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Owner’s Manual
Keep This Manual For Future Reference.
EN
2
Contents
PRECAUTIONS................................... 5
Introduction .................................... 7
Welcome! ..........................................................7
Accessories.........................................................7
About utility software.........................................7
About firmware updates.....................................7
About the Owner’s Manual ................................7
Conventions in this manual................................7
An overview of the CL series ........... 8
Features .............................................................8
About the models ..............................................9
Controls and functions .................. 10
Top panel ........................................................10
Front Panel ......................................................16
Rear Panel ........................................................16
Touch screen .................................. 18
Basic touch screen operations ..........................18
The on-screen user interface ............................18
Viewing the touch screen.................................20
Entering names................................................21
Using the tool buttons .....................................22
Using libraries .................................................. 23
Initializing settings ...........................................26
Copying/pasting settings .................................26
Comparing two settings...................................27
Basic operation of the CL series .... 28
(SELECTED CHANNEL section) ..................28
Controlling eight channels as a group
(Centralogic section).................................28
(Channel Strip section)..............................29
Connections ................................... 31
About network connections ............................. 31
Connecting to I/O devices ...............................31
Audio input/output connections ......................33
Installing an option card ..................................34
Setup.............................................. 35
Specifying the brightness of the touch screen,
LEDs, channel name displays, and lamps...35
Word clock connections and settings ...............36
Making HA (Head Amp) analog gain settings ...37
Sending an input channel signal to the
STEREO bus...............................................38
Quick Guide ................................... 40
Connecting the devices....................................40
Setting the input channels ...............................41
Applying EQ/dynamics.....................................42
Setting the output channels .............................42
Using GEQ .......................................................42
Applying effects ...............................................43
Changing the patch settings ............................45
Grouping and linking .......................................46
Setting a custom fader bank ............................47
Using talkback..................................................47
Routing the oscillator to an output channel......48
Using scene memories .....................................48
Saving and loading the unit settings ................50
Other functions ............................. 51
Initializing the unit to factory default settings...51
Adjusting the faders (Calibration function) .......52
Troubleshooting ............................ 53
Installing the MBCL meter bridge
(option) ......................................... 55
Specifications................................. 56
General specifications ......................................56
Input/output characteristics .............................57
Pin Assignment ................................................58
Dimensions .................................... 59
Index .............................................. 60
Block Diagram ............ End of Manual
Level Diagram ............. End of Manual
Owner’s Manual
The above warning is located on the rear of the unit.
L’avertissement ci-dessus est situé sur l’arrière de l’unité.
Explanation of Graphical Symbols
Explication des symboles
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’une « tension dangereuse » non isolée à l’intérieur de l’appareil, pouvant être suffisamment élevée pour constituer un risque d’électrocution.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’instructions importantes sur l’emploi ou la maintenance (réparation) de l’appareil dans la documentation fournie.
IMPORTANT SAFETY
INSTRUCTIONS
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11 Only use attachments/accessories specified by the manufacturer.
12 Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or when unused for long periods of time.
14 Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
(UL60065_03)
PRÉCAUTIONS CONCER-
NANT LA SÉCURITÉ
1 Lire ces instructions.
2 Conserver ces instructions.
3 Tenir compte de tous les avertissements.
4 Suivre toutes les instructions.
5 Ne pas utiliser ce produit à proximité d’eau.
6 Nettoyer uniquement avec un chiffon propre et sec.
7 Ne pas bloquer les orifices de ventilation. Installer l’appareil conformément aux instructions du fabricant.
8 Ne pas installer l’appareil à proximité d’une source de chaleur comme un radiateur, une bouche de chaleur, un poêle ou tout autre appareil
(y compris un amplificateur) produisant de la chaleur.
9 Ne pas modifier le système de sécurité de la fiche polarisée ou de la fiche de terre. Une fiche polarisée dispose de deux broches dont une est plus large que l’autre. Une fiche de terre dispose de deux broches et d’une troisième pour le raccordement à la terre. Cette broche plus large ou cette troisième broche est destinée à assurer la sécurité de l’utilisateur. Si la fiche équipant l’appareil n’est pas compatible avec les prises de courant disponibles, faire remplacer les prises par un
électricien.
10 Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas piétinés ni coincés, en faisant tout spécialement attention aux fiches, prises de courant et au point de sortie de l’appareil.
11 Utiliser exclusivement les fixations et accessoires spécifiés par le fabricant.
12 Utiliser exclusivement le chariot, le stand, le trépied, le support ou la table recommandés par le fabricant ou vendus avec cet appareil. Si l’appareil est posé sur un chariot, déplacer le chariot avec précaution pour éviter tout risque de chute et de blessure.
13 Débrancher l’appareil en cas d’orage ou lorsqu’il doit rester hors service pendant une période prolongée.
14 Confier toute réparation à un personnel qualifié. Faire réparer l’appareil s’il a subi tout dommage, par exemple si la fiche ou le cordon d’alimentation est endommagé, si du liquide a coulé ou des objets sont tombés à l’intérieur de l’appareil, si l’appareil a été exposé à la pluie ou à de l’humidité, si l’appareil ne fonctionne pas normalement ou est tombé.
AVERTISSEMENT
POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE
ÉLECTRIQUE, N’EXPOSEZ PAS CET APPAREIL À LA PLUIE OU À
L’HUMIDITÉ.
(UL60065_03)
Owner’s Manual
3
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division,
6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
(class B)
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.
NEDERLAND / THE NETHERLANDS
• Dit apparaat bevat een lithium batterij voor geheugen back-up.
• This apparatus contains a lithium battery for memory back-up.
• Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur of gelieve dan contact op te nemen met de vertegenwoordiging van
Yamaha in uw land.
• For the removal of the battery at the moment of the disposal at the end of life please consult your retailer or Yamaha representative office in your country.
• Gooi de batterij niet weg, maar lever hem in als KCA.
• Do not throw away the battery. Instead, hand it in as small chemical waste.
(lithium caution)
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif.
90620
Telephone : 714-522-9011
Type of Equipment : Digital Mixing Console
Model Name : CL5/CL3/CL1
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
See user manual instructions if interference to radio reception is suspected.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(FCC DoC)
(lithium disposal)
This product contains a battery that contains perchlorate material.
Perchlorate Material—special handling may apply,
See www.dtsc.ca.gov/hazardouswaste/perchlorate.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(Perchlorate)
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:
GREEN-AND-YELLOW : EARTH
BLUE
BROWN
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows:
: NEUTRAL
: LIVE
The wire which is coloured GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN-and-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
This product contains a high intensity lamp that contains a small amount of mercury. Disposal of this material may be regulated due to environmental considerations.
For disposal information in the United States, refer to the Electronic Industries Alliance web site: www.eiae.org
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(mercury)
(3 wires)
(class b korea)
4
Owner’s Manual
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
• Only use the voltage specified as correct for the device. The required voltage is printed on the name plate of the device.
• Use only the supplied power cord/plug.
If you intend to use the device in an area other than in the one you purchased, the included power cord may not be compatible. Please check with your Yamaha dealer.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Be sure to connect to an appropriate outlet with a protective grounding connection. Improper grounding can result in electrical shock.
Do not open
• This device contains no user-serviceable parts. Do not open the device or attempt to disassemble the internal parts or modify them in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
Water warning
• Do not expose the device to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the device, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
• When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel.
- The power cord or plug becomes frayed or damaged.
- It emits unusual smells or smoke.
- Some object has been dropped into the instrument.
- There is a sudden loss of sound during use of the device.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
• When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms.
Location
• Do not place the device in an unstable position where it might accidentally fall over.
• Do not block the vents. This device has ventilation holes at the rear to prevent the internal temperature from becoming too high. In particular, do not place the device on its side or upside down. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire.
• Do not place the device in a location where it may come into contact with corrosive gases or salt air. Doing so may result in malfunction.
• Before moving the device, remove all connected cables.
• When setting up the device, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet.
• When transporting or moving the device, always use two or more people.
Attempting to lift the device by yourself may damage your back, result in other injury, or cause damage to the device itself.
Connections
• Before connecting the device to other devices, turn off the power for all devices.
Before turning the power on or off for all devices, set all volume levels to minimum.
Maintenance
• Remove the power plug from the AC outlet when cleaning the device.
Handling caution
• Do not insert your fingers or hands in any gaps or openings on the device
(vents).
• Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device (vents). If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel.
• Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors.
• Do not use headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
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Owner’s Manual
5
Backup battery
• This device has a built-in backup battery that maintains internal clock data even when the device’s power is switched off.
However, the backup battery will eventually become depleted, and when that happens the internal clock data will be reset. Replace the backup battery before it becomes fully depleted.
When the backup battery is running low, the LCD display indicates “Low
Battery” when you start up the system.
In this case, contact your Yamaha dealer and have qualified Yamaha service personnel replace the backup battery.
The average life of the backup battery is approximately five years, depending on operating conditions.
6
NOTICE
To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.
Handling and Maintenance
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation.
(Verified operating temperature range: 5° – 40°C, or 41° – 104°F.)
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• Condensation may occur if the ambient temperature around the device fluctuates drastically (for example, if the device is relocated or placed under a fast-acting air cooling or heating system, etc.).
Using the device while condensation is present may result in malfunction. Do not turn on the power to the device for several hours until condensation disappears. Only then is it safe to start the device.
Saving data
• To protect against data loss through media damage, we recommend that you save your important data onto two USB storage devices/external media.
Information
About copyrights
* Copying of the commercially available musical data including but not limited to
MIDI data and/or audio data is strictly prohibited except for your personal use.
About functions/data bundled with the instrument
* MPEG Layer-3 audio coding technology licensed from Fraunhofer
IIS and Thomson.
* Supply of this product does not convey a license nor imply any right to distribute content created with this product in revenue-generating broadcast systems (terrestrial, satellite, cable and/or other distribution channels), streaming applications (via Internet, intranets, and/or other networks), other content distribution systems(pay-audio or audio-on-demand applications and the like) or on physical media (compact discs, digital versatile discs, amiconductor chips, hard drives, memory cards and the like). An independent license for such use is required.
For ditails, please visit http://mp3licensing.com/
About this manual
* The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
* Windows is a registered trademark of Microsoft(R) Corporation in the United
States and other countries.
* Apple, Mac, Macintosh and iPad are trademarks of Apple Inc., registered in the
U.S. and other countries.
* The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.
Always turn the power off when the device is not in use.
Information for Users on Collection and Disposal of Old
Equipment
This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC.
By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.
[For business users in the European Union]
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
[Information on Disposal in other Countries outside the European
Union]
This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal.
(weee_eu)
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Owner’s Manual
Introduction
Introduction
Details on updating the firmware are available on the following website: http://www.yamahaproaudio.com/
For information about updating and setting up the unit, please refer to the firmware update guide available on the website.
Welcome!
Thank you for choosing a Yamaha CL series CL5/CL3/CL1
Digital Mixing Console. To take full advantage of the superior features and performance offered by your
CL-series console, and to enjoy years of trouble-free use, please read this owner’s manual carefully before operating your console. After you have read the manual, keep it in a safe place.
Accessories
• AC power cord
• Owner’s Manual (this book)
• Dante Virtual Soundcard Token leaflet
About utility software
CL-series products can be used with a variety of utility software.
• CL Editor
This software application enables you to set up and operate the unit from a connected computer. You can also use the application to back up console settings or set console parameters without connecting the unit.
• Console File Converter
This software application enables you to convert Yamaha
PM5D, M7CL, or LS9 settings files to or from CL-series setting files.
• CL StageMix
This software application enables you to control the unit remotely from an iPad on a WiFi network.
Information about these software applications is available on the Yamaha pro audio website: http://www.yamahaproaudio.com/
Information about downloading, installing and setting up the software applications is available on the website listed above. In addition, refer to the installation guide that comes with each downloaded application.
About the Owner’s Manual
Owner’s Manual (this book)
This book primarily explains panel controls and functions and basic operation of the CL series.
Reference Manual (PDF format; downloadable from the website)
This book primarily explains details about functions, effects parameters, and MIDI.
Using the PDF manual
The Reference Manual is an electronic file in PDF format.
You can read this book on a computer. Use Adobe® Reader® to read this book on screen, search for words very quickly, print specific pages, or click links to display sections of special interest. The ability to search for words, or to follow links directly to relevant sections in the document, are helpful attributes of this electronic file format. We encourage you to take advantage of these benefits.
You can download the latest Adobe Reader application from the website listed below.
http://www.adobe.com/
Help file (XML file; downloadable from the website)
You can read this Help file on the unit’s screen. Install the file on the unit, then press the Help button on the display to view related sections.
You can download the Reference Manual and Help file from the following website.
http://www.yamahaproaudio.com/
About firmware updates
This product enables you to update the unit firmware to improve the operation, add functions, and correct possible malfunctions. The following two types of firmware are available for the unit.
• Console firmware
• Dante module firmware
You must update each type of firmware separately.
Conventions in this manual
In this manual, switch-type controls on the panel are called
“keys.” Control knobs on the panel are called “knobs.”
Some knobs rotate from a minimum value to a maximum value, while others rotate endlessly.
Virtual buttons displayed on the screen are called “buttons,” and virtual knobs are called “knobs.”
Controls located on the panel are enclosed in square brackets [ ] (e.g., [CUE] key) to distinguish them from virtual buttons and knobs displayed on screen. For certain controls, the name of the section appears before the brackets (e.g., SCENE MEMORY [STORE] key).
Owner’s Manual
7
An overview of the CL series
An overview of the
CL series
Features
CL series digital mixing consoles create high-quality, refined, live-sound environments.
These consoles carry forward the digital evolution of a broad array of advanced concepts, including Yamaha’s exclusive “Centralogic TM ” control interface, which helps to make the consoles easy and intuitive to use.
The built-in effect processor and an I/O device can accommodate the most demanding situations at the highest level of quality, while retaining the flexibility necessary to configure a system that meets your needs.
User interface friendly to newcomers but familiar to seasoned users
All channels routed to the top-panel faders are organized into a “Fader Bank” that enables you to select and switch a group of channels easily. The Fader Bank holds input and output channel banks, as well as custom fader banks. The custom fader banks enable you to select various combinations of channels, regardless of channel types.
Each channel strip offers easy visual identification. The channel name appears on a display, and an indicator shows the channel color. You can adjust the brightness of each indicator across a broad range to accommodate dimly-lit environments.
The SELECTED CHANNEL section located to the left of the display lets you use the knobs to control the main parameters (gain, EQ, dynamics threshold, bus send levels, etc.) for a particular channel. This section can be operated much like a module in an analog mixer.
In the center of the top panel is the Centralogic section, which enables you to control eight channels at once. You can control fader, cue, on/off and other settings for the eight channels or for DCA groups recalled to this section by pressing a single key.
The display is a touch screen. You can turn functions on or off or select items simply by touching buttons or knobs on the screen.
Mix parameter settings, including gain and phantom power for input channels, can be stored and recalled as
“scenes.” All faders on the panel are moving faders. When you recall a scene, the recorded fader locations will be reproduced immediately.
Flexible system configuration with Dante
The Ethernet-compatible Dante audio network protocol facilitates connecting CL series consoles to external devices, such as the Rio3224-D I/O device. A connected
I/O device that has been assigned a unique unit ID will automatically be recognized and will facilitate patching functions.
Using an I/O device, you can configure a redundant network to defend against unforeseen difficulties that can arise in large-scale Dante networks. If multiple CL units share the same I/O device, the gain compensation function will maintain network audio streams at a constant level to help you enjoy the benefits of a large-scale sound system.
The Dante Virtual Soundcard software driver enables you to carry out multi-channel recording to DAW software installed on a computer. Consequently, no other audio interface is needed.
Ultra-realistic digital reproduction of analog sound by PREMIUM RACK
The CL series features PREMIUM RACK, which employs
VCM technology. This technology models analog circuitry on a component level to faithfully reproduce amazing analog sounds. PREMIUM RACK creates stunning sounds by modeling and faithfully capturing the sonic characteristics of analog circuitry fine-tuned to be faithful to the original sound. The CL’s PREMIUM RACK includes seven types, including a Portico 5033 EQ/Portico 5043
Compressor by Rupert Neve Designs, a U76 Compressor, an Opt-2A Leveling Amplifier, etc.
Sonic flexibility from versatile effects and
GEQ rack
Independent of the PREMIUM RACK, high-quality multi-effect processors are built into your CL series console, with up to eight available simultaneously. Effects such as reverb, delay, multiband compression, and various modulation effects can be routed via internal buses or inserted into the desired channel.
In addition to the effects, the CL series features a GEQ rack.
A 31BandGEQ, a Flex15GEQ, an 8BandPEQ, an 8ch
Automixer and a 16ch Automixer are included and can be inserted into any output bus. The Flex15GEQ allows you to adjust the gain for any 15 of the 31 bands. Since two GEQ units can be mounted in one virtual rack, a total of up to 32
GEQ units can be used simultaneously. To use effects or the graphic EQ, you mount them in virtual racks displayed on the touch screen. The currently-mounted modules can be seen at a glance, and you can switch modules and change input/output patching in an intuitive manner.
Complete support tools
The CL-series can be used with a variety of utility software.
CL Editor, which can be installed on Windows or Mac computers, enables you to edit the unit’s parameter settings.
It can also operate as a stand-alone and lets you set parameters off-line without connecting to the console.
CL StageMix, an application for iPads, offers remote control of a networked CL series console from anywhere within wireless range via an intuitive graphical interface.
The software has been specifically designed to allow engineers to adjust EQ while monitoring mixes from the performers’ positions on stage, or to control mix parameters from various spots in the venue while listening to the sound.
Console File Converter is an application that converts
PM5D/M7CL/LS9 settings files to or from the CL series settings file format. You can use data from other models on the CL series.
8
Owner’s Manual
I/O card and processing card expansion
The rear panel provides three slots in which separately sold mini-YGDAI cards can be installed. You can add inputs and outputs by installing AD cards, DA cards, or digital I/O cards in these slots. You can also expand processing or effects by installing a DSP card.
Cascade connections in the digital domain
You can cascade a second CL series unit or a digital mixer, such as the Yamaha M7CL, PM5D or LS9, connected via a digital I/O card installed in a slot.
You can cascade any of the MIX, MATRIX, STEREO (L/R),
MONO, and CUE (L/R) buses.
Recorder function useful for sound checks and mix recording
The CL series features a USB memory recorder function that enables you to record output from STEREO or MIX buses onto a USB flash drive.
It also enables you to play audio files that reside on a USB flash drive by assigning the files to input channels or monitor outputs. The MP3 format (MPEG-1 Audio
Layer-3) is supported for recording. For playback, MP3,
WMA (Windows Media Audio), and MPEG-4 AAC
(Advanced Audio Coding) formats are supported. This function can be useful if you want to record certain bus mix outputs or play music for a sound check through speakers.
