Tascam 102 Cassette Manual
 Nu
TEAC Professional Division
102/103
Master Cassette Deck
5700109600
(OWNERS MANUAL
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER
O A (OR BACK). NO USERSERVICEABLE PARTS INSIDE. REFER SERVICING TO
i QUALIFIED SERVICE PERSONNEL,
| The lightning flash with aowead symbol, within an equitateral triangle, is intended to alert the user
A lo the presence of uninsulated "dangerous voltage” within the product's enclosure that may be of
sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of
A important operating and maintenance (servicing) instructions ir the literature accompanying the
appliance.
reamed | | WARNING: TO PREVENT FIRE OR SHOCK
number and señal ausdher and retain Mem ln | H AZARD, DO NOT EXPOSE THIS
YO" recorra.
ce | | APPLIANCE TO RAIN OR MOISTURE,
*
Reference Illustrations
Fig. 1
103
i FAZ
Seo — -
| 88.05%
102 |
PEAR LEE WETTER tait
L
Fig. 2
Stereo amplifier
LIIJ CO
es Я | Normal ‘Tapes
Rear panel
Chrome (Cobalt) Tapes
9 E TE + |
102/103
2 ue |
<=> o Metal Tapes
Y й a
| 41
I ¢ Tape position identification holes,
I
Fig. 4 Fig. 5
Capstan Pinch Roller
Erase Head
Record/Playback Head
Precautions
Environment
Avoid using the deck in the following € cir-
cumstances:
e High temperature (such as heater, direct
sunlight),
e Extremely low temperature.
e Excessive humidity.
e Dusty atmosphere.
oe Where power line voltage fluctuation 15
severe (the use of a voltage regulator may
"be advisable).
= Be aware also that placing other units or
any objects on the deck can leave marks
depending on their weight, :
Cassette Tape (Fig. 3)
Tape Selection:
For the automatic tape select function to
work properly, metal and chrome (cobalt)
formula tapes must have tape identification
holes.
Tape Handling:
Do not store tape in the following places:
e On tap of heaters, in direct sunlight or in
any other high-temperature areas.
e Near speakers, on TV sets or amptifiers or
near any strong magnetic fields.
e High-humidity areas or dirty, dusty areas.
Avoid dropping er subjecting the cassettes
to excessive shock.
Voltage Conversion (For general export
models) (Fig. 4}
If it is necessary to change the voltage
requirements of the deck to match your
area, use the following procedure:
1. DISCONNECT POWER LINE CORD.
2. Using a screwdriver, turn the selector
until the desired voltage marking ap-
pears.
This praduct is manufactured ta comply
with the radio interference of EEC direc-
tive “82/459/EEC
*Oolby noise reduction and HX Pro
headroom extension manufactured under
license from Dolby Laboratories Licens-
ing Corporation, HX Pro originated by
Bang & Olufsen. “DOLBY”, the double-
O symbol DO and “HX PRO” are trade-
marks of Dalby laboratories Licensing
Corporation.
Features and Controls (Fig. 1)
© POWER Switch
Press to switch the deck on. The display
window will be illuminated. Press again to
turn the deck off.
Note: If you switch the power on again,
be sure to wait more than 2 seconds
after the power has been switched off.
O EJECT Button
Press in the stop mode to open the cassette
holder.
© Cassette Holder
O TIMER Switch
PLAY: For timer playback
OUT: Set to this position when not using
a timer.
REC: For timer recording
O « (Rewind) Button
Pressing this button rewinds the tape at high
speed from right to left. When the tape is
fully rewound, the auto stop mechanism
steps automatically the tape transport.
Q STOP Button
Press to stop the tape travel and release any
other made.
@ » (Play) Button
Pressing this buttan causes the tape to run
at normal speed,
O » (Fast-Forward) Button -
Pressing this button fast-forwards the tape
at high speed for left to right. In the same
way, tape transport stops automatically
when the tape is fully wound.
€) RECORD Button
Press this button together with the »
button to start recording. The REC indi-
cator lights in red.
D PAUSE { н }/ ВЕС МИТЕ Button
Press the left side.of this button to tem-
porarily step tape travel during recording or
playback (the PAUSE indicator lights).
