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Follow us! We service many of the major brands that
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MIC PREAMPS & VOICE PROCESSORS
A DESIGNS MP-2A STEREO TUBE MICROPHONE PREAMP A true tube-in/
tube-out stereo microphone preamplifier. It uses world class input/output transformers and delivers warmth, transparency, and a quality sound with a clean and
airy high end like only a high quality all-tube pre-amp can. It features rear panel
instrument and front panel line level input, polarity switches, -20dB pad switches,
selectable tone switches, phantom power, and 60dB output gain (perfect for for the
new generation of ribbon microphones.)
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DESCRIPTION
PRICE
MP2A......................... Stereo tube mic pre ................................................................... 2595.00
ART USB DUAL TUBE
PRE 2-CHANNEL USB
TUBE PREAMP Operating
as a standalone unit with USB
audio or as an expander with
S/PDIF, each channel bears
a fully-featured input strip.
Each input (balanced XLR & 1/4") has independent input gain control and output
level, phase inversion, low frequency roll-off, 48V phantom power, and a defeatable
opto-compressor circuit that offers dynamic input source control. The unit's 1/8"
TRS headphone output is accompanied by level & monitor mix controls for latencyfree local input monitoring while recording as well as playback monitoring via USB.
Monitor mix is also routed to 1/4" TRS balanced outs with level control.
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DESCRIPTION
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USB-DUAL-TUBE-PRE............2-channel USB tube preamp ........................................... 149.00
A DESIGNS PACIFICA STEREO MICROPHONE PREAMP A stereo, solid-state
1RU microphone pre amplifier inspired by the “Quad Eight Sound” from the 1970s. It
features input and output transformers, 70dB gain, phase reverse switch, -20dB pad,
48V phantom, 2 XLR inputs and outputs, and direct inject 1/4" inputs.
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DESCRIPTION
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PACIFICA .................. Stereo solid state mic pre, 1RU ................................................. 2095.00
APHEX REMOTE CONTROLLED MIC PREAMPS The 1788A is a remote controlled
8-channel mic pre that can be situated close to the mic and operated remotely. That
way there is less of a chance to introduce RF interference, mic sensitivity reduction,
phase problems, and other performance degradations due to long cable runs. It can be
controlled via the 1788RC remote, PC or MAC via Ethernet with the free downloadable
1788SW software or any device that generates MIDI. I/O includes 8 XLR mic pres, and 8
XLR outs. The 188 is an 8-channel remote controlled mic pre and is a more cost effective
alternative to the 1788A yet can be controlled in the same way as the 1788A. It has 1 XLR
out, 2 ADAT optical outs, wordclock, Ethernet and does not have extensive metering.
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DESCRIPTION
PRICE
1788A...................8-channel analog mic pre, remote controlled, 2RU ......................... 4999.00
1788A-RC.............Remote control for 1788A and 188 ................................................. 1299.00
188.......................8-channel remote-controlled mic pre with A/D converter, 1RU ....... 1499.00
APHEX CHANNEL MASTER PREAMP & INPUT PROCESSOR 7 devices in 1 rack
unit: Reflected Plate Amplifier Tube Preamp, EasyRider Class 'A' Compressor, Logic Assisted
Gate, De-Esser, Big Bottom, Parametric EQ, and the Aural Exciter. Features an 1/4" instrument input, XLR Mic input, dedicated XLR and unbalanced 1/4" output jacks, gain reduction
metering, front-panel sample rate & clock source selection, and an internal clock.
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DESCRIPTION
PRICE
CHANNEL ................... Preamp/compressor/gate/de-esser/para EQ/etc. unit ................. 999.00
ART
TUBE MP
PROJECT SERIES
MIC PREAMPS These microphone preamps handle a wide range of
input signal levels with XLR and 1/4" inputs and
outputs. Tube-MP models are single channel units with
gain control, input impedance selection, phase invert, 48V phantom power, hi-pass
filter and output level control, and provide up to 70dB of gain. The USB Dual Pre is a
portable preamp with computer interface, and can be used for field recording. Its 2
channels have independent gain control, and the unit can be powered via a supplied
12V DC adapter, 9V battery or by the USB interface itself.
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DESCRIPTION
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TUBE-MP-PROJECT ...............Project Series tube preamp................................................ 69.00
TUBE-MP-USB-PROJECT .......Project Series tube preamp with USB ................................ 99.00
TUBE-MP/C ..........................Project Series tube preamp with compressor..................... 99.00
USB-DUAL-PRE-PROJECT ......Project Series 2-channel USB mic preamp ........................ 79.00
DMPA-II
ART PRO MPA II AND DIGITAL MPA II MICROPHONE PREAMPS
The PRO-MPA-II's mic inputs feature selectable 48V phantom power, backlit analog VU meters, 8 segment LED array, XLR & 1/4" outs, variable input impedance,
and can operate at low or high plate voltage on the 2 hand-selected 12AX7 tubes
for a wide range of tone. It may be configured for dual-mono or -stereo use with
selectable mid/side microphone support. The DMPA-II has all the same features
but adds digital outputs – AES/EBU, ADAT, S/PDIF, 44.1kHz-192kHz internal sampling rates, 2 word clock jacks, and 16-/24-bit switchable dithering.
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DESCRIPTION
PRICE
PRO-MPA-II ......... 2-channel mic preamp ..................................................................... 299.00
DMPA-II ............... 2-channel mic preamp with AES/EBU, ADAT, & S/PDIF digital outs .... 399.00
NEW!
