rental catalogue.cdr
PROFESSIONAL
CATALOGUE
Johannesburg
+27 11 974 0633
[email protected]
Cape Town
+27 21 787 9378
[email protected]
www.wildandmarr.co.za
Durban
+27 31 573 7400
[email protected]
PG MICROPHONES
PG42 / PG42USB
PG48
PG58
Vocal Microphone
Side-address cardioid
condenser microphone for
lead vocal recording
applications.
Vocal Microphone
A great performance mic
for spoken word
applications.
Vocal Microphone
A rugged mic tuned to
accentuate the clarity
of lead and backup
vocals.
Spoken Word
Karaoke
Lead Vocals
Instrument Applications
PG42
Frequency Response
►20 to 20,000 Hz
Polar Pattern
►Cardioid
Max SPL PG42 XLR:
►PAD OFF: >130 dB SPL
►PAD ON: >145 dB SPL
Switch
►Attenuator: 15 dB
Output Level (at 1,000 Hz)
►PG42 XLR: -35 dBV/Pa
Net Weight
►PG42 XLR: 439 grams
PG42USB
Frequency Response
►20 to 20,000 Hz
Polar Pattern
►Cardioid
Max SPL
►PAD OFF: >120 dB SPL
►PAD ON: >135 dB SPL
Switch
►Attenuator: 15 dB
USB Power Requirements
►USB-Powered, 500 mA
maximum
Adjustable Gain Range
►34 dB
Output Level (at 1,000 Hz)
►-29 dBFS/Pa (at minimum gain)
Net Weight
►453 grams
Lead Vocals
Backup Vocals
PG48
Type
►Dynamic
Frequency Response
►70 to 15,000 Hz
Polar Pattern
►Cardioid
PG58
Microphone Type
►Dynamic (moving coil)
Frequency Response
►60 to 15,000 Hz
Polar Pattern
►Cardioid
Output Impedance
►EIA rated at 150 ohms (300
ohms actual)
Sensitivity at 1 kHz, open circuit
voltage
►2.2 mV
►1 Pascal=94 dB SPL
Polarity
►Positive pressure on diaphragm
produces positive voltage on pin 2
with respect to pin 3
Net Weight
►321 g
Connector
►Three-pin professional audio
(XLR), male
Operating Temperature
►-29 deg to 57 deg C
Relative Humidity
►0 to 95%
PG42
PG48
PG58
? Large diaphragm capsule provides wider
? Tailored frequency response is smooth and
? Tailored frequency response is smooth and
?
?
?
?
?
dynamic range for clear highs and strong lows
Voice-tailored frequency response specifically
engineered to reproduce the subtle nuances
lead vocal performances
High-pass filter for additional control of
unwanted low-end signal
-15dB switchable attenuator for additional SPL
versatility
Shock mount included for additional set-up
stability
Carrying case included for additional protection
during storage or transport
PG42USB
? USB Plug and Play connectivity allows the
?
?
?
?
?
?
convenience of digital recording, anywhere your
computer can go
Compatible with Windows Vista, XP, 2000, and
Mac OS X (10.1 or later)
Integrated pre-amp with Microphone Gain
Control allows control of input signal strength
Zero Latency Monitoring for real-time playback
and multi-tracking without disorientation
Headphone jack for monitoring with 1/8”
connectivity
Monitor Mix Control for blending microphone
and playback audio
16 bit, up to 48 kHz sample rate for better-thanCD quality audio
?
?
?
?
?
?
extended. Tuned specifically for vocal
applications.
Cardioid polar pattern picks up the most sound
from in front of the microphone and some
sound from the sides. Less susceptible to
feedback in high volume settings.
Dynamic cartridge has a simple, rugged coil.
Handles extreme volume levels without
distortion.
Cartridge includes a neodymium magnet for
high output level.
Durable metal construction.
On/off switch for onstage control.
Steel mesh ball grille with integral "pop" filter
reduces explosive breath sounds and wind
noise.
?
?
?
?
?
?
?
?
?
?
extended. Tuned specifically for vocal
applications.
Cardioid polar pattern picks up the most sound
from in front of the microphone and some sound
from the sides. Less susceptible to feedback in
high volume settings.
Dynamic cartridge has a simple, rugged coil.
Handles extreme volume levels without
distortion.
Cartridge includes a neodymium magnet for
high output level.
Internal shock mount for reduced handling
noise.
Durable metal construction.
On/off switch for onstage control.
Hardened steel mesh ball grille that resists wear
and abuse.
Integral "pop" filter reduces explosive breath
sounds and wind noise.
Includes 4.57m cable, break-resistant mic clip
and storage bag.
Replacement cartridge: RPM150.
PG MICROPHONES
PG27 / PG27USB
PG57
PG81
Multi-Purpose
Microphone
Side-address cardioid
condenser microphone for
instrument and vocal
recording applications.
Instrument Microphone
A versatile mic for
amplified or acoustic
instruments.
Instrument
Microphone
A sensitive, flat response
mic ideal for acoustic
instruments.
Guitar Amp
Brass
Saxophone
Multi-purpose
PG27
Frequency Response
►20 Hz to 20 kHz
Polar Pattern
►Cardioid
Max SPL
►PAD OFF: > 134 dB SPL
►PAD ON: > 154 dB SPL
Switch
►Attenuator: 20 dB
Adjustable Gain Range
►34 dB
Output Level (at 1,000 Hz)
►PG27 XLR: -41 dBV/Pa
Net Weight
►PG27 XLR: 438 grams
PG27USB
Frequency Response
►20 Hz to 20 kHz
Polar Pattern
►Cardioid
Max SPL
►PAD OFF: >124 dB SPL
►PAD ON: >144 dB SPL
Switch
►Attenuator: 20 dB
USB Power Requirements
►USB-Powered, 500 mA
maximum
Adjustable Gain Range
►34 dB
Output Level (at 1,000 Hz)
►-33 dBFS/Pa (at minimum
gain)
Net Weight
►PG27 USB: 452 grams
PG27
? Large diaphragm capsule
provides wider dynamic
range for clear highs and
strong lows
? Flat, neutral frequency
response for natural
reproduction of sound
sources
? High SPL handling of
acoustic, amplified and vocal
sound sources
? -20dB switchable attenuator
for additional SPL versatility
PG27USB
? USB Plug and Play
connectivity allows the
convenience of digital
recording, anywhere your
computer can go.
? Compatible with Windows
Vista, XP, 2000 and Mac OS
PG57
Microphone Type
►Dynamic (moving coil)
Polar Pattern
►Cardioid (unidirectional)
Frequency Response
►50 to 15,000 Hz
Polarity
►Positive pressure on
diaphragm produces positive
voltage on pin 2 relative to pin 3
of microphone output connector
Output Impedance (at 1000 Hz)
►200 ohms
Sensitivity (at 1000 Hz)
►-56 dBV/Pa, (1.6 mV), 1
Pascal=94 dB SPL
Electromagnetic Hum
Sensitivity
►26 dB equivalent SPL in a 1
millioersted field (60 Hz)
Switch
►Built-in On/Off switch
Connector
►Three-pin professional audio
connector (male XLR type)
Case
►Die cast metal handle, black
matte finish; hardened silver
colored, tapered steel mesh grille
Environmental Conditions
►This microphone operates over
a temperature range of -29° to
57°C and at a relative humidity of
0 to 95%
Weight
►Net: 324 g ►Packaged: 908 g
X (10.1 or later)
? Integrated pre-amp with
Microphone Gain Control
allows control of input signal
strength
? Zero Latency Monitoring for
real-time playback and multitracking without disorientation
? 1/8" Headphone jack for
monitoring
? Monitor Mix Control for
blending microphone and
playback audio
Acoustic Guitar
Cymbals
Piano
Strings
Woodwinds
Ensembles
PG81
Microphone Type
►Condenser (electret bias)
Polar Pattern
►Cardioid (unidirectional),
symmetrical about axis
Frequency Response
►40 to 18,000 Hz
Polarity
►Positive pressure on
diaphragm produces positive
voltage on pin 2 relative to pin 3
of microphone output connector
Output Impedance (at 1000 Hz)
► 600 ohms
Sensitivity (at 1000 Hz)
► -48 dBV/Pa, (4.0 mV), 1
Pascal = 94 dB SPL
Electromagnetic Hum Sensitivity
►-7 dB equivalent SPL in a 1
millioersted field (60 Hz)
Switch
►Built-in On/Off switch
Recommended Input Load
Impedance
►800 ohms minimum
Output Clipping Level (1 kHz, 1
% THD)
►2000 ohm load
►-13 dBV (0.22 V) (phantom)
►-17 dBV (0.14 V) (battery)
Maximum SPL
►2000 ohm load: 131 dB
(phantom), 127 dB (battery)
Self-Noise (Equivalent SPL)
►20 dB typical, A-weighted
Dynamic Range (maximum
SPL, 2k ohm load, to Aweighted noise level)
►111 dB (phantom); 107 dB
(battery)
Signal-to-Noise Ratio
► 68 dB (IEC 651)* at 94 dB
PG57
? Tailored frequency response
is smooth and extended.
Tuned specifically for
instrument applications.
? Cardioid polar pattern picks
up the most sound from in
front of the microphone and
some sound from the sides.
Less susceptible to feedback
in high volume settings.
? Dynamic cartridge has a
simple, rugged coil. Handles
extreme volume levels
without distortion.
? Cartridge includes a
neodymium magnet for high
output level.
? Internal shock mount for
reduced handling noise.
? Durable metal construction.
? On/off switch for onstage
control.
? Hardened steel mesh tapered
grille that resists wear and
abuse.
? Includes a 4.57m cable,
break-resistant mic clip and
storage bag.
SPL
Power
►Phantom Power
►Supply Voltage: 11 to 52 Vdc
►Current Drain: 2.0 mA max at
52 Vdc
►Maximum External Voltage
Applied to Pins 2 and 3 with
respect to Pin 1: +52 Vdc
►Reverse polarity protected to:
100 Vdc
►Battery Power
►Recommended: 1.5 V alkaline
AA size (NEDA 15A)
►Life: up to 10,000 hours
Connector
►Three pin professional audio
connector (male XLR type)
Case
►Steel and brass construction
with black painted finish
Environmental Conditions
►This microphone operates over
a temperature range of -29° to
57° C and at a relative humidity of
0 to 95%.
Weight
►Net: 250 g less battery
►Packaged: 880 g
PG81
? Flat frequency response is
wide and uniform. Consistent
sensitivity through frequency
range.
? Cardioid polar pattern picks
up the most sound from in
front of the microphone and
some sound from the sides.
Less susceptible to feedback
in high volume settings.
? Condenser cartridge has a
lightweight, sensitive
diaphragm. Precisely and
smoothly captures sound
nuances.
? Powered by AA battery or
phantom power supply.
? Internal shock mount for
reduced handling noise.
? Durable metal construction.
? On/off switch for onstage
control.
PG MICROPHONES
PG52
PG56
PGDMK6/PGDMK4
Kick Drum Microphone
A high-performance
microphone tuned to
capture low-end punch.
Snare | Tom
Microphone
A compact drum mic for
close miking.
Kick Drum
Bass Amp
Drum Mic Kits
Choose from the
essential or
complete drum
mic packages.
Snare Drum
Rack/Floor Toms
Percussion
Kick Drum
Snare Drum
Rack/Floor
Toms
Percussion
Overhead
Cymbals
PG52
PG56
Microphone Type
►Dynamic (moving coil)
Polar Pattern
►Cardioid (unidirectional)
Frequency Response
►30 to 13,000 Hz
Polarity
►Positive pressure on diaphragm produces positive voltage on
pin 2 relative to pin 3 of microphone output connector
Output Impedance (at 1000 Hz)
►300 ohms
Sensitivity (at 1000 Hz)
►-55 dBV/Pa, (1.8 mV), 1 Pascal=94 dB SPL
Electromagnetic Hum Sensitivity
►25 dB equivalent SPL in a 1 millioersted field (60 Hz)
Connector
►Three-pin professional audio connector (male XLR type)
Case
►Die cast metal housing, black matte finish; hardened silver
colored, tapered steel mesh grille, built-in locking stand adapter
Environmental Conditions
►This microphone operates over a temperature range of -29 to
57 degrees Celsius, and at a relative humidity of 0 to 95%.
Weight
►Net: 470 g
►Packaged: 1053 g
Microphone Type
►Dynamic (moving coil)
Polar Pattern
►Cardioid (unidirectional)
Frequency Response
►50 to 15,000 Hz
Polarity
►Positive pressure on diaphragm produces positive voltage on
pin 2 relative to pin 3 of microphone output connector
Output Impedance (at 1000 Hz)
►200 ohms
Sensitivity (at 1000 Hz)
►-56 dBV/Pa, (1.6 mV), 1 Pascal=94 dB SPL
Electromagnetic Hum Sensitivity
►26 dB equivalent SPL in a 1 millioersted field (60 Hz)
Connector
►Three-pin professional audio connector (male XLR type)
Case
►Die cast metal housing, black matte finish; hardened silver
colored, tapered steel mesh grille; built-in locking stand adapter
Environmental Conditions
►This microphone operates over a temperature range of -29 to
57 degrees Celsius, and at a relative humidity of 0 to 95%
Weight
►Net: 323 g
►Packaged: 935 g
PG52
PG56
PGDMK4
? Tailored frequency response is smooth
? Tailored frequency response is smooth
? (3) PG56 compact drum microphones
and extended. Tuned specifically for
kick drum applications.
? Cardioid polar pattern picks up the
most sound from in front of the
microphone and some sound from the
sides. Less susceptible to feedback in
high volume settings.
? Dynamic cartridge has a simple,
rugged coil. Handles extreme volume
levels without distortion.
? Cartridge includes a neodymium
magnet for high output level.
? Internal shock mount for reduced
handling noise.
? Durable metal construction.
Integral stand mount.
? Hardened steel mesh tapered grille
that resists wear and abuse.
? Includes 4.57m cable and storage bag.
and extended. Tuned specifically for
drum applications.
? Cardioid polar pattern picks up the
most sound from in front of the
microphone and some sound from the
sides. Less susceptible to feedback in
high volume settings.
? Dynamic cartridge has a simple,
rugged coil. Handles extreme volume
levels without distortion.
? Cartridge includes a neodymium
magnet for high output level.
? Internal shock mount for reduced
handling noise.
? Durable metal construction.
? Integral stand mount.
? Hardened steel mesh tapered grille
that resists wear and abuse.
? Includes 4.57m cable, A50D drum
mount and storage bag.
for close miking.
? (1) PG52 high-performance
microphone tuned to capture low-end
punch.
? (3) A50D drum mounts. Can be used
on most standard drum rims. The
flexible yet sturdy rubber construction
provides stability and ease of
installation.
? (4) 4.57m XLR-XLR cables.
? (1) Carrying case.
PGDMK6
? (3) Three PG56 snare/tom
?
?
?
?
?
microphones
(1) One PG52 kick drum microphone
(2) Two PG81 instrument microphones
(3) Three A50D drum mounts
(6) Six 4.57m XLR-XLR cables
(1) One durable carrying case
SM MICROPHONES
SM58
SM86
SM87A
Vocal Microphone
Industry standard
microphone tailored to
deliver warm and clear
vocal reproduction.
Vocal Microphone
Rugged microphone with
extended high frequency
response for smooth
reproduction of lead vocals.
Vocal Microphone
Rugged, lightweight microphone
with superior rejection
for clear reproduction
of lead vocals.
Lead Vocals
Backup Vocals
Harmonica
Lead Vocals
Backup Vocals
Lead Vocals
Backup Vocals
SM58
SM86
SM87A
Type
►Dynamic (moving coil)
Frequency Response
►50 to 15,000 Hz
Polar Pattern
►Unidirectional (cardioid), rotationally symmetrical
about microphone axis, uniform with frequency
Sensitivity (at 1,000 Hz Open Circuit Voltage)
►-54.5 dBV/Pa (1.85 mV) - (1 Pa = 94 dB SPL)
Impedance
►Rated impedance is 150 ohms (300 ohms actual) for
connection to microphone inputs rated low impedance
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 with respect to pin 3
Connector
►Three-pin professional audio connector (male XLR
type)
Case
►Dark gray, enamel-painted, die cast metal; mattefinished, silver, spherical steel mesh grille
Net Weight
►298 grams
Transducer Type
►Condenser (electret bias)
Frequency Response
►50 to 18,000 Hz
Polar Pattern
►Cardioid
Output Impedance
►150 Ohms at 1 kHz
►Recommended minimum load impedance: 600 Ohms
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage: -50 dBV/Pa (3.15 mV)
(1 Pa = 94 dB SPL)
Output Clipping Level
►1000 Ohm Load at 1,000 Hz: +3 dBV (1.41 V)
Maximum SPL (at 1,000 Hz)
►1000 ohm load (1% THD): 147 dB
Self-Noise
►23 dB typical, A-weighted
Dynamic Range (1000 ohms)
►124 dB (maximum SPL to A-weighted noise level
Signal-to-Noise Ratio
►71 dB at 94 dB SPL (IEC 651)*
*S/N ratio is difference between 94 dB SPL and
equivalent SPL of self-noise A-weighted.
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 relative to pin 3 of the output connector.
Power
►Phantom Supply Requirement: 11 to 52 Vdc, positive
at both pins 2 and 3
►Current Drain: 5.2 mA
Connector
►Three-pin (XLR) professional audio
Case
►Dark gray enamel-painted steel with matte-finished
silver colored steel grille
Net Weight
►Net: 278 grams
Environmental Conditions
►Operating: -18 degrees to 60 degrees C (relative
humidity >90%)
►Storage: -29 degrees to 74 degrees C (relative
humidity >80%)
Cartridge Type
►Condenser (electret bias)
Frequency Response
►50 to 20,000 Hz
Polar Pattern
►Supercardioid
Output Impedance
►Rated at 150 ohms (100 ohms actual +/- 20%)
►Recommended minimum load impedance: 800 ohms
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage: -52.5 dBV/Pa (2.4 mV)
(1 Pa = 94 dB SPL)
Clipping Level (at 1,000 Hz)
►1000 ohm Load: -6 dBV (0.5 V)
Maximum SPL (at 1,000 Hz)
►140.5 dB (0.25% THD, 1000 ohm load)
Self-Noise (equivalent sound pressure level;
measured with true rms voltmeter)
►24 dB typical, A-weighted
►26 dB typical, weighted per DIN 45 405
Dynamic Range
►116.5 dB (maximum SPL to A-weighted noise level)
Signal-to-Noise Ratio
►70 dB at 94 dB SPL (IEC 651)*
*S/N ratio is difference between 94 dB SPL and product's
equivalent self noise (SPL A-weighted)
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 relative to pin 3.
Power
►Phantom Supply Requirement: 11 to 52 Vdc, positive
at both pins 2 and 3.
►Current Drain: 1.0 to 1.2 mA
Connector
►Three-pin (XLR) professional audio.
Case
►Aluminum construction with steel grille and satin black
finish
Net Weight
►200 grams
SM86
SM86
SM87A
? Frequency response tailored for
? Condenser cartridge for studio quality
? Highly directional supercardioid pickup
vocals, with brightened midrange and
bass roll-off
? Uniform cardioid pickup pattern
isolates the main sound source and
minimizes background noise
? Pneumatic shock-mount system cuts
down handling noise
? Effective, built-in spherical wind and
pop filter
? Supplied with break-resistant stand
adapter which rotates 180 degrees
? Legendary Shure quality, ruggedness
and reliability
? Cardioid (unidirectional) dynamic
? Frequency response: 50 to 15,000 Hz
? Replacement cartridge: R59
?
