Documentation - KORG OASYS COMPANION,TRITON

Documentation - KORG OASYS COMPANION,TRITON

KORG TRITON SYNTHESIZER CONTROLLER

DOCUMENTATION

Supports Models - Triton Classic, Extreme, Rack, LE, Triton Studio, Extreme and Karma

O.S. Ver 2.0 or higher !

Version 7.1

10th August 2012

By Stuart Pryer Copyright 2012

Web Site http://myweb.tiscali.co.uk/pryer/

E-Mail [email protected]

----------------------------------------------------------------------------------------------

INDEX

DEMO VERSION

CURRENT VERSION

QUICK START

INTRODUCTION

LOADING, SETTING UP AND RUNNING

HELP ?

TRITON MODEL COMPATIBILITY TABLE

WORKFLOW

PROGRAM PLAY MODE - PCM AND MOSS

PCM EDITOR (BANKS A,B,C,D.E AND G,g) AND MOSS EDITOR

ACCESSING EXPANSION BOARDS – EXB 1 TO 9

MOSS EDITOR (Not Triton LE)

PCM EDITOR

PICKING UP SETTINGS FROM A PCG

RANDOMISE GE – KARMA ONLY

COMBINATION PLAY

RANDOMISE GE’S

COMBINATION EDIT

MASTER AND INSERT EFFECT EDITING

DRUM KIT EDITING

COMPOSER

FRACTAL SEQUENCER – MANDELBROT SET EQUATION

RECORDING SEQUENCES

DETAILED INSTRUCTIONS

EVOLUTION SERIES GRAPH

ARPEGGIO

PCG READER

ARRANGER

JULIA SET

GETTING STARTED

LOADING MIDI DUMPS

FILE \ EDIT \ FORMAT MENU ITEMS

PRINTING PCG LISTS OR SAVING AS A FILE

TOOLS MENU

CHECKING WHICH COMBINATIONS A PROGRAM IS USED IN

REBUILD CURRENT PCG

VIEW CONTROLLER CLIPBOARD

COMPARE PROGRAMS

FINDING REPEATED PROGRAMS & PROGRAM NAMES

MERGE PROGRAMS/COMBINATIONS/DRUMKITS/ARPEGGIOS

AUTO MERGE

AUTO RANDOM

BYTE HIGH, BYTE AVERAGE, BYTE LOW

MERGE KARMA G.E.’S – KARMA ONLY

AUTO AUDITION PCG

SUMMARISE PCG

LIBRARIAN

COPY AND PASTE A PROGRAM

CHANGING NAME OF A - PROGRAM

INITIALISING CURRENTLY SELECTED PROGRAM

SAVING INDIVIDUAL PROGRAMS

OPEN A SINGLE PROGRAM

REPLACE A SINGLE PROGRAM IN A PCG

OPEN A PCG FILE

SAVE A PCG FILE

CUT ‘N PASTE OPERATION BETWEEN PCG FILES - OPEN A SECOND

LIBRARIAN WINDOW

COMPARING SOURCE AND DESTINATION PROGRAM LISTS

MASTER PCG FILES

CREATING A Master PCG (PROGRAM ARCHIVE)

SAVING A MASTER PCG

OPEN A MASTER PCG

CHANGING A PROGRAMS NAME

INITIALISING A PROGRAM LOCATION

COPYING AND PASTING PROGRAMS

USING THE SECOND LIBRARIAN WINDOW WITH MASTER PCG FILES

HELP

FINALLY

REVISION HISTORY

SO THAT’S IT?

CONDITIONS OF USE

LINKS TO SOME OTHER SITES

---------------------------------------------

DEMO VERSION VERSION 7.1 8 August 2012

This application enables the user to control most of the Korg Triton series Synthesizers (Classic,

Rack, LE, Studio, Extreme and Karma) many parameters from a PC (running Windows 95/98, ME,

NT4, Windows 2000, Windows XP and Windows 7 (32 nad 64 bit) – NB. To install you will need to log on with administrator rights for NT/2000/XP based systems). It has been written in Visual

Basic 6 professional SP5. It is a 32 bit application.

I wrote the programme because I felt the interface on the Triton could be made more intuitive and be laid out in a more orderly way – like older analogue synths such as the Korg MS10/20 &

Mini-Moog. Their sound creation process was done in a ‘linear fashion’ on the control panel. This is particularly beneficial for Program editing for PCM and the Moss board (Bank F if fitted), which inherit the principals of earlier synths – plus much more! I found the small screen of the Triton does not provide a particularly clear layout of the controls, with many of the features hidden behind multiple windows.

Please note that this is a demo and has various features disabled and the ability to save edited

PCG files is not available. The following modes are available in the Demo version:- Program Edit,

Combination Play, Midi Settings, Composer, PCG Reader (read only) and Help. The remaining buttons are not available.

There are also many new features in the Full Version not on the Demo version. You cannot send data from an opened PCG file to the synthesizer to audition it on the Demo version. NB. Users of the Demo version can use it for 2 weeks only, after which they must either delete it or subscribe to the full version. Note - The demo is usage limited. The Full Version has the Demo’s disabled features restored plus all of the latest features.

Please read conditions of use.

QUICK START

For those who can’t wait 

NB. A tutorial is also available on my website covering musical synthesis with the Korg Triton series...

Midi Setup….Connecting the Synthesizer to the P.C…..If you want to get up and running quickly and prefer to read the detailed instruction later, then this is what you need to do:-

1. Connect the Korg Synth to the PC using midi leads ( Midi out from the synth to midi in on the PC, and midi in on the synth to midi out on the PC) or a Korg PCIF serial lead (you will need to load the Korg PCIF driver for the latter to work).

2. Load and run the Triton Controller software. Click Midi Set Button (Red midi symbol main toolbar). Set model to the model of synth you use, set midi channel to correct channel – default on synth/software is 1. Select PCIF for midi in and midi out in the text boxes if you are using PCIF cable.

3. On the synth goto ‘Global Mode – Midi settings and set Midi receive for sysex, bank change etc. Tick boxes to enable. If you use PCIF make sure data rate is set to

38kb/sec for the PC.

4. Also make sure that the Triton bank map is set to Korg and not general MIDI.

(Otherwise you will only have access to general Midi.) To do this - On the Triton, Goto global mode - system preferences (page 2) , and set bank map there to Triton.

A quick check on your midi setup - If you click between ‘PCM edit’ and ‘Combi play’ on the T.C. for instance, the mode on the synth will change. (See lights above mode buttons). You should now also be able to goto an edit page in the software, change a parameter on the PC and as you do you should see the parameter change on the Triton/Karma’s screen. You will have to manually goto the particular edit screen on the synth as midi will not alter the screen on the synth automatically - it will however goto the correct mode.

Making your first Edits using the Triton Controller T.C. Software

The Triton Controller Software is designed to make editing sounds on the Korg synth a lot easier than using the small screen that comes with the synth. This is even more true for those models without a touch screen such as the Karma, Rack and LE. The best and simplest page to start with is Program Play.

Click the Icon at the top left of the T.C. menu bar. If the synth is not in that mode already, then the T.C. will force the synth to goto that mode and you should see the program play mode button light up and that mode appear on the tritons screen. (If it does not, then the midi connection needs checking. Goto step 1 above – midi setup.). The P.C. screen will display a new window containing various controls. Now this is the fun bit!

1. With almost any program loaded on the synth – slide the octave slider on the T.C. up or down. Play the synth and you will hear the note go up or down an octave. This is true for most programs, but not all. Move the slider again and play the synth again.

2. Next – do the same thing with the pitch slider – notice what happened to the sound.

3. The Osc Balance changes the respective volumes of the 2 oscillators which make up most triton programs. Sliding it will change the timbre or nature of the sound.

4. The amp level slider changes the output level of the synth. Try sliding it up and down.

5. The Attack and Decay time changes the speed at which a sound builds up and dies away – classic controls on synths since the 1970’s

6. The IFX slider refers to Internal Effects and MFX master effects. Changing this slider will alter the filters modifying the synths sound.

You will see that by just changing these few sliders you can create many different sounds !

Tip….If you want to play the synth from the PC keyboard click the mauve button bottom right –

Audition sound using the P.C. keyboard – and use the Z-M keys and Q-U to play it. Handy if the synth is out of reach from the PC.

If you want to choose a program/bank – ie. Sound from the synth, just use the Orange -

Program/bank select button top right. Select a bank, select a program and press the button below.

The synth will then be told by the T.C. to change the program accordingly. You should see the synths display change and when you play the synth the sound will be different.

You can also save a sound – edited in the synths buffer – to a program/bank location of your choice. Use the Red – Write section of the window of the T.C. for this.

Finally you can adjust arpeggio parameters – assuming your model has arpeggios – Karma uses G.E. instead so this section is not visible on the P.C..

PS…The Load PCG file ‘check box’ will be covered later in the tutorial.

Part 2 …..Multi sample synthesis.

NB. When you first open the T.C. you will see a small window in the top left with the various modes of the Triton listed. By clicking on the various radio buttons you can switch modes on the synth. The sub window also allows the user to open and close the midi port, very useful if you use

PCIF and you want another application to take over the PC port. Just close the T.C. port first.

The Triton Classic is prepacked with over 400 multisamples – these are mainly digital recordings of instruments which have been assigned to the groups of keys on the synth.

You can also sample your own sounds if you own a Triton Classic or Studio or Extreme.

The triton allows the user to combine multisamples – so by pressing one note you can sound up to 2 multisamples in a typical program. By combining Programs you can create Combinations which are rich sounds. So you can see the Triton offers vast numbers of ways of making sounds by addition.

The PCM edit page on the T.C. lays out neatly all of the editing controls – much in the way of earlier synths of the 70’s/80’s did on their control panel. When you want to create a new sound its always easiest to start with an existing one – from one of the Korg PCG files which came with

the synth and which sound similar to the sound you want. Just tweak it as necessary. So how do you do that ?

You need to understand what the various controls do. Controls are generally grouped into:-

1. Oscillators – These are Multisamples really, but early synths just had square wave generators, sawtooth, Sine wave etc. Not real samples and you made the sound different by filtering them. Although you can only sound 2 oscillators at once in a triton program you can velocity switch samples. So if you press the key lightly you get one multisample and press harder you hear another. Don’t worry too much about this now but that’s why there are 2 multisample options per oscillator.

2. Filters – Typically high pass or low pass (High pass just let high frequencies through) and resonance accentuates the frequencies around the resonant frequency. Overdoing this will cause feedback – and a whistling sound will be heard.

3. Amplifiers – How loud will the sound be and what will the balance be between the two oscillators 1 and 2.

4. Envelope Generators – an envelope is a graph whose intensity varies with time. You can make sounds amplitude build slowly and end quickly or vice versa. You can also apply envelopes to filters.

5. Effects – ways of further manipulating the sound such as vibrato, overdrive, leslie speaker etc. – these will be covered later.

The best way of learning about these controls is literally to play around. Start by adjusting just one control at a time and observe how it affects the sound.

Tip……A quick way of generating new sounds is to press the ‘Random program’ button in the centre of the PCM edit window – it uses random values to move various controls, you never know what you will end up with and its great fun ! This feature is only found on the T.C. software.

To Load a PCG file...........

1..select file/open at the PCG Reader screen - Librarian menu - open PCG. Choose a native format PCG as appropriate for your synth . You can generate these yourself by saving any complete pcg on the synth to floppy disc or other media as the synth permits. and then transferring into the PC.

2..Press ‘Select pcm programs' to pick out the program data in the PCG. If the pcg does not contain program data – you will get a ‘search string not found’ message pop up.

3..Press list programs to see them listed by name in the PROGRAM LIST BOX. Here you can sort, search etc.

4..Click on the individual program or enter a number to load a single program. In the full licensed version this will send the program settings to the synths buffer via midi. You can then play the synth hearing the program you selected on the PC !

The same procedure works for combinations, moss, drum kits etc...

Tip…If you have any problems please read the detailed instructions below and feel free to email me as I will be happy to help.

TRITON CONTROLLER – DETAILED INSTRUCTIONS

This application enables the user to control most of the Korg Triton series Synthesizers (Classic,

Rack, LE, Studio, Extreme and Karma) many parameters from a PC (running Windows 95/98, ME,

NT4, Windows 2000, Windows XP and Windows 7 (32 nad 64 bit) – NB. To install you will need to log on with administrator rights for NT/2000/XP or higher based systems). It has been written in Visual Basic 6 professional SP5. It is a 32 bit application. The program is designed for a screen resolution of 1024x768 or higher* (NB. Also set small fonts - in windows display properties - advanced).

* Note. Although, the program is designed for a screen resolution of 1024x768 pixels or higher, from version 5.02

the software now works on older PC’s or laptops with a maximum screen resolution of 800x600 pixels. What happens is - if the software detects the display is set to

800x600. Then it automatically converts all of the forms to the lower resolution. Whilst it is not as pretty because of the loss in ‘real estate’ it is workable. This enables users with older PC’s and especially laptops to utilise the software.

