposed on connected video monitor
5
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital
Sound Field Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the
field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in
this manual carefully when setting up your system, and this unit will sonically transform your room into a totally
new listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from
Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.
Please read this owner’s manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s
advanced sound reproduction technology lets you get
extremely close to the sound of a live performance,
but chances are you’ll still notice something missing:
the acoustic environment of the live concert hall.
Extensive research into the exact nature of the sonic
reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you
this same sound in your own listening room, so you’ll
feel all the sound of a live concert.
Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it
possible to capture the acoustics of a variety of venues
such as an actual concert hall, theater, etc. to allow
you to accurately recreate one of several actual live
performance environments, all in your own home.
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets
you experience the dramatic realism and impact of
Dolby Surround movie theater sound in your own
home. Dolby Pro Logic gets its name from its professional-grade steering logic circuitry, which provides
greater effective front and rear channel separation for
a much higher degree of realism than the “passive”
Dolby Surround circuits found in less sophisticated
home audio/video equipment. Dolby Pro Logic
Surround provides a true center channel, so that there
are four independent channels, unlike passive Dolby
Surround which has in effect only three channels: left,
right, and rear. This center channel allows listeners
seated in even less-than-ideal positions to hear the
dialog originating from action on the screen while
getting a stereo effect as well.
This Dolby Pro Logic Surround Decoder employs a
digital signal processing system. This system increases sound stability at each channel and minimizes
crosstalk between channels compared to conventional
analog Dolby signal processing.
In addition, this unit features a built-in automatic
input balance control. This circuit always presents
you the best surround conditions without performing
manual adjustments.
Dolby Pro Logic Surround + DSP
You can also enjoy Dolby Pro Logic with two modes
of Digital Sound field processing. These combinations
expand the surround effect. One is the “ENHANCED” Dolby Pro Logic Surround which recreates the surround effect of the 35 mm film movie
theater. The other is the sound field program ”70 mm
MOVIE THEATER”. Which recreates the listening
experience of a 70mm film theater.
Directional Enhancement Circuit + DSP
The newly featured directional enhancement circuit
expands and focuses the digital sound field by
emphasizing position of sound.
This effect puts you in the midst of the action, while
centering and focusing your attention to the screen.
This circuit is available on the sound field program
“TV THEATER” and “SPORTS”.
6
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates
these programs are created by the combination of
Dolby Pro Logic and YAMAHA DSP technology.
SPEAKER SETUP FOR THIS UNIT
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a fivespeaker configuration. The speakers to be
used with this unit will be front speakers, rear speakers, and a center speaker.
The front speakers are used for the main source sound. These are usually a much larger, high-quality loudspeaker
than you will use for the surround sound effects. The center speaker is used for the center sound (dialog, etc.)
encoded with the Dolby Surround. And the rear speakers are used for special effects that enhance the surround
sound. The rear and center speakers do not need to be equal to the front speakers. However, all the speakers
should have high enough power handling to accept the maximum output of this unit.
SPEAKER CONFIGURATION
Five-Speaker Configuration
Four-Speaker Configuration
This configuration is the most effective and recommended one. In this configuration, the center speaker
is used for dialog when you select the digital sound
field program DOLBY PRO LOGIC, DOLBY PRO
LOGIC ENHANCED, 70mm MOVIE THEATER, TV
THEATER, or SPORTS.
• Set the center channel mode to the “NORMAL” or
“WIDE” position. (For details, refer to page 16.)
The center speaker is not used in this configuration. If
the digital sound field program DOLBY PRO LOGIC,
DOLBY PRO LOGIC ENHANCED, 70mm MOVIE
THEATER, TV THEATER, or SPORTS is selected, the
center sound along with the front effects are output
from the left and the right front speakers. However,
the sound effect of other programs can be the same as
that of the other configurations.
• Be sure to set the center channel mode to the
“PHANTOM” position. (For details, refer to page
16.)