?
?
?
?
?
sound
Tailored frequency response for a clear
reproduction of vocals
Rugged construction withstands the
rigors of touring sound
Cardioid polar pattern minimizes
unwanted background noise
Excellent choice for stage monitors
and personal monitors
Built-in three-point shock mount
minimizes handling noise
Two-stage "pop" filter reduces wind
and breath noise
pattern
? Controlled low-frequency roll-off
? Very low RF and magnetic hum
susceptibility
? Minimally affected by varying load
impedance
? Built-in wind and pop filter
? Transducer element shock mounted
? Rugged construction for outstanding
reliability
? Field-usable over a wide range of
temperature and humidity conditions
? Accepts a wide variety of phantom
power sources, including DIN 45 596
voltages of 11 and 52 Vdc
SM MICROPHONES
SM27
SM48
SM57
Vocal Microphone
Large diaphragm, sideaddress
cardioid condenser
microphone for
the stage and studio.
Vocal Microphone
Rugged microphone
for vocal, speech and
karaoke applications.
Instrument Microphone
Industry standard, highly
versatile microphone
tuned for clean reproduction
of amplified and acoustic
instrument.
Spoken Word
Lead Vocals
Backup Vocals
Spoken Word
Lead Vocals
Backup Vocals
Guitar/Bass Amps
Brass
Saxophone
Harmonica
Snare/Tom
Conga
SM27
SM48
SM57
Type
►Condenser (externally biased)
Frequency Response
►20 to 20,000 Hz
Polar Pattern
►Cardioid
Impedance
►150 Ohms (140 Ohms actual)
Sensitivity(at 1 kHz, open circuit voltage)
►-37 dBV/Pa
1 Pascal=94 dB SPL
Maximum SPL (1 kHz at 1% THD)
►1000 Ohm load: 133 dB (147 dB, Pad on)
►2500 Ohm load: 138 dB (152 dB, Pad on)
Signal-to-Noise Ratio (referenced at 94 dB SPL at 1
kHz)
►84.5 dB
►S/N ratio is difference between 94 dB SPL and
equivalent SPL of self noise, A-weighted
Dynamic Range (at 1 kHz)
►1000 Ohm load: 123 dB
►2500 Ohm load: 128 dB
Common Mode Rejection (20 Hz to 20 kHz)
►> 50 dB
Clipping Level (20Hz-20 kHz at 1% THD)
►1000 Ohm load: 1 dBV
►2500 Ohm load: 7 dBV
►THD of microphone preamplifier when applied input
signal is equivalent to cartridge output at specified SPL
Self Noise (typical, equivalent SPL, A-weighted)
►9.5 dB
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 with respect to pin 3
Weight
►Net: 642 g
Switch
►Attenuator: -15 dB
►Low Frequency Response: flat; -6 dB/octave below
115 Hz; -18 dB/octave below 80 Hz
Connector
►Three-pin professional audio (XLR), male
Power Requirements
►48 Vdc phantom, 5.4 mA
Type
►Dynamic
Frequency Response
►55 to 14,000 Hz
Polar Pattern
►Cardioid (unidirectional)-rotationally symmetrical
about microphone axis, uniform with frequency
Impedance
►Microphone rating impedance is 150 ohms (270 ohms
actual) for connection to microphone inputs rated at 19
to 300 ohms
Output Level (at 1,000 Hz)
►Open Circuit Voltage: * -57.5 dBV/Pa (1.3 mV)
*1 Pa = 94 dB SPL
Connector
►XLR professional audio
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 with respect to pin 3.
Net Weight
►370 grams
Packaged Weight
►672 grams
Type
►Dynamic
Frequency Response
►40 to 15,000 Hz
Polar Pattern
►Unidirectional (cardioid), rotationally symmetrical
about microphone axis, uniform with frequency.
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage: -56.0 dBV/Pa* (1.6 mV)
*(1 Pa = 94 dB SPL)
Impedance
►Rated impedance is 150 ohms (310 ohms actual) for
connection to microphone inputs rated low impedance
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 with respect to pin 3
Connector
►Three-pin professional audio connector (male XLR
type)
Case
►Dark gray, enamel-painted, die-cast steel with a
polycarbonate grille and a stainless steel screen
Net Weight (without cable)
►284 grams
SM27
SM48
SM57
? Uniform cardioid pattern for superior off
? Cardioid pickup pattern rejects off-axis
? Contoured frequency response for clean,
?
?
?
?
?
?
?
?
axis rejection
Superior transient response from a lowmass large Mylar® diaphragm
Flat, neutral frequency response for
natural reproduction on stage or in the
studio
3-position switchable low-frequency filter
helps reduce unwanted background noise
or counteract proximity effect for
consistent, extended low-end
Durable metal construction.
Three separate mesh layers reduces
wind and breath noise.
15dB pad for performance consistency
across a wider range of high SPL sources
?
?
?
?
sound and provides superior gain before
feedback
Frequency response tailored for vocals,
with brightened mid-range and bass
rolloff to control proximity effect
Shock-mounted cartridge for exceptional
ruggedness and reduced handling noise
Built-in "pop" filter that reduces explosive
breath sounds and wind noise
Supplied stand adapter and
carrying/storage bag
Lockable On/Off switch (Model SM48S
only)
?
?
?
?
?
instrumental reproduction and rich vocal
pickup
Professional-quality reproduction for
drum, percussion, and instrument
amplifier miking
Uniform cardioid pickup pattern isolates
the main sound source while reducing
background noise
Pneumatic shock-mount system cuts
down handling noise
Extremely durable under the heaviest use
Frequency response: 40 to 15,000 Hz
Replacement cartridge: R57
SM MICROPHONES
SM94
SM81
Instrument Microphone
Rugged, battery-powered,
flat-response microphone for
live performance and remote
recording applications.
Instrument Microphone
Industry-standard, flat-response
microphone renown for sonic
accuracy in stage and studio
performance applications.
Guitar/Bass Amps
Brass
Saxophone
Harmonica
Cymbals
SM94
Type
►Cardioid Condenser (electret bias)
Frequency Response
►40 to 16,000 Hz
Polar Pattern
►Cardioid (unidirectional)--uniform
with frequency, symmetrical about axis
Output Impedance
►Rated at 150 ohms; 200 ohms
actual
Recommended Minimum Load
Impedance
►800 ohms
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage: -49 dBV/Pa
(3.5 mV) (phantom)
►-50 dBV/Pa (3.2 mV) (battery) (1 Pa
= 94dB SPL)
Output Clipping Level (1 kHz, 3%
THD) 800 Ohm Load
►-14 dBV (0.63 V) (phantom), 1%
THD;
►-23 dBV (0.71 V) (battery), 3% THD
Total Harmonic Distortion
►< 0.25% (130 dB SPL at 250 Hz into
800 ohm load)
Maximum SPL
►800 ohm Load: 141 dB (phantom),
123 dB (battery)
Hum Pickup
►-3 dB equivalent SPL in a 1
millioersted field (60 Hz)
Output Noise (equivalent sound
pressure levels; measured with true
rms voltmeter)
►22 dB typical, A-weighted
►25 dB typical, weighted per DIN 45
505
Dynamic Range
►119 dB (phantom); 101 dB (battery)
(maximum SPL, 2000-ohm load, to Aweighted noise level)
Signal-to-Noise Ratio
►72 dB (IEC 651) at 94 dB SPL
Overvoltage Protection
►Maximum External Voltage Applied
Acoustic Guitar
Strings
Woodwinds
Cymbals
Stereo Pick-Up
Ensemble Vocals
to Pins 2 and 3 with respect to Pin 1:
+52Vdc
►Reverse polarity protected to 75 Vdc
Polarity
►Positive pressure on diaphragm
produces positive voltage on pin 2
relative to pin 3
Cartridge Capacitance
►24 pF
Power - Phantom Operation
►Supply Voltage: 11 to 52 Vdc, (+)
pins 2 and 3
►Current Drain: 1.0 TO 1.2 mA max.
at 52 Vdc
Power - Battery Operation
►Type: 1.5 V alkaline, AA size (NEDA
15A)
►Life: Up to 5,000 hours with fresh
battery
Environmental Conditions
Temperature:
►Storage: -29 degrees to 74 degrees
C
►Operating: -6.7 degrees to 49
degrees C
Humidity:
►Storage: 0-95% relative humidity at
room temperature (22 degrees to 27
degrees C)
Connector
►XLR professional audio 3-Pin
Case
►Steel and brass construction with
gray finish and stainless steel mesh
grille
Weight
►Net: 250 grams less battery
►Packaged: SM94-LC: 949.7 grams
SM81
Type
►Condenser (electret bias)
Frequency Response
►20 to 20,000 Hz
Polar Pattern
►Cardioid (unidirectional) responseuniform with frequency, symmetrical
about axis
Output Impedance
►Rated at 150 ohms (85 ohms actual)
►Recommended minimum load
impedance: 800 ohms (May be used
with loads as low as 150 ohms with
reduced clipping level)
Output Configuration and Connector
►Balanced, transformer-coupled
output; male XLR connector
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage: -45
dBV/Pascal (5.6 mV)
(1 Pascal = 94 dB SPL)
Clipping Level (at 1,000 Hz)
►800 ohm Load: -4 dBV (0.63 V)
►150 ohm Load: -15 dBV (0.18 V)
Total Harmonic Distortion
►Less than 0.5% (131 dB SPL at 250
Hz into 800 ohm load)
Maximum SPL (at 1,000 Hz)
►800 ohm load: 136 dB (attenuator at
0) 146 dB (attenuator at -10)
►150 ohm load: 128 dB (attenuator at
0) 138 dB (attenuator at -10)
Hum Pickup
►-3 dB equivalent SPL in a 1 mOe
field (60 Hz)
Self-Noise (equivalent sound
pressure levels; measured with true
rms voltmeter)
►16 dB typical, A-weighted
►19 dB typical, weighted per DIN 45
405
Signal-to-Noise Ratio
►78 dB (IEC 651)* at 94 dB SPL
*S/N ratio is difference between 94 dB
SPL and product's equivalent self noise
(SPL A-weighted).
SM94
SM81
? A sensitive mic with a wide, flat
? 0 Hz to 20 kHz frequency response
? Flat response curve for accurate
response ideal for live amplified and
acoustic instruments.
? Extremely well-suited for reproduction
of stringed instruments, woodwinds
and cymbals
? AA battery or phantom power
? Internal shock mount
? Wide dynamic range
? Smooth, flat frequency response
? Uniform Cardioid condenser
? Frequency response: 40 to 16,000 Hz
reproduction of sound sources
? Low noise and high output clipping
level
? Low distortion over a wide range of
load impedances
? Cardioid polar pattern, uniform with
frequency and symmetric about axis,
providing maximum rejection and
minimum coloration of off-axis sounds
? Low RF susceptibility
Acoustic Bass
Piano
Orchestra
Live Recording
Sampling
Overvoltage and Reverse Polarity
Protection
►Max. external voltage applied to pins
2 and 3 with respect to pin 1: +52 Vdc
►Reverse polarity protection: 200 mA
max. (diode-clamped)
Polarity
►Positive pressure on diaphragm
produces positive voltage on pin 2
relative to pin 3
Cartridge Capacitance
►54 pF
Low Frequency Response Switch
Positions
►Flat; -6 dB/octave below 100 Hz; -18
dB/octave below 80 Hz
Attenuator Switch Positions
(Lockable)
►0 or -10 dB
Power
►Supply Voltage: 11 to 52 Vdc,
positive, pins 2 and 3
►Current Drain: 1.2 mA max.
Environmental Conditions
Temperature:
►Storage: -29 degrees to 74 degrees
C
►Operating: -6.7 degrees to 49
degrees C
Humidity:
►Storage 0 to 95% relative humidity
at room temperature (22 degrees to 27
degrees C)
Case
►Steel construction with vinyl metallic
paint finish and stainless steel screens
Weight
►Net: 230 grams
►Packaged: 740 grams
? Selectable low-frequency response:
flat, 6 or 18 dB/octave rolloff
? 0 dB/10 dB lockable attenuator switch
? Phantom powering (DIN 45 596
voltages of 12 to 48 Vdc)
? Rugged steel construction for durability
? Field-usable over wide range of
temperature and humidity conditions
SM MICROPHONES
SM137
DMK
Instrument Microphone
Versatile, flat-response
microphone in both acoustic
and high volume performance
applications.
Drum Mic Kit
Industry-standard package of
legendary microphones and
rugged hardware for all stage
and studio drum performances.
Acoustic Guitar
Acoustic Bass
String
Piano
Woodwinds
Orchestra
Kick Drum
Rack/Floor Toms
Orchestra
Live Recording
Sampling
SM137
Cartridge Type
►Permanently Biased Condenser
Frequency Response
►20 to 20,000 Hz
Directional Polar Pattern
►Cardioid
Output Impedance
►150 ohms (actual)
Attenuation Switch
0 dB or 15 dB attenuation
Phantom Power
►48 Vdc +/- 4 Vdc
►(IEC-268-15/DIN 45 596), positive pins 2 and 3
Current Drain
►5.2 mA typical at 48 Vdc
Common Mode Rejection
►>50 dB, 20 Hz to 20 kHz
Polarity
►Positive pressure on diaphragm produces positive voltage on
output pin 2 relative to pin 3
Dimensions and Weight
►24 mm diameter
►162 mm long
►195 grams
Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB SPL)
►-41 dBV/Pa
Self-noise (typical, equivalent SPL; A-weighted (IEC 651))
►19 dB
Maximum [email protected] 1000 Hz
►5000 ohms load (Attenuator on): 150 (165 dB)
►2500 ohms load (Attenuator on): 144 (159) dB
►1000 ohms load (Attenuator on): 139 (154 dB)
Output Clipping Level*
►5000 ohms load: 15 dBV
►2500 ohms load: 9 dBV>
►1000 ohms load: 3 dBV
*20 Hz to 20 kHz; THD < 1%. THD of the microphone preamplifier when applied input
signal is equivalent to the cartridge output at specified SPL.
Dynamic Range (Attenuator On)
►5000 ohms load: 133 (136) dB
►2500 ohms load: 128 (130 dB)
►1000 ohms load: 122 (125) dB
Signal to Noise Ratio**
►75 dB
**S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise Aweighted.
SM137
DMK
? Ultra-thin diaphragm for smooth
? SM57: The industry standard for
high end and tight, controlled low
end
? 15dB pad for performance
consistency across a wider range
of high SPL sources
? Low self-noise and
transformerless preamplifier
circuitry
Snare Drum
Woodwinds
Cymbals
Stereo Pick-Up
Ensemble Vocals
snare, and a reliable, highperforming choice for toms, the
Shure SM57 features a contoured
frequency response that cuts
through the mix with exceptional
impact, while reproducing sound
accurately.
? Beta 52A: Perfect for the kick
drum, this mic derives low-end
punch and sonic presence from a
carefully tailored frequency
response. Equipped with its own
pneumatic shock mount, the Beta
52A is designed with an integral
locking stand mount for easy set
up.
? A56D: This universal drum mount
system can be used to position
mics virtually anywhere -- drum
rims, mic stands, even cymbal
stands. Designed with captive
parts to prevent the loss of
individual pieces, the A56D is
small, secure, and can be used
with any standard mic.
? Carrying case included.
? Top quality microphones and an
affordable price makes the Drum
Mic Kit an exceptional value for
the performing drummer.
BETA MICROPHONES
BETA58A
BETA87A
BETA87C
Vocal Microphone
Dynamic vocal
microphone
precision-engineered
for professional sound
reinforcement and
project studio
recording.
Vocal Microphone
Supercardioid condenser vocal
microphone has a smooth, tailored
response for warm, accurate sound.
Vocal Microphone
Cardioid condenser vocal
microphone offers an
extremely
smooth, tailored response
for a warm, natural sound.
Lead Vocals
Backup Vocals
Lead Vocals
Woodwinds
Cymbals
Stereo Pick-Up
Ensemble Vocals
Backup Vocals
Orchestra
Live Recording
Sampling
Lead Vocals
Backup Vocals
BETA58A
BETA87A
BETA87C
Type
►Dynamic (moving coil)
Frequency Response
►50 to 16,000 Hz
Polar Pattern
►Supercardioid, rotationally symmetrical about
microphone axis, uniform with frequency.
Output Level (at 1,000 Hz)
►Open Circuit Voltage: -51.5 dBV/Pa* (2.6 mV)
*1 Pa = 94 dB SPL
Impedance
►Rated impedance is 150 ohms (290 ohms actual) for
connection to microphone inputs rated low Z Phasing.
►Positive pressure on diaphragm produces positive
voltage on pin 2 with respect to pin 3.
Case
►Silver blue enamel-painted die cast metal with
hardened, matte-finished, spherical steel mesh grille.
Adjustable, Stand Adapter
►Slip-in microphone mounting, unbreakable, adjustable
through 180 degrees with standard 5/8"-27 thread, black
finish.
Net Weight
►278 grams
Cartridge Type
►Condenser (electret bias)
Frequency Response
►50 to 20,000 Hz
Polar Pattern
►Supercardioid
Output Impedance
►Rated at 150 ohms (100 ohms actual +/- 20%)
►Recommended minimum load impedance: 800 ohms
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage -52.5 dBV/Pa (2 mV)
(1 Pa = 94 dB SPL)
Clipping Level (at 1,000 Hz)
►1000 ohm Load: -6 dBV (0.5 V)
Maximum SPL (at 1,000 Hz)
►140.5 dB (0.25% THD, 1000 ohm load)
Self-Noise
►(equivalent sound pressure level; measured with true
rms voltmeter)
►23.5 dB typical, A-weighted
►25.5 dB typical, weighted per DIN 45 405
Dynamic Range
►117 dB (maximum SPL to A-weighted noise level)
Signal-to-Noise Ratio
►70.5 dB at 94 dB SPL (IEC 651)
►(S/N ratio is difference between 94 dB SPL and
equivalent SPL of self-noise A-weighted.)
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 relative to pin 3
Power
►Phantom Supply Requirement: 11 to 52 Vdc, positive
at both pins 2 and 3
►Current Drain: 1.0 to 1.2 mA
Connector
►Three-pin (XLR) professional audio
Case
►Aluminum construction with blue metallic finish, and
hardened steel grille with nickel satin chrome plating
Net Weight
►207 grams
Transducer Type
►Condenser (electret bias)
Frequency Response
►50 to 20,000 Hz
Polar Pattern
►Cardioid
Output Impedance
►Rated at 150 ohms (100 Ohms actual +/- 20%)
►Recommended minimum load impedance: 800 ohms
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage: -51 dBV/Pa (2 mV)
(1 Pa = 94 dB SPL)>
Output Clipping Level
►1000 Ohm Load at 1,000 Hz: -6 dBV (0.5 V)
Maximum SPL
►139 dB at 1,000 Hz (0.25% THD, 1000 Ohm load)
Self-Noise
►22 dB typical, A-weighted
►24 dB typical, weighted per DIN 45 405
(equivalent sound pressure level; measured with true rms
voltmeter)
Dynamic Range
►117 dB (maximum SPL to A-weighted noise level)
Hum Sensitivity
►-5 dB equivalent SPL, maximum, in a 1 mOe field (60
Hz)
Signal-to-Noise Ratio
►72 dB at 94 dB SPL (IEC 651)*
*S/N ratio is difference between 94 dB SPL and equivalent SPL of
self-noise A-weighted.
