開啟原PDF - Mipaper
Nord Keyboards Product Catalog Winter 2014
SYNTHESIZERS
•
STAGE PIANOS
Handmade in Sweden by Clavia DMI AB
PRODUCT CATALOG WINTER 2014
•
COMBO ORGAN
The Nord factory is located in the creative area of
Stockholm also known as SoFo, in the district of
Södermalm. With everything located in the same
building, communication between development
and production is only a matter of walking a few
meters. We are proud to say all our Nord products
are assembled by hand and they all go through a
series of tough tests to ensure they’ll be ready for
a long and happy life ‘on the road’.
CONTE
SYNTHESIZERS
NO
NO
NO
STAGE PIANOS
NO
NO
NO
NO
COMBO ORGAN
SOUND LIBRARIES
Manufacturer: Clavia DMI AB, Box 4214, SE-102 65 Stockholm, Sweden
Phone: +46 8 442 73 60 | Fax: +46 8 644 26 50 | Email: [email protected] | www.nordkeyboards.com
IT ALL STARTED BACK IN 1983...
In 1983 founder Hans Nordelius created the Digital
Percussion Plate 1 – the first drum pad allowing for
dynamic playing using sampled sounds. The DPP1
was an instant success and soon thereafter the
brand name ddrum was introduced. The innovative
ddrum pads featured real heads and hoops and
gained huge popularity – many people still regard
them as the best digital drum triggering system
around!
In 1995 Clavia released its first synthesizer, the
Nord Lead. Its unique take on emulation of analog
synthesis, combining a distinctive sound with an
intuitive user interface made it an instant classic.
Magnus Kjellander joined Clavia in -96 and brought
with him a new approach to the company in terms
of software design. The Nord Modular, released
in 1997 was the first digital modular synthesizer,
possibly the most flexible, innovative synthesizer
that has ever been on the market.
4
In 2001 the first Nord Electro was released,
introducing stunning emulations of classic vintage
electro-mechanical instruments with a level of
portability generally not associated with the original
instruments…
The Nord Stage surfaced in 2005, combining
many of Clavia’s new areas of expertise in one –
acoustic and electric piano sounds, organ emulations, effects and even a synthesizer!
The Nord C1 Combo Organ saw the light in
2005, incorporating our 2nd generation tone
wheel modeling, rotating speaker simulation, dual
manuals and surprisingly lightweight (15kg). Nord
Wave took the Nord Lead-concept to a new level
in 2007 with its capability to use any audio file as
an oscillator source in a virtual analog environment,
combined with the compact, user friendly interface
of a Nord product.
In 2008 we rele
exclusively licen
Chamberlin. Th
successful prod
In 2010 the stre
a lightweight sta
String Resonan
with pedal noise
We let the Nord
2011, sporting a
support, more m
and the Nord P
raised the bar fo
and behave. 20
with the launch
with physical dr
drum synthesize
also released th
acclaimed Nord
1980’s
1990’s
2001
2002
2003
2004
Digital Percussion
Plate 1 ‘83
ddrum ‘84
Nord Lead ‘95
Nord Modular,
Nord Lead 2 ‘97
Nord Electro
Nord Lead 3
Nord Electro 2
Nord Lead 2x
Nord Modular G2
IT C
introduced the Nord Piano 2 that allowed splitting and layering sounds from
the Nord Sample Library.
March
synthe
to be in
rumore
Nordel
rect an
reunite
needs
build th
Nord L
In 2013 we celebrated our 30th anniversary as a musical instrument company!
We’ve come a long way from the little basement workshop we started out in
back in 1983 – a journey fueled by curiosity, persistence, dedication and love
for music!
Hans Nordelius reunited with his old synth.
The Nord Crew with one of the first Nord Electro 4 HP units to come off the assembly line,
September 2012.
2-oscillator, monophonic analog synthesizer by Hans Nordeliu
2008
2009
2010
2011
2012
Nord Lead Anniversary
Model, Nord Electro 3
Nord Stage EX
Nord C2 Combo Organ
Nord Pedal Keys 27
Nord Piano
Nord Stage 2
Nord Electro 3 HP
Nord Piano 2
Nord C2D, Nord Drum
Nord Electro 4
2
Nord
Nord Drum
Nord P
6
NORD LEAD A1
THE NEED FOR SPEED
This is the new Nord Lead A1 analog modeling synthesizer – a stun
sounding synthesizer with a simplified yet hugely powerful front pan
Producing stand-out sounds for live or for the studio, the Lead A1 i
musical genres. Thanks to its carefully thought-out user interface, t
encourages experimentation, allows for far speedier programming
otherwise be possible, and ultimately delivers sensational sonic res
SOUND DEMOS
Nord Audio Demo
00:00:19
Listen
demos
Listen
to to
thesound
Nord Piano
at of
www.nordkeyboards.com
nordkeyboards.com/a1
the Nord Lead A1:
HIGHLIGHTS
OSCILLATORS
•
•
•
8 Oscillator Configurations
Pitch, Detune, Shape, Sync, AM, Noise,
Sub Mix, FM
Traditional Analog and Digital Waveforms
MODULATION
•
•
LFO with 5 waveforms
Mod Envelope
FILTER
•
•
•
12, 24 dB low-pass filters
High-pass and Band-pass filters
Transistor and diode ladder filter simulations
of Mini and TB-303
EFFECTS
•
Ensemble, Chorus, Phaser, Flanger,
Ring Modulator, Drive
Nord Lead A1 is also availab
Rack mountable with rack ea
PERFORMANCE
•
•
•
•
4-part multi-timbral
Master Clock Sync of Arpeggiator, LFO
and Delay
Velocity and Mod Wheel Morph
USB MIDI
SPECIAL FEATURES
•
•
•
8
Like Button
Mutator
Extra Fat Unison mode
OUR BEST-EVER
ANALOG MODELING…
At the heart of the Lead A1 is our new analog modeling
engine. Taking our virtual analog synthesis to the next level,
this modeling recreates a total analog signal path with
uncanny realism, and is capable of immense sonic variety.
With 26-voice polyphony and four simultaneous synthesizer
parts, the Lead A1 is a true synthesizer powerhouse that
goes far beyond the current trend for limited capability
analog reissues.
…COMBIN
OUR MOS
INTERFAC
Fundamental to the des
simple yet sophisticated
is in fact the result of re
even the most experien
create the perfect soun
live or studio time dema
patch creation and expe
unique oscillator section
matrix, and simplified A
incredible patches far q
sible with a synthesizer
OSCILLATOR SECTION
The Lead A1’s new Oscillator section generates 47 different
waveforms from classic analog to digital harmonic and inharmonic
waves, whilst unique Oscillator Configuration Shortcuts make
programming more immediate than ever. Start with a single Oscillator waveform select an Oscillator Configuration Shortcut - Pitch,
Detune, Shape, Sync, Sub Mix, FM, AM or Noise - and use the
Adjust knob to adjust the settings of the configuration.
The end result is high speed programming without the need for the
usual complexity of routing and patching, and with the opportunity
for ready experimentation. A fast track to stunning sound design for
both advanced and less experienced programmers.
OSCILLATOR CONFIGURATIONS
PITCH Adjusts the pitch of the original oscillator.
SYNC
Emulates Hard sync by adding an additiona
DETUNE
Adds a second oscillator, with control over its pitch.
FM
SUB MIX
Adds a second oscillator, with a choice of waveform shapes and pitches.
Oscillator 1 will be modulated by a sine wav
There are several different pitch offsets for
SHAPE
The shaping of the Panel Analog, Extended Analog and Fixed Pulse
waveforms uses a traditional waveshaping method, the other waveforms
are changed with a spectral shaping process.
AM
Uses a second oscillator to create Amplitud
NOISE
Adds a Noise element to the original oscillat
10
FILTER SECTION
EFFECT SECTION
The Lead A1’s filter section features classic 12 and 24 dB
Low Pass, a High Pass and a Band Pass filter, together
with stunning emulations of the diode and ladder filters
from the legendary Mini and the TB-303 synthesizers as
used in the Lead 4. The Lead A1’s modeling of these filters
capture the true character and response of the originals,
allowing supremely flexible and precise sound design. The
filters are super-smooth with a warm analog character.
The Lead A1’s effects section features two stunning brand
new analog models of an Ensemble and Chorus, modeled
on specific vintage synths and adding classic warmth and
analog feel. Alongside these, choose from great-sounding
Ring Modulation, Phaser, Flanger, or Drive per slot, and in
addition a separate Delay and Reverb for each slot.
LFO & M
SECTION
The Lead A1 feature
and a three-stage A
rate can be sync’d t
Envelope has its ow
Invert function. Tha
panel it is very easy
applied and to desig
SPECIAL FEATURES
LIKE BUTTON
MUTATOR FUN
Unique to the Nord Lead A1 is the new
‘Like’ function, a simple and brilliant practical feature to use during patch creation.
When programming a patch it’s often
not clear if it’s yet perfect. Now with the
Lead A1 you can simply ‘Like’ what you’ve done into a
temporary location and continue editing. You can Like up
to 50 variations, with the ability to scroll between them to
compare your favourites or go back to a specific Liked
version to edit in a different way. When you’re ready, save
your favourite patch or patches to the Lead A1’s memory.
A popular feature of the
allows variations of a p
one, some, or all eleme
There’s also a wild Ran
new patch with all para
FAT UNISON M
A newly designed “Fatthe Lead A1 challenge
OPT
ACC
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SUSTAI
Sustain ped
DUST C
ARPEGGIATOR
MOD WHEEL AND VELOCITY MORPH
The Lead A1 features four separate Arpeggiators with Up/
Down and Random modes and a 4-octave range. Any or all
can be sync’d to the Lead A1’s master clock.
A classic Nord feature, the Morph function via Mod Wheel,
Velocity or pedal, allows you to control multiple parameters
of the Lead A1 simultaneously. Morph is exceptionally easy
to set-up and use - just hold the Morph button and adjust
any desired knob.
MASTER CLOCK
The Master Clock function of the Lead A1 allows the LFO,
Arpeggiator and Delay to be synchronized, either internally
or slaved to external MIDI clock. A Tap Tempo button allows
you to easily tap to the tempo of a drummer or to playback
tracks.
SPLITS AND LAYERS
Having four identical, equally powerful synthesizers at once
opens breathtaking layering possibilities. The Split-mode
gives you two 2 slots on each side of the split. A flexible Hold
functionality lets you latch and hold slots independently in
the background while playing something else on top.
12
Cover and p
with the mat
Sustain Ped
FOUR OUTPUTS
The Lead A1 features four independent audio outputs
with the ability to route each slot to a different output. Plus
control of Pan via the front panel knob is a welcome new
addition in the Lead A1.
Dust Cover
SOUND MANAGER
The Lead A1 includes the Nord Sound Manager software for
OS X and Windows. Sound Manager is a dedicated librarian
app which allows easy reorganizing, back-up an transfer of
programs.
MULTI FOCUS MODE
MIDI CONTROL
New in the Lead A1 is the Multi-Focus Mode that allows
editing and control of all four slots simultaneously. Save this
mode as part of a Performance and you have live realtime
control over all four slots of the Lead A1.
The Lead A1 features the convenience of MIDI over USB for
use with a sequencer or with the included Sound Manager
software. All of the Lead A1’s knobs transmit MIDI Control
data.
