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HANDBOOK
S1 Radio Broadcast Mixer
10 Channel Analogue-Digital
Manufacturers of audio & video
products for radio & TV broadcasters
S1 Handbook
Contents
This handbook is for use with the following product:
S1 Radio Broadcast Mixer, 10 Channel Analogue-Digital
AW10777A
Stock Code: 30-172
Revision 1.01, June 2016
©Sonifex Ltd, 2016
All Rights Reserved
Sonifex Ltd, 61, Station Road, Irthlingborough,
Northants, NN9 5QE, England.
Tel: +44 (0)1933 650 700
Fax: +44 (0)1933 650 726
Email: [email protected]
Website: http://www.sonifex.co.uk
Information in this document is subject to change without notice and does not represent a
commitment on the part of the vendor. Sonifex Ltd shall not be liable for any loss or damage
whatsoever arising from the use of information or any error contained in this manual.
No part of this manual may be reproduced or transmitted in any form or by any means, electronic
or mechanical, including photocopying, recording, information storage and retrieval systems, for any
purpose other than the purchaser’s personal use, without the express written permission of Sonifex
Ltd. Unless otherwise noted, all names of companies, products and persons contained herein are
part of a completely fictitious adaptation and are designed solely to document the use of Sonifex
product.
Made in the UK by
Product Warranty - 2 Year Extended
Sonifex Warranty & Liability Terms & Conditions
Unpacking Your Product
Repairs & Returns
Conformity
Safety & Installation of Mains Operated Equipment
Voltage Setting Checks
Fuse Rating
Power Cable & Connection
WEEE Directive
Atmosphere/Environment
1 Introduction
Innovative Design
Superb Audio Quality & Unquestionable Reliability
Installation Notes
2 User Guide
User Guide – Section 2-1
User Guide – Section 2-2 Input Channels
User Guide – Section 2-3 Front Panel Channel Features
User Guide – Section 2-4 Metering and Monitors
Monitor and Headphone Controls
Meter Controls
User Guide – Section 2-5 Output Buses
Auxiliary Outputs
3 Mixer Applications
Presenter Controlled Studio
Producer Controlled Studio With Seperate Presenter
User Guide – Section 2-3 Making the most of
auxiliary outputs
User Guide – Section 3-4 External equipment and the S1
Telephone hybrid
4 Advanced Configurations
User Guide – Section 4-1 Using the Remote Control
User Guide – Section 4-2 General purpose inputs
and outputs
User Guide – Section 4-3 SCi and the S1
SCi for S1
Channel Configuration
GPIO Configuration
i
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1
1
1
2
5
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7
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Contents & Figures
5
6
7
8
9
System configuration
Talkback Setup Box
Information & Updates
RS-232 indicators
Options menu
Connectors and Cabling
Connector Pin Outs
Technical Specification
Default Settings
Serial Communication Protocol
Serial Data Format
Remote Control Commands
Glossary
28
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46
Figures
Fig 1-1: S1 Top View
1
Fig 1-2: Dimensions & Cut-Out Sizes For S1 Mixer
3
Fig 1-3: S1 Mixer Rear View
3
Fig 1-4: S1 Mixer Top View
4
Fig 2-1: input Stages
5
Fig 2-2: Output & Power Board
6
Fig 2-3: Main Mix Stage
6
Fig 2-4: Monitors
7
Fig 2-5: Channels 1 and 2 Mic / Line Inputs
7
Fig 2-6: Channels 3 and 4 - Mic / Mono Line / Stereo Line Inputs 7
Fig 2-7: Channel 5 - Mic / Telco Input
7
Fig 2-8: Channel 6 – Stereo Line / Stereo Cleanfeed Input
8
Fig 2-9: Channel 7 and 8 – Stereo Line / RCA Inputs
8
Fig 2-10: Channel 9 and 10 - Stereo Line / Digital Inputs
8
Fig 2-11: External Inputs
8
Fig 2-12: Input Selection
8
Fig 2-13: DROP-IN Jack
8
Fig 2-14: AUX Controls
9
Fig 2-15: Equalisation Controls
9
Fig 2-16: TRIM Control
9
Fig 2-17: PAN Control
9
Fig 2-18: Balance Control
9
Fig 2-19: CUE/PFL Selection
9
Fig 2-20: CUE/PFL & T/B Selection
10
Fig 2-21: ON Selection
Fig 2-21B: LINE HOLD
Fig 2-22: Scribble Pad
Fig 2-23: Fader
Fig 2-24: Monitor and headphone sockets
Fig 2-25: Presenter & Guest Headphones Connector
Fig 2-26: Level controls
Fig 2-27: Program/ Meters Follow Monitors
Fig 2-28: PPM / VU
Fig 2-29: PGM Output
Fig 2-30: Cleanfeed Outputs
Fig 2-31: Digital Outputs
Fig 2-32: Lock Indicator
Fig 2-33: Stereo Aux Outputs
Fig 2-34: Auxiliary master gain and PRE / POST Selection
Fig 3-1a: Presenter In Studio - External Equipment Connections
Fig 3-1b: Presenter In Studio - Telephone Line Connections
Fig 3-1c: Presenter In Studio - Presenter and Guest Connections
Fig 3-2a: Presenter And Producer In Control Room - External
Equipment Connections
Fig 3-2b: Presenter And Producer In Control Room Telephone Line Connections
Fig 3-2c: Presenter And Producer In Control Room Presenter and Guest Connections
Fig 3-3: On-Air Light
Fig 4-1: RS-232 Serial Port
Fig 4-2: SCi Launcher
Fig 4-3: Main Screen
Fig 4-4: Channel Configuration Screen
Fig 4-5: GPIO Configuration Screen
Fig 4-6: System Configuration Screen
Fig 4-7: Information & Updates Screen
Fig 5-1: XLR 3 Pin Connectors
Fig 5-2: RCA Phono Connector
Fig 5-3: BNC Connector
Fig 5-4: 6.35mm ‘A’ Gauge Stereo Jack Plugs
Fig 5-5: D Type Connectors
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Warranty Registration
Register Online for an
Extended 2 Year Warranty
As standard, Sonifex products are supplied with a
1 year back to base warranty.
If you register the product online, you can increase
your product warranty to 2 years and we can
also keep you informed of any product design
improvements or modifications.
Product:
Serial No:
To register your product, please go online to
www.sonifex.co.uk/register
Sonifex Limited y 61 Station Road y Irthlingborough y Northamptonshire y NN9 5QE y United Kingdom
Tel: +44 (0)1933 650 700 y Fax: +44 (0)1933 650 726 y Email: [email protected] y Internet: www.sonifex.co.uk
Warranty
Product Warranty - 2 Year Extended
As standard, Sonifex products are supplied with a 1 year back to base
warranty. In order to register the date of purchase and so that we can keep
you informed of any product design improvements or modifications, it is
important to complete the warranty registration online. Additionally, if you
register the product on the Sonifex website, you can increase your product
warranty to 2 years. Go to the Sonifex website at: http://www.sonifex.
co.uk/technical/register/index.asp to apply for your 2 year warranty.
Note: For your own records the product serial number is recorded on the
CE certification page of this handbook.
Sonifex Warranty & Liability Terms & Conditions
1. Definitions
‘the Company’ means Sonifex Ltd and where relevant includes companies
within the same group of companies as Sonifex Limited.
‘the Contract’ means the quotation, these Conditions of Sale and any
other document incorporated in a contract between the Company and the
Purchaser.
This is the entire Contract between the parties relating to the subject
matter hereof and may not be changed or terminated except in writing in
accordance with the provisions of this Contract. A reference to the consent,
acknowledgement, authority or agreement of the Company means in
writing and only by a director of the Company.
2. Warranty
a.
The Company agrees to repair or (at its discretion) replace Goods
which are found to be defective (fair wear and tear excepted) and
which are returned to the Company within the Warranty Term
provided that each of the following are satisfied:
i.
notification of any defect is given to the Company immediately
upon its becoming apparent to the Purchaser;
ii.
the Goods have only been operated under normal operating
conditions and have only been subject to normal use (and
in particular the Goods must have been correctly connected
and must not have been subject to high voltage or to ionising
radiation and must not have been used contrary to the
Company’s technical recommendations);
‘the Price’ means the Price of the Goods and any other charges incurred by
the Company in the supply of the Goods.
iii.
the Goods are returned to the Company’s premises at the
Purchaser’s expense;
‘the Warranty Term’ is the length of the product warranty which is usually
12 months from the date of despatch; except when the product has been
registered at the Sonifex website when the Warranty Term is 24 months
from the date of despatch.
iv.
any Goods or parts of Goods replaced shall become the
property of the Company;
v.
no work whatsoever (other than normal and proper
maintenance) has been carried out to the Goods or any part of
the Goods without the Company’s prior written consent;
‘the Goods’ means the goods or any part thereof supplied by the Company
and where relevant includes: work carried out by the Company on items
supplied by the Purchaser; services supplied by the Company; and software
supplied by the Company.
‘the Purchaser’ means the person or organisation who buys or has agreed
to buy the Goods.
i
Warranty
vi.
the defect has not arisen from a design made, furnished or
specified by the Purchaser;
vii.
the Goods have been assembled or incorporated into other
goods only in accordance with any instructions issued by the
Company;
viii.
the defect has not arisen from a design modified by the
Purchaser;
ix.
the defect has not arisen from an item manufactured by
a person other than the Company. In respect of any item
manufactured by a person other than the Company, the
Purchaser shall only be entitled to the benefit of any warranty or
guarantee provided by such manufacturer to the Company.
b.
In respect of computer software supplied by the Company the
Company does not warrant that the use of the software will be
uninterrupted or error free.
c.
The Company accepts liability:
(i)
(ii)
d.
ii
e.
At the request and expense of the Purchaser the Company will test
the Goods to ascertain performance levels and provide a report of
the results of that test. The report will be accurate at the time of the
test, to the best of the belief and knowledge of the Company, and the
Company accepts no liability in respect of its accuracy beyond that
set out in Condition (a).
f.
Subject to Condition (e) no representation, condition, warranty or
other term, express or implied (by statute or otherwise) is given by
the Company that the Goods are of any particular quality or standard
or will enable the Purchaser to attain any particular performance
or result, or will be suitable for any particular purpose or use
under specific conditions or will provide any particular capacity,
notwithstanding that the requirement for such performance, result or
capacity or that such particular purpose or conditions may have been
known (or ought to have been known) to the Company, its employees
or agents.
g.
(i)
for death or personal injury to the extent that it results from the
negligence of the Company, its employees (whilst in the course of
their employment) or its agents (in the course of the agency);
for any breach by the Company of any statutory undertaking as to
title, quiet possession and freedom from encumbrance.
Subject to conditions (a) and (c) from the time of despatch of
the Goods from the Company’s premises the Purchaser shall be
responsible for any defect in the Goods or loss, damage, nuisance
or interference whatsoever consequential economic or otherwise or
wastage of material resulting from or caused by or to the Goods. In
particular the Company shall not be liable for any loss of profits or
other economic losses. The Company accordingly excludes all liability
for the same.
(ii)
h.
To the extent that the Company is held legally liable to the
Purchaser for any single breach of contract, tort, representation
or other act or default, the Company’s liability for the same
shall not exceed the price of the Goods.
The restriction of liability in Condition (g)(i) shall not apply to
any liability accepted by the Seller in Condition (c).
Where the Goods are sold under a consumer transaction (as defined
by the Consumer Transactions (Restrictions on Statements) Order
1976) the statutory rights of the Purchaser are not affected by these
Conditions of Sale.
Unpacking Your Product
Each product is shipped in protective packaging and should be inspected
for damage before use. If there is any transit damage take pictures of the
product packaging and notify the carrier immediately with all the relevant
CE Conformity
details of the shipment. Packing materials should be kept for inspection and
also for if the product needs to be returned.
The product is shipped with the following equipment so please check to
ensure that you have all of the items below. If anything is missing, please
contact the supplier of your equipment immediately.
Item
Quantity
Product unit
1
IEC mains lead fitted with moulded mains plug
1
Handbook and warranty card
1
GSM stubby antenna
1
If you require a different power lead, please let us know when ordering the
product.