Security functions at user or system level
Functionality can be restricted for users other than the administrator at three levels of security: administrator, guest, and user. Passwords can be specified for the administrator and for users to help prevent important settings from being changed accidentally
Information specific to each user (user level, system settings, and user-defined key/knob settings) can be stored in the console or on a USB flash drive as a “user authentication key.” By loading your own user authentication key, you can instantly set up the ideal operating environment for yourself.
Help file downloadable to the unit
You can download from the website a Help file that explains the parameters and messages displayed on the screen. Once you download the Help file, it will be stored inside the unit so that you can use the Help function at any time.
About the models
CL5
CL3
CL1
Monaural input channels
72
64
48
Channel strips
Output meters
Block A: 16
Block B (Centralogic section): 8
Block C: 8
MASTER section: 2
Block A: 16
Block B (Centralogic section): 8
MASTER section: 2
Block A: 8
Block B (Centralogic section): 8
MASTER section: 2
Yes
Optional
MBCL
Optional
MBCL
NOTE
In this manual, most explanations refer to the CL5.
• CL5
Output meter
• CL3
Block A
• CL1
Block A Centralogic section
(Block B)
Block C
MASTER section
Meter bridge
MBCL (optional)
Centralogic section
(Block B)
MASTER section
Meter bridge
MBCL (optional)
About the models
The CL series is available in three models: CL5, CL3, and
CL1. Each model features a different number of monaural input channels and top-panel channel strips. In addition, the CL5 features an Output Meter section. The CL3 and
CL1 allow you to install an optional MBCL meter bridge.
Other functions are common to all three models. Model differences are shown in the table below.
Block A Centralogic section
(Block B)
MASTER section
Owner’s Manual
9
Controls and functions
Controls and functions
Top panel
The top panel of the CL series is divided into the following sections.
2 3 6 j
5
9
10
1
1
2
SELECTED CHANNEL section ➔ page 12
3
4
5
6
USER DEFINED KNOBS section ➔ page 14
7
8
9
0
Meter section (for CL5 only) ➔ page 15
4 7 1
NOTE
This illustration shows the top panel of the CL5.
The CL3 and CL1 do not feature a Meter section, but enable you to install an optional MBCL meter bridge.
8
Owner’s Manual
Channel Strip section
1
2
3
4
5
6
7
8
9 j
Top panel
2 [SEL] key
Selects a channel that will be controlled in the
Channel Strip section and on the touch screen. When a channel is selected, the key LED will light.
If you control an ST IN channel in Block A of the
Channel Strip section, the L channel will be routed to an odd-numbered channel, and the R channel will be routed to the adjacent even-numbered channel.
If you control a channel in the CUSTOM bank or in
Block C of the Channel Strip section, and if you assign
L/R channels, the selected object of control will alternate between the L and R channels each time you press the [SEL] key.
NOTE
If you assign either the L or R channel, this key will simply select the channel.
3 [CUE] key
Selects the channel to be cue-monitored. If the cue is on, the key LED will light.
4 Meter LEDs
Indicate the channel level.
5 [ON] key
Switches the channel on or off. If a channel is on, the key LED will light. In SENDS ON FADER mode, this is an on/off switch for signals sent from each channel to the currently-selected MIX/MATRIX bus.
6 Channel name display
Indicates the channel name, knob value, fader value, etc. You can set the display so that it will indicate only the channel name. Use the PREFERENCE tab in the
USER SETUP screen to select information to be displayed.
1 GAIN/PAN/ASSIGN knob
Adjusts the gain or pan of the channel. You can also assign a parameter to this knob.
You can switch the function of the knob by using the
9 [GAIN/PAN/ASSIGN] key.
A gain parameter value indicated on the display or channel name display indicates the amount of amplification of a currently-input signal. Refer to the
Conversion Table for information on the relationship to input sensitivity.
Conversion Table for Input Sensitivity
Gain
–6dB
:
0
:
+66dB
Input Sensitivity
+10dBu
:
+4dBu
:
–62dBu
7 Channel color indicator
Lights in a color specified on the PATCH/NAME screen. You can select the channel color from eight options.
8 Fader
Adjusts the input/output level of the channel. In
SENDS ON FADER mode, this fader adjusts the send level of the signal from each channel to the currently-selected MIX/MATRIX bus.
9 [GAIN/PAN/ASSIGN] key
Switches the knob function for each block on the channel strip. The LED for the selected function will light. Use the USER DEFINED KNOBS tab in the
USER SETUP screen to select a parameter to control when the ASSIGN function is selected.
0 Bank Select keys
These keys switch the channel faders controlled in the
Channel Strip section. The [CUSTOM] keys enable you to select your own custom fader bank. For details
on the custom fader banks, refer to page 47.
Owner’s Manual
11
Controls and functions
SELECTED CHANNEL section
This section enables you to set the mix parameters for the currently-selected channel.
1 3 4
2
5
6
7
8
4 [PAN] knob
When a monaural channel is selected, this knob adjusts the panning of the signal sent to the STEREO bus.
When a stereo channel is selected, this knob adjusts the PAN or left/right balance, whichever is selected.
5 [DYNAMICS 1] knob
6 [DYNAMICS 2] knob
Adjust the THRESHOLD parameter of the gate, compressor, etc.
The [DYNAMICS 2] knob has no effect if the MIX,
MATRIX, STEREO, or MONO channel is selected.
7 [HPF] knob
Adjusts the HPF cutoff frequency for an input channel. It has no effect on other types of channels.
8 EQ [Q], EQ [FREQUENCY], EQ [GAIN] knobs
For each band of the four-band EQ, these knobs adjust the Q, center frequency (cutoff frequency), and gain.
Press the EQ [Q] and EQ [GAIN] knobs simultaneously to reset the GAIN setting for each band to the default value (0.0 dB).
12
1 [MIX1–16] key/[MIX17–24/MATRIX] key
Select a MIX or MATRIX bus that is controlled by the knobs located below the keys.
2 [1]–[16] knobs
Adjust the send level from currently-selected channels to the MIX or MATRIX bus.
In SENDS ON FADER mode, push in a knob to select the corresponding destination bus. Push the knob again to turn the cue monitor on for the corresponding MIX/MATRIX channel.
NOTE
If the SIGNAL TYPE of the destination bus is set to
STEREO, use the left knobs (odd-numbered channels) to adjust PAN and the right knobs (even-numbered channels) to adjust the send level.
3 [GAIN] knob
Adjusts the head amp’s analog gain for an input channel.
On the other hand, it adjusts the digital gain if GAIN
KNOB FUNCTION is set to DIGITAL GAIN in the
PREFERENCE tab of the USER SETUP screen.
This knob has no effect for other types of channels.
NOTE
• The PAD will be switched on or off internally when the HA analog gain is adjusted between +17 dB and +18 dB.
Keep in mind that noise may be generated when using phantom power if there is a difference between the Hot and
Cold output impedance of an external device connected to the INPUT connector.
• The gain parameter value indicates the amount of amplification of the currently-input signal. Refer to the
Conversion Table (page 11) for information on the
relationship to conventional input sensitivity values.
Owner’s Manual
Display section
This is a touch screen that you can operate by touching the surface of the screen. You can touch your finger to the screen to select menus or set parameters. Please note that you cannot operate the unit by touching multiple points simultaneously.
NOTE
If the touch screen becomes dirty, wipe it with a soft dry cloth.
NOTICE
Never use a sharp or pointed object such as your fingernail to operate the touch panel. Doing so may scratch the screen and render the touch screen inoperable.
Top panel
Centralogic section
This section enables you to control up to eight channel modules that are selected from channel groups, DCA groups, or custom groups selected by the Bank Select keys.
2
3
4
5
6
7
8
1
9
1 Bank Select keys
Select a bank to be controlled in the Centralogic section. Press the [INPUT] key, then press one of the
Bank Select keys below to route the channel bank
(labeled to the left of the key) to the Centralogic section. Press the [OUTPUT] key, then press one of the Bank Select keys below to route the channel
(labeled to the right of the key) to the Centralogic section.
2 Multifunction knob
Controls the knob currently selected on the touch screen. The knob function can vary depending on the screen currently displayed.
3 [SEL] key
4 [CUE] key
5 Meter LEDs
Same as those in the Channel Strip section.
6 [ON] key
Switches the channel on or off. If a channel is on, the key LED will light. In SENDS ON FADER mode, this is an on/off switch for signals sent from each channel
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13
Controls and functions to the currently-selected MIX/MATRIX bus. If the graphic EQ is used, this key resets the gain to 0 dB.
7 Channel name display
8 Channel color indicator
Same as that in the Channel Strip section. If the graphic EQ is used, this indicator displays the frequency and gain parameter value.
9 Fader
Adjusts the input/output level of the channel. You can also make internal settings so that the fader will be used as a controller to adjust the gain of each GEQ band.
SCENE MEMORY/MONITOR section
In this section you can perform operations for scene memory and monitoring.
3 4 5
USER DEFINED KNOBS section
USER DEFINED knobs [A]–[D]
Control the parameters that have been assigned by the user (input channel digital gain, high-pass filter frequency, etc.).
You can assign various parameters at will.
Use the USER SETUP popup window in the SETUP screen to assign the parameters.
USER DEFINED KEYS section
USER DEFINED keys [1]–[16]
Execute functions as assigned by the user
(scene changes, switching the talkback or internal oscillator on/off, etc.). Use the
USER SETUP popup window to assign functions.
1 2 6
1 SCENE MEMORY [STORE] key
Stores the current mix parameter settings in a dedicated scene memory.
2 SCENE MEMORY [RECALL] key
Recalls a scene (previously-saved settings) from scene memory.
3 SCENE MEMORY [INC]/[DEC] keys
Select the scene number of a scene that you want to store or recall. The number of the currently-selected scene appears in the function access area on the right of the touch screen.
Press the [INC]/[DEC] keys simultaneously to return to the current scene number.
4 [UNDO] key
Cancels the scene recall and recovers the status obtained prior to recall. The key LED lights if you can still cancel the scene recall.
5 [PREVIEW] key
This key selects PREVIEW mode, which lets you view the scene settings in the display and the panel without affecting the signal processing of the current scene.
6 [MONITOR LEVEL] knob
Adjusts the signal level of the monitor output. If the
PHONES LEVEL LINK function is turned on in the
MONITOR screen, this knob will also adjust the signal level at the PHONES Out jack located on the front panel.
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Owner’s Manual
USB connector
You can connect a USB flash drive to the USB connector to record or play audio files, and to save or load internal data. The Help file displayed on the unit screen is loaded from a connected USB flash drive.
You can also save on a USB flash drive “User authentication key” data that determines the user level and limit the functionality to which the user has access.
NOTE
Operation is guaranteed only for a connection with a USB flash drive.
■ USB flash drive capacities and formats
The operation of USB flash drives with capacities of up to
32 GB has been verified. (However, this does not guarantee operation of all USB flash drives.)
The FAT16 and FAT32 formats are supported.
■ Prevention of accidental erasure
Some USB flash drives have a write-protect setting that lets you prevent data from being erased accidentally. If your flash drive contains important data, it is a good idea to use the write-protect setting to prevent accidental erasure.
On the other hand, you will need to make sure that your
USB flash drive’s write-protect setting is turned off before you save data onto it.
NOTICE
An ACCESS indicator appears in the Function Access
Area while data is being accessed (saved, loaded, or deleted). During this time, do not disconnect the USB flash drive or power-off the CL unit. Doing so may damage your flash drive, or may damage the data in the CL unit or on your media device.
Meter section (for CL5 only)
Top panel
Master section
This section is similar to the Channel Strip section, and enables you to control the principal parameters of the assigned channels. When the unit is in the default state,
STEREO/MONO channels are assigned.
1 GAIN/PAN/ASSIGN knob
Adjusts the gain or pan of the channel. You can also assign parameters to the knob.
On the CL5, switch the function of the knob using the
[GAIN/PAN/ASSIGN] key located to the left of the Master section. On the CL3 and CL1, switch the function of the knob using the
[GAIN/PAN/ASSIGN] key located in the upper right corner of the Block A in the
Channel Strip section.
1
2
3
4
5
6 2 [SEL] key
Selects the channel you wish to control. Pressing this key will cause the channel LED to light up, and you will be able to control the channel in both the
SELECTED CHANNEL section and on the touch screen.
If the STEREO bus has been assigned, the selected object of control will alternate between the L and R channels each time you press the [SEL] key.
7
3 [CUE] key
Selects the channel to be cue-monitored. If cue is on, the
LED will light.
4 [ON] key
Switches the channel on or off. If a channel is on, the key LED will light.
If MONITOR has been assigned, this key switches the monitor output on or off.
5 Channel name display
6 Channel color indicator
Same as that in the Channel Strip section.
7 Fader
Adjusts the output level of the channel.
If MONITOR has been assigned, this fader adjusts the monitor output level.
Indicates the level of MIX/MATRIX, STEREO/MONO and
CUE channels. You can select the monitoring position from
PRE EQ (immediately before EQ), PRE FADER
(immediately before the fader), or POST ON (immediately after the [ON] key).
You can use this function on the CL3 or CL1 if you install an optional MBCL meter bridge.
Owner’s Manual
15
Controls and functions
Front Panel
1 2 3 4
1 PHONES LEVEL knob
Adjusts the level of the signal output from the
PHONES Out jack.
2 PHONES Out (headphone output) jack
Lets you monitor the MONITOR OUT or CUE signal.
3 TALKBACK jack
A balanced XLR-3-31 jack to which a talkback mic can be connected. You can make settings in the screen to supply +48V phantom power to this jack. This jack sends instructions from the mixer operator to the desired output channel.
4 TALKBACK LEVEL knob
Adjusts the input level of the mic connected to the
TALKBACK jack.
Rear Panel
1 2 3 4 5
16
6 7 8 90 A
1 LAMP connectors
Four-pin female XLR output jacks that supply power to separately-sold gooseneck lamps (such as the
Yamaha LA1L). (The CL3 includes these connectors at two locations. The CL1 includes one.)
2 MIDI IN/OUT connectors
Used to transmit and receive MIDI messages to and from external MIDI devices. The MIDI IN connector receives messages from an external device, and the
MIDI OUT connector transmits messages from the
CL unit.
These are used mainly to record CL parameter operations or scene/library selections on an external device, or to control CL parameters from an external device.
3 WORD CLOCK IN/OUT connectors
BNC connectors used to transmit and receive word clock signals to and from an external device. The
WORD CLOCK IN connector features internal
75-ohm termination.
4 GPI connector
D-sub 15-pin female connector that allows communication (5-in/5-out) with a GPI-equipped external device.
B C D F E
5 DIGITAL OUT connector
An AES/EBU (XLR-3-32 male) jack that outputs the digital audio signal of a desired channel in AES/EBU format.
6 OMNI IN jacks
Balanced XLR-3-31 female input jacks that input analog audio signals from line level devices or microphones. Nominal input level is −62 dBu to
+10 dBu.
1 (Ground)
Male XLR plug
3 (Cold)
2 (Hot)
7 OMNI OUT jacks
XLR-3-32 male output jacks that output analog audio signals. These jacks are used mainly to output the signals of MIX channels or MATRIX channels.
Nominal output level is +4 dBu.
2 (Hot)
Female XLR plug
3 (Cold)
1 (Ground)
Owner’s Manual
D AC IN connector
Connect the supplied AC power cable here. First connect the AC power cable to the CL unit, then insert the power cable plug into an AC power outlet.
The supplied AC power cable features a special latching mechanism (V-LOCK) to prevent the power cable from being disconnected accidentally.
Connect the power cable by inserting the cable plug fully until it is locked.
Caution
Be sure to turn the power off before connecting or disconnecting the power cable.
To disconnect the power cable, press the latch button on the plug.
Rear Panel
NOTE
Although OMNI OUT jacks feature a nominal input/output level of +4 dBu (maximum level +24 dBu), an internal switch allows this to be changed to –2 dBu (maximum level
+18 dBu) if necessary. (A fee will be charged for this procedure.) For details, contact your Yamaha dealer.
8 Dante PRIMARY/SECONDARY connectors
Used to connect to other Dante-compatible network devices, such as an Rio3224-D I/O device.
Use standard Ethernet cables with Neutrik etherCON
CAT5 compatible RJ-45 plugs.
NOTE
Use STP (shielded twisted pair) cable to prevent electromagnetic interference. Make sure that the metal parts of the plugs are electrically connected to the STP cable shield by conductive tape or comparable means.
9 LINK/ACT Indicators
These indicators show the communication status of the PRIMARY and SECONDARY connectors.
They flash fast if the Ethernet cables are connected properly.
0 1G Indicators
These indicators light when the Dante network is functioning as Giga-bit Ethernet.
A NETWORK connector
Allows the CL unit to be connected to a computer via an Ethernet cable (CAT5e or higher recommended).
This connector is used mainly to control mix parameters or to edit scene memories and libraries from the dedicated “CL Editor” application program or “StageMix” iPad application.
NOTE
Use STP (shielded twisted pair) cable to prevent electromagnetic interference. Make sure that the metal parts of the plugs are electrically connected to the STP cable shield by conductive tape or comparable means.
B SLOT 1–3
Allow for the installation of separately-sold DSP cards, or mini-YGDAI I/O cards to expand the number of input/output ports.
C DC POWER INPUT connector
You can connect the separately-sold PW800W power supply here as a backup external power supply. If the
PW800W is connected, the CL unit will continue receiving power from the PW800W, even if its own internal power supply shuts down due to a problem.
Caution
If you plan to connect the PW800W, be sure to first power-off both the CL unit and the PW800W. Then, use the power supply cable (PSL360) to make the connection.
Failure to observe this caution may cause malfunction or electric shock.
NOTE
• If a PW800W is connected, the CL series will operate correctly whether its own internal power supply and the
PW800W are both turned on, or just one of them is turned on.
• If both power supplies are turned on, and an abnormality is detected in one of the power supplies, the CL series will automatically switch to the other power supply. If this occurs, the touch screen will display a message to inform you.
E (Power Switch)
This switch turns power on or off. When the power switch is set to , the power to the unit is on. When the power switch is set to , the power to the unit is off.
Caution
• Rapidly turning the unit on and off in succession can cause it to malfunction. After turning the unit off, wait for at least 6 seconds before turning it on again.
• Even when the power switch is turned off, a small amount of current is flowing through the unit. If you plan not to use the unit for a long period of time, remove the power cable from the AC outlet.
F Grounding screw
The supplied AC power cable is a 3-wire type.
Therefore, if the AC outlet used is properly grounded, the CL will be grounded as well. Also, grounding this screw may effectively eliminate noise such as hum and interference.
Owner’s Manual
17
Touch screen
Touch screen
Basic touch screen operations
This section explains the basic procedures you can perform on the CL’s touch screen. In general, you will operate the CL using an appropriate combination of the operations explained here.
Pressing the touch screen
You will mainly use this operation to switch screens and pages, to select a parameter to operate, and to turn a button on or off. Certain buttons let you specify a number based on the area of the button itself that you touch.
