Sony STR-V 444ES, 333ES AV receiver Operating Instructions
Below you will find brief information for AV receiver STR-V444ES, AV receiver STR-V333ES. These AV receivers are equipped with Dolby Digital and Pro Logic Surround and the DTS Digital Surround System. The STR-V444ES lets you connect video components with component video jacks and has 2 coaxial audio inputs. The STR-V333ES, unlike the STR-V444ES, only has 1 coaxial audio inputs and does not have a component video input/output. Along with this document, you will find a separate operating instructions booklet for the remote commander for each model.
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FM Stereo
FM-AM Receiver
O perating Instructions
4-230-072-12(1)
STR-V444ES
STR-V333ES
© 2000 Sony Corporation
WARNING Precautions
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
For customers in the United States
This symbol is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
INFORMATION
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
These limits are designed to provide reasonable protection against harmful interference in a residential installation.
This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
2
CAUTION
You are cautioned that any changes or modification not expressly approved in this manual could void your authority to operate this equipment.
Note to CATV system installer:
This reminder is provided to call CATV system installer’s attention to Article 820-
40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.
Owner’s Record
The model and serial numbers are located on the rear of the unit. Record the serial number in the space provided below.
Refer to them whenever you call upon your Sony dealer regarding this product.
Model No. STR-V444ES/V333ES
Serial No.
E NERGY S TAR ® is a U.S. registered mark.
As an E NERGY S TAR ® partner, Sony
Corporation has determined that this product meets the E NERGY S TAR ® guidelines for energy efficiency.
For customers in Canada
CAUTION
TO PREVENT ELECTRIC SHOCK, DO
NOT USE THIS POLARIZED AC PLUG
WITH AN EXTENSION CORD,
RECEPTACLE OR OTHER OUTLET
UNLESS THE BLADES CAN BE FULLY
INSERTED TO PREVENT BLADE
EXPOSURE.
On safety
Should any solid object or liquid fall into the cabinet, unplug the receiver and have it checked by qualified personnel before operating it any further.
On power sources
• Before operating the receiver, check that the operating voltage is identical with your local power supply. The operating voltage is indicated on the nameplate at the rear of the receiver.
• The unit is not disconnected from the AC power source (mains) as long as it is connected to the wall outlet, even if the unit itself has been turned off.
• If you are not going to use the receiver for a long time, be sure to disconnect the receiver from the wall outlet. To disconnect the AC power cord, grasp the plug itself; never pull the cord.
• One blade of the plug is wider than the other for the purpose of safety and will fit into the wall outlet only one way. If you are unable to insert the plug fully into the outlet, contact your dealer.
• AC power cord must be changed only at the qualified service shop.
On placement
• Place the receiver in a location with adequate ventilation to prevent heat buildup and prolong the life of the receiver.
• Do not place the receiver near heat sources, or in a place subject to direct sunlight, excessive dust or mechanical shock.
• Do not place anything on top of the cabinet that might block the ventilation holes and cause malfunctions.
On operation
Before connecting other components, be sure to turn off and unplug the receiver.
On cleaning
Clean the cabinet, panel and controls with a soft cloth slightly moistened with a mild detergent solution. Do not use any type of abrasive pad, scouring powder or solvent such as alcohol or benzine.
If you have any question or problem concerning your receiver, please consult your nearest Sony dealer.
About This Manual
The instructions in this manual are for models
STR-V444ES and STR-V333ES. Check your model number by looking at the lower right corner of the front panel. In this manual, the STR-V444ES is used for illustration purposes unless stated otherwise. Any difference in operation is clearly indicated in the text, for example,
“STR-V444ES only.”
Type of differences
Model
Feature
Component video inputs/outputs
2 coaxial audio inputs
1 coaxial audio inputs
2ND AV outputs
2ND AUDIO outputs
V444ES z z z
V333ES z z
Conventions
• The instructions in this manual describe the controls on the receiver. You can also use the controls on the supplied remote if they have the same or similar names as those on the receiver. For details on the use of your remote, refer to the separate operating instructions supplied with the remote.
• The following icon is used in this manual: z Indicates hints and tips for making the task easier.
This receiver incorporates Dolby * Digital and Pro Logic
Surround and the DTS** Digital Surround System.
* Manufactured under license from Dolby Laboratories.
“Dolby”, “AC-3”, “Pro Logic” and the double-D symbol ; are trademarks of Dolby Laboratories.
Confidential unpublished Works. © 1992-1997 Dolby Laboratories.
All rights reserved.
** Manufactured under license from Digital Theater Systems, Inc. US
Pat. No. 5,451,942 and other worldwide patents issued and pending.
“DTS” and “DTS Digital Surround” are trademarks of Digital
Theater Systems, Inc. © 1996 Digital Theater Systems, Inc. All rights reserved.
T
ABLE OF CONTENTS
Hooking Up the Components 4
Unpacking 4
Antenna Hookups 5
Audio Component Hookups 6
Video Component Hookups 7
Digital Component Hookups 8
5.1CH Input Hookups 10
Other Hookups 11
Hooking Up and Setting Up the
Speaker System 14
Speaker System Hookup 15
Performing Initial Setup Operations 17
Multi Channel Surround Setup 18
Before You Use Your Receiver 23
Location of Parts and Basic
Operations 24
Front Panel Parts Description 24
Enjoying Surround Sound 29
Selecting a Sound Field 30
Understanding the Multi-Channel Surround
Displays 35
Customizing Sound Fields 36
Receiving Broadcasts 45
Direct Tuning 46
Automatic Tuning 47
Preset Tuning 47
Other Operations 49
Naming Preset Stations and Program Sources 50
Recording 50
Using the Sleep Timer 51
Adjustments Using the SET UP Button 52
CONTROL A1 Control System 54
Additional Information 56
Troubleshooting 56
Specifications 58
Glossary 61
Tables of Settings Using SURROUND, LEVEL, EQ, and SET UP buttons 62
Index 65
3
4
Hooking Up the
Components
This chapter describes how to connect various audio and video components to the receiver. Be sure to read the sections for the components you have before you actually connect them to the receiver.
Unpacking
Check that you received the following items with the unit:
• FM wire antenna (1)
• AM loop antenna (1)
• Audio/video/control S connecting cord (1)
• Control S connecting cord (1)
• Remote commander RM-LJ304 (remote) (1)
• R6 (size-AA) batteries (3)
STR-V444ES only
• Remote commander RM-US104 (remote) (1)
• R6 (size-AA) batteries (2)
Inserting batteries into the remote
Insert batteries with the + and – properly oriented in the battery compartment. When using the remote, point it at the remote sensor on the receiver.
For details, refer to the operating instructions supplied with your remote.
z
When to replace batteries
Under normal conditions, the batteries should last for about
3 months (alkaline batteries) or 2 months (manganese batteries).
When the remote no longer operates the receiver, replace all batteries with new ones.
Notes
• Do not leave the remote in an extremely hot or humid place.
• Do not use a new battery with an old one.
• Do not expose the remote sensor to direct sunlight or lighting apparatuses. Doing so may cause a malfunction.
• If you don’t use the remote for an extended period of time, remove the batteries to avoid possible damage from battery leakage and corrosion.
• The remote RM-LJ304 is designed for use with alkaline batteries only. Do not use a combination of different battery types.
Before you get started
• Turn off the power to all components before making any connections.
• Do not connect the AC power cord until all of the connections are completed.
• Be sure to make connections firmly to avoid hum and noise.
• When connecting an audio/video cord, be sure to match the color-coded pins to the appropriate jacks on the components: yellow (video) to yellow; white (left, audio) to white; and red (right, audio) to red.
Antenna Hookups
AM loop antenna
(supplied)
FM wire antenna
(supplied)
ND/DAT
OUT
MD/DAT
IN
TV/SAT
IN
DVD/LD
IN
COAXIAL
CD
IN
DIGITAL
OPTICAL
CD
IN
CONTROL A1 TV/SAT
S VIDEO
F
DVD/LD
S VIDEO
F
VIDEO 2
OUT
F
S VIDEO
IN
F
ANTENNA VIDEO
IN
VIDEO
IN OUT
VIDEO
IN
DVD/LD
IN
AM
U
75Ω COAXIAL
FM
L
R
AUDIO
IN
SIGNAL GND
U
L
R
CTRL S
STATUS IN
IN
CTRL S
OUT
AUDIO
IN
IN
PHONO CD
OUT
AUDIO
IN
OUT IN
MD/DAT
VIDEO 1
OUT
F
S VIDEO
IN
F
MONITOR
S VIDEO
OUT
F
COMPONENT VIDEO
TV/SAT IN DVD/LD IN MONITOR OUT
Y
P
B
/B-Y
+
OUT
VIDEO
IN
VIDEO
OUT
VIDEO
OUT
R
/R-Y
–
CTRL S
OUT
CTRL S
IN
OUT
AUDIO
IN
OUT
TAPE
IN AUDIO OUT
2ND AV
R
L
R
L
FRONT
5.1CH INPUT
REAR CENTER
SUB WOOFER
+
FRONT REAR SUB WOOFER CENTER
–
PRE OUT
R
R
R
B
SPEAKERS
L
FRONT
R
A
L
L
R
R
IMPEDANCE USE 4-16 Ω
REAR
L
CENTER
+
REAR CENTER
–
L
L
+
–
IMPEDANCE SELECTOR
4 Ω 8 Ω
AC OUTLET
Terminals for connecting the antennas
Connect the
AM loop antenna
FM wire antenna
To the
AM terminals
FM 75Ω COAXIAL terminal
Notes on antenna hookups
• To prevent noise pickup, keep the AM loop antenna away from the receiver and other components.
• Be sure to fully extend the FM wire antenna.
• After connecting the FM wire antenna, keep it as horizontal as possible.
z
If you have poor FM reception
Use a 75-ohm coaxial cable (not supplied) to connect the receiver to an outdoor FM antenna as shown below.
Outdoor FM antenna Receiver
ANTENNA
AM
U
75Ω COAXIAL
FM
Ground wire
(not supplied)
To ground
Important
If you connect the receiver to an outdoor antenna, ground it against lightning. To prevent a gas explosion, do not connect the ground wire to a gas pipe.
Note
Do not use the U SIGNAL GND terminal for grounding the receiver.
5
Audio Component Hookups
MD/DAT deck
INPUT OUTPUT
LINE LINE
L
R
Required cords
Audio cords (not supplied)
When connecting a cord, be sure to match the color-coded pins to the appropriate jacks on the components.
White (L)
Red (R)
White (L)
Red (R)
Turntable
OUT IN
DIGITAL
OPTICAL
CD
IN
ND/DAT
OUT
MD/DAT
IN
TV/SAT
IN
DVD/LD
IN
COAXIAL
CD
IN
DVD/LD
IN
CONTROL A1 TV/SAT
S VIDEO
F
DVD/LD
S VIDEO
F
ANTENNA VIDEO
IN
VIDEO
IN
CTRL S
STATUS IN
AM
U
75Ω COAXIAL
FM
L
R
AUDIO
IN
IN
L
SIGNAL GND
U
R
PHONO
CTRL S
OUT
AUDIO
IN
IN
CD
VIDEO 2
S VIDEO
OUT
VIDEO
IN
OUT
AUDIO
IN
OUT IN
MD/DAT
VIDEO 1
S VIDEO
MONITOR
S VIDEO
F
COMPONENT VIDEO
TV/SAT IN DVD/LD IN MONITOR OUT
Y
B
/B-Y
+
OUT
VIDEO
IN
VIDEO
OUT
VIDEO
OUT
P
R
/R-Y
CTRL S
OUT
CTRL S
IN
–
OUT
AUDIO
IN
OUT
TAPE
IN AUDIO OUT
2ND AV
FRONT
5.1CH INPUT
REAR CENTER
R
L
L
R SUB WOOFER
+
FRONT REAR SUB WOOFER CENTER
–
PRE OUT
R
R
R
B
SPEAKERS
L
FRONT
R
A
L
L
R
R
IMPEDANCE USE 4-16
REAR
L
CENTER
Ω
+
REAR CENTER
–
L
L
+
–
IMPEDANCE SELECTOR
4 Ω 8 Ω
AC OUTLET
OUTPUT
LINE
L
R
CD player
Jacks for connecting audio components
Connect a
Turntable
CD player
Tape deck
MD deck or DAT deck
To the
PHONO jacks
CD jacks
TAPE jacks
MD/DAT jacks
Note on audio component hookups
If your turntable has a ground wire, connect it to the
U SIGNAL GND terminal on the receiver.
INPUT OUTPUT
LINE LINE
L
R
Tape deck
6
Video Component Hookups
TV or satellite tuner
OUTPUT
AUDIO OUT
R L
VIDEO
OUT
DVD or LD player
OUTPUT
AUDIO OUT
R L
VIDEO
OUT
Required cords
Audio/video cords (not supplied)
When connecting a cord, be sure to match the color-coded pins to the appropriate jacks on the components.
Yellow (video) Yellow (video)
White (L/audio)
Red (R/audio)
White (L/audio)
Red (R/audio)
Video cord for connecting a TV monitor
You can use the video cord of the supplied audio/video/control
S cord. (See page 12 for details.)
ND/DAT
OUT
MD/DAT
IN
TV/SAT
IN
DVD/LD
IN
COAXIAL
CD
IN
DIGITAL
OPTICAL
CD
IN
CONTROL A1 TV/SAT
S VIDEO
F
DVD/LD
S VIDEO
F
VIDEO 2
OUT
F
S VIDEO
IN
F
ANTENNA VIDEO
IN
VIDEO
IN OUT
VIDEO
IN
DVD/LD
IN
AM
U
75Ω COAXIAL
FM
L
R
AUDIO
IN
SIGNAL GND
U
L
R
CTRL S
STATUS IN
IN
CTRL S
OUT
AUDIO
IN
IN
PHONO CD
OUT
AUDIO
IN
OUT IN
MD/DAT
VIDEO 1
OUT
F
S VIDEO
IN
F
MONITOR
S VIDEO
OUT
F
COMPONENT VIDEO
TV/SAT IN DVD/LD IN MONITOR OUT
Y
P
B
/B-Y
+
OUT
VIDEO
IN
VIDEO
OUT
VIDEO
OUT
R
/R-Y
CTRL S
OUT
CTRL S
IN
–
OUT
AUDIO
IN
OUT
TAPE
IN AUDIO OUT
2ND AV
FRONT
5.1CH INPUT
REAR CENTER
L
R
L
R SUB WOOFER
+
FRONT REAR SUB WOOFER CENTER
–
PRE OUT
R
R
R
B
SPEAKERS
L
FRONT
R
A
L
L
R
R
IMPEDANCE USE 4-16
Ω
REAR
L
CENTER
+
REAR CENTER
–
L
L
+
–
IMPEDANCE SELECTOR
4 Ω 8 Ω
AC OUTLET
OUT IN
To the front panel
OUT
Camcorder or video game
IN
INPUT
VIDEO
IN
OUTPUT
VIDEO
OUT
AUDIO
IN
AUDIO
OUT
L
R
VCR
INPUT
VIDEO
IN
OUTPUT
VIDEO
OUT
AUDIO
IN
AUDIO
OUT
L
R
VCR
INPUT
VIDEO
IN
TV monitor
Jacks for connecting video components
Connect a
TV or satellite tuner
VCR
Additional VCR
DVD or LD player
TV monitor 1)
Camcorder or video game
To the
TV/SAT jacks
VIDEO 1 jacks
VIDEO 2 jacks
DVD/LD jacks
MONITOR VIDEO OUT jack
VIDEO 3 INPUT jacks on the front panel
1) You can display the SURROUND, LEVEL, EQUALIZER parameters by pressing the ON SCREEN button.
Note on video component hookups
You can connect your TV’s audio output jacks to the TV/
SAT AUDIO IN jacks on the receiver and apply sound effects to the audio from the TV. In this case, do not connect the TV’s video output jack to the TV/SAT VIDEO
IN jack on the receiver. If you are connecting a separate
TV tuner (or satellite tuner), connect both the audio and video output jacks to the receiver as shown above.
z
When using the S-video jacks instead of the video jacks
Your monitor must also be connected via an S-video jack. S-video signals are on a separate bus from the video signals and will not be output through the video jacks.
7
Digital Component Hookups
Connect the digital output jacks of your DVD player and satellite tuner (etc.) to the receiver’s digital input jacks to bring the multi channel surround sound of a movie theater into your home. To enjoy full effect of multi channel surround sound, five speakers (two front speakers, two rear speakers, and a center speaker) and a sub woofer are required. You can also connect an LD player with an RF OUT jack via an RF demodulator, like the Sony MOD-RF1 (not supplied).
TV or satellite tuner
OUTPUT
VIDEO
OUT
OUTPUT
DIGITAL
OPTICAL
AUDIO
OUT
L
R
DVD or LD player (etc.)*
OUTPUT
VIDEO
OUT
AUDIO
OUT
L
R
OUTPUT
DIGITAL
OPTICAL
OUTPUT
DIGITAL
COAXIAL
Required cords
Optical digital cords (not supplied)
Black Black
Coaxial digital cord (not supplied)
Yellow Yellow
Audio/video cords (not supplied)
When connecting a cord, be sure to match the color-coded pins to the appropriate jacks on the components.
