digital musical instruments
PRODUCT LINEUP 2010 –2011
www.yamahasynth.com
DIGITAL MUSICAL INSTRUMENTS
Specifications and appearance subject to change without notice.
All trademarks and registered trademarks are property of their respective owners.
Since options may not be the same in every region, please check with your Yamaha dealer.
(P10022971)
Printed in Japan
001
SYNTHESIZER
SYNTHESIZER
SYNTHESIZER / TONE GENERATOR ....................................... P3~10
ADVANCED INTEGRATION USB STUDIO ................................ P39~40
CI1 / CI2 / CI2+
MOTIF XF8 / MOTIF XF7 / MOTIF XF6 / MOTIF RACK XS
SYNTHESIZER .............................................................. P11~18
ADVANCED INTEGRATION CONTROLLER ................................... P41
CC121
MO8 / MO6 / MM8 / MM6 / S90 XS / S70 XS
ADVANCED INTEGRATION DSP STUDIO ..................................... P42
STAGE PIANO
STAGE PIANO .............................................................. P19~25
CP1 / CP5 / CP50 / CP300 / CP33
MIDI CONTROLLER ............................................................. P26
STAGE PIANO
WX5 / MFC10
COMPUTER BASED MUSIC PRODUCTION EQUIPMENT
MUSIC PRODUCTION SOFTWARE ....................................... P27~28
CUBASE AI5
DIGITAL MIXING STUDIO ................................................. P29~30
n12 / n8
COMPUTER BASED MUSIC
PRODUCTION EQUIPMENT
COMPUTER RECORDING SYSTEM / USB AUDIO INTERFACE ....... P31~34
AUDIOGRAM 6 / AUDIOGRAM 3
USB MIXING STUDIO ...................................................... P35~38
MW12cx / MW12c / MW8cx / MW10c
MR816csx / MR816x
,
PROFESSIONAL AUDIO EQUIPMENT
MIXING CONSOLE ......................................................... P43~46
MG206C-USB / MG166C-USB / MG166CX-USB / MG206C / MG166CX / MG166C
MG124CX / MG124C / MG82CX / MG102C
POWERED MONITOR SPEAKER / POWERED SUBWOOFER ......... P47~50
HS80M / HS50M / HS10W / MS101III / MSP7 STUDIO / MSP5 STUDIO
MSP3 / SW10 STUDIO
PORTABLE PA SYSTEM ................................................... P51~54
STAGEPAS 250M / STAGEPAS 150M / STAGEPAS 500 / STAGEPAS 300
POCKET RECORDER ....................................................... P55~56
POCKETRAK C24 / POCKETRAK W24
ACCESSORY
ACCESSORY ..................................................................... P57
PROFESSIONAL AUDIO
EQUIPMENT
ACCESSORY
002
003
SYNTHESIZER
Music Production Synthesizer
/
/
Inspiration Comes In A Flash
■ Comprehensive high sound quality, including an enormous 741MB of waveforms.
■ An additional 128 Voices and 8 drum kits, for a total of 1,353 high-quality
Voices.
■ Up to 2GB of additional content available through separately sold flash memory.
■ Realization of unique instrument performance methods through the XA
(Expanded Articulation) tone generation system.
■ Reproduction of the unique, natural, warm sounds of vintage instruments
through VCM effects.
■ 384 types of performances based on approximately 7800 types of arpeggiators.
■ Enhanced sampling through 128MB of onboard SD-RAM.
■ The popular FSX (MOTIF XF6/7) and BH (MOTIF XF8) keyboards.
■ Improvement of usability thanks to the use of a new GUI.
■ Category Search feature that provides instant access to the Voices you want.
■ Cubase AI -- a DAW software application from Steinberg.
■ DAW integration through remote control, an editor software.
■ Scalability through standard-equipped USB and Ethernet and the FW16E
option.
Sound Expandability
Integrated Sampling Sequencer
“Balanced Hammer Effect Keyboard” with
Aftertouch (MOTIF XF8)
Rear Panel
• The Integrated Sampling Sequencer provides the seamless integration of
MIDI and audio sample sequencing.
8 color variation of the display.
Refer to P27
004
005
SYNTHESIZER
Flash Memory Expansion Module
FL512M/FL1024M
The 500MB and 1GB flash memory modules fit
into the two flashboard slots in the MOTIF XF
providing up to 2GB of expansion for additional
wave memory storage. Memory is non-volatile and
re-writable so waveforms or samples are retained
in memory even when the instrument is turned off
and remain there until replaced with something
else. Load MOTIF voice libraries or samples of
your own to create a customized sample library.
Firewire Expansion Board
FW16E
Rear Panel
The FW16E
is a FireWire
expansion
board that
allows integration of the
MOTIF XF with DAW software on a
computer via an IEEE1394 connection. Record up
to 16 tracks of audio directly from the MOTIF XF to
the DAW and send up to 6 channels of audio from
the computer to the MOTIF. The unit also functions
as a multi-port MIDI interface allowing transfer of
MIDI data for all ports simultaneously.
Remote control and editor that make DAW
integration easy
Features such as remote control (which you can use to remotely
control the parameters of a DAW application on a PC from the
MOTIF), various DAW templates, and simple setup features make
the MOTIF XF easy to use. In particular, the integration between the
MOTIF XF and Steinberg’s Cubase 5 series is truly seamless. Using
the Yamaha MOTIF XF Editor, you can make subtle Voice edits from
your PC while checking them visually. Because the communication
between the MOTIF and the editor is bi-directional, whether you’re
moving the knobs on the MOTIF or changing parameters with the
mouse in the editor, the parameters are perfectly matched. There is
even a VST3 editor for use in Cubase 5 (including AI) which lets you
use your MOTIF as a VST soft synth.
Rear Panel
MOTIF XF Editor
Main Display
006
007
SYNTHESIZER
Tone Generator
The Sonic Power of the MOTIF XS in a Compact System
Rear Panel
■ Wide selection of dynamic and authentic voices (1,152 voices
and 65 drum kits) based on the professional level MOTIF XS.
■ Powerful arpeggio function puts 6,633 arpeggios at your
fingertips.
■ Audition feature let’s you review voices, even without a keyboard,
before selecting them.
■ Powerful category search with the convenient push and turn
knob lets you instantly call up main instrument categories,
select sub categories, then scroll through a list of voices.
■ Five control knobs offer real time sound control without having
to navigate through multiple display pages.
■ Studio quality effects processing.
■ Bundled with the MOTIF-RACK XS Editor, which provides
convenient and intuitive editing of all settings from a computer.
■ Fully integrates with the popular Cubase series audio and
MIDI recording software.
Studio- quality effects
MOTIF-RACK XS Editor
Optional FW16E
Firewire Expansion Board
Powerful category search
008
009
Music Production Synthesizer
SYNTHESIZER
MOTIF XF8 / MOTIF XF7 / MOTIF XF6
Keyboards
MOTIF XF8
MOTIF XF7
MOTIF XF6
Tone Generator block
Tone Generator
Polyphony
Multi Timbral Capacity
Wave
Voice
Performance
Filter
Effect System
Sampling block
Samples
Sampling Sources
A/D Conversion
D/A Conversion
Sample Data Bits
Sampling Frequency
Sampling Memory
Sample Length
Sampling Time
Sample Format
Sequencer block
Note Capacity
Note Resolution
88 keys, Balanced Hammer Effect Keyboard (Initial Touch/Aftertouch)
76 keys, FSX Keyboard (Initial Touch/Aftertouch)
61 keys, FSX Keyboard (Initial Touch/Aftertouch)
AWM2, with Expanded Articulation
128 notes
16 Parts (internal), Audio Input Parts (A/D, FW*)
*1 stereo Part
741MB (when converted to 16-bit linear format), 3,977 waveforms
Preset: 1,024 Normal Voices + 64 Drum Kits
GM: 128 Normal Voices + 1 Drum Kit
User: 128 x 4 (Bank 1: original, Bank 2 – 4: selected and copied from Preset bank) + 32
Drum Kits (No. 1 – 8: original, No. 9 – 32: selected and copied from Preset bank)
User: 128 x 4 (up to 4 Parts)
18 types
Reverb × 9 types, Chorus × 22 types, Insertion (A, B) × 53 types × 8 Parts (up to 16
units),Vocoder x 1 (uses both Insertion Effect A and B blocks), Master Effect x 9
types (Preset settings for parameters of each effect type are provided as templates;
total 320) Master EQ (5 bands), Part EQ (3 bands, stereo)
Up to 128 Waveforms (Multi Samples)
Up to 256 Key Banks per Waveform
Up to 512 Key Banks
Analog input L/R, Stereo output (Resampling), FW (available when the FW16E has
been installed)
24-bit, 64x oversampling
24-bit, 128x oversampling
16
44.1kHz, 22.05kHz, 11.025kHz, 5.5125kHz (Stereo/Mono)
Sampling Frequency via FM (when the FW16E has been installed):
44.1kHz (fixed)
Internal SDRAM: 128M
Mono: 32 MB
Stereo: 64 MB
44.1kHz: 6 min. 20 sec.
22.05kHz: 12 min. 40 sec.
11.025kHz: 25 min. 20 sec. 5.0125kHz: 55 min. 40 sec.
*Mono/Stereo
Original format, WAV, AIFF
Maximum Polyphony
Tempo (BPM)
Recording type
Tracks
Patterns
Phrases
Songs
Arpeggio
Scene Memory
Sequence Format
Others
Master
Sequence Software
compatible with the
function
Controllers
Display
Connectors
Power Consumption
External Memory
Dimensions, Weight
Accessories
Approx. 130,000 notes
480 ppq (parts per quarter note)
124 notes
5 – 300
Real time replace
Real time overdub (with the exception of the Pattern Chain)
Real time punch in/out (Song only)
Pattern: 16 phrase tracks
Pattern Chain: Pattern track, Tempo track, Scene track
Song: 16 sequence tracks (Loop on/off can be set for each track),Tempo track, Scene track
64 Patterns (× 16 sections), Measures: 256 maximum
Mixing Voices: 16 Voices per Pattern and up to 256 Voices for all Patterns
Mixing Templates: 32 for all Songs and Patterns
User Phrases: 256 per Pattern
64 Songs
Mixing Voices: 16 Voices per Song and up to 256 Voices for all Songs
Mixing Templates: 32 for all Songs and Patterns
Preset: 7,881 types User: 256 types
*MIDI Sync, MIDI transmit/receive channel, Velocity Limit, and Note Limit can be set.
5 per Song
Original format, SMF format 0, 1 (Format 1 load only)
User: 128
*8 Zones (Master keyboard settings), Assignable Knob/Slider settings, Program Change Table
For Windows®: Cubase 4 – 5, SONAR 5.2 – 8
For Macintosh®: Cubase 4 – 5, Logic 7.2 – LogicStudio, Digital Performer 5.1 – 6
*Functions to be controlled differ depending on the software.
Pitch Bend wheel, Modulation wheel, Ribbon Controller,
Assignable Control Sliders × 8, Assignable Knobs × 8,
Assignable Function buttons × 2, Data dial
320 × 240 dot, 5.7 inch graphic color backlit LCD
OUTPUT L/MONO, R (standard phone jack), ASSIGNABLE OUTPUT L, R (standard
phone jack), A/D INPUT L, R (standard phone jack), DIGITAL OUT, PHONES
(standard stereo phone jack), FOOT CONTROLLER 1, 2, FOOT SWITCH × 2 (SUSTAIN,
ASSIGNABLE), MIDI IN/OUT/THRU, USB (TO HOST,TO DEVICE), AC IN ETHERNET
(100BASE-TX) IEEE1394 (available when the FW16E has been installed)
22W
USB storage device
MOTIF XF8: 1,439 (W) × 466 (D) × 168 (H) mm, 28.9 kg
MOTIF XF7: 1,252 (W) × 391 (D) × 122 (H) mm, 17.2 kg
MOTIF XF6: 1,045 (W) × 391 (D) × 122 (H) mm, 15.1 kg
AC Power cord, Owner’s Manual, Owner’s Manual CD-ROM (containing Reference
Manual and Data List), DVD-ROM (containing DAW software)
Tone Generator
Flash Memory Expansion Module
MOTIF-RACK XS
FL512M / FL1024M
Tone Generator
Effects
Arpeggio
Controls
Jacks and
Terminals
Others
Tone Generator
Polyphony
Wave
Voice
AWM2, with Expanded Articulation
128 notes
355MB (when converted to 16-bit linear format), 2,670 waveforms
Preset: 1,024 Normal Voices + 64 Drum Kits
GM: 128 Normal Voices + 1 Drum Kit
User: 128 × 3 Normal Voices + 32 Drum Kits (Both of the User
Voices are selected and copied from Preset bank)
Multi
User: 128 Multis
Reverb
9 types
Chorus
22 types
Insertion A
53 types (up to 8 blocks available in the Multi mode)
Insertion B
53 types (up to 8 blocks available in the Multi mode)
Master Effect
9 types
Master EQ
5 bands (High, High Mid, Mid, Low Mid, Low)
Part EQ
3 bands (High, Mid, Low)
Arpeggio Type
6,633 types
* MIDI Sync, MIDI transmit/receive channel, Velocity Limit, and
Note Limit can be set.
