FUJIFILM GFX 50S (PDF: Approx. 6.3MB)

FUJIFILM GFX 50S (PDF: Approx. 6.3MB)
Specification
Model name
FUJIFILM GFX 50S
Number of effective pixels
51.4 million pixels
Image sensor
43.8mm×32.9mm Bayer array with primary color filter
Sub LCD monitor
1.28 inch, Aspect Ratio 1:1, 128×128-dot Monochrome LCD Monitor
Sensor Cleaning System
Ultra Sonic Vibration
Movie recording
[Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 36Mbps up to Approx. 30min.
Storage media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB) UHS-I / UHS-II*1
File format
Still Image
Movie
Number of
recorded pixels
LCD monitor
3.2 inch, Aspect Ratio 4:3, Approx. 2,360K-dot Tilt-Type,
Touch Screen Color LCD Monitor (Approx. 100% Coverage)
[HD (1280×720)] 29.97p / 25p / 24p / 23.98p 18Mbps up to Approx. 30min.
JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW (RAF original format),
Photography functions
Color, Sharpness, Highlight tone, Shadow tone, Noise reduction, Long exposure NR,
RAW+JPEG, 8-bit TIFF (In-camera Raw Conversion Only)
Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting,
MOV (MPEG-4 AVC / H.264
Edit/Save custom setting, Store AF mode by orientation, Rapid AF, AF point display, Pre-AF,
Audio : Linear PCM / Stereo sound 48KHz sampling)
Face/Eye detection AF, AF+MF, Focus peak highlight, Focus check, Interlock spot AE & focus area,
[L] <4:3> 8256×6192 <3:2> 8256×5504 <16:9> 8256×4640 <1:1> 6192×6192
Instant AF setting (AF-S/AF-C), Depth-of-field scale, Rlease/Focus priority, Touch screen mode,
<65:24> 8256×3048 <5:4> 7744×6192 <7:6> 7232×6192
Mount adapter setting, Red eye removal, Movie AF mode, RGB Histogram, Highlight alert,
[S] <4:3> 4000×3000 <3:2> 4000×2664 <16:9> 4000×2248 <1:1> 2992×2992
Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, Multiple exposure
<65:24> 4000×1480 <5:4> 3744×3000 <7:6> 3504×3000
Touch Screen
Mode
FUJIFILM G mount
Lens Mount
Shooting Mode
Touch AF, Focus Area, OFF
Playback Mode
Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag
Standard Output
AUTO1/AUTO2/AUTO3 (up to ISO12800) / ISO100~12800 (1/3 step)
Extended Output
ISO50 / 25600 / 51200 / 102400
PRO Neg.Hi, PRO Neg.Std, Black&White, Black&White+Ye Filter,
Exposure control
TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Black&White+R Filter, Black&White+Gfilter, Sepia, ACROS, ACROS+Ye Filter,
Exposure mode
P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation
-5.0EV - +5.0EV 1/3EV step
Grain Effect
STRONG, WEAK, OFF
(Movie: -2.0EV - +2.0EV)
Color Chrome Effect
STRONG, WEAK, OFF
Image Stabilizer
Supported with OIS type lenses
Dynamic range setting
AUTO, 100%, 200%, 400%
Shutter type
Focal Plane Shutter
Playback functions
Switch slot, RAW conversion, Erase, Erase selected frames, Crop, Resize, Protect,
Sensitivity
Shutter
speed
Film Simulation mode
15 modes ( PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, Classic Chrome,
ACROS+R Filter, ACROS+G Filter )
Mechanical
Shutter
4sec. - 1/4000sec. (P mode), 60min. - 1/4000sec. (All modes)
Electronic
Shutter*3
4sec - 1/16000sec. (P mode), 60min. - 1/16000sec. (All modes)
Electronic Front
Curtain Shutter*4
4sec. - 1/4000sec. (P mode), 60min. - 1/4000sec. (All modes)
Mechanical +
Electronic Shutter
4sec. - 1/16000sec. (P mode), 60min. - 1/16000sec. (All modes)
Electronic Front
Curtain Shutter*4 +
Electronic Shutter
4sec. - 1/16000sec. (P mode), 60min. - 1/16000sec. (All modes)
Battery age, Sound set-up, EVF brightness, EVF color, LCD brightness, LCD color,
Bulb mode (up to 60min.), TIME: 60min. - 1/16000sec.
Image disp, Auto rotate displays, Preview exp./WB in manual mode, Preview pic. effect,
Synchronized shutter
speed for flash
1/125sec. or slower
Framing guideline, Autorotate PB, Focus scale units, Disp. custome setting,
Image rotate, Red eye removal, Voice memo setting, Copy, Photobook assist,
Bulb mode (up to 60min.), TIME: 60min. - 1/4000sec.
Multi-frame playback (with micro thumbnail), Favorites, RGB histogram, Highlight alert
Wireless
transmitter
Bulb mode (up to 60min.), TIME: 60min. - 1/16000sec.
Continuous shooting
Standard
IEEE 802.11b/g/n (standard wireless protocol)
Access mode
Infrastructure
Encryption
Bulb mode (up to 60min.), TIME: 60min. - 1/4000sec.
Wireless function
Remote camera shooting, instax printer print
Bulb mode (up to 60min.), TIME: 60min. - 1/16000sec.
Other functions
Exif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning,
Sub monitor setting, Focus lever setting, Edit/Save Quick menu, Function(Fn) setting,
Approx. 3.0fps (JPEG: Endless Lossless compression RAW: 13 Frames Uncompressed RAW: 8 Frames)
Selector button setting, Command dial setting, Shutter AF, Shutter AE,
*When Using the Electronic Front Curtain Shutter
Shoot without lens, Focus ring, AE/AF-Lock mode, Expo. Comp. button setting,
Approx. 1.8fps (JPEG: Endless Lossless Compression RAW: Endless Uncompressed RAW: 8 Frames)
Touch screen setting, Lock, Auto power off, Shooting stand by mode, Auto power save,
*Recordable frame depends on recording media.
Frame No., Save org image, Edit file name, Card slot setting, Switch slot,
*Speed of continuous shooting depends on shooting environment and shooting frames.