Yellow (video) Yellow (video)
White (L/audio)
Red (R/audio)
White (L/audio)
Red (R/audio)
DIGITAL
OPTICAL
CD
IN
ND/DAT
OUT
MD/DAT
IN
TV/SAT
IN
DVD/LD
IN
COAXIAL
CD
IN
DVD/LD
IN
CONTROL A1 TV/SAT
S VIDEO
F
DVD/LD
S VIDEO
F
ANTENNA VIDEO
IN
VIDEO
IN
CTRL S
STATUS IN
AM
U
75Ω COAXIAL
FM
L
R
AUDIO
IN
IN
L
SIGNAL GND
U
R
PHONO
CTRL S
OUT
AUDIO
IN
IN
CD
VIDEO 2
S VIDEO
OUT
VIDEO
IN
OUT
AUDIO
IN
OUT IN
MD/DAT
VIDEO 1
S VIDEO
MONITOR
S VIDEO
F
COMPONENT VIDEO
TV/SAT IN DVD/LD IN MONITOR OUT
Y
B
/B-Y
+
OUT
VIDEO
IN
VIDEO
OUT
VIDEO
OUT
P
R
/R-Y
CTRL S
OUT
CTRL S
IN
–
OUT
AUDIO
IN
OUT
TAPE
IN AUDIO OUT
2ND AV
FRONT
5.1CH INPUT
REAR CENTER
R
L
L
R SUB WOOFER
+
FRONT REAR SUB WOOFER CENTER
–
PRE OUT
R
R
R
B
SPEAKERS
L
FRONT
R
A
L
L
R
R
IMPEDANCE USE 4-16
REAR
L
CENTER
Ω
+
REAR CENTER
–
L
L
+
–
IMPEDANCE SELECTOR
4 Ω 8 Ω
AC OUTLET
* Make either coaxial or optical connections. We recommend making coaxial connections instead of optical connections.
Example of LD player connected via an RF demodulator
Please note that you cannot connect an LD player’s DOLBY DIGITAL RF OUT jack directly to this unit’s digital input jacks.
You must first convert the RF signal to either an optical or coaxial digital signal. Connect the LD player to the RF demodulator, then connect the RF demodulator’s optical or coaxial digital output to this unit’s OPTICAL or COAXIAL
DVD/LD IN jack. Refer to the instruction manual supplied with your RF Demodulator for details on DOLBY DIGITAL RF hookups.
VIDEO OUT
DVD/LD
VIDEO IN
LD player
AC-3 RF
OUT
RF demodulator
DIGITAL
DVD/LD IN
(COAXIAL)
(OPTICAL)
1 / u
2
3
1
4
5
6
0 10
7
8
9
A + B
OFF
A
B
– + – +
– +
Note
When making connections as shown above, be sure to set INPUT MODE (4 on page 24) manually. This unit may not operate correctly if
INPUT MODE is set to “AUTO.”
8
Connect the digital output jacks of your MD or DAT deck to the receiver’s digital input jack and connect the digital input jacks of your MD or DAT deck to the receiver’s digital output jack. These connections allow you to make digital recordings of a CDs and TV broadcasts.
MD or DAT deck
DIGITAL
OPTICAL
IN
INPUT OUTPUT
LINE LINE
L
OUT
R
Required cords
Optical digital cords (not supplied)
Black Black
Coaxial digital cord (not supplied)
Yellow Yellow
Audio cords (not supplied)
When connecting a cord, be sure to match the color-coded pins to the appropriate jacks on the components.
White (L)
Red (R)
White (L)
Red (R)
OUT IN OUT IN
DIGITAL
OPTICAL
CD
IN
ND/DAT
OUT
MD/DAT
IN
TV/SAT
IN
DVD/LD
IN
COAXIAL
CD
IN
DVD/LD
IN
CONTROL A1 TV/SAT
S VIDEO
IN
F
DVD/LD
S VIDEO
IN
F
ANTENNA VIDEO
IN
VIDEO
IN
CTRL S
STATUS IN
AM
U
75Ω COAXIAL
FM
L
R
AUDIO
IN
IN
L
SIGNAL GND
U
R
PHONO
CTRL S
OUT
AUDIO
IN
IN
CD
VIDEO 2
OUT
F
S VIDEO
IN
F
OUT
VIDEO
IN
OUT
AUDIO
IN
OUT IN
MD/DAT
VIDEO 1
OUT
F
S VIDEO
IN
F
MONITOR
S VIDEO
OUT
F
COMPONENT VIDEO
TV/SAT IN DVD/LD IN MONITOR OUT
Y
P
B
/B-Y
+
OUT
VIDEO
IN
VIDEO
OUT
VIDEO
OUT
P
R
/R-Y
OUT
AUDIO
IN
OUT
TAPE
CTRL S
OUT
IN AUDIO OUT
–
2ND AV
CTRL S
IN
R
L
R
L
FRONT
5.1CH INPUT
REAR CENTER
SUB WOOFER
+
FRONT REAR SUB WOOFER CENTER
–
PRE OUT
R
R
R
B
SPEAKERS
L
FRONT
R
A
REAR
L
R
IMPEDANCE USE 4-16
REAR
L
CENTER
Ω
+
L
R
CENTER
–
L
L
+
–
IMPEDANCE SELECTOR
4 Ω 8 Ω
AC OUTLET
OUTPUT
DIGITAL
OPTICAL
OUTPUT
DIGITAL
COAXIAL
OUTPUT
LINE
(STR-V444ES only)
CD Player*
* Make either coaxial or optical connections. We recommend making coaxial connections instead of optical connections (STR-V444ES only).
Notes
• Please note that you cannot make a digital recording of a digital multi channel surround signal.
• All the OPTICAL and COAXIAL jacks are compatible with 96 kHz, 48 kHz, 44.1 kHz and 32 kHz sampling frequencies.
• It is not possible to record analog signals to TAPE and VIDEO with only digital connections. To record analog signals, make analog connections. To record digital ºsignals, make digital connections.
9
5.1CH Input Hookups
Although this receiver incorporates a multi channel decoder, it is also equipped with 5.1CH INPUT jacks.
These connections allow you to enjoy multichannel software encoded in formats other than Dolby Digital
(AC-3) and DTS. If your DVD player is equipped with
5.1CH OUTPUT jacks, you can connect them directly to this unit to enjoy the sound of the DVD player’s multi channel decoder. Alternatively, the 5.1CH INPUT jacks can be used to connect an external multi channel decoder.
To fully enjoy multi channel surround sound, you will need five speakers (two front speakers, two rear speakers, and a center speaker) and a sub woofer. Refer to the instruction manual supplied with your DVD player, multi channel decoder, etc., for details on the 5.1 channel input hookups.
DVD player,
Multichannel decoder, etc.
L
CENTER
FRONT
R
REAR SUB WOOFER
5.1CH OUTPUT
Required cords
Audio cords (not supplied)
Two for the 5.1CH INPUT FRONT and REAR jacks
White (L)
Red (R)
White (L)
Red (R)
Monaural audio cords (not supplied)
Two for the 5.1CH INPUT CENTER and SUB WOOFER jacks
Black Black
Video cord (not supplied)
One for the DVD/LD VIDEO IN jacks (etc.)
Yellow Yellow
Note
When using the connections described below, adjust the level of your surround speakers and sub woofer from the DVD player or multichannel decoder.
DIGITAL
OPTICAL
CD
IN
ND/DAT
OUT
MD/DAT
IN
TV/SAT
IN
DVD/LD
IN
COAXIAL
CD
IN
DVD/LD
IN
CONTROL A1 TV/SAT
S VIDEO
IN
F
DVD/LD
S VIDEO
IN
F
ANTENNA VIDEO
IN
VIDEO
IN
CTRL S
STATUS IN
AM
U
75Ω COAXIAL
FM
L
R
AUDIO
IN
IN
L
SIGNAL GND
U
R
PHONO
CTRL S
OUT
AUDIO
IN
IN
CD
VIDEO 2
S VIDEO
OUT
VIDEO
IN
OUT
AUDIO
IN
OUT IN
MD/DAT
VIDEO 1
S VIDEO
MONITOR
S VIDEO
F
COMPONENT VIDEO
TV/SAT IN DVD/LD IN MONITOR OUT
Y
P
B
/B-Y
+
OUT
VIDEO
IN
VIDEO
OUT
VIDEO
OUT
P
R
/R-Y
OUT
AUDIO
IN
OUT
TAPE
CTRL S
OUT
IN AUDIO OUT
2ND AV
CTRL S
IN
–
R
L
FRONT
5.1CH INPUT
REAR CENTER
SUB WOOFER
+
FRONT REAR SUB WOOFER CENTER
L
–
R
PRE OUT
R
R
R
B
SPEAKERS
L
FRONT
R
A
REAR
L
R
IMPEDANCE USE 4-16
Ω
REAR
L
CENTER
+
L
R
CENTER
–
L
L
+
–
IMPEDANCE SELECTOR
4 Ω 8 Ω
AC OUTLET
Example of a DVD player hookup using the 5.1CH INPUT jacks
VIDEO OUT
DVD player
5.1 CH INPUT
1 / u
A + B
OFF
A
B
– +
DVD/LD
IN VIDEO etc.
– +
SPEAKERS
FRONT
3
2
1
0
4
5
6
10
7
9
8
SPEAKERS
REAR/CENTER
SUB WOOFER
– +
Note
See page 15 for details on speaker system hookup.
10
Front Speaker (L)
Front Speaker (R)
Rear Speaker (L)
Rear Speaker (R)
Center Speaker
Active Woofer
Other Hookups
CONTROL A1 CTRL S (STATUS) IN/OUT
Required cords
Audio cords (not supplied)
When connecting a cord, be sure to match the color-coded pins to the appropriate jacks on the components.
White (L) White (L)
Red (R) Red (R)
Audio/video/control S connecting cord (1)
Yellow (video) A
White (L/audio) B
Red (R/audio) C
Black (control S) D
Yellow (video) A
White (L/audio) B
Red (R/audio) C
Black (control S) D
Control S connecting cord (1)
Black E Black E
COMPONENT VIDEO
(STR-V444ES only)
AC power cord AC OUTLET
*
AC OUTLET
DIGITAL
OPTICAL
CD
IN
ND/DAT
OUT
MD/DAT
IN
TV/SAT
IN
DVD/LD
IN
COAXIAL
CD
IN
DVD/LD
IN
CONTROL A1 TV/SAT
S VIDEO
F
DVD/LD
S VIDEO
F
ANTENNA VIDEO
IN
VIDEO
IN
CTRL S
STATUS IN
AM
U
75Ω COAXIAL
FM
L
R
AUDIO
IN
IN
L
SIGNAL GND
U
R
PHONO
CTRL S
OUT
AUDIO
IN
IN
CD
VIDEO 2
S VIDEO
OUT
VIDEO
IN
OUT
AUDIO
IN
OUT IN
MD/DAT
VIDEO 1
S VIDEO
MONITOR
S VIDEO
F
COMPONENT VIDEO
TV/SAT IN DVD/LD IN MONITOR OUT
Y
P
B
/B-Y
+
OUT
VIDEO
IN
VIDEO
OUT
VIDEO
OUT
R
/R-Y
CTRL S
OUT
CTRL S
IN
–
OUT
AUDIO
IN
OUT
TAPE
IN AUDIO OUT
2ND AV
FRONT
5.1CH INPUT
REAR CENTER
R
L
L
R SUB WOOFER
+
FRONT REAR SUB WOOFER CENTER
–
PRE OUT
R
R
R
B
SPEAKERS
L
FRONT
R
A
L
L
R
R
IMPEDANCE USE 4-16
Ω
REAR
L
CENTER
+
REAR CENTER
–
L
L
+
–
IMPEDANCE SELECTOR
4 Ω 8 Ω
2ND AV (STR-V444ES)
2ND AUDIO (STR-V333ES) b
To a wall outlet
* The configuration, shape, and number of AC outlets on the rear panel varies according to the model and country to which the receiver is shipped.
Example of a 2nd room hookup using the 2ND AV jacks (STR-V444ES) or 2ND AUDIO jacks
(STR-V333ES)
You can use the 2ND AV jacks to output the audio and video signal of the selected component (STR-V444ES) or 2ND
AUDIO jacks to output the audio signal of the selected component (STR-V333ES) to a stereo amplifier located in another room. Press 2ND AV (STR-V444ES) or 2ND AUDIO (STR-V333ES) repeatedly to switch the audio (and video) signal output to the 2nd room.
Main room
2nd room
1 / u
2
3
4
5
6
7
8
AUDIO
OUT
AUDIO
IN
1 9
0 10
A+B
OFF A B
– + – +
– +
VIDEO
OUT
(STR-V444ES only)
VIDEO
Note
This function is not available when 5.1CH INPUT is selected.
IN
Stereo amplifier SPEAKERS
L
R
Speaker (L)
Speaker (R)
Monitor
11
Other Hookups
S-LINK CONTROL S hookup
If you have a S-LINK CONTROL S-compatible Sony TV, satellite tuner, monitor, DVD player or VCR, use an audio/video/control S connecting cord (supplied) or a control S connecting cord (supplied) to connect the CTRL
S (STATUS) IN (for TV, satellite tuner, or monitor) or OUT
(for VCR, etc.) jack on the receiver to the appropriate S-
LINK jack on the respective component. Refer to the operating instructions supplied with your TV, satellite tuner, monitor, VCR, etc., for details.
The following illustration is an example of S-LINK
CONTROL S hookups between the receiver, a TV, a VCR, and a DVD player. When your TV is connected to the receiver as shown below, the TV input mode will change to video input whenever you turn on the receiver. When you connect the receiver as shown below, input mode of the receiver changes to VIDEO 1 or DVD/LD whenever you play your VCR or DVD.
The following connections also change the input mode of the receiver to TV whenever you operate your TV.
TV
Receiver
B
AUDIO
OUT
C
*
TV/SAT
S VIDEO
IN
F
DVD/LD
S VIDEO
IN
F
D
S-LINK
IN OUT
E
VIDEO
IN
A
VIDEO 1
OUT
F
S VIDEO
IN
F
*
MONITOR
S VIDEO
OUT
F
**
VIDEO
IN
VIDEO
IN
CTRL S
STATUS IN
CTRL S
OUT
AUDIO
IN
AUDIO
IN
OUT
VIDEO
IN
AUDIO
CTRL S
OUT
VIDEO
OUT
CTRL S
IN
VCR 1
OUTPUT
VIDEO
OUT
*
S-LINK
IN
AUDIO
OUT
DVD player
12
S-LINK
IN
*
OUTPUT
VIDEO
OUT
AUDIO
OUT
* Audio/video/control S connecting cord (Pull the video cord away
from the supplied audio/video/control S cable for connection A.)
** Control S connecting cord
Note
Refer to the instructions supplied with your TV for details regarding the operations you can control from your TV.
CONTROL A1 hookup
• If you have a CONTROL A1 compatible Sony
CD player, tape deck, or MD deck
Use a CONTROL A1 cord (not supplied) to connect the
CONTROL A1 jack on the CD player, tape deck, or
MD deck to the CONTROL A1 jack on the receiver.
Refer to “CONTROL A1 Control System” on page 54 and the operating instructions supplied with your CD player, tape deck, or MD deck for details.
Note
If you make CONTROL A1 connections from the receiver to an MD deck that is also connected to a computer, do not operate the receiver while using the “Sony MD Editor” software. This may cause a malfunction.
• If you have a Sony CD changer with a
COMMAND MODE selector
If your CD changer’s COMMAND MODE selector can be set to CD 1, CD 2, or CD 3, be sure to set the command mode to “CD 1” and connect the changer to the CD jacks on the receiver.
If, however, you have a Sony CD changer with VIDEO
OUT jacks, set the command mode to “CD 2” and connect the changer to the VIDEO 2 jacks on the receiver.
COMPONENT VIDEO hookup
(STR-V444ES only)
If you have a TV, satellite tuner, DVD player, or LD player with COMPONENT VIDEO (Y, B-Y, R-Y) output jacks and a monitor with COMPONENT VIDEO input jacks, use a video cord (not supplied) to connect to the receiver.
Connect a
TV or satellite tuner
DVD or LD player
Monitor
To the
COMPONENT VIDEO TV/SAT
IN jacks
COMPONENT VIDEO DVD/LD
IN jacks
COMPONENT VIDEO
MONITOR OUT jacks
Notes
• If you make COMPONENT VIDEO connections, nothing is displayed on the on-screen display.
• On this receiver, the component video signals are not compatible with S-video signals nor video signals.
Connecting the AC power cord
Before connecting the AC power cord of this receiver to a wall outlet:
• Connect the speaker system to the receiver (see page
15).
• Turn the MASTER VOLUME control to the leftmost position (0).
Connect the AC power cord(s) of your audio/video components to a wall outlet.
If you connect other audio/video components to the AC
OUTLET(s) on the receiver, the receiver will supply power to the connected component(s), allowing you to turn the whole system on or off when you turn the receiver on or off.
Caution
Make sure that the total power consumption of the component(s) connected to the receiver’s AC OUTLET(s) does not exceed the wattage stated on the rear panel. Do not connect high-wattage electrical home appliances such as electric irons, fans, or TVs to this outlet.
Note
If the AC power cord is disconnected for about two weeks, the receiver’s entire memory will be cleared.
13
Hooking Up and Setting Up the Speaker
System
This chapter describes how to hook up your speaker system to the receiver, how to position each speaker, and how to set up your speakers to enjoy multi channel surround sound.
1 / u
A+ B
OFF
A
B
– + – +
Cursor buttons
2
1
3
4
5
6
0 10
7
9
8
– +
Jog dial SET UP
Brief descriptions of buttons and control used to set up the speaker system
SET UP button: Press to enter the setup mode when specifying speaker types and distances.
Cursor buttons ( / ): Use to select parameters after pressing the SET UP button.
Jog dial: Use to adjust the setting of each parameter.
14
Speaker System Hookup
This receiver corresponds with 6.1 channel decording. If you do not place a center speaker, you can place a rear center speaker. For details, see page 18.