VOLUME knob, Encoder knob, Cursor buttons, AUDITION button,
STORE button, ENTER button, EXIT button, VOICE button, EFFECT
button, EDIT button, MULTI button, SELECT button, UTILITY
button, Knobs 1 - 5
Front Panel
PHONES
Rear Panel
USB TO HOST, MIDI IN/OUT, DIGITAL OUTPUT, ASSIGNABLE
OUTPUT L and R, OUTPUT L/MONO and R, DC/IN, FireWire (when
FW16E is installed)
Display
160 × 64-dot graphic backlit LCD
Supplied Accessories AC Power adaptor (PA-300B or PA-300C), Owner’s manual,
Data List, Disk × 1 (containing DAW software)
Power Consumption
When the AC power adaptor is connected to both the MOTIF-RACK
XS and the AC outlet, and the VOLUME knob is in the STANDBY
position: 0.3 W
When the power is turned on: 15W
When the power is turned on and the optional mLAN16E2 or
FW16E has been installed: 20W
Digital Output
44.1kHz, 24bit (COAXIAL)
Dimensions (W × H × D) 480 × 379.4 × 44 mm
Weight
4.2 kg
Data size
Connectors
Securing parts
Dimensions
Weight
FL512M
512 MB
120-pin dedicated connector
Screws (2)
90 (W) × 50 (D) × 25 (H) mm
35 g
FL1024M
1 GB (1024 MB)
120-pin dedicated connector
Screws (2)
90 (W) × 50 (D) × 25 (H) mm
40 g
Firewire Expansion Board
FW16E
Functions
Connectors
Dimensions
Weight
Data rate
S400
Audio inputs and outputs
6 Ins, 16 Outs
Sampling rates
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
MIDI connectors
3 Ins, 3 Outs
To IEEE1394
6-pin x 2
To motherboard
100P
142 mm (W) × 123.3 mm (D) × 22.7 mm (H)
108 g
010
011
SYNTHESIZER
Music Production Synthesizer
/
Direct descendant of the MOTIF synth, the MO
provides the artist with a vast wealth of
inspiring voices from the extensive MOTIF
library as well as a wide range of MO exclusive
dance voices.
MO8
MO6
■ Music production synthesizer based on the award winning
MOTIF ES features a comprehensive set of 768 high quality
voices and 65 drum kits.
■ Offers the distinct performance capabilities and controllability found in the MOTIF ES.
■ MO8 features an 88-note weighted balanced hammer (BH)
keyboard that feels natural, smooth, and responsive. The
MO6 features a 61-note keyboard that is smooth and
responsive.
■ Advanced music production tools include song/pattern
sequencer plus an appregiator with over 1,700 phrases.
■ DAW remote control mode and Studio Connections offer
seamless integration into computer music systems.
■ Two USB (TO HOST and TO DEVICE) jacks and coaxial
digital out.
MO8 Rear Panel
Music Production Synthesizer
MO8 / MO6
Keyboards
MO8 88 keys
MO6 61 keys
Tone Generator
Tone Generator
Polyphony
Multi Timbral Capacity
Wave
Voice
Arpeggio
Balanced Hammer Effect Keyboard (Initial Touch)
LC Keyboard (Initial Touch)
AWM2
64 notes
16 parts (internal)
175 MB (when converted to 16-bit linear format), 1,859 waveforms
Preset: 512 normal voices + 64 drum kits
GM: 128 normal voices + 1 drum kit
User: 128 × 2 (Bank 1: Original, Bank 2: Picked up from Preset),
Normal Voice + 32 drum kits
Performance User: 256 (up to 4 parts)
Filter & Effect System 18 types (Filter), Reverb × 20 types, Chorus × 49 types, Insertion (A, B) ×
116 types × 3 blocks, Master Effect × 8 types, Master Equalizer (5 bands),
Part EQ (3 bands, stereo)
Sequencer block
Note Capacity
Approx. 226,000 notes
Note Resolution
480 ppq (parts per quarter note)
Maximum Polyphony 124 notes
Tempo
1 – 300
Recording type
Real time replace, Real time overdub (with the exception of the Pattern Chain),
Real time punch (Song only), Step (with the exception of the Pattern Chain)
Tracks
Pattern Mode : 16 phrase tracks
Pattern Chain Mode : Pattern track,Tempo track, Scene track
Song Mode : 16 sequence tracks (Loop on/off can be set for each track),Tempo track, Scene track
Patterns
64 patterns (× 16 sections), Measures: 256 maximum
Phrases
Preset Phrases : 687 phrases, User Phrases : 256 per pattern
Songs
64 songs, Mixing voices: 16 per pattern (256 maximum)
Mixing templates: 32
Scene Memory
Sequence Format
Preset × 1,787 types, User × 256 types
MIDI Sync, MIDI transmit/receive channel, Velocity Limit, and Note Limit can be set.
5 per Song
MO8/MO6 Original format (compatible with MOTIF ES)
SMF format 0, 1 (Format 1 load only)
Others
Master
User: 128
* 4 Zones (Master keyboard settings), Assignable Knob/Slider settings,
Program Change Table
Sequence Software
For Windows®: Cubase SX 3, Cubase 4/5/AI, SQ01 V2, SONAR 4/5.2/8
compatible with the
For Macintosh®: Cubase SX 3, Cubase 4/5/AI, Logic 7.2/Pro 7/Pro 8,
Remote Control function
Digital Performer 4.52/5/6
* Functions to be controlled differ depending on the software.
Controllers
Pitch Bend wheel, Modulation wheel, Assignable Control Sliders (4),
Assignable Knobs (4), Data dial
Display
240 × 64 dot graphic backlit LCD
External Memory
USB storage device
Jack and Terminals
OUTPUT L/MONO, R (standard phone jack), FOOT SWITCH, FOOT CONTROLLER,
MIDI IN/OUT/THRU, USB (TO HOST, TO DEVICE)
Power Consumption
13.5 W
Dimensions (W × H × D) MO8: 1,357 × 386 × 167 mm (53-7/16" × 15-3/16" × 6-9/16")
MO6: 1,023 × 382.7 × 101.9 mm (40-1/4" × 15-1/16" × 4")
Weight
MO8: 21 kg (46.3 lbs.)
MO6: 10.4 kg (22.9 lbs.)
Power Supply
PA-5D or PA-150, or an equivalent recommended by Yamaha
Accessories
AC Adaptor, Owner’s Manual, Data List Disk × 1 (containing DAW software)
012
013
SYNTHESIZER
Music Production Synthesizer
/
Direct Descendant of the MOTIF Offers
Everything from Performance to Music
Creation in an Easy-To-Use,
Lightweight Keyboard
■ 418 high quality voices and 22 drum kits based
on the pro-level MOTIF series synthesizers.
■ 88-key graded hammer standard (GHS)
keyboard delivers natural, smooth, and responsive playability (MM8 only).
■ Real-time knobs offer extensive control.
■ Pattern and arpeggiator generators provide
dynamic music creation.
■ Performance memory provides instant full panel
setting changes.
■ Built-in sequencer features 8 normal tracks plus
8 pattern tracks.
■ USB connector offers convenient data storage
and music production system connection.
MM8
MM6
MM8 Rear Panel
MM6 Rear Panel
Music Production Synthesizer MM8/MM6
Arpeggiator
Madness
Keyboards
Tone Generator block
Tone Generator
Polyphony
Multi Timbral Capacity
Wave
Voice
Patterns for Jamming
Tweak Your Sound
CUBASE AI software
included
Graded Hammer Standard (GHS) keyboard (MM8)
Performance
Effect System
Master Equalizer
Sequencer block
Note Resolution
Tempo
Recording type
Tracks
Patterns
Songs Preset
Arpeggio
Others
Controllers
Display
Connectors
Power Consumption
Dimensions, Weight
Accessories
MM8
88 keys GHS Keyboard (Initial touch)
MM6
61 keys (Initial touch)
AWM2
32 notes
16 parts
70MB (when converted to 16-bit linear format)
Preset: 418 normal voices + 22 drum kits
GM: 128 normal voices + 1 drum kit
8 banks × 8
Reverb × 25 types, Chorus × 30 types, Variation × 189 types
5 types
96 ppq (parts per quarter note)
11–280 BPM (Beats Per Minutes)
Real time replace
8 + 8 (Pattern track)
168 patterns (× 4 sections)
Preset: 3 songs User: 5 songs USB: 400 songs maximum
Preset × 213 types
Pitch Bend wheel × 1, Modulation wheel × 1, Knob × 4, Data Dial × 1
320 x 240 dot Graphic LCD (Backlit)
OUTPUT L/MONO, R (standard phone jack), PHONES (standard stereo phone jack),
FOOT CONTROLLER, SUSTAIN, MIDI IN/OUT, USB (TO HOST, TO DEVICE), DC INLET
12W
1340 (W) × 445 (D) × 157 (H) mm, 15.6 kg
949 (W) × 445 (D) × 157 (H) mm, 5.0 kg
AC Adaptor (PA-5D or PA-150, or an equivalent recommended by Yamaha),
Owner’s Manual, Supplied Disk (supplied DAW software)
014
015
SYNTHESIZER
Music Synthesizer
The Perfect Balance of Synthesizer and Piano
■ Features 456MB of sounds that include all the great sounds,
voices, etc., found in the MOTIF XS.
■ 142MB dedicated to grand piano sounds, which include a new S6
Concert Grand sample in addition to a CF IIIS.
■ 76- note and 88-note configurations both feature Yamaha's
weighted balanced hammer (BH) keyboard for natural, smooth,
and responsive feel.
■ Performance Creator allows quick and easy creation of custom
performances.
■ Records audio to either an external memory device connected to
the USB port, or 192MB internal flash memory.
■ Combo input jack with gain knob and peak lamp allows connection of a microphone, etc., for live performance or recording.
■ Integrates with Cubase (Cubase AI5 included) and comes with
the XS Editor for sound editing.
■ Control DAW applications and VST instruments directly from the
front panel. 50 templates included.
Performance Creater
Buttons
Performance Control buttons / Knob Function buttons / Knobs
S90 XS/S70 XS Editor VST
Cubase AI5 included
Rear Panel
016
017
SYNTHESIZER
Recording Direct to
USB Memory
Mic Input
Rear Panel
Music Synthesizer
S90 XS / S70 XS
Keyboard
Tone Generator
block
Tone Generator
Maximum polyphony
Multi-Timbral Capacity
Wave
Voice
Performance
Multi
Filter
Effects
Sequencer
Section
Sequence Play
BPM (Tempo)
Number of Chain Steps
Arpeggio
S90 XS
S70 XS
88 keys, Balanced Hammer
76 keys, Balanced Hammer
Effect Keyboard
Effect Keyboard
(Initial Touch/Aftertouch)
(Initial Touch/Aftertouch)
AWM2 with Expanded Articulation
128 notes
16 Internal Parts + Mic Input Part
456 MB (when converted to 16-bit linear format), 2,772 waveforms
Preset: 1,024 normal voices + 64 drum kits
GM: 128 normal voices + 1 drum kits
User: 128 × 4 (Bank 1 – 3: selected and copied from Preset bank)
Normal Voice + 32 drum kits
User: 128 × 4 (up to 4 Parts)
User: 128
18 types
Reverb × 9 types, Chorus × 22 types,
Insertion (A, B) × 53 types × 8 blocks,
Vocoder × 1 (uses both Insertion Effect A and B blocks),
Master Effect × 9 types,
Master Equalizer (5 bands), Part EQ (3 bands, stereo)
SMF Format 0/1 (playback only)
5 – 300
100
Preset × 6,779 types
User × 256 types
(when loading the User Arpeggio data of MOTIF XS).