Movie file destination, Copyright Info
AE Bracketing (2/3/5/7/9 frames) ±1/3EV - ±3EV, 1/3EV step
Auto bracketing
Terminal
Digital interface
Film Simulation Bracketing (Any 3 types of film simulation selectable)
Focus
USB3.0 (High-Speed) / micro USB terminal
*connectable with Remote Release RR-90 (sold separately)
Dynamic Range Bracketing (100%, 200%, 400%)
HDMI output
HDMI Micro connector (Type D)
ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
Ohters
ø3.5mm, stereo mini connector (Microphone)
White Balance Bracketing (±1, ±2, ±3)
ø3.5mm, stereo mini connector (Headphone)
Mode
Single AF / Continuous AF / MF
ø2.5mm, Remote Release Connector
Type
TTL Contrast AF
DC IN 15V Connecter *Compatible with AC-15V (Optional) Only
AF frame
selection
Single Point AF: EVF / LCD: 13×9 / 25×17 (Changeable Size of AF Frame Among 6 Types)
Hot shoe
Zone AF: 3×3 / 5×5 / 7×7 from 117 Areas on 13×9 Grid
Syncronized terninal
Wide/Tracking AF: (Up to 9 Area) *AF-S: Wide *AF-C: Tracking
White balance
Power supply
NP-T125 Li-ion battery (included)
Automatic scene recognition / Custom / Color temperature selection (K) / Preset : Daylight, Shade,
Battery life for still images*5 Approx. 400 frames When GF63mmF2.8 R WR is set. (Auto power save ON)
Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White),
Continuance battery life
of movie capture*5
Actual battery life
of movie capture*5
Incandescent light, Underwater
Self-timer
10sec. / 2sec.
Interval timer Shooting
YES Setting : Interval, Number of shots, Starting time
Flash modes
SYNC. MODE
1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS)
FLASH MODE
TTL(FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / OFF
*When EF-X500 is set
WEP / WPA / WPA2 mixed mode
Geotagging, Wireless communication (Image transfer), View & Obtain Images,
Dimensions
[Full HD] Approx. 145min. *Face detection is set to OFF
[Full HD] Approx. 70min. *Face detection is set to OFF
147.5mm (W) × 94.2mm (H) × 91.4mm (D) / 5.81in. (W) × 3.71in. (H) × 3.60in. (D)
(Minimum Depth : 41.6mm / 1.64in.)
Weight
Approx. 825g / 29.1oz. (including battery and memory card)
Approx. 920g / 32.5oz. (including EVF)
Hot shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder
0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder
Operating Temperature
-10°C - 40°C (+14°F - +104°F)
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Operating Humidity
10% - 80% (no condensation)
Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece)
Starting up period
Approx. 0.4sec. *Fujifilm Research
Diopter Adjustment: -4 - +2m-1
Accessories included
Li-ion battery NP-T125, Battery charger BC-T125, Plug adapter, Body cap,
Approx. 740g / 26.1oz. (excluding accessories, battery and memory card)
Magnification: 0.85× with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Shoulder strap, Metal strap clip, Metal strap clip lock, Cable protector,
Diagonal Angle of View: Approx. 40° (Horizontal Angle of View: Approx. 33°)
Interchangeable electronic viewfinder EVF-GFX1, Hot shoe cover (Body/EVF), Connector cover (EVF),
Built-In Eye Sensor
Vertical Battery Grip connector cover, Sync terminal cover, Owner's manual
*1 Please see the Fujifilm website to check memory card compatibility. *2 Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing. *3 The Electronic Shutter may not be suitable for fast-moving objects. Flash can not be used. *4 When using the
electronic front curtain shutter, the continuous shooting speed drops and using high speed shutter, the shutter switches to mechanical shutter. (1/640sec. to 1/4000sec.) *5 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Memory Card Capacity and Image Quality / Size
Still Image
Number of images
8GB
RAW 66 / RAW (Lossless compressed) 127 / L (4:3 / SUPER FINE) 254 / L (4:3 / FINE) 381 / L (4:3 / NORMAL) 607
16GB
RAW 137 / RAW (Lossless compressed) 265 / L (4:3 / SUPER FINE) 524 / L (4:3 / FINE) 785 / L (4:3 / NORMAL) 1253
Movie
Recording time
8GB
Full HD (1920×1080) 26min. / HD (1280×720) 51min.
16GB
Full HD (1920×1080) 54min. / HD (1280×720) 105min.
http://fujifilm-x.com/gfx-50s/
To ensure correct usage, read owner's manual carefully before using your equipment.
All photos, illustrations, drawings and other images in this brochure are
intended for illustrative purposes only.
SDXC logo is a trademark. All other trademarks are the property of their respective holders.
SILKYPIX® is a registered trademark of Ichikawa Soft Laboratory Co., Ltd. in Japan.
Specifications are subject to change without notice
For more information, please visit our website
http://www.fujifilm.com/products/digital_cameras/index.html
©2017 FUJIFILM Corporation
Medium Format Mirrorless Digital Camera
SYSTEM BROCHURE
OPEN YOUR EYES
The FUJIFILM GFX 50S delivers the world's best image quality. It combines outstanding
resolution of 51.4 megapixels with exceptional tones, advanced color reproduction
and high-performance lenses. This level of image quality is purely motivational. The
world around you changes the moment you hold this camera in your hand. Appreciate all that
can be achieved with Fujifilm's new medium format mirrorless camera system, GFX.
SEE MORE OF THE WORLD
Fujifilm has always prioritized image quality in its medium format film cameras. Now, after
establishing a solid market position in digital imaging, the company is returning to the
world of medium format with the launch of the GFX 50S. By using in-depth knowledge of
larger format cameras and applying the same philosophy that has run throughout the
development of Fujifilm's digital photographic equipment, this camera achieves new
standards in photographic quality. The GFX 50S begins a new chapter in camera history.