Required cords
Speaker cords (not supplied)
One for each front, rear, and center speaker
(+)
(–)
Monaural audio cord (not supplied)
One for an active sub woofer
Black
(+)
(–)
Black
}
Front speaker (R)
] }
Front speaker (L)
FRONT
SPEAKERS B
DIGITAL
OPTICAL
CD
IN
ND/DAT
OUT
MD/DAT
IN
TV/SAT
IN
DVD/LD
IN
COAXIAL
CD
IN
DVD/LD
IN
CONTROL A1 TV/SAT
S VIDEO
F
DVD/LD
S VIDEO
F
ANTENNA VIDEO
IN
VIDEO
IN
CTRL S
STATUS IN
AM
U
75Ω COAXIAL
FM
L
R
AUDIO
IN
IN
L
SIGNAL GND
U
R
PHONO
CTRL S
OUT
AUDIO
IN
IN
CD
VIDEO 2
S VIDEO
OUT
VIDEO
IN
OUT
AUDIO
IN
OUT IN
MD/DAT
VIDEO 1
S VIDEO
MONITOR
S VIDEO
F
COMPONENT VIDEO
TV/SAT IN DVD/LD IN MONITOR OUT
Y
P
B
/B-Y
+
OUT
VIDEO
IN
VIDEO
OUT
VIDEO
OUT
P
R
/R-Y
CTRL S
OUT
CTRL S
IN
–
OUT
AUDIO
IN
OUT
TAPE
IN AUDIO OUT
2ND AV
R
L
R
L
FRONT
5.1CH INPUT
REAR CENTER
SUB WOOFER
+
FRONT REAR SUB WOOFER CENTER
–
PRE OUT
R
R
R
B
SPEAKERS
L
FRONT
R
A
L
L
R
R
IMPEDANCE USE 4-16
REAR
L
CENTER
Ω
+
REAR CENTER
–
L
L
+
–
IMPEDANCE SELECTOR
4 Ω 8 Ω
IMPEDANCE
SELECTOR
AC OUTLET
]
AUDIO
IN
INPUT
Active sub woofer
}
Rear speaker (R)
]
Terminals for connecting the speakers
Connect the To the
Front speakers (8 or 4 1) ohm) SPEAKERS FRONT A terminals
Additional pair of front speakers (8 or 4 1) ohm)
SPEAKERS FRONT B terminals
Rear speakers (8 or 4 1) ohm) SPEAKERS REAR terminals
SPEAKERS CENTER terminals Center speaker or rear center speaker 3) (8 or 4 1) ohm)
Active sub woofer SUB WOOFER PRE OUT 2)
1)
2)
3)
See “Speaker impedance” on the next page.
You can connect an active sub woofer to either of the two jacks. The remaining jack can be used to connect a second active sub woofer.
If you do not use a center speaker, you can connect a rear center speaker. For details, see page 18.
} ] } ]
Rear speaker (L) Center speaker
(Rear center speaker)
z
To connect certain speakers to another amplifier
Use the PRE OUT jacks. The same signal is output from both the
SPEAKERS jacks and the PRE OUT jacks. For example, if you want to connect just the front speakers to another amplifier, connect that amplifier to the PRE OUT FRONT L and R jacks.
Notes on speaker system hookup
• Twist the stripped ends of the speaker cords about
2/3 inch (10 mm). Be sure to match the speaker cord to the appropriate terminal on the components: + to + and
– to –. If the cords are reversed, the sound will be distorted and will lack bass.
• If you use front speakers with low maximum input rating, adjust the volume carefully to avoid excessive output on the speakers.
15
Speaker System Hookup
To avoid short-circuiting the speakers
Short-circuiting of the speakers may damage the receiver.
To prevent this, make sure to take the following precautions when connecting the speakers.
Make sure the stripped ends of each speaker cord do not touch another speaker terminal or the stripped end of another speaker cord.
Examples of poor conditions of the speaker cord
Stripped speaker cord is touching another speaker terminal.
Speaker impedance
To enjoy multi channel surround, connect front, center, and rear speakers with a nominal impedance of 8 ohms or higher, and set the speaker IMPEDANCE SELECTOR to
“8Ω.” Check the instruction manual supplied with your speakers if you’re not sure of their impedance. (This information is usually printed on a label on the back of the speaker.)
You may connect a pair of speakers with a nominal impedance between 4 and 8 ohms to all of the speaker terminals. However, even if one speaker within this range is connected, set the IMPEDANCE SELECTOR to “4Ω”.
Notes
• Be sure to turn the power off when changing the IMPEDENCE
SELECTOR.
• Be sure to connect front speakers with a nominal impedance of
8 ohms or higher if you want to select both sets (A+B) of front speakers (see page 28). In this case, set the IMPEDANCE
SELECTOR to “4Ω”. Do not set the SPEAKER selector to A+B if you connect speakers with a nominal impedance of 4 to 8 ohms to either FRONT A or B jacks.
Stripped cords are touching each other due to excessive removal of insulation.
After connecting all the components, speakers, and AC power cord, output a test tone to check that all the speakers are connected correctly. For details on outputting a test tone, see page 22.
If no sound is heard from a speaker while outputting a test tone or a test tone is output from a speaker other than the one whose name is currently displayed on the receiver, the speaker may be short-circuited. If this happens, check the speaker connection again.
16
Performing Initial Setup Operations
Once you have hooked up the speakers and turned on the power, clear the receiver’s memory. Then specify the speaker parameters (size, position, etc.) and perform any other initial setup operations necessary for your system.
Before turning on the receiver
Make sure that you have:
• Turned MASTER VOLUME to the leftmost position (0).
• Selected the appropriate front speakers (see “e;
SPEAKERS selector” on page 28).
Clearing the receiver’s memory
Before using your receiver for the first time, or when you want to clear the receiver’s memory, do the following.
1/u
1 / u 3
2
1
4
5
6
0 10
7
9
8
OFF
A + B
A
B
– + – +
– +
1
Turn off the receiver.
2
Hold down ?/1 for 5 seconds.
The currently selected function appears in the display.
All of the following items are reset or cleared:
• All preset stations are reset or cleared.
• All sound field parameters are reset to their factory settings.
• All index names (of preset stations and program sources) are cleared.
• All adjustments made with the SET UP button are reset to their factory settings.
• The sound field memorized for each program source and preset stations are cleared.
• The EQ BANK settings are cleared.
Performing initial setup operations
Before using your receiver for the first time, use the SET
UP button to adjust the setup parameters so that they correspond to your system. You can adjust the following items. For details on how to make adjustments, see the page in parenthesis.
• Speaker size and placement (pages 18~21).
• Speaker distance (page 20).
• Selecting the 5.1CH video input (page 52).
• Digital power management (page 52).
• Video power management (page 52).
• Sound field link (page 52).
• Whether other components will turn on or off automatically via the CONTROL A1 control system
(page 52).
• 2 way remote control system operation (page 53).
• Selecting the command mode (page 53).
• Selecting the color of the on-screen display (page 53).
Demonstration Mode
The demonstration is activated when you turn on the system while pressing SET UP. When the demonstration starts, the following message appears in the display twice:
“Now Demonstration Mode!! To finish the demonstration, please push POWER KEY while this message appears in the display. Thank you!”
To cancel the demonstration
Press ?/1 to turn the receiver off during the previous message. The next time you turn the receiver on, the demonstration will not appear.
To view the demonstration
Hold down SET UP and press ?/1 to turn on the power.
Note
Running the demonstration will clear the receiver’s memory. For details on what will be cleared, see “Clearing the receiver's memory” on this page.
17
Multi Channel Surround Setup
For the best possible surround sound all speakers should be the same distance from the listening position (A).
However, this unit lets you to place the center speaker up to 5 feet (1.5 meters) closer (B) and the rear L/R speakers up to 15 feet (4.5 meters) closer (C) to the listening position.
The front speakers can be placed from 3 to 40 feet (1.0 to
12.0 meters) from the listening position (A).
You can place the rear L/R speakers either behind you or to the side, depending on the shape of your room (etc.).
When placing rear speakers to your side
B
A
45°
A
C
When placing rear speakers behind you
B
A
45°
A
C
20°
90°
90°
C
C
z
When setting up the rear center speaker
Set the speaker at least one meter behind the listening position. It is recommended to place the speaker at an equal distance from the rear L/R speakers. If there is no space behind the listening position, set the speaker above the listening position by placing it on a stand or hanging it from the ceiling. To prevent speaker damage or injury in case the speaker falls, make sure that it is properly fixed in place.
Note
Do not place the center speaker farther away from the listening position than the front speakers.
Specifying the speaker parameters
1
Press ?/1 to turn on the receiver.
2
Press SET UP.
3
Press the cursor buttons ( or ) to select the parameter you want to adjust.
4
Turn the jog dial to select the setting you desire.
The setting is entered automatically.
5
Repeat steps 3 and 4 until you have set all of the parameters that follow.
x Front speaker size (FRONT)
Initial setting : LARGE
• If you connect large speakers that will effectively reproduce bass frequencies, select “LARGE”. Normally, select “LARGE”.
• If the sound is distorted, or you feel a lack of surround effects when using multi channel surround sound, select “SMALL” to activate the bass redirection circuitry and output the front channel bass frequencies from the sub woofer.
• When the front speaker is set to “SMALL”, the center, rear L/R and rear center speakers are also automatically set to “SMALL” (unless previously set to “NO”).
20°
18
x Center speaker size (CENTER)
Initial setting : LARGE
• If you connect a large speaker that will effectively reproduce bass frequencies, select “LARGE”. Normally, select “LARGE”. However, if the front speakers are set to “SMALL”, you cannot set the center speaker to
“LARGE”.
• If the sound is distorted, or you feel a lack of surround effects when using multi channel surround sound, select “SMALL” to activate the bass redirection circuitry and output the center channel bass frequencies from the front speakers (if set to “LARGE”) or sub woofer. * 1
• If you do not connect a center speaker, select “NO”. The sound of the center channel will be output from the front speakers.* 2 x Rear L/R speaker size (REAR L/R)
Initial setting : LARGE
• If you connect large speakers that will effectively reproduce bass frequencies, select “LARGE”. Normally, select “LARGE”. However, if the front speakers are set to “SMALL”, you cannot set the rear L/R speakers to
“LARGE”.
• If the sound is distorted, or you feel a lack of surround effects when using multi channel surround sound, select “SMALL” to activate the bass redirection circuitry and output the rear L/R channel bass frequencies from the sub woofer or other “LARGE” speakers.
• If you do not connect rear L/R speakers, select “NO”.* 3
z
*1~*3 correspond to the following Dolby Pro Logic modes
* 1 NORMAL
* 2 PHANTOM
* 3 3 STEREO x Rear center speaker size (REAR CTR)*
Initial setting : NO
This parameter can be set when the center speaker is set to
“NO” and the rear speakers are set to “LARGE” or
“SMALL”. This setting is effective when NORMAL
SURROUND or VIRTUAL MATRIX 6.1 is selected.
• If you connect a large speaker that will effectively reproduce bass frequencies, select “LARGE”. Normally, select “LARGE”. However, if the front speakers are set to “SMALL”, you cannot set the rear center speaker to
“LARGE”.
• If the sound is distorted, or you feel a lack of surround effects when using multi channel surround sound, select “SMALL” to activate the bass redirection circuitry and output the center channel bass frequencies from the front speakers (if set to “LARGE”) or sub woofer.
However, if the rear L/R speakers are set to “SMALL”, the rear center speaker is automatically set to “SMALL”.
• If you do not connect a rear center speaker, select “NO”.
z
About speaker sizes (LARGE and SMALL)
Internally, the LARGE and SMALL settings for each speaker determine whether or not the internal sound processor will cut the bass signal from that channel. When the bass is cut from a channel, the bass redirection circuitry sends the corresponding bass frequencies to the sub woofer or other “LARGE” speakers.
However, since bass sounds have a certain amount of directionality, it best not to cut them, if possible. Therefore, even when using small speakers, you can set them to “LARGE” if you want to output the bass frequencies from that speaker. On the other hand, if you are using a large speaker, but prefer not to have bass frequencies output from that speaker, set it to
“SMALL”.
If the overall sound level is lower than you prefer, set all speakers to “LARGE”. If there is not enough bass, you can use the equalizer to boost the bass levels. To adjust the equalizer, see page 39.
19
Multi Channel Surround Setup
x Sub woofer selection (SUB WOOFER)
Initial setting : YES
• If you connect a sub woofer, select “YES”.
• If you do not connect a sub woofer, select “NO”. This activates the bass redirection circuitry and outputs the
LFE signals from other speakers.
• In order to take full advantage of the Dolby Digital
(AC-3) bass redirection circuitry, we recommend setting the sub woofer’s cut off frequency as high as possible.
x Front speaker distance (FRONT)
Initial setting : 16 feet (5.0 meter)
Set the distance from your listening position to the front
(left or right) speaker (A on page 18).
• Front speaker distance can be set in 1 foot (0.1 meter) steps from 3 to 40 feet (1.0 to 12.0 meters).
• If both speakers are not placed an equal distance from your listening position, set the distance to the closest speaker.
x Center speaker distance (CENTER)
Initial setting : 16 feet (5.0 meter)
Set the distance from your listening position to the center speaker.
• Center speaker distance can be set in 1 foot (0.1 meter) steps from a distance equal to the front speaker distance
(A on page 18) to a distance 5 feet (1.5 meters) closer to your listening position (B on page 18).
• Do not place the center speaker farther away from your listening position than the front speakers.
x Rear L/R speaker distance (REAR L/R)
Initial setting : 11 feet (3.5 meter)
Set the distance from your listening position to the rear
(left or right) speaker.
• Rear L/R speaker distance can be set in 1 foot (0.1
meter) steps from a distance equal to the front speaker distance (A on page 18) to a distance 15 feet (4.5
meters) closer to your listening position (C on page 18).
• Do not place the rear L/R speakers farther away from your listening position than the front speakers.
• If both speakers are not placed an equal distance from your listening position, set the distance to the closest speaker.
x Rear center speaker distance (REAR CTR)
Initial setting : 11 feet (3.5 meter)
Set the distance from your listening position to the rear center speaker.
• Rear center speaker distance can be set in 1 foot (0.1
meter) steps from a distance equal to the front speaker distance (A on page 18) to a distance 15 feet (4.5
meters) closer to your listening position (C on page 18).
• Do not place the rear center speaker farther away from your listening position than the front speakers.
z
About speaker distances
This unit allows you to input the speaker position in terms of distance. However, it is not possible to set the center speaker further than the front speakers. Also, the center speaker cannot be set more that 5 feet (1.5 meters) closer than the front speakers.
Likewise, the rear L/R speakers can not be set farther away from the listening position than the front speakers. And they can be no more than 15 feet (4.5 meters) closer.
This is because incorrect speaker placement is not conducive to the enjoyment of surround sound.
Please note that, setting the speaker distance closer than the actual location of the speakers will cause a delay in the output of the sound from that speaker. In other words, the speaker will sound like it is farther away.
For example, setting the center speaker distance 3~6 feet (1~2 m) closer than the actual speaker position will create a fairly realistic sensation of being “inside” the screen. If you cannot obtain a satisfactory surround effect because the rear L/R speakers are too close, setting the rear L/R speaker distance closer (shorter) than the actual distance will create a larger soundstage.
Adjusting these parameter while listening to the sound often results in much better surround sound. Give it a try!
20
x Rear L/R speaker position (REAR L/R PLACE)*
Initial setting : BEHIND
This parameter lets you specify the location of your rear
L/R speakers for proper implementation of the Digital
Cinema Sound surround modes in the “VIRTUAL” sound fields. Refer to the illustration below.
• Select “SIDE” if the location of your rear speakers corresponds to section A.
• Select “MIDDLE” if the location of your rear speakers corresponds to section B.
• Select “BEHIND” if the location of your rear speakers corresponds to section C.
This setting only effects the surround modes in the
“VIRTUAL” sound fields.
x Rear L/R speaker height (REAR L/R HGT.)*
Initial setting : LOW
This parameter lets you specify the height of your rear
L/R speakers for proper implementation of the Digital
Cinema Sound surround modes in the “VIRTUAL” sound fields. Refer to the illustration below.
• Select “LOW” if the location of your rear speakers corresponds to section A.
• Select “HIGH” if the location of your rear speakers corresponds to section B.
This setting only effects the surround modes in the
“VIRTUAL” sound fields.
B
A
B
60
30
A
A
B
C
90°
60°
30°
C
B
A
20°
* These parameters are not available when “Rear L/R speaker size (REAR L/R)” is set to “NO”.
z
About the rear speaker position (SIDE, MIDDLE, and BEHIND)
This setting is designed specifically for implementation of the
Digital Cinema Sound modes in the “VIRTUAL” sound fields.
With the Digital Cinema Sound modes, speaker position is not as critical as other modes. All of the modes in the “VIRTUAL” sound fields were designed under the premise that the rear L/R speaker would be located behind the listening position, but presentation remains fairly consistent even with the rear L/R speakers positioned at a rather wide angle. However, if the speakers are pointing toward the listener from the immediate left and right of the listening position, the “VIRTUAL” sound fields will not be effective unless the rear L/R speaker position parameter is set to “SIDE”.
Nevertheless, each listening environment has many variables, like wall reflections, and you may obtain better results using
“BEHIND” or “MIDDLE” if your speakers are located high above the listening position, even if they are to the immediate left and right.
Therefore, although it may result in a setting contrary to the
“Rear L/R speaker position” explanation, we recommend that you playback multi channel surround encoded software and listen to the effect each setting has on your listening environment.
Choose the setting that provides a good sense of spaciousness and that best succeeds in forming a cohesive space between the surround sound from the rear L/R speakers and the sound of the front speakers. If you are not sure which sounds best, select
“BEHIND” and then use the speaker distance parameter and speaker level adjustments to obtain proper balance.
21
Multi Channel Surround Setup
x Front speaker crossover frequency
(FRONT SP >)
Initial setting : STD (=120 Hz)
Lets you adjust the front speaker bass crossover frequency when the front speakers are set to “SMALL”. The frequency can be adjusted in 10 Hz steps from 40 Hz to
200 Hz.
x Center speaker crossover frequency
(CENTER SP >)
Initial setting : STD (=120 Hz)
Lets you to adjust the center speaker bass crossover frequency when the center speaker is set to “SMALL”.
The frequency can be adjusted in 10 Hz steps from 40 Hz to 200 Hz.
x Rear L/R speaker crossover frequency
(REAR L/R SP >)
Initial setting : STD (=120 Hz)
Lets you adjust the rear L/R speaker bass crossover frequency when the rear L/R speakers are set to
“SMALL”. The frequency can be adjusted in 10 Hz steps from 40 Hz to 200 Hz.
p LFE high cut filter (LFE HIGH CUT)
Initial setting: STD (=120 Hz)
This setting lets you select the cutoff frequency of the LFE channel High Cut Filter. Normally, this should set to STD.