NB. Some of the text and graphics may be more difficult to read or appear truncated at 800x600 pixels. This is unavoidable.

Please read conditions of use.

I wrote the programme because I felt the interface on the Triton could be made more intuitive and be laid out in a more orderly way – like older analogue synths such as the Korg MS10/20 &

Mini-Moog. Their sound creation process was done in a ‘linear fashion’ on the control panel. This is particularly beneficial for Program editing for PCM and the Moss board (Bank F if fitted), which inherit the principals of earlier synths – plus much more! I found the small screen of the Triton does not lend itself to a particularly clear layout of the controls, with many of its features hidden behind multiple windows.

The program currently only sends MIDI system exclusive (Sysex) and Control Change information.

It does not receive it. So data dumps or having the PC ‘pick up’ the settings on the Triton synth is not possible. However it can read Korg PCG files on the users computer. Once a control is changed on the PC it is retained during the session on the PC and until the program is terminated. You can of course still control the Triton from its controls but they will not be reflected on the PC until you change that control on the PC.

The Triton has hundreds of parameters, which can be altered by the user. I have included just about ALL of the commands documented in the Tritons MIDI implementation. As the program develops other features will be added. I encourage users to give me feedback and I will endeavour to add new features if requested.

The PCG reader allows the user to read PCG files (Korg files which contain program settings etc.) on their PC, extract individual Programs, Combinations, Drum Kits or Arpeggios and send them straight to the synth via Midi. No need to use floppy disks.

It cannot pick up PCG data from the synth as that would require midi in.

Return to Index

LOADING, SETTING UP AND RUNNING

To load the program, download the triton demo software from the link on my web site. You MUST uninstall all earlier versions of the Triton Controller first unless my website permits a quick update. The VB run time files and settings.dat file will then be properly updated.

Unzip the contents to a temp file and run the setup.exe file. The package will self install to a directory of your choice – default is C:\program files\Triton Controller.

Users who have a full license will be sent an updated executable file - triton.exe - which needs to replace the demo versions triton.exe file. Just overwrite the old file with the new one. This gives full functionality. Updates will normally consist of an updated triton.exe file.

Your PC should be located adjacent to the Triton. Ideally with the keyboard of the PC at right angles to the Triton. As the software is mouse driven all you really need near the Triton is a screen and mouse - or trackball which I have used and which sat on the Triton case. Connect the two devices using midi cables between the PC’s joystick port and the Triton, or the PCIF connector between the serial port and the Tritons PCIF port. You will need to load the Korg driver first to use the latter one. (

You can download the drivers for Windows

3.1, 95, 98, ME or NT4, 2000, XP or higher

at www.korg.co.uk

Please note that 3 rd

party PCIF cables may not work properly with XP/W2000 or higher. Cables must be wired exactly as shown in the Triton Manual otherwise the computer will lock up when the

Triton is turned on or accessed. Windows 95/98 will tolerate incorrectly wired leads – W2000/XP or higher will not! I had to re-solder my lead to make it the proper Korg spec. Afterwards it worked perfectly with XP.

1. Turn on the PC, turn on the Triton and run the program. Make Sure that when the Triton is in

‘Global Mode – Midi settings’ that Midi receive for sysex, bank change etc. is enabled. If you use

PCIF make sure data rate is set to 38kb/sec for the PC.

The first time you run the program, configure the midi device by using the Red ‘Midi Settings’ button main toolbar – top of the display. (Select the PCIF driver for both input/output if you are using a PCIF lead - ‘Korg PCIF Midi Port’) and then the midi channel the Triton is on (I normally use

1). The example below has no midi inputs and only the pc midi output. In your system you will have additional midi ports listed!

2. Then select the model of the Triton you are using. Ive added a drop down box on the Midi settings form where you can select your model. Some functions on the program wont work as the particular model does not support the option. eg. Moss for LE. However most functions are available. Controls which are not appropriate for a particular model will not appear. ( I will refine

this with user feedback). Eg. Arps for Karma – which uses GE instead. ( See model compatibility list ).

The information above will be saved in a settings file at close. Also make sure that the Triton bank map on the synth is set to Korg and not general MIDI. (Otherwise you will only have access to general Midi.) To do this - On the Triton, Goto global mode - system preferences (page 2) , and set bank map there to Triton (not General Midi).

If you get a midi error message’ when you run the program then it is probably caused by an incorrect midi set up. Make sure the Midi Port is open – see below . If using the serial port check the PCIF port is selected in the ‘red midi’ button in the program correctly. Also ensure that the cables are properly connected and that they are wired according to the Korg specification. NB. Non Korg PCIF cables may need rewiring for

XP/W2000 systems. If the message wont go away just reboot the PC/Triton and try again.

NB. When using the Program. When you move between active windows the relevant mode screen should appear on your synths touchscreen. Note that the sub pages will not change. I.e. when you change a moss filter it will not go to filter sub page automatically (no known MIDI commands for this) – do it manually if you need to. However the parameter will still change whether the sub page is visible or not.

TRITON CONTROLLER – MODE FORM

The small form which appears when the program is launched, with various radio buttons, at the top left, toggles between the Tritons modes. Its heading will change depending on the model of synth you set in (2) above. You can also switch the PC’s Midi port ‘Off’ or ‘On’ from here. So if you want to launch another program which needs to ‘grab’ the port you must firstly close the port in this application. When you want to use the program again, turn off the other application and just turn the port on again by clicking the radio button – Midi Port On. If you have any midi transmitting problems try turning the port Off and then On again. If this fails reboot the PC.

Details on ALL of the Tritons parameters can be found in the Tritons Parameter Manual provided by Korg.

Return to Index

HELP ?

Important *** This pdf help file needs to be saved and placed in the same folder as the

Triton.exe file. Normally C:\program files\triton controller vxx\ ‘KORG TRITON

CONTROLLER.pdf’ Note – name of pdf must be KORG TRITON CONTROLLER.pdf . Same for the tutorial pdf file. You will then be able to access them from the program ‘Help’ Button and ‘Tutorial’ button which will automatically open Internet Explorer and then open the pdf file. Note both windows Internet Explorer and Adobe Acrobat Reader need to be installed on your pc for this to work. If not, just use acrobat reader or similar to read the help files..

MODEL COMPATIBILITY TABLE

Model Compatibility

Chart with Triton

Controller Software

PCM/ Moss/ Combi/

Drum/ Arp Editing

Functions

Triton

Classic

Y

Composer Y

Preset Controls From

PCG –Arps, PCM Edit,

Moss Edit, Program Play,

Combination Play &

Combination Edit.

Y

Rack

Y

Y

Y

Studio

Y

Y

Y

LE

Y

Moss N/A Arp N/A

Y

Arps Y

Karma

Y

Y

Moss Y

Effects Y Effects Y

Extreme

Y

Y

Y

View PCG Files

Librarian Functions for all Banks present

Audition PCG Files

Y

Y

Y

Y

Y

Y

Y

Y

Y

Y

Y

Y

Master PCG Creation Y Y Y Y

Y= Fully Compatible. ? = Untested. N = Function not currently implemented

Y

O.S. > ver

2

Y

Y

O.S. >ver

2

Y

Y Y

O.S. > ver

2

N Y

PROGRAM PLAY MODE - PCM AND MOSS

Press the yellow Triton button (top left) and away you should go! The main form is the program P0 play screen, which is very similar to the Tritons Prog Play 2 screens but consolidated into 1 screen.

It also includes Midi Sysex and Channel message manual command send (decimal values only please

– it wont like Hex).

You can select All Banks and Programs from the PC using this form . Note that not all models support all banks listed, so Triton Studio owners can access banks Ext A to Ext G. Classic owners don’t have these banks.

There is also full access to Arpeggiator Tempo and Pattern number range and parameters.

If you want to save any changes after editing, to a program number of your choice - use the Write button. You need to specify the location to save –eg. Bank and Program no. This Writes program changes to the Tritons programs internal memory area (same as Write command in Prog Edit Page on Triton) – so if you edit a program you can save it in the Tritons memory at a bank/program number you specify from the PC. You can then return to it later if you want to continue editing the sound. Note that not all models support all banks listed, so Triton Studio owners can save to banks Ext A to Ext G. Classic owners don’t have these banks.

WORK FLOW

How you use the software depends on what you want to achieve. It is important to consider the points below.

If you want to :-

1. Organise PCG files or make specific edits (those functions in the Librarian form eg.

Change name of program, merge, initialise etc) of the PCG files on the PC and save the changes on the PC PCG then use the LIBRARIAN FUNCTION. You can also send the changes to the Tritons buffer via midi. These changes will only be saved on the Triton if you use the WRITE function in the software in Program play, Combination play etc.

2. If you want to make changes to the program / combination parameters (eg. Oscillator, filters etc) on the Triton (Buffer) then use the various editing forms such as Program,

Moss, combination, These will only be saved on the Triton if you use the WRITE function in the software. Changes will not be made to the PCG on the PC. I have implemented the ability to alter the PCG on the PC in a development version. You can of course reload the

PCG file from the Triton into the software using media which the particular synth supports. Eg floppy disk, SCSI, media card, cd etc. depending on model. Alternatively you can create a midi dump from the Triton using other software (eg Midiox) and paste into the Triton Controller as hex and use the ‘Rebuild’ and paste feature (see below.)

PCM EDITOR (BANKS A,B,C,D.E AND G,g) AND MOSS EDITOR

To edit programs:- Once the PC is connected and the program is run. At the Program Play Page - press either the PCM or MOSS buttons on the main toolbar (or - Program Page 1-5 Edit Basic button (PCM) or Moss button; right hand side – on Program Play form). You will now have a traditional analogue synth layout in colour with various parameters, which you can alter. The flow diags. are based on the ones in the Triton manual.

It is normally easiest to start with a sound in one of the Banks A-gd\127 programs , similar to the one you want, and edit it rather than start from scratch ; That’s for the more expert user.

Bus select added to the form at the Master and Inset effect part of the flow diag.

ACCESSING KORG EXPANSION BOARDS – EXB 1 TO 9

PCM Editor form.

(1) In order to access the PCM multisamples on Expansion boards you must select which

Exb board you want in the text box to the Left of the word RAM/Ex. This is the same for Osc 1 Hi/Lo and Osc 2Hi/Lo. The up / down arrows cycle through 0 to 10.

NB. If you specify a EXB board which you don’t have installed you will just get internal PCM sounds.

(2) If the RAM/EX text box = 0 you get internal PCM sounds *.

If RAM/EX text box = 1 you can use you own RAM samples.

If RAM/EX = 2 to 10 you can specify the onboard Exb cards. (NB..Triton Classic - max two cards can be installed. Studio and rack can take more). The relationship between the EXB board and the number you need to need to use in the program

RAM/EX text box is shown below:-

Name of Exb Board EXB No. T.C.

Program

Ref.

EXB 1 2

EXB 2

EXB 3

3

4

EXB 4

EXB 5

EXB 6

EXB 7

EXB 8

EXB 9

5

6

7

8

9

10

Pianos/Classic

Keyboards

Studio Essentials

Future Loop

Construction

Dance Extreme

Vintage Archives

Orchestral Collection*

Orchestral Collection*

Concert Grand

-

* All multisamples are listed by name in multisample list in TC.

NB. When you goto the multi sample list form you then select the relevant PCM Exb board by pressing the appropriate button. Only Internal PCM sounds, PCM 06 and 07 added so far.

The list is then populated by the boards multisamples. When you click on the item the appropriate PCM number is transferred to the PCM edit page. NB.. This does not automatically set the RAM/PCM number in (1).

You can sort the samples by using the column of buttons to the right of the list of multisamples. So if you want to pick out all Piano samples – press Piano – the samples with

Piano in the name will then be listed in yellow (if there are ones on the Exb)

Return to Index

MOSS EDITOR (Not Triton LE)

Has coverage of ALL MOSS Parameters! Oscillators 1 & 2, Noise Generator and Sub Oscillator.

Filters, Amplifiers and Output have complete coverage.

Select Bank F and program no. at Program Play or on the Triton

Select the Moss Editor

The Oscillators are at the Left. This is where you normally start. The ‘More’ Buttons give access to ALL of the Oscillator parameters. Complete control of ALL Moss Oscillator Types and parameters

NB. The program overcomes the major bug in the Moss implementation of ‘reed model’ in earlier triton O.S.’s - You can choose different types of model when you control the Triton from its panel: pan flute, hard sax, soft sax etc... but their specific sound characteristics only seem to be applied after you write the program into memory (on the Triton's F bank). This does not occur when you use this program and it works as it should!

An example of one of the editing forms within the moss editor is below – ring modulator – press more button to show this form.

The Osc 1 and 2 common parameters button opens a new form with common settings, which affect both oscillators. This includes the various modes, portamento, Alternative Modulation Source

AMS etc.