Pressing the right side af this button, during
E
Connections (Fig. 2)
e Turn off power far all equipment before
making connections,
e Read instructions for each component
you intend to use with the deck.
recording or record-pause mode, leaves
about 4 seconds of blank space on a tape.
- Then the deck enters the record-pause
mode. To restart recording, press the >>
button.
O MPX FILTER Button (103)
Press this-button when making a Dolby NR
recording of an FM broadcast; the indicator
lights. It eliminates the pilot tone (19 kHz}
and sub carrier tone {38 kHz} of the FM
broadcast which could affect operation of
the Dolby noise reduction system. To
release this function, press the MPX
FILTER button again,
®DOLBY NR Switches
IN/OUT Switch: This switch is used to
activate - and deactivate the noise
reduction system. To activate noise
reduction, set to the IN {=) posi
tion and select the NA-system with
the OC B/ CO C switch. Set this
switch to the OUT { O } position
_ to ‘record or play back without
noise reduction.
00 8/ E C Switch: Set this switch to the
" a” position to record with Dolby
C-type NR or play back a cassette
tape recorded with Dolby C-type
NA, or to the “M” position to
record with Dolby B-type NR or
play back a cassette tapes recorded
with Dolby B-type NA.
(AUTO MONITOR Button (103)
This button allows you to select which
signal is to be monitored and to display its
level on the meter. When the power is
applied to the deck, the monitor mode Is
set ta TAPE, showing the signai recorded on
the tape is monitored and displayed on the
meter. When the deck enters the record-
pause mode, the monitor mode is automati-
cally switched to SOURCE, showing the
signal input to the deck (from the LINE IN
jacks on the rear panel} is monitored and
displayed. And when the record-pause mode
is released, it is automatically changed to
TAPE.
To manually change the manitor mode,
press this button.
O BIAS FINE Tuning Control
This control allows fine bias level setting
when recording. The center “click” position
provides a nominal amount of bias current
depending on the type of tape.
Turning the control toward + increases the
amount of bias and thus decreases high
frequency response.
Turning the control toward — decreases the
amount of bias and thus increases high
frequency response,
Keep this control in the center position
when it's not being used.
B® PHONES Jack
Connect 8 ohms stereo headphones to this
jack for private listening or monitoring.
@ Recording Level Controls
MASTER REC LEVEL Control:
When recording, turn the MASTER REC
LEVEL control clockwise to fade the input
sound In or turn it counterclockwise to fade
out, for smooth tune-to-tune transitions. To
balance between the left and right channels,
use the PRESET controls,
PRESET Level Controis (L/A):
Adjust the precise recording level for the
left and right channels independently to
keep the level at a fixed level, so that the
same recording level can be obtained at any
time.
COUNTER CLEAR Button
Pressing the CLEAR button resets either the
conventional tape counter or the tape-run-
time counter ta zero. |
@ COUNTER MODE Button
Press this button to alternate the display
mode between the conventional tape
counter and the tape-run-time counter. -
O Display Window
(A) Multi-Counter
Tape Counter Mode
In this mode, the counter functions like a
conventional tape counter, counting up
when the tape is moving forward and down
when the tape is being rewound. The dis
play can be cleared by pressing the
COUNTER CLEAR button, resetting the
counter index to “0000”.
|
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Tape-Run-Time Counter Mode
In this mode, tape travel is measured in
increasing minutes and seconds up to a
maximum of 99.59 (99 minutes 59 seconds).
Since this counter only functions in the play
or record mode, it will be interrupted when
the tape is fast-forwarded or rewound (and,
of course, in the stop mode); counting up
witl be resumed when playback or recording
restarts. The display can be cleared by
pressing the COUNTER CLEAR button,
resetting the counter index to “00.00”.
To change the display mode press the
COUNTER MODE button,
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(B Auto Menitor Indicators (103)
TAPE: Lights when the tape signal either in
playback and record mode is selected.
SOURCE: Lights when the source signal is
selected. The Auto Monitor indicator
is changed automatically to the
monitor mode so that SOURCE
indicator lights when the deck enters
the record-pause mode. When record-
ing starts, the SOURCE indicator
automatically goes out and the TAPE
indicator lights.
