retail catalogue

I

UK

I

£

2008-2009

naturally

partners

.

welcome to audio-technica distribution UK

❝

...Audio-Technica has a strong commitment to quality, ser vice and customer relationships...

❞

I am very pleased to welcome you to the Audio-Technica 2008-2009 UK retail catalogue.

This past year has been a difficult year for many of our customers and economic predictions for the coming year do not indicate much likelihood of an improvement in general trading conditions. It is during these difficult times however that customers turn to brands they trust, and brands they recognise they can rely on to show them the support they need.

Thankfully Audio-Technica is one such brand and we work extremely hard to stabilise the market for our products across the UK and Europe in terms of pricing and availability. Certain external factors are obviously outside of our control such as exchange rates, but you can always be assured we will do our utmost to minimise the effect of these on your business.

Another issue of key importance to us at Audio-Technica is the pursuit of excellence in the area of customer service and at the time of preparing this latest catalogue, the UK sales operation has undergone a number of significant changes designed to improve our customer service and customer communication.

Firstly, I am delighted to welcome Isabelle Alran to the position of European Sales

Director with direct responsibility for UK sales – Isabelle joins the UK team with a wealth of experience in the audio industry as well as having headed up the sales operation of Audio-Technica’s european distribution business for the past 4 years.

Secondly, our UK area sales managers will now be partnered by dedicated area sales co-ordinators based at our head office in Leeds, providing additional support and acting as a point of contact for customers.

Audio-Technica has a strong commitment to quality, service and customer relationships and this restructuring puts in place building blocks for continued growth, while ensuring that Audio-Technica customers continue to receive the highest level of service and support.

I would like to thank our customers for their continued support and we look forward both to continuing our partnerships with existing customers, and to welcoming new customers on board during the year.

1

Adrian Rooke

Managing Director

2

Isabelle Alran

European Sales Director [email protected]

Jeanette Langstaff

UK Sales Administration Manager [email protected]

UK sales team

Ryan Thomas

Area Sales Manager

North and Scotland

Tel: 07920 299 079

[email protected]

Patricia Robinson

Area Sales Coordinator North & Scotland [email protected]

Stuart Russell

Area Sales Manager Central,

Northern Ireland

Tel: 07900 828 729

[email protected]

Doreen Kellett

Area Sales Coordinator Central [email protected]

Justin Frost

Area Sales Manager South

Tel: 07788 184 651

[email protected]

Darrin Pearson

Area Sales Coordinator South [email protected]

service department

At Audio–Technica we firmly believe the company is only as good as its after sales support. Hence the service department provides a fast and efficient repair service for both in, and out of warranty repairs. The service department also provides technical information and any spare parts required to support Audio-Technica products.

Ebrahim Chopdat

Service Manager

Tel: 0113 385 8338

Mob: 07747 477230 [email protected]

Service&[email protected]

product & technical support department

Technical support is here to provide help choosing the right product for the right application, as well as answering any technical queries relating to installation and product use. The type of queries handled by the support department can range from those from the first time user through to industry professionals.

Logan Helps

Technical & Product Support Engineer

Tel: 0113 385 8339

Mob: 07500 026 860 [email protected]

[email protected]

3

4

www.atheadphones.com

Headphones Online

• Portable

• Hi-Fi

• Multimedia

• Home Musician

Websites

Current Happenings

• Press Releases

• Audio-Technica endorsement

• Product launch

• Trade Shows & Conventions www.audio-technica.com

Support

• Using Microphones

• A Brief Guide to Microphones

• Wireless Quick Tips

• Wireless Basics

• Advanced Wireless Topics

Download

• Download our European catalogue in 20 languages it contains specifications, prices and pictures of the entire range

• Download product photos with 300 dpi downloadable files;

• Download product literature in PDF format including spec sheets,

• Download manuals, brochures, etc;

• Download PDFs of the latest Audio-Technica advertisements

index

audio-technica

Studio Microphones

40 Series

20 Series

Live Sound Microphones

Artist Elite ®

Artist Series

Multipurpose Microphones

Pro Series

Midnight Blues ®

ATR Series

Broadcast & Production Microphones

Shotgun Mono & Stereo Microphones

Subminiature Microphones

AT892 MicroSet™ Microphones

Lavalier Microphones

Stereo, Handheld, Gooseneck

Installed Sound Microphones

UniPoint ®

ProPoint ®

Engineered Sound

IR conference system

Wireless Microphones and Accessories

IEM Systems

1800 Series

Artist Elite ® 5000 Series

Artist Elite ® 4000 Series

3000 A Series

2000 Series

700 Series

Wireless Essentials ®

Wireless Accessories

Headphones, Electronics, Genuine Accessories

Studio Professional Headphones

Headphones and Headsets

SmartMixer ® Automatic Mixers

Turntables, DJ Headphones

Power Supplies, Power Modules, UniTools ® , Attenuators

Microphone Mounts

Windscreens

Alphanumeric Product Listing

Terms, Sales Policies & Limited Warranty

103

136

9

21

33

45

59

81

Rycote

Full windshield system

S-Series

Softies

Smoothies

Babyball gag

Mounts

InVision

Undercovers / Overcovers

Lavalier windjammers

124-125

126

127

128

129

130

131

132

133

5

a message from the president

❝

...why not experience more... and become part of our family...

❞

Dear European Customers

We are looking forward to a successful year for Audio-Technica and hope that we can offer you the same success and satisfaction through the use of our products.

Many of our products have been improved, along with our dedication to providing you with excellent product support.

At the time of printing the 2008 European catalogue, the Company is preparing a shipment of 2250 Audio-Technica microphones and over 3000 accessories for use during the Beijing 2008 Summer Games. Our commitment to the Games has been ongoing since we were first asked to provide products and support to broadcasters back in Atlanta in 1996, and these unique experiences have allowed our engineers to offer products which stand out in quality and performance no matter what the conditions. The culmination of this research and development can be seen in all our New Models, part of the Broadcast and Production Line.

Nevertheless, we understand that as a brand, Audio-Technica has a long way to go in Europe. We have faith in the professionals already using our products and know that their experiences with Audio-Technica are communicated to other colleagues.

Although this may be a slower communication process than an extensive advertising campaign, we like to think that professional recommendations are worth taking time over and offer the professional much more than an advert ever could.

If you haven’t already used Audio-Technica products, why not experience more, and consider an alternative this time around and become part of our family, which stretches across the globe. You won’t just be buying a product.

Sincerely yours

7

Kazuo Matsushita

Président

Audio-Technica Corporation

studio

microphones

40 series microphones

Cutting edge transducer design theory combined with state of the art technology and years of audio manufacturing excellence results in the 40 series. A superior line of precision tools created exclusively for the stringent requirements of professional recording environments. The first choice for countless award winning producers, engineers and musicians. The 40 series are in constant daily use in the largest commercial recording facilities, widely used by audio professionals for critical applications in broadcast and live sound reinforcement.

page 10 to 13

20 series microphones

When Audio-Technica engineers set out to raise the bar for affordable studio condensers, they created the AT2020. This cardioid condenser—widely praised for its quality, durability, articulation, and amazing ability to handle anything you throw at it—became the starting point for the remarkable line of 20 Series studio condensers.

page 14 to 17

application guide

page 18

9

10

40 series

40 series

precision studio microphones

( PC 345-MC 210)

A strong up front crisp sound characterizes the sonic signature that created this studio classic.

The low noise circuitry is symmetrical and transformerless, resulting in exceptional transient response and clean output even under high-output conditions. Used on vocals, drum overheads, woodwind sections and guitar cabinets as well as on-air announcing, the AT4033a is a microphone of many talents, as useful on a live stage and broadcast facility as it is in the recording studio.

AT4033aSM

£ 269.95

Cardioid condenser microphone with shock mount

AT4033aSM

AT4040

*Lifetime Warranty informations, see page 12.

A marriage of technical precision and artistic inspiration, the AT4040 features an advanced large diaphragm, tensioned specifically to provide smooth, natural sonic characteristics.

Designed as a multi-purpose performer, this externally polarized (DC bias) true condenser microphone offers exceptionally low noise, wide dynamic range and high SPL capability for greatest versatility.

Being symmetrical and transformerless the microphone is totally free of the distortion associated with conventional transformer-coupled outputs. Its fast response to transients contributes to the open, transparent reproduction of even the most troublesome of instruments and sound effects.

AT4040

£ 269.95

Cardioid condenser microphone with shock mount

AT4040SC

£ 299.95

Cardioid condenser microphone with stand clamp

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Signal-to-Noise Ratio

Dynamic Range

Noise

Low Frequency Roll-Off

Phantom Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

AT4033aSM

Permanently polarized condenser

AT4040 and AT4040SC

Externally polarized condenser

Cardioid Cardioid

30-20,000 Hz 20-20,000 Hz

– 32 dB (25.1 mV), re 1V at 1 Pa*

100 Ω

145 dB SPL, 1 kHz at 1% T.H.D.

155 dB SPL, with 10 dB pad (nominal)

– 32 dB (25.1 mV), re 1V at 1 Pa*

100 Ω

145 dB SPL, 1 kHz at 1% T.H.D.

155 dB SPL, with 10 dB pad (nominal)

77 dB, 1 kHz at 1 Pa*

128 dB, 1 kHz at Max SPL

17 dB SPL

80 Hz, 12 dB/octave

48V DC, 3.2 mA

380 g (13.4 oz)

170 mm (6.69”) long - 53.4 mm (2.10”) diameter

Integral 3-pin XLRM type

Protective carrying case

AT8449 shock mount

82 dB, 1 kHz at 1 Pa*

133 dB, 1 kHz at Max SPL

12 dB SPL

80 Hz, 12 dB/octave

48V DC, 4.2 mA

360 g (12.7 oz)

170 mm (6.69”) long - 53.4 mm (2.10”) diameter

Integral 3-pin XLRM type

Protective carrying case

AT8449 shock mount (AT4040SM)

AT8430 stand clamp (AT4040SC)

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

40 series

precision studio microphones

( PC 345-MC 210)

The AT4050 offers a remarkable combination of high SPL capability with transparent airy upperand mid range frequencies complemented by a rich low-end quality. Numerous legendary studio engineers agree that it is the perfect studio tool for use on vocals, piano, strings, drum overheads, guitar amps and ensembles. The externally polarized (DC bias) true condenser element utilizes dual, gold-vaporized, aged, large diaphragms to provide consistent, superior performance in three switchable polar patterns, cardioid, omnidirectional and figure-of-eight.

AT4050SM

£ 459.95

Multi-pattern condenser microphone with AT8449 shock mount

AT4050SC

£ 499.95

Multi-pattern condenser microphone with AT8430 stand clamp

40 series

*Lifetime Warranty informations, see page 12.

The precision engineered large diaphragm provides a warm, vintage sonic characteristic reminiscent of early F.E.T.

studio microphone designs. The dual diaphragm design maintains a precise polar pattern across the full frequency range. The wide dynamic range, high SPL capability and exceptionally low self-noise create a versatile tool that excels in any digital recording environments or critical applications in broadcast and live sound.

AT4047SVSM

£ 499.95

Cardioid condenser microphone with AT8449SV shock mount

AT4047SVSC

£ 519.95

Cardioid condenser microphone with AT8430 stand clamp

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

AT4050SM and AT4050SC

Externally polarized condenser

Cardioid, omnidirectional, figure-of-eight

20-18,000 Hz

– 36 dB (15.8 mV), re 1V at 1 Pa*

100 Ω

149 dB SPL, 1 kHz, T.H.D. 1%

159 dB SPL, with 10 dB pad (nominal)

77 dB, 1 kHz at 1 Pa*

Signal-to-Noise Ratio

Dynamic Range

Noise

132 dB, 1 kHz at Max SPL

17 dB SPL

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Dimensions

80 Hz, 12 dB/octave

48V DC, 4.2 mA

510 g (18.0 oz)

188 mm (7.40”) long - 53.4 mm (2.10”) diameter

Output Connector

Accessories Furnished

Integral 3-pin XLRM type

Protective carrying case AT8449 shock mount (AT4050SM)

AT8430 stand clamp (AT4050SC)

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT4047SV

Externally polarized (DC bias) condenser

Cardioid

20-18,000 Hz

– 35 dB (17.7 mV) ± 2 dB, re 1V at 1 Pa*

250 Ω

149 dB SPL, 1 kHz, T.H.D. 1%

159 dB SPL, with 10 dB pad (nominal)

85 dB, 1 kHz at 1 Pa*

140 dB,1 kHz at Max SPL

9 dB SPL

80 Hz, 12 dB/octave

Phantom 48 V, 3.0 mA

410 g (14.5 oz)

170 (6.69”) long - 53.4 mm (2.10”) diameter

Integral 3-pin XLRM type

Protective carrying case AT8449SV shock mount (with

AT4047SVSM); or AT8430 stand clamp (with AT4047SVSC)

AT4050SM

AT4047SVSM

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

11

12

40 series

40 series

precision studio microphones

( PC 345-MC 210 )

The AT4041 features a transformerless output for a very high SPL handling capability. The surface of the back plate is precision milled reducing unnatural frequency response peaks and distortion. The back plate is aged providing energy stability, holding a fixed charge allows a weight reduction of the diaphragm improving transient response and increasing the frequency bandwidth.

The rugged microphone is housed in a case of turned brass with black chrome plating for durability and low reflectivity.

AT4041

£ 199.95

Cardioid condenser microphone

AT4041

*The Lifetime Warranty applies to the serviceable life of the product deemed to be 15 years and is available only to the original purchaser of the microphone upon completion of the guarantee registration form online at www.audio-technica.com/warranty within 30 days of purchase.

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Signal-to-Noise Ratio

Dynamic Range

Noise

Low Frequency Roll-Off

Phantom Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT4041

Permanently polarized Condenser

Cardioid

20-20,000 Hz

– 36 dB (15.8 mV), re 1V at 1 Pa*

100 Ω

145 dB SPL, 1 kHz at 1% T.H.D.

70 dB, 1 kHz at 1 Pa*

121 dB, 1 kHz at Max SPL

24 dB SPL

80 Hz, 12 dB/octave

48V DC, 3.2 mA typical

120 g (4.20 oz)

159.5 mm (6.28”) long; 21 mm (0.83”) diameter

Integral 3-pin XLRM type

Protective carrying case; AT8405a snap-in clamp; AT8159 foam windscreen

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

40 series

cardioid condenser microphone

( PC 345-MC 210)

The AT4021 offers a flat, extended frequency response, high maximum SPL and wide dynamic range.

Its low self-noise is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response and reduces handling and mechanical noise transfer.

AT4021

£ 249.95

Cardioid condenser microphone

• Outstanding performance and rugged construction, ideal for critical studio & live applications

• High SPL handling and wide dynamic range

• Flat, extended frequency response

• Switchable 80 Hz hi-pass filter and 10 dB pad

• High front-to-back rejection ratio – cardioid polar pattern improves isolation of desired sound source

• Low self-noise perfectly suited for digital recording equipment

• Exceptional reproduction of low-frequency sounds

• Low-mass element for superb transient response

The low-profile AT4022 is outstanding for piano, acoustic guitar and other acoustic instruments. Offering a flat, extended frequency response and wide dynamic range, it handles high SPLs with ease. Its low-mass diaphragm improves transient response and reduces handling/mechanical noise transfer.

AT4022

£ 269.95

Omnidirectional condenser microphone

• Outstanding performance and rugged construction, ideal for critical studio & live applications

• High SPL handling and wide dynamic range

• Flat, extended frequency response

• Switchable 80 Hz hi-pass filter and 10 dB pad

• Omnidirectional polar pattern provides maximum ambient pickup

• Low-self noise perfectly suited for digital recording equipment

• Exceptional reproduction of low-frequency sounds

• Low-mass element for superb transient response

Specifications

Element

Polar pattern

Frequency Response

Low Frequency Roll Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

AT4021

Fixed-charge back plate permanently polarized condenser

Cardioid

20-20,000 Hz

80 Hz, 12 dB/octave

–34 dB (19.9 mV) re 1V at 1 Pa*

250 ohms

146 dB SPL, 1 kHz at 1% T.H.D.;

156 dB SPL, with 10 dB pad (nominal)

14 dB SPL

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

132 dB, 1 kHz at Max SPL

80 dB, 1 kHz at 1 Pa*

Phantom Power Requirements

48V DC, 3.0 mA typical

Switches

Flat, roll-off; 10 dB pad

Weight

Dimensions

119 g (4.2 oz)

144.0 mm (5.67") long, 21.0 mm (0.83") maximum body diameter

Output Connector

Accessories Furnished

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”-27 threaded stands; windscreen; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT4022

Fixed-charge back plate permanently polarized condenser

Omnidirectional

20-20,000 Hz

80 Hz, 12 dB/octave

–34 dB (19.9 mV) re 1V at 1 Pa*

250 ohms

146 dB SPL, 1 kHz at 1% T.H.D.;

156 dB SPL, with 10 dB pad (nominal)

13 dB SPL

133 dB, 1 kHz at Max SPL

81 dB, 1 kHz at 1 Pa*

48V DC, 3.0 mA typical

Flat, roll-off; 10 dB pad

124 g (4.4 oz)

144.0 mm (5.67") long, 21.0 mm (0.83") maximum body diameter

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”-27threaded stands; windscreen; protective carrying case

AT4021

40 series

AT4022

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

13

14

20 series

AT2050

20 series

cardioid condenser microphone

( PC 342-MC 210)

The AT2050’s dual large-diaphragm design provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are goldvaporized and aged to achieve optimum characteristics over years of use.

AT2050

£ 199.95

Multi-pattern condenser microphone

• Three switchable polar patterns: omni, cardioid, figure-of-eight

• Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone

• Switchable 80 Hz high-pass filter and 10 dB pad

• State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards

• Dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use

Specifications

Element

Polar Patterns

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Switches

Weight

Dimensions

Output Connector

Accessories Furnished

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT2050

Externally polarized (DC Bias) condenser

Cardioid, Omnidirectional, Figure-of-Eight

20-20,000 Hz

80 Hz, 12 dB/octave

–40 dB (10.0 mV) re 1V at 1 Pa*

120 ohms

149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL with 10 dB pad (nominal)

17 dB SPL

132 dB, 1 kHz at Max SPL

77 dB, 1 kHz at 1 Pa*

11-52V DC (±4V), 4.7 mA typical

Pattern selection; Flat, roll-off; 10 dB pad (nominal)

412 g (14.5 oz)

170.0 mm (6.69”) long, 52.0 mm (2.05") maximum body diameter

Integral 3-pin XLRM-type

AT8458 Shock mount for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

20 series

cardioid condenser microphone

( PC 342-MC 210)

Designed for critical home/project/professional studio applications and live performance, the AT2035 delivers exceptional detail and low noise.

With its extended low-frequency response, the AT2035 provides rich, full sound reproduction and handles extremely high sound pressure levels with ease.

AT2035

£ 129.95

Cardioid condenser microphone

• Large diaphragm for smooth, natural sound and low noise

• High SPL handling and wide dynamic range provide unmatched versatility

• Custom shock mount provides superior isolation

• Switchable 80 Hz high-pass filter and 10 dB pad

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

20 series

15

AT2035

The AT2050 and AT2035 includes the AT8458 shock mount, threaded adapter, soft protective pouch.

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Switches

Weight

Dimensions

Output Connector

Accessories Furnished

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT2035

Fixed-charge back plate permanently polarized condenser

Cardioid

20-20,000 Hz

80 Hz, 12 dB/octave

–32 dB (25.1 mV) re 1V at 1 Pa*

120 ohms

148 dB SPL, 1 kHz at 1% T.H.D.; 158 dB SPL, with 10 dB pad (nominal)

12 dB SPL

136 dB, 1 kHz at Max SPL

82 dB, 1 kHz at 1 Pa*

11-52V DC, 3.8 mA typical

Flat, roll-off; 10 dB pad (nominal)

403 g (14.2 oz)

170.0 mm (6.69”) long, 52.0 mm (2.05”) maximum body diameter

Integral 3-pin XLRM-type

AT8458 shock mount for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

16

20 series

20 series

cardioid condenser microphones

( PC 342-MC 210)

The new AT2010 is designed to bring the studio-quality articulation and intelligibility of Audio-Technica’s renowned 20 Series to the stage, for crystal-clear vocal performances. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, the AT2010 excels wherever articulate vocals are needed: in houses of worship, for solo performances, jazz vocalists, singer/songwriters, and more.

AT2010

Cardioid condenser handheld microphone

£ 79.95

• Extended frequency response and superior transient response for smooth, natural sonic characteristics

• High SPL-handling and wide dynamic range provide unmatched versatility

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising highfrequency clarity

• Rugged, all-metal construction for years of trouble-free use

AT8466

AT2010

AT2020

The AT2020 sets a standard for price performance in a side-address studio condenser way ahead of its time.

The low mass diaphragm is custom engineered for an extended frequency response, superior transient response, wide dynamic range, high SPLs and low noise making it perfectly suited for modern digital recording equipment.

A real favorite for female vocal recording, its rugged construction and manufacturing techniques ensure stringent consistency and reliability designed for years of use.

AT2020

Cardioid condenser microphone

£ 79.95

• The price/performance standard in side-address studio condenser microphone technology

• Ideal for project/home-studio applications

• High SPL handling and wide dynamic range provide unmatched versatility

• Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

• Low self-noise–perfectly suited for sophisticated digital recording equipment

Specifications

Element

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Noise

Dynamic Range

(typical)

AT2020

Fixed-charge back plate permanently polarized condenser

20-20,000 Hz

– 37 dB (14.1 mW), re 1V at 1 Pa*

100 Ω

144 dB SPL, 1 kHz at 1% T.H.D.

20 dB SPL

124 dB, 1 kHz at max SPL

Signal-to-Noise Ratio

Phantom Power Requirements

Weight

(less accessories)

Dimensions

74 dB, 1 khz at 1 Pa*

48 V DC, 2 mA typical

345 g (12.1 oz)

162.0 mm (6.38”) long, 52.0 mm (2.05”) maximum body Ø

Output Connector

Accessories Furnished

Integral 3-pin XLRM-type

AT8466 stand mount for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

*1 pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT2010

Fixed-charge back plate permanently polarized condenser

40-20,000 Hz

– 48 dB (3.9mW), re 1V at 1 Pa*

100 Ω

136 dB SPL, 1kHz at 1% T.H.D.

23 dB SPL

113 dB, 1kHz at Max SPL

71 dB, 1kHz at 1 Pa*

48V DC, 2mA typical

233g (8.2 oz)

179.1 mm (7.05”) long, 50.8 mm (2.00”) maximum body Ø

Integral 3-pin XLRM-type

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”- 16 threaded adapter; soft protective pouch

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

20 series

USB cardioid condenser microphones

( PC 342-MC 210)

Designed for computer-based recording, the new AT2020USB cardioid condenser microphone is ideal for digitally capturing music or any acoustic audio source using your favorite recording software. Equipped with a USB digital output, the AT2020USB offers studio-quality articulation and intelligibility perfect for home studio recording, field recording, podcasting, and voiceover use. Based on the design of Audio-Technica’s critically acclaimed AT2020 cardioid condenser microphone, the AT2020USB features a low-mass diaphragm, customengineered for extended frequency response and superior transient response. Audio-Technica’s state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company’s renowned consistency and reliability standards.

WINDOWS AND MAC COMPATIBLE

SIDE-ADDRESS STUDIO CONDENSER WITH USB DIGITAL OUTPUT.

AT2020USB

£ 129.95

USB cardioid condenser microphone

• Side-address cardioid condenser with USB digital output (Windows and Mac compatible)

• Ideal for podcasting, home studio recording, field recording, and voiceover use

• Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Low self-noise – perfectly suited for sophisticated digital recording equipment

• USB powered; connects directly to computer’s USB input

• Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

• Tripod desk stand with folding legs offers secure and easily portable tabletop base

20 series

17

Specifications

Element

Polar Pattern

Frequency Response

Bit Depth

Sample Rate

Power Requirements

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

AT2020USB

Fixed-charge back plate permanently polarized condenser

Cardioid

20 -16,000 Hz

16 bit

44.1 kHz

USB power (5V DC)

374 g (13.2 oz)

162.0 mm (6.38") long, 52.0 mm (2.05") maximum body diameter

USB-type connector

Pivoting stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3 /8"-16 threaded adapter; soft protective pouch; tripod desk stand; 3.1 m (10’) USB cable

AT2020USB

Included accessories: tripod desk stand, pivoting stand mount, threaded adapter,

USB cable, soft protective pouch.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

18

studio microphones application guide

40 series 20 series

USB

(2)

A

T4033a

A

T4040

A

T4050

A

T4047

A

T4041

A

T4021

A

T4022

A

T2050

A

T2035

A

T2020

VOCAL

Vocal (singing)

Vocal (speaking)

● ●

●

●

●

●

●

●

●

●

●

●

●

DRUMS (1)

Overheads

Hi-Hat

Snare drum

Toms

Cymbals

Kick Drum

●

●

●

● ●

●

●

●

●

●

●

●

●

●

●

●

●

● ●

● ● ●

PERCUSSION (1)

General percusions

Classic percussion

Minor percussion

● ● ●

●

●

●

●

●

●

●

●

●

●

● ●

●

SPECIAL APPLICATION

Vintage sound

●

PIANO

Piano

● ●

✪

● ● ● ●

BRASS

Trumpet

Trombone

●

●

●

●

●

●

●

●

●

●

WOODWIND

Clarinet & Oboe

Flute & Piccolo

Saxophone

Bassoon

●

●

●

●

●

✪

●

✪

●

●

●

●

●

●

●

●

●

WIND INSTRUMENT

Harmonica

Accordion

● ●

● ● ● ●

ORCHESTRAL STRINGS

Cello

Violin

ContraBass

● ●

●

●

●

●

●

●

●

●

STRINGS

Acoustic guitar

Banjo

●

●

✪

● ●

●

●

INSTRUMENT AMPLIFIER

Guitar amp

Bass guitar amp

Leslie Speaker

● ● ●

●

✪

●

●

●

●

● ● ●

(1) For drums and percussions, see Artist Elite ® application chart, page 30. (2) Equipped with a USB digital output mainly use for speaking or singing but can as well be used with acoustic instrument.

This application chart is a guide to selecting an Audio-Technica microphone for a specific application.

Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

●

●

A

T2010

●

●

A

T2020

Our Recommendation

Best Choice

●

✪

live sound

microphones

artist elite ®

To find what makes the best sounding, most reliable and consistent microphones for the live sound industry we have worked closely with industry professionals from the top touring companies, award show designers, front of house engineers, monitor engineers, audio consultants and artists. We listened carefully and applied this knowledge to the creation of the Artist Elite

®

line. A high end range of high performance microphones with the ultimate design goal that each model must extend the performance of a sound system, not limit it.

page 22 to 23

artist series

Artist Series is packed with the culmination of more than 40 years of R & D into these road proven, reliable designs. The range includes an affordable dual element kick drum/ guitar cabinet microphone, a cute side-address pencil condenser for endless placement options and a road worthy vocal condenser microphone with great off-axis response. The artist series durable rugged design is engineered to perform flawlessly despite the inevitable bumps and bruises of life on the road. With clear detailed reproduction, low distortion and fast transients to capture every live performance the artist series offers superb reliability.

page 24 to 29

application guide

page 30

21

22

AE3300 - AE5400

AE4100 - AE6100

artist elite

®

artist elite

® microphones

( PC 304-MC 220)

CONDENSER VOCAL MICROPHONES

AE5400

£ 269.95

Cardioid condenser microphone

• Pristine sound quality demanded by the most discriminating microphone user

• Large-diaphragm element and true condenser design

• Superior anti-shock engineering ensures low handling noise and quiet performance

• Excellent protection against plosives and sibilance without compromising high-frequency clarity

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad

AE3300

£ 219.95

Cardioid condenser microphone

• Exacting detail, brilliant clarity and uncoloured realism

• Well-tempered polar pattern with outstanding rejection qualities

• Superior anti-shock engineering ensures low handling noise and quiet performance

• Excellent protection against plosives and sibilance without compromising high-frequency clarity

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad

DYNAMIC VOCAL MICROPHONES

AE6100

£ 139.95

Hypercardioid dynamic microphone

• Great presence with excellent monitor cut

• High output, fast transients and clean articulation

• Maximum feedback rejection

• Superior anti-shock engineering for low handling noise

• Outstanding pop protection

• Tough, durable, resilient – built for the road

AE4100

£ 139.95 Cardioid dynamic microphone

• Aggressive sound that stays up-front in the mix

• Optimized for the stage with excellent isolation properties

• Superior anti-shock engineering for low handling noise

• Outstanding pop protection

• Tough, durable, resilient – built for the road

AE5400:

The same large-diaphragm element used in the

AT4050

.

AE3300:

The same element used in the legendary

AT4033

.

Specifications

Element

AE5400

Externally polarized condenser

AE3300

Electret condenser

AE6100

Dynamic

AE4100

Dynamic

Polar Pattern

Frequency Response

20-20,000 Hz 30-18,000 Hz 60-15,000 Hz 90-18,000 Hz

Open Circuit Sensitivity

Impedance

– 40 dB (10.0 mV), re 1V at 1 Pa* – 42 dB (7.9 mV), re 1V at 1 Pa* – 55 dB (1.7 mV), re 1V at 1 Pa* – 55 dB (1.7 mV), re 1V at 1 Pa*

150 Ω 150 Ω 250 Ω 250 Ω

Maximum Input Sound Level

147 dB SPL, 1 kHz at 1% T.H.D.

157 dB SPL, with 10 dB pad

147 dB SPL, 1 kHz at 1% T.H.D.

157 dB SPL, with 10 dB pad

Signal-to-Noise Ratio

Dynamic Range

Noise

Low Frequency Roll-Off

80 dB, 1 kHz at 1 Pa*

133 dB, 1 kHz at Max SPL

14 dB SPL

80 Hz, 12 dB/octave

Phantom Power Requirements

11-52V DC, 4 mA

Weight

(less accessories) 330 g (11.6 oz)

Dimensions

179 mm (7.05”) long;

50 mm (1.97”) diameter

Output Connector

Accessories Furnished

3-pin XLRM-type

AT8470 Quiet-Flex™; stand clamp; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

75 dB, 1 kHz at 1 Pa*

128 dB, 1 kHz at Max SPL

19 dB SPL

80 Hz, 12 dB/octave

11-52V DC, 3 mA

300 g (10.6 oz)

179 mm (7.05”) long;

50 mm (1.97”) diameter

3-pin XLRM-type

AT8470 Quiet-Flex™; stand clamp; soft protective pouch

310 g (10.9 oz)

177 mm (6.97”) long;

48 mm (1.89”) diameter

3-pin XLRM-type

AT8470 Quiet-Flex™; stand clamp; soft protective pouch

310 g (10.9 oz)

177 mm (6.97”) long;

48 mm (1.89”) diameter

3-pin XLRM-type

AT8470 Quiet-Flex™; stand clamp; soft protective pouch

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

artist elite

® microphones

( PC 304-MC 220)

AE2500

£ 399.95

Dual-element cardioid microphone

• Revolutionary, first of its kind dual-element design represents a ground-breaking transducer achievement

• Two elements (condenser and dynamic) are enclosed in a single housing

• Dynamic element delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell

• Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad

• 5 m dual-shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors

AE3000

£ 189.95

Cardioid condenser microphone

• Excels in high-SPL applications such as guitar cabinets, toms, snare, timpani and overheads

• Large-diaphragm capsule combines with the open architecture of the headcase to provide an extremely accurate and open sound

• Low-profile side-address design with tapered grille allows optimal positioning of element vis-à-vis sound source

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad

AE5100

£ 199.95

Cardioid condenser microphone

• Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments

• Large-diaphragm capsule delivers accurate, uncoloured and extremely natural response.

• Low-profile design permits innovative placement options previously unattainable with a largediaphragm condenser

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Signal-to-Noise Ratio

Dynamic Range

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

AE2500

Condenser, Dynamic

AE3000

Condenser

AE5100

Condenser

Dynamic : 30-10,000 Hz / Condenser : 20-17,000 Hz 20-20,000 Hz 20-20,000 Hz

Dynamic : – 54 dB (1.9 mV) / Condenser : –51 dB (2.8 mV), re 1V at 1 Pa* – 43 dB (7 mV), re 1V at 1 Pa*

Dynamic : 600 Ω / Condenser : 100 Ω 100 Ω

Condenser : 148 dB SPL, 1 kHz at 1% T.H.D.

158 dB SPL, with 10 dB pad

– 36 dB (15.8 mV), re 1V at 1 Pa*

150 Ω

148 dB SPL, 1 kHz at 1% T.H.D.

148 dB SPL, 1 kHz at 1% T.H.D.

158 dB SPL, with 10 dB pad 158 dB SPL, with 10 dB pad

Condenser : 70 dB, re 1V at 1 Pa*

Condenser : 124 dB, 1 kHz at Max SPL

80 Hz, 12 dB/octave

11-52V DC, 3 mA

390 g (13.8 oz)

165 mm (6.50”) long

55 mm (2.17”) diameter

Integral 5-pin XLRM type

Protective pouch; AT8471 Isolation clamp; cable 16.5’ (5 m) dual shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors

*1 Pascal = 10 dynes/cm

2

= 10 microbars = 94 dB SPL

83 dB, re 1V at 1 Pa*

137 dB, 1 kHz at Max SPL

80 Hz, 12 dB/octave

11-52V DC, 3 mA

170 g (6.0 oz)

115.5 mm (4.55”) long

48 mm (1.89”) diameter

Integral 3-pin XLRM type

Protective pouch;

AT8471 Isolation clamp

83 dB, re 1V at 1 Pa*

137 dB, 1 kHz at Max SPL

80 Hz, 12 dB/octave

11-52V DC, 3.2 mA

143 g (5.0 oz)

148.5 mm (5.85”) long

26 mm (1.02”) diameter

Integral 3-pin XLRM type

Protective pouch; AT8471 Isolation clamp; AT8136 Windscreen

AE2500

AE3000

AE5100

artist elite

Cardioid

®

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

23

24

artist series

artist series

condenser vocal microphone

(PC 305-MC 220)

ATM710

£ 128.00

High-fidelity handheld condenser

A user friendly condenser microphone tailored for high-fidelity vocal reproduction. The studio quality performance of the ATM710 is brought to the stage with an extremely tight cardioid pattern making feedback and stage sound easier to manage. An 80Hz hi-pass filter switch provides a low frequency roll-off while a switchable 10 dB pad lowers the microphone’s sensitivity providing higher SPL capability to deal with any extreme vocal presence.

• Excels in venues with controlled stage volume or in-ear monitoring

• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising highfrequency clarity

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Superior anti-shock engineering for low handling noise

• Condenser design for studio-quality performance

• Integral 80 Hz HPF switch and 10 dB pad

• Gold-plated XLRM-type connector and rugged, all-metal design

ATM710

The ATM710 includes the AT8470 Quiet-Flex™ stand clamp and a soft protective pouch.

UK Singer / Songwriter Jodie Jones using ATM710.

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

ATM710

Fixed-charge back plate permanently polarized condenser

Cardioid

40-20,000 Hz

80 Hz, 12 dB/octave

– 40 dB (10.0 mV) re 1V at 1 Pa*

200 ohms

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

148 dB SPL, 1 kHz at 1% T.H.D.

127 dB, 1 kHz at Max SPL

73 dB, 1 kHz at 1 Pa*

11-52V DC, 3.5 mA typical

Switches

Weight

Dimensions

Output Connector

Flat, roll-off; 10 dB pad

274 g (9.7 oz)

179.0 mm (7.05”) long, 50.0 mm (1.97”) diameter

Integral 3-pin XLRM-type

Accessories Furnished

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

artist series

dynamic vocal microphone

(PC 305-MC 220)

ATM610

£ 105.00

Hypercardioid dynamic vocal microphone

• Tailored for extended-range, high-fidelity vocal reproduction

• Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Durable performance for professional applications

• Special dual-wall floating construction reduces handling noise and assures consistent performance from mic to mic

• Hi-ENERGY ® neodymium magnet for articulate vocal reproduction

• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity

• Quiet-Flex™ stand clamp provides silent, flexible microphone positioning

ATM410

£ 81.00

Cardioid dynamic vocal microphone

• Tailored for smooth, natural vocal reproduction

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Durable performance for professional applications

• Hi-ENERGY ® neodymium magnet for improved output and transient response

• Excellent off-axis rejection for minimum feedback

• Superior anti-shock engineering for low handling noise

• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity

• Quiet-Flex™ stand clamp provides silent, flexible microphone positioning

ATM610

artist series

25

The ATM610 and ATM410 includes the AT8470 Quiet-Flex™ stand clamp and a soft protective pouch.