The control
includes Yam
EXP2 and K
TECHNICAL SPECIFICATIONS
GENERAL FEATURES
MODULATION SECTION
AUDIO OUT
•26 voices, 4 part multitimbral.
•3 part effects section (FX, delay and reverb) for each part
•49-key velocity sensitive keyboard (keyboard version only) with octave
shift buttons, +/-2 octaves.
•Keyboard Split with 2 slots for the upper and lower sections.
•Modulation Wheel (keyboard version only).
•Pitch Stick with no dead zone at zero crossing (keyboard version only).
•Programmable Pitch bend range, up to +/- 4 octaves
•Separate up/down bend range: -12 or -24 semitones, + 2 semitones
•1 pedal input for sustain.
•1 pedal input for expression pedal.
•LFO generates a triangle, square, sawtooth, inverted sawtooth or
sample and hold waveforms. LFO can be routed to Filter Frequency
and Osc mod. The LFO rate can be synchronized to the Master Clock.
•LFO can be switched to polyphonic Env mode with four different
characteristics and sample and hold is manually triggered by keyboard
(polyphonic S/H).
•Arpeggiator: Range: 1 - 4 octave. Modes: up, down, up/down and
random. The Arpeggio rate can be synchronized to the Master Clock.
•ADR/ASR envelope, velocity control on/off, inverse envelope on/off.
•4 outputs. Each slot c
•Headphones output.
•High resolution low no
USER INTERFACE
•3 LED displays, 23 knobs, 3 encoders and 20+ buttons for program
and performance editing.
OSCILLATOR SECTION
•Oscillator models of multiple waveforms (traditional analog, extended
analog, pulse waveforms, real-time algorithmical waveforms with additive-, FM- and formant- synthesis)
•OSC config knob 11 categories (Pitch, Shape, Osc Sync, Noise Mix,
Osc 2 Detune, Sine Mix, Tri Mix, Saw Mix, Square Mix, Freq Modulation, Amp Modulation)
FILTER SECTION
•Multi-mode filter with 12 dB (2-pole) low pass, 24 dB (4-pole) lowpass
and band pass, high pass, Ladder M and Ladder TB characteristics.
•Cut off, Resonance, envelope amount, envelope amount controlled
by velocity.
•ADR/ASR envelope.
•Filter keyboard tracking can be set to off, 1/3, 2/3 or full.
•Adjustable Filter Distortion.
AMPLIFIER SECTION
•ADR/ASR envelope, velocity control on/off, gain control.
•Individual Pan-control per program
PERFORMANCE SECTION
•Voice modes: Poly, Legato and Mono with portamento, True Unison
1, 2 & 3.
•Four program slots for layering possibilities and multitimbrality.
EFFECTS
•FX section with Flanger, Phaser, Ring Modulation, Chorus, Ensemble
and Drive.
•Delay section with tap tempo, four stages of feedback, stereo pingpong, dry/wet mix. The Delay speed can be synchronized to the
Master Clock.
•Reverb section with five algorithms (Room, Stage 1, Stage 2, Hall 1,
Hall 2).
MEMORY
•Programs (single sounds): 8 x 50 (400) locations
•Performances (multi sounds): 4 x 50 (200) locations
MIDI FEATURE
•All control knobs and
•System exclusive bulk
•Master Clock will sync
•Soft Thru
CONNECTION
•4 Line Level Audio Ou
•Stereo Headphone O
•Sustain Pedal - ¼", 6,
Roland DP-2, DP-6, Y
•Control Pedal - ¼", 6,
Roland EV-7, Roland E
•USB connector with M
•MIDI In & Out - 5 pin D
INCLUDED AC
•User Manual
•Power Cord with IEC
•Rack Ears (rack versio
DIMENSIONS
•Nord Lead A1: 802 x 9
•Nord Lead A1R: 466 x
WEIGHT
•Nord Lead A1: 4.85 kg
•Nord Lead A1R: 3 kg
Specifications subject t
14
NORD LEAD 4
A GROUNDBREAKING CLASS
REBORN.
When the first Nord Lead was released in 1995 it started the Virtu
Analog revolution, offering a very distinctive sound combined with
tweakability otherwise reserved for vintage analog synthesizers.
The new Nord Lead 4 takes what made the Nord Lead a success
adds a whole bunch of innovative new features justifying the nam
performance synthesizer.
SOUND DEMOS
Nord Audio Demo
00:00:19
Listen
demos
Listen
to to
thesound
Nord Piano
at of the Nord
www.nordkeyboards.com
nordkeyboards.com/nordlead4
Lead 4:
HIGHLIGHTS
•
2-Oscillator Subtractive synthesis, with
powerful Frequency Modulation, Hard and
Soft Sync and True Unison
•
Wavetable synthesis, including unique
Formant Wavetables
•
12/24 dB Low-pass, High-pass, Band-pass
filter section plus stunning simulations of
classic 18 dB and 24 dB transistor ladder
filters
•
2 LFO sections and Mod Env section with
flexible routing possibilities
•
LFO, Arpeggiator and Delay can be synchronized to the Master Clock (or external
MIDI-Clock)
•
LFO and Arpeggiator Patterns
•
Morph and Impulse Morph performance
controls
•
Crush, Talk and Distortion, Reverb, Delay
•
4 slots = 4-part multi-timbral, 4 separate
outs
OSCILLATOR SECTION
•
2x oversampled sound engine
•
USB MIDI
The Nord Lead 4 is a subtractive synthesizer with 2 oscillators per voice. All the classic waveforms are present,
Saw, Square, Sine, Triangle, Pulse and PWM.
Combining an advanced Virt
the innovative Impulse Morph
Master Clock sync, the Nord
The Nord Lead 4 also features Frequency (FM) controls for
adding spectral complexity and occasionally, nastiness.
Nord Lead 4 is also available in a table top version, the
Nord Lead 4R. Rack mountable with rack ears (included).
16
HARD & SOFT
Hard Sync generates an
ing in a harsh, dirty ef
famous by the Prophet
by no means subtle.
TRUE UNISON
WAVETABLE S
The true Voice Unison mode lets you stack up to four
voices on top of each other per note (including the complete signal path of the Nord Lead 4) for really thick, wide
leads and basses.
The Nord Lead 4’s Osc
selection of wavetables
Formant Wavetables wi
independent of pitch. F
Wavetables can produc
distinctive acoustic qua
MODULATION
FILTER
MUTATO
LOW FREQUENCY OSCILLATION
The filter section of the Nord Lead 4 features 12/24 and 48
dB Low Pass filters plus a High Pass filter with dedicated
ADSR filter envelope and selectable filter tracking.
The Nord Lead 4 M
generator with adju
either warp an exis
randomized progra
Nord Lead 4 features two very flexible LFO-sections per
slot. A wide selection of LFO-shapes is available from sines
and pulses to ramping saws perfect for creating wobbling
basses or pulsing pads.
Each LFO can easily be synchronized to the Master Clock
and assigned a desired time division. The LFO can be retriggered manually with an Impulse Morph button or a key.
The LFO destinations include the option to modulate the
FX section.
MODULATION ENVELOPE
Nord Lead 4 offers a very capable Modulation Envelope
section with an expanded choice of modulation destinations. The Modulation Envelope can also be triggered
manually with an Impulse Morph button!
LADDER FILTER EMULATION
The filter section also features two stunning emulations of
the transistor ladder filters from a certain legendary Mini
and the 303. The emulations capture the dirty, squeaky
resonance of the originals and combined with the new
unison mode you’ll have plenty of opportunities for making
fat, squelchy basses and leads.
DRIVE
A new overdrive that operates separately per voice can
distort the waveform before it passes through the effects
sections.
18
PERFORMANCE
IMPULSE MORPHS
PITCH STICK
The Impulse Morph buttons are extremely powerful and let
you alter your sound instantaneously – brilliant for creating
spontaneous, synchronized rhythmic and tonal mayhem.
Doubling the LFO rate, changing the oscillator from Saw
to Square, enabling Glide, cranking up the resonance
and muting the Reverb - all at once - for 2 seconds in the
middle of your lead solo is now as easy as 1-2-3. Doing
wobbly bass lines and complex choppy pads live, in perfect
sync is a breeze! Impulse Morphs is a simple, yet universal
concept that offers almost limitless flexibility.
The unique Pitch Stick can be used for bending notes as
well as creating subtle vibrato effects, much like a guitarist
or violinist as there is no dead zone in the middle position.
The bend range can range from zero to 48 notes up/down
and can be unique to each program.
Assigning a Impulse Morph is simple – just hold down an
Impulse Morph button and turn the desired knob(s) to the
new value! Nearly every parameter can be controlled with
an Impulse Morph and LED-lights indicate which parameters have been altered. By pressing different combinations
of the 3 Impulse Morph buttons up to 7 Impulse Morphs
are available.
CHORD MEMORY
The handy Chord Memory function memorizes combination of notes so you can play a fifth or a chord with one
finger, brilliant for leads and quirky themes.
ARPEGGIATOR
The Nord Lead 4 includes a classic Arpeggiator with Up/
Down and Random modes and a 4-octave range. The
Arpeggiator can be synced to the LFO and Delay using the
Master Clock. A new Poly mode pulses all the notes you’re
holding as a chord instead of cycling through the individual
notes, great for cho
the new Patterns an
giator can be re-trig
the Impulse Morph
4 arpeggios running
PATTERNS
The new Patterns fe
rhythmic figures tha
control the LFO.
MASTER CL
At the heart of the N
ling the global temp
be all be synchroniz
easily changed glob
can tap in to the be
rhythmically interloc
Clock can also be s
MORPHS
The Morph is a classic Nord feature that lets you control
any “knob-type” parameters with the modulation wheel,
control pedal or velocity. The possibilities are endless –
like changing arpeggiator range or adjusting the Sample
rate reduction with the modulation wheel.
LAYERING
Having 4 identical, equally powerful synthesizers at once
at your disposal opens breathtaking layering possibilities,
both rhythmically and sonically. The Split-mode gives you
two 2 slots on each side of the split. A flexible Hold functionality lets you latch and hold slots independently in the
background while playing something else on top.
The control pedal supp
now includes Yamaha F
EV-5, Korg EXP2 and K
OPT
ACC
SOFT C
Keep your N
ultimate soft
ding, and th
pocket will h
Carrying han
straps lets y
SUSTAI
Sustain ped
DUST C
EFFECTS
Each of the 4 slots has its own dedicated effects section: FX and Delay/
Reverb.
DRIVE
Cover and p
Dust Cover.
COMB FILTER
The Comb filter effect can create chorus-like effects when controlled from
an LFO or static spectral changes in
your sound.
An overdrive effect modelled after a
vintage tube amp is available. Make
your lead sound a little “furry” or crank
it up for a truly authentic overdrive that
distorts increasingly the more signal
The compressor effect offers Threshold
behaves like an old school delay when
changing the delay rate on the fly...
A great sounding reverb effect is available when not using the Delay, with
dry/wet controls, 3 reverb types and
a brightness control for rolling off the
treble when desired.
adjustment and can also be modulated
to obtain side-chain effects and more.