Repairs & Returns
Please contact Sonifex or your supplier if you have any problems with your
Sonifex product. Email [email protected] for the repair/
upgrade/returns procedure, or for support & questions regarding the
product operation.
Conformity
Safety & Installation of Mains
Operated Equipment
There are no user serviceable parts inside the equipment. If you should
ever need to look inside the unit, always disconnect the mains supply
before removing the equipment covers. The cover is connected to earth
by means of the fixing screws. It is essential to maintain this earth/
ground connection to ensure a safe operating environment and provide
electromagnetic shielding.
Voltage Setting Checks
Ensure that the machine operating voltage is correct for your mains power
supply by checking the box in which your product was supplied. The voltage
is shown on the box label. The available voltage settings are 115V, or 230V.
Please note that all products are either switchable between 115V and 230V,
or have a universal power supply.
Fuse Rating
The product is supplied with a single fuse in the live conducting path of the
mains power input. For reasons of safety it is important that the correct
rating and type of fuse is used. Incorrectly rated fuses could present a
possible fire hazard, under equipment fault conditions. The active fuse is
fitted on the outside rear panel of the unit.
The products in this manual comply with the essential requirements of the
relevant European health, safety and environmental protection legislation.
Power Cable & Connection
The technical justification file for this product is available at Sonifex Ltd.
An IEC power connector is supplied with the product which has a moulded
plug attached.
The declaration of conformity can be found at:
http://www.sonifex.co.uk/declarations
The mains plug or IEC power connector is used as the disconnect device.
The mains plug and IEC power connector shall remain readily operable to
disconnect the apparatus in case of a fault or emergency.
The mains lead is automatically configured for the country that the product
is being sent to, from one of:
iii
Safety & Installation
Territory
Voltage IEC Lead Type
UK & Middle East
230V
UK 3 pin to IEC lead
Europe
230V
European Schuko round 2 pin to
IEC lead
115V
3 flat pin to IEC lead
230V
Australasian 3 flat pin to IEC lead
USA, Canada and
South America
Australia & New
Zealand
Image
Connect the equipment in accordance with the connection details and
before applying power to the unit, check that the machine has the correct
operating voltage for your mains power supply.
This apparatus is of a class I construction. It must be connected to a mains
socket outlet with a protective earthing connection.
Important note: If there is an earth/ground terminal on the rear panel of
the product then it must be connected to Earth.
WEEE Directive
The Waste Electrical and Electronic Equipment (WEEE)
Directive was agreed on 13 February 2003, along with the
related Directive 2002/95/EC on Restrictions of the use of
certain Hazardous Substances in electrical and electronic
equipment (RoHS). The Waste Electrical and Electronic Equipment Directive
(WEEE) aims to minimise the impacts of electrical and electronic equipment
on the environment during their life times and when they become waste.
All products manufactured by Sonifex Ltd have the WEEE directive label
placed on the case. Sonifex Ltd will be happy to give you information about
local organisations that can reprocess the product when it reaches its “end
of use”, or alternatively all products that have reached “end of use” can be
returned to Sonifex and will be reprocessed correctly free of charge.
Atmosphere/Environment
This apparatus should be installed in an area that is not subject to excessive
temperature variation (<0°C, >50°C), moisture, dust or vibration.
This apparatus shall not be exposed to dripping or splashing, and no objects
filled with water, such as vases shall be placed on the apparatus.
iv
Introduction
1
1 Introduction
The Sonifex S1 Mixer is a compact, low cost,
fixed format radio on-air mixing console
designed to cater for a wide and far reaching
broadcast market. On the surface, it is simple
and easy to use but it also has hidden layer
of variety and flexibility for those who like to
get into the heart of their products, tweak
the engine so to speak. Using the latest
technology components, S1 offers digital
audio quality with analogue reliability. S1 has
both digital and analogue input channels,
together with simultaneous analogue and
digital outputs.
Innovative Design
• The S1 can be rackmounted or used as a
desktop mixer
• The back panel connections can be rotated
onto the back of the unit or onto the base
of the unit
• Large back-lit buttons allow you to see the
status of the mixer at all times.
Superb Audio Quality &
Unquestionable Reliability
• The S1 uses the latest semiconductor
technology to allow input of SPDIF
& Toslink digital audio signals up to
24bit,192kHz, and the output of AES/EBU
and S/PDIF digital audio signals up to 24
bit, 96kHz sample rate.
Fig 1-1: S1 Top View
1
1
Introduction
• The analogue signal paths use low noise circuitry to provide superb audio
performance well capable of satisfying radio listeners worldwide.
• The high reliability and build quality of the S1 minimises the chance of
failure, avoiding lost air-time.
• ALPS long-throw 100mm faders give a smooth, repeatable response and
the XLR Neutrik connectors used are an industry standard.
• The use of VCA’s controlled by the faders ensures tight stereo tracking
and eliminates mechanical and electronic noise.
• The S1 has an internal power supply providing regulated, ripple-free
power, to the mixer.
• High quality anodised aluminium is used for the chassis to…
Progress
Following on from the Sonifex Sovereign range of audio mixers, the S1
combines all the features needed of a radio broadcast mixer in a stylish,
flush-mounting chassis: a wide range of input and output channels, CUE/
PFL, fader-start operation of equipment, automatic monitor muting on
mic-live, light switching remote outputs, EQ on input modules, two auxiliary
busses,two external inputs and a main program audio bus.
Flexible
The S1 is a highly configurable unit and has been designed to be jumper
free, allowing the user to alter the configuration quickly whilst still on air
rather than having to take apart the unit armed with a pair of tweezers and
a magnifying glass. The majority of the desk can be setup and controlled
using the Sonifex SCI Software. This opens up a world of options:
• Producer Controlled Environment – SCi allows the producer or engineer
to control all settings and parameters reducing the required skill set of
the Presenter and leaving them to focus on their broadcast.
• Remote Control – Control external equipment using the dedicated
remote control ports. These are great for starting or stopping CD players
and other external equipment and are fully configurable to suit most
manufacturers and remove limitations.
2
• Global Talkback – Allow all your guests to hear each other through their
headphones, alleviating the risk of Mic/ Headphone feedback. (for more
details refer to page 19.
• Automation Tally – Give a visual indication of an impending event to a
presenter using the versatile GPIO system.
• Many more examples covered in the user setup section.
Installation Notes
Atmosphere
The S1 mixer should be installed in an area which is not subject to excessive
heat or cold. Also, you should avoid installing it in atmospheric conditions
which are dusty, smoky, or dirty, or where there is moisture or vibration.
Do not use any liquids to clean the fascia of the mixer: a soft dry brush is
ideal. Use a clean cloth moistened with water or ethyl alcohol to clean the
trim and scribble pads. Other solvents may cause damage to paint or plastic
parts.
Electromagnetic Radiation
Avoid using the S1 mixer close to strong sources of electromagnetic
radiation such as, video monitors or high power electric cabling. This
may cause degradation of the audio quality due to induced voltages in
connecting leads and chassis. In all cases the S1 mixer should be installed
and serviced by qualified personnel.
Dimensions and Cut-Out Sizes
The cut-out size is for reference only and should be checked with your
mixer.
Introduction
S1 cut out
viewed
from above
1
+2
381mm
-0
Table top front edge
+2
440mm
-0
Fig 1-2: Dimensions & Cut-Out Sizes For S1 Mixer
Fig 1-3: S1 Mixer Rear View
3
1
Introduction
Fig 1-4: S1 Mixer Top View
4
User Guide
2 User Guide
User Guide – Section 2-1
Getting to know your mixer
The following section will display and explain the features of S1 Mixer from
input through to output. Please read this section thoroughly to acquaint
yourself thoroughly with the myriad of options available. However, if
you are more interested in setting it up skip to the next chapter - Mixer
Applications.
System Block Diagrams
Stereo
XLR
Input
The following section is divided into these parts:
+10dB
Stereo XLR
R
+10dB
Phono
L
R
S/PDIF
Digital
Input
Optical
Aes Receiver
And
Digital Source Select
DAC
+48V
Mic
Input
Trim
+10dB
Transistor Pull Down
Signal Inverters
Mono
Line
Input
Remote Drivers
1. System block diagrams – If you are electronically inclined, dive into the
inner workings of the S1.
2. Input channel types – Discover the type of Inputs available to you.
Page 7.
3. Front panel channel features – All channel knobs and buttons explained.
Page 8.
4. Metering, monitors and headphones – Explore the Metering options and
find out where to plug in your monitors and stick your headphone jack.
Page 12.
5. Output buses – Understand all the output options you have. Page 13.
Stereo
Phono
Input
Stereo XLR
L
2
Mono Line
Remotes
Stereo Line
Remotes
Fig 2-1: input Stages
5
2
User Guide
Transceiver
Wordclock
Input 1
Input 2
RS232
CPU
S/PDIF
Channels
Pre
Post
Pre
Post
AUX
Cue/PFL PFL
AES/EBU
On
Fader
AES/EBU
PGM L
Open
Logic
VCA
Pan
A/D
Meterbridge
Control
Limiter
Meter L
Meter R
PFL L
PFL R
PGM L
PGM R
Meterbridge
Interface
AUX 1
Send
Pan
VCA
Trim
Talkback
AUX 2
Send
Channel 1
Only
REV T/B
Talkback
Interface
TBOUT
L
R
+10dB
+
-
L EXT 1
+10dB
+
-
R EXT 1
L EXT 2
+10dB
+
-
R EXT 2
From Monitor Selections
+
-
To Monitor Selections
+10dB
External
Inputs
Channels
1-5
VCA
HF EQ LF EQ TRIM
VCA
Monitor
Additional Connector
To F. Panel
L Presenter
R
Fader
Headphones
L
R
Fader Up
Open
Logic
Guest
L
PGM Output
R
From Mix Busses
L
STCF Output
R
From Stereo Inputs
PGM R
Mic Live
3 Output Contacts
Remote Relay
From Mono Inputs
Limiter
On
Fader Up
HF EQ LF EQ Trim
Bal
VCA
Channels
6-10
AUX 1
Send
Cleanfeed
STCF L
STCF R
TBOUT
PFL L
PFL R
PGM L
VCA
PGM R
AUX 2
Send
Cleanfeed
AUX 1L
AUX 1R
AUX 1
Stereo AUX
Outputs
Insert On
Channel 7 Only
AUX 2L
AUX 2
AUX 2R
Fig 2-2: Output & Power Board
6
Fig 2-3: Main Mix Stage
To Output Drivers + Monitor Selection
S/PDIF
Analogue Audio Multiplexers Onto Mix Busses
SYNC
Output
Digital Audio
Transmitter
Digital Audio
Transceiver
User Guide
Presenters Headphones
Push Button
Control
AUTO
CUE/PFL
PPM
VU
PPM
VU
T/B
SPLIT
CUE/PFL
Signal
Rectifier
Led Ppm/vu Meter
Analogue
Multiplexers
Meter
Follow
Meter L
Meter R
Pfl L
Pfl R
Pgm L
Pgm R
Analogue
Multiplexers
EXT 1L
EXT 1R
EXT 2L
EXT 2R
Loudspeaker
Monitor
accidentally. You will need a small screwdriver or something similar to push
these in or out.
Left
Right
Analogue
Multiplexers
To Meterbridge
Guest Headphone
Push Button
Control
Monitor
AUTO
AUTO
CUE/PFL
CUE/PFL
Monitor Level
Loudspeaker
Monitor
AUX 1L
AUX 1R
AUX 2L
AUX 2R
TBOUT
Headphone
Monitor
Analogue
Multiplexers
PFL L
PFL R
PGM L
PGM R
Analogue
Multiplexers
Analogue
Multiplexers
CUE/PFL
Selection
Headphone
Monitor
Presenter
Headphone
Volume
Control
To Headphone/crm
Output Drivers
Rev T/b
Analogue
Multiplexers
2
Guest Headphone
Volume Control
Guest
Headphones
Fig 2-4: Monitors
User Guide – Section 2-2 Input Channels
S1 Input Channels
The S1 has 10 fixed format channels with two selectable inputs on each
channel:
• 2 x Mono XLR Mic / Mono XLR Line Inputs
• 2 x 1 Stereo Jack Line Input
• 1 x Mono XLR Mic / Mono XLR Telco Input
• 1 x Stereo XLR Line / Stereo XLR Cleanfeed Input
• 2 x Stereo XLR Line / Stereo RCA Inputs
• 2 x Stereo XLR Line / Stereo SPDIF & Toslink Digital Inputs
Each balanced line channel has the option of a coarse 10dB boost and each
microphone channel has the option of 48V phantom power. Both of these
options are activated by pressing a small push button close to the inputs on
the rear connectors. These buttons are recessed so that they can not be set
Channels 1 and 2 Mic / Line
Inputs
The Mic/Line Input channel is a mono
input with a button switch to select
either Mic or Mono Line. Channel 1
is used for the presenter’s mic and is
the source for talkback. The Talkback
source can be set to come from either
the Mic or the Line source irrespective
of the channel input selection.