Audio Rec/
Play Section
Other
S90 XS
S70 XS
Recording: WAVE (.wav/44.1kHz/16-bit/stereo)
Playback: WAVE (.wav/44.1kHz/16-bit/stereo),
AIFF (.aif/44.1kHz/16-bit/stereo)
Master
User: 128
* 4 Zones (Master keyboard settings),
Assignable Knob/Slider settings, Program Change Table
Sequence Software
For Windows®: Cubase SX 3, Cubase 4/5/AI, SQ01 V2, SONAR 4/5.2/8
compatible with the
For Macintosh®: Cubase SX 3, Cubase 4/5/AI, Logic 7.2/Pro 7/Pro 8,
Remote Control function
Digital Performer 4.52/5/6
* Functions to be controlled differ depending on the software.
Controllers
Pitch Bend wheel, Modulation wheel, Sliders (4), Knobs (4),
Assignable Function button (2), Data dial, Input Gain
Display
160 × 64 dot graphic backlit LCD
Jack and Terminals
OUTPUT L/MONO, R (standard phone jack),
ASSIGNABLE OUTPUT L, R (standard phone jack),
MIC INPUT (combo jack), PHONES (standard stereo phone jack),
FOOT CONTROLLER 1, 2,
FOOT SWITCH × 2 (SUSTAIN, ASSIGNABLE),
MIDI IN/OUT/ THRU, USB (TO HOST,TO DEVICE), AC IN
Power Consumption
25 W
1,472 (W) × 385 (D) × 173 (H) mm 1,320 (W) × 385 (D) × 173 (H) mm
Dimensions,
Weight
22.4 kg
20.4 kg
Accessories
AC Power cord, Owner’s Manual (this book),
Owner’s Manual CD-ROM
(containing Reference Manual and Data List),
DVD-ROM (containing DAW software)
Format
018
019
Stage Piano
EXPRESS YOUR PASSION FOR PLAYING
STAGE PIANO
■ New SCM tone generating system exclusively for acoustic
and electric pianos delivers expressive tone.
■ Newly developed NW-STAGE wooden keyboard offers
matched tone and touch
■ Customizing totally original piano sounds
■ Convenient master-keyboard function
The development of the new CP series started with the no-compromise CP1. This is a
premium instrument with a commitment to both tradition and innovation. The core
sound technology inside the new CP Series was completely re-designed from the
ground up. A unique new Spectral Component Modeling tone generation system
recreates the sound of acoustic and vintage electronic pianos more faithfully than
anything else has ever done. This new technology responds to the player's touch
allowing more creative expression than ever before possible. Yamaha even developed a
special NW-STAGE wooden key action specifically to meet the demands of top pros.
Simply put, this combination of touch and tone make the CP1 the most expressive
stage piano that has ever been created.
Providing the ultimate in acoustic and vintage electric piano touch and
tone, the CP1 is Yamaha's flagship designed for the demanding pro.
Rear Panel
■ SCM technology delivers 17
acoustic and vintage electric
piano sounds with unprecedented
accuracy and audio quality
■ NW-Stage wood weighted
keyboard delivers perfect
playability with true piano feeling
■ Customize different components
of the piano sound to create your
own original instruments
■ Master keyboard function
specially designed for on-stage
use offers up to four virtual zones
assignable to four different tone
generators
■ The CP1 pedal unit includes
sustain, sostenuto, and soft
pedals
Newly developed NW-STAGE
wooden keyboard offers matched
tone and touch
020
Combining Yamaha's core Spectral Component Modeling technology plus a wide
range of sounds and functions. The CP5 has all the features for the pro player.
STAGE PIANO
SCM Piano Block
Acoustic Piano Type
Electric Piano Type
Synthesizer Piano Type
Rear Panel
CP1
CP5
CP50
CFIIIS
2
1
1
S6B
2
1
0
CP80
2
2
2
Rd I
3
3
1
Rd II
2
2
0
Wr
2
2
2
DX7
4
6*
6*
Spectral Component Modeling
(SCM) recreates acoustic and
vintage electric piano sounds with
unprecedented accuracy and
stunning audio quality.
021
■ SCM technology delivers 11
acoustic and vintage electric piano
sounds with unprecedented
accuracy and audio quality
■ NW-Stage wood weighted
keyboard delivers perfect playability with true piano feeling
■ 305 additional sounds include
clavs, organs, strings, and more
plus various effects
■ Record and playback capabilities
for both MIDI and audio
■ Mic/instrument audio input and
onboard rhythm patterns offer
added
versatility
*DX7 sounds for CP5/CP50 are AWM2 (PCM sampled) voice.
Delivers high quality sound that will satisfy even professionals. Easy-to-carry
compact and lightweight model.
SCM Block Diagram
Rear Panel
CP1
A.Piano Type
Pre Amp
Modulation
Effect
Power Amp
Compressor
E.Piano Type
Pre Amp
Modulation
Effect
Power Amp
Compressor
Modulation
Effect
Power Amp
Compressor
Modulation
Effect
Power Amp
Compressor
■ SCM technology delivers 6
acoustic and vintage electric
piano sounds with unprecedented accuracy
■ 215 additional sounds include
clavs, organs, strings, and more
■ 88-key weighted graded hammer
action offers excellent grand
piano feel
■ Record and playback capabilities
for both MIDI and audio
■ Onboard rhythm patterns offer
added versatility
Speaker
Simulator
CP5
A.Piano Type
E.Piano Type
Pre Amp
CP50
Modulation
Effect
A.Piano Type
E.Piano Type
Pre Amp
Using a component block structure, SCM starts
with acoustic and vintage electric piano sounds
created with stunning clarity, adding even greater
expression and authenticity through blocks that
recreate effect units, amplifiers, and other
equipment essential to the overall sound.
88-Key Weighted Graded Hammer Action
Modulation
Effect
022
023
Stage Piano
CP1 / CP5 / CP50
Keyboard
Maximum Polyphony
Tone Generator
Performances
STAGE PIANO
Rhythm
Preset
User
External (USB Flash Memory)
Parts
Voice Block
Modulation Effect Block
Power Amplifier / Compressor Block
Reverb
Master Compressor
Master Equalizer
Number of kits
Number of Patterns
Display
Controllers
Connectors
Output
Foot Switch
Foot Controller
Mic Input
MIDI
USB
Power Consumption
Dimensions (W × D × H; not including pedal unit)
Weight (not including pedal unit)
Additional Package Contents
CP1
CP5
88 keys, NW-STAGE keyboard (Wooden synthetic ivory weighted keyboard)
128
128
SCM
SCM + AWM2
16 × 3 banks
10 × 4 groups × 3 banks
16 × 3 banks
10 × 4 groups × 3 banks
16 × 3 banks
10 × 4 groups × 3 banks
2
6
17 piano types
17 piano voices + 305 other voices
10 types
49 types
8 types
8 types
8 types
8 types
—
3-band
5-band
5-band
—
14
—
100
55 character × 2 lines, VFD
24 character × 2 lines, VFD
Pitch bend wheel, Master volume,
Pitch bend wheel, Master volume, Knobs 1 to 3,
Knobs 1 to 6
Part volume × 6, Gain Master equalizer × 5
PHONES
PHONES
L /MONO,R (Unbalanced)
L /MONO,R (Unbalanced)
L,R (Balanced)
L,R (Balanced)
SUSTAIN, SOSTENUTO, SOFT, ASSIGNABLE
SUSTAIN, ASSIGNABLE
×2
×2
—
×1
IN, OUT, THRU
IN, OUT, THRU
TO HOST, TO DEVICE
TO HOST, TO DEVICE
28W
25W
1,385 × 420 × 173 mm
1,381 × 405 × 174 mm
27.2 kg
25.2 kg
Power cord, Pedal unit, Illustrated
Power cord, Foot pedal FC3,
Guide to the CP1 booklet, Owner’s
Owner’s Manual, Owner’s Manual CD-ROM,
Manual, Data List booklet, Software DVD-ROM*
Software DVD-ROM*
Options
CP50
88 keys, GH keyboard
128
SCM + AWM2
10 × 4 groups × 3 banks
10 × 4 groups × 3 banks
10 × 4 groups × 3 banks
3
12 piano voices + 215 other voices
49 types
—
8 types
3-band
3-band
14
100
24 character × 2 lines, VFD
Pitch bend wheel, Master volume, Knobs 1 to 3,
Part volume × 3, Master equalizer × 3
PHONES
L / MONO,R (Unbalanced)
SUSTAIN, ASSIGNABLE
×1
—
IN, OUT, THRU
TO HOST, TO DEVICE
7W
1,381 × 332 × 165 mm
20.9 kg
Power adaptor PA-150
(or an equivalent recommended by Yamaha),
Foot Pedal FC3 Owner’s Manual,
Owner’s Manual CD-ROM, Software DVD-ROM*
Keyboard Stand: LG-800, Foot Pedal: FC3, Foot Switch: FC4, FC5, Foot Controller: FC7, FC9
Rear Panel
LP-3
Keyboard Stand
(for CP300)
Stage Piano
Authentic touch and tone for live performance
■ Combines the sound and expressiveness of a superbly mic’d
grand piano with the portability of a modern digital instrument.
■ 88-Key premium graded hammer (GH) keyboard delivers
authentic touch and powerfully expressive.
■ Real-time controllers include sliders and pitch bend/
modulation wheels. Also 4 pedal connectors.
■ Master mode for controlling up to four external tone generators.
■ Built-in high-quality stereo speaker system. Balanced XLR
outputs.
Stage Piano
CP300
Keyboards
Tone Generator
Polyphony (max.)
Voices
88 keys Graded Hammer Effect keyboard (Initial Touch)
AWM Dynamic Stereo Sampling
128
Presets: 50 Voices
XG Voices: 480 Voices + 12 Drum kits
Performances
64 Performances × 56 files (max.)
Effects
Reverb, Chorus, Master Equalizer, Variation effect, Insertion effect × 3
Controllers
Pitch Bend Wheel, Modulation Wheel, Master Equalizer Slider (5), Zone Control Slider (4),
Song Volume Slider
Display
24 characters × 2 lines, LCD with back-light
Sequencer Block
16-track recording/playback, Tempo adjustment, max. capacity: 1.4 MB, 140,000 notes
Jack and Terminals
OUTPUT (L/MONO, R), XLR OUTPUT (L/R), INPUT (L/MONO, R), PHONES,
MIDI (IN/OUT/THRU), USB TO HOST, ASSIGNABLE FOOT PEDAL (SUSTAIN/SOSTENUTO/
SOFT/AUX), AC INLET
Main Amplifiers
30 W × 2
Speakers
13 cm × 2
Dimensions (W × D × H) 1,391 × 460 × 170 mm (54-3/4" × 18-1/8" × 6-15/16")
Weight
32.5 kg (71 lbs., 10 oz)
Accessories
AC Power Cord, Foot Pedal FC3, Owner’s Manual, Disk × 1 (containing DAW software)
024
025
Rear Panel
Stage Piano
STAGE PIANO
Stage Piano
Compact unit delivers authentic touch and tone
■ Combines the sound and expressiveness of a superbly mic’d grand
piano with the portability of a modern digital instrument.
■ 88-Key premium graded hammer (GH) keyboard delivers authentic
touch and powerfully expressive.
■ Compact, light, and portable design offers easy transport and setup.
■ On-board reverb, and other effects plus comprehensive MIDI
functions.
■ Real-time controllers include sliders and pitch bend/modulation
wheels.
CP33
Keyboards
Tone Generator
Polyphony (max.)
Voices
Effects
Controls
Pedal
88 keys Graded Hammer Effect keyboard (Initial Touch)
AWM Dynamic Stereo Sampling
64
14 × 2 variations for each Voice
Reverb, Effect, Brilliance
Dual, Split, Click,Transpose,Touch (Hard/Medium/Soft/Fixed), Functions
SUSTAIN PEDAL (can be used with half-pedal effect), AUX PEDAL (assignable
to various functions)
Controllers
Pitch Bend Wheel, Modulation Wheel, Zone Control Sliders
Jack and Terminals
OUTPUT (L/MONO, R), INPUT (L/MONO, R), PHONES, MIDI (IN/OUT/
THRU)
Dimensions (W × D × H) 1,312 × 330 × 151 mm (51-5/8" × 13" × 5-15/16")
Weight
18 kg (39 lbs., 11 oz)
Power Supply
PA-3C or PA-130, or an equivalent recommended by Yamaha
Accessories
Foot Pedal FC3, AC Adaptor, Owner’s Manual, Disk × 1 (containing DAW
software)
Wind MIDI Controller BREATHES LIFE INTO MIDI!