USB-MIDI
CRUSH
The Crush, Talk, Comb filter, Com-
With USB-MIDI, 29+ rotary knobs and
pressor and Drive effects can all be
20+ buttons that all send CC-data,
The Crush effect lets you reduce the
manipulated with the Morphs and
the Nord Lead 4 can also serve as a
sound’s sample rate radically. Give your
Impulse Morph performance controls
brilliant master keyboard for controlling
bass line a subtle lo-fi touch or pulver-
as well as with the LFO or the Modula-
soft synths.
ize it into crackling, digital star dust.
tion Envelope.
TALK
REVERB & DELAY
KEYBED
The Talk effect creates a voice-like talk
The Delay effect has 3 feedback levels,
The 49 velocity sensitive synth keys
box effect, with two different simula-
a Dry/Wet control and can be synchro-
are very responsive and great for quick
tions of a vocal tract.
nized to the Master Clock. The Delay
leads, basses and percussive sounds.
you shove through it.
20
COMPRESSOR
has an optional analog mode that
Sustain Ped
Dust Cover
TECHNICAL SPECIFICATIONS
POLYPHONY
OSCILLATOR SECTION
•20 voices. 4 part multi-timbral.
•OSC 1 generating sine, triangle, sawtooth, fixed and
modulateable pulse waveforms and wavetables.
•OSC 2 generating triangle, sawtooth or fixed and
modulateable pulse waveforms or noise.
•OSC MOD section with Hard- and Soft sync plus
Frequency Modulation of OSC 1 from OSC 2.
SPECIAL FEATURES
•Morph: One or more continuous (knob-type) parameters can be controlled by keyboard velocity and/or
the Modulation Wheel/Control Pedal.
•Impulse Morphs: Both continuous (knob-type) and
button-type parameters can have alternate value
settings activated by Impulse Morph buttons. 7
unique Impulse Morphs possible by pressing a
combination of the 3 buttons.
•Master Clock: The LFO rates, Arpeggio rate and
Delay time can be synchronized to an internal or
external (via MIDI) clock, with selectable rhythmic
divisions.
•Mutator: Automatic program generator with adjustable style and strength.
PERFORMANCE
CONTROLLERS
•4 octave velocity sensitive keyboard with octave
shift buttons (+/-2 octaves).
•3 momentary Impulse Morph Buttons, 7 Impulse
Morphs.
•Keyboard Split with 2 slots each for the upper
and lower sections.
•Modulation Wheel.
•Pitch Stick (with no dead zone at zero crossing).
•Flexible Pitch bend range, up to +/- 4 octaves.
•1 pedal input for sustain.
•1 pedal input for expression pedal.
USER INTERFACE
•3 digit display, 29 knobs and 20+ buttons for
program and performance editing.
FILTER SECTION
and Pulse width. The modulation amount can be set
as positive or negative/inverted. The LFO 2 rate can
be synchronized to the Master Clock.
•Modulation Envelope (Attack, Decay/Release) for
Osc Mix, Osc Mod, Osc 1 and/or 2 Pitch, FX section
and LFO 2 amount. The modulation amount can be
set as positive or negative/inverted. The Modulation
Envelope can be manually triggered by the Impulse
Morph buttons.
•Patterns: the cyclic waveforms of the LFOs can be
replaced by a pattern behavior. There are 128 different patterns, grouped in 6 different styles.
•Multi-mode filter with 12 dB (2-pole) low pass, 24
dB (4-pole) and 48 dB (6 pole) low pass, band pass,
high pass, Ladder M and Ladder 303 characteristics. Cut off, Resonance, envelope amount, envelope amount controlled by velocity. ADSR envelope.
Filter keyboard tracking can be set to off, 1/3, 2/3 or
full. Adjustable Filter Distortion.
PERFORMANCE SECTION
AMPLIFIER SECTION
EFFECTS
•ADSR envelope, velocity control on/off, gain control.
•FX section with continuous Drive/Modulation
control. Crush, Drive, 2 different Talk effects,
Compressor and Comb Filter.
•Selectable Delay or Reverb. Delay times at up to
1400 ms can be manually set or synchronized to
the Master Clock. Reverb has three algorithms,
Room, Stage and Hall with adjustable brightness.
MODULATION SECTION
•LFO 1 generates a square, triangle or any of 4
different types of saw- and inverted sawtooth waveforms. LFO 1 can be routed to Filter Frequency,
Osc Mod, Osc Mix, Osc 2 Pitch, Amplitude and
FX section. The modulation amount can be set as
positive or negative/inverted. The LFO 1 rate can be
synchronized to the Master Clock.
•The LFO 1 section is used to control the rate, range
and directions for the arpeggiator. Arpeggiator:
Range: 1 - 4 octave. Modes: up, down, up/down,
random, Poly. The Arpeggio rate can be synchronized to the Master Clock.
•LFO 2 generates a square, a regular and inverted
sawtooth, LF filtered noise and random staircase
waveforms. LFO 2 can be routed to Filter Frequency, Osc Mod, Osc 1 and/or Osc 2 Pitch, Pan
•Voice modes: Poly, Legato with portamento, Mono,
True Unison 1, 2 & 3.
•Four program slots for layering possibilities.
MID
•All
con
•Sys
pro
•Ma
CO
•4 L
unb
•Ste
jac
•Sus
ped
FC
•Co
aY
EXP
•US
•MID
INC
•Use
•Pow
•No
•Rac
MEMORY
DIM
•Programs (single sounds): 4 x 99 locations.
•Performances (multi sounds): 99 locations.
•No
•No
AUDIO OUT
WE
•4 outputs. Each slot has its own output.
•Headphones output.
•High resolution low noise 24 bit DACs.
•No
•No
Spec
22
NORD DRUM 2
THE SYNTHETIC DREAM DRU
Nord Drum 2 combines the playability of real percussion with uniq
and powerful sound creation possibilities! Create and play anythin
from classic analog drum machine sounds and 80’s disco toms to
mindblowingly realistic percussion sounds you’ve never heard bef
SOUND DEMOS
Nord Audio Demo
00:00:19
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demos
Listen
to to
thesound
Nord Piano
at of the Nord Drum 2:
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Nord Pad avail
HIGHLIGHTS
•
6-channel drum synthesizer
•
Resonance modeling,
Subtractive- and FM-synthesis
•
6 generic trigger inputs
•
Dedicated Nord Pad input
•
MIDI in/out with CC control
•
Drive/Crush and EQ-effects per
channel
•
Repeat Effect
•
Stereo output, with pan control
•
Headphones output
The Nord Drum 2 is a unique instrument designed with the
performing musician in mind. Its extreme dynamic range
and super-fast triggering add to the feeling of playing a real
percussive instrument.
TONE
NOISE
The Nord Drum 2 tone section offers 3 different synthesis
modes, each with their own special tricks.
The sounds of the Nord Drum 2 are generated in real time
by three sound generating sections – Tone, Noise and
Click. A simple analogy is to compare these to the components of an acoustic snare drum sound:
The Resonance Modeling mode simulates the resonances
characteristic for drum heads, bars, tines and cymbals.
It can deliver very realistic acoustic-sounding results.
The Noise-section lets y
It features 3 filter types,
Pass with adjustable re
Dynamic Filter control. T
faded and be controlled
The Tone can be compared to the drum heads.
The Noise can be compared to the snares that create the
“rattle” in a snare drum.
The Click is the very first part of the sound (attack)
– determined by what material you hit the drum head with,
like a drum stick, mallet or similar.
24
The Subtractive Synthesis mode is excellent for creating
classic drum machine sounds using Sine, Saw, Triangle,
Square and Pulse waveforms and a dynamic Low-Pass filter.
The Frequency Modulation mode is brilliant for creating
synthetic fantasy percussion.
CLICK
The Click-section is a sp
attack to the sound. A w
are available as well as
spot where the Click me
becomes one coherent
Tone
Input
Noise
Click
TE
S
Tone/
Noise
Level
Drive/
Crush
SO
EQ
Level/
Pan
Click
Level
The Nord Drum 2 sound engine.
Acoustic drum triggers and digital drum pads.
DYNAMIC CONTROL
Nord Drum 2 offers extensive control of the dynamic response.
The Bend parameter can make the pitch travel up (or down)
depending on how hard you play. The Decay of both the Noise
and Tone section can be controlled dynamically, including
the option to shorten the decay the harder you play for a
dampening-like effect.
EFFECTS & MIXER
The Channel Mixer sets the level for each channel and also
features a Pan control for creating a lush stereo image. If you
like to send the kick to a separate output, just pan that channel
all the way to the left and the other channels to the right.
The Distort parameter lets you roughen up your sounds with
a sample rate reducing Crush effect or a non-linear distortion
modeled after the amplifier circuits of a vintage drum synthe-
Digital drum pads.
sizer module. The Repeat effect produces an effect similar
to a MIDI Delay. The repeating hits will be generated as if
they were played from a pad, including the complex dynamic
behavior of the Nord Drum 2 sound engine.
FLEXIBLE INPUTS
The flexibility of having both Trigger and MIDI-inputs lets
you use the Nord Drum in numerous ways. The Nord Pad,
drum pads, triggers and MIDI can be combined! Put an
acoustic drum trigger on your acoustic bass drum, add some
electronic drum pads as extra toms and let a MIDI sequencer
trigger a hi-hat sound. The Nord Drum 2 can also be used as
a 6-channel Trigger-to-MIDI interface.
•6•To
an
•No
Pa
res
•Cli
lev
•Eff
ch
CO
•2 A
•St
•MI
•6 g
•No
•DC
MID
•MI
•MI
•MI
•MI
•MI
INC
The adjustable input sensitivity and Trig Types lets you tailor
the Nord Drum 2’s response to the equipment of your choice.
•Us
•Un
•Un
DIM
•No
•No
OPTIONAL ACCESSORIES
NORD PAD
The Nord Pad is a light weight (1.5 kg / 2.2 lbs) playable solution for playing
the Nord Drum 2 with six super responsive drum pads and a convenient single
cable connector. Universal Module Mount included.
WE
•No
•No
Spec
NORD ELECTRO 4
Electro 4D SW61
61 Semi Weighted keys
Physical Drawbars
7 kg
26
Electro 4 SW73
73 Semi Weighted keys
Digital LED Drawbars
2X Memory
9 kg
7
MODERN CLASSIC
Since its first release in 2001, the premium vintage sounds,
hands-on interface and robust, portable design has made
the Nord Electro series a modern classic and a first choice
for gigging musicians all over the planet.
SOUND DEMOS
Nord Audio Demo
00:00:19
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demos
Listen
to to
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Nord Piano
at of the Nord
www.nordkeyboards.com
nordkeyboards.com/nordelectro4
Electro 4:
HIGHLIGHTS
•
Nord C2D Organ Engine
•
Improved Click Modeling
•
Rotary Speaker Simulation
•
Nord Piano Library
•
Long Release
•
String Resonance (Gen 1)
•
Nord Sample Library
•
Effects section
•
USB MIDI
•
Three models SW61, SW73 and HP
AUTHENTIC SOUNDS
NORD PIANO LIBRARY
NORD SAMPL
The Nord Electro 4 Piano Section comes
loaded with a selection of amazing
sounds from the Nord Piano Library - our
specialized library for Grand, Upright and
Electrical Pianos, Clavinet and Harpsichords.