Channels 3 and 4 - Mic / Mono
Line / Stereo Line Inputs
The Mic/Mono Line/Stereo line Input
channel is a stereo input channel with
a button switch to select either Mic,
Mono Line or Stereo Line. The stereo
line is fed through a jack connector
which is found in the centre of the XLR
line connectors.
Channel 5 - Mic / Telco Input
The telco channel is used to
interface the S1 with a telephone
hybrid unit. The hybrid unit is
connected through an XLR with a
Microphone channel provided as
an alternative. The telco channel
connector group also contains a
cleanfeed output via XLR to return
to the Hybrid.
Fig 2-5: Channels 1 and 2 Mic /
Line Inputs
Fig 2-6: Channels 3 and 4 - Mic /
Mono Line / Stereo Line Inputs
Fig 2-7: Channel 5 - Mic / Telco Input
7
2
User Guide
Channel 6 – Stereo Line / Stereo
Cleanfeed Input
The Stereo Cleanfeed channel has one
balanced stereo input and a balanced
stereo cleanfeed input, on XLR connectors.
The channel is intended for use where a
remote stereo source, such as another
studio connected via ISDN, requires a
stereo cleanfeed return. The cleanfeed is
generated by a separate stereo cleanfeed
bus which follows the PGM output routing
matrix.
External Inputs
Two external inputs are available to the S1
through a 9 pin D-Type connector located on the
rear panel. The external inputs are used for audio
which should be heard in the control room but
not on air. The pin out for this connector can be
found in Appendix B.
User Guide – Section 2-3 Front
Panel Channel Features
Channel 7 and 8 – Stereo Line / RCA
Inputs
Channels 7 & 8 have one balanced stereo
input and an unbalanced RCA stereo input.
Channel 7 also has DROP IN connector
which allows for an input from a a 3.5mm
jack connector.
Fig 2-8: Channel 6 – Stereo Line /
Stereo Cleanfeed Input
Channel 9 and 10 - Stereo Line /
Digital Inputs
The Digital Stereo Input channel has
one standard stereo XLR Analogue Input
channel & one 24-bit 192kHz digital inputs
with a button switch to select between
them. The digital input is auto sensing
& can be connected via either SPDIF or
Toslink. The digital signals are converted
to analogue and from this point the
channel functions are the same as the Dual
Stereo Line Input channel.
Fig 2-9: Channel 7 and 8 – Stereo
Line / RCA Inputs
8
Fig 2-11: External Inputs
Fig 2-10: Channel 9 and 10 Stereo Line / Digital Inputs
Input Selection
Selecting the button changes the channel input
connection between Input 1 (Mic) and Input 2
(Line). The button is illuminated in red to indicate
when input 2 is selected. When the channel is
routed, so that the ON button glows green, the
input selection cannot be changed.
Fig 2-12: Input
Selection
Channels 3 and 4 have three selectable inputs;
Mic, XLR Mono Line, ¼” unbalanced stereo line.
The input selection button will glow red when
Mono Line is selected and Orange to indicate
the stereo input is selected. The button can
be configured using SCi so that the button is
forced to a particular input or alternatively the
selection of either the Line input or the Stereo
Line input can be inhibited so that the button has
only two options as two line sources cannot be
simultaneously connected.
DROP-IN Jack
On Channel 7 only, there is a 3.5mm insert jack
allowing the direct connection of mp3 players
Fig 2-13: DROP-IN
Jack
User Guide
or other portable consumer equipment. When
the INSERT jack is in use, it overrides the Input
Selection Button.
the position of the faders. This is where to use
the trim pots, for level adjustment which remains
constant through the mix.
AUX Controls
Each channel is sent to both auxiliary buses at
all times. The AUX controls allow adjustment
of the level of each channel on the bus to
achieve a perfect mix. The control changes the
level between fully attenuated and unity so to
remove a mix from a particular auxiliary bus, fully
attenuate that particular channel.
PAN Control
The Pan control is used to pan the mono input
signal on channels 1,2 and 5 in the stereo image.
Fully anti-clockwise pans the signal to the left and
increases the signal by 3dB (right channel reduces
by 70dB); full clockwise pans the signal to the
right and increases the signal by 3dB (left channel
reduces by 70dB).
Equalisation Controls
In some situations you made need to change
the equalisation of your audio. The HF and LF
controls are used to adjust the equalisation of
the signal. The HF control boosts and cuts the
signal by ±7dB at 6.5kHz. The LF control boosts
and cuts the signal by ±7dB at 100Hz. The
fundamental frequency of human voice generally
sits between 100 and 150 Hz. Try lowering the LF
control on microphone channels to get rid of any
unnecessary low frequency audio while slightly
boosting the HF to add clarity.
TRIM Control
The Trim control is used to tweak the level of
the channel on the PGM output. It provides
an additional ±12dB of gain to fine tune the
input signal level. It is a good idea to set up all
your audio channels so that they are all at the
same reference level when the fader is fully up,
meaning the mix levels are determined solely by
Fig 2-14: AUX
Controls
Fig 2-15:
Equalisation Controls
Fig 2-16: TRIM
Control
Balance Control
The balance control is used to alter the stereo
image of a stereo input source on channels 3, 4,
6, 7, 8, 9 and 10. Turning the potentiometer fully
anti-clockwise shifts the signal to the left and
increases the signal by 6dB (right channel reduces
by 6dB); fully clockwise shifts the signal to the
right and increases the signal by 6dB (left channel
reduces
by 6dB).
CUE/PFL Selection
Selecting the CUE/PFL button routes the prefader input signal to the monitoring system where
the signal can be heard via headphones and/or
loudspeakers. The level may be checked on meters
and adjusted via the TRIM control and panned via the
PAN control. The button is illuminated in green when
CUE/PFL is active. There is a configuration option
to cancel the CUE/PFL selection when the fader is
raised. This button works with both a momentary
2
Fig 2-17: PAN
Control
Fig 2-18: Balance
Control
Fig 2-19: CUE/PFL
Selection
9
2
User Guide
and latched operation. If held down, the selection
is cancelled when released, otherwise the button is
alternate action.
CUE/PFL & T/B Selection
On channels 5 and 6 the CUE/PFL and T/B button
operates similarly
to a standard CUE/PFL button except the talkback
source is also routed to the respective cleanfeed
output when the channel input is set to Input 2 (5.
Telco or 6. Stereo Cleanfeed).
Unlit
When unlit the channel is off.
On solid - red
Steady red indicates that the channel is ON and
“armed”, ready for the fader to be raised.
Fig 2-20: CUE/PFL &
T/B Selection
An additional option that is configurable using SCi
allows the presenter to CUE/PFL the Telco or STCF
inputs whilst preventing the talkback source from
being routed to the cleanfeed outputs.
If Talkback routing on this channel is ‘disabled’,
the CUE/PFL & T/B button shall flash green when
selected to indicate that talkback is not routed to the
cleanfeed bus. Talkback can be routed to the stereo
cleanfeed bus by holding the CUE/PFL & T/B button
and the button will glow solid. When the button is
released, talkback will return to the unrouted state &
the button will return to flashing green. CUE/PFL can
be deactivated by a momentary press of the button.
This option only applies to Input B of this channel.
10
Fig 2-21B: LINE
HOLD
Flashing red
On channels 9 and 10 when Input 2 (Digital Input)
is selected, the channel ON button will flash red to
indicate that the input is not locked to a valid source.
The channel cannot be opened if the Digital input is
not synchronised to a valid source.
The button can also flash green and flash orange.
Please refer to the tally back portion of section 4
(page 23) for more information.
ON Selection
The ON (called LINE HOLD on channel 5) button
works in conjunction with the fader. It is used to
control channel remote output logic, channel routing,
and timers. The button LEDs show the various
operational states of the channel.
On solid - green
Raising the fader changes the illumination to green
indicating that the channel is live. With the button
unlit the fader may be raised and the channel can be
operated simply by selecting ON. The illumination
in this case toggles between unlit and green. The
channel remotes and timers are triggered when the
fader is up and the channel ON button shows green.
Fig 2-21: ON
Selection
Scribble Pad
A scribble pad is provided at the bottom for user
labelling of the channel function . This is useful to
remind a producer or presenter which channels
contain which segments of audio. It is advisable
to use a non-permanent pen or pencil in case of
changes.
Fig 2-22: Scribble
Pad
User Guide
2
User Guide – Section 2-4
Metering and Monitors
Fader
The 100mm VCA fader provides a method of dynamic
in-show level control and operates between fully
attenuated in its lowest position and unity gain when
fully open. The channel input signal is routed to the
PGM output whenever the fader is open, and the ON
button is selected. If using the auxiliary bus post fade,
the fader position also affects the level of the channel
on the auxiliary buses. The faders can be forced up for
remote control applications using one of the General
Purpose Inputs.
Fig 2-23: Fader
Monitor and headphone sockets
The S1 provides a monitoring system
to monitor all output channels or
the external inputs. The is useful for
setting up the mixer outputs or to
simply listen to the mix in a control
room. There are four jack outputs in
total; two paralleled presenter outputs,
one guest output and one monitor
output. The source which is heard on
the monitoring system is selectable
via push button. The buttons are set
to interlocking mode by default, which
means the button pressed becomes
the source, cancelling all others. An
alternative mode of operation is mixing
mode, which mixes the output sources
onto the monitor bus instead. All the
buttons can be locked out in either the
off or on positions to stop accidental
selection. To find out how to set up
these functions further please view
section 4 - SCi (page 24). The PGM,
AUX1 and AUX2 buttons all illuminate
in green. EXT1 and EXT2 both
illuminate in red.
Fig 2-24: Monitor and headphone
sockets
Fig 2-25: Presenter & Guest
Headphones Connector
11
2
User Guide
Presenter & Guest Headphones Connector
This standard 6.35mm jack socket is used for the control room headphones
and the guest headphones. The presenter jack is wired in parallel with the
headphone connector on the front panel. Each connector is capable of
driving 35 ohm impedance headphones. Please see section 3 – Applications
(page 16) if you would like to use more than one set of headphones on a
particular output.
Control Room Monitors Connector
This standard 6.35mm jack socket is the output for the control room
monitor loudspeakers. A suitable amplifier should be used to send this
signal to the loudspeakers, or connect active loudspeakers directly to this
output.
Monitor and Headphone Controls
Level controls
Each monitor
output has it’s own
level control which
operates ona range
of zero to ten.
Zero represents
fully attenuated
and ten represents
+6dB in the guest
and presenter
headphones
or unity in the
monitor.
Split CUE / PFL
The presenter headphones have the additional facility of SPLIT CUE/PFL.
When this button is selected, the monitor source will be heard in mono
in the left headphone, and CUE/PFL will be heard in mono in the right
headphone. The button is illuminated yellow when selected. The selection
of this button can be locked if required.
Talkback
When pressed, the Talkback button will route talkback from the talkback
microphone to the guest headphones. The talkback signal can be
configured to either cut or mix into the headphones.
While the talkback button is pressed, the switch is illuminated RED and
the talkback is active. The buttons work with both a momentary and
latched operation. If held down, the selection is cancelled when released,
otherwise the button is alternate action.
If necessary it is also possible to permanently route the talkback audio to
the talkback connector on the back panel irrespective of whether TALKBACK
or CUE/PFL & T/B have been pressed. This may be required if an additional
talkback routing panel is used to route talkback to multiple locations.
Fig 2-26: Level controls
12
Auto CUE/PFL
When the green illuminated AUTO CUE/PFL button is selected, any input
channels selected to CUE/PFL are automatically routed to the appropriate
out. The selection of this button can be locked if required.