On the main Moss form at the bottom right, you can also modify the Envelope Generators 1-4 and see the effect on a graphical interface. There is a separate window for the Amplifier E.G. with a similar graphical interface. The 4 Low Frequency Oscillators also have a separate window so the user can control all of their parameters.

The Manual Entry Sysex allows manual input of Midi Sysex data – Only decimal input allowed. It also shows the Sysex data sent by each controller.

Alternative Modulation Source AMS / Intensity is now added for All Oscillators/Types and

Controls

Randomise Function. This makes the PC randomly adjust every Moss Oscillator controller so you can come up with really new sounds! Press the ‘More’ button on the main Moss form once you have chosen an Oscillator type (for Osc 1 or 2). The various Oscillators have a ‘Randomise Button’ on their respective form. Press it to see the controllers change. Then press a note! A Random

Program button has been added at version 2.6 which randomises oscillators, sub oscillators, noise,

Cut Off Frequency and resonance. Click it for automatic generation of new Moss Programs.

Select an existing program that you like or want to modify and press the Random Program button.

Enjoy!

Bus select added to the form at the Master and Inset effect part of the flow diag.

Return to Index

PCM EDITOR

Make sure you select a Bank A,B,C,D,E, or G – Not Bank F -first. And a program number

PCM Editor implemented in Full – Total control of ALL PCM functions. Pitch, LFO’s,Filters,

Amplifiers and Outputs etc. have complete coverage.

This control form is very similar in principal to the Moss form – Start at the left with the PCM samples. Select one or use randomise for totally new sounds. Samples 1- 424 are the standard samples supplied with the un-expanded Triton – ie. without expansion sample boards fitted.

Randomise Function for PCM sample selection – For coming up with totally new sounds! A Random

Program button has been added at version 2.6 which randomises samples, Cut Off Frequency and

Resonance. Click it for automatic generation of new programs. Select an existing program that you like or want to modify and press the Random Program button. Enjoy!

PCM Multi Sample database and audition tool added – Find it at Common Parameters, MultiSample button. This displays a spreadsheet showing all the 425 standard samples. It has a text search feature (all text in lowercase) and the ability to audition each sample on the triton immediately when the sample is selected. The duration of the note, volume and key can be altered in the

Random Composer screen. Volume is controlled by the slider below virtual keyboard, note and duration by the min – note range and min – time on range. The default Oscillator is 1 High. Use radio buttons to select Osc 1 Low, Osc 2 Hi or Osc 2 Low.

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PICKING UP SETTINGS FROM A PCG

This feature enables the user to be able to load a Program (PCM or Moss) or Effects or

Combination OR Arp from a PCG and see what the individual settings of the controls are in the

Triton Controllers windows. It basically presets the sliders, check boxes etc. in the software to the correct values . You don’t even need the synth connected to do this. NB. done for the Arpeggio Edit settings – Arp Edit.

Works for Program PCM, Moss, Combinations,

Effects & Arps – (NB. Effects for Karma only - and Arps for LE only)

The same can be

Example…

1. To enable all of the Triton Controllers settings to be picked up correctly – select Load PGC

(Bottom Right) PCM edit page, Moss, Combination Play, Combination Edit, Effects or Program Play page. This will bring up the Librarian window. Open a PCG file and select a PCM/Moss program.

2. Turn it to Hex. (Big yellow button on Librarian Window).

3. Then return to PCM Edit, Moss or Program Play and press ‘Load File’ which brings up the librarian window. All the parameters/controls will be correctly set! At program Play only the PCM or Moss Arps are set. The various sliders above are set by the user and are not defined in the

PCG data.

NB..It works for Effects for ALL models except LE! Just press ‘Load Settings’ button top right after a combi/program is loaded and has been turned to Hex in librarian. The various Korg models have their PCG PCM data structured differently, so this feature has more limited functionality for

Karma and LE.

Note. The ‘Edit PCG file (on computer) with controls’ has not been fully implemented yet – check box lower right hand side of form. It will work like this:-

1. Open PCG program file in librarian

2. Click Load PCG

3. Turn to Hex to set controls

4. Change controls on this form with the check box checked

5. Go back to librarian – Press ‘rebuild binary file from hex…’ button

6. Click on Librarian drop down menu/Paste

7. Then if you save PCG in the librarian the control changes will be saved on the PCG on the

PC !

RANDOMISE GE – KARMA ONLY

This Program Play feature randomises the GE for any Program (PCM or Moss) held in the Karma’s buffer.

Firsty load a Program on the Karma – either manually or via the T.C.

Then check the box to send a Random GE. The initial setting is that the box is checked.

Press ‘Run’ button. The value of the GE will appear in the box and be sent to the Karma.

If the user makes the GE Value box blank – ie. Empty, by deleting all of its contents, like the initial setting at load of window, the GE will not be changed for that module if the check box is unchecked.

If the check box is unchecked and you enter a manual value between 0 and 1189, that value will be sent.

Simple as that! A really quick way to pick new Karma GE.

Above the run button is a check box which if ticked changes the GE at the interval in the box to the right of it. Time in sconds. If the random button is not checked GE’s will increment by one.

If it is checked GE values will be picked at random.

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COMBINATION PLAY

Includes full control\editing at Combination Play mode. You can control what programs/banks you use, volume, pan etc. You can also write new combinations or existing ones to the Tritons memory

Banks A-D. (Plus Bank E for Rack users , Bank E and F for Karma, Extreme and Studio users).

Combination generator - Randomise function. It generates totally new combinations (mixtures of programs) by the user pressing just one button. You can choose which banks A-gd you use for this!

Watch the programs change on the Triton when you press the Random button! Try the sound if you don’t like it, try again. You can create a new combination every second. When you get one you like ‘write it’ to a bank of your choice. A good tip is to start with a combination similar to what you want. You can create – 10 to the power of 31 combinations this way! That’s 1 followed by 31 zeros.

Never hear the same one in a lifetime. Make sure you save the good ones though.

RANDOMISE GE’S – KARMA ONLY

This Combination Play feature randomises the GE’s for any combination held in the Karma’s buffer.

Firsty load a combination on the Karma – either manually or via the T.C.

 Then check the boxes for the module you want to send a Random GE to. The initial setting is that they are all checked. Press ‘Run’ button. The value of the GE will appear in the box and be sent to the Karma.

If the user makes the GE Value box blank – ie. Empty, by deleting all of its contents, like the initial setting at load of window, the GE will not be changed for that module if the check box is unchecked.

 If the check box is unchecked and you enter a manual value between 0 and 1189, that value will be sent.

Simple as that! A really quick way to generate new Karma GE combinations.

The Auto Audition feature cycles through the GE’s 1 at a time at the interval set by the user. If the randomise check boxes are checked random values will be set every cycle. Press Stop when finished.

COMBINATION EDIT

Includes all combination remaining editing parameters. The Arpegiators main controls not repeated as they are a repeat of the combi play ones – only the supplemental controls have added.

Common Parameters added to the grey area at the left.

Bus select added to the form for Master and Inset effects for each timbre. value with the box unchecked the manual value will be sent. Values must be between 0 and 1089.

To load settings from a combi - go to PCG Reader/Librarian and select a combi and convert it to hex, then go back to the combi editor and click on "load combi", It enables to user to audition sounds from the librarian and convert to hex the one the user wants to play with.

MASTER AND INSERT EFFECT EDITING

The program will Auto switch to correct mode if you select effect after edit mode on the program. Otherwise - If you select edit mode manually on the Triton, then select the correct radio button on the effect form first. You can edit all insert and master effect types, routing and graphic equaliser. Only some of the effect parameters can be edited at the moment. There is also a Random Effect Generator so you can create unique combinations of effects at the press of a button.

Please let me know which effects you want first to be able to be able edit the parameters of and I will add them in order of popularity. More to come! Note that the Triton LE Effect sysex architecture is different to the other Models in the Triton series. There is only 1 Insert Effect

Tip – You can pick up Effect Settings on the software (not LE) once you have opened a program/combi and turned it to Hex. Then press ‘Load Settings’. The controllers settings will

then be preset – See Explaination !

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DRUM KIT EDITING

This section allows drum samples to be auditioned and assigned to a note. Kit editing is done in

Global mode on the Triton, to which it will switch when the drum kit editor is launched. Samples can be accessed using an advanced search facility – sort by name, number, search by text –

(Sample name box turns yellow). Samples auditioned (Sample name box turns blue). All of the parameters for the drum samples can be controlled.

COMPOSER

To select use the button - music staff and notes - on the main tool bar.

Left Section (yellow)- The Composer allows the user to send note on/off commands in the manual section. It will also has a nifty virtual keyboard for remotely playing the Triton whilst you edit the sounds on the PC. You can also play chords if you choose chord type and tick the box! The ‘All

Notes Off ‘ and All Sound Off’ buttons are useful if you get stuck notes as well. Volume Control for sequencer , randomise of volume and velocity value output in text box. There are also presets for sequences.

Centre Section (orange) –

The centre ‘Composer’ box switches between pure random note generation, scale bases sequences or user input sequences.

The Composer section gets the PC to compose music within parameter envelopes, which are set by the user. These include note high/low range, timing range longest/shortest for note on/off, single/chord – 10 types/random chord types etc. Chosen chord types stored after sequence run.

Useful if you just want to sit back and listen to something original or get some new ideas! Stop all notes off – does what it says on the box!

Right Section (red) – Defines random or scale based compositions. Also ability to enter user based scales and a wide selection of standard scales. Test the demo presets in the yellow section.

Choose a good sustain piano preset 1 or voice with reverb preset 2. The Scale based compositions can be defined by chord arpeggio scales or ethnic scales. When you select a chord, the appropriate notes are checked in the Scale Keyboard. You can also input or edit scaled on the simplified keyboard in this part of the form. Ability to play random notes/chords to a chord based arpeggio. The timing fuzziness control changes the precision, which the arpeggio sounds.

The chord shells fuzziness varies the size of the shell (number of notes) sounded. The probability of unchecked noted sounding slider varies the strictness of scale observance by the program.

Octave range varies the range with which notes are sounded.

Top Right Section (purple) allows user input sequences. The program can improvise around the sequence. Input is via the virtual keyboard (yellow) section after pressing the ‘Record Sequence’ button in the Red section. Note number, time on and time off can be specified. The rhythm is input manually.

NB. ‘Note on’ is the time the current note lasts in seconds before the next note. ‘Note off is the length of time in seconds the note lasts.

If you want to play the Triton using the PC keyboard – press the ‘Use PC Keyboard’ button near the virtual keyboard just before playing. z = Note C. s = note C#. x = note D. etc. The notes run from z s x d c v g b h n j m. Which map to C, C#, D, D# etc. You must press the ‘Use PC keyboard’ button every time - immediately before you use the PC keyboard to play the Triton. The same applies to Q 2 W 3 E R 5 T 6 Y 7 U , they are 1 octave higher and map to C2, C#2 etc. The

‘PC Keyboard’ is polyphonic. So you can play chords. By the way the polyphony depends on your PC.

My Pentium 2 - 400mhz can play 4 notes at once. My ancient laptop only two notes at once.

The pitch of note Z can be set using the ‘note on’ control button at the top left hand side of the form.

This ‘purple button’ has also been added to the PCM/Moss/Combination/Effects pages as well to enable the user to audition sounds whilst editing.

This feature is for my mate Mastermalleus!

FRACTAL SEQUENCER – THE MANDELBROT SET

Go to Composer window. Fractal Sequencer, button at the bottom left.

The Mandelbrot Set depicted in a picture.

2i – Imaginary number Y axis vertical

-2i

-2 0 2

Real number X axis -----

A Stunning representation of the infinitely complex Mandelbrot set – the black area. Numbers refer to periodicity in the primary bulbs discussed in the text below. The set exists in a parametric plane as X = 0.

Fractals use simple equations to generate incredible complexity. In the natural world, complexity is independent of scale. So if you use a microscope to zoom into say a leaf, the complexity does not diminish with magnification ! The Mandelbrot set uses a specific equation, X = X^2 + C. This generates a new number based upon a previous number in an iterative process. For certain values of a constant C and ‘seed’ X0, the number sequence will not exceed certain limits and it will oscillate or ‘orbit’ around a value. Thus it is possible to generate a sequence of notes using the output from the generator. The constant value generally needs to be between -2 and + 2 otherwise the sequence will diverge to infinity and so the constant will not form part of the

Mandelbrot set. In fact the full Mandelbrot set exists in complex number space and the

‘constant’ values which do not diverge to infinity lie in a complex pattern (the black area in the picture above) within the bounds of a circle +-2 and +-2i where (i is sqr rot of -1, an imaginary number). This is the Mandelbrot Set. NB.

The sequencer engine is designed to allow sequences to be generated even if values are chosen outside the Mandelbrot Set.

So how does it relate to a musical sequencer? Well consider the infinite non divergent series, output from the iteration x =x^2 + C. The series could represent midi note values, note timings and lengths ! Think of each point in the black area as a single sequence. As there are an infinite number of points, there are an infinite number of sequences.