The Nord Sample Libra
cess to our exclusively l
and Chamberlin sounds
tion of quality sounds fr
producers. The Nord Sa
expanding rapidly all ne
downloads!
All the sounds have been recorded using our state-ofthe-art sampling techniques to capture the extraordinary
nuances and unique characters of the source instruments
and covers everything from brilliant, factory new Grand
Pianos to detuned upright bar pianos with tons of charm.
Replacing the sounds is simply a matter of dragging and
dropping files in the Nord Sound Manager for Mac and
Windows.
The entire Nord Piano Library and Nord Sample Library
is included on DVDs and new additions can be downloaded free from nordkeyboards.com.
28
The Long Release feature is suitable for legato playing
styles and the String Resonance (Gen 1) feature on Grand
and Upright Pianos can be turned off when desired.
Read more about the Nord Piano Library in the Sound Libraries section.
NORD SAMPL
With the included softw
even create your own s
files, assign them to key
them to the Nord Electr
Sample Editor can also
your sounds.
Read more about the Nord S
The Nord Electro 4 SW73 and Nord Electro 4 HP features our Digital LED drawbars while the Nord Electro 4D features physical drawbars.
ORGAN SECTION
TONE WHEEL ORGAN
VOX AND FARFISA
The Nord Electro 4 features the B3 tone
wheel organ engine from our flagship organ Nord C2D and includes a redesigned
Key Click simulation as well as the Rotary
Speaker simulation of a vintage 122 unit
with a great new overdrive. The percussion model has
been improved to offer increased control over the percussion levels when playing near-legato.
The Farfisa* and Vox* models are just as impressive as
the B3, simulating the behavior and unique response of
the original instruments. The Farfisa Compact Deluxe,
considered by many to be the mother of transistor organs,
involves routing matrixes and complex filter combinations
that offer a tailored sound with massive energy and high-end.
The organ can be split, for compact dual manual action
and its even possible to assign the lower manual to a second MIDI keyboard.
The Nord Electro 4D is fitted with physical drawbars of the
same type as on our flagship organ, the Nord C2D, perfect
for actively shaping the sound on the fly. The Nord Electro
4 SW73 / 4 HP organ section is identical in features but
sports our Digital LED Drawbars.
The Vox* Continental’s brute design brings you a more
hollow tone, but with a very intense character. Both these
transistor organs have their own unique, irreplaceable personalities. Combine them with any of the Amp simulations,
add some distortion, adjust the EQ and they will definitely
get you through any organ gig with flying colors.
The Nord Elect
Rotary Speake
as the Nord C2
EFFECTS
The Nord Electro 4 Effe
of great, tweakable effe
glimmer or atmosphere
Great sounding modula
stompboxes are only on
includes Tremolo, Pan,
Ring Modulation.
The Nord Electro 4 serie
ishing speaker simulatio
to your performance. C
amps to the Vintage 122
new Drive from our flag
LIGHTWE
Portability has always b
tro. The Nord Electro 4D
4 SW73 (9.1 kg/18.2 lbs
with the optional Soft C
HP weighs only 11 kg, a
keyboard.
30
PERFORMANCE
KEYBEDS
Changing, editing and storing presets is a breeze and
there are also 4 handy Live memory locations that
automatically saves what you’re doing. The Program
memory can hold 128 different Programs, organized in
32 Pages with 4 Programs each.
All Nord instruments have dedicated knobs and buttons for all vital functions to keep the interface simple
and easy to use during a performance. Functions only
accessible through menus are printed on the panel for
easy overview.
HAMMER ACTION PORTABLE (HP)
SEMI WEIGH
The Electro 4 HP sports amazingly portable weighted hammer action
piano keys. Perfect for electric and acoustic piano sounds, although the
High Trigger-point mode even works great for organ playing.
The Nord Electro 4 and
type keys with a rounde
ding and synthesizer lic
Key range E-E.
Key range C-C on Elect
The control pedal support has been extended and
now includes Yamaha FC7, Roland EV-7, Roland
EV-5, Korg EXP2 and Korg XVP10.
FREE UP
OS upgrades, pian
can be downloade
from www.nordke
OPTIONAL ACCESSORIES
SOFT CASE
Keep your Nord instrument in perfect shape with the ultimate soft case, featuring a
plush interior, thick padding, and the distinctive Nord red color.
The mid-sized pocket on the lid will hold all your cables and accessories. Carrying
handles, shoulder strap, and two backpack straps allows you to carry your instrument
any way you want.
DUST COVER
Soft Case
Keyb
Dust Cover
Sust
Cover and protect your Nord unit with the matching Dust Cover.
KEYBOARD STAND EX
Nord Electro 4 HP only.
SUSTAIN PEDAL
Sustain pedal.
COMPARISON CHART
PERFORMANCE
Keyboard
61-key (C-C) velocity sensitive Semi Weighted Waterfall
keyboard
73-key (F-F) velocity sensitive Semi Weighted Waterfall
keyboard
73-key (E-E) Hamme
Drawbars
Physical Drawbars
Digital LED Drawbars
Digital LED Drawbar
String Resonance
Yes, Generation 1 (ON/OFF)
Yes, Generation 1 (ON/OFF)
Yes, Generation 1 (O
Long Release
Yes
Yes
Yes
Nord Sample Library Memory
68 MB
128 MB
128 MB
Nord Piano Library Memory
185 MB
380 MB
380 MB
Dynamic Response Curves
–
4
4
DIMENSIONS
900 x 100 x 300 mm (35.4 x 3.9 x 11.8”)
1120 x 100 x 300 mm (44.1 x 3.9 x 11.8”)
1078 x 121 x 344 mm
WEIGHT
7.65 kg (15.3 lbs)
9.1 kg (18.2 lbs)
11 kg (24,25 lbs)
PIANO SECTION
For additional specifications, see the Nord Electro 4 specification page.
32
TECHNICAL SPECIFICATIONS (ALL MODELS)
ORGAN SECTION
EFFECTS SECTION
INCLUDED AC
•Nord C2D Tone wheel engine
•Three classic organ models: B3, Vox Continental, and Farfisa with full
polyphony.
•9 digitally controlled drawbars (Nord Electro 4 / 4 HP)
•9 physical drawbars (Nord Electro 4D).
•Two complete organ registrations for every program
•Percussion with 2nd, 3rd, normal/soft, fast/slow for the B3 model.
•User adjustable percussion levels, percussion decays and keyclick level.
•Vibrato / Chorus Control with separate functionality for each model
(the classic C1, C2, C3, V1, V2, V3 options for the B3, Vibrato for the
Farfisa).
•4 Tonewheel modes: select the level of “vintage” you wish to have in
your B3 sound.
•MIDI Split: The Nord Electro 4 can support an extra MIDI keyboard
when the Organ Split mode is activated. This makes it possible to use
the Nord Electro 4 as a dual manual (Lower/Upper) organ with different drawbar settings for each manual.
•Effect 1 - pan, tremolo, auto-wah, pedal-wah and ringmodulator.
•Three selectable depths for the pan and tremolo, rate controlled with
the Effect 1 Rate knob.
•Control pedal assigned to pedah-wah and ring modulator depth.
•Effect 2 - phaser, flanger and chorus.
•Three selectable depths, rate controlled with the Effect 2 Rate knob.
•Comp/Amp - three amp/speaker simulations, compressor and rotary
speaker.
•Drive/Compression amount controlled with the Drive knob.
•Rotary speed controls - Slow, Fast and Stopped.
•User adjustable rotary treble and bass rotor speeds and acceleration
rates.
•Delay Effect – Stereo Ping-Pong with Tap-tempo
•Reverb with five algorithms - Room, Stage Soft, Stage, Hall, Hall Soft.
•Dry/Wet control.
•Three band EQ, with sweepable mid. +/- 15 dB gain/attenuation.
•User Manual
•Power cord
•Nord DVD-ROM
PIANO AND SAMPLE SECTION
•All of the sounds in the Piano and Sample section can be replaced
using the Nord Sound Manager (Win/Mac).
•5 selectable types of pianos - Grand, Upright, EPiano, Wurl & Clav/
Harpsichord. Each type can contain several different models.
•380 MB allocated to the Piano Library (185 MB for Nord Electro 4D)
•The Sample Library section contain up to 50 samples from the Nord
Sample Library.
•128 MB allocated to the Sample Library (68 MB in the Electro 4D).
•Stereo pianos and samples can be played back in mono.
•String Resonance (Gen1)
•40-60 Voices polyphony.
GLOBAL FEATURES
•128 program memories.
•4 Live Slots
•Keybeds:
CONNECTIONS
•2 Audio outputs
•1 Monitor input
•1 Headphone output
•1 control pedal input with support for Yamaha FC7, Roland EV-7,
Roland EV-5, Korg EXP2 and Korg XVP10.
•1 Sustain pedal input
•1 Rotary Speaker speed switch pedal input
•MIDI In, MIDI Out
•USB interface for transferring sounds, OS updates and USB MIDI
communication.
DIMENSIONS
•Nord Electro 4D SW6
•Nord Electro 4 SW73:
•Nord Electro 4 HP: 1
WEIGHT
•Nord Electro 4D SW6
•Nord Electro 4 SW73:
•Nord Electro 4 HP: 11
Specifications subject t
34
NORD PIANO 2
PLAY, SPLIT AND LAYER
The Nord Piano 2 gives you our best acoustic and electric piano
sounds as well as access to our versatile Nord Sample Library
and great sounding, tweakable effects.
The new Nord Piano 2 HP features the light weight 73-key
Hammer Action Portable keybed.
SOUND DEMOS
Nord Audio Demo
00:00:19
Listen
demos
Listen
to to
thesound
Nord Piano
at of the Nord
www.nordkeyboards.com
nordkeyboards.com/nordpiano2
Piano 2:
HIGHLIGHTS
EXQUISITE PIANOS
•
2-part multitimbral (Piano/Sample)
NORD PIANO LIBRARY
•
Layer/Split functionality
•
Nord Piano Library support
•
Nord Sample Library
•
Advanced String Resonance (Gen 2)
The Nord Piano 2 comes loaded with a
selection of amazing sounds from the
Nord Piano Library - our specialized
library for Grand, Upright and Electrical
Pianos, Clavinet and Harpsichords.
•
Pedal Noise
•
Long Release
•
Effects section
•
USB MIDI
•
Two versions – HA88 and HP
All the sounds have been recorded using our state-ofthe-art sampling techniques to capture the extraordinary
nuances and unique characters of the source instruments
and covers everything from brilliant, factory new Grand
Pianos to detuned upright bar pianos with tons of charm.
Replacing the sounds is simply a matter of dragging and
dropping files in the Nord Sound Manager for Mac and
Windows.
Read more about the Nord Piano Library in the Sound Libraries section.
NORD TRIPLE PEDAL
The entire Nord Piano Library and Nord Sample Library is
included on DVDs and new additions can be downloaded
free from nordkeyboards.com.
The Nord Triple Pedal is included
with Nord Piano 2 HA88 and is
available as an optional accessory
for the Nord Piano 2 HP.
36
The Nord Triple Pedal features Soft and Sustenuto Pedals
in addition to a unique Dynamic Sustain Pedal enabling
the use of half-pedaling and “release and
catch” techniques.