Mute
The red mute LED will illuminate whenever a mic channel, which has been
designated to Control Room mute, goes live. This will mute the control
room monitors to prevent feedback. Two pairs of contacts on the remote
connector of the PGM output channel will close whenever the mute
function is active. These can be used to remotely illuminate “Mic Live”
lights.
User Guide
2
Dim / Mute
When a channel with the monitor mute option configured has PFL selected,
the control room monitors can be set to either dim or mute. If the fader
is then opened, the monitors will mute irrespective of this setting. The
red mute LED will still illuminate if the monitors are set to DIM rather than
MUTE on PFL.
The meters can be configured to display either PPM or VU. A red LED
is illuminated next to the currently active scale. The meter mode is a
configuration option available through SCi
Meter Controls
The VU meter operates between -20 and +3 Volume units and follows the
standard definition for a VU meter. Please see ANSI C16.5-1942, BS 6840 or
IEC 60268-17 for more details.
Program / Meters Follow Monitors
The PGM / MFM Button selects whether the meters
should display PGM only or display the selection that
is heard in the presenters headphones. The selection
of this button can be locked if required. This button is
illuminated RED if MFM is selected.
PPM / VU
Fig 2-27: Program/
Meters Follow
Monitors
The PPM meters have a 1-7 scale and will be configured such that a 1kHz
signal, at 0dBu at the PGM output, will indicate a meter reading of 4. Each
mark on the PPM scale indicates a 4dB change in signal level.
User Guide – Section 2-5 Output Buses
PGM Output
The PGM output provides stereo balanced XLR
outputs. The PGM Output is used as the main
transmission bus. All channels that are on and
faded in are mixed on to this bus.
Cleanfeed Outputs
The Telco cleanfeed is a mono balanced output
used to return a mono version of the program
bus back to telephone hybrid. All channels except
channel 5, input 2 (Telco) are routed to this bus.
Fig 2-29: PGM Output
The stereo cleanfeed output works in a similar
way to the to the telco cleanfeed. Essentially, it is
the same as the PGM output without channel 6,
input2 routed. This can then be used as a return
for an ISDN codec.
Fig 2-28: PPM / VU
Fig 2-30: Cleanfeed
Outputs
13
2
User Guide
Digital Outputs
The S1 has two digital outputs
that work at the same time.
The first is AES/EBU which is
on a balanced XLR connector.
The second is S/PDIF which is
found on an unbalanced RCA
Fig 2-31: Digital Outputs
connector. These both carry
the PGM output. The digital output can be synced to either the on-board
master clock or either of the designated sync inputs. There are three
distinct synchronisation modes:
Master Mode
The digital outputs are locked to the on-board master clock and is therefore
constantly operating at the chosen sample rate. No sync signal is used or
required. The internal clock can be set to 32, 44.1, 48, 88.2 and 96kHz.
Lock Indicator
The illuminated lock indicator shows that the digital
output is locked . If synchronisation is lost then the
indicator will flash.
Auxiliary Outputs
The S1 has two auxiliary buses so that alternative outputs
from the PGM can be created and used. The mix that is
created on these buses is available from a 9 pin d-type
connector which is located on the rear panel. For more
information on the use of the auxiliary bus, please read
section 3 – Making the most of the auxiliary outputs
(page 19).
Fig 2-32: Lock
Indicator
Fig 2-33: Stereo
Aux Outputs
Auxiliary master gain and PRE / POST Selection
Slave Mode
The digital outputs are locked to one of the three external sync inputs;
AES/EBU, S/PDIF or word clock. If the lock is lost, the digital PGM output is
disabled until another lock is secured.
Auto Mode
The digital outputs are locked to one of the three external sync inputs but if
the sync is lost, the master clock replicates and resumes at the sample rate
of the lost signal.
When the digital output of the mixer is set to either slave or auto modes,
the desk will automatically synchronise to the first available input source.
The three sync inputs, AES/EBU, S/PDIF and word clock are all auto sensing.
To learn more about the configuration of synchronisation options, read
section 4 – SCi (page 24).
14
Fig 2-34: Auxiliary master gain and PRE /
POST Selection
Each auxiliary bus has a master gain control. This controls the level of the
whole bus between fully attenuated and unity. Each bus also has a global
setting of PRE or POST fader. If PRE is selected, each channels audio is
routed to the auxiliary bus before it passed through the fader. This means
that the fader has no effect. If POST is selected, the audio is routed to the
auxiliary bus after it has passed through the fader. This means that the
User Guide
2
fader now plays a part in the overall level of that channel on the auxiliary
bus. This is true whether the channel is turned on or not. If POST is
selected, the button will be illuminated red. Both buttons can be locked in
either mode. Additionally, by default, a POST auxiliary bus can not be set to
PRE until all the faders are down. For more information on how to configure
these options, please read section 4 – SCi (page 24).
15
3
Mixer Applications
3 Mixer Applications
The following section will show you how to setup and use the mixer for
most standard applications. It is intended as a quick ‘how to’ guide to get
you up and running as quickly and efficiently as possible. If you are already
comfortable with setting up the mixer, please move on to the next chapter
– Advanced Configuration to learn how to further configure your desk and
get the most from your equipment.
Presenter Controlled Studio
The following setup with a presenter in a studio controlling all aspects of
the transmission is ideal where space or resources are limited. This kind of
setup would suit small radio stations including university or hospital radio.
The setup diagrams are divided into 3 figures
for clarity.
Flashcard/USB Player
CD Player
Before reading this section it is recommended that you familiarise yourself
with all the different types of connectors and cabling that is used on the S1.
Please refer to appendix A.
Transmitter
TX
The following section is divided into these parts:
• 1. Standard setup and applications. Page 16.
• 2. Making the most of Auxiliary Outputs. Page 19.
• 3. The use of external equipment with the S1. Page 20.
PC Running Sonifex
SCi For Setup & Control
PC Radio
Playout Software
S1 Mixer (Rear
View - Flipped
upside down)
Amplifier
Speakers
S1 Mixer
(Top View)
Sonifex SignalLED
Illuminated Signs
Studio
Fig 3-1a: Presenter In Studio - External Equipment Connections
16
Mixer Applications
3
Guest Headphones
Telephone
Presenter
Microphone
Sonifex Redbox
RB-HD6 (or go
directly out of single
guest headphones)
Guest Microphones
Sonifex HY-03
TelephoneHybrid
Presenter
Headphone
S1 Mixer
(Rear
View Flipped
upside
down)
S1 Mixer
(Top View)
Studio
Fig 3-1b: Presenter In Studio - Telephone Line Connections
S1 Mixer
(Rear
View Flipped
upside
down)
S1 Mixer
(Top View)
Studio
Fig 3-1c: Presenter In Studio - Presenter and Guest Connections
17
3
Mixer Applications
Producer Controlled Studio With Seperate
Presenter
Setting up the mixer in this way allows the presenter to present and hands
the production responsibility to someone else. This kind of setup would
be ideal in situations where the presenter is unskilled with mixing desks
allowing an engineer to control the audio quality, while the presenter
concentrates on the audio content. Another case for this method is if the
presenter and guests are being filmed. The equipment can be discretely in
another room, rather than cluttering the video. Again, the setup diagram is
split into 3 figures for clarity.
Flashcard/USB Player
CD Player
Transmitter
TX
Telephone
Telephone
PC Running Sonifex
SCi For Setup & Control
PC Radio
Playout Software
Sonifex HY-03T
TelephoneHybrid
S1 Mixer (Rear
View - Flipped
upside down)
Amplifier
Speakers
S1 Mixer
(Top View)
S1 Mixer
(Top View)
Sonifex SignalLED
Illuminated Signs
Control
Room
Fig 3-2a: Presenter And Producer In Control Room - External Equipment Connections
18
S1 Mixer
(Rear
View Flipped
upside
down)
Control
Room
Fig 3-2b: Presenter And Producer In Control Room - Telephone Line Connections
Mixer Applications
Interview Room
Presenter
Microphone
Guest
Microphone
Presenter
Headphones
Guest
Headphones
3
Global Talkback
The Global Talkback Mode provides a method of guests talking to each
other when all of their faders are down. The Global Talkback Mode,
automatically activates the CUE/PFL button on the respective channels
awell as turning on AUTO CUE/PFL on the Guest Headphones allowing the
guests to hear and talk to eachother. The presenter can cancel any of the
channel CUE/PFL’s at any time. When a channel fader in the global talkback
group goes up, the global talkback mode deactivates and the CUE/PFL and
AUTO CUE/PFL buttons return to their original state. To Configure a Global
Talkback please refer to the SCi chapter of the handbook.
User Guide – Section 2-3 Making the most of
auxiliary outputs
Sonifex Redbox RB-HD6
Producer
Microphone
Producer
Headphone
S1 Mixer
(Rear
View Flipped
upside
down)
S1 Mixer
(Top View)
Control
Room
Fig 3-2c: Presenter And Producer In Control Room - Presenter and Guest Connections
The auxiliary buses provide two alternative outputs to use as desired. This
opens up several practical options to the user.
Auxiliary bus to record a session
The user can connect the either auxiliary output to recording equipment
and record what is present on the bus. The producer decides what audio
is on the bus by setting the volume on each channel to the appropriate
level, creating a totally new mix. Using PRE and POST allows the producer
to discriminate between recording all audio or just what is faded in at the
time. The producer can also decide what output level the mix should have
by using the master volume control for the particular AUX channel in use.
Auxiliary bus to record an off air phone call
It is possible to use an auxiliary bus to record a telephone conversation
off air, whilst transmitting from the PGM output. Before the conversation,
chose an auxiliary bus and turn down all of the individual channel gains.
Turn the gain on the presenters channel (typically channel 1) and the telco
channel (typically channel 5) to the required levels and set the bus to PRE.
When the phone call is received, the presenter can press the CUE/PFL &
T/B button and talk to the caller. The conversation can be recorded using
19
3
Mixer Applications
external equipment connected to the specific auxiliary output on the back
panel.
Log the presenter
The user can create content review material by logging all presenter
dialogue. Chose an auxiliary channel and turn down all individual channel
gains for that channel. Turn the presenters auxiliary channel gain to the
required level, set the master gain and use in POST mode. All on air material
from the the presenters mic can be recorded from the auxiliary output on
the back panel.
To avoid the patches of silence that would occur while audio or jingles
are playing, use the remote control start and stop signals that are used to
trigger the CD player, jingle player etc to also trigger the logging equipment
if this option is available. Find out more about the remote control ports in
chapter 4.
Create a talkback source
If you require multiple talkback sources, create a custom talkback mix on
an aux channel and set is to PRE. Connect the Aux Output L to the channel
1 LINE input. After connecting the presenters Mic to channel 1, Use SCi (to
find out more about SCi, turn to section 4) to configure the talkback source
to channel 1 Line and lock the channel 1 source button to Mic Input. This
will prevent a loop back connection.
Use an auxiliary bus to create a clean feed for a hybrid unit
If the user would like to use a second hybrid, an auxiliary channel can be
used to create a clean feed return. Turn the gain to all channels that are
being broadcast to the required levels except for the channel which is
receiving the audio from the second hybrid. Select POST so that everything
that is heard has been mixed correctly. This channel should be muted.
Connect the left channel of the auxiliary output to the the second hybrids
clean feed input. If presenter would like to talk to the caller off air, turn off
the presenter channel and fade in. This will allow the the presenter to be
20
heard on the auxiliary bus but not on the PGM output. The presenter can
press CUE PFL on the second hybrid channel to listen to
the caller.
User Guide – Section 3-4 External equipment and
the S1
Most of the equipment needed such as microphones, headphones
and CD players are self-explanatory. Occasionally you may need extra
external equipment to really make the most of the mixer. Here are a few
suggestions:
Headphone distribution amplifiers
If the application requires more than one set of guest headphones, then a
headphone distribution amplifier is required. This will take one headphone
output and create multiple new outputs from it, without affecting the signal
or line impedance. Simply take the output from the guest headphones
socket and connect it to the distribution amplifier. It is recommended that
you use the SONIFEX RB-HD series.
Microphone amplifiers
Some applications may require more microphone inputs. If this is the case
you could use the Line inputs with dedicated microphone amplifier. Connect
your microphone to the amplifier’s input and connect the amplifier’s
output to the required line input. It is recommended that you use the
SONIFEX RB-MA series.