The frequency can be adjusted in 10 Hz steps from 40 Hz to 200 Hz. When using a passive subwoofer powered by a separate power amplifier, it may be better to change the cutoff frequency. When this is the case, use a setting other than STD.
x Distance unit (DIST. UNIT)
Initial setting : feet (meter)
Lets you select either feet or meters as the unit of measure for setting distances. 1 foot corresponds to a 1 ms difference.
Adjusting the speaker volume
Use the remote while seated in your listening position to adjust the volume of each speaker.
Note
This unit incorporates a new test tone with a frequency centered at 800 Hz for easier speaker volume adjustment.
1
Press ?/1 to turn on the receiver.
2
Press TEST TONE on the supplied remote.
You will hear the test tone from each speaker in sequence.
3
Adjust the volume level so that the volume of the test tone from each speaker sounds the same when you are in your main listening position.
• To adjust the balance of the front right and front left speakers, use the front balance parameter in the
LEVEL menu (see page 38).
• To adjust the balance of the rear right and rear left speakers, use the rear balance parameter in the
LEVEL menu (see page 38).
• To adjust the volume level of the center speaker, press the LEVEL CENTER +/– buttons on the remote.
• To adjust the volume level of the rear L/R speakers, press the LEVEL REAR +/– buttons on the remote.
• To adjust the volume level of the rear center speaker, use the rear center level parameter in the LEVEL menu (see page 38).
• To adjust the volume level of the sub woofer, use the sub woofer level parameter in the LEVEL menu (see page 38).
4
Press TEST TONE again to turn off the test tone.
Note
The test tone cannot be output when the receiver is set to 5.1CH
INPUT.
z
You can adjust the volume level of all speakers at the same time
Rotate MASTER VOLUME on the main unit or press MASTER
VOLUME +/– on the remote.
Notes
• The front balance, rear L/R balance, center level, rear L/R level, rear center level, and sub woofer level are shown in the display during adjustment.
• Although these adjustments can also be made via the front panel using the LEVEL menu (when the test tone is output, the receiver switches to the LEVEL menu automatically), we recommend you follow the procedure described above and adjust the speaker levels from your listening position using the remote control.
22
Before You Use Your Receiver
Before turning on the receiver
Make sure that you have:
• Turned MASTER VOLUME to the leftmost position (0).
• Selected the appropriate front speakers (see “e;
SPEAKERS selector” on page 28).
Checking the connections
After connecting all of your components to the receiver, do the following to verify that the connections were made correctly.
1/u MASTER VOLUME
1 / u 3
2
1
4
5
6
7
9
8
0 10
A+ B
OFF
A
B
– + – +
– +
FUNCTION
1
Press ?/1 to turn on the receiver.
2
Rotate FUNCTION to select a component (program source) that you connected (e.g., CD player or tape deck).
3
Turn on the component and start playing it.
4
Rotate MASTER VOLUME to turn up the volume.
If you do not obtain normal sound output after performing this procedure, look for the reason in the following checklist and take the appropriate measures to correct the problem.
There is no sound no matter which component is selected.
, Check that both the receiver and all components are turned on.
, Check that the MASTER VOLUME control is not set at –∞ dB.
, Check that the SPEAKERS selector is not set to
OFF or to a position for front speakers that are not connected to the receiver (see “e; SPEAKERS selector” on page 28).
, Check that all speaker cords are connected correctly.
, Press the MUTING button to turn off the indicator above the button.
There’s no sound from a specific component.
, Check that the component is connected correctly to the audio input jacks for that component.
, Check that the cord(s) used for the connection is
(are) fully inserted into the jacks on both the receiver and the component.
No sound is heard from one of the front speakers.
, Connect a pair of headphones to the PHONES jack and set the SPEAKERS selector to OFF to verify that sound is output from the headphones (see “e;
SPEAKERS selector” and “PHONES jack” on page
28).
If only one channel is output from the headphones, the component may not be connected to the receiver correctly. Check that all the cords are fully inserted into the jacks on both the receiver and the component.
If both channels are output from the headphones, the front speaker may not be connected to the receiver correctly. Check the connection of the front speaker which is not outputting any sound.
If you encounter a problem that is not included above, see
“Troubleshooting” on page 56.
23
Location of
Parts and Basic
Operations
This chapter provides information about the locations and functions of the buttons and controls on the front panel. It also explains basic operations.
Front Panel Parts
Description
1 ?/1 switch
Press to turn the receiver on and off.
• Before you turn on the receiver, make sure that you have turned the MASTER VOLUME control to the leftmost position to avoid damaging your speakers.
2 MASTER VOLUME control
After turning on the component you selected, rotate to adjust the volume.
3 MUTING button
Press to mute the sound. The indicator above the button lights up when the sound is muted.
4 INPUT MODE button
Press to select the input mode for your digital components (CD, DVD/LD, TV/SAT, and MD/DAT).
Each press switches the input mode of the currently selected component.
Select To
AUTO
DIGITAL (OPTICAL)
DIGITAL (COAXIAL)
ANALOG
Give priority to digital signals when there are both digital and analog connections. If there are no digital signals, analog is selected
Specify the digital audio signals input to the DIGITAL OPTICAL input jacks
Specify the digital audio signals input to the DIGITAL COAXIAL input jacks (DVD/LD and CD only)
Specify the analog audio signals input to the AUDIO IN (L and R) jacks
• This button cannot be used for a function which is assigned in AUDIO SPLIT.
24
1
1 / u
SPEAKERS
A+ B
OFF
A
B
PHONES
2 3
MULTI CHANNEL DECODING
DISPLAY
S-VIDEO
FM / AM
VIDEO 3 INPUT
VIDEO L AUDIO
–
PRESET
TUNING
+
– TUNING
A.F.D.
CINEMA
STUDIO EX.
+
– MODE + 2 CH
ANALOG
DIRECT
SLEEP ON SCREEN SURROUND LEVEL
–
R
FM MODE MEMORY DIMMER EQ BANK NAME EQ
4
MASTER VOLUME
5
6
3 7
2 8
+
5.1CH INPUT
SET UP
ENTER
1 9
AUDIO SPLIT
DOOR OPEN
0
FUNCTION
10
INPUT MODE
MUTING
5 FUNCTION control
Rotate to select the component you want to use.
To select Rotate to light
VCR VIDEO 1 or VIDEO 2
Camcorder or video game VIDEO 3
DVD or LD player
TV or satellite tuner
DVD/LD
TV/SAT
Tape deck
MD or DAT deck
CD player
Built in tuner
Turntable
TAPE
MD/DAT
CD
TUNER
PHONO
After selecting the component, turn on the component you selected and play the program source.
• After selecting VCR, camcorder, video game, DVD player, or LD player, turn on the TV and set the TV’s video input to match the component you selected.
8 765 4
6 AUDIO SPLIT button
Press to assign the audio input for each function.
This function is convenient when you are using a number of digital components.
1 Rotate FUNCTION to select the source for audio input assignment.
2 Press AUDIO SPLIT.
3 Rotate FUNCTION to select the audio input.
4 Press AUDIO SPLIT.
However, if you do not press AUDIO SPLIT within
4 seconds, the receiver automatically assigns the selected audio input.
Notes
• You cannot select the tuner as the audio input.
• INPUT MODE cannot be set to an assigned source in
AUDIO SPLIT.
7 DOOR OPEN button
Press to open the door on the front panel.
8 5.1CH INPUT button
Press to enjoy the audio source connected to the 5.1CH
INPUT jacks. Press 5.1 CH again to return to the original function.
• When 5.1CH INPUT is selected, the equalizer and sound field effects do not function.
25
Front Panel Parts Description
9 0 !¡ !™ !£ !¢
1 / u
A + B
SPEAKERS
OFF
A
B
PHONES
!∞
MULTI CHANNEL DECODING
DISPLAY FM / AM
S-VIDEO
VIDEO 3 INPUT
VIDEO AUDIO
–
PRESET
TUNING +
– TUNING +
A.F.D.
CINEMA
STUDIO EX.
– MODE + 2 CH
ANALOG
DIRECT
SLEEP ON SCREEN SURROUND LEVEL –
FM MODE DIMMER EQ BANK NAME EQ
4
MASTER VOLUME
5
6
3 7
2 8
+
5.1CH INPUT
SET UP
ENTER
1 9
AUDIO SPLIT
DOOR OPEN
0
FUNCTION
10
INPUT MODE
MUTING e; @ª @• @§
@¶
@¢
@∞
@™
@£
@º
@¡
!ª !• !§
!¶
9 IR receptor
Receives IR signals emitted by the remote.
q; IR emitter
Emits IR signals to the remote.
qa DISPLAY button
Press repeatedly to change the information on the display window.
qs The following buttons operate the built-in tuner. For details, see “Receiving Broadcasts” starting from page
45.
FM/AM button
Selects the FM or AM band.
PRESET TUNING +/– buttons
Scans all preset stations.
26 qd Use these buttons to enjoy surround sound. For details, see “Enjoying Surround Sound” starting from page 29.
A.F.D. button
Press to set the receiver to automatically detect the type of audio signal being input and perform proper decoding (if necessary). For details, see “AUTO
FORMAT DECODING” on page 34.
CINEMA STUDIO EX button
Press repeatedly to select CINEMA STUDIO EX. A~C sound field. For details, see “CINEMA STUDIO EX.
A~C” on page 31.
MODE +/– buttons
Press repeatedly to select the sound field you desire.
For details, see “Selecting a Sound Field” on page 30.
• Sound fields are not compatible with 96 kHz digital audio signals.
2CH button
Press to output sound from only the front (left and right) speakers. For details, see “2 CHANNEL” on page 34.
ANALOG DIRECT button
Press to listen to an analog source without digital processing by the equalizer, sound field, etc.
For details, see “ANALOG DIRECT” on page 34.
• Do not switch to ANALOG DIRECT when you are recording signals from MD/DAT OPTICAL OUT.
qf MULTI CHANNEL DECODING indicator
This indicator lights when the unit is decoding signals recorded in a multi channel format.
qg 2ND AV button (STR-V444ES)
2ND AUDIO button (STR-V333ES)
Press repeatedly to select 2 channel (stereo) audio and video signals (STR-V444ES) or audio signals only
(STR-V333ES) for output to a stereo amplifier in another room (page 11).
Each press selects another audio (and video source)
(except PHONO) to be output from the 2ND AV jacks
(STR-V444ES) or 2ND AUDIO jacks (STR-V333ES).
“SOURCE” selects the same program source as the main function controls.
• Even if 2ND AV or 2ND AUDIO is set to “SOURCE”, the sound from front speakers (L/R) is not output when the receiver is set to 5.1CH INPUT.
• Only signals from components connected to the analog inputs are output through the 2ND AV or 2ND AUDIO jacks. No signals are output from components connected to only the digital inputs.
• When you use AUDIO SPLIT to assign a digital audio input (for example, DVD OPTICAL) to the main function and set 2ND AV or 2ND AUDIO to “SOURCE”, the analog audio signals of the assigned audio (for example, analog audio input of DVD) is output from the 2ND AV jacks
(STR-V444ES) or 2ND AUDIO jacks (STR-V333ES).
qh SET UP button
Press to activate the setup mode, then use the cursor buttons (qk) to select any of the following parameters.
You can make various settings using the jog dial (ql).
When you select You can
Speaker setup Specify the front, center, rear L/R, and rear center speaker sizes, the rear L/R speaker position, and whether or not you are using a sub woofer (page 18).
Speaker Distance Specify the front, center, rear L/R, and rear center speaker distances and the unit of measurement (page 20).
Crossover frequency*
Specify the front, center, and rear L/R speaker bass crossover frequency (page
22).
LFE High Cut
Frequency
Distance Unit
Select the cutoff frequency of the LFE channel High Cut Filter (page 22).
Specify units for setting speaker distance
(page 22).
5.1CH Visual
Digital Power
Management
Specify the video input to be used with the audio signals from the 5.1CH INPUT jacks (page 52).
Specify whether or not the system turns off the power of the unnecessary digital circuits automatically (page 52).
Video Power
Management
Specify whether or not the system turns off the power of the unnecessary video circuits automatically (page 52).
Sound Field Link Set the automatic application of the sound field to a program source (page
52).
Auto Function Specify whether or not Sony components connected via control A1 cords will turn on or off when selected using the function buttons (page 52).
2 Way Remote Turn on or off response to remote signals sent from the 2 way remote (page 53).
Command mode Set when you use the second remote in
(STR-V444ES only) the 2nd room (page 53).
OSD color Specify the color of the on-screen display (page 53).
* Only when the speaker is set to“SMALL” in the speaker setup parameter.
qj ENTER button
Press to enter individual characters for the preset station and program source names.
qk Cursor buttons ( / )
Press to select various speaker level, surround, and equalizer parameters (etc.).
27
Front Panel Parts Description
ql Jog dial
Turn to adjust the selected speaker level, surround, and equalizer parameters (etc.).
w; LEVEL button
Press to activate the speaker level parameters (page
38). The indicator on the button lights up and you can adjust the various speaker level parameters (front balance, rear L/R balance, etc.).
wa EQ button
Press to activate the equalizer parameters (page 39).
The indicator on the button lights up and you can adjust the various equalizer parameters.
ws SURROUND button
Press to activate the surround parameters (page 36).
The indicator on the button lights up and you can adjust the various surround parameters (effect level, wall type, etc.).
wd NAME button
Press to activate the name function and enter names for preset stations and program sources (page 50).
wf ON SCREEN button
Press to turn the on-screen display on or off (page 7).
Press to display the current sound field, and the parameters for SURROUND, LEVEL, EQUALIZER, and SETUP. Press again to turn off the on-screen display.
wg EQ BANK button
Press repeatedly to select an equalizer (EQ 1 ~ 5) or turn the equalizer off (EQ OFF).
• The equalizer does not function during 5.1CH input, and when ANALOG DIRECT is selected. Only the front speakers’ equalizer operates with 96 kHz digital audio signals.
wh SLEEP button
Press to activate the sleep timer.
wj DIMMER button
Press repeatedly to adjust the brightness of the display.
wk TUNING +/– buttons
Scans all the available radio stations.
wl The following buttons operate the built-in tuner. For details, see “Receiving Broadcasts” starting from page
45.
MEMORY button
Press to memorize a preset station.
FM MODE button
If “STEREO” flashes in the display and the FM stereo reception is poor, press this button. You will not have the stereo effect but the sound is improved.
e; SPEAKERS selector
Set according to the front speakers you want to drive.
Set to To select
A
B
A+B*
The speakers connected to the FRONT
SPEAKERS A terminals
The speakers connected to the FRONT
SPEAKERS B terminals
The speakers connected to both the FRONT
SPEAKERS A and B terminals (parallel connection)
OFF
*
No speaker output
Be sure to connect front speakers with a nominal impedance of
8 ohms or higher if you want to select both sets (A+B) of front speakers. In this case, set the IMPEDANCE SELECTOR to
“4Ω”.
PHONES jack
Connects headphones.
• To use the headphones, set the SPEAKERS selector to OFF to output sound to the headphones.
• To enjoy surround sound from the headphones, we recommend selecting the HEADPHONE THEATER sound field. Selecting other sound fields when the SPEAKERS selector is set to OFF automatically presents a 2 channel
(stereo) downmix from the headphones.
28
Enjoying
Surround
Sound
This chapter describes how to set up the receiver to enjoy surround sound.
You can enjoy multi channel surround when playing back software encoded with Dolby Digital or DTS.
You can take advantage of surround sound simply by selecting one of the receiver’s pre-programmed sound modes. They bring the exciting and powerful sound of movie theaters and concert halls into your home. You can also customize the sound modes to obtain the sound you desire by changing the various surround parameters.
The receiver contains a variety of different sound modes.
The cinema sound modes are designed for use when playing back movie software (DVD, LD, etc.) encoded with multi channel surround sound or Dolby Pro Logic.
In addition to decoding the surround sound, some of these modes also provide sound effects commonly found in movie theaters.
The virtual sound modes contain compelling applications of the Sony Digital Cinema Sound digital signal processing technology. They shift the sound away from the actual speaker locations to simulate the presence of several “virtual” speakers.
The music (etc.) sound modes are designed for use with standard audio sources and TV broadcasts. They add reverberation to the source signal to make you feel as if you were in a concert hall or stadium (etc.). Use these sound modes with two-channel sources like CD and stereo broadcasts of sports programs or musical concerts.
For more information about the sound modes, see pages
31~34.
A.F.D.
The “Auto Format Decoding” sound mode presents the sound exactly as it was encoded, without adding any reverberation (etc.).
To fully enjoy surround sound, you must register the number and location of you speakers. See “Multi Channel
Surround Setup” starting on page 18 to set the speaker parameters before enjoying surround sound.
29
1 / u
A+B
OFF
A
B
MODE +/–
CINEMA STUDIO EX.
2CH
ANALOG DIRECT
Cursor buttons
3
2
1
4
5
6
0 10
7
9
8
– + – +
– +
A.F.D.
EQ BANK EQ
Jog dial
SURROUND LEVEL
Brief descriptions of buttons used to enjoy surround sound
LEVEL button: Press to light and customize the level parameters.
SURROUND button: Press to light and customize the surround parameters in the current sound field.
EQ button: Press to light and customize the equalizer parameters in the current sound field.
Cursor buttons ( / ): Use to select parameters after pressing the LEVEL, SUR, or EQ buttons.
Jog dial: Use to adjust parameters and select sound fields
(etc.).
A.F.D. button: Press to set the receiver to automatically detect the type of audio signal being input and perform proper decoding (if necessary).
2CH button: Press to output sound from only the front
(left and right) speakers.
MODE +/– button: Press to select the sound field.
CINEMA STUDIO EX buttons: Press to select CINEMA
STUDIO EX. A~C sound field.
EQ BANK button: Press to switch the memorized EQ
(BANK) (EQ 1 ~ 5, OFF).
ANALOG DIRECT button: Press to input the analog signal without digital processing. When this function is on, the equalizer and sound field (etc.) are turned off.
Selecting a Sound Field
You can enjoy surround sound simply by selecting one of the pre-programmed sound fields according to the program you want to listen to.
1
Press MODE +/– repeatedly to select the sound field you desire.
The current sound field is indicated in the display.