GF63mmF2.8 R WR on FUJIFILM GFX 50S 1/4000sec. F5.6 ISO200 CLASSIC CHROME Photographer: Bernd Ritschel
GF32-64mm F4 R LM WR on FUJIFILM GFX 50S 1/125sec. F5.6 ISO100 PROVIA Photographer: LinKai Kong
PAGE
13
SPECIFICATION
• SENSOR
• PROCESSOR
14
• MOUNT
IMAGE QUALITY
15
• IMAGE SETTINGS / BASICS
16
• ADVANCED IMAGE SETTING
BODY / DEVICE
17
• BODY
18
• VIEWFINDER
19
• LCD MONITOR
20
• SUB MONITOR
• VERTICAL BATTERY GRIP
MECHANICAL
21
• SHUTTER
• FOCUSING
OPERABILITY
22
CONTENTS
• EXPOSURE
• PHOTOMETRY
• CONTINUOUS SHOOTING
• FLASH SHOOTING
23
• VARIOUS FUNCTIONS
LENS
25
• FUJINON GF LENS
SYSTEM
27
• FLASH
• TERMINAL
28
• MOUNT ADAPTER
• VIEW CAMERA ADAPTER
29
• TETHERED SHOOTING
• RAW CONVERSION
31
GF63mmF2.8 R WR on FUJIFILM GFX 50S 16.8sec. F11 ISO100 Velvia Photographer: Sirou Hagihara
• SYSTEM CHART
SPECIFICATION
SPECIFICATION
SENSOR
MOUNT
FUJIFILM G Format Image Sensor The GFX 50S features a 43.8x32.9mm CMOS medium format
sensor: a product of Fujifilm's rich history, cutting-edge digital technology and extensive knowledge of
medium format film cameras. Boasting an effective resolution of 51.4 million pixels and paired with
high-performance GF lenses, the sensor delivers superior tones and sharpness that will impress
professional photographers shooting in the world of commercial, fashion or landscapes.
FUJIFILM G MOUNT The GFX 50S uses the G Mount, which has a mount diameter of 65mm, flange
back distance of 26.7mm and minimum back focus distance of 16.7mm. It uses as many as 12 electronic
contact points for sending and receiving data, plus it supports the use of a wide variety of lenses and
accessories. The short back focus distance, made possible because of the Fujifilm mirrorless system's
structure, affords greater freedom in lens design to contribute to the development of fast, compact and
high-performance GF lenses while preventing vignetting to deliver edge-to-edge sharpness.
FUJIFILM G FORMAT
43.8×32.9 mm
35mm FORMAT
[FULL FRAME ] 36.0×24.0 mm
APS-C FORMAT
23.6×15.6 mm
Number of effective pixels
51.4 Million Pixels
Image sensor
43.8mmx32.9mm (FUJIFILM G Format) CMOS
with Primary Color Filter No Optical Low-Pass Filter
Number of Recorded Pixels
[L] <4:3> 8256×6192
Actual size
Optimized Sensor Design Both the shape of the light-gathering micro-lenses and the processing from
the photodiodes have been optimized to achieve a high level of sharpness and broad dynamic range. The
lowest native ISO sensitivity of 100 and the 14-stop dynamic range, achieved with 14-bit RAW data, delivers
high definition images in a variety of conditions with notably rich skin tones and intricate foliage detail.
Actual size
PROCESSOR
FUJIFILM X-Processor Pro The GF X 50S
sports the X-Processor Pro image processing
engine, capable of drawing the very best out of
t h e 51.4 m e g a p i x e l s e n s o r. I t s a d v a n c e d
p ro c e s s i n g a c c e l e r ate s a n d o pti m i ze s th e
camera's per formance in a variet y of areas
including stunning color re production with
F u j i fi l m's u n i q u e F i l m S i m u l a t i o n m o d e s ,
in-camera RAW conversion to the 8-bit TIFF
format, accurate contrast AF, quick startup time,
and minimal shutter release time lag and shooting
intervals between frames.
External Mount Diameter 76.5mm
Mount Diameter 65.0mm
Flange Back Distance
26.7mm
Minimum Back Focus 16.7mm
Electronic Contact
12 pins
Sensor Cleaning
Ultra Sonic Vibration
SPECIFICATION
SPECIFICATION
PAGE 13
PAGE 14
IMAGE QUALITY
IMAGE QUALITY
IMAGE SETTINGS / BASICS
ADVANCED IMAGE SETTING
Image Formats The GFX 50S saves pictures in a variety of formats and quality, including two sizes and
three compression levels of JPEGs, as well as compressed/uncompressed RAW. Even when you are
shooting only in RAW, the camera records 12-megapixel thumbnails at the same time. Its in-camera RAW
conversion function also enables RAW files processing with the ability to save them as 8-bit TIFFs.
FILM SIMULATION Developed with Fujifilm's color producing know-how over 80 years of photographic
film manufacturing, Film Simulation allows you to reproducing a variety of colors and tones as if using
different photographic films.
Compressed
JPEG (EXIF Ver.2.3)*
Uncompressed
RAW: 14bit RAW (RAF Original Format), RAW+JPEG
8bit TIFF (In-Camera Raw Conversion Only)
Aspect Ratio
4:3
〈L〉8256×6192(51M)
〈S〉4000×3000(12M)
3:2
〈L〉8256×5504(45M)
〈S〉4000×2664(11M)
5:4
〈L〉7744×6192(48M)
〈S〉3744×3000(11M)
7:6
〈L〉7232×6192(45M)
〈S〉3504×3000(11M)
16:9
〈L〉8256×4640(38M)
〈S〉4000×2248(9M)
1:1
〈L〉6192×6192(38M)
〈S〉2992×2992(9M)
Standard mode for general use that faithfully
reproduces 'memor y colors'; colors just as you
remember them.
A combination of high saturation and 'memor y
colors', this option reproduces vivid colors, making it
ideal for landscapes.
Combining a soft effect with high saturation, this
o ptio n d e li ve r s radia nt s k in to n e s a nd s m o oth
gradation.
65:24
〈L〉8256×3048(25M)
〈S〉4000×1480(6M)
*Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing.
ISO Sensitivity The standard ISO sensitivity range is
ISO100-12800, with ex tended sensitivities of ISO50,
ISO2560 0, ISO5120 0 and ISO10240 0 also available.
RAW format is supported at all these ISO settings. The
AUTO function allows you to set the standard ISO, low
shutter speed limit and upper ISO limit, and configure
AUTO 1 - 3 settings according to shooting conditions.
White Balance White balance can be set as
Auto, Preset, Custom or Color Temperature
settings. RB color coordinates can be used
to shift the white balance for fine tuning
color balance. Up to three custom white
balance settings can also be stored.
Standard
Output
AUTO1 / AUTO2 / AUTO3
(up to ISO12800) /
ISO100 to 12800 (1/3 step)
Extended
Output
ISO50 / 25600 / 51200 / 102400
Automatic Scene Recognition, Custom 1~3
Color Temperature Selection (2500K - 10000K)
Preset: Daylight, Shade, Fluorescent Light
(Daylight), Fluorescent Light (Warm White),
Fluorescent Light (Cool White), Incandescent
Light, Underwater
O t h e r I m a ge Q u a l i t y S e t t i n g s Tones and colors
can be fine tuned in combination with Film Simulation to
achieve your desired color reproduction.