Telephone hybrid
Use a telephone hybrid to open the show up to interaction with the outside
world. A hybrid allows you to receive phone calls and send them to your
mixer as audio. Connect the hybrids audio output to the mixers telco
channel (channel 5) and connect the channel’s clean feed output to the line
input on the hybrid. The mixer has been designed to work with the Sonifex
HY-03.
Mixer Applications
On-Air Light
S1 rear panel 9 way
D-Type Talkback connector
Lamp
Pin 4
Pin 2
Mains
Output 1
Pin 9
Pin 14
Remote External
Controls Inputs
Fig 3-3: On-Air Light
The On-Air light, also known as Mic Live, is used to indicate to everyone
inside or outside of the Control Room and/or Studio that microphones are
live and on-air. A set of latching relay contacts, activated by a control room
mute, are available on the Talkback 9 way D type socket on the rear panel
of the mixer for the Control Room On-Air light. See the pin-outs of the
talkback interface for details. Shown below is an example of connecting the
latching relay contacts on the talkback interface to a SONIFEX RB-LC3. The
remote connection on the RB-LC3 is active low.
Mic Cue Light
The mic cue light is used to indicate to a guest, etc, situated in a talks
studio, that they should speak. The cue light is usually green, and there is
usually one per microphone. This should not be confused with a mic live
light, which is red and there is one per studio or control room, also known
as “On Air light” (see above).
3
NOTE: It is vital that mains voltages are NOT connected to any of the
connectors on the mixer. If your On-Air light is to be mains operated then
you should use a suitable opto-isolated solid-state mains relay. The SONIFEX
RB-LC3 Light/Power controller is a suitable unit that will control up to three
On-Air lights and/or Mic cue lights.
Voice Processors On Mic Channels
To use an outboard effects unit with a microphone, for example, a voice
processor an auxiliary bus could be used and returned through a spare
input channel.
Use of the external inputs
The external inputs found on the rear panel are used to send audio to the
presenter and guest headphones and to the monitor output. The external
inputs can not be routed to the PGM output. Theses should be used to relay
information information or audio to the presenter and guests which should
be kept isolated from the transmission path.
Connect portable audio sources using DROP-IN
The drop in socket is used to add audio from an additonal external source
such as a portable MP3 player. Connect the source to the mixer and the
source will over ride all audio on Channel 7. This can be routed to the PGM
output.
Meterbridge
The meterbridge is an expansion port that allows external meterbridge
components to be connected. This includes a variety of different meter,
timer and monitor panels. The meterbridge port can also supply up to
15V @ 200mA to external equipment if required. Appendix A (page 31)
contains the pin out and pin description for this port. For more information
on meterbridge components, please contact Sonifex.
Open collector outputs for each channel are provided on the Remote
Connectors. See the remote connectors section for details
21
4
Advanced Configurations
4 Advanced Configurations
The following section will show you how to truly maximise the mixers
potential. Learn how to control and trigger external equipment from
your mixer, send visual messages to the presenter enable off air group
discussions and much more.
The following section is divided into these parts:
- If the stop control is set to pulsed, then the stop signal will always be
off
• Start from ON & Fader Up
- The start signal is generated when the channel is live (when the ON
button is solid green)
- A stop signal is generated when the channel is not live
1. Remote Control – Control external equipment with fully configurable
remote control functions.
2. General purpose inputs and outputs – Use a single or multiple
combination of mixer events to control external function. Page 23.
3. SCi control interface – Learn how to configure your mixer using the
dedicated software interface, page 24.
• Telco Mode
- The Telco mode sends the start pulse when the channel is initially
armed (ON button glows RED)
This allows a hybrid to connect before the channel goes live.
User Guide – Section 4-1 Using the Remote Control
• Start from CUE/PFL & ON
- Aswell as the start signals being generated when the channel is live, a
start pulse can be configured to be sent when the CUE/PFL button is
pressed. This option would allow the automatic start of a cd player for
example, when the presenter prefades that particular channel.
The remote control ports are available so that the user can control external
equipment from the mixer. The two remote connectors on the rear panel
contain all of the START & STOP outputs from the input channels. Each
channel input has its own START and STOP remote controls except the
microphone inputs which only have START outputs. In the eventuality that
you require a microphone stop control signal, this could be configured using
one of the general purpose outputs.
Remote Mode
The remotes can be configured in a variety of different ways:
• Remotes Disabled
- The remotes are not used and are not controlled by the desk
- If the stop control is set to continuous, then the stop signal will always
be on
22
- n this mode the stop signal is generated when the ON button is turned
off (not glowing)
• Telco Mode with CUE/PFL
- This operates the same as the telco mode except the CUE/PFL button
can also generate start and stop remote signals
Momentary/Continuous
• Each remote output can be configured to operate in momentary or
continuous modes.
Repeated Starts Mode
It is possible to configure the ON button to operate in a Repeated Start
Mode. If this option is enabled, a start pulse will be sent when the channel
initially goes live. If whilst the channel is live (ON button is green), the ON
button is pressed again, an additional start pulse will be sent.
Advanced Configurations
User Guide – Section 4-2 General purpose inputs
and outputs
The S1 has five General Purpose Inputs/Outputs (GPIO) available. Each
GPIO has been designed to be very versatile & almost any operation with
the mixer can be achieved when utilising them.
General Purpose Inputs
Each GPI can be configured to perform up to 10 different operations from a
single input. For example, in a remote play out situation, you may want to:
• Force 4 channels ON with the faders forced up
• Force 4 channels to input 1
• Mute the Control Room Monitors
This configuration would utilise 9 of the 10 operations available for an
individual GPI.
Options / Configuration
The Input can be configured to operate in several different ways:
• Momentary / Continuous GPI
• Active High / Low GPI
To Configure a GPIO please refer to the GPI: mode in the Serial Command
Interface Section.
General Purpose Outputs
Each GPO can be configured to generate an output from up to 10 different
internal controls. For example, a GPO could be configured to generate a
global talkback function. The GPO would be setup so that:
• When microphones 2, 3 and 4 are all not live, generate a GPO continuous
output
The GPO could then be linked back into one of the GPI’s with the Input
Configured to:
4
• Force PFL on Mics 2,3 & 4
• Enable Auto CUE/PFL Guest
This would allow the guests to freely talk to each other until one of their
mics goes live.
Options / Configuration
The Output can be configured to operate in several different ways aswell:
• Momentary / Continuous GPO
• Active High / Low GPO
Tally Back
In addition to the telco remote mode, the channel can be configured to
show the state of the external equipment. Once the channel has been
armed, the channel will flash green, until a GPI signal (tally back) has been
received back to confirm that the external equipment is now online. This
will then allow the channel to be opened. If the external tally is lost (ie a
tbu goes offline), the mixer will wait for 1 second before muting the channel
& returning to the green flashing state.
In telco mode, it is possible to use the telco mode to set up an external link
and then switch over to use the other input on that particular channel. If
the tally is lost whilst still monitoring the other side of the input channel,
the on button shall flash orange at a 25% duty cycle, to show that the
external link has been lost.
To re-setup the link, the user must switch to the channel with the telco
mode, turn the channel off, & then turn it back on. When the tally is
received from the external equipment, the orange/green flashing will stop.
Automation Tally
An automation tally can be used as a visual indication to the presenter
that something is happening or about to happen. When an auto tally is
configured on a playout system channel for example, the auto tally could
be used to indicate to the presenter that the playout track is about to end.
23
4
Advanced Configurations
When the GPI becomes active the ON button will flash green.
To configure all GPIO and tally modes, please refer to the SCi section
User Guide – Section 4-3 SCi and the S1
SCi for S1
SCi allows the user control and configure the S1 Mixer remotely via RS232. When using SCi for the S1 Mixer, itshould not be run with a display
resolution less than 1024x768. 1280x1024 is recommended.
The user interface consists of the main screen showing the status of the
mixing desk and configuration screens for individual channels, system
settings and GPIO.
Sonifex SCi software is free of charge
software available to control and configure
the S1 Mixer, as well as a plethora of other
Sonifex products, using RS-232 connections.
The S1 Mixer is supported in version 1.110
and above.
Fig 4-1: RS-232
Serial Port
Main Screen
Download the latest SCi Software
This is located on the Sonifex website in the
Sonifex Downloads section: http://www.
sonifex.co.uk/technical/software
Download and install the software.
Connecting the RS-232 Serial Port:
Simply connect the S1 Mixer to your
computer using a serial cable, or USB to RS232 adapter, to be ready for operation.
Using SCi for the first time:
Once the S1 Mixer is connected to the
computer, launch SCi. The first thing to
appear will be the SCi Launcher.
Fig 4-2: SCi Launcher
Click on the large plus button and the software will try and communicate
with the relevant serial ports to discover any Sonifex products connected.
The S1 Mixer will be shown in the list. If they are not listed, check the cable
between the S1 Mixer and the computer. Close the device list and the S1
Mixer should now be in the launcher.
Double click the S1 Mixer to launch the S1 SCi interface.
24
Fig 4-3: Main Screen
Advanced Configurations
The main screen is designed to emulate the user controls and displays on
the physical mixing console. It displays the live status of the buttons, faders,
digital synchronisation and control room monitor mute.
In addition, the main screen also has an indicator for the RS-232
connection. When red the desk is connected, when yellow the desk is
connecting and when white it is disconnected.
Button states can be modified by clicking on the button whereupon a menu
will appear with the relevant options for the button. Through the menu it is
possible to turn buttons on or off and also lock them to their current state.
4
Each channel has the ability to have an alias set and displayed in the virtual
scribble pad. This is set in the Channel Configuration screens. The monitor
inputs (excluding PGM) also have this capability. This is set in the System
Configuration screen.
Channel Configuration
Each channel can be configured and tailored to your requirements through
the Channel Configuration screen. This is accessed via the “CONFIG” button
bellow the virtual scribble pad for each channel.
The following buttons also have additional options:
• Input Select:
Set input to A or B (orC for channels 3 & 4)
Disable Mono or Stereo input (channels 3 & 4 only)
• CUE/PFL:
Turn button off when the fader is up
Enable Talkback (channels 5 & 6 only)
• AUX:
Lock button when it is set to POST and a fader is up
• Monitor Select:
Interlock or mix with other monitor inputs
Note: The guest talkback button cannot be locked
The faders can also be set to “Forced Up” through the menu or by dragging
the fader with the mouse cursor (if Button Control is enabled)
Buttons can be controlled with a single click by enabling “Button Control”
in the menu described at the end of this chapter. In this instance the button
menu can still be accessed by right-clicking on the button.
Fig 4-4: Channel Configuration Screen
25
4
Advanced Configurations
Channel Information Box:
This displays the input options of the channel and allows you to change the
alias text on the main screen. To select another channel, use the drop down
box.
Global Talkback Box:
This allows you to enable or disable Global Talkback mode for a particular
input on the channel. See page 19 for more information on global
talkback.
PFL Button Box
Cancel PFL on Fader:
When enabled, the PFL for the channel is turned off when the channel
becomes routed (On & fader up)
T/B Enabled (channels 5 & 6 only):
When disabled, the PFL is not routed to the talkback interface unless the
CUE/PFL & TB button is held down. If the CUE/PFL & TB button is on (routing
to PFL), it will flash to indicate this and solid to indicate it is being routed to
the talkback interface.
Button Lock Box:
Locks the buttons on the desk in their current state. For channels 3 & 4 it is
possible to restrict the operator to Mic & Mono Line inputs or Mic & Stereo
Line inputs.
Mode:
This allows you to set the conditions for the remote output to be active
• Remotes Disabled – Remote outputs are never started or stopped.
• Start from ON & Fader Up – Started when the ON button is active and
the fader is up. Stopped when the fader is down or the ON button is
deactivated.
• Telco Mode (Starts on ON press) – Started when the ON button is
activated. Stopped when the ON button is deactivated.
• Start from ON & Fader Up or CUE/PFL – As per Start from ON & Fader
Up but with the addition of being started when the CUE/PFL button is
activated and stopped when it is deactivated.
• Telco Mode with CUE/PFL – As per Telco Mode but with the addition of
being started when the CUE/PFL button is activated and stopped when it
is deactivated.