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 relative to pin 3 of the output connector.
Power
►Phantom Supply Requirement: 11 to 52 Vdc, positive
at both pins 2 and 3
►Current Drain: 1.0 to 1.2 mA
Connector
►Three-pin (XLR) professional audio
Case
►Aluminum construction with painted blue metallic
finish, and hardened steel grille with nickel satin chrome
plating
Net Weight
►Net: 207 grams ►Packaged: 565 grams
Environmental Conditions
►Operating: -18 degrees to 60 degrees C (relative
humidity <90%)
►Storage: -29 degrees to 74 degrees C (relative
humidity <80%)
BETA58A
BETA87A
BETA87C
? Frequency response tailored for vocals, with
? Smooth frequency response with gradual
? Smooth, wide frequency response, slight
? Highly consistent supercardioid polar pattern
? Uniform cardioid polar pattern for maximum
? Electronic low-frequency roll-off
? Minimum off-axis tone coloration
? Low-frequency roll-off compensates for
?
?
?
?
?
brightened midrange and bass rolloff to
control proximity effect
Uniform supercardioid pattern for high gain
before feedback and superior rejection of
off–axis sound
Neodymium magnet for high signal–to–noise
output
Hardened steel mesh grille that resists wear
and abuse
Advanced pneumatic shock mount system
that minimizes transmission of mechanical
noise and vibration
Minimally effected by varying load
impedance
presence rise
provides superior gain-before-feedback
compensates for proximity effect
? Wide dynamic range (117 dB) and low
distortion characteristics
? Very low susceptibility to RFI and
electromagnetic hum
? Advanced cartridge shock-mount system
absorbs mechanical shocks and reduces
handling noise
? Built-in pop filter reduces undesirable wind
and breath sounds
presence rise
isolation
proximity effect
? Three-stage pop filter minimizes breath pop
and noise
? Break-resistant stand adapter
? Frequency response: 50 - 20,000 Hz
BETA MICROPHONES
BETA57A
BETA98 S / 98H/C
Instrument Microphone
Dynamic microphone designed or
detailed reproduction of amplified or
acoustic instruments.
Instrument Microphones
Miniature condenser precision
engineered for high-SPL instrument
applications.
Guitar Amps
Bass Amps
Acoustic Guitar
Bras
Saxophone
Snare Drum
Rack/Floor Toms
Conga
Strings
Brass
Woodwinds
Saxophone
Live Recording
Stereo Pick-Up
Sampling
Ensemble Vocals
BETA57A
BETA98S / 98H/C / 98D/S
Type
►Dynamic (moving coil)
Frequency Response
►50 to 16,000 Hz
Polar Pattern
►Supercardioid, rotationally symmetrical about
microphone axis, uniform with frequency.
Output Level (at 1,000 Hz)
►Open Circuit Voltage -51 dBV/Pa* (2.8 mV)
*1 Pa = 94 dB SPL
Impedance
►Rated impedance is 150 ohms (290 ohms actual) for
connection to microphone inputs rated low Z.
Phasing
►Positive pressure on diaphragm produces positive
voltage on pin 2 with respect to pin 3.
Connector
►Three-pin professional audio connector (male XLR
type).
Case
►Silver blue enamel-painted die cast metal with
hardened, matte-finished steel mesh grille.
Adjustable Stand Adapter
►Slip-in, adjustable through 180 degrees, with standard
5/8"-27 thread.
Net Weight
►275 grams
Type
►Condenser (electret bias)
Frequency Response
►20 to 20,000 Hz
Polar Pattern
►Supercardioid (as supplied), uniform with frequency,
symmetrical about axis. Cartridge for cardioid polar
pattern also available.
Output Level (at 1,000 Hz)
►Open Circuit Voltage: -59 dBV/Pa* (1 mV) typical
*1 Pa = 94 dB SPL
Maximum SPL
►(20 Hz to 20 kHz, less than 1% THD)
►2.5 kilohm load: 160 dB
►1 kilohm load: 156 dB
Preamplifier Output Clipping Level
►(20 Hz to 20 kHz, less than 1% THD)
►2.5 kilohm load: + 6 dBV (2.0 V)
►1 kilohm load: + 2 dBV (1.26 V)
Dynamic Range
►(at 20 Hz to 20 kHz, less than 1% THD, 2.5 kilohm
load)
►125 dB (max SPL minus A-weighted noise)
Output Noise
►35 dB SPL, A-weighted
Signal-to-Noise Ratio
►59 dB re 94 dB SPL
Output Impedance
►Rated at 150 ohms (actual)
►Recommended minimum load impedance: 1 kilohm
Hum Pickup
►-7.5 dB equivalent SPL in 1 mOe field (60Hz)
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 with respect to pin 3
Phantom Power
►48 Vdc +/- 4 Vdc(IEC-268-15/DIN 45 596), positive
pins 2 and 3.
Cable
►BETA 98/S: 7.6 m light-weight, two-conductor
shielded, TA4F to TA3F mini connectors.
►BETA 98D/S: 4.6 m heavy-duty, two-conductor
shielded, TA4F to TA3F mini connectors.
Case
BETA98D/S
Snare | Tom Miniature
Microphone
Miniature cardioid condenser
microphone is designed for toms,
snares and percussion instruments in
sound reinforcement and recording
applications.
Rack/Floor Toms
Snare Drum
Trade Shows
Theatre Performance
►Microphone: Matte black enamel brass case and
stainless steel inner grille
►Preamplifier: Matte black enamel finished steel
Dimensions
►Microphone: 11.7 mm X 35.6 mm
►Preamplifier: 20 mm X 99 mm
Net Weight
►Microphone: 12 g less cable
►Preamplifier: 96 g
BETA57A
BETA98S / 98H/C
BETA98D/S
? Tailored frequency response provides
? Tailored frequency response for studio
? Tailored frequency response for studio
?
? Wide dynamic range for use in high
drums, guitars, vocals, and horns with
studio quality sound
? Uniform supercardioid pattern for high
gain-before-feedback and superior
rejection of off–axis sound
? Hardened steel mesh grille that
facilitates use of proximity effect and
resists wear and abuse
? Neodymium magnet for high
signal–to–noise ratio output
? Minimally affected by varying load
impedance
? Advanced pneumatic shock mount
system that minimizes transmission of
mechanical noise and vibration
?
?
?
?
?
quality performance
Wide dynamic range for use in high
SPL environments
Uniform supercardioid pattern for high
gain before feedback and superior
rejection of off-axis sound
Optional A98D drum mount is
unobtrusive and versatile, allowing
precise positioning of the microphone
while holding it firmly in place
Compact design reduces stage clutter
Detachable cable for easy storage
Interchangeable microphone cartridges
with different polar patterns are
available
quality performance
SPL environments
? Uniform supercardioid pattern for high
?
?
?
?
gain before feedback and superior
rejection of off-axis sound
A98D drum mount is unobtrusive and
versatile--allows precise positioning of
the microphone while holding it firmly
in place
Compact design reduces stage clutter
Detachable cable for easy storage
Interchangeable microphone cartridges
with different polar patterns are
available
BETA MICROPHONES
BETA52A
BETA56A
Kick Drum Microphone
Extremely rugged supercardioid
dynamic microphone,
precision-engineered for
kick drum and other low
frequency applications.
Snare | Tom Microphone
Dynamic microphone that
features a compact design
engineered for close miking
of snare and toms.
Kick Drum
Bass Amp
Acoustic Bass
Conga
Snare Drum
Rack/Floor Toms
Conga
Guitar/Bass Amps
Ensemble Vocals
Brass
Saxophone
BETA91
Kick Drum Microphone
Precision-engineered cardioid
low profile condenser
boundary microphone
optimized for kick drum
applications.
Kick Drum
Piano
Trade Shows
Theatre Performance
BETA52A
BETA56A
BETA91
Type
►Dynamic (moving coil)
Frequency Response
►50 to 15,000 Hz
Polar Pattern
►Unidirectional (cardioid), rotationally symmetrical
about microphone axis, uniform with frequency
Sensitivity (at 1,000 Hz Open Circuit Voltage)
►-54.5 dBV/Pa (1.85 mV) - (1 Pa = 94 dB SPL)
Impedance
►Rated impedance is 150 ohms (300 ohms actual) for
connection to microphone inputs rated low impedance
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 with respect to pin 3
Connector
►Three-pin professional audio connector (male XLR
type)
Case
►Dark gray, enamel-painted, die cast metal; mattefinished, silver, spherical steel mesh grille
Net Weight
►298 grams
Transducer Type
►Condenser (electret bias)
Frequency Response
►50 to 18,000 Hz
Polar Pattern
►Cardioid
Output Impedance
►150 Ohms at 1 kHz
►Recommended minimum load impedance: 600 Ohms
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage: -50 dBV/Pa (3.15 mV)
(1 Pa = 94 dB SPL)
Output Clipping Level
►1000 Ohm Load at 1,000 Hz: +3 dBV (1.41 V)
Maximum SPL (at 1,000 Hz)
►1000 ohm load (1% THD): 147 dB
Self-Noise
►23 dB typical, A-weighted
Dynamic Range (1000 ohms)
►124 dB (maximum SPL to A-weighted noise level
Signal-to-Noise Ratio
►71 dB at 94 dB SPL (IEC 651)*
*S/N ratio is difference between 94 dB SPL and
equivalent SPL of self-noise A-weighted.
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 relative to pin 3 of the output connector.
Power
►Phantom Supply Requirement: 11 to 52 Vdc, positive
at both pins 2 and 3
►Current Drain: 5.2 mA
Connector
►Three-pin (XLR) professional audio
Case
►Dark gray enamel-painted steel with matte-finished
silver colored steel grille
Net Weight
►Net: 278 grams
Environmental Conditions
►Operating: -18 degrees to 60 degrees C (relative
humidity >90%)
►Storage: -29 degrees to 74 degrees C (relative
humidity >80%)
Cartridge Type
►Condenser (electret bias)
Frequency Response
►50 to 20,000 Hz
Polar Pattern
►Supercardioid
Output Impedance
►Rated at 150 ohms (100 ohms actual +/- 20%)
►Recommended minimum load impedance: 800 ohms
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage: -52.5 dBV/Pa (2.4 mV)
(1 Pa = 94 dB SPL)
Clipping Level (at 1,000 Hz)
►1000 ohm Load: -6 dBV (0.5 V)
Maximum SPL (at 1,000 Hz)
►140.5 dB (0.25% THD, 1000 ohm load)
Self-Noise (equivalent sound pressure level;
measured with true rms voltmeter)
►24 dB typical, A-weighted
►26 dB typical, weighted per DIN 45 405
Dynamic Range
►116.5 dB (maximum SPL to A-weighted noise level)
Signal-to-Noise Ratio
►70 dB at 94 dB SPL (IEC 651)*
*S/N ratio is difference between 94 dB SPL and product's
equivalent self noise (SPL A-weighted)
Polarity
►Positive pressure on diaphragm produces positive
voltage on pin 2 relative to pin 3.
Power
►Phantom Supply Requirement: 11 to 52 Vdc, positive
at both pins 2 and 3.
►Current Drain: 1.0 to 1.2 mA
Connector
►Three-pin (XLR) professional audio.
Case
►Aluminum construction with steel grille and satin black
finish
Net Weight
►200 grams
BETA52A
BETA56A
BETA91
? Frequency response tailored for
? Condenser cartridge for studio quality
? Highly directional supercardioid pickup
?
? Controlled low-frequency roll-off
? Very low RF and magnetic hum
vocals, with brightened midrange and
bass roll-off
? Uniform cardioid pickup pattern
isolates the main sound source and
minimizes background noise
? Pneumatic shock-mount system cuts
down handling noise
? Effective, built-in spherical wind and
pop filter
? Supplied with break-resistant stand
adapter which rotates 180 degrees
? Legendary Shure quality, ruggedness
and reliability
? Cardioid (unidirectional) dynamic
? Frequency response: 50 to 15,000 Hz
? Replacement cartridge: R59
?
?
?
?
?
sound
Tailored frequency response for a clear
reproduction of vocals
Rugged construction withstands the
rigors of touring sound
Cardioid polar pattern minimizes
unwanted background noise
Excellent choice for stage monitors
and personal monitors
Built-in three-point shock mount
minimizes handling noise
Two-stage "pop" filter reduces wind
and breath noise
pattern
susceptibility
? Minimally affected by varying load
impedance
? Built-in wind and pop filter
? Transducer element shock mounted
? Rugged construction for outstanding
reliability
? Field-usable over a wide range of
temperature and humidity conditions
? Accepts a wide variety of phantom
power sources, including DIN 45 596
voltages of 11 and 52 Vdc
KSM44
KSM MICROPHONES
KSM32
Embossed Single-Diaphragm
Microphone
Extremely flat response microphone for a
natural reproduction of sound and superior
instrument recording, both live and in
studio.
Large Dual-Diaphragm
Microphone
Shure’s premier studio
recording microphone with an
exceptionally warm and articulate sound
for critical studio vocal tracking.
Studio Vocals
Ensemble Vocals
Live Recording
Acoustic Guitar | Bass
Percussion
Cymbals
Strings
Woodwinds
Saxophone
Studio Vocals
Ensemble Vocals
Voice-over
Live Recording
Strings
Acoustic Guitar
Piano
Cymbals
Woodwinds
Bass
KSM32
Cartridge Type
►Permanently-biased Condenser
Frequency Response
►20 to 20,000 Hz
Directional Polar Pattern
►Cardioid
Output Impedance
►150 ohms (actual)
Attenuation Switch
►0 or -15 dB attenuation
Low Frequency response switch
►flat -6 db/octave below 115 Hz
►-18 dB/octave below 80 Hz
Phantom Power
►48 Vdc +/- 4 Vdc (IEC-268-15/DIN 45
596), positive pins 2 and 3
Current Drain
►4.65 mA typical at 48 Vdc
Common Mode Rejection
►> 50 dB, 20 Hz to 20 kHz
Polarity
►Positive pressure on diaphragm
produces positive voltage on output pin 2
relative to pin 3
Dimensions and Weight
►55.9 mm maximum body diameter, 187
mm long
►490 grams
Sensitivity (typical, at 1000 Hz; 1 Pa =
94 dB SPL)
►-36 dBV/Pa (16 mV)
Self-noise (typical, equivalent SPL; Aweighted, IEC 651)
►13 dB
Maximum SPL at 1000 Hz
►139 (154) dB
►133 (148) dB
Output Clipping Level*
►2500 ohm load (Attenuator on): 9 dBV
►1000 ohm load (Attenuator on): 3 dBV
*20 Hz to 20 kHz; THD < 1%. THD of
microphone preamplifier when applied
input signal is equivalent to cartridge
output at specified SPL
Dynamic Range
►2500 ohm load: 126 dB
►1000 ohm load: 119 dB
Signal to Noise ratio**
►81 dB
**S/N ratio is difference between 94 dB
SPL and equivalent SPL of self-noise, Aweighted
Total Harmonic Distortion (THD), 2500
ohm load
►<0.08% for a 120 dB equivalent SPL
input
KSM44
Cartridge Type
►Externally biased condenser
Frequency Response
►20 to 20,000 Hz
Output Impedance
►150 ohms (actual)
Attenuation Switch
►0 or 15 dB attenuation
Low Frequency Response Switch
►Flat; -6 dB/octave below 115 Hz;
►-18 dB/octave below 80 Hz
Phantom Power
►48 Vdc (IEC-268-15/DIN 45 596),
positive pins 2 and 3
Current Drain
►5.4 mA typical at 48 Vdc
Common Mode Rejection
►> 50 dB, 20 Hz to 20 kHz
Polarity
►Positive pressure on front diaphragm
produces positive voltage on output pin 2
relative to pin 3
Dimensions and Weight
►55.9 mm maximum body diameter, 187
mm long;
►490.5 grams
Directional Polar Patterns
►Cardioid
►Omnidirectional
►Bidirectional
Sensitivity
(typical; at 1000 Hz; 1 Pa = 94 dB SPL)
►-31 dBV/Pa
►-37 dBV/Pa
►-36 dBV/Pa
Self-noise
(typical, equivalent SPL; A-weighted,
IEC 651)
►7 dB
►10 dB
►10 dB
Maximum SPL @ 1000 Hz
2500 ohm load (Attenuator on)
KSM32
KSM44
? Class A, transformerless preamplifier circuitry
? Dual 1-inch, externally biased, ultra-thin, 2.5 micron,
? Embossed, high-compliance diaphragm provides
? Class A, discrete, transformerless preamplifier for
eliminates cross-over distortion for improved
linearity across the full frequency range.
extended low-frequency response.
24-karat gold-layered, low mass, Mylar® diaphragms
provide superior transient response
? Ultra-thin, gold-layered, low-mass, Mylar®
?
?
?
?
?
diaphragm for excellent transient response
15 dB attenuation switch for handling extremely high
sound pressure levels (SPL)
Switchable low-frequency filter provides greater
flexibility to reduce background noise or to
counteract proximity effect.
Integrated three-stage pop protection grille reduces
"pop" and other breath noise
Internal shock mount reduces transmission of
handling noise
Replacement cartridge: Rk374
?
?
?
?
?
?
?
transparency, extremely fast transient response, no
crossover distortion; minimizes harmonic and
intermodulation distortions
Full-range frequency response (20 Hz - 20 KHz) for
an extremely accurate reproduction of voice and
instruments
Extremely low self noise (7 dBA) for critical studio
vocal recording
Premium electronic components and gold-plated
internal and external connectors
Subsonic filter eliminates rumble from mechanical
vibration below 17 Hz
15 dB attenuation switch for handling high input SPL
sound sources
3-position switchable low-frequency filter virtually
eliminates unwanted background noise
Durable zinc die-cast housing and hardened low
►132 (149) 138 (151) dB
►137 (150) dB
1000 ohm load (Attenuator on)
►127 (144) 132 (145) dB
►131 (144) dB
Output Clipping Level*
2500 ohm load
►7 dBV
►7 dBV
►7 dBV
1000 ohm load
►1 dBV
►1 dBV
►1 dBV
Dynamic Range 2500 .ohm
load
►125 dB
►128 dB
►127
dB
1000 ohm load
►120 dB
►122 dB
►121
dB
Signal to Noise ratio**
►87 dB
►84 dB
►84 dB
<20 Hz to 20 kHz;THD < 1%. THD of the
microphone preamplifier when applied
input signal is equivalent to the cartridge
output at specified SPL.
**S/N ratio is difference between 94 dB
SPL and equivalent SPL of self-noise Aweighted.
carbon steel grille to protect cartridge from
accidental drops
? Uniform polar response provides natural off-axis
response for critical recording
? Integrated three-stage pop protection grille to guard
against wind and breath noise
? Internal shock mount to reduce unwanted handling
?
?
?
?
?
?
?
?
?
and stand noise
Replacement cartridge: RPM130
Extended frequency response
Very low self-noise
Exceptional low-frequency reproduction
High output level
High input SPL capability
No cross-over distortion
Extremely uniform polar response
Superior common mode rejection and suppression of
radio frequency interference
KSM MICROPHONES
KSM353
KSM313
Bi-Directional Ribbon Microphone
Crafted with matched polar pattern
symmetry for pristine audio in studio
and concert hall applications.