APHEX PROJECT CHANNEL
CHANNEL STRIP An extremely high quality channels strip designed for ease
of use. Its Class 'A' preamp offers ultra-wide bandwidth as well as maximum gain
and headroom. The included optical compressor features a single-knob ratio control. Also
included are Aphex’s popular Aural Exciter and Big Bottom processors. S/PDIF digital output
and dBFS output meter make it easy to get a proper digital signal to an audio interface for
recording. A front panel sample rate button allows for easy selection of sample rates from
44.1kHz to 96kHz. Analog outputs are also provided for use with outboard A/D converters or
analog mixers. A front panel mounted instrument input automatically overrides the rear panel
XLR mic input so a microphone can remain plugged in while the instrument input is in use.
ART TUBEOPTO-8 EIGHT-CHANNEL MIC PRE WITH ADAT I/O 8 discrete
Class 'A' vacuum tube mic preamps are packaged in a single rack unit with 8 channel
24-bit ADAT I/O at 44.1 or 48kHz. Each input offers pad, phase and low frequency rolloff switches. Input gain and variable output level control of each channel allows up to
70dB of clean gain or tube warming and soft clipping. Each channel has LED meters
to monitor the preamp output. Wordclock in and thru-puts allow multiple Tubeopto8’s
to be synced. Features 8 XLR-1/4" combo input jacks, and 8 1/4" TRS outs.
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DESCRIPTION
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PROJECT-CHANNEL ... Channel strip with optical compressor, 1RU ............................... 499.00
ITEM
DESCRIPTION
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TUBEOPTO-8 ............. 8-channel mic pre with ADAT I/O ................................................ 449.00
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MIC PREAMPS & VOICE PROCESSORS
AVALON DESIGN VT-737SP MONO MIC PREAMP/COMPRESSOR/EQ
The VT-737SP features a combination of tube preamplifiers, opto-compressor,
sweep equalizer, output level and VU metering in a 2RU space. Features include
phantom power, De-Ess control, linkable stereo tracking (with a second unit),
+30dB headroom & -92dB noise floor. Inputs; mic +30dB at 1kHz balanced
XLR, instrument +30dB unbalanced front panel jack, line +36dB balanced XLR.
Output; XLR connector, output trim gain -45dB to 20dB. Frequency response;
1Hz-200kHz line in/out.
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DESCRIPTION
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VT737SP.................... Mic preamp/compressor/EQ ............................................. 2250.00
AUDIENT ASP008 8-CHANNEL VARIABLE IMPEDANCE MIC PREAMP
This 8-transistor discrete Class ‘A’ design front end has extended bandwidth and an
exceptionally low noise floor. Outstanding technical performance delivers incredible
transparency and detail without coloration or other unwanted artifacts. Each channel
features an XLR input,“soft start” 48V phantom power, switchable input impedance,
25-250Hz hi-pass filter as well as line input selection. Channels 1 and 2 also feature a
–20dB attenuator and high-impedance instrument/DI inputs on front-mounted jacks.
LEDs indicate signal presence or overload. The optional 96kHz digital output card
provides both AES/EBU and ADAT optical outputs.
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DESCRIPTION
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ASP008 ........................... 8-channel variable impedance mic preamp ........................ 1400.00
ASP008-AES/ADAT96....... ASP008 with AES/EBU/ADAT 96kHz digital output card....... 1925.00
AUDIENT MICO DUAL MIC PRE A twin mic pre with built-in ultra-high quality
ADCs, making it an ideal front-end for desktop users. The front-end balanced discrete Class ‘A’ design is also used in the ASP008 and the ASP8024 mixing consoles. It
also features HMX harmonic sculpting on channel 1 for creating vintage style character and complexity by simply turning a knob. For recording a single source with twin
mics or mic+DI, the variphase control on channel 2 allows precise phase alignment
(or creative mis-alignment) of the 2 signal paths.
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DESCRIPTION
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MICO ......................... Compact twin mic pre w/XLR-1/4" combo inputs,
switchable hi-pass, 48V phantom, -10dB pad ........................... 660.00
DAKING MIC PRE IV Features all discrete transistor circuitry with transformer-balanced inputs and outputs, Class ‘A’ amplifiers, and all-relay switching with gold bifurcated
contacts, and switchable +48v phantom power. Includes 3 inputs per channel (mic-lineinstrument) with instrument input on front of each channel, 20db pad on mic inputs,
20-segment VU meters, and steel construction for strength and noise immunity.
BEHRINGER ADA8000 8-CHANNEL, A/D-D/A CONVERTER W/MIC PREAMPS
A state-of-the-art converter with 8 built-in IMP microphone preamplifiers and integrated 8-analog to ADAT® and ADAT® to 8-analog line outputs. Signal conversion can
be processed at 44.1 or 48kHz with 24-bit resolution. The ADAT® inputs and outputs
can be operated independently as long as there is an identical wordclock signal.
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DESCRIPTION
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ADA8000-ULTRAGAIN ............8-channel A/D-D/A converter/mic preamp ....................... 249.99
CHANDLER LIMITED TG2 DUAL-CHANNEL MIC PREAMP This is a re-creation
of the rare EMI TG12428 preamp used in EMI/Abbey Road recording and mastering
consoles from the late 60s and early 70s. It features discrete transformer balanced
amplifiers and offers a creamy, smooth tone with a surprisingly open, clear top end.
Includes a Direct In, adjustable output (to facilitate driving the input gain stage),
phase reverse, 48V phantom power, and 300-1200ohm selectable input impedance.
Requires PSU-1 power supply (sold separately).
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DESCRIPTION
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TG2............................ Dual-channel mic preamp (requires PSU-1) ............................. 2182.50
PSU-1........................ Power supply ............................................................................... 225.00
CHANDLER LIMITED TG CHANNEL MKII PRE AMP/EQ The TG Channel MKII
combines the TG2 amp section with an EQ circuit whose design was used in TG12410
mastering console (from the original “Beatles desk”). The active portions of the unit
use the same discrete amplifiers and transformers as in the TG1 Limiter and TG2
pre amp. The passive equalizer portion of the EQ is an all inductor design and offers
sweet high frequencies with large inductor based lows, and a very high “Q” mid-cut
section. Its sound is very comparable to Pultec and Lang program EQs but made from
TG circuits. Requires PSU-1 power supply (sold separately.)