See the table starting on page 31 for information on each sound field.
To turn the sound field off
Press A.F.D. or 2CH (page 34).
z
You can identify Dolby Surround-encoded software by looking at the packaging
Use discs with the logo. In order to enjoy Dolby Digital
(AC-3) playback you must use discs bearing this logo.
z
When sound signals with a sampling frequency of 96 kHz are input
The sound signals are output in stereo automatically, and the sound field is turned off.
z
6.1 channel matrix decoding
Some movies released after the summer of 1999 added a new channel to its preexisting 5.1 channel. The new channel added speakers behind the listening position. In the movie theaters, these speakers are placed on the rear wall, on each side of the projection room’s window.
The 6.1 channel system used in movie theaters is called Dolby
Surround EX system. However, to record on movie films, the 6.1
channel is converted to 5.1 channel using matrix encoding, and the same number of channels are used as Dolby Digital and DTS recordings. Recordings on the DVD also use the same signals.
A lot of movie theaters screen movies with matrix encoded
5.1 channel signals and this is not unnatural to the ears. However, when a matrix decoder is used to create rear center speaker signals, this simulates the same 6.1 channel sound as Dolby
Surround EX system in movie theaters.
This unit is equipped with a matrix decoder allowing for 6.1
channel sound production. With Virtual 3D technology, the rear center signals can be enjoyed even without an actual rear center speaker. When the front center speaker is not used, it is possible to use this channel to output rear center signals.
Particularly with VIRTUAL MATRIX 6.1, speakers placed on rear and side walls in the movie theaters are virtually created. As reflections and reverberations are also simulated, you can enjoy powerful sounds as if you are in a movie theater with Dolby
Surround EX system.
30
Sound field
NORMAL SURROUND
Effect
Software with multi channel surround audio signals is played according to the way it was recorded.
Software with 2 channel audio signals, is decoded with Dolby Pro
Logic to create surround effects.
Notes
CINEMA STUDIO EX. A
CINEMA STUDIO EX. B 1)2)
(Press CINEMA STUDIO EX button)
1)2)
(Press CINEMA STUDIO EX button)
CINEMA STUDIO EX. C
(Press CINEMA STUDIO EX button)
VIRTUAL MATRIX 6.1
1)2)
Reproduces the sound characteristics of the Sony Pictures
Entertainment “Cary Grant Theater” cinema production studio using the 3D sound imaging of V. MULTI DIMENSION (page 32) to create 5 sets of virtual speakers surrounding the listener from a single pair of actual rear speakers.
This is a standard mode, great for watching most any type of movie.
Reproduces the sound characteristics of the Sony Pictures
Entertainment “Kim Novak Theater” cinema production studio using the 3D sound imaging of V. MULTI DIMENSION (page 32) to create 5 sets of virtual speakers surrounding the listener from a single pair of actual rear speakers.
This mode is ideal for watching science-fiction or action movies with lots of sound effects.
Reproduces the sound characteristics of the Sony Pictures
Entertainment scoring stage using the 3D sound imaging of V.
MULTI DIMENSION (page 32) to create 5 sets of virtual speakers surrounding the listener from a single pair of actual rear speakers.
This mode is ideal for watching musicals or classic films where music is featured in the soundtrack.
Reproduces the environment of an actual movie theater using the sound characteristics and 3D sound imaging of CINEMA STUDIO with 6.1 channel encoded sources. The 3D sound imaging creates a virtual rear center speaker placed at an ideal 30° angle of elevation behind the listener.
When not using a center speaker and the center speaker is set to “NO”, the center speaker connectors can output the rear center channel audio signal.
SEMI CINEMA STUDIO EX.
A 1)
SEMI CINEMA STUDIO EX.
B
SEMI CINEMA STUDIO EX.
C
1)
1)
NIGHT THEATER
MONO MOVIE
STEREO MOVIE
Reproduces the sound characteristics of the Sony Pictures
Entertainment “Cary Grant Theater” cinema production studio using the 3D sound imaging of V. SEMI-M. DIMENSION (page 32) to create 5 sets of virtual speakers surrounding the listener from the sound of the front speakers (without using actual rear speakers).
Reproduces the sound characteristics of the Sony Pictures
Entertainment “Kim Novak Theater” cinema production studio using the 3D sound imaging of V. SEMI-M. DIMENSION (page 32) to create 5 sets of virtual speakers surrounding the listener from the sound of the front speakers (without using actual rear speakers).
Reproduces the sound characteristics of the Sony Pictures
Entertainment scoring stage using the 3D sound imaging of V.
SEMI-M. DIMENSION (page 32) to create 5 sets of virtual speakers surrounding the listener from the sound of the front speakers
(without using actual rear speakers).
Allows you to retain a theater like environment while listening at low volume levels, such as late at night.
Creates a theater like environment from movies with monaural soundtracks.
Creates a theater like environment from movies recorded with stereo soundtracks
LS
L
LS
LS
C
RS
RS
R
RS
HEADPHONE THEATER Allows you to experience a theater like environment while listening through a pair of headphones.
Very effective with 5.1ch discreet signal sources like Dolby Digital and
DTS.
1) “VIRTUAL” sound field: Sound field with virtual speakers.
However, turning the SURROUND menu “VIR. SPEAKERS” parameter off when using “CINEMA STUDIO EX. A~C” or “SEMI
CINEMA STUDIO EX. A~C” reproduces the sound characteristics of each cinema production studio without virtual speakers.
2) You can select directly by pressing the buttons on the front panel.
31
Selecting a Sound Field
Sound field
V. MULTI DIMENSION 1)
(Virtual Multi Dimension)
Effect
Uses 3D sound imaging to create an array of virtual rear speakers positioned higher than the listener from a single pair of actual rear speakers. This mode creates 5 sets of virtual speakers surrounding the listener at approximately a 30° angle of elevation.
V. MULTI REAR 1)
(Virtual Multi Rear)
Uses 3D sound imaging to create 3 sets of virtual rear speakers from 1 set of actual rear speakers.
V. SEMI-M. DIMENSION 1)
(Virtual Semi Multi
Dimension)
Uses 3D sound imaging to create virtual rear speakers from the sound of the front speakers without using actual rear speakers. This mode creates 5 sets of virtual speakers surrounding the listener at a 30° angle of elevation.
1) “VIRTUAL” sound field: Sound field with virtual speakers.
Notes
SIDE*
L C R
LS RS
LS
LS RS
RS
MIDDLE*
LS
L C
LS
LS RS
RS
R
RS
L C R
BEHIND*
LS RS
L
LS
LS RS
RS
* See page 21
C R SIDE*
LS RS
MIDDLE*
LS
LS
LS RS
RS
L C R
RS
L
LS
LS RS
RS
C R
BEHIND*
LS
L
LS
LS RS
RS
* See page 21
C R
RS
LS RS
LS
LS RS
RS
32
Sound field Effect
VIRTUAL ENHANCED A 1)
(Virtual Enhanced Surround A)
Uses 3D sound imaging to create 3 sets of virtual rear speakers from the sound of the front speakers without using actual rear speakers.
Notes
L C R
LS RS
VIRTUAL ENHANCED B 1)
(Virtual Enhanced Surround B)
Uses 3D sound imaging to create 1 set of virtual rear speakers from the sound of the front speakers without using actual rear speakers.
L C R
LS RS
LS
LS RS
RS
DIGITAL CONCERT HALL A Reproduces the acoustics of a concert hall using multispeaker system for software with 2 channel signals like
CDs. This mode uses 3D sound imaging to reproduce the sound characteristics of the representative
CONCERTGEBOUW in Amsterdam which is famous for its unique sound characteristics that create a large sound stage due to its sound reflection.
DIGITAL CONCERT HALL B Reproduces the acoustics of a concert hall using multispeaker system for software with 2 channel signals like
CDs. This mode uses 3D sound imaging to reproduce the sound characteristics of the representative
MUSIKVEREIN in Vienna which is famous for its hall resonant due to its unique reverberative sound.
SMALL HALL Reproduces the acoustics of a small rectangular concert hall.
Ideal for soft acoustic sounds.
CHURCH Reproduces the acoustics of a church using multi-speaker system for software with 2 channel signals like CDs. This mode uses 3D sound imaging to reproduce the reverberations that extend toward the ceiling like that of a church.
Ideal for sources with low reverberations.
OPERA HOUSE
JAZZ CLUB
DISCO/CLUB
Reproduces the acoustics of an opera house.
Reproduces the acoustics of a jazz club.
Reproduces the acoustics of a discotheque/dance club.
Ideal for musicals and opera.
LIVE HOUSE
ARENA
Reproduces the acoustics of a 300-seat live house.
Reproduces the acoustics of a 1000-seat concert hall.
Great for rock or pop music.
STADIUM Reproduces the feeling of a large open-air stadium.
Great for sporting events or electric
(amplified) music.
GAME Obtains maximum audio impact from video game software.
Be sure to set the game machine to stereo mode when using game software with stereo sound capabilities.
1) “VIRTUAL” sound field: Sound field with virtual speakers.
Notes
• The effects provided by the virtual speakers may cause increased noise in the playback signal.
• When listening to sound fields that employ the virtual speakers, you will not be able to hear any sound coming directly from the rear speakers.
33
Selecting a Sound Field
Use the buttons on the front panel to operate the following modes
AUTO FORMAT DECODING
(Press the A.F.D. button)
Automatically detects the type of audio signal being input (Dolby Digital, DTS, Dolby Pro Logic, or standard
2 channel stereo) and performs the proper decoding if necessary. This mode presents the sound as it was recorded/encoded, without adding any effects.
2 CHANNEL
(Press the 2CH button)
Outputs the sound from the front left and right speakers only. Standard two channel (stereo) sources completely bypass the sound field processing. Multi channel surround formats are downmixed to two channels.
ANALOG DIRECT
(Press the ANALOG DIRECT button)
The analog input signal is not digitally processed. Only volume control and the balance between the front left and front right speakers can be adjusted.
You can use this mode as a reference. Set the equalizer to OFF while using this mode to hear the source sound exactly as it was recorded.
This allows you to play any source using only the front left and right speakers.
This mode is suitable for the enjoyment of high quality analog audio sources.
Note
No sound is output from the sub woofer when the 2 CHANNEL mode is selected. To listen to two channel (stereo) sources using the front left and right speakers and a sub woofer, use the AUTO FORMAT DECODING mode.
34
Understanding the Multi-Channel Surround Displays
1 2
L C R
L F E
LS S RS a
DIGITAL
PRO LOGIC
EQ D.RANGE
q; 9 8 7
1 Playback channel indicators
The letters light to indicate the channels being played back.
L: Front Left
C: Center (monaural)
RS: Right Surround
R: Front Right
LS: Left Surround
S: Surround (monaural, the rear components obtained by Pro Logic processing, or when performing
6.1 MATRIX decoding)
The boxes around the letters light to indicate the speakers used to playback the channels.
2 ; DIGITAL
This indicator lights when a sound field other than
2 CHANNEL is selected and the unit is decoding signals recorded in the Dolby Digital (AC-3) format.*
* However, this indicator does not light when the recording format is 2/0 or when the Dolby Surround encoded flag is ON.
3 COAX
Lights up when the source signal is a digital signal being input through the COAXIAL terminal.
4 OPT
Lights up when the source signal is a digital signal being input through the OPTICAL terminal.
5 Tuner indicators
These indicators light when using the receiver to tune in radio stations, etc. See pages 45~48 for tuner operations.
6 ;
Lights when Dolby Digital (AC-3) signals are input.
3 4 5
OPT
COAX a
MONO STEREO
MEMORY
RDS
6
7 PRO LOGIC
Lights when this unit applies Pro Logic processing to two channel signals in order to output the center and surround channel signals.*
* However, this indicator does not light if the center and rear L/R speakers are set to “NO” and the A.F.D. or NORMAL
SURROUND sound fields are selected. This indicator also does not light when SPEAKERS selector is set to OFF.
8 D. RANGE
Lights when dynamic range compression is active. See page 39 to adjust the dynamic range compression.
9 EQ
Lights when the equalizer functions. However, even if
EQ 1 ~ 5 is selected, the indicator does not light when the equalizer is flat.
0 L.F.E.
The letters “L.F.E.” light up when the disc being played contains the LFE (Low Frequency Effect) channel. When the sound of the LFE channel signal is actually being reproduced, the bars underneath the letters lights up to indicate the level. Since the LFE signal is not recorded in all parts of the input signal the bar indication will fluctuate (and may turn off) during playback.
35
Customizing Sound Fields
By adjusting the surround parameters and the equalization of the front, rear and center speakers, you can customize the sound fields to suit your particular listening situation.
Once you customize a sound field, the changes are stored in the memory indefinitely (unless the receiver is unplugged for about two weeks). You can change a customized sound field any time by making new adjustments to the parameters.
See the table on pages 41~44 for the parameters available in each sound field.
To get the most from multi channel surround sound
Position your speakers and do the procedures described in “Multi Channel Surround Setup” starting from page 18 before you customize a sound field.
Adjusting the surround parameters
The SURROUND menu contains parameters that let you customize various aspects of the current sound field. The settings available in this menu are stored individually for each sound field.
1
Start playing a program source encoded with multi channel surround sound.
2
Press SURROUND.
The button lights up and the first parameter is displayed.
3
Press the cursor buttons ( or ) to select the parameter you want to adjust.
4
Turn the jog dial to select the setting you desire.
The setting is entered automatically.
6.1ch Matrix (6.1 MATRIX)
Initial setting : AUTO
This parameter can be used when NORMAL SURROUND is selected. According to the setting, the receiver decodes and downmixes the rear center signal to the rear L/R speakers for 6.1 channel encoded sources. This parameter lets you enjoy the appropriate surround sound from the rear channels.
• When set to “AUTO”, the receiver performs 6.1ch
MATRIX decoding only if 6.1ch signals decode flag is
ON.
• When set to “ON”, the receiver performs 6.1ch MATRIX decoding only if the rear signals are 2channel, regardless of the 6.1ch decode flag.
• When set to “OFF”, the receiver does not perform 6.1ch
MATRIX decoding.
Pro Logic (PRO LOGIC)
Initial setting : AUTO
This parameter lets you specify the Pro Logic decoding setting.
• When set to “AUTO”, the receiver performs PRO
LOGIC decoding if Dolby surround encoded flag is ON or if Pro Logic decoding produces a better sound field.
• When set to “ON”, the receiver performs PRO LOGIC decoding on rear signals, regardless of the Dolby surround encoded flag.
• When set to “OFF”, the receiver does not perform PRO
LOGIC decoding.
Effect level (EFFECT)
Initial setting : (depends on sound mode)
This parameter lets you adjust the “presence” of the current surround effect.
Wall type (WALL)
Initial setting : midpoint
When sound is reflected off soft material, such as a curtain, the high frequency elements are reduced. A hard wall is highly reflective and does not significantly effect the frequency response of the reflected sound. This parameter lets you control the level of the high frequencies to alter the sonic character of your listening environment by simulating a softer (S) or harder (H) wall.
The midpoint designates a neutral wall (made of wood).
36
Reverberation time (REVERB)
Initial setting : midpoint
Before sound reaches our ears, it is reflected
(reverberated) many times between he left and right walls, ceiling, and floor. In a large room, sound takes more time to bounce from one surface to another than in a smaller room. This parameter lets you control the spacing of the early reflections to simulate a sonically longer (L) or shorter (S) room.
• The reverberation can be adjusted ±8 from S (short, –8) to L (long, +8) in 17 steps.
• The midpoint (0) designates a standard room with no adjustment.
Front reverberation (FRONT REVERB)
Initial setting : standard
This setting operates in DIGITAL CONCERT HALL A or B only. Adjust the amount of reverberations to add to the front signals according to the original reverberations in the source. To increase front reverberations, set to “WET”; to decrease front reverberations, set to “DRY”.
Screen depth (SCREEN DEPTH)
Initial setting : MID
In a movie theater, sound seems to come from inside the image reflected on the movie screen. This parameter allows you to create the same sensation in your listening room by shifting the sound of the front speakers “into” the screen.
• The screen depth can be set to OFF, MID, or DEEP.
• DEEP provides the greatest amount of screen depth.
Virtual speaker (VIR. SPEAKERS)
Initial setting : ON
Allows you turn the virtual speakers created by the
CINEMA STUDIO EX. A, B, C and SEMI CINEMA
STUDIO EX. A, B, C sound fields off or on.
Rear reflection enhancer (REAR ENHANCER)
Initial setting : ON
This is a setup that adds the effect of a broader sound obtained from the sound of the surround channel even when the surround channel sound is monaural. This setting operates in CINEMA STUDIO EX. A, B, C and
SEMI CINEMA STUDIO EX. A, B, C.
• When ON is set, the effect is automatically applied to sources recorded in Dolby Pro Logic or Dolby Digital
[2/1], [3/1] surround channel
• When OFF is set, there is no effect added.
Bass adjustment (Gain/Frequency)
Unlike the equalizer in the equalizer menu (which allows you to individually adjust the overall sound quality of each set of speakers) these parameters allow you to individually adjust the tonal quality of each sound field.
1 Press the cursor buttons ( or ) repeatedly to select the gain (dB) or frequency (Hz).
2 Turn the jog dial to adjust.
Repeat until you achieve the sound you desire.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 99 Hz to 1.0 kHz in
21 steps.
Midrange adjustment (Gain/Frequency)
Adjust as described in “Bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 198 Hz to 10.0 kHz in 37 steps.
Midrange bandwidth
This parameter lets you adjust the width of the midrange band.
• “WIDE” provides a wide band centered on the selected frequency, for general adjustments.
• “MIDDLE” provides a normal band.
• “NARROW” provides a narrow band centered on the selected frequency, for specific adjustments.
Treble adjustment (Gain/Frequency)
Adjust as described in “Bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 1.0 kHz to 10.0 kHz in 23 steps.
37
Customizing Sound Fields
Adjusting the level parameters
The LEVEL menu contains parameters that let you adjust the balance and speaker volumes of each speaker. The settings available in this menu are applied to all sound fields.
1
Start playing a program source encoded with multi channel surround sound.
2
Press LEVEL.