Front L
Center
Front R
Dialogue
Front L
Front R
Dialogue
Surround sound
Rear L
Rear R
Surround sound
Rear L
Rear R
7
SPEAKER PLACEMENT
The recommended speaker configuration, the five-speaker configuration, will require two speaker pairs: front
speakers and rear speakers, plus a center speaker. When you place these speakers, refer to the following:
In normal position. (The position of a standard
stereo speaker setup)
Center: Precisely between the front speakers. (To avoid
interference with TV sets, use a magnetically
shielded speaker.) When two center speakers are
used, place these to the right and left of your TV
set or video monitor.
Rear:
Behind your listening position, facing slightly
inward. Nearly six feet (approx. 1.8 m) up from the
floor.
Front:
Center
Front R
Front L
Rear R
Rear L
8
CONNECTIONS
CAUTION
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this
unit and to any other components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly,
that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each
component to be connected to this unit.
Turntable
Video cassette recorder 1
GND
AUDIO OUT
AUDIO IN
VIDEO OUT
VIDEO IN
OUTPUT
Compact disc player
Video cassette recorder 2
AUDIO SIGNAL
VIDEO SIGNAL
AUDIO SIGNAL
S VIDEO
VIDEO
Tape deck 1
PHONO
LINE OUT
GND
LINE OUT
FM
ANT
75Ω
UNBAL.
Tape deck 2
VCR 1
VCR 1
OUT
OUT
TAPE
PB
IN
IN
TAPE 1
VCR 2
VCR 2
REC
OUT
OUT
OUT
TAPE
PB
LD/TV
LD/TV
AUDIO OUT
VIDEO OUT
VIDEO IN
AUDIO IN
TAPE 2
REC
OUT
MONITOR
OUT
GND
MAIN
IN
VIDEO IN
FRONT
CH
PRE
OUT
FRONT
LEVEL
0dB
Monitor TV
-10dB
VIDEO OUT
LINE IN
IN
CD
AUDIO OUT
LINE IN
AM
ANT
IN
LaserDisc-Spieler
9
CONNECTING SPEAKERS
Connect the respective speakers to this unit as shown below:
Front speakers A
Right
Rear speakers
Left
Right
Left
SPEAKERS
VIDEO SIGNAL
S VIDEO
REAR
IN
VCR 1
OUTPUT
OUT
LOW
PASS
CENTER
OUT
REAR OUT
IN
VCR 2
OUT
8ΩMIN. /SPEAKER
fo:200Hz
FRONT
LD/TV
A
CENTER
C
C
D
D
MONITOR
OUT
B
C
C+D
A OR B: 5ΩMIN. /SPEAKER
A + B:l2ΩMIN. /SPEAKER
Right
C: 8ΩMIN. /SPEAKER
C+ D: 4ΩMIN. /SPEAKER
Left
Center speaker(s)
Front speakers B
Note on front speaker connection:
One or two speaker systems can be connected to this
unit. If you connect only one speaker system, connect
it to either the SPEAKERS A or B terminals.
Note:
Use speakers with the specified impedance shown on
the rear of this unit.
For connecting to the SPEAKER terminals
Note on center speaker connection:
One or two center speakers can be connected to this
unit. If you cannot place the center speaker on or
under the TV, it is recommended to use two center
speakers and place them on both sides of the TV to
orient the center sound at the center position.
When connecting two center speakers, be sure to
press the CENTER speaker switch into the “C+D”
position( ). When you use a single center speaker,
set the switch to the “C” position ( ).
Red: positive (+)
Black: negative (–)
How to Connect:
Connect the SPEAKERS terminals to your speakers
with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be
heard from the speakers. Make sure that the polarity
of the speaker wires is correct, that is, + and – markings are observed. If these wires are reversed, the
sound will be unnatural and will lack bass.
Banana Plug connections are also possible. Simply insert
the Banana Plug connector into the corresponding terminal. (Not available on Singapore model.)
CAUTION
Do not let the bare speaker wires touch each other and
do not let them touch the metal parts of this unit. This
could damage this unit and/or the speakers.