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DESCRIPTION
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TG-CHANNEL-MKII..... Mic/Line amp and EQ (requires PSU-1) ..................................... 2335.50
PSU-1........................ Power supply ............................................................................... 225.00
1021
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DESCRIPTION
PRICE
MICPRE-4 ................. 4-channel mic pre ..................................................................... 2395.00
DAKING MIC PRE ONE CLASS ‘A’ MIC PREAMP
A Class ‘A’, fully-discrete transistor design that features
a unique variable high-pass filter, a freestanding
‘DI-style’ steel enclosure, switchable phase, 20dB
mic input pad and +48V phantom power, plus a
selectable 1/4" front panel hi-z instrument input.
Two knobs control the variable high-pass filter
(0-200Hz) and continuously variable input gain,
with a 20-segment LED meter for monitoring. The rear
of the unit offers a Jensen transformer-isolated mic and fully-balanced XLR output, a
1/4" line output, and a DC power connector from the external supply.
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DESCRIPTION
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MIC-PRE-ONE ........... Mic preamp ................................................................................. 795.00
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1024
EARTHWORKS ZDT SERIES 1021/1022/1024 MIC PREAMPS The ZDT
preamp series is based on an entirely balanced signal path and new discrete circuitry
designed by David Blackmer, establishing a new standard of sonic excellence. The
specifications are astounding: frequency response from 1Hz-200kHz +/- .5dB, rise time
of .27 microseconds, < .0001% distortion. These preamps are so fast, so clean and so
transparent they behave like “wire with gain”. They have XLR inputs and outputs, precision stepped gain from 5-60dB in 5dB steps, 48Volt phantom with indicator LED per
channel, polarity reverse, and imminent (10dB below) clipping indicators.
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DESCRIPTION
PRICE
1021.......................... Single-channel in half-rack, 1RU .............................................. 1399.00
1022.......................... Dual-channel unit in 1RU ......................................................... 1999.00
1024.......................... 4-channel unit in 1RU ............................................................... 3299.00
For expert advice - call: 800-356-5844
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MIC PREAMPS & VOICE PROCESSORS
FOCUSRITE ISA ONE SINGLE
CHANNEL MIC PREAMP This mic
preamp features Lundahl transformers,
switchable impedance, line input (XLR
& TRS), dedicated insert point, phantom power, phase reverse, hi-pass filter, headphone output with volume control, and a rugged custom flight case. Also includes
independent DI channel with dedicated gain control, active or passive pickup switch,
TRS out for routing to an amp, and XLR out.
FOCUSRITE ISA TWO MICROPHONE PREAMP Bring your mics to life with this
dual-mono mic pre featuring classic Focusrite sound quality along with 2 independent channels with line-in and front panel instrument inputs. Sonic clarity is provided
by mu-metal shielded Lundahl input transformers, variable input impedance and variable cut-off high-pass filter (16-420Hz). Rear panel features include balanced inserts
(per channel), TRS line inputs, and user-calibrated metering, allowing you to calibrate your analog levels with your DAW/converters, resulting in clip-free recordings.
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DESCRIPTION
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ISAONE ...................... Single channel mic preamp with independent DI........................ 499.99
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DESCRIPTION
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ISATWO ..................... Dual-mono mic pre...................................................................... 899.99
FOCUSRITE OCTOPRE MKII 8-CHANNEL MIC PREAMP With built-in
24-bit/96kHz ADAT connections and 8 channels of pre-amps, the OCTOPRE-MKII is
a powerful input upgrade for any DAW. It’s also a great expansion for any analog or
digital console, or hard disk recorder. Connect it to your audio interface’s ADAT input
to create a high-quality, multi-channel recording solution. Features -10dB pad, direct
output, 48V and XLR Combi jacks on each channel. The -DYNAMIC model adds built-in
8-channel 24-bit/96kHz ADAT inputs, Sapphire mic pres, and 8 single dial VCA-based
feed-forward compressors. Analog I/O features (8) mic/line combi-XLR/TRS inputs
and (8) 1/4" TRS outputs. Both models feature word clock in (word clock out is available on the -DYNAMIC.)
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DESCRIPTION
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OCTOPRE-MKII ......................8-channel mic pre w/24-bit/96kHz ADAT out................... 499.99
OCTOPRE-MKII-DYNAMIC......8-channel mic pre w/24-bit/96kHz ADAT in/out .............. 699.99
DBX 376 SINGLE-CHANNEL/386 DUAL-CHANNEL MIC PREAMPS
These single rack-space 24-bit/96kHz tube preamps pack performance without the
price. The 376 is a single-channel processor with 3-band parametric EQ, compressor,
de-esser, and has 48V phantom power, AES/EBU & S/PDIF digital outputs, phase invert
& 75Hz low cut filter. The 386 dual-channel processor provide the same features as
the 376 without the EQ and compressor/de-esser. It adds Word Clock sync I/O.
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DESCRIPTION
PRICE
376............................ Mono-tube preamp ...................................................................... 529.95
386............................ Dual-tube preamp ....................................................................... 529.95
DBX 286S MIC PREAMP/PROCESSOR Includes input gain control, switchable
+48V phantom power, an 80Hz high-pass filter, OverEasy® compressor and a tunable
De-Esser. Fine-tune the Enhancer HF and LF Detail controls to add sparkle and crispness
or fullness and depth to vocals and instruments. Separate threshold and ratio controls on
the Expander/Gate allow you to reduce headphone leakage or radically gate noisy guitar
amps. Other features include a full compliment of metering and status LEDs, floating balanced XLR mic inputs that accept balanced or unbalanced connectors, a 1/4" TRS line input
and an insert jack to interface between mic preamp and signal processing sections.