The button lights up and the first parameter is displayed.
3
Press the cursor buttons ( or ) to select the parameter you want to adjust.
4
Turn the jog dial to select the setting you desire.
The setting is entered automatically.
Front balance (FRONT)
Initial setting : center
Lets you adjust the balance between the front left and right speakers. The level can even be adjusted during
5.1 CH input.
• The balance can be adjusted ±8 dB in 1 dB steps.
• This settings can also be adjusted using the supplied remote. See “Adjusting the speaker volume” (page 22).
Rear L/R balance (REAR)
Initial setting : center
Lets you adjust the balance between the rear left and right speakers. The level can even be adjusted during 5.1 CH input.
• The balance can be adjusted ±8 dB in 1 dB steps.
• This settings can also be adjusted using the supplied remote. See “Adjusting the speaker volume” (page 22).
Center level (CENTER)
Initial setting : 0 dB
Lets you adjust the level of the center speaker. The level can even be adjusted during 5.1 CH input.
• The level can be adjusted in 1 dB steps from –10 dB to
+10 dB.
Rear L/R level (REAR L/R)
Initial setting : 0 dB
Lets you adjust level of the rear (left and right) speakers.
The level can even be adjusted during 5.1 CH input.
• The level can be adjusted in 1 dB steps from –10 dB to
+10 dB.
• This settings can also be adjusted directly using the supplied remote. See “Adjusting the speaker volume”
(page 22).
Rear center level (REAR CENTER)
Initial setting : 0 dB
Lets you adjust the level of the rear center speaker.
• The level can be adjusted in 1 dB steps from –10 dB to
+10 dB.
Sub woofer level (SUB WOOFER)
Initial setting : 0 dB
Lets you adjust the level of the sub woofer. The level can even be adjusted during 5.1 CH input.
• The level can be adjusted in 1 dB steps from –10 dB to
+10 dB.
LFE (Low Frequency Effect) mix level
Initial setting : 0 dB
This parameter lets you attenuate the level of the LFE
(Low Frequency Effect) channel output from the sub woofer without effecting the level of the bass frequencies sent to the sub woofer from the front, center or rear channels via the Dolby Digital (AC-3) bass redirection circuitry.
• The level can be adjusted in 1 dB steps from –20 dB to
0 dB (line level). 0 dB outputs the full LFE signal at the mix level determined by the recording engineer.
• Selecting OFF mutes the sound of the LFE channel from the sub woofer. However, the low frequency sounds of the front, center, or rear speakers are output from the sub woofer according to the settings made for each speaker in the speaker setup (page 18~20).
38
dts LFE (Low Frequency Effect) mix level
Initial setting : 0 dB
This parameter lets you attenuate the level of the LFE
(Low Frequency Effect) channel output from the sub woofer without effecting the level of the bass frequencies sent to the sub woofer from the front, center or rear channels via the “dts” bass redirection circuitry.
• The level can be adjusted in 1 dB steps from +10 dB to
–20 dB (line level).
• Selecting OFF mutes the sound of the LFE channel from the sub woofer. However, the low frequency sounds of the front, center, or rear speakers are output from the sub woofer according to the settings made for each speaker in the speaker setup (page 18~20).
z
About the level differences in the LFE MIX settings
The “dts LFE MIX” level is set to +10.0 dB and “LFE MIX” (Dolby
Digital) is set to 0 dB.
Dynamic range compressor (D. RANGE COMP)
Initial setting : OFF
Lets you compress the dynamic range of the sound track.
This may be useful when you want to watch movies at low volumes late at night.
• OFF reproduces the sound track with no compression.
• STD reproduces the sound track with the dynamic range intended by the recording engineer.
• 0.1 ~ 0.9 allow you to compress the dynamic range in small steps to achieve the sound you desire.
• MAX provides a dramatic compression of the dynamic range.
Note
Dynamic range compression is possible with Dolby Digital sources only.
z
About the Dynamic Range Compressor
This parameter allows you to compress the dynamic range of the soundtrack based on the dynamic range information included in the Dolby Digital signal. “STD” is standard compression, but because many sources have only light compression, you may not notice much difference when using 0.1~0.9.
Therefore, we recommend using the “MAX” setting. This greatly compresses the dynamic range and allows you to view movies late at night at low volumes. Unlike analog limiters, the levels are predetermined and provide a very natural compression.
Adjusting the equalizer
The EQ menu lets you adjust the equalization (bass, mid, and treble frequencies) of the front, center, rear L/R and rear center speakers individually. The equalizer bank lets you store up to 5 different equalizer settings.
The following menu is only available after pressing EQ
BANK and selecting one of the equalizers (EQ 1 ~ 5).
1
Start playing a program source encoded with multi channel surround sound.
2
Press EQ.
The button lights up and the first parameter is displayed.
3
Press the cursor buttons ( or ) to select the parameter you want to adjust.
4
Turn the jog dial to select the setting you desire.
The setting is entered automatically.
z
You can turn off the equalization without erasing it
The equalizer settings are stored separately for each sound field.
Press the EQ BANK button repeatedly until EQ [OFF] is displayed.
Front speaker bass adjustment (Gain/Frequency)
1 Use the cursor buttons ( / ) to select the gain (dB) or frequency (Hz).
2 Use the jog dial to adjust.
Repeat until you achieve the sound you desire.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 99 Hz to 1.0 kHz in
21 steps.
Front speaker midrange adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
Gain (dB)
Frequency (Hz)
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 198 Hz to 10.0 kHz in 37 steps.
Front speaker midrange bandwidth
This parammeter lets you adjust the width of the midrange band.
• “WIDE” provides a wide band centered on the selected frequency, for general adjustments.
• “MIDDLE” provides a normal band.
• “NARROW” provides a narrowband centered on the selected frequency, for specific adjustments.
39
Customizing Sound Fields
Front speaker treble adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 1.0 kHz to 10.0 kHz in 23 steps.
Center speaker bass adjustment (Gain/Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 99 Hz to 1.0 kHz in
21 steps.
Center speaker midrange adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 198 Hz to 10.0 kHz in 37 steps.
Center speaker midrange bandwidth
This parammeter lets you adjust the width of the midrange band.
• “WIDE” provides a wide band centered on the selected frequency, for general adjustments.
• “MIDDLE” provides a normal band.
• “NARROW” provides a narrowband centered on the selected frequency, for specific adjustments.
Center speaker treble adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 1.0 kHz to 10.0 kHz in 23 steps.
Rear L/R speaker bass adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 99 Hz to 1.0 kHz in
21 steps.
Rear L/R speaker midrange adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 198 Hz to 10.0 kHz in 37 steps.
Rear L/R speaker midrange bandwidth
This parammeter lets you adjust the width of the midrange band.
• “WIDE” provides a wide band centered on the selected frequency, for general adjustments.
• “MIDDLE” provides a normal band.
• “NARROW” provides a narrowband centered on the selected frequency, for specific adjustments.
Rear L/R speaker treble adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 1.0 kHz to 10.0 kHz in 23 steps.
Rear center speaker bass adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 99 Hz to 1.0 kHz in
23 steps.
Rear center speaker midrange adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 198 Hz to 10.0 kHz in 37 steps.
Rear center speaker midrange bandwidth
This parammeter lets you adjust the width of the midrange band.
• “WIDE” provides a wide band centered on the selected frequency, for general adjustments.
• “MIDDLE” provides a normal band.
• “NARROW” provides a narrowband centered on the selected frequency, for specific adjustments.
Rear center speaker treble adjustment (Gain/
Frequency)
Adjust as described in “Front speaker bass adjustment”.
• The gain can be adjusted ±10 dB in 1 dB steps.
• The frequency can be adjusted from 1.0 kHz to 10.0 kHz in 23 steps.
Resetting customized sound fields to the factory settings
1
If the power is on, press ?/1 to turn off the power.
2
Hold down MODE + and press ?/1.
“S.F Initialize” appears in the display and all sound fields are reset at once.
40
Adjustable parameters for each sound field
< SURROUND >
6.1
PRO EFFECT WALL REVERB FRONT SCREEN VIRTUAL REAR BASS BASS MID MID MID TREBLE TREBLE
MATRIX LOGIC LEVEL TYPE TIME REVERB DEPTH SPEAKER ENHANCER GAIN FREQ GAIN FREQ SLOPE GAIN FREQ
2CH
AUTO FORMAT DECODING
ANALOG DIRECT
NORMAL SURROUND
CINEMA STUDIO EX. A
CINEMA STUDIO EX. B
CINEMA STUDIO EX. C
VIRTUAL MATRIX 6.1
SEMI CINEMA STUDIO EX. A
SEMI CINEMA STUDIO EX. B
SEMI CINEMA STUDIO EX. C
NIGHT THEATER
MONO MOVIE
STEREO MOVIE
HEADPHONE THEATER
V. MULTI DIMENSION
V. MULTI REAR
V. SEMI-M. DIMENSION
VIRTUAL ENHANCED A
VIRTUAL ENHANCED B
DIGITAL CONCERT HALL A
DIGITAL CONCERT HALL B
SMALL HALL
CHURCH
OPERA HOUSE
JAZZ CLUB
DISCO/CLUB
LIVE HOUSE
ARENA
STADIUM
GAME
5.1CH
PCM96K z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z z:can be stored in each sound field.
41
Customizing Sound Fields
Adjustable parameters for each sound field (continued)
x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x
2CH
AUTO FORMAT DECODING
ANALOG DIRECT
NORMAL SURROUND
CINEMA STUDIO EX. A
CINEMA STUDIO EX. B
CINEMA STUDIO EX. C
VIRTUAL MATRIX 6.1
SEMI CINEMA STUDIO EX. A
SEMI CINEMA STUDIO EX. B
SEMI CINEMA STUDIO EX. C
NIGHT THEATER
MONO MOVIE
STEREO MOVIE
HEADPHONE THEATER
V. MULTI DIMENSION
V. MULTI REAR
V. SEMI-M. DIMENSION
VIRTUAL ENHANCED A
VIRTUAL ENHANCED B
DIGITAL CONCERT HALL A
DIGITAL CONCERT HALL B
SMALL HALL
CHURCH
OPERA HOUSE
JAZZ CLUB
DISCO/CLUB
LIVE HOUSE
ARENA
STADIUM
GAME
5.1CH
PCM96K
< LEVEL
FRONT REAR CENTER REAR L/R REAR WOOFER LFE
BALANCE BALANCE LEVEL LEVEL CENTER LEVEL MIX x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x
> dts LFE DRANGE
MIX* COMP* x x x x x:The stored parameter is applied to all of the sound fields.
* These parameters may not operate depending on the source or may not operate as adjusted. For details, see each item in “Adjusting the level parameters” (page 38).
42 x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x
Adjustable parameters for each sound field (continued)
< EQUALIZER (BANK) >
< FRONT > < CENTER >
B.GAIN B.FREQ M.GAIN M.FREQ M.SLOPE T.GAIN T.FREQ B.GAIN B.FREQ M.GAIN M.FREQ M.SLOPE T.GAIN T.FREQ
2CH
AUTO FORMAT DECODING
ANALOG DIRECT
NORMAL SURROUND
CINEMA STUDIO EX. A
CINEMA STUDIO EX. B
CINEMA STUDIO EX. C
VIRTUAL MATRIX 6.1
SEMI CINEMA STUDIO EX. A
SEMI CINEMA STUDIO EX. B
SEMI CINEMA STUDIO EX. C
NIGHT THEATER
MONO MOVIE
STEREO MOVIE
HEADPHONE THEATER
V. MULTI DIMENSION
V. MULTI REAR
V. SEMI-M. DIMENSION
VIRTUAL ENHANCED A
VIRTUAL ENHANCED B
DIGITAL CONCERT HALL A
DIGITAL CONCERT HALL B
SMALL HALL
CHURCH
OPERA HOUSE
JAZZ CLUB
DISCO/CLUB
LIVE HOUSE
ARENA
STADIUM
GAME
5.1CH
PCM96K
: can be stored in each equalizer bank.
43
Customizing Sound Fields
Adjustable parameters for each sound field (continued)
< EQUALIZER (BANK) >
< REAR L/R > < REAR CENTER >
B.GAIN B.FREQ M.GAIN M.FREQ M.SLOPE T.GAIN T.FREQ B.GAIN B.FREQ M.GAIN M.FREQ M.SLOPE T.GAIN T.FREQ
2CH
AUTO FORMAT DECODING
ANALOG DIRECT
NORMAL SURROUND
CINEMA STUDIO EX. A
CINEMA STUDIO EX. B
CINEMA STUDIO EX. C
VIRTUAL MATRIX 6.1
SEMI CINEMA STUDIO EX. A
SEMI CINEMA STUDIO EX. B
SEMI CINEMA STUDIO EX. C
NIGHT THEATER
MONO MOVIE
STEREO MOVIE
HEADPHONE THEATER
V. MULTI DIMENSION
V. MULTI REAR
V. SEMI-M. DIMENSION
VIRTUAL ENHANCED A
VIRTUAL ENHANCED B
DIGITAL CONCERT HALL A
DIGITAL CONCERT HALL B
SMALL HALL
CHURCH
OPERA HOUSE
JAZZ CLUB
DISCO/CLUB
LIVE HOUSE
ARENA
STADIUM
GAME
5.1CH
PCM96K
: can be stored in each equalizer bank.
44
Receiving
Broadcasts
This chapter describes how to receive
FM or AM broadcasts and how to preset selected stations.
You can tune in stations on this receiver in the following ways:
Direct Tuning
You can enter a frequency of the station you want directly by using the numeric buttons on the supplied remote (see page 46).
Automatic Tuning
If you don’t know the frequency of the station you want, you can let the receiver scan all available stations in your area (see page 47).
Preset Tuning
After you have tuned in stations using Direct Tuning or
Automatic Tuning, you can preset them to the receiver
(see page 47). Then you can tune in any of the stations directly by entering its 2-character code using the supplied remote (see page 48). Up to 30 FM or AM stations can be preset. The receiver will also scan all the stations that you have preset (see page 48).
Before you begin, make sure you have:
• Connected FM and AM antennas to the receiver (see page 5).
45
DISPLAY
PRESET TUNING +/–
FM/AM TUNING +/–
1 / u
OFF
A+B
A
B
– + – +
– +
3
2
1
4
5
6
0 10
7
9
8
FM MODE MEMORY FUNCTION
Brief descriptions of buttons used to receive broadcasts
PRESET TUNING +/– buttons: Press to scan all preset radio stations.
DISPLAY button: Press to display the RDS information.
MEMORY button: Uses for memorizing preset stations.
TUNING +/– buttons: Press to scan all available radio stations.
FUNCTION control: Rotate to select the tuner.
FM MODE button: If “STEREO” flashes in the display and the FM stereo reception is poor, press this button to improve the sound. You will not be able to enjoy stereo effect but the sound will be less distorted.
Note
If “STEREO” does not appear at all even when the FM broadcast is received normally, press this button to turn on the “STEREO” indication.
FM/AM button: Press to select the FM or AM band.
Direct Tuning
Use the supplied remote to perform the following operations. For details on the buttons used in this section, see the operating instructions for the supplied remote.
1
Rotate FUNCTION to select the tuner.
The last received station is tuned in.
2
Press FM/AM to select the FM or AM band.
3
Press D. TUNING.
4
Press the numeric buttons to enter the frequency.
Example 1: FM 102.50 MHz
1 b
0 b
2 b
5 b
0
Example 2: AM 1350 kHz
(You don’t have to enter the last “0” when the tuning scale is set to 10 kHz.)
1 b
3 b
5 b
0
If you cannot tune in a station and the entered numbers flash
Make sure you’ve entered the right frequency. If not, repeat Steps 3 and 4.
If the entered numbers still flash, the frequency is not used in your area.
5
If you’ve tuned in an AM station, adjust the direction of the AM loop antenna for optimum reception.
6
Repeat Steps 2 to 5 to receive another station.
z
If you try to enter a frequency that is too precise for the tuning scale
The entered value is automatically rounded up or down.
The tuning scale for direct tuning:
FM: 50 kHz
AM: 10 kHz (Can be changed to 9 kHz. To change the AM tuning scale, see page 59.)
46
Automatic Tuning
For details on the buttons used in this section, see “Brief descriptions of buttons used to receive broadcasts” on page 46.
1
Rotate FUNCTION to select the tuner.
The last received station is tuned in.
2
Press FM/AM to select the FM or AM band.
3
Press TUNING + or TUNING –.
Press the + button to scan from low to high; press the – button to scan from high to low.
The receiver stops scanning whenever a station is received.
When the receiver reaches either end of the band
Scanning is repeated in the same direction.
4
To continue scanning, press TUNING + or TUNING – again.
Preset Tuning
For details on the buttons used in this section, see “Brief descriptions of buttons used to receive broadcasts” on page 46.
Before tuning to preset stations, be sure to preset them by performing steps on “Presetting radio stations” below.
Presetting radio stations
1
Rotate FUNCTION to select the tuner.
The last received station is tuned in.
2
Tune in the station that you want to preset using
Direct Tuning (page 46) or Automatic Tuning (page
47).
3
Press MEMORY.
“MEMORY” appears in the display for a few seconds.
Do Steps 4 and 5 before “MEMORY” goes out.
4
Press PRESET TUNING + or PRESET TUNING – to select a preset number.
If “MEMORY” goes out before you press the preset number, start again from Step 3.
5
Press MEMORY again to store the station.
If “MEMORY” goes out before you press the preset number, start again from Step 3.
6
Repeat Steps 2 to 5 to preset another station.
To change a preset number to another station
Do Steps 1 to 6 to preset the new station to the number.
Note
If the AC power cord is disconnected for about two weeks, all the preset stations will be cleared from the receiver’s memory, and you will have to preset the stations again.
47
Preset Tuning
Tuning to preset stations
You can tune the preset stations either of the following two ways.
Scanning the preset stations
1
Rotate FUNCTION to select the tuner.
The last received station is tuned in.
2
Press PRESET TUNING + or PRESET TUNING – repeatedly to select the preset station you want.