STRING RESO
Nord Piano 2 features o
of String Resonance, re
piano strings resonating
frequencies when other
and Grand piano sound
PEDAL NOISE
When used with the No
ates the mechanical so
damper mechanism, pr
and sizzle sounds. The
dynamically to the force
releasing the pedal.
LONG RELEAS
The Long Release featu
styles and can be turne
SAMPLE SYNTH
PLAY, SPLIT & LAYER
PERFOR
The Sample Synth section lets you play sounds from our
extensive Nord Sample Library - containing over 1000
quality sounds from leading sample producers as well
as the exclusively licensed sounds of the Mellotron and
Chamberlin.
Setting up a layer or split has never been easier and the
volume of the Sample Synth can be controlled separately
with an optional Volume Pedal - great for sneaking in
those strings. The Sample Synth section can even be set
to either ignore Sustain or use the sostenuto pedal on the
Nord Triple Pedal as separate sustain for advanced layering
possibilities.
The Nord Piano 2 h
vital functions a pla
Transposing, setting
sound is accomplis
tions, organized in 2
each. The Nord Pia
tomatically save the
pad at rehearsals w
in the search of the
The Sample Synth section has dedicated knobs for adjusting
the attack and release and volume of the selected sound.
Read more about the Nord Sample Library in the Sound Libraries section.
NORD SAMPLE EDITOR
With the included software Nord Sample Editor you can
even create your own sample instruments. Load your .WAVfiles, assign them to keys on the keyboard and transfer
them to the Nord Piano 2 to play them instantly. The Nord
Sample Editor can also assist you in looping and mapping
your sounds.
EFFECTS
The Nord Piano 2 has an extensive Effect section with
great, tweakable effects. Each effect section can be assigned to either the Piano or the Sample Synth section and
lets you instantly add some dirt, glimmer or atmosphere to
your sound.
The Effects include classic modulation effects modeled
after vintage stomp-boxes, a stereo delay, a 3-band EQ,
amp simulations of vintage tube amps, a compressor and a
master reverb.
LIGHTW
The Nord Piano 2 H
lbs) professional 88
those wanting an ev
also offer the new N
key Hammer Action
11 kg/ 24.25 lbs!
KEYBEDS
HAMMER ACT
The Nord Piano 2 HA88 feat
Key range A-C (HA88).
HAMMER ACT
The Nord Piano 2 HP sports
action piano keys.
Key range E-E (HP).
FREE UPGR
OS upgrades, pianos a
can be downloaded fre
from www.nordkeyboa
38
OPTIONAL ACCESSORIES
TECHNICAL SPECIFICATION
KEYBOARD STAND EX
GLOBAL
The height adjustable Keyboard Stand EX is designed to give you maximum
stability and comfort while playing and offers two selectable heights, 75 or
65 cm (29.5 or 25.6"). The legs are made of aluminum making them very light
weight and can be fitted in the soft case for transport.
MUSIC STAND EX
The strong, metal Music Stand EX attaches to mounts included on the back
of your instrument, and can accommodate four sheets of music. The stand is
easily mounted without the use of any tools, and can be fitted in the soft case
for transport. Dimensions: 70 x 25 cm (27.6 x 9.8").
SOFT CASE
Keep your Nord instrument in perfect shape with the ultimate soft case, featuring a plush interior, thick padding, and the distinctive Nord red color.
The large-sized pocket can hold all your cables and accessories, including the
Keyboard Stand EX and Music Stand.
The Soft Case 88 and HP both feature mid-level carrying handles. The Soft
Case Piano 88 also features wheels.
DUST COVER
Cover and protect your Nord unit with the matching Dust Cover.
Music Stand EX
•LCD Display
•2 banks with 24 pages each, 5 programs - 240 locations
•Live Mode – 5 Live programs
•Global Transpose: +/- 6 semi tones
•Program Transpose: +/- 6 semi tones
PIANO SECTION
•500 MB memory for Nord Piano Library sounds
•40/60 Voices Polyphony (stereo/mono pianos)
•6 categories – Grand, Upright, Electric Piano 1, Electric Piano
2, Clavinet and Harpsichord. Each category can contain up to
9 models.
•Advanced String Resonance, Generation 2
•Kbd Touch: 4 velocity response curves
•Long Release
•Mono Output – stereo pianos can be played back in mono
SAMPLE SYNTH
•128 MB memory for Nord Sample Library sounds
•Up to 99 sample instruments
•16 Voices Polyphony
•Attack and Release controls
•Octave Transpose: -1/+3
•Sustenuto pedal can be set as sustain or gate pedal for the
Sample Synth section.
•Volume controllable with Volume Pedal (not included)
EFFECTS SECTION
Nord
Triple Pedal
Keyboard Stand EX
Soft Case
Piano 88
Dust Cover
•Effect 1 - Pan, Tremolo, Stereo Auto-wah. Three selectable
depths for the pan and tremolo, rate controlled with the Effect
1 Rate knob
•Effect 2 - Stereo Phaser, Flanger and Chorus. Three selectable
depths, rate controlled with the Effect 2 Rate knob
•Delay - Four levels of feedback amount, Dry/Wet adjustment.
Tempo can be set manually or with Tap Tempo button. Range:
20 ms ~ 750 ms
•Three band EQ, with sweepable mid. +/- 15 dB gain/attenuation
•Comp/Amp and compress
•Reverb with si
Dry/Wet contr
•Each effect as
CONNECT
•2 Audio outpu
•1 Monitor inpu
•1 Headphone
•1 Piano pedal
Triple Pedal or
Yamaha FC-4
•1 Volume Peda
trol/Expression
•MIDI In, MIDI O
•USB - type B c
•IEC C14 powe
INCLUDED
•Nord Triple Pe
•Nord Single P
•User Manual
•Power Cord
•USB Cord
•Nord DVD-RO
DIMENSIO
•HA88: 1284 x
•HP: 1054 x 12
•Nord Triple Pe
WEIGHT
•HA88: 18 kg (3
•HP: 11 kg (24.
•Nord Triple Pe
Specifications s
40
NORD STAGE 2
THE ULTIMATE PERFORMANC
KEYBOARD
Introducing our new flagship, the Nord Stage 2 with Nord Piano a
Sample Library-compatibility, the organ engine from C2, MIDI ove
and more memory for your favorite sounds. All with a stunningly u
friendly interface where all vital functions are only one button awa
SOUND DEMOS
Nord Audio Demo
00:00:19
Listen
demos
Listen
to to
thesound
Nord Piano
at of the Nord
www.nordkeyboards.com
nordkeyboards.com/nordstage2
Stage 2:
synthesizer
HIGHLIGHTS
•
6-part multitimbral, 2 Organs, 2 Pianos,
2 Synths
•
Nord Piano Library and Nord Sample
library support
•
Advanced String Resonance and
Pedal Noise
•
C2 tone wheel organ modeling
•
Rotary speaker simulation
•
Versatile synthesizer section with
Subtractive, FM, Wavetable synthesis
and sample playback
•
Morph function for assigning multiple
parameters to modulation wheel,
aftertouch or control pedal
•
Comprehensive Effects section, layer
up to six effects simultaneously
•
External section for using the
Nord Stage 2 as a master keyboard
•
Expanded Live Mode with 5 locations
•
Built-in USB-MIDI interface
•
Three models; HA88, HA76 and SW73
The entire Nord Piano Library and Nord Sample Library
is included on DVDs and new additions can be downloaded free from nordkeyboards.com.
42
ORGAN SECTION
settings on the panel bu
mance. The Stage 2 wil
foldback and energy ro
produce the gentle com
lovely smears absolutel
modes that allow you to
instrument to a worn an
years of touring.
Over ten years have passed since we
made our first digital model of a tone
wheel organ. The Stage 2’s dedicated organ section now uses our third generation
B3 Organ model, the same as found in our
acclaimed Nord C2 Organ.
Considered by many to be the most accurate emulation
of the B3 ever, the Stage 2’s organ model is based on the
analysis of the signals from each of the 91 spinning discs
inside several original instruments and painstaking work
on understanding exactly how all the components interact
with each other. The virtual circuitry reacts not only to the
We also created careful
the most famous transis
Vox Continental and the
organ’s themselves, the
rotary speaker simulatio
ing the acoustic variatio
spreads the sound arou
2’s organs to life with re
trol, “Draw buttons” and
original mechanical dra
of always having the co
ing preset. For Organ so
is programmed to respo
resulting in authentic fe
techniques.
PIANO SECTION
SYNTH SECTION
The Synth engine it
sis with dual saw, h
three-operator FM s
frequencies, Wavet
Sample based synt
filter features 12 and
and notch filters. An
envelope, an LFO, a
capabilities are hug
stage sound.
The Stage 2 Piano section has evolved
from the multi award winning Nord Piano;
featuring our state-of-the-art sampling
techniques the Stage 2’s pianos capture
the extraordinary nuances and real
character of the individual source instruments. Combined
with our latest generation of String Resonance and
compatibility with the optional Nord Triple Pedal that adds
Dynamic Pedal Noise, the result is breathtaking realism and
an unsurpassed expressiveness.
An all-new feature in the Nord Stage 2 is
the selectable Long Release – when
enabled you will get a slightly longer
release more suitable for legato playing.
In addition to vivid acoustic Grand and
Upright pianos, the Piano section also
features some of the finest, most desirable vintage electric pianos. The Stage
2’s piano sounds are future-proof thanks
to its compatibility with the Nord Piano Library. This free
online library is continuously updated with both upgraded
existing pianos and all-new pianos to keep your instrument
constantly renewed.
The Stage 2’s powerful new synthesizer
engine was built from the DNA of the Nord
Wave. Capable of classic subtractive synthesis, three operator FM synthesis, Wavetable synthesis and, crucially, compatibility with the Nord Sample Library. The
Nord Sample Library not only gives Stage
2 owners access to over 1000 world-class
sounds – the included Nord Sample Editor
even allows for user-created samples to
be loaded into the instrument.
The Synth section also features a dedicated Hold-button and a versatile new
arpeggiator with a wide variety of ranges
and directions. The arpeggiator can be
synced to the Stage 2’s Master Clock for
perfect timing with other elements of the
Stage 2, including its effects.
44
EXTERN SECTION
EFFECT SECTION
EFFECT 2
The two Phasers, two
effect are all modeled
that has defined the so
Phasers, metallic Flang
clear and faithfully sim
DELAY
A delay unit has been
slap back effects. The
and the tempo can ea
button, or synced to th
The Nord Stage 2 wouldn’t be a master keyboard
if it couldn’t control external devices with ease.
The Extern Section lets you seamlessly integrate
external MIDI-gear with the Stage 2’s built-in
instruments. Zones, splits and layers are handled
exactly as if the external equipment was a part of
the Stage 2 itself. The Extern settings are saved
together with Programs so advanced setups can
be immediately recalled in real-time during a performance. You can even use the Extern Section to
automatically transmit Bank Select and Program
Change messages to your external units.
The Stage 2 incorporates all the effects required to cover a
an Analog mode for cr
musicians’ needs. All of the three instrument sections - Organ,
changing the delay rat
Piano and Synth - can be routed individually through the
Stage 2’s built-in effect units. Turning the effects on and off,
and controlling the routing is easily done by a touch of
dedicated buttons, readily accessible at the bottom of each
effects unit.