©DOLBY HX PRO indicator
Lights when the deck enters the record
mode, showing the built-in Dalby HX Pro
circuit functions. For details, refer to page
8.
PEAK LEVEL METER and Tape
Type Indicators
This meter shows the peak level of the
input or playback signal. In the record
mode, the meter indicates the level of the
source signals which have been adjusted
with the Recording Level controls. The
highest peak to be recorded should generally
not exceed the meter reference reading for
the type of tape used.
During playback, the meter indicates
the level of signals recorded on the tape.
The deck automatically detects the type
of tape which has been loaded, and these
indicators (NORMat, Ér0, and METAL)
indicate the type of tape being used.
A dash indicator below the appropriate
tape type indicator is provided as the
meter reference reading for the type of
tape used.
(E) Transport Mode Indicators (PLAY/
REC/PAUSE)
PLAY: Lights when deck is in the playback
and record modes,
REC: Lights when deck is in the record
and record-ready modes, and flashes
during record-muting,
PAUSE: Lights when deck is in the stand-
by mode for playback or recording.
EMPX FILTER Indicator |
Lights when the MPX FILTER switch
(103) or DOLBY NA IN/OUT switch (102)
is pressed.
@GNR SYSTEM Indicators
Lights to show the NR system currently
selected.
Stereo Recording...
Operations
TT a Ae
5
‚Playback and Recordim
Stereo Playback
. Set the TIMER switch to OUT.
. Press the POWER switch to ON.
. Load a pre-recorded cassette.” ‘
. Select the NR system with the DOLBY
NR buttons,
. Pressthe » button to start playback.
. Adjust the volume with the amplifier’
control.
£a Lo MO ==
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Bo Pace Le
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Tore ae
. Set the TIMER switch to UT. |
. Press the POWER switch to ON.
. Load a recordabie cassette: «2: —
. Select the NR system with the DOLBY
NR buttons, © —
. (103 only} Press the MPX FILTER
button to IN when making a Dolby NR
recording of an FM broadcast,
6. Press the PAUSE button together with
RECORD button {both indicators fight}.
This enables you to adjust the recording
level without actually recording on the
tape. ; Es
7. Adjust the BIAS FINE tuning control
described in "Using the BIAS FINE
Tuning Control”, . «+ 42
. Adjust the recording level controls so
that the Joudest peak briefly reaches the
meter reference reading for the type of
tape used,
+ Lad [od
wn
co
MASTER REC LEVEL
9. Press the » button to start recording.
(103 only}
The Auto Monitor indicator is automati-
cally changed to TAPE and the signal
can be directly monitored immediately
after it is recorded. To compare the
recorded sound with the original source,
press the AUTO MONITOR button to
switch the signal being monitored
between TAPE and SOURCE.
[TREE]
0 [SOURCE]
Notes:
e To stop recording, press the STOP button,
Li
« To momentarily stop recording, press the,
PAUSE button. To resume recording,
press the » button.
Note:
Recording prerecorded tapes, recdrds, or
other published or broadcast material
may infringe copyright laws. Check these
laws before recording.
Setting the recording level correctly is
essential if you want to make top-quality
recordings. If the level is too low, the
recording will be noisy. [the level is set too
high, the recording will be distorted.
Generally speaking, the recording level
should be set so that the loudest peak to be
recorded makes the meters briefty indicate
the meter reference reading for the type of
tape used. If the meters peak over the
reference reading, decrease the recording
level by turning the Recording Level con-
trols counterclockwise. However, some pra-
gram material of different tape formula-
tions may require higher or lower record-
ing levels. With a little time and practice
you will be able to select the critical record-
ing level that gives you the best hi-fi re-
cordings. The type and condition of the
tape, as well as the type of music source
you are recording will affect the optimum
setting of the recording level.
The capability of creating blank unrecorded
(erased) portions on a tape during recording
is a real advantage in many recording situa-
tions. Fer instánce, you may want to
eliminate undesired portions of an FM
broadcast that you are recording, such as
commercials, station breaks or announce-
ments, You may want to record a complete
program with controlled spacing between
each song. Such blank portions on à tape
can be easily left using the REC MUTE
function.
1. Automatic Spacing Operation — for a 4-
second blank — (during recording or
record-pause mode)
Press the REC MUTE button during
recording or record-pause mode. The
tape movement continues, and a blank
space of about 4 seconds is recorded
{the REC indicator flashes).