As described above, the sequencer does not produce random notes, but notes which are related to their predecessor and so forth using the Mandelbrot equation. This produces sequences which are very close to human composition. For a given constant value, a given sequence will result. However, as there are an infinite number of constant values there are an infinite number of sequences.

Very slight difference will result in different sequences, so -1.900000 will be different to -

1.899999 although the difference will not become apparent until several, if not many, notes

(iterations) into the sequence. As the program variables are single precision the user will not run out of sequences in a hurry! Trial and error is the best way to get started, try values for constants between -1.9 and +0.2. Going beyond +-2.0 or +- 2i will result in divergent data. The software will trap this. You can easily select values by clicking on the large image of the

Mandelbrot set which automatically appears when the Mandelbrot Sequencer is selected.

Constraining the note values to scales will result in some interesting melodies, and remember to allow 1000 notes to enable the sequence to develop properly. The Fractal sequencer can generate

100,000 notes; more could be easily added if users want. Cutting it short can often miss some interesting sequences. Similarly constraining note length and note interval can make the music appear more natural. The sequence is saved in an array and the user can choose to play back just a section once the sequence is generated.

Once you’ve found something interesting, use the synth or another midi sequencer to record the sequence permanently in midi. Some of the most interesting sequences result in series which converge or oscillate between values. A constant of -1.9 will not do this but -1.75 will. For very surreal music do not constrain the sequence at all. Pick a pad sound like the Korg combination bank

D Antartica. Constants which result in chaotic sequences can often lead to incredible melodies, but remember they may occur just once in a sequence of 50,000 notes !

Tip…Good speakers will enable the very low frequencies to be heard and felt. Also keep the volume at low levels until you are familiar with the sequencer. Im happy to add features if users want them added.

To stop the sequence just press ‘Stop All Notes Off’ button.

RECORDING SEQUENCES

When you get to a section you like you can play just that section back. Record the note number so you can play that section back again and possibly record on the midi sequencer/editor on the synth or directly into a midi/audio PC sequencer/editor like Cubase or Cakewalk. To do the latter you can use ‘Midi Yoke’ a freeware application from Midi OX ( www.midiox.com ) to enable internal routing of midi out from TC, to midi in on the software sequencer.

Tip….The initial preset values are designed for a piano, guitar or harpsichord. Just set the synth to one of these instruments and press ‘Generate Fractal Seq’ button !

DETAILED INSTRUCTIONS.

The main fractal sequencer section is shown below.

The easiest way to start is just click on the large picture of the Mandelbrot set on the pop up form (image below). Where you click will be recorded by a small white circle. This automatically transfers the X and y values to the sequence engine and starts playing the sequence. Try clicking first around the sharp ‘spike’ on the left of the black bulbs – where there is awhite circle in the orange area of the image below.

Clicking on the picture sets values for Note Constant and Imaginary Constant. You can see the X and Y values in the two text boxes and on the form below. Check the box if you want to control note separation timings instead of note values. If you check the ‘set note timings’ box it sets the

Time between Note Constant and imaginary Constant. Clicking the Julia Set check box changes

Julia Set values instead.

If you click the ‘Save’ menu item, the Mandelbrot sequencer settings file will appear in the PCG

Reader File Viewer window. Pressing Load will load all of the settings back to the sequencer and will mark the location of the constants by a slightly bigger circle. This is handy for temporary storage of a sequence.

1. If you want to permanently save a sequence just use the PCG reader – file / save as menu item – and save as a text file (txt).

2. To recall a previously saved file. Just go to PCG reader – open the file, you saved earlier, and then when it appears in the file viewer return to the Mandelbrot Set window and

press ‘Load’. If you want to annotate a file, just add text after the very last comma in the file viewer. You can add as much text as you like.

The Fractal Sequencer settings controls are shown below.

NB. The midi note value generated by the software is constrained between 0 and 127 to prevent

Midi errors and are reported in the ‘Current Note’ box.

Generating Notes - The ‘Note Constant’ value if kept within the Mandelbrot set will determine the nature of the sequence about an orbit with a seed 0 and produce interesting sequences. The user can force the sequence to a note range (by checking the box – Enable note range). This fixes the note range as specified in the orange area in the picture above. The user can also force the generated notes to a scale (Check box ‘forces note to scale keyboard’) which makes the melodies very ‘human’. The default is to just use constants comprising real numbers. The user can also select complex numbers by clicking on the radio buttons ‘Real No. part’ (with log or linear note mapping in Version 7.xx) or ‘Imaginary component’. The imaginary constant can be input into the pink box under – complex number for note. Press ‘Generate Fractal Seq.’ to start and play sequence. Press ‘Stop…’ button at bottom to stop.

Pressing the replay button once you have stopped the sequence will replay the sequence between the notes input into the two boxes below ‘Replay Seq. from Note No.’ button. If the loop check box is ticked the sequence will repeat until the user presses the ‘Stop…’ button.

Checking ‘Chords’ enables the features of the random composer – so generated notes produce chords. These can be selected by pressing ‘Hide Fractal Seq’ and checking the chord boxes as needed. Random chords will alternate between various chord types selected or just check 1 chord.

The sliders controlling ‘chord arpeggio timing’, ‘random chord arpeggio’ and ‘chord shell fuzziness’ are also active. Press ‘Show Frac Seq’ to bring up the window again.

Note Frequency Distribution of Sequence - Some ‘note constant’ values will converge to a single value (note or timing), others will never converge, others will diverge to infinity and are not part of the Mandelbrot set. Try it and see ! Divergance to infinity will be safely error trapped by the software. You can see how many times a note occurs in a sequence by pressing the ‘Show Note

Distribution Graph’ button. See example below. So if middle C (midi note 60) occurs 40 times, the bar in the graph will be 40 units high in the Y axis. The vertical grid separation is set an octave intervals.

Some examples - The effect of the value of the ‘real number only’ constant c with the imaginary number = 0. The user can enter this in the text box Note Constant (pink background),. Set radio button to ‘real number only’.

C = -0.65

C = -1.6

C = -1.75

C = -1.8

C = -1.85

C = 0.2

Tends to a fixed value chaotic period of 3 chaotic near a 3 cycle – intermittent chaotic tends to a fixed value

Note Timings – In my experience pure random timings are more for experimental music. So from version 7.xx you can input timings in the purple sequencer section and force the fractal sequencer to use them which produces very human compositions as the timing is controlled is much more familiar and the note sequenmces have more ‘reality’. You can save them too using the save command on the Mandelbrot form.

As stated earlier, this sequencer uses the Mandelbrot equation with an orbit of 0 to define note timings and lengths as well. The 3 boxes below the ‘Generate Fractal Seq.’ button provide the

value of the constant for note number, note on time and note duration. (Keep these between +-2, see some suggested values above) The current note time started and length are shown at the bottom. The 2 boxes below and to the right of the constant boxes enable the user to scale the tempo. Default scale is 1. For instance 2 means that either the note on time or note length derived from the equation is doubled respectively.

The check boxes constrain the Fractal generator to the values defined in the 6 boxes above the fractal frame (in Orange Background) – Note value, note on range and note off range. The scale factor can applied to the range value afterwards. For note on time – a factor of > 1 will result in an exponentially increasing note separation. Any value between 0.5 and 1 will gradually reduce the note separation over time.

Imaginary Numbers and the square root of -1 !

This implementation also allows the user to specify the imaginary part of the complex number.

The pink and blue coloured text box to the right of the real number text box. This fully represents the Mandelbrot space. Some suggested constants that produce repetitive sequences are shown below:

Real constant

Note Constant or Time constant

-0.12

-0.5

+0.28

+0.38

-0.62

-0.36

-0.67

+0.39

Imaginary constant * i

Can represent Notes or Time as well

+0.75

+0.56

+0.54

+0.333

+0.43

+0.62

+0.34

+0.22

Periodicity

4

5

7

8

3

5

9

6

The period means that these constants will result in repetitive values and correspond to the

Mandelbrot diagram as these occur at ‘Bulbs’ on the diagram with the same number of ‘antenna’ !

These are numbered on the image above. Picking complex numbers in these primary bulbs will result in the periods described above. The two frames headed complex values allow the imaginary part of the constant to be input. Remember, the constant |c| < 2 otherwise you will definitely get divergent data !

The beauty of an infinitely detailed object. A close up of bulb 7 with an attached antenna comprising 7 radiating extensions – Complex numbers with values in the big black primary bulb to the lower right will yield a periodicity of 7 ! Constant c = -0.62 + 0.43i

To close the sequencer press ‘Hide Fractal Seq.’ This will remove the frame and show underlying controls.

Try experimenting with values and instrument sounds – it is definitely worth the time and effort.

What you hear is the audio equivalent of the Mandelbrot set with note value and note timing representing the 2 dimensions of the Mandelbrot plane.

EVOLUTION GRAPH SERIES

Imagine you have generated a series containing say 1000 notes. How does the note series develop? Does it converge to 1 note, stay chaotic or become periodic? How do the melodic patterns develop with time? By sampling a ‘frame’ every few notes it’s possible to see on a graph how the distribution of notes changes with time. This can be presented in the form of a movie.

So graph 1 (frame 1) shows the first 8 notes, graph 2 (frame 2) the next 8 notes and so on…

The Evolution parameter box allows the user to specify the note number in the sequence the movie starts, the number of notes sampled every frame and the length at which each frame (graph) lasts. Press the ‘Show Evolution Graph’ button to begin once you have generated a sequence. To stop the movie just press ‘Stop All Notes Off’ button at the bottom of the window.

You can also move a frame at a time forward and backwards by using the two arrow buttons. You can again specify the ‘start at note’ number and the number of notes sampled. If the ‘Play selection of seq.’ box is checked the note series in that frame will sound.

ARRANGER

Musical compositions often consist of repeated motifs – short series of notes or phrases. Many tunes are constructed in this manner. The Fractal sequencer produces in 1 sequence many motifs, which are variations created by the iterative nature of fractals. This simple utility enables the short sections selected by the evolution feature to be captured and stitched together. Up to 7 sections can be added. Thus a complete tune can be produced.

To start, open the Fractal sequencer and press the ‘Arranger’ button at the bottom of the

Composer window. Generate a sequence.

1. Pick a section you like containing a few notes using the Evolution Parameters facility.

These notes are Motif 1

2. Go to arranger frame and press the top capture button. The start and end note will be transferred from the evolution frame to the arranger frame.

3. Pick a second section you like using the Evolution Parameters facility. These notes are

Motif 2

4. Go to arranger frame and press the second capture button down.

5. Press – ‘Play Arrangement’ button. The sequence will be played – Motif 1 , then Motif 2.

6. Checking the loop box will play it over and over. Press ‘Stop All Notes Off’ button to finish.

This process allows a melody to be produced by adding together a series of motifs ! NB. A zero 0 in the right hand column of text boxes in the Arranger window will make the arrangement skip to the next non zero row.

1. The button ‘Paste sequence to PCG reader’ – to allow notes generated by Fractal

Sequencer (not the arrangement but the whole fractal sequence) to be listed in PCG reader file viewer window. Each note is separated by a comma , so you can paste into say excel a comma separated file). Pressing the button fills the ‘file viewer’ in the PCG reader with the list of midi note numbers separated by commas. Thus 76,74,62 etc.

JULIA SET

The other major set is the set in the dynamical plane where values of X larger than 0 are used.

The Julia Set frame enables the user to specify its use by checking the check boxes – ‘Use Julia

Set…’. Then both the real and imaginary components of X can be entered in the boxes by the user. Press ‘Generate…’ button to create the Julia Set for the note series or timings and to start the sequence playing. Keep values in the boxes small (generally less than +-2 (i) ) otherwise divergent data will interrupt the series and will be error trapped by the software.

The right hand side of the box enables Julia Set series to be produced for note timings as well.

All the settings in the Julia Set frame are used in conjunction with the Real and Imaginary constant boxes for note and note timings. The fascinating thing about Julia sets are that if the series of x = 0 does not diverge to infinity, (ie. can be used for a sequence), the Julia set will consist of a finite number of connected pieces. If the series does diverge to infinity the Julia

Set is a Cantor Set – that is the Julia Set comprises a ‘cloud’ on unconnected points.

A Julia Set is shown above for c = -0.624 + 0.435i in a period 7 bulb. Notice in this stunning image, the infinite detail that is present in the Julia Set. At each node 7 pieces join ! Values of X are real in the x axis and imaginary in the Y axis with 0 in the centre. Thus X needs to have values in the black area to produce non divergent data. X = 0.1 + 0.1i would work. A non divergent series

(ie. in the black area) will always turn into to a repeating 7 note motif. Try it out, set the constants and set the middle note radio button so you use a complex note expression.

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ARPEGGIO (Not Karma which uses GE)

This form enables the user to edit the user arpeggios from U0 to Uxxx depending on model. (NB.

Not Karma which uses GE). Firstly uncheck memory protect – user arp pattern in global P0 – Basic on Triton.