FOCUSRITE ISA SERIES MIC PREAMPS The ISA828 has 8 ISA-series transformer-based mic preamps with switchable impedance, direct instrument inputs, 8 line
inputs and 8 line outputs. It integrates seamlessly with ProTools HD and other hard
disc recorders and mixing desks via 25-pin D-Type connectors. The ISA428-MKII has
4 ISA mic preamps, also with switchable impedance and direct instrument inputs
per channel. Each channel on both units includes an insert point, hi-pass filter, and
6 LED input meter.
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DESCRIPTION
PRICE
ISA828 ..................................8-channel mic preamp .................................................. 2499.99
ISA428-MKII..........................4-channel mic preamp .................................................. 1499.99
ISA8CHANNELA/DOPTION ......192kHz A/D card option for both models ......................... 499.99
EMPIRICAL LABS MIKE-E DIGITALLY CONTROLLED MIC PREAMP This unit’s
transformer-coupled mic preamp section features a top-quality compressor/limiter,
a low-noise transformer input and digitally controlled gain, as well as stepped gain
control. There are 4 sections to the CompSat™ section: saturator - a multi-stage soft
clipping circuit; a compressor/saturation circuit that offers long-knee compression in
the form of 4 ratios (2:1, 4:1, 8:1, and “Nuke”); the 2-circuit, signal to noise-improving
emphasis section; and a mix control to mix the uncompressed signal with the compressed signal.
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DESCRIPTION
PRICE
EL9-MIKE-E ............... Mic preamp/compressor/saturator ............................................ 1599.00
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DESCRIPTION
PRICE
286S.......................... Mic preamp/processor ................................................................. 199.95
FMR AUDIO RNP8380 REALLY NICE
PREAMP As a follow up to the RNC1773
compressor, the RNP8380 continues to
deliver extremely hi-fidelity performance at
a no nonsense price. It features a 2-channel
rack design with balanced XLR connectors
(which auto detect and adjust for unbalanced use), TRS 1/4" iso-balanced inserts for
each channel, +27.5dBu of gain, 48V phantom power, third order EMI-resistant filter,
stepped gain control, and phase inversion control.
ITEM
DESCRIPTION
PRICE
RNP8380 ................... 2-channel mic preamp ................................................................ 475.00
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JOHN HARDY COMPANY M-1 MICROPHONE PREAMP
Available with 1-4 channels this 1RU modular mic pre provides
sonic accuracy and transparency via its world-renown Jensen
JT-11-BMQ transformer, 990 discrete op-amp and the elimination
of all coupling capacitors from the signal path. The dual-range gain control and High
Gain switch provide great resolution for easy and accurate adjustment of levels, while
the 20-segment LED meter (with separate peak LED) allows accurate output monitoring. Other per-channel controls include switchable polarity reverse and phantom
power and ground lift. All front panel switches are LED-illuminated for ease of use.
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DESCRIPTION
PRICE
M-1-1CH ................... 1-channel modular mic preamp ................................................ 1111.04
M-1-2CH ................... 2-channel modular mic preamp ................................................ 1701.28
M-1-3CH ................... 3-channel modular mic preamp ................................................ 2291.52
M-1-4CH ................... 4-channel modular mic preamp ................................................ 2881.76
M-1-CHANNEL ........... Additional mic pre for M-1 .......................................................... 590.24
We have the largest selection of hard-to-find items. Call us!
MIC PREAMPS & VOICE PROCESSORS
GRACE DESIGN M101/M103 The m101 features balanced, transformerless,
trans-impedance circuit topology, universal switching power supply, dedicated LED
indicators for preamp functions, 48V phantom power, and HPF switch. The Ribbon
Mic Mode bypasses the input decoupling capacitors, raises the input impedance from
8.1kΩ to 20kΩ, and defeats the 48V phantom power, preventing damage to delicate
ribbon mic elements. The gain range is 10-75dB, including the additional +10dB of
gain available with the output trim control. The m103 adds a 3-band EQ and optical
compressor. Controls include fully parametric mid, with shelving and peak modes
on the high and low bands. The compressor circuit is based on an optical attenuator
and provides gentle limiting to fairly heavy compression, while remaining neutral and
transparent. The compressor controls can be linked for stereo applications, the order
of the EQ/COMP is switchable, and monitoring signal status is simple with 10-segment
gain reduction and output meters. The m101 and m103 include a HI-Z input on the
front panel. Rear panel I/O options include both balanced TRS and unbalanced TS 1/4"
outputs along with the standard XLR balanced out and XLR microphone in. The m103
adds XLR and 1/4" unbalanced mic pre out, and XLR line so that the mic pre and EQ/
COMP sections can be accessed independently of each other.
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DESCRIPTION
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M101 ......................... Single-channel mic pre/DI........................................................... 685.00
M103 ......................... Single-channel mic pre/DI with EQ and optical compressor ..... 1695.00
JDK AUDIO R20 2-CHANNEL MIC PRE A dualchannel mic pre designed from the ground up by API's
design team. Each channel features both a mic and an
instrument input, with switched phantom power, phase, and pad. It features custom
analog VU meters for monitoring output level, peak indicator, 20dB mic pad (10dB for
instrument signal), and fully balanced output, both 1/4" and XLR.
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DESCRIPTION
PRICE
R20 ........................... 2-channel mic pre ..................................................................... 1015.75
NEW!
MILLENIA HV-37 MIC & INSTRUMENT PREAMP This transparent 2-channel
preamp is housed in a compact 1RU chassis. Its front panel has a continuouslyvariable gain control and 1/4" instrument inputs. Features include a DC-coupled
ribbon mic setting with 10dB boost, 80Hz roll-off filter, 15dB pad, polarity flip
and 48V phantom power. Its internal power supply allows for operation from
100–240V.