■ Plays like wind instrument — controls any MIDI tone generator or sequencer
■ Advanced wind and lip sensors provide extraordinary sensitivity and unprecedented expressive control
Wind MIDI Controller WX5
Controls
Rotary Controls
Transpose
Fingering
Dip Switches
Sensors
LED
MIDI transmit Channel
Jack and Terminals
Dimensions (L × W × D)
Weight
Power Supply
Accessories
Note keys (16 keys incl. assignable high keys (2)), Octave Change Keys (4) (Control range: 7 octave), Pitch Bend wheel, Setup Switch, Hold Switch (Key hold/Sustain/
Portament), Program Change Switch, Power On/Off Switch
WIND ZERO, WIND GAIN, LIP GAIN, LIP ZERO
Key Transpose: C2/Bb1/Eb2, Octave Transpose: 5 steps (-2/-1/0/+1/+2)
Saxophone (a), Saxophone (b), Saxophone (c), Flute
Velocity: On/Off, Wind Data: CC#2 (Breath Controller)/CC#7 (Volume)/CC#11 (Expression), Wind Curve: Normal/Hard, Lip Mode:Tight Lip/Loose Lip,
Lip Range: Normal/Wide, Lip Data: Pitch bend/Modulation wheel, Lip + CC#18 (Gen3): On/Off,Transpose: C2/Bb1/Eb2, Fingering: Saxophone (a)/(b)/(c)/Flute, Fast
Response: On/Off, High D, D# key assign: On (D: CC#81, D#: CC#80)/Off, Pitch Bend Data: Pitch bend Up & Pitch bend Down/Modulation wheel & Pitch bend Down/
CC#16 (Gen1) & CC#17 (Gen2)/ Brightness Up & Brightness Down
Wind Sensor, Lip Sensor
Red LED × 2 (WIND Monitor, LIP ZERO Monitor)
1 – 16 channel
MIDI Out Connector, WX Out Connector (Power and MIDI Out), DC in Jack
611 × 62 × 70 mm (24-1/16" × 2-7/16" × 2-3/4")
520 g (18.3 oz.)
UM-4, AAA, R03 × 6, Optional PA-3C or PA-130 AC Adaptor, WX Out Connector (from compatible Yamaha Tone Generators or BT7 MIDI/Power Pack)
Saxophone type Mouthpiece (attached), Mouthpiece Cap (attached),
Recorder type Mouthpiece, Soft Case, WX Cable, Strap, Recorder Cream
MIDI Foot Controller
■ Convenient foot control of MIDI program numbers and control changes — a must for MIDI musicians
■ Expandable with an extra foot controller and WX input
026
027
■ Based on Steinberg’s Cubase 5 Audio Engine
■ 48 audio tracks and up to 64 MIDI tracks
■ HALion ONE software sample player with selected MOTIF
sounds
■ Plug-and-play VST/MIDI setup
■ Studio Connections “Recall” as well as product-specific
functions for perfect integration between software and
hardware
■ MIDI controllers and automation consolidation
COMPUTER BASED MUSIC
PRODUCTION EQUIPMENT
Cubase AI 5 is a special version of Steinberg’s powerful Cubase5
DAW software that comes bundled with selected Yamaha audio
hardware and keyboards. Using the same core technologies as
Steinberg’s Cubase 5 advanced music production system, Cubase
AI5 offers an excellent selection of tools for composing, recording,
editing, and mixing.
The Cubase system combined with Yamaha hardware creates a
complete system solution for recording music with studio quality.
This sophisticated DAW application lets you record data from your
Yamaha keyboard via MIDI, use the software’s plug-in synthesizers, edit, process with effects, arrange, and perform final mixdown
all within the same application.
Studio Connections technology, another
Yamaha/Steinberg collaboration, also
offers seamless integration of hardware
into the software, letting you use
compatible instruments like the MOTIF
XF directly and seamlessly within the
Piano Roll
computer-based DAW application, just
as if it were a plug-in synthesizer. Plugand-play support means that whenever
you open a project, the MOTIF XF is
automatically enabled along with all of
the custom settings you saved last.
Panel controls on the MOTIF XF let you
Score
remotely control a wide range of
operations in Cubase AI5 conveniently from the keyboard. And since
song files on the MOTIF XF are in Cubase format, its easy to import
material you’ve created on the MOTIF XF into tracks in Cubase 5 for
further editing and mixing.
Cubase AI5 features MediaBay universal
sound manager system used for managing all of your
sounds, presets, and loops as well as your MOTIF XF
voices, in one central database where it is easy to
access and organize. The DAW application also
includes the powerful HALion ONE software sampler,
a sample playback plug-in that works seamlessly with
Wave Edit
Advanced Integration (AI) technology, developed in close collaboration between Yamaha and Steinberg, allows for seamless integration
of the DAW software with compatible hardware from Yamaha. AI
delivers an exceptional level of plug-and-play operation, carrying out
settings required by the connected hardware such as driver selection,
input and output configuration, and remote settings. This technology
also offers various dedicated remote functions, data exchange and
more.
the sequencer providing
hundreds of ready to
play sounds using high
quality samples that
include a variety of
acoustic and electronic
instruments as well as
HALion ONE
synth patches and
drums.
Cubase also provides a number of refined and useful tools
for controlling and editing your recordings. The main project window
offers easy record and cut-and-paste editing while detailed editing
can be performed in various editing windows such as the Sample
Editor for audio, and the Key, Drum, Score, and List editors for MIDI.
Cubase also features 31 VST effects that include 22 VST plug-ins so
you can process your tracks without the need for external processing.
Mastering
Media Bay
028
Syn_mini_1009_B.pm
26-27
10.10.4, 11:41 AM
029
Digital Mixing Studio
/
■ Digital mixer and production center that works seamlessly
with an advanced version of Steinberg CUBASE.
■ Class-A discrete mic preamps with inverted Darlington
circuitry design for exceptional musicality and low distortion.
■ Sweet Spot Morphing Compressor offers great sounding
compression with two knob operation.
■ High resolution Rev-X digital reverb and digital ±18dB 3-band
channel EQ built-in.
■ Independent AUX bus for artist cue mix.
■ Dry/wet monitor control and quick bus assign control on each
channel.
COMPUTER BASED MUSIC
PRODUCTION EQUIPMENT
■ n12—12 input channels w/8 class-A mic preamps, 2 stereo
line inputs, 16 in/out Firewire audio interface and surround
monitoring capabilities.
■ n8—8 input channels w/4 class-A mic preamps, 2 stereo line
inputs, and 12 in/out Firewire audio interface.
n12 Rear Panel
Digital Mixing Studio n12
n8 Rear Panel
/ n8
Electrical Specifications
Sample Rate
Internal
External
GAIN: Minimum
fs = 48 kHz
fs = 96 kHz
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz (±0.1 %)
Total Harmonic Distortion
0.003 % or less (1 kHz @ +18 dB, into 600Ω)
Frequency Response
20 Hz–20 kHz, +1, –3 dB @ +4 dB, into 600Ω
(CH IN to STEREO OUT)
20 Hz–40 kHz, +1, –3 dB @ +4 dB, into 600Ω
Dynamic Range
114 dB, DA converter (STEREO OUT)
(SN ratio at the maximum level)
106 dB, AD + DA (to STEREO OUT)
Hum & Noise
–128 dB, Equivalent input noise
(20 Hz–20 kHz)
–95 dB, Residual output noise, STEREO fader: Minimum
Rs = 150
GAIN: Maximum –95 dB (99 dB SN), STEREO OUT
PAD: OFF
STEREO fader: Nominal level, All channel faders: Minimum
GAIN: –60 dB
–60 dB (64 dB SN), STEREO OUT
PAD: OFF
STEREO fader: Nominal level, One channel fader: Nominal level
Maximum Voltage Gain
n12
84 dB, CH1–8 to STEREO OUT/C-R OUT
50 dB, CH9–12 to STEREO OUT/C-R OUT
76 dB, CH1–8 to AUX OUT
42 dB, CH9–12 to AUX OUT
n8
76 dB, CH1–4 to STEREO OUT/C-R OUT
42 dB, CH5–8 to STEREO OUT/C-R OUT
Crosstalk @ 1 kHz
n12
–86 dB, CH1–8
GAIN: Minimum
–80 dB, CH9–12
Adjacent Input
n8
–86 dB, CH1–4
–80 dB, CH5–8
General Specifications
Advanced Integration with CUBASE
The n8 and n12 link seamlessly to CUBASE DAW
software, providing extensive mixer/software
synchronization that offers unmatched power and
efficiency for recording and mixdown.
Some of the synchronized control capabilities are:
• CUBASE® READY LED
• Transport Control / Track Selection / Click Remote
• Work Mode Selection
• Dry or Wet Monitoring
• Project Templates for the n8 and n12
n series Application Examples
Drums
Synthesizer
Mic
Faders
n12
n8
Power Requirements
n12
n8
Dimensions (H × D × W)
n12
n8
Net Weight
n12
n8
Operating Free-air Temperature Range
Included Accessories
100 mm × 11 (Non-motorized)
60 mm × 7 (Non-motorized)
51 W (PA-30)
33 W (PA-20)
146 × 561 × 515 mm
146 × 518 × 368 mm
14 kg
11 kg
+5 to +35 °C
AC power adaptor (n12: PA-30, n8: PA-20)
DVD-ROM (CUBASE AI)
CD-ROM (TOOLS for n)
Owner’s Manual
TOOLS for n/CUBASE AI Installation Guide
IEEE1394 cable
(Condenser
Microphones)
Electric Guitar /Bass
Speaker
Fire Wire
Remote Control
Speaker
AUDIO IN / OUT : 12ch – 16ch
Computer
Syn_mini_1009_B.pm
28-29
CUBASE® READY LED
10.10.4, 11:41 AM
n12
030
031
Computer Recording System
/
COMPUTER BASED MUSIC
PRODUCTION EQUIPMENT
■ Hardware audio interfaces bundled with software for
recording and a USB cable turns your computer into a
powerful yet intuitive tool for recording and editing audio.
■ USB bus powered eliminates need for external power
supply.
■ The Audiogram 6 features a mixer type interface with two
XLR combo inputs with preamps and single knob
compression. One input has switchable phantom power.
Also included are two stereo input channels, stereo out
and headphone out plus USB connections.
■ The Audiogram 3 features one phantom powered combo
jack with a mic/line switch, stereo input, stereo and
headphones output, plus USB jack for connecting to a
computer.
Audio interface also with mixer
functionality
Mic preamps for high-quality
recordings
Setting compression has never
been easier
One-touch switching between
mono and stereo inputs
Easy balancing of audio inputs
and playback
USB bus-powered interface
Audiogram Application Examples
032
Syn_mini_1009_B.pm
30-31
10.10.4, 11:41 AM
033
NEW
Audiogram Application Examples
COMPUTER BASED MUSIC
PRODUCTION EQUIPMENT
Rear Panel
Computer Recording System AUDIOGRAM
Audiogram 6
Jacks
MIC/INST Input Jack
LINE Input Jacks (L, R)
PHONES Jack
STEREO OUT Jacks (L, R)
USB Connector
Controls
MIC/INST Switch
GAIN Control
COMP Control
MONO/STEREO Switch
LEVEL Control
PHANTOM +48V Switch
DAW Control
MASTER LEVEL Control
OUT LEVEL Control
6 / AUDIOGRAM 3
Audiogram 3
Combo jacks (Mic/Hi-Z) × 2
Phone jacks × 2
Combo jack (Mic/Hi-Z) × 1
Phone jacks × 1, RCA pin jacks × 1
Phone jack × 1
Phone jacks × 1
Phone jacks × 1
RCA pin jacks × 1
USB 1.1 44.1/48 kHz, 16 bit × 1
MIC: for microphones × 2
MIC: for microphones × 1
INST (Hi-Z): for guitars, etc.
INST (Hi-Z): for guitars, etc.
Gain for CH 1-5/6 × 4
—
Compressor for CH 1, 2 × 2
—
MONO: CH 1, 2 signals fuction as
—
independent mono channels. × 1
STEREO: CH 1, 2 signals fuction as
—
a stereo pair.