Multiple selection (specifying a range)
While pressing your finger on the touch panel, move it in the left or right direction to specify a range within a character string. You will use this technique primarily when assigning a name to a scene or library.
For the channel select buttons, you can select multiple buttons by moving your finger across the touch screen while continuing to press down.
Multifunction knob operations
Multifunction knobs 1–8 are used to operate knobs selected in the touch screen.
A thick line will be displayed around a selected knob if it can be controlled by a multifunction knob. (Typically, a knob of this type corresponds to the multifunction knob located immediately below it and allows you to control up to eight parameters simultaneously.)
While a knob is selected, turning the multifunction knob located immediately below it will change the value of the corresponding parameter.
In the SCENE LIST screen, you can select multiple items by rotating a multifunction knob while pressing it.
The on-screen user interface
The section below explains various user interface components that appear in the touch screen, and how to use them.
Tabs
Tabs enable you to switch between multiple pages. Each tab indicates its page name.
Buttons
Buttons are used to execute specific functions, to switch parameters on or off, or to select one of the multiple choices. Buttons that perform on/off operations appear in solid colors while they are turned on, and dark while when turned off.
Buttons
Tabs
When you press a button labeled with two overlaid “
■” symbols or a “
▼” mark, a separate window will open, allowing you to make detailed settings.
NOTE
This makes it easy to select a range of buttons to be turned on or off together.
Special key operations
Typically, you will press a top panel key once, but in certain cases you can access special functions by rapidly pressing a key twice in succession.
Knob operations
Typically, knobs are rotated left or right to change the value of the corresponding parameter. By pressing a knob, you can recall a specific screen.
For certain parameters, you can adjust the value in finer steps (greater detail) by rotating the knob while pressing it.
Faders / Knobs
Faders and knobs on screen move in tandem when you operate the top panel faders and knobs. The current value appears immediately below the fader or knob.
If you press once a knob that can be operated by a multifunction knob, a thick frame appears around the knob. This frame indicates that the knob has been selected for operation.
NOTE
Pressing certain knobs a second time while a thick frame is displayed around them will open a window in which you can make additional detailed settings.
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Owner’s Manual
List windows
Windows similar to the following enable you to select items from a list, such as a list of USER DEFINED keys.
The on-screen user interface
Popup windows
When you press a button or field for a specific parameter in a screen, a window showing detailed parameters or lists will appear. This type of window is called a “popup window.”
The highlighted item in the middle indicates it has been selected for operation. Press the arrow / below the list to scroll the list up or down.
NOTE
• You can also scroll the list up or down by using the multifunction knob.
• If there is more than one list on the screen, your operations will apply to the list surrounded by a pink frame. You can press the multifunction knob to move the focus of your operations to the next column.
Keyboard window
The keyboard window enables you to assign a name or comment to a scene or library, or to assign a name to a channel. Press the keys in the window to enter the corresponding character.
You can switch between popup windows using tabs as needed.
Some popup windows show several buttons called “tool buttons” at the top of the window. You can use these tool buttons to recall libraries or to perform copy and paste operations.
Press the “X” symbol to close the popup window and return to the previous screen.
Dialog boxes
Dialog boxes similar to the following enable you to confirm operations you just performed.
Press the OK button to execute the operation. The operation will be canceled if you press the CANCEL button.
Owner’s Manual
19
Touch screen
Viewing the touch screen
The touch screen of the CL series is broadly divided into two areas.
Main area Function access area
20
Function access area
1 Selected channel
This field indicates the number, name, icon and channel color of the channel that is currently selected for operation. Press the left half of the selected channel to switch to the preceding channel; press the right half to switch to the next channel.
2 Time
This area indicates the current time.
3 Status Indicator
This area indicates the current unit status. Normally it indicates the name of the user who is currently logged in (i.e., is authenticated and able to operate the system).
The following table shows the indications and their corresponding status.
1
2
3
6
8 k
4
5
7
9 j l m
Indication
OSC Oscillator enabled
Status
TALKBACK Talkback enabled
CUE Cue monitor on*
1
ACCESS Accessing internal memory or USB memory
PATCHING Now performing Dante patching
ALT
PLAY
ALTERNATE mode enabled
Playing an audio file
REC Recording an audio file
SECONDARY Switching to the secondary network
*2
*1 The signal type (IN/OUT/DCA/KEYIN/EFFECT) is shown in the upper part of the CUE meter.
*2 This indicator appears when the operation switches from the primary to the secondary Dante audio network in a redundant connection.
NOTICE
An ACCESS indicator appears in the Function Access
Area while data is being accessed (saved, loaded, or deleted). During this time, do not disconnect the USB flash drive or power-off the CL unit. Doing so may damage your flash drive, or may damage the data in the CL unit or on your media device.
Owner’s Manual
4 HELP
Pressing this button will show on-line help in the main area. To view the on-line Help, first you must load the Help file from a USB flash drive. Once the
Help file has been loaded, it will be kept in internal memory.
5 SENDS ON FADER
Press this button to switch to SENDS ON FADER mode, where you can use the faders of the top panel to adjust the MIX/MATRIX send level. During this time, the function access area will switch to a screen that enables you to select the send-destination MIX/MATRIX bus.
6 I/O DEVICE
When you press this button, the I/O DEVICE screen will appear in the main area, allowing you to make settings for I/O devices and external head amps.
7 CH JOB (Channel Job)
When you press this button, the CH JOB menu which allows you to group and link channels will appear, allowing you to select the function you want to operate.
8 RACK
When you press this button, the VIRTUAL RACK screen will appear in the main area, allowing you to edit the GEQ and effect settings.
9 MONITOR
When you press this button, the MONITOR screen will appear in the main area, allowing you to edit the monitor or oscillator settings.
0 METER
These are level meters that show the level of the
STEREO bus (L/R), MONO bus (M), and cue signal
(CUE). When you press this field, the METER screen will appear in the main area. If you press part of the
CUE meters when the cue monitor is on, the cue monitor will be canceled.
A SETUP
When you press this button, the SETUP screen will appear in the main area, allowing you to make basic system settings and user-specific settings.
B RECORDER
When you press this button, the recorder screen will appear in the main area, allowing you to operate and set up the recorder function (USB/Nuendo Live) for audio recording and playback.
C SCENE
This area indicates the number and title of the scene that was last stored or recalled. An “R” symbol is displayed for read-only scenes, and a lock icon is displayed for write-protected scenes. If you edit the parameters from their last stored or recalled state, an
“E” symbol will appear in the lower right. When you press this field, the SCENE LIST screen will appear in the main area, allowing you to store or recall scenes.
In PREVIEW mode, this field is shown in red.
When you press a button ( 6 , 8 , 9 , 0 , A , B , C ) to access the corresponding screen, the button will be highlighted. In this state, pressing the button once again will return either to the most recently recalled SELECTED
CHANNEL VIEW screen or the OVERVIEW screen.
Main area
The contents of the main area will change depending on the function that is currently selected. Mixing operations will involve mainly the following two types of screens.
■ SELECTED CHANNEL VIEW screen
This screen shows all the mix parameters for the currently-selected channel. To access this screen, press one of the knobs of the SELECTED CHANNEL section.
Entering names
Entering names
On the CL series, you can assign a name to each input channel, output channel, and DCA group, and assign a title to scene and library data when saving it.
To assign a name, you will use the keyboard window shown in the main area.
1.
Access the screen for assigning a name.
The screen shot below shows how to assign a name to a channel.
■ OVERVIEW screen
This screen simultaneously shows the main parameters for the (up to) eight channels currently assigned to the
Centralogic section. To access this screen, press one of the
BANK SELECT keys in the Centralogic section or one of the multifunction knobs.
NOTE
While the HELP, METER or SCENE screen is displayed in the main area, the OVERVIEW screen will not open even if you press a BANK SELECT key in the Centralogic section.
To return to the OVERVIEW screen, press a user-defined key to which the OVERVIEW function is assigned.
Alternatively, press the highlighted HELP, METER or
SCENE field once again.
The box shows the characters you have entered and a cursor that indicates the current position.
2.
Use the keyboard window in the touch screen to enter the desired characters.
When you press a character key in the keyboard window, the corresponding character will be entered in the box, and the cursor will move to the right.
3.
Input the subsequent characters in the same way.
When entering characters, you can also use the following buttons in the keyboard window.
• COPY button
Copies the selected (highlighted) string of characters in the text box.
• CUT button
Deletes and copies the selected (highlighted) string of characters in the text box.
• PASTE button
Inserts the string of characters copied by COPY or
CUT at the cursor location (or overwrites the currently-selected range of characters).
• CLEAR button
Deletes all characters that have been input in the text entry box.
• INS button
Inserts a space (blank) at the cursor position.
• DEL button
Deletes the character at the right of the cursor (or the string of characters selected in the text entry box).
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21
Touch screen
• BS button
Deletes the character to the left of the cursor (or the string of characters selected in the text box).
• TAB button
Accesses the next selectable item. For example in the
SCENE STORE window you can use this button to switch between two text entry boxes, and in the
PATCH/NAME window you can use this to switch channels.
• SHIFT LOCK button
Switches between uppercase and lowercase alphabetical characters. You can enter uppercase characters and symbols while this button is on, and lowercase characters and numerals while this button is off.
• ENTER button
Finalizes the name you entered.
4.
After you enter the name, press the STORE button or the ENTER button.
The name you entered will be applied.
NOTE
• This basic procedure also applies to screens in which you enter names for channels or other library items. When you enter a name for a channel, your input will be reflected immediately without pressing the ENTER button.
• Press in the text entry box to move the input position. If you select a region of characters entered in the box and then enter a new character, the newly-entered character will overwrite the selected region.
Using the tool buttons
In some popup windows, the title bar at the top of the window contains tool buttons for additional functions. You can use these buttons to access related libraries or to copy parameters from one channel to another channel. This section explains how to use the tool buttons.
About the tool buttons
In the HPF/EQ, DYNAMICS 1/2, GEQ, EFFECT, and
PREMIUM popup windows, the following tool buttons appear.
1 2 3 4 5
1 LIBRARY button
This button opens the library associated with the current popup window (EQ, dynamics, GEQ, effect, or Premium Rack libraries).
2 DEFAULT button
This button returns the currently-selected channel
(EQ/dynamics) or rack (effect/Premium Rack) to its default state.
NOTE
GEQ does not feature this button. To initialize GEQ, use the FLAT button in the GEQ edit window.
3 COPY button
This button copies the settings of the currently-selected channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack). The copied content is held in a buffer memory (a temporary memory area).
4 PASTE button
This button pastes the settings from the buffer memory to the currently-selected channel
(EQ/dynamics) or rack (GEQ/effect/Premium Rack).
5 COMPARE button
This button exchanges and compares the settings in the buffer memory with the settings of the currently-selected channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack).
For some windows, some of the various tool buttons also appear.
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Owner’s Manual
Using libraries
This section explains basic operations for libraries.
Libraries allow you to store and recall settings for the currently-selected channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack).
The following libraries are provided.
• Input channel library
• Output channel library
• Input EQ library
• Output EQ library
• Dynamics library
• GEQ library
• Effect library
• Dante input patch library
• Premium Rack library
The method of operation is essentially the same for each library.
NOTE
Premium Rack library features a library for each Premium
Rack type.
■ Recalling settings from a library
1.
Open a popup window that provides the tool buttons.
To access each popup window, proceed as follows. To recall settings from a channel library, first display the
SELECTED CHANNEL VIEW screen. Then, proceed to Step 3.
[SELECTED CHANNEL VIEW screen]
Press one of the knobs in the SELECTED CHANNEL section to access the SELECTED CHANNEL VIEW screen.
Using libraries
[HPF/EQ popup window]
[Dynamics 1/2 popup window]
In the SELECTED CHANNEL VIEW screen or the
OVERVIEW screen, press the appropriate field for EQ or Dynamics 1/2.
2
1
1
2
1 EQ field
2 Dynamics 1/2 field
[GEQ/EFFECT/PREMIUM RACK popup window]
In the VIRTUAL RACK window that appears when you press the RACK button in the function access area, press a rack in which a GEQ/effect/Premium
Rack is already mounted.
1
2
1 RACK button
2 Racks
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23
Touch screen
2.
Select the channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack) for which you want to recall settings.
The method of selecting a channel or rack depends on the type of popup window that is displayed.
[HPF/EQ popup window (1ch)]
[DYNAMICS 1/2 popup window (1ch)]
Use the panel [SEL] keys or the channel select button in the function access area to select a channel.
Channel select button
[GEQ/EFFECT/PREMIUM RACK popup window]
Use the rack select tabs at the bottom of the popup window to select a rack.
[HPF/EQ popup window (8ch)]
[DYNAMICS 1/2 popup window (8ch)]
In addition to using the panel [SEL] keys or the channel select button in the function access area, you can also select a channel by pressing the channel number / channel name buttons in the popup window.
Channel number / Channel name buttons
NOTE
You cannot select a rack select tab of a rack in which no
GEQ, effect, or Premium Rack is mounted.
3.
Press the LIBRARY tool button to open the corresponding library window.
Library windows contain the following items.
1
2
24
If you use the channel number/channel name buttons in the 8ch popup window, you can select multiple channels by selecting a region. In this case, the same library data will be recalled to all the selected channels.
Selected region
3
1 CURRENT TYPE
(Only for output channel library)
This field displays the type of channel selected via the
[SEL] key.
2 List
This list shows the data saved in the library.
A highlighted line indicates that it is selected for operations. Read-only data is indicated by an R symbol.
NOTE
The right side of the list displays information regarding the relevant setting data (such as the type of output channels, dynamics type or effect type being used). The dynamics library also displays symbols indicating whether the data can be recalled into Dynamic 1 and/or Dynamics 2.
Owner’s Manual
3 RECALL button
This button recalls the data selected in the list into the currently-selected channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack).
4.
Rotate any of the multifunction knobs to move the highlight line up or down to select a library item you want to recall.
Depending on the data you selected for recall, it may not be possible to recall it into the currently-selected channel or rack. Each library has the following restrictions.
• Channel library
If the type of channel selected via the [SEL] key is different from the one selected in the list in the output channel library, “CONFLICT” appears to the right of
CURRENT TYPE. You can recall the data even if
“CONFLICT” appears, although the data would include different parameters. Parameters that do not exist in the library will be set to the default value.
• Dynamics library
The dynamics library contains three types of data:
Dynamics 1 and Dynamics 2 for input channels, and
Dynamics 1 for output channels. You cannot recall the data if an inappropriate type of dynamics data is selected in the library.
• GEQ library
The GEQ library contains two types of data:
31BandGEQ or Flex15GEQ. You cannot recall the
31BandGEQ library data into the Flex15GEQ library if the data contains the gain settings for 16 or more bands.
• Effect library
Effect library items that use effect types “HQ.Pitch” or
“Freeze” can be recalled only to effect racks 1, 3, 5 or
7. These cannot be recalled if any other rack is selected.
If you select a library number that cannot be recalled, it will not be possible to press the RECALL button.
5.
Press the RECALL button.
6.
The selected data will immediately be loaded into the channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack) you selected in step 2.
NOTE
If you recall channel library data to a channel that is linked to another channel, the link setting of the channel to which data was recalled will be canceled.
Using libraries
■ Storing settings in a library
1.
Open a popup window that provides the tool buttons.
2.
Select the channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack) for which you want to store settings.
NOTE
You can select only one channel or rack as the source for storing. If multiple channels are selected in the dynamics or EQ popup window, you will not be able to perform the
Store operation.
3.
At the top of the popup window, press the
LIBRARY button to access the library.
1
1 STORE button
The settings of the currently-selected channel
(EQ/dynamics) or rack (GEQ/effect/Premium Rack) will be stored to the position selected in the list.
4.
Turn one of the multifunction knobs to select the store-destination library number.
NOTE
You cannot store information to a library number that contains read-only data (indicated by an R symbol).
5.
Press the STORE button.
The LIBRARY STORE popup window will appear, allowing you to assign a title to the settings. For details
on entering text, refer to “Entering names” (see page 21).
6.
After you assign a title to the settings, press the STORE button in the LIBRARY STORE popup window.
A dialog box will ask you to confirm the Store operation.
7.
To execute the Store operation, press the OK button.
The current settings will be stored to the library number you selected in step 4. If you decide to cancel the Store operation, press the CANCEL button instead of the OK button.
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Touch screen
NOTE
• Even after you have stored the settings, you can edit the title of the settings by pressing the data title in the list to access the LIBRARY TITLE EDIT popup window.
However, you cannot edit the title of a read-only library item
(indicated by an R symbol).
• Be aware that if you store settings to a location that already contains data, the existing data will be overwritten.
(Read-only data cannot be overwritten.)
■ Erasing settings from a library
1.
Open a popup window that provides the tool buttons.
2.
At the top of the popup window, press the
LIBRARY button to access the library.
Initializing settings
This section explains how to return the EQ/dynamics settings of the currently-selected channel or the effect settings of a rack to their default state. A GEQ can be initialized by using the FLAT button on the screen.
1.
Open a popup window that provides the tool buttons.
2.
Select the channel (EQ/dynamics) or rack
(effect/Premium Rack) for which you want to initialize the settings.
3.
Press the DEFAULT button.
A dialog box will ask you to confirm the initialization operation.
4.
To execute the initialization, press the OK button.
The EQ/dynamics of the channel or the effect/processor settings of the rack you selected in step 2 will be initialized. If you decide to cancel the initialization, press the CANCEL button instead of the
OK button.
NOTE
In the case of EQ/dynamics, you can use the channel number / channel name buttons in the 8ch or ALL popup window to select a range of channels and initialize them in a single operation.
1
1 CLEAR button
This button erases the settings that are selected in the list.
3.
Turn one of the multifunction knobs to select the library item that you want to clear.
NOTE
You cannot clear read-only data (indicated by an R symbol).
4.
Press the CLEAR button.
A dialog box will ask you to confirm the Clear operation.
5.
To execute the Clear operation, press the OK button.
The data you selected in step 3 will be cleared. If you decide to cancel the Clear operation, press the
CANCEL button instead of the OK button.
Copying/pasting settings
This section explains how to copy the EQ/dynamics settings of the currently-selected channel or the
GEQ/effect/Premium Rack settings of a rack to a buffer memory, and then paste them into another channel or rack.
Copy/paste operations are restricted to the following combinations:
• Between input channel EQ settings
• Between output channel EQ settings
• Between dynamics processors for which the paste-destination has the same type (GATE, DUCKING,
COMPRESSOR, EXPANDER, COMPANDER-H,
COMPANDER-S, or DE-ESSER) as the copy-source
• Between effects/GEQ mounted in a rack
• Between same processors mounted in a Premium Rack
NOTE
Only 31BandGEQ settings that use less than fifteen bands can be copied to a Flex15GEQ.
1.
Open a popup window that provides the tool buttons.
2.
Select the channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack) from which you want to copy the settings.
3.
Press the COPY button.
The current settings will be saved in the buffer memory.