Dynamic Range
AUTO·100%·200%·400%
Highlight Tone
+4∼−2
Shadow Tone
+4∼−2
Color
+4∼−4
Sharpness
+4∼−4
Noise Reduction
+4∼−4
CLASSIC CHROME
PRO Neg. Hi
PRO Neg. Std
Delivering subtle colors and beautifully muted tones,
this simulation is reminiscent of vintage reversal film.
Produce portraits with sharp contrast even in flat
light. This option delivers natural skin tones, setting it
apart from those based on 'memory color' technology.
Reproduces accurate, natural skin tones in portraits
shot under controlled light.
MONOCHROME
SEPIA
Premium monochrome mode delivers fine texture,
deep blacks and smoother tones.
General use monochrome mode that offers three
filter options (Ye, R and G), just like ACROS.
Adds a warm tone across the frame for a sepia look.
When applied to a retro subject, it creates a nostalgic look.
GRAIN EFFECT Graininess is added to the entire
frame to simulate the look of film-based images.
Grain Effect
COLOR CHROME EFFECT Provides an extra
boost to saurated colors for a more punchy result.
Color Chrome Effect
OFF / Weak / Strong
IMAGE QUALITY
IMAGE QUALITY
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OFF / Weak / Strong
BODY / DEVICE
BODY / DEVICE
BODY
VIEWFINDER
Actual size
High Magnification and High Definition Electronic Viewfinder
The GFX 50S is supplied with a detachable 3.69M-dot EVF with
100% coverage and a viewfinder magnification of 0.85×. It uses five
dedicated lens elements to achieve 100% coverage and offers a
diopter adjustment range of -4m-1 to+2m-1.
Actual size
Finder
0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint
Approx. 23mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment
-4 - +2m-1
Magnification
0.85× with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View Approx. 40° (Horizontal Angle of View: Approx. 33° )
Dust-resistant, water-resistant and freezeproof to -10°C. The body is
made from robust magnesium alloy, which feels both solid and durable in the
hand. The body is weather-sealed in 58 points to achieve a high level of
resistance to dust and moisture.The GFX 50S is compact and lightweight
despite the large size of its sensor, plus its dust and weather-resistant body
means it's equally effective in the studio or out in the field.
EVF Brightness
AUTO / -5 - +5 EVF Color -5 - +5
Others
Built-In Eye Sensor
EVF Tilting Adapter EVF-TL1 (Optional) Attach the optional
EVF Tilting Adapter EVF-TL1 between the camera body and the
EVF to enable vertical tilt (0°-90° / 5 steps) and horizontal rotation
(±45°). This allows you to shoot from waist level or aids shooting in
portrait orientation.
Dimensions
147.5mm (W) × 94.2mm (H) × 91.4mm (D) (Minimum Depth 41.6mm)
Weight
Approx. 825g (including Battery and Memory Card), Approx. 920g (including EVF)
Dimensions
53.7mm (W) × 36.8mm (H) × 65.3mm (D)
Body
Magnesium Alloy
Weight
Approx. 160g (Aluminium)
Operating
Condition
Temperature -10°C - 40°C / Humidity 10 - 80% (No Condensation)
Operating Temperature
-10°C - 40°C
Operating Humidity
10 - 80% (No Condensation)
Operation Parts
Hot Shoe / Tilting Lock / Lock Release Button / Rotating Lock Lever
Drive Menu Use the Drive button to quickly
switch between different modes such as Burst,
Bracketing and Video.
Dual Card Slot Both slots support high-speed
UHS-II cards. They can be assigned to store files
according to their format, e.g. JPEG, RAW or Movie.
Still Image / Continuous / AE BKT / ISO BKT /
Film Simulation BKT / White Balance BKT /
Dynamic Range BKT / Multiple Exposure / Movie
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB)
UHS-I / UHS-II*
Command Position (C/T) Set the ISO Dial /
Aperture Ring to "C" and the Shutter Speed Dial
to "T" to change settings only with the front and
rear Command Dials while checking settings on
the Sub LCD Monitor.
Exposure Compensation Exposure compensation
of up to ±5 stops in 1/3 steps can be set with the
E x p o s u re C o m p e n s ati o n B u t to n a n d R e a r
Command Dial.
* Please see the Fujifilm website to check memory card compatibility.
Still Image
-5.0EV - +5.0EV, 1/3EV Step
Movie Recording
-2.0EV - +2.0EV
3D Electronic Level This electronic level uses a
3D system and is highly effective for architecture
or landscape photography, when the accuracy of
horizontal and ver tical lines is crucial.
RGB Histogram The GFX 50S can display four
types of histograms: RGB and brightness, each
with or without highlight warnings.
5
5
4
4
3
3
2
2
1
1
0
0
-1
-1
-2
-2
-3
-3
-4
-4
-5
-5
8
10
1.0
1600
32
BODY / DEVICE
BODY / DEVICE
PAGE 17
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5.6
1.0
500
BODY / DEVICE
BODY / DEVICE
LCD MONITOR
SUB MONITOR
Sub LCD Monitor displays main settings The 1.28-inch
monochrome LCD monitor can be viewed in all conditions (including
bright sunlight) and displays information including shutter speed,
aperture, ISO, exposure compensation and exposure mode. You can
customize up to eight items to be displayed on the monitor; it also
has a backlight for viewing in low light conditions.
Large Rear Touchscreen LCD Tilts in Three Directions The rear 2.36M-dot LCD monitor measures
3.2 inches and offers 100% coverage. The smart touchscreen panel enables intuitive operation and tilts in
three directions (90° up, 45° down and 60° to the right) for easy framing and shooting from high or low
angles.
Monitor
3.2inch
3.2 inch,
Aspect Ratio 4:3,
Approx. 2,360K-dot
Tilt-Type,
Touch Screen
Color LCD Monitor
1.28 inch, Aspect Ratio 1:1, 128x128-dot Monochrome LCD Monitor
1.28inch
(Approx. 100% Coverage)
LCD Brightness
AUTO
-5 - +5 (30 - 800cd/m2)
LCD Color
-5 - +5
Backlight: Yes
VERTICAL BATTERY GRIP
Actual size
Enlarged Live View For more accurate
focusing, push or rotate the Rear Command
Dial to enlarge Live View images between 1×
and 16.7×.