Dual-Voice Ribbon Microphone
Features Dual-Voice design for use
with amplified instruments or for
intimate vocal applications.
Acoustic Guitar
Acoustic Bass
Cymbals
Live Recording
Piano
Brass/Woodwinds
Orchestra
Ensemble Vocals
Room Ambience
Acoustic Guitar
Acoustic Bass
Cymbals
Live Recording
Strings
Piano
Brass/Woodwinds
Orchestra
Ensemble Vocals
Room Ambience
Strings
KSM353
KSM313
Transducer Type
►Roswellite™ Ribbon
Frequency Response
►30Hz to 15,000Hz
Directional Polar Pattern
►Bidirectional
Output Impedance
►Transformer, balanced, actual 270 Ohms
Polarity
►Positive pressure on front side of ribbon produces positive
voltage on pin 2 relative to pin 3, pin 1 ground
Sensitivity (at 1 kHz, open circuit voltage)
►-53.5 dBV/Pa (2.11 mV/Pa)
Dimensions & Weight
►Diameter: 4.83 cm
►Height: 15.75 cm
►Weight: 633g
►Weight: 833g w/shock mount
Max SPL
►146 dB
Connector
►Three pin professional audio (XLR) male
Transducer Type
►Roswellite™ Ribbon
Frequency Response
►30Hz to 15,000Hz
Directional Polar Pattern
►Bidirectional
Output Impedance
►Transformer, balanced, actual 270 Ohms
Polarity
►Positive pressure on front side of ribbon produces positive
voltage on pin 2 relative to pin 3, pin 1 ground
Sensitivity (at 1 kHz, open circuit voltage)
►-54.5 dBV/Pa (1.88 mV/Pa)
Dimensions & Weight
►Diameter: 4.32 cm
►Height: 13.5 cm
►Weight: 400g
►Weight: 597g w/monocle mount
Max SPL
►146 dB
Connector
►Three pin professional audio (XLR) male
KSM353
? Bi-directional polar pattern
delivers premier, completely
symmetrical audio with
superior off-axis rejection
? Revolutionary Roswellite™
proprietary ribbon material
replaces traditional foil
ribbons with high tensile
strength, toughness and
shape memory that provides
superior resilience at
extreme SP’s
? Custom ribbon motor
assembly tailors bass
response without
attenuating the overall
output for full low and mid
ranges, and superior upper
range presence from a
rising frequency response
? Double-shielded matched
full-sized transformer
minimizes signal loss and
maximizes output while
reducing magnetic and RF
interference from 90 degree
placement, offset relative to
the ribbon
? 146dB SPL across 30 –
15,000 Hz frequency
response ideal for capturing
fast transients in vocals,
acoustic instruments and
concert halls
? Legendary Shure quality
and superior construction
from hand-assembly of
machined steel, silver, gold
and aluminum materials,
and housed in a pure
stainless steel casing
? Spring-loaded suspension
shock mount for flexible,
fully-isolated stand
mounting.
? Upright protective wood
case included for storage
when not in use
KSM313
? Bi-directional polar pattern
delivers premier audio with
superior off-axis rejection
? True Dual-Voice tuned
specifically for user’s for
choice of response - warm
and full for amplifiers, or
swivel for bright and
flattering vocals
? Revolutionary Roswellite™
proprietary ribbon material
replaces traditional foil
ribbons with high tensile
strength, toughness and
shape memory that provides
superior resilience at
extreme SPLs
? Custom-sourced
components for superior
presence, minimized signal
loss and maximized output.
? 146dB SPL across 30 –
15,000 Hz frequency
response ideal for capturing
fast transients in vocals,
acoustic instruments and
concert halls
? Legendary Shure quality
and superior construction
from hand-assembly of
machined steel, silver, gold
and aluminum materials
? Monocle stand mount for
versatile placement and
orientation
? Protective wood case
included for storage when
not in use
KSM MICROPHONES
KSM9
KSM137
Vocal Microphone
KSM9 is the first dual
diaphragm microphone for live
performance with switchable
polar patterns to meet the
challenges of constantly
changing performance
applications.
Cardioid Instrument Microphone
Smooth and extremely focused
reproduction of the original sound source.
Acoustic Guitar
Acoustic Bass
Cymbals
Live Recording
String
Piano
Brass/Woodwinds
Orchestra
Ensemble Vocals
Room Ambience
Vocals
KSM9
Cartridge Type
►Condenser (Electret Biased)
Frequency Response
►50 to 20,000 Hz
Output Impedance
►150 ohms (actual)
Phantom Power
►48 Vdc +/- 4 Vdc (IEC-268►15/DIN 45 596), positive pins 2
and 3
Current Drain
►5.2 mA typical at 48 Vdc
Common Mode Rejection
►>60 dB, 50 Hz to 20 kHz
Polarity
►Positive pressure on front
diaphragm produces positive
voltage on output pin 2 relative to
pin 3
Directional Polar Patterns
►Cardioid
►Supercardioid
Sensitivity (typical; at 1000 Hz; 1
Pa=94 dB SPL)
►-51 dBV/Pa
Self-noise (typical, equivalent
SPL; A-weighted, IEC 651)
►22 dB
Maximum SPL @ 1000 Hz
►2500 ohm load: 152 dB
►1000 ohm load: 152 dB
Output Clipping Level*
►2500 ohm load: 6.7 dBV
►1000 ohm load: 6.0 dBV
*100 Hz to 20 kHz;THD < 1%
Dynamic Range
►2500 ohm load: 130 dB
►1000 ohm load: 130 dB
Signal to Noise ratio**
►72 dB
**S/N ratio is difference between 94 dB
SPL and equivalent SPL of self-noise Aweighted
Dimensions and Weight
►49 mm maximum body
diameter, 191 mm long; 300
grams.
KSM37
Cartridge Type
►Permanently Biased Condenser
Frequency Response
►20 to 20,000 Hz
Directional Polar Pattern
►Cardioid
Output Impedance
►150 ohms (actual)
Attenuation Switch
►0 dB, 15 dB, or 25 dB
attenuation
Low Frequency Response
Switch
►Flat; -6 db/octave below 115 Hz
►-18 dB/octave below 80 Hz
Phantom Power
►48 Vdc +/- 4 Vdc (IEC-26815/DIN 45 596), positive pins 2
and 3
Current Drain
►4.65 mA typical at 48 Vdc
Common Mode Rejection
►>50 dB, 20 Hz to 20 kHz
Polarity
►Positive pressure on diaphragm
produces positive voltage on
output pin 2 relative to pin 3
Dimensions and Weight
►20 mm diameter, 122 mm long
100 grams
Sensitivity (typical, at 1000 Hz; 1
Pa = 94 dB SPL)
►-37 dBV/Pa
KSM9
KSM137
? Dual gold layered, low-mass Mylar®
? Highly consistent cardioid polar pattern
? Ultra-thin, 2.5 micron, 24 karat gold-
diaphragm design
? Switchable polar patterns
(supercardioid and cardioid)
? Advanced suspension shock mount
? Premium electronic components
?
?
?
?
including Class A transformerless
preamplifier circuitry
Gold-plated internal and external
connectors, including XLR Output
Durable aluminum housing
Champagne or charcoal grey finish
Full-range frequency response (50Hz
to 20kHz)
Aluminum carrying case
layered, low mass Mylar® diaphragm
for superior transient response
? Class A, discrete, transformerless
preamplifier for transparency, extremely
fast transient response, no crossover
distortion, and minimal harmonic and
intermodulation distortion
? Premium electronic components,
including gold-plated internal and
external connectors
? Subsonic filter eliminates low frequency
rumble (less than 17 Hz) caused by
mechanical vibration
? Switchable 15 dB pad for handling
extremely high sound pressure levels
Self-noise (typical, equivalent
SPL; A-weighted, IEC 651)
►14 dB
Maximum SPL at 1 kHz
►5000 ohm load (Attenuator on):
145 (160, 170) dB
►2500 ohm load (Attenuator on):
139 (154, 164) dB
►1000 ohm load (Attenuator on):
134 (149, 159) dB
Output Clipping Level*
►5000 ohm load: 15 dBV
►2500 ohm load: 9 dBV
►1000 ohm load: 3 dBV
*20 Hz to 20 kHz; THD < 1%. THD of the
microphone preamplifier when applied
input signal is equivalent to the cartridge
output at specified SPL
Dynamic Range
►5000 ohm load: 131 dB
►2500 ohm load: 125 dB
►1000 ohm load: 120 dB
Signal to Noise Ratio**
►80 dB
**S/N ratio is difference between 94 dB
SPL and equivalent SPL of self noise Aweighted
(SPLs)
? 3-position switchable pad (0 dB, 15 dB,
and 25 dB) for handling extremely high
sound pressure levels (SPLs)
? 3-position switchable low-frequency
filter reduces background noise and
counteracts proximity effect
KSM MICROPHONES
KSM141
Dual Pattern Instrument Microphone
Rotating collar allows for easy switching between a highly consistent cardioid or
true omnidirectional polar pattern for smooth and extremely focused sound
reproduction.
Piano
Orchestra
Room Ambience
Acoustic Bass
Live Recording
Strings
Orchestra
Ensemble Vocals
Room Ambience
Brass/Woodwinds
Ensemble Vocals
Acoustic Guitar
Cymbals
KSM9
Cartridge Type
►Permanently Biased Condenser
Frequency Response
►20 to 20,000 Hz
Directional Polar Pattern
►Cardioid/Omnidirectional
Output Impedance
►150 ohms (actual)
Attenuation Switch
►0 dB, 15 dB, or 25 dB attenuation
Low Frequency Response Switch
►Flat; -6 db/octave below 115 Hz
►-18 dB/octave below 80 Hz
Phantom Power
►48 Vdc +/- 4 Vdc (IEC26815/DIN 45 596), positive
pins 2 and 3
Current Drain
►4.65 mA typical at 48 Vdc
Common Mode Rejection
►>50 dB, 20 Hz to 20 kHz
Polarity
►Positive pressure on diaphragm produces positive
voltage on output pin 2 relative to pin 3
Dimensions and Weight
►20 mm diameter, 146 mm long 156 grams
Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB SPL)
KSM141
? A mechanical polar pattern
switch for highly consistent
cardioid and true
omnidirectional polar patterns.
Provides flexibility in a wide
variety of recording
applications
? Ultra-thin, 2.5 micron, 24 karat
gold-layered, low mass Mylar®
diaphragm for superior
transient response
? Class A, discrete,
transformerless preamplifier for
transparency, extremely fast
► -37 dBV/Pa
Selfnoise (typical, equivalent SPL; A-weighted, IEC
651)
►14 dB
Maximum SPL
►5000 ohm load (Attenuator on): 145 (160, 170) dB
►2500 ohm load (Attenuator on): 139 (154, 164) dB
►1000 ohm load (Attenuator on): 134 (149, 159) dB
Output Clipping Level*
►5000 ohm load: 15 dBV
►2500 ohm load: 9 dBV
►1000 ohm load: 3 dBV
*20 Hz to 20 kHz; THD < 1%. THD of the microphone
preamplifier when applied input signal is equivalent to the
cartridge output at specified SPL.
Dynamic Range
►5000 ohm load: 131 dB
►2500 ohm load: 125 dB
►1000 ohm load: 120 dB
Signal to Noise Ratio**
►80 dB
**S/N ratio is difference between 94 dB SPL and equivalent SPL
of self-noise A-weighted.
transient response, no
crossover distortion, and
minimal harmonic and
intermodulation distortion
? Premium electronic
components, including goldplated internal and external
connectors
? Subsonic filter eliminates low
frequency rumble (less than 17
Hz) caused by mechanical
vibration
? Three-position switchable pad
(0 dB, 15 dB, and 25 dB) for
handling extremely high sound
pressure levels (SPLs)
? Three-position switchable low-
frequency filter to reduce
background noise and
counteract proximity effect
SLX®
SLX WIRELESS
The out-of-the-box wireless solution.
Innovative setup features.
System
Frequency Range and Transmitter
Output Level
Band - Range - Transmitter output
►G4 - 470–494 - MHz 30 mW
►G5 - 494–518 - MHz 30 mW
►H5 - 518–542 - MHz 30 mW
►J3 - 572–596 - MHz 30 mW
►L4 - 638–662 - MHz 30 mW
►P4 - 702–726 - MHz 30 mW
►R13 - 794–806 - MHz 20 mW
►R5 - 800–820 - MHz 20 mW
►S6 - 838–865 - MHz 10 mW
►JB - 806–810 - MHz 10 mW
►Q4 - 740–752 - MHz 10 mW
NOTE: This Radio apparatus may be
capable of operating on some
frequencies not authorized in your region.
Please contact your national
authority to obtain information on
authorized frequencies for wireless
microphone products in your region.
Operating Range Under Typical
Conditions
►100m
Note: actual range depends on RF signal
absorption, reflection, and
interference
Audio Frequency Response (+/– 2
dB)
►Minimum: 45 Hz
►Maximum: 15 kHz
(Overall system frequency depends
on microphone element.)
Total Harmonic Distortion (ref. +/–
38 kHz deviation, 1 kHz tone)
►0.5%, typical
Dynamic Range
►>100 dB A-weighted
Operating Temperature Range
►–18°C (0°F) to +50°C (+122°F)
Note: battery characteristics may limit this
range
Transmitter Audio Polarity
►Positive pressure on microphone
diaphragm (or positive voltage
applied to tip of WA302 phone plug)
produces positive voltage on pin 2
(with respect to pin 3 of low
impedance output) and the tip of the
high impedance 1/4-inch output.
SLX1 Bodypack Transmitter
Audio Input Level
►-10 dBV maximum at mic gain
position
►+10 dBV maximum at 0 dB gain
position
►+20 dBV maximum at -10 dB gain
position
Gain Adjustment Range
►30dB
Input Impedance
►1 MΩ
RF Transmitter Output
►30 mW maximum (dependent on
applicable country regulations)
Dimensions
►108 mm H x 64 mm W x 19 mm
D
Weight
►81 grams without batteries
Housing
►Molded ABS case
Power Requirements
►2 “AA” size alkaline or
rechargeable batteries
Battery Life
►>8 hours (alkaline)
SYSTEM FEATURES
Auto Frequency Selection
? Locates a clear channel instantly
Auto Transmitter Setup
? Infrared link automatically
synchronizes the transmitter and
receiver
Shure’s patented Audio Reference
Companding
? Delivers crystal-clear audio
transmission, far superior to
conventional wireless technology
SLX2 Handheld Transmitter
Audio Input Level
►+2 dBV maximum at -10dB
position
►-8 dBV maximum at 0dB position
Gain Adjustment Range
►10dB
RF Transmitter Output
►30 mW maximum (dependent on
applicable country regulations)
Dimensions (including SM58
cartridge)
►254 mm x 51 mm dia.
Weight
►290 grams without batteries
Housing
►Molded PC/ABS handle and
battery cup
Power Requirements
►2 “AA” size alkaline or
rechargeable batteries
Battery Life
►>8 hours (alkaline)
►XLR connector: 200 Ω
►1/4 inch connector: 1kΩ
XLR output
►Impedance balanced
►Pin 1: Ground
►Pin 2: Audio
►Pin 3: No signal
Sensitivity
►–105 dBm for 12 dB SINAD,
typical
Image Rejection
►>70 dB, typical
Power Requirements
►12–18 Vdc at 150 mA, supplied
by external power supply
SLX4 Receiver
Dimensions
►42 mm H x 197 mm W x 134 mm
D
Weight
►816 g
Housing
►Galvanized steel
Audio Output Level (ref. +/– 38
kHz deviation with 1 kHz tone)
►XLR connector (into 600 Ω load):
►–13 dBV
►1/4 inch connector (into 3000 Ω
load): –2 dBV
Output Impedance
RECEIVER FEATURES
? Detachable 1/4 wave antennas
? Backlit LCD
? Rack-mount hardware included
? 1/4" and XLR audio outputs
? Frequency and power lockout
? Volume control on rear of unit
? Rugged metal construction
HANDHELD AND BODYPACK
TRANSMITTER FEATURES
? Choice of Shure handheld
microphones
? Bodypack works with headworn,
lavalier and instrument
microphones and cables
? Timed backlit LCD
? Frequency and power lockout
? 2 AA batteries (included) provide 8
hours of continuous use
? 100m (300 ft.) operating range
? Battery fuel gauge
ULX®
ULX WIRELESS
Sophisticated, scalable.
Advanced setup features, dual-channel
configurations.
RF Carrier Frequency Range
►470.000 to 865.000 MHz
(Available frequencies depend
on the applicable regulations in
the country where the system is
used). Refer to the frequency
supplement supplied with the
system.
Effective Range
►100 m (300 ft.) under optimal
conditions
NOTE: Actual working range
depends on RF signal absorption,
reflection, and interference
Audio Frequency Response
►25 to 15,000 Hz, ±2 dB
NOTE: Overall system frequency
response depends on the
microphone element.
Transmitter Audio Polarity
Positive pressure on microphone
diaphragm (or positive voltage
applied to tip of WA302 phone plug)
produces positive voltage on pin 2
(with respect to pin 3 of low
impedance output) and the tip of the
high impedance 1/4-inch output
Transmitter Gain Adjustment
Range
►ULX1: 25 dB
►ULX2: 25 dB
Receiver Audio Output Level
(±38 kHz deviation, 1 kHz
tone)
►XLR connector (into 600
ohm load): +3.9 dBV (line), –17
dBV (mic)
►1/4 inch connector (into 3000
ohm load): –2 dBV
Impedance
►ULX1 (input): 1 Megohm
ULXS4, ►ULXP4 (output): 50
ohms at line level; 2000 ohms
at mic level
Modulation
►±38 kHz deviation
compressor-expander system
with pre- and de-emphasis.
RF Power Output
►ULX1, ULX2: 30 mW
maximum
Dynamic Range
►>100 dB, A-weighted
RF Sensitivity
►1.26 μV for 12 dB SINAD
(typical)
Image Rejection
►80 dB typical
Spurious Rejection
►75 dB typical
Ultimate Quieting (reference
±38 kHz deviation)
►>105 dB, A-weighted
System Distortion (reference
±38 kHz deviation, 1 kHz
modulation)
►0.3% total harmonic
distortion, typical
Power Requirements
►ULX1, ULX2: 9V alkaline
battery; 8.4 V Nicad optional
►ULXS4, ULXP4: 14 - 18 Vdc
(negative ground), 550 mA
Battery Life
►8 to 9 hours (with 9V alkaline
battery)
Operating Temperature
Range
►- 20° to 49° C
NOTE: Battery characteristics
may limit this range.
Overall Dimensions
►ULX1: 96.5 mm H x 67 mm
W x 26.7 mm Dia.
►ULX2/SM58: 228.6 L x 51
mm Dia.
►ULX2/BETA 58: 220.9 mm L
x 51 mm Dia.
►ULX2/SM86: 213 mm L x 49
mm Dia.
►ULX2/87, ULX2/BETA 87:
223.5 mm L x 51 mm Dia.
►ULX4S: 43 mm H x 214 mm
W x 163 mm Dia.
►ULX4P: 43 mm H x 214 mm
W x 172 mm Dia.