The deck then switches automatically
to the record-pause mode (both the
REC and PAUSE indicators light),
To begin recording the next tune, press
the » button (the PAUSE indicator -
goes off).
2. For a Blank of More Than 4 Seconds
During recording, keep the REC MUTE
button pressed for a longer blank period.
Release the button to enter.the record-
pause mode. To begin recording, press
the » button.
3. Fora Blank of Less Than 4 Seconds
After pressing the REC MUTE button
during recording, press the PAUSE
button, before the 4-second interval has
expired, to cancel the muting mode and
“ engage the record-pause mode. To begin
recording, press the № button. .
ENTES DEN
A previously recorded tape will be auto-
matically erased -when you make a new
recording on it. Alternatively it can be
erased by “recording” on it with the
MASTER REC LEVEL control set to “0”,
ETRE TEIDE Re
‚Punch; ln Recording = о оллЬь
During playback, you can go from repro-
duce to record by holding in the RECORD
button and simultaneously pressing the »
button. A new recording will start from that
location, This operation allows you to re-
cord over or correct a recorded section of
the tape without pressing STOP button
first and then enabling the record mode.
Deck-to-deck copying of tapes (dubbing)
can be done without using an external am-
plifier. Operation is the same as standard
record and playback procedures described in
the record and playback sections.
This deck can be used as the “master” re-
corder with a second recorder used as the
“dave” recorder. Connect the output of
the master to the input of the slave recorder.
To use this deck and the second recorder in
opposite rolles, simply reverse the input and
- Output connections.
& Tala IT E ACID ETA
"Using the BIAS FINE Tuning Control
> DETAL lla PRE 3
Carin AA Bo AREER ie ba
The center position provides a nominal
amount of bias current, Turning the control
toward *+” increases the amount of bias
current; a minute descrease in high-fre-
quency response will be obtained, Turning it
toward “-* decreases the amount of bias
current; a noticesble increase in high-
frequency response will be obtained.
(103)
1. Place the deck into the record mode
and begin recording by using a disc or
a prerecorded tape of which sound
quality you are familiar with.
2. Set the AUTO MONITOR switch to
TAPE to monitor the reproduced sound.
If the high frequency sound seems
higher than the original of which you are
comparing, turn the BIAS FINE tuning
control toward *+” to obtain the best
possible monitoring sound by ear, On
the other hand, if the high frequency
sound seems low, turn the control to-
ward “~" until the appropriate bias cur-
rent is obtained,
3. As a final check, alternatively set the
AUTO MONITOR te SOURCE and
TAPE to confirm the correct setting of
the BIAS FINE tuning control by com-
paring the recorded sound against the
original.
(102)
1. Make a recording from a disc, ete.
© 2. After recording, rewind the tape to the
beginning of the recorded section, then
play it to monitor the reproduced
sound.
3. By comparing the monitored sound
with the original, adjust the BIAS
FINE control, then try recording again.
4. Repeat steps 1 through 3 until correct
setting of the BIAS FINE control is
obtained so that the best possible sound
can be recorded.
FT TE
Timer: Controlled 0 pérati
SEE Gia AAA AA
Timer-Controlled Recording Operation
1. Connect your deck and stereo system to
3 commercially avaitable audio timer.
2. Make al! the preparations as for normal
recording, but leave the deck in the stop
mode.
3. Set the audio timer to the required start
(power on) and stop [power off) times.
4. Set the TIMER switch on the deck to
REC.
When the preset start time is reached,
power will be supplied and recording will
start.
Timer-Controlled Playback Operation
1. Check that the deck is correctly con-
nected to the amplifier for normal play-
back operation,
2. Connect the deck and amplifier to a
audio timer as for timer-controlled re-
cording (above).
3. Make all preparation as for normal play-
back, but do not set the tape in mation.
4. Set the audio timer to the required start
(power on) and stop (power off) times.
5. Set the TIMER switch on the deck to
PLAY.
When the preset start time is reached,
power will be switched on and play-
back will start.
TATE FEE IER
я Ta ; WERT ER PA
:Multi-Counter Function.