1×
8×
16.7×
Smart Touchscreen Display The GFX 50S features a smart touchscreen display, which makes it easy to
select an AF area, bring up an RGB histogram, display the 3D electronic level and enlarge the Live View.
Shooting Mode / Flick (Up and Down)
Playback Mode RGB Histogram, Live View Highlight Alert (Shooting Mode only)
Double Tap
Enlarged Live View / Playback Zoom
Tap, Press, Drag
AF Area Selection, Touch AF / View Other Area During Playback Zoom
Pinch-In, Pinch-Out
Playback Zoom In and Out (Playback Mode only)
Swipe
View Next Picture (Playback Mode only)
Other Functions
Q Menu Selection, Input Character
Vertical Battery Grip VG-GFX1 (Optional) The vertical battery grip VG-GFX1 provides a solid grip
while also maintaining the camera's optical axis during vertical shooting. The grip features a Shutter
Release Button, Command Dial, Focus Lever and six Fn buttons, mirroring the layout of the camera body. It
holds an extra battery to enable shooting for extended periods of time and can be used to charge the
battery. Using the AC adapter supplied (AC-15V), you can fully charge a battery in approx. two hours.
Dimensions
147.5mm (W) × 52.1mm (H) × 67.9mm (D)
Weight
Approx. 310g (Magnesium Alloy, Excluding battery)
Operating Temperature
-10°C - 40°C
Operating Humidity
10 - 80% (No Condensation)
Operation Parts
Shutter Button, Control Lock, Front and Rear Command Dial, Fn Buttons 1-6, Focus Lever, Q Button,
MENU/OK Button, Battery Cover Lock, Tripod Socket, Lock Screw
BODY / DEVICE
BODY / DEVICE
PAGE 19
PAGE 20
MECHANICAL
MECHANICAL
SHUTTER
EXPOSURE
The World's First Focal-Plane Shutter*1 Specifically Designed for Medium Format Mirrorless
Cameras The newly-developed focal-plane shutter is the world's first specifically designed for medium
format mirrorless cameras. It is a low-noise mechanical shutter that withstands 150,000 actuations*2, offers
shutter speeds up to 1/4000sec. and has an electronic first curtain. Choose from three shutter types,
*1 Fujifilm research as of December 2016. Compared with other mirrorless digital cameras equipped with 43.8x32.9mm sensor or larger.
including an electronic shutter.
*2 According to Fujifilm internal testing.
Mechanical Shutter
Mechanical + Electronic Shutter
4sec. to 1/4000sec. (P Mode), 60min. to 1/4000sec. (All Modes)
4sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes)
Bulb mode (up to 60min.), TIME: 60min. to 1/4000sec.
Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec.
Electronic Front Curtain Shutter*
Electronic Front Curtain Shutter + Electronic Shutter
4sec. to 1/4000sec. (P Mode), 60min. to 1/4000sec. (All Modes)
4 sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes)
Bulb Mode (up to 60min.), TIME: 60min. to 1/4000sec.
Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec.
Electronic Shutter
*When using the electronic front curtain shutter, the continuous shooting speed drops to 1.8fps and
using high speed shutter, the shutter switches to mechanical shutter. (1/640sec. to 1/4000)
4sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes)
Synchronized Shutter Speed for Flash
Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec.
1/125 sec. or slower
Exposure Mode Settings Using Dials and Rings The combination
of settings on the Shutter Speed Dial, ISO Dial and Aperture Ring allow
you to switch between four different exposure modes: Aperture Priority
AE (A), Shutter Speed Priority AE (S), Program AE (P) and Manual. As
dials are used for main exposure settings, you can adjust settings even
when the camera is turned of f. The Command Position (C/ T ) also
enables Command Dial operations.
PHOTOMETRY
Four Metering Modes The GFX 50S offers four metering modes: Multi, Spot, Average and Center
Weighted. When spot metering, the focusing and metering areas can be linked.
FOCUSING
Multi
Calculates exposure based on analysis of the whole frame
Average Sets exposure based on the average brightness of the entire frame
Spot
Takes a meter reading from an area occupying approx. 2% of the frame
Center
Takes a meter reading mainly from the center of the frame
Weighted
9×13 (117 Points) / 17×25 (425 Points) Single Focus Points and
Six Sizes of Focus Area TTL Contrast AF is available in Single Point,
Zone and Wide/Tracking modes. In the Single Point mode, the camera
offers 9×13 (117 points) or 17×25 (425 points) and six different Focus
Area sizes. Select the minimum size for pinpoint focusing.
Focus Mode
CONTINUOUS SHOOTING
Continuous Shooting at Approx. 3.0fps In continuous shooting mode, the GFX 50S can shoot at up to
3.0fps until the memory card fills up in JPEG, up to 8 frames in RAW, and up to 13 frames in compressed RAW.
Single AF / Continuous AF / MF
Auto Focus Type TTL Contrast AF
AF Frame
Selection
Single Point AF: EVF / LCD: 13×9 / 25×17 (Changeable Size of AF Frame Among 6 Types)
Approx. 3.0 fps (JPEG: Endless, Lossless Compression RAW: 13 Frames, Uncompressed RAW: 8 Frames)
Zone AF: 3×3 / 5×5 / 7×7 from 117 Areas on 13×9 Grid
Approx. 1.8 fps (JPEG: Endless, Lossless Compression RAW: Endless, Uncompressed RAW: 8 Frames) *When Using the Electronic Front Curtain Shutter
Wide/Tracking AF: (Up to 9 Area) *AF-S: Wide *AF-C: Tracking
Six AF Modes
AF-S + Single Point
For capturing subjects using a specific AF point
AF-C + Single Point
For continuous spot-focusing
AF-S + Zone
For capturing subjects across a large AF area (3x3, 5x5, 7x7)
AF-C + Zone
For tracking a subject within a selected area
AF-S + Wide
For automatically capturing a subject across the frame
AF-C + Tracking
For continuously tracking a subject across the frame
Focus Lever Use the Focus
Lever to move the focus area
in eight directions (up/down,
side to side, diagonally) for
easy framing and accurate
focusing.
12m36s
5
4
Fa c e D e t e c t i o n / Eye
Detection AF The camera
automatically detects and
S on a face or eyes.
focuses
Priority can be given to either
the right or left eye.