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DESCRIPTION
PRICE
HV37 ......................... Mic & instrument preamp, 1RU................................................. 1439.99
GRACE DESIGN M201 MICROPHONE PREAMPLIFIER This preamp delivers
massive headroom, ultra-wide bandwidth and a very open, musical character. The
signal path is fully balanced from start to finish, resulting in a wider dynamic range.
New high-current output drivers enable even longer cable runs without signal loss.
The exclusive ribbon mic mode shifts the gain range up 10dB while deactivating
48V phantom power, bypassing the decoupling capacitors and optimizing the input
impedance. Each channel has an ‘input mode’ rotary switch which selects between a
standard 48V phantom input, ribbon mic mode, a front panel DI input or high voltage
input for DPA mics (130V or 190V). The m201 is also available with a state of the art
24-bit/192kHz A/D converter option, from the factory or as a retrofit to existing units.
The A/D converter features word clock, Digidesign LoopSync, and proprietary dual
stage PPL with s-Lock for extremely low jitter.
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DESCRIPTION
PRICE
M201 ......................... 2-channel mic preamp .............................................................. 2375.00
M201A/D ................... A/D converter option, factory-install only .................................... 935.00
LACHAPELL AUDIO 992EG TWOCHANNEL TUBE PREAMP This 2-channel fully-balanced all-tube preamp and instrument amp features Jensen transformers
and 8 dual triode vacuum tubes. Includes a fully variable level control for the input
and output stage, amplifier isolated VU meters, and 5 illuminated toggle switches
per channel for Meter On/Off, 48V (Phantom), -20db input pad, phase reverse and
Mute. The input stage features Jensen's JT-115k transformer along with two 12AX7/
ECC83 vacuum tubes per channel. The direct instrument input (Hi-Z) stage utilizes
the high performance Cinemag CM-DBX direct transformer which feeds the balanced
differential amplifier input. This double balanced approach allows for an extremely
quiet Hi-Z stage. The 992’s output stage features two 12AU7 tubes in parallel with the
Jensen JT-11BM line output transformer to balance the outputs.
ITEM
DESCRIPTION
PRICE
992EG ....................... 2-channel tube mic/instrument preamp ................................... 3750.00
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MILLENNIA HV-3D 4-/8-CHANNEL SOLID STATE MIC PREAMP The HV-3D
is a 4- or 8-channel, fully-matched microphone preamplifier. With circuitry identical to Millennia’s acclaimed HV-3C series, the HV-3D offers high resolution gain
switching (36 steps @ 1.5dB per step), +23dBu native input headroom, +32dBu
output headroom and requires no input pads or switch points. It features an
entirely balanced audio path, laser trimmed FET-based output, matched discrete
transistor front-end and ultra-high dynamic stability.
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DESCRIPTION
PRICE
HV3D-4...................... 4-channel mic preamp .............................................................. 2977.99
HV3D-4-TO-8............. 4-channel upgrade for HV3D-4 ................................................. 1400.00
HV3D-8...................... 8-channel mic preamp .............................................................. 4021.99
MILLENNIA HV-3R 8-CHANNEL REMOTE CONTROL MIC PREAMP
The HV-3R integrates advanced computer & network technology with HV-3 Series
analog circuitry, via high performance 4th generation relays rated for 50 million
operations. Now you can deliver up to 792 channels to ProTools, digital consoles, hard
disk, or tape. Each and every input is captured with unrestricted dynamic range and
effortless musicality. The HV-3R has a plug n play ProTools interface via MIDI. Using
Ethernet and a remote PC or Mac application, you can manage a complex system from
anywhere. Features include transformerless design with matched hi-speed discrete
transistor octet which has 23dB input headroom (no pads needed), balanced audio
with THD under 5PPM (.0005%), laser trimmed FET-based output stage with 32dB of
headroom – driving 1000' cable runs with ease, gain controls (1dB per step), Mogami
Neglex OFC audio wiring, & silver Teflon power wiring.
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DESCRIPTION
PRICE
HV3R ........8-channel remote controllable preamp.............................................................CALL
HROE ........Output exp. card, allows 3 outputs per input, 8 channels on each DB25 ...... 1349.99
DC ............DC input option in addition to standard 3-pin phantom XLR input that
adds direct DC-coupled input for dynamic & ribbon mics and improves
sonic performance for dynamic mics, priced per input .................................. 92.63
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135
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MIC PREAMPS & VOICE PROCESSORS
NEW!
PRESONUS TUBEPRE V2 & BLUETUBE DP MIC/INSTRUMENT PREAMPS
The Tube Pre v2 and BlueTube DP v2 preamps offer low-noise/high headroom audio
in a compact metal chassis. Both feature XMAX Class ‘A’ amplifiers, a 12AX7 tube,
Drive control, +48V phantom power, polarity-reverse switch, 80Hz high-pass filter,
-20dB pad, and backlit VU meter. The 1ch TubePre v2 features separate unbalanced
1/4" instrument and balanced XLR mic inputs, along with unbalanced 1/4" and balanced XLR line outputs. The 2ch BlueTube DP features 2 combo mic/instrument
inputs along with balanced XLR and unbalanced 1/4" main outputs.
RADIO DESIGN LABS STM-2 COMPACT MIC PREAMP This low-cost and
compact amplifier is designed for commercial sound, broadcast and even security
applications. Featuring RF-filtered inputs, adjustable 35-65dB of gain and phantom
supply input, the STM-2 operates from 24VDC, but can operate from 12VDC with a 6dB
reduction in headroom. Each of the 2 balanced or unbalanced outputs drives either
high- or low-impedance loads.