10
2
1
3
1 Unscrew the knob.
2 Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
3 Tighten the knob and
secure the wire.
Note:
Use only single type banana plug cable.
ABOUT THE ACCESSORY TERMINALS
OUTPUT
LOW
PASS
CENTER
OUT
1
REAR OUT
3
fo:200Hz
2
1 LOW PASS terminal
2 CENTER OUTPUT terminal
This terminal is for output to a monaural amplifier
driving a subwoofer. Frequencies above 200␣ Hz are
filtered out so that only the bass range remains.
The output signal is from the front and center
channels.
You may wish to add a subwoofer to reinforce the
bass frequencies.
Connect the LOW PASS terminal to the INPUT
terminal of the subwoofer amplifier, and connect
the speaker terminals of the subwoofer amplifier to
the subwoofer.
With some subwoofers, including the Yamaha
Active Servo Processing Subwoofer System, the
amplifier and subwoofer are in the same unit.
GND terminal (For turntable use)
This terminal is for center channel line output.
There is no connection to this terminal when you
use the built-in amplifier.
However, if you drive a center speaker with an
external power amplifier, connect the input
terminal of the external amplifier to this terminal.
3 REAR OUTPUT terminals
These terminals are for rear channel line output.
There is no connection to these terminals when
you use the built-in amplifier.
However, if you drive rear speakers with an
external stereo power amplifier, connect the input
terminals of the external amplifier (MAIN IN or
AUX terminals of a power amplifier or an integrated amplifier) to these terminals.
GND
Connecting the ground wire of the turntable to this terminal will normally
minimize hum. In some cases, better
results may be obtained with the ground
wire disconnected.
AC OUTLETS
2 SWITCHED OUTLETS and 1
UNSWITCHED OUTLET (USA,
Canada, and General models)
1 SWITCHED OUTLET
(Australa model)
2 SWITCHED OUTLETS
(Singapore model)
SWITCHED
120V 60Hz
120W MAX. TOTAL
UNSWITCHED
120V 60Hz
200W MAX.
(USA model)
Use these to connect the power cords from your
components to this unit.
The power to the SWITCHED outlets is controlled by
this unit’s POWER switch or the provided remote
control transmitter’s POWER key. These outlets will
supply power to any connected component whenever
this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED
AC OUTLET(S) is 120 watts.
The power to the UNSWITCHED outlets cannot be
controlled by this unit’s POWER switch or the
provided remote control transmitter’s POWER key.
(USA, Canada, and General models only).
The maximum power (power consumption of component) that can be connected to the UNSWITCHED AC
OUTLET is 200 watts (USA model), 180 watts
(Canada model) and 200 watts (General model).
11
TAPE 2
REC
OUT
4
MAIN
IN
FRONT
CH
5
6
PRE
OUT
FRONT
LEVEL
4 FRONT CH — MAIN␣ IN terminals
These terminals are for line input to the built-in
front channel amplifier. Leave the jumper bars
connected to the PRE␣ OUT terminals when you use
the built-in amplifier.
However, if you drive front speakers with an
external stereo power amplifier, remove the
jumper bars.
5 FRONT␣ CH — PRE␣ OUT terminals
These terminals are for front main channel line
output. Leave the jumper bars connected to the
MAIN␣ IN terminals when you use the built-in
amplifier.
However, if you drive front speakers with an
external stereo power amplifier, remove the
jumper bars and connect the input terminals of the
external amplifier (MAIN IN or AUX terminals of
a power amplifier or an integrated amplifier) to
these terminals.
12
0dB
-10dB
6 FRONT LEVEL switch
Normally set to “0␣ dB”. If desired, you can decrease the output level at the FRONT SPEAKERS
terminals by 10␣ dB by setting this switch to
“–10␣ dB”.
CONNECTING S␣ VIDEO TERMINALS
If your video cassette recorder, video disc player, monitor, etc., are equipped with “S” (high-resolution) video
terminals, connect them to this unit’s S␣ VIDEO terminals. Otherwise, use the composite video terminals of the unit.