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Owner’s Manual
NOTE
• Be aware that if you copy other settings before you paste, the buffer memory will be overwritten.
• You can select only one channel or rack as the copy-source. If multiple channels are selected in the 8 ch/ALL popup window, the COPY button will be unavailable.
4.
Select the paste-destination channel or rack.
NOTE
If you are pasting EQ/dynamics settings, you can use the
8ch or ALL popup window to select multiple channels as the paste-destination. In this case, the same content will be pasted to all selected channels.
5.
Press the PASTE button.
The settings of the channel (EQ/dynamics) or the rack
(GEQ/effect/Premium Rack) you selected in step 2 will be pasted.
NOTE
• Be aware that when you paste, the settings will overwrite the paste-destination.
• If nothing has been stored in the buffer memory, the PASTE button cannot be pressed.
• Of the two types of GEQ, using the tool buttons in a rack in which a Flex15GEQ is selected will cause the settings to be copied/pasted for rack A and B individually.
• You cannot paste effect settings that use effect types
“HQ.Pitch” or “Freeze” to racks 2, 4, 6 or 8.
Comparing two settings
5.
To compare the first set of settings with the current settings (the second set), press the
COMPARE button.
You will return to the first set of settings. At this time, the second set of settings will be held in the buffer memory.
The first set
Edit the settings
(The second set)
COPY
The first set
Buffer memory
The first set
Buffer memory
COMPARE
Comparing two settings
You can use the COMPARE button to exchange the settings held in the buffer memory with the settings of the currently-selected channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack). This is convenient if you want to temporarily keep the settings at a certain point, and compare them later with subsequently edited settings.
1.
Open a popup window that provides the tool buttons.
2.
Select a channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack).
3.
Press the COPY button to place the current settings in the buffer memory.
This will be the first set of settings.
NOTE
Be aware that if you copy other settings before you compare, the buffer memory will be overwritten.
4.
Edit the settings of the currently-selected channel (EQ/dynamics) or rack
(GEQ/effect/Premium Rack).
This will be the second set of settings.
NOTE
After you store the first set of settings in the buffer memory, you can initialize the channel or rack and edit the second set of settings from an initialized state if desired.
The first set The second set
Buffer memory
6.
You can press the COMPARE button repeatedly to compare the first and second sets of settings.
Each time you press the COMPARE button, the current settings will be exchanged with the settings held in the buffer memory. Unlike the Paste operation, the Compare operation always lets you return to the previous settings as long as the buffer memory has not been overwritten.
NOTE
• The settings in the buffer memory can also be used for the
Paste operation.
• Of the two types of GEQ, using the tool buttons in a rack in which a Flex15GEQ is selected will cause the settings to be replaced with the buffer memory data for rack A and B individually.
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27
Basic operation of the CL series
Basic operation of the CL series
This section explains the basic operations of the CL series.
CL series operations are divided into three main categories:
• Controlling selected channels
(SELECTED CHANNEL section)
• Controlling eight channels as a group
(Centralogic section)
• Using the faders on the top panel
(Channel Strip section)
In general, you will operate the CL series for mixing using a combination of these operations.
Controlling selected channels (SELECTED
CHANNEL section)
The SELECTED CHANNEL section located to the left of the display corresponds to the mixer module on a conventional analog mixer, and allows you to manually adjust all the major parameters of the currently-selected channel. Operations in this section will affect the channel that was most recently selected by its [SEL] key. The basic procedure is as follows:
1.
Press the Bank Select key of a bank that includes the channel that you want to control.
Select one of the preset or custom fader banks in the
Channel Strip section or Centralogic section.
2.
Use a [SEL] key to select the channel that you want to control.
To select a MIX or MATRIX channel, use the Bank
Select keys to recall the desired channel to the
Centralogic section, and then press the [SEL] key for the desired channel.
3.
Press any one of the knobs in the SELECTED
CHANNEL section.
The SELECTED CHANNEL VIEW screen for the selected channel will appear. You can view the actual setting values on screen.
Even if a different screen is selected, the knobs of the
SELECTED CHANNEL section always affect the currently-selected channel. In this case, a mini popup window indicating the value of that parameter will appear on screen when you operate a knob.
4.
Use the knobs of the SELECTED CHANNEL section and the buttons in the SELECTED
CHANNEL VIEW screen to edit the parameters of the selected channel.
Controlling eight channels as a group (Centralogic section)
The Centralogic section located below the touch screen lets you recall and simultaneously control a set of up to eight input channels, output channels, or DCA groups. Use the
Bank Select keys on the right side of the Centralogic section to select the channels that you want to control.
When you press the keys, the corresponding channels or
DCA groups will be assigned to the Centralogic section, and the touch screen will display the OVERVIEW screen for those channels. The OVERVIEW screen displays the main parameters, which you can control using the
Centralogic section’s faders and keys. The basic procedure is as follows:
1.
Use a Bank Select key to select the channel or
DCA group that you want to control.
Press the [INPUT] key to select from channel groups labeled at the left of the Bank Select keys, and press the
[OUTPUT] key to select from channel groups labeled at the right of the Bank Select keys.
When you press the Bank Select key, the touch screen will display the OVERVIEW screen, and the parameters of the eight channels you selected will appear.
NOTE
When the SELECTED CHANNEL VIEW screen is displayed, you can switch to the OVERVIEW screen by pressing any of the multifunction knobs 1–8. This is convenient when you want to quickly switch to the
OVERVIEW screen while leaving the same channels or
DCA groups selected for control.
2.
Use the controls of the Centralogic section and the fields in the OVERVIEW screen to control the channels.
NOTE
• The bottom line of the OVERVIEW screen shows the channels or DCA groups that can be controlled by the faders, [ON] keys and [CUE] keys of the Centralogic section.
• The top line of the OVERVIEW screen shows the channels that can be controlled by the multifunction knobs 1–8.
Controlling another set of eight channels in the OVERVIEW screen
You can retain channels or DCA groups controlled by the faders, [ON] keys, meters, [CUE] keys and [SEL] keys of the Centralogic section, and switch to another group of eight channels for control in the OVERVIEW screen. In this case, the multifunction knobs will control a different set of eight channels than the Centralogic section’s controls.
1.
Press the Bank Select key for the channels or
DCA group that you want to retain for the
Centralogic section, and hold it down for two seconds or longer.
The LED of the Bank Select key will start blinking.
The blinking indicates that the corresponding channels or DCA groups are now retained for the
Centralogic section.
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Owner’s Manual
2.
Press a Bank Select key to select the eight channels (other than the DCA groups) that you want to control in the OVERVIEW screen.
The Bank Select key will light. The lit status indicates that the corresponding channels can be controlled in the OVERVIEW screen and by the multifunction knobs.
These controls affect
INPUT channels 1–8 in the OVERVIEW screen.
These controls affect
DCA groups 1–8.
3.
To release the channels or DCA groups that were retained for the Centralogic section, press the Bank Select key you operated in step
1 once again, and hold it down until the Bank
Select key LED changes from blinking to lit.
When the Bank Select key LED changes to being lit, its channels or DCA groups will be assigned to both the
Centralogic section and the OVERVIEW screen.
Using the top panel (Channel Strip section)
Using the top panel
(Channel Strip section)
The Channel Strip section of the top panel enables you to control the level, gain, pan, CUE, and other parameters for the selected channels. The basic procedure is as follows:
1.
Use the Bank Select keys located on the right of the Channel Strip section to select the channels or DCA groups that you want to control.
Each Bank Select key holds a “Bank,” which bundles a group of multiple channels.
“CUSTOM” Bank Select keys enable you to assign and recall a bank with your own assortment of the channels or DCA groups. These banks are called
“custom fader banks.” Since the custom fader banks enable you to assign a combination of different types of channels, you can control different types of channels as a group.
2.
Use the controls of the Channel Strip section.
Use the channel knob to adjust a parameter selected by the [GAIN/PAN/ASSIGN] key.
Each channel’s display indicates the currently-assigned channel information. For the channel display information, access SETUP→USER
SETUP→PREFERENCE, then set NAME DISPLAY to
NAME ONLY or FULL FUNCTION.
Custom fader bank settings
Follow the procedure below to set up a custom fader bank for control on the Channel Strip section.
1.
Press the SETUP button located in the function access area in the display.
2.
Press the USER SETUP button in the upper left of the SETUP screen.
3.
Press the CUSTOM FADER tab near the bottom of the USER SETUP screen.
The CUSTOM FADER BANK / MASTER FADER screen will appear.
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Basic operation of the CL series
4.
Select a target custom fader bank.
Channel strips are categorized into four blocks; from your left, block A, block B (Centralogic section), block
C (only for CL5), and Master.
5.
Press the number in the FADER area, then press the [SEL] key for the channel that you want to assign to that fader.
You can also select a channel in the display. Press the button below the desired number to display the CH
SELECT screen. First select the tab for a channel group, then select individual channels. To return to the previous screen, press the CLOSE button.
6.
Repeat step 5 to select all channels that you want to assign to the custom fader bank.
7.
When you have finished, press the X symbol in the upper right corner of the screen.
Adjusting the send level to a MIX bus or
MATRIX bus (SENDS ON FADER mode)
Each fader on the top panel enables you to adjust the level of the corresponding channel, as well as the send level of the signal routed from each channel to the currently-selected MIX/MATRIX bus (SENDS ON
FADER mode).
Follow the procedure below to use the faders on the top panel to adjust a signal that is sent from all input channels to a specific MIX bus.
1.
In the function access area in the display, press the
SENDS ON FADER button.
The CL will switch to SENDS
ON FADER mode. The most recently selected group of
MIX/MATRIX buses will be assigned to the Centralogic section. The faders in the
Channel Strip section will move to indicate the send level of the signals that are routed from each channel to the currently-selected
MIX/MATRIX bus.
In SENDS ON FADER mode, the function access area in the display will show the button that
1
2 enables you to switch between MIX1–16 and
MIX17–24/MATRIX, and the buttons that enable you to select the destination MIX/MATRIX buses.
1 ON FADER switch button
Pressing this button repeatedly will switch between
MIX1–16 and MIX17–24/MATRIX.
2 MIX/MATRIX bus select buttons
These buttons enable you to select the destination
MIX/MATRIX buses. Two buses that are paired in stereo are represented by one button.
2.
Press the ON FADER switch button repeatedly to select MIX1–16 or MIX17–24/MATRIX.
In this way, you can use the MIX/MATRIX bus select buttons to specify the destination MIX/MATRIX buses.
3.
Use the MIX or MATRIX bus select buttons in the function access area to select the send-destination MIX/MATRIX bus.
NOTE
• Alternatively, press a SEND LEVEL knob in the
SELECTED CHANNEL section to display a popup window, from which you can select a MIX/MATRIX bus.
• You can also select a MIX/MATRIX bus by using the Bank
Select keys and the [SEL] keys in the Centralogic section.
If you select the MIX buses or MATRIX buses by pressing the [SEL] keys, the setting of the MIX/MTRX ON FADER switch button will be changed automatically.
• If you press the currently-selected MIX/MATRIX bus select button again, cue monitoring will be turned on for the related MIX/MATRIX channel. This method is convenient if you want to monitor the signal that is being sent to the selected MIX/MATRIX bus.
4.
Use the faders in the INPUT section to adjust the send level from the input channels to the selected MIX/MATRIX bus.
NOTE
You can assign the SENDS ON FADER function to a USER
DEFINED key. This lets you quickly switch to SENDS ON
FADER mode for a specific MIX/MATRIX bus, and quickly switch back again.
5.
Repeat steps 3–4 to adjust the send level for other MIX/MATRIX buses in the same way.
6.
When you have finished adjusting the
MIX/MATRIX send levels, press the X symbol in the function access area.
The function access area display will return to its prior state, and the unit will return to normal mode.
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Owner’s Manual
Connections
About network connections
About Dante
This product features Dante technology as a protocol to transmit audio signals. Dante is a network protocol developed by Audinate. It is designed to deliver multi-channel audio signals at various sampling and bit rates, as well as device control signals over a Giga-bit
Ethernet (GbE) network. Dante also offers the following benefits:
• It transmits up to 512 in/512 out, for a total 1024 channels (in theory) of audio over a GbE network. (The
CL series features 64 in/64 out with a 24/32-bit resolution.)
• Dante-enabled devices will automatically configure their network interfaces and find each other on the network.
You can label Dante devices and their audio channels with names that make sense to you.
• Dante uses high accuracy network synchronization standards to achieve sample-accurate playback with extremely low latency and jitter. Four types of latency are offered by the CL series: 0.25 msec, 0.5 msec, 1.0 msec, and 5.0 msec.
• Dante supports resilient redundant connections against unexpected network problems via primary and secondary networks.
• Connecting a computer to Dante network using an
Ethernet connection enables you to directly input or output audio signals without using any audio interface devices.
• Audio can be transferred over distances up to 100 meters* between devices using CAT5e network cables.
* Maximum practical distance may vary according to the cable used.
By taking advantage of these benefits, you can: skip any complicated procedures to automate connections and setups of Dante-enabled devices; remotely control I/O devices from a mixing console; or make multi-track recordings to a DAW, such as Nuendo, installed on a computer in the network.
Visit the Audinate website for more details on Dante.
http://www.audinate.com/
Additional information on Dante is also posted on the
Yamaha Pro Audio website: http://www.yamahaproaudio.com/
Connections
NOTE
Please do not use the EEE function (*) of network switches in a Dante network.
Although power management should be negotiated automatically in switches that support EEE, some switches do not perform the negotiation properly. This may cause
EEE to be enabled in Dante networks when it is not appropriate, resulting in poor synchronization performance and occasional dropouts.
Therefore we strongly recommend that:
• If you use managed switches, ensure that they allow EEE to be disabled. Make sure that EEE is disabled on all ports used for real-time Dante traffic.
• If you use unmanaged switches, make sure to not use network switches that support the EEE function, since
EEE operation cannot be disabled in these switches.
* EEE (Energy Efficient Ethernet) is a technology that reduces switch power consumption during periods of low network traffic. It is also known as Green Ethernet and IEEE802.3az.
About Dante Controller
Dante Controller is a software application that allows configuration and audio routing of Dante networks. Use this application if you plan to connect or set up
Dante-enabled devices (such as Dante-MY16-AUD) that do not feature CL native support, or if you wish to set up complicated signal routings on a Dante network. More information is posted on the following website.
http://www.yamahaproaudio.com/
To run Dante Controller, a computer must feature a
GbE-compatible Ethernet connector.
Refer to the Dante Controller owner’s manual for details on
Dante Controller.
Connecting to I/O devices
This section explains how to connect the CL series to I/O devices (such as RIO3224-D) in a daisy chain network and in a star network (redundant network). Before you make connections with I/O devices, perform the steps described
in “Setting up the Dante network” (see page 40), and then
turn off the power of the CL series unit.
Daisy chain network
A daisy chain is a wiring scheme in which multiple devices are connected together in sequence. In this way, networking is simple and requires no network switches.
This connection method is suitable for a simple system with a small number of devices.
However, if a large number of devices are connected, the latency value must be increased. Also, if a connection is broken in a daisy chain network, the signal flow is interrupted at that point and no signal will be transferred beyond that point.
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31
Connections
■ Connecting I/O devices to the CL series
Make connections as shown below using the Dante connectors of the CL series and the I/O devices, and set the rotary switches and DIP switches of the I/O devices.
About redundant networks
A redundant network consists of two circuits, a primary circuit and a secondary circuit. Normally, the network operates on the primary circuit. However, if the primary connection is broken, the secondary circuit will automatically take over communications. Therefore, using a redundant network with a star topology would increase communication stability relative to a daisy chain network.
■ Connecting I/O devices to the CL series
Make connections as shown below using the Dante connectors of the CL series and the I/O devices, and set the rotary switches and DIP switches of the I/O devices.
Network switch
CL5
789AB
PRIMARY
SECONDARY
PRIMARY
Rio3224-D (ID#1)
789AB
PRIMARY
Rio3224-D (ID#2)
■ Rotary switch and DIP switch settings of the I/O devices
(ID#1)
5
6
23
789AB
C
D
E
0 1
F
1 2 3 4 5 6 7 8
(ID#2)
3
5
6
2
789AB
C
D
E
01 F
1 2 3 4 5 6 7 8
Star network (redundant network)
In a star network, each device is connected to a central hub.
Using a GbE-compatible network switch enables you to configure a wide-band, large-scale network. We recommend a network switch that gives you the ability to control and monitor the network (such as QoS, the ability to assign priority to data flows - e.g., clock synchronization or audio transmission on certain data circuits).
With this topology, it is usual to configure a redundant network so that even if an unexpected network problem occurs, communication can occur without affecting the audio.
CL5 SECONDARY
PRIMARY
789AB
Rio3224-D
(ID#1)
SECONDARY
789AB
PRIMARY
Rio3224-D
(ID#2)
SECONDARY
Network switch
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Owner’s Manual
■ Rotary switch and DIP switch settings of the I/O devices
(ID#1)
5
6
23
789AB
C
D
E
0 1 F
1 2 3 4 5 6 7 8
(ID#2)
3
5
6
2
789AB
C
D
E
01
F
1 2 3 4 5 6 7 8
Audio input/output connections
Analog output connections
CL series
Rio3224-D
789AB
Audio input/output connections
Analog input connections
CL series
789AB
Rio3224-D
The INPUT jacks on the I/O devices and the OMNI IN jacks are used mainly to connect microphones or monaural line-level devices.
NOTE
In the default state, the OMNI IN jacks are not patched. To use the signals connected here as inputs, you will need to make patch settings.
Monitor speakers
Main speakers
To the OMNI OUT jacks on the CL series and the
OUTPUT jacks on the Rio3224-D units, you can patch the output signals from output channels (MIX, MATRIX,
STEREO (L/R), MONO (C)), monitor signals (MONITOR
OUT L/R/C channels), and the direct out signals of the input channels. For information about patches, refer to
“Patching the mixer output to the I/O device” (see page 41)
in the Quick Guide section.
The PHONES Out jack located on the front panel is for monitoring, which always enables you to monitor the monitoring source signal. By assigning the MONITOR
OUT L/R/C channels to the desired output jacks, you can also monitor the same signal through external speakers.
Digital input/output connections
Use the DIGITAL OUT jack to send the CL’s internal signals to an external digital audio device. When the CL is in the default state, the output signal of the STEREO channel is patched to the DIGITAL OUT jack, which enables you to record the main mix onto a CD recorder or other device.
You can connect this jack to the AES/EBU jack on an I/O device, such as Rio3224-D. Also, by installing separately sold mini-YGDAI I/O cards in slots 1–3, you can add input/output jacks to the CL or connect speaker processor units.
Refer to the Yamaha professional audio website for the most recent information on available I/O cards.
http://www.yamahaproaudio.com/
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Connections
Installing an option card
Before you install I/O cards in slots 1–3, you must check the
Yamaha website to determine whether the card is compatible with the CL series, and to verify the total number of Yamaha or third-party cards that can be installed in combination with that card.