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DESCRIPTION
PRICE
STM2 .....................................Compact mic preamp ...................................................... 129.46
ITEM
DESCRIPTION
PRICE
TUBE-PRE-V2 ........................1-channel, 1/3RU, tube mic preamp ............................... 129.95
BLUETUBE-DUALPATH-V2......2-channel, 1/2RU, tube mic preamp ............................... 229.95
PRESONUS ADL 700 CHANNEL STRIP Three dual-triode 12AX7 tubes and a
high-voltage Class ‘A’ dual-transformer design are at the heart of this ultra-low-noise,
flexible preamp that provides up to 73dB of gain. Variable mic-input impedance
allows for a variety of tonal effects, while switchable compressor/EQ signal flow
gives you the flexibility to choose whichever meets your application. Other features
include fully variable FET compressor/ limiter, 4-band semi-parametric equalizer,
variable high-pass filter, phantom power, -20dB pad, polarity inversion and a dual
mode analog VU meter.
ITEM
DESCRIPTION
PRICE
ADL700...................... Tube channel strip .................................................................... 1999.95
TC02
SM PRO AUDIO RED VALVE SERIES TUBE
PREAMPS Featuring selectable phantom
power, phase reversal, adjustable optical compressor, and -20dB Pad. These Class ‘A’ preamplifiers have hand tested 12AX7 tubes in metal
housing. Tailored for home project studio use,
all the units can be used as high-quality DI units.
TC01
ITEM
DESCRIPTION
PRICE
SMP-TC01-1.............. Single-channel tube preamplifier, half-rack chassis .................. 139.99
SMP-TC02-1.............. 2-channel tube preamplifier, 1RU ............................................... 179.99
EP-84
PRESONUS DIGIMAX D8 8-CHANNEL MIC PREAMP Features 8 balanced combo mic/line inputs, XMAX Class ‘A’ microphone preamps, 8 channels of
24-bit/48kHz ADAT output, 2 front-panel 1/4" instrument inputs, 1 ADAT Lightpipe
optical digital output, AD converters, word clock, LED metering, -20dB pads on all
channels, and (8) 1/4" TRS direct analog outputs. 48V phantom power is switchable
in pairs for condenser mics.
ITEM
DESCRIPTION
PRICE
DIGIMAX-D8 .............. 8-channel mic preamp with ADAT out, 48kHz ............................. 399.95
PRESONUS STUDIO CHANNEL The Studio Channel is a professional channel
strip combining Class ‘A’ tube microphone/instrument preamplifier, VCA-based compressor and 3-band parametric equalizer perfect for the professional and project
studio. The compressor controls include threshold, ratio, attack, release, make-up
gain, auto, and soft settings. It has a precision analog VU meter for gain reduction and
output, EQ Pre/Post compressor switch, 80Hz hi-pass filter, 20dB pad, phase invert,
high headroom, ultra low noise design, and a rugged metal chassis. It includes XLR
and 1/4" TS inputs, XLR balanced and 1/4" TRS balanced/unbalanced outputs.
SM PRO AUDIO 8-CHANNEL MICROPHONE PREAMPS Low-noise, rackmountable mic preamps with 48V phantom power, gain control, phase reverse, 60dB of gain,
23db of maximum output, and a peak light for each channel. The EP84 is for analog or
digital (with the optional SMP-AOO-1 output module) applications and features -20dB
pads, 80Hz low cut filters, and XLR/TRS inputs and outputs. The PR8E is perfectly
suited for use as a front-end device for many hard disk recording systems, as well as
adding additional mic pre's to digital mixers and sound cards. It boasts a very high gain
structure with exceptionally low noise and features balanced XLR/combo inputs and
TRS outputs, and a built-in -20dB pad in the 1/4" TRS line-in jack sockets. Other applications include expansion for multi-channel DAW’s and input from line-level devices.
ITEM
DESCRIPTION
PRICE
SMP-EP84-1 ............. 8-channel mic preamp, 2RU ....................................................... 299.95
SMP-PR8E-1 ............. 8-channel mic preamp, 1RU ....................................................... 179.99
ITEM
DESCRIPTION
PRICE
STUDIO-CHANNEL...... Mic pre/compressor/EQ ............................................................... 299.95
RME QUADMIC 4-CHANNEL MIC PREAMP
This preamp has 4 balanced mic/line inputs via Neutrik XLR/TRS
combo jacks. Each channel features 48V phantom power, a low-cut filter, and phase
reversal. Amplification can be set between 10 and 60dB and it has LEDs for signal,
clip, and activated phantom power. The 4-stereo TRS output reference level can be
either HiGain or +4dBu.
RUPERT NEVE DESIGNS PORTICO II SERIES
MIC PRE A 2RU single channel full-featured mic
pre with 4-band EQ, compressor-limiter, “texture”
control and level metering. The Portico II Channel
includes Variable Silk/Silk+ Texture control, a fully tunable “de-esser”, multiple
VCA filtering and detection options, a transient-optimized swept HPF and parallel
compression blending. Get input signals from mic in on XLR, balanced line in on XLR
or DI on 1/4". Also has 1 XLR output, a 1/4" side chain (send/return), and a 1/4" link
(send/return).
ITEM
DESCRIPTION
PRICE
QUAD-MIC ................. 4-channel mic preamp with line outputs .................................... 649.00
ITEM
DESCRIPTION
PRICE
PORTICO-II-CHANNEL ...........Single channel mic pre, 2RU ......................................... 3495.00
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MIC PREAMPS & VOICE PROCESSORS
SOLID STATE LOGIC XLOGIC ALPHA CHANNEL With the classic combination of
a mic preamp, filter, EQ and dynamics, the Xlogic Alpha Channel is the perfect front
end to your digital audio workstation. Includes “Variable Harmonic Drive” circuit
for distortion characteristics, built-in A/D conversion, auto-sample rate sensing and
auto-compression to avoid DAC clipping.