Specifications

Element

Polar Pattern

Frequency Response

ATM610

Dynamic

Hypercardioid

40-16,000 Hz

Open Circuit Sensitivity

Impedance

Weight

Dimensions

– 55 dB (1.7 mV) re 1V at 1 Pa*

300 ohms

280 g (9.9 oz)

177.0 mm (6.97”) long, 48.0 mm (1.89”) diameter

Output Connector

Accessories Furnished

Integral 3-pin XLRM-type

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ATM410

Dynamic

Cardioid

90-16,000 Hz

– 55 dB (1.7 mV) re 1V at 1 Pa*

300 ohms

233 g (8.2 oz)

170.0 mm (6.69”) long, 53.5 mm (2.11”) diameter

Integral 3-pin XLRM-type

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

ATM410

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

26

ATM250DE

artist series

ATM250 artist series

dual element instrument microphone

(PC 305-MC 220)

ATM250DE

£ 234.00

Dual-element instrument microphone

• Audio-Technica’s proven dual-element design features two elements

(condenser and dynamic) enclosed in a single housing

• Neodymium dynamic element provides punch and attack, while the condenser element captures the full audio spectrum

• Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones

• Perfect for

kick drum

,

guitar amps

and instrument use

• Integral 80 Hz HPF switch and 10 dB pad (condenser element)

• Includes AT8471 isolation clamp for shock protection, secure mounting and easy positioning

artist series

dynamic instrument microphone

(PC 305-MC 220)

ATM250

£ 152.00

Hypercardioid dynamic instrument microphone

• Frequency response tailored for

kick drum

,

percussion

, brass, and other highly dynamic instruments

• Handles very high SPL at close range

• Big, warm low-frequency response with excellent presence

• Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Durable performance for professional applications

• Hi-ENERGY ® neodymium magnet for improved output and transient response

• Superior off-axis rejection for maximum gain before feedback

• Includes isolation clamp for shock protection, secure mounting and easy positioning

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

ATM250DE

Condenser, dynamic

Cardioid (condenser) - Hypercardioid (dynamic)

40-20,000 Hz (condenser) - 40-15,000 Hz (dynamic)

80 Hz, 12 dB/octave (condenser)

– 49 dB (3.5 mV), re 1V at 1 Pa* (condenser)

– 53 dB (2.2 mV), re 1V at 1 Pa* (dynamic)

50 ohms (condenser) - 600 ohms (dynamic)

Impedance

Maximum Input Sound Level

Dynamic Range

(typical)

148 dB SPL, 1 kHz at 1% T.H.D. (condenser)

122 dB, 1 kHz at Max SPL (condenser)

Signal-to-Noise Ratio

68 dB, 1 kHz at 1 Pa* (condenser)

Phantom Power Requirements

11-52V DC, 3.5 mA typical (condenser)

Switches

Weight

Flat, roll-off; 10 dB pad (condenser only)

320 g (11.3 oz)

Dimensions

Output Connector

Cable

143.6 mm (5.65”) long, 55.0 mm (2.17”) diameter

Integral 5-pin XLRM-type

5.0 m (16.5’) dual shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors

Accessories Furnished

AT8471 isolation clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 adapter; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ATM250

Dynamic

Hypercardioid

40-15,000 Hz

– 54 dB (1.9 mV), re 1V at 1 Pa*

600 ohms

252 g (8.9 oz)

127.5 mm (5.02”) long, 55.0 mm (2.17”) diameter

Integral 3-pin XLRM-type

AT8471 isolation clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

artist series

dynamic instrument microphone

(PC 305-MC 220)

ATM650

£ 93.00

Hypercardioid dynamic instrument microphone

• Tailored response for musical instrument pickup–guitar

cabinets, snare and other percussion

• Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Durable performance for professional applications

• Special dual-wall floating construction reduces handling noise and assures consistent performance from mic to mic

• Hi-ENERGY ® neodymium magnet for improved output and transient response

• Multi-stage flat grille design is engineered to enable easy placement as close as possible to sound source

side-address condenser instrument microphone

(PC 305-MC 220)

ATM450

£ 152.00

Cardioid condenser instrument microphone

• Unique side-address stick design maximizes placement options with minimal obstructions

• Uncompromising sound quality for overheads,

percussion, acoustic guitar, strings and other acoustic instruments

• Integral 80 Hz HPF switch and 10 dB pad

• Durable performance for professional applications

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Includes AT8471 isolation clamp for shock protection, secure mounting and easy positioning

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

(1)

Phantom Power Requirements

Switches

Weight

Dimensions

Output Connector

Accessories Furnished

ATM650

Dynamic

Hypercardioid

80-17,000 Hz

– 56 dB (1.5 mV), re 1V at 1 Pa*

300 ohms

279 g (9.8 oz)

164.2 mm (6.46”) long, 38.8 mm (1.53”) diameter

Integral 3-pin XLRM-type

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ATM450

Fixed-charge back plate permanently polarized condenser

Cardioid

40-20,000 Hz

80 Hz, 18 dB/octave

– 41 dB (8.9 mV), re 1V at 1 Pa*

200 ohms

152 dB SPL, 1 kHz at 1% T.H.D.

127 dB, 1 kHz at Max SPL

69 dB, 1 kHz at 1 Pa*

11-52V DC, 3.5 mA typical

Flat, roll-off; 10 dB pad

98 g (3.5 oz)

126.9 mm (5.00”) long, 21.0 mm (0.83”) diameter

Integral 3-pin XLRM-type

AT8471 isolation clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; windscreen; soft protective pouch

ATM650

artist series

ATM450

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

27

28

artist series

artist series

special purpose instrument

(PC 305-MC 220)

ATM350

£ 211.00

Cardioid condenser clip-on microphone

• Low-profile design for minimum visibility

• Attaches to brass, reeds, piano, double bass, snare, toms, and violin

• UniMount ® clip permits accurate positioning, provides shock resistance and protects element

• Unique violin mount permits unobtrusive placement of microphone between the instrument’s bridge and tailpiece

• Crisp, clear, well-balanced response, even at high SPLs

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Interchangeable elements available for hypercardioid and omnidirectional polar patterns

ATM350

ATM350

interchangeable elements

(PC 310-MC 230)

UE-H

£ 74.95

Hypercardioid interchangeable element

UE-O

£ 74.95 Omnidirectional interchangeable element

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Switches

Weight

(less cable and accessories)

Dimensions

ATM350

Fixed-charge back plate permanently polarized condenser

Cardioid

40-20,000 Hz

80 Hz, 12 dB/octave

– 49 dB (3.5 mV) re 1V at 1 Pa*

50 ohms

149 dB SPL, 1 kHz at 1% T.H.D.

122 dB, 1 kHz at Max SPL

67 dB, 1 kHz at 1 Pa*

11-52V DC, 3.5 mA typical

Flat, roll-off

Microphone: 14.5 g (0.5 oz)

Microphone: 37.8 mm (1.49”) long,

12.2 mm (0.48”) diameter

Integral 3-pin XLRM-type

Power Module: 81.2 g (2.9 oz)

Power Module: 92.9 mm (3.66”) long,

18.9 mm (0.74”) diameter

Output Connector

(power module)

Cable

Accessories Furnished

4.0 m (13.1”) long (permanently attached to microphone), 3.2 mm (0.13”) diameter,

2-conductor shielded cable with TA3F-type connector

AT8542 power module; AT8418 UniMount ® microphone instrument mount;

AT8468 violin mount; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

artist series

headworn microphone

(PC 305-MC 220)

ATM73a

£ 152.00

Cardioid condenser headworn microphone

• Ideal for drummers, keyboard players or anyone requiring hands-free operation

• Comfortable, unobtrusive headband design with side-of-mouth pickup

• Belt-mounted power module operates on battery or phantom power

• Cardioid polar pattern improves isolation of desired sound source

• Also available as ATM73cW – less power module; 55” (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems

• Also available as ATM73ac; less power module; cable unterminated

ATM73ac

£ 99.95

Same as ATM73a but unterminated for wireless and special applications

Includes AT8125 and AT8128 windscreens; no power module.

ATM75

£ 116.00

Cardioid condenser headworn microphone

• Professional-quality vocal pickup with hands-free operation

• Low-visibility headband provides stable, comfortable fit

• Pivot-mounted flexible mic boom descends from left or right side

• Belt-mounted power module operates on battery or phantom power

• Cardioid polar pattern improves isolation of desired sound source

ATM75c

£ 80.00

Same as ATM75 but unterminated for wireless and special applications

Includes AT8139L large windscreen and AT8439 cable clothing clip; no power module.

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

ATM73a

Fixed-charge back plate permanently polarized condenser

Cardioid

40-15,000 Hz

80 Hz, 18 dB/octave

Phantom: –55 dB (1.7 mV) re 1V at 1 Pa*

Battery: –56 dB (1.5 mV) re 1V at 1 Pa*

Impedance

Output Connector

Cable

Phantom: 200 ohms

Battery: 270 ohms

Max. Input Sound Level

Battery Type

Battery Current/Life

Switch

Weight

Phantom: 146 dB SPL, 1 kHz at 1% T.H.D.

Battery: 132 dB SPL, 1 kHz at 1% T.H.D.

Dynamic Range

(typical)

Signal-to-Noise Ratio 1

Phantom Power Requirements

Phantom: 111 dB, 1 kHz at Max SPL

Battery: 97 dB, 1 kHz at Max SPL

59 dB, 1 kHz at 1 Pa*

11-52V DC, 2 mA typical

1.5V AA/UM3

0.4 mA / 1200 hours typical (alkaline)

Dimensions

Off, on-flat, on-roll-off

Microphone: 31 g (1.1 oz)

Power Module: 139 g (4.9 oz)

Headset: 165.0 mm (6.49”) nominal at widest point,

67.0 mm (2.64”) flexible boom

Microphone: 10.0 mm (0.39”) diameter

Power Module: 84.0 mm(3.31”) H x 63.0 mm (2.48”) W x 22.0 mm (0.87”) D

Power Module: Integral 3-pin XLRM-type

1.4 m (4.6’) long (permanently attached to microphone), 2.6 mm (0.10”) diameter,

2-conductor shielded cable with TA3F-type connector

Accessories Furnished

AT8531 power module; AT8128 windscreen;

AT8125 windscreen; battery

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ATM75

Fixed-charge back plate permanently polarized condenser

Cardioid

100-13,000 Hz

80 Hz, 18 dB/octave

–51 dB (2.8 mV) re 1V at 1 Pa*

–53 dB (2.2 mV) re 1V at 1 Pa*

200 ohms

270 ohms

132 dB SPL, 1 kHz at 1% T.H.D.

121 dB SPL, 1 kHz at 1% T.H.D.

96 dB, 1 kHz at Max SPL

85 dB, 1 kHz at Max SPL

58 dB, 1 kHz at 1 Pa*

11-52V DC, 2 mA typical

1.5V AA/UM3

0.4 mA / 1200 hours typical (alkaline)

Off, on-flat, on-roll-off

Microphone: 60 g (2.1 oz)

Power Module: 139 g (4.9 oz)

120.0 mm (4.72”) nominal at widest point,

80.5 mm (3.17”) flexible boom

20.4 mm (0.80”) diameter

84.0 mm (3.31”) H x 63.0 mm (2.48”) W x 22.0 mm (0.87”) D

Integral 3-pin XLRM-type

1.4 m (4.6’) long (permanently attached to microphone),

2.8 mm (0.11”) diameter, 2-conductor shielded cable with TA3F-type connector

AT8531 power module; AT8439 clothing clip; AT8139L large windscreen; AT8139S small windscreen; battery

ATM73a

artist series

ATM75

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

29

30

live sound microphones application guide

artist elite ® artist series

(1) (1) (1) (1)

(3)

(3)

VOCAL

Lead vocal

Choir

(Classic & Church)

Back vocals

Karaoke

✪

●

●

AE5400

●

✪

AE3300

✪

●

●

AE6100

●

●

●

AE4100 AE2500 AE3000

✪

DRUMS

Overheads

Hi-Hat

Snare drum

Toms

Cymbal

Kick Drum

PERCUSSION

Timpani

a

Conga & Bongo

Ethnics drums

Classic percussion

Xylophone

Minor percussion

● ●

●

✪

✪

●

✪

✪

●

✪

PIANO

Piano

● ● ● ●

BRASS

Trumpet

Tuba

Trombone

●

●

●

WOODWIND

Clarinet

Flute & piccolo

Saxophone

Bassoon

●

●

●

●

●

✪

●

●

WIND INSTRUMENT

Organ

● ●

✪

Harmonica

Accordion

Bandoneon

●

●

●

✪

●

●

STRINGS

Acoustic guitar (2)

Banjo (2)

● ●

●

ORCHESTRAL STRINGS

Cello

Violin

Contrabass

●

✪

●

✪

●

✪

INSTRUMENT AMPLIFIER

Guitar cabinet

Bass guitar cabinet

Leslie speaker

●

●

●

✪

●

✪

●

●

✪

●

(1) Exists in wireless version (2) Use AT831, see page 52 (3) Exist for wireless transmitter, see page 93 to 95

This application chart is a guide to selecting an Audio-Technica microphone for a specific application.

Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

✪

✪

●

●

✪

AE5100

●

●

●

●

●

●

●

●

●

●

●

●

●

A

TM710

✪

●

✪

●

A

TM610

✪

●

✪

●

A

TM410

●

●

●

●

●

●

✪

●

●

●

●

●

●

●

✪

●

✪

✪

●

●

●

✪

A

TM250DE

✪

✪

●

●

●

●

●

✪

A

TM250

●

✪

✪

●

✪

✪

●

●

●

●

A

TM650

✪

✪

✪

✪

✪

✪

✪

✪

✪

✪

✪

✪

A

TM450

✪

✪

●

✪

●

✪

✪

✪

✪

✪

✪

●

A

TM350

●

A

TM73a

●

●

A

TM75

●

Our Recommendation

Best Choice

●

✪

(3)

multipurpose

microphones

pro series

Hard working, dependable microphones to meet every sound reproduction and reinforcement challenge on every budget. State of the art electronics with a smooth and clear sound has helped the Pro Series earn a reputation for the highest sonic quality and most durable design in their class.

page 34 to 37

midnight blues

With its high output design, superior sound and all metal rugged construction, this totally redesigned series is the industry standard in affordable vocal and instrument microphones.

page 38 to 39

atr series

A line of professional microphones for use with standard consumer microphone inputs on computers, camcorders, mp3 recorders or mini-disks at home or the office for work and for play.

page 40 to 41

application guide

page 42

33

34

PRO31

PRO61

pro series microphones

pro series

dynamic microphones

( PC 320-MC 240 )

DYNAMIC HANDHELD MICROPHONES

The Pro Series handheld dynamic microphones feature a Hi-ENERGY ® and transient response neodymium magnet for improved output

PRO31

£ 42.95

Cardioid dynamic microphone

• Designed for close-up vocal use

• Silent on-off operation switch

• Two-stage ball-type headcase reduces wind noise and ”popping” during close use

• XLRM-XLRF cable furnished

PRO31QTR

£ 39.95

Cardioid dynamic microphone

• PRO31 including an XLRF to 1/4” jack cable

PRO41

£ 49.95

Cardioid dynamic microphone

• Provides natural, full-range vocal reproduction

• Silent on-off operation switch

• Two-stage ball-type headcase reduces wind noise and ”popping” during close use

• Superior internal shock mounting reduces handling noise

• XLRM-XLRF cable furnished

PRO61

£ 59.95

Hypercardioid dynamic microphone

• Premier Pro Series vocal microphone delivers excellent gain before feedback and outstanding stage presence

• Two-stage ball-type headcase reduces wind noise and ”popping” during close use

• XLRM-XLRF cable furnished

PRO41

Specifications

Elements

Polar Pattern

Frequency Response

PRO31

Dynamic

Cardioid

Open Circuit Sensitivity

Impedance

Switch

Weight

Dimensions

60-13,000 Hz

– 55 dB (1.7 mV), 1 V at 1 pa*

600 Ω

MagnaLock™ on/off

312 g

Length 185.0 mm

Head Diameter 53.1 mm

Cable

4.5 m XLRF-XLRM

XLRF-1/4” (PRO31QTR)

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

PRO41

Dynamic

Cardioid

90-16,000 Hz

–55 dB (1.7 mV), 1 V at 1 pa*

300 Ω

MagnaLock™ on/off

304 g

185.0 mm

53.1 mm

4.5 m XLRF-XLRM

PRO61

Dynamic

Hypercardioid

70-16,000 Hz

–55 dB (1.7 mV), 1 V at 1 pa*

300 Ω

–

335 g

192.0 mm

52.6 mm

4.5 m XLRF-XLRM

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

pro series

dynamic microphones

( PC 320-MC 240 )

DYNAMIC INSTRUMENT MICROPHONES

PRO25ax

£ 109.95

High-SPL hypercardioid dynamic instrument microphone

• Ideal for kick drum, percussion, brass, and other highly dynamic instruments

• Warm low-frequency response with excellent presence

• Superior off-axis rejection for maximum gain before feedback

• Versatile mounting options and effective dampening of mechanical noise thanks to included

AT8471 isolation clamp

PRO63

£ 49.95

Cardioid Hi-ENERGY

®

dynamic microphone

• Tailored response provides natural, full-range reproduction pro series microphones

PRO25ax

HEADWORN MICROPHONE

PRO8HEx

£ 89.95

Hypercardioid Hi-ENERGY

®

dynamic headworn microphone

• Low-visibility, lightweight headband and cushioned support pads provide stable, comfortable fit

• Pivot-mounted flexible mic boom descends from left or right side

Specifications

Elements

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Weight

Dimensions

Cable

PRO25ax

Dynamic

Hypercardioid

30-12,000 Hz

–54 dB (1.9 mV), re 1 V at 1 pa*

600 Ω

230 g

Length 113.0 mm

Head Diameter 50.0 mm

(no cable furnished)

*1 Pascal = 10 dynes/cm

2

= 10 microbars = 94 dB SPL

PRO63

Dynamic

Cardioid

70-16,000 Hz

–55 dB (1.7 mV), re 1 V at 1 pa*

300 Ω

309 g

182.1 mm

41.4 mm

4.5 m XLRF-XLRM

PRO8HEx

Dynamic

Hypercardioid

200-18,000 Hz

–55 dB (1.7 mV), 1 V at 1 pa*

600 Ω

60 g

80.5 mm (flexible boom)

20.4 mm

2.2 m permanently attached

PRO63

PRO8HEx

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

35

36

PRO70

PRO35

PRO37

pro series microphones

pro series

condenser microphones

( PC 320-MC 240 )

CONDENSER INSTRUMENT MICROPHONES

PRO70

£ 99.95

Cardioid condenser lavalier / instrument microphone

• Provides articulate, full-sounding voice and instrument pickup

• Excels in pickup of acoustic guitar with included AT8444 guitar mount

• Switchable low-frequency roll-off

PRO35

£ 139.95

Cardioid condenser clip-on instrument microphone

• Ideal for sax, toms, brass and percussion

• Excels in high-SPL applications

• Perfect for active stage performances

PRO37

£ 119.95

Small-diaphragm cardioid condenser microphone

• Ideal for acoustic guitar, overheads, piano and group vocals

• Excels in high-SPL applications

Specifications

Elements

PRO70

Fixed charge back plate permanently polarized condenser

Cardioid

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

100-14,000 Hz

80 Hz, 8 dB / octave

– 45 dB (5.6 mV), re 1V at 1 Pa*

200 Ω

123 dB SPL, 1 kHz at 1% T.H.D.

96 dB, 1kHz at max. SPL

Signal-to-Noise Ratio

Power Requirements

Battery Type / Life

Switch

67 dB, 1 kHz at 1 Pa*

Phantom 11-52V DC or battery

1,5 V AA / 1200 hours typical

Off, on-flat, on-roll-off

Weight

Microphone

Dimensions

Output Connector

8 g / 134 g (power module)

Length: 25.0 mm (0.98”) long,

Body Diameter: 10.2 mm (0.40”) diameter

3 pin XLRM (power module)

Cable

Accessories Furnished

Integral 1.8 m (6.0’), permanently attached between microphone and power module

AT8411 clothing clip;

AT8444 instrument adapter; power module; AT8116 windscreen; battery; soft protective pouch

*1 Pascal= 10 dynes/cm 2 = 10 microbars = 94 dB SPL

PRO35

Fixed charge back plate permanently polarized condenser

Cardioid

50-15,000 Hz

80 Hz, 12 dB / octave

– 45 dB (5.6 mV), re 1V at 1 Pa*

250 Ω

145 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1kHz at max. SPL

64 dB, 1 kHz at 1 Pa*

Phantom 11-52V DC

Phantom only

Flat, roll-off

8 g / 81 g (power module)

25mm (0.98”) long

10.2mm (0.40” diameter

3 pin XLRM (power module)

1.8 m (6.0’) long (permanently attached to mic.), 2.6 mm (0.10”) Ø, 2-conductor, shielded cable with TA3F-type connector

AT8418 UniMount ® microphone instrument mount; AT8538 power module; soft protective pouch

PRO37

Fixed charge back plate permanently polarized condenser

Cardioid

30-15,000 Hz

–

– 42 dB (7.9 mV), re 1V at 1 Pa*

200 Ω

141 dB SPL, 1 kHz at 1% T.H.D

112 dB, 1kHz at max. SPL

65 dB, 1 kHz at 1 Pa*

Phantom 11-52V DC

Phantom only

–

49 g (1.7 oz)

99.0 mm (3.9”) long,

21.0 mm (0.83”) max. body diameter

Integral 3-pin XLRM-type none

AT8405a stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter;

AT8159 windscreen; soft protective pouch

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

pro series

condenser microphones

( PC 320-MC 240 )

STEREO CONDENSER MICROPHONES

PRO24

£ 89.95

Stereo condenser microphone

• Designed for a wide range of stereo applications

• Compact, lightweight design

• Pair of cardioid condenser elements in X/Y configuration provides the spatial impact and realism of a live sound field

• Battery-free operation when used with recording devices that provide ”plug-in power” at the mic input

PRO24-CM

£ 99.95

Stereo condenser microphone

• Stereo condenser microphone for use with camcorders

• Pair of cardioid elements in X-Y configuration

• On/off swith; permanently attached 15 cm - 30 cm (6”-12”) coiled cable with right-angle moded 3.5 mm stereo plug at output end

• Powered by included battery or plug-in power provided by some camcorders

• Includes: windscreen, battery, video camera shoe mount, soft protective pouch

PRO24

pro series microphones

37

Specifications

Elements

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Power Requirements

Battery Type / Life

Switch

Weight

Microphone Dimensions

Output Connector

Cable

Accessories Furnished

PRO24

Fixed charge back plate permanently polarized condenser

X/Y stereo

100-17,000 Hz

– 50 dB (3.1 mV), re 1V at 1 Pa*

600 Ω

119 dB SPL, 1 kHz at 1% T.H.D.

82 dB, 1kHz at max. SPL

57 dB, 1 kHz at 1 Pa*

Plug in power or battery

1.5 V LR44 / 200 hours typical

On-off

111 g

116.5 mm long, 21.0 mm max. body diameter

3.5 mm stereo mini-plug

1.8 m, permanently attached with 3.5 mm stereo plug

AT8405a stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8” - 16 threaded adapter; windscreen; soft protective pouch - LR44 battery

*1 Pascal= 10 dynes/cm 2 = 10 microbars = 94 dB SPL

PRO24-CM

Fixed charge back plate permanently polarized condenser

X/Y stereo

100-17,000 Hz

– 50 dB (3.1 mV), re 1V at 1 Pa*

600 Ω

119 dB SPL, 1 kHz at 1% T.H.D.

82 dB, 1kHz at max. SPL

57 dB, 1 kHz at 1 Pa*

Plug in power or battery

1.5 V LR44 / 200 hours typical

On-off

111 g

116.5 mm long, 21.0 mm max. body diameter

3.5 mm stereo mini-plug

152.4 mm - 304.8 mm permanently attached coiled cable with right angle molded 3.5 mm stereo plug

AT8472 Video-camera shoe mount;

LR44 battery; windscreen; soft protective pouch

PRO24-CM

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

38

MB 1k

MB 3k

midnight blues

The all-metal construction and velvety finish gives a secure, comfortable grip. This ultra soft touch surface minimizes mechanical noise. All the switches on the dynamic models are noiseless sealed magnetic reed design and contoured to fit the sleek profile. High SPL with low distortion clarifies the intensity of vocals and instruments with even subtle nuances clean and precise.

MB 2k

MB 4k midnight blues

®

microphones

( PC 323-MC 220 )

DYNAMIC MICROPHONES

MB 1k

£ 29.95

Dynamic vocal microphone with high-output

• Hi-ENERGY ® dynamic neodymium element for improved output and transient response

MB 1k/c

£ 34.95

MB 2k

£ 39.95

MB1k microphone with 4.50 m XLR-XLR cable

Dynamic instrument microphone

• For amplified and acoustic instruments at an attractive price

• Tailored frequency response for optimal instrument reproduction

• Hi-ENERGY ® dynamic neodymium element for improved output and transient response

MB 2k/c

£ 44.95

MB 3k

£ 49.95

MB2k microphone with 4.50 m XLR-XLR cable

Dynamic vocal microphone with extended response

• Extended frequency response for optimal vocal reproduction

• Hi-ENERGY ® dynamic neodymium element for improved output and transient response

• Antishock suspension reducing handling noise

MB 3k/c

£ 49.95 MB3k microphone with 4.50 m XLR-XLR cable

CARDIOID CONDENSER MICROPHONE

MB 4k

£ 89.95

Cardioid condenser microphone

• A quality studio microphone at a quality price

• Electret technology for vocal and instrument studio applications

• Extended frequency response

• Antishock suspension reducing handling noise

• Phantom power 11-52V DC 2 mA typical or 1.5 V AA

• Includes AT8405a stand clamp

MB 4k/c

£ 94.95

MB4k microphone with 4.50 m XLR-XLR cable

Specifications

Elements

Polar Pattern

Frequency Response

Open Circuit Sensitivity

re 1V at 1 Pa*

Impedance

Switch

Max. Input Sound Level

Signal-to-Noise-Ratio

MB1k

Neodymium Dynamic

Unidirectional

80-12,000 Hz

– 53 dB (2.2 mV)

MB2k

Neodymium Dynamic

Unidirectional

60-14,000 Hz

– 54 dB (1.9 mV)

MB3k

Neodymium Dynamic

Unidirectional

60-14,000 Hz

– 54 dB (1.9 mV)

MB4k

Fixed-charge back plate permanently polarized condenser

Cardioid

80-20,000 Hz

600 Ω

MagnaLock™ ON/OFF

–

600 Ω

MagnaLock™ ON/OFF

–

600 Ω

MagnaLock™ ON/OFF

–

Phantom: – 46 dB (5.0 mV)

Battery: – 48 dB (3.9 mV)

Phantom: 200 Ω - Battery: 250 Ω

ON/OFF

Phantom:137dB SPL-Battery:125dB SPL**

70 dB, 1 kHz at 1 Pa*

Phantom: 113 dB - Battery:101 dB**

11-52 DC, 2mA typical

Dynamic Range

(typical)

Phantom Power Requirements

Battery Type / Current / Life

Weight

(less accessories)

Dimensions

–

–

337 grams (11.9 oz)

Length : 184.7mm (7.27")

Head diameter : 55,6 mm (2.19”)

–

–

337 grams (11.9 oz )

183.6 mm (7.23”)

41.4 mm (1.63”)

–

–

343 grams (12.1 oz)

192 mm (7.56”)

53.8 mm (2.12”)

1.5V AA/UM / 30,4 mA/1200 h typical

182 grams (6.4 oz)

205.7 mm (8.10”)

41,7 mm (1.64”)

Output Connector

(integral)

Accessories Furnished

3-pin gold-plated XLRM-type 3-pin gold-plated XLRM-type 3-pin gold-plated XLRM-type 3-pin gold-plated XLRM-type

AT8470 Quiet-Flex™stand AT8470 Quiet-Flex™stand clamp; 15” cable (MB1k/c only); clamp; soft protective pouch; clamp; soft protective

AT8422 adapter AT8422 adapter; pouch; AT8422 adapter;

15” cable (MB2k/c only)

AT8470 Quiet-Flex™stand AT8405a stand clamp, battery;

15” cable (MB3k/c only) soft protective pouch;

AT8422 adapter;

15” cable (MB4k/c only)

*1 Pascal = 10 dynes/cm

2

= 10 microbars = 94 dB SPL **1 kHz at 1% T.H.D.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

MB Packs

™

drum pack

( PC 324-MC 220 )

MB/Dk5

£ 129.95

Midnight Blues 5 microphones drum pack

The MB/Dk5 Drum Pack includes a core selection of five microphones specifically engineered for drum applications. The four included MB5k snare/tom microphones and one MB6k kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit.

Also included in the package are four AT8665 drum-rim microphone mounts and a durable carrying case.

MB/Dk7

£ 249.95

Midnight Blues 7 microphones drum pack

Studio-quality performance.

The comprehensive MB/Dk7 Drum Pack expands on the MB/Dk5 Drum Pack with the addition of two MB4k cardioid condenser microphones ideal for drum overhead miking.

MB5k

£ 39.95

Cardioid dynamic snare / tom microphone

Tailored for snare, rack toms and other highly dynamic instruments, the MB5k snare/tom microphone offers a moving coil dynamic design with cardioid polar pattern, delivering superior off-axis rejection for maximum gain before feedback. With a frequency response of

100-12,000 Hz, the mic is engineered to handle fast transients and high SPLs.

• Custom-engineered for use on snare and toms

• Road-ready all-metal construction

• Low-profile percussion-style design

• Built-in adjustable stand mount

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

MB6k

£ 49.95

Cardioid dynamic kick microphone

The cardioid dynamic MB6k kick microphone has a frequency response of 60-12,000 Hz.

A natural at handling high SPLs, the MB6k delivers superior results on bass drum as well as on floor and deep rack toms.

• Custom-engineered for use on kick drum

• Rugged all-metal construction

• Low-profile design for easy placement

• Built-in adjustable stand mount

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

Specifications

Elements

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Weight

Dimensions

Output connector

MB5k

Dynamic

Cardioid

100-12,000 Hz

– 58 dB (1.2 mV), re 1V at 1 Pa*

500 Ω

324 grams (11.4 oz )

Length : 113.2 mm (4.46”)

Head diameter : 41.5 mm (1.63”)

Integral 3-pin XLRM-type

*1 Pascal= 10 dynes/cm 2 = 10 microbars = 94 dB SPL

MB6k

Dynamic

Cardioid

60-12,000 Hz

– 59 dB (1.1 mV), re 1V at 1 Pa*

500 Ω

317 grams (11.2 oz )

116.5 mm (4.59”)

53.5 mm (2.11”)

Integral 3-pin XLRM-type

MB packs

MB/Dk7

MB/Dk5

MB 5k MB 6k

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

39

40

ATR3M

ATR20

atr series

ATR30

ATR50

atr series microphones

( PC 312-MC 240)

ATR20

£ 19.95

Unidirectional vocal and instrument microphone

The ATR20 is an attractively priced step-up design. This handheld dynamic mic is tuned for clear vocal and instrument reproduction and consistent performance. Its unidirectional polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source and protecting against feedback.

• Designed especially for both vocal and instrument miking

• Unidirectional polar pattern rejects undesirable off-axis sound and background noise

• Permanently attached 5 m (16.5’) cable terminated with a 3.5 mm mini-plug for use with home or portable recording systems

• Conveniently located on/off switch

• Includes 6.35 mm (1/4” ) plug adapter and desk stand

ATR30

£ 39.95

Unidirectional multi-purpose dynamic microphone

This ruggedly built dynamic mic provides full-sounding professional pickup for both vocals and instruments. The

ATR30’s unidirectional polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Its conveniently located switch provides the performer with easy access to on/off control.

The mic’s proximity effect provides added warmth when used close up.

• Professional sound quality for vocals and instruments

• Unidirectional polar pattern reduces pickup of undesired off-axis sounds

• Proximity effect provides enhanced low-end response when used close up

• Rugged metal construction is great for touring and on-stage use

• Conveniently located on/off switch

• Includes stand clamp and detachable 5 m (16.5’) cable (XLR to 6.35 mm (1/4”) phone plug)

ATR3M

£ 49.95

Dynamic gooseneck talkback microphone

The ATR3M is a quality dynamic talkback microphone engineered for durability, excellent speech intelligibility and reliable performance at a very attractive price. With its flexible gooseneck design, XLR-type plug-in, protective windscreen and press-on/press-off switch, the microphone is ideal for everyday use in entertainment, commercial and industrial applications.

• Designed for use as a quality talk-back microphone

• Ideal for entertainment, commercial and industrial applications

• Excellent intelligibility and dependable performance

• Protective windscreen and rugged construction

• Conveniently located on/off switch

• Overall length of 445.0 mm (17.52”)

ATR50

£ 49.95 Dynamic unidirectional professional microphone

The versatile ATR50 dynamic microphone provides full-sounding professional pickup for both vocals and instruments. A popular choice for on-stage performance, its unidirectional polar pattern allows the mic to focus on the desired sound location, while controlling feedback. Its conveniently located switch provides the performer with easy access to on/off control. The mic’s proximity effect provides added warmth when used close up.

• Well-suited for on-stage vocal/instrument use as well as for the karaoke enthusiast

• Rugged metal construction

• Unidirectional polar pattern reduces pickup of undesired off-axis sounds

• Proximity effect provides enhanced low-end response when used close up

• Conveniently located on/off switch

• Includes stand clamp and detachable 4.6 m (15’) cable (XLRF to XLRM)

Specifications

Elements

Polar Pattern

Frequency Response

Impedance

Switch

ATR20

Dynamic

Unidirectional

80-12,000 Hz

500 Ω

On/off switch

ATR30

Dynamic

Unidirectional

60-15,000 Hz

500 Ω

On/off switch

ATR3M

Dynamic

Unidirectional

150-13,000 Hz

500 Ω

On/off switch

ATR50

Dynamic

Unidirectional

70-14,000 Hz

500 Ω

On/off switch

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

atr series microphones

( PC 312-MC 240)

ATR25

£ 44.95 Dual unidirectional stereo condenser microphone

The ATR25 provides extremely affordable, high-quality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use.

• Professional condenser circuitry ensures excellent sound quality

• On/off switch for convenient operation

• Includes short camera cable with stereo mini-plug, and long recording cable with dual mono miniplugs and 6.35 mm (1/4”) adaptersCamera-mount and interchangeable microphone stand adapter base included

ATR55

£ 69.95

Telemike

™

shotgun microphone

The ATR55 offers intelligible reproduction for close, medium, and long-distance pickup. In its ”Tele” range setting, this unidirectional condenser is engineered to pick up dialogue and sound effects at a distance, while bypassing ambient noise such as traffic, air-handling systems, room reverberation and mechanically coupled vibrations.

• Designed especially for use with video cameras

• Two range settings: ”Normal” for close to medium-distance recording; ”Tele” for long-distance pickup

• Permanently attached 0.9 m (3’) cable terminated with a 3.5 mm mini-plug

ATR35S

£ 29.95

Miniature lavalier microphone with integral battery pack

Audio-Technica’s omnidirectional ATR35s lavalier is engineered for intelligible, accurate voice reproduction. This high-quality condenser is ideal for video use. Its low-profile design assures minimum visibility.

• High-quality condenser in a miniature lavalier microphone

• Ideal for aerobics/dance/sports instructors

• Great for video use, this ”newscaster-style” microphone is practically invisible

• Integrated 60 m (20’) cable terminated with a 3.5 mm mini-plug for use with most cameras and home recording systems

• On/off switch for convenient operation

• Includes tie clip, battery, foam windscreen, and 6.35 mm (1/4”) adapter

ATR97

£ 44.95

Low profile omnidirectional boundary microphone

The ATR97 is a condenser boundary microphone with an omnidirectional polar pattern. It is useful in surface-mounted applications, for meetings, teleconferencing and desktop computer use.