Yamaha website: http://www.yamahaproaudio.com/global/en/
To install an optional mini-YGDAI card, proceed as follows.
1.
Make sure that the power is turned off.
2.
Loosen the screws that hold the slot cover in place, and remove the slot cover.
Keep the removed slot cover and screws in a safe place.
4.
Use the screws included with the card to fasten the card in place.
Malfunctions or incorrect operation may occur if the card is not fastened.
Caution
Before connecting a separately sold mini-YGDAI I/O card to the CL unit, you must turn off the power switches for the
CL and the PW800W power supply. Failure to observe this will cause malfunction or electric shock.
Slot cover
3.
Align the edges of the card with the guide rails inside the slot, and insert the card into the slot.
Push the card all the way into the slot so that the connector at the end of the card is correctly inserted into the connector inside the slot.
Card
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Owner’s Manual
Setup
This section explains the setup required when starting up the CL series for the first time. This section will also discuss basic operations for sending an input channel signal out from the STEREO bus so that you can check the connections.
• LAMP
Adjusts the brightness of the lamps connected to the rear panel LAMP jacks.
4.
If desired, switch between banks A and B and make settings for the other bank in the same way.
Now you can switch between the BANK A and BANK
B buttons to change the brightness of the touch screen, LCD, channel name displays, and lamps in a single operation. You can also assign this parameter to a USER DEFINED key, and press that key to switch between banks A and B.
Setup
Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
Here is how to specify the brightness of the touch screen, top panel LEDs, channel name displays, and lamps connected to the rear panel LAMP connectors.
1.
In the function access area, press the SETUP button to access the SETUP screen.
2.
In the field located in the right of the bottom row of the SETUP screen, press the BANK A or
BANK B button.
You can save two different brightness settings in bank
A and B, and switch between them rapidly if desired.
Setting the date and time of the internal clock
This section explains how to set the date and time of the clock built into the CL unit, and how to select a date and time display format.
The date and time you specify here will affect the time stamp used when saving a scene.
1.
In the function access area, press the SETUP button to access the SETUP screen.
2.
Press the DATE/TIME button located in the bottom row of the SETUP screen, to open the
DATE / TIME popup window.
3.
Use the multifunction knobs to set the following parameters.
CONTRAST field
• NAME
Adjusts the contrast of the characters of the channel name displays on the top panel.
BRIGHTNESS field
• NAME
Adjusts the brightness of the channel name displays on the top panel.
• CH COLOR
Specifies the balance of brightness between the top panel channel color indicator and channel name display.
• SCREEN
Adjusts the brightness of the touch screen.
If you have set the brightness to lower than level 2, the
CL will start up next time with a brightness setting of
2 so that you will be able to see the screen.
• PANEL
Adjusts the brightness of the top panel LEDs. If the optional MBCL meter bridge is installed on the
CL3/CL1, this knob setting will also affect the LEDs on the meter bridge.
The popup window includes the following items.
1) DATE
This field specifies the date of the internal clock.
2) TIME
This field specifies the time of the internal clock.
3) DISPLAY FORMAT
This field specifies the format in which the time of the internal clock is displayed.
3.
In the DISPLAY FORMAT field, press the
MODE buttons several times to select the desired format for date and time display.
You can select from the following display formats.
• Date
MM/DD/YYYY (Month/Day/Year)
DD/MM/YYYY (Day/Month/Year)
YYYY/MM/DD (Year/Month/Day)
• Time
24Hours (hours shown in a range of 0–23)
12Hours (hours shown from 0am–11am, and 0pm–
11pm)
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Setup
4.
Use multifunction knobs 1–6 on the top panel to specify the current date and time.
5.
When you have finished making settings, press the OK button.
The date, time, and display format you specified will be finalized, and the popup window will close. If you press the CANCEL button or the X symbol instead of the OK button, your changes will be discarded and the popup window will close.
Word clock connections and settings
To send and receive digital audio signals between the CL and a connected external device, the word clock of both devices must be synchronized.
1.
In the function access area, press the SETUP button.
3.
In the WORD CLOCK SELECT field, select the desired clock source.
• When using the internal word clock
Press the INT 48k or INT 44.1k button.
• When a device on the Dante network serves as the clock master
Press the DANTE 48k or DANTE 44.1k button.
• When using clock data from a digital audio signal as the clock source
Press a valid two-channel button for the corresponding slot.
• When using word clock data from the WORD
CLOCK IN jack as the clock source
Press the WORD CLOCK IN button.
If the CL unit is operating correctly with the selected clock, the symbol immediately above the corresponding button will turn light blue.
NOTE
The clock data of the digital audio signal supplied via a digital I/O card in one of the slots 1–3 can be selected in two-channel units.
4.
To close the WORD CLOCK/SLOT popup window, press the X symbol located in the upper right.
You will return to the SETUP screen.
5.
To close the SETUP screen, press the SETUP button in the function access area.
2.
Press the WORD CLOCK/SLOT button in the
SYSTEM SETUP field in the middle of the window.
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Owner’s Manual
Making HA (Head Amp) analog gain settings
This section explains how to adjust the analog gain of the
HA (Head Amp) for each input channel to which a mic or instrument is connected.
There are two ways to control channel parameters on the
CL unit: using the SELECTED CHANNEL section to make settings for a single channel; and using the Centralogic section to make settings for up to eight channels all together.
Using the SELECTED CHANNEL section
(settings for one channel)
1.
Connect a mic or instrument to an INPUT jack.
2.
In the top panel Channel Strip section, press the [SEL] key for the channel corresponding to the INPUT jack that you want to control.
3.
While playing a musical instrument or speaking or singing into a microphone, rotate the [GAIN] knob in the SELECTED CHANNEL section to adjust the gain of the currently-selected channel.
Adjust the gain level as high as possible without allowing the OVER segment of the channel strip level meter to light at the highest audio input level.
When you press one of the knobs in the SELECTED
CHANNEL section located to the left of the touch screen, the SELECTED CHANNEL VIEW screen will appear in the touch screen. When you rotate the
[GAIN] knob in the SELECTED CHANNEL section, the knob in the HA field of the SELECTED
CHANNEL VIEW screen will move in tandem with the knob.
Making HA (Head Amp) analog gain settings
Using the Centralogic section
(settings for eight channels)
Use the Centralogic section and the OVERVIEW screen to make head amp settings for up to eight channels. This method is convenient when you want to adjust the same parameter for multiple channels simultaneously.
1.
Connect a mic or instrument to an INPUT jack.
2.
Press a Bank Select key in the
Centralogic section so that the input channels you want to control are assigned to the
Centralogic section.
Press the [INPUT] key, then press the key of the channels you want to control.
If you want to control the STEREO
IN channels, press the [OUTPUT] key, then press the [ST IN] key.
When you press a Bank Select key, the OVERVIEW screen will appear in the display, and the principal parameters of the up to eight selected channels will be shown simultaneously.
3.
Press a knob in the HA/PHASE field of the screen to select it.
4.
Press the [SEL] key of another input channel, and adjust the head amp gain in the same way.
When you press a [SEL] key to select another channel, the channel shown in the SELECTED CHANNEL
VIEW screen will change accordingly.
When you press a knob shown in the OVERVIEW screen, a bold frame is displayed around the horizontal row of knobs of the same type. This frame indicates that you can use the multifunction knobs of the Centralogic section to operate the corresponding knobs.
4.
While playing a musical instrument or speaking or singing into a microphone, use the Centralogic section’s multifunction knobs
1–8 to adjust the HA gain of each channel.
Adjust the level as high as possible without allowing the OVER segment of the channel strip level meter in the Centralogic section to light at the highest audio input level.
The input level is also shown by the level meter of the corresponding INPUT section or ST IN section.
5.
Use the Bank Select keys to switch the eight channels controlled by the Centralogic section, and adjust the gain for the other input channels in the same way.
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Setup
Sending an input channel signal to the STEREO bus
This section explains how to adjust the level of a gain-adjusted signal sent from an input channel to the
STEREO bus; adjust the pan/balance; and monitor signals from external speakers connected to the STEREO channel.
The following procedure enables you to check whether the connections with the mic, instrument, and main speakers are appropriate.
In this case as well, you can either use the SELECTED
CHANNEL section to make settings for one channel at a time, or use the Centralogic section to make settings for up to eight channels collectively.
Using the SELECTED CHANNEL section
(settings for one channel)
1.
Press the [SEL] key of the input channel that you want to control.
2.
Press one of the knobs in the SELECTED
CHANNEL section.
The SELECTED CHANNEL VIEW screen for the selected channel will appear.
6.
Raise the fader of the currently-selected input channel to an appropriate volume.
In this state, you should now hear sound from the speaker system that is patched to the STEREO channel.
If you do not hear sound, check whether the LR meters are moving in the METER field of the function access area.
If the LR meters are moving:
It may be that the STEREO channel is not correctly patched to the output jacks that are connected to your speaker system. Check the output port patching.
If the LR meters are not moving:
Make sure that signals are being routed correctly to the patched input channels.
7.
To adjust the pan/balance of the signal sent from the input channel to the STEREO bus, rotate the [PAN] knob of the SELECTED
CHANNEL section.
When you rotate the [PAN] knob, the knob in the TO
ST PAN/BALANCE field of the SELECTED
CHANNEL VIEW screen will move in tandem with the [PAN] knob.
8.
Press the [SEL] key of another input channel, then repeat this procedure from step 2.
When you press a [SEL] key to select another channel, the channel shown in the SELECTED CHANNEL
VIEW screen will change accordingly.
38
3.
In the To ST PAN/BALANCE field of the
SELECTED CHANNEL VIEW screen, make sure that the ST button is on (white characters on a pink background).
In the TO ST PAN/BALANCE field you can switch the signal sent from the input channel to the
STEREO/MONO buses on or off by using the
ST/MONO button. The knob in this field indicates the pan/balance of the signal sent to the STEREO bus.
If the ST button is off (black characters on gray background), press the button to switch it on.
4.
Verify that in the top panel, the [ON] key of the corresponding input channel is turned on.
If the [ON] key is off (the LED is dark), press the key to turn it on (the LED will light).
5.
In the STEREO/MONO MASTER section, make sure that the [ON] key of the STEREO channel is turned on, and raise the STEREO channel fader to 0 dB.
Owner’s Manual
Using the Centralogic section (settings for eight channels)
Here is how to use the Centralogic section and
OVERVIEW screen to adjust the level and pan/balance of the signals sent to the STEREO bus for up to eight channels at a time.
1.
Press a Bank Select key so that the input channels you want to control are assigned to the Centralogic section.
The selected eight channels are shown in the
OVERVIEW screen.
Sending an input channel signal to the STEREO bus
6.
To adjust the pan/balance of the signal sent from each input channel to the STEREO bus, press a knob in the TO STEREO/MONO field of the screen to select it, and rotate the multifunction knobs of the Centralogic section.
When you rotate a multifunction knob, the knob in the TO STEREO/MONO field of the OVERVIEW screen will also rotate.
7.
Use the Bank Select keys to switch the eight channels controlled by the Centralogic section, and control other input channels in the same way.
TO STEREO/MONO field
2.
Make sure that in the TO STEREO/MONO field of the screen, the ST symbol of each channel is on (white characters on pink background).
The ST/MONO symbol in the OVERVIEW screen indicates the on/off status of the signal sent from that input channel to the STEREO/MONO buses. If the ST symbol is off (gray characters on a black background), press the TO ST PAN/BALANCE field of the
SELECTED CHANNEL VIEW page to display a popup window, then switch the status on.
3.
In the Centralogic section, verify that the
[ON] key of the corresponding input channel is turned on.
4.
In the STEREO/MONO MASTER section, make sure that the [ON] key of the STEREO channel is turned on, and raise the STEREO channel fader to 0 dB.
5.
In the Centralogic section, raise the fader of the corresponding input channel to an appropriate volume.
In this state, you should now hear sound from the speaker system that is patched to the STEREO channel.
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Quick Guide
Quick Guide
This section explains the general procedures in a mixing workflow. The example below is based on a system in which one CL5, one I/O device, an amplifier and speakers are connected. If there are multiple methods to achieve the same result, this section introduces the simplest method.
For details on the functions and their parameters, refer to the Reference Manual.
Connecting the devices
Setting up the Dante network
1.
Press the SETUP button in the touchscreen.
2.
Press the DANTE SETUP button in the SETUP screen.
5.
Set BIT to 24, and LATENCY to 0.25.
Connecting I/O devices
1.
Make sure that power to all devices to be connected is turned off. Then, use an
Ethernet cable to connect the Dante
PRIMARY connector on the CL to the Dante
PRIMARY connector on the I/O device.
2.
Specify the ID of the I/O device.
NOTE
If you plan to use one I/O device, set its ID number to “1.”
If you plan to use multiple devices, you must assign a unique ID number to each device.
3.
Turn on the power to the I/O device, the CL series, and then the amplifier, in that order.
4.
In the touchscreen, press the SETUP button, then the DANTE SETUP button, and finally the
DEVICE MOUNT tab.
5.
Check the I/O devices.
3.
In the lower part of the DANTE SETUP screen, press the SETUP tab.
4.
Set CONSOLE ID to #1, and SECONDARY
PORT to DAISY CHAIN.
NOTE
If you want to change the settings, you must first disconnect all I/O devices before doing so. If you fail to do so, communication with the I/O devices will become impossible.
If you changed the settings, press the APPLY button; when the confirmation screen appears, click the OK button.
The button you changed will change from red back to white; please wait approximately 30 seconds for the settings to be applied.
➩
NOTE
If you’re connecting an I/O device other than the
Rio3224-D, you’ll need to mount it.
See the reference manual for details.
6.
Connect mics or instruments to the I/O device.
Setting the word clock
1.
Press the SETUP button in the display screen, then press the WORD
CLOCK/SLOT button.
2.
Select INT 48k or INT
44.1k.
3.
Press the X symbol to close the screen.
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Owner’s Manual
Patching the input port
1.
Press the I/O DEVICE button in the touchscreen.
2.
In the upper part of the I/O
DEVICE screen, press the
DANTE PATCH tab.
3.
In the I/O DEVICE screen, press the DANTE INPUT
PATCH button.
Setting the input channels
Setting the input channels
Switching phantom power on or off
1.
Press the [SEL] key for the channel that you want to control in the Channel Strip section or Centralogic section.
2.
Press the GAIN knob in the SELECTED
CHANNEL section.
4.
Press the AUTO SETUP button.
5.
When a confirmation dialog appears, press the OK button.
6.
Press the X symbol to close the screen.
Patching the mixer output to the I/O device
1.
Press the I/O DEVICE button in the display screen, then press the Rio tab.
2.
Press the OUTPUT display area of the I/O device that will be the output destination.
3.
Press the OUTPUT 1 button.
4.
In the PORT SELECT screen, select the output channels you want to output to the rack.
GAIN knob
3.
Press the +48V button in the GAIN/PATCH popup window as necessary, depending on the microphone you use.
➩
NOTE
• The phantom power master switch on the I/O device must be turned on first.
• Make sure that phantom power is turned OFF unless it is needed.
• When turning phantom power on, pay careful attention to the following to prevent damage or noise in the mixing console or connected equipment.
- Turn the +48 button off if equipment that does not use phantom power is connected to the OMNI IN jacks.
- Do not connect or disconnect a cable to or from the
OMNI IN jacks while the +48 button is on.
- Set all digital mixing console output controls to minimum when turning phantom power ON or OFF.
Adjusting the analog gain
1.
Press the [SEL] key for the channel that you want to control in the Channel Strip section or Centralogic section.
2.
Press the [CUE] key of the same channel.
3.
While checking the sound level through the headphones and meters, adjust the channel
[GAIN] knob of the Channel Strip section.
4.
Adjust the gain level for other channels in the same way, by pressing their [SEL] and [CUE] keys, and then rotating the [GAIN] knobs.
5.
After adjustment is complete, switch the
[CUE] key off (the key LED turns off).
5.
Press the CLOSE button.
6.
In the same way, set OUTPUT 2 and subsequent outputs, if necessary.
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Quick Guide
Applying EQ/dynamics
Applying EQ
1.
Press the [SEL] key of the channel that you want to control.
2.
Adjust EQ in the SELECTED CHANNEL section.
3.
Press the EQ area in the display screen.
4.
Edit the dynamics type and parameters in the
DYNAMICS popup window.
Use the knobs in the Centralogic section to edit the parameters.
4.
Edit the EQ type and filter type in the HPF /
EQ popup window.
5.
Edit the DYNAMICS 2 parameters in the same way.
Setting the output channels
1.
Use the [OUTPUT] key of the Centralogic section, then Bank Select keys to select the desired output channel bank.
2.
Press the [SEL] key of the output channel that you want to control.
3.
Press any one of the knobs in the SELECTED
CHANNEL section.
4.
Edit the EQ and dynamics parameters in the same way as for the input channels.
Using GEQ
1.
Press the RACK button in the display screen.
Applying dynamics
1.
Press the [SEL] key of the channel that you want to control.
2.
Press the ON button of the DYNAMICS 1 field in the display screen.
2.
Press the GEQ 1–8 tab.
3.
Press the INPUT PATCH button for GEQ1.
3.
Press the DYNAMICS 1 area.
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Owner’s Manual
4.
Select an input source in the left column of the CH SELECT popup window, then select a channel in the right column.
Applying effects
Applying effects
Using EFFECT RACK with send/return
1.
Press the RACK button in the display screen.
2.
Press the EFFECT tab.
5.
Press the CLOSE button.
6.
Press the GEQ icon to open the GEQ popup window.
3.
Modify the INPUT CH/OUTPUT CH patch settings, if necessary.
4.
Press the rack icon in the middle to open the
EFFECT popup window.
7.
Press FADER ASSIGN to select the GEQ you will control using the Centralogic section’s faders.
5.
Press the effect icon.
6.
Select an effect you want to use from the
EFFECT TYPE popup window.
8.
Perform the same operations for other GEQs as desired.
7.
In the Channel Strip section, select the bank that includes the channel to which you want to apply the effect.
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Quick Guide
8.
Press the SENDS ON FADER button in the display screen.
Inserting PREMIUM RACK processor
1.
Press the RACK button in the display screen.
9.
In the Centralogic section, press the
[OUTPUT] key, then [MIX17–24/MATRIX] key.
10.
From Fx1–Fx8 routed to the Centralogic section, select and press the [SEL] key for the effect channel that you want to use.
11.
Use the faders of the Channel Strip section to control effect sends.
12.
Press the X symbol for the MIX1–16,
MIX17–24/MATRIX button to exit SENDS ON
FADER mode.
2.
3.
Press the PREMIUM tab.
Press the rack icon in the middle to open the
PREMIUM RACK popup window.
13.
In the Centralogic section, press the
[OUTPUT] key, then [ST IN] key.
14.
Adjust the effect return level using the fader in the Centralogic section.
15.
If necessary, press the RACK button, then the effect track icon of the EFFECT tab, and then set the effect parameters.