Note:
• If video signals are sent to both the S␣ VIDEO input and composite input terminals, the input signals will be sent to the
respective S␣ VIDEO output and composite output terminals independently.
VIDEO SIGNAL
VIDEO
S VIDEO
IN
OUT
VIDEO IN
S VIDEO IN
S VIDEO OUT
VIDEO OUT
IN
VCR 2
VIDEO IN
S-VIDEO IN
OUT
S-VIDEO OUT
VIDEO OUT
VCR 1
LD/TV
Video Cassette recorder 1
MONITOR
OUT
Video Cassette recorder 2
VIDEO
IN
S VIDEO
IN
S VIDEO
OUT
VIDEO
OUT
LD player
Monitor TV
ON SCREEN DISPLAY
If you connect a video cassette recorder, video disc player, monitor, etc., to this unit, you can display DSP
program names and information about the other settings and adjustments on the video monitor screen. This
information is superimposed over the video image.
If there is no program material on the monitor, the information will be displayed over a monochromatic background.
Notes:
• If you use a video monitor that is connected to both the S␣ VIDEO and composite terminals, the screen display information is only output from the S␣ VIDEO terminals.
• When no video signal is input to any of the S␣ VIDEO or composite video input terminals, the screen display information
is output from the S␣ VIDEO and composite MONITOR OUT terminals with a monochromatic background.
CONNECTING TO VIDEO AUX TERMINALS (FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.
VIDEO AUX
8 VIDEO
VIDEO
L
AUDIO
R
AUDIO OUT
AUDIO OUT
VIDEO OUT
R
8 VIDEO
VIDEO
S-VIDEO
L
Camcorder
S VIDEO OUT
13
ANTENNA CONNECTIONS
• Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
• Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide
sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an
indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.
Outdoor AM antenna
Outdoor FM antenna
AUDIO SIGNAL
AM loop
antenna
(included)
AUDIO
PHONO
CD
TAPE
PB
AM
ANT
TAPE 1
300-ohm
feeder
GND
REC
OUT
FM
ANT
TAPE
PB
75Ω
UNBAL.
TAPE 2
REC
OUT
GND
MAIN
IN
FRONT
CH
PRE
OUT
75-ohm
coaxial cable
75-ohm/300-ohm
antenna adapter
FRONT
LEVEL
0dB
-10dB
Indoor FM
antenna
(included)
Ground
Connecting the AM loop antenna
1
2
➀
➂
3
Orient so that the best
reception is obtained.
➁
• The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
• The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference,
connect the GND terminal to a good earth ground.
A good earth ground is a metal stake driven into
moist earth.
14
Notes:
• When connecting the indoor FM
antenna, insert its connector into the
FM ANT terminal firmly.
• If you need an outdoor FM antenna to
improve FM reception quality, either
300-ohm feeder or coaxial cable may be
used. In locations troubled by electrical
interference, coaxial cable is preferable.
ADJUSTMENT BEFORE OPERATION
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using
the built-in test tone generator. With this adjustment, the sound output level heard at the listening position will be
the same from each speaker. This is important for the best performance of the digital sound field processor.
The adjustment of each speaker output level should be done at your listening position with the remote control
transmitter. Otherwise, the result may not be satisfactory.
1
TRANSMIT
USER
LEARN
/LEARN YPC
6
POWER
SLEEP
AUX
5
DISC
SKIP
PAUSE/STOP
DECK A/B
PRESET
—
SEARCH
REC MUTE
3 4
VCR
PHONO
SEARCH
2
TV
SKIP
REC/PAUSE
SEARCH
PLAY
CD
A/B/C/D/E
TUNER
+
STOP
PLAY
TAPE 1
DIR A
DIR B
TAPE 2 MON
PAUSE/STOP
PLAY
LD/TV
* If you have a video monitor connected to this unit, you should use it to display the on screen information. The
easy-to-read information will help you to perform this adjustment.
Note:
Before adjustment, make sure that the mute circuit is not engaged. While mute is engaged, no sound will be heard and an
indicator on the master VOLUME control flashes. See page 20 for details.