ITEM
DESCRIPTION
PRICE
ALPHA-CHANNEL ....... XLogic alpha-channel strip ....................................................... 1099.00
SOLID STATE LOGIC XLOGIC ALPHA VHD FOUR CHANNEL MIC PREAMP
The VHD Pre adds four SSL mic preamps to any line level DAW audio interface. The
four mic pres have independent Variable Harmonic Drive circuits that use analogue
signal paths to generate rich harmonic distortion, taking it from valve-style warmth
through to trashy transistoresque overdrive. Features 75dB of gain, 48V phantom
power, 20dB pad, XLR I/O and more.
ITEM
DESCRIPTION
PRICE
ALPHA-VHD-4 ............ 4-channel mic pre with variable harmonic drive ...................... 1629.00
SOUND DEVICES MIXPRE FIELD
PREAMP/MIXER A studio quality 2-channel portable stereo mic preamp and mixer. Features include pan
switches, slate mic, 1kHz oscillator and headphone monitoring. Up to 66dB of gain,
input transformers, 48V phantom power, High pass filters, LED meters, limiters, 2 AA
batteries or external power.
ITEM
DESCRIPTION
PRICE
MIX-PRE-D ................ Portable mic preamp/mixer ..........................................................899.00
SOUND DEVICES MM-1 MIC PREAMP
A full-featured, portable single-channel
microphone preamplifier with a flexible
headphone monitoring function. Its headphone monitoring function is an advantage
where com channels or mix-minus feeds
are needed. Features include: Transformer-balanced inputs and outputs, dual-stage
limiter, two-position high-pass filter 48V or 12V phantom power, 12V T-powering, AA
(2) battery powered or External DC (5-17 V).
ITEM
DESCRIPTION
PRICE
MM1 .......................... Portable mic preamp ................................................................... 499.00
SOUND DEVICES MP-1 PORTABLE MIC
PREAMP A portable battery powered field
mic preamp ideal for radio, television, or
field recording applications. It features 2-AA
battery power, 48V and 12V phantom power,
balanced XLR I/O, 2-position (80Hz/160Hz) high-pass filter, 120dB of dynamic range
and up to 66dB of gain. It also has a dual-stage opto-isolator limiter on board.
Certified Repair by
Experienced Technicians
Full Compass is a factory-authorized repair
center for many of the major brands we carry.
ITEM
DESCRIPTION
PRICE
MP1........................... Portable mic preamp ................................................................... 399.00
STUDIO TECHNOLOGIES ANNOUNCER’S CONSOLES
Audio control tabletop hubs for announcers, commentators,
and production personnel. Compatible with all broadcast and
production audio system environments. Each unit features a
mic preamp with selectable gain and 48V phantom power.
Other features include stereo headphone monitoring, 2 rotary headphone output level
controls (MODEL-233 has 3), and microcontroller-directed audio routing. MODEL220/230/233 offer 2 line-level inputs, and 3 pushbutton switches that provide programmable “click-free” audio path control (210/212 offer 2 switches). MODEL-212 provides
unbalanced AES digital audio signals and a bidirectional digital interface for direct
integration with Riedel® intercom systems. MODEL-230/233 offer a dual-channel
intercom interface with “auto-terminate.” MODEL-44 serves as an interconnection
hub, providing power and signal routing for up to 6 announcer’s consoles. Each of the
6 channels is individually over-current and short-circuit protected.
ITEM
DESCRIPTION
PRICE
MODEL-210 ..........Console, broadcast IFB in, transformer-balanced out, line-level out ... 691.11
MODEL-212 ..........Console, 2 digital audio in, digital audio main and talkback outs ... 989.43
MODEL-220 ..........Console, 2 line-level in, broadcast IFB in, transformer-balanced out,
line-level out, Aux relay contacts ...................................................... 889.99
MODEL-230 ..........Console, 2 line-level in, broadcast IFB in, transformer-balanced out,
line-level out, Aux relay contacts .................................................... 1088.87
MODEL-233 ..........Console, 2 line-level in, transformer-balanced out, 2 line-level out,
Aux relay contacts, tally status out ................................................. 1188.31
MODEL-44 ............Interface for 200-series consoles, RJ45 connectors .......................... 889.99
REAR
SUMMIT AUDIO 2BA-221 MIC/LINE PREAMP MODULE The 2BA-221 uses
separate and individually controlled solid state input controls to mix the microphone
input with the Hi-Z or line input into the variable vacuum tube output. Mix the inputs
together through the 12AX7A/ECC83 tube output or separately through individual
solid state outputs. Multiple units can be linked together to form a modular mixing
device with individual outs, inserts per channel and a final vacuum tune stage. Other
features include a swept high pass filter, insert jack, internal power supply and
compact 1/2-rack size form factor.
ITEM
DESCRIPTION
PRICE
2BA-221 .................... Microphone/line level preamp ..................................................... 679.99
SYMETRIX 528E VOICE PROCESSOR This voice processor is an all-in-one solution to handle the basic problems plaguing typical production applications. This unit
features a studio grade mic preamp, de-esser, compressor/limiter, and parametric
equalizer/notch filter to fit comfortably in a single rack space. Each function is served
by a full compliment of controls in an easy-to-use layout. The 528E is ideal for recording and broadcast applications. This voice processor is designed for controlling sibilance problems, maintaining uniform levels, eliminating noise, and voice shaping.
SUMMIT AUDIO TPA200B DUAL TUBE PREAMP
A unique combination of tube and solid state technologies offers the warmth associated with tubes without the inherent high-frequency loss, while also providing the
reliability of solid state components. The TPA200B has inputs for microphone level,
line level and front-panel Hi-Z instrument inputs. Features include Pad and Phase
switches, 48V phantom power, Jensen input transformers, overload and overdrive
indicators and compact 1/2-rack size form factor.