3
2
1
Depth of Field Scale The
distance indicator bar on the
monitor can be used to
check depth of field. Choose
between the Pixel Basis and
Film Format Basis options.
0
-1
-2
-3
-4
-5
16
11
1.0
Focus Assist Function Use
the Focus Peaking function in
Manual Focus mode. The Live
View on the screen can be
enlarged for more accurate
51200
focusing.
FLASH SHOOTING
Multi-Function Flash Flash sync speed is up to 1/125sec. When using the optional EF-X500, which
supports FP mode, flash sync can be as fast as 1/4000sec. (the maximum shutter speed possible with the
mechanical shutter). The camera also caters to a variety of flash settings including multiple flash lighting.
Compatible Flash
Fujifilm EF Series (excluding EF-X8)
Sync Terminal
Yes Synchronized Shutter Speed for Flash 1/125sec. or Slower
SYNC. MODE
1ST CURTAIN / 2ND CURTAIN / AUTO FP (HSS)
FLASH MODE
TTL (FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / OFF
*When EF-X500 is set.
GRIP
MECHANICAL
MECHANICAL
PAGE 21
PAGE 22
OPERABILITY
OPERABILITY
VARIOUS FUNCTIONS
Full HD Video The GFX 50S supports Full HD video recording (1920×1080, 29.97p / 25p / 24p / 23.98p,
36Mbps) and HD video recording (1280×720, 29.97p / 25p / 24p / 23.98p, 18Mbps). Film Simulation effects,
such as ACROS for ultra high-quality monochrome and Classic Chrome for a documentary-themed look,
can also be applied to video.
Five Types of Bracketing Five
types of bracketing are available to
capture multiple frames at different
settings with a single press of the
shutter release. This function works
with both JPEG and RAW formats.
AE Bracketing (2/3/5/7/9 frames)
±1/3EV - ±3EV, 1/3EV step
Film Simulation Bracketing
Any 3 Types of Film Simulation Selectable
Movie File Forma
MOV
Movie Video Compression
MPEG-4 AVC / H.264
Linear PCM / Stereo Sound 48KHz Sampling
Full HD 1920×1080 29.97p / 25p / 24p / 23.98p 36Mbps up to Approx. 30min.
Dynamic Range Bracketing
100% · 200% · 400%
Audio
ISO Sensitivity Bracketing
±1/3EV / ±2/3EV / ±1EV
Size (pixels) and Frame Rate
White Balance Bracketing
±1 / ±2 / ±3
HD 1280×720 29.97p / 25p / 24p / 23.98p 18Mbps up to Approx. 30min.
AE BKT SETTING
Continuance battery life of movie capture*
Full HD: Approx. 145min. *Face detection is set to OFF
Actual battery life of movie capture*
Full HD: Approx. 70min. *Face detection is set to OFF
* Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
FRAMES/STEP SETTING
1 FRAME/CONTINOUS
CONT.
SEAQUENCE SETTING
0→+→-
AE Bracketing
Voice Memo Function Record your voice for up to 30 seconds to make
notes about the images you are shooting. This makes it easy to keep track
of shooting data in situations where writing notes is impractical.
±0EV
+3EV
Audio File Format
WAVE
Audio
Linear PCM / Stereo Sound 48KHz Sampling
Consecutive Audio Recording
30sec.
Copyright Data for EXIF Use the touchscreen panel to enter "Author"
and "Copyright" to automatically add this information to the file's EXIF data.
SET
Film Simulation Bracketing
PROVIA
Interval Timer Shooting Sample unique shooting styles including
fixed-point photography, time lapse and self-timer images with
controls over shooting interval, total number of frames and shutter
delay. You can set an interval between 1 sec - 24 hours for shooting
1 - infinity frames.
Velvia
Shooting Interval
1sec. - 24 hours
Number of Frames
1 - 999 + ∞
Shutter Delay
In 0min. - 24 hours
Self Timer The Self Timer function can be set at 2 sec or 10 sec. It is particularly useful for situations when
you want to minimize camera shake, such as long exposures.
Multiple Exposure The GFX 50S allows you to take two frames and combine them for a creative effect.
The first shot is displayed on the LCD monitor, so you can easily compose and shoot the second frame.
Battery Age Check the age of the batteries in the camera and the vertical battery
grip. Battery age is expressed as a number between 0 (youngest) and 4 (oldest).
Sensor Cleaning The GFX 50S uses piezoelectric elements to provide ultrasonic sensor
cleaning. You can specify when to perform sensor cleaning: immediately, when the camera is
turned on, or when the camera is turned off.
Wireless Connectivity Install the free FUJIFILM
Camera Remote app on your smartphone or tablet
to carry out a location data search, remotely control
the camera and transfer or view in-camera images,
a l l w i t h o u t h av i n g to e n te r a p a s s wo rd. T h i s
functionality is also useful when shooting landscapes
with the camera mounted on a tripod.
http://app.fujifilm-dsc.com/
Custom Buttons and Menus The GFX 50S features 10 customizable
Fn buttons. Different options can also be asigned to Short Cut Q (Quick)
menu items. Frequently used settings can be registered in My Menu while
Custom Registration allows you to save and rename Film Simulation and
image quality settings.
FUNCTION (Fn) SETTING
Fn1
Fn2
Fn3
Fn4
Fn5
Fn6
Fn7
Shooting Stand By Mode In standby mode, all displays except the Sub LCD Monitor turn off to save
power when no operations are being performed. Choose the length of time your camera will wait before
entering standby mode: 5 min, 2 min, 1 min, 30 sec, or 15 sec.
Fn8
Fn Button
Camera Body 10 Buttons / Battery Grip 6 Buttons
My Menus Settings
16 Items
Q Menu
16 Menus
Custom Setting
7 Settings
OPERABILITY
OPERABILITY
PAGE 23
PAGE 24
LENS
LENS
FUJINON GF LENS
Brass Lens Mount The lens
mount is made from brass for
strength, durability and reliability.
Dust-resistant, water-resistant
and freezeproof to -10°C Like
the camera body, GF lenses
are resistant to dust, water
and low temperatures. Create
epic photography regardless
of the weather or the season.
High Performance FUJINON GF Lenses FUJINON lenses have long catered to the needs of professional
photographers with an extensive lineup including medium format lenses, large format lenses and broadcast TV
lenses. GF lenses, developed with the latest optical technologies, boast outstanding performance and image quality.