Start Function:
This sets whether the Start function is continuous (remains active) or
momentary (active for a approximately half a second)
Stop Function:
This sets whether the Stop function is continuous (remains active) or
momentary (active for a approximately half a second). Please note,
microphone inputs on channels 1-5 have no stop function.
Tally Back
Telco Tally: Enable/ disable the Telco Tally Back input. If enabled, a GPI must
Monitor Mute Box
be configured to perform this task and the Remote Mode must be set to a
This allows you to configure which inputs have the ability to mute the control Telco Mode
room monitor output when the channel is routed to the program output.
Automation Tally: Enable/ disable the Automation Tally Back input. If
enabled a GPI must be configured to perform this task.
Remotes Setup Box
Remote input/output options are configured for inputs 1 & 2 independently.
The current input displayed can be changed using the drop down box.
26
Advanced Configurations
4
ON Button Mode
This allows you to select how the ON button affects the remote signal
• ON/OFF: the remote starts when the button is turned on and stops when
the button is turned off
• ON/REPEAT/OFF: as per ON/OFF with an additional start signal being
triggered when the ON button is pressed again without being turned off
i.e. when the channel is routed.
Timers
This allows you to configure which inputs will trigger a timer signal when
the channel becomes routed. This is used with an external timer device
such as the Sonifex S2-MT Meterbridge Timer Panel.
GPIO Configuration
The GPIO screen allows the configuration of up to 10 functions for each
GPI/GPO and also options for the functions. Lists of common functions
and options are provided by Sonifex within SCi. For bespoke functions and
options please contact Sonifex.
Fig 4-5: GPIO Configuration Screen
27
4
Advanced Configurations
System configuration
Digital Outputs Box
Here the Synchronisation Mode and the internal sample rate is set.
Sync Mode:
• Master: the output is always the sample rate specified by the Master
Sample Rate
• Slave: the output always follows the sample rate of the Sync Input. When
no Sync signal is present, the digital output is disabled.
• Auto: The output follows the sample rate of the sync input. When no
sync input is present, the sample rate falls back to the Master sample
rate.
Master Sample Rate
This is only available when in Master Mode. this allows you to set the
sample rate used in Master or when in Auto mode and the sync signal is not
present.
AUX Buttons Box
Lock on POST & Fader Up. When enabled, the AUX button is locked if it is
set to post and any of the channels are currently routed.
Monitor Set-up
Monitor Channels:
Fig 4-6: System Configuration Screen
Save Setup Box
This configures the internal memory of the S1
Auto Save Desk State to Memory:
This enables or disables the desk state tracking function within the S1.
When enabled, the state of the desk including buttons is saved every 10
seconds, unless a button is pressed within those 10 seconds. This enables
the desk to restore the state should the desk lose power.
28
Interlock/ Mix
Select whether the monitor channel will interlock or mix with other monitor
channels. When set to interlock, the selection of the channel will deselect
another channel also set to interlock. When set to mix, the channel will mix
with other monitor channels, including any set to interlock.
Alias
Set the text displayed in the virtual scribble pad on the main screen. Note:
this feature is not available for the PGM monitor channel.
Advanced Configurations
Monitor Mute
It is possible to dim the volume of, instead of muting, the Control Room
monitor output when Control Room mute has been activated by an input
channel
Metering:
Set the meter display method to either Peak Programme Meter (PPM) or
Volume Unit (VU)
4
Guest Headphones:
When the Guest talkback button is pressed, select whether the talkback
audio mixes with the current guest monitor output or replaces the output.
Information & Updates
Button Lock:
Set which buttons, that do not form part of an input channel, are to be
locked in their current state.
Display Intensity
It is possible to adjust the brightness of the meter display and the buttons
on the mixing desk. Predetermined levels of intensity for the Meters and
Buttons are independently selected using the appropriate slide bar. The
very top selects maximum intensity and the very bottom selects the lowest
intensity. For the meters the lowest intensity is off, this is useful when using
an external meter display such as the Sonifex S2-MPPT True PPM
Meter Panel.
Talkback Setup Box
Route Talkback
It is possible to configure when talkback audio should be routed to the rear
talkback connector output. This can either be permanent or only when the
guest talkback button, channel 5 CUE/PFL & TB button or channel 6 CUE/PFL
& TB button is on.
Fig 4-7: Information & Updates Screen
System Information
Source
The system information section displays the mixer identification, serial
The talkback source is always channel 1 but the input that acts as the
number, base code version and firmware version. The firmware version
talkback can be set to either Mic (Default) or Line. This is useful when using a
shows 2 strings indicating the version of the output board code followed by
line level input i.e. an external microphone amplifier or voice processing unit.
the stereo board code.
29
4
Advanced Configurations
Save/ Load Configuration:
SCi provides the ability to configure the desk and store the configuration for
later use. For example, a presenter may have a specific set-up for their show,
whilst the preceding presenter may have their own desired set-up. Using this
function, any number of configurations and be saved and recalled with a few
clicks.
First, configure the desk as desired. Secondly, click “Save Configuration”
and save. To reload the settings, click “Load Configuration” and select your
configuration file.
Restore defaults:
This restores the S1 to factory defaults. Refer to the rest of the manual for
information.
Update Firmware:
Occasionally, it may be necessary to upgrade the firmware on the S1 to add
new functionality and fix software bugs. New firmware updates will be made
available from time to time on the Sonifex website. Visit www.sonifex.co.uk
for details. To install new firmware, click “Update Firmware”, select the DWN
file and click Open.
It is vital that neither the serial connection nor mains power to the S1 should
be interrupted during the update process. If this should happen or the
update is unsuccessful for any other reason, the S1 will enter a bootstrap
mode. Another attempt at uploading the firmware can be made from here.
There are 2 processors running firmware that can be updated: the output
board and the stereo board. Please ensure that you select the correct option
and the correct file when updating the S1 mixer code.
RS-232 indicators
At the bottom of each screen, a red indicator will show when data is being
received from the S1 Mixer and a green indicator will show when data is
being sent from SCi.
30
Options menu
At the top of each screen, the down arrow icon will display a menu when
clicked.
Debug:
This displays the data that is being transferred between SCi and the S1
mixer. It is also possible to enter RS-232 commands manually in this screen.
Launcher:
Displays the SCi Launcher
Connect/ Disconnect:
Enable/ Disable the RS-232 connection to the S1.
Properties:
Modify the RS-232 settings including Parity, Data Bits, Stop Bits and Baud
Rate. Only the following baud rates are available for use with the S1:
9600, 19200, 38400, 57600, 115200. The desk will automatically revert to
19200 when the desk is reset or turned on. Caution should be taken when
adjusting RS-232 settings and will never normally need to be modified.
Button Control:
See the main screen section.
Connectors and Cabling
5
Connectors and Cabling
Many of the problems associated with installing and maintaining a mixing
console are due to the use of poor cables or faulty connections. It is
recommended that, wherever possible, pre-wired cables are purchased
from recommended manufacturers. If you need bespoke cables making,
please ensure that a qualified engineer carries out the work.
The main types of connectors used with the S1 mixers are the following:
XLR 3 Pin Connectors
The following diagram shows the pin details for the 3 pin XLR sockets and
plugs:
Line, Mic &
AES/EBU Inputs
C/F, L/R Stereo &
AES/EBU Outputs
Pin 2. Hot (In Phase) Signal
BNC Connector
This connector is used for the Word clock inputs on the PGM output
channel.
Word Clock
Inputs
Inner. Hot (In Phase) Signal
Outer. Ground (Screen) Signal
BNC (Female)
Fig 5-3: BNC Connector
6.35mm ‘A’ Gauge Stereo Jack Plugs
‘A’ Gauge Stereo Jack Plugs can be connected as follows:
Pin 2. Hot (In Phase) Signal
Pin 1. Ground (Screen) Signal
5
¼“ ‘A’ Gauge Stereo Jack Plug
used for Headphones and Monitors
Pin 1. Ground (Screen) Signal
Tip - Left Signal
Pin 3. Cold (Out Of Phase) Signal
Pin 3. Cold (Out Of Phase) Signal
3 Pin Socket
(Female)
3 Pin Socket
(Male)
Ring - Right Signal
Sleeve - Ground (Screen) Signal
Fig 5-1: XLR 3 Pin Connectors
RCA Phono Connector
This connector is used on the Stereo RCA Channels and the S/PDIF on the
digital input/output channels.
Fig 5-4: 6.35mm ‘A’ Gauge Stereo Jack Plugs
Stereo Left & Right & S/PDIF
Inputs
Inner. Hot (In Phase) Signal
Outer. Ground (Screen) Signal
RCA Phono
(Female)
Fig 5-2: RCA Phono Connector
31
5
Connectors and Cabling
D Type Connectors
Several different D type connectors are used on the S1. A 25 pin plug is
used for the remotes. A 9 pin socket is use for the external inputs, Auxiliary
outputs, RS232, & Talkback Interface. A 15 pin socket is used for the meter
bridge interface.
9 Pin D-Type Plug used
for Remotes and Ext Inputs
15 Pin D-Type Socket used for Analogue
Outpus and Mute Relays
9 Pin D-Type Socket used
for Remotes and Ext Inputs
Pin 5
Pin 1
Pin 6
15 Pin D-Type Plug used for Analogue
Outpus and Mute Relays
Pin 15
Pin 8
Pin 9
Pin 9
Pin 1
Pin 15
Pin 8
Pin 6
Pin 9
Pin 1
Pin 5
Pin 9
25 Pin D-Type Plug
used for Audio Inputs
Pin 1
25 Pin D-Type Socket
used for Remotes
Pin 1
Pin 14
Pin 13
Pin 25
Pin 25
Pin 14
Pin 13
List of ports:
9 way d type socket
Fig 5-5: D Type Connectors
Pin 1
Connector Pin Outs
External Inputs Connector
Pin 1: Chassis ground.
Pin 2: Ext 1 left phase.
Pin 3: Ext 1 right phase.
Pin 4: Ext 2 left phase.
Pin 5: Ext 2 right phase.
Pin 6: Ext 1 left non-phase.
Pin 7: Ext 1 right non-phase.
Pin 8: Ext 2 left non-phase.
Pin 9: Ext 2 right non-phase.
Meterbridge Port
Pin 1: METER AUDIO LEFT
Pin 2: CUE PFL CONTROL
Pin 3: TIMER 2
Pin 4: TIMER 1
Pin 5: CUE / PFL AUDIO LEFT
Pin 6: +15V
Pin 7: AGND
Pin 8: PROGRAM AUDIO LEFT
Pin 9: METER AUDIO RIGHT
Pin 10: CONTROL ROOM MUTE
Pin 11: REVERSE TALKBACK AUDIO
Pin 12: AGND
Pin 13: CUE PFL AUDIO RIGHT
Pin 14: AGND
Pin 15: PROGRAM AUDIO RIGHT
32
Audio being displayed on the S1 meter
Logic output to indicate a pfl button
is pressed
Used to start and stop timer modules.
Can be used for timing voice-overs,
for example
Audio for external metering
15v @ 200mA to power external
equipment
Audio for external metering
Audio being displayed on the S1 meter
Logic signal to indicate control speakers
are muted
Reverse talkback to presenter
Audio for external metering
Audio for external metering
Connectors and Cabling
Talkback Port
Pin 1: AGND
Pin 2: TALKBACK AUDIO OUT
Pin 3: TALKBACK OUT CONTROL
Pin 4: NORMALLY OPEN RELAY CONTACT
Pin 5: NORMALLY CLOSE RELAY CONTACT
Pin 6: TALKBACK AUDIO IN
Pin 7: TALKBACK IN CONTROL
Pin 8: DGND (used for talkback control referencing)
Pin 9: WIPER RELAY CONTACT
Note: In order for the S1 talkback to be used with a S2, pin 1 and pin 8
should be connected together on the S1.
Auxiliary Output Connector
Pin 1: Chassis ground.
Pin 2: Aux 1 left phase.
Pin 3: Aux 1 right phase.
Pin 4: Aux 2 left phase.
Pin 5: Aux 2 right phase.
Pin 6: Aux 1 left non-phase.
Pin 7: Aux 1 right non-phase.
Pin 8: Aux 2 left non-phase.
Pin 9: Aux 2 right non-phase.