AMP SIMULAT
This effect section com
sophisticated amplifier
amplifiers and speake
The new Master Clock function makes it easy
to sync the arpeggiator, LFO or even one of
the other effects to each other. You can easily lock the effect rate to a range of note values – make the delay do quarter note triplets
of what arpeggiator is playing, while the LFO gently sweeps
Electric piano sounds
sounds of speaker sim
Chorus 120 and a Wur
is selected, the unit pr
sweepable mid and a
the filter up and down in half notes, all perfectly interlocked.
ROTARY SPEA
The Master Clock can also be controlled by an external MIDI
The new improved Ro
clock – perfect for syncing your parts to a backing track,
sential character to org
including tempo changes!
piano and synth sectio
EFFECT 1
MASTER EFFE
Choose from Tremolo, two Wahs, an Auto-Wah, and an
A Compressor and a R
AutoPan. Use the AutoWah with a Clavinet for raw funk licks,
sound chain, to help y
create a psychedelic vibe with an Electric Piano on AutoPan,
gether. The Reverb un
or give a Wurlitzer some body using the Tremolo. There’s even
spaces to create differ
a Ring Modulator on board, an effect used by many experi-
the Compressor helps
mental and electronic musicians.
under control.
KEYBEDS
The control pedal su
now includes Yamah
EV-5, Korg EXP2 an
HAMMER ACTION (HA)
SEMI WEIGHTED WATERFALL (SW)
The Stage 2 HA88 and HA76 features fully weighted hammer action
keys. Brilliant for electric and acoustic piano sounds, although the High
Trigger-point mode even works great for organ playing.
The Nord Stage 2 SW73 features semi weighted organ type keys with
a rounded “waterfall” tip, brilliant for rapid organ shredding and synthesizer licks, but also plays nice with piano sounds.
Key range A-C (HA88) and E-G (HA76).
Key range F-F (SW73).
OPTIONAL ACCESSORIES
KEYBOARD STAND EX
SUSTAIN PEDAL
The Nord Stage 2 HA88/76 can be fitted with
legs reminiscent of a classic electric piano. They
are very easy to assemble and disassemble for
transport. The stand has two selectable heights.
Sustain pedal. Included with Stage 2 HA88/HA76.
SOFT CASE
A semi-hard, padded, custom sized soft case is
available for safe and comfortable transportation.
The soft case for the Stage 2 HA76 and HA88
models also features wheels.
MUSIC STAND EX
An easily attachable music stand is also available
for the HA88/76 models.
46
Music Stand EX
NORD TRIPLE PEDAL
The Nord Triple Pedal features a unique dynamic
Sustain pedal enabling the Pedal Noise-feature, a
sostenuto pedal for sustaining selected notes and
a Soft Pedal.
Sustain Ped
DUST COVER
Cover and protect your Nord unit with the matching Dust Cover. Included with Stage 2 HA88/
HA76.
Nord
Triple Pedal
Keyboard Stand EX
Dust Cover
TECHNICAL SPECIFICATIONS
GENERAL
SYNTH SECTION
KEYBOARD
INC
•Master Level Control
•Wooden Pitch Stick
•Modulation Wheel
•400 Programs - 4 Banks with 20 Pages each. Each
Page has 5 Program locations
•Program Categories
•Program Sort Modes - numerical, alphabetical or by
category
•5 Live Buffers
•2 Individual Slot Setups
•3 Morph sources (Modulation Wheel, Control Pedal,
Aftertouch)
•Global Mono output
•Programmable Transpose +/- 6 semitones
•Master Clock functionality with manual, external and
tap-tempo rate control
•Internal and MIDI clock source
•Built-in USB MIDI-interface
•Sample Playback synthesis: approx.. 380 Megabytes
of sample memory, up to 999 Sample Instruments.
•Analog synthesis: Multiple waveforms - including
Dual Saw, Hard Sync and PWM
•FM synthesis: 2 & 3 Operator FM synthesis
•Wavetables synthesis: 62 waveforms
•18 Voices polyphony
•Unison control - with no reduction in polyphony
•Amplitude envelope
•Modulation envelope
•12 & 24 dB Low Pass, High Pass, Band Pass and
Notch Filter with Resonance
•LFO with 4 waveforms (square, triangle, ramp and
sample & hold)
•300 Patch memory locations
•Arpeggiator (Up, Down, Up-Down and Random).
Range: 1, 2, 3 or 4 octaves.
•LFO and Arpeggiator synchronizable to Master Clock
•2-Part Multi-timbral
•HA88/HA76-models: Hammer Action Weighted
keyboards.
Range: HA88: A-C, HA76: E-G
•SW73-model: 73-note Semi Weighted Waterfall
keyboard. Range: F-F
•Aftertouch
Supports 3 split zones with visual LED indication
•
•
•
•
•
•
ORGAN SECTION
•B3 Tone wheel Organ, Vox Continental and Farfisa
models with full polyphony
•9 digitally controlled Drawbars
•Percussion controls
•Vibrato / Chorus control
•Two Drawbar settings per program
•2-Part Multi-timbral (2 manuals)
PIANO SECTION
•Approx.. 500 Megabyte memory for Piano sounds
•Acoustic Grand Pianos
•Upright Pianos
•Electric Pianos
•Wurlitzer A200 Electric Piano
•Clavinet D6
•Harpsichords
•Electric Grand Pianos incl. CP-80
•40-60 Voices Polyphony
•4 Selectable Velocity Curves
•Clavinet EQ controls
•String Resonance, Generation 2
(on Acoustic Grand Pianos and Uprights)
•Selectable Piano Release
•Pedal Noise when used with Nord Triple Pedal
(optional accessory) on selected acoustic and
electric pianos
•Slot Detune functionality
•2-Part Multi-timbral
GLOBAL PARAMETERS
•Level control
•Zone (split assignment) control
EFFECTS
•Effect 1: Ring Modulator, Tremolo, Pan, Wah 1, Wah
2, AutoWah
•Effect 2: Flanger, Vibe, 2 Phasers, 2 Choruses
•Delay - with Ping Pong (stereo taps) and Tap-Tempo
•3 types of Speaker simulations, JC, Twin and Small
•Tube amp simulation with adjustable overdrive
•3-band Equalizer with sweepable mid. EQ ranges:
100 Hz, 200 Hz - 8 kHz and 4 kHz
•Rotary Speaker: selectable speed (Stop, Slow and
Fast) and separate overdrive
•Effect rates/tempo can be synchronized to the
Master Clock
MASTER EFFECTS
•Compressor
•Reverb - 6 algorithms
Use
Dus
Sus
Pow
Nor
US
DIM
CONNECTIONS
•4 Assignable Audio Outputs - ¼", 6.35 mm jacks,
unbalanced
•Stereo Headphone output - ¼", 6.35 mm stereo jack
•1 Monitor input - 1/8", 3.5 mm stereo jack
•Sustain Pedal - ¼", 6.35 mm jack. Use a momentary
pedal, like e.g, Roland DP-2, DP-6, Yamaha FC4,
FC5, Fatar VFP1-25 etc.
•Sustain input compatible with Nord Triple Pedal (sold
separately)
•Rotor Pedal - ¼", 6.35 mm jack. Use a momentary
pedal or a switch type pedal
•Organ Swell Pedal - ¼", 6.35 mm TRS stereo jack.
Use a Control/Expression pedal like e.g. Yamaha
FC7, Roland EV-7, Roland EV-5, Korg EXP2 or Korg
XVP10.
•Control Pedal - ¼", 6.35 mm TRS stereo jack. Use a
Control/Expression pedal like e.g. Yamaha FC7, Roland EV-7, Roland EV-5, Korg EXP2 or Korg XVP10.
•MIDI In - 5 pin DIN connectors
•MIDI Out - 5 pin DIN connectors
•USB - type B connector
•IEC320 C7 power connector
•Nor
128
(50.
•Nor
1121
(44.
•Nor
1105
WEI
•Nor
•Nor
•Nor
Speci
FREE UP
OS upgrades, pian
can be downloade
from www.nordke
48
NORD C2D
THE COMPLETE ORGAN
SOLUTION
With 2 sets of physical drawbars per manual, extremely realistic
simulations of a B3 tone wheel organ, Vox and Farfisa transistor
organs and a beautiful sampled baroque pipe organ the new
Nord C2D is the ultimate portable organ solution.
SOUND DEMOS
Nord Audio Demo
00:00:19
Listen
demos
Listen
to to
thesound
Nord Piano
at of the
www.nordkeyboards.com
nordkeyboards.com/nordc2d
Nord C2D:
HIGHLIGHTS
•
B3 tone wheel organ simulation
•
122 Rotary Speaker simulation with
overdrive
•
Farfisa and Vox transistor organ simulations
•
Sampled Baroque Pipe Organ
•
Dual manual, 61 key waterfall keys
•
Two sets of physical drawbars per
manual
•
Left hand drawbar preset panel
•
11-pin Leslie Output
TONE WHEEL ORGAN
The Nord C2D B3 simulation is the result of over a decade
of perfecting our tone wheel simulations, a journey that
started with the original Nord Electro, followed by the
award winning Nord C1 and Nord C2 Combo Organs.
Not only did we analyzed the signals from each of the 91
spinning tone wheels inside several original instruments, we
have also paid years of attention to each and every one of
the intricate details that make up the characteristics of the
actual sound in a vintage organ.
Our simulation not only reacts to the panel settings but
also adapts to the real time performance and will faithfully
reproduce the important fold back and energy robbing
characteristics; the latter produces the gentle compression
effect that makes those lovely smears absolutely wonderful. There are 4 tone wheel modes available, ranging from
the default vintage battered workhorse with plenty of leakage to a clean factory spec’d instrument.
CLICK, PERCUSSION AND VIBRATO
Miniature images show the original vintage components.
50
The Nord C2D features a greatly improved simulation of
the characteristic mechanical key clicks that are a crucial
component of the class
amount can be adjusted
The vibrato and chorus
analog circuitry are also
alive as the tone wheels
signed percussion mod
the percussion levels w
FULL HANDS O
Having two sets of draw
left hand drawbar prese
actively while playing a
keyboard offers an ultra
chanical action to provid
original vintage instrum
panel and upper manua
player and the panel be
surface that’s easy on t
AMP SIMULATION
VOX & FARFISA
The mesmerizing sound of an accelerating Rotary Speaker
spreading the sound around the room is an essential component of the tone wheel organ experience. The Nord C2D
features 2 different Rotary Speaker simulations, one based
on a 145 unit and a brand new simulation of a vintage 122unit. There are three modes - Stop, Slow and Fast mode
that can be controlled either with the onboard panel buttons, an optional foot pedal or the Nord Half-Moon Switch
(accessory). The rotary speaker overdrive simulation has
also been redesigned and adds an incredibly meaty roar to
your sound. Naturally, the Nord C2D can also be connected to an external rotary speaker cabinet using the 11-pin
Leslie* high voltage output or the high level ¼” jack output.
The Nord C2D includes accurate models of the two most
popular transistor organs of the 1960’s, offering you that
massive savage sound created by their 12-top oscillator
frequency-divider designs. With the C2D, you get the same
dynamic behavior and unique response as in the original
instruments.