Net Weight
►ULX1: 79 g without battery
►ULX2/58, ULX2/BETA 58:
289 g without battery
►ULX2/SM86: 251 g without
battery
►ULX2/87, ULX2/BETA 87:
258 g without battery
►ULXS4: 1049 g
►ULXP4: 1105 g
ULXS4 DIVERSITY RECEIVER
ULXP4 DIVERSITY RECEIVER
ULX1 AND ULX2 TRANSMITTERS
• Automatic Frequency Selection
• Over 1400 selectable frequencies
• Predictive Diversity
• RF presence LED
• 5–segment audio meter
• 3–segment transmitter battery fuel gauge
• Multi–function LCD
• 1/2 rack design
• Detachable 1/4 wave antennas
• Durable plastic chassis
• Locking DC connector
• XLR and 1/4" outputs
• Mic/line switchable
• Automatic Frequency Selection with group
scan function
• Over 1400 selectable frequencies
• Predictive Diversity
• 5–segment audio meter
• 5–segment RF meter
• Advanced multi–function LCD
• 3–segment transmitter battery fuel gauge
• Squelch adjustment
• 1/2 rack design
• In–line power
• Remotable 1/2 wave antenna
• Frequency and volume lockout
• Rugged metal chassis
• Furnished rack hardware
• Locking DC connector
• XLR and 1/4" outputs
• 3–segment battery fuel gauge
• Backlit LCD shows group and channel
• Automatic Frequency Selection with group
scan function
• Frequency and power settings
• Up to 1400 selectable frequencies
• Control lockout
• Predictive Diversity
• 8 hour battery life
• 5–segment audio meter
• 300 ft (92m) operating range
• 5–segment RF meter
• –20dB pad switch on ULX1
NOTE: Available frequencies depend on the
applicable regulations in the country where the
system is used.
UHF-R Wireless®
UHF-R WIRELESS
Premier wireless for the largest, most
demanding applications. Advanced
configurations, technology, and features.
Frequency Range and Transmitter
Output Power
Band
Range
Handheld
►H4E
518-578 Mhz
►H4
►J5E, J5
578-638 Mhz
(578-608,
614-638)
►L3E,
638-698 Mhz
►L3
►Q5
740-814 MHz
►R9
790-865 MHz
►Q6
740-752 MHz
►A24
779-788 /
797-806 MHz
►JBX
806-810 MHz
►Q10
740-798 MHz
►G1
470-530 MHz
►X1
944-952 MHz
Transmitter power
(mW)
Bodypack
RF power levels for wireless microphone
products
Working Range
►UR1, UR2:150 m under typical
conditions
►500 m line-of-sight, outdoors
for a single system
10 / 50
10 / 50
10 / 50
10 / 100
10 / 50
10 / 50
10 / 50
10 / 100
Audio Frequency Response
►40 – 18,000 Hz,(+1 dB, –3 dB).
10 / 50
10 / 50
10 / 50
10 / 100
NOTE: Overall system frequency
response depends on microphone
element
10 / 50
10 / 50
10 / 50
10 / 50
10
10
10
10
10
10
10 / 50
10 / 50
10/50
10/100
10/50
10/100
RF Carrier Frequency Range
►470-952 MHz, depending on
region
NOTE: This Radio equipment is intended
for use in musical professional
entertainment and similar applications.
This Radio apparatus may be capable of
operating on some frequencies not
authorized in your region. Please contact
your national authority to obtain
information on authorized frequencies and
Auto Frequency Selection/Scan
? Locates a clear channel instantly
Auto Transmitter Sync
? Infrared (IR) sync automatically
synchronizes the transmitter and
receiver
Networking
? Each receiver has an RJ-45 port on
the back that lets you connect to an
Ethernet network.
? Networking receivers provides the
following benefits:
• Makes channel setup faster and
easier
• Allows you to monitor and control
multiple receivers using the Shure
Wireless Workbench PC Software
Shure’s Wireless Workbench
Software
? Key benefits of current Wireless
Workbench software include:
• Fast network setup of large groups
of wireless systems:
• Scans current RF environment.
• Plots RF history, using an individual
transmitter to identify potential areas
of weak signals and dropouts.
• Remote monitoring and control of
multiple wireless systems.
• Wireless Workbench provides faster
NOTE: Actual working range depends on
RF signal absorption, reflection and
interference
Gain Adjustment Range
►UR1: –20 to +35 dB
►UR2: –10 to +20 dB
Modulation
►FM (45 kHz max. deviation),
compander system with pre- and
de-emphasis
RF Power Output
►See table above.
Dynamic Range
►>105 dB, A-weighted
Image Rejection
►>110 dB typical
RF Sensitivity
UR4S
►–110 dBm Typical, 12 dB SINAD
►–105 dBm Typical, 30 dB SINAD
UR4D
►–107 dBm Typical, 12 dB SINAD
►–102 dBm Typical, 30 dB SINAD
Spurious Rejection
►>90 dB typical
Ultimate Quieting (ref. 45 kHz
deviation)
►>100 dB, A-weighted
setup and more complete control.
• Automatic Frequency Selection
Wizard: Will scan and select open
frequencies, applying them to all
Shure UHF-R receivers in network
(and ultimately to connected
networks of current UHF series
receivers as well).
• Comprehensive Infra-Red (IR) Auto
Sync/Automatic Transmitter Setup:
PC control of transmitter sync with
corresponding receiver. Syncs
frequency, lockouts, power setting,
custom groups.
• Frequency Compatibility Calculator
Wizard: By scanning the RF
environment and then considering all
networked hardware models,
Wireless Workbench recommends
frequencies for all specified wireless
systems (including PSM systems,
and competitive product). While this
feature has a proprietary slant, a
generic hardware “template” will be
available for those users who insist
on networking with non-Shure
products)
• The Band Limiting feature allows
manufacturer or service center to set
Network frequency band
parameters, to align with any
Signal Polarity
►Positive pressure on microphone
diaphragm (or positive voltage
applied to tip of WA302 phone plug)
produces positive voltage on XLR
output pin 2 with respect to XLR pin
3 and on the tip of the 1/4-inch
output jack.
System Distortion (ref. ± 45 kHz
deviation, 1 kHz modulation)
►<0.3% Total Harmonic Distortion
typical
Power Requirements
►UR1, UR2: Two 1.5V AA batteries
►UR4: 100 to 240 Vac, 50/60 Hz
Current Drain
►UR1, UR2: 180 mA max. (normal
RF power setting)
►240 mA max. (high RF power
setting)
►UR4D, UR4S: 0.8 Amps max.
Battery Life (Typical)
►UR1, UR2: 9.5 hours (low power)
►6 hours (high power)
Operating Temperature Range
►–18° to +57° C
NOTE: Battery characteristics may limit
this range
NOTE: Electrical safety approval is based
on a maximum ambient temperature of
35°C
Dia.
►UR2/BETA 58: 258 mm L x 51
mm Dia.
►UR2/BETA 87A, UR2/BETA 87C:
254 mm x 51 mm Dia.
►UR2/KSM9/BK, UR2/KSM9/SL:
250 mm x 49 mm Dia.
►UR4S/UR4D: 44 mm H x 483 mm
W x 366 mm Dia.
Net Weight
►UR1: 97 g without battery
►UR2/SM58: 356 g without battery
►UR2/BETA 58: 314 g without
battery
►UR2/SM86: 317 g without battery
►UR2/SM87A: 298 g without
battery
►UR2/BETA 87A, U2/BETA 87C:
325 g without battery
►UR2/KSM9/BK, UR2/KSM9/SL:
410 g without battery)
►UR4S: 4.8 kg
►UR4D: 5.0 kg
Housing:
►UR1: Cast magnesium
►Ur2: Aluminum die-cast handle
and aluminum machined battery cup
►UR4S, UR4D: Galvanized steel
Overall Dimensions
►UR1: 98 mm L x 60 mm W x 17
mm Dia.
►UR2/SM58: 261 mm L x 51 mm
Dia.
►UR2/SM86: 261 mm L x 51 mm
Dia.
►UR2/SM87A: 254 mm x 51 mm
country/regional RF usage
guidelines that might conflict with the
available bandwidth.
• Custom Frequency Group Creation
allows customization of frequency
groups to be used in specific
locations. May require advanced
wireless aptitude, or assistance
from Shure’s Applications
departments.
custom frequency groups
? Shure’s Patented Audio Reference
?
?
?
?
?
Shure’s patented Audio
Reference Companding
? Delivers a crystal clear audio
transmission, superior to conventional
wireless technoloy
UR4S & UR4D DIVERSITY
RECEIVER FEATURES:
? Up to 2,400 selectable frequencies
?
?
?
?
?
across up to 60 MHz bandwidth
Track Tuning Filtering Technology
(on all 60 MHz or greater products).
Up to 40 preset compatible
systems/band (up to 160 with multiple
bands).
Network Automatic Frequency
Selection
Automatic Transmitter sync
(including custom Group Upload)
Flash memory to store six 60-channel
?
Companding
Multi-function bit-mapped backlit LCD
Built-in USB & Ethernet network
Control/Monitoring
AMX/Crestron Compatible
Remoteable 1/2 wave antenna
Temperature-activated fan ensures
top performance in high temperature
environments. Clean fan screen as
needed to remove dust.
MARCAD® diversity
HANDHELD AND BODYPACK
TRANSMITTERS FEATURES
? Switchable RF Power (10/50 & 10/100
?
?
?
?
?
?
?
?
?
mW), country dependent
Low profile, compact bodypack design
Frequency and Power Lockout
Bit-mapped Backlit LCD
2 AA Batteries - Up to 9.5 hours
continuous use (low power)
Automatic Transmitter Setup
All-metal die-cast construction
Light-weight magnesium bodypack
Flexible bodypack antenna
Reversible Belt Clip
HEADPHONES
SRH840
SRH940
SRH840
SRH940
Transducer Type
►Dynamic, neodymium magnet
Transducer type
►Dynamic neodymium magnet
Driver Size
►40 mm
Driver size
►40 mm
Frequency Range
►5 Hz – 25 kHz
Sensitivity (1kHz)
►100 dB/mW
Sensitivity (1 kHz)
►102 dB/mW
Impedance (1kHz)
►42 Ω
Nominal Impedance (1 kHz)
►44 Ω
Max. input power (1kHz)
►1000 mW
Maximum Input Power (1 kHz)
►1000 mW
Frequency range
►5 Hz - 30 kHz
Plug
►Gold-plated 3.5 mm stereo mini plug with 6.3 mm threaded adapter
Net weight (without cable)
►320 g
Cable Length
►3 m detachable coiled
Shipping weight
►1.11 kg
Removable Earpads
►Yes
Length of cable
►Coiled: 3 meters, detachable
Collapsible
►Yes
►Straight: 2.5 meters, detachable
Weight
►318 g
Type of cable
►Detachable oxygen-free copper
Plug
►Gold-plated 3.5 mm stereo mini jack
SRH840
SRH940
? Precisely tailored frequency response delivers rich bass, clear mid-
? Accurate frequency response delivers smooth high-end extension with
?
? Lightweight, ergonomic fit with premium padded headband provide
?
?
?
?
?
?
range and extended highs
Closed-back, circumaural design rests comfortably over the ears and
reduces background noise
Wide, padded headband provides ergonomic fit for superior comfort
over extended periods
Collapsible design for easy storage and portability
3 m coiled detachable cable provides plenty of length and easy storage
and replacement
Bayonet clip securely locks cable into ear cup
Replaceable ear cup pads included to ensure long product life
Carrying Pouch
tight bass, and superior transient response for minimal distortion
maximum comfort over extended periods
? Closed-back, circumaural design rests comfortably over the ears and
reduces background noise
? Collapsible design with 90-degree swivel ear cups for convenient
storage and portability
? Legendary Shure quality to withstand the rigors of everyday use
? Bayonet Clip securely locks cable into ear cup
? Replaceable velour ear pads included to ensure long product life and
maximum comfort
? Two included detachable cables (coiled & straight) provide flexible
wearing options and easy replacement
? Zippered hard travel case protects headphones when on the go or not in
use
HEADSETS & LAPELS
PERSONAL
MONITORING
PSM 200
P2T Wireless TransMixer
P2R Hybrid Bodypack Receiver
RF Output Power
►30 mW (+15 dBm) typical conducted (country dependent)
Modulation Limiter
►Internal peak limiter (>10:1 hard knee compression)
Antenna
►1/4 Wavelength, semi-rigid, PCB Mount
P2T Audio Input
►Connector Type: XLR-1/4-inch combo
►Configuration: electronically balanced
Current
►170 mA maximum
Dimensions
►220 mm x 140 mm x 40 mm
Net Weight
►370 g
RF Sensitivity
►-109 dBm typical
Squelch Threshold
►-102 dBm typical
Antenna
►Attached Whip
P2T Audio Outputs
Passive connection parallel with input:
Connector Type: ►XLR
Actual Impedance: ►1 kilohm
Nominal Input Level: ►25 dBu @ 1/2 volume (12 o'clock)
Maximum Input Level: ►5 dBu @ 1/2 volume (12 o'clock)
Pin Assignments:
XLR: ►2=hot; 3=cold, 1=ground
1/4: ►Tip = hot, Ring = cold, Sleeve=ground
Phantom Power Protection? ►Yes: Up to 52 Vdc
Configuration: ►electronically balanced
Power Requirements
►Operating voltage 12-18 Vdc
►Supplied with one of the following external power supplies:
Audio Input Connector
Battery Life
►Volume Dependent
►Wired (RF Off): 6 hours
►Wireless (RF On): 4 hours
Audio Output Connector
►3.5 mm
Connector Type: ►1/4-inch Mono
Impedance: ►1 megohm
Maximum Input Level: ►LO = +0 dBu; HI = 10 dBu
Frequency Response: ►30 Hz to 20 kHz (+/-3 dB); earphone dependent
Power Requirements
►9 V alkaline battery, Duracell® type MN1604 recommended
Minimum Load Impedance
►8 ohms
Net Weight
►100 g, less battery
Overall Dimensions
►122 mm x 73 mm x 32 mm
►Model PS20: 120 VAC, 60 Hz input.
►Model PS20E, Model PS20UK: 230 VAC, 50/60 Hz input.
P2T Wireless TransMixer
? Key Features: Built-in audio limiter, Front mounted
antenna, Two mic/line input channels for mix control,
1/2 Rack space
? Operating Controls: Input level control, Frequency
select
? LED Indicators: Tri-color input level, Frequency
? Inputs: Two Mic/line, XLR-1/4 in. combo input
channels
? Outputs: Two XLR split outputs
P2R Hybrid Bodypack Receiver
? Key Features: Operates as a wired or wireless
bodypack, or both simultaneously
? Other Features: Frequency locator, Built-in
headphone limiter, Integrated cable management,
High-impact plastic chassis, 1/4" Line input jack with
high/low gain switch
? Operating Controls: Volume knob, Frequency
select
? LED Indicators: Power, RF reception, Frequency,
Limiter, Low battery
PSM 400
PERSONAL
MONITORING
The P4HW is a component of the PSM 400 family
Frequency Response
►20 to 20,000 Hz
Total Harmonic Distortion
►< .1% (measured at –10 dBu out)
Channel Separation
►35 dB (minimum)
Signal-to-noise ratio
►85 dB (minimum)
Maximum Input Level
►+7 dBu, input pad OFF
►+22 dBu, input pad ON
Input Impedance
►>40 k
Maximum Output Level
►+5 dBu at 1% THD
Output Impedance
►≤ 1
Minimum Load Impedance
►16
Audio Output Connector
►3.5 mm stereo (left=tip, right=ring,
ground=sleeve)
Limiter Ratio
►10:1
High Frequency Boost
►+4 dB at 10 kHz
Power Requirements
►9 V Alkaline battery (Duracell type MN1604
recommended)
Current Draw
►20 mA minimum, 40 mA maximum
Battery Life
►Up to 8 hours, volume dependant
Phantom Power Protection
►Up to 60 VDC
? Balance Knob: This thumbwheel adjusts the left/right balance in stereo or the Mix 1/Mix 2 balance in Mix-
Mode®.
? Scroll Button: Scrolls through functions in the LCD screen (see table below).
? Select Button: Sets functions in the LCD screen
? Battery Compartment: Contains one 9 V alkaline battery.
? Cable: Attached female XLR “Y” for connection to audio sources.
? ON/OFF/VOLUME Knob: Turn clockwise past click to turn ON. Continue to turn clockwise to increase volume,
counterclockwise to decrease volume.
? 1/8” Stereo Earphone Output Jack: Connects to earphones.
? Belt Clip: Attaches the bodypack to a belt, guitar strap or waist band.
? LCD Screen: Displays the current status of each function on the LCD screen
PERSONAL
MONITORING
PSM 900
System specs
RF Carrier Range ►470–952 MHz (regionally dependent)
Compatible Frequencies ►20 per band
Tuning Bandwidth ►36 MHz – 40 MHz (regionally dependent)
Operating Range (environment dependent) ►90m
Audio Frequency Response ►35Hz – 15kHz
Stereo Separation ►60 dB
Signal-To-Noise Ratio (A-Weighted) ►90 dB (typical)
Total Harmonic Distortion (ref. ±34 kHz deviation @1 kHz) ►<0.8%
(typical)
Companding ►Patented Shure Audio Reference Companding
Spurious Rejection (ref. 12 dB SINAD) ►>80 dB (typical)
Frequency Stability ►±2.5 ppm
MPX Pilot Tone ►19 kHz (±0.3 kHz)
Modulation ►FM, MPX Stereo (±34 kHz deviation, nominal)
Operating Temperature ►-18°C – +57°C
Component specs
P9R Wireless
Bodypack Receiver
Front-End RF Filtering ►–3 dB point 30.5 MHz from center frequency
Active RF Gain Control ►31 dB (adjusts RF sensitivity to provide more
RF dynamic range)
RF Sensitivity (20 dB SINAD) ►2.2 μV
Squelch Threshold (±3 dB SINAD) ►22 dB SINAD
Adjacent Channel Rejection ►>70 dB
Intermodulation Attenuation ►>70 dB
Blocking ►>80 dB
Image Rejection ►>100 dB
Audio Output Power
(1kHz @ <1% distortion, peak power, @32Ω) ►100 mW
Minimum Load Impedance ►9.5 Ω
High Boost ►Selectable: +2 dB, +4 dB @ 10 kHz
Volume Limiter ►Selectable: 3-9
(Reduces maximum output level. Selected value corresponds to volume
knob increment)
Battery Life ►5–7 hours (continuous use)
Net Weight ►200 g with batteries
Dimensions ►83mm x 65mm x 22mm
P9T Wireless Transmitter
RF Output Power ►selectable: 10, 50, 100 mW (regionally dependent)
RF Output Impedance ►50 Ω (typical)
Net Weight ►850 g
Dimensions ►197 mm x 166 mm x 42 mm
Power Requirement
(RF on, 100 mW power mode, no audio) ►15 Vdc at 550 mA, supplied
by external power supply
Audio Input
Connector Type ►Combination XLR and 6.35 mm (1/4”) TRS
Polarity ►XLR: Non-inverting (pin 2 positive with respect to pin 3)
6.35 mm TRS: Tip positive with respect to ring
Configuration ►Electronically balanced
Impedance ►70.2 kΩ (actual)
Nominal Input Level ►switchable: +4 dBu, –10 dBV
Maximum Input Level ►+4 dBu: +23.3 dBu
–10 dBV: +12.5 dBu
Pin Assignments ►XLR: 1=ground, 2=hot, 3=cold
6.35 mm TRS: Tip=hot, Ring=cold, Sleeve=ground
Phantom Power Protection ►up to 60 V DC
Audio Output
Connector Type ►6.35 mm TRS
Configuration ►Electronically balanced
Impedance ►Connected directly to inputs
? Exceptional Audio Quality... Enhanced digital stereo encoder provides
? Category-leading Setup and Operation Features... Patent-pending
?