Each time you press the button, the receiver tunes in one preset station at a time, in the corresponding order and direction as follows: nA1˜A2˜...˜A0˜B1˜B2˜...˜B0N nC0˜...C2˜C1N
Using the preset codes
Use the supplied remote to perform the following operations. For details on the buttons used in this section, see the operating instructions for the supplied remote.
1
Rotate FUNCTION to select the tuner.
The last received station is tuned in.
2
For remotes without a display:
Press SHIFT to select a memory pare (A, B, or C), then press the preset number of the station you want using the numeric buttons on the supplied remote.
For remotes with a display:
Select the preset station you want from the list displayed on the supplied remote when TUNER is selected.
48
Other
Operations
1 / u
A + B
OFF
A
B
– +
Cursor buttons SET UP
3
2
1
4
5
6
7
9
8
0 10
– +
– +
SLEEP NAME ENTER FUNCTION
Jog dial
Brief descriptions of buttons that appear in this chapter
NAME button: Press to name preset stations or program sources.
Jog dial: Use to select characters when naming preset stations or program sources.
Cursor buttons ( / ): Use to move the cursor when naming preset stations or program sources.
SLEEP button: Press to activate the sleep function.
FUNCTION control: Rotate to select the tuner or other source.
SET UP button: Press to enter the set up mode.
ENTER button: Press to enter the completed name of the preset station or program source.
49
Naming Preset Stations and
Program Sources
You can enter a name of up to 8 characters for preset stations and program sources. These names (for example,
“VHS”) appear in the receiver’s display when a station or program source is selected.
Note that no more than one name can be entered for each preset station or program source.
This function is useful for distinguishing components of the same kind. For example, two VCRs can be specified as “VHS” and “8mm,” respectively. It is also handy for identifying components connected to jacks meant for another type of component, for example, a second CD player connected to the MD/DAT jacks.
1
To index a preset station
Rotate FUNCTION to select the tuner.
The last station you received is tuned in.
To index a program source
Select the program source (component) to be named, then go to Step 3.
2
Tune in the preset station you want to create an index name for.
If you are not familiar with how to tune in preset stations, see “Tuning to preset stations” on page 48.
3
Press NAME.
4
Create an index name by using the jog dial and cursor buttons:
Turn the jog dial to select a character, then press to move the cursor to the next position.
To insert a space
Turn the jog dial until a blank space appears in the display.
If you’ve made a mistake
Press or repeatedly until the character to be changed flashes, then turn the jog dial to select the right character.
5
Press ENTER.
To assign index names to other stations
Repeat Steps 2 to 5.
50
Recording
Your receiver makes it easy to record to and from the components connected to it. You don’t have to connect the playback and recording components directly to each other: once you select a program source on the receiver, you can record and edit as you normally would using the controls on each component.
Before you begin, make sure you’ve connected all components properly.
1 / u
2
3
1
4
5
6
0 10
7
8
9
A + B
OFF
A
B
– + – +
– +
FUNCTION
Playback component
(program source) l: Audio signal flow
.: Video signal flow
Recording component
(tape deck, MD deck,
VCR)
Recording on an audio tape or MiniDisc
You can record on a cassette tape or MiniDisc using the receiver. See the instruction manual of your cassette deck or MD deck if you need help.
1
Select the component to be recorded.
2
Prepare the component for playing.
For example, insert a CD into the CD player.
3
Insert a blank tape or MD into the recording deck and adjust the recording level, if necessary.
4
Start recording on the recording deck, then start playback on the playback component.
Notes
• You cannot record a digital audio signal using a component connected to the analog TAPE OUT or MD/DAT OUT jacks. To record a digital audio signal, connect a digital component to the
DIGITAL MD/DAT OUT jacks.
• Sound adjustments do not affect the signal output from the
TAPE OUT or MD/DAT OUT jacks.
• The analog audio signals of the currect function is output from the REC OUT jacks. When you use AUDIO SPLIT to assign a digital audio input (for example, MD/DAT OPTICAL), the analog audio signals of the assigned audio (for example, MD/
DAT ANALOG) is output.
• When 5.1CH INPUT is selected, audio signals are not output from REC OUT jacks.
• No signals output from DIGITAL OUT jacks (MD/DAT OPTICAL
OUT) when you select ANALOG DIRECT. The digital circuitry power is cut off to ensure a superior sound quality.
Recording on a video tape
You can record from a VCR, a TV, or an LD player using the receiver. You can also add audio from a variety of audio sources when editing a video tape. See your VCR or LD player’s instruction manual if you need help.
1
Select the program source to be recorded.
2
Prepare the component for playing.
For example, insert the laser disc you want to record into the LD player.
3
Insert a blank video tape into the VCR (VIDEO 1 or
VIDEO 2) for recording.
4
Start recording on the recording VCR, then start playing the video tape or laser disc you want to record.
z
You can record the sound from any audio source onto a video tape while copying from a video tape or laser disc
Locate the point where you want to start recording from another audio source, select the program source, then start playback. The audio from that source will be recorded onto the audio track of the video tape instead of the audio from the original medium.
To resume audio recording from the original medium, select the video source again.
Notes
• Please be sure to make both digital and analog connections to the TV/SAT and DVD/LD inputs. Analog recording is not possible if you only make digital connections.
• Some sources contain copy guards to prevent recording. In this case, you may not be able to record from the sources.
• The analog audio signals of the currect function is output from the REC OUT jacks. When you use AUDIO SPLIT to assign a digital audio input (for example, MD/DAT OPTICAL), the analog audio signals of the assigned audio (for example, MD/
DAT ANALOG) is output.
• When 5.1CH INPUT is selected, audio signals are not output from REC OUT jacks.
Using the Sleep Timer
You can set the receiver to turn off automatically at a specified time.
Press SLEEP on the front panel or on the remote while the power is on.
Each time you press SLEEP, the time changes as shown below.
n 2:00:00 n 1:30:00n 1:00:00 n 0:30:00 n OFF
The display dims after you have specified the time.
z
You can freely specify the time
First, press SLEEP, then specify the time you want using the jog dial on the receiver. The sleep time changes in 1 minute intervals.
You can specify up to 5 hours.
z
off
You can check the time remaining before the receiver turns
Press SLEEP. The remaining time appears in the display.
51
Adjustments Using the SET UP Button
The SET UP button allows you to make the following adjustments.
Selecting the 5.1CH video input
This parameter lets you specify the video input to be used with the audio signals from the 5.1CH INPUT jack. The
5.1CH video input is set to DVD/LD by default.
1
Press SET UP.
2
Press the cursor buttons ( or ) to select
“5.1CH V:”.
3
Turn the jog dial to select the video input you want.
Power to digital circuitry
“AUTO OFF” turns off the power of the unnecessary digital circuits automatically when you use analog inputs or functions like ANALOG DIRECT that bypass digital processing. You can enjoy the analog source without the influence of digital circuits. “ALWAYS ON” keeps the power of digital circuits on. Select when set to AUTO OFF and you do not like the time lag when digital circuits are turned on, etc. The default setting is “AUTO OFF”.
1
Press SET UP.
2
Press the cursor buttons ( or ) to select “D.
POWER”.
3
Turn the jog dial to select “AUTO OFF” or “ALWAYS
ON”.
Power to video circuitry
“AUTO OFF” turns off the power of video circuits automatically when there are unnecessary. You can enjoy the sound without the influence of the video circuits.
“ALWAYS ON” keeps the power of video circuits on.
Depending on the moniter, noise may be produced or the picture may be distorted when the power of the video circuits is turned on. In this case, select “ALWAYS ON”.
The default setting is “AUTO OFF”.
1
Press SET UP.
2
Press the cursor buttons ( or ) to select “V.
POWER”.
3
Turn the jog dial to select “AUTO OFF” or “ALWAYS
ON”.
Sound Field Link
When set to “ON”, the sound field that was last applied to a program source is automatically applied whenever it is selected. For example, if you listen to CD with STADIUM as the sound field, change to a different program source, then return to CD, STADIUM will be applied again. If you do not want to use this function, set to “OFF”. The default setting is “ON”.
1
Press SET UP.
2
Press the cursor buttons ( or ) to select “S. F
LINK”.
3
Turn the jog dial to select “ON” or “OFF”.
Adjusting the CONTROL A1 auto function
Turning on the CONTROL A1 auto function parameter lets you turn Sony components connected via CONTROL
A1 cords (see page 12) on automatically when you press the corresponding function button.
Auto function is set to ON by default.
1
Press SET UP.
2
Press the cursor buttons ( or ) to select “AUTO
FUNCTION.”
3
Turn the jog dial to select “ON” or “OFF.”
52
Setting up the 2 way remote
This receiver is shipped from the factory with the 2 way remote control system set to “ON”. Normally, you can use the receiver as is.
However, if you want to use this receiver together with another component that is also compatible with the 2 way remote control system, be sure to perform the following operation to limit response to signals sent from the remote controls.
To use with the TA-E9000ES
Perform the following steps to turn OFF this unit’s 2 way remote control system. Also, be sure the TA-E9000ES is turned on when using this unit.
To use with other components that have the logo
Turn OFF the other component’s 2 way remote control system. For details, refer to the operating instructions suppled with your other components.
To use with Sony CD players CDP-CX260 or CDP-
CX88ES
Turn OFF the remote control adapter switch on the
CDP-CX260 or CDP-CX88ES. For details, refer to the operating instructions suppled with the CDP-CX260 or
CDP-CX88ES.
Also when using several 2 way remote control system components together, be sure to place them close together in order to enable proper remote operation.
1
Press SET UP.
2
Press the cursor buttons ( or ) to select “2 WAY
REMOTE”.
3
Turn the jog dial to select “ON” or “OFF”.
Selecting the command mode of the remote
Change the command mode of the receiver and the supplied remote (RM-LJ304) from its default “AV1” setting to “AV2” in the following cases:
• When you want to change the output from the 2ND AV jacks using RM-US104 in the 2nd room (STR-V444ES only).
• When you want to use 2 Sony receivers in the same room with the remote.
1
Press SET UP.
2
Press the cursor buttons ( or ) to select
“COMMAND MODE”.
3
Turn the jog dial to select “AV1” or “AV2”.
Notes
• When you change the command mode of the receiver to “AV2”, be sure to change the command mode of the supplied remote
(RM-LJ304) to “AV2”. For details, see the operating instructions for the supplied remote (RM-LJ304).
• For details on how to use RM-US104, see the operating instructions for the supplied remote (RM-US104).
Selecting the color of the on-screen display
Select the color of the on-screen display. You can select either “COLOR” or “MONOCHROME”. The color of the on-screen display is set to “COLOR” by default.
1
Press SET UP.
2
Press the cursor buttons ( or ) to select “OSD
COLOR”.
3
Turn the jog dial to select “COLOR” or
“MONOCHROME”.
53
CONTROL A1 Control System
Getting Started
This section explains the basic functions of the
CONTROL A1 Control System. Certain components have special functions, like “CD Synchro Dubbing” on cassette decks, that require CONTROL A1 connections. For detailed information regarding specific operations, be sure to also refer to the
Operating Instructions supplied with your component(s).
The CONTROL A1 Control System was designed to simplify the operation of audio systems composed of separate Sony components. CONTROL A1 connections provide a path for the transmission of control signals which enable automatic operation and control features usually associated with integrated systems.
Currently, CONTROL A1 connections between a Sony
CD player, amplifier (receiver), MD deck and cassette deck provide automatic function selection and synchronized recording.
In the future the CONTROL A1 connection will work as a multifunction bus allowing you to control various functions for each component.
Notes
• The CONTROL A1 Control System is designed to maintain upward compatibility as the Control System is upgraded to handle new functions. In this case, however, older components will not be compatible with the new functions.
• Do not operate a 2 way remote control unit when the
CONTROL A1 jacks are connected via a PC interface kit to a personal computer running “MD Editor” or similar application.
Also, do not operate the connected component in a manner contrary to the functions of the application, as this may cause the application to operate incorrectly.
Connections
Connect monaural (2P) mini-plug cords in series to the
CONTROL A1 jacks on the back of each component. You can connect up to ten CONTROL A1 compatible components in any order. However, you can connect only one of each type of component (i.e., 1 CD player, 1 MD deck, 1 tape deck and 1 receiver).
(You may be able to connect more than one CD player or
MD deck, depending on the model. Refer to the operating instructions supplied with the respective component for details.)
Example
Amplifier
(Receiver)
CD player
MD deck
Tape deck
Other component
In the CONTROL A1 control system, the control signals flow both ways, so there is no distinction of IN and OUT jacks. If a component has more than one CONTROL A1 jack, you can use either one, or connect different components to each jack.
Jacks and connection examples
CONTROL A1
CONTROL A1 CD player
CONTROL A1 and CONTROL A1 compatibility
The CONTROL A1 control system has been updated to the
CONTROL A1 which is the standard system in the SONY
300 disc CD changer and other recent Sony components.
Components with CONTROL A1 jacks are compatible with components with CONTROL A1 , and can be connected to each other. Basically, the majority of the functions available with the CONTROL A1 control system will be available with the CONTROL A1 control system.
However, when making connections between components with CONTROL A1 jacks and components with CONTROL
A1 jacks, the number of functions that can be controlled may be limited depending on the component. For detailed information, refer to the Operating Instructions supplied with the component(s).
MD deck
On CONTROL A1 jacks and connections
It is possible to make connections between CONTROL A1 and CONTROL A1 jacks. For details regarding particular connections or setup options, refer to the
Operating Instructions supplied with the component(s).
About the connecting cord
Some CONTROL A1 compatible components are supplied with a connecting cord as an accessory. In this case, use the connecting cord for your connection.
When using a commercially available cord, use a monaural (2P) mini-plug cord less than 2 meters long, with no resistance (like the Sony RK-G69HG).
54
Basic Functions
The CONTROL A1 functions will operate as long as the component you want to operate is turned on, even if all of the other connected components are not turned on.
Automatic function selection
When you connect a CONTROL A1 compatible Sony amplifier (or receiver) to other Sony components using monaural mini-plug cords, the function selector on the amplifier (or receiver) automatically switches to the correct input when you press the play button on one of the connected components.
Notes
• You must connect a CONTROL A1 compatible amplifier
(receiver) using a monaural mini-plug cord in order to take advantage of the automatic function selection feature.
• This function only works when the components are connected to the amplifier (or receiver) inputs according to the names on the function buttons. Certain receivers allow you to switch the names of the function buttons. In this case, refer to the
Operating Instructions supplied with the receiver.
• When recording, do not play any components other than the recording source. It will cause the automatic function selection to operate.
Synchronized recording
This function lets you conduct synchronized recording between the selected source and recorder components.
1
Set the function selector on the amplifier (or receiver) to the source component.
2
Set the source component to pause mode (make sure both the N and X indicators light together).
3
Set the recorder component to the REC-PAUSE mode.
4
Press PAUSE on the recorder component.
The source component is released from the pause mode, and recording begins shortly thereafter.
When playback ends from the source component, recording stops.
Notes
• Do not set more than one component to the pause mode.
• Certain recorder components may be equipped with a special synchronized recording function that uses the CONTROL A1
Control System, like “CD Synchro Dubbing”. In this case, refer to the Operating Instructions supplied with the recorder component.
55
Additional
Information
Troubleshooting
If you experience any of the following difficulties while using the receiver, use this troubleshooting guide to help you remedy the problem. Also, see “Checking the connections” on page 23 to verify that the connections are correct. Should any problem persist, consult your nearest
Sony dealer.
There’s no sound or only a very low-level sound is heard.
, Check that the speakers and components are connected securely.
, Make sure that you’ve selected the correct component on the receiver.
, Make sure that you’ve set the SPEAKERS selector correctly (see page 28).
, Check whether or not a different audio input is assigned by AUDIO SPLIT.
, Press MUTING if the MUTING indicator is lit.
, The protective device on the receiver has been activated because of a short circuit. Turn off the receiver, eliminate the short-circuit problem and turn on the power again.
The left and right sounds are unbalanced or reversed.
, Check that the speakers and components are connected correctly and securely.
, Adjust front balance parameter in the LEVEL menu.
Severe hum or noise is heard.
, Check that the speakers and components are connected securely.
, Check that the connecting cords are away from a transformer or motor, and at least 10 feet (3 meters) away from a TV set or fluorescent light.
, Move your TV away from the audio components.
, Make sure you’ve grounded U SIGNAL GND terminal.
, The plugs and jacks are dirty. Wipe them with a cloth slightly moistened with alcohol.
56
No sound is heard from the center speaker.
, Make sure the sound field function is on (press
MODE +/–).
, Select a sound field containing the word “cinema” or “virtual” (see page 31~33).
, Adjust the speaker volume (see page 22).
, Make sure the center speaker size parameter is set to either SMALL or LARGE (see page 19).
No sound or only a very low-level sound is heard from the rear speakers.
, Make sure the sound field function is on (press
MODE +/–).
, Select a sound field containing the word “cinema” or “virtual” (see page 31~33).
, Adjust the speaker volume (see page 22).
, Make sure the rear speaker size parameter is set to either SMALL or LARGE (see page 19).
The surround effect cannot be obtained.
, Make sure the sound field function is on (press
MODE +/–).
, Make sure that the SPEAKERS selector is set to A or B (not A+B) if you connected two sets of front speakers.
Recording cannot be done.
, Check that the components are connected correctly.
, Select the source component by rotating
FUNCTION control.
, When recording from a digital component, make sure the input mode is set to ANALOG (see page
24) before recording with a component connected to the analog MD/DAT or TAPE terminals.
, When recording from a digital component, make sure the input mode is set to DIGITAL (see page
24) before recording with the component connected to the DIGITAL MD/DAT OUT terminals.
Radio stations cannot be tuned in.
, Check that the antennas are connected securely.
Adjust the antennas and connect an external antenna if necessary.
, The signal strength of the stations is too weak
(when tuning in with automatic tuning). Use direct tuning.
, Make sure you set the tuning interval correctly
(when tuning in AM stations with direct tuning)
(see pages 46 and 59).
, No stations have been preset or the preset stations have been cleared (when tuning by scanning preset stations). Preset the stations (see page 47).
, Press DISPLAY so that the frequency appears in the display.