• Omni pickup pattern offers full area coverage

• On/off switch on bottom

• Rugged housing features low-profile design for minimum visibility

• Permanently-attached 1.5 m (4.9’ ) cable terminated with 3.5 mm mini-plug

Specifications

Elements

Polar Pattern

Frequency Response

ATR25

Stereo condenser

Dual unidirectional

70-18,000 Hz

Sensitivity

Impedance

Battery

Weight

(Without cable)

– 50dBm

600 Ω

1.5V AA

80 g

Accessories Furnished

Battery; windscreen; camera mount; mic stand adapter;

2 1/4’’ mono plug adaptors

ATR55

Condenser

Normal: Unidirectional - Tele : Supercardioid

70-18,000 Hz

Normal : – 56 dBm - Tele : – 45 dB

Normal :1000 Ω - Tele : 2200 Ω

1.5V AA

113 g

1/4’’ plug adaptor; battery; windscreen; pistol-grip/stand clamp; camera mount

ATR35S

Condenser

Omnidirectional

50-18,000 Hz

– 54dBm

1000 Ω

1.5V LR44-type

5.5 g

1/4’’ plug adaptor; tie clip; battery; windscreen

ATR97

Condenser

Omnidirectional

50-15,000 Hz

– 46dB

1000 Ω

1.5V LR44-type

48 g

6,3 mm standard adaptor

ATR25

ATR35S

atr series

ATR55

ATR97

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

41

42

multipurpose microphones application guide

pro series

(1)

midnight blues

(1)

atr series

●

PRO31

●

PRO41 PRO61

● ●

PRO8HEx

●

●

●

●

●

●

●

●

●

●

●

●

●

●

PRO37 PRO24 MB1k MB2k MB3k MB4k MB5k MB6k A

TR20

● ● ● ●

●

●

●

●

●

●

●

●

●

●

●

●

●

A

TR25

A

TR30

A

TR3M

A

TR35S

A

TR50

A

TR55

A

TR97

VOCAL

Lead Vocal

Choir (classic/church)

Back vocal

Aerobics

Karaoke

DRUMS

Overheads

PERCUSSION

Congas/Bongo

Ethnics drums

Classic percussion

Xylophone

Minor percussion

PIANO

Hi-Hat

Snare drum

Toms

Cymbal

Kick Drum

Piano

BRASS

Trumpet

Tuba

Trombone

●

●

●

●

●

●

●

●

PRO25ax

●

●

PRO63 PRO70 PRO35

●

●

● ●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

WOODWIND

Clarinet & Oboe

Flute & piccolo

Saxophone

Bassoon

WIND INSTRUMENT

Organ

Harmonica

Accordion

STRINGS

Acoustic guitar

Banjo

ORCHESTRAL STRINGS

Cello

Violin

Contrabass

INSTRUMENT AMPLIFIER

Guitar amp

Bass guitar amp

AUDIO-VISUAL

Camcorder

Presenter/Speaker

Conference recording

Ambient recording

Internet-chat

PC video editing

Talkback

●

● ●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

● ●

●

●

●

●

●

●

●

●

●

●

●

(1) Exists in wireless version This application chart is a guide to selecting an Audio-Technica microphone for a specific application. Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

broadcast & production microphones

shotgun microphones

Broadcast & Production shotgun microphones offer crisp, clear, intelligible speech reproduction for critical long distance pickup in broadcast, film and TV production. Engineered to pick up dialogue and sound effects at a distance, while bypassing ambient noise such as traffic, air-handling systems, room reverberation and mechanically coupled vibrations. With a smooth, natural sounding audio quality, these highly directional microphones are also ideal for wildlife recording and theatre sound reinforcement applications.

page 46 to 49

clip-on lavalier microphones

With Audio-Technica’s legendary innovations in electro-acoustic design,

A-T’s Broadcast & Production Micro phones are ideal for applications where quality sound and unobtrusive design are imperative: TV / film / radio broadcast, AV presentations, houses of worship venues, and theatre sound reinforcement.

page 52

AT898 and AT899 subminiature condenser microphones

Designed to be worn as a lavalier clip-on, hidden in clothes or in the hairline, the discreet cardioid AT898 and omnidirectional AT899 are engineered for intelligible, accurate voice reproduction with an unobtrusive appearance for use in theatres, broadcast studios and houses of worship.

page 50

stereo microphones

The Broadcast & Production stereo microphones for field recording and ambient pickup are designed for high quality sound reinforcement and recording applications in doors or out in the field. These robust microphones deliver clear and intelligible audio reproduction.

page 53

AT892 MicroSet™ microphones

MicroSet has a sound quality which is open and natural. Its rugged construction is designed to meet the challenges of day to day use in theatre, broadcast production and houses of worship. Available in black, beige and cocoa for use with all the major wireless transmitter brands, the

MicroSet delivers a industry standard for secure, discreet, natural sounding headset.

page 51

handheld and gooseneck microphones

The handheld AT8004 is an ideal dynamic omnidirectional interviewer microphone for high pressure environments that have to be right first time. The AT808G is designed for use as a quality talk-back microphone in entertainment, commercial and industrial applications. The AT8010,

AT8031 and AT8033 condenser microphones are industry standard in studio and broadcast applications.

page 54 to 55

application guide

page 56

45

46

AT4071a

broadcast & production

line + gradient true condenser microphones

( PC 306-MC 210)

LINE + GRADIENT CONDENSER MICROPHONES

The AT4071a and AT4073a condenser shotguns have been specifically created to meet the highest demands of broadcasting, film recording and theatre sound reinforcement. The light weight unique patented interference tube design offers the same ambience rejection of traditional shotgun microphones that are twice the size. With maximum sound rejection from the sides and a greatly reduced rear polar pattern common in other shotgun microphones, the frequency response remains highly uniform for both on-axis and off-axis. The effective working distance of a directional microphone is determined by its polar pattern and the uniformity of its off-axis response. Due to the lack of sound coloration, studio quality capsules and superb signal to ambient noise ratio these microphones are particularly useful for dynamic action in film, TV and wildlife audio as well as in recording studios or theatre productions.

The AT4071a and the AT4073a provide an extremely high output with a very low noise floor and a switchable hi-pass filter that reduces low frequency rumble or wind. Making distance microphones that can be used with confidence even under the stringent demands of modern digital recording systems.

AT4071a

£ 699.95

Line + gradient condenser microphone, 395 mm long

(AT4071a due to be replaced by BP4071 early 2009)

• Operates on phantom power only

• Externally polarized condenser

• Very low noise

AT4073a

£ 649.95 Line + gradient condenser microphone, 232 mm long

(AT4073a due to be replaced by BP4073 early 2009)

• Operates on phantom power only

• Externally polarized condenser

• Very low noise

AT4073a

Specifications

AT4071a

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Noise

(A-weighted)

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirement

Weight

Dimensions

Accessories Furnished

30-20,000 Hz

– 21 dB (89.1 mV), re 1V at 1 Pa*

100 Ω

124 dB SPL, 1 kHz at 1% T.H.D.

12 dB SPL

112 dB, 1 kHz at Max. SPL

82 dB, 1 kHz at 1 Pa

11-52V DC

155 g (5.5 oz)

L 395 mm; Ø 21 mm

AT8405a stand clamp for 5/8”-27 threaded stands;

AT8135 foam windscreen; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT4073a

30-20,000 Hz

– 23 dB (70.8 mV), re 1V at 1 Pa*

100 Ω

126 dB SPL, 1 kHz at 1% T.H.D.

14 dB SPL

112 dB, 1 kHz at Max. SPL

80 dB, 1 kHz at 1 Pa

11-52V DC

114 g (4.0 oz)

L 232 mm; Ø 21 mm

AT8405a stand clamp for 5/8"-27 threaded stands;

AT8134 foam windscreen; protective carrying case

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

shotgun microphones

( PC 306-MC 210)

STEREO SHOTGUN MICROPHONES

Based on models originally developed for the Sydney Olympics in 2000, the new BP4027 and BP4029 Stereo

Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing.

These innovative microphones allow sound recordists the choice of selecting a left-right stereo output

(wide or narrow) via the microphone’s internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer.

A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise.

These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

BP4027

£ 799.95 380 mm phantom only stereo shotgun microphone

BP4029

£ 599.95 236 mm phantom only stereo shotgun microphone broadcast & production

BP4027

47

Specifications

BP4027

Mid Side LR stereo

BP4029

Mid Side LR stereo

Fixed-charge back plate permanently polarized condenser Fixed-charge back plate permanently polarized condenser

Elements

Polar patterns

Frequency Response

Low frequency roll-off

Line-Cardioid and figure-of-eight

30-20,000 Hz

Line-Cardioid and figure-of-eight

40-20,000 Hz

Open circuit sensitivity

(re 1V at 1 Pa*)

Impedance

80 Hz, 12 dB/octave 80 Hz, 12 dB/octave

– 30 dB (31,6mV) – 34 dB (19,9 mV) – 36 dB (15,8 mV) – 30 dB (31,6mV) – 34 dB (19,9 mV) – 36 dB (15,8 mV)

200 Ohms

Max. Input Sound Level

(1 kHz at 1% T.H.D.) 123 dB SPL

Signal-to-Noise Ratio

(1 kHz at 1 Pa) 72 dB SPL

Dynamic Range

(Typical, 1 kHz at 1% T.H.D.) 101 dB

Phantom power requirements

Switches

Weight

(less cable and accessories)

Dimensions

Output Connector

127 dB SPL

68 dB SPL

101 dB

11-52V DC, 4 mA typical at 48V Each channel

Mid Side, LR-Wide, LR-Narrow; flat, roll-off

142 g

380 mm long, 21 mm diameter

126 dB SPL

70 dB SPL

102 dB

200 Ohms

123 dB SPL

72 dB SPL

101 dB

127 dB SPL

68 dB SPL

101 dB

103 g

236 mm long, 21 mm diameter

126 dB SPL

70 dB SPL

102 dB

11-52V DC, 4 mA typical at 48V Each channel

Mid Side, LR-Wide, LR-Narrow; flat, roll-off

Cable

Accessories Furnished

Integral XLR5M-Type

Dual 0.61m shielded two-conductor, terminated in two XLR3M-type connectors

AT8405a stand clamp for 5/8”-27 threaded stands;

AT8135 foam windscreen, 5/8”-27 to 3/8”-16 threaded adapter; protective carrying case

Integral XLR5M-Type

Dual 0.61m shielded two-conductor, terminated in two XLR3M-type connectors

AT8405a stand clamp for 5/8”-27 threaded stands;

AT8134 foam windscreen, 5/8”-27 to 3/8”-16 threaded adapter; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

BP4029

0

330 30

300 60

270

240

LEGEND

1 kHz

210

150

180

SCALE IS 5 DECIBELS PER DIVISION

120

90

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

48

AT875R

broadcast & production

short shotgun microphone

( PC 306-MC 210)

SHORT SHOTGUN SIZED TO STAY OUT OF THE FRAME

AT897

£ 229.95 279 mm long. Short shotgun microphone

Audio-Technica’s AT897 is designed for field audio acquisition in film/TV/video production, professional recording, and broadcast applications.

It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras.

This battery/phantom-powered short shotgun offers outstanding long-distance audio pickup due to the narrow acceptance angle of the line + gradient design.

It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

• Outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design

• Smooth, natural-sounding on-axis audio quality

• Excellent off-axis rejection of sound arriving from the sides and rear of mic

• Two versatile powering options: phantom and internal AA battery

• Switchable low-frequency roll-off improved dialogue capture and reduced pickup of unwanted sounds

• Lightweight, rugged construction adds negligible weight to camcorders

AT897

LINE + GRADIENT CONDENSER SHORT MICROPHONE

A small, discrete phantom powered shotgun, for use in field production where a compact, lighter camera mounted line microphone is required. The

AT875 is ideal for corporate, event and wild life videographers or field sound engineers.

AT875R

£ 129.95 178 mm line + gradient condenser microphone

Specifications

Element

Polar Pattern

AT897

Fixed-charge back plate permanently polarized condenser

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Line + gradient

20-20,000 hz

80 hz, 12 dB/octave

Phantom - 40 dB (10.0 mV), re 1V at 1 Pa* Battery - 41 dB (8.9 mV), re 1V at 1 Pa*

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Switch

Phantom 200 Ω Battery 300 Ω

Phantom 129 dB SPL, 1 kHz at 1% T.H.D. Battery 115 dB SPL, 1 kHz at 1% T.H.D.

Phantom 112 dB, 1 kHz at Max SPL

77 dB, 1 kHz at 1 Pa*

Battery 98 dB, 1 kHz at Max SPL

Battery Type

Battery Current

Flat, roll-off (recessed)

1.5v AA/UM3

0.4 ma typical

Battery Life

1200 hours (alkaline battery)

Phantom Power Requirements

11-52V DC, 2 ma typical

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

145 g (5.1 oz)

279 mm (10.98”) long, 21 mm ( 0.83” ) Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”- 27 threaded stands; AT8134 windscreen; battery; 5/8”- 27 to 3/8”-16 threaded adapter; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT875R

Condenser

Line + gradient

90Hz-20,000Hz

- 30 dB (31.6 mV), re 1V at 1 Pa*

100 Ω

127 dB SPL, 1 kHz at 1% T.H.D.

107 dB, 1 kHz at Max SPL

74 dB, 1 kHz at 1 Pa*

11-52V DC, 2 ma typical

80 g (2.8 oz)

175 mm (6.89”) long, 21 mm (0.83”) Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”- 27 threaded stands; AT8133 windscreen; 5/8”- 27 to 3/8”-16 threaded adapter; protective carrying case

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

shotgun microphones

( PC 306-MC 210)

LINE + GRADIENT CONDENSER MICROPHONES

Designed for video production and broadcast (ENG/EFP) audio acquisition, the new AT8015 and AT8035 provide the narrow acceptance angle desirable for long-distance sound pickup. They offer excellent sound rejection from the sides and rear, switchable low-frequency roll-off, and the convenience of battery or phantom power operation.

AT8015

£ 229.95 460 mm line + gradient condenser microphone

AT8035

£ 219.95 369 mm line + gradient condenser microphone broadcast & production

49

Specifications

Element

Polar Pattern

AT8015

Fixed-charge back plate permanently polarized condenser

AT8035

Fixed-charge back plate permanently polarized condenser

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Line + gradient

40-20,000 hz

80 hz, 12 dB/octave 80 hz, 12 dB/octave

Phantom -38 dB (12.5 mv) Battery -39 dB (11.2 mv), re 1V at 1 Pa* Phantom -38 dB (12.5 mv) Battery -39 dB (11.2 mv), re 1V at 1 Pa*

Max. Input Sound Level

Dynamic Range

(typical)

Phantom 250 Ω / Battery 300 Ω

Phantom 132 dB SPL/ Battery 120 dB SPL, 1 kHz at 1% T.H.D.

Phantom 110 dB / Battery 98 db, 1 kHz at Max SPL

Signal-to-Noise Ratio

72 dB, 1 kHz at 1 Pa*

Phantom Power Requirements

11-52V DC, 2 ma typical

Line + gradient

40-20,000 hz

Phantom 250 Ω / Battery 300 Ω

Phantom 132 dB SPL/ Battery 120 dB SPL, 1 kHz at 1% T.H.D.

Phantom 110 dB / Battery 98 db, 1 kHz at Max SPL

72 dB, 1 kHz at 1 Pa*

11-52V DC, 2 ma typical

1.5v AA/UM3

Battery Type

Battery Current

Battery Life

Switch

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

1.5v AA/UM3

0.4 mA typical

1200 hours typical (alkaline)

Flat, roll-off

195 g (6.9 oz)

460 mm (18.11”) long, 21 mm (0.83”) Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”- 27 threaded stands;

5/8”- 27 to 3/8”-16 threaded adapter; AT8135 windscreen; battery; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

0.4 mA typical

1200 hours typical (alkaline)

Flat, roll-off

170 g (6.0 oz)

369 mm (14.53”) long, 21 mm (0.83”) Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”- 27 threaded stands;

5/8”- 27 to 3/8”-16 threaded adapter; AT8132 windscreen; battery; protective carrying case

AT8035

AT8015

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

50

AT898-AT898c

AT899-AT899c AT899c-TH

AT899AK

broadcast & production

subminiature condenser

microphones

( PC 306-MC 210)

AT898 AND AT899 SYSTEMS

With A-T’s legendary innovations in electro-acoustic design, Audio-Technica’s Broadcast & Production Subminiature

Lavalier Microphones are ideal for applications where quality sound and unobtrusive design are imperative.

AT898

£ 199.95 Subminiature cardioid condenser microphone

With AT8537 power module, AT898 Acc Set, and AT8463 neck wire. Designed to be worn as a lavalier or hidden in clothing, Audio-Technica’s discreet-design cardioid AT898 offers maximum intelligibility, accurate voice reproduction and unobtrusive appearance for use in houses of worship, broadcast studios, theatres, etc. Its switchable low frequency roll-off reduces sensitivity to popping. Battery or phantom power.

AT898c

£ 109.95 Unterminated version of AT898

AT899

£ 199.95 Subminiature omnidirectional condenser microphone

For interviews, documentary, film and theatre applications. With AT8537 power module and AT899AK accessory kit. Audio-Technica’s omnidirectional AT899 is engineered for intelligible, accurate voice reproduction. Its lowprofile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable lowfrequency roll-off reduces popping.

AT899c

£ 109.95 Unterminated version of AT899, 1.40 m cable

AT899c-TH

£ 109.95 Unterminated version of AT899 in beige

AT899AK

£ 39.95 Accessories pack for AT899 and AT898

AT899AK-TH

£ 39.95 Accessories pack in beige for AT899c-TH

AT899AK-TH

Specifications

Element

Polar Pattern

AT898 AT899

Fixed-charge back plate permanently polarized condenser Fixed-charge back plate permanently polarized condenser

Cardioid Omnidirectional

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Dynamic Range

(typical)

Signal-to-Noise Ratio

Output Connector

(power module)

Cable

Accessories Furnished

200-15,000 Hz

80 hz, 12 dB/octave

Phantom – 43 dB (7.0 mV), re 1V at 1 Pa*

Battery – 46 dB (5.0 mV), re 1V at 1 Pa*

Impedance

Phantom 200 Ω - Battery 250 Ω

Maximum Input Sound Level

Phantom 131 dB spl, 1 kHz at 1% T.H.D.

Battery 115 dB spl, 1 kHz at 1% T.H.D.

Phantom 100 dB, 1 kHz at max SPL

Battery 84 dB, 1 kHz at max SPL

63 dB, 1 kHz at 1 pa*

20-20,000 Hz

80 hz, 12 dB/octave

– 43 dB (7.0 mV), re 1V at 1 Pa*

– 46 dB (5.0 mV), re 1V at 1 Pa*

Phantom 200 Ω - Battery 250 Ω

138 dB spl, 1 kHz at 1% T.H.D.

116 dB spl, 1 kHz at 1% T.H.D.

108 dB, 1 kHz at max SPL

86 dB, 1 kHz at max SPL

64 dB, 1 kHz at 1 pa*

Switch

Battery Type / Current / Life

Phantom Power Requirements

11- 52V DC, 2 ma typical

Weight

(less cable and accessories)

Microphone 0.9 g (0.03 oz ) - Power module 102 g (3.6 oz )

Dimensions

flat, roll-off (recessed) flat, roll-off (recessed)

1.5V AA-UM3 / 0.4 ma typical / 1200 hours (alkaline battery) 1.5V AA-UM3 / 0.4 ma typical / 1200 hours (alkaline battery)

Microphone 23.0 mm (0.91”) long, 5.3 mm (0.21”) diameter

Power Module 145.0 mm (5.71”) long, 21.0 mm (0.83”) diameter

11- 52V DC, 2 ma typical

0.5 g (0.02 oz ) - Power module 102 g (3.6 oz )

16.0 mm (0.63”) long, 5.0 mm (0.20”) diameter

145.0 mm (5.71”) long, 21.0 mm (0.83”) diameter

Integral 3-pin XLRM-type

3.0 m (9.8’) long (permanently attached to microphone),

2.0 mm (0.08” ) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module

AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two windscreens; battery; protective carrying case

Integral 3-pin XLRM-type

3.0 m (9.8’) long (permanently attached to microphone),

2.0 mm (0.08”) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module

AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

omnidirectional condenser headworn microphone

With a capsule diameter of just 2.5 mm, the AT892 MicroSet™ provides the ultimate in low-profile, high-performance audio. This innovative omnidirectional condenser head worn mic offers an ergonomic under the ear design. It’s titanium, hypoallergenic rubber, flexible design can be moulded perfectly behind the ear for an ultra-secure, comfortable fit.

Also included is a protective carry case, two element covers, two windshields and a cable clip.

SUBMINIATURE HEADWORN MICROPHONES FOR WIRED APPLICATIONS

( PC 306-MC 210)

AT892

£ 329.95

An XLR output AT892 microphone based on the AT892cW and AT8539 power module that runs from phantom power. This can still be used as a wireless mic with any Audio-Technica UniPak™ wireless transmitter.

AT892-TH

£ 329.95

AT892-CO

£ 329.95

AT8539

£ 69.95

AT892 with beige colour finish microphone and cable

AT892 with cocoa colour finish microphone and cable

See description page 111.

SUBMINIATURE WIRELESS HEADWORN MICROPHONES

FOR USE WITH A-T UNIPAK™ WIRELESS SYSTEMS

( PC 495-MC 140)

AT892cW

£ 269.95

AT892cW-TH

£ 269.95

AT892cW-CO

£ 269.95

MicroSet™ headworn microphone terminated with HRS connectors

AT892cW with beige colour finish microphone and cable

AT892cW with cocoa colour finish microphone and cable

SUBMINIATURE HEADWORN MICROPHONES

FOR USE WITH OTHER MANUFACTURERS’ WIRELESS TRANSMITTERS

( PC 306-MC 210)

AT892cL4

£ 289.95 Sennheiser Lemo connector terminated for wireless systems

AT892cL4-TH

£ 289.95

AT892cL4-CO

£ 289.95

Sennheiser Lemo connector with beige colour finish microphone and cable

Sennheiser Lemo connector with cocoa colour finish microphone and cable

AT892cLM3

£ 269.95

AT892cLM3-TH

£ 269.95

AT892cLM3-CO

£ 269.95

AT892cT4

£ 269.95

AT892cT4-TH

£ 269.95

AT892cT4-CO

£ 269.95

Sennheiser 3.5 mm jack connector terminated for wireless systems

Sennheiser 3.5 mm jack connector with beige colour finish microphone and cable

Sennheiser 3.5 mm jack connector with beige colour finish microphone and cable

Shure TA4F connector terminated for wireless systems

Shure TA4F connector with beige colour finish microphone and cable

Shure TA4F connector with cocoa colour finish microphone and cable

SUBMINIATURE WIRELESS HEADWORN MICROPHONES UNTERMINATED

( PC 306-MC 210)

AT892c

£ 249.95 MicroSet™ headworn microphone unterminated, black colour

AT892c-TH

£ 249.95 AT892c with beige colour finish microphone and cable

AT892c-CO

£ 249.95 AT892c with cocoa colour finish microphone and cable

AT892

MicroSet

™

AT892

AT892-TH

AT892c-CO

•

Inconspicuous, lightweight design is ideal for applications requiring minimum visibility

• Under-ear design for ultimate comfort and ultra-secure fit

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

51

52

AT803b / AT803cb

MT830R / MT830c

broadcast & production

clip-on / lavalier microphones

( PC 306-MC 210)

ELECTRET LAVALIER MICROPHONES WITH POWER MODULES

AT803b

£ 129.95

Miniature omnidirectional condenser microphone

For lavalier and musical instrument use phantom power or battery.

1.8 m cable attached to AT8531 power module (off/on/roll/off) switch.

Includes AT8116 windscreen, AT8417 clothing clip, battery and protective carrying case.

AT831R

£ 169.95 Miniature cardioid condenser microphone (phantom only)

For musical instruments and lavalier use where feedback or room noise is a problem.

Phantom power only. 8 m cable with TA3F plug. Includes AT8538 power module, AT8444 instrument adapter,

AT8116 windscreen, AT8417 clothing clip and protective carrying case.

AT831b

£ 149.95 Miniature cardioid condenser microphone (both battery and phantom)

Same as AT831R but both battery and phantom power. 1.8 m cable attached to power module.

Includes AT8531 power module (off/on/roll/off), same accessories as AT831R furnished

MT830R

£ 199.95 Miniature omnidirectional condenser microphone

For use as lavalier, or may be worn in clothing or hair. Phantom power only. 8 m cable with TA3F plug.

Includes AT8538 power module, AT8130 self-adhesive windscreens (3) and AT8420 clothing clip.

AT831R / AT831b / AT831c

UNTERMINATED ELECTRET LAVALIER MICROPHONES

AT803cb

£ 79.95 Unterminated version of AT803b

(less the power module, for wireless termination)

Comes with AT8417 clothing clip and AT8116 windscreen. 1,8 m integral unterminated cable

AT831c

£ 89.95 Unterminated version of AT831R

(less the power module, for wireless termination)

Comes with AT8417 clothing clip and AT8116 windscreen. 3,2 m integral unterminated cable

MT830c

£ 69.95 Unterminated version of MT830R

(less the power module, for wireless termination)

Comes with AT8420 clothing clip and AT8130 windscreen. 1,5 m integral unterminated cable

MT350b

£ 39.95 Ultra miniature omnidirectional cosmetic stage/ theatre microphone, unterminated version. Comes with AT8435 clothing clip, AT8129 windscreen. 4,6 m integral unterminated cable

MT838b

£ 49.95 Miniature omnidirectional condenser lavalier microphone, unterminated version with integral windscreen. Comes with MT838TC clip. 1,8 m integral unterminated cable

MT350b MT838b

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

(re 1V at 1 Pa*)

Impedance

Max. Input Sound Level

(1 kHz at 1% T.H.D.)

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

Battery life

Output Connector

Accessories Furnished

AT803b

Condenser

AT831R

Condenser

Omnidirectional

30-20,000 Hz

Phantom: – 45 dB (5.6 mV)

Battery: – 46 dB (5mV)

Phantom: 200 Ω

Battery: 270 Ω

Phantom: 135 dB SPL

Battery: 121 dB SPL

Cardioid

40-20,000 Hz

– 42 dB (7.9 mV)

200 Ω

141 dB SPL

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

65 dB, 1 kHz at 1 Pa

N.A.

9-52V DC or 1.5 V AA battery 9-52V DC phantom only

1200 hours (alkaline battery)

XLRM (on power module)

AT8531 power module;

AT8116 windscreen;

AT8417 clothing clip

XLRM (on power module)

AT8538 power module;

AT8444 instrument adapter;

AT8417 clothing clip;

AT831b

Condenser

MT830R

Condenser

Cardioid

40-20,000 Hz

– 44 dB (6.3 mV)

– 45 dB (5.6mV)

200 Ω

270 Ω

135 dB SPL

121 dB SPL

Omnidirectional

30-20,000 Hz

– 34 dB (19.9 mV)

200 Ω

131 dB SPL

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

70 dB, 1 kHz at 1 Pa

N.A.

9-52V DC or 1.5 V AA battery 9-52V DC phantom only

1200 hours (alkaline battery)

XLRM (on power module) XLRM (on power module)

AT8531 power module; AT8538 power module;

AT8116 windscreen; AT8130 windscreen;

AT8444 instrument adapter; AT8420 clothing clip;

AT8417 clothing clip

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

professional stereo microphone

( PC 306-MC 210)

AT8022

£ 309.95 X/Y stereo microphone

This stereo microphone uses a unique coincident capsule configuration to produce an accurate stereo image in a very small housing. A standard for broadcast and professional field recording, the compact and lightweight AT8022 is perfect for handheld, boom or camera mount use. With optional balanced or unbalanced output the AT8022 is extremely versatile for all stereo microphone applications from field recording, ambient pickup and interviews.

In balanced mode a Y-split cable provides two separate XLR output connectors with the option to power the microphone via phantom power.

Unbalance mode requires one AA battery to power the microphone and uses a 3.5mm mini-jack output connector providing the most professional broadcast microphone for use with camcorders, mp3 or minidisk recorders.

broadcast & production

studio / broadcast stereo microphone

( PC 306-MC 210)

BP4025

£ 419.95 Large diaphragm X/Y microphone

A unique large diaphragm coincident capsule configuration offers a pristine stereo image with an exceptional low noise floor. The image and excellent channel separation captured by this one microphone is natural and powerful to create that feeling of being there.

A new standard for top quality broadcast ambient recordings, this microphone is as happy in the studio as it is in the high sound pressure volumes of motoring events offering a an astounding 155dB SPL, 80Hz roll off and 10dB pad.

Specifications

Element

Channel Balance

Polar Pattern

AT8022

Fixed-charge back plate permanently polarized condenser

<2.5 dB

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

X/Y Stereo

20-15,000 Hz

80 Hz, 12 dB/octave

Phantom: –38 dB (12.5 mV) - Battery: –38 dB (12.5 mV)

Maximum Input Sound Level

Dynamic Range

(typical)

Phantom: 250 ohms - Battery: 300 ohms

Phantom: 128 dB - Battery: 120 dB SPL, 1 kHz at 1% T.H.D.

Phantom: 109 dB - Battery: 101 dB, 1 kHz at Max SPL

Signal-to-Noise Ratio

75 dB, 1 kHz at 1 Pa*

Phantom Power Req.

(each channel) 11-52V DC, 2 mA typical

Battery type / Battery current / life

1.5V AA/UM3 / 0.7 mA / 700 hours typical (alkaline)

Switches

Battery On/Off; Flat, roll-off

Weight

(less cable and accessories) 247 g (8.7 oz)

Dimensions

186.0 mm (7.32") long, 47.6 mm (1.87") head diameter,

21.0 mm (0.83") maximum body diameter

Output Connector

Cables

Integral 5-pin XLRM-type

Balanced: 2.0 m (6.5') long, 8 conductor, shielded, vinyl-jacketed stereo cable with 5-pin XLRF-type connector at microphone end and two 3-pin XLRM-type connectors at output end;

Unbalanced: 0.6 m (2.0') long stereo cable with 5-pin XLRF-type connector at microphone end and 3.5mm TRS connector at output end

Accessories furnished

AT8405a stand clamp for 5/8"-27 threaded stands; windscreen; battery; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

BP4025

Fixed-charge back plate permanently polarized condenser

<2.5 dB

X/Y Stereo

20-17,000 Hz

80 Hz, 12 dB/octave

–32 dB (25.1 mV) re 1V at 1 Pa*

170 ohms

145 dB SPL, 1 kHz at 1% T.H.D. - 155 dB SPL, with 10 dB pad

131 dB, 1 kHz at Max SPL

80 dB, 1 kHz at 1 Pa*

11-52V DC, 7 mA typical (both channels total)

10 dB pad (nominal)

269 g (9.5 oz)

186.0 mm (7.32") long, 47.6 mm (1.87") head diameter

21.0 mm (0.83") body diameter

Integral 5-pin XLRM-type

5.0 m (16.5') long, 8 conductor, shielded, vinyl-jacketed stereo cable with 5-pin XLRF-type connector at microphone end and two 3-pin XLRM-type connectors at output end

AT8405a stand clamp for 5/8"-27; threaded stands; windscreen; soft protective pouch

AT8022

BP4025

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

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54

AT8033

broadcast & production

handheld general purpose

microphones

( PC 306-MC 210 )

AT8031

£ 129.95

Cardioid condenser handheld microphone

Replacement model of ATM31a and AT813a

The AT8031 is ideal for close-up interviews, vocals, overheads, piano, and strings. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.

The mic’s proximity effect provides added warmth when used close up.

Features include a large protective screen that reduces “popping” and sibilant distortion. It operates on battery or phantom power.

AT8033

£ 129.95

Cardioid condenser microphone

Replacement model of ATM33a

Ideal for general audio acquisition such as interviews, acoustic guitar, percussion, overheads, vocals and more, the AT8033 features high-SPL capability and wide frequency response. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.

The mic excels in both studio and stage applications. It operates on battery or phantom power.

AT8031

gooseneck microphone

( PC 306-MC 210 )

XLR GOOSENECK MICROPHONE

AT808G

£ 99.95 Subcardioid moving coil dynamic console microphone

412.7 mm long.

XLRM-type output plugs directly into

XLRF-type panel mount or console connector.

Specifications

Element

AT8031

Fixed-charge back plate, permanently polarized condenser

AT8033

Fixed-charge back plate, permanently polarized condenser

Polar Pattern

Frequency Response

Cardioid

30-20,000 Hz

Open Circuit Sensitivity

Phantom: – 44 dB (6.3 mV), re at 1Pa*

Battery: – 45 dB (5.6 mV), re at 1Pa*

Impedance

Phantom: 250 Ω − Battery: 300 Ω

Max. Input Sound Level

Phantom: 137 dB SPL, 1 kHz at 1% T.H.D.

Battery: 123 dB SPL, 1 kHz at 1% T.H.D.

Cardioid

30-20,000 Hz

– 44 dB (6.3 mV), re at 1Pa*

– 45 dB (5.6 mV), re at 1Pa*

Phantom: 250 Ω − Battery: 300 Ω

137 dB SPL, 1 kHz at 1% T.H.D.

123 dB SPL, 1 kHz at 1% T.H.D.

Signal-to-Noise Ratio

Dynamic Range

70 dB, 1 kHz at 1 Pa*

Phantom: 113 dB, 1 kHz at Max SPL

Battery: 99 dB, 1 kHz at Max SPL

Phantom: 11-52V, 2 mA or 1.5 V AA / UM3

70 dB, 1 kHz at 1 Pa*

113 dB, 1 kHz at Max SPL

99 dB, 1 kHz at Max SPL

Phantom 11-52V, 2 mA or 1.5 V AA / UM3

Power Requirement

Weight

(less accessories)

Dimensions

(mm)

Output Connector

Accessories Furnished

205 g (7.2 oz)

193.0 long, 50.3 head Ø max

Integral 3-pin XLRM-type

159 g (5.6 oz)

194.2 long, 26 head Ø max

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”-27 threaded AT8405a stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; stands; 5/8”-27 to 3/8”-16 threaded adapter;

AT8114 windscreen; battery; AT8136 windscreen; battery; soft protective pouch soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT808G

Dynamic

Subcardioid

200 - 5,000 Hz

– 60 dB (1.0 mV), re at 1Pa*

800 Ω

115g (4.8 oz)

412.7 long, 25 head Ø, 18.9 base Ø

Integrated 3-pin XLRM

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

AT808G

handheld general purpose

microphones

( PC 306-MC 210 )

OMNIDIRECTIONAL MICROPHONES

AT8010

£ 129.95

Omnidirectional condenser microphone

Replacement model of ATM10a

The AT8010 is ideal for interviews, sportscasting and for use as the ”mono” mic in conjunction with a stereo microphone. Its omnidirectional polar pattern provides natural reproduction of surrounding ambience. The mic’s rugged housing with hardened-steel grille stands up to field use; its internal shock mounting minimizes handling and cable noise.

Operates on battery or phantom power.

AT8004

£ 99.95

Omnidirectional condenser microphone

Replacement model of AT804

The AT8004 is ideal for interviews, sportscasting and for use as the ”mono” mic in conjunction with a stereo microphone. Its omnidirectional polar pattern provides natural reproduction of surrounding ambience. The mic’s rugged housing with hardened-steel grille stands up to field use; its internal shock mounting minimizes handling and cable noise.

AT8004L

£ 129.95

Omnidirectional condenser microphone

Replacement model of AT804L

The AT8004L has been optimised for broadcasted interviews; The length of 239,5 mm allows the use of ”customized mic flags” with Broacaster’s logos proudly displayed.

broadcast & production

AT8010

AT8004

Specifications

Element

AT8010

Fixed-charge back plate permanently polarized condenser

Omnidirectional

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

20-20,000 Hz

Phantom: – 44 dB (6.3 mV), re 1V at 1Pa*

Battery: – 45 dB (5.6 mV), re 1V at 1Pa*

Phantom: 250 Ω

Battery: 300 Ω

Phantom: 137 dB SPL, 1 kHz at 1% T.H.D.

Battery: 123 dB SPL, 1 kHz at 1% T.H.D.

70 dB, 1 kHz at 1 Pa*

Signal-to-Noise Ratio

Dynamic Range

Phantom Power Requirement

Weight

(less accessories)

Dimensions

Phantom: 113 dB, 1 kHz at Max SPL

Battery: 99 dB, 1 kHz at Max SPL

11-52V DC, 2 mA or 1.5V AA/UM3 battery

165 g (5.8 oz)

178.0 mm (7.01”) long.,

26.0 mm (1.02”) maximum head diameter

Output Connector

Accessories Furnished

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter;

AT8136 windscreen; battery; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT8004

Dynamic

Omnidirectional

80-16,000 Hz

– 51 dB (2.8 mV), re 1V at 1Pa*

300 Ω

AT8004L

Dynamic

Omnidirectional

80-16,000 Hz

– 51 dB (2.8 mV), re 1V at 1Pa*

300 Ω

160 g (5.6 oz)

150.5 mm (5.93”) long

35.8 mm (1.41”) head Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for

5/8”-27threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

215 g (7.6 oz)

239.5 mm (9.43”) long

35.8 mm (5.93”) head Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for

5/8”-27threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

AT8004L

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

55

56

broadcast & production

microphones application guide

(6)

(6)

(6) (6) (6) (6)

(6)

(6)

A

T4071a

A

T4073a

BP4027 BP4029 A

T8015

A

T8035

A

T897

A

T875R

A

T892

A

T898

A

T899

A

T803

A

T831

MT830 MT350b MT838b A

T8031

A

T8033

A

T8022

BP4025 A

T8010

THEATRE & MUSIC HALL

Stage overheads

Ambience

Stage floor (2)

Actor

Singer

Speaker

FILM PRODUCTION

Boom (4)

Lavalier

Ambience

Long Distance Pick up

FIELD TV

Interview and Reporter (5)

Camera mount

Stereo recording

Long Distance Pick up

STUDIO TV

Long Distance Pick up

Live Music (1)

Interview

Newscaster / Presenter

Camera Mount

Audience Ambience

Talk-back

RADIO STATION

Field Interview & Reporter

Studio Newscaster (3)

Radio Studio host (3)

AUDIO-VISUAL

Camcorder Mount

Ambient Recording

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(1) See live sound and Studio microphones (2) See Unipoint U851& U841 page 64 (3) See AT4047 page 11 and Studio Microphones application chart page 18

(4) See AE5100 page 23 (5) See Artist Elite Wireless page 88 (6) Exists in Wireless version

This application chart is a guide to selecting an Audio-Technica microphone for a specific application.

Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

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Our Recommendation

Best Choice

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installed sound microphones

unipoint

®

The first and still the best miniature condenser installed-sound microphones on the market. unipoint ® sound-reinforcement solutions make speech and music clearly and comfortably audible, yet never draw attention to themselves or their operation. Regardless of acoustic constraints, they achieve maximum clarity and help overcome auditory distractions with natural, easy-to-listen-to sound.

page 60 to 65

59

propoint

Designed for sound reinforcement, broadcasting and recording, ProPoint miniature condenser microphones bring crisp, intelligible audio reproduction to the podium, stage, conference table and beyond. These pro-audio boundary, hanging and gooseneck microphones are engineered to meet every sound-installation challenge. ProPoint microphones make speech and music clearly and comfortably audible, yet never draw attention to themselves or their operation. With sleek, compact designs, they offer low-profile appearance, uncompromising sound quality and versatile miking choices for every application.

page 66 to 67

engineered sound microphones

Engineered Sound microphones have been the first choice of leading contractors and system integrators at the highest level of broadcast and installation. Includes UniGuard™ RFI immunity protecting the microphones from any RF interference from mobile phone beeps to laptop buzzes. The discreet size and look of the engineered sound microphone means the best quality of sound is available with the least visibility.