?
?
?
?
?
?
a wider stereo field with exceptional separation, enhancing audio detail
and clarity
Patented Audio Reference Companding sounds more like wired
Available with Shure SE425 Sound Isolating™ Earphones featuring
dual high-definition MicroDrivers for accurate and balanced audio
response
Robust RF Performance... Precision front-end RF filtering, the same
found in industry-leading UHF-R® wireless systems, significantly
reduces RF interference for a cleaner, stronger RF signal, fewer
dropouts, and less audible artifacts
Exceptional transmitter linearity vastly reduces frequency
intermodulation and allows up to 20 compatible channels per frequency
range
Auto RF gain control prevents signal distortion due to RF overload
before it can affect performance
?
?
CueMode allows monitoring of different stage mixes and storing of up
to 20 separate channels on one bodypack for quick and easy reference
Front Panel RF mute switch for enabling or disabling RF transmission
Use Scan and Sync to scan the RF environment with the bodypack and
assign the identified group and channel to your system over wireless IR
link
MixMode® Technology allows the bodypack user to balance the level of
two separate channels while simultaneously listening to both signals in
both ears
LCD menu with grouped menu items for easier user interface
SUPER 55SH
55SH
? Supercardioid Polar Pattern
? Iconic chrome-plated design with
? Classic appearance, modern
performance
CLASSICS
vibrant blue color additions
? Tailored frequency response for natural
vocals and speech
? High gain-before-feedback and
excellent off-axis rejection
? Shock-mounted cartridge minimizes
handling noise and ensures quiet
operation
? Rugged die cast casing for reliability
under rigorous conditions
? Self-tensioning swivel mount, permits
tilting through 45 degrees forward and
80 degrees backward
? Frequency response tailored for
?
?
?
?
speech, vocals and instrumental
music
Cardioid directional pattern for
optimum performance in adverse
acoustic environments
Shock-mounted cartridge
minimizes stand-transmitted noise,
ensures quiet operation
Rugged die cast casing for
reliability under rigorous conditions
Self-tensioning swivel mount,
permits tilting through 45 degrees
forward and 80 degrees backward
520DX
? Volume control knob allows users to adjust the volume to
?
?
?
?
fit each musical situation
Rugged, dynamic cartridge with improved response
High-impedance, omnidirectional
Supplied with 1/4 inch connector
Frequency response 100 to 5,000 Hz
SUPER 55SH
55SH
520DX
Type
►Dynamic
Type
► Dynamic
Type
► Dynamic
Frequency Response
► 60 to 17,000 Hz
Frequency Response
► 50 to 15,000 Hz
Frequency Response
►100 to 5,000 Hz
Polar Pattern
►Supercardioid
Polar Pattern
► Cardioid (unidirectional), uniform with
frequency, symmetrical about axis
Polar Pattern
►Omnidirectional
Impedance
►Microphone rating impedance is 150 ohms
(290 ohms actual)
Sensitivity (at 1,000 Hz)
►Open Circuit Voltage: -53.0 dBV/Pa
►1 Pascal=94 dB SPL
Polarity
► Positive pressure on the diaphragm produces
positive voltage on pin 2 with respect to pin 3 of
the output connector
Construction
►Chrome-plated die casting
Net Weight
► 0.656 kg
Impedance
► Microphone rating impedance is 150 ohms
(270 ohms actual) for connection to microphone
inputs rated at 75 to 300 ohms
Impedance
►High, unbalanced
Load Impedance Range
►Minimum: 100 kilohms
Sensitivity (at 1,000 Hz)
► Open Circuit Voltage: -58.0 dBV/Pa (1.3 mV)
►1 Pascal=94 dB SPL
Output Level (at 1,000 Hz)
►Open Circuit Voltage 38.0 dBV/Pa (13 mV)*
►*1 Pa = 94 dB SPL
Polarity
►Positive pressure on the diaphragm produces
positive voltage on pin 2 relative to pin 3 of the
output connector
Polarity
►Positive sound pressure on diaphragm
produces positive voltage on tip with respect to
sleeve (ground) of microphone output phone
plug connector
Switch
►Built-in On/Off switch, integral part of swivel
mount, connector Three pin professional type,
designed to mate with Cannon XL series,
Switchcraft A3 (Q.G.) series, or equivalent
Cable
►6.1 m two conductor shielded with standard
1/4-inch phone plug attached (supplied wired for
high-impedance, unbalanced connection)
Case
►Chrome-plated die casting
Case
►Green and chrome finished die casting
Net Weight
► 624 grams
Dimensions
►63 mm max diameter, 82.6 mm long
Net Weight (with cable)
►737 grams
ACTIVE DI BOX &
GRAPHIC EQUALIZERS
AR-133
FCS-966
AR-133
FCS-966
Section:
Input 1MΩ (pad at 0dB), 47kΩ (pad at -20dB),
47kΩ (pad at -40dB)
Max Input Level +9dBu (pad at 0dB), +29dBu (pad at -20dB),
+49dBu (pad at -40dB)
Connectors Two Parallel ." jacks, parallel XLR connector
(unbalanced)
Output Section:
Output Transformer Max Output Level +8dBu into 600Ω or greater
Connector XLR3-32
Input Section:
Input Impedance 10kΩ, electronically balanced
Maximum Input Level >+20dBu
CMRR >-40dB @1kHz
Output section:
Output Impedance <50Ω, electronically balanced
Maximum Output Level >+20dBu into 600Ω
Filters:
HP filter OUT to 250Hz @ 12dB/octave
LF contour ア6dB shelving @ 50Hz 6dB/octave
HF contour ア6dB shelving @ 14kHz 6db/octave
Frequency bands ア15dB on ISO centers with a Q of 4
General Performance:
Frequency Response 5Hz to 45kHz ア1dB
Noise <-94dBu 22Hz to 22kHz
Dynamic Range > 115dB
Cross Talk >-80dB @1kHz
Distortion <0.005%THD (80kHz measurement BW) 20Hz-20kHz
Gain control +10dB to ∞
Power and Dimensions:
AC Power 115/230V AC, 50/60Hz, 30VA
Dimensions 483mm x 134mm x 180mm
Weight 3kgs
General Performance:
Distortion (THD) < 0.005% at 1kHz, 0dBu output
Noise <-105dB unweighted, 22Hz-22kHz*
Frequency 30Hz to 20kHz, +0dB/-1dB
Power and Dimensions
Main/Standby Power 9 volt PP3 type, battery
preferably alkaline
Current drain phantom: <7.5mA; battery: <2mA
Phantom Power +20 volts DC to +48 volts DC
Dimensions 2.3" x 4.9" x 5.6" / 59 mm x 124 mm x 143 mm
Weight 1.4 lbs / 650 gms, excluding batteries
* Noise measured relative to maximum output.
AR-133
FCS-966
The audio signal path of the AR-133 is
an enhanced design based upon the
long established BSS AR-116, now
regarded by many as a reference unit.
? The sound quality, particularly on
acoustic guitar and bass guitar pickups, is recognised as outstanding.
? The uses, however, are not limited to
guitars or keyboards. The AR-133 is
suitable for use whenever it is critical
to match levels and impedances,
sources need isolation or long cables
are used.
? Faders
30 EQ filter faders on ISO centres,
each with nominal +/-15dB of gain.
Positive centredetent on 45mm longthrow precision faders.
? HP Filter
Sweepable high pass filter, frequency
adjustable from OUT (flat) up to 250Hz.
? LF Contour
Smooth shelving filter, +/-6dB of gain
at 50Hz
? HF Contour
Smooth shelving filter, +/-6dB of gain
at 14kHz.
? Gain
Used for overall unity gain adjustment.
Adjustable from - infinity to +10dB.
? Clip
Triple-point clip detector that indicates
red when the internal signal is clipping
at any one of three critical points.
? LED Meter
Shows output signal level (input signal
when EQ is bypassed) from -24dBu to
+18dBu in 8 steps.
FDS-336T
MINIDRIVE
FDS-334T
MINIDRIVE
Inputs:
Max Level +20dBu
Input Impedance 10kΩ, electronically balanced
Outputs:
FDS-336T 6 channels
FDS-334T 4 channels
Max Output Level +20dBu, into 600Ω, electronically balanced
Output Impedance 47Ω
General Performance:
Dynamic Range >108dB unweighted 22Hz-22kHz
Frequency Response < }0.25dB, 15Hz-20kHz with filters out
Distortion (THD) < 0.01%, 20Hz-20kHz @ +10dBu input level
Audio Sample Rate 48kHz
Channel Separation > 80dB, 20Hz-20kHz
A/D & D/A Conversion: 24-bit, input and output
Crossover Filters:
FDS-334T Mono 4-way, stereo 2-way
FDS-336T Mono 6-way, stereo 3-way, stereo 2-way with A+B
sum
2-way, any combination of 2 inputs to up to 6 outputs
with individual passbands
Crossover Slopes Bessel, 12 & 24dB/octave; Linkwitz-Riley, 12,
24 or 48dB/octave; Butterworth, 6, 12, 18, 24 or 48dB/octave;
WHISEWORKS-NTM, 36 & 52dB/octave
? 2-input/4-output or 2-input/6-output Minidrive™
systems
? Simple menu-driven user interface with Navipad
providing access to functions Clear dot-matrix
display
? Lockable output level trim controls and mutes
? Each output assignable to any input or sum of
inputs
? Assignable parametric EQ and delay on each
input
Limiters:
Mid-filter 2-stage limiters with threshold of -10 to +20dBu
EQ:
Up to 38 bands of EQ Dependent upon used crossovers
slopes.
Type High and Low shelving at 6dB or 12dB/octave or fully
parametric with bandwidth of 0.05 to 3.0 octaves
Frequency range 15Hz to 16kHz, gain of }15dB in 0.5 dB steps
Delay:
Delay Time 635ms maximum delay on each input to output
path
Delay Time Resolution 21μs steps
Delay Units Milliseconds, meters, feet or frames per second
Power and Dimensions:
Power Requirements 50/60Hz, 90V-264V
Power Consumption < 30VA
Dimensions (HxWxD): 44.4mm x 483mm x 203mm
Weight (shipping) 2.8 kg
? Crossover, assignable parametric Q, mid-filter
limiters, polarity and delay on each output Bessel,
Butterworth, Linkwitz-Riley or WHISEworks-NTM
crossover filter types
? 6, 12, 18, 24, 36, 48 or 52dB crossover slopes
(filter type dependent)
? 60 user programs
? LED bargraph meters on every input & output
? MIDI control
DPR-402
DYNAMIC
PROCESSORS
DPR-404
DPR-402
Input Section
IMPEDANCE 10KOhm, electronically
balanced.
MAX INPUT LEVEL +20dBv.
INPUT CMRR > -50dB 30Hz-20Hz.
INPUT XLR3-31 or equivalent. Wired as
CONNECTOR pin 1 o/c, pin 2 cold, pin 3
hot.
Output Section
IMPEDANCE Less than 1 Ohm
unbalanced, current limited.
MAX OUTPUT LEVEL +20dBv into 600
ohms.
OUTPUT GAIN +20dB continuously
variable.
OUTPUT XLR3-32 or equivalent. Wired as
CONNECTOR pin 1 earth, pin 2 earth, pin
3 hot.
System Performance
FREQUENCY +1dB 25Hz-20kHz.
Ultrasonic
RESPONSE filter [email protected] 30kHz.
NOISE Equiv. input noise -86dBv 22Hz 22kHz, -82dBv CCIR weighted.
DISTORTION Unity gain, + 10 dBm
output, below threshold: THD 0.03% 20Hz20kHz.
IMD 0.01%SMPTE, 10 dB compression.
Threshold 0dB. 1kHz, 5 sec rel. time
setting: 2ND HARMONIC 0.15%. 3RD
HARMONIC 0.05%.IMD 0.25%
Harmonic distortion in this type of
equipment will increase with reduced
frequency and shorter time constants.
CROSSTALK < -85dB 20Hz -20kHz.
63% recovery from a 10dB 4msec
response, and 1 sec for a 10dB 40 msec
response.
De-esser
THRESHOLD RANGE -30 to +20 dBv
continuously variable.
RATIO Infinite, at and above twice the set
frequency.
FREQUENCY RANGE 800Hz to 15kHz
continuously variable. Frequency is that at
which 3dB of gain reduction occurs for
10dB of signal overdrive above threshold.
10dB of gain reduction will occur at and
above twice this frequency.
Peak Limiter
THRESHOLD RANGE +4dBv to +20dBv
continuously variable.
RATIO 20:1.
ATTACK TIME Fast setting 150μsec, Slow
setting 750μsec.
RELEASE TIME Fast setting 100msec,
Slow setting
500msec.
Dimensions and Power
SIZE 482 x 44 x 228mm
WEIGHT 4.5kg packed.
ELECTRICAL SUPPLY 120-220V +10520% 50/60Hz
15VA.
Compressor
THRESHOLD -30 to +20 dBv cont.
variable.
RATIO 1:1 continuously variable to
infinity:1.
MAX. VCA RANGE 30dB.
ATTACK TIME 11 steps 50μsec-80msec.
RELEASE TIME 10 steps 5ms to 5 sec
and AUTO.
Attack times are measured at 63% of final
gain reduction with step signal 8dB above
threshold. Release times are measured at
63% of open gain or removing a signal
8dB above threshold.
AUTO TIME CONSTANT
A two part program-dependent time
constant. Typical attack time is 200 μsec
on fast transients, release time 10msec for
DPR-402
? 2-channel compressor/limiter
? High frequency de-esser and wide band de-esser with peak
limiting
? Adjustable speed
? Dynamics program manipulation
? Full LED metering for both input and output
? Integrated side-chain and gain reduction metering
? Auto mode provides program dependant attack and release
control
DPR-404
Input Section
IMPEDANCE Balanced 12k ohm
differential.
MAX. INPUT LEVEL + 20dBv.
CMRR > 50dB, 20Hz to 20Khz.
CONNECTOR XLR331 or equivalent.
Output Section
IMPEDANCE Balanced and floating to
drive 600 ohm loads.
MAX. OUTPUT LEVEL +20dBv / 600
Ohm load.
CONNECTOR XLR332 or equivalent.
showing sidechain level below and up to
threshold.
CLIP Single LED showing onset of
channel clip.
General
SIZE 482mm x 44mm x 282mm
WEIGHT 5kg gross shipping.
ELECTRICITY Switched 120/240V +10%
20%
SUPPLY 50/60Hz
System Performance
FREQUENCY RESPONSE + 1DB, 20Khz,
ultrasonic low pass filter 3db at 32kHz.
NOISE Measured to CCIR 4682, <-86dBv
DISTORTION THD <0.05%, 20Hz to
20kHz.
SMPTE IM <0.02%.
CROSSTALK <90dB, 20Hz to 20kHz.
Operating Controls
DEESS FREQUENCY Variable from
10kHz to 10kHz, dynamic HF shelf
turnover frequency.
DEESS THRESHOLD Variable from
+20dBv to 30dBv, independent of
compressor/limiter settings.
THRESHOLD Variable between +20dBv
and 30dBv.
RATIO Variable from 1:1 to infinity:1
(LIMIT) progressive soft to hard knee
characteristic.
ATTACK Program dependent, auto time
constant. Nominal 200microsec (30
microsec FAST) for 10% response, and
nominal 2ms (300 microsec FAST) for
63% response.
RELEASE Program dependant, 2 part
auto time constant. Nominal 10ms (2ms
FAST) to 63% recovery after 4ms
overdrive 10db above threshold, and
nominal 1s (300ms FAST) to 63%
recovery after 40ms overdrive 10dB above
threshold.
GAIN Variable from 20dB to +20dB.
LINK Stereo linkable in pairs 1/2 and 3/4
Channels 1 and 3 become masters.
Metering
GAIN REDUCTON 8 point LED display
showing progressive gain reduction from
right to left calibrated in dB’s.
BELOW THRSHOLD 5 points LED display
DPR-404
? Threshold control
? Below threshold metering
? Ratio control
? A gain reduction meter
? A clip LED
? Gain control
? Linking
? High frequency de-esser.
DYNAMIC
PROCESSORS
DPR-504
Input Section
IMPEDANCE Balanced 12kOhm differential
MAX INPUT LEVEL +20dBv
CMRR >50dB, 20Hz to 20kHz
CONNECTOR XLR331 or equivalent
side of threshold
GATE OPEN Single LED shows exact gate status
and mimics response profile
EXT KEY SOCKET 3 pole, ¼” RTS jack socket used for
EXT keyin or key insert functions
Output Section
IMPEDANCE Balanced and floating to drive
600 Ohm loads
MAX OUTPUT LEVEL +20dBv into 600 Ohm load
CONNECTOR XLR332 or equivalent
RANGE Switchable attenuation between 70dB and 20dB
The latter may be user defined by internal links
General
SIZE 482mm x 44mm x 282mm
WEIGHT 5kg gross shipping.
POWER SUPPLY Switched 120/240V +10% 20%
50/60Hz.
System Performance
FREQUENCY RESPONSE + 1dB, 20Hz to 20kHz
Ultrasonic low pass filter 3dB at 32kHz
NOISE Measured to CCIR 4682 Zero attenuation : <86dBv
Maximum attenuation: <-90dBv
DISTORTION THD less than 005%, 20Hz to 20kHz
SMPTE IM < 002%
CROSSTALK > 90dB 20Hz to 20kHz
Operating Controls
KEY FILTER FREQUENCY Variable between 30Hz and
15kHz centre
KEY FILTER WIDTH Variable between 05 and 10
octaves
KEY SOURCE Internal or External, via rear panel ¼”TRS
jack
THRESHOLD Variable between +20dBv and 50dBv
ATTACK Audio attack switchable FAST (20μs) or AUTO
(40μs 5ms, programme dependant)
RELEASE Combined Hold/Release function is variable
1ms to 3 sec Hold period tracks proportionally with
Release
LINK Stereo linkable in pairs 1/2 and 3/4
Channels 1 and 3 become masters
Metering
KEY SIDE CHAIN Simultaneous average and peak
reading 12 point LED display showing 20dB range either
DPR-504
? A parametric key filter with key filter listening
? Simultaneous key level and threshold metering with average and peak metering
? A gate status LED
? A RELEASE/HOLD control (hold tracks proportionally with release times)
? Attack switchable auto/fast (auto tracks signal dynamics for optimum setting)
? Link (links two channels together)
? Key source allows external triggers.
ACTIVE SIGNAL
DISTRIBUTION SYSTEM
MSR-602/604II
Input Section
Impedance
Mic:2kOhm.
Line: 10kOhm, electronically balanced.
Max. Input Level Mic: +13dBu.
Line: +33dBu.
CMRR Better than 90dB @ 1kHz>75dB 50Hz to 10kHz.
Connector XLR3-31 or equivalent.
Phantom Power 48V DC via panel switch and LED indicator.
Outputs Main (F.O.H) & Mon, electronically balanced
Impedance +3 out: Less than 23 Ohm, +13 out: Less than 71 Ohm,
+23 out: Less than 100 Ohm
Connectors XLR3-32 or equivalent.