4.
Select a processor you want to use from the
MODULE SELECT field, then press the OK button.
5.
Press the INPUT PATCH button.
6.
Select an input source in the left column of the CH SELECT popup window, and then select a channel in the right column.
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Owner’s Manual
7.
Press the CLOSE button.
8.
In the Centralogic or Channel Strip section, select the bank that includes the channel to which you want to apply the processor.
9.
Press the [SEL] key of the channel to which you want to apply the processor.
10.
In the INSERT field of the SELECTED
CHANNEL VIEW screen, press the button that indicates the name of the inserted PREMIUM
RACK.
Changing the patch settings
Changing the patch settings
Setting up INSERT or DIRECT OUT
1.
Select the bank that contains the channel for which you want to set up INSERT or DIRECT
OUT in the Channel Strip section or
Centralogic section.
2.
Press the [SEL] key of the channel for which you want to change the patching.
3.
Press the setting button in the DIRECT OUT area of the SELECTED CHANNEL screen.
11.
Adjust the parameters in the PREMIUM RACK popup window.
4.
Assign OUT and IN for INSERT or DIRECT OUT.
5.
Press the ON button to enable it.
6.
Modify the INSERT or DIRECT OUT point by pressing it, if necessary.
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Quick Guide
Changing the signal output to each output port
1.
Press the SETUP button in the display screen.
Grouping and linking
Creating a channel link
1.
Press the CH JOB button in the display screen.
2.
Press the OUTPUT PORT button in the
SYSTEM SETUP screen.
2.
Press the CH LINK button.
3.
Select the OUTPUT PORT tab you want to change.
4.
Press the output channel select button to select the output channel for which you want to change the port.
3.
Select the bank that contains the channels you want to link in the Channel Strip section or Centralogic section.
4.
While pressing and holding down the [SEL] key of one channel, press the [SEL] key of the other channel that you want to link.
5.
To release the link, press and hold down the
[SEL] key for one of the linked channels, and press the [SEL] key for the other channel.
NOTE
You can also set or release a channel link in the display.
Setting a DCA or MUTE group
1.
Press the [SEL] key of the channel that you want to control.
2.
Press the DCA tab or
MUTE tab in the
SELECTED CHANNEL screen.
3.
Press the desired group number button.
4.
To assign other channels to a group, press
DCA or MUTE group numbers in the same way.
46
Owner’s Manual
Setting a custom fader bank
1.
Press the SETUP button in the display screen.
Setting a custom fader bank
Using talkback
1.
Connect a mic to the front panel TALKBACK jack.
2.
Press the MONITOR button in the display screen.
2.
Press the USER SETUP button in the CURRENT
USER area.
3.
Press the ASSIGN button in the TALKBACK area.
3.
Press the CUSTOM FADER tab near the bottom of the screen.
4.
In the CUSTOM FADER BANK / MASTER
FADER screen, press the button for the custom fader bank you want to set up.
4.
In the ASSIGN area, select a bus to which you want to send the talkback signal.
5.
In the FADER field, press the channel strip number button.
5.
Press the TALKBACK ON button.
6.
Press the [SEL] key for the channel that you want to assign in the Channel Strip section.
7.
In the same way, select other channels that you want to assign.
6.
While observing the TALKBACK IN meter, use the front panel VOLUME knob to adjust the level.
Owner’s Manual
47
Quick Guide
Routing the oscillator to an output channel
1.
Press the MONITOR button in the display screen.
2.
Press the setting button in the OSCILLATOR field.
3.
Set the MODE, LEVEL, and FREQ parameters.
Using scene memories
Storing a scene
1.
Use the [INC]/[DEC] keys in the SCENE
MEMORY section to select the store-destination scene number.
2.
Press the [STORE] key.
3.
Enter the scene name and comments in the
SCENE STORE screen.
4.
Press the [STORE] key.
5.
When a confirmation dialog appears, press the [STORE] key again.
Recalling a scene
1.
Use the [INC]/[DEC] keys in the SCENE
MEMORY field to select the scene number that you want to recall.
2.
Press the [RECALL] key on the unit.
4.
In the ASSIGN area, press the desired
OUTPUT tab to select the output destination.
48
5.
Return to the previous screen, then press the
OUTPUT button in the OSCILLATOR area.
Owner’s Manual
Recording and playing audio using a USB flash drive
Recording audio to a USB flash drive
1.
Connect a USB flash drive to the USB connector of the CL unit.
2.
Press the RECORDER button in the display screen.
Recording and playing audio using a USB flash drive
Playing audio files from a USB flash drive
1.
Connect a USB flash drive that contains audio files to the CL unit.
2.
Press the RECORDER button in the display screen.
3.
In the PLAYBACK OUT field, select a channel from which you want to play audio files.
3.
Press the USB tab.
4.
Press the REC RATE button to switch the recording bit rate for an MP3 file.
4.
Select an audio file to play from the list.
5.
In the RECORDER INPUT field, select a recording source channel and set the recording level.
6.
Press the Rec button to arm recording.
7.
Press the Play button to start recording.
8.
When you have finished recording, press the
Stop button.
5.
Press the Play button.
6.
Adjust the gain using the knob in the
PLAYBACK OUT area, then in the Channel
Strip section, use the faders for the channels selected in the PLAYBACK OUT field to adjust the volume level.
Owner’s Manual
49
Quick Guide
Saving and loading the unit settings
Saving the unit settings to a USB flash drive
1.
Connect a USB flash drive to the USB connector of the CL unit.
2.
Press the SETUP button in the display screen.
3.
Press the SAVE/LOAD button.
7.
Enter the data name and comments, then press the SAVE button.
Loading the unit settings from a USB flash drive
1.
Press the SETUP button in the display screen.
2.
Press the SAVE/LOAD button.
3.
To select the file that you want to load, press the name of the desired file in the file list, or rotate a multifunction knob on the panel.
4.
Press the LOAD button.
5.
Press the LOAD button in the LOAD SELECT popup window.
6.
When a confirmation dialog appears, press the OK button.
4.
If necessary, press the directory icon and change the directory.
To move to the next higher level, press the arrow button in the PATH field.
Formatting a USB flash drive on the CL unit
1.
Connect a USB flash drive (that you want to format) to the CL unit.
2.
Press the FORMAT button in the SAVE/LOAD popup window.
3.
Enter a name in the VOLUME NAME field, and then press the FORMAT button.
4.
When a confirmation dialog appears, press the OK button.
5.
Press the SAVE button.
6.
Press the SAVE button in the SAVE SELECT popup window.
50
Owner’s Manual
Other functions
Other functions
5.
A message indicates that the initialization process is complete. Press the EXIT button.
The CL will start up in normal operating mode.
NOTE
• Alternatively, you can continue the operation by selecting a different menu instead of pressing the EXIT button.
• DANTE SETUP will not be initialized.
Initializing the unit to factory default settings
If an error occurs in the CL’s internal memory, or if you forget the password and cannot operate the unit, you can use the following procedure to initialize the internal memory.
NOTICE
The entire memory will be deleted if you initialize the internal memory.
Proceed with the following operation only if you are very sure you want to do this!
1.
While holding down the SCENE MEMORY
[STORE] key on the panel, turn on the power to the CL unit.
After the opening screen, the following startup menu screen will appear.
Restoring the current scene to the default state
Turn on the power to the CL unit, and recall (load) the default setting scene (scene number 000).
NOTE
In the procedure described here, you are asked to recall this default setting scene so that the remaining step in this chapter can be performed appropriately. In actual operation, there is no need to recall the default setting scene each time.
1.
Turn on the power to the CL unit.
When you turn on the power to the CL, you should first power-on the CL, and then power-on your power amp and monitor system. (Reverse this order when turning the system off.)
NOTE
If a PW800W power supply is connected to the CL, the power will turn on regardless of whether you first turn on the power switch of the CL or of the PW800W.
2.
Use the top panel SCENE MEMORY
[INC]/[DEC] keys to make scene number
“000” appear in the SCENE field in the function access area of the display.
2.
Press one of the following buttons depending on the type of initialization you want to perform.
• INITIALIZE ALL MEMORIES
All memories including scene memories and libraries will be returned to their initial settings except for
DANTE SETUP.
• INITIALIZE CURRENT MEMORIES
Memories other than scene memories and libraries will be returned to their initial settings except for
DANTE SETUP.
3.
A dialog box will ask you to confirm the initialization. Press the INITIALIZE button.
A dialog box will ask you to reconfirm the operation.
4.
Press the OK button in the confirmation dialog box.
Initialization will begin.
NOTE
Do not press any buttons until initialization is complete.
SCENE field
3.
Press the top panel SCENE MEMORY [RECALL] key.
Scene number “000” will be loaded, and the mix parameters and bus settings will return to the default state.
NOTE
Be aware that when scene number “000” is loaded, the input patch, output patch, internal effect, and HA (Head
Amp) settings will also return to their default state.
Owner’s Manual
51
Other functions
Adjusting the faders
(Calibration function)
Depending on the environment in which you use the CL series, discrepancies may occur in the motion of the motor faders. You can use the Calibration function to correct these discrepancies.
NOTE
For information about adjusting the input gain or the detection point of the touch screen, refer to the Reference
Manual.
1.
While holding down the SCENE MEMORY
[STORE] key on the panel, turn on the power to the CL unit.
After the opening screen, the following startup menu screen will appear.
7.
After you adjust the fader position, press the
[NEXT] button.
The process will proceed to the next fader position.
8.
Repeat steps 6–7 to adjust the faders for positions (1) through (4).
After the positions are corrected, automatic motorized calibration will start.
9.
When calibration is complete and the
RESTART button has not appeared, press the
APPLY button.
The calibration settings will be saved in internal memory. If the RESTART button appears, calibration has failed. Press the RESTART button to execute calibration once again.
10.
Press the EXIT button.
The CL unit will start up in normal operating mode.
NOTE
Alternatively, you can continue the operation by selecting a different menu instead of pressing the EXIT button.
52
2.
Press the FADER CALIBRATION button.
The FADER CALIBRATION MODE screen will appear, enabling you to adjust the faders.
The specified INPUT faders, Centralogic faders,
STEREO/MONO faders will be semi-automatically calibrated. This window will also appear if a problem is detected in the fader settings while the CL is starting up.
3.
Press a [SEL] key to specify the faders that you want to calibrate.
Faders for which a problem was detected at start-up will already be selected.
4.
Press the START button.
A confirmation dialog box will appear.
5.
Press the OK button in the dialog box.
6.
Each of the specified faders will move to the target positions in the following sequence.
Manually move the faders to the correct positions.
1 –∞ (all the way down)
2 –20dB
3 0dB
4 +10dB (all the way up)
Owner’s Manual
Troubleshooting
Frequently asked questions are posted on the Yamaha Pro
Audio website: http://www.yamahaproaudio.com/
Power does not turn on; panel LEDs and the LCD display do not light.
❍ Is the CL’s POWER switch turned on?
❍ Is the power cable connected to a proper AC outlet?
❍ Is the power cable plug inserted all the way — has it clicked and locked in securely?
➥ If the power still does not turn on, contact your Yamaha dealer.
The unit is not receiving an input signal.
❍ Did you correctly set the UNIT ID and the DIP switches on the I/O device connected to the CL before turning on the power to the devices?
❍ Are the settings in the DANTE SETUP screen on the unit specified correctly?
❍ Is a signal being input from an external device?
❍ Is the SIG indicator on the I/O device lit?
❍ If a phantom-powered microphone is connected to the
CL unit, are the I/O device’s the [+48 MASTER] switch,
CL’s [+48V MASTER] switch, and [+48V] button of each channel set to on?
❍ Is the GAIN of the internal head amp, external head amp, or I/O device set to an appropriate level?
❍ Is the input port patched to an input channel?
❍ Is the [ON] key indicator of the input channel lit?
❍ Is the fader of the input channel raised?
❍ Is the EQ attenuator raised?
❍ Could the insert be turned on even though it has not been specified correctly?
❍ If you are using an optional I/O card, is it installed correctly?
Sound is not output from headphones or the
MONITOR OUT jacks.
❍ Is the [PHONES] knob or [MONITOR LEVEL] knob set to an appropriate volume?
❍ Is the monitor fader set to an appropriate level?
❍ Has the monitoring source been selected?
❍ Could the DIMMER be applied to the signal?
➥ Press the MONITOR button, then check the MONITOR area on the display.
The sound level is too low.
❍ Is the GAIN or digital gain on the head amplifier, external head amp device or I/O device set to an appropriate level?
❍ Are the input channel faders raised?
❍ Could the EQ gain be turned down excessively?
❍ Are EQ’s attenuators raised?
Troubleshooting
❍ Could the GATE/COMP threshold or ratio setting be set to an extreme value?
❍ Are the output channel faders raised?
❍ Check the level in the corresponding METER function screens.
❍ Is the channel fader assigned to a DCA group raised?
❍ Could MUTE MASTER be turned on for the channel assigned to a MUTE group?
Sound is distorted.
❍ Is the word clock set correctly?
❍ Is the GAIN of the internal head amp, external head amp, or I/O device set to an appropriate level?
❍ Could you have turned gain compensation on while the analog gain was set inappropriately? Alternatively, could you have turned gain compensation on, and then raised the analog gain to an extreme level?
➥ Temporarily turn gain compensation off, then set analog gain to an appropriate level, and then turn gain compensation on again.
❍ Could the digital gain be set to an extremely high setting?
❍ Could the input channel fader be raised too high?
❍ Could the STEREO channel fader be raised too high?
❍ Could the EQ gain be set to an extremely high setting?
❍ Could the latency have been too low in the DANTE
SETUP screen?
Sound is output even though it is not patched to an output channel.
❍ Could you have assigned an input channel to direct out?
❍ Could you have assigned an output channel as the insert out?
The volume of a specific channel rises and falls.
❍ Could DYNAMICS1/2 be set to ducking or to an extreme parameter value?
Operating a fader does not control the level as you expect.
❍ Could the function access area indicate MIX/MTRX
ON FADER? And could SENDS ON FADER mode be engaged?
Only the sound of a specific channel is heard from the MONITOR OUT or PHONES jack.
❍ Could a [CUE] key be on?
Noise occurs from an externally connected recorder or other device.
❍ Is the word clock set correctly?
❍ Could the input signal be unsynchronized?
❍ Could the oscillator or talkback be turned on?
Owner’s Manual
53
Troubleshooting
High frequency range is attenuated.
❍ Could emphasis be applied? This problem will occur if the input signal status does not match the emphasis data.
❍ Could EQ be applied?
There is insufficient headroom, especially when
EQ boost is applied.
❍ Use the EQ attenuator function to lower the level.
An input signal is being input, but there is no monitor output.
❍ Could the DIMMER be applied?
❍ Could the MONITOR CH be assigned even though its output port has not been connected to an external device?
Signal is delayed.
❍ Check whether the delay setting for each input channel and output port is set correctly.
Rotating a MIX knob does not change the send level to the MIX bus.
❍ Is the TO MIX SEND ON/OFF button turned on?
❍ Is the MIX [ON] key turned on?
❍ Is the MIX bus set to VARI type?
❍ Could the fader have been lowered if the send point is set to POST?
Cannot save scene memory or various library data.
❍ Are you attempting to save the data to a read-only scene/library or a protected scene?
❍ Could user level restrictions have been specified?
Cannot save to a USB flash drive.
❍ Could the USB flash drive be protected?
❍ Does the USB flash drive have enough free capacity to save the data?
❍ When formatting the USB flash drive, format it in
FAT32 or FAT16 format.
❍ Could the recorder be playing?
Cannot transmit or receive MIDI data.
❍ Is the MIDI PORT selected correctly?
❍ Are the transmission and reception modes and channels selected correctly?
❍ Has an event corresponding to the particular Program
Change message been specified?
When you recall a scene, some channels/parameters are not updated.
❍ Could that channel or parameter be set to Recall Safe?
❍ Could Focus be set in such a way that the channels or parameters will not be updated?
❍ Could user level restrictions have been specified?
You turn on a CUE button in the EFFECT screen, but it is automatically defeated.
❍ This is defeated automatically when you switch screens in the display.
When you recall a scene, it takes a certain amount of time for the faders to stop.
❍ Could you have specified a fade time?
The panel LEDs or LCD display are too dark / too bright.
❍ This can be adjusted in the SETUP screen.
Signal level of a specific frequency is low.
❍ Could the EQ gain be turned down excessively?
❍ Routing a signal through a GEQ or effect will delay it relative to other signals. If this signal is mixed with another signal that is routed via a different signal path, a comb filtering effect will cause the level of a specific frequency to be decreased.
Cannot control an I/O device.
❍ Are the rotary switch and DIP switches on the I/O devices set correctly?
❍ Does the channel being controlled match the channel on the I/O device?
Cannot control the CL unit from CL Editor.
❍ Is the computer connected to the unit’s Network jack correctly?
❍ Is the network setting of the CL unit specified correctly?
❍ For details on settings, refer to the CL Editor installation guide posted on our website.
Cannot control the CL unit from CL StageMix.
❍ Is the WiFi setting in CL StageMix set correctly?
❍ Is the unit’s Network jack on the CL unit connected to the WiFi access point correctly?
❍ Is the network setting of the CL unit specified correctly?
❍ Refer to the CL StageMix Owner’s Manual on our website.
In the LCD display, there are some black points
(unlit) or white points (always lit).
❍ Unfortunately, this is a common characteristic of
TFT-LCDs and not a malfunction.
54
Owner’s Manual
Installing the
MBCL meter bridge (option)
1.
On the back of the CL3/CL1 console’s touch screen, loosen screws ‘A’ (three locations) so that they are backed-out approximately
4 mm.
The CL3 has screws ‘A’ in two locations. Choose one or the other location as appropriate for your situation.
Installing the MBCL meter bridge (option)
3.
Tighten screws ‘A’ to secure the MBCL, starting with the upper two screws.
4.
Connect the MBCL connector ‘C’ to the
METER port ‘D’ on the CL3/CL1, and fasten the locking screws.
A
A
D
C
A
4 mm
A
CL3 console
NOTICE
Make sure that the console and the PW800W are powered-off before you connect the MBCL meter bridge to the console. Failure to observe this will cause malfunction or electric shock.
CL3 console
2.
Hook holes ‘B’ of the MBCL mounting strap onto screws ‘A’ of the CL3/CL1.
B
A
A
CL3 console
Owner’s Manual
55
Specifications
Specifications
General specifications
Sampling Frequency
Signal Delay
Fader
Frequency Response
Total Harmonic Distortion
*4
Hum&Noise
*5
Dynamic Range
Crosstalk@1kHz
Dimensions (W x H x D) and Net Weight
Power Requirements
(wattage)
Power Requirements
(voltage and hertz)
Temperature Range
Included Accessories
Optional Accessories
Internal
44.1kHz
48kHz
44.1kHz
+4.1667%, +0.1%, –0.1%, –4.0%
±200ppm
External
48kHz
+4.1667%, +0.1%, –0.1%, –4.0%
±200ppm
Less than 2.5ms, OMNI IN to OMNI OUT, Fs= 48kHz
100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders
+0.5, –1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain= Min.