The large matrix represents the tone numbers and steps – just like the touch screen window –

Global page 6 – edit. When you click on the matrix it sends the tone on for the tone number specified (0 in normal mode). You can specify the pattern length up to 48 and pattern number – default is 5 (U0). NB The first 4 patterns are not editable on the Triton. You can edit the step parameters for pitch, gate, velocity and flam and then send them by pressing the send step button. You can send the whole arp – using the ‘whole arp’ button. Its all colour coded to assist use. When you clear all tones it does not clear the triton – unless you tick the check box above

(Send data to Triton immediately…).

For fixed note mode you can specify the note number for the current tone (Step 1 shows the values for the tones). Fill the step 1 column with note numbers – enter check box ticked to do this. There is also a random arp generator and the ability to reverse the pattern – horizontal reflection. These facilities will be expanded if users make requests for new features !

You can also make a ‘negative’ of the pattern and invert it. The Random note feature allows you to specify the maximum and minimum note values. You can also ‘initialise’ (clear) the Triton arp pattern separately from the program grid – leaving the grid values intact. Rack owners and Studio owners can now access all their Arp patterns. Preset patterns added for fast generation of patterns.

When you place the tones with the mouse they sound – you can adjust the volume on the random composer volume control. To delete the notes click on the ‘delete note’ check box first. If you click the check box ‘sound note on’ you can audition the notes without changing them and if you click on the column header the whole step sounds. To turn the notes off, press any white unfilled tone square on the grid or the ‘note off’ button.

NB. If you have problems/inconsistencies with sending midi data increase the midi delay to 0.01 or

0.1 seconds. Return to Index

PCG READER – COMPATIBLE WITH ALL MODELS OF THE TRITON – CLASSIC, STUDIO,

EXTREME, KARMA, LE AND RACK

PCG files are Korgs way of containing a synths sound control settings in a file readable by a computer or synth. When you load a PCG you transfer program banks, Combinations, Moss settings, Arps and Drums to the synth. Some PCG’s just contain one of these, such as 1 bank of

128 programs. Instead of loading these by disk the Triton Controller allows you to send them in a much more convenient way – via midi ! The software contains a sophisticated browser so you can see what a PCG file contains and you can then select which programs etc. to audition. Make sure you set the programs midi setup to the model synth you use and only view PCG files in the same format. If you don’t do this you will see ‘garbage’ in the right hand viewing box of the program.

Please Read ………

Each Korg model has its own native format – make sure you load the correct format PCG in this program – same as your model synth and the one the program is set to in Midi setup. Eg. So a karma user will need to save PCG’s in OS version 2.0 format on the synth first (to floppy disc – then load into PC – do this for all of your PCG files – unless the PCG is supplied in the correct format first !). Karma OS Version 1.6 will not work , neither will PCG’s in other model formats. Once saved in the correct format, this program can view the PCG, audition the individual sounds and will enable the user to edit the PCG on the PC.

The facility to read PCG files has been added to the program after many requests. This has been a major coding exercise! An example of how to use the reader for Program and Arpeggio PCG data is described below. It is very similar for the other modes. Moss, Combinations and Drums. You can access the reader form from the Main Form – ‘PCG Reader’ top right when you open the program or from the individual edit pages – mauve box.

If you do it via the main form you must manually select the Triton mode. Ie. If you want to send Program PCM data, switch Triton to

Program mode as well. If you open the PCG reader via the edit pages the program does it automatically.

The PCG reader enables the user to interrogate Korg Triton PCG files, load them to the Triton by transferring them using Midi into the Tritons buffer. It also picks up the Arp PCG settings , Moss and PCM program play and edit settings and amends the Triton Controller controls. save on the Triton if you use the ‘Write Program’ facility in the program.

NB. It will only

The Window on the right is the – PROGRAM LIST BOX – it is here all the programs are neatly listed. They can be sorted, searched and edited.

The PCG form has a big window on the left – FILE VIEWER - which will show the opened the PCG file in binary (the data naturally looks a bit odd – some call it garbage  !) – At the top is a file menu for opening PCG files etc and a variety of features are included in the menus. Below the window are a set of features for determining byte length, changing to hex. I used these during the development. There is a handy PCG summarise option in the tools menu – give it a try! – a message search string not found – will pop up if the PCG does not contain some data – quite normal as few PCG’s contain all data – just click OK. The menu item below just reloads the binary PCG file in the window.

GETTING STARTED !

1..To Start - You MUST FIRST OPEN A VALID PCG FILE – use the ‘file button’ top left or the Open PCG in the Librarian menu. NB. A Triton Classic User must open a Triton Classic format PCG – not a Karma PCG etc. A Karma user must open a Karma O.S. 2.0 or higher format PCG etc.

2..Then ‘select PCM Programs’ or ‘Select Combinations’ etc – the relevant button is enabled if you go to this form from the appropriate page – eg Program PCMs edit. If you goto the page from the

‘eye’ icon on the main form – press ‘Enable all select buttons’ and then ‘Select PCM Programs’ or

‘Select Combinations’ etc . Remember – The left hand File Viewer generally displays binary data – not very readable with loads of odd characters. The Right hand box is the Program List Box – this displays data which is readable by the user.

3..Then click ‘List Programs’ or List Combinations. On the right is the PROGRAM LIST BOX which displays the file contents when selected. You can then load the program from the grid directly by clicking on it or manually by entering a number/bank and pressing load. You can also find text on the grid and sort cells by clicking the buttons at the top of the grid. Data is transferred to the

Tritons Buffer immediately if the check box (bottom right) is clicked - default. You can transfer

ALL PCG data through the program to the Triton.

To audition the sound from the PC you can either use the Composer form features OR – check the

Audition Sound Box (default) as well as ‘send data straight to triton’ button. The volume of the note is set from the Composer form volume slider, the note value is set from the ‘note on 0-127’ button top left on the same form, and to stop the note – press ‘Stop All Notes’ in Global Mode at bottom of form

. If the note does not stop just select another program – this is because the note has arpeggio or GE attributes. You can sound the note again py pressing ‘Sound Note’ on the PCG reader form – Global data section.

NB……

Always work your way down each coloured box !

Another Example - Loading Korg PCG file data for Arpeggio’s from Arpeggio form and setting

Arp parameters in Triton Controller

NB. Not Karma which uses GE.

1..Use the ‘Open File’ Button on the bottom right of the Arpeggio form - this opens the PCG reader window – select file/open at the top left. Choose a Triton PCG file to pick Arps from.

Typically your preload disk that came with the synth or from Korgs UK website.

The odd text in the viewer is just the binary data – quite normal!

2..Press ‘Select Arps’ to pick out the Arp data in the PCG. If the pcg does not contain Arp data – you will get a ‘search string not found’ message pop up.

3..Press list Arps to see them listed by name in the PROGRAM LIST BOX. Here you can sort, search etc.

4..Click on the individual arp or enter a number to load a single arp.

5.. If you click on the grid the data is sent straight to the synth – if the check box bottom right is checked. You can also send the data to the Triton Synth by pressing the ‘Send Arp to Triton’

Button. It sends the Arp number in the small text box which you can change.

6.. Press ‘Turn to hex……..’ to load settings into the Triton Controller program. Then go back to the

Arp Form – Press Load PCG. All the Arp parameters will be automatically set!

NB. You cannot send Hex to the Synth so do (5) first then (6).

Always work your way down the

box ! there is a lot of error trapping in the code but it is not 100%.

NB. Transferring settings from PCG’s to the Triton Controller for Combinations and Drums. will be added in due course !!

Return to Index

LOADING ARP FILES FROM MIDI DUMPS

Most users will probably not need this.

1..To load data into the program you need to use any software which can read/load midi dumps. An example is Midi-Ox from www.midiox.com. When you dump the data you must dump it in ‘plain hex’ format without any ‘word wraps’ ie. carriage returns. A typical plain text Triton Classic sysex dump looks like this. It starts with F0 and ends with F7:-

F0 42 30 50 69 40 00 00 00 47 75 69 74 61 72 20 00 53 74 72 75 6D 20 31 00 20 20 10 0E 00

00 17 00 17 17 17 17 17 07 08 00 09 0A 0B 0C 00 32 64 04 00 0F 7F 00 32 64 00 00 00 07 00 32

64 00 00 00 01 00 32 64 00 00 02 00 00 32 64 00 00 04 00 00 32 64 00 00 08 00 32 00 64 00

00 10 00 32 64 00 00 00 20 00 32 64 00 00 00 40 00 32 64 00 00 01 00 00 32 64 00 01 00 00

00 32 64 00 02 00 00 00 32 64 00 04 00 00 32 00 64 00 08 00 00 65 47 01 6C 00 3F 00 32 40

00 00 00 00 00 32 40 00 00 00 00 00 00 40 00 00 2A 08 00 65 47 6B 00 3F 00 00 32 45 00 00

00 00 32 00 40 00 00 00 00 00 40 00 00 00 15 00 65 47 14 00 00 3F 00 32 40 00 00 00 00 00

32 40 00 00 00 00 00 00 40 00 00 2A 00 04 65 48 66 00 3F 00 32 00 40 00 00 00 00 32 40 00

00 00 00 00 00 40 00 00 00 15 00 64 4F 0D 00 10 3F 00 64 5F 77 00 3F 00 00 32 40 00 00 01

00 00 32 40 00 00 00 00 32 00 40 00 00 00 00 32 40 00 00 00 00 00 32 40 00 00 00 01 00 32

40 00 00 00 00 00 32 40 00 00 01 00 00 32 40 00 00 00 00 00 32 40 00 00 00 00 32 00 40 00

00 00 00 32 40 00 00 00 00 00 32 40 00 00 00 00 00 32 40 00 00 00 00 00 32 40 00 00 00 00

00 32 40 00 00 00 00 00 32 40 00 00 00 F7

2..Cut and paste your Midi dump into Word pad and save as a Plain text file – this avoids any formatting data which will corrupt the reading process.

3..Back to the Triton Controller - Use the ‘Open File’ Button on the Arp form - this opens a new window – select file/open at the top left – Just like word pad (without formatting just plain text) where you can see the data. The window can be used as a sophisticated editing program if you wish.

4..When the data is loaded in the FILE VIEWER window just press – ‘convert korg midi dump to 8 bit’ and go back to arp form and press ‘Load PCG’ . (This conversion is necessary because Midi uses

7 data bits only and the dump needs converting to 8 bit). The Arp settings in the dump file are transferred automatically to the program. You can also see the Name of the Arp, Number and

Length in steps and all the other parameters including the pattern change.

Return to Index

FILE \ EDIT \ FORMAT MENU ITEMS

These menus are very similar to the traditional word processing functions in wordpad. The operate on the text in the File viewer (Left Window). If you want to save PCG files you MUST use the

Save PCG

option under Librarian as this properly formats PCG files before saving.

PRINTING PCG LISTS OR SAVING AS A TEXT FILE

To print out any list in the right hand (List Program) box – Firstly populate the List Program box by listing something.

Then goto file\Transfer List To Viewer. This will transfer the contents of the List Program box to the File Viewer box.

Then goto File\Print – to print on a printer connected to the PC. Or File Save to save as a plain text file.

If you want to copy or cut text in the File Viewer into the Windows Clipboard – just select it with the mouse. Then ‘cut’ or ‘copy’. It will only cut and copy selected text.

Then to say paste a list of - program numbers, program names, bank letters and category - into say excel. Just click on the spreadsheet in excel and press ‘paste’ and the columns will be filled with the selected text properly formatted. Word is similar – just click where you want to insert on the page and press ‘paste’ !

TOOLS MENU

CHECKING WHICH COMBINATIONS A PROGRAM IS USED IN

If you change or move programs – combinations may be affected. This utility lists the dependency of combinations on the program selected so you can check programs before they are moved. To use:-

1. Open a PCG containing combinations – press ‘select combinations’ first. If combination banks are not present you will get a message saying ‘String Not Found’.

2. Then ‘select programs’. (Press ‘select Moss programs’ for Moss combination dependancy). Then load a program for which you want to know the dependency.

3. Then goto tools menu\Combinations Dependant On Current Program and Click.

The left hand window will list all of the combinations which use the program. Don’t be surprised if the list is long – check out Noisey Stabber on Triton Preload PCG – Bank A, Prog 0. See how many combi’s use it ! Other programs will not be used in combinations at all. You can cut n paste the data into Word or Excel for instance. Data is separated by tabs so it transfers easily.

REBUILD CURRENT PCG

This reinserts a single Program contained in the File Viewer window into the current PCG – with the correct formatting.

VIEW CONTROLLER CLIPBOARD

This copies the contents of the special Triton Controller Clipboard into the File Viewer.

COMPARE PROGRAMS

This utility compares the contents of the clipboard with the currently selected program.

Sometimes programs with the same name may be different – this compares byte/byte and if it finds any differences tells the user. If they are identical the user will be told and can replace one of the copies with a new program.

To use – select the first program – and select ‘copy’. This places it in the Controller clipboard.