1
4
Set to the “∞” position.
VOLUME
l8
l6
l4
20
l2
24
USER
YPC
LEARN
l0
28
8
34
6
4
40
3
50
2
60
For detailed information about the remote control transmitter,
refer to “REMOTE CONTROL TRANSMITTER” on page 31.
l
70
0
–dB
2
BASS
TREBLE
0
0
l
2
l
2
3
5
2
3
4
3
4
5
4
5
5
6
Set to the “0” position.
BALANCE
l
0
POWER
Press the POWER
switch to turn on the
power.
l
2
3
4
3
5
Set to the “0” position.
l
Set the remote YPC-USER-LEARN switch to the “YPC”
position.
Select the main speakers to be used.
SPEAKERS
A
B
l
2
2
3
3
4
4
L 5
5 R
• If you use two main speaker systems, press both the A and
B switches.
15
7
CHAPTER/CH
—
+
PRO LOGIC
ENHANCED
DISPLAY
STOP
70mm
MOVIE THEATER
TV
THEATER
1
2
3
4
SPORTS
STADIUM
ROCK
JAZZ CLUB
7
VCR 1
VCR 2
SURROUND
5
6
CHURCH
HALL
9
10
8
EFFECT
DSP
ON/OFF
+
+
+
RESET
CLEAR
+
9
DELAY
TIME
REAR LEVEL
—
MASTER
VOLUME
TEST
CENTER LEVEL
—
V–AUX
MUTING
—
—
8
7
Select the center channel output mode according to your
speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 7.)
9
MASTER
VOLUME
+
CENTER
MODE
NORMAL
WIDE
PHANTOM
8
—
TEST
Press the TEST button to run the Dolby
test.
In step 7, when you select the center mode, note the
following.
Five speaker configuration
NORMAL:
WIDE:
Select this mode when you use a
center speaker that is smaller than the
front main speakers. In this mode, the
bass tone will be output from the
front speakers.
Select this mode when your center
speakers are approximately the same
size as the front speakers.
Four speaker configuration
PHANTOM:
16
Turn up the volume using the remote
control transmitter.
You will hear a test tone (like pink
noise) from the left front speaker, then
the center speaker, then the right front
speaker, and then the rear speakers, for
about two seconds each. The display
changes as shown below.
Select this mode when you do not
have a center speaker. The center
channel sound will be output from
the left and right font speakers.
• If your video monitor is on, the state of the test tone output
is also shown by an image of an audio listening room on the
screen.
• The test tone from the left rear speaker and the right rear
speaker will be heard at the same time.
12
CHAPTER/CH
—
+
PRO LOGIC
ENHANCED
DISPLAY
STOP
70mm
MOVIE THEATER
TV
THEATER
1
2
3
4
SPORTS
STADIUM
ROCK
JAZZ CLUB
7
VCR 1
VCR 2
SURROUND
11
12
5
6
CHURCH
HALL
9
10
DSP
ON/OFF
+
+
+
RESET
CLEAR
+
TEST
REAR LEVEL
—
MASTER
VOLUME
DELAY
TIME
MUTING
—
—
13
10 11
the BALANCE control so that the test tone sound
10 Adjust
output level of the left front speaker and the right front
8
EFFECT
CENTER LEVEL
—
V–AUX
13 Cancel the test tone.
speaker are the same.
BALANCE
l
0
TEST
l
2
2
3
3
4
PRO LOGIC
4
L 5
5 R
The previous mode is selected.
the test tone sound output level of the center
11 Adjust
speaker to be at the same level as that of the front
speakers with the CENTER LEVEL keys.
LEVEL
CENTER
the sound output level of the rear speakers to be
12 Adjust
at the same level as that of the front speakers with the
REAR LEVEL keys.
LEVEL
REAR
Notes:
• Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using
the VOLUME control (or the MASTER VOLUME keys
on the remote control transmitter).
• If you use external power amplifiers, their volume
controls may also need to be adjusted to achieve the
proper balance.