Includes gooseneck microphones with interchangeable capsules, ultra low profile boundary, hanging, lavalier clip-on and handheld microphones.

page 68 to 73

infrared conference systems

The infrared conference system developed by Audio-Technica offers all the advantages of infrared communication and features 100% wireless microphone units. As a result, it offers users more flexibility, with freedom to easily change microphone locations and system configurations.

page 74 to 77

application guide

page 78

60

unipoint

UniGuard™

unipoint

®

gooseneck microphones

( PC 310-MC 230) unipoint

® adjustable gooseneck microphones are the flexible choice for boardroom, school, government, house of worship and other installed applications worldwide. These distinctive, durable mics feature an improved small-diameter gooseneck with virtually no ”memory.” The ultra-flexible, robust design permits easy adjustment into desired shape while resisting inadvertent repositioning: When you move the gooseneck, it stays put.

Equipped with A-T’s innovative UniGuard™ (On all unipoint ® gooseneck microphones except U859QL) technology, the new unipoint ® gooseneck microphones deliver unsurpassed immunity from radio frequency interference. All gooseneck microphones in the line also feature an 80 Hz UniSteep ® filter that reduces pickup of unwanted low-frequency ambient noise.

A two-stage foam windscreen yields outstanding resistance to P-pops and other breath blasts.

QUICK-MOUNT (XLR) GOOSENECK MICROPHONES PHANTOM POWER ONLY

Quick-mount design plugs into any standard XLRF-type surface or cable connector.

U857Q

£ 219.95

Cardioid condenser quick-mount gooseneck microphone

Overall length of 36.5 cm.

U857QU

£ 269.95 UniLine™ condenser quick-mount gooseneck microphone

Narrow 90º acceptance angle; overall length of 48.7 cm.

U857QL

£ 239.95 Cardioid condenser quick-mount gooseneck microphone

Long version of U857Q; overall length of 48.1 cm.

U857QLU

£ 279.95 UniLine™ condenser quick-mount gooseneck microphone

Long version of U857QU; overall length of 60.3 cm.

U859QL

£ 159.95 Cardioid condenser quick-mount gooseneck microphone

Overall length of 48 cm.

Not equipped with

UniGuard™

technology

U857QU U857QLU U857QL U859QL U857Q

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

(phantom only)

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

U857Q (QL)

Polarized condenser

Cardioid

30-20,000 Hz

– 39 dB (11.2 mV), re 1V at 1 Pa*

250 Ω

139 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

70 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC, 2 mA

144 grams (5.1 oz)

Ø head: 12.2 mm - base: 18.9 mm

Integral 3-pin XLRM-type

AT8153 two-stage foam windscreen;

AT8662 shock mount

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

U857QU (QLU)

Polarized condenser

Line cardioid

30-20,000 Hz

– 35 dB (17.7 mV), re 1V at 1 Pa*

250 Ω

135 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

74 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC, 2 mA

161 grams (5.7 oz)

Ø head: 12.2 mm - base: 18.9 mm

Integral 3-pin XLRM-type

AT8154 two-stage foam windscreen;

AT8662 shock mount

U859QL

Polarized condenser

Cardioid

100-16,000 Hz

– 43 dB (7.0 mV), re 1V at 1 Pa*

250 Ω

140 dB SPL, 1 kHz at 1% T.H.D.

111 dB, 1 kHz at Max SPL

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC, 2 mA

152 grams (5.4 oz)

Ø head: 12.3 mm - base:18.9 mm

Integral 3-pin XLRM-type

AT8153 two-stage foam windscreen

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

unipoint

®

gooseneck microphones

( PC 310-MC 230)

ADAPTER-MOUNT GOOSENECK MICROPHONES BATTERY OR PHANTOM POWER

Direct mounts to any 5/8”-27 stand.

U857AL

£ 239.95 Cardioid condenser adapter-mount gooseneckmicrophone

Overall length of 42 cm.

U857AU

£ 269.95 UniLine™ condenser adapter-mount gooseneck microphone

Narrow 90º acceptance angle; overall length of 42.7 cm.

ADAPTER-MOUNT GOOSENECK MICROPHONES PHANTOM POWER ONLY

Direct mounts to any 5/8”-27 stand.

U857R

£ 219.95 Cardioid condenser adapter-mount gooseneckmicrophone

Overall length of 30 cm.

U857RU

£ 259.95 UniLine™ adapter-mount gooseneck microphone

Narrow 90º acceptance angle; overall length of 42.7 cm.

U857RL

£ 239.95 Cardioid condenser adapter-mount gooseneck microphone

Long version of U857R; overall length of 42 cm.

U857RLU

£ 279.95 UniLine™ adapter-mount gooseneck microphone

Long version of U857RU; overall length of 54.3 cm.

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

U857AL (AU)

Polarized condenser

Cardioid (Line cardioid)

30-20,000 Hz

Phantom: – 42 dB (7.9 mV), re 1V at 1 Pa*

Battery: – 43 dB (7.0 mV), re 1V at 1 Pa*

Phantom: 200 Ω - Battery: 270 Ω

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Phantom: 133 dB SPL, 1 kHz at 1% T.H.D.

Battery: 123 dB SPL, 1 kHz at 1% T.H.D.

Phantom: 109 dB, 1 kHz at Max SPL

Battery: 99 dB, 1 kHz at Max SPL

70 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 2 mA or 1.5V AA/UM3

131 grams (4.6 oz)

Dimensions

Output Connector

Ø head : 12.2 mm - 421mm long

3-pin XLRM-type

Accessories Furnished

AT8531 power module;

AT8153 two-stage foam windscreen;

AT8663 A-mount flange;

AT8664 A-mount cable pass-through adapter; battery

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

U857R (RL)

Polarized condenser

Cardioid

30-20,000 Hz

– 39 dB (11.2 mV), re 1V at 1 Pa*

250 Ω

139 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

70 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 2 mA (phantom only)

124 grams (4.4 oz)

Ø head: 12.2 mm - base: 18.9 mm

3-pin XLRM-type

AT8538 power module;

AT8663 A-mount flange;

AT8664 A-mount cable pass-through adapter;

AT8153 two-stage foam windscreen

U857RU (RLU)

Polarized condenser

Line cardioid

30-20,000 Hz

– 35 dB (17.7 mV), re 1V at 1 Pa*

250 Ω

135 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

74 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 2 mA (phantom only)

141 grams (9.4 oz )

Ø head: 12.2 mm - 427mm long

3-pin XLRM-type

AT8538 power module;

AT8663 A-mount flange;

AT8664 A-mount cable pass-through adapter;

AT8154 two-stage foam windscreen

UniGuard™

unipoint

U857R U857AU U857RU U857AL U857RL U857RLU

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

61

62

unipoint

U853A - U853R

UniGuard™

U853AU - U853RU U853AWU - U853RWU

U853AW - U853RW

unipoint

®

hanging microphones

( PC 310-MC 230 )

Maintaining the Audio-Technica tradition of clear and transparent sound quality, the new unipoint ® overhead microphones are ideal for speech, theatre, orchestra and choir sound reinforcement and recording. With robust construction, unobtrusive appearance, and unsurpassed immunity to radio frequency interference, these hanging mics offer sophisticated and versatile sound-reinforcement solutions.

Equipped with A-T’s new UniGuard™ technology, the new unipoint ® hanging microphones offer unsurpassed immunity from radio frequency interference. All hanging microphones in the line feature an 80 Hz UniSteep ® filter that reduces pickup of low-frequency ambient noise, while preserving a full sound.

BATTERY OR PHANTOM POWERED MICROPHONES

U853A

£ 239.95 Cardioid condenser hanging microphone

Low-reflectance black finish.

U853AW

£ 239.95 Cardioid condenser hanging microphone

White version of U853A.

U853AU

£ 259.95 UniLine™ condenser hanging microphone

Narrow 90º acceptance angle; low-reflectance black finish.

U853AWU

£ 259.95 UniLine™ condenser hanging microphone

White version of U853AU.

PHANTOM POWERED ONLY MICROPHONES

U853R

£ 239.95 Cardioid condenser hanging microphone

Low-reflectance black finish.

U853RW

£ 239.95 Cardioid condenser hanging microphone

White version of U853R.

U853RU

£ 259.95 UniLine™ condenser hanging microphone

Narrow 90º acceptance angle; low-reflectance black finish.

U853RWU

£ 259.95 UniLine™ condenser hanging microphone

White version of U853RU.

Specifications

Element

Polar Pattern

U853A - U853AW (U853AU - U853AWU)

Permanently polarized condenser

Cardioid (line cardioid for U853AU and U853AWU)

Frequency Response

30-20,000 Hz

Open Circuit Sensitivity

Phantom: – 42 dB (7.9 mV), re 1 V at 1 Pa*

Battery: – 43 dB (7.0 mV), re 1 V at 1 Pa*

U853R - U853RW (U853RU - U853RWU)

Permanently polarized condenser

Cardioid (line cardioid for U853RU and U853RWU)

30-20,000 Hz

– 39 dB (11.2 mV) re 1 V at 1 Pa*

Impedance

Phantom: 200 Ω - Battery: 270 Ω

Max. Input Sound Level

Phantom: 133 dB SPL, 1 kHz at 1% T.H.D.

Battery: 123 dB SPL, 1 kHz at 1% T.H.D.

Dynamic Range

(Typical) Phantom: 109 dB, 1 kHz at Max SPL

Battery: 99dB, 1 kHz at Max SPL

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

70 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

9-52V DC or battery 1.5V AA

14 grams

34 mm long ; Ø 12.2 mm

Accessories Furnished

Integral 3-pin XLRM-type

AT8153 (A - AW) and AT8154 (AU - AWU) Windscreen

AT8451 Steel hanger; AT8531 Power module

Cable 7.6 m long - 3.2mm Ø

250 Ω

139 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

70 dB 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC phantom power only, 2 mA typical

14 grams

34 mm long ; Ø 12.2 mm

Integral 3-pin XLRM-type

AT8153 (R - RW) and AT8154 (RU - RWU) Windscreen

AT8451 Steel hanger; AT8538 Power module

Cable 7.6 m long - 3.2mm Ø

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

unipoint

®

microphones & elements

( PC 310-MC 230 )

U873R

£ 219.95

Handheld Hypercardioid Condenser Microphone

The

U873R unipoint

® hypercardioid condenser microphone is equipped with Audio-Technica’s

UniGuard™ technology for unsurpassed immunity from radio frequency interference. It also features an 80 Hz UniSteep ® filter that reduces pickup of unwanted low-frequency ambient noise. New interchangeable elements permit selection of angle of acceptance from 100° to 360°.

See specifications chart page 61.

unipoint

new

unipoint

®

interchangeables elements

New interchangeable elements are also compatible with first-generation unipoint ® microphones.

UE-C

£ 79.95

Cardioid element only, 120° pickup pattern.

U873R

UE-C

UE-H

£ 79.95

Hypercardioid element only, 100° pickup pattern.

UE-O

£ 79.95

Omnidirectional element only, 360° pickup pattern.

UE-UL

£ 109.95

UniLine™

unipoint

®

element only, 90° pickup pattern.

unipoint

® UniLine™ element are only compatible with U853 and U857 models.

UE-H

UE-O

UE-UL

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

63

64

unipoint

U851RW

UniGuard™

U841A

U851A

unipoint

®

boundary microphones

( PC 310-MC 230)

INSTALLATION FLEXIBILITY

On conference tables, in houses of worship, in theatre applications and beyond, unipoint ® boundary microphones are recognized for outstanding speech intelligibility and transparent sound quality. With superior off-axis rejection and maximum gain-before-feedback, these professional microphones set audio-quality standards in challenging acoustic environments.

The new generation of unipoint ® boundary microphones incorporates

Audio-Technica’s latest RFI-shielding innovations: breakthrough UniGuard™ technology offers unsurpassed immunity from radio frequency interference.

The microphones’ low-profile design assures inconspicuous appearance for surface-mount use in boardroom, school, government, house of worship and other installed applications.

The U891R, U891RW and U891RC boundary mics are equipped with programmable switches and LED status indicators for easy, flexible control in conference and boardroom installations. Innovative new interchangeable cardioid, hypercardioid and omnidirectional elements offer superior on- and off-axis response, resulting in exceptional sonic quality.

U841A

£ 239.95 Omnidirectional Condenser Boundary Microphone

Operates on battery or phantom power; low-reflectance black finish.

U851A

£ 239.95 Cardioid Condenser Boundary Microphone

Operates on battery or phantom power; low-reflectance black finish.

U851R

£ 239.95 Cardioid Condenser Boundary Microphone

Operates on phantom power only; low-reflectance black finish.

U851RW

£ 269.95 Cardioid Condenser Boundary Microphone

White version of U851R.

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

U841A

Polarized condenser

Omnidirectional Cardioid

30-20,000 Hz 30-20,000 Hz

Phantom: – 39 dB (11.2 mV), re 1V at 1 Pa*

Battery: – 40 dB (10.0 mV), re 1V at 1 Pa*

Impedance

Max. Input Sound Level

Phantom: 200 Ω

Battery: 270 Ω

Phantom: 132 dB, 1 kHz at 1% T.H.D.

Battery: 122 dB, 1 kHz at 1% T.H.D.

Dynamic Range

(typical) Phantom: 111 dB, 1 kHz at Max SPL

Battery: 101 dB, 1 kHz at Max SPL

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

73 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

Weight

(less accessories)

Dimensions

Long x max width x height

11-52V DC, 2 mA or 1.5V AA/UM3

78 grams (2.8 oz)

Ø 65.0 - h : 15.1 mm

Output Connector

Accessories Furnished

3-pin XLRM-type

AT8531 power module; battery; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

U851A

Polarized condenser

– 40 dB (10.0 mV), re 1V at 1 Pa*

– 41 dB (8.9 mV), re 1V at 1 Pa*

200 Ω

270 Ω

133 dB, 1 kHz at 1% T.H.D.

101 dB, 1 kHz at 1% T.H.D.

111 dB, 1 kHz at Max SPL

101 dB, 1 kHz at Max SPL

72 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

U851R (RW)

11-52V DC, 2 mA or 1.5V AA/UM3 11-52V DC, 4 mA (phantom only)

244 grams (8.6 oz) 262 grams (9.2 oz)

108.0 x 84.0 x 23.0 mm

3-pin XLRM-type

AT8531 power module; battery; soft protective pouch

Polarized condenser

Cardioid

30-20,000 Hz

– 34 dB (19.9 mV), re 1V at 1 Pa*

200 Ω

134 dB, 1 kHz at 1% T.H.D.

108 dB, 1 kHz at Max SPL

68 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

108.0 x 84.0 x 23.0 mm

TB3M-type

Soft protective pouch

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

unipoint

®

boundary microphones with switch

( PC 310-MC 230)

U891R

£ 259.95 Cardioid Condenser Boundary Microphone with Switch

On-off switch can be set to three modes: touch-on/touch-off, press to talk, and press to mute.

Operates on phantom power only; red LED status indicator; low-reflectance black finish.

U891RW

£ 269.95 Cardioid Condenser Boundary Microphone with Switch

White version of U891R.

U891RC

£ 279.95 Cardioid Condenser Boundary Microphone with Local or Remote Switching

External contact closure switch allows user to control a remote device – a camera, for instance – from a switch on the microphone. Red LED status indicator can be controlled remotely. On-off switch can be set to three modes: touch-on/touch-off, press to talk, and press to mute. Operates on phantom power only; low-reflectance black finish.

U891R and U891RC

U891RW

unipoint

UniGuard™

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessory Furnished

U891R (RW)

Polarized condenser

Cardioid

30-20,000 Hz

–34 dB (19.9 mV), re 1V at 1 Pa*

200 Ω

130 dB SPL, 1 kHz at 1% T.H.D.

104 dB, 1 kHz at Max SPL

68 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 4 mA (phantom only)

264 grams (9.3 oz)

U891RC

Polarized condenser

Cardioid

30-20,000 Hz

–34 dB (19.9 mV), re 1V at 1 Pa*

200 Ω

130 dB SPL, 1 kHz at 1% T.H.D.

104 dB, 1 kHz at Max SPL

68 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 4 mA typical

266 grams (9.4 oz )

U873R

Polarized condenser

Hypercardioid

70-20,000 Hz

– 41 dB (8.9 mV), re 1V at 1 Pa*

200 Ω

155 dB SPL, 1 kHz at 1% T.H.D.

131 dB, 1 kHz at Max SPL

70 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 3 mA (phantom only)

160 grams (5.6 oz)

Long 108.0 x max width 84.0 x height 23.0 mm Long 108.0 x max width 84.0 x height 23.0 mm L : 156.7 mm - Ø : 37.7 mm

TB3M-type TB5M-type 3-pin XLRM-type

Soft protective pouch Soft protective pouch AT8122 foam windscreen;

AT8405a stand clamp for 5/8”-27 threaded stands; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

UniGuard™

Design innovations offer unsurpassed immunity from radio frequency interference.

UniSteep

®

80 Hz low-cut filter reduces pickup of low-frequency ambient noise without sacrificing natural sound.

UniLine™

New line-cardioid element provides a tight 90º pickup pattern.

PivotPoint

™

Engineered for maximum flexibility, the new unipoint

® boundary mic housing incorporates PivotPoint™ (On all

unipoint

® boundary microphone models except the U841A), a unique rotating output connector that allows the cable to exit from either the back or the bottom of the microphone.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

65

66

PRO42

PRO44

propoint

Frequency Response

LEGEND

50 100 200 500

Frequency in Hertz

12" or more on axis

1k 2k 5k 10k 20k

10 dB

propoint

®

microphones

( PC 311-MC 230 )

Designed for sound reinforcement, broadcasting and recording, ProPoint miniature condenser microphones bring crisp, intelligible audio reproduction to the podium, stage, conference table and beyond. These pro-audio boundary, hanging and gooseneck microphones are engineered to meet every sound-installation challenge.

ProPoint microphones make speech and music clearly and comfortably audible, yet never draw attention to themselves or their operation. With sleek, compact designs, they offer low-profile appearance, uncompromising sound quality and versatile miking choices for every application.

BOUNDARY MICROPHONES

PRO 42

£ 79.95 Miniature unidirectional condenser boundary microphone

• 7.6 m cable with XLRM-type output connector.

• Dimensions 36.6mm x 54.3mm x 15.5mm

PRO 44

£ 109.95 Unidirectional condenser boundary microphone

• Includes 7.6 m cable with TA3F connector; XLRM-type connector at equipment end.

• Dimensions 73mm x 90.5mm x 15mm

HANGING MICROPHONES

PRO 45

£ 89.95 Cardioid condenser hanging microphone

• 7.6 m cable with XLRM-type output connector. Includes AT8146 windscreen and AT8451 steel hanger.

PRO 45W

£ 89.95 White finished version of PRO45

White cable with XLRM-type output connector. Includes AT8146 (WH) windscreen and AT8451 (WH) steel hanger.

PRO45

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Signal-to-Noise Ratio

Dynamic Range

Phantom Power Requirement

PRO 42

Condenser

Cardioid

70-14,000 Hz

–38 dB (12.5 mV), re 1V at 1 Pa*

100 Ω

134 dB, 1 kHz at 1% T.H.D.

65 dB 1 kHz at 1 Pa

105 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

*1 Pascal = 10 dynes/cm

2

= 10 microbars = 94 dB SPL

PRO 44

Condenser

Cardioid

70-16,000 Hz

–25 dB (56.2 mV), re 1V at 1 Pa*

100 Ω

114 dB, 1 kHz at 1% T.H.D.

66 dB 1 kHz at 1 Pa

86 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

PRO 45 / PRO 45W

Condenser

Cardioid

70-16,000 Hz

–37 dB (14.1 mV), re 1V at 1 Pa*

100 Ω

134 dB, 1 kHz at 1% T.H.D.

66 dB 1 kHz at 1 Pa

106 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

propoint

®

microphones

( PC 311-MC 230 )

GOOSENECK MICROPHONES

PRO 47T

£ 119.95 Cardioid condenser thread-mount gooseneck microphone attaches to 5/8”-27 thread

• 3 m cable with XLRM-type output connector. 315 mm long. Includes AT8146 windscreen and AT8425 threaded mounting stud

PRO 47TL

£ 124.95 Cardioid condenser thread-mount gooseneck microphone attaches to 5/8”-27 thread

• 3 m cable with XLRM-type output connector. 401 mm long.

Includes AT8146 windscreen and AT8425 threaded mounting stud

PRO 49Q

£ 119.95 Cardioid condenser quick-mount gooseneck microphone

• Plugs directly into a panel- or desk-mounted XLRF-type connector, or to a standard XLRF-type microphone cable 332 mm long. Includes AT8146 windscreen.

PRO 49QL

£ 124.95 Cardioid condenser quick-mount gooseneck microphone

• Plugs directly into a panel- or desk-mounted XLRF-type connector, or to a standard XLRF-type microphone cable 418 mm long. Includes AT8146 windscreen.

PRO47T

PRO47TL

propoint

67

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound

Signal-to-Noise Ratio

Dynamic Range

Phantom Power Requirement

PRO 47T / PRO 47TL

Condenser

Cardioid

70-16,000 Hz

–37 dB (14.1 mV), re 1V at 1 Pa*

100 Ω

134 dB, 1 kHz at 1% T.H.D.

66 dB 1 kHz at 1 Pa

106 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

*1 Pascal = 10 dynes/cm

2

= 10 microbars = 94 dB SPL

PRO 49Q / PRO 49QL

Condenser

Cardioid

70-16,000 Hz

–37 dB (14.1 mV), re 1V at 1 Pa*

100 Ω

134 dB, 1 kHz at 1% T.H.D.

66 dB 1 kHz at 1 Pa

106 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

PRO49Q PRO49QL

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

68

engineered sound

ES915C12 ES915C18 ES915C21 ES915ML21

double-gooseneck

microphones

( PC 309-MC 230 )

Engineered Sound gooseneck microphones are ideal for boardroom, school, government, house of worship and other installed applications. The improved, easy-to-adjust, small-diameter gooseneck with virtually no

“memory” permits quick positioning into desired shape. The goosenecks’ super-robust design also resists inadvertent repositioning. All models are RoHS- compliant and equipped with Audio-Technica’s UniGuard™

RFI protection, and include a universal isolation mount and quick-mount stand adapter.

ES915C12

£ 239.95

Cardioid condenser gooseneck microphone.

Overall length 304.8 mm

ES915C18

£ 249.95

Cardioid condenser gooseneck microphone.

Overall length 457.2 mm

ES915C21

£ 259.95

Cardioid condenser gooseneck microphone.

Overall length 533.4 mm

ES915H12

£ 239.95

Hypercardioid condenser gooseneck microphone

. Overall length 304.8 mm

ES915H18

£ 249.95

Hypercardioid condenser gooseneck microphone.

Overall length 457.2 mm

ES915H21

£ 259.95

Hypercardioid condenser gooseneck microphone.

Overall length 533.4 mm

ES915ML12

£ 269.95

MicroLine

®

condenser gooseneck microphone.

Narrow 90° acceptance angle; Overall length 423.8 mm

ES915ML18

£ 279.95

MicroLine

®

condenser gooseneck microphone.

Narrow 90° acceptance angle; Overall length 576.2 mm

ES915ML21

£ 289.95

MicroLine

®

condenser gooseneck microphone.

Narrow 90° acceptance angle; Overall length 652.4 mm

ES915SC12 ES915SC18 ES915SC21 ES915SCML18

UniGuard™

DOUBLE-GOOSENECK MICROPHONES WITH MUTE SWITCH AND LED

Condenser gooseneck microphone with interchangeable capsules.

XLR mount with recessed flat response/low-roll-off switch and mute/on switch with status LED.

ES915SC12

£ 269.95

Cardioid condenser gooseneck microphone with mute switch/LED.

Overall length 304.8 mm

ES915SC18

£ 279.95

Cardioid condenser gooseneck microphone with mute switch/LED.

Overall length 457.2 mm

ES915SC21

£ 289.95

Cardioid condenser gooseneck microphone with mute switch/LED.

Overall length 533.4 mm

ES915SML12

£ 299.95

MicroLine

®

condenser gooseneck microphone with mute switch/LED

Narrow 90° acceptance angle; Overall length 423.8 mm

ES915SML18

£ 309.95

MicroLine

®

condenser gooseneck microphone with mute switch/LED

Narrow 90° acceptance angle; Overall length 576.2 mm

(see page 71 for ES Series interchangeable elements)

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

single-gooseneck

microphones

( PC 309-MC 230 )

ES935 SINGLE-GOOSENECK MICROPHONES

Fixed length. Phantom power only, 11-52V; plugs into XLR3F-type connector. Incorporates UniGuard™ RFIimmunity technology. Includes: foam windscreen; integral power module with roll-off switch (80 Hz high-pass

UniSteep

® filter); AT8474 low-profile isolation mount; AT8473 stand clamp.

ES935C6

£ 199.95 Cardioid condenser gooseneck microphone

Overall length 197.3 mm

ES935H6

£ 199.95 Hypercardioid condenser gooseneck microphone

Overall length 197.3 mm

ES935ML6

£ 239.95 MicroLine ® condenser gooseneck microphone

Narrow 90° acceptance angle; Overall length 316.3 mm

ES935S SINGLE-GOOSENECK MICROPHONES WITH MUTE SWITCH AND LED

Fixed length mic with touch-on/touch-off mute switch and light “on” indicator.

Phantom power only, 11-52V; plugs into XLR3F-type connector. Incorporates UniGuard™ RFI-immunity technology. Includes: foam windscreen; integral power module with roll-off switch (80 Hz high-pass

UniSteep

® filter); AT8474 low-profile isolation mount; AT8473 stand clamp.

ES935SC6

£ 239.95 Cardioid condenser gooseneck microphone with mute switch/LED

Overall length 197.3 mm

ES935SH6

£ 239.95 Hypercardioid condenser gooseneck microphone with mute switch/LED

Overall length 197.3 mm

ES935SML6

£ 279.95 MicroLine ® condenser gooseneck microphone with mute switch/LED

Narrow 90° acceptance angle; Overall length 316.3 mm

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

1000 Ω without power module

Max. Input Sound Level

Signal-to-Noise Ratio

Low Frequency Roll-off

Phantom Power Requirement

Output Connector

Head and Base Diameters

Accessories Furnished

ES915C-ES915SC

ES935C-ES935SC

Condenser

Cardioid

30-20,000 Hz

– 40 dB (10.0 mV), re 1 V at 1 Pa*

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8.4 mm - 18.9 mm

AT8109 windscreen;

AT8474 universal isolation mount;

AT8473 quick mount stand adaptor;

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ES915H ES915ML-ES915SML

ES935H-ES935SH ES935ML-ES935SML

Condenser

Hypercardioid

Condenser

MicroLine ®

80-20,000 Hz

– 40 dB (10.0 mV), re 1 V at 1 Pa*

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

30-20,000 Hz

– 35 dB (17.7 mV), re 1 V at 1 Pa*

250 Ω

133 dB SPL, 1 kHz at 1% T.H.D.

68 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8.4 mm - 18.9 mm Ø 8 mm - 18.9 mm

AT8109 windscreen; AT8138 windscreen;

AT8474 universal isolation mount; AT8474 universal isolation mount;

AT8473 quick mount stand adaptor; AT8473 quick mount stand adaptor; engineered sound

ES935C6 ES935ML6

ES935SC6 ES935SML6

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

69

70

engineered sound

hanging

microphones

( PC 309-MC 230 )

Phantom power only, 11-52V;

15 m cable permanently attached to mic, free end connects to the provided AT8538 power module via TA3F-type connector. Incorporates

UniGuard™ RFI-immunity technology.

ES933C ES933ML

ES933C

£ 239.95 Cardioid condenser hanging microphone

ES933WC

£ 239.95 White version ES933C (cardioid)

ES933H

£ 239.95 Hypercardioid condenser hanging microphone

ES933WH

£ 239.95 White version ES933H (hypercardioid)

ES933ML

£ 279.95 MicroLine ® condenser hanging microphone

ES933WML

£ 279.95 White version ES933ML (MicroLine ® )

UniGuard™

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

1000 Ω without power module

Max. Input Sound Level

Signal-to-Noise Ratio

Low Frequency Roll-off

Phantom Power Requirement

Output Connector

Head and Base Diameters

Accessories Furnished

ES933C-ES933WC

Condenser

Cardioid

30-20,000 Hz

– 40 dB (10.0 mV), re 1 V at 1 Pa

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8.4 mm - 18.9 mm

AT8109 windscreen;

AT8452 steel hanger;

AT8538 power module

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ES933H-ES933WH ES933ML-ES933WML

Condenser

Hypercardioid

80-20,000 Hz

– 40 dB (10.0 mV), re 1 V at 1 Pa

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8.4 mm - 18.9 mm

AT8109 windscreen;

AT8452 steel hanger;

AT8538 power module

Condenser

MicroLine ®

30-20,000 Hz

– 35 dB (17.7 mV), re 1 V at 1 Pa

250 Ω

133 dB SPL, 1 kHz at 1% T.H.D.

68 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8 mm - 18.9 mm

AT8138 windscreen;

AT8452 Steel hanger;

AT8538 power module

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

interchangeables elements

( PC 309-MC 230)

For microphones

ES905, ES915, ES933, ES935, ES943

ESE-C

£ 59.95 Cardioid element only; standard on all

ES905

,

ES915

,

ES933

,

ES935

and

ES943 “C” models

.

120° pickup pattern.

ESE-H

£ 59.95 Hypercardioid element only; standard on all

ES915

,

ES933

,

ES935

and

ES943 “H” models

.

100° pickup pattern.

ESE-O

£ 99.95 Omnidirectional element only.

360° pickup pattern.

ESE-ML

£ 59.95 MicroLine ® element only; standard on all

ES915

,

ES933

and

ES935 “ML” models

.

90° pickup pattern.

NB : This capsule is not suitable for microphones ES943 (tie clip)

ESE-C

ESE-H

ESE-O

ESE-ML

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

71

72

ES945W

engineered sound

UniGuard™

boundary

microphones

( PC 309-MC 230)

ES945

£ 129.95 Omnidirectional fixed charge condenser boundary microphone

For table or ceiling mounting (maximum 45 mm pannel thickness), in 24 mm diameter hole.

Operates on 9-52V phantom power only.

Power module is built-in, integral XLRM-type output.

ES945W

£ 129.95 White finished version of ES945

ES947

£ 159.95 Cardioid wide range fixed charge condenser boundary microphone

For table or ceiling mounting in 15/16” (24 mm) diameter hole.

Operates on 9-52V phantom power only.

Power module is built-in, integral XLRM-type output.

ES947W

£ 159.95 White finished version of ES947

Specifications

Element

ES945 - ES945W

Fixed-charge back plate, permanently polarized condenser

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Dynamic Range

Signal-to-Noise Ratio

Phantom Power Requirement

Omnidirectional

40-18,000 Hz

– 42 dB (7.9 mV) re 1 V at 1 Pa

200 Ω

142 dB SPL, 1 kHz at 1% T.H.D.

112 dB, 1 kHz at Max SPL

64 dB, 1 kHz at 1 Pa

11-52V DC, 2 mA typical

Output Connector

Dimensions

Integral 3-pin XLRM-type

69 mm long; Ø 28 mm

Accessories Furnished

One pair isolators

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ES947 - ES947 W

Fixed-charge back plate, permanently polarized condenser

Half-cardioid (Cardioid in hemisphere above mounting surface)

40-12,000 Hz

– 42 dB (7.9 mV) re 1 V at 1 Pa

200 Ω

142 dB SPL, 1 kHz at 1% T.H.D.

113 dB, 1 kHz at Max SPL

65 dB, 1 kHz at 1 Pa

11-52V DC, 2 mA typical

Integral 3-pin XLRM-type

69 mm long; Ø 30 mm

One pair isolators

ES947

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

rigid-pipe

microphones

( PC 309-MC 230 )

Rigid-pipe design with ball-in-socket base for permanent mounting to flat surface. Attached wire mesh windscreen with internal pop protection. 2.90 m cable permanently attached to mic, free end connects to the provided AT8538 power module via TA3F-type connector. XLRM-type output connector on power module.

Incorporates UniGuard ® RFI-immunity technology. Includes: foam windscreen; AT8538 power module with roll-off switch (80 Hz high-pass UniSteep ® filter).

engineered sound

ES905CL

£ 299.95

Cardioid rigid-pipe condenser microphone

Operates on phantom power; ball-in-socket base for flexible positioning.

lavalier

microphones

( PC 309-MC 230 )

ES943C

£ 219.95 Cardioid condenser lavalier microphone

Phantom power only, 11-52V; 1.4 m integral cable.

Incorporates

UniGuard™ RFI-immunity technology.

Includes: AT8460 clothing clip; AT8110 foam windscreen;

AT8538 power module with roll-off switch (80 Hz high-pass UniSteep

®

filter); belt clip.

The ES943C uses ESE-C element.

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Dynamic Range

Signal-to-Noise Ratio

Low Frequency Roll-off

Phantom Power Requirement

Output Connector

Dimensions

Accessories Furnished

ES905CL ES943C

Fixed-charge back plate, permanently polarized condenser Fixed-charge back plate, permanently polarized condenser

Cardioid

60-20,000 Hz

– 38 dB (12.5 mV) re 1 V at 1 Pa*

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

109 dB, 1 kHz at Max SPL

67 dB, 1 kHz at 1 Pa

80 Hz, 12 dB/octave

11-52V DC, 4 mA typical

Integral 3-pin XLRM-type

523.4 mm (20.61”)long; 24.6 mm (0.97”) head diameter

AT8538 power module; (3) #8 x 1” black oxide wood screws for microphone mount

*1 Pascal = 10 dynes/cm

2

= 10 microbars = 94 dB SPL

Cardioid

30-20,000 Hz

– 40 dB (10.0 mV) re 1 V at 1 Pa*

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

109 dB, 1 kHz at Max SPL

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC, 2 mA typical

3-pin XLRM-type (power module)

27.5 mm (1.08”) long, 8.4 mm (0.33”) head diameter

AT8110 windscreen; AT8460 clothing clip;

AT8538 power module; belt clip

engineered sound

accessories

( PC 315-MC 410 )

WINDSCREEN

AT8161

£ 24.95

Metal windshield with additional outer foam for use with engineered sound gooseneck microphones

MOUNTS

AT8473

£ 19.95

Stand clamp permits attachment of the gooseneck mic base to a standard 5/8”-27 or 3/8”-16 threaded mic stand or mounting flange.

AT8474

£ 24.95 Low-profile isolation mount (allows mounting above or beneath mounting surface).

ES943C

AT8161

ES905CL

AT8473 AT8474

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

73

74

IR conference system

infrared

conference system

( PC 491-MC 134)

As a pioneer of infrared systems Audio-Technica offers you peace of mind.

1996 - The arrival of 800MHz radio wireless products marked the beginning of Audio-Technica’s work with IR technology. Resulting in sales of the ATIR series infrared microphones.

2000 - The dawn of the 21st century saw the release of the ATCS-M50 as part of the ATCS-50 series, capable of handling up to 150 microphones.

2004 - Another new addition to the ATCS-50 series as the ATCS-M55 showcases the smallest installation area in the industry.

2007 - Audio-Technica introduces voice detection technology in the shape of the ATCS-M60. By automatically recognising the speakers voice, the microphone can be turned on and off without pressing a button.

Infrared technology keeps your information in your conference room

In the 21st century the control of information is of top priority. With the ATCS-60 conference system your wireless signal won't leave the room, let alone reach another building. When compared to a UHF wireless system which acts in the same way as a radio station transmitting over a broad area, the infrared system excels, providing no information leakage.

Infrared technology offers you peace of mind and the confidence that your information is secure.

Everything starts with Audio-Technica

The ATCS-60 infrared conference system has all the advantages of infrared communication complete with (adjective) wireless transceiver microphone units.

Wireless infrared technology provides the user with greater flexibility whilst configuring the system and freedom of choice when placing microphones. From intimate meetings to 150 person events, the ATCS-60 will adapt to your needs.

Additional features include 4 selectable channels for multi-language conferences and an automated camera function facilitating audio visual integration.

The option of software control is also available, with the user able to adjust camera position and microphone settings from within the provided program.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

infrared

conference system

( PC 491-MC 134)

Features

Flexible and easy modify

• Microphone and camera settings can be controlled by a PC running the supplied software.

The upgradable structure of the system makes it easier to adapt your conference setup.

Unit selection function

• By utilising ID switch methodology, the ATCS-60 guarantees prompt and responsive unit selection.

All finish function

• The chairperson's unit has control to override all other units with the “all finish” function

Battery life indication

• When battery life is low both the power LED and microphone LED will flash rapidly as a warning.

Listening options

• Built in speaker and headphone jack with personal volume control.

Voice Detection

• The user can select automatic or manual mode. In the automatic mode, the microphone is turned on when spoken into and turned off when there is no voice. The holding time can be altered to cater for users needs. In manual mode, the simple operation of pressing the TALK (speech) button enables the on/off switching.

Simultaneous interpretation

• Up to 4 separate channels for multi language meetings, making it possible to have one mother tongue and three additional translations.

IR conference system

Wireless design to configuration freely

Board rooms meetings, Video conferencing and general meetings

As cost is of great importance to all companies, conference rooms are increasingly utilised for other purposes. The infrared system is flexible and space efficient making it the perfect choice for such multi-purpose environments.