Then click on another program to compare, and select – ‘Compare Programs’ – a box will appear which will state the result.

FINDING REPEATED PROGRAMS & FIND REPEATED PROGRAM NAMES

If you assemble big files – programs may be repeated (identical content and identical names). To find repeats so that you can use the PCG or Master PCG space more effectively.

1…Firstly list the programs – Do this immediately before you run the routine below !

2…Then click ‘Find Repeated Programs’. The second and subsequent occurrences will be coloured purple in the Program List Box and you will get a summary indicating the number of repeats found.

You can then choose to leave them alone, Initialise them or overwrite them with new programs.

NB. The feature checks the entire contents of a program (Name and settings), so big master PCG files may take several minutes. To check 900 programs takes 8 seconds, whilst 4700 programs takes 7 minutes on my P11 400Mhz PC.

Find Repeated Program Names - To just find repeated names, use the next option (This is quicker). The number displayed will always be the same or higher than option 2 above. This is because some programs may have the same name but sound differently.

Tip…..Its always a good idea to use different names for different sounds !

Below are a host of ways of creating new sounds from existing PCG data – Its good fun and pretty easy to generate new programs, combinations etc.

MERGE PROGRAMS/COMBINATIONS/DRUMKITS/ARPEGGIOS

This powerful facility in the tools menu blends any number of Programs, Combinations, drumkits or arpeggios. You can create brand new sounds by merging existing ones ! It works for both PCG’s and Master PCG’s.

Example. Open a PCG with some programs in it.

1. Then select a program by clicking on the right hand list box. Click ‘Copy’ in the Librarian menu or Master PCG menu as appropriate.

2. Select a second program. Click ‘Merge’ in the Tools menu. The Message Box lists the individual contributions to date. Click O.K. The resulting program is displayed in the left hand window. Note that the name of the program is merged too !

3. Click – ‘Send Program To Triton Buffer’ – You can now hear the new sound – If the check box

‘Send data straight to Triton’ in the lower right corner is ticked as well as the ‘audition sound’ check box then it will sound automatically.

If you want to save the new program – just paste it into the PCG and overwrite an existing program.

NB.

The whole procedure above is the same for Combinations, Drum Kits and Arpeggios.

If you keep selecting new programs to ‘add’ and click Merge you can continually change the sound.

For instance – if 5 programs are merged the first byte of the new program comes from prog 1, the second byte from prog 2 etc. By clicking on a program more than once and merging it you can

‘weight’ the effect it has on the new program. Remember merging a program called B to a program called A in the clipboard will produce a different sound to merging program A to a program B in the clipboard as the bytes ‘chopped out’ will be different ! You can also select width of Merge

(program, combination etc). Eg. If you merge y programs you can specify x = the first x bytes from program 1, then the next x bytes from program 2…up to program y. Previously x was fixed at

1. The value of x can be input in the text box lower left – “First x Char./Merge Width”. Preset at

1 at load of program.

So merging AAAAAAAAA with BBBBBBBBB – Merge Width of 2 - yields AABBAABBA. Merge

Width at 3 yields AAABBBAAA etc..

NB. When you click ‘Copy’ again the procedure starts from scratch.

AUTO MERGE

You must use the Merge function first to select the Programs/Combinations to merge. Minimum of 2 Programs/Combinations.

It works for both PCG’s and Master PCG’s.

The Software automatically cycles through all possible merge widths starting a the merge width specified in the ‘First Char./Merge Width’ box incrementing by 1. User can stop when a sound is liked by pressing ‘stop all notes’ and then the program/combi can be stored in the normal way. The user can restart at any point by selecting ‘Auto merge’ again and can vary the note on time by changing ‘note on time’ in the composer form. This facility is a rapid way of finding new sounds !

Merge widths can vary between 1 and the length of the program in bytes – when the cycle will automatically stop.

AUTO RANDOM

This feature generates random programs/combinations/drumkits/arps based upon existing ones.

The way it works is that the user selects (2 or more ) existing programs etc. and the software uses these as a seed to generate brand new ones. In fact you can end up with some really unusual sounds.

Tip.

I find the best results are if you use 2 or more programs with the same instrument category. But try others. Some may produce no sound, some may produce loud sounds so keep the volume low and turn it up when needed.

Example. Open a valid PCG with some programs in it.

1.

2.

Then select a program by clicking on the right hand list box. Click ‘Copy’ in the

Librarian menu or Master PCG menu as appropriate. This places it in the ‘clipboard’.

Select a second program - To start with select same category as the first – eg.

Voices. Click ‘Merge’ in the Tools menu. The Message Box lists the individual contributions to date. Click O.K. The resulting program is displayed in the left hand window as binary data.

3. Now click Auto Random – The software cycles through new programs etc. Press ‘Stop all Notes’ button to stop the process and keep the sound in the Triton buffer. If you want to save it - save the program on the Triton and/or paste into the PCG file. You can do both from the Triton Controller.

The user can vary the note on time by changing ‘Time on Range’ left box, in the composer form – use 4 seconds or more which allows time to listen to the sound – to capture it before the next sound appears click ‘Stop all Notes’ button. The note value can be changed by pressing ‘Note On 0-

127’ on the composer form. You can stop the process by pressing the ‘Stop all Notes’ button. The

‘Global Data’ box displays the elapsed time in seconds and the ‘First x Char box’ – lower left – displays the number of iterations.

BYTE HIGH, BYTE AVERAGE, BYTE LOW

When the Programs/Combinations etc. have been selected by the Merge function there are further ways of generating new Programs/Combinations ! Byte High looks at the selected programs and byte by byte picks the highest value and assembles a new Program/Combination. So if program 1 is “12 13 14…..” say and program 2 is “11 15 10….” the result would be “12 15 14”. Byte

Low is the same principal but takes the lowest value. Average takes the average byte value. Some of the new programs may sound strange, interesting or not sound at all. That’s the fun.

NB…Make sure the master volume is turned down with all these manipulations as you cannot predict the resulting volume of the program. You can turn it up if needed afterwards.

MERGE KARMA G.E. MODULES – KARMA ONLY

This facility in the tools menu blends any number of Combinations Generated Effects G.E.’s modules on the Korg Karma. You can create brand new G.E.’s by merging existing ones ! First pick a combi you want to change the GE’s for. This is the timbre or character of the sound you will hear.

Example.

1. Open a Karma OS 2.0 or higher PCG with some combinations in it.

2. Then select a combi by clicking on the right hand list box. Click ‘Copy’ in the Librarian menu. This is the base combination which will define the sound – but you are now going to change its GE Modules.

3. Select a second combi. This second combi will only contribute part of its GE Module , nothing else. Click ‘Merge Combi GE’s - Karma Only’ in the Tools menu. The Message Box lists the individual contributions to date. Click O.K. The resulting combi is displayed in the left hand window. Every thing is the same as the first combi except for the Modules which are a mixture of the 2 combis. Note that the name of the program is the first program.

4. Click – ‘Send Program To Triton Buffer’ – You can now hear the new sound – If the check box ‘Send data straight to Triton’ in the lower right corner is ticked as well as the

‘audition sound’ check box then it will sound automatically.

5. If you want to merge another combis Modules – just select another combi in the right hand box, and then Click ‘Merge Combi GE’s - Karma Only’ in the Tools menu again. Now the Modules will be a mixture of the 3 combis GE Modules. You can continue doing this !

If you want to save the new program – just paste it into the combi part of the PCG by using ‘Paste’ in the librarian menu and overwrite an existing program.

If you keep selecting new combis to ‘add’ and click ‘Merge Combi GE’s Karma Only’ you can continually change the GE’s. For instance – if 5 programs are merged the first byte of the new

combi GE comes from combi 1, the second byte from combi 2 etc. By clicking on a combi more than once and merging it you can ‘weight’ the effect it has on the new program. Remember merging a program called B to a program called A in the clipboard will produce a different sound to merging program A to a program B in the clipboard as the bytes ‘chopped out’ will be different ! You can also select width of ‘Merge Combi GE’s Karma Only’. Eg. If you merge y combis you can specify x

= the first x bytes from combi 1, then the next x bytes from combi 2…up to combi y. The value of x can be input in the text box lower left – “First x Char./Merge Width”. Preset at 1 at load of combi.

So merging AAAAAAAAA with BBBBBBBBB – Merge Width of 2 - yields AABBAABBA. Merge

Width at 3 yields AAABBBAAA etc..

NB. When you click ‘Copy’ again the procedure starts from scratch.

AUTO AUDITION PCG

Just sit back and let the program audition 1 Program/Combination etc. at a time. It works for both PCG’s and Master PCG’s. Firstly open a PCG, Click on the start position on the grid and click ‘

Auto Audition to start. The user can vary the note on time by changing ‘Time on Range’ left box, in the composer form and the note value by pressing ‘Note On 0-127’ on the composer form. You can stop the process by pressing the ‘Stop all Notes’ button.

SUMMARISE PCG

This produces a summary of a newly loaded PCG file in the File Viewer. If components such as a

Moss Program Bank is not found you will get a message box – String Not Found – just click OK and the analysis will continue.

Return to Index

LIBRARIAN - Menu

This enables the user to edit PCG files on the PC ! You can change program names, save and open individual programs – save 250,000 on a floppy disk as plain text files ! You can also replace an unwanted program in a PCG with another program. The word program in this context also includes

, combinations, Moss, Arps and drumkits. Remember if you past a combination into a PCG you must copy the programs it depends on as well. To find them see

(CHECKING WHICH COMBINATIONS

A PROGRAM IS USED IN)

Remember if you edit any parameters within a program (oscillators, filter, effects etc) you can only save these edits on the Triton. So once sound editing is completed save on triton and write the PCG file to a floppy etc. You can then reload it into the PC and this program!

CHANGING NAMES of an Individual PROGRAM, MOSS, COMBI, DRUM KIT or ARP

Once you have loaded a single program, arp etc in the left hand window you can change its name.

Goto menu at top of PCG reader – Librarian\Change program name. You must enter 16 characters

(Korg Standard – but characters can be spaces) – otherwise you will get a warning. Once changed, the left and right hand windows will automatically update. Once you are satisified, just press the appropriate ‘send to …. button to send new name to synth. Do this before you do any synth editing otherwise you will reload the old synth settings again and overwrite your edits. Finally save the revised PCG file

– Librarian \ Save .

COPY AND PASTE A PROGRAM

1. Firstly list the programs in the ‘Program List Box’ on the right hand side you want to edit.

2. Click on the program you want to Copy in the list box – Then goto Librarian menu and select

‘Copy Program’.

3. Then click on the program in the list box you want to overwrite – Then goto Librarian and select ‘Paste Program’. Whats more, you can open one PCG and ‘copy program’. Close it and open another PCG and ‘paste’ the program from the previous PCG straight into it. There are easier way though – see

Second Librarian Window .

4. Finally save the revised PCG file

– Librarian \ Save .

SAVING A SINGLE PROGRAM/ARP etc !

Yes – Now you can save just a single program, combination etc. Once the individual program is selected in the left hand window just save it. Goto Librarian / ‘Save A Single Program’. It will save it as a plain text file (.txt) – the program name is entered in the save as box automatically although you can change it to anything.

This will not change its name within the text file. See

‘changing names’ above to do that.

The program will save it as a tiny (5kb ish) plain text file. To reload it at a later date just open the plain text file in the PCG reader and press send program to synth. Thats it !

NB. Keep individual Programs, Combi’s, Moss, Drum, Arp in separate folders – eg. ‘MY TRITON

MOSS SOUNDS’ etc. - so you don’t get them confused !!

OPEN A SINGLE PROGRAM

To open a previously save program goto Librarian / Open a single program. Then select the file to open from the file open box. This will load it into the left hand window. Press ‘send program to triton’ or ‘send Moss Program… ‘ etc. to load to the synth. That’s it!

REPLACE A SINGLE - PROGRAM, MOSS ,COMBI, DRUMKIT, ARP – IN A PCG

This option loads a previously saved individual program – saved as a text file – and allows the user to insert it at any point in the PCG.

1. Firstly save an individual program(s)

( See Above ) as a plain text file (.txt). You may want to

save several from your favourite PCG’s. Keep individual Programs, Combi’s, Moss, Drum, Arp in separate folders – you don’t want to put an ARP in a program location !!

2. Open the PCG file you want to edit – ie. Replace a program(s) in. Press ‘Select PCM Program’ or,

‘Select Moss’, Combinations, Drums or arps. Then ‘list programs’, ‘list Moss’ etc. contained in the

PCG file.

3. Click on the single program, combi etc you want to replace. *

4. The goto Librarian on the menu and select ‘Insert A Single program From Text File’. You will get an information box confirming your choice. An open file box will appear and you select a text file containing a single program you previously saved. (Press ‘cancel’ to abort). When you press open the new program will be inserted into the PCG file and the list will be updated. The file you selected at * will be overwritten with the program (.txt) you had previously saved as a text file.