Adjust the level of CH 1-5/6 × 4
Adjust the level of CH 1, 2 × 2
48 V, only for CH1 × 1
Adjusts the DAW playback signal × 1
—
Adjusts the overall signal × 1
—
—
Adjusts the overall signal × 1
Indicators
Level Indicators
PEAK Indicator
Phantom Power
Power
Power Supply
Dimensions (W × D × H)
Net Weight
Included Accessories
2 points (green, red) × 1
Red × 4
170 × 59 × 192 mm
760 g
—
Red × 1
Green × 1
USB bus-powered
180 × 61 × 112 mm
490 g
Cubase AI DVD-ROM
USB cable
Owner’s Manual
034
Syn_mini_1009_B.pm
32-33
10.10.4, 11:41 AM
035
USB Mixing Studio
/
/
COMPUTER BASED MUSIC
PRODUCTION EQUIPMENT
MW8CX
MW12CX
MW10C
MW12C
The Easiest Way to Turn your Computer Into a Home Studio
■ Bundled with Cubase AI software turns your computer into a
high-quality audio recording studio.
■ Single USB connection provides bi-directional audio data
transfer between the mixer and your computer.
■ Flexible configurations feature 8 or 10 channels with 4 ultralow noise mic preamps, or 12 channels with 6 ultra-low noise
mic preamps.
■ Assignable REC OUT busses on the MW12C and MW12CX
provide added flexibility in signal routing for recording and
monitoring.
■ Easy-to-use one-knob compression on mono input channels.
■ Monitor mix control offers simple balanced control between
recording and playback signals.
■ Easy-access panel with top-mounted input and output
connectors for quick setups.
■ High-Quality Neutrik™ balanced XLR connectors for all
microphone inputs.
■ Built-in SPX effects on the MW8CX and MW12CX offer a
variety of reverb, delay, modulation, and distortion with
editable parameters.
■ Dedicated Channel ON switches for each channel on the
MW12C and MW12CX are illuminated for instant status
verification.
036
Syn_mini_1009_B.pm
34-35
10.10.4, 11:41 AM
037
MW Application Examples
● Songwriting and Solo Productions
● Band Recording
Synthesizer
Pre-amp for Guitar
Mic
E. Guitar
Powered Monitor Speaker
Drums
Acoustic Guitar
Mic
Pre-amp for
Acoustic Guitar
Pre-amp for Bass
E. Bass
COMPUTER BASED MUSIC
PRODUCTION EQUIPMENT
Powered Monitor Speaker
USB
USB
DAW
Headphone
MW10c
DAW
MW12c
USB Mixing Studio MW12CX /
MW12C / MW8CX / MW10C
MW12CX
Frequency Response
Total Harmonic Distortion (THD+N)
Hum & Noise
Hum & Noise are measured with
a GdB/octave filter @12.7kHZ;
equivalent to a 20kHz filter with
infinite dB/octave attenuation.’’
[email protected]
Phantom Voltage
USB Audio I/O Sampling Frequency
Input HPF
Input Equalization
+15, -15dB maximum.
Turn over/roll-off frequency of
shelving: 3dB blow maximum
variable level.
ST OUT, REC OUT, AUX
(EFFECT*)
SEND, MONITOR OUT
ST OUT
CH INPUT 1-4 MIC
ST OUT, REC OUT
AUX (EFFECT*) SEND
ST OUT, REC OUT
ST OUT
Input to Output
MIC
High
Mid
Low
High
Low
PEAK Indicator
Internal Digital Effect
LED Level Meter
Pre MONITOR Level
Power Supply Adapter
Power Consumption
Dimensions
Net Weight
W × D × H (mm)
Option
MW12C
-3.0, 0, 1.0 dB, GAIN: min (CH 1-4, CH 5/6-7/8), 20Hz-20kHz,
refer to the nominal output [email protected]
MW8CX
MW10C
-3.0, 0, 1.0 dB, GAIN: min (CH 1-2, CH 3/4-5/6), 20Hz-20kHz,
refer to the nominal output [email protected]
Less Than 0.1%, +14dBu, 20Hz-20kHz, Input Gain Control at minimum
-128 dBu, EIN (Equivalent Input Noise): Rs=150Ω, GAIN: max
-88 dBu, ST, REC Master fader at nominal level and all Ch level controls at minimum.
-87 dBu, ST master control at nominal level and all Ch level controls at minimum.
-81dBu, AUX Master control at nominal level and all Ch mix controls at minimum.
-85dB, All Ch AUX controls at minimum.
-64 dB, ST, REC Master fader and one Ch fader at nominal level.
-64 dB, ST Master control and one Ch level control at nominal level. (CH1,2)
-98 dB, Residual Output Noise.
-100 dB, Residual Output Noise.
-70dB, STEREO L/R, CH 1-4, PAN panned Hard left or right.
-70dB, STEREO L/R, CH 1-2, PAN panned Hard left or right.
+48 V
44.1, 48 kHz, Depend on the application of PC
CH 1-4 and CH 5/6-7/8, 80Hz, 12dB/oct
CH 1-2 and CH 3/4-5/6, 80Hz, 12dB/oct
10kHz shelving (CH 1-4, CH 5/6-7/8)
10kHz shelving (CH 1-2, CH 3/4-5/6)
2.5 kHz peaking (CH 1-4, CH 5/6-7/8)
2.5 kHz peaking (CH 1-2, CH 3/4-5/6)
100 Hz shelving (CH 1-4, CH 5/6-7/8
100 Hz shelving (CH 1-2, CH 3/4-5/6)
10 Hz shelving (CH 9/10, CH 11/12**)
10 Hz shelving (CH 7/8, CH 9/10**)
100 Hz shelving (CH 9/10, CH 11/12**)
100 Hz shelving (CH 7/8, CH 9/10**)
Red LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu)
16 PROGRAM, PARAMETER control
16 PROGRAM, PARAMETER control
—
—
Foot Switch (Digital Effect, on/off)
Foot Switch (Digital Effect, on/off)
2 × 12 points LED meter (PEAK, +10, +6, +3. 0, -3, -6, -10,-15, -20, -25, -30 dB)
2 × 7 points LED meter (PEAK, +6, +3, 0, -5, -10, -2dB)
PEAK lights if the signal comes within 3dB of the clipping level.
PEAK lights if the signal comes within 3dB of the clipping level.
PA-20
PA-10
30W
21W
346.2 × 436.6 × 86.1
256.6 × 302.5 × 62.2
3.2kg
3kg
1.7kg
1.6kg
Microphone Stand Adaptor (BMS-10A),
Foot Switch (FC5)
—
Microphone Stand Adaptor (BMS-10A)
Foot Switch (FC5)
All fader are nominal when measured. (Nominal position is adjusted to a position that is 6dB lower than the MAX position)
*EFFECT SEND exists only in MW8CX, MW12CX
**: ST CH IN 9/10 exists only in MW10C
Output impedance of signal generator; 150ohms
038
Syn_mini_1009_B.pm
36-37
10.10.4, 11:41 AM
Advanced Integration USB Studio
Compact Consoles Offer Seamless Integration With
Bundled Production Software
039
COMPUTER BASED MUSIC
PRODUCTION EQUIPMENT
Compact Consoles Offer Seamless Integration
With Bundled Production Software
Steinberg’s CI series consoles are USB
powered computer audio interfaces that offer
high-quality hardware interfaces with ready-to-use production software for producing
and recording music on a computer with ease. All three units feature combination input
jacks with phantom power for recording professional quality audio. A Hi-Z input lets you
connect electric instruments directly to the unit eliminating the need for a DI box.
Hardware provides seamless integration with the accompanying Steinberg software.
■
■
■
■
■
Two high-quality mic/line inputs with XLR-combo jacks and phantom power
Hi-Z input on Line 1
Two balanced TRS line outputs plus one phones output
Up to 24-bit/48kHz latency-free hardware monitoring
USB powered
CI2+
■ Smart mouse-over control of Cubase with the AI knob
■ Hands-free recording with interactive recording and
footswitch operation
■ Dedicated hardware control of Cubase transport functions
■ Easy setup and workflow with Project Assistant and
browsing with AI knob
■ Bundled with Cubase Essential5
■ 64 audio tracks, 64 MIDI tracks, 16 instrument tracks
■ HALion ONE sample player with over 700 sounds
■ Prologue subtractive synthesizer
■ 33 audio and 17 MIDI VST effect processors including
PitchCorrect, AmpSimulator, EQ, compressor, delay, reverb
CI1
■ Bundled with Steinberg’s Sequel LE software
■ 8 audio tracks and 8 instrument tracks
■ Includes effects such as delay, distortion, dynamics, modulation, reverb, EQ
■ Includes over 100 audio loops and 350 instrument presets
■ Also includes WaveLab LE Audio Editing and Mastering
software
■ Editing tools include fades, trimming and rubber band editing
■ 9 VST3 plug-ins including compressor, limiter, EQ reverb
CI2
■ Smart mouse-over control of Cubase with the AI knob
■ Hands-free recording with interactive recording and
footswitch operation
■ Easy setup and workflow with Project Assistant and
browsing with AI knob
■ Bundled with Cubase AI5
■ 48 audio tracks, 64 MIDI tracks, 16 instrument tracks
■ HALion ONE sample player with ready-to-use sample
content
■ 31 FX plug-ins including Amp Simulator, EQ, compressor,
delay, reverb
Syn_mini_1009_B.pm
38-39
040
10.10.7, 6:27 PM
041
Advanced Integration Controller
■ USB powered controller offers seamless integration and full
control of Steinberg’s Cubase DAW systems
■ AI controller knob provides “point and control” operation
■ High-quality 100mm touch sensitive motorized fader
■ Dedicated Cubase channel controls, 12 rotary EQ encoders and
bypass/mode button, 4 user-assignable buttons
■ Mirrored functionality offers intuitive operation
Advanced Integration Controller CC121
Connection terminal
USB TO HOST terminal
FOOT SW terminal, DC IN terminal
USB bus power: 5V/500mA
Power Adaptor: Motor Fader Drive (PA-3C)
Power Consumption: USB bus power: 1.5W
Power Adaptor (Motor Fader Drive): 5W
Maximum External Dimensions (W x H x D)
284 × 72 × 185 mm
Weight
1.5kg
Included Components
Power adaptor (PA-3C), CD-ROM (TOOLS for CC121), DVD-ROM (Cubase Al 4),
Operation Manual, Warranty, USB cable
CC121 comply with ver.4.5.1 of Cubase, Cubase Studio, Cubase Essential and Cubase AI or higher and Nuendo 4.2.2 or higher.
Power Source
COMPUTER BASED MUSIC
PRODUCTION EQUIPMENT
Advanced Integration DSP Studio
Rear Panel
MR816x
Rear Panel
MR816csx
■ FireWire audio interfaces deliver latency free monitoring with one to one hardware/software mirroring
■ Eight high-quality D-pre discrete Class A analog mic
preamps with combo XLR/TRS analog inputs and
phantom power
■ Full integration with the Cubase user interface
■ Built-in DSP provides additional mixing power and
onboard VST3 effects for Cubase
■ Quick Connect function offers extended plug and play
and instant routing
■ Sweet Spot Morphing channel strip on MR816csx
Advanced Integration DSP Studio MR816csx
Input Channel
Analog
Digital
Output Channel
Analog
Digital
Maximum External Dimensions (H × D × W)
Weight
/ MR816x
• MIC/LINE/HI-Z terminal (1ch, XLR combo-balance, front)
• MIC/LINE terminal (2ch, XLR combo-balance, front)
• MIC/LINE terminal (3ch-8ch, XLR combo-balance, rear)
• S/PDIF coaxial
• ADAT optical (S/MUX compliant, S/PDIF optical compliant)
• Word Clock
1/4”TRS Phone (Balanced)
Insert terminal: 1/4”TRS Phone (Unbalanced)
Headphone terminal 1/2: 1/4”TRS Phone (Unbalanced)
• S/PDIF coaxial
• ADAT optical (S/MUX compliant, S/PDIF optical compliant)
• Word Clock
44 × 305 × 480 mm
3.2kg
042
Syn_mini_1009_B.pm
40-41
10.10.4, 11:41 AM
043
Mixing Console
MG206C-USB/MG166C-USB/MG166CX-USB
MG206C-USB
MG166CX-USB
■ USB models bundled with Cubase AI software offer direct
digital recording to a computer as well as editing.
■ Available in 20-channel (12 mono + 4 stereo), 16-channel
(8 mono + 4 stereo), 12-channel (4 mono + 4 stereo), and
8-channel (2 mono + 4 stereo) configurations.
■ Built-in SPX digital effects (CX models only) provide 16
effects that can be blended into the AUX sends for “wet”
monitoring.