Remote lectures and meetings in institutions and universities

As the technology for remote lectures and meetings increase universities are introducing the remote lecture system to enhance the course agenda. A conference system with improved audio content makes communication swift and efficient.

Committee rooms and assembly halls of self-governing bodies

The semi permanent nature of the ATCS-60 means it can be seamlessly installed into any space without the hassle of exposed wires and lengthy setup times.

Take it with you wherever it is required.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

75

76

ATCS-C60

atcs-60 series

Main features

• Microphones can turn on automatically when a voice is detected.

• Unique DSP voice detection ignores the sound of rustling papers when using the automatic microphone mode.

• A built-in loudspeaker and headphone output for personal amplification negates the need for an additional P.A. system .

• It enables simultaneous speeches by up to 5 people.

• Priority setting function may enable priority to microphones other than the chairperson unit.

• 4 monitor channels are available to easily integrate multiple language translations

ATCS-M60 with ATCS-60MIC

ATCS-60MIC

ATCS-L60MIC

infrared

conference system

(PC 491-MC 134)

ATCS-C60

£ 2,809.00 Master control unit

• The number of units with priority settings can be selected.

• Option for FIFO “First In First Out” or FILO “First In Last Out” modes when selecting which order people speak.

• Automatic mode and manual or traditional button press mode are both available.

• Adjustable threshold setting for automatic mode.

• Adjustable hold time for how the microphone stays on after speaking.

• Direct output of up to 5 separate audio channels can be output via the software.

ATCS-M60

£ 749.00 Delegate unit

ATCS-60MIC

£ 94.00 Dedicated microphone

• Overall length 43 cm

ATCS-L60MIC

£ 104.00 Dedicated long-type microphone

• Overall length 58 cm

Technical Data

Model

Polar Pattern

Frequency Response

Sensitivity

(0 dB = 1V/ 1 pa, 1 kHz)

Maximum Input Sound Level

Signal-Noise Ratio

(1kHz,1 pa)

Output Impedance

Finish

Weight

ATCS-60MIC, ATCS-L60MIC

Fixed-charge back plate

Hyper cardioid

200 ~ 5,000 Hz

– 45 dB

100 dB S.P.L. (1kHz,THD 1%)

> 61 dB

< 680 Ω, unbalanced

Black, matted paint spraying

115 g (ATCS-60MIC)

Technical Data

Bandwidth

Number of Channels

Modulation Method

Infrared Data Communication

Speaker Output

Power Supply

Standard Operation Time

Dimensions

Weight

Optional Accessories

Technical Data

Bandwidth

Number of Channels

Modulation Method

Infrared Data Communication

Audio Input

Audio Output

Power Supply

Weight

Accessories

ATCS-M60

1 ~ 10MHz

Voice 4ch, monitor 4ch and data 2ch

FM modulation

9,600 bps

8 Ω, 2W

Dedicated lithium-ion battery with 7.4 VDC, 2400 mAh or AC adaptor with 12 VDC, 1A (AD-SZ1210JE (optional)

Continuous speeches: 6 hr; Signal reception status: 10 hr.

H75.5×W187×D149mm

0.6 kg (microphone and battery excluded)

LI-240 lithium-ion battery, AC adaptor

ATCS-C60

1 ~ 10 MHz

Voice 5 ch, monitor 4 ch and data 2 ch

FM modulation

9,600 bps

Monitor input (-10dBV, unbal.) 4 systems

External input 1 (-10dBV, unbal.) 1 system

External input 2 (-10dBV, bal.) 1 systems (-50dBV, unbal.) 1 system

Direct output (-10dBV, unbal.) 5 systems

Output 1(-10dBV, unbal.) 1 system; Output 2 (-10dBV, bal.) 1 system

Recording output (-10dBV, unbal.) 2 systems

AC100 ~ 240V 50/60Hz 75W

4.2 kg (Main body only)

2 rack adaptors, 6 rack adaptor installation screws, 5 mini drivers, AC power cord

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

infrared

conference system

( PC 491-MC 134)

ATCS-A60

£ 655.00 IR transmitter/receiver unit

•

The ceiling or wall mounted antenna style transceiver connects via a BNC coaxial cable to the ATCS-

C60.

ATCS-D60

£ 139.00 Distributor

•

The numbers of IR transmitter/receiver unit can be increased up to 16 sets to ensure the area of transmission. In that case, 12 distributors of the 1-in-2-out type should be used accordingly.

ATCS-B60

£ 955.00 Battery Charger

•

It can charge up to ten batteries at a time. Charging from no power to full power takes only 5.5

hours.

DMQ-60

•

Monaural earphone for both ears.

ATCS-C60MAG

Conference manager (dedicated software)

Free software comes with a complete system

• The software offers total control over the conference system including integration with video systems, speaker order, speech mode (FIFO and LIFO), number of speakers, holding time, individual volume, thresholds and a great deal more.

LI-240

£ 119.00 Lithium-ion battery

• Exclusively manufactured high specification batteries especially designed for the ATCS-M60 system.

Technical Data

Bandwidth

Number of Channels

Connecting terminal

Power Supply

Weight

Accessories

ATCS-A60

1 ~ 10MHz

Voice 5 ch, monitor 4ch and data 2ch

BNC terminal x 1

DC24V (provided by master control unit ATCS-C60)

151 g

1 installation bracket, 2 installation bracket fixation screws

Technical Data

Number of Distributions

Transmission Frequency Bandwidth

Connecting Terminals

Current Pass Through

Weight

ATCS-C60

2 ways

1~10MHz

BNC terminal x 3 below 30V and below 1A

167 g

Technical Data

No. of batteries charged

Charging Time

Rating Capacity

Power Supply

Weight

Accessories

ATCS-B60

10

About 5.5 hours (for LI-240 charging)

60VA (10V 6A)

AC100-240V 50/60Hz (using AC adaptor of 10V 7.2A)

2 kg (excluding AC adaptor and AC cords)

AC adaptor and AC power cord atcs-60 series

ATCS-A60

ATCS-B60

ATCS-D60

DMQ-60

LI-240

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

77

78

installed sound

microphones application guide unipoint

®

&

R

W

&

R

W

propoint

T

&

T

L

&

Q

L

engineered sound

(1)

(1) (1)

&

ES973

7

MEETING ROOM

Lectern

Video conference

Conference

Convention

VEHICLE - TRANSPORT

Metro

Tramway

P.A. announcement

Bus

COUNTERS

Bank

Ticket window

Reception desk

●

U853A U857Q U857AL U857AU U857R U841A

✪ ✪ ✪ ✪

●

●

✪ ✪ ✪ ✪

✪

✪

✪ ✪

✪ ✪

✪

✪

U851A U851R U891R

✪ ✪

● ●

● ● ● ●

U891RC U873

SECURITY

Announcement

Surveillance

Paging

●

● ● ● ●

● ● ● ●

PLACE OF WORSHIP

Lectern altar

Choir

●

✪

●

●

PUBLIC UTILITY

Parlement

Court of justice

Press conference

●

✪ ✪ ✪ ✪

● ● ● ●

✪ ✪ ✪ ✪

(1) Exists in wireless version

This application chart is a guide to selecting an Audio-Technica microphone for a specific application.

Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

●

●

●

●

●

●

PRO42 PRO44 PRO45 PRO47

● ●

● ●

PRO49Q

●

ES915 ES915S ES935 ES935S ES905 ES933 ES945/

● ● ● ●

● ● ● ● ● ● ● ● ● ●

● ●

● ●

● ●

● ●

● ● ● ● ●

● ●

● ●

✪

●

●

●

●

● ●

● ● ● ● ● ●

●

✪

●

●

●

●

●

✪

●

●

● ● ●

● ●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

ES943

●

●

●

Our Recommendation

Best Choice

●

✪

wireless systems

in-ear monitor system

The M2 and M3 Wireless In-Ear Monitor Systems are designed to provide comfortable, crystal-clear sound on stage.

page 82 to 85

1800 series

Dual-channel 1800 Series systems provide extremely flexible, professional, easy-to-use portable wireless solutions. Two independent receiver channels allow simultaneous operation of two microphones.

True Diversity, frequency agility, UHF. The 1800 Series system is now also available as a single channel option.

page 86 to 87

artist elite ® 5000

& 4000 series

Audio-Technica’s Artist Elite ® 5000 and 4000 Series provides incredible audio quality and proven, critically acclaimed performance for artists, regional touring, fixed installations broadcasters and presenters worldwide. True Diversity, frequency-agile, UHF.

page 88 to 91

2000 series

The 2000 Series Frequency-agile True Diversity UHF

Wireless Systems offer serious advances in affordable professional wireless.

page 94 to 95

700 series

Audio-Technica’s 700 Series wireless delivers professional features and sound quality unheard of in its class. These easy-to-use wireless systems feature eight selectable frequency-coordinated channels, diversity operation for increased range/reliability, automatic frequency scanning, Tone Lock™ squelch and more. 700 Series systems come equipped with your choice of handheld, headworn, or lavalier microphones; or choose a system designed for guitar hookup. For multiple-mic applications, as many as eight systems may be used together per frequency band.

page 96

microphones for wireless

In the Wireless Essentials range, the microphones are compatible with all Audio-Technica UniPak™ body-pack wireless transmitters.

page 97 to 99

3000A series

For the wireless user ready to step up to an advanced system, the 3000A Series is the solution. True Diversity, frequency-agile, UHF.

page 92 to 93

wireless accessories

Cables, antennas and antenna distribution systems.

page 100 to 101

81

82

in-ear monitor

wireless in-ear monitor system

SYSTEM APPLICATIONS

The nature of in-ear monitoring allows for endless experimentation; the M2 and M3 Wireless In-Ear Monitor

Systems can be easily configured to meet your individual needs. While there are countless ways to use the system, we have illustrated some typical applications in the diagrams below.

Typical two-channel set-up

(Personal Mix Control)

This is most often used when the transmitter receives two very distinct mixes—such as band and vocal. In this example, the performer can control how much vocal is heard relative to the band mix.

By turning the stereo receiver’s balance control to the left, the performer will hear more vocal in both ears; by turning the receiver’s balance control to the right, the user will hear more band mix in both ears.*

PERSONAL MIX CONTROL

MIXER

Left

(more vocals)

STEREO RECEIVER

Right

(more band mix)

STEREO

TRANSMITTER

AMBIENT MICROPHONE

(optional)

Why in-ear monitors?

Clarity is first among the many reasons to make the switch from traditional floor monitors to wireless in-ear monitor systems for live performance. Many musicians find that traditional floor monitors do not give them the articulate sound they need; they either can’t hear themselves clearly, or can’t hear themselves at all when stage volume is loud.

As a result, they may experience voice strain from singing at unsustainable levels in an attempt to be heard above the on-stage noise level.

There are other benefits to using in-ear monitors: as traditional floor wedges contribute to rising noise levels on stage, many performers are troubled by feedback, and by an overall audience mix that is muddied by stage spill from the floor monitors.

Often, artists choose in-ear monitors because they want to control what they hear on stage, creating a personal mix that’s tailored for their best performance. Others turn to inear monitors to help control and limit exposure to high sound pressure levels for hearing conservation. Some are simply tired of lugging heavy and cumbersome monitor equipment to each gig.

• Crystal-clear audio

Hear yourself clearly on stage

• Personal Mix Control

Control what you hear as you perform

• Avoid feedback

Get cleaner, more articulate house sound

• Help conserve hearing

Experience articulate audio at lower volume

• Travel light

Never carry a heavy monitor system again

Typical two-channel set-up

(Stereo)

In a typical stereo set-up, the signals from

L/1 and R/2 are separate (not mixed).

The user hears L/1 through the left earphone, and R/2 through the right earphone, and adjusts the relative level of each signal via the stereo receiver’s balance control.*

*Additional IEM receivers can be used with the same transmitter as needed.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

wireless in-ear monitor system

SYSTEM APPLICATIONS

(continued) in-ear monitor

Direct Outputs

SYSTEM 1 SYSTEM 2 SYSTEM 3

STEREO TRANSMITTER

(SYSTEM 1)

Left

(more vocals)

MIXER

STEREO RECEIVER

Right

(more band mix)

Left

(more vocals)

Right

(more band mix)

Left

(more vocals)

Right

(more band mix)

AMBIENT MICROPHONE

(optional)

STEREO RECEIVER

AMBIENT MICROPHONE

(optional)

STEREO RECEIVER

AMBIENT MICROPHONE

(optional)

STEREO TRANSMITTER

(SYSTEM 2)

STEREO TRANSMITTER

(SYSTEM 3)

Advanced two-channel setup

(Personal Mix Control using direct outputs)

This set-up enables each individual band member to control his/her relative mix levels using the balance control on his/her stereo receiver. Turn the stereo receiver’s balance control toward the right to hear more band level

(R/2) in both ears; turn the receiver’s balance control to the left to hear more vocal or instrument of choice (L/1) in both ears. In this example, the loop output is used to send the same band mix to each IEM transmitter, saving your mixer’s aux outputs for other uses.

Advanced two-channel stereo setup

(Multiple aux sends and ambient audience microphones)

This advanced set-up enables you to create custom stereo mixes using individual auxiliary outputs and IEM systems for each band member. This type of set-up is typically used with a dedicated monitor engineer and mixer.

83

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

84

m2 in-ear monitor

m2 wireless in-ear monitor system

( PC 486-MC 138)

M2R receiver

M2T transmitter

EP3 earphones

M2 FEATURES

• High-fidelity sound with clean, articulate mix allows you to hear yourself better at lower volume

• 100 selectable UHF channels

• Up to 10 simultaneous systems per frequency band

• Three receiver modes: Personal Mix, stereo, and mono

• Personal Mix Control allows you to adjust your own mix on stage

• Auxiliary input offers connection point for ambient microphone, click track, or other mic–or line-level input

• LED indicators provide easy-to-read level monitoring

• XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation

• Adjustable squelch eliminates annoying static

• Pilot tone protects against RF interference when the transmitter is turned off

• Limiter (defeatable) helps protect your hearing from sudden peaks

• Portable system is quick to load and set up

• Reduces on-stage audio clutter for better overall mix & less feedback

• Use any number of M2R Stereo Receivers on the same frequency

• Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation

• Personal fit with 3 sizes of rubber eartips plus an ear-conforming foam tip

The M2 is designed to make professional in-ear monitoring features accessible for performers who want to be free from the problems associated with floor wedges. The system offers Personal Mix Control, which gives each musician independent control of volume and mix on stage, via easy-to-use controls on the M2R stereo body-pack receiver. The wireless UHF M2T stereo transmitter provides a choice of 100 selectable frequencies and is equipped with two 1/4"/XLR combo input connectors into which users can connect line-level inputs (from a mixing console, for example). While up to 10 complete M2 systems may be used on stage simultaneously, any number of M2R stereo receivers may be used on the same frequency with a single M2T stereo transmitter.

These rugged systems are built to stand up to the inevitable bumps of life on the road, delivering clear, natural sound for touring and installed-sound uses.

M2

£ 449.95

M2 Wireless in-ear monitor system

Monitor system including 1 stereo transmitter, 1 stereo receiver and EP3 headphones

M2R

£ 269.95 Stereo receiver for M2 in-ear monitor system

Personal mix control in a lightweight body-pack

M2T

£ 179.95

Stereo transmitter for M2 in-ear monitor system

Wireless UHF transmitter (frequency-agile) offers 100 user-selectable frequencies

EP3

P.O.A.

In-ear dynamic headphones

In-ear dynamic headphones offer high-fidelity sound and excellent isolation

Add the letter E, F, L or M to the end of the part number to denote required frequency band.

M2 specifications

Operating Frequencies Band: Frequency Range (UHF) Number of Frequencies

Band E: 792.000 - 822.000 MHz

Band F: 832.000 - 865.000 MHz

100

100

Band: Frequency Range (UHF) Number of Frequencies

Band L: 575.000 - 608.000 MHz

Band M: 614.000 - 647.000 MHz

100

100

Minimum Frequency Step

Modulation Mode

25 kHz

FM stereo

Maximum Deviation

Dynamic Range

±40 kHz

90 dB (typical), A-weighted

Total Harmonic Distortion

Operating Range

<1% (at 1 kHz, ±20 kHz deviation)

100 m (300'), typical. Open range environment with no interfering signals.

Operating Temperature Range

-5º C (23º F ) to +50º C (122º F). Battery performance may be reduced at very low temperatures.

Frequency Response

Simultaneous Use

60 Hz to 13 kHz (±3 dB)

10 channels per band (max recommended). For assistance with multi-band operation or other frequency coordination issues, please contact your regional Audio-Technica customer service representative.

Receiver

Receiving System

RF Sensitivity

Double conversion superheterodyne

20 dBuV (at 60 dB S/N ratio, 50 ohms termination)

Headphone Output Connector

3.5 mm TRS stereo phone jack

Headphone Output Power

65 mW (at 32 ohms)

Antenna Input

Aux Input Connector

SMA-type, 50 ohms

3.5 mm TRS stereo phone jack

Batteries / Battery Life

Dimensions / Net Weight

Accessories Included

2 x 1.5V AA (not included) / 8 hours (alkaline) (depending on battery type and use pattern)

70.0 mm (2.76") W x 25.0 mm (0.98") D x 110.0 mm (4.33") H / 110 g (3.9 oz), without batteries

EP3 earphones; frequency sticker; flexible antenna

Transmitter

RF Power Output

Spurious Emissions

Input Connection

Maximum Input Level

Loop Output Connection

Power Requirement

Antenna

Dimensions / Net Weight

Accessories Included

10 mW/30 mW (switchable), 50 ohms (following national regulations)

Following federal and nationalregulations

XLRF-type/6.3 mm stereo (1/4") combination connector - Pin 1 and Sleeve: Ground - Pin 2 and Tip: Hot - Pin 3 and Ring: Cold

Balanced: XLRF-type/6.3 mm stereo (1/4"): +26 dBu - Unbalanced: 6.3 mm (1/4") mono: +26 dBu

XLRM-type connector - Pin 1: Ground - Pin 2: Hot - Pin 3: Cold

12-18V DC, 600 mA

Attached whip

210.0 mm (8.30") W x 132.0 mm (5.20") D x 44.0 mm (1.70") H / 870 g (30.7 oz), without accessories

AC adapter (country dependent); rack-mount adapters

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

m3 wireless in-ear monitor system

( PC 488-MC 138)

m3 in-ear monitor

Audio-Technica’s advanced M3 IEM system offers a full range of professional in-ear monitoring features, with a choice of up to

1321 frequencies UHF channels and easy-to-read LCD information displays on both transmitter and receiver for setting preferences.

The system is equipped with Audio-Technica’s versatile Personal Mix Control, which gives each musician independent control of volume and mix on stage, via controls on the M3R stereo body-pack receiver. While up to 16 complete M3 systems may be used simultaneously, any number of M3R stereo receivers can operate on the same frequency with a single M3T stereo transmitter. The

M3T stereo transmitter is equipped with two 1/4"/XLR combo input connectors into which users can connect line-level inputs (from a mixing console, for example). The M3T also offers a headphone output that allows you to monitor transmitter input signals directly.

M3

£ 599.95

M3 Wireless in-ear monitor system

Monitor system including 1 stereo transmitter, 1 stereo receiver and EP3 headphones

M3R

£ 319.95

Stereo receiver for M3 in-ear monitor system

Personal mix control in a lightweight body-pack with backlit LCD display

M3T

£ 269.95

Stereo transmitter for M3 in-ear monitor system

Wireless UHF transmitter (frequency-agile) offers LCD display and up to 1321 user-selectable frequencies

EP3

P.O.A.

In-ear dynamic headphones

In-ear dynamic headphones offer high-fidelity sound and excellent isolation

Add the letter E, F, L or M to the end of the part number to denote required frequency band.

EP3 earphones

M3 specifications

Operating Frequencies Band: Frequency Range (UHF) Number of Frequencies Band: Frequency Range (UHF) Number of Frequencies

Band E: 792.000 - 822.000 MHz 1280

Band F: 832.000 - 865.000 MHz 1280

Band L: 575.000 - 608.000 MHz 1321

Band M: 614.000 - 647.000 MHz 1321

Minimum Frequency Step

Modulation Mode

Maximum Deviation

Dynamic Range

25 kHz

FM stereo

±40 kHz

90 dB (typical), A-weighted

Total Harmonic Distortion

Operating Range

Simultaneous Use

<1% (at 1 kHz, ±20 kHz deviation)

100 m (300'), typical. Open range environment with no interfering signals.

Operating Temperature Range

-5º C (23º F ) to +50º C (122º F). Battery performance may be reduced at very low temperatures.

Frequency Response

60 Hz to 13 kHz (±3 dB)

16 channels per band (max recommended). For assistance with multi-band operation or other frequency coordination issues, please contact your regional Audio-Technica customer service representitive.

Receiver

Receiving System

RF Sensitivity

20 dBuV (at 60 dB S/N ratio, 50 ohms termination)

Headphone Output Connector

3.5 mm TRS stereo phone jack

Headphone Output Power

Antenna Input

Double conversion superheterodyne

65 mW (at 32 ohms)

SMA-type, 50 ohms

Aux Input Connector

Batteries / Battery Life

Dimensions / Net Weight

Accessories Included

3.5 mm TRS stereo phone jack

2 x 1.5V AA (not included) / 8 hours (alkaline) (depending on battery type and use pattern)

70.0 mm (2.76") W x 25.0 mm (0.98") D x 110.0 mm (4.33") H / 133 g (4.7 oz), without batteries

EP3 earphones; frequency sticker; flexible antenna

Transmitter

RF Power Output

Spurious Emissions

Input Connection

Maximum Input Level

Following federal and national regulations

XLRF-type/6.3 mm stereo (1/4") combination connector - Pin 1 and Sleeve: Ground - Pin 2 and Tip: Hot - Pin 3 and Ring: Cold

Balanced: XLRF-type/6.3 mm stereo (1/4"): +26 dBu - Unbalanced: 6.3 mm (1/4") mono: +26 dBu

Loop Output Connection

Power Requirement

XLRM-type connector - Pin 1: Ground - Pin 2: Hot - Pin 3: Cold

12-18V DC, 600 mA

Headphone Output Connector

6.3 mm (1/4") TRS stereo phone jack

Headphone Output Power

120 mW (at 32 ohms)

Antenna

Dimensions / Net Weight

Accessories Included

10 mW/50 mW (switchable), 50 ohms (following national regulations)

BNC, 50 ohms

210.0 mm (8.30") W x 132.0 mm (5.20") D x 44.0 mm (1.70") H / 930 g (32.8 oz), without accessories

AC adapter (country dependent); rack-mount adapters, flexible antenna

M3T transmitter

M3R receiver

M3 FEATURES

• High-fidelity sound with clean, articulate mix allows performers to hear themselves clearly at lower volume

• Up to 1321 frequencies selectable UHF channels with automatic frequency scanning

• Up to 16 simultaneous systems per frequency band

• Three receiver modes: Personal Mix, stereo, and mono

• Personal Mix Control allows you to adjust your own mix on stage

• Back-lit LCD information display offers stepthrough menus for setting preferences

• XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation

• Adjustable squelch eliminates annoying static

• Detachable antenna on transmitter

• Headphone monitor on transmitter

• Pilot tone protects against RF interference when transmitter is turned off

• Multi-level limiter (defeatable) helps protect hearing from sudden peaks

• Portable system is quick to load and set up

• Reduces on-stage audio clutter for better overall mix & less feedback

• Use any number of Stereo Receivers on the same frequency

• Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation

• Personal fit with 3 sizes of rubber eartips plus an ear-conforming foam tip

• Selectable auxiliary input offers connection point for ambient microphone, click track, or other mic- or linelevel input

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

85

86

ATW-R1820

ATW-R1810

1800 series

BEC-AT1820

BEC-AT1810

Dual channel E.N.G. UHF wireless systems

( PC 465-MC 130)

BEC-HSA-VERT

All 1800 systems are designed for all kind of applications where a portable receiver is needed, like

Electronic News Gathering (E.N.G.) or others.

• Extremely compact receiver easy to mount on a camera with included Velcro-type fastener

• UHF reception with up to 996 frequencies selectable in 25 kHz steps

• Automatic frequency scanning for easy selection of open channels

• Tone Lock™ squelch system eliminates interference when transmitter is off

• Headphone monitor output with independent level control

• Battery level indicator.

• Soft-touch controls for easy frequency selection

• True Diversity operation for freedom from dropouts

• LCD frequency and battery status display with backlight

• Antenna and AF Peak LED indicators

• Easy, user-friendly operation

• Clear, natural sound quality

1800 SERIES RECEIVER

ATW-R1820

£ 599.95

Dual channel True diversity receiver

This system is equipped with a dual receiver, which consists of two completely independent receiver channels in a single unit, for simultaneous operation of two microphones, which can be mixed already in the receiver to ease the operation and get rid of the needs for additional equipment.

• Two independent balanced outputs (you can assign function of each, independently)

ATW-R1810

£ 399.95

Single channel True diversity receiver

• Balanced output on receiver allows connection to a balanced microphone-level input on camera, mixer or amplifier.

WIRELESS RECEIVER HOLDER

Made from state-of-the-art plate aluminium, the BEC Group holders are both durable and reliable. Skilled metal mechanics form and weld each holder adding a protective lining to all hardware. Also included are attachment screws, easy-to-follow instructions, and a screwdriver.

BEC-AT1810

£ 67.95

Wireless receiver holder for the ATW-R1810

BEC-AT1820

£ 67.95

Wireless receiver holder for the ATW-R1820

BEC-HSA-VERT

£ 49.95

Hot-shoe vertical mounting for the ATW-R1810

Overall system

UHF Operating Frequency

Band C : 541.500 to 566.375 MHz

Band D : 655.500 to 680.375 MHz

Band E : 795.500 to 820.000 MHz

Band F : 840.125 to 864.875 MHz

Number of Operating Frequencies

981 - 996 total per band

Frequency Stability

±0.005%, Phase Lock Loop frequency control

Modulation Mode

Operating Range

Operating Temperature Range

Frequency Response

FM

100m (300') typical

– 5º C (23º F) to 45º C (113º F)

70 Hz to 15 kHz

Receiver Specifications

Receiving System

Image Rejection

ATW-R1820

True diversity

ATW-R1810

True diversity

Signal-to-Noise Ratio

Total Harmonic Distortion

Sensitivity

Audio Output

(balanced)

>50 dB typical >50 dB typical

104 dB at 30 kHz deviation (A-weighted), max.modulation 37 kHz 104 dB at 30 kHz deviation (A-weighted), max.modulation 37 kHz

<1% (±10 kHz deviation at 1 kHz)

25 dBµV, (S/N 60 dB at 5 kHz deviation, A-weighted)

27 mV (at 1 kHz, ±5 kHz deviation)

Output Connector

3-pin mini XLR (TA3M-type)

Monitor Headphone Ouput

(typical) 35 mW max., 32 Ω load (per channel)

Monitor Headphone Jack

External Power Requirements

3.5 mm TRS, signals on both Tip and Ring

12V DC nominal, 500 mA

<1% (±10 kHz deviation at 1 kHz)

25 dBµV, (S/N 60 dB at 5 kHz deviation, A-weighted)

27 mV (at 1 kHz, ±5 kHz deviation)

3-pin mini XLR (TA3M-type)

35 mW max., 32 Ω load

3.5 mm TRS, signals on both Tip and Ring

12V DC nominal, 500 mA

Four 1.5V AA alkaline

Batteries

(not included) Six 1.5V AA alkaline

Battery Life

Dual / Single Channel Operation 6 hours typical* / 10 hours typical*

* depends on battery type and use pattern

85.0 mm (3.35”) W x 133.0 mm (5.24”) H x 36.0 mm (1.42”) D

Dimensions

Net Weight

(without batteries)

Accessories Included

425 grams (15.0 oz)

Two flexible UHF antennas; two 45 cm (18”) TA3F to XLRM output cables; belt pouch, velcro

Single Channel Operation 10 hours typical*

75.0 mm (2.95”) W x 125.00 mm (4.92”) H x 32.0 mm (1.25”) D

300 grams (10.5 oz)

Two flexible UHF antennas; one 45 cm (18”) TA3F to XLRM output cables; belt pouch, velcro

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

Dual channel E.N.G. UHF wireless systems

( PC 465-MC 130)

1800 series

1800 SERIES TRANSMITTER

ATW-T1801

£ 199.95

UniPak™ Body-pack transmitter

ATW-T1802

£ 249.95

Plug-on transmitter controls plug-on transmitters feature a locking XLR connector for adapting dynamic and condenser microphones

1800 SERIES SYSTEM PACKS

ATW-1821

£ 999.95

Dual channel UHF Wireless Microphone System with Body-pack Transmitters

ATW-R1820 Dual-channel receiver

Two ATW-T1801 UniPak™ Body-pack Transmitters

Two AT899CW lavalier microphones

ATW-1822

£ 999.95

Dual channel UHF Wireless Microphone System with Plug-on Transmitters

ATW-R1820 Dual-channel receiver

Two ATW-T1802 Plug-on Transmitters

ATW-1823

£ 999.95

Dual channel UHF Wireless Microphone System with Plug-on and Body-pack Transmitters

ATW-R1820 Dual-channel receiver

ATW-T1801 UniPak™ Body-pack Transmitter

ATW-T1802 Plug-on Transmitter

One AT899cW lavalier microphone

ATW-1811

£ 599.95

Single channel UHF Wireless Microphone System with Body-pack transmitter

ATW-R1810 Dual-channel receiver

ATW-T1801 UniPakTM Bodypack Transmitters

One AT899cW lavalier microphone

ATW-1812

£ 599.95

Single channel UHF Wireless Microphone System with Plug-on transmitters

ATW-R1810 Dual-channel receiver

ATW-T1802 Plug-on Transmitter

For use with ATW-T1801 and all Audio-Technica UniPak ™ Wireless Transmitters, see Wireless Essentials

®

.

System components of the 1800 Series and 3000 Series Wireless Systems can be used interchangeably*

Add the letter C, D, E or F to the end of the part number to denote required frequency

*Note: The 1800 Series offers UHF Wireless operation frequencie in 25KHz step, therefore the 1800 transmitters and receivers features up to 996 selectable frequencies (depending on the frequency band). The components of the 1800 Series and 3000 Series are compatible, however considering that transmitters and receivers of the 3000 Series operate only on 200 programmed frequencies, a system composed of mixed elements from 1800 Series and 3000 Series will only operate on the 200 pre-programmed frequencies of the 3000 element. Be certain to set each transmitter/receiver pair to identical frequencies.

ATW-T1801 Body-pack Transmitter

RF Power Output

Spurrious Emissions

High: 30 mW; Low: 10 mW, nominal

According to R&TTE Directive

Dynamic Range

Input Connections

Antenna Tip Color

>105 dB, A-weighted

High impedance, low impedance, bias

Band C: Blue

Band D: Green

Band E: Black

Band F: Grey

Batteries

(not included)

Battery Life

Dimensions

Net Weight

(without batteries)

Two 1.5V AA alkaline

Approximately 6 hours (High); 8 hours (Low), depending on battery type and use pattern

66.0 mm (2.60”) W x 87.0 mm (3.43”) H x 24.0 mm (0.94”) D

80 grams (2.8 oz.)

ATW-T1801

ATW-T1802 Plug-on Transmitter

RF Power Output

Spurrious Emissions

High: 30 mW; Low: 10 mW, nominal

According to R&TTE Directive

Dynamic Range

Input Connector

Microphone Power

>105 dB, A-weighted

3-pin locking XLRF-type

Compatible with Condenser microphones rated to operate on 12V phantom power or less.

Batteries

(not included)

Battery Life

Dimensions

Two 1.5V AA alkaline

Approximately 6 hours (High); 8 hours (Low), depending on battery type and use pattern

40.0 mm (1.57”) x 111.0 mm (4.37”) x 40.0 mm (1.57”)

Net Weight

(without batteries) 199 grams (7.0 oz)

ATW-T1802

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

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88

artist elite wireless

artist elite

®

UHF wireless systems

( PC 480-MC 130 )

ARTIST ELITE ® 5000 SERIES SYSTEMS

AEW-5111

£ 2,099.95

Dual body-pack system

AEW-R5200 dual receiver and two AEW-T1000 UniPak™ transmitters

AEW-5233

£ 2,299.95

Dual handheld condenser microphone system

AEW-R2500 dual receiver and two AEW-T3300 handheld cardioid condenser microphone/transmitters

AEW-5244

£ 1,099.95

Dual handheld dynamic microphone system

AEW-R2500 dual receiver and two AEW-T4100 handheld cardioid dynamic microphone/transmitters

AEW-5255

£ 2,499.95

Dual handheld condenser microphone system

AEW-R2500 dual receiver and two AEW-T5400 handheld cardioid condenser microphone/transmitters

AEW-5266

£ 2,199.95

Dual handheld dynamic microphone system

AEW-R2500 dual receiver and two AEW-T6100 handheld hypercardioid dynamic microphone/ transmitters

AEW-5313

£ 2,199.95

Dual system with body-pack and handheld transmitters

AEW-R2500 dual receiver, AEW-T1000 UniPak™ transmitter and AEW-T3300 handheld cardioid condenser microphone/ transmitters

AEW-5314

£ 2,099.95

Dual system with body-pack and handheld transmitters

AEW-R2500 dual receiver, AEW-T1000 UniPak™ transmitter and AEW-T4100 handheld cardioid dynamic microphone/ transmitters

AEW-5315

£ 2,299.95

Dual system with body-pack and handheld transmitters

AEW-R2500 dual receiver, AEW-T1000 UniPak™ transmitter and AEW-T5400 handheld cardioid condenser microphone/ transmitters

AEW-5316

£ 2,099.95

Dual system with body-pack and handheld transmitters

AEW-R2500 dual receiver, AEW-T1000 UniPak™ transmitter and AEW-T6100 handheld hypercardioid dynamic microphone/ transmitters

AEW-5413

£ 2,899.95

Dual system with pairs of body-pack and handheld transmitters

AEW-R2500 dual receiver, two AEW-T1000 UniPak™ transmitters and two AEW-T3300 handheld cardioid condenser microphone/ transmitters

AEW-5414

£ 2,899.95

Dual system with pairs of body-pack and handheld transmitters

AEW-R2500 dual receiver, two AEW-T1000 UniPak™ transmitters and two AEW-T4100 handheld cardioid dynamic microphone/ transmitters

AEW-5415

£ 2,999.95

Dual system with pairs of body-pack and handheld transmitters

AEW-R2500 dual receiver, two AEW-T1000 UniPak™ transmitters and two AEW-T5400 handheld cardioid condenser microphone/ transmitters

AEW-5416

£ 2,799.95

Dual system with pairs of body-pack and handheld transmitters

AEW-R2500 dual receiver, two AEW-T1000 UniPak™ transmitters and two AEW-T6100 handheld hypercardioid dynamic microphone/ transmitters

ARTIST ELITE ® 4000 SERIES SYSTEMS

AEW-4110

£ 799.95

Body-pack system

AEW-R4100 receiver and AEW-T1000 UniPak™ transmitter

AEW-4230

£ 969.95

handheld condenser microphone system

AEW-R4100 receiver and AEW-T3300 handheld cardioid condenser microphone/transmitter

AEW-4240

£ 899.95

handheld dynamic microphone system

AEW-R4100 receiver and AEW-T4100 handheld cardioid dynamic microphone/transmitter

AEW-4250

£ 1,099.95

handheld condenser microphone system

AEW-R4100 receiver and AEW-T5400 handheld cardioid condenser microphone/transmitter

AEW-4260

£ 899.95

handheld dynamic microphone system

AEW-R4100 receiver and AEW-T6100 handheld hypercardioid dynamic microphone/ transmitter

AEW-4313

£ 1,299.95

System with body-pack and handheld transmitters

AEW-R4100 receiver, AEW-T1000 UniPak™ transmitter and AEW-T3300 handheld cardioid condenser microphone/ transmitter

AEW-4314

£ 1,299.95

System with body-pack and handheld transmitters

AEW-R4100 receiver, AEW-T1000 UniPak™ transmitter and AEW-T4100 handheld cardioid dynamic microphone/ transmitter

AEW-4315

£ 1,399.95

System with body-pack and handheld transmitters

AEW-R4100 receiver, AEW-T1000 UniPak™ transmitter and AEW-T5400 handheld cardioid condenser microphone/ transmitter

AEW-4316

£ 1,299.95

System with body-pack and handheld transmitters

AEW-R4100 receiver, AEW-T1000 UniPak™ transmitter and AEW-T6100 handheld hypercardioid dynamic microphone/ transmitter

Opera singers using AEW-T1000 with AT892.

Part of a 46 channel system, Aïda Tour 2006.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

artist elite

®

handheld transmitters

( PC 480-MC 130 )

• All transmitters offer rugged, ergonomic metal bodies, programmable features, soft-touch controls, and

10 mW/35 mW switchable RF power

• All components store up to five preset configurations, with customized “names” if desired

• All components operate on two 1.5V AA batteries

UHF SERIES ARTIST ELITE ® WIRELESS TRANSMITTERS (4000 & 5000)

AEW-T5400

£ 599.95

Cardioid large diaphragm condenser UHF transmitter

Including AT8456a stand clamp.

The same element as AE5400 (using the large-diaphragm element as in the AT4050)

AEW-T3300

£ 499.95

Cardioid condenser UHF transmitter

Including AT8456a stand clamp. The same element as AE3300 (used in the legendary AT4033)

AEW-T4100

£ 349.95

UHF Cardioid dynamic transmitter

I ncluding AT8456a stand clamp.