5. If you want to save any edits you have to save the PCG file – Librarian\Save PCG

– with a .pcg extension. So ‘mynew.pcg’. If you don’t save them, the edits will be lost when you open the next

PCG or close the program.

If you overwrite individual Programs, Combinations will be affected if they use that program - you may get some interesting sounds!

INITIALISING CURRENTLY SELECTED PROGRAM

This changes the name of the program to ‘InitiProgram ’ , (Initialised Program) but leaves the remaining program data in the PCG intact. This keeps the program positions constant so that

Combinations may be preserved. InitialProgram will appear when the PCG is listed. To fill the spare program just ‘Insert A Single program’ at the entry in the list. Finally save the revised PCG file –

Librarian \ Save .

OPEN A PCG FILE

This opens a file open box so you can select a PCG file to open. Similar to File \ Open but it automatically filters for PCG files as the file extension.

SAVE A PCG FILE

Always use this option when saving a PCG file – it ensures that the file is properly formatted before it is saved, so that it is readable by the triton. This opens a file save box so you can save the PCG file on the PC. It also automatically filters for PCG files as the file extension at the save dialog box.

CUT ‘N PASTE OPERATION BETWEEN PCG FILES - OPEN A SECOND LIBRARIAN WINDOW

The purpose of this second window is to simplify the task of moving programs from one PCG (The

Source) to another PCG (The Destination). When the second window is opened you can open a PCG file – and list its programs – this is where the ‘source programs’ are coming from. You do the same for the destination (main librarian window), this is where you are going to assemble the new pcg.

1. To start the edit process – load a pcg into in the ‘second librarian window - (open this second window by choosing this option in librarian menu). Then click on a program in this window, the program you want to copy to the new pcg you are creating – and select copy program (in the librarian menu).

2. Then move to the ‘destination window - (main PCG Librarian window) and load a PCG file and click on a program you want to overwrite. Then select paste program (in the librarian menu). Its that easy! The program you chose from the second window will now be inserted into the PCG file loaded in the main librarian window.

The source window has a smaller file viewer but a few additional features. You can view the contents of the ‘Clipboard’ in the viewer by clicking the button at the bottom. This is not the windows clipboard but one in the applications one.

Instead of continually clicking ‘librarian\copy’ program, you can automate the task by checking the tick box – ‘Copy programs from source when clicked’.

Similarly on the destination window, if you click its equivalent box – ‘paste program to destination when clicked’ it will save clicking librarian\paste program etc. all the time and paste the program straight to the List Box. The destination form also has a click box which keeps the second window on top of it – this minimises mouse clicks for the user. There is also a third check box which prevents re listing at every edit – so you can do a few edits and then relist – this saves time with big files.

Tip.....You must remember to ‘Save PCG’ in the Destination Window ‘Librarian menu’ once it is assembled, otherwise you will loose your edits! I do intermediate saves just in case.

You can use the identical procedure with Master PCG files. Goto the Master PCG menu in the

Second Window. Open and List the Master PCG in the Second Window and assemble a different

Master PCG or Normal PCG in the main Window.

COMPARING SOURCE AND DESTINATION PROGRAM LISTS

In the tools menu is a facility for comparing program Names in the two boxes. Program names are coloured green in the Source List Box, if the same name appears in the Destination List Box.

Normal PCG files may take 30 seconds to compare on a P11 400mhz PC. This process may take several minutes with big Master PCG files.

NB.

Return to Index

MASTER PCG FILES – (Not Karma at present)

Ever wanted to assemble many Triton programs in one master file (PCM programs or Moss programs) instead of switching between PCG files all the time ? Keep 10,000 programs in one place ? Well now you can. What you do is first assemble the Master file. A Master PCG ! This feature is in the PCG Reader section – ‘eye icon’ on main tool bar.

Thanks to McHale for extensively testing this feature and his suggestions for improvements.

1. Select ‘Create a New PCM Master PCG’ or ‘Create a New Moss Master PCG’ – in Master

PCG menu.

2. Then Open a normal PCG which you want to add (stack) other PCG files to (It must contain

128 programs/bank).

You must stick with either PCM programs of Moss programs and cannot mix them in the same Master file.

Goto Master PCG menu and ‘Stack Programs into

Master PCG’.

3. Open another PCG file, press ‘Stack Programs into Master PCG’ again.

Going…………. Until you has assembled a big program file.

Every time you open another PCG and stack it, a big binary file is being assembled in the File Viewer. Keep

4. When you have stacked say between 2 and 10 PCG files save them - Goto Master PCG and

‘Save Master PCG’ . It will save to a special format with a .PCH extension, not readable by the Triton but readable by the PC. You can continue to add to it later.

5. To view it - Goto ‘Master PCG’ and now ‘Open Master PCG’ . This will open the new file with a .PCH extension

6. Then select ‘List Master PCG Programs’ . A readable list will appear in the Program List

Box. (Right hand side).

7. You can now sort and audition as usual !

8.

That’s it ! You will only be limited by your PC’s memory and speed. You may have 5000

PCM or Moss programs. NB. Keep PCM Programs and Moss Programs in separate Master

PCG files !

NB. You can also stack Master PCG files !

Note that bank letters are replaced by numbers – this avoids having say two bank A’s etc. NB.

The Triton Controller clipboard is common to Librarian Functions and Master PCG functions. When assembling a Master PCG the program expects that the individual PCG’s contain 128 programs/bank. Small PCG programs ( < 128 programs) cannot be added by stacking. However you can cut and paste individual programs from an incomplete PCG (fewer than 128 programs) into your

Master PCG.

1. To add to an existing Master PCG file firstly ‘Open Master PCG’ .

2. Press ‘List Master PCM programs’ or ‘List Master Moss Programs’ . This lists the contents of the Master PCG and tells the program the PCG type (PCM or Moss) .

3. Then open another normal PCG (of the same type – PCM or Moss) and press ‘Stack

Programs into Master PCG’ .

4. That’s it – just keep repeating (2) & (3) – finally save it !

SAVING A MASTER PCG

Click on the Master PCG menu and select ‘Save’ – this prompts you to save as a file with a .PCH extension. Always use this after any editing to save your work. Its worth saving every few edits.

OPENING A MASTER PCG

Just select Open Master PCG in the Master PCG Menu and pick the xxxx.PCH file you want to open.

CHANGING A PROGRAMS NAME

Once you have opened a Master PCG – select the program in the list you want to rename.

Select Change Name and enter 16 characters exactly – some can be spaces

Click OK. The List will be refreshed with the new name present.

INITIALISING A PROGRAM

This changes the name of the program to ‘InitiProgram ’ , (Initialised Program) a spare slot for the user, but leaves the remaining program data in the PCG intact. This keeps the program positions constant. InitlProgram will appear when the PCG is listed. To fill the spare program just

‘Insert A Single program’ at the entry in the list. Finally save the revised Master PCG file –

Master PCG \ Save.

COPYING AND PASTING PROGRAMS

Select the program you want to copy in the list. Click Copy in the Master PCG menu.

Then select the Program location you want to overwrite by clicking on the list again.

Click paste.

USING SECOND LIBRARIAN WINDOW WITH MASTER PCG FILES

Because you can use the Controller Clipboard for Master PCG files - you can therefore use the

Second Librarian window to copy and paste into the Master PCG which you have assembled. This makes editing a Master PCG easy.

Remember you must not mix PCM programs with Moss programs in the same master PCG as they are of different sizes and content. So create a Master PCG for your PCM programs and a separate Master PCG for Moss programs.

Return to Index

FINALLY

Remember there are some controls are not available by using MIDI anyway. Unless someone knows different in which case please let me know. Eg. Control of other global parameters. ! My website details are at the bottom of the page – the web site contains updates from time to time so keep checking. It also has my e-mail address,

REVISION HISTORY

CURRENT FULL VERSION 7.1 - 7 August 2012

1. Corrected bank A listings for Studio and Extreme

VERSION 7 – 2 nd

May 2004

1. Improved and modernised interface

2. Improved operation of fractal sequencer – added linear mapping to ‘real number’ option

3. Various bug fixes

VERSION 5.13 – 2 nd

April 2004

1. Triton Extreme – Support for Korgs new synth added.

2. Bug fix in PCG Reader – Moss PCG’s – Now lists/pastes Moss programs properly. For all

Triton series & Karma.

3. Extra error trapping added.

4. Bug fix for Triton Studio PCG files when loading into Librarian

5. Bug fix for Triton Studio PCG files when creating Master PCG files

6. Improved formatting when transferring ‘List Box’ contents to ‘File Viewer’.

7. Bug fix for Karma and LE when displaying – Combinations Dependent on Current Program –

The correct Combinations are now listed.

VERSION 5.12 – 6 th

December 2003

1. New graphical interface for the Mandelbrot Set. Just click on the picture of the

Mandelbrot Set to select values for X and Y and create new sequences rapidly. The value chosen will be marked by a small white circle on the picture of the Mandelbrot set and the sequence will begin playing. This is a quick way to try different real and imaginary constants for both note values and not timings. Also works for Julia Sets as well.

2. Improved Mandelbrot Set sequencer engine.

3. Added ability to fill ‘file viewer’ in PCG reader with note list generated my fractal sequencer. Button added to arranger window on composer form (Fractal sequencer section). ‘Paste sequence to PCG reader’ – this fills the file viewer with the list of midi note numbers separated by , to create a comma separated file csv. Thus 76,74,62, etc.

4. Added ability to save Mandelbrot Sequencer settings to ‘file viewer’ as a comma separated file for later recall during the session. Also the ability to save as a text file for a permanent record of the sequencer settings and ability to annotate the file.

VERSION 5.11 – 23 rd

August 2003

1. Fractal Sequencer – Ability to visualise note series evolution graph – Frame at a time or as a movie.

2. Facility to allow generated notes to produce user defined chords, arpeggios and chord shells on replay.

3. Arranger facility added – This allows motifs to be used from a Fractal Sequence and stitched together into a tune.

4. Bug fix which properly forces note to scale defined on the right hand ‘keyboard’ on the sequencer window.

5. Right hand ‘keyboard’ on the sequencer window shows current note being played.

6. Added ability to quantise notes – specify time in seconds.

7. User can vary probability of notes sounding outside of note range defined on right hand

‘keyboard’ on the sequencer window. If the slider is at 0 only notes defined will sound. If slider = 1 then any note will sound.

8. The user can now utilise the Julia Set as well and specify both real and imaginary seed values for both notes and timings.

9. Auditioning of Moss files using PCG reader now allows a small delay to enable Moss Board to reconfigure when program changes.

10. Improved second librarian window can now display large triton studio PCG files properly and edit expansion board PCG files.

VERSION 5.10 – 14 th

MAY 2003

1. All models - Major new feature added in the Composer Section – Ability to generate sequences using Fractals. This provides the ability to use Mandelbrot equation to control note timings as well as note number and produces ‘human’ like compositions.

2. Update for Triton Studio –Librarian now displays complete bank description for programs and combinations when opening a Triton Studio PCG file. So for instance, program banks appear as I-A to I-E for Internal multisample programs and E-A to E-G for External sample programs. Moss is still accessed via separate button – bank I-F.

3. Update for Karma users only – New Feature - ability to Merge Combinations Generated

Effects. GE’s. So you can easily create new GE’s by merging existing ones !

4. Update for Karma users – New Feature - ‘Randomise GE’ button added at Combination Play mode. Press button to randomise GE’s on any or all of the 4 karma modules or input values manually. You can also auto addition GE’s and control the frequency at which they change.

Tooltips added to help user – tip appears when cursor hovers over feature.

5. Update for Karma users – New Feature - ‘Randomise GE’ button added at Program Play mode. Press button to randomise GE on the Karma module or input values manually.

Works for both PCM and Moss programs. You can also auto addition GE’s and control the frequency at which they change. Tooltips added to help user – tip appears when cursor hovers over feature.

6. Update for Karma Users – Bug fix to allow Combination Banks E and F to be displayed properly.

VERSION 5.05 – 19 th

April 2003

7. Update for all Models - Bug fix and error trap to stop program crashing if incorrect values entered in sysex manual entry for all T.C. pages.

8. Update for Karma users with the Moss board installed. Users can now Load and Write to

Bank F in Combination Edit mode.

9. Update for Triton Studio Users who can now Load and also Write to Banks Ext A-G in

Program Play window.

10. Update for Triton Studio – Bug fix so that Librarian functions work properly when a T.S.

PCG file is opened.

11. New button added to main form to enable the Tutorial to be displayed within the program

Customers will be sent the Tutorial. Ssave as Tutorial.pdf and place it in your program installation directory (same directory as triton.exe file) – same procedure as for the help file.

Version 5.04 – 19 th

March 2003

1. Update specifically for Karma users with the Moss board installed. Karma users can now control all of the features of the optional Moss board and also preset the T.C. software’s

Moss controls on the PC when opening a PCG file containing Moss data. Thanks to

Hermanto for testing.