■ Lightweight, portable designs deliver maximum manageability and maximum performance.
■ Versatile connectivity and professional quality connectors
provide easy setup, superior reliability and excellent sonic
quality.
■ Built-in channel compression with one-knob control lets you
simply dial in the amount of compression you want.
■ High-performance microphone preamplifiers are derived
from Yamaha’s top-line professional consoles. Switchable
phantom power allows the use of high-quality condenser
mics.
■ Optional adaptor allows mounting of the MG82CX and
102C on a mic stand.
PROFESSIONAL AUDIO
EQUIPMENT
Mixing Console
MG206C/MG166CX/MG166C/MG124CX/MG124C/MG82CX/MG102C
MG166CX
MG124CX
MG82CX
MG102C
044
Syn_mini_1009_B.pm
42-43
10.10.4, 11:41 AM
045
Mixing Console
MG Series
INPUT Connectors
OUTPUT Connectors
CH EQ (MONO)*3
±15 dB (Max.)
High
Mid
Low
CH EQ (STEREO)*3 High
±15 dB (Max.)
Mid
Low
Compressor (COMP)
Internal Digital Effect
Power Supply Adapter
Power Consumption
Dimensions (W × D × H)
Net Weight
Options
MG206C-USB
MG166CX-USB
MIC: 16,
MIC: 10,
LINE: 12 mono + 4 stereo, LINE: 8 mono + 4 stereo,
CH INSERT: 12,
CH INSERT: 8,
AUX RTN: 2 stereo, AUX RTN: 1 stereo,
2TR IN: 1
2TR IN: 1
ST2,
ST2,
AUX SEND: 4,
AUX SEND: 2,
CH INSERT: 12,
EFFECT SEND:1,
REC: 1 stereo,
CH INSERT 8,
MONITOR: 1 stereo,
REC: 1 stereo,
GROUP: 4
MONITOR: 1 stereo,
Phone: 1
GROUP: 4
Phone: 1
10 kHz: shelving
10 kHz: shelving
2.5 kHz: peaking
2.5 kHz: peaking
100 Hz: shelving
100 Hz: shelving
10 kHz: shelving
10 kHz: shelving
2.5 kHz: peaking
2.5 kHz: peaking
100 Hz: shelving
100 Hz: shelving
control × 1
control × 1
(Gain/Threshold/Ratio), (Gain/Threshold/Ratio),
CH 1-8
CH 1-6
16 PROGRAM,
PARAMETER control
—
Foot Switch
(Digital Effect, on/off)
PA-30:AC 35VCT, 1.4A, PA-30:AC 35VCT, 1.4A,
Cable Length = 3.6m Cable Length = 3.6m
40 W
35 W
478 × 105 × 496 mm 478 × 105 × 496 mm
6.0 kg
5.5 kg
Foot Switch
—
(FC-5)
MG166C-USB
MG206C
MG166CX
MIC: 10,
MIC: 16,
MIC: 10,
LINE: 8 mono + 4 stereo, LINE: 12 mono + 4 stereo, LINE: 8 mono + 4 stereo,
CH INSERT: 8,
CH INSERT: 12,
CH INSERT: 8,
AUX RTN: 1 stereo, AUX RTN: 2 stereo, AUX RTN: 1 stereo,
2TR IN: 1
2TR IN: 1
2TR IN: 1
ST2,
ST2,
ST2,
AUX SEND: 3,
AUX SEND: 4,
AUX SEND: 2,
CH INSERT 8,
CH INSERT 12,
EFFECT SEND:1,
REC: 1 stereo,
REC: 1 stereo,
CH INSERT 8,
MONITOR: 1 stereo, MONITOR: 1 stereo,
REC: 1 stereo,
GROUP: 4
GROUP: 4
MONITOR: 1 stereo,
Phone: 1
Phone: 1
GROUP: 4
Phone: 1
10 kHz: shelving
10 kHz: shelving
10 kHz: shelving
2.5 kHz: peaking
2.5 kHz: peaking
2.5 kHz: peaking
100 Hz: shelving
100 Hz: shelving
100 Hz: shelving
10 kHz: shelving
10 kHz: shelving
10 kHz: shelving
2.5 kHz: peaking
2.5 kHz: peaking
2.5 kHz: peaking
100 Hz: shelving
100 Hz: shelving
100 Hz: shelving
control × 1
control × 1
control × 1
(Gain/Threshold/Ratio), (Gain/Threshold/Ratio), (Gain/Threshold/Ratio),
CH 1-6
CH 1-8
CH 1-6
16 PROGRAM,
PARAMETER control
—
—
Foot Switch
(Digital Effect, on/off)
PA-30: AC 35VCT, 1.4A, PA-30:AC 35VCT, 1.4A, PA-30:AC 35VCT, 1.4A,
Cable Length = 3.6m Cable Length = 3.6m Cable Length = 3.6m
30 W
40 W
35 W
478 × 105 × 496 mm 478 × 105 × 496 mm 478 × 105 × 496 mm
5.3 kg
6.0 kg
5.5 kg
Foot Switch
—
—
(FC-5)
MG166C
MG124CX
MIC: 10,
MIC: 6,
LINE: 8 mono + 4 stereo, LINE: 4 mono + 4 stereo,
CH INSERT: 8,
CH INSERT: 4,
AUX RTN: 1 stereo, RETURN: 1 stereo,
2TR IN: 1
2TR IN: 1
ST2,
ST2,
AUX SEND: 3,
AUX SEND: 1,
CH INSERT 8,
EFFECT SEND:1,
REC: 1 stereo,
CH INSERT 4,
MONITOR: 1 stereo,
REC: 1 stereo,
GROUP: 4
MONITOR: 1 stereo,
Phone: 1
GROUP: 2
Phone: 1
10 kHz: shelving
10 kHz: shelving
2.5 kHz: peaking
2.5 kHz: peaking
100 Hz: shelving
100 Hz: shelving
10 kHz: shelving
10 kHz: shelving
2.5 kHz: peaking
—
100 Hz: shelving
100 Hz: shelving
control × 1
control × 1
(Gain/Threshold/Ratio), (Gain/Threshold/Ratio),
CH 1-6
CH 1-4
16 PROGRAM,
PARAMETER control
—
Foot Switch
(Digital Effect, on/off)
PA-30:AC 35VCT, 1.4A, PA-20: AC 35VCT, 0.94A,
Cable Length = 3.6m Cable Length = 3.6m
30 W
21 W
478 × 105 × 496 mm 346.2 × 86.1 × 436.6 mm
5.3 kg
1.6 kg
Foot Switch
—
(FC-5)
MG124C
MG82CX
MG102C
MIC: 6,
MIC: 4,
MIC: 4,
LINE: 4 mono + 4 stereo, LINE: 2 mono + 4 stereo, LINE: 2 mono + 4 stereo,
CH INSERT: 4,
CH INSERT: 2,
CH INSERT: 2,
AUX RTN: 1 stereo, RETURN: 1 stereo, RETURN: 1 stereo,
2TR IN: 1
2TR IN: 1 stereo
2TR IN: 1 stereo
ST2,
ST1,
ST:1,
AUX SEND: 2,
EFFECT SEND:1,
AUX SEND: 1,
CH INSERT 4,
CH INSERT 2,
CH INSERT 2,
REC: 1 stereo,
REC: 1 stereo,
REC: 1 stereo,
MONITOR: 1 stereo, MONITOR: 1 stereo, MONITOR: 1 stereo,
GROUP: 2
Phone: 1
Phone: 1
Phone: 1
10 kHz: shelving
10 kHz: shelving
2.5 kHz: peaking
2.5 kHz: peaking
100 Hz: shelving
100 Hz: shelving
10 kHz: shelving
10 kHz: shelving
—
—
100 Hz: shelving
100 Hz: shelving
control × 1
control × 1
(Gain/Threshold/Ratio), (Gain/Threshold/Ratio),
CH 1-4
CH1, 2
16 PROGRAM,
PARAMETER control
—
Foot Switch
(Digital Effect, on/off)
PA-20:AC 35VCT, 0.94A, PA-10:AC 38VCT, 0.62A,
Cable Length = 3.6m Cable Length = 3.6m
30 W
21 W
246.2 × 86.1 × 436.6 mm 256.6 × 62.2 × 302.5 mm
3 kg
1.6 kg
Microphone Stand Adapter
—
(BMS-10A),
Foot Switch (FC-5)
10 kHz: shelving
2.5 kHz: peaking
100 Hz: shelving
10 kHz: shelving
—
100 Hz: shelving
control × 1
(Gain/Threshold/Ratio),
CH 1, 2
—
PA-10: AC 38VCT, 0.62A,
Cable Length = 3.6m
21 W
256.6 × 62.2 × 302.5 mm
1.5 kg
Microphone Stand Adapter
(BMS-10A)
PROFESSIONAL AUDIO
EQUIPMENT
MG & MW Comparison Chart
USB Equipped (CUBASE AI bundled )
Model
Feature
Input
Connectors
USB Unequipped
MG206C-USB
MG166CX-USB
MG166C-USB
MW12cx
MW12c
MW8cx
MW10c
MG206C
MG166CX
MG166C
MG124CX
MG124C
MG82CX
MG102C
Mic: 16
Line: 12 mono
+ 4 stereo
Mic: 10
Line: 8 mono
+ 4 stereo
Mic: 10
Line: 8 mono
+ 4 stereo
Mic: 6
Line: 4 mono
+ 4 stereo
Mic: 6
Line: 4 mono
+ 4 stereo
Mic: 4
Line: 2 mono
+ 3 stereo
Mic: 4
Line: 2 mono
+ 4 stereo
Mic: 16
Line: 12 mono
+ 4 stereo
Mic: 10
Line: 8 mono
+ 4 stereo
Mic: 10
Line: 8 mono
+ 4 stereo
Mic: 6
Line: 4 mono
+ 4 stereo
Mic: 6
Line: 4 mono
+ 4 stereo
Mic: 4
Line: 2 mono
+ 3 stereo
Mic: 4
Line: 2 mono
+ 4 stereo
3 band: Ch 1-7/8
2 band:
Ch 9/10-11/12
3 band: Ch 1-5/6
2 band: Ch 7/8
3 band: Ch 1-5/6
2 band:
Ch 7/8, 9/10
3 band Mid-sweep: 3 band Mid-sweep: 3 band Mid-sweep:
Ch 1-12
Ch 1-8
Ch 1-8
3 band:
3 band:
3 band:
Ch 13/14-19/20
Ch 9/10-15/16
Ch 9/10-15/16
3 band: Ch 1-7/8
2 band:
Ch 9/10-11/12
3 band: Ch 1-7/8
2 band:
Ch 9/10-11/12
3 band: Ch 1-5/6
2 band: Ch 7/8
3 band: Ch 1-5/6
2 band:
Ch 7/8, 9/10
●
●
Equalizer
3 band Mid-sweep: 3 band Mid-sweep: 3 band Mid-sweep:
Ch 1-12
Ch 1-8
Ch 1-8
3 band:
3 band:
3 band:
Ch 13/14-19/20
Ch 9/10-15/16
Ch 9/10-15/16
3 band: Ch 1-7/8
2 band:
Ch 9/10-11/12
SPX
●
●
●
●
Aux
4 Aux
2 Aux + 1 Effect
3 Aux
1 Aux + 1 Effect
2 Aux
1 Effect
1 Aux
4 Aux
2 Aux + 1 Effect
3 Aux
1 Aux + 1 Effect
2 Aux
1 Effect
1 Aux
Bus
6
(ST + 4 GROUP)
6
(ST + 4 GROUP)
6
(ST + 4 GROUP)
4
(ST + 2 GROUP:
REC BUS)
4
(ST + 2 GROUP:
REC BUS)
2 (ST)
2 (ST)
6
(ST + 4 GROUP)
6
(ST + 4 GROUP)
6
(ST + 4 GROUP)
4
(ST + 2 GROUP)
4
(ST + 2 GROUP)
2 (ST)
2 (ST)
REC BUS Assign
●
●
MONITOR
PHONES separate
●
●
Mic stand
Mountable
(with optional
BMS-10A)
Mic stand
Mountable
(with optional
BMS-10A)
Rack
Mountable
Rack
Mountable
Rack
Mountable
Mic stand
Mountable
(with optional
BMS-10A)
Mic stand
Mountable
(with optional
BMS-10A)
Note
Rack
Mountable
Rack
Mountable
Rack
Mountable
046
Syn_mini_1009_B.pm
44-45
10.10.4, 11:41 AM
Powered Monitor Speaker
Powered Monitor Speaker
HS80M
HS50M
Professional Studio Monitor
Professional Studio Monitor
■ 2-way bass reflex bi-amplified near-field studio monitor.