No picture or an unclear picture appears on the
TV screen or monitor.
, Select the appropriate function on the receiver.
, Set your TV to the appropriate input mode.
, Move your TV away from the audio components.
The remote does not function.
, Point the remote at the remote sensor on the receiver.
, Remove any obstacles in the path between the remote and the receiver.
, Replace both batteries in the remote with new ones, if they are weak.
, Make sure the command mode of the remote and the component are the same (see page 53).
, Make sure you select the correct function on the remote.
, If the remote is set to operate the TV only, use the remote to select a source or component other than
TV before operating the receiver or other component.
Reference sections for clearing the receiver’s memory
To clear
All memorized settings
Customized sound fields
See page 17 page 40
57
Specifications
AUDIO POWER
SPECIFICATIONS
POWER OUTPUT AND
TOTAL HARMONIC
DISTORTION:
With 8 ohm loads, both channels driven, from 20 -
20,000 Hz; rated 120 watts per channel minimum RMS power, with no more than
0.05 % total harmonic distortion from 250 milliwatts to rated output
(USA model only).
Amplifier section
POWER OUTPUT
Rated Power Output at Stereo Mode
(8 ohms 20 Hz – 20 kHz, THD 0.05 %)
STR-V444ES 120 W + 120 W
STR-V333ES 110 W + 110 W
(4 ohms 20 Hz – 20 kHz, THD 0.09 %)
STR-V444ES 100 W + 100 W
STR-V333ES 90 W + 90 W
Reference Power Output
(8 ohms 20 Hz – 20 kHz, THD 0.05 %)
STR-V444ES FRONT 1) :
STR-V333ES
120 W + 120 W
CENTER 1) : 120 W
REAR 1) :
120 W + 120 W
FRONT 1) :
110 W + 110 W
CENTER 1) : 110 W
REAR 1) :
110 W + 110 W
(4 ohms 20 Hz – 20 kHz, THD 0.09 %)
STR-V444ES FRONT: 1)
STR-V333ES
100 W + 100 W
CENTER 1) : 100 W
REAR 1) :
100 W + 100 W
FRONT: 1)
90 W + 90 W
CENTER 1) : 90 W
REAR 1) :
90 W + 90 W
1) Depending on the sound field settings and the source, there may be no sound output.
58
Frequency response
PHONO: RIAA equalization curve
±0.5 dB
CD, TAPE, MD/DAT,
DVD/LD, TV/SAT,
VIDEO 1, 2, and
VIDEO 3:
10 Hz – 100 kHz
+0.5/–3 dB (with sound field and equalizer bypassed)
Inputs (Analog)
PHONO:
Sensitivity: 2.5 mV
Impedance:
50 kilohms
S/N 2) : 86 dB
(A, 2.5 mV 3) )
5.1CH INPUT, CD,
TAPE, MD/DAT,
DVD/LD, TV/SAT,
VIDEO 1, 2, and
VIDEO 3:
Sensitivity: 150 mV
Impedance:
50 kilohms
S/N 2) : 96 dB
(A, 150 mV 3) )
2) INPUT SHORT
3) Weighted network, input level
Inputs (Digital)
DVD/LD IN, CD IN
(STR-V444ES)
(Coaxial):
Sensitivity: –
Impedance: 75 ohms
S/N: 100 dB
(A, 20 kHz LPF)
DVD/LD IN, TV/SAT
IN, CD IN, MD/
DAT IN (Optical):
Sensitivity: –
Impedance: –
S/N: 100 dB
(A, 20 kHz LPF)
Outputs (Analog)
TAPE, MD/DAT (REC
OUT); VIDEO 1, 2
(AUDIO OUT), 2ND
AV (STR-V444ES),
2ND AUDIO
(STR-V333ES):
Voltage: 150 mV,
Impedance:
1 kilohms
FRONT L/R, CENTER,
REAR L/R,
SUB WOOFER:
Voltage: 2 V
Impedance:
1 kilohms
PHONES:
Accepts low- and high-impedance headphones
Outputs (Digital)
MD/DAT (Optical)
Sampling Frequency
48 kHz
EQ BASS:
99 Hz~1.0 kHz
(21 steps)
MID:
198 Hz~10 kHz
(37 steps)
TREBLE:
1.0 kHz~10 kHz
(23 steps)
Gain levels:
±10 dB, 1 dB step
FM tuner section
Tuning range 87.5 - 108.0 MHz
Antenna terminals
75 ohms, unbalanced
Sensitivity Mono: 18.3 dBf,
2.2 µV/75 ohms
Stereo: 38.3 dBf,
22.5 µV/75 ohms
Usable sensitivity
11.2 dBf, 1 µV/75 ohms
S/N Mono: 76 dB
Stereo: 70 dB
Harmonic distortion at 1 kHz
Mono: 0.3%
Stereo: 0.5%
Separation 45 dB at 1 kHz
Frequency response
30 Hz – 15 kHz
+0.5/–2 dB
Selectivity 60 dB at 400 kHz
AM tuner section
Tuning range With 10-kHz tuning scale:
530 – 1710 kHz 4)
With 9-kHz tuning scale:
531 – 1710 kHz 4)
Antenna
S/N
Loop antenna
Usable sensitivity
50 dB/m (at 1,000 kHz or 999 kHz)
54 dB (at 50 mV/m)
Harmonic distortion
0.5 % (50 mV/m,
400 kHz)
Selectivity At 9 kHz: 35 dB
At 10 kHz: 40 dB
4) You can change the AM tuning scale to
10 kHz y 9 kHz. After tuning in any AM station, turn off the receiver. Hold down the
TUNING + button and press the ?/1 button. All preset stations will be erased when you change the tuning scale. To reset the scale to 10 kHz (or 9 kHz), repeat the procedure.
Video section
Inputs Video: 1 Vp-p 75 ohms
S-video:
Y: 1 Vp-p 75 ohms
C: 0.286 Vp-p
75 ohms
Component video
(STR-V444ES):
Y: 1 Vp-p 75 ohms
B-Y: 1 Vp-p 75 ohms
R-Y: 1 Vp-p 75 ohms
Outputs Video: 1 Vp-p 75 ohms
S-video:
Y: 1 Vp-p 75 ohms
C: 0.286 Vp-p
75 ohms
Component video
(STR-V444ES):
Y: 1 Vp-p 75 ohms
B-Y: 1 Vp-p 75 ohms
R-Y: 1 Vp-p 75 ohms
59
Specifications
General
System Tuner section:
PLL quartz-locked digital synthesizer system
Preamplifier section:
Low-noise NF type equalizer
Power amplifier section:
Pure-complementary
SEPP
Power requirements
120 V AC, 60 Hz
Power consumption
STR-V444ES
420 W
STR-V333ES
410 W
AC outlets 2 switched, total 120 W/1A
Dimensions 430 × 175 × 405 mm
(17 × 7 × 16 in.) including projecting parts and controls
Mass (Approx.)
STR-V444ES
17.0 kg (37 lb 8 oz)
STR-V333ES
16.0 kg (35 lb 4 oz)
Supplied accessories
See page 4.
Design and specifications are subject to change without notice.
60
Glossary
Surround sound
Sound that consists of three elements: direct sound, early reflected sound
(early reflections) and reverberative sound (reverberation). The acoustics of the surrounding space affect the way these three sound elements are heard. Surround sound combines these sound elements in such a way that you actually can sense the size of the venue, as well as its type.
• Types of sound
Early reflections
Direct sound
Reverberation
• Transition of sound from rear speakers
Direct sound
Level
Early reflections Reverberation
Early reflection time Time
Dolby Pro Logic Surround
As one method of decoding Dolby
Surround, Dolby Pro Logic Surround produces four channels from twochannel sound. Compared with the former Dolby Surround system,
Dolby Pro Logic Surround reproduces left-to-right panning more naturally and localizes sounds more precisely.
To take full advantage of Dolby Pro
Logic Surround, you should have one pair of rear speakers and a center speaker. The rear speakers output monaural sound.
Dolby Digital (AC-3)
This sound format for movie theaters is more advanced than Dolby Pro
Logic Surround. In this format, the rear speakers output stereo sound with an expanded frequency range and a sub woofer channel for deep bass is independently provided. This format is also called “5.1” because the sub woofer channel is counted as 0.1
channel (since it functions only when a deep bass effect is needed). All six channels in this format are recorded separately to realize superior channel separation. Furthermore, since all the signals are processed digitally, less signal degradation occurs. The name
“AC-3” comes from the fact that it is the third audio coding method to be developed by the Dolby Laboratories
Licensing Corporation.
Digital Cinema Sound
This is the generic name of the surround sound produced by digital signal processing technology developed by Sony. Unlike previous surround sound fields mainly directed at the reproduction of music,
Digital Cinema Sound is designed specifically for the enjoyment of movies.
61
Tables of Settings Using SURROUND, LEVEL, EQ, and SET UP buttons
You can make various settings using the LEVEL, SURROUND, EQ, SET UP buttons, jog dial, and cursor buttons. The tables below show each of the settings that these buttons can make.
Press and light
SURROUND button
LEVEL button
Press or to select
6.1 MATRIX [XXXX]
PRO LOGIC [XXXX]
EFFECT [ ]
WALL S__I__H
REVERB S__I__L
FRONT REVERB [XXXX]
SCREEN DEPTH [XXXX]
VIR. SPEAKERS [XXXX]
REAR ENHANCER
BASS GAIN XXX dB
BASS FREQ. XXXX Hz
MID GAIN XXX dB
MID FREQ. XXXX Hz
MID SLOPE [XXXX]
TRE. GAIN XXX dB
TRE. FREQ. XXXX Hz
FRONT L__I__R
REAR L__I__R
CENTER XXX dB
REAR L/R XXX dB
REAR CENTER XXX dB
SUB WOOFER XXX dB
LFE MIX XXX dB dts LFE MIX XXX dB
D. RANGE COMP. XXX
Turn jog dial to select
AUTO, ON, OFF
AUTO, ON, OFF depends on sound mode (in 21 steps) between –8 to +8 (in 1 increment steps) between –8 to +8 (in 1 increment steps)
DRY, STANDARD, WET
DEEP, MID, OFF
ON, OFF
ON, OFF between –10 dB to +10 dB (in 1 dB steps) between 99 Hz and 1.0 kHz (in 21 steps) between –10 dB to +10 dB (in 1 dB steps) between 198 Hz and 10.0 kHz (in 37 steps)
WIDE, MIDDLE, NARROW between –10 dB to +10 dB (in 1 dB steps) between 1.0 kHz and 10.0 kHz (in 23 steps) between –8 dB to +8 dB (in 1 dB steps) between –8 dB to +8 dB (in 1 dB steps) between –10 dB to +10 dB (in 1 dB steps) between –10 dB to +10 dB (in 1 dB steps) between –10 dB to +10 dB (in 1 dB steps) between –10 dB to +10 dB (in 1 dB steps)
OFF, or –20 dB to 0 dB (in 1 dB steps)
OFF, or –20 dB to +10 dB (in 1 dB steps)
OFF, 0.1 to 0.9 (in 0.1 dB steps), STD, or MAX
See page
36
38
62
Press and light
EQ button
Press or to select
FRONT BASS XXX dB
FRONT BASS XXX Hz
FRONT MID XXX dB
FRONT MID XXX Hz
FRONT MID [XXX]
FRONT TRE. XXX dB
FRONT TRE. XXX Hz
CENTER BASS XXX dB
CENTER BASS XXX Hz
CENTER MID XXX dB
CENTER MID XXX Hz
CENTER MID [XXX]
CENTER TRE. XXX dB
CENTER TRE. XXX Hz
REAR L/R BASS XXX dB
REAR L/R BASS XXX Hz
REAR L/R MID XXX dB
REAR L/R MID XXX Hz
REAR L/R MID [XXX]
REAR L/R TRE. XXX dB
REAR L/R TRE. XXX Hz
R.CTR BASS XXX dB
R.CTR BASS XXX Hz
R.CTR MID XXX dB
R.CTR MID XXX Hz
R.CTR MID [XXX]
R.CTR TRE. XXX dB
R.CTR TRE. XXX Hz
Turn jog dial to select between –10 dB to +10 dB (in 1 dB steps) between 99 Hz and 1.0 kHz (in 21 steps) between –10 dB to +10 dB (in 1 dB steps) between 198 Hz and 10.0 kHz (in 37 steps)
WIDE, MIDDLE, NARROW between –10 dB to +10 dB (in 1 dB steps) between 1.0 kHz and 10.0 kHz (in 23 steps) between –10 dB to +10 dB (in 1 dB steps) between 99 Hz and 1.0 kHz (in 21 steps) between –10 dB to +10 dB (in 1 dB steps) between 198 Hz and 10.0 kHz (in 37 steps)
WIDE, MIDDLE, NARROW between –10 dB to +10 dB (in 1 dB steps) between 1.0 kHz and 10.0 kHz (in 23 steps) between –10 dB to +10 dB (in 1 dB steps) between 99 Hz and 1.0 kHz (in 21 steps) between –10 dB to +10 dB (in 1 dB steps) between 198 Hz and 10.0 kHz (in 37 steps)
WIDE, MIDDLE, NARROW between –10 dB to +10 dB (in 1 dB steps) between 1.0 kHz and 10.0 kHz (in 23 steps) between –10 dB to +10 dB (in 1 dB steps) between 99 Hz and 1.0 kHz (in 21 steps) between –10 dB to +10 dB (in 1 dB steps) between 198 Hz and 10.0 kHz (in 37 steps)
WIDE, MIDDLE, NARROW between –10 dB to +10 dB (in 1 dB steps) between 1.0 kHz and 10.0 kHz (in 23 steps)
See page
39
63
Tables of Settings Using SURROUND, LEVEL, EQ, and SET UP buttons
Press
SET UP button
Press or to select
FRONT [XXXXXX]
CENTER [XXXXXX]
REAR L/R [XXXXXX]
Turn jog dial to select
LARGE, SMALL
LARGE, SMALL, NO
LARGE, SMALL, NO
REAR CTR [XXXXXX] LARGE, SMALL, NO
SUB WOOFER [XXXXXX]
FRONT XX.X FEET (METER)
YES, NO between 3 feet (1.0 meters) and 40 feet
(12.0 meters) (in 1 foot (0.1 meter) steps)
CENTER XX.X FEET (METER) between FRONT and 5 feet (1.5 meters)
(in 1 foot (0.1 meter) steps)
REAR L/R XX.X FEET (METER) between FRONT and 15 feet (4.5 meters)
(in 1 foot (0.1 meter) steps)
REAR CTR XX.X FEET (METER) between FRONT and 15 feet (4.5 meters)
(in 1 foot (0.1 meter) steps)
REAR L/R PLACE [XXXXXX] SIDE, MIDDLE, BEHIND
REAR L/R HGT. [XXXXXX]
FRONT SP > XXX Hz 1)
CENTER SP > XXX Hz 1)
REAR L/R SP > XXX Hz 1)
HIGH, LOW
From 40 Hz to 200 Hz (10 Hz steps, STD = 120 Hz)
From 40 Hz to 200 Hz (10 Hz steps, STD = 120 Hz)
From 40 Hz to 200 Hz (10 Hz steps, STD = 120 Hz)
LFE HIGH CUT [XXX]
DIST. UNIT [XXXXXX]
From 40 Hz to 200 Hz (10 Hz steps, STD = 120 Hz)
FEET, METER
See page
18
5.1 CH V:[XXXXXXXX]
D. POWER [XXX]
V. POWER [XXX]
S.F LINK [XXX]
AUTO FUNCTION [XXX]
2 WAY REMOTE [XXX]
COMMAND [XXXX]
OSD [XXXXXX]
VIDEO1, VIDEO2, VIDEO3, DVD/LD, TV/SAT 52
AUTO OFF, ALWAYS ON
AUTO OFF, ALWAYS ON
ON, OFF
ON, OFF
53 ON, OFF
AV1, AV2
COLOR, MONOCHROME
1) When the speakers are set to SMALL only.
64
Index
A
AC-3. See Dolby Digital (AC-3)
Adjusting brightness of the display 28 equalizer 39 speaker volumes 22 surround parameters 36
Automatic tuning 47
B
Basic operations 24~28
Battery 4
C
Changing display 26 effect level 36
Checking the connections 23
Clearing receiver’s memory 17
Color system 53
Connecting 4~13
Crossover frequency 22
Customizing sound fields 36~44
D
Digital Cinema Sound 61
Direct tuning 46
Dolby Digital (AC-3) 61
Dolby Pro Logic Surround 61
Dubbing. See Recording
E, F, G
Editing. See Recording
Effect level 36
EQ 39
H
Hookups
5.1 CH input 10
AC power cord 13 antennas 5 audio components 6 digital components 8, 9
CONTROL A1 II 12
S-LINK CONTROL S 12 speaker system 15 video components 7
I, J, K
Indexing. See Naming
L, M
Labeling. See Naming
N
Naming 50
O
ON SCREEN 28
P, Q
Parameter 41~44, 62~64
Preset stations how to preset 47 how to tune 48
R
Receiving broadcasts automatically 47 directly 46 preset stations 47
Recording on an audio tape or MD 50 on a video tape 51
S
Scanning preset stations. See Preset tuning radio stations. See Automatic tuning
Selecting component 25 front speaker system 28 sound field 30
Sleep timer 51
Sound field adjustable parameters 41~44 customizing 36~44 pre-programmed 31~34 resetting 40 selecting 30
Speakers adjusting speaker volume 22 connection 15 impedance 16 placement 18~22
Supplied accessories 4
Surround sound 29~44
T
Test tone 22
Tuning automatically 47 directly 46 preset stations 47
U, V, W, X, Y, Z
Unpacking 4
65
66
67
68
Printed in Malaysia
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Key Features
- Dolby Digital and Pro Logic Surround
- DTS Digital Surround System
- Component video inputs/outputs (STR-V444ES only)
- 2 coaxial audio inputs (STR-V444ES only)
- 1 coaxial audio input (STR-V333ES only)
Frequently Answers and Questions
What is the difference between the STR-V444ES and the STR-V333ES?
How do I set up the speaker system?
What are the key features of the receiver?
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