In addition to the Rotary Speaker model the Nord C2D also
features great Twin and JC guitar amp models with a powerful overdrive, freely assignable to the B3, Farfisa or Vox
organs. Add the 3-band equalizer, a feedback-delay with
tap-tempo functionality, and several types of reverberation
and you truly have an all-in-one effect section with stunning
sound right out of the box.
As with the tone wheel organ, both transistor organs have
their own unique, irreplaceable personalities. Combine them
with any of the Nord C2D’s speaker simulations, add some
distortion, adjust EQ and they will definitely light your fire.
The Farfisa* Compact Deluxe, considered by many to be
the mother of transistor organs, involves routing matrixes
and complex filter combinations that offer a tailored sound
with massive energy and high-end. The Vox* Continental’s
brute design brings you a more hollow tone, but still with a
very intense character.
THE PIPE ORGAN
From the golden age of organ building we
have carefully chosen a baroque organ
with a devastatingly beautiful sound and
wide range of expression for the C2D pipe
organ part. Using cutting edge sampling
technique, no efforts have been spared in producing the
richest and most varied sound palette for the pipe organ
player.
The Nord C2D pipe organ is built upon two basic types of
organ pipes; flue pipes and reed pipes. The flue pipes have
a softer timbre and the reed pipes a more nasal tone quality. For each keyboard division the player can choose from
different sets of pipes and stops to produce different timbres. The C2D’s setup of stops make up a well-balanced
blend of tonal qualities capable of expressing the most
dramatic music to conveying the subtlest of organ pieces.
STOPS & COUPLERS
In the pipe organ each manual has its own sound; the
Great division being the part of the organ with the majestic
sound, whereas the Swell has a more mellow tonal quality.
The Couplers are used to activate combinations of different stops from both manuals, so that pressing keys on
one manual also connects stops from the other manual or
pedal, making them sound as well.
DISPOSITION
Swell
(Manual II)
52
Great
(Manual I)
Pedal
Couplers
Fugara 8
Principal 8
Subbas 16
SW/GR
Rohrflöte 8
Gamba 8
Fagot 16
SW/PED
Principal 4
Gedackt 8
Gedackt 8
GR/PED
Spitzflöte 4
Octava 4
SWELL 16
Nasat 3
Rohrflöte 4
SWELL 4
Flöte 2
Qvinta 3
SW 16/GR
Vox Celeste
Octava 2
PED/GR. LOW
Scharf II-III
Mixtur III-IV
Oboe 8
Trumpet 8
The disposition has the fundamental tonal character of a
baroque organ. The total number of stops is 21; 9 stops
for every manual and 3 pedal stops (of which one is a
combined Subbas 16 and Fagot 16). In addition to the three
unison couplers usually found in two manual organs, the
Nord C2D features three octave couplers and a special
coupler that adds the Pedal to the left most note played on
the Great manual.
SWELL PEDAL AND TREMULANT
One of the crucial ingredients for creating a vivid sound is
the swell pedal. In the Nord C2D this functions exactly as in
the real-life models, giving the player intimate control over
volume and dynamics of the swell manual. Another indispensable aid to make the pipe organ sound even a bit more
vibrant is the tremulant. This is a function that basically
gives small and very rapid variations in volume, thereby
causing the sound to “tremulate”. The C2D provides two
speeds, each with three variable depths.
IT’S NOT ONLY ABOUT THE
MUSIC, IT’S ABOUT THE PLAYER
Not only does the C2D provide an extremely well balanced
set of pipes, stops and couplers, but we have kept the
setup close to reality for the pipe organ player to easily find
his way around. The controls are exactly where you expect
to find them.
PERFORMANCE AND CONNECTIVITY
With so many organ types at your disposal, it is vital to be able
to route these to appropriate amplifier- and sound systems.
The Nord C2D is equipped with a stereo output pair (L and R
on 1/4" jacks) and a set of high level outputs (a 1/4" jack and a
11-pin Leslie* connector). This provides you with the flexibility
to e.g. route the tone wheel to a rotary speaker and the pipe
organ to a PA.
MIDI connectors allow you to use the Nord C2D to control
other MIDI equipment or to use it together with a computer or
sequencer, and the two manuals and the optional pedal can all
be set to transmit on separate MIDI channels.
A swell pedal is a crucial tool for expressiveness with any organ
and the Nord C2D is of course capable of using any good quality expression pedal.
A dual manual organ would not be complete without the ability
to play bass notes on a pedal board. The Nord C2D includes
two additional bass register drawbars with selectable timbre
from vintage tone wheels, pipe organ bass stops or a synth
bass, modeled after a famous vintage add-on unit. The bass
section can be played with any MIDI-equipped bass pedal
board connected to the dedicated Bass Pedal MIDI input, or by
splitting the lower manual.
L
Rotary
Speaker
Pipe / Tonewheel Organ
PA-Mixer
KE
The
Key
ligh
stan
for a
MU
R
Rotary
Speaker
Tonewheel Organ
O
A
Guitar Amp.
Tonewheel Organ
Transistor Organs
The
tach
you
four
mou
can
Dim
SO
Hav
pipe
bett
you
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soft
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Multi Channel out
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low
LIGHTWEIGHT
The Nord C2D is lightweight and portable, yet sturdy enough to cope with
the rigors of the touring life. The total
weight is merely 15 kg (33 lb).
54
TECHNICAL
SPECIFICATION
PEDAL KEYS 27
GENERAL
This MIDI pedal board has 27 keys and an integrated Swell pedal, with a sturdy chassis of
aluminum. The long keys have a wooden finish and a length of 350 mms, to facilitate the
use of a proper toe-heel technique when playing. Just connect it to the C2D’s Bass Pedal
MIDI Input and you are ready to perform. It is very portable weighing in at only 15.5 kgs, 34
lbs.(Optional accessory).
•LCD Display
•Master Level Control
•2 Drawbar sets per manual
•Pedal drawbars
•126 Program Locations
•2 Live Buffers
ORGAN SECTION
Pedal Keys 27
(optional accessory)
•4 Organ Models:
Pipe Organ
Classic Tone wheel Organ
Vox* Continental Transistor Organ
Farfisa* Compact Deluxe Transistor Organ
•Percussion Controls
•Vibrato / Chorus / Tremulant Control
•6 Drawbar Presets per Program Location
EFFECT SECTION
•3-band Equalizer
•Overdrive
•3 types of Speaker Simulations including tw
Rotary Speaker models (122, 122 Close an
with selectable speed (slow - stop - fast)
•Delay - with feedback and tap-tempo func
•Reverb - 6 algorithms
KEYBOARD
•2 x 61 Semi-Weighted Waterfall Keys
Music Stand EX
Keyboard Stand ALU
Half Moon Switch
Soft Case
SOUND LIBRARIES
56
SOUND LIBRARIES
GREAT SOUNDS DON’T COM
CHEAP, THEY’RE FREE
We spend lots of time and tons of money to keep our sound libraries c
expanding... Then we give them away as free downloads at nordkeybo
Nord Piano Library
Nord Sam
ORIGINAL SOUNDS FOR FREE
ORIGINAL SOUND
Compatible with
Nord Electro 3/4
Nord Piano 88/2
Nord Stage/EX/2
Compatible with
Nord Electro 3/4
Nord Piano 2
Nord Stage 2
Nord Wave
The Nord Piano Library is a specialized library for
The Nord Sample Library
acoustic and electric keyboard instruments and incor-
consists of a broad range of
porates a number of unique technologies in order to
from raunchy accordions, na
create the most realistic reproductions of the original
tars and brass. To ensure th
instruments. The library contains a wide selection of
we have teamed up with ren
multisampled upright and grand pianos, vintage electric
creators like Kirk Hunter Stu
pianos, harpsichords and clavinets – all carefully se-
Sonic Reality. Also, you get
lected for their unique characters.
original sounds from the leg
plers Mellotron and Chambe
Nord Piano
Library doubl
Nord Piano Library
ORIGINAL SOUNDS FOR FREE
GRANDS, UPRIGHTS AND HARPSICHORDS
ITALIAN GRAND
CONCERT GRAND 1 CLOSE
ROMANT
The Italian Grand is medium sized Grand Piano brimful
This mighty grand was captured with the microphones
with character. It can be described as slightly ambient,
positioned close to the strings providing the ideal sound
brilliant and boasts an amazing dynamic range.
when you wish to add your own choice of ambience or
The touch and
nized perfectly
sparkling treble
performing live.
BRIGHT GRAND
The Bright Grand is a 6'3" (191 cm) Concert Grand Piano
with a transparent character and an expressive dynamic
range. We chose to record a factory new unit and this
crophones, for a classical performance. The ambience is
the grand piano itself interacting with the acoustics of the
GRAND IMPERIAL
..........................................................................................
An Austrian giant with a powerful sound board and a high
MELLOW UPRIGHT
of this Grand Piano is almost orchestral, with an exquisite
full tone that is somewhat dark in character. Also available
in a stunning XL-version!
GRAND LADY-D
This German 9-foot beast captures the full sound from the
tapered, double crowned sound board and every nuance
resonating in the huge maple body.
STUDIO GRAND 1
NORD PIANO LIBRARY
A grand piano with the preferred placement of the mi-
further adds to a crisp, rich tone.
proportion of mountain spruce from the Alps. The sound
58
CONCERT GRAND 1 AMB
concert hall.
This Upright was fitted with extra soft felt hammers to
accommodate a more mellow, dampened tone. With its
HONKYT
With nails repla
most certainly
BLACK U
The hammers
tone; a charact
Nord Piano Lib
RAIN PIA
have a preference for a calm, dreamy and rich feel.
Upright piano m
Factory, carefu
piano. The reco
positioning.
GRAND UPRIGHT
SALOON
The Grand Upright offers a remarkably full and even
Look no furthe
sonality. The S
with your back
gentle dynamic response the Mellow Upright is a unique
addition to our Nord Piano Library, and a real gem if you
sound. It has a rich, woody tone that gets a brilliant glassy
bite when you lay some force into the keys.
The recording of the Studio Grand was done with a close-
BLUE SWEDE UPRIGHT
up microphone positioning to provide you with a very
The Blue Swede is a tall upright from a Swedish piano man-
projective character.
ufacturer with a reputation for building great instruments.
STUDIO GRAND 2
QUEEN UPRIGHT
The Studio Grand 2 is a meticulously prepared grand with
The clear, sustaining sound is typical for this upright,
a sonic response from the very softest pp passages to a
reflecting the selected materials and excellent finishing of
strong FF presence.
the original instrument.
.......................
FRENCH
This is a triple s
various setting
ITALIAN H
This instrumen
sichord, record
ALL ACOUSTIC PIANO SOUNDS ARE AVAILABLE IN DIFFERENT SIZES
No matter which size you decide to use, you will have the same great sounding and very expressive piano at your fingers.
The bigger sizes contain more String Resonance samples.
ELECTRICS
ELECTRIC GRAND CP80
EP TINES 3 MK II
EP TINES 7: TINES AMPED
The touring and recording Electric Grand from the
80’s, with a very characteristic sound. The leather
hammers, short strings and the lack of a resonant
body helped to produce a unique sound.
Manufactured in April 1981 and adjusted to
“shallow” timbre.
This MK1 was recorded through a magic mix of
custom built pre-amps, tube amps and vintage
outboard.