■ 8" cone woofer and 1" dome tweeter deliver 42 Hz – 20 kHz
frequency response.
■ Built-in power system delivers 120 watts of dynamic biamplified power.
■ High-performance speakers and mounting system deliver smooth,
accurate response.
■ 2-way bass reflex bi-amplified near-field studio monitor.
■ 5" cone woofer and 3/4" dome tweeter deliver 55 Hz – 20
kHz frequency response.
■ Built-in power system delivers 70 watts of dynamic biamplified power.
■ High-performance speakers and mounting system
deliver smooth, accurate response.
Powered Monitor Speaker
Powered Monitor Speaker
HS80M
HS50M
Type
Dimensions
(W × D × H)
Weight
Input Connectors
(parallel)
Controls
Accessories
Biamp 2-way powered speaker
250 × 332 × 390 mm
(9-13/16" × 13-1/16" × 15-3/8")
11.3 kg (24.9 lbs)
1: XLR-3-31 type (balanced)
2: PHONE (balanced)
LEVEL control (+4 dB/center click)
LOW CUT switch (FLAT/80/100 Hz, 12 dB/octave)
EQ : MID (+/-2 dB at 2 kHz)
HIGH (+/-2 dB at HF)
ROOM CONTROL (0/-2/-4 dB under 500 Hz)
AC power cord, Owner’s Manual
Type
Dimensions
(W × D × H)
Weight
Input Connectors
(parallel)
Controls
Accessories
047
Biamp 2-way powered speaker
165 × 222 × 268 mm
(6-1/2" × 8-3/4" × 10-9/16")
5.8 kg (12.8 lbs)
1: XLR-3-31 type (balanced)
2: PHONE (balanced)
LEVEL control (+4 dB/center click)
LOW CUT switch (FLAT/80/100 Hz, 12 dB/octave)
EQ : MID (+/-2 dB at 2 kHz)
HIGH (+/-2 dB at HF)
ROOM CONTROL (0/-2/-4 dB under 500 Hz)
AC power cord, Owner’s Manual
PROFESSIONAL AUDIO
EQUIPMENT
Powered Subwoofer
Powered Monitor Speaker
HS10W
MS101III
■ Long-stroke 8" bass reflex powered subwoofer delivers 30Hz120Hz frequency response.
■ Built-in power system delivers 150 watts of dynamic power.
■ High-performance speakers and bass reflex design cabinet
maintains high efficiency and low distortion.
■ Especially designed for home recording use and semi-professional applications.
■ Multiple input configuration and comprehensive Low, High EQ
and volume controls.
Powered Subwoofer
Powered Monitor Speaker
HS10W
MS101III
Type
Dimensions
(W × D × H)
Weight
Input Connectors
(parallel)
Controls
Accessories
Powered Subwoofer
300 × 386 × 350 mm
(11-13/16" × 15-3/16" × 13-3/4")
12.5 kg (27.6 lbs)
1: XLR-3-31 type (balanced)
2: PHONE (balanced)
LEVEL control
PHASE switch : NORM./REV.
HIGH CUT control : 80 – 120 Hz (center click)
LOW CUT control : 80 – 120 Hz (center click)
LOW CUT switch : ON/OFF
AC power cord, Owner’s Manual
Type
Dimensions
(W × D × H)
Weight
Input Connectors
(parallel)
Controls
Bass-reflex powered speaker
147 × 214 × 192 mm
(5-3/4" × 8-7/16" × 7-9/16")
2.2 kg (4.9 lbs.)
1: RCA pin-jack
2: PHONE (balanced)
Volume, Tone control (Low/High)
048
Syn_mini_1009_B.pm
46-47
10.10.4, 11:41 AM
Powered Monitor Speaker
Powered Monitor Speaker
MSP7 STUDIO
MSP5 STUDIO
■ Powered reference monitors deliver superior performance in
a wide range of systems.
■ Advanced bi-amp design delivers 80-watts to the low frequency driver and 50-watts to the high frequency driver.
■ 6.5-inch woofer features a specially treated cone with low
damping rubber surrounds for exceptionally smooth response.
■ 1-inch titanium dome tweeters offers fast response for crisp,
natural transients.
■ Powered reference monitors deliver superior performance in
a wide range of systems.
■ Advanced bi-amp design delivers 40-watts to the 5-inch and
27-watts to the 1-inch titanium dome tweeters.
■ Integrated waveguide achieves uniform high-frequency
dispersion of 120-degrees.
■ Rear panel controls include 4-position low trim, and 3position high trim switches
Powered Monitor Speaker
MSP7 STUDIO
Type
Dimensions
(W × D × H)
Weight
Input Connectors
Controls
Biamp 2-way Powered Speaker
218 × 330 × 235 mm
12.2 kg
XLR3-31 (balanced), 10 kΩ
LEVEL control 31 Positions Detent type VR
(Min = –Attenuation)
HIGH TRIM +1.5/0/–1.5 dB at 15 kHz
LOW TRIM +1.5/0/–1.5/–3 dB at 45 Hz
POWER switch on/off
Powered Monitor Speaker
MSP5 STUDIO
Type
Dimensions
(W × D × H)
Weight
Input Connectors
Controls
Biamp 2-way Powered speaker
179 × 279 × 208 mm
7.9 kg
XLR3-31 (balanced), 10 kΩ
PHONE (unbalanced), 10 kΩ
LEVEL control 31 Positions Detent type VR
(Min = –Attenuation)
HIGH TRIM +1.5/0/–1.5 dB at 15 kHz
LOW TRIM +1.5/0/–1.5/–3 dB at 60 Hz
POWER switch on/off
PROFESSIONAL AUDIO
EQUIPMENT
Powered Subwoofer
Powered Monitor Speaker
SW10 STUDIO
MSP3
■ Designed for optimum matching with the MSP series
powered monitor speakers.
■ High power, high performance 180-watt amplifier.
■ Continuous high cut control (40Hz—120kHz) for optimizing
performance with any room or system.
■ Continuous level control.
■ Magnetic shielding.
■
■
■
■
Powered Subwoofer
Output Connectors
Controls
Compact, two-way powered monitor system.
Built-in 20-watt amplifier.
Two Line inputs.
Balanced XLR, balanced phone jack and unbalanced RCA
jack inputs for versatile connectivity.
■ High and Low tone controls for sound tailoring.
■ Separate Line 1 and Line 2 level controls.
■ Magnetic shielding.
Powered Monitor Speaker
SW10 STUDIO
Type
Dimensions
(W × D × H)
Weight
Input Connectors
049
Powered subwoofer
328 × 459 × 476 mm
26.5 kg
XLR3–31 × 3 (balanced),
10 kΩ
XLR3–32 × 3 (balanced)
Parallel connection with Input
LEVEL control Center Click
VR (Min = –Attenuation)
POWER switch on/off
PHASE switch Normal/Reverse
LPF control 40-120 Hz,
80 Hz at Center Click
MSP3
Type
Dimensions
(W × D × H)
Weight
Input Connectors
Controls
Amplified 2-way, bass-reflex powered speaker
144 × 236 × 167 mm
(5-11/16" × 9-5/16" × 6-9/16")
4.4kg (9.70 lbs)
LINE1: RCA pin (unbalanced), 10 kΩ
LINE2: XLR3-31& Phone (balanced), 10 kΩ
Level Control : LINE1& LINE2
Tone Control : LOW ±3dB at 100 Hz
: HIGH ±3dB at 100 kHz
Power switch : On/Off
050
Syn_mini_1009_B.pm
48-49
10.10.4, 11:41 AM
051
Portable PA System/Keyboard Amplifier
/
■ STAGEPAS 250M features a 10-channel powered mixer
with 2 mono mic/line and 4 stereo inputs, 250 watts of
class-D power, plus digital reverb and compressor/limiters
on channels 1 and 2.
■ STAGEPAS 150M features an 8-channel powered mixer
with 2 mono mic/line and 3 stereo line inputs, 150 watts of
class-D power, and 1-bit modulation reverb on channels 1
and 2.
Application Examples (STAGEPAS 250M)
Common Features
■ Built-in 2-band EQ on all channels.
■ Switchable phantom power on channels 1 and 2.
■ Pole mountable.
PROFESSIONAL AUDIO
EQUIPMENT
052
Syn_mini_1009_B.pm
50-51
10.10.4, 11:41 AM
Portable PA System
Useful Features for keyboard players
(STAGEPAS 250M)
Stereo Link Out
Balanced ST SUB OUT
A dedicated Stereo Link Out jack is provided for
connection to optional MSR250–allowing you to
easily create a powerful stereo setup for larger
venues and greater sound projection.
These outputs let you connect additional powered speakers to the STAGEPAS 250M or send the mixer or
recording device.
STAGEPAS 250M / STAGEPAS 150M
GENERAL
Output Power
STAGEPAS250:(Maximum) 250 W (±10 %) 4 Ω @ 10 % THD at 1 kHz (SPEAKER)
(RMS) ≥200 W 4 Ω @ 1 % THD at 1 kHz (SPEAKER)
STAGEPAS150:(Maximum) 150 W (±10 %) 6 Ω @ 10 % THD at 1 kHz (SPEAKER)
(RMS) ≥100 W 4 Ω @ 1 % THD at 1 kHz (SPEAKER)
Maximum Output Level STAGEPAS250: 116 dB (1 m)
STAGEPAS150: 112 dB (1 m)
Frequency Response
–3 dB, 0 dB, +1 dB @ 20 Hz-20 kHz, 1 W Output
(Nominal output
(MUSIC/SPEECH=MUSIC, without Speaker EQ)
level @ 1 kHz)
(SPEAKER)
Total Harmonic Distortion
0.5 % @ 20 Hz, 1 kHz, 20 kHz +14 dBu GAIN=nominal
(ST SUB OUT, ST LINK OUT)
Hum & Noise
STAGEPAS250: ≤–106 dBu (CH1/2)
(Equivalent Input Noise,
≤–65 dBu Residual output noise (SPEAKER)
Rs=150 Ω, MIC/
STAGEPAS150:≤–112 dBu (CH3/4)
LINE=MIC)
≤–65 dBu Residual output noise (SPEAKER)
Crosstalk (1 kHz)
–70 dB between input channels
Power Consumption
STAGEPAS250: 35 W
STAGEPAS150: 20 W
Weight
STAGEPAS250: 13 kg (28-5/8" lbs.) (Speaker + Powered Mixer)
STAGEPAS150: 9.6 kg (21-1/8" lbs.) (Speaker + Powered Mixer)
Dimensions
STAGEPAS250:342 (13-1/2") × 544.5 (21-1/2") × 298 (11-3/4) (Speaker × 1)
(W × H × D mm)
330 (13") × 111.5 (4-3/8") × 175 (6-7/8") (Mixer)
STAGEPAS150:275 (10-7/8") × 455.5 (17-7/8") × 255 (10-1/8") (Speaker × 1)
290 (11-3/8") × 96.3 (3-3/4") × 160 (6-1/4") (Mixer)
Input Channel Equalization
±15 dB
HIGH 10 kHz shelving, LOW 100 Hz shelving
Enclosure
2 way bass-reflex type, Polypropylene, Black
CrossOver Frequency 4.0 kHz (LF: 12 dB/oct, HF: 12 dB/oct)
Frequency Range
55 Hz-20 kHz (–10 dB)
Speaker Unit
STAGEPAS250: LF: 10" (25 cm) Cone
HF: 1" (2.54 cm) Compression Driver
STAGEPAS150: LF: 8" (20 cm) Cone
HF: 1" (2.54 cm) Compression Driver
Click Assign Switches
This convenient feature lets you connect a drum machine, synthesizer or metronome to Channels
7/8 and route a click/metronome or rhythm signal through the mixer for monitoring purposes
only. Turning this switch on takes the Channel 7/8 signal out of the ST SUB OUT jacks. A second
Click switch lets you route the click signal to the PHONES out for headphones monitoring,
PROFESSIONAL AUDIO
EQUIPMENT
Portable PA System
053
Portable PA System
STAGEPAS 500 / STAGEPAS 300
GENERAL
Output Power
■ Dual 250-watt class-D amplifiers.
■ Versatile 10-channel mixer features 4 mono + 3 stereo inputs.
■ Switchable phantom power.