The same element used in the AE4100

AEW-T6100

£ 349.95

UHF Hypercardioid dynamic transmitter

Including AT8456a stand clamp.

The same element used in the AE6100.

AEW-T5400:

The same large-diaphragm element used in the

AT4050.

AEW-T3300:

The same element used in the legendary AT4033.

Katherine Jenkins, the young Welsh soprano using the AEW-T5400

artist elite

®

UniPak transmitters

( PC 480-MC 130 )

4000/5000 UniPak™ TRANSMITTER

AEW-T1000

£ 319.95

UHF UniPak™ transmitter

Compatible with the Wireless Essentials

®

range.

Rugged, ergonomic metal housing.

Includes field-replaceable helical and flexible-whip antennas.

Three-position sliding cover limits access to controls as desired: full access, Power/Mute button only, or no access. Two position mounting clip.

For use with AEW-T1000 and all Audio-Technica UniPak ™ Wireless Transmitters, see Wireless Essentials

®

page 97 to 99.

Specifications

RF Power Output

Dynamic Range

Batteries

(not included)

Battery Life

AEW-T1000 UniPak™

Hi-35 mW, Low-10 mW

≥110 dB, A-weighted

Two 1.5V AA alkaline

Approx. 8 hours (High) - 10 hours (Low)

Handheld Transmitters

Hi-35 mW, Low-10 mW

≥110 dB, A-weighted

Two 1.5V AA alkaline

Approx. 6 hours (High) - 8 hours (Low)

AEW-T5400

artist elite wireless

330

Polar Pattern

0

30

300 60

270

240

210 150

180

SCALE IS 5 DECIBELS PER DIVISION

LEGEND

200 Hz

1 kHz

5 kHz

8 kHz

Same as 1 kHz

120

90

330

Polar Pattern

0

30

300 60

270

240

LEGEND

200 Hz

1 kHz

5 kHz

8 kHz

210 150

180

SCALE IS 5 DECIBELS PER DIVISION

120

90

AEW-T4100

AEW-T3300

330

Polar Pattern

0

30

300 60

270

240

LEGEND

200 Hz

1 kHz

5 kHz

8 kHz

210 150

180

SCALE IS 5 DECIBELS PER DIVISION

120

90

AEW-T6100

330

Polar Pattern

0

30

300 60

270

240

LEGEND

200 Hz

1 kHz

5 kHz

8 kHz

210 150

180

SCALE IS 5 DECIBELS PER DIVISION

120

90

89

AEW-T1000

AEW-T1000 on a curling player, part of a 44 channel set up installed during 2006 Winter Games.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

90

artist elite wireless

artist elite

®

wireless receivers

( PC 480-MC 130 )

5000 SERIES RECEIVER FREQUENCY-AGILE TRUE DIVERSITY UHF WIRELESS SYSTEMS

WITH COMPUTER INTERFACE

• Two independent receiver channels in a single housing

• 200 selectable UHF channels per band and True Diversity reception for interference-resistant operation

• Dual compander circuitry processes high and low frequencies separately for unmatched audio quality

• Advanced digital Tone Lock™ squelch effectively blocks stray RF; the digitally encoded tone also communicates transmitter data for receiver display

• Link and coordinate multiple AEW receivers via included data cable and/or built-in Ethernet computer interface

• IntelliScan™ feature automatically finds and sets best available frequencies on all linked receivers

• On-board Ethernet interface for monitoring and controlling system parameters with included software

AEW-R5200

£ 1,799.95

Frequency-agile true diversity UHF dual receiver with ethernet connection

Included CD-Rom with computer interface software

See page 100 and 101, Wireless Accessories

On-board Ethernet interface and included software on CD permit monitoring and controlling system parameters and operation from an associated computer.

AEW-R5200

Receiver Specifications

Receiving System

Image Rejection

AEW-R5200

True diversity

60 dB typical

Signal-to-Noise Ratio

Total Harmonic Distortion

Sensitivity

115 dB at 40 kHz deviation (IEC weighted), maximum modulation 75 kHz

≤1% (10 kHz deviation at 1 kHz)

20 dBµV (S/N 60 dB at 5 kHz deviation, IEC weighted)

Audio Output

(ATTN switch at ”0“) Instrument : 50 mV (at 1kHz, ±5 kHz deviation, 10k ohms load)

Microphone : 25 mV (at 1kHz, ±5 kHz deviation, 10k ohms load) Both outputs are transformer isolated and balanced

Audio Output Attenuator

Output Connector

External Mute

Headphone Output

(ATTN) Three-position switch: 0 / -6 dB / -12 dB

Microphone (balanced) : XLRM-type

Instrument (balanced) : 1/4” (6.3 mm) TRS phone jack

1/4” (6.3 mm) TS phone jack

Connector : 1/4” (6.3 mm) TRS (“stereo”) phone jack

Power Output : 10 mW + 10mW into 32 ohms (at 1kHz, ±15 kHz deviation); max. output: 220 mW + 220 mW into 32 ohms

Computer Interface

Dimensions

Net Weight

(without accessories)

Accessories Furnished

Ethernet 10 BaseT, RJ45 connector proprietary software supplied on CD-Rom

482 mm x 44 mm x 275.5 mm (W x H x D)

4.0 kg (8.8 lbs)

Detachable IEC-type power cable, two flexible UHF half-wave antennas, link cable ;

IEC-type AC pass-through cable ; front-mount antenna cables and connectors ;

CD-ROM with computer-interface software ; AEW-TB44 transmitter bag

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

artist elite

®

wireless systems

( PC 480-MC 130 )

4000 SERIES RECEIVER FREQUENCY-AGILE TRUE DIVERSITY UHF WIRELESS SYSTEMS

• 200 selectable UHF channels per band and True Diversity reception for interference-resistant operation

• Dual Compander circuitry processes high and low frequencies separately for unmatched audio quality

• Advanced digital Tone Lock™ squelch effectively blocks stray RF; the digitally encoded tone also communicates transmitter data for receiver display

• Link and coordinate multiple AEW receivers via included data cables; also link to 5000 Series receiver

• IntelliScan™ feature automatically finds and sets best available frequencies on all linked receivers

AEW-R4100

£ 599.95

Frequency-agile true diversity UHF receiver artist elite wireless

(back)

ACCESSORIES

(PC 458-MC 140)

AT8628B

£ 24.95

Joining plate kit allow mounting two AEW-R4100 receivers in a single 19” rack space

See page 100 and 101, Wireless Accessories

Overall 4000 and 5000 Series systems specifications

UHF Operating Frequency

F-Band Frequency Range

E-Band Frequency Range

C-Band Frequency Range

D-Band Frequency Range

Number of Channels

Frequency Stability

Modulation Mode

Operating Range

Frequency Response

840.125 to 864.875 MHz

795.500 to 820.000 MHz

541.500 to 566.375 MHz (Special order product only)

655.500 to 680.375 MHz (Special order product only)

200 channels per band

±0.005%, Phase Lock Loop frequency control

FM

100 m typical

70 Hz to 15 kHz

Receiver Specifications

Receiving System

Image Rejection

Signal-to-Noise Ratio

Total Harmonic Distortion

Intermediate Frequency

Sensitivity

Audio Output

(ATTN switch at ”0“)

Audio Output Attenuator

(ATTN)

Dimensions

Net Weight

Accessories Furnished

AEW-R4100

True diversity

60 dB typical

115 dB at 40 kHz deviation (IEC weighted), maximum modulation 75 kHz

≤1% (10 kHz deviation at 1 kHz)

65.75 MHz, 10.7 MHz

20 dBµV (S/N 60 dB at 5 kHz deviation, IEC weighted)

Instrument : 50 mV (at 1kHz, ±5 kHz deviation, 10k ohms load)

Microphone : 25 mV (at 1kHz, ±5 kHz deviation, 10k ohms load)

Three position switch: 0/–6/–12 dB

211 mm x 44 mm x 235 mm (W x H x D)

1.7 kg

Two flexible UHF half-wave antennas; link cable; detachable IEC-type cable; rack mount adapters

AEW-R4100

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

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92

ATW-T310

ATW-T341

3000A series

frequency-agile true diversity UHF wireless systems

( PC 468-MC 120 )

For the wireless user ready to step up to an advanced UHF system, the latest 3000A Series moves to a new level of excellence. The NEW 3000A Series is a 200-channel frequency-agile UHF wireless designed for a wide range of applications including live performance, fixed installation, public address, and houses of worship.

The new ATW-R3100A receiver benefits from a newly designed high specification front end filtering system, dual independent diversity along with the latest Audio-Technica 1/2 wave antenna technology to maximise both simultaneous frequency use and range. The new frequency scan function enables automatic assignment of clear open channel selection. All components in the NEW 3000A Series have soft-touch controls for quick, easy access to the most important functions during set-up and operation. The system is compatible with the entire line of Wireless Essentials ® mics and cables.

3000A SERIES TRANSMITTERS

ATW-T310

£ 199.95

3000A Series UniPak™ transmitter

For use with AEW-T310 and all Audio-Technica UniPak ™ Wireless Transmitters, see Wireless Essentials

®

page 98 to 99.

ATW-T341

£ 229.95

3000A Series handheld microphone/ transmitter with cardioid dynamic element.

The same element used in the AE4100.

ATW-T371

£ 319.95

3000A Series handheld microphone/ transmitter with cardioid condenser element.

The same element used in the ATM710.

• The ATW-T371 is the latest addition to the 3000a Series line up of products. It features a cardioid polar pattern to efficiently reduce feedback making it the first choice for on-stage use where you need to combine high reliability with the extended sound performance of a high class condenser microphone.

ATW-T371

Specifications

RF Power Output

Dynamic Range

Microphone Element

Batteries

(not included)

Battery Life

Dimensions

Weight

(without battery)

Accessories Furnished

ATW-T310 UniPak™

Transmitter

High: 30 mW, Low: 10 mW

≥110 dB, A-weighted

Two 1.5V AA alkaline

Approx. 6 hours (High); 8 hours (Low)

66 mm x 87 mm x 24 mm (W x H x D)

80 grams

ATW-T341 and

ATW-T371

Handheld Transmitters

10 mW nominal

≥110 dB, A-weighted

ATW-T341 Dynamic cardioid

ATW-T371 Condenser cardioid

Two 1.5V AA alkaline

Approximately 8 hours depending on battery type and use pattern

237 mm long - 48 mm dia.

280 grams

AT8456a Quiet-Flex™ stand clamp

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

frequency-agile true diversity UHF wireless systems

( PC 468-MC 120 )

3000A SERIES RECEIVER

ATW-R3100A

£ 219.95

UHF diversity receiver with 200 frequencies, with frequency scan function enabling automatic channel assignment

RECEIVERS ACCESSORIES

(PC 458-MC 140)

AT8630

£ 19.95

Joining plate kit for mounting two 3000A Series receivers in a single 19” rack space

ATW-RM1

£ 44.95

Rack-mount hardware kit for Audio-Technica 2000 and 3000 Series wireless systems and for ATW-DA49 antenna distribution system.

Allows mounting a half-rack receiver or distribution system in a 19” audio equipment rack; brings antennas to the front for improved reception.

Includes: • Long rack ear

• Short rack ear

• Two BNC bulkhead connectors with mounting hardware

• Two 34" BNC-to-BNC cables

3000A SERIES SYSTEMS

(PC 458-MC 140)

ATW-3141A

£ 429.95 Handheld transmitter system

• ATW-T341 handheld microphone/ transmitter with AE4100 dynamic capsule

• ATW-R3100A receiver

ATW-3171A

£ 519.95 Handheld transmitter system

• ATW-T371 handheld condenser microphone with ATM710 condenser capsule

• ATW-R3100A receiver

ATW-3110A

£ 379.95 3000A Series UniPak ™ system

• ATW-R3100A receiver

• ATW-T310 UniPak ™ transmitter

ATW-3110A/G

£ 399.95 3000A Series UniPak ™ guitar system

• with AT8319 instrument cable

• ATW-3110A UniPak ™ transmitter system

ATW-3110A/P

£ 399.95 UniPak™ system with AT829cW

• AT829cW miniature cardioid condenser mic.

• ATW-3110A UniPak ™ transmitter system

ATW-3110A/P1

£ 449.95 UniPak ™ system with AT899cW

• AT899cW subminiature omnidirectional condenser mic.

• ATW-3110A UniPak ™ transmitter system

ATW-3110A/P2

£ 429.95 UniPak ™ system with AT831aW

• AT831aW miniature cardioid condenser mic.

• ATW-3110A UniPak ™ transmitter system

ATW-3110A/P3

£ 419.95 UniPak ™ system with MT838cW

• MT838cW omnidirectional condenser Lavalier microphone

• ATW-3110A UniPak ™ transmitter system

ATW-3110A/H

£ 429.95 UniPak ™ system with PRO8HEcW

• PRO8HEcW headworn hypercardioid dynamic microphone

• ATW-3110A UniPak ™ transmitter system

ATW-3110A/HC1

£ 449.95 UniPak

™ system with ATM75cW

• ATM75cW headworn cardioid condenser microphone

• ATW-3110A UniPak™ transmitter system

ATW-3110A/HC2

£ 469.95 UniPak ™ system with ATM73cW

• ATM73cW professional headworn cardioid condenser microphone

• ATW-3110A UniPak™ transmitter system

3000A series

ATW-3141A

ATW-R3100A

ATW-T341

ATW-3110A

ATW-T310

ATW-R3100A

ATW-R3100A Receiver Specifications

Receiving System

Image Rejection

Signal-to-Noise Ratio

Total Harmonic Distorsion

Sensitivity

Audio Output

True diversity

60 dB nominal, 55 dB minimum

110 dB at 35 kHz deviation (IEC-weighted), maximum modulation 75 kHz

≤1% (10 kHz deviation at 1 kHz)

24 dBµV (S/N 60 dB at 5 kHz deviation, IEC-weighted)

Unbalanced : 50 mV (10k ohms load), 1/4” phone jack

Balanced : 32 mV (10k ohms load), XLRM-type

Dimensions

Weight

Accessories Furnished

Optional System Accessory

210 mm x 49 mm x 176 mm (W x H x D)

1.1 kg (2.4 lbs)

Two flexible UHF antennas, rack mount adapters

AT8630 joining-plate kit, mounts two ATW-R3100A receivers in one rack space

Overall System Specifications

E-Band Frequency Range

F-Band Frequency Range

Number of Channels

UHF - 795.500 MHz to 820.000 MHz

UHF - 840.125 MHz to 864.875 MHz

200 total

Frequency Stability

Modulation Mode

Operating Range

Frequency Response

±0.005% Phase Lock Loop frequency control

FM

100 m (300’) typical

70 Hz to 15,000 Hz

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

93

94

ATW-T210

2000 series

2000 series

frequency-agile UHF wireless systems

( PC 466-MC 120 )

Audio-Technica’s innovative 2000 Series wireless delivers professional performance unheard of in its class.

With this breakthrough series, Audio-Technica makes easy setup, automatic scanning and other advanced wireless features affordable as never before. Automatic frequency scanning—standard on all 2000 Series wireless receivers—finds and sets the best available channel at the touch of a button. For those using multiple wireless systems simultaneously, the 2000 Series offers another ease-of-use standout: any of its

10 channels may be used together—eliminating confusing frequency groups and other frequency-coordination problems.

2000 SERIES INDIVIDUAL COMPONENTS

ATW-T210

£ 149.95

2000 Series UniPak™ transmitter

ATW-T220

£ 189.95

2000 Series handheld microphone/ transmitter with unidirectional dynamic element

ATW-R2100

£ 159.95

UHF diversity receiver

ACCESSORIES

(PC 458-MC 140)

AT8630

£ 19.95

Joining plate kit for mounting two ATW-R2100 receivers in a single 19” rack space

ATW-RM1

£ 44.95

Rack-mount hardware kit for Audio-Technica 2000 and 3000 Series wireless systems and for ATW-DA49 antenna distribution system.

ATW-T220

Specifications

RF Power Output

Microphone Element

Batteries

(not included)

Battery Life

Dimensions

Weight

(without battery)

Accessories Furnished

ATW-T210 UniPak™

10 mW

Transmitter

Two 1.5V AA alkaline

Approximately 9 hours

66 mm x 92,3 mm x 22,5 mm (W x H x D)

80 grams

ATW-T220

Handheld Transmitter

10 mW

Dynamic, unidirectional

Two 1.5V AA alkaline

Approximately 9 hours

229 mm long - 53,5 mm max. dia.

221 grams

AT8456a stand clamp

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

2000 series

frequency-agile UHF wireless systems

( PC 466-MC 120 )

• Automatic frequency scanning finds an open channel at the touch of a button

• Up to 10 user selectable channels are available. Compatibility varies from country to country

• True Diversity operation selects the better signal from the two receiver sections, reducing dropouts

• Tone Lock™ tone squelch system fights interference

• Rugged metal half-rack receiver with soft-touch controls and LCD display featuring RF and AF metering

• Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver

• ATW-T220 Handheld Microphone/Transmitter features a PRO 41 capsule for maximum feedback rejection and consistent sound

ATW-2120

£ 319.95

Handheld transmitter system

• ATW-T220 handheld microphone/transmitter

• ATW-R2100 receiver

ATW-2110

£ 289.95

2000 Series UniPak ™ system

• ATW-T210 UniPak ™ transmitter

• ATW-R2100 receiver

ATW-2110/G

£ 299.95

2000 Series UniPak ™ guitar system

• With AT8319 instrument cable

• ATW-2110 UniPak ™ transmitter system

ATW-2110/P

£ 319.95

UniPak™ system with AT829cW

• AT829cW miniature cardioid condenser mic.

• ATW-2110 UniPak ™ transmitter system

ATW-2110/P1

£ 369.95

UniPak ™ system with AT899cW

• AT899cW subminiature omnidirectional condenser mic.

• ATW-2110 UniPak ™ transmitter system

ATW-2110/P2

£ 349.95

UniPak ™ system with AT831aW

• AT831aW miniature cardioid condenser mic.

• ATW-2110 UniPak ™ transmitter system

ATW-2110/P3

£ 339.95

UniPak ™ system with MT838cW

• MT838cW omnidirectional condenser Lavalier microphone

• ATW-2110 UniPak ™ transmitter system

ATW-2110/H

£ 339.95

UniPak ™ system with PRO8HEcW

• PRO8HEcW headworn hypercardioid dynamic microphone

• ATW-2110 UniPak ™ transmitter system

ATW-2110/HC1

£ 349.95

UniPak ™ system with ATM75cW

• ATM75cW headworn cardioid condenser microphone

• ATW-2110 UniPak™ transmitter system

ATW-2110/HC2

£ 369.95

UniPak ™ system with ATM73cW

• ATM73cW professional headworn cardioid condenser microphone

• ATW-2110 UniPak™ transmitter system

ATW-T210

ATW-R2100

2000 series

ATW-2120

ATW-2110

ATW-R2100

ATW-T220

ATW-R2100 Receiver Specifications

Receiving System

True diversity

Image Rejection

Signal-to-Noise Ratio

Total Harmonic Distorsion

Sensitivity

Audio Output

Dimensions

Weight

Accessories Furnished

Optional System Accessory

55 dB nominal, 50 dB minimum

>100 dB at 40 kHz deviation (A-weighted), maximum modulation 40 kHz

≤1% (10 kHz deviation at 1 kHz)

20 dBµV (S/N 60 dB at 5 kHz deviation, IEC-weighted)

Unbalanced : 25 mV (100k ohms load), 1/4” phone jack

Balanced : 12.5 mV (100k ohms load), XLRM-type

210 mm x 44 mm x 162.2 mm (W x H x D)

1.0 kg (2.2 lbs)

Two flexible UHF antennas, rack mount adapters, AC Adapters

AT8630 joining-plate kit, mounts two ATW-R2100 receivers in single 19” rack space

Overall System Specifications

E-Band Frequency Range

F-Band Frequency Range

Number of Channels

UHF - 795.000 MHz to 820.000 MHz

UHF - 840.000 MHz to 865.000 MHz

10 total

±0.005% Phase Lock Loop frequency control

Frequency Stability

Modulation Mode

Operating Range

Frequency Response

FM

100 m (300’) typical

100 Hz to 15,000 Hz

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

95

96

ATW-T 701

700 series

ATW-T 702

ATW-R700 Receiver Specifications

Receiving System

Antenna-switching diversity

Image Rejection

Signal-to-Noise Ratio

Total Harmonic Distortion

Sensitivity

Audio Output

(1 kHz modulation, 10 kHz deviation)

Output Connector

Power Supply

Dimensions

Weight

Accessories Furnished

55 dB minimum

>80 dB at 10 kHz deviation (IEC-weighted) maximum modulation 25 kHz

≤1% (10 kHz deviation at 1 kHz)

25 dBµV for 60 dB S/N (IEC-weighted)

Unbalanced: 211 mV (-13.5 dBV)

Balanced: 150 mV (-16.5 dBV)

Unbalanced: 1/4” TS (“mono”) phone jack

Balanced: XLRM-type

230VAC (50Hz) to 12V DC 500mA (center positive), external power supply

190.0 mm W x 42.0 mm H x 130.0 mm D

365 g

Power supply

Overall System 700 Specifications

E-Band Frequency Range

F-Band Frequency Range

Frequency Stability

Modulation Mode

Operating Range

Frequency Response

UHF - 800.000 MHz to 820.000 MHz

UHF - 840.000 MHz to 865.000 MHz

±0.005% Phase Lock Loop frequency control

FM

80 m

100 Hz to 12,000 Hz

Specifications

RF Power Output

Dynamic Range

Input connections

Microphone Element

Battery

Battery Life

Dimensions

Net Weight

Accessory included

ATW-T701 UniPak™

Transmitter

High: 10 mW ; Low: 5 mW

> 100 dB, A-weighted

High impedance, low impedance, bias

Two 1.5V AA alkaline (not included)

Approximately 8 hours (High); 10 hours (Low), depending on battery type and use pattern

65.0 mm W x 105.0 mm H x 18.5 mm D

80 g

ATW-T702

Handheld Transmitter

10 mW

> 100 dB, A-weighted

Dynamic, unidirectional

Two 1.5V AA alkaline (not included)

Approximately 12 hours, depending on battery type and use pattern

245.0 mm long, 53.5 mm diameter

257 g (without batteries)

AT8456a Quiet-Flex™ stand clamp

ATW-R700

700 series

wireless systems

( PC 473-MC 110)

Audio-Technica’s 700 Series wireless delivers professional features and sound quality unheard of in its class.

These easy-to-use wireless systems feature eight selectable frequency-coordinated channels, diversity operation for increased range/reliability, automatic frequency scanning, Tone Lock™ squelch and more. 700 Series systems come equipped with your choice of handheld, headworn, or lavalier microphones; or choose a system designed for guitar hookup. For multiple-mic applications, as many as eight systems may be used together per frequency band.

• 8 selectable per frequency band-coordinated UHF channels

• Use up to 8 simultaneous systems—all channels compatible

• Automatic frequency scanning

• Diversity operation for increased range/reliability

• LED Channel display plus Antenna, AF Peak indicators

• Balanced XLR and unbalanced 1/4” output connectors

• Tone Lock™ squelch system eliminates interference when transmitter is off

• UniPak™ transmitter features: separate guitar/mic trim control, switchable high/low RF power, internal channel selector, multi-color battery/power indicator

• Handheld transmitter features: variable trim control, internal channel selector, multi-color battery/power indicator

• Body-pack systems are compatible with all Audio-Technica Wireless Essentials ® microphones and cables

ATW-702

Vocal

£ 199.95

700 Series frequency-agile diversity UHF handheld transmitter system

• ATW-R700 receiver and ATW-T702 handheld unidirectional dynamic microphone/transmitter.

Includes AT8456a Quiet-Flex™ stand clamp.

ATW-7 01/G

Guitar

£ 199.95

700 Series frequency-agile diversity UHF guitar system

• ATW-R700 receiver and ATW-T701 transmitter with AT8319 Hi-Z instrument/guitar cable with 1/4” phone plug

ATW-7

01/P

Presenter

£ 209.95

700 Series frequency-agile diversity UHF lavalier microphone system

• ATW-R700 receiver and ATW-T701 UniPak™ transmitter with AT829cW lavalier microphone.

ATW-7 01/H

Active

£ 239.95

700 Series frequency-agile diversity UHF dynamic headworn microphone system

• ATW-R700 receiver and ATW-T701 UniPak™ transmitter with PRO8HEcW headworn microphone.

ATW-7

01

Options

£ 179.95

700 Series frequency-agile diversity UHF UniPak transmitters system

• ATW-R700 receiver and ATW-T701 UniPak™ transmitter.

• Select a Wireless Essentials

®

microphone or cable to complete the system (see pages 88 and 89).

ATW-7 01/P+

Presenter +

£ 239.95

700 Series frequency-agile diversity UHF UniPak transmitters system

• ATW-R700 receiver and ATW-T701 UniPak™ transmitter with PRO92cW-TH headworn microphone

700 SERIES INDIVIDUAL COMPONENTS

ATW-T7

01

£ 69.95

700 Series UniPak™ transmitter

ATW-T702

£ 84.95

700 Series handheld microphone / transmitter with unidirectional dynamic element

ACCESSORIES

(PC 458-MC 140)

AT8671

£ 29.95

Rack mount tray for one receiver

AT8672

£ 29.95

Rack mount tray for two receivers

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

microphones for use with

A-T UniPak™ transmitters

( PC 495-MC 140 )

All microphones page 89 to 91 are fitted with a 4-pin HRS connector, for use with A-T UniPak™ transmitters.

MICROSET WIRELESS HEADWORN MICROPHONES

AT892cW

£ 269.95

MicroSet™ headworn omnidirectional condenser microphone

Includes two element covers, two windscreens and cable clip

AT892cW-TH

£ 269.95

MicroSet™ headworn microphone beige colour

AT892cW with beige colour finish microphone and cable

AT892cW-CO

£ 269.95

MicroSet™ headworn microphone cocoa colour

AT892c with cocoa colour finish microphone and cable

PRO92cW

£ 79.95

Omnidirectional condenser headworn microphone

Includes clothing clip and storage pouch.

PRO92cW-TH

£ 79.95 Omnidirectional condenser headworn microphone beige colour

PRO92cW with beige colour finish microphone and cable wireless essentials

AT892cW

AT892cW-TH

AT892cW-CO

HEADWORN MICROPHONES FOR A-T UniPak ™

AT889cW

£ 179.95

Noise canceling headworn condenser microphone

Humidity and perspiration resistant.

PRO8HEcW

£ 79.95

Headworn hypercardioid dynamic microphone

( full description page 35)

ATM75cW

£ 89.95

Headworn cardioid condenser microphone.

( full description page 29)

ATM73cW

£ 109.95

Headworn cardioid condenser microphone

( full description page 29)

PRO92cW

AT889cW

ATM73cW

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

97

98

ATR35cW

AT899cW

wireless essentials

® microphones for use with

A-T UniPak™ transmitters

( PC 495-MC 140 )

TIE CLIP AND LAVALIER MICROPHONES

ATR35cW

£ 34.95

Miniature omnidirectional condenser microphone

AT829cW

AT829cW

£ 44.95

Miniature cardioid condenser microphone

AT831aW

£ 99.95

Miniature cardioid condenser microphone

( full description page 52)

AT803aW

£ 99.95

Omnidirectional tie clip microphone for broadcast applications

( full description page 52)

ES943cW/C

£ 129.95

Cardioid condenser lavalier microphone, 1.4 m cable

Includes windscreen and clothing clip

AT831aW

MT830cW

SUB-MINIATURE MICROPHONES FOR AUDIO-TECHNICA UNIPAK ™

AT898cW

£ 119.95

Subminiature cardioid condenser microphone

( full description page 50)

AT899cW

£ 119.95

Subminiature omnidirectional condenser microphone

( full description page 50)

AT899cW-TH

£ 119.95

Beige version of AT899cW

( full description page 50)

MT830cW

£ 99.95

Miniature omnidirectional condenser microphone

( full description page 52)

MT838cW

£ 79.95

Omnidirectional microphone with clip and windscreen

INSTRUMENT MICROPHONES FOR AUDIO-TECHNICA UNIPAK ™

ATM350cW

£ 199.95

Cardioid condenser clip-on instrument microphone

PRO35cW

£ 119.95

Cardioid condenser clip-on instrument microphone

( full description page 36)

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

microphones for use with

A-T UniPak™ transmitters

( PC 495-MC 140 )

CONFERENCE MICROPHONES FOR AUDIO-TECHNICA UNIPAK ™

U851cW

£ 179.95

Unidirectional condenser boundary microphone

( full description page 64)

U841cW

£ 179.95

Omnidirectional condenser boundary microphone

( full description page 64)

U857LcW

£ 179.95

Cardioid condenser gooseneck microphone 42 cm long

( full description page 64) wireless essentials

®

U851cW

U841cW

CONNECTING CABLES FOR AUDIO-TECHNICA UNIPAK ™ TRANSMITTERS

XLRW (same as AT8317)

£ 29.95

XLRF cable to HRS connector; 1.50 m

AT-GcW (same as AT8319)

£ 29.95

Guitar cable 6.35 mm jack to HRS connector

AT-GcW-PRO

£ 39.95

Professional guitar input cable for wireless

Professional ¼” straight connector to locking 4-pin connector for use between instrument and Audio-Technica UniPak ® body-pack wireless transmitter

Length: 90 cm

AT-GRcW-PRO

£ 39.95 Professional guitar input cable for wireless with right-angle connector

Professional ¼” right-angle connector to locking 4-pin connector for use between instrument and Audio-Technica UniPak ® body-pack wireless transmitter

Length: 90 cm

ATW-RCS1

£ 69.95

Remote momentary mute cough switch

Features a large momentory push button switch

ATW-RMS1

£ 99.95

Remote mute switch

Features a toggle switch with positive on-off function

XLRW (AT8317)

ATW-RCS1

AT-GcW (AT8319)

U857LcW

ATW-RMS1

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

99

100

wireless accessories

new

ATW- 49SP

active antenna splitter kit

The Audio-Technica ATW-49SP Active Antenna Splitter Kit includes a pair of Active Antenna Splitters.

• Each Active Antenna Splitter is a broadband device that splits an incoming RF signal into two identical outgoing RF signals.

• One set of Active Antenna Splitters enables one set of antennas to feed wireless receivers of different frequency bands.

• Originally designed for use with Audio-Technica 4000 and 5000 Series UHF wireless receivers and

ATW-A49 LPDA antennas, the AT-49SP is also suitable for use with a variety of other receivers and antennas

ATW-49SP

£ 180.00

Active Antenna Splitter Kit

• Each kit includes:

2 x one-input, two-output Active Antenna Splitters;

4 x 45 cm BNC-to-BNC RG 58 coaxial antenna cables;

2 x BNC-to-BNC barrel adapters

ATW-49SP

ATW-49CB

Specifications

ATW-49SP ATW-49CB

Description

Bandwidth

VSWR

Gain

Impedance

Termination Type

Weight

Dimensions

DC Input

Current

2-Way Active Antenna Splitter

440 MHz to 900 MHz

< 1.7:1 (within specified bandwidth)

0 dB typical (within specified bandwidth)

50 ohms, typical (within specified bandwidth)

3-BNC Female

51 g (1.8 oz.)

30 mA @ 12V DC

Pass-through Current

100 mA

2-Input Active Combiner

440 MHz to 900 MHz

< 1.7:1 (within specified bandwidth)

0 dB typical (within specified bandwidth)

50 ohms, typical (within specified bandwidth)

3-BNC Female

51 g (1.8 oz.)

61 mm (2.38”) W x 47 mm (1.83”) L x 23 mm (0.92”) H 61 mm (2.38”) W x 47 mm (1.83”) L x 23 mm (0.92”) H

5-14V DC 5-14V DC

30 mA @ 12V DC

120 mA (maximum to both inputs combined)

Specifications are subject to change without notice.

new

ATW- 49CB

active antenna combiner kit

The Audio-Technica ATW-49CB Active Antenna Combiner Kit includes two Active Antenna Combiners designed for use with Audio-Technica 4000 and 5000 Series UHF wireless receivers and ATW-A49 LPDA antennas. Each Active Antenna Combiner is a broadband device (frequency range from 440 to 900 MHz) that combines two incoming RF signals into one outgoing RF signal. One set of Active Antenna Combiners enables two sets of antennas to feed one wireless receiver or distribution system.

• One set of Active Antenna Combiners enables two sets of antennas to feed one wireless receiver or distribution system

• Each Active Antenna Combiner is a broadband device (frequency range from 440 to 900 MHz) that combines two incoming RF signals into one outgoing RF signal

• Designed for use with Audio-Technica 4000 and 5000 Series UHF wireless receivers and ATW-A49 LPDA antennas

• The Active Antenna Combiner provides unity gain to compensate for RF signal loss associated with combining signals

• Also suitable for use with a variety of other receivers and antennas

ATW-49CB

£ 180.00

Active Antenna Combiner Kit

• Each kit includes:

2 dual-input, one-output Active Antenna Combiners; 2 x 45 cm BNC-to-BNC RG 58 coaxial antenna cables

ATW-B80

ANTENNA BOOSTERS

Gain

: +10db / +3db with switch

Input/Output connector:

BNC-R (50 ohms)

Power Supply

: 12V DC

(Carried by antenna cable)

Size

: 25mm (width) x 100mm x (height) x 25mm (depth)

ATW-B80E

£ 239.00

Pair of antenna boosters for use with 795 – 820 MHz UHF systems

ATW-B80F

£ 239.00

Pair of antenna boosters for use with 840 to 865 MHz UHF systems

ATW-B80D

£ 239.00

Pair of antenna boosters for use with 655 – 681 MHz UHF systems

ATW-B80C

£ 239.00

Pair of antenna boosters for use with 540 – 567 MHz UHF systems

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

wireless accessories

( PC 458-MC-140 )

ANTENNA CABLES

AC12

£ 14.95

AC25

BNC - BNC 4 m link cable, type RG58

BNC - BNC 8 m link cable, type RG8 £ 69.95

AC50

P.O.A.

BNC - BNC 16 m link cable, type RG8

AC100

P.O.A.

BNC - BNC 33 m link cable, type RG8

TRANSMITTERS ACCESSORIES

AEW-TB44

£ 39.95

Transmitter bag for AEW Series

Holds 4 handheld and 4 body pack transmitters

ANTENNAS

ATW-A49

£ 199.95

Pair of wide band dipole antennas for use with 440-900 MHz UHF systems

DIVERSITY UHF ANTENNA DISTRIBUTION SYSTEMS

The UHF active unity-gain antenna distribution systems provides two “1-in, 4-out” RF channels; connects a pair of antennas to as many as four diversity receivers; cascade output provided as a directional coupler for additional distribution system or a fifth diversity receiver. AC pass-through allows daisy-chain AC hookup. Defeatable antenna power. Includes power cables, ten RF cables, front-mount antenna cables and connectors, and four DC power cables.

AEW-DA800E

£ 449.95

Active unity-gain distribution amplifier for UHF bands 795.500 MHz to 820.000 MHz

AEW-DA860F

£ 449.95

Active unity-gain distribution amplifier for UHF bands 840.125 MHz to 864.875 MHz

AEW-DA660D

£ 449.95

Active unity-gain distribution amplifier for UHF bands 655.500 MHz to 680.375 MHz

AEW-DA550C

£ 239.95

Active unity-gain distribution amplifier for UHF bands 540.000 MHz to 567.000 MHz

ATW-DA49

UHF

Antenna distribution system

£ 239.95

The ATW-DA49 is a UHF (wide-band 440-900 MHz) active unity-gain diversity antenna distribution system that enables one pair of antennas to feed multiple wireless systems.

Provides two “1-in, 4-out” RF channels; connects a pair of antennas to as many as four wireless receivers. Both input jacks offer switchable +12V DC output on their center pins to operate

Audio-Technica active in-line RF devices if desired. The ATW-DA49 is designed to complement

Audio-Technica 2000 and 3000 Series wireless systems. It is also suitable for many other wireless systems operating within the 440-900 MHz range.

Includes ten RF cables, front-mount antenna cables and connectors, four DC power cables,

+12V DC desktop power supply with detachable IEC power cable, and ATW-RM1 rack-mount hardware kit to permit attachment in a standard 19” rack space.

ATW-RM1

£ 44.95

Rack-mount hardware kit for Audio-Technica 2000 and 3000 Series wireless systems and for ATW-DA49 antenna distribution system.

Allows mounting a half-rack receiver or distribution system in a 19” audio equipment rack; brings antennas to the front for improved reception.

Includes: • Long rack ear

• Short rack ear

• Two BNC bulkhead connectors with mounting hardware

• Two 34” BNC-to-BNC cables wireless accessories

AC12

ATW-A49

AEW-TB44

AEW-DA660D

ATW-DA49

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

101

headphones, electronics, accessories

headphones

A collection of precision reference studio headphones, semi professional studio headphones and computer headset combinations that provide outstanding natural sonic performance.

page 104 to 105

electronics

Audio-Technica SmartMixers ® offer automatic control of mixing/selecting inputs, providing simple setup and hands-off operation for many applications.

Problem-solving UniTools ® and phantom power supplies, plus in-line attenuators and impedancematching transformers.

page 106 to 107

turntables and dj headphones

Audio-Technica professional stereo turntable systems.