Mono Remote Connector
Pin 1: Channel 1 Mic Start
Pin 2: Channel 1 Line Start
Pin 3: GPIO 1
Pin 4: Channel 2 Line Stop
Pin 5: DGND
Pin 6: Channel 3 Mic Start
Pin 7: Channel 3 Line Start
Pin 8: GPIO 3
5
Pin 9: Channel 4 Line Stop
Pin 10: DGND
Pin 11: Channel 5 Mic Start
Pin 12: Channel 5 Telco Start
Pin 13: GPIO 5
Pin 14: Channel 1 Line Stop
Pin 15: DGND
Pin 16: Channel 2 Mic Start
Pin 17: Channel 2 Line Start
Pin 18: GPIO 2
Pin 19: Channel 3 Line Stop
Pin 20: DGND
Pin 21: Channel 4 Mic Start
Pin 22: Channel 4 Line Start
Pin 23: GPIO 4
Pin 24: Channel 5 Line Stop
Pin 25: DGND
Stereo Remote Connector
Pin 1: Channel 6 Input 1 Start
Pin 2: Channel 6 Input 2 Start
Pin 3: DGND
Pin 4: Channel 7 Input 1 Stop
Pin 5: Channel 7 Input 2 Stop
Pin 6: Channel 8 Input 1 Start
Pin 7: Channel 8 Input 2 Start
Pin 8: DGND
Pin 9: Channel 9 Input 1 Stop
Pin 10: Channel 9 Input 2 Stop
Pin 11: Channel 10 Input 1 Start
Pin 12: Channel 10 Input 2 Start
Pin 13: DGND
Pin 14: Channel 6 Input 1 Stop
33
5
Connectors and Cabling
Pin 15: Channel 6 Input 2 Stop
Pin 16: Channel 7 Input 1 Start
Pin 17: Channel 7 Input 2 Start
Pin 18: DGND
Pin 19: Channel 8 Input 1 Stop
Pin 20: Channel 8 Input 2 Stop
Pin 21: Channel 9 Input 1 Start
Pin 22: Channel 9 Input 2 Start
Pin 23: DGND
Pin 24: Channel 10 Input 1 Stop
Pin 25: Channel 10 Input 2 Stop
34
Technical Specification
6
6 Technical Specification
Input / Output Impedances
Stereo Cleanfeed Output:
Mic Input:
хϭŬϱёĞůĞĐƚƌŽŶŝĐĂůůLJďĂůĂŶĐĞĚ
Mono Line Input:
хϮϬŬёĞůĞĐƚƌŽŶŝĐĂůůLJďĂůĂŶĐĞĚ͘
Stereo Line Input:
хϮϬŬёĞůĞĐƚƌŽŶŝĐĂůůLJďĂůĂŶĐĞĚ͘
PGM Output:
фϱϬёĞůĞĐƚƌŽŶŝĐĂůůLJďĂůĂŶĐĞĚ
Monitor Outputs:
фϳϱёƵŶďĂůĂŶĐĞĚ͘
AES Input/Output:
ϭϭϬё
S/PDIF Input/Output:
ϳϱё
BNC Wordclock input:
ϱϬё
Digital Input:
0dBFS = +18dBu on input;
TRIM pot ± 12dB
Digital Output:
0dBFS = +18dBu
Frequency Response
Mic Input:
40Hz to 20kHz –1dB, +0dB
Line Inputs:
20Hz to 20kHz –0.5dB, +0dB
RCA Input:
20Hz to 20kHz –0.5dB, +0dB
Noise (20Hz to 20kHz)
Input / Output Gain Range
Mic Input E.I.N.:
ͲϭϯϬĚǁŝƚŚϭϱϬёƐŽƵƌĐĞ͘
Mic Input:
Preset pot +21dB to +64dB ref -50dBu,
TRIM pot ± 12dB
Stereo Inputs (fader down, no
routing):
-92dBu ref 0dB
Mono Line Input:
Switch 0dB to +10dB ref 0dBu,
TRIM pot ± 12dB
Stereo Inputs (fader down,
one channel routed):
-91dBu
Stereo Line Input:
Switch 0dB to +10dB ref 0dBu,
TRIM pot ± 12dB
Stereo Inputs (unity gain, one
channel routed):
-86 dBu
Telco Input:
Switch 0dB to +10dB ref 0dBu,
TRIM pot ± 12dB
Stereo Inputs (unity gain, two
channels routed):
-83 dBu
Telco Output:
Stereo Cleanfeed Input:
Switch 0dB to +10dB ref 0dBu,
TRIM pot ± 12dB
Distortion
Total Harmonic Distortion:
0.015% at 1kHz, 0dBu
0.015% at 10kHz, 0dBu
35
6
Technical Specification
Crosstalk
Inter-channel:
> -80dBu typically
Equalisation
LF:
Shelving at 100Hz.
± 7dB
HF:
Shelving at 6.5kHz.
± 7dB
Range
Pan Range
off/-3dB centre/off
Balance Range
± 6dB
Common Mode Rejection Ratio
Mic Input:
>60dB typically
Digital I/O
Sync Input Sample Rate
Range:
32kHz – 96kHz
Output Sample Rates (Using
Onboard Clock):
32kHz, 44.1kHz, 48kHz, & 96kHz
Output Sample Width:
24 bit
Output
Headphone Output Load
>45 ohms, recommended 400
Maximum Output (Analogue)
+26dBu balanced into 2k or greater
Weight
Unit
36
10.5 Kg
Default Settings
7
7
Default Settings
The S1 Mixer is supplied with factory defaults set as follows. The unit can be
returned to this state via SCi (see page 30) or by holding down the AUX
Pre/Post and the RM/MFM buttons during power up. Hold the 3 buttons
Function
Channel Select
down and 3 lamps will flash for 5 seconds and then switch fully on. Then
release the buttons to return the unit to the factory default state.
Options
Default Button Selection
Channel 1,2,5
Input 1 (Mic)
Channel 3,4
Input 1 (Mic)
Input 1
Channel 6-10
Lockout Button
Limit Selection
Default Button Selection
Button Enabled
PFL Off
Button Enabled
All 3 inputs selectable
PFL Off
Button Enabled
PFL Off
Lockout Button
Auto Cancel PFL
Channel armed on Input 1
Channel armed on Input 2
Mode for Input 1
Mode for Input 2
Lockout Button
Mode for Input 1
Start Operation for Input 1
Stop Operation for Input 1
Button Enabled
Cancel PFL on Fader Up
Input 1 off
Input 2 off
Start / Stop
Start / Stop
Button Enabled
Start from ON & Fader Up
Continuous Start
Continuous Stop
Button Enabled
Cancel PFL on Fader Up
Input 1 off
Input 2 off
Start / Stop
Start / Stop
Button Enabled
Start from ON & Fader Up
Continuous Start
Continuous Stop
Button Enabled
Cancel PFL on Fader Up
Input 1 off
Input 2 off
Start / Stop
Start / Stop
Button Enabled
Start from ON & Fader Up
Momentary Start
Momentary Stop
(a GPO must be configured
to use a Mic Remote Stop
on channels 1-5)
Input 1 Tally Back (GPI
required)
Input 1 Auto Tally Back (GPI
required)
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
See CHS: Command
CUE/PFL
See PFL: Command
ON
See CON: Command
Remote Input A
See RMA: Command
37
7
Default Settings
Function
Remote for Line Input
See RMB: Command
Control Room Mute
See MCH: Command
Timers
See TMR: Command
38
Options
Mode for Input 2
Start Operation for Input 2
Stop Operation for Input 2
Input 2 Tally Back (GPI
required)
Input 2 Auto Tally (GPI
required)
Enable on Input 1
Enable on Input 2
Timer 1 on input 1
Timer 1 on input 2
Timer 2 on input 1
Timer 2 on input 2
Channel 1,2,5
Start from ON & Fader Up
Momentary Start
Momentary Stop
Disabled
Channel 3,4
Start from ON & Fader Up
Momentary Start
Momentary Stop
Disabled
Channel 6-10
Start from ON & Fader Up
Momentary Start
Momentary Stop
Disabled
Disabled
Disabled
Disabled
Enabled
Disabled
Enabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Disabled
Serial Communication Protocol
8
Serial Communication Protocol
Sonifex SCi remote control software handles all communication with the S1
via a convenient graphical user interface. However, this protocol is provided
for those users who wish to develop their own remote control applications
or communicate with the S1 using a text-based terminal program. For more
information on how to install and operate the SCi software, please see page
24. Details of the protocol are available upon request. Please note that
protocol for the GPI and SRQ commands are not included.
Command
Description
ACP:a,b||c
Configure Auto CUE/PFL Buttons
A = Channel number.
1 = Guest CUE/PFL
2 = Monitor CUE/PFL
3 = Presenter CUE/PFL
4 = Reserved
5 = Split CUE/PFL
B = Button Control
1 = on
0 = off
C = Lock Out Button
1 = Lock out
0 = Normal Operation
ACP:a?
Read Auto CUE / PFL Button Status
AUX:a,b,||c,d
Configure Auxiliary Buttons
A = Aux Channel number.
1 selects Ch 1
2 selects Ch 2
B = Button Control
1 = on
0 = off
C = Lock Out Button
1 = Lock out
0 = Normal Operation
D = Lock Btn if set to Post when Fader is Up
1 = Lock
0 = Normal Operation
AUX:a?
Read Auxiliary Button Status
A = Channel number. (see above)
Serial Data Format
Connection is 19200,e,8,1 with XON/XOFF flow control.
Commands are case-insensitive and all parameters are in hex.
Commands should be terminated in a carriage return character, a line feed
character may be sent but it will be ignored.
Responses will be CR & LF terminated.
After power up a welcome string is sent – “Initialising S1 Mixing Desk…
done”
Remote Control Commands
|| indicates a shorter command can be sent. The || indicates the point at
which the command can be terminated and will remain valid
On/off style options (1/0) can also be sent the value 2. This state is an
ignore operation for that parameter & does not make any changes to that
particular setting.
8
Response
ACK:
ACP:a,b,c
ACK:
AUX:a,b,c,d
39
8
Serial Communication Protocol
Command
Description
Bnn:
Baud Rate
Nn=11 (115200)
Nn=57 (57600)
Nn=38 (38400)
Nn=19 (19200)
Nn=96 (9600)
BSV:
Base Firmware Version
CHS:a,b,||c
Configure Channel Select Buttons
A = Channel number.
1 = Ch 1
2 = selects Ch 2
etc
a = selects Ch 10
for Channels 1,2,5-10:
B = Button Control
2 = No Change
1 = Input 2
0 = Input 1
C = Lock Out Button
2 = No Change
1 = Lock out
0 = Normal Operation
for Channels 3,4:
B = Button Control
2 = Input 3
1 = Input 2
0 = Input 1
C = Lock Out Button
4 = No Change
3 = Disable Stereo Line Input
2 = Disable Mono Line Input
1 = Lock out
0 = Normal Operation
40
Response
ACK: (at old rate)
BSV:x
Command
Description
CHS:a?
Read Channel Select Button Status
CHS:a,b,c
A = Channel number. (see above)
N.B. On Channels 1-2 ,5-10:
C will return 3 for normal operation as effectively
it has the “stereo input” selection mode
disabled.
COL:a,b,c,d,e
Update Intensity
A = Red
B = Green
C = Green / Orange
D = Red / Orange
E = 3MM RED LEDs
Hex Values for each colour can be in the range
0-f
COL:?
Read Colour Values
ACK:
CON:a,b,c,||d,e,f,g Configure ON Buttons
A = Channel number.
1 = Ch 1
2 = selects Ch 2
etc
a = selects Ch 10
B = Input 1 ON Control
1 = on
0 = off
C = Input 2 ON Control
1 = on
0 = off
D = Mode for Input 1
0 = ON / OFF
1 = ON / REPEAT / OFF
E = Mode for Input 2
0 = ON / OFF
Response
ACK:
COL:a,b,c,d,e
ACK:
Serial Communication Protocol
Command
CON:a?
DIM:a
DIM:?
Description
Response
1 = ON / REPEAT / OFF
F = Lock Button
0 = Normal Operation
1 = Button Locked
G = Force Fader Up
1 = Fader Forced Up
0 = Normal Operation
N.B. if button is forced on,(F=1) the B / C = Button
Control has no effect.