GF63mmF2.8 R WR
GF110mmF2 R LM WR
50mm (35mm format equivalent)
87mm (35mm format equivalent)
Lens configuration
10 elements in 8 groups
(includes 1 extra-low dispersion elements)
Lens configuration
14 elements in 9 groups
(includes 4 extra-low dispersion elements)
Focal length (*)
f=63mm (50mm)
Focal length (*)
f=110mm (87mm)
Angle of view
46.9°
Angle of view
27.9°
Max. aperture
F2.8
Max. aperture
F2
Min. aperture
F32
Min. aperture
F22
Aperture Number of blades 9 (rounded diaphragm opening)
control
1/3EV (22 steps)
Stop size
ED Lens
Focus range
0.5m - ∞
Max. magnification
0.17×
External dimension
Weight
Filter size
Aperture Number of blades 9 (rounded diaphragm opening)
control
1/3EV (22 steps)
Stop size
Focus range
0.9m - ∞
Max. magnification
0.16×
φ84.0mm×71.0mm
External dimension
φ94.3mm×125.5mm
405g(Excluding caps and hoods)
Weight
1,010g(Excluding caps and hoods)
φ62mm
Filter size
φ77mm
ED Lens
*35mm format equivalent
*35mm format equivalent
GF120mmF4 R LM OIS WR Macro
GF23mmF4 R LM WR
95mm (35mm format equivalent)
18mm (35mm format equivalent)
Lens configuration
14 elements in 9 groups
(includes 3 extra-low dispersion elements)
Focal length (*)
f=120mm (95mm)
Angle of view
25.7°
Max. aperture
F4
Min. aperture
F32
Aperture Number of blades 9 (rounded diaphragm opening)
control
1/3EV (19 steps)
Stop size
ED Lens
Focus range
45cm - ∞
Max. magnification
0.5×
External dimension
φ89.2mm×152.5mm
Weight
980g(Excluding caps and hoods)
Filter size
φ72mm
Lens configuration
15 elements in 12 groups
(includes 2 aspherical and 4 extra-low
dispersion elements incl. 1 super ED lens)
Focal length (*)
f=23mm (18mm)
Angle of view
99.9°
Max. aperture
F4
Min. aperture
F32
Aperture Number of blades 9 (rounded diaphragm opening)
control
1/3EV (19 steps)
Stop size
Super ED Lens
ED Lens
Aspherical Lens
*35mm format equivalent
Focus range
38cm - ∞
Max. magnification
0.09×
External dimension
φ89.8mm×103mm
Weight
845g(Excluding caps and hoods)
Filter size
φ82mm
*35mm format equivalent
GF32-64mm F4 R LM WR
25-51mm (35mm format equivalent)
TO BE RELEASED IN 2017
GF45mmF2.8 R WR
Lens configuration
14 elements in 11 groups
(includes 3 aspherical and 2 extra-low
dispersion elements incl. 1 super ED lens)
Focal length (*)
f=32-64mm (25-51mm)
Angle of view
62.6°
Angle of view
81°-46.3°
Max. aperture
F2.8
Max. aperture
F4
Min. aperture
F32
Min. aperture
F32
Aperture Number of blades 9 (rounded diaphragm opening)
control
1/3EV (22 steps)
Stop size
36mm (35mm format equivalent)
Focal length (*)
Aperture Number of blades 9 (rounded diaphragm opening)
control
1/3EV (19 steps)
Stop size
Super ED Lens
ED Lens
Aspherical Lens
Focus range
0.5m - ∞ (W) 0.6m - ∞ (T)
Max. magnification
0.12×
External dimension
φ92.6mm×116mm(W) / 145.5mm(T)
f=45mm (36mm)
Focus range
45cm - ∞
Max. magnification
0.14x
*35mm format equivalent
Weight
875g(Excluding caps and hoods)
Filter size
φ77mm
*35mm format equivalent
* These specifications are as of Apr. 2017. Specifications are subject to change. * This is not the image of the final product.
LENS
LENS
PAGE 25
PAGE 26
SYSTEM
SYSTEM
FLASH
MOUNT ADAPTER
EF-X500 (Optional) A high performance, multi-function flash with a guide number of approx. 50, the
optional EF-X500 supports multi-flash lighting, FP mode and continuous output in Burst Mode.
H MOUNT ADAPTER G (Optional) Enables compatibility with H Mount lenses, including SUPER EBC
FUJINON HC lenses for GX645AF (discontinued), to be attached to the GFX 50S. It supports lens shutter
operations and aperture priority AE. Focusing is manual only, but the mount features electronic contacts to
generate and record lens correction data for individual lenses. And a detachable tripod base plate is
included.
Guide Number
Approx. 50 (ISO100·m) / 164 (ISO100·ft)
Flash Coverage
24mm-105mm (35mm format equivalent),
Auto Zoom Function,
Approx. 20mm (35mm format equivalent) when using the Wide Panel
Bounce
90°up, 10°down, 135°left and 180°right
Color Temperature
Approx. 5600K (at Full Output)
FP (High Speed Flash Sync) Mode
Supported
Exposure Control System
TTL, Manual, Multi-Flash (Manual)
TTL Compensation -5.0EV - +5.0EV at 1/3-step increments
*This setting may not be reflected in some shooting conditions.
Manual Flash Power
1/1-1/512 at 1/3-step increments
*Flash settings become slightly restricted in the FP mode.
Multi-Flash Power
1/4-1/512 at 1/3-step increments
Charge
Compatible Lens
H Mount Lens
Firing Interval (at Full Power and Full Charge) Approx. 2.5 seconds (Nickel-Hydrogen Battery)
Exposure Mode
Aperture Priority AE (A) and Manual
Number of Flashes (at Full Power and Full Charge) Approx. 170 times (Nickel-Hydrogen Battery)
Shutter Select
Camera Body Focal-Plane Shutter /
Leaf Shutter in Lens
Wireless Multi-Flash System
Communication Method Optical Transmission
Operation Modes
Master (TTL / Manual / Multi-Flash / OFF)
Focus Mode
Manual Focus Only
Slave (TTL / Manual / Multi-Flash / OFF)
Operation Parts
Fn button (Shutter Select),
Mount Release Lever,
Detachable Tripod base plate
Communication Channels
Ch1 - 4
Slave Unit Groups
Up to 3 Groups (A / B / C)
Power Source
Four AA Batteries (LR6, or Ni-MH)
External Power Source
Battery Pack EF-BP1 (Optional)
Dimensions
Approx. 124.0mm (H) x 67.2mm (W) x 107.3mm (D)
Weight
Approx. 380g (Excluding Batteries)
VIEW CAMERA ADAPTER
TERMINAL
VIEW CAMERA ADAPTER G (Optional) Allows you to use a 4x5 view camera on the GFX 50S in
conjunction with old large format FUJINON lenses. This allows you to take advantage of a view camera's
characteristic tilt and shift functions while using the focal-plane shutter in the camera body.