Max. Output Level +3dBm, +13dBm, +23dBu, internally preset.
MAX. LOAD +3 out: 200 Ohm +13, +23 out: 600 Ohm.
Feeds, Two
Impedance Less than 50 Ohm.
Max. Output Level +3dBm.
Max. Load 600 Ohm.
Isolation 2.5kV Acrms.
Gain Functions
Gain -40dB to +50dB.
Gain Switch -10, 0, 10, 20, 30 via panel.
Mic/Line pad 0/-20dB via panel.
Remote Pad 0/-10dB via F.O.H phantom.
Output Scaling +20/+10/0dB via internal jumper blocks. (Main & Mon only).
System Performance
Frequency Response +/-0.5dB , 20Hz to 20kHz.
Noise (E.I.N) -10dB gain: Less than -114dBu.
0dB gain: Less than -121dBu.
10dB gain: Less than -124dBu.
20dB gain: Less than -125dBu.
30dB gain: Less than -126dBu.
Distortion (T.H.D) Less than 0.1% 20Hz to 20kHz @ 10dB below clip.
DC Outputs
ripple.
unregulated @ 4A max: low
-27V unregulated @ 4A max:
low ripple.
* 5% regulated @ 500mA
max.
Fuses
27V); F500mA (*).
Connectors
Rear panel: F5A ( ); F5A (9 pin 'D' female: Loop out.
9 pin 'D' male: Loop return.
Rear panel: Slide switch
3 LED's, post-fuse, on , -27
System Ground Lift
Indicators
and * outputs.
Headroom Meter
Via LISTEN bus and MSR604 II LISTEN switch (momentary). Six point LED meter:
0, -1, 3, -6, -12, -26dB ref clip.
Input: via DC loop out
connector.
Headphone Output
Via LISTEN bus and MSR604 II LISTEN switch. Input : via DC Loop out connector
Connector: Stereo/Mono 1/4"
Jack socket
Load Impedance: 4 Ohms to
600 Ohms.
Maximum Output: 4
Ohms:860mW rms. 200 Ohms:750mW rms.
Level control:
Continuously variable -90dB
to 0dB. Headroom: Greater than MSR-604 II channel clip.
Weight
7.0kg net
Dimensions
44mm x 482mm x 293mm
Level metering and monitoring
Channel Clip LED @ 1dB below clip.
Headroom meter On MSR-602 II PSU: Six point LED meter: -1, -3, -6, -12, -26dB
via LISTEN switch (momentary).
Headphone monitor On MSR-602 II PSU: via LISTEN switch (momentary).
Stereo/Mono 1/4" Jack socket.
Load Impedance: 4 Ohms to 600 Ohms.
Maximum Output: 1W rms. Level control: -90dB to 0dB.
General
Power Requirements 27V DC, * DC from MSR-602 II PSU only. Connectors: 9 pin
'D', with lock jackscrews.
Weight 3.8kg net
Dimensions 44mm x 482mm x 293mm
MSR-602 II POWER SUPPLY FOR MSR-604 II
AC Input
@ 150VA.
Connector
Voltage Selector
Switch
Fuse
(240V).
90-130/180-260 V AC 50/60Hz
3 pin IEC with locking clip.
Rear panel: 120/240 V.
Rear panel: High-inrush.
Rear panel: F6.3A (120V)/F5A
? Electronically balanced input with transformer
option.
? MIC/LINE switching, GAIN switching.
? LISTEN facility for monitoring via the MSR-602 II
PSU.
? Phantom power.
? Active outputs for main FOH and monitor
consoles.
? Two transformer-coupled feeds giving 2500V
isolation for any application requiring isolation
from the main PA system.
XLS 1000
*1 kHz
Power
2Ω Dual (per channel) 550W
4Ω Dual (per channel) 350W
8Ω Dual (per channel) 215W
8Ω Bridge 700W
4Ω Bridge-Mono 1,100W
*Maximum average power in watts at 0.5% THD,
1 kHz.
XLS 1500
*1 kHz
Power
2Ω Dual (per channel) 775W
4Ω Dual (per channel) 525W
8Ω Dual (per channel) 300W
8Ω Bridge 1,050W
4Ω Bridge 1,550W
XLS SERIES
*Maximum average power in watts at 0.5% THD,
1 kHz.
XLS 2000
THE XLS Series of power amplifiers from Crown define the standard for live sound systems with
unmatched performance, technology, and affordability.
This high-performance line consists of four models, each providing enormous power and flexibility
thanks to the integrated PureBand™ Crossover System and Peakx™ Limiters. And weighing in at only
11 lbs or less, they provide the ultimate in lightweight portability.
Generating chest-thumping lows and crystal clear highs, the four models in the series – the XLS 1000,
XLS 1500, XLS 2000, and XLS 2500 – are engineered to meet any demanding audio requirements –
reliably and within budget.
Every XLS Series amplifier is backed by Crown’s unequaled Three-Year, No-Fault, Fully Transferable
Warranty that covers everything.
With over five decades of experience designing and building rock-solid products, Crown is the standard
in amplifier technology. So check out the Crown XLS Series. They are a powerful argument for
performance, flexibility, and value!
*1 kHz
Power
2Ω Dual (per channel) 1,050W
4Ω Dual (per channel) 650W
8Ω Dual (per channel) 375W
8Ω Bridge 1,300W
4Ω Bridge 2,100W
*Maximum average power in watts at 0.5% THD,
1 kHz.
XLS 2500
*1 kHz
Power
2Ω Dual (per channel) 1,200W
4Ω Dual (per channel) 775W
8Ω Dual (per channel) 440W
8Ω Bridge 1,550W
4Ω Bridge 2,400W
*Maximum average power in watts at 0.5% THD,
1 kHz.
PERFORMANCE
Sensitivity (for full rated power at 4 ohms):
1.4 Vrms.
Frequency Response
(at 1 watt, 20 Hz to 20 kHz): +0 dB, –1 dB.
Signal-to-Noise Ratio
Rated as dBr to full rated 8 ohm power output (AWeighted):
XLS 1000 > 97 dB
XLS 1500, XLS 2000, XLS 2500 > 103 dB
Total Harmonic Distortion (THD): < 0.5%.
Intermodulation Distortion (IMD):
(60 Hz and 7 kHz at 4:1) from full rated output to –30
dB: < 0.3%.
Damping Factor (8 ohm) 10 Hz to 400 Hz: >200.
Crosstalk (below rated 8 ohm power):
At 1kHz: > 85dB
At 20kHz: >55dB
Input Impedance (nominal):
20 kilohms balanced, 10 kilohms unbalanced.
Load Impedance:
2 to 8 ohms per channel in Stereo, 4 to 8 ohms in
Bridge Mono.
AC Line Voltage and Frequency
Configurations Available (±10%):
120 VAC 60 Hz, 100 VAC 50/60 Hz, 220 and 240
VAC 50 Hz.
CONTROLS
Level: Two front-panel rotary level controls, one for
each channel.
LCD Screen: Back-lit LCD allows for crossover
configuration, amp mode configuration and clip
compressor configuration.
Menu/Prev/Next: Three buttons located near the
LCD screen that are used to configure and access
the integrated processing.
Power: Front-panel switch; on when in the IN
position. Blue LED will illuminate when on.
Circuit Breaker: Back-panel breaker provides
overload protection.
INTEGRATED PROCESSING
PureBand™ Crossover System
Crossover Filter: Linkwitz-Riley 24dB per octave
Crossover Frequency Range: 50 Hz - 3 kHz
Crossover Mode: Crossover (CH1=LPF,
CH2=HPF), Low Pass (both channels LPF), High
Pass (both channels HPF), Bridge (LPF or HPF)
Peakx™ Limiters: Channel independent clip
limiter designed to provide maximum output
while protecting your loudspeakers
INDICATORS
Signal Presence Indicators: Two green LEDs,
one for each channel, illuminate when the
channel’s input signal exceeds –40 dBu.
–10 Indicator: Green LED flashes when output
signal exceeds –10 dB below clip.
–20 Indicator: Green LED flashes when output
signal level exceeds –20 dB below clip.
Clip Indicators: Two red LEDs, one for each
channel, illuminate when the channel’s output is
being overdriven.
Thermal Indicator: Two red LEDs, one for each
channel, illuminate when thermal compression
begins.
INPUT/OUTPUT
Input Connectors: XLR (one per channel), 1/4
inch (one per channel), and RCA (one per
channel). 1/4-Inch connectors can be used as
loop-thrus to distribute signal to additional
amplifiers.
Output Connectors: Two 4-Pole Speakon®
Output Connectors accept 2-pole or 4-pole
Speakon® connectors. The top Speakon
connector is wired for both channels so it can be
used for bridgemono wiring or for stereo wiring of
two speakers to a single Speakon connector.
One pair of back-panel binding posts per channel;
accepts banana plugs or bare wire. (European
models do not accept banana plugs.)
PROTECTION
XLS Series amplifiers provide extensive protection
and diagnostic capabilities, including output
current limiting, DC protection, circuit breaker, and
thermal protection.
Dimensions: EIA Standard 19-inch (48.3-cm) rack
mount width
(EIA RS-310-B), 8.9-cm height.
XLS 1000/1500: 19.6-cm depth.
XLS 2000/2500: 27.2-cm depth.
WEIGHT
Net Weight:
XLS 1000: 3.9 kg
XLS 1500: 3.9 kg
XLS 2000: 4.9 kg
XLS 2500: 4.9 kg
Features
? High performance, lightweight Class-D amplifier –
weighs less than 11 lbs.
? Integrated PureBand™ Crossover System ensures
seamless transitions from low- to high-frequency
drivers
? Integrated Peakx™ Limiters provide maximum output while
protecting your speakers
? XLR, 1/4", RCA Inputs ensure compatibility with any source
? 1/4" Inputs can be used as loop-thrus to distribute signal to
additional amplifiers
XTi 1000
1 kHz
Power
2-ohm Stereo (per channel) 700W*†
4-ohm Stereo (per channel) 500W
8-ohm Stereo (per channel) 275W
4-ohm Bridge-Mono 1,400W*†
8-ohm Bridge-Mono 1,000W
With 0.5% THD.
*With 1% THD.
†Not rated for 100V versions.
XTi 2000
1 kHz
Power
2-ohm Stereo (per channel) 1,000W*
4-ohm Stereo (per channel) 800W
8-ohm Stereo (per channel) 475W
4-ohm Bridge-Mono 2,000W*†
8-ohm Bridge-Mono 1,600W
XTi SERIES
With 0.5% THD.
*With 1% THD.
†Not rated for 100V versions.
The XTi Series of Crown® amplifiers are professional tools designed and
built for portable PA applications. The series includes four models which
are similar except for output power: XTi 1000, 2000, 4000 and
6000. All are rugged and lightweight, and offer unmatched value in their
class. XTi-Series amplifiers feature an LCD screen with speaker presets
for crossover frequencies, EQ, limiting, delay, and a subharmonic
synthesizer. Other features include a switchmode universal power supply,
useful function indicators, proportional-speed fan-assisted cooling, XLR
inputs, Speakon® and binding-post outputs, short-circuit protection and
more.
With their powerful, reliable performance, XTi-Series amps easily handle
2-ohm loads and are capable of chest-thumping lows. Plus, your
investment in an XTi-Series amplifier is backed by Crown’s Three-Year,
No-Fault, Fully Transferable Warranty.
XTi 4000
1 kHz
Power
2-ohm Stereo (per channel) 1,600W*
4-ohm Stereo (per channel) 1,200W
8-ohm Stereo (per channel) 650W
4-ohm Bridge-Mono 3,200W*
8-ohm Bridge-Mono 2,400W
With 0.5% THD.
*With 1% THD.
XTi 6000
1 kHz
Power
2-ohm Stereo (per channel) 3,000W*
4-ohm Stereo (per channel) 2,100W
8-ohm Stereo (per channel) 1,200W
4-ohm Bridge-Mono 6,000W*
8-ohm Bridge-Mono 4,200W
With 0.5% THD.
*With 1% THD.
Output Power: See power charts below.
Voltage Gain at 1kHz:
XTi 1000: 30.5 dB
XTi 2000: 32.9 dB
XTi 4000: 34.2 dB
XTi 6000: 37.1 dB
Frequency Response: +0/–1 dB from 20 Hz to
20 kHz at 1 watt into 4 ohms.
Load Impedance: Safe with all types of loads.
Rated for 2 to 8 ohms in Stereo mode, 4 to 16
ohms in Bridge-Mono mode. The XTi 1000 A1
(100V version) is rated for 4 to 8 ohms Stereo,
8 to 16 ohms Bridge Mono.
Sensitivity: 1.4V
Signal to Noise Ratio (below rated 1 kHz
power at 8 ohms): XTi 1K, 2K, 4K: 100 dB (A
weighted). XTi 6K: 103 dB (A weighted).
Damping Factor: Better than 500 from 20 Hz to 400 Hz.
Crosstalk: > 70 dB below rated power, 20 Hz
to 1 kHz.
Input Stage: Input is electronically balanced
and employs precision 1% resistors.
Input Impedance (nominal): 20 k ohms, balanced;
10 k ohms, unbalanced.
Maximum Input Signal: +22 dBu typical.
AC Line Voltage and Frequency Confi gurations
Available: 100V, 120V, 220-240V
50/60 Hz.
AC Line Current (120VAC amplifi er playing 1/8
power pink noise into 4 ohms per ch):
XTi 1000: 6.8A, XTi 2000: 8.3A, XTi 4000:
10.5A; at idle draws no more than 38 watts.
XTi 6000: 15.3A; at idle draws no more than
180 watts.
Operating Temperature: 0° C to 40° C at 95%
relative humidity (non-condensing).
? Integrated speaker presets with LCD front panel display
? Accurate, uncolored sound with very low distortion for the
? Speaker presets for crossover frequencies, EQ, limiting, and delay
? All products fill 2U rack spaces and weigh under 19 lb (24 lb for XTi 6000); weight
? Advanced protection circuitry guards against: shorted
? Speakon® and binding post outputs, XLR inputs and loop-thrus
? Comprehensive LED status per channel
? Three-Year, No-Fault, Fully Transferable Warranty completely protects your
best in music and voice reproduction
?
?
outputs, open circuits, DC, mismatched loads, general
overheating, high-frequency overloads and internal faults
Extremely versatile, handling a wide range of speaker
impedances and outputs
Switch-mode universal power supply
sets a new standard in lightweight amps
investment and guarantees its specifications
Xti 1002
2-ohm Stereo (per channel) 700W
4-ohm Stereo (per channel) 500W
8-ohm Stereo (per channel) 275W
4-ohm Bridge-Mono 1,400W
8-ohm Bridge-Mono 1,000W
Xti 2002
2-ohm Stereo (per channel) 1,000W
4-ohm Stereo (per channel) 800W
8-ohm Stereo (per channel) 475W
4-ohm Bridge-Mono 2,000W
8-ohm Bridge-Mono 1,600W
Xti2 SERIES
Xti 4002
2-ohm Stereo (per channel) 1,600W
4-ohm Stereo (per channel) 1,200W
8-ohm Stereo (per channel) 650W
4-ohm Bridge-Mono 3,200W
8-ohm Bridge-Mono 2,400W
There's no debate – when you choose Crown's XTi 2 Series, you're choosing one of the most powerful
and innovative amplifiers on the market today. That's because the all-new XTi 2 Series amps continue to
set the standard for unmatched performance and value, delivering the goods night after night without
breaking a sweat.
Xti 6002
2-ohm Stereo (per channel) 3,000W
4-ohm Stereo (per channel) 2,100W
8-ohm Stereo (per channel) 1,200W
4-ohm Bridge-Mono 6,000W
8-ohm Bridge-Mono 4,200W
With such innovations as a universal tracking switch-mode power supply and a fully integrated suite of
speaker processing tools, these amps are at the top of their class when it comes to thermal efficiency and
system flexibility.
PERFORMANCE
Sensitivity (for full rated power
at 4 ohms): 1.4 Vrms
Frequency Response (at 1 watt,
20 Hz to 20 kHz): +0 dB, –1 dB
Signal-to-Noise Ratio (below
rated 1kHz power at 8 ohms):
XTi 1002/2002/4002: 100 dB (A
weighted), XTi 6002: 103 dB (A
weighted)
Total Harmonic Distortion
(THD): < 0.5%
Damping Factor 20 Hz to 1 kHz:
> 500
Crosstalk (below rated power):
20 Hz - 1 kHz: > 70 dB
Input Impedance (nominal): 20k
ohms balanced, 10k ohms
unbalanced
Maximum Input Signal: +22 dBu
typical
AC Line Voltage and Frequency
Configurations: 100 VAC, 120
VAC, 220-240 VAC 50/60 Hz
AC Line Current (120 VAC
amplifier playing 1/8 power pink
noise into 4 ohms per ch): XTi
1002: 6.8A; no more than 38W at
idle, XTi 2002: 8.3A; no more than
38W at idle, XTi 4002: 10.5A; no
more than 38W at idle, XTi 6002:
15.3A; no more than 180W at idle
Operating Temperature: 0°C to
40°C at 95% relative humidity
(non-condensing)
? Peakx Plus™ Limiters provide the
ultimate in system performance and
protection by allowing full control over
threshold, attack, and release
? Enhanced Subharmonic Synth section
provides user control over frequency, gain
and filter type for system-specific tuning
INDICATORS
Signal Indicator: Green LED, one
per channel, illuminates when a
very low-level signal is present at
input (may be used for
troubleshooting cable runs).
–10 Indicator: Green LED flashes
when output signal exceeds –10
dB below clip.
–20 Indicator: Green LED flashes
when output signal level exceeds
–20 dB below clip.
Ready Indicator: Green LED, one
per channel, illuminates when the
amplifier is ready to produce
audio.
Clip Indicator: Red LED, one per
channel, turns on at the threshold
of audible distortion.
Temp Indicator: Red LED, one
per channel, illuminates under
excessive temperature conditions.
Power Indicator: Blue LED
illuminates when the amplifier has
been turned on and has power.
CONTROLS
Level: Two front-panel rotary level
controls, one for each channel.
Power Switch: On/Off switch
applies AC power to the amplifier.
Sel/Prev/Next Buttons: Three
buttons near the LCD screen that
are used to access menu items
and front panel lockout.
LCD Screen: Backlit liquid crystal
display that shows preset and
processing status.
Presets: 30 total presets, 29 of
which are user-definable.
INTEGRATED PROCESSING
Input EQ: 6 parametric filters per
channel with adjustable Q, ±15 dB
boost/cut. Also adjustable high
and low shelving filters. This 8filter EQ section can be bypassed.
Crossover Filters: Highpass and
Lowpass per channel. Butterworth
6/12/18/24 dB per octave.
Linkwitz-Riley 24/48 dB per
Octave. Also includes ± 15 dB
bandpass gain and polarity
control.
Output EQ: 8 parametric filters
per channel with adjustable Q,
±15 dB boost/cut. This 8-filter EQ
section can be bypassed.
Delay: For signal alignment of
driver; 50 ms of total delay.
SubHarmonic Synth: Takes the
low-frequency content of the input
signal and "synthesizes" a new
signal that is the same as the input
signal but one octave lower. The
new synthesized signal is then
mixed with the original signal to
create the effect. New: Users now
have control over frequency, gain,
and filter type.
Peakx™ Plus Limiter: User
defeatable limiter that allows users
to control Threshold, Attack, and
Release times.