N.B If Telco mode on Input 1 is enabled, option D
shall be forced to 0 = ON / OFF
N.B If Telco mode on Input 2 is enabled, option E
shall be forced to 0 = ON / OFF
Read ON Button Status
CON:a,b,c,d,e,f,g,h,i
A = Channel number. (see above)
H = Fader Position
0 = Fader Down
1 = Fader Up
I = Channel Routed
0 = Not Routed
1 = Routed
Configure whether a channel with control
room mute selected should dim or mute
monitors when it has PFL selected
A = DIM / MUTE
1 = Dim Monitors on PFL
0 = Mute Monitors on PFL
N.B Monitors will always mute when a channel
with mute enabled goes live (ON & Fader Up)
Read DIM / MUTE on PFL Status
B = Mute Status
0 = Not Muting
1 = Muting
Command
Description
DIS:?
Read Digital Input Status
A = Channel 9 SPDIF / Optical Selection
1 = SPDIF
0 = Optical
B = Channel 9 Sync
0 = No Sync
1 = Sync
A = Channel 10 SPDIF / Optical Selection
1 = SPDIF
0 = Optical
B = Channel 10 Sync
0 = No Sync
1 = Sync
DST:
Upload Sub Processor Firmware
DWN:
Upload Processor Firmware
EEP:a,b
Save Configuration
A = Enable write
1 = any config updates will be written to
eeprom
0 = config updates will not be written to
eeprom
B = Enable Auto Save Settings
1 = Auto save desk state enabled
0 = Disabled
EEP:?
Read EEPROM Status
C = EEPROM Auto Save Error
GPI:a,b
Configure GPIO
A = GPIO Pin Number ( 1 – 5)
B = Data
ACK:
ACK:
DIM:a,b
8
Response
DIS:a,b,c,d
ACK:
EEP:a,b,c
ACK:
41
8
Serial Communication Protocol
Command
Description
GPI:?
Read GPIO Data
X = GPIO Config Data
Y = GPI Register Control Data
GTB:a,b,c
Configure Global Talkback Mode
A = Channel number.
1 = Ch 1
2 = selects Ch 2
etc
a = selects Ch 10
B = Input 1 Global Talkback Enable
1 = on
0 = off
C = Input 2 Global Talkback Enable
1 = on
0 = off
ACK:
GTB:a?
Read Global Talkback Mode Status
A = Channel number. (see above)
GTB:a,b,c
MCH:a,b,c
Configure Control Room Mute
A = Channel number.
1 = Ch 1
2 = selects Ch 2
etc
a = selects Ch 10
B = Input 1 Mute
1 = Mute Enabled
0 = Mute Disabled
C = Input 2 Mute
1 = Mute Enabled
0 = Mute Disabled
42
Response
GPI:X,Y
Command
Description
Response
MCH:a?
Read Control Room Mute Status
A = Channel number. (see above)
MCH:a,b,c
MFM:a,||b
Configure Meter Follows Monitors
A = Button Control
1 = on
0 = off
B = Lock Out Button
1 = Lock out
0 = Normal Operation
MFM:?
ACK:
Read MFM Button Status
MON:a,b,||c,d Configure Monitor Selection Buttons
A = Monitor Selection number.
1 selects PGM
2 selects Aux1
3 selects Aux2
4 selects Ext1
5 selects Ext2
B = Button Control
1 = on
0 = off
C = Lock Out Button
1 = Lock out
0 = Normal Operation
D = Interlock or Mix
0 = Source will Mix
1 = Source is Interlocking
MON:a?
Read Monitor Selection Button Status
A = Channel number. (see above)
ACK:
MFM:a,b
ACK:
MON:a,b,c,d
Serial Communication Protocol
Command
Description
MTR:a,||b
Configure Meter Mode
A = Meter Mode
2 = No Change
1= PPM
0 = VU
B = Intensity
0 = Meter Disabled
1 – 7 = Intensity Levels
8 = No Change
MTR:?
Read Meter Status
OPM:a
Configure Digital Synchronisation
a = Mode
0 = Internal
1 = External
2 = External with fallback to internal
OPM:?
Read Digital Sync Mode Status
B = Output Sync Status
0 = No Sync
1 = Sync
Response
ACK:
MTR:a,b
ACK:
OPM:a,b
Configure Internal Operating Frequency of Digital
Output
X = Frequency
0 = 32kHz
1 = 44.1kHz
2 = 48kHz
3 = Reserved
4 = 64kHz
5 = 88.2kHz
6 = 96kHz
N.B. This command is only valid when Digital sync is set to Internal
If Sync is not set to Internal, Err:07 shall be returned
Command
Description
Response
OPS:?
Read Internal SYNC Frequency
If Sync is not set to Internal, Err:07 shall be returned
OPS:x
PFL:a,b,||c,d,e Configure CUE/PFL Buttons
A = Channel number.
1 = Ch 1
2 = selects Ch 2
etc
a = selects Ch 10
B = Button Control
1 = on
0 = off
C = Auto Cancel PFL on Fader Up
1 = Auto Cancel on Fader Up
0 = Normal Operation
D = Talkback Disabled
0 = Talkback Disabled
1 = Normal Operation
E = Lock Out Button
1 = Lock out
0 = Normal Operation
OPS:x
8
ACK
N.B. Mode D is only available on Inputs 5 & 6.
If enabled the CUE/PFL Button will on flash when
Input 2 is selected.
:
PFL:a?
ACK:
Read PFL Button Status
RMA:a,b,c,d,e,f Configure Input 1 Remotes
A = Channel number.
1 = Ch 1
2 = selects Ch 2
etc
a = selects Ch 10
B = Start Function
1 = Momentary
PFL:a,b,c,d,e
ACK:
43
8
Serial Communication Protocol
Command
Description
Response
0 = Continuous
C = Stop Function
1 = Momentary
0 = Continuous
D = Mode
0 = Remotes Disabled
1 = Start from ON & Fader Up
2 = Telco Mode (Starts on On press)
3 = Start from ON & Fader Up or CUE/PFL
4 = Telco Mode with CUE/PFL
5 = no change
E = Tally
0 = Tally Back Disabled
1 = Tally Back Enabled
F = Automation Tally (End of Track ON Button
Flash Mode)
0 = Tally Disabled
1 = Tally Enabled
N.B. Channels 1-5 on Input 1 do not have stop
remotes
The ‘C’ parameter must still be supplied, but will
be ignored for the mic inputs 1-5A..
If B is changed from 1 to 0, the fader may need to
be cycled before the change is made
If C = 0, it will force the channel into START/STOP
mode (see CON)
If D= 2, it will force the channel into START/STOP
mode (see CON)
If E=1, a GPI must be configured as a tally back for
this input (see GPI)
N.B. Tally cannot be enabled if the Remotes are
not set to TELCO mode
If F=1, a GPI must be configured as an Automation
Tally Input (see GPI)
44
Command
Description
RMA:a?
Read Input A Remote Configuration
G = Automation Tally Input Status
H = Tally Back Input Status
Response
RMA:a,b,c,d,e,f,g,h
RMB:a,b,c,d,e,f Configure Input 2 Remotes
See RMA: function for details
RMB:a?
Read Input B Remote Configuration
RST:
Reset Mixer
SER:
Unit Serial Number
ACK:
RMB:a,b,c,d,e,f,g,h
SFD:
Sets unit to Factory Defaults and reboots
SRQ:?
Status Request
TAL:a,b,c,d,e
Tally Control
A = Channel number.
1 = Ch 1
2 = selects Ch 2
etc
a = selects Ch 10
B = Input 1 Tally Back
1 = Active Tally
0 = Inactive Tally
C = Input 2 Tally Back
1 = Active Tally
0 = Inactive Tally
D = Input 1 Auto Tally
1 = Active Tally
0 = Inactive Tally
E = Input 2 Auto Tally
1 = Active Tally
0 = Inactive Tally
TAL:a?
Read Tally Input Status
A = Channel number. (see above)
SER:x
SRQ:data
ACK:
TAL:a,b,c,d,e;
Serial Communication Protocol
Command
Description
TBK:a,||b,c,d
Configure Talkback
A = Button Control
1 = on
0 = off
B = Mix / Cut into Guest Headpones
1 = Cut
0 = Mix
C = Talkback Source
1 = Channel 1 Line
0 = Channel 1 Mic
D = Talkback Permanently Routed to Talkback
Connector
1 = Always Routed
0 = Only routed when a T/B button is
pressed
TBK:?
Read Talkback Status
TMR:a,b,c,d,e
Configure Timers
A = Channel number.
1 = Ch 1
2 = selects Ch 2
etc
a = selects Ch 10
B = Timer 1 on Input 1
1 = Enabled
0 = Disabled
C = Timer 2 on Input 1
1 = Enabled
0 = Disabled
B = Timer 1 on Input 2
1 = Enabled
0 = Disabled
C = Timer 2 on Input 2
1 = Enabled
0 = Disabled
Response
ACK:
TBK:a,b,c,d
ACK:
8
Command
Description
TMR:a?
UID:
UPD:
Read Channel Timer Settings
TMR:a,b,c,d,e
Unit Identification
UID:S1-MIXER
Update EEPROM with current configuration
If an Err:08 is received, then the command Please Wait…
cannot save the current configuration
ACK:
because write is disabled.
Write can be enabled by sending:
EEP:1,2
VER:
Firmware Version
VER:x.xx-Sy.y
Where x.xx is Output board firmware version
and Sy.y is the Stereo board firmware version
Error Messages
Err:01
Err:02
Err:04
Err:06
Err:07
Err:08
Err:09
Response
Command Not Found
Missing Parameter
Parameter out of Range
Serial Number Write Error
Command Not Valid in current mode
EEPROM write is disabled
TWI / Checksum Error
45
9
Glossary
9 Glossary
Attenuation
The reduction of a signal level. Attenuation is usually
measured in dB.
EQ
EQualisation. This is the method of cutting or
boosting selected bands of frequencies in the signal.
AES
Audio Engineering Society.
Gain
AES/EBU
Professional digital audio standard covering frame
format, connections and interfaces. Interface is
usually on XLR sockets and plugs.
The degree of amplification, or attenuation applied
to a signal.
Hybrid
A device that allows a telephone line to be
connected to a broadcast desk in such a way that the
caller may hear the programme output without the
caller’s voice being re-introduced onto the phone
line. Essentially a two to four wire converter.
LED
Light Emitting Diode.
PAN
This controls the levels (usually of a mono signal)
sent to the left and right outputs and is an
abbreviation of “panorama”.
PFL (CUE)
Pre Fade Listen, also called CUE. A function that
allows the operator to monitor the pre fader signal
independently of the programme output.
S/PDIF
Sony/Phillips Digital Interface. Domestic digital
audio interface standard using phono connectors or
optically using fibre-optic connectors.
T/B
Talkback (and reverse talkback, Rev T/B). This is the
ability for two or more studios to communicate with
each other off-air.
Telco
TELephone COmmunication. The telco channel is
used by the presenter to talk to telephone callers via
a hybrid or TBU.
Balance
The relative levels of the left and right channels of a
stereo signal.
Cleanfeed
A cleanfeed is the signal produced by the telco
module, which is used as the output to be fed back
to a caller on a telephone line. A true cleanfeed is
the sum of all the other signals, which constitute the
programme output, except for the caller’s audio.
Clipping
The onset of severe distortion in the signal path,
usually caused by the peak signal voltage being
limited by the circuit’s headroom.
Common Mode
Rejection Ratio
This is the ratio of the extent to which a differential
amplifier will cancel noise, which is present on both
inputs, compared to its ability to amplify the wanted
signal.
Cross-talk
This is the amount of an unwanted signal
which appears, or is induced, on a different or
unassimilated signal. The problem is usually most
prevalent with adjacent channels.
CUE - See PFL.
dB (decibel)
46
A ratio of two voltages or signal levels, expressed by
the equation:
dB=20LOG(V1/V2)
Adding the suffix “u” denotes that the signal is
relative to 0.775V RMS.Adding the suffix “v” denotes
that the signal is relative to 1V RMS
Notes
www.sonifex.co.uk
t:+44 (0)1933 650 700
f:+44 (0)1933 650 726
[email protected]

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