External Connection Interface The GFX 50S offers various interfacing options, including USB
3.0 for computer-tethered shooting, an HDMI Micro connector to output images to an external
monitor, remote shutter release terminal, microphone input, and headphone jack. Connect the
optional AC power adapter AC-15V to the DC input terminal to use an external power source for
camera operation and charging. The camera comes with a cable lock for attaching cables.
Digital
Interface
USB 3.0 (High-Speed) / Micro USB Terminal
*Connectable with Remote Release RR-90 (Optional)
HDMI Output HDMI Micro Connector (Type D)
DC IN 15V Connecter
*Compatible with AC-15V (Optional) Only
ø2.5mm, Remote Release Connector
ø3.5mm, Stereo Mini Connector (Microphone)
ø3.5mm, Stereo Mini Connector (Headphone)
Others
Hot Shoe, Syncronized Terninal
Compatible Body International Standard 4×5 Camera*
Operation Parts
±20mm Horizontal Shift Slider (5.0mm step)
Mount Rotatable
0° / 90° / 180° / 270°
*Depending on body shape, this adapter may not be attached.
SYSTEM
SYSTEM
PAGE 27
PAGE 28
SYSTEM
TETHERED SHOOTING
HS-V5 (Optional) Use HS-V5 for Windows ® software to tether the GFX 50S
using a USB cable. This enables you to directly save pictures on to a computer or
control the camera from the computer. The Hyper-Utility3 software, which comes
with the camera, allows you to view the photographs you have taken on your
computer. With the software, you can analyze images based on information it
displays such as histogram, highlight warnings and tags, evaluate images by
displaying two images side by side for comparison and sort/organize images with
the Marker function.
Tether Shooting Plug-in PRO for Adobe ® Photoshop ® Lightroom ® (optional)* A plug-in to allow Adobe ®
Photoshop® Lightroom® users to tether the GFX 50S to a computer, using a USB cable or via Wi-Fi ® ** (Firmware Ver.1.10 or
later) and directly save pictures on the computer or control the camera from it. In addition to the functions available in the
standard version of the Tether Shooting Plug-in for Adobe® Photoshop® Lightroom®, this PRO version allows you to view
the photographs you have taken on your
computer, and displays the Control Panel
window on the computer to enable a variety of
camera controls. The conventional Lightroom
tethering plug-in forces you to wait until your
picture is transferred, saved and registered
with Lightroom before it is displayed on the
screen for checking. The Control Panel window
in the PRO version displays pictures faster for
quick viewing. The Control Panel window also
supports Live View as well as offers a multitude
of camera controls such as exposure settings,
bracketing, interval photography, overlay check
and backup / restoration of camera settings.
*Adobe ® Photoshop® Lightroom® 6 or CC is required. The
compatible OS is same as that of Lightroom. To use on
macOS Sierra, Lightroom should be upgraded to 6.7 or
later / CC 2015.7 or later.
**Wi-Fi ® is a registered trademark of the Wi-Fi Alliance.
RAW CONVERSION
In-Camera RAW Conversion Function The GFX 50S features in-camera RAW conversion capability. RAW
conversion can be performed in the field without a computer. Exposure compensation, white balance, image quality
and other in-camera settings can all be easily changed. You can even apply a Film Simulation mode of your choice to
RAW images. Processed RAW files are saved as a JPEG or 8-bit TIFF.
Adobe ® Photoshop ® Lightroom ® / Adobe ® Photoshop ® CC (Optional)
Use Adobe ® Photoshop ® Lightroom ® or Adobe ® Photoshop ® CC to process
your RAW files and save them as JPEG, TIFF, etc. on your computer. It allows
more refined or bolder adjustments than the in-camera RAW Converter and
maintains the use of Film Simulation modes.
RAW FILE CONVERTER EX 2.0 powered by SILKYPIX (Free Download)
Use the RAW FILE CONVERTER EX 2.0 powered by SILKYPIX to convert RAW
files taken with the GFX 50S. Various image settings and Film Simulation modes
can be altered.
SYSTEM
PAGE 29
GF63mmF2.8 R WR on FUJIFILM GFX 50S 1/800sec. F2.8 ISO400 ASTIA Photographer: Natan Sans
SYSTEM CHART
REMOTE RELEASE
RR-90
STEREO MICROPHONE
MIC-ST1
CLIP ON FLASH
EF-X500 Weather Resistant
EVF TILT ADAPTER
EVF-TL1 Weather Resistant
EYE CUP
LENS
CABLE LOCK
(Included)
HOT SHOE COVER
(Included)
AC POWER ADAPTER
AC-15V
SD CARD
BATTERY
NP-T125
EC-GFX
EC-XT L
EC-XT M
EC-XT S
EVF Weather Resistant
(Included)
GF110mmF2 R LM WR
GF120mmF4 R LM OIS WR Macro
GF32-64mmF4 R LM WR
GF23mmF4 R LM WR
GF45mmF2.8 R WR
GF63mmF2.8 R WR
BODY
GFX 50S
Weather Resistant
PROTECTOR FILTER
PRF-62 / PRF-72 / PRF-77 / PRF-82
BATTERY CHARGER
BC-T125 (4 types of plugs included)
VERTICAL BATTERY GRIP
VG-GFX1 Weather Resistant
SHOULDER STRAP
METAL STRAP CLIP
METAL STRAP CLIP LOCK
(Included)
MOUNT ADAPTER
H MOUNT ADAPTER G
(Tripod base plate included)
VIEW CAMERA ADAPTER
VIEW CAMERA ADAPTER G
SYSTEM
SYSTEM
PAGE 31
PAGE 32
GF63mmF2.8 R WR on FUJIFILM GFX 50S 1.0sec. F14 ISO400 PROVIA Photographer: Seiichi Nakamura
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