Version 5.03 – 20 th

January 2003

1. Update specifically for Karma users who can now access all program banks – only 4 were available before.

Version 5.02 January 2003

1. Ability to access Korg PCM Expansion Boards multisamples.

2. Multi Samples listed by name.

3. The software now works on older PC’s or laptops with a maximum screen resolution of

800x600 pixels.

Version 5.01 January 2003

Program now has the ability to read PCG files properly for Triton Studio and Rack when there are more than 5 program banks, 4 combination banks and 4 drum kits. Multi bank Arps and drum kits now also read properly.

1. PCG Reader can now display the full 12 program and combination banks – display modified.

Banks Z-6 to Z- 12 for Programs refer to Triton Studio/Rack EXB banks E-A to E-G and

Banks Z-5 to Z-12 for Combinations refer to Triton Studio/Rack EXB banks E-A to E-F.

These are extra banks for EXB loaded synths. For other synths these banks remain at 0 programs each.

2. Triton Controller can now pick up settings (ie. Preset its controls) from a PCG for:-

Combination Play, Combination Edit, Program Play, Program Edit, Moss Edit and Arps. (Not karma or LE)

3. Ability to pick up Effect settings (ie. Preset T.C. controls) from a PCG for ALL models except LE.

4. Ability to Merge - Programs, Combinations, drumkits and Arpeggios. Create brand new sounds by merging existing ones. Now with the ability to select width ‘x’ of Merge

(program, combination etc). Previously x was fixed at 1. The value of x can be input in the text box lower left – “First x Char./Merge Width”. Preset at 1 at program load.

5. Auto Merge – Software automatically cycles through all possible merge widths. User can stop when a sound is liked and it can then be stored. User can restart at any point and can vary the note on time. This is a very rapid way of generating totally new sounds !

6. Auto Random – generate new Programs, Combinations, Drum Kits & Arps using existing PCG data as a seed.

7. Ability to take Highest, Average or Lowest byte value from programs/combinations selected by merge to generate yet more programs/combinations!

8. Automatic auditioning of PCG by software. Sit back and listen to the programs/combis etc. 1 by 1 !

9. The software now has full support for the Triton Studio & Karma Synthesizer ( with

Operating System Ver. 2.0 or higher loaded) (NB. Karma O.S. 1.6 or earlier will NOT work).

Thanks to Laughing Bear for all of his support.

10. Composer now works properly when notes are played rapidly – improvement in midi code.

11. Ability to audition Karma PCG (OS 2.0 format only) – Programs (PCM and Moss),

Combinations and Drum Kits. The audition features are now more refined.

12. Full Librarian functionality added for Triton Studio & Karma.

13. Renaming function in Librarian routine improved.

14. Ability to immediately Audition Sound when program of a PCG selected in Program List

Viewer.

15. Play note button added so you can re-audtion sound

16. Mode changes automatically when used in Librarian mode with ‘Send Data to Triton’ check box checked. This feature was a popular request !

17. Category of program/combination now reported correctly for Karma.

18. ‘Transfer List To Viewer’ in Edit Menu and ‘Combinations Dependent on Current Program’ in tools menu – both in Librarian – have had their Formatting improved (Tabs added) so that exports to excel and word etc. are properly formatted,

19. Individual Help for each window – opens internet explorer window and loads help at relevant page. Context sensitive.

20. Ability to toggle PC Midi Port On/Off – this also flushes the midi buffer.

21. Ability to set midi channel for each program in a combination – combination play mode.

22. A lot of Bug Fixes – too numerous to mention ! Thanks to all of the testers 

---------------------------------------------------------------

Earlier revisions.

Release Version 1.5 - 18 th

May 2001 - included completed MOSS implementation:-

Icons added to the main tool Bar. New yellow Triton Icon for the Software.

Compiled using the very latest 32 bit Microsoft software.

Release Version 1.6 - 27 th

May 2001 - includes completed PCM Program Edit implementation:-

Bug fix in Moss to stop program crashing if you use the wrong randomise button in the

Ring\Cross\Sync mod form. The problem was if you choose say ‘ring mod osc’ but pressed the ‘sync mod’ randomise button – Program crashed – now fixed with buttons disabled which cannot be used!

Thanks Nightshadow!

Automatic switch to Bank F \ prog 0 when Moss Editor selected – now disabled - to avoid loosing edited Moss program if not written to Triton memory first.

This Release Version 1.7 – 1 st

June 2001 – includes Combination Play and Editing

Includes full control\editing at Combination Play mode. You can control what programs/banks you use, volume, pan etc. You can also write new combinations or existing ones to the Tritons memory.

Combination generator - Randomise function. It generates totally new combinations by the user pressing just one button. You can choose which banks A-gd you use for this!

It will also has a nifty virtual keyboard in the Random Composer section for remotely playing the

Triton whilst you edit the sounds on the PC.

A tidier main interface.

A couple of tiny bug fixes

Release Version 1.8 – 8th June 2001 – includes full Combination Editing

Includes full combination editing – New Button Combi Edit added to main toolbar

Some error trapping added where needed.

Version 2.0 – 15th June 2001 – includes full Master and Insert Effect Editing

Auto switch to correct mode if you select effect after edit mode.

You can edit all insert and master effect types, routing and graphic equaliser.

Only some of the effect parameters can be edited at the moment. More to come.

Random Effect Generator

Version 2.01 – 15 th

October 2001 – several small bug fixes - following reports by users

Version 2.1 - 20 th

October 2001

PCM Multi Sample database and audition tool added – Find it at PCM Editor Page, Common

Parameters, MultiSample button.

Version 2.2 – 28 th

October 2001

This release provides improved PCM – Multisample search facilities. You can sort alphabetically and by number and reverse sort by clicking the buttons again. Samples which have been auditioned are coloured blue. Text search now collects results together in display – coloured yellow. There is also a ‘clear search’ button.

Sample Category buttons added.

Drum kit list available when in Common Parameters / PCM edit ‘Osc mode = drums’ is selected.

Version 2.3 – 5th November 2001

Drum Kit edit button activated. Ability to edit Drum Kits, audition samples, control all parameters.

Version 2.4 – 1 st

December 2001

The Random Composer section has been expanded. Ability to play random notes/chords to a chord based arpeggio. Also ability to enter user based scales and a wide selection of standard scales.

Randomise of volume added.

The Install Wizard has been modified so that the full program is always placed into c:\program files\triton controller folder by default. Also the Windows - start menu, program, shortcut now works properly.

Version 2.5 – For 25th December 2001

The Random Composer Section now has a third method of producing music. The user is able to input sequences using the Virtual Keyboard (press ‘Record Sequence’ button first), or by entering numbers in to the Sequencer (purple area). 16 Notes max. It is then possible for the program to improvise around the sequence. The note number and note on/off time can be chosen. The Note

+/- button enables the sequence to be shifted up or down 1 note at a time. The Random Key and fuzziness control changes the key the sequence is played in at random. Pre programmed or random rhythms can be used.

3 presets are included – bottom left yellow section. The pre programmed sequence is from Close

Encounters. See how a simple phrase can be used to create the most complex of melodies:

The first preset is for a good grand piano PCG, this improvises Modern Jazz using Pentatonic scale and jazz chords.

The second preset is for monastic voice PCG.

The Third preset is for an atmospheric motion synth sound.

Chord arpeggios – notes of chord in C are displayed in the Scale Keyboard – As requested by DAS.

Ability to Write ‘Bank E combinations’ for Triton Rack users only – as requested by Rob Wright.

Version 2.6 10 th

June 2002

Added Random Program buttons for Moss Edit and PCM Edit pages. Randomises

Oscillator/Samples plus Cut Off Frequency and Resonance. Totally Automatic program Creation.

Improved Moss Oscillator randomise function for all oscillator types and corrected a few bugs as well with this feature where slider randomisation did not reflect onto the Tritons settings.

Version 3.0 June 28 th

2002

Added support for the whole Triton Model series. The program now supports Triton Classic, Rack,

LE, Studio and Karma.

Ability to play the Triton from the PC keyboard polyphonically – New Purple Button – On Random

Composer /PCM /Moss /Combi /Effects pages.

Version 3.1 June 29 th

2002

Triton LE - bugs corrected when switching modes in program – Triton now responds correctly

Changed ‘DISK’ to ‘MEDIA’ mode caption for LE

Drum Kit Editor now works for LE – Triton now switches correctly to Global mode

Version 3.2 July 6th 2002

Added full User Arpeggio editing – New button on main form – Global Mode page 6 on Triton.

Effects editing now works with the LE and with the Karma in Combination Edit mode

Reduced download size of installation package by 10% - tidied up code

Improved appearance of program with new background – like the Tritons finish – but easier to keep clean 

Model of Triton chosen by user on the ‘Midi’ form now appears on the the header of the main

‘Mode’ form

Corrected tooltips values when hovering over tune and delay sliders in PCM edit page

At startup, check boxes ticked in Effects Editor – Insert and Master Effects – on and L/R selected by default

Version 3.3 July 2002

Added invert and negative pattern buttons for Arpeggio.

Added max/min random note values for Random Arpeggio.

Ability to select all 507/327 arp patterns for Studio and Rack (For Terry).

Simple Preset Arp patterns added - / \ ---- |

Ability to initilise the Triton from the PC – ie. Clear arp pattern independently of whats on PC Arp grid.

Tones now sound when they are placed – you can also audition them afterwards and hear the whole step.

Various bug fixes to Arpeggio functions – mainly fixed note mode.

Effect parameter bug fixed for all models.

Version 3.4 July 2002

Loading Midi dumps enabled for Arpeggio’s.

Reading PCG’s added for All modes. Including sophisticated sorting / searching features. Data can be sent to both the Synth and for Arps, the Triton Controller settings as well.

Version 3.5 6 th

August 2002

All PCG data now readable for all models – and send able to the Triton! (Karma only Drum Kits).

Librarian Functions Added

Extensive Error trapping added eg. any incorrect PCG file format is identified and cannot be sent to the Triton.

Save option in PCG Reader now saves as plain text so data is not changed to RTF.

Clear All button added to PCG Grid so all text is cleared.

Global settings now identified.

PCG summary option added.

Combination Dependency Check for Programs

Various bug fixes.

Version 3.6 10 th

September 2002

For programs – the facility to load PCG data to Preset set the Tritons Controllers Controls. (Arp edit, PCM edit, Moss Edit and Program Play mode.)

Ability to assemble Master PCG files – store 10,000 Triton PCM or Moss programs in one file.

Facilities to check for duplicate programs in PCG and Master PCG’s.

Initialise and rename programs in master PCG files.

Mark files in colour Program List Box

Now the user can turn a hex file back to binary for saving in a PCG

Compare two PCG or Master PCG files.

Error traps added throughout Librarian Function.

Code in Librarian optimised.

This Help document added to software – viewable with IE 4 or higher. NB. You need to load this

Help html file into program installation directory to access via Triton Controller –Normally

C:\program files\triton controller vxx\

Version 4.0 15 th

December 2002

Interim release with some Karma support for OS 2.0.

Version 7.0 30 march 2010

Updated interface and bug fixes

Return to Index

SO THAT’S IT?

If there are controls you would like to add, let me know and if it is possible I will add them. I am also happy to modify the graphical interface if good suggestions come along

NB. I have checked all controls – if you find a problem or a control is not appropriate for the model you use please let me know. Also send the PCG if it is a PCG reading problem and I will help sort it out!

CONDITIONS OF USE – The software is only available by purchasing a license. Users of earlier versions are requested to support its future development as well. Please contact me via e-mail for details. Feedback and a wish list for additional functions are always welcome, together with suggestions for improving the documentation! My web site contains a demo version with various features disabled. The condition of use of the demo version is that you may use it for up to 2 weeks for assessment, but you must then remove it from your PC. To obtain the full version just email me for details.

NB. People use this software at their own risk!

Have fun!!!!

Stuart

Copyright 2003

SPECIAL THANKS

I would like to thank Korg for making such great synthesizers. Especially Jerry and Dan at Korg

USA and Rob and Alan at Korg UK for their support to the Korg community. I also thank the countless beta testers who have helped along the way.

Return to Index

LINKS TO SOME OTHER SITES

1. Great sites for Korg updates etc. Korg UK – http://www.korg.co.uk

and Korg USA http://www.korg.com

. Korg UK also distribute a great quarterly magazine and CD details of which are on their site.

3. Also visit Darren Richards site for a his PCG audition program – PCG Tool http://www.btinternet.com/~daz.richards/

5. For other Triton Librarians goto http://www.vancesoft.com/triton/manual.html

and

PCGedit from Triton Haven Downloads

6. Check out the sound visualisation features of Winamp – http://www.Winamp.com

Literally see your music on the screen!

7.

For great Korg Forums goto - ‘Irish Acts’.

http://www.Irishacts.com

, Triton Haven at http://www.Tritonhaven.com

8.

For Stephen Kay’s ‘Karma Labs website’ and details of MW software for the karma http://www.karma-lab.com

9. For a great Midi utility try Midi Ox at http://www.midiox.com/ this also has scripting facilities.

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