With the multi-counter facilities incorporat-
ed in the unit, there are two different
display modes available, depending on the
setting of the COUNTER MODE button.
Tape Counter Mode: The counter functions
as a conventional tape counter.
TRT Counter mode: The counter functions
8$ а tape-run-time counter, measuring tape
travel in minutes and seconds,
Using as a Tape Counter
Using the COUNTER MODE button, call up
the tape counter mode; a 4-digit display will
appear. lts function is identical to that of
conventional tape indexing counters. Dur-
ing recording (included record muting},
playback and fast-forward, the counter
counts upwards as the tape moves from
left to right, and downwards during re-
wind as the tape moves from right to left.
The indicated numerals are not related to
time lapse and are not compatible with
the counter readings of other cassette
decks. One typical example of using this
display in the conventional tape counter
mode is: First load a cassette and before
recording, press the COUNTER CLEAR
button to reset the counter to “0000”.
Then note the counter reading at the begin-
ning of each piece of music to facilitate
locating a particular selection when you
wish to play it back,
Using as a TRT Counter
Using the COUNTER MODE button, call up
the tape-run-time mode: a dot appears
between the 2nd and 3rd digit: In this
mode, tape travel is measured in increasing
minutes and seconds while. the tape is
running at norma! speed during recording
{including record muting} and playback.
Counting stops during rewind and fast-
forward. This function can be used to
measure the approximate length of a re-
corded song or to make a calculated estima-
tion of how much tape is left.
“Visible” and “invisible” Counters
Both counter modes are switchable at any
time, with the one selected appearing on the
display and the other functioning in mem-
ory. For example, when the conventional
tape counter is selected with the COUNTER
MODE button, counting of the tape-run-
time also takes place and its reading can be
called up at any time by pressing the COUN-
TER MODE button, Pressing the COUNTER
CLEAR buttan resets only the counter .
which is visible, Both counters, “visible”
and “invisible” are reset when power is
switched off.
DOLBY HX PRO
Dolby HX Pro is an “active bias” technique
that can improve the quality of audio tape
recordings. High-level high freguencies can
be recorded more accurately, without
sacrificing signal-to-noise ratio, while such
side effects of tape saturation as distortion
are reduced.
What Is Bias?
Bias is a very high-frequency signal generat-
ed within a tape deck and recorded on the
tape simultaneously with the program
material, This inaudible signal allows a low -
noise, low distortion recording and flat
frequency response, Different magnetic tape
formulations require different amounts
of bias for optimum performance, If the
bias level is too high, high-frequency
Maximum Output Level MOL) decreases.
The Problem of Self-Bias
Unfortunately, bias level is often influenced
by the signal being recorded. The high fre-
quencies contained in some music act as
hias. This unpredictable source of bias is
added to the existing bias, resulting in a loss
of high-frequency response, As the high-
frequency content of the signal increases,
the ability of the recorder to record high
frequencies (MOL) decreases, This pheno-
menon is called self-biasing.
+10
dB
~1
20Hz 50 100 200
How Dolby HX Pro Solution |
The Dalby HX Pro manitors the high-
frequency content of the program material
and adjusts the recorder bias oscillator to
maintain a constant total bias level. The
result is improved high-frequency response
and lower distortion. Depending an the type
of tape, the improvement in headroom can
be 6 dB ar more,
The Benefits
With Dolby HX Pro, it is easier to make
more accurate recordings of the kind of
music which contains high-level high fre-
quencies, The improvement is similar 10
that of high-performance tape over conven-
tional tape, so regardless of the type of
tape used, the results will sound better,
Most important of all, Dalby HX Pro
requires no “decoding process, Once the
tape is recorded with Jt, the improvements
will be realized when playing the tape back
on any machine.
HX PRO on
250nWb/m
HX PRO off
lk 2 5 10 20k
Example of improved frequency response using Dolby HX Pro function
Three-Head System (103)
A three-head system means that you can
record on the tape and monitor from it at
the same time (see illustration). Conven-
tional combination record/playback heads
permit only recording or playback. With
the three-head system, you tan check the
quality of your recordings as you make
them.
TAPE
\— — —)
() Record Playback
Haad Head
Eragy
Haad Record Playback
Signal Signal
Record and Playback Heads
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