If there is insufficient sound output from the center
and rear speakers, you may decrease the front speaker
output level by setting the FRONT LEVEL switch on
the rear panel to “–10 dB”.
Note:
• If the center channel mode is in the “PHANTOM”
position, the sound output level of the center speaker
cannot be adjusted. This is because in this mode, the
center sound is automatically output from the left and
right front speakers.
• If you press the LEVEL +/– switch without previously
pressing the CENTER, or REAR switch, the last
channel selected will be changed.
17
BASIC OPERATIONS
2
3
1,6
4
To play a source
1
5
Set to the “∞” position.
VOLUME
l8
l6
Play the source. (For detailed information on the tuning
operation, refer to page 21.)
l4
20
l2
24
l0
28
6
8
34
6
Adjust to the desired output level.
4
40
VOLUME
3
50
l8
l4
l2
24
l
70
l6
20
2
60
l0
28
0
–dB
8
34
6
4
40
2
3
50
POWER
Press the POWER switch
to turn on the power.
2
60
l
70
0
–dB
3
If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 20) and use the digital
sound field processor. (Refer to page 25.)
Select the desired input source by using the input selector
buttons. (For video sources, turn the video monitor ON.)
TAPE 2
MONITOR TAPE 1
VIDEO AUX
TUNER
VCR 2
CD
VCR 1
PHONO
LD/TV
• The name of the selected input source will appear on the
display.
4
Select the front speakers to be used.
SPEAKERS
A
B
• If you use two front speaker systems, press both the A and
B switches.
Notes on using the input selector buttons
• Note that pressing on each input selector button selects
the source which is connected to the corresponding input
terminals on the rear panel.
• To select the source connected to the VIDEO AUX
terminals on the front panel, press VIDEO AUX.
• The selection of TAPE 2 MONITOR cannot be canceled
by pressing another input selector button. To cancel it,
press TAPE 2 MONITOR again.
When you select a button other than TAPE 2 MONITOR, make sure that TAPE 2 MONITOR is not
accidently selected as well.
• If you select the input selector button for a video source
without canceling the selection of TAPE 2 MONITOR,
the playback result will be the video image from the video
source and the sound from the audio tape.
• Once you play a video source, its video image will not be
interrupted even if the input selector button for an audio
source is selected.
To turn off the power
Press the POWER switch again.
18
2
1
To record a source to tape (or dub from tape to tape)
1
Select the source to be recorded.
REC OUT
SOURCE
LD/TV
TAPE 1
VCR 1
TUNER
CD
VCR 2
VIDEO AUX
2
PHONO
Play the source and press the corresponding input
selector, then turn the VOLUME control up to confirm
the input source. (For detailed information on the tuning
operations, refer to page 21.)
VOLUME
TAPE 2
MONITOR TAPE 1
l8
TUNER
CD
l6
20
PHONO
l4
l2
24
l0
28
8
34
VIDEO AUX
VCR 2
VCR 1
6
LD/TV
4
40
3
50
2
60
l
70
0
–dB
3
4
Set the tape deck or VCR to the recording mode.
Note:
• When the REC OUT selector is set to “SOURCE”, the
source selected by the input selector buttons is output
through the TAPE 1-REC OUT, the TAPE 2-REC
OUT , the VCR 1-OUT, and the VCR 2-OUT
terminals.
• When the REC OUT selector is set to something other
than “SOURCE” and you press an input selector
button other than the one you pressed in step 2, the
recording source will not be changed and you can enjoy
another source while recording.
• To record from tape deck 2, set the REC OUT selector to
SOURCE, and press the TAPE 2/MONITOR input
selector.
• If the tape deck connected to the TAPE 2 REC OUT
terminal has 3-head monitoring capability, you can
monitor the signal just recorded on the tape by pressing
the TAPE 2/MONITOR switch.
• DSP, VOLUME, BASS, TREBLE and BALANCE
control settings have no effect on the material being
recorded.
To monitor a source selected by the REC OUT selector,
press the corresponding input selector button.
19
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