■ Built-in channel compression/limiting.
Portable PA System
■ Dual 150-watt class-D amplifiers
■ 8-channel mixer features 4 mono + two stereo line inputs.
Syn_mini_1009_B.pm
52-53
STAGEPAS500: (Maximum) 250 W+250 W (±10 %) 4 Ω @ 10 % THD at 1 kHz (SPEAKERS L/R)
(RMS) 200 W+200 W 4 Ω @ 1 % THD at 1 kHz (SPEAKERS L/R)
STAGEPAS300: (Maximum) 250 W+250 W (±10 %) 4 Ω @ 10 % THD at 1 kHz (SPEAKERS L/R)
(RMS) 200 W+200 W 4 Ω @ 1 % THD at 1 kHz (SPEAKERS L/R)
Maximum Output Level STAGEPAS500:116 dB (1 m)
STAGEPAS300:112 dB (1 m)
Frequency Response
–3 dB, 0 dB, +1 dB @ 20 Hz-20 kHz, 1 W Output
(Nominal output
(MUSIC/SPEECH=MUSIC, without Speaker EQ)
level @ 1 kHz)
(SPEAKER L/R)
Total Harmonic Distortion
0.5 % @ 20 Hz, 1 kHz, 20 kHz +14 dBu GAIN=nominal
(MONITOR OUT, REC OUT)
Hum & Noise
STAGEPAS500: ≤–106 dBu (CH1/2)
(Equivalent Input Noise,
≤–112 dBu (CH3/4)
Rs=150 Ω, MIC/LINE=MIC)
≤–65 dBu Residual output noise (SPEAKERS L/R)
STAGEPAS300: ≤–65 dBu Residual output noise (SPEAKER L/R)
Crosstalk (1 kHz)
–70 dB between input channels
Power Consumption
STAGEPAS500: 65 W
STAGEPAS300: 70 W
Weight
STAGEPAS500: 24 kg (52-7/8" lbs.) (Speaker x 2 + Powered Mixer)
STAGEPAS300: 18 kg (39-5/8" lbs.) (Speaker x 2 + Powered Mixer)
Dimensions
STAGEPAS500:342 (13-1/2") × 544.5 (21-1/2") × 298 (11-3/4) (Speaker × 1)
(W × H × D mm)
330 (13") × 111.5 (4-3/8") × 175 (6-7/8") (Mixer)
STAGEPAS300:275 (10-7/8") × 455.5 (17-7/8") × 255 (10-1/8") (Speaker × 1)
290 (11-3/8") × 96.3 (3-3/4") × 160 (6-1/4") (Mixer)
Input Channel Equalization
±15 dB
HIGH 10 kHz shelving, LOW 100 Hz shelving
Enclosure
2 way bass-reflex type, Polypropylene, Black
CrossOver Frequency 4.0 kHz (LF: 12 dB/oct, HF: 12 dB/oct)
Frequency Range
55 Hz-20 kHz (–10 dB)
Speaker Unit
STAGEPAS500:LF: 10" (25 cm) Cone
HF: 1" (2.54 cm) Compression Driver
STAGEPAS300:LF: 8" (20 cm) Cone
HF: 1" (2.54 cm) Compression Driver
054
10.10.4, 11:41 AM
055
Pocket Recorder
Advanced Recording Quality And Functions That Fit In Your Pocket!
■
■
■
■
High-end audio quality with 24-bit/96kHz resolution
2GB of built-in flash memory offers up to 3 hours PCM recording time
Card slot allows memory expansion with higher capacity micro SD cards
Bundled with Cubase AI5 that offers extensive editing and production
capabilities
C24
Ultra small and ultra light recorder weighs just 2oz/57g with battery
Up to 26 hours of MP3 or 7 hours of PCM recording time on a single
battery
■ Supplied attachment clip allows easy attachment to music or mic stand
■ Direct USB 2.0 compatible connection for quick data transfer
■
■
W24
Extremely sensitive high quality X-Y stereo microphone
Pocket-sized recorder weights just 3.25oz/92g with battery.
Wireless remote controller
Built-in peak limiter prevents overload and distortion
Up to 38 hours of PCM or 56 hours of MP3 recording time on a single
battery
■
■
■
■
■
PROFESSIONAL AUDIO
EQUIPMENT
Pocket Recorder POCKETRAK
C24
Hardware
Body
Memory
Battery
Recording
Battery Life
Playback
Battery Life
LCD
Dimension (W × H × D)
Weight
Available Battery
AAA Alkaline
AAA Alkaline
LCD Type
Language
Recording
Recording Format
Recording Configuration
PCM stereo (96kHz)
PCM stereo (44.1kHz)
MP3 stereo (320kbps)
MP3 stereo (128kbps)
MP3 stereo (64kbps)
Other Functions
37.6 mm × 113.0 mm × 21.1 mm
57g, including battery
2 GB (External memory: microSD/microSDHC)
AAA alkaline battery × 1
MP3: 26 h
PCM:16 h
MP3: 34 h (Earphone)
PCM:18h (Earphone)
Dot matrix, Backlit display
English
Internal Stereo Microphone, Internal Speaker, Headphone Jack (Stereo mini:
3.5mm × 1), Ext. Stereo Mic In Jack (Stereo mini: 3.5mm, Line In Jack
switchable × 1), microSD card slot × 1
Linear PCM, MP3
Internal Stereo Microphone, Ext. Stereo Mic In,
Line In (Automatic song divide available)
55m, 24bit
3 h 00m, 16bit
13 h 30m
34 h 00m
68 h 00m
Voice Automatic Recording System, ALC (Auto Level Control) ON/OFF,
Mic Sensitivity Select (ALC ON: 2 steps, ALC OFF: 80 steps),
Recording Peak Limiter, 5-band Grafic Equalizer (8 presets/User), High Pass
Filter, Timer rec, Self Timer, Rec monitor, File delete confirmation
Data Transfer
Repeat
Musical Function
Playback Speed (Not available on PCM)
Other function
MP3, WMA, WAV (WAV file playback is own recording file only)
ONE, ALL, Random, A-B repeat
5-band EQ (Presets: Flat, Bass1, Bass2, Pop, Rock, Jazz, User)
Slow PB (50 - 100 %), Normal (100 %), Fast PB (100 - 200 %)
Play list Playback, Skip Search, File edit (divide, fade in/ out), Tuner, Metronome
Body
Memory
Battery
Recording
Battery Life
Playback
Battery Life
LCD
Dimension (W × H × D)
Weight
Available Battery
AAA Alkaline
AAA Alkaline
LCD Type
Language
Others
Recording
Recording Format
Recording Configuration
Recording Time
(using 2GB microSD)/
Frequency Responce/
Sampling Frequency/
Bit rate
PCM stereo (96kHz)
PCM stereo (44.1kHz)
MP3 stereo (320kbps)
MP3 stereo (128kbps)
MP3 stereo (64kbps)
Other Functions
46.5 mm × 129.5 mm × 17.5 mm
92g, including battery
2 GB (External memory: microSD/microSDHC)
AA alkaline battery × 1
MP3: 56 h
PCM:38 h
MP3: 70 h (Earphone)
PCM:45h (Earphone)
Dot matrix, Backlit display
English
Internal Stereo Microphone, Internal Speaker, Headphone Jack (Stereo mini:
3.5mm × 1), Ext. Stereo Mic In Jack (Stereo mini: 3.5mm, Line In Jack
switchable × 1), microSD card slot × 1
Linear PCM, MP3
Internal Stereo Microphone, Ext. Stereo Mic In,
Line In (Automatic song divide available)
55m, 24bit
3 h 00m, 16bit
13 h 30m
34 h 00m
68 h 00m
Voice Automatic Recording System, ALC (AutoLevel Control) ON/OFF,
Mic Sensitivity Select (ALC ON: 2 steps, ALC OFF: 80 steps), Recording
Peak Limiter, 5-band Grafic Equalizer (8 presets/User), High Pass Filter,
Timer rec, Self Timer, Rec monitor, File delete confirmation, Scene Memory
Playback Format
Repeat
Musical Function
Playback Speed (Not available on PCM)
Other function
MP3, WMA, WAV (WAV file playback is own recording file only)
ONE, ALL, Random, A-B repeat
5-band EQ (Presets: Flat, Bass1, Bass2, Pop, Rock, Jazz, User)
Slow PB (50 - 100 %), Normal (100 %), Fast PB (100 - 200 %)
Play list Playback, Skip Search, File edit (divide, fade in/ out), Tuner, Metronome
Computer connection
Computer connection
Connection
W24
Playback
Playback
Data Transfer
Pocket Recorder POCKETRAK
Hardware
Others
Recording Time
(using 2GB microSD)/
Frequency Responce/
Sampling Frequency/
Bit rate
W24 Front
C24 Front
Connection
Transfer Speed
Mass Storage Class
USB direct (slide connector)
USB 2.0 High Speed, 1500 kbps
yes
Data Transfer
Connection
Connection
Transfer Speed
Mass Storage Class
USB cable (Bundled)
USB 2.0 High Speed, 1500 kbps
yes
Accessories
Accessories
Alkaline AAA battery, Attachment clip, Cubase AI5 DVD-ROM, Owner's Manual
Alkaline AAA battery, Wireless remote controller, Windscreen, Microphone stand adaptor, USB cable, Cubase AI5 DVD-ROM,
Owner's ManualManual
056
Syn_mini_1009_B.pm
54-55
10.10.4, 11:41 AM
057
Keyboard Stand
LG-800
The LG-800 is a exclusive keyboard stand which are designed for
Yamaha 88-key keyboard. It offers great stability while performig on
the stage. You can adjust the height in three steps in order to play in
both standing and sitting position.
● Size (W × D × H): 913mm–1423mm × 581mm × 625mm–685mm
● Weight: 11.5kg
* Adjustable height: 3 steps(625mm, 655mm, 685mm)
MoNITOR HEADPHONES
MIC STAND ADAPTER
RH-5MA
BMS-10A
Foot Pedal
Foot Pedal
FC3
FC4
Enables the use of half damper
with keyboards that are halfdamper capable
For sustain/damper pedal
Foot Switch
Foot Controller
Foot Controller
FC5
FC7
FC9
For sustain and on/off switch
For volume control
Controlable the volume of
2 separate instruments
Index
ACCESSORY
AUDIOGRAM 6 ................... 32
FC7 ..................................... 57
MG82CX ............................. 44
MW12cx .............................. 35
AUDIOGRAM 3 ................... 33
FC9 ..................................... 57
MM6 .................................... 13
MW8cx ................................ 35
BMS-10A ............................. 57
HS10W ................................ 48
MM8 .................................... 13
n12 ...................................... 29
C24 ..................................... 55
HS50M ................................ 47
MO6 .................................... 11
n8 ........................................ 29
CC121 ................................. 41
HS80M ................................ 47
MO8 .................................... 11
RH-5MA .............................. 57
CI1 ...................................... 39
LP-3 .................................... 24
MOTIF XF6 ........................... 6
S70 XS ................................ 17
CI2 ...................................... 39
LG-800 ................................ 57
MOTIF XF7 ........................... 5
S90 XS ................................ 16
CI2+ .................................... 39
MFC10 ................................ 26
MOTIF XF8 ........................... 4
STAGEPAS 150M ................ 51
CP1 ..................................... 20
MG102C .............................. 44
MOTIF-RACK XS .................. 7
STAGEPAS 250M ................ 51
CP5 ..................................... 21
MG124C .............................. 44
MR816x ............................... 42
STAGEPAS 300 ................... 54
CP50 ................................... 22
MG124CX ........................... 44
MR816csx ........................... 42
STAGEPAS 500 ................... 54
CP300 ................................. 24
MG166C .............................. 44
MS101III .............................. 48
SW10 STUDIO .................... 50
CP33 ................................... 25
MG166C-USB ..................... 43
MSP3 .................................. 50
W24 ..................................... 55
Cubase AI5 ......................... 27
MG166CX ........................... 44
MSP5 STUDIO .................... 49
WX5 .................................... 26
FC3 ..................................... 57
MG166CX-USB ................... 43
MSP7 STUDIO .................... 49
FC4 ..................................... 57
MG206C .............................. 44
MW10c ................................ 35
FC5 ..................................... 57
MG206C-USB ..................... 43
MW12c ................................ 35
Syn_mini_1009_B.pm
56-57
10.10.4, 11:41 AM
058
Was this manual useful for you? yes no
Thank you for your participation!

* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project

Download PDF

advertisement