A selection of Headphones for DJ applications, providing outstanding sonic performance and comfort in any DJing environment.

page 108 to 109

genuine accessories

A selection of Audio-Technica professional microphone Clamps, Mounts and Suspensions for secure and flexible positioning. A selection of Audio-Technica foam windscreens designed to reduce air-flow noise, protect against breath sounds (plosives and sibilants), and help to protect the microphone.

page 110 to 117

103

104

ATH-M40 fs

headphones

ATH-D40 fs

ATH-M50

ATH-M30

studio professional

headphones

( PC 205-MC 310)

PRECISION “STUDIOPHONES”

Full-sized closed back stereo headphones for studio monitoring and home listening applications. Fully field serviceable. Terminated in a 6,3 mm (1/4”) plug.

ATH-M50

£ 99.95

Professional studio monitor headphones

ATH-M50 professional studio monitor headphones provide exceptionally accurate response combined with longwearing listening comfort. Designed especially for professional monitoring and mixing, these studiophones feature an efficient collapsible design for space-saving portability and storage. Circumaural ear pieces swivel 180° for easy one-ear monitoring; luxuriously padded ear cushions create an outstanding seal for maximum isolation. The adjustable headband is generously padded for the ultimate comfort during long mixing/recording sessions. A coiled cable at the left earpiece terminates to a gold-plated mini-plug with included screw-on 1/4” adapter.

ATH-M50S

£ 99.95

Same as ATH-M50 with straight cable

ATH-M40

fs

£ 59.95

Extended-response closed-back dynamic monitor headphones

Audio-Technica’s premium professional studiophones offer a flat, extended frequency response for professional studio monitoring. Superior components provide very high SPL capabilities while maintaining exceptional clarity of sound. Exterior design features include sturdy strain-relief cable and comfortable circumaural earpieces that can be rotated 180º to permit one-ear monitoring. The studiophones utilize 40-millimeter drives with neodymium magnets and copper-clad aluminium wire voice coils for lowest mass. They are equipped with an 3.4 m (11’) cable terminated in a standard 6.3mm (1/4”) connector. This field-serviceable model allows elements, cables, and earpads to be replaced in the field if needed.

ATH-D40

fs

£ 59.95

Enhanced-bass closed-back dynamic monitor headphones

With their bass-enhanced frequency response, these premium professional studiophones are ideal for use with drums, bass and other low-frequency sound sources.

The ATH-M30 is a closed-back dynamic headphone for mixing with high power handling for tracking sessions.

65 ohms. Terminated in a 3.5 mm connector with screw-on 6.3 mm adapter.

ATH-M30

£ 49.95

Closed-back dynamic monitor headphones

SEMI-PROFESSIONAL HEADPHONES

The ATH-M20 is a closed-back dynamic headphones with neodymium magnets. Impedance 40 ohms, terminated in a 3.5 mm stereo mini plug with 6.3 mm adapter

ATH-M20

£ 24.95

Closed-back headphones

Specifications

Type

Driver Size

Magnet

ATH-M50

Closed-back dynamic

45 mm diameter

ATH-M40fs / ATH-D40fs

Closed-back dynamic

40 mm diameter

Neodymium Neodymium

Voice Coil

Copper-clad aluminium wire Copper-clad aluminium wire

Frequency Response

15-28,000 Hz 5-28,000 Hz / 20-28,000 Hz

ATH-M30

Closed-back dynamic

40 mm diameter

Neodymium Neodymium

Copper-clad aluminium wire Copper-clad aluminium wire

20-20,000 Hz

1 600 mW at 1 kHz

ATH-M20

Closed-back dynamic

40 mm diameter

30-20,000 Hz

1 200 mW at 1 kHz

Maximum Input Power

1 600 mW at 1 kHz

Sensitivity

Impedance

Weight

Cables

(without cable)

99dB

38 ohms

284 g (10 oz)

1.2-3.0 m (3.9’-9.8’) coiled,

(OFC litz wire)

1 600 mW at 1 kHz

100 dB / 102 dB

60 ohms / 66 ohms

250 g (8.8 oz)

3.4 m (11’)

(OFC litz wire, left-side exit)

Connectors

3.5 mm (1/8”) gold-plated stereo mini-plug 6.3 mm (1/4”) phone-plug

Screw-on 6.3 mm (1/4”) adapter, protective pouch

100 dB

65 ohms

98 dB

40 ohms

200 g (7.0 oz)

3.4 m (11’)

(OFC litz wire, left-side exit)

230 g (7.1 oz)

3.0 m (10’)

(coiled, left-side exit)

3.5 mm (1/8”) with screw-on 3.5 mm (1/8”) stereo mini-plug and 6.3 mm (1/4”) adapter and 6.3 mm (1/4”) adapter

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

ATH-M20

studio professional

headphones

( PC 205-MC 310)

ATH-910PRO HEADPHONES

Full-size closed-back dynamic headphones featuring Samarium Cobalt magnets, large diaphragm drivers. Ideal for both home listening and studio monitoring applications.

ATH-910PRO

£ 69.95

Closed-back headphones, 40 ohms headphones

ATH910PRO

T SERIES SEMI-PROFESSIONAL HEADPHONES

These dynamic headphones feature proprietary 40 mm drivers and A-T’s innovative self-adjusting lightweight headband and generously padded ear cushions for comfortable listening.

• Circumaural design ensures superior isolation

• Rotating earpieces for easy one-ear monitoring

ATH-T22

£ 19.95

Superior Isolation Dynamic Stereo Headphones w ith the ATH-T22 Dynamic Stereo Headphones, Audio-Technica has achieved outstanding sound quality and long-wearing listening comfort.

• Clean, linear low end response

ATH-T44

£ 29.95

Extended Response Dynamic Stereo Headphones

ATH-T44 Dynamic Stereo Headphones deliver remarkable acoustic performance with an extended frequency response and full, rich balanced bass.

• Rich bass response with extended high end

COMMUNICATION HEADSETS

ATH-COM1

£ 29.95

Monophone/dynamic boom mic combination headset

Designed for hands-free computer and multimedia applications, the ATH-COM1 provides a single earpiece with 40-millimeter driver for one-ear monitoring, along with a neodymium dynamic microphone for crisp, accurate vocal pickup. The flexible mic boom, cushioned ear pads and lightweight design provide added convenience and prolonged listening comfort.

ATH-COM2

£ 39.95

Stereophone/dynamic boom mic combination headset

With two earphones for stereo sound and a neodymium dynamic microphone for accurate vocal pickup, the ATH-COM2 is ideal for hands-free computer and multimedia applications.

Specifications

Type

Driver Size

Microphone Type

ATH-910PRO

Closed-back dynamic

44 mm diameter

ATH-T22

Closed-back dynamic

40 mm diameter

ATH-T44

Closed-back dynamic

40 mm diameter

ATH-COM1 - (ATH-COM2)

Open-back dynamic

40 mm diameter

Voice Coil

Copper-clad aluminium wire –

Frequency Response

20-22,000 Hz 20-22,000 Hz

Maximum Input Power

Sensitivity

Impedance

120 mW at 1 kHz

92 dB

40 ohms

Weight

(without cable) 205 g (7.2 oz)

500 mW at 1 kHz

100 dB

32 ohms

Cables

Connectors

3.0 m (10’)

(OFC litz wire, left-side exit)

Stereo jack 6.35 mm (1/4”)

Copper-clad aluminium wire

18-23,000 Hz

500 mW at 1 kHz

108 dB

40 ohms

Neodymium dynamic

Copper-clad aluminium wire

30-20,000 Hz

50 mW at 1 kHz

90 dB

40 ohms

170 g (6.0 oz)

3.0 m (10’)

190 g (6.7 oz)

3.0 m (10’)

70 g (2.5 oz) - (100 g - 3.5 oz)

1.5 m (4.9’)

(coiled, left-side exit)

3.5 mm (1/8”) stereo mini-plug 3.5 mm (1/8”) stereo mini-plug 2 gold-plated 6.3 mm and 6.3 mm (1/4”) adapter and 6.3 mm (1/4”) adapter (1/4”) adapter

ATH-T22

ATH-T44

ATH-COM1 ATH-COM2

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

105

106

smart mixers

Specifications

Input Impedance

Output Impedance

Maximum Input Level

Maximum Gain

Frequency Response

(–3 dB)

Equivalent Input Noise

Microphone Phantom Power

Power Supply

Operating Temperature

Dimensions

(including feet, knobs and connectors)

Weight

Accessories Furnished

Comparison Chart

Automatic Mic/Line balanced inputs

Unbalanced Aux input

Priority pre-select switch for each

Automatic threshold setting

Single threshold setting for all channels

Phantom power selectable for each channel

Switchable manual mode

Master output level control

Individual gain controls for each channels

Limiter on each mic/line channel

Output level meter with Peak and RMS mode

Off attenuation for each input adjustable to:

TTL logic output

Closure control of each input

Pre- or post-controller audio output

Switchable NOMA operation

Headphone output with adjustable level

19” rack mounting space (1U)

Rack-mount adapters included

4

AT-MX351

yes yes yes yes yes yes

–40 dB yes full yes

48V yes yes yes

1 yes yes

–

AT-MX351

Mic: 8,000 Ω

Line: 50,000 Ω

Mic: 200 Ω

Line: 300 Ω

Mic: –24 dBV

Line: +27 dBV

73 dB

40 Hz to 22 kHz

–128 dBV (150 Ω)

+48V DC

120V/230V AC

0° to 40° C

W 430 mm

D 238 mm

H 44 mm

3.1 kg

AT8325/1.0 link cable; rack-mount adapters;

AC power cable

AT-MX341a

Mic: 4,000 Ω

Line: 30,000 Ω

Mic: 320 Ω

Line: 200 Ω

Mic: –20 dBV

Line: +30 dBV

70 dB

60 Hz to 30 kHz

–120 dBV (150 Ω)

+12V DC

12V AC, 150 mA

0° to 40° C

W 210 mm

D 238 mm

H 44 mm

1.6 kg

AT8325/1.0 link cable; rack-mount adapters;

AC power supply

4

AT-MX341a

–

–

–

–

– yes

–20 dB yes

1/2 yes

12V yes yes yes

– yes

– yes

AT-MX351

automatic

mixers

( PC 630-MC 510)

Innovative automatic mixers are microprocessor controlled for uncomplicated, automated operation.

• Easy to install, easy to operate and completely transparent in operation

• Choice of one-channel-at-a-time operation, all active, or any mix of moderator override

• Versatile, switchable inputs accept microphones or line-level devices; mic- or line-level out

• Individual gain controls for each channel

• Last microphone on stays on so that ambient sound is never muted

• XLR inputs with phantom power provided for condenser mics

AT-MX341a

£ 549.95

Automatic SmartMixer ® featuring four switchable microphone or line channels

Half rack width,1U high. Supplies 12V phantom power on each channel.

AT-MX351

£ 699.95

Automatic SmartMixer ® microphone mixer featuring four switchable microphone or line channels and one auxiliary input. 19" rack width 1U high. Supplies

48V phantom power on each channel.

RACK MOUNT ACCESSORIES

(PC 458-MC 140)

AT8628B

£ 24.95

Joining plate for mounting two AT-MX341a mixers in a single rack space

ACCESSORIES

(PC 630-MC 510)

AT8325/1.0

£ 22.95

Link cable (included with SmartMixer ® )

AT-MX341a

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

new automatic

mixer

AT-MX381

( PC 630-MC 510)

• Audio-Technica’s new AT-MX381 SmartMixer

®

is designed to deliver instant, intuitive control of your multiple-microphone installations.

• The AT-MX381 allows control of basic functions–like gain and level settings for each channel–from the

SmartMixer’s front panel. Control more detailed settings via computer with included software.

• The SmartMixer’s simplicity and sophistication make it ideal as the hands-free heart and soul of multi-mic sound systems for meetings, courtrooms, classrooms, distance learning, and worship services.

AT-MX381 SmartMixer ®

£ 1.449.95

Eight channel automatic mixer

• Eight balanced mic/line inputs

• Automatic threshold setting

• 48V phantom power (individually selectable)

• NOMA circuitry (selectable) helps control feedback

• Selectable manual mode

• Priority of each microphone can be independently assigned

• Last Mic On (selectable) for continuous room ambiance

• Linking capability for 16 units (up to 128 microphones)

• Logic output signals control camera selection and other circuitry

• RS232 data port provides a connection point for a PC running the SmartMixer Software to configure key operating functions

• Compatible with Crestron ® and AMX ® systems smart mixers

AT-MX381

AT-MX381 SmartMixer ®

Input Impedance

Mic Level: 6600 ohms

Line Level: 8500 ohms

Output Impedance

Balanced

Line Level: 300 ohms

Mic Level: 350 ohms

Unbalanced: 400 ohms

Direct Output: 60 ohms

Maximum Input Level

Maximum Output Level

Maximum Monitor Output

Maximum Gain

Frequency Response

Equivalent Input Noise

Microphone Phantom Power

Control Voltage Out

–50 dBu (gain at Max)

22 dBm (THD+N at 1%)

50mW (@ 1% THD+N) with 16 ohm load

69 dB

20 to 20K Hz (±3 dB)

–130 dBu*

+48V DC

+4V DC

Power Supply

Operating Temperature

Dimensions

(not including feet, knobs and connectors)

100/240V AC (auto-select), 50/60 Hz, 20W

0° to 40° C (32° to 104° F)

430 mm (16.93”) W x 230 mm (9.05”) D x 4 mm (1.75” ) H

Weight

3.8 kg (8 lbs. 6 oz)

* Input terminated with 150 ohms, A-Weighted using Audio-Precision System Two.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

107

108

turntables

professional

turntables

( PC 640-MC 510)

AT-PL120

£ 229.95

Professional stereo turntable system

• Direct drive high-torque motor

• Selectable 33/45/78 RPM speeds

• Antiskating

• Selectable internal stereo phono pre-amplifier

• Selectable high-accuracy quartz-controlled pitch lock

• Selectable +/-10% or +/-20% pitch adjustment ranges

• Forward and reverse play

• Cast aluminium record platter with slip mat

• Start/stop button with remote start/stop input

• Pop-up stylus target light

• 45-RPM adapter with storage receptacle

• Receptacle for extra headshell

• Adjustable feet for leveling

• Includes professional cartridge ATP-2

AT-PL120

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

professional stereo DJ

headphones

(PC 256-MC 330)

ATH-PRO700

£ 99.95

Monitor Headphones

Top of the line monitor headphones.

53mm driver that gives a rich and accurate bass.

Folding system reduces space use and ease one-ear monitoring.

Ultra stylish design with a total comfort around your ears in any DJing environment.

ATH-PRO700SV

£ 99.95

Silver version of ATH-PRO700

ATH-PRO500BK

£ 84.95

Professional monitor headphones

• DJ monitor headphones features professional performances specifications and rugged reliability

• Rotating earpieces for easy one-ear monitoring

ATH-PRO500SV

£ 84.95

Silver version of ATH-PRO500

STEREO DJ HEADPHONES

(PC 255-MC 330)

ATH-PRO5V

£ 49.95

Professional Monitor and DJ headphones

• Rotating earpieces for easy one-ear monitoring

• Closed-back dynamic stereo headphones deliver exceptional clarity

• 40 mm drivers with neodymium magnets and copper-clad aluminium wire voice coils

• Rich bass response with extended high end

• Circumaural design ensures superior isolation

• Adjustable cushioned headband and lightweight design for maximum comfort

• Ultra-flexible coiled cable with left-side entry headphones

ATH-PRO700

ATH-PRO500SV

Specifications

Type

Driver Size

Magnet

Frequency Response

Maximum Input Power

Sensitivity

Impedance

Weight

(without cable)

Cables

Connectors

ATH-PRO700 - 700SV

Closed-back dynamic

53 mm diameter

Neodymium

5-33.000 Hz

3,500 mW at 1 kHz

105 dB/mW (JEITA)

36 ohms

320 g

1.2 - 3 m coiled

3.5 mm (1/8”) stereo mini-plug with 6.3 mm adapter

ATH-PRO500BK - SV

Airtight dynamic

40 mm diameter

Neodymium/ CCAW

10~30,000Hz

1,500 mW at 1 kHz

38 ohms

280 g

1.2 m (Coiled) / Max. 3.0m

3.5 mm (1/8”) stereo mini-plug with 6.3 mm adapter

ATH-PRO5V

Closed-back dynamic

40 mm diameter

Neodymium

15-28.000 Hz

1,300 mW at 1 kHz

103 dB/mW (JEITA)

40 ohms

200 g

1.5 m coiled

3.5 mm (1/8”) stereo mini-plug with 6.3 mm adapter

ATH-PRO5V

ATH-PRO700SV

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

109

110

AT8681

accessories

AT8801

power supplies, power modules, attenuators and

UniTools

®

POWER SUPPLIES

(PC 630-MC 510)

AT8801

£ 79.95

Single channel 48V DC phantom supply

(AC power adapter included)

This line-powered device allow the use of remote-powered microphones with systems that do not supply phantom power. The rugged steel case is finished in enamel and provides shielding from electrostatic interference.

AT8202

AT8684

ATTENUATORS

( PC 315-MC 410)

AT8202

£ 64.95

Adjustable In-line Attenuator

• Provides -10 dB, -20 dB or -30 dB attenuation

• Compatible for use in phantom power applications

• Durable steel case provides optimum shielding from hum

• Can be plugged directly into a female 3-pin chassis-mount connector

UNITOOLS ®

( PC 630-MC 510)

Phantom-powered in-line microphone accessories overcome commonly-encountered sound installation challenges quickly, easily and effectively.

All units permit phantom voltage to pass on to the microphone.

Featuring rugged steel housings, UniTools ® can be installed anywhere in-line, either at the mixer input or near the mic.

AT8681

£ 64.95

UniMix ® 2-to-1 mic combiner with balance control

Combines the output from two microphones into one channel. Balance control attenuates each microphone by

6 dB (typical) at midpoint.

AT8684

£ 59.95

UniMute ® mic attenuator with user-definable switch function

Type of external single-pole switch the user supplies determines muting function; closed contact causes muting. Use for on/off, push-to-talk, push-to-mute, etc.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

power modules for microphones elements and

wireless essentials

®

CONDENSER MICROPHONES REMOTE POWER MODULES

( PC 630-MC 510)

AT8530

Discontinued

Belt Pack type power module

• Use AT8531

AT8531

£ 79.95

Belt Pack type power module,

1.5V AA battery & phantom, with low frequency roll-off, input onTA3M, output on integral XLRM 3-pin.

• Furnished with U853A series, U857A series, U851A and U841A series

AT8542

£ 59.95

Phantom power only in-line power module, with low frequency roll-off, input onTA3M, output on integral XLRM 3-pin.

• Furnished with ATM350

AT8533

Discontinued

Phantom power only in-line power module

• Use AT8538

AT8533x

Discontinued

Multipurpose ”phantom power only” in-line power module

• Use AT8538

AT8536

Discontinued

Phantom power only in-line power module

• Use AT8538

AT8538

£ 54.95

Phantom power only in-line power module, with bass roll-off, Input TA3M, output on 3-pin line XLRM.

• Furnished with U853R, U857R and PRO35

AT8537

£ 59.95

In-Line 1.5V AA battery & phantom power module,

TA3M to XLRM line 3-pin.

• Furnished with AT898 and AT899 accessories

AT8531

AT8538

AT8542

111

REMOTE POWER MODULE FOR ALL WIRELESS ESSENTIALS

( PC 630-MC 510)

AT8539

£ 69.95

Phantom power only in-line power module

Input on HRS connector for all wireless essentials.

Power module for AT892 MicroSet ® , with bass roll-off.

Also suitable for use with any Audio-Technica Wireless Essentials ® microphone terminated with 4-pin locking connector. The AT8539 allows you to convert your wireless microphone into a wired model.

Comes equipped with a snap-on belt clip.

AT8539

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

112

AT8407

AT8422

genuine accessories

AT8405a AT8406a

accessories

( PC 315-MC 410)

Our genuine AT microphone clamps have an American standard

5/8

” female thread, therefore because most

European microphone stands use

3/8

” male thread, an adaptor

5/8

AT8422) male to

3/8

”female is needed ( Use AT8423 or

MICROPHONE CLAMPS

AT8405a

£ 7.45

Snap-in mic clamp, metal base, for 21 mm body diameter mics

AT8406a

£ 8.45

Tapered slip-in mic clamp, metal base for all tapered mics

AT8407

£ 12.95

Universal mic clamp, spring loaded clip, metal base. Fits most mics with diameter

15 to 25 mm

AT8470

£ 12.95

Quiet-Flex ™ stand clamp for tapered Artist Elite ® microphones

AT8471

£ 17.95

Microphone isolation stand clamp

Provides effective reduction of stand-transmitted noise Dependably maintains positioning while securely holding the microphone Compatible with

5/8

”-27 threaded stands

AT8456a

£ 14.95

Clamp for wireless handheld microphones in the Artist Elite ®

200 series

AEW and 3000A, 2000, 1600, 700 and

AT8470 AT8471 AT8456a

AT8433 AT8423

ADAPTERS AND STAND ACCESSORIES

AT8422

£ 0.95

Plastic threaded adapter, converts

3/8

” stands to

5/8

” threaded mic clamp

AT8433

£ 5.95

Shoe clamp with two locking nuts and

5/8

” microphone adaptor

Fits to the accessory shoe of a camcorder. Enables a microphone clamp to be attached to the camera

AT8423

£ 0.95

Brass threaded adapter, converts

3/8

” stands to

5/8

” threaded mic clamp

AT8459

£ 24.95

Swivel mount microphone clamp adapter. Provides unlimited number of angles/ positions.

Compatable with

5/8

”

-27 threaded stands

AT8665

£ 5.95

Drum microphone clamp adapter (

5/8

” thread)

AT8472

£ 10.95

Slip-in mic clamp for PRO24 or any 21 mm body diameter microphone with camera shoe mount

AT8459 AT8665 AT8472

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

accessories

( PC 315-MC 410)

Our Genuine AT microphone clamps have an American standard 5/8” female thread, therefore because most European microphone stands use 3/8” male thread, an adaptor 5/8 male to 3/8”female is needed

(Use AT8423 or AT8422)

CLAMPS, SHOCK MOUNTS AND POP FILTERS FOR STUDIO MICROPHONES

AT8430

£ 99.95

Stand clamp with

5

/8

”

- 27 thread for AT4033a /AT4040/AT4050/AT4047SV

AT8447

£ 99.95

Shock mount for AT4060

AT8449

£ 59.95

Shock mount for AT4033a / AT4040 / AT4050

AT8449SV

£ 59.95

Shock mount for AT4047SV

AT8458

£ 59.95

Shock mount for AT3035/AT3060/AT2020

AT8466

£ 14.95

Stand mount for AT2020 genuine accessories

AT8430

AT8449

AT8447

AT8449SV

UNIVERSAL SHOCK MOUNTS

AT8410a

£ 44.95

Shock mount, spring loaded, fits most mics with diameter 15 to 22 mm

AT8415

£ 59.95

Low-profile shock mount with flexible bands. Fits most mics

AT8466

ACCESSORIES FOR MINIATURE MICROPHONES

AT8418

£ 29.95

UniMount ® microphone instrument mount ATM350/AT803/AT831/AT829/ PRO35/PRO70

AT8444

£ 27.95

Instrument adapter ATM350/ AT803/ AT831/ AT829/ PRO35/ PRO70 for acoustic guitar/violin

AT8468

£ 6.95

Violin mount for ATM-350

• permits unobtrusive placement of microphone between the instrument’s bridge and tailpiece

AT8418

AT8410a

AT8458

AT8415

AT8444 AT8468

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

113

114

AT8411

AT8434

genuine accessories

AT8412

AT8435

AT8414

AT8460

AT8417

accessories

( PC 315-MC 410)

CLAMPS AND ACCESSORIES FOR TIE CLIP MICROPHONES

AT8411

£ 7.95

Plastic clothing clip, fits AT803/AT829/ AT831

AT8412

£ 12.95

Plastic double clothing clip, fits AT803/ AT831/AT829

AT8414

£ 16.95

Metal tie tac, fits AT803/AT831/AT829

AT8417

£ 9.95

Wire clothing clip, AT803/AT831/AT829

AT8420

£ 5.95

Metal clothing clip, for MT830

AT8434

£ 5.95

Plastic clothing clip, for AT829

AT8435

£ 5.95

Tie clip for MT350

AT8460

£ 12.95

Clothing clip for ES943

AT8461

AT8461-TH

AT8439

AT899AK

AT899AK-TH

AT8440

AT899 MINIATURE MICROPHONE ACCESSORIES

AT8461

£ 12.95

Clothing clip base for AT899 and AT898 with single and double microphone holders

AT8461-TH

£ 12.95

Clothing clip base for AT899 and AT898 with single and double microphone adapters in beige

AT899AK

£ 39.95

Accessory kit for AT899 and AT898 models in black

AT899AK-TH

£ 39.95

Accessory kit for AT899 and AT898, models in beige

ACCESSORIES FOR HEADWORN AND MINIATURE MICROPHONES

AT8439

£ 3.95

Cable clothing clip for headworn, tie clip, and miniature microphone.

AT8440

£ 19.95

Cable clothing clip for AT892

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

accessories

( PC 315-MC 410)

DESK STANDS

AT8601

£ 17.95

AT8614

£ 44.95

Desk stand for all 5/8”-27 mic holders

Desk stand with thru-hole in 5/8”-27 stud for cable passage. UniPoint AM and ES range

AT8615A

£ 54.95

QM plug-in desk stand; XLRF in, XLRM out for all QM mics

AT8615RS

£ 59.95

Same as AT8615A with switch

AT8666 Low-profile microphone desk stand

£ 69.95

The low-profile AT8666 microphone desk stand with sturdy metal base is equipped with a 3-pin XLRFtype in, and an XLRM-type output connector.

AT8666RSC

£ 119.95

Microphone desk stand with switch and external contact closure

This quick-mount plug-in desk stand features a user-programmable switch and an external contact closure. The sturdy metal base is equipped with a 3-pin XLRF-type in, and a 5-pin XLRM-type output connector. It is designed to fit any phantom-powered gooseneck microphone with an XLRM-type output.

AT8666RSP

£ 99.95

Microphone desk stand with switch

The low-profile AT8666RSP quick-mount desk stand base with user-programmable switch offers three settings: press on/press off, momentary on, and momentary off. The sturdy metal base is equipped with a 3-pin XLRF-type in and an XLRM-type output connector.

SUSPENSION ACCESSORIES FOR FIXED INSTALLATION MICROPHONES

AT8416

£ 49.95

AT8438

£ 12.95

Shock mount for all UniPoint AM and ES range. For fixed installation

Custom stand adapter for U853 and U853W fits 5/8”-27 stands

AT8438WH

£ 12.95

As AT8438 in white

AT8451

£ 8.95

Wire hanger adapter for overhead applications with U853 and PRO45

AT8451WH

£ 8.95

White version of AT8451

AT8452

£ 8.95

Wire hanger adapter for overhead MicroLine

®

ES933

AT8452WH

£ 8.95

White version of AT8452

AT8651

£ 5.95

Thread mount adapter for old ES range

AT8646AM

£ 24.95

Shockmount plate with 5/8”-27 threaded adapter mount

AT8662

£ 24.95

AT8474

£ 24.95

Shockmount for gooseneck microphone supplied with U857Q Series

Low-profile isolation mount (allows mounting above or beneath mounting surface).

AT8646QM

£ 32.95

Shockmount plate with XLRF connector

AT8647QM/S

£ 69.95

Shockmount plate for quick mount microphones with on/off switch for fixed installation

AT8473

£ 19.95

Stand clamp permits attachment of the gooseneck mic base to a standard 5/8”-27 or 3/8”-16 threaded mic stand or mounting flange.

genuine accessories

AT8601

AT8666

AT8651

AT8646AM

AT8474

AT8614

AT8666RSC - AT8666RSP

AT8438WH

AT8615A

AT8451-AT8451WH

AT8615RS

AT8416

AT8452

AT8646QM AT8647QM/S AT8473

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

115

116

AT8118

accessories

AT8137

AT8101

AT8111 AT8112 AT8115

AT8106

AT8136

AT8120

windscreens

(PC-315-MC410)

WINDSCREENS FOR 30 AND 40 SERIES MICROPHONES

AT8137

£ 29.95

Large studio foam windscreen for AT4033a / AT4040 / AT4050/AT4047SV/ AT3035/ AT3060/

AT2020

AT8106

£ 34.95

AT8159

£ 4.95

Metal slip-on pop filter for AT4041 (for ultimate pop and wind protection, use an AT8114 in addition)

Small egg-shaped foam windscreen for AT4041 / PRO37 / AT3031 / AT3032

WINDSCREENS FOR VOCAL AND INSTRUMENT MICROPHONES

AT8101

£ 5.95

AT8111

£ 8.50

AT8112

£ 8.50

AT8114

£ 8.50

AT8115

£ 8.95

AT8118

£ 7.95

AT8120

£ 12.95

AT8122

£ 5.95

AT8136

£ 5.95

Large cylindrical foam windscreen for AT804 / AT804L

Thin cylindrical foam windscreen for ATM650

Large cylindrical foam windscreen for ATM610 / AE4100 / AE6100

Ball-shaped foam windscreen for ATM31a / ATM410 / ATM710 / AE3300 / AE5400

Large-pore egg-shaped foam windscreen for ATM650

Small foam windscreen for ATM350

Large foam windscreen for AT822 / PRO25ax / AT825 / AE3000

Small foam windscreen for U873

Small egg-shaped foam windscreen for ATM10a / ATM33a

WINDSCREENS FOR SHOTGUN MICROPHONES

AT8132

£ 16.95

AT8133

£ 12.95

AT8134

£ 15.95

AT8135

£ 16.95

Shotgun windscreen for AT835b

Shotgun windscreen for AT875R

Shotgun windscreen for AT835ST / AT4073a / AT897 / BP4029 / ATR55

Shotgun windscreen for AT815b / AT4071a / AT815ST / BP4027

AT8135

AT8132

AT8134 AT8133

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

windscreens

(PC-315-MC410)

HEADWORN MICROPHONE WINDSCREENS

AT8119

£ 1.95

Windscreen for headworn ATM73

AT8125

£ 5.95

Large foam golfball windscreen for ATM73

AT8128

£ 5.95

Small foam torpedo windscreen for headworn mic ATM73

AT8139L

£ 5.95

Large foam windscreen for headworn mic ATM75 / PRO8HE

AT8139S

£ 5.95

Small foam windscreen for headworn mic ATM75 / PRO8HE

AT8142A

£ 1.95

Foam temple pads (pair) for headworn mic ATM75 / PRO8HE

AT8142B

£ 1.95

Foam temple pads (pair) for headworn mic ATM73

AT8143

£ 19.95

Coloured windscreen pack suitable for ATM75 / PRO8HE, set of 4 (pink, purple, green and yellow) includes temple pads

AT8125

AT8119

AT8128

AT8139S

TIE CLIP MICROPHONE WINDSCREENS

AT8110

£ 10.95

Foam windscreen for ES943

AT8116

£ 8.95

AT8129

£ 1.95

AT8130

£ 4.95

AT8131

£ 1.95

Mini windscreen for AT803b/ AT829 / AT831 / PRO70

Miniature foam windscreen for MT350

Subminiature foam windscreens (packet of 3) for MT830

Miniature foam windscreen for AT829 / AT803 / AT831 / PRO70

AT8143

MINIATURE AT899 AND AT898 MICROPHONES ACCESSORIES

AT8150

£ 12.95

Element covers (pack of 3)

AT8150-TH

£ 12.95

AT8151

Beige element covers (pack of 3)

£ 10.95

Windscreen (pack of 3)

AT8151-TH

£ 10.95

Beige windscreen (pack of 3)

AT8150

AT892 MICROPHONES ACCESSORIES

AT8156

£ 9.95

Element cover

AT8156-TH

£ 9.95

Beige version of AT8156

AT8156-CO

£ 9.95

AT8157

Cocoa version of AT8156

£ 10.95

AT892 windscreen

AT8157-TH

£ 10.95

Beige version of AT8157

AT8157-CO

£ 10.95

Cocoa version of AT8157

AT8156-TH

AT8150-TH

AT8157-TH

AT8151 AT8151-TH

UNIPOINT ® , PROPOINT ®

AND ENGINEERED SOUND ® WINDSCREENS

AT8153

Small 2-stage foam windscreen

£ 7.95

for use with U853 / U859 / U857

AT8153WH

£ 7.95

AT8102

£ 44.95

AT8104a

White version of AT8153

£ 7.95

Small 2-stage foam windscreen for use with U853 / U859 / U857

AT8102WH

White version of AT8102

£ 44.95

Small metal lockable windscreen with additional outer foam windscreen provided suitable for U853 / U857 / U859

AT8109

£ 12.95

AT8117

£ 8.95

AT8161

£ 24.95

Snap-on foam windscreen for ES Series gooseneck mics

Large high density foam windscreen for U853 outdoor use

Metal windshield with additional outer foam for use with engineered sound gooseneck microphones (see page 69)

AT8109

AT8104a

AT8117

AT8154

Small 2-stage foam windscreen for use with U853 / U859 / U857

£ 8.95

with UniLine™ elements

AT8154WH

£ 8.95

White version of AT8154

AT8138

£ 9.95

Windscreen for MicroLine

AT8138WH

£ 9.95

White version of AT8138

® All ML/suffix mics

AT8146

£ 7.95

Windscreen for PRO47 / PRO49

AT8146WH

£ 7.95

White version of AT8146

AT8138

AT8146

AT8102

AT8138WH

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

117

accessory charts

118

studio microphones

Microphone clamps

AT8405A

AT8407

AT8471

AT8470

Adapters and stand accessories

AT8422

Clamps and shock mounts for studio mics

AT8430

AT8447

AT8449

AT8449SV

AT8458

AT8466

Universal shock mounts

AT8410A

AT8415

Windscreens for 20, 30 and 40 series microphones

AT8137

AT8106

AT8159

●

●

●

●

A

T4033aSM

live sound microphones

Power modules

AT8531

AT8542

Microphone clamps

AT8405A

AT8406A

AT8407

AT8470

AT8471

Adaptors and stand accessories

AT8422

AT8423

AT8665

Universal shock mounts

AT8410A

AT8415

Accessories for miniature microphones

AT8418

AT8468

Accessories for headworn microphones

AT8439

Windscreens for vocal and instrument microphones

AT8106

AT8111

AT8112

AT8114

AT8115

AT8136

AT8153

AT8153WH

AT8159

AT8160

Windscreens for headworn microphones

AT8119

AT8125

AT8128

AT8139L

AT8139S

AT8142A

AT8142B

AT8143

✪

= FURNISHED -

●

= OPTIONAL - (1) except for Wireless versions

✪

●

●

●

AE5400

✪

●

●

●

●

●

●

●

AE3300

A

T4040

✪

●

AE6100

●

●

●

●

●

✪

A

T4040SC

✪

AE4100

●

●

●

●

●

●

●

A

T4050SM

✪

AE2500

●

●

✪

●

A

T4050SC

✪

●

AE3000

●

●

●

A

T4047SVSM

●

A

T4047SVSC

✪

A

T4041

●

✪

●

●

●

●

✪

●

●

✪

AE5100

●

✪

●

●

A

TM250

●

●

●

●

●

✪

●

●

●

●

A

TM650

✪

A

T4053a

●

●

●

✪

●

●

A

TM250DE

●

●

✪

●

A

T3060

●

●

✪

●

●

●

●

●

●

A

TM450

●

●

●

✪

●

A

T3035

●

✪

●

●

●

●

A

TM410

●

●

✪

A

T3031

●

●

●

✪

●

●

●

●

A

TM610

✪

A

T3032

●

●

●

●

✪

●

●

●

●

●

●

●

●

●

●

✪

A

TM710

✪

A

TM350

A

TM73a

✪

(1)

(1)

A

TM75

✪

(1)

●

●

✪

✪

A

T2020

✪

✪

●

✪

●

●

A

T2010

A

T2020USB

✪

✪

●

●

119

multipurpose microphones

Power modules

AT8538

(1)

Microphone clamps

AT8401

AT8405A

AT8406A

AT8407

AT8470

AT8471

Adapters and stand accessories

AT8665

AT8422

AT8472

Universal shock mounts

AT8410A

AT8415

Accessories for miniature microphones

AT8418

AT8444

Clamps and accessories for tie clip/lavalier microphones

AT8411

AT8412

AT8414

AT8417

Accessories for headworn microphones

AT8439

Suspension accessories for fixed installation microphones

AT8438

AT8438WH

AT8451

AT8451WH

Windscreens for 20, 30 and 40 series microphones

AT8106

AT8159

Windscreens for vocal and instrument microphones

AT8101

AT8111

AT8112

AT8114

AT8115

Windscreens for headworn microphones

AT8139L

AT8139S

AT8142A

AT8143

Windscreens for tie clip/lavalier microphones

AT8116

Windscreens for Unipoint, Propoint and ES microphones

AT8102

AT8102WH

AT8153

✪

= FURNISHED -

●

= OPTIONAL - (1) except for Wireless versions

●

●

●

✪

✪

●

●

●

MB1k

●

✪

✪

●

●

●

MB1k/c

●

●

●

✪

✪

●

●

●

●

MB2k

●

●

●

✪

✪

●

●

●

●

MB2k/c MB3k

✪

●

●

●

●

●

●

✪

MB3k/c MB4k

●

●

●

✪

✪

✪

●

✪

●

✪

MB4k/c MBDK5 MBDK7 PRO31 PRO31QTR PRO41 PRO61 PRO8HEx PRO25ax PRO63 PRO70 PRO35

✪

(1)