ITEM
DESCRIPTION
PRICE
528E.......................... Vocal processor ........................................................................... 769.00
ITEM
DESCRIPTION
PRICE
TPA200B ................... Dual tube microphone preamp .................................................. 2499.99
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MIC PREAMPS & VOICE PROCESSORS
UNIVERSAL AUDIO 4-710D 4-CHANNEL MIC PREAMP
A boutique quality, 4-channel microphone/line preamp with tube
and solid-state tone blending capabilities. It offers selectable
1176-style compression circuitry on each channel, plus 4 additional line inputs feeding 8 channels of 24-bit A/D conversion at selectable sample rates
up to 192kHz. Each of the 4 channels allows for continuously variable phase-aligned
tone, between a 100% tube and 100% solid-state signal path. Balanced send and return
jacks are available for external processing or signal access. Digital output is available via dual ADAT Lightpipe or AES/EBU DB-25 connectors, for integration with the
most popular audio interfaces. Other features include large backlit VU meters, 48V
phantom power, 75Hz low-cut filter, polarity switch, monolithic balanced output stage,
8-channel soft limiter, ultra-low jitter clock subsystem, 75ohm BNC word clock I/O
and anti-pop protection on power-up. I/O includes (4) 1/4" unbalanced high-Z inputs
and 3-pin XLR mic in, line in, line out, and 1/4" send and return jacks per channel.
ITEM
DESCRIPTION
PRICE
4-710D ..................... 4-channel mic preamp ............................................................. 1999.00
UNIVERSAL AUDIO 710
TWIN-FINITY™ MIC PRE
A radically new UA preamp design which combines the classic retro warmth of UA
tube design with the transient bite of solid-state. All in 2RU, half-rack, all-metal
chassis. It features Twin-Finity™ tone-blending mic/line preamp & Hi-Z instrument
DI, dual-path 310V Class ‘A’ tube and transimpedance solid state preamp, and phasealigned “Tone-Blending” of tube and solid-state. It has dual-gain stages (wire with
gain to creamy to crunchy), discrete JFET DI with 2.2M-ohm ultra Hi-Z impedance,
and monolithic balanced output stage. It has 70dB+ of gain, +48V phantom, pad
(-15dB), phase invert, and low cut filter (75Hz). Connectivity includes front panel
Hi-Z input (switched from mic/line automatically via jack detect), rear panel XLR mic
input, XLR line input and XLR line output.
UNIVERSAL AUDIO 2-610S DUAL-CHANNEL TUBE MIC PREAMP
Based on the legendary UA 610 modular console, this “silver-face” preamp offers
–15dB input pad, phase reverse, 48V phantom power, and 2 bands of shelving EQ.
Inputs include 2x XLR mic w/variable impedance (500 or 2K Ω), 2x balanced 1/4"
line, and 2x unbalanced 1/4" Hi-Z (46K or 2.2M Ω). Outputs are XLR line out. Other
features include variable input gain and output levels, custom wound double sized
alloy transformers, improved frequency response of 20Hz-20kHz +1dB, and ultraquiet operation (greater than 82dB signal-to-noise ratio). Whether you’re running
pure analog or seeking to enhance your digital audio workstation, it will bring classic
tube character to your recording.
ITEM
DESCRIPTION
PRICE
710-TWIN-FINITY ...... Single-channel tube/solid-state mic pre/DI ................................ 799.00
ITEM
DESCRIPTION
PRICE
2-610S ..................... Dual-channel tube mic preamp, silver ..................................... 2199.00
UNIVERSAL AUDIO 6176 CHANNEL STRIP With the 6176 Universal Audio
combines the 610B tube microphone preamp with the legendary 1176LN compressor
to create the ultimate single channel signal path for everything from vocals to vibraphones. Features include a 12AX7A tube & 12BH7 (1 each per channel), 48V phantom
power, a joint/split switch to separate the compressor from the mic preamp, and
can run in stereo with the 1176SA (optional). I/O includes XLR & 1/4" input for the
mic preamp, XLR input for the compressor (split mode), & XLR outputs for both
sections. All I/O are balanced.
UNIVERSAL AUDIO LA-610 MKII This 2nd generation revamp features true
compressor bypass, larger metering, improved signal output and an auto-sensing
power supply. It gives a vintage “all tube” luxury sound in a modern channel strip
format, combining the 610 mic-pre/EQ/DI section and a T4 opto-compressor into a
single 2RU unit. The 610 tube preamp, DI and EQ is from UA’s TEC award-winning
6176 and is based on the legendary console modules developed by Bill Putnam in the
'60s. It also offers an authentic Teletronix LA-2A-style T4 opto-compressor.
ITEM
DESCRIPTION
PRICE
6176.......................... Channel strip ............................................................................ 2499.00
ITEM
DESCRIPTION
PRICE
LA-610-MKII.............. Classic tube-recording channel ................................................ 1599.00
UNIVERSAL AUDIO SOLO-610 MIC PREAMP This preamp delivers the classic Putnam 610 console sound in
a single-channel format. It has a continuous gain control with an even greater range, allowing for more precise gain
structuring and doubles as input signal padding. It has a portable “go anywhere” design and is hand-assembled in
the US. Includes 48V phantom power, lo-cut filtering, phase reverse, flexible dual impedance selection for both
mic and DI inputs, ground lift and mic/line level output switch, plus gain and level control for a wide variety of clean
to colored tonal shaping.
ITEM
DESCRIPTION
PRICE
SOLO-610 .................. Classic vacuum tube mic preamp and DI box .................................................................................999.00
YAMAHA MLA8 MIC/LINE AMPLIFIER
Top-performing, compact 8-channel head amplifier featuring a 26dB pad. It provides
adjustable 44dB gain trim, an 80Hz hi-pass filter, and a phantom power switch on
each channel. Euroblock terminals and a D-sub 25-pin connector are on the rear for
a perfect connection with Yamaha digital mixers.
ITEM
DESCRIPTION
PRICE
MLA8 ......................... 8-channel mic/line head amplifier .............................................. 608.18
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