EP TINES 4 MK V
EP REEDS 200 A
This is a one of a kind custom modified Gärbstedt
acoustic grand piano fitted with CP-80 pick-ups.
Manufactured in June 1984 and adjusted to ‘ideal’
timbre. The sound of the Mark V offers improved
clarity in the upper range, better consistency of
tone in the low range and increased sustain.
ELECTRIC GRAND AMPED
EP TINES 5: BRIGHT TINES
CLAVINET
This Electric Grand was recorded through a magic
mix of custom built pre-amps, tube amps and vintage outboard. Available in two sizes. A small mono
version and a medium in stereo.
We prepared our magnificent 1975 mk I Suitcase
with a special selection of hard hammer tips in
certain ranges, an adjustment of the striking line
and re-voicing of the harp, in order to get “that”
bell sound.
The Clavinet is represented with all the 4 possible
pick-up selections from the original.
ELECTRIC GRAND MODEL G
EP TINES 1 MK I DEEP
Manufactured in May 1978 and adjusted to “deep
timbre adjustment” which gives the piano a warm
sound with a rich fundamental.
EP TINES 2 MK I SUITCASE
Manufactured in January 1975. We fine-tuned the
mechanics and adjusted the tines according to the
‘ideal’ timbre adjustment.
EP TINES 6: SPARKLETOP
All the tine based electric pianos manufactured
during the period of the late sixties featured wooden
piano hammers (felt-covered, teardrop shape)
and non-tapered Raymac tines. This combination
produced the raw, bell-like sound heard on many
famous recordings.
The Nord Piano Library is compatible with:
Nord Electro 3 and 4, Nord Piano 1 and 2, and Nord Stage Classic/EX/2.
Some say that this fat reed-sound of the Wurlitzer
200 A fits better in a pop- or guitar-oriented setting
than the tine based electric pianos.
60
NORD SAMPLE LIBRARY
Nord Sample
Library double DVD
Nord Sample Library
ORIGINAL SOUNDS FOR FREE
CONTENTS
CHAMBERLIN • MELLOTRON • STRINGS / STRING MACHINES • WIND / BRASS •
TUNED PERCUSSION • ACCORDION / ORGANS • GUITAR / BASS • VOICES •
ACOUSTIC / ELECTRIC PIANOS • SYNTH
ORIGINAL SOUNDS
The Nord Sample Library contains over 900 of the best sounding samples on the planet, no matter if it is acoustic or electric
sounds that you are interested in.
In order to provide you with the best quality, we have teamed
up with top-notch sample content creators like Kirk Hunter
Studios, Precision Sound and Sonic Reality. New Samples are
added to the Library on a regular basis and are made available
as free downloads in the Library area on the www.nordkeyboards.com website. The extensive Sample Library pages also
include complete lists of the samples and audio demos.
The Nord Sample Library is compatible with:
Nord Electro 3 and 4, Nord Piano 2, Nord Wave and Nord Stage 2.
NORD SAMPLE EDITOR
The Nord Sample Editor is an application for Mac and Windows
for creating your own sample instruments and transferring
them to the sample memory area of your Nord instrument.
The Sample Editor can assist you in the process of creating
your own sample instruments, help you setting start points,
loop points and other tasks that are essential for making the
samples ready for use in the Nord unit. The Editor can also
automatically map a selection of audio files across the keyboard. Read more on the www.nordkeyboards.com website.
SOUND LIST WITH COMMENTS
MKI LEAD SOUNDS
MkI Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI French Horn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI Marimba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Very different from MkII
MkI Hammond Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI French Accordion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Same as MkII
MkI Flute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Same as MkII
MkI Acoustic Nylon Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI Piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Very different from MkII
MkI Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Very different from MkII
MkI Harpsichord/Trumpet+trombone split . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI Reverb Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI Mandolin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mandola-like
MkI Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI Vibraphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Same as MkII
MkI Trumpet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI Tibia Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkI Church Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Exclusive Nord Licensing:
THE MELLOTRON LIBRARY
M
successful music of
Mellotron sound has
though most people
they’ve surely heard
During the 80’s the M
Most notable excep
Make It and OMD’s
bands.
MKII LEAD SOUNDS
MkII Flute . . . . Beatles, Stones, Led Zeppelin, Pink Floyd, ABBA, Chili Peppers, etc
MkII 3 Violins . . . . . . . . . . . . . . . . . . . . . . . . . Led Zeppelin, Moody Blues, Stones, etc, etc
MkII Acoustic Steel Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkII Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Beatles
MkII Organ 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkII French Accordion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkII Rock Guitar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkII Brass . . . . . . . . . . . . . . . . . . . . . Genesis, King Crimson, Moody Blues, Stones, Beatles
MkII Piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkII Muted Brass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Moody Blues
MkII Harpsichord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkII Accordion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Genesis
MkII Organ 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkII Tenor Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkII Vibraphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gracious
MkII Mandolin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Beatles
MkII Tibia Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MkII Church Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M300 LEAD SOUNDS
M300 Strings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Bowie
M300 2 Violins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barclay James Harvest
M300 Solo Violin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M300 Slow Vibraphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M300 Bass Flute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M300 Clarinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M300 Celeste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 LEAD SOUNDS
M400 Solo Cello . . . . . . . . . . . . . . . . . . . . . . . . . . . Oasis, King Crimson, Chili Peppers etc.
M400 Solo Viola . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 16 Violins Air . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 String Section I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 String Section II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 8Voice Choir Radiohead, Genesis, Chili Peppers, Tangerine Dream etc.
M400 4Voice Female Choir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 4Voice Male Choir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Mixed Custom Choir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Male Solo Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Boys Choir . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Pipe Organ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Oboe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tangerine Dream
M400 English Horn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Bassoon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tangerine Dream
M400 Alto Sax . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tangerine Dream
M400 Clavichord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 2Brass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 2Saxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Wine Glasses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Vibes w/o Vibrato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Tubular Bells . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Celeste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M400 Hammond C3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
62
MELLOTRON SOUND LIBRARY
Although the Mellotron had been used earlier by some
British bands, the song Strawberry Fields Forever by the
Beatles (Flute) and Nights in White Satin by the Moody
Blues (3 Violins) in 1967 became the first Mellotron ‘hits’
both in Europe, the US and the rest of the world, forever
making a mark in music history.
The M400 was used on the road and in the studio
during the 1970’s by Led Zeppelin, Pink Floyd, Genesis,
Yes, Deep Purple, Aerosmith, Wings, David Bowie,
Kraftwerk and many others. Through the extremely
The Mellotron sounds can
be downloaded for free from
www.nordkeyboards.com
Mellotron is a registered trademark of Mellotron.com. All other trademarks
mentioned in this publication are the properties of their respective holders.
The Mellotron exper
1990’s when numero
Chili Peppers, Lenny
Monster Magnet, RE
began reusing it. In t
already gained even
on hits by Dido, Nell
The Black Eyed Pea
Read the Mellotron
mellotron
NEW
60 MO
SOUND
nordke
To celeb
Mellotron
new sou
original M
the famo
S
C
Exclusive Nord Licensing:
F
B
O
3
A
O
P
V
A
M
4
M
M
M
4
A
M
P
THE CHAMBERLIN LIBRARY
“We are very happy to offer the Chamberlin Library to our Nord
keyboard players”, says Clavia CEO Hans Nordelius. “It is a
natural progression of the previously released Mellotron Library,
which has been much appreciated by our Nord Wave and Nord
Electro 3 users.”
The Chamberlin was the original tape replay instrument,
developed and patented by US inventor Harry Chamberlin from
1949 to 1956, when the first commercially available model was
introduced. Various models and versions of these extraordinary
music instruments were manufactured until 1981. During the
years of production the much-respected Chamberlin sound
library grew, and the licensing deal with Clavia includes 60
sounds. The extraordinary Chamberlin Music Master was
instrumental in the birth of the later Mellotron.
The Chamberlin was a constructional beast with magnetic tapes
(also used in recording studios) containing analog recorded
sounds, triggered by the keyboard. One tape per key! Once
reaching the tape end which was normally after about 8 seconds
of playing, the sound would stop and tapes would need to
mechanically rewind.
Even with quite limited sound quality prestanda and obvious
limitations in tone length the Chamberlin tape samplers turned
into precious pieces of hardware used by major artists and
bands all over the world.
During the production years close to 700 units were made, all
considered a real work of art and a true milestone when it comes
to musical instrument innovations.
The Chamberlin library has been digitized in a 44.1 kHz, 24-bit
resolution and is available in the Nord Sample Library format
(nsmp), to be used with our Nord Sample Library compatible
units. As always, all the sounds in the Nord Sample Library
created by Nord are available as free downloads from the
www.nordkeyboards.com web site.
Sounds from the Chamberlin can be heard on countless songs
by artists like David Bowie, The Moody Blues, Crowded House,
Richard Thompson, Beck, Mitchell Froom, Tom Petty, Elvis
Costello, Neil Finn, XTC and Tom Waits, just to name a few.
Read the Chamberlin history at
www.nordkeyboards.com/chamberlin
The Chamberlin sounds can
be downloaded for free from
nordkeyboards.com
The analog Chamberlin master tapes have been transferred to the digital domain using state-of the
art recording equipment, in a 44.1 kHz, 24-bits resolution. All the sounds have been edited and
carefully looped – when applicable - using the Nord Sample Editor. One thing that is very noticeable is the quality and fidelity of these sounds.
All trademarks mentioned in this publication are the properties of their respective holders.
C
M
M
M
M
M
M
M
M
M
M
M
M
M
M
M
C
M
M
M
M
M
M
M
M
M
M
M
M
M
M
M
M
M
M
C
S
V
S
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T
64
NORD AWARD
WINNING PRODUCTS
tastenwelt
Magazin für Tasteninstrumente & Live-Musik
2000 2002 2003 2004 2005 2006 2007 2008 2008 2009 2009 2009 2010 2011 2011 2012 2012 2012 2012 2012 2012 2013
2014
MIPA
MIPA
MIPA
MIPA
MIPA
MIPA MIPA
MIPA MIPA MIPA Tastenwelt
Future Music Platinum Award
Future Music Platinum Award
MIPA
TEC Award
Future Music Platinum Award
Future Music Platinum Award
Future Music Platinum Award
MIPA
Tastenwelt
MIPA Future Music Award
Future Music Platinum Award
Nord Modular
Nord Lead 3
Nord Electro 2
Nord Electro 2
Nord Electro 2
Nord Stage
Nord Stage
Nord Stage
Nord C1
Nord Wave
Nord Stage EX
Nord Wave
Nord C2
Nord Stage 2
Nord Electro 3
Nord Stage 2
Nord Electro 4D
Nord C2D
Nord C2D
Nord Stage 2
Nord Piano 2
Nord Electro 4
Nord Lead A1
WORLD WIDE NORD DISTRIBUTORS
Visit www.nordkeyboards.com for a detailed world wide distributor list.
Disclaimer: * Wurlitzer, Hohner, Clavinet, Farfisa and Vox are trademarks of their respective owners and are not affiliated o
These trademarks are mentioned here as a reference to a sound only. Leslie is mentioned to describe a connector standa
66
www.nordkeyboards.com
68
Click below to find more
Mipaper at www.lcis.com.tw
Mipaper at www.lcis.com.tw
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