PRO37 PRO24 PRO24CM

✪

●

●

✪

●

●

●

✪

●

●

●

✪

●

●

●

✪

●

●

●

✪

✪

●

●

✪

●

✪

✪

✪

✪

✪ ✪ ✪ ✪ ✪

✪

✪ ✪ ✪ ✪

✪

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

✪

✪

●

●

●

✪

●

●

●

●

●

✪

●

●

●

●

●

●

●

● ● ●

● ● ●

●

●

●

●

✪

✪

●

●

●

●

●

●

120 accessory charts

broadcast

& production

A

T4071a

A

T4073a

BP4027 BP4029 A

T8015

A

T8035

A

T897

Power modules

AT8531

AT8537

AT8538

Microphone clamps

AT8405A

AT8407

AT8471

Adaptors and stand accessories

AT8422

AT8423

Universal shock mounts

AT8410A

AT8415

Accessories for miniature microphones

AT8418

AT8444

Clamps and accessories for tie clip/lavalier microphones

AT8411

AT8412

AT8414

AT8417

AT8420

AT898 and AT899 miniature microphone accessories

AT8461

AT8461TH

AT899AK-TH

AT899AK

Accessories for headworn microphones

AT8439

AT8440

Windscreens for vocal and instrument microphones

AT8101

AT8114

AT8120

AT8136

Windscreens for shotgun microphones

AT8132

AT8134

AT8135

Windscreens for tie clip/lavalier microphones

AT8116

AT8130

Windscreens and element covers for AT899

AT8150

AT8150TH

AT8151

AT8151TH

Windscreens and element covers for AT892 MicroSet™

AT8156

AT8156-TH

AT8156-CO

AT8157

AT8157-TH

✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

✪

AT8157-CO

✪

= FURNISHED -

●

= OPTIONAL - (1) except for Wireless versions

✪

✪

✪

✪

✪

✪

A

T875R

● ● ● ●

●

✪

✪ ✪ ✪ ✪

●

✪

A

T898

✪

(1)

A

T898c

✪

A

T899

(1)

● ● ● ●

✪

● ●

● ● ● ●

A

T899c

●

●

A

T899c-TH

A

T892c

✪

✪

✪

✪

✪

✪

A

T892c-TH

A

T892c-CO

A

T803b

✪

✪

✪

✪

(1)

● ● ●

●

✪

(1)

✪

A

T831R

✪

(1)

✪

● ● ●

● ● ●

● ● ●

✪ ✪ ✪

● ● ● ● ● ● ● ●

✪ ✪ ✪

A

T831b

✪

(1)

✪

✪

MT830R A

T803cb

● ●

● ●

● ●

● ●

● ●

✪ ✪

✪

A

T831c

✪

MT830c MT838b A

T8031

✪

✪

✪

A

T8033

✪

A

T825

✪

A

T822

✪

A

T8010

✪

A

T804

✪

A

T804L

✪

● ● ● ● ● ● ●

● ● ● ● ● ● ●

● ● ● ● ● ● ●

● ● ● ● ● ● ●

● ● ● ● ● ● ●

● ● ● ● ● ●

✪

✪

✪ ✪

✪

● ●

121

installed sound mics

W WU

PRO45 PRO45W PRO47T/PRO47TL U853A U853A U853AU U853A U853R U853RW U853RU U853RWU U841A U851A U857AL U857AU U857Q U857QL U857QU U857QLU U857R U857RL U857RU U857RLU U859QL U873R

Power modules

AT8510

AT8536

AT8538

AT8531

Microphone clamps

AT8405A

✪ ✪ ✪ ✪

✪ ✪ ✪ ✪

AT8407

Desk stands

AT8615A

AT8615RS

AT8666

AT8666RSP

AT8666RSC

Accessories for miniature microphones

AT8418

Clamps and accessories for tie clip/lavalier microphones

AT8460

●

●

●

●

●

Suspension accessories for fixed installation microphones

AT8416

●

AT8438

AT8438WH

AT8451

AT8451WH

● ●

● ●

✪ ●

● ✪

AT8452

● ●

✪

●

●

●

AT8452WH

AT8651

AT8658

AT8662

AT8663

AT8664

AT8646AM

AT8646QM

●

AT8647QMS

AT8474

AT8473

Windscreens for vocal and instrument microphones

AT8122

Windscreens for tie clip/lavalier microphones

AT8110

●

●

●

Windscreens for Unipoint, Propoint and ES microphones

AT8102

AT8102WH

AT8104A

● ● ● ● ● ●

● ● ● ● ● ●

● ● ● ● ● ●

AT8109

AT8109WH

AT8117

AT8138

AT8138WH

AT8146

AT8146WH

AT8153

AT8153WH

AT8154

AT8154WH

✪

●

●

✪

✪ ✪

● ●

✪

●

●

✪

✪

= FURNISHED -

●

= OPTIONAL - (1) except for Wireless versions

✪

✪

●

✪

●

✪

●

✪

✪ ● ✪ ● ✪ ● ✪ ●

✪ ● ✪ ● ✪ ● ✪

✪

●

●

●

✪

● ●

✪

●

● ●

● ●

● ●

✪

●

●

✪

✪

✪

●

●

●

✪

✪ ✪ ✪ ✪

● ●

✪ ✪

✪ ✪

●

●

●

●

●

✪

●

✪

●

● ● ● ●

● ● ● ●

● ● ● ●

● ● ● ●

● ● ● ●

● ● ● ●

● ● ● ●

● ● ● ●

✪ ✪ ✪ ✪

● ● ● ●

● ● ● ●

● ●

● ●

● ●

● ●

✪ ✪

● ●

✪ ✪

● ●

✪ ✪ ✪ ✪

● ● ● ●

✪ ✪ ✪ ✪

✪ ✪ ✪ ✪

● ● ● ●

● ●

● ●

● ●

● ●

✪ ✪

● ●

✪ ✪

● ●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

●

✪

●

✪

✪

✪

●

ES915C/H ES915ML ES915SC ES915SML ES935C/H ES935ML ES935SC/H ES935SML ES905CL ES933C/H ES933WC/HES933ML ES933WML ES943C

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪

✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪

✪

●

✪

●

✪

●

✪

●

✪

●

✪

●

✪

●

✪ ✪ ✪ ✪ ✪ ✪

(1)

✪ ● ✪ ●

● ✪ ● ✪

✪

●

●

✪

✪

●

●

✪

✪

✪

www.rycote.com

Rycote has been manufacturing microphone shockmounts and windshield systems for more than thirty years, and over that period has built a reputation for being the industry standard in professional audio.

In 2000 they were honoured with a Technical Achievement Award by the Academy of Motion Picture Arts and Sciences for the design and development of their

Modular Suspension System.

They design, develop and manufacture all their products at their factory in Stroud,

England and are continually striving to provide the industry with the most effective microphone windshield and shockmount systems available.

full windshield system s-series softies smoothies babyball gag mounts inVision undercovers / overcovers lavalier windjammers

pages

124 -125

126

127

128

129

130

131

132

133

123

124

full windshield system

Modular Suspension

full windshield system

Full windshields have been the standard in the industry for a number of years due to the great performance in removing up to a staggering 37dB wind noise from microphones. What also sets it apart is the ability to keep the audio pure and transparent excelling within the high-end frequency spectrum.

MODULAR SUSPENSION

• A 4-point elastic shock-mount suspension provides isolation of handling noise

• The lightweight suspension fits a wide range of microphones

• Equipped for both a boom adaptor and a pistol grip handle, the range of clips and O-rings to provide a custom fit for microphones with 19/20mm, 21/22mm, 24/25mm diameters

• The customizable mount can accommodate different styles of use including foam windshield with out obstruction.

MODULAR WINDSHIELD

• The Modular Windshield completely surrounds the microphone and connectors providing a volume of still air

• The Modular Windshield design provides exterior wind attenuation of up to 25dB whilst minimising any loss of higher frequencies

• The lightweight flexible plastic tube netting is manufactured for strength and durability

• Twist and turn locking end caps and unique slide-on/slide-off system provide fast access to the microphone

WINDJAMMER

• A Windjammer fits over the windshield to provide added protection against extreme wind up to 12dB of wind reduction.

• The combination of a wind jammer and a modular windshield is the most effective cover while maintain audio clarity.

• The Windjammer is made from specially designed and manufactured screening materials with minimal adverse effect on sound level or quality.

Modular Windshield

Windjammer

PISTOL GRIP

• Low weight rubber and hardened plastic design for high impact

• Star knob for secure locking

• Incorporates a standard screw mounting to attach to a boom pole or microphone stands

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

full windshield system

• All sizes of the modular windshield are available as a complete kit. the kit includes a modular suspension, modular windshield & windjammer - all in one box.

• Common parts in the windshield kit are: modular suspension (with pistol grip handle & 19/20mm mic clips).

suspension accessories: boom adaptor, hex head key, 21/22mm clips, 25mm round mic clips, 25mm square mic clips, xlr holder, suspension bands & various spare parts

RY-WSKIT3

£ 359.55

Rycote 086002, kit 3 full windshield system

Comprising small modular suspension, windshield 3 and windjammer 3 in its own box for AT875

RY-WSKIT4

£ 379.53

Rycote 086001, kit 4 full windshield system

Comprising medium modular suspension, windshield 4 and windjammer 4 in its own box for AT897, BP4029 and BP4073

RY-WSKIT5

£ 417.13

Rycote 086005, kit 5 full windshield system

Comprising medium modular suspension, windshield 4, extension 1 and windjammer 5 in its own box for AT897

RY-WSKIT6

£ 417.13

Rycote 086006, kit 6 full windshield system

Comprising Medium Modular Suspension, Windshield 4, Extension 2 and Windjammer 6 in its own box for BP4027 AT8035, BP4071

RY-WSKIT7

£ 430.05

Rycote 086007, kit 7 full windshield system

Comprising large modular suspension, windshield 4, extension 3 (in a separate box) and windjammer 7 in its own box for AT8015 full windshield system

Modular kit

RY-CONNBOX

£ 78.73

Rycote 016901 Connbox

A Connbox can be fitted to the modular suspension as part of the full windshield system.

The Connbox acts as an anchor point for the microphone cable isolating and removes any cable borne noise picked up by the microphone. The input cable is an ultra-thin fitted with an XLR connector, the output cable terminates with an XLR at the pistol grip.

Modular Suspension with Connbox

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

125

126

s-series

S-serie kit

s-series

The latest lightweight, minimum parts design incorporates a superior new suspension concept, new materials and new windshield construction for refined performance of up to 27dB wind reduction. Tough enough to withstand the rigours of ENG and ready to use straight out of the box, the S-Series has all the flexibility, balance and professional performance that you can expect from a Rycote system in a light weight construction.

S-SERIES SUSPENSION

• One-piece web suspension elements - no rubbers or elastics

• Patented design gives ideal isolation for all axial microphones

• Unaffected by temperature and all-but unbreakable

• Suitable for 19mm to 25mm diameter microphones

• Snap-in webs with six positions for perfect balance and fit

• Matched, high-flexibility microphone cable with twin clamps

• Pinch-release fittings for webs and cable clamps for quick and easy repositioning

CABLE/CONNECTORS SPECIFICATION

• Balanced microphone twin with ultra-fine stranded copper cores (18 x 0.1mm) and a helical screen

• 3mm soft PVC jacket for high flexibility even at low temperatures

• Neutrik NC3 (XLR-style) connectors with gold-finished pins

STRUCTURE

• Steel spine for core strength and rigidity

• Central chassis ring secures windshield pods and allows fast access to the microphone

• Chassis ring can be demounted when only a suspension is required

PISTOL GRIP

• Low weight rubber and hardened plastic design for high impact

• Star knob for secure locking

• Incorporates a standard screw mounting to attach to a boom pole or microphone stands

RY-S300

£ 223.25

Rycote 010301, s-series 300 kit

200 mm (8”) OR LESS – 255 mm (10” ) for AT875, BP4029 and BP4073

RY-S330

£ 229.13

Rycote 010302, s-series 330 kit

260 mm (10” ) – 280 mm (11” ) for AT897

RY-S450

£ 240.88

Rycote 010304, s-series 450 kit

355 mm (14” ) – 410 mm (16” ) for AT8035, BP4071 and BP4027

Pistol grip handle

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

softies

The Softie System provides a quick, simple, robust, cost-effective windshield and shockmount for the tough environment of modern day ENG and location recording.

SOFTIE WINDSHIELD

The Softie Windshield is a slip-on open-cell foam, with an integral fur cover. The Softie will reduce wind noise up to 25dB and protects your mic. A standard in Broadcast world-wide.

RY-SOFTIE5

£ 76.73

Rycote 033031, Softie 5cm windshield

For AT4041, AT4022 and AT4021

RY-SOFTIE12

£ 85.78

Rycote 033032, Softie 12cm windshield

For BP4073

RY-SOFTIE14

£ 85.78

Rycote 033042, Softie 14cm windshield

For AT897, AT875 and BP4029

RY-SOFTIE18

£ 85.78

Rycote 033052, Softie 18cm windshield

For AT897

RY-SOFTIE24

£ 92.83

Rycote 033072, Softie 28cm windshield

For AT8035

RY-SOFTIE29

£ 92.83

Rycote 033082, Softie 29cm windshield

For BP4027and BP4071

RY-SOFTIE32

£ 92.83

Rycote 033092, Softie 32cm windshield

For AT8015

SOFTIE MOUNTS & PISTOL GRIPS

All microphones equipped with Softies can all be accompanied by mounting accessories found on page 130.

softies

softie with pistol grip mount

The above microphone features an Ry-Softie14 and Ry-Pistol see page 130 for mounts.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

127

128

smoothies

Smoothie range

smoothies

A smoothie is a robust and practical 2 part foam cavity windshield, constructed of an open acoustic foam base and covered by a thin foam outer skin. A smoothie reduces wind noise by up to 22dB.

• For increased wind protection fur cover windjammers are available to fit over the smoothie

• Printed colour logos are available as a special order can be supplied

• Smoothies are available at a standard 14 cm length or 18 cm

• Available in 5 colours:

Blackberry - Strawberry - Lime - Banana - Blueberry

RY-SMOOTHIEYL

£ 49.35

Rycote 039512, banana smoothie

Yellow 14 cm medium hole for AT875, AT897, BP4029, BP4073

RY-SMOOTHIEBK

£ 49.35 Rycote 039522, blackberry smoothie

Black 14 cm medium hole for AT875, AT897, BP4029, BP4073

RY-SMOOTHIEBU

£ 49.35 Rycote 039532, blueberry smoothie

Blue 14 cm medium hole for AT875, AT897, BP4029, BP4073

RY-SMOOTHIEGR

£ 49.35 Rycote 039542, lime smoothie

Green 14 cm medium hole for AT875, AT897, BP4029, BP4073

RY-SMOOTHIERD

£ 49.35 Rycote 039552, strawberry smoothie

Red 14 cm medium hole for AT875, AT897, BP4029, BP4073

RY-SMOOTHIEWJ

£ 42.30 Rycote 021712, windjammer for smoothie

To fit 14 cm smoothies

RY-SMOOTHIE18BK

£ 49.35 Rycote 039622, blackberry smoothie

Black 18 cm medium hole for AT897

RY-SMOOTHIE18WJ

£ 42.30 Rycote 021713, windjammer for smoothie

To fit 18 cm smoothies

All microphones equipped with smoothies can all be accompanied by mounting accessories found on page 130.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

babyball gag

The Babyball Gag offers the wind reduction quality of a full windshield system for handheld microphones.

A windjammer is also available for Babyball Gag for maximum the protection against wind noise.

Constructed from the same high quality material as all full-size Rycote Modular windshields

The microphone is mounted through the grommet to completely enclose the capsule in still air. The grommet grips the microphone body and stays secure leaving the shank of the microphone to be utilized for hand-held use or in a shock mount. Perfect and lightweight for boom pole applications and hand-held operations.

RY-BABYBALL

£ 75.79

Rycote 01102, Babyball gag windshield

For AT8004, AT8004L, AT8010, AT8031, AT8033

RY-BABYBALLWJ

£ 37,60 Rycote 021801, Babyball gag windjammer

For use with the RY-BABYBALL

All microphones equipped with Babyball gag can all be accompanied by mounting accessories found on page 130.

babyball gag

Babyball gag

The CCA mount featured in this picture can be found on page 130.

Babyball gag plus windjammer with an CCA mount.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

129

130

Pistol grip mount

Multimount

mounts

Softie CCA

mounts

Rycote mounts provide fast, flexible solutions which are simple but effective for removing vibrations. The one piece rubber diaphragm shock-mount is made from EPDM making the unit extremely robust and performs in all environment conditions. The mount can be attached via a Pistol grip handle including a standard screw fitting, a

CCA camera clamp adaptor or a Multi-Mount v2 when hot shoe mounting. Suitable to use along side an Audio-

Technica windshield or a Rycote Softie, Smoothie and Babyball gag.

RY-PISTOL

£ 92.83

Pistol Grip mount

The versatile pistol grip allows the user to either hold the mount with the handle or attach it to a boom pole via a 3/8" threaded insert in the base of the handle. Suitable for Audio-Technica windshields, Rycote Softies, Smoothies and

Babyball gags.

RY-CCA

£ 79.90

Camera clamp adaptor

This mount attaches to a camcorder with a microphone clamp (25-27mm diameter) or to a boom pole via a 3/8" thread, to provide isolation from handling noise and any lens motor noise from the camera. Suitable for Audio-Technica windshields, Rycote Softies, Smoothies and Babyball gags.

RY-MULTIMOUNTM

£ 49.95

Multimount v2

The 21/22mm diameter lightweight hot-shoe mount allows the user to fit the hot-shoe of a camcorder or a boom pole with a 3/8" Whitworth tip. Suitable for Audio-Technica windshields, Rycote Softies, Smoothies and Babyball gags.

RY-MULTIMOUNTL

£ 49.95

Multimount v2

The 24/25mm diameter lightweight hot-shoe mount allows the user to fit the hot-shoe of a camcorder or a boom pole with a 3/8" Whitworth tip. Suitable for Audio-Technica windshields, Rycote Softies, Smoothies and Babyball gags.

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

inVision

The InVision suspension range is ideal mounting and isolating for microphones where a discrete low profile is essential. The lyre design works as a shock mount to stop vibrations and is all but indestructible. The inVision mounts are suitable for hanging, lavalier, and pencil microphones for studio, broadcast or installation use. The

InVision range offers all the flexibility, balance and professional performance that a Rycote microphone suspension.

RY-INV1

£ 35.25 Rycote 041101, inVision hanging / lavalier mount

The RY-INV1 is designed for static mounting on a desk or microphone stand when a discrete profile is essential. The discrete lyre suspension webs have a small profile designed to isolate hanging and lavalier microphone.

The InVision lyre webs are 43mm wide by 40mm high leaving space mount a windshield if required.

For AT803b, AT831b, ATM350, ES933, PRO35 and PRO70

RY-INV6

£ 35.25 Rycote 041106, inVision short bar mount

The RY-INV6 mounts on to a standard microphone stand or boom pole for isolation from vibrations.

The discrete lyre webs are 70mm wide and will hold microphones from 19mm-25mm making it suitable for pencil style microphones.

For AT4021, AT4022, AT4041, AT8010, AT8031, AT8033, ATM450, U873, and PRO24

RY-INV7

£ 35.25 Rycote 041107, invasion long bar mount

The RY-INV7 mounts onto a standard microphone stand or a boom pole for isolation from vibrations.

The long bar design has better support for heavier or longer microphone.

The discrete lyre webs are 70mm wide and will hold microphones from 19mm-25mm making it suitable for pencil style microphones.

For AT4021, AT4022, AT4041, AT8004, AT8010, AT8031, AT8033, AT875R, AT897, ATM450, U873, BP4073 and PRO24

RY-INV6

inVision

RY-INV1

RY-INV7

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

131

132

undercovers, overcovers

undercovers, overcovers

Undercovers are disposable mounts & windshields for lavalier and tie-clip microphones.

Undercovers stop the rustling of cloths against the microphone, and will stick to clothes or skin.

Being discrete they are suitable for broadcast and theatre applications.

The Undercovers come supplied in packs of 30 stickie pads and 30 coloured felt covers.

RY-UNDERCOVERBK

£ 5.88 Rycote 065101, Black undercovers

30 x Black felt covers

RY-UNDERCOVERGY

£ 5.88 Rycote 065102, Grey undercovers

30 x Gray felt covers

RY-UNDERCOVERWH

£ 5.88 Rycote 065103, White undercovers

30 x white felt covers

RY-UNDERCOVERMX

£ 5.88 Rycote 065504, multi colour undercovers

10 x black, 10 x Gray, 10 x white felt covers

Overcovers are semi disposable mounts & fur windshields for lavalier and tie-clip microphones. Overcovers stop wind and the rustling of cloths against the microphone making them suitable for broadcast applications.

The Overcovers come supplied in packs of 30 backing pads and 6 fur covers, 2 black, 2 white and 2 gray.

RY-OVERCOVER

£ 5.00 Rycote 065505, multi colour overcovers

30 x stickie pads, 6 x fur covers, 2 black, 2 gray 2 white

RY-STICKIE

£ 4.11 Rycote 065506, stickie pads

30 x stickie pads

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

lavalier windjammers

For lavalier and tie-clip microphones the windjammer offers the best protection against high winds making it the suitable to outside broadcast application. The windjammer has a flexible opening that stretches to fit the microphone and fit securely around the cable. To ensure a proper fit an internal removable foam insert is designed to hold most lavalier microphones and provide space so the windjammer can be best effective.

The lavalier windjammers are available in black, grey and white.

RY-LAVALIERWJBK

£ 25.85 Rycote 065501, lavalier windjammer

Black lavalier windjammer

RY-LAVALIERWJGY

£ 25.85 Rycote 065502, lavalier windjammer

Grey lavalier windjammer

RY-LAVALIERWJWH

£ 25.85 Rycote 065503, lavalier windjammer

White lavalier windjammer lavalier windjammers

133

Lavalier Windjammers

UK Retail Catalogue, September 2008. Prices in GB Sterling including VAT (1)

134 accessory charts

Rycote

Full Windshield Kits

RY-WSKIT3

RY-WSKIT4

RY-WSKIT5

RY-WSKIT6

RY-WSKIT7

S-Series

RY-S300

RY-S330

RY-S450

Softies

RY-SOFTIE5

RY-SOFTIE12

RY-SOFTIE14

RY-SOFTIE18

RY-SOFTIE24

RY-SOFTIE29

RY-SOFTIE32

Smoothies

RY-SMOOTHIEYL

RY-SMOOTHIEBK

RY-SMOOTHIEBU

RY-SMOOTHIEGR

RY-SMOOTHIERD

RY-SMOOTHIEWJ

RY-SMOOTHIE18BK

RY-SMOOTHIE18WJ

Baby Ball Gag

RY-BABYBALL

RY-BABYBALLWJ

Mounts

RY-PISTOL

RY-CCA

RY-MULTIMOUNTM

InVision

RY-INV1

RY-INV6

RY-INV7

Undercovers

RY-UNDERCOVERBK

RY-UNDERCOVERGY

RY-UNDERCOVERWH

RY-UNDERCOVERMX

Overcovers

RY-OVERCOVER

RY-STICKIE

Lavalier Windjammers

RY-LAVAILERWJBK

RY-LAVAILERWJGY

RY-LAVAILERWJWH

●

BP4071 BP4073 BP4027 BP4029 A

T8015

A

T8035

A

T897

●

A

T875R

A

T898

● ● ●

●

● ●

A

T899

A

T803b

A

T831b

MT830R MT838b A

T8031

A

T8033

A

T8022

A

T4025

A

T8010

A

T8004

A

T8004L

A

TM350

A

TM450

ES933 PRO35 PRO37 PRO24 PRO70 A

T4021

A

T4022

A

T4041

●

●

●

●

●

●

●

● ● ●

●

●

●

●

●

●

● ●

●

●

●

●

●

●

●

●

●

●

●

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●

●

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●

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●

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●

●

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●

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●

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●

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●

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●

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●

●

●

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●

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●

●

●

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● ●

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● ●

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136

alphanumeric product listing

Product Code

AT4047SVSM

AT4050SC

AT4050SM

AT4071a

AT4073a

AT8004

AT8004L

AT8010

AT8015

AT8022

AT8031

AT8033

AT8035

AT803aW

AT803b

AT803cb

AEW-T4100

AEW-T5400

AEW-T6100

AEW-TB44

AT2010

AT2020

AT2020USB

AT2035

AT2050

AT4021

AT4022

AT4033aSM

AT4040

AT4040SC

AT4041

AT4047SVSC

AT808G

AT8101

AT8102

AT8102WH

AT8104a

AT8106

AT8109

AT8110

AT8111

Page

88

88

88

88

88

88

88

88

88

88

88

88

88

88

88

88

88

101

101

101

101

91

90

89

89

88

88

88

88

23

22

22

88

101

101

101

101

23

23

22

22

Product Code

AEW-4313

AEW-4314

AEW-4315

AEW-4316

AEW-5111

AEW-5233

AEW-5244

AEW-5255

AEW-5266

AEW-5313

AEW-5314

AEW-5315

AEW-5316

AEW-5413

AEW-5414

AEW-5415

AC100

AC12

AC25

AC50

AE2500

AE3000

AE3300

AE4100

AE5100

AE5400

AE6100

AEW-4110

AEW-4230

AEW-4240

AEW-4250

AEW-4260

AEW-5416

AEW-DA550C

AEW-DA660D

AEW-DA800E

AEW-DA860F

AEW-R4100

AEW-R5200

AEW-T1000

AEW-T3300

Product Code

AT8135

AT8136

AT8137

AT8138

AT8138WH

AT8139L

AT8139S

AT8142A

AT8142B

AT8143

AT8146

AT8146WH

AT8150

AT8150-TH

AT8151

AT8151-TH

AT8122

AT8125

AT8128

AT8129

AT8130

AT8131

AT8132

AT8134

AT8112

AT8114

AT8115

AT8116

AT8117

AT8118

AT8119

AT8120

AT8153

AT8153WH

AT8154

AT8154WH

AT8156

AT8156-CO

AT8156-TH

AT8157

AT8157-CO

Page

49

98

52

52

49

53

54

54

46

55

55

55

11

11

11

46

54

116

117

117

117

116

117

117

116

10

10

12

11

14

13

13

10

89

89

89

101

16

16

17

15

Product Code

AT8412

AT8414

AT8415

AT8416

AT8417

AT8418

AT8420

AT8422

AT8423

AT8430

AT8433

AT8434

AT8435

AT8438

AT8438WH

AT8439

AT8157-TH

AT8159

AT8161

AT8161

AT8202

AT829cW

AT831aW

AT831b

AT831c

AT831R

AT8325/1.0

AT8405a

AT8406a

AT8407

AT8410a

AT8411

AT8440

AT8444

AT8447

AT8449

AT8449SV

AT8451

AT8451WH

AT8452

AT8452WH

Page

117

117

117

117

117

117

117

117

116

116

116

117

117

117

117

117

117

117

117

117

117

117

117

117

117

116

117

117

117

117

117

116

116

116

116

116

117

117

116

117

116

Product Code

AT8537

AT8538

AT8539

AT8539

AT8542

AT8601

AT8614

AT8615A

AT8615RS

AT8628B

AT8628B

AT8630

AT8646AM

AT8646QM

AT8647QM/S

AT8651

AT8470

AT8471

AT8472

AT8473

AT8473

AT8474

AT8474

AT8531

AT8456a

AT8458

AT8459

AT8460

AT8461

AT8461-TH

AT8466

AT8468

AT8662

AT8665

AT8666

AT8666RSC

AT8666RSP

AT8671

AT8672

AT8681

AT8684

Page

112

113

112

114

114

115

115

114

114

114

113

115

114

113

114

112

114

113

113

113

113

115

115

115

115

52

52

106

112

112

112

113

114

117

116

73

117

110

98

98

52

Product Code

AT892cT4-TH

AT892c-TH

AT892cW

AT892cW

AT892cW-CO

AT892cW-CO

AT892cW-TH

AT892cW-TH

AT897

AT898

AT898c

AT898cW

AT899

AT899AK

AT899AK

AT899AK-TH

AT875R

AT8801

AT889cW

AT892

AT892 - TH

AT892c

AT892c-CO

AT892cL4

AT892cL4-CO

AT892cL4-TH

AT892cLM3

AT892cLM3-CO

AT892cLM3-TH

AT892-CO

AT892cT4

AT892cT4-CO

AT899AK-TH

AT899c

AT899c-TH

AT899cW

AT899cW-TH

ATCS-60MIC

ATCS-A60

ATCS-B60

ATCS-C60

Page

115

91

106

93

115

115

115

115

111

111

51

111

111

115

115

115

115

112

115

115

115

96

96

110

110

112

112

112

73

115

73

115

111

112

113

112

114

114

114

113

113

Product Code

ATH-PRO500BK

ATH-PRO500SV

ATH-PRO5V

ATH-PRO700

ATH-PRO700SV

ATH-T22

ATH-T44

ATM250

ATM250DE

ATM350

ATM350cW

ATM410

ATM450

ATM610

ATM650

ATM710

ATCS-C60MAG

ATCS-D60

ATCS-L60MIC

ATCS-M60

AT-GcW

AT-GcW-PRO

AT-GRcW-PRO

ATH910PRO

ATH-COM1

ATH-COM2

ATH-D40fs

ATH-M20

ATH-M30

ATH-M40fs

ATH-M50

ATH-M50S

ATM73a

ATM73ac

ATM73cW

ATM75

ATM75c

ATM75cW

AT-MX341a

AT-MX351

AT-MX381

Page

50

50

114

50

48

50

50

98

51

97

51

97

51

51

51

97

114

50

50

98

98

76

77

77

76

51

51

51

51

51

51

51

51

48

110

97

51

51

51

51

51

Page

27

25

27

24

26

28

98

25

109

109

109

109

109

105

105

26

29

97

106

106

107

29

29

97

29

105

105

104

104

104

104

104

104

99

99

99

105

77

77

76

76

Product Code

AT-PL120

ATR20

ATR25

ATR30

ATR35cW

ATR35S

ATR3M

ATR50

ATR55

ATR97

ATW RMS1

ATW-1811

ATW-1812

ATW-1821

ATW-1822

ATW-1823

ATW-2110

ATW-2110/G

ATW-2110/H

ATW-2110/HC1

ATW-2110/HC2

ATW-2110/P

ATW-2110/P1

ATW-2110/P2

ATW-2110/P3

ATW-2120

ATW-3110A

ATW-3110A/G

ATW-3110A/H

ATW-3110A/HC1

ATW-3110A/HC2

ATW-3110A/P

ATW-3110A/P1

ATW-3110A/P2

ATW-3110A/P3

ATW-3141A

ATW-3171A

ATW-49CB

ATW-49SP

ATW-701

ATW-701/G

Product Code

ATW-RM1

ATW-T1801

ATW-T1802

ATW-T210

ATW-T220

ATW-T310

ATW-T341

ATW-T371

ATW-T701

ATW-T702

BEC-AT1810

BEC-AT1820

BEC-HSA-VERT

BP4025

BP4027

BP4029

ATW-701/H

ATW-701/P

ATW-701/P+

ATW-702

ATW-A49

ATW-B80C

ATW-B80D

ATW-B80E

ATW-B80F

ATW-DA49

ATW-R1810

ATW-R1820

ATW-R2100

ATW-R3100A

ATW-RCS1

ATW-RM1

DMQ-60

EP3

EP3

ES905CL

ES915C12

ES915C18

ES915C21

ES915C24

ES915H12

Page

93

93

93

93

95

95

93

93

95

95

95

95

95

95

95

95

93

100

100

96

96

93

93

93

93

87

87

87

87

41

41

99

87

108

40

41

40

98

41

40

40

Product Code

ESE-ML

ESE-O

LI-240

M2

M2R

M2T

M3

M3R

M3T

ES933WH

ES933WML

ES935C6

ES935H6

ES935ML6

ES935SC6

ES935SH6

ES935SML6

ES943C

ES943CW/c

ES945

ES945W

ES947

ES947W

ESE-C

ESE-H

ES915H18

ES915H21

ES915H24

ES915ML12

ES915ML18

ES915ML21

ES915ML24

ES915SC12

ES915SC18

ES915SC21

ES915SML12

ES915SML18

ES933C

ES933H

ES933ML

ES933WC

Page

86

53

47

47

96

96

86

86

101

87

87

94

94

92

92

92

68

68

68

68

68

77

84

85

73

100

101

86

86

94

93

99

93

101

100

100

100

96

96

96

96

Product Code

MT838b

MT838cW

PRO24

PRO24-CM

PRO25ax

PRO31

PRO31QTR

PRO35

PRO35cW

PRO37

PRO41

PRO42

PRO44

PRO45

PRO45W

PRO47T

MB/DK5

MB/DK7

MB1k

MB1k/c

MB2k

MB2k/c

MB3k

MB3k/c

MB4k

MB4k/c

MB5k

MB6k

MT350b

MT830c

MT830cW

MT830R

PRO47TL

PRO49Q

PRO49QL

PRO61

PRO63

PRO70

PRO8HEcW

PRO8HEx

PRO92cW

Page

72

72

71

71

73

98

72

72

69

69

69

69

70

70

69

69

84

84

85

85

85

71

71

77

84

70

70

70

70

68

68

68

68

68

68

68

68

68

68

68

68

Page

66

66

66

67

98

36

34

66

35

34

34

36

52

98

37

37

35

36

97

35

97

67

67

67

34

52

52

98

52

38

38

39

39

38

38

38

38

39

39

38

38

Product Code

UE-C

UE-H

UE-H

UE-O

UE-O

UE-UL

XLRW

U857AL

U857AU

U857LcW

U857Q

U857QL

U857QLU

U857QU

U857R

U857RL

U857RLU

U857RU

U859QL

U873R

U891R

U891RC

U891RW

RY-WSKIT6

RY-WSKIT7

U841A

U841cW

U851A

U851cW

U851R

U851RW

U853A

U853AU

U853AW

U853AWU

U853R

U853RU

U853RW

U853RWU

Product Code Page

PRO92cW-TH

RY-BABYBALL

RY-BABYBALLWJ

RY-CCA

RY-CONNBOX

RY-INV1

RY-INV6

RY-INV7

RY-LAVALIERJBK

RY-LAVALIERJGY

RY-LAVALIERJWH

RY-MULTIMOUNTL

133

133

133

130

RY-MULTIMOUNTM 130

RY-OVERCOVER 132

RY-PISTOL

RY-S300

130

126

97

129

129

130

125

131

131

131

RY-S330

RY-S450

126

126

RY-SMOOTHIE18BK 128

RY-SMOOTHIE18WJ 128

RY-SMOOTHIEBK

RY-SMOOTHIEBU

RY-SMOOTHIEGR

RY-SMOOTHIERD

128

128

128

128

RY-SMOOTHIEWJ

RY-SMOOTHIEYL

RY-SOFTIE12

RY-SOFTIE14

RY-SOFTIE18

RY-SOFTIE24

RY-SOFTIE29

RY-SOFTIE32

128

128

127

127

127

127

127

127

RY-SOFTIE5

RY-STICKIE

127

132

RY-UNDERCOVERBK 132

RY-UNDERCOVERGY 132

RY-UNDERCOVERMX 132

RY-UNDERCOVERWH 132

RY-WSKIT3

RY-WSKIT4

RY-WSKIT5

125

125

125

Page

63

65

65

65

61

61

61

60

60

60

60

61

61

61

99

60

63

63

99

63

28

63

28

62

62

62

62

62

62

62

62

125

125

64

99

64

99

64

64

Product Code Page

137

Terms, Sales Policies & Limited Warranty

Prices and Sales Policy in the UK

(1) Prices featured in this catalogue include VAT and are recommended retail prices only. Please note that as our prices are recommended prices only, product prices may vary between dealers.

Audio-Technica Product Availability and Sales Policies in Europe

The Audio-Technica products featured in this catalogue are available throughout Great Britain, Western and Eastern Europe, Africa and the Middle East.

They are supplied through Audio-Technica Ltd, Leeds, UK.

Our products are available through a network of authorised distributors, as well as from dealers.

Audio-Technica Ltd does not sell its professional products directly to end users.

Limited Warranty

All Audio-Technica products supplied by Audio-Technica Ltd are guaranteed for TWO years from date of purchase to be free of defects in materials and workmanship.

In the event of such defect, the product will be repaired or replaced without charge.

Such products should be returned to the place of purchase, ie. the dealer or distributor together with proof of purchase. The dealer or distributor will return such products to Audio-Technica Ltd, ensuring that prior authority is sought from Audio-Technica Ltd. Should it not be possible to return products to the place of purchase, please contact Audio-Technica Ltd directly with details of the defect. Returned goods

cannot be accepted without the appropriate returns authorisation number.

The Audio-Technica warranty excludes defects due to normal wear, abuse, shipping damage, or failure to use the product in accordance with the instructions. This warranty is void in the event of unauthorised repair or modification, or removal or defacing of the product label and/or serial number.

retail catalogue

I

UK

I

£

2008-2009

Audio-Technica Ltd

Technica House

Royal London Industrial Estate

Old Lane, Leeds LS11 8AG England

Tel. : + 44 (0) 113 277 1441

Fax : + 44 (0) 113 270 4836 e-mail : [email protected]

www.audio-technica.com

UK Distribution 2008-2009 Full-line Catalogue-ENG-£

©2008 Audio-Technica Ltd - Printed in France

E&OE*: Published prices and specifications may be subject to change without notice.

(*Errors and Omissions Excepted)