–128dBu typ., Equivalent Input Noise, Input Gain= Max.,
–88dBu, Residual output noise, ST master off
112dB typ., DA Converter,
108dB typ., OMNI IN to OMNI OUT, Input Gain= Min.
–100dB
*1
, adjacent OMNI IN/OMNI OUT channels, Input Gain= Min.
CL5: 1053mm x 299mm x 667mm, 36kg
CL3: 839mm x 299mm
*2
x 667mm, 29kg
*2
CL1: 648mm x 299mm
*2
x 667mm, 24kg
*2
CL5/CL3/CL1: 170W, Internal Power Supply
CL5/CL3/CL1: 200W, Simultaneous use of Internal PSU and External PW800W
US/Canada: 120V 60Hz
Japan: 100V 50/60Hz
China:
Korea:
Other:
110-240V 50/60Hz
220V 60Hz
110-240V 50/60Hz
Operating temperature range: 0-40°C
Storage temperature range: –20-60°C
Owner’s Manual, Dust Cover, Power Cord
Meter Bridge MBCL (CL3/CL1 only), Mini-YGDAI cards
*3
, Gooseneck Lamp LA1L
Power Supply PW800W, Power Supply Link Cable PSL360
*1. Crosstalk is measured with a 30dB/octave filter @22kHz
*2. Excluded MBCL optional meter bridge.
*3. Refer to the Yamaha pro audio website for information on supported cards.
http://www.yamahaproaudio.com/
*4. Total Harmonic Distortion is measured with 18dB/octave filter @80kHz
*5. Hum & Noise are measured with A-Weight filter.
European Models
Purchaser/User Information specified in EN55103-1:2009 and EN55103-2:2009.
Inrush Current: 10A (on initial switch-on)
6A (after a supply interruption of 5s)
Conforms to Environments: E1, E2, E3 and E4
56
* The contents of this manual apply to the latest specifications as of the printing date. Since Yamaha makes continuous improvements to the product, this manual may not apply to the specifications of your particular product. To obtain the latest manual, access the Yamaha website then download the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.
Owner’s Manual
Input/output characteristics
Input/output characteristics
ANALOG INPUT CHARACTERISTICS
Input
Terminals
OMNI IN 1-8
TALKBACK
GAIN
+66dB
–6dB
+64dB
+20dB
Actual Load
Impedance
7.5kΩ
10kΩ
For Use With
Nominal
50-600Ω Mics
& 600Ω Lines
50-600Ω Mics
& 600Ω Lines
Sensitivity
*1
Input Level
Nominal Max. before clip
Connector
–82dBu (61.6μV) –62dBu (0.616mV) –42dBu (6.16mV) XLR-3-31 type
–10dBu (245mV) +10dBu (2.45V) +30dBu (24.5V) (Balanced)
*2
–70dBu (0.245mV) –60dBu (0.775mV) –40dBu (7.75mV) XLR-3-31 type
–26dBu (38.8mV) –16dBu (0.123V) +4dBu (1.23V) (Balanced)
*2
*1. Sensitivity is the lowest level that will produce an output of +4dBu (1.23V) or the nominal output level when the unit is set to maximum gain. (all faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced. (1= GND, 2= HOT, 3= COLD)
*3. In these specifications, 0dBu= 0.775 Vrms.
*4. All input AD converters are 24bit linear, 128times oversampling.
*5. +48V DC ( phantom power ) is supplied to OMNI IN (1-8) and TALKBACK XLR type connectors via each individual software controlled switches.
ANALOG OUTPUT CHARACTERISTICS
Output
Terminals
OMNI OUT 1-8
PHONES
Actual Source
Impedance
75Ω
15Ω
For Use With
Nominal
600Ω Lines
8Ω Phones
40Ω Phones
GAIN SW
+24dB (default)
+18dB
–
–
*5
Output Level
Nominal Max. before clip
+4dBu (1.23V)
–2dBu (616mV)
Connector
+24dBu (12.3V) XLR-3-32 type
+18dBu (6.16V) (Balanced)
*1
75mW *6
65mW
*6
150mW
150mW
Stereo Phone Jack (TRS)
(Unbalanced)
*2
*1. XLR-3-32 type connectors are balanced. (1= GND, 2= HOT, 3= COLD)
*2. PHONES stereo phone jack is unbalanced. (Tip= LEFT, Ring= RIGHT, Sleeve= GND)
*3. In these specifications, 0dBu= 0.775 Vrms.
*4. All output DA converters are 24bit, 128times oversampling.
*5. There are switches inside the body to preset the maximum output level.
*6. The position of the level control is 10dB lowered from Max.
DIGITAL INPUT & OUTPUT CHARACTERISTICS
Terminal
Primary/Secondary
Format
Dante
Data length Level
24bit or 32bit 1000Base-T
Audio
64ch Input/64ch Output @48kHz
Connector
EtherCON Cat5e
DIGITAL OUTPUT CHARACTERISTICS
Terminal
DIGITAL OUT AES/EBU
Format
AES/EBU Professional Use
*1. XLR-3-32 type connectors are balanced. (1= GND, 2= HOT, 3= COLD)
Data Length
24bit
I/O SLOT (1-3) CHARACTERISTICS
Each I/O Slot accepts a mini-YGDAI card. Only Slot1 has a serial interface.
CONTROL I/O CHARACTERISTICS
Terminal
MIDI
WORD CLOCK
IN
OUT
IN
OUT
GPI (5IN/5OUT)
NETWORK
LAMP (CL5: x3, CL3: x2, CL1: x1)
USB HOST
DC POWER INPUT
METER (CL3/CL1 only)
Format
MIDI
MIDI
–
–
–
IEEE802.3
–
USB 2.0
–
–
Level
–
–
TTL/75Ω terminated
TTL/75Ω
–
10BASE-T/100Base-TX
0V-12V
*4
*1. Input pin: TTL level, w/ internal pull-up (47kΩ)
Output pin: Open drain output (Vmax=12V, maximum sink current/pin=75mA)
Power supply pin: Output voltage Vp=5V, Max. output current Imax=300mA
*2. 4pin= +12V, 3pin= GND, Lamp rating 5W. Voltage control by software.
–
–
–
Level
RS422
Connector
XLR-3-32 type (Balanced)
*1
Connector
DIN Connector 5P
DIN Connector 5P
BNC Connector
BNC Connector
D Sub Connector 15P (Female)
*1
RJ-45
XLR-4-31 type
*2
USB A Connector (Female)
JL05 Connector
D Sub Connector 9P (Female)
Owner’s Manual
57
Specifications
Pin Assignment
4 3 2 1
9 8
23
7
22
6 5
15
20
14
19
13
18
12
17
11
16
10
21
8 3 2 1
DC POWER INPUT
6
7
4
5
Pin
1
2
3
8
9
10
11
12
Signal Name
+24V
+24V
+24V
+24V
+24V
+24V
+24V
+24V
+24V
GND
GND
GND
16
17
18
19
Pin
13
14
15
20
21
22
23
Signal Name
GND
GND
GND
GND
GND
GND
CAUTION(+)
CAUTION(–)
DETECT A
DETECT B
DETECT GND
Frame GND
15 11 10 9
GPI
6
7
4
5
8
Pin
1
2
3
Signal Name
GPO1
GPO3
GPO5
GND
+5V
GPI1
GPI3
GPI5
12
13
14
15
Pin
9
10
11
Signal Name
GPO2
GPO4
GND
GND
+5V
GPI2
GPI4
5 1
9 6
METER (CL3/CL1 only)
Pin
1
2
3
4
5
Signal Name
RESET
SDA
DGND
SCL
+3.3D
Pin
6
7
8
9
Signal Name
+3.3LD
+3.3LD
LDGND
LDGND
58
Owner’s Manual
Dimensions
Dimensions
15
CL5
299
201
CL3
15
1053 130
299
201
CL1
15
839
648
130
299
201
MBCL
26
374
70
29.2
130 Unit: mm
Owner’s Manual
59
Index
Index
A
Analog gain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
B
Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
C
Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Channel link . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Comparing (Libraries) . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Copying/pasting (Libraries) . . . . . . . . . . . . . . . . . . . . . . 26
Custom fader bank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Custom fader bank settings . . . . . . . . . . . . . . . . . . . . . . . 29
D
Daisy chain network . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Dante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8, 31
INPUT PATCH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
OUTPUT PATCH . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Dante Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
DCA group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Dialog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
DIRECT OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Dynamics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
E
EFFECT RACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
F
Factory set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Faders
Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Faders / Knobs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Function access area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
G
GEQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
GEQ rack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Grouping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
H
HA (Head Amp) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
I
I/O devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Initializing (Libraries) . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Initializing (Unit) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Input channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Input port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
INSERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Internal clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
K
Keyboard window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
L
Lamps . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
List windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
60
Owner’s Manual
M
Main area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
MIX/MATRIX bus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Multifunction knob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
MUTE group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
N
Name displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Network connections . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
O
Option card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
P
Patch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Phantom power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Popup windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
PREMIUM RACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8, 44
R
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Redundant network . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Restoring (Current scene) . . . . . . . . . . . . . . . . . . . . . . . . 51
S
Scene memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
SENDS ON FADER mode . . . . . . . . . . . . . . . . . . . . . . . 30
Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Star network . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
STEREO bus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
T
Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Talkback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Tool buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Top panel
Centralogic section . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Channel Strip section . . . . . . . . . . . . . . . . . . . . . . . . 11
Display section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Master section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Meter section (for CL5 only) . . . . . . . . . . . . . . . . . . 15
SCENE MEMORY/MONITOR section . . . . . . . . . 14
SELECTED CHANNEL section . . . . . . . . . . . . . . . 12
USB connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
USER DEFINED KEYS section . . . . . . . . . . . . . . . . 14
USER DEFINED KNOBS section . . . . . . . . . . . . . . 14
Touch screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
U
USB flash drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Formatting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Loading (Unit settings) . . . . . . . . . . . . . . . . . . . . . . . 50
Playing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Saving (Unit settings) . . . . . . . . . . . . . . . . . . . . . . . . 50
W
Word clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
MEMO
62
Owner’s Manual
Block Diagram
CASCADE IN
[OMNI IN]
[1-8]
[PLAYBACK
OUT]
DANTE
INPUT
64
OMNI IN
1
2
3
SLOT1
SLOT2
SLOT3
1 2 3 4
USB
SLOT1 1-16
SLOT2 1-16
SLOT3 1-16
CASCADE
IN
SELECT
[DANTE]
[SLOT]
+48V
[TALKBACK
INPUT]
TALKBACK
INPUT
1
2
3
+48V MASTER
ON
+48V
16
16
16
+48V
+
-
AD
TALKBACK
LEVEL
+
-
DECODER
AD
SLOT IN SLOT IN SLOT IN
METER METER METER
1
GAIN/TRIM
8
To CASCADE IN
SELECT
GAIN
PLAYBACK OUT
METER
To MONITOR SELECT
RECORDER CUE
HA
METER
HA
METER
DANTE
IN
METER
To MONITOR
SELECT
TALKBACK
TB INPUT
DANTE IN 1-64
OMNI IN 1-8
INPUT
SELECT
ON
OSCILLATOR
Sine Wave
Sine Wave 2CH
Pink Noise
Burst Noise
HPF LPF
LEVEL
OSC
METER ON
To CH 1-72{64,48},ST IN 1L-8R
INPUT
PATCH
DANTE IN
1-64
OMNI IN
1-8
SLOT1 1-16
SLOT2 1-16
SLOT3 1-16
FX1-8 OUT
A(L)/B(R)
PR1-2 OUT
A(L)/B(R)
72
{64,
48}
CH 1-72{64,48}
To RACKIN PATCH
To OUTPUT PATCH
CH INSERT 1,2 OUT
1-72{64,48}
CH INSERT 1,2 IN
1-72{64,48}
PRE D.GAIN
METER
INSERT POINT
POST DG
METER
PRE FADER INSERT 1,2 OUT
PRE EQ INSERT 1,2 OUT
PRE EQ
METER
EQ OUT
METER
DYNA1OUT
METER
GR METER
PRE HPF / PRE EQ / PRE FADER/POST ON
DYNA2OUT
METER
GR METER
PRE FADER
METER
OSCILLATOR
Digital
GAIN
HPF
PRE HPF
INSERT
ATT
PRE EQ
4BAND
EQ
POST EQ
Key in
Self PRE EQ
Self POST EQ
MIX21-24 OUT
CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64, 65-72]POST EQ(CL5)
CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64]POST EQ(CL3)
CH[1-8,9-16,17-24,25-32,33-40,41-48]POST EQ(CL1)
GATE
DUCK
EXPAND
COMP
KEY IN CUE
Key in Filter
To MIX
FIXED
To MIX
FIXED
STEREO
COMP
COMPAND
DE-ESSER
INSERT
PRE FADER
INSERT 1,2 OUT
POST ON
POST PAN L
POST PAN R
DELAY
Max
1000ms
LEVEL/
DCA1-16
ON
ON
ON
ON
ON
ON
ON
ON
ON
ON
LEVEL
POST ON
METER
INSERT
DIRECT OUT 1-72{64,48}
PAN
LR MONO
LCR
CSR
POST ON
POST ON
INSERT 1,2 OUT
PAN LINK
TO MONO TO ST
TO LCR
To OUTPUT PATCH
PAN MODE
MIX1,3...23
MIX2,4...24
SURROUND PAN
To MIX
VARI
PRE EQ / PRE FADER / POST ON
ON
ON
ON
ON
LEVEL
LEVEL
POST ON
ST L
MONO(C)
ST R
MIX1-6
To MIX
VARI
STEREO
PRE EQ / PRE FADER / POST ON
ON ON LEVEL
PAN
LFE
To MATRIX
VARI
PRE EQ / PRE FADER / POST ON
ON
ON
ON
ON
LEVEL
LEVEL
MATRIX1,3...7
MATRIX2,4...8
(PRE FADER)PFL / (POST ON)AFL / POST PAN L
(PRE FADER)PFL / (POST ON)AFL / POST PAN R
To MATRIX PRE EQ / PRE FADER / POST ON
VARI
STEREO
ON
ON
ON ON LEVEL
PAN
CUE L
CUE R
INSERT 1,2 OUT
[CH 1-72{64,48}]
INSERT 1,2 OUT
[MIX 1-24,
STEREO
L,R,MONO(C),
MATRIX 1-8]
GEQ
RACK IN
PATCH
GEQ1 IN
A(L)/B(R)
GEQ2-8 IN
A(L)/B(R)
GEQ RACK1(GEQ1)
METER RACK IN
31BandGEQ
METER RACK OUT
METER RACK IN A
METER RACK IN B
Flex15GEQ
METER RACK IN A
METER RACK IN B
8BandPEQ
METER RACK OUT A
METER RACK OUT B
METER RACK OUT A
METER RACK OUT B
GEQ RACK2-8(GEQ2-8) (same as GEQ RACK1)
INSERT 1,2 IN
PATCH
(INPUT CH)
OMNI IN 1-8
SLOT1 1-16
SLOT2 1-16
SLOT3 1-16
L
8
ST IN 1L 䇵 8R
PRE D.GAIN
METER
Digital
GAIN
POST DG
METER
R
8
OSCILLATOR
PRE D.GAIN
METER
OSCILLATOR
Digital
GAIN
POST DG
METER
PAN/BAL
HPF
PRE EQ
METER
ATT
4BAND
EQ
EQ OUT
METER
POST EQ
GR METER
GATE
DYNA1OUT
DUCK
METER
EXPAND
COMP
KEY IN CUE
Key in Filter
DYNA2OUT
METER
GR METER
COMP
COMPAND
DE-ESSER
PRE FADER
METER
DELAY
Max
1000ms
PRE FADER
LEVEL/
DCA1-16
ON
POST ON
METER
POST ON
Key in
Self PRE EQ
Self POST EQ
MIX21-24 OUT
ST IN 1L-8R POST EQ
To MIX
SAME as INPUT1-72{64,48}
LR MONO
LCR
CSR
PAN LINK
TO MONO TO ST
TO LCR
PAN MODE
MIX1,3...23
MIX2,4...24
(PRE FADER)PFL / (POST ON)AFL / POST PAN L
(PRE FADER)PFL / (POST ON)AFL / POST PAN R
To MATRIX
ON
ON
SAME as INPUT1-72{64,48}
MATRIX1,3...7
MATRIX2,4...8
CUE L
CUE R
ST L
MONO(C)
ST R
GEQ1-4 IN
A(L)/B(R)
8
METER
Automixer 8ch RACK1-4 (GEQ1-4)
METER
Automixer8ch
8
72{64,48}
CH INSERT 1,2 IN 1-72{64,48}
To CH INSERT 1,2 IN
GEQ1-8 IN
A(L)/B(R)
1 6
Automixer 16ch RACK1-8 (GEQ1-8)
METER METER
Automixer16ch
1 6
KEY IN CUE
SELECT
ON
GEQ9-16
IN
A(L)/B(R)
GEQ RACK9-16(GEQ9-16) (same as GEQ RACK1)
KEY IN CUE
EFFECT CUE
KEY IN CH1-72{64,48}
ST IN 1L-8R
FX1-8 OUT L/R
PR1-8 OUT L/R
RECORDER CUE
RECORDER INL/R
PLAYBACK OUT L/R
ON
ON
OUT
[MIX 1-24,
STEREO
L,R,MONO(C),
MATRIX 1-8]
EFFECT
RACK IN
PATCH METER
EFFECT RACK1(FX1)
RACK IN
31BandGEQ
METER RACK OUT
METER RACK IN A
METER RACK IN B
Flex15GEQ
METER RACK IN L
METER RACK IN R
EFFECT
METER RACK OUT A
METER RACK OUT B
METER RACK OUT L
METER RACK OUT R
INSERT 1,2 IN
PATCH
(OUTPUT CH)
OMNI IN 1-8
SLOT1 1-16
SLOT2 1-16
SLOT3 1-16
24
3
8
GEQ1-16
OUT
A(L)/B(R)
MIX INSERT 1,2 IN 1-24
STEREO INSERT 1,2 IN L,R,MONO(C)
MATRIX INSERT 1,2 IN 1-8
To MIX INSERT 1,2 IN
To STEREO INSERT 1,2 IN
To MATRIX INSERT 1,2 IN
EFFECT CUE
SELECT
RECORDER CUE
SELECT
FX1 IN
A(L)/B(R)
METER RACK IN A
METER RACK IN B
8BandPEQ
EFFECT CUE
METER RACK OUT A
METER RACK OUT B
To RTA
FX1 OUT
A(L)/B(R)
RTA
Refer to CL5/CL3/CL1 Mixer Block Diagram 2/2
FX2-8 IN
A(L)/B(R)
PREMIUM
RACK IN
PATCH
EFFECT RACK2-8(FX2-8) (same as EFFECT RACK1)
FX2-8 OUT
A(L)/B(R)
OUTPUTS
Refer to CL5/CL3/CL1 Mixer Block Diagram 2/2
PREMIUM RACK1(PR1)
METER RACK IN L
METER RACK IN R
PROCESSOR
METER RACK OUT L
METER RACK OUT R
EFFECT CUE
PR1 IN
A(L)/B(R)
PR2-8 IN
A(L)/B(R)
PREMIUM RACK2-8 (same as PREMIUM RACK1)
PR1 OUT
A(L)/B(R)
PR2-8 OUT
A(L)/B(R)
1 2
MIX
㻚㻚㻚
23 24
ST
L R
M
O
N
O
(C)
MATRIX
1 2
㻚㻚㻚
7 8
CUE
L R
CASCADE OUT
MIX CASCADE OUT1-24
STEREO CASCADE OUT L,R,MONO(C)
MATRIX CASCADE OUT1-8
CUE CASCADE OUT LR
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
MIX 1-24
To RACKIN PATCH
To OUTPUT PATCH MIX
INSERT 1,2 OUT 1-24
MIX
INSERT 1,2 IN 1-24
INSERT POINT
MATRIX1,3...7
MATRIX2,4...8
CUE ON
POST ON INSERT 1,2 OUT
PRE EQ INSERT 1,2 OUT
PRE EQ
METER
INSERT
ATT
PRE EQ
PRE EQ
INSERT 1,2 OUT
4BAND
EQ
EQ OUT
METER
DYNA OUT
METER
GR METER
POST EQ
PRE FADER
METER
LEVEL
COMP
COMPAND
INSERT
EXPAND
PRE FADER
Key in
Self PRE EQ/Self POST EQ/MIX21-24 OUT/
MIX(1-8,9-16,17-24) POST EQ
(PRE FADER)PFL / (POST ON)AFL
BAL
LEVEL
LEVEL
ON
ON
PRE FADER / POST ON
To MATRIX
VARI
LEVEL
PAN/BAL
ON
ON
POST ON
METER
INSERT
MIX OUT1-24
POST ON
INSERT 1,2 OUT
POST ON
PRE FADER / POST ON
To MATRIX
VARI
STEREO
PAN MODE TO ST TO MONO
PAN/BAL
LR MONO ST L
MONO(C)
ST R
TO LCR LCR
POST ON
CSR
(21-24)To KEYIN
To RACKIN PATCH
To OUTPUT PATCH
To MONITOR SELECT
STEREO L,R,MONO(C)
To RACKIN PATCH
INSERT POINT
To OUTPUT PATCH
STEREO
INSERT 1,2 OUT L,R,MONO(C)
STEREO
INSERT 1,2 IN L,R,MONO(C)
POST ON INSERT 1,2 OUT
PRE EQ INSERT 1,2 OUT
PRE EQ
METER
INSERT
ATT
PRE EQ
PRE EQ
INSERT 1,2 OUT
4BAND
EQ
EQ OUT
METER
DYNA OUT
METER
GR METER
POST EQ
PRE FADER
METER
LEVEL
COMP
COMPAND
EXPAND
INSERT
PRE FADER
Key in
Self PRE EQ/Self POST EQ/MIX21-24 OUT/
ST(L,R,MONO(C)) POST EQ
BAL
CUE ON
(PRE FADER)PFL / (POST ON)AFL
MATRIX1,3...7
MATRIX2,4...8
LEVEL
LEVEL
ON
ON
PRE FADER / POST ON To MATRIX
VARI
LEVEL
PAN/BAL
ON
PRE FADER / POST ON
To MATRIX
VARI
STEREO
POST ON
METER
ON
INSERT
POST ON
INSERT 1,2 OUT
POST ON
STEREO OUT
L,R,MONO(C)
To OUTPUT PATCH
To MONITOR SELECT
MATRIX 1-8
To RACKIN PATCH
To OUTPUT PATCH MATRIX
INSERT 1,2 OUT 1-8
MATRIX
INSERT 1,2 IN 1-8
INSERT POINT
CUE ON
POST ON INSERT 1,2 OUT
PRE EQ INSERT 1,2 OUT
PRE EQ
METER
INSERT
ATT
PRE EQ
4BAND
EQ
EQ OUT
METER
DYNA OUT
METER
GR METER
POST EQ
PRE FADER
METER
LEVEL
COMP
COMPAND
INSERT
EXPAND
PRE FADER
INSERT 1,2 OUT PRE FADER
Key in
Self PRE EQ/Self POST EQ/MIX21-24 OUT/
MATRIX1-8 POST EQ
(PRE FADER)PFL / (POST ON)AFL
BAL
ON
INSERT
POST ON
METER
MATRIX OUT 1-8
To OUTPUT PATCH
To MONITOR SELECT
POST ON
CUE / MONITOR
Refer to CL5/CL3/CL1 Mixer Block Diagram 2/2
CUE / STEREO MONITOR
OMNI IN 1/2
OMNI IN 3/4
OMNI IN 5/6
OMNI IN 7/8
PLAYBACK OUT
STEREO OUT L,R
STEREO OUT MONO(C)
STEREO OUT L,C,R
OMNI IN 1/2
OMNI IN 3/4
OMNI IN 5/6
OMNI IN 7/8
PLAYBACK OUT
STEREO OUT L,R
STEREO OUT MONO(C)
MIX OUT1-24
MATRIX OUT1-8
DEFINE
MIX
(MAX:8ch)
CUE L BUS
CUE R BUS
CUE TRIM
(INPUT/OUTPUT/DCA)
CUE L
CUE R
MONO
METER CUE L
METER CUE R
CUE OUT ON
CUE ON
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
MONITOR DELAY AUTO BYPASS
CUE OUT L
CUE OUT R
To OUTPUT PATCH
To OUTPUT PATCH
CUE LOGIC
CUE OUT
LEVEL
PHONES
LEVEL LINK DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
PHONES L
PHONES R
To PHONES OUT
To PHONES OUT
MONO
MONITOR L
MONITOR R
MONITOR MONO(C)
METER MONITOR L
METER MONITOR R
METER MONITOR MONO(C)
CUE INTERRUPTION
ON
TALKBACK ON
MONITOR DIMM ON
MONITOR
LEVEL
MONITOR
FADER
ON
+MONO(C)
DELAY
(MAX:1000ms)
MONITOR OUT L
DELAY
(MAX:1000ms)
MONITOR OUT R
DELAY
(MAX:1000ms)
MONITOR OUT MONO(C)
An output port delay becomes invalid by assigning a monitor out to the output port.
To OUTPUT PATCH
To OUTPUT PATCH
To OUTPUT PATCH
OUTPUTS
SURROUND MONITOR1-6
MONITOR MATRIX OUT1-6
MIX CASCADE OUT 1-24
STEREO CASCADE OUT L,R,MONO(C)
MATRIX CASCADE OUT 1-8
CUE CASCADE OUT L,R
DIRECT OUT 1-72{64,48}
MIX OUT 1-24
STEREO OUT L,R,MONO(C)
MATRIX OUT 1-8
MONITOR OUT L,R,MONO(C)
CUE OUT L,R
CH INSERT 1,2 OUT 1-72{64,48}
MIX INSERT OUT 1-24
STEREO INSERT OUT L,R,MONO(C)
MATRIX INSERT OUT 1-8
OMNI OUT
STEREO L
MONO(C)
STEREO R
OUTPUT
PATCH
PHONES OUT LR
2
DA
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
METER SLOT1OUT
METER SLOT2OUT
METER SLOT3OUT
GAIN TRIM
1 6
1 6
1 6
PHONES LEVEL
Tip
Ring
Sleeve
[PHONES]
SLOT1
SLOT2
SLOT3
[SLOT]
OUTPUT
PATCH
DELAY
(MAX:1000ms)
METER OMNI OUT
GAIN TRIM
8
DA
+
-
3
2
1
[OMNI OUT] (1-8)
OUTPUT
PATCH
DELAY
(MAX:1000ms)
METER DANTE OUT
GAIN
6 4
DANTE
OUTPUT
[DANTE OUT] (1-64)
OUTPUT
PATCH
OUTPUT
PATCH
2
DELAY
(MAX:1000ms)
METER
RECORDER IN
METER
DIGITAL
OUT
GAIN
GAIN TRIM
2
DIT
AES/EBU
RECORDER CUE
ENCODER
[DIGITAL OUT]
1 2 3 4
USB
[2TR RECORDER]
CUE / SURROUND MONITOR
STEREO OUT L/R
MONO
PLAYBACK OUT
MIX OUT1-24
MATRIX OUT1-8
EXT IN ST-1
EXT IN ST-2
EXT IN ST-3
EXT IN ST-4
CUE L BUS
CUE R BUS
CUE TRIM
(INPUT/OUTPUT/DCA)
CUE L
CUE R
METER CUE L
METER CUE R
CUE OUT ON
CUE ON
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
MONITOR DELAY AUTO BYPASS
CUE OUT L
CUE OUT R
To OUTPUT PATCH
To OUTPUT PATCH
2ch
Monitor
Select
2
MIX1-6
EXT IN 5.1-1
EXT IN 5.1-2
EXT IN 5.1-3
2ch selected
Surround
Monitor
Select
6
6
6
6
2
6
5.1 Solo
Down Mix 5.1 -> Stereo, Mono
EXT IN ** are assignable from DANTE, SLOT, OMNI IN
CUE LOGIC
CUE OUT
LEVEL
PHONES
LEVEL LINK
MONITOR
LEVEL
METER
MONITOR
LEVEL
MONITOR
FADER
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
PHONES L
PHONES R
To PHONES OUT
To PHONES OUT
ON
CUE INTERRUPTION
SPEAKER MUTE
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
DELAY
(MAX:1000ms)
An output port delay becomes invalid by assigning a monitor out to the output port.
L
R
C To OUTPUT PATCH
Ls
SURROUND MONITOR
To OMNI OUT, SLOT
Rs
LFE
To OUTPUT PATCH
MONITOR MATRIX OUT
To SLOT
RTA
GEQ RACK 1-16 OUT
EFFECT RACK 1-8 OUT
CH 1-72{64,48} POST EQ
ST IN 1L-8R POST EQ
MIX1-24 POST EQ
STEREO L,R,MONO(C) POST EQ
MATRIX 1-8 POST EQ
MIX OUT 1-24
STEREO OUT L,R,MONO(C)
MATRIX OUT 1-8
CUE OUT L,R
32
16
72{64,48}
16
24
3
8
24
3
8
2
RTA
Level Diagram
Analog dBu
Digital dBFS Bit
Analog
GAIN
AD
0
-10
-20
-140
-150
-160
-170
-100
-110
-120
-130
-180
-190
-60
-70
-80
-90
-30
-40
-50
-200
-210
27
28
29
24
25
26
16
17
18
12
13
14
15
7
8
9
10
11
19
20
21
22
23
2
3
4
5
6
0
1
34
35
36
30
31
32
33
-10
-20
-30
-80
-90
-100
-110
-40
-50
-60
-70
-120
-130
-140
-150
-160
-170
-180
-190
+30
+24
+20
+10
+4
0
㽲 Max. Input [+30dBu]
㽲 Nominal Input [+10dBu]
㽴
Max. Input [+4dBu]
㽴
Nominal Input [-16dBu]
㽵 Max. Input [-40dBu]
㽳 Max. Input [-42dBu]
㽵
Nominal Input [-60dBu]
㽳 Nominal Input [-62dBu]
㽲 OMNI IN 1-8 (GAIN MIN.)
㽳 OMNI IN 1-8 (GAIN MAX.)
㽴 TALKBACK (GAIN MIN.)
㽵 TALKBACK (GAIN MAX.)
Digital
㪠㪥㪧㪬㪫㩷
㪧㪘㪫㪚㪟
㱂
㪆㪛㫀㪾㫀㫋㪸㫃
㪞㪸㫀㫅 㪟㪧㪝 INSERT ATT.
IN
OUT
EQ
(x4)
DYN
1
DYN
2 INSERT DELAY DCA
LEVEL
/ON PAN
IN
OUT
BUS
Adder INSERT ATT.
EQ
(x4) DYN
IN
CASCADE IN
CASCADE OUT
OUT
MASTER
LEVEL
/ BAL
MASTER
ON
OUTPUT
PATCH DELAY
Digital
㱢㪃㪘㪫㪫㪃㩷
㪫㪩㪠㪤
DA
Digital Clipping Level
Max. DSP Noise Floor
Analog
Analog dBu
Max. Output
[+24dBu]
Nominal Output
[+4dBu]
PHONES
Max Output
(150mW@8 㱅)
Nominal Output
(75mW@8 㱅)
㪲㪫㪿㪼㩷㫇㫆㫊㫀㫋㫀㫆㫅㩷㫆㪽㩷㫋㪿㪼㩷㫃㪼㫍㪼㫃
㪺㫆㫅㫋㫉㫆㫃㩷㫀㫊㩷㪈㪇㪻㪙㩷㫃㫆㫎㪼㫉㪼㪻
㪽㫉㫆㫄㩷㪤㪸㫏㪴
OMNI OUT1-8
[Default setting]
-120
-130
-140
-150
-80
-90
-100
-110
-160
-170
-180
-190
-40
-50
-60
-70
-10
-20
-30
+30
+24
+20
+10
+4
0
[0dBu = 0.775Vrms]
[0dBFS = Full Scale]
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Toronto, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México, S.A. de C.V.
Av. Insurgentes Sur 1647 Piso 9, Col. San José
Insurgentes, Delegación Benito Juárez, México,
D.F., C.P. 03900
Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Fidêncio Ramos, 302 – Cj 52 e 54 – Torre B – Vila
Olímpia – CEP 04551-010 – São Paulo/SP, BRAZIL
Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.,
Sucursal Argentina
Olga Cossettini 1553, Piso 4 Norte,
Madero Este-C1107CEK
Buenos Aires, Argentina
Tel: 011-4119-7000
VENEZUELA
Yamaha Music Latin America, S.A.,
Sucursal Venezuela
C.C. Manzanares Plaza P4
Ofic. 0401- Manzanares-Baruta
Caracas Venezuela
Tel: 58-212-943-1877
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso No.7, Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, República de Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM/IRELAND
Yamaha Music Europe GmbH (UK)
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, U.K.
Tel: 01908-366700
GERMANY
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH
Branch Switzerland in Zürich
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 044-387-8080
AUSTRIA/BULGARIA
Yamaha Music Europe GmbH Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/HUNGARY/
ROMANIA/SLOVAKIA/SLOVENIA
Yamaha Music Europe GmbH
Branch Austria (Central Eastern Europe Office)
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
POLAND/LITHUANIA/LATVIA/ESTONIA
Yamaha Music Europe GmbH
Branch Poland Office ul. Wrotkowa 14 02-553 Warsaw, Poland
Tel: +48 22 88 00 888
PA39
MALTA
Olimpus Music Ltd.
The Emporium, Level 3, St. Louis Street Msida
MSD06
Tel: 02133-2144
NETHERLANDS/BELGIUM/
LUXEMBOURG
Yamaha Music Europe Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, Netherlands
Tel: 0347-358 040
FRANCE
Yamaha Music Europe
7 rue Ambroise Croizat, Zone d'activites Pariest,
77183 Croissy-Beaubourg, France
Tel: 01-64-61-4000
ITALY
Yamaha Music Europe GmbH, Branch Italy
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha Music Europe GmbH Ibérica, Sucursal en España
Ctra. de la Coruna km. 17,200, 28231
Las Rozas (Madrid), Spain
Tel: +34-91-639-88-88
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN/FINLAND/ICELAND
Yamaha Music Europe GmbH Germany filial
Scandinavia
JA Wettergrensgata 1, Västra Frölunda, Sweden
Tel: +46 31 89 34 00
DENMARK
Yamaha Music Europe GmbH, Tyskland – filial
Denmark
Generatorvej 8B, DK-2730 Herlev, Denmark
Tel: 44 92 49 00
NORWAY
Yamaha Music Europe GmbH Germany -
Norwegian Branch
Grini Næringspark 1, N-1361 Østerås, Norway
Tel: 67 16 78 00
RUSSIA
Yamaha Music (Russia) LLC.
Room 37, bld. 7, Kievskaya street, Moscow,
121059, Russia
Tel: 495 626 5005
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
AFRICA
Yamaha Music Gulf FZE
Office JAFZA 16-512, P.O.Box 17328,
Jebel Ali - Dubai, UAE
Tel: +971-4-881-5868
MIDDLE EAST
TURKEY
Yamaha Music Europe GmbH
Merkezi Almanya Türkiye İstanbul Şubesi
Maslak Meydan Sokak No:5 Spring Giz Plaza
Bağımsız Böl. No:3, 34398 Şişli İstanbul
Tel: +90-212-999-8010
CYPRUS
Yamaha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
Office JAFZA 16-512, P.O.Box 17328,
Jebel Ali - Dubai, U.A.E
Tel: +971-4-881-5868
HEAD OFFICE Yamaha Corporation, Audio Products Sales and Marketing Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
ASIA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Tel: 400-051-7700
INDIA
Yamaha Music India Pvt. Ltd.
Spazedge building, Ground Floor, Tower A, Sector
47, Gurgaon- Sohna Road, Gurgaon, Haryana, India
Tel: 0124-485-3300
INDONESIA
PT. Yamaha Musik Indonesia (Distributor)
Yamaha Music Center Bldg. Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 021-520-2577
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 02-3467-3300
MALAYSIA
Yamaha Music (Malaysia) Sdn., Bhd.
No.8, Jalan Perbandaran, Kelana Jaya, 47301
Petaling Jaya, Selangor, Malaysia
Tel: 03-78030900
SINGAPORE
Yamaha Music (Asia) Private Limited
Block 202 Hougang Street 21, #02-00,
Singapore 530202, Singapore
Tel: 65-6747-4374
TAIWAN
Yamaha Music & Electronics Taiwan Co.,Ltd.
2F., No.1, Yuandong Rd. Banqiao Dist.
New Taipei City 22063 Taiwan
Tel: 02-7741-8888
THAILAND
Siam Music Yamaha Co., Ltd.
3, 4, 15 and 16th floor, Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: 02-215-2622
VIETNAM
Yamaha Music Vietnam Company Limited
15th Floor, Nam A Bank Tower, 201-203 Cach
Mang Thang Tam St., Ward 4, Dist.3,
Ho Chi Minh City, Vietnam
Tel: +84-8-3818-1122
OTHER ASIAN COUNTRIES
Yamaha Corporation
Sales & Marketing Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation
Sales & Marketing Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: +81-53-460-2312
Yamaha Pro Audio Global Web Site http://www.yamahaproaudio.com/global/en/
Yamaha Manual Library http://www.yamaha.co.jp/manual/
Manual Development Department
© 2012-2015 Yamaha Corporation
Published 1/2015 IPTO-E0
Printed in Japan
ZC58320
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