INPUT/OUTPUT CONNECTORS
Input Connectors: XLR, one per
channel)
Link/Out Connector: Loop-thru
signal from input connector for
linking another amplifier, one per
channel.
Output Connectors: Two
Neutrik® Speakon® NL4MP
output connectors. Channel-1
Speakon® is wired with Ch. 1 and
Ch. 2 outputs for use with optional
single 4-conductor cable. Two
binding post outputs (in parallel
with Speakon® connectors).
HiQnet™ USB Connector: Type
B, connects to HiQnet™ network.
? 3 User-defined fan mode controls – normal, early and full-
speed – for matching fan performance to a specific
application
? New system monitoring provides software visibility of AC
line voltage and power supply temperature
? Increased number of presets to a total of 30; 29 of which
are user definable
CONSTRUCTION
Chassis: Steel
Front Panel: Cast-aluminum
Cooling: Proportional speed fan
with front-to-rear airflow.
Dimensions: XTi
1002/2002/4002: 19" (W) x 3.5"
(H) x 12.25" (D), XTi 6002: 19"
(W) x 3.5" (H) x 16.2" (D)
Net Weight: XTi 1002/2002/4002:
8.4kg, XTi 6002: 10.9kg
Shipping Weight: XTi
1002/2002/4002: 9.8kg, XTi 6002:
13.6kg
? Integrated cast-aluminum handles for easy handling and
enhanced durability
? Locking power cord clip provides a secure connection
between the amplifier and power cord
? Updated HiQnet Band Manager™ and System Architect™
control software
MACRO-TECH I SERIES
MA5000i
20 mS BURST 2-ohm Dual (per ch.) 3,000W
2-ohm Dual (per channel) 2,000W
2-ohm Dual (per channel, 1kHz) 2,000W
4-ohm Dual (per channel) 2,500W
8-ohm Dual (per channel) 1,250W
4-ohm Bridge 4,000W
8-ohm Bridge 5,000W
MA9000i
20 mS BURST 2-ohm Dual (per ch.) 4,700W
2-ohm Dual (per channel) 2,800W
2-ohm Dual (per channel, 1kHz) 3,500W
4-ohm Dual (per channel) 3,500W
8-ohm Dual (per channel) 1,500W
4-ohm Bridge 5,600W
8-ohm Bridge 7,000W
The Crown Macro-Tech i Series amplifiers continue the Macro-Tech legacy
of unparalleled sonic accuracy and detail, putting sound quality above all
else. Their patented, cutting-edge Class-I circuitry gets more power out of
an amplifier with less waste. Each model features a Global Power Supply
designed to deliver maximum power in any country. The i Series offers
studio-quality analog signal processing with built-in load, line voltage, input
and output monitoring. Standard Ethernet networking via System Architect
provides integrated monitoring and control to give system operators access
to the system from any location.
Performance
Frequency Response
(at 1 watt, 20 Hz - 20 kHz into 8 ohms):
±0.25 dB.
Signal to Noise Ratio
(below rated full-bandwidth power, Aweighted):
>112 dB.
Total Harmonic Distortion (THD)
(at 2 watts into 8 ohms):
< 0.1%.
Total Harmonic Distortion (THD)
Plus Noise (at full rated power):
< 0.35%, 20 Hz to 20 kHz.
Intermodulation Distortion (IMD)
(60 Hz and 7 kHz at 4:1, from full rated
output to –30 dB):
< 0.35%.
Damping Factor (20 Hz to 100 Hz at 8
ohms):
> 5000.
Crosstalk (below rated power, 20 Hz to
1 kHz):
> 80 dB.
Common Mode Rejection (CMR)
(20 Hz to 1 kHz):
55 dB, typically >70 dB.
DC Output Offset (shorted input):
< ± 3 mV.
Input Impedance (nominal):
10 kilohms balanced, 5 kilohms
unbalanced.
Maximum Input Level: +20 dBu typical.
Network: Onboard HiQnet™, compatible
with standard 100 Mb Ethercom
hardware.
Load Impedance: (Note: Safe with all
types of loads)
Stereo: 1/2/4/8/16 ohms.
Bridge Mono: 2/4/8 ohms.
Input Sensitivity (referenced to 8 ohm
rated output):
1.4V, 32 dB gain, and 26 dB gain.
Voltage Gain (referenced to 8 ohm rated
output):
MA-5000i: 37.1 dB to 22.2 dB
MA-9000i: 37.9 dB to 23.0 dB
MA-12000i: 39.3 dB to 24.5 dB
Required AC Mains: Universal AC input,
100-240VAC, 50/60 Hz (±10%). Maximum
AC mains voltage 264VAC.
AC Line Connector: Five cordsets
supplied with amplifier (USA, UK,
European, Australia, India).
Front Panel Controls and Indicators
Bridge Mode Indicator: Amber LED
illuminates when the amplifier is set to
Bridge-Mono mode.
Ready Indicator: Green LED, one per
channel.
On (bright): Ready.
On (dim): Onset of compression.
Off: Thermal failure.
Signal Indicators: One green LED per
channel.
Solid green: Input signal is above –40 dBu.
Bright green: Channel’s output signal has
reached the onset of audible clipping.
Power Indicator: Blue LED indicates
amplifier has been turned on and AC power
is available.
The LED will flash when the AC line voltage
is 10% above or below the nominal rated
value.
Data Indicator: Yellow LED on front panel
indicates network data activity. Data
? The Macro-Tech® i Series continues the
Crown® Macro-Tech legacy of unparalleled
sonic accuracy and detail, putting sound quality
above all else
? Patented, cutting-edge Class-I circuitry gets
more power out of an amplifier with less waste
? Rugged construction ensures that all MacroTechs are built to withstand years of abuse on
MA12000i
20 mS BURST 2-ohm Dual (per ch.) 6,000W
2-ohm Dual (per channel) 3,750W
2-ohm Dual (per channel, 1kHz) 4,500W
4-ohm Dual (per channel) 4,500W
8-ohm Dual (per channel) 2,100W
4-ohm Bridge 7,500W
8-ohm Bridge 9,000W
*Guaranteed minimum power in watts at 20 Hz20 kHz with 0.1% THD
indicator flashes only when the amplifier is
polled for data, or is polled to see whether it is
online
Power Switch: Push-on/push-off switch with
built-in green AC mains present indicator.
Volume Control: Precision detented
attenuator with 31 steps, press-and-hold mute
function.
Volume Control LED Ring: A ring of green
LEDs around each volume control show the
position of the control. Entire ring flashes
when channel is muted. Can be converted to
be a level meter.
Back Panel Controls, Indicators and
Connectors
Power Cord Connector: Detachable 20 amp
IEC inlet. Cord locks with suppliled cord
retention clip. Voltage range is indicated
above IEC inlet.
Reset Switch/Circuit Breaker: If the current
draw of the amplifier exceeds safe limits, this
breaker automatically disconnects the power
supply from the AC mains. The switch resets
the circuit breaker.
Output Connectors: Two high-current, 50A
Neutrik® Speakon® NL4MLP (mates with
NL4FC or NL4), one per channel. Ch 1
Speakon® is wired with Ch 1 and Ch 2
outputs for use with single 4-conductor cable.
Two pairs of high-current, 60A color-coded 5way binding posts (for banana plugs, spade
lugs or bare wire).
Analog Input Connectors: A 3-pin female
XLR connector for each channel.
Analog Loop Thru Connectors: Two male
XLR passive analog loop through.
Mode Switch/Indicator: Sets amplifier to
Stereo, Bridge, or Input Y mode. OFF=Stereo,
YEL=Bridge, GRN=Y.
Network Connectors: Two Neutrik®
Ethercon connector accepts RJ-45
type connectors for HiQnet™
networking. Next to each connector is
a yellow LINK ACT indicator that
shows network activity, and a green
100Mb indicator that shows a 100Mb
network connection.
Data Indicator: Yellow LED on back
panel indicates network data activity.
Data indicator flashes only when the
amplifier is polled for data, or is polled
to see whether it is online.
Preset Indicator: Green/yellow LED
flashes to signal the number of the
current preset. LED is green if current
preset is active, or is yellow if current
preset is modified.
Input Sensitivity Switch: Threeposition switch providing 1.4V, 32 dB,
and 26 dB settings for both channels.
Firmware/Software
Cooling: Dual-zone, microprocessor
controlled, continuously variable
speed fans, front-to-back airflow.
Front Panel: Cast aluminum with
integrated handles.
Dimensions: 48.3 cm W x 8.9
cm H x 41.1 cm D.
Weight: 12.7 kg net, 16.3 kg
shipping.
the road
? Global Power Supply — designed to deliver maximum power no
matter what country you work in
? Built-in load, line voltage, input and output monitoring
? Standard Ethernet networking via System Architect® lets system
operators monitor and control the amplifier from any location
I-TECH HD SERIES
I-T5000 HD
20 mS BURST 2-ohm Dual (per ch.) 3,000W
2-ohm Dual (per channel) 2,000W
2-ohm Dual (per channel, 1kHz) 2,000W
4-ohm Dual (per channel) 2,500W
8-ohm Dual (per channel) 1,250W
4-ohm Bridge 4,000W
8-ohm Bridge 5,000W
I-T9000 HD
Crown continues the tradition of excellence and innovation with the Crown®
I-Tech HD Series, delivering unmatched versatility, power and performance
for touring sound applications. Featuring onboard high-definition BSS
OMNIDRIVEHD™ DSP with 24-bit, 192 kHz Cirrus Logic SHARC A/D and
D/A converters, the I-Tech HD Series also offers a new software interface
that provides easier systemlevel changes, and includes a configuration
wizard. Providing up to 9 kW continuous power in a 2U rack space and
delivering the highest output voltage in the industry, the I-Tech HD Series
outperforms all the competition, even our own.
*Guaranteed minimum power in watts at 20 Hz-20 kHz with 0.1% THD
Frequency Response (at 1 watt, 20
Hz - 20kHz): ±0.25dB.
Signal to Noise Ratio below rated
full-bandwidth power, A-weighted: >
112 dB.
Total Harmonic Distortion (THD) at
full rated power: < 0.1%.
Intermodulation Distortion (IMD) 60
Hz and 7 kHz at 4:1, from full rated
output to –35 dB: < 0.2%.
Damping Factor (20 Hz to 100 Hz at
8 ohms): > 5000.
Crosstalk (below rated power, 20 Hz
to 1 kHz): > 80 dB.
Common Mode Rejection (CMR) (20
Hz to 1kHz): > 70 dB typical.
Latency (analog, digital inputs): 1.13
mS analog, 1.81 mS digital (96 kHz).
A/D, D/A Converters: 24-bit 192 kHz
Cirrus Logic.
Digital Input: AES/EBU, 24-bit, 32-96
kHz. Onboard sample-rate converter.
Network: Onboard TCP/IQ and
HiQnet, compatible with standard 100
Mb Ethernet hardware.
DSP: 24-bit conversion with 32-bit,
floating-point DSP processing. Worldclass IIR and linear phase FIR filters.
Has 64 assignable filters with 9
different filter types. Includes all-pass
filters, over 2 seconds of delay
available per channel, and dual
uncorrelated-noise and sine-wave
generators.
Load Impedance: (Note: Safe with all
types of loads) Stereo: 1/2/4/8/16 ohms.
Bridge Mono: 2/4/8 ohms.
Input Sensitivity (referenced to 8 ohm
rated output): Adjustable in 0.1V steps
from 1.4V to 7.75V.
Required AC Mains: Universal AC
input, 100-240VAC, 50/60 Hz (±10%).
Maximum AC mains voltage 264VAC.
AC Line Connector: Five cordsets
supplied with amplifier (USA, UK,
European, Australia, India).
Front Panel Indicators, Controls
and Connectors
Indicators: Bridge mode, Ready, Signal
level, Clip, Thermal error, Fault, Network
data, Power, AC mains.
LCD Control Screen and Controls:
These let the user adjust the amplifier’s
attenuation and muting, configure the
amp, set up and view error monitoring
(such as temperature and load
supervision), set IP and HiQnet
addresses from the front panel, and
recall DSP presets. The presets allow
the user to quickly reconfigure the amp
for various applications.
Level Controls (Encoders): Speed-
20 mS BURST 2-ohm Dual (per ch.) 4,700W
2-ohm Dual (per channel) 2,800W
2-ohm Dual (per channel, 1kHz) 2,800W
4-ohm Dual (per channel) 3,500W
8-ohm Dual (per channel) 1,500W
4-ohm Bridge 5,600W
8-ohm Bridge 7,000W
I-T12000 HD
20 mS BURST 2-ohm Dual (per ch.) 6,000W
2-ohm Dual (per channel) 3,750W
2-ohm Dual (per channel, 1kHz) 3,750W
4-ohm Dual (per channel) 4,500W
8-ohm Dual (per channel) 2,100W
4-ohm Bridge 7,500W
8-ohm Bridge 9,000W
sensitive rotary encoders, 0.5 dB steps,
range 0 to –100 dB. These two knobs
affect the Channel-1 and Channel-2 output
levels. They also select Menu items and
adjust parameter values that are displayed
on the LCD Control Screen.
Power Switch: Push-on/push-off switch
with built-in green AC mains present
indicator.
USB 2.0 Connector: Accepts a USB drive
to transfer presets from the drive to the
amplifier DSP, and vice versa.
Back Panel Connectors, Controls,
and Indicators
Connectors: Balanced XLR analog
inputs, balanced analog XLR loop-thru
outputs, AES/EBU digital input, AES/EBU
digital loop-thru output, 4-Pole Speakon
output connectors, binding post output
connectors, power cord, EtherCon®
Ethernet connector for networking via
HiQnet or CobraNet.
Reset Switch/Circuit Breaker: If the
current draw of the amplifier exceeds safe
limits, this breaker automatically
disconnects the power supply from the AC
mains. The switch resets the circuit
breaker.
Preset Indicator: LED flashes to signal
the number of the current preset if active.
LED is green if the preset values have not
been changed once loaded. LED is
yellow if the preset values have
been changed since they were
loaded.
Construction
Cooling: Dual-zone,
microprocessor controlled,
continuously variable speed fans,
front-to-back airflow.
Dimensions: 48.3 cm W x 8.9 cm
H x 41.1 cm D.
Weight: 12.7 kg net, 16.3 kg
shipping.
Included Accessories: Rear rack
ears, rack screws, operation
manual, power cords, foam air
filter.
Specifications subject to change without prior notice.
? BSS
OMNIDRIVEHD™
DSP processing
with IIR and linear
phase FIR filters.
• Global Power
Supply designed to
deliver maximum
DSP.
the industry (200V peak)
power no matter where
• True Ethernet
provides clean transient
your schedule takes you.
backbone–fast, reliable
peaks.
Universal AC input
and scalable.
accepts100-240VAC, 50/60 • 5th-generation patented
Class I (BCA®) circuitry.
Hz (±15%).
• Front-panel USB connector
• High power density, up to
9000 watts in a 2U chassis. transfers presets to/from a
USB drive to the amp’s
• Highest output voltage in
2 SERIES
Graphic Equalizers
131 - Single Channel 31-Band Graphic Equalizer
215 -
Dual 15-Band Graphic Equalizer
231 -
Dual Channel 31-Band Graphic Equalizer
INPUTS/OUTPUTS
Connectors: 1/4" TRS, XLR (pin 2 hot)
Type: Electronically balanced/unbalanced, RF filtered
Input Impedance: Balanced 40kΩ, unbalanced 20kΩ
Maximum Input Level: >+21dBu balanced or unbalanced
CMRR: >40dB, typically >55dB at 1kHz
Output Impedance: balanced 100Ω, unbalanced 50Ω
Maximum Output Level
131
215
231
+21dBu
>+21dBu >+21dBu
SYSTEM PERFORMANCE
Bandwidth: 20Hz to 20kHz, +/-0.5dB
Frequency Response: <10Hz to >50kHz , +0.5/-3dB
THD + Noise: <0.004%, at +4dBu 1kHz
Interchannel Crosstalk: <-80dB, 20Hz to 20kHz
Dynamic Range: >108dB, unweighted 22kHz
measurement bandwidth
Signal to Noise Ratio: 90dB
FUNCTION SWITCHES
EQ Bypass: Bypasses the graphic equalizer section in
the signal path
Low Cut: Active the 50Hz 12dB/octave high-pass filter
Range: Selects either +/-6dB or +/- 12dB slider boost/cut
range
? Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±12 dB
? 12dB per octave 40Hz low-cut filter
? Front panel bypass switch
? ±12 dB input gain range
INDICATORS
4-LED bar graph (Green, Green, Yellow, Red) at -10, 0,
+10, and +18dBu
EQ Bypass: Red LED
Clip: Red LED
Low Cut Active: Red LED
+/-12dB range: Red LED
POWER SUPPLY
Operating Voltage: 100VAC 50/60Hz, 120VAC 60Hz 230VAC 50/60Hz
Power Consumption: (watts)
131
215
231
12 w
12 w
15 w
Mains Connection: IEC receptacle
DIMENSIONS: H x W x D
131
215
231
1.75 "x 19"x6"
1.75"x 19"x6"
3.5"x 19"x6"
*All specifications above apply to 131, 215, & 231 respectively except
for the ones in red
? 4-segment LED ladders for monitoring output levels
XLR and TRS Inpts and Outputs
? Internal Toroidal Transformer
? Frequency Repsonse of <10Hz to >50Hz
? Dynamic range of greater than 108dB
12 SERIES
Graphic Equalizers
1215 - Dual Channel 15-Band Equalizer
1231 -
Dual Channel 31-Band Equalizer
INPUTS/OUTPUTS
Connectors: 1/4" TRS, XLR (pin 2 hot), and barrier
terminal strip
Connectors: 1/4" TRS, XLR (pin 2 hot)
Type: Electronically balanced/unbalanced, RF filtered
Input Impedance: Balanced 40kΩ, unbalanced 20kΩ
Maximum Input Level: >+21dBu balanced or unbalanced
CMRR: >40dB, typically >55dB at 1kHz
Output Impedance: Electronically balanced 200Ω,
unbalanced 100Ω
Maximum Output Level
1215
1231
+21dBu
>+21dBu
SYSTEM PERFORMANCE
Bandwidth: 20Hz to 20kHz, +/-0.5dB
Frequency Response: <10Hz to >50kHz , +0.5/-3dB
THD + Noise: <0.004%, at +4dBu 1kHz
Interchannel Crosstalk: <-80dB, 20Hz to 20kHz
Dynamic Range: >112dB, unweighted
Signal to Noise: >94dB, unweighted, ref.: +4dBu,
22kHzm measurement bandwith
Noise Reduction in (+/-6dBu and +/-15dBu range)
Dynamic Range: 109dB 115dB
Signal to Noise: >94dB, unweighted, ref.: +4dBu, 22kHz
measurement bandwith
? Switchable boost/cut ranges of ±6 or ±15 dB
? Electronically balanced/unbalanced inputs
? Servo balanced/unbalanced outputs
? RF filtered inputs and outputs
? XLR, Barrier Strip, and 1/4” TRS connectors
? -12dB/+12dB input gain range
FUNCTION SWITCHES
EQ Bypass: Bypasses the graphic equalizer section in
the signal path
Low Cut: (recessed): Active the 40Hz 18dB/octave
Bessel high-pass filter
Range (recessed) Selects either +/-6dB or +/- 15dB slider
boost/cut range
INDICATORS
4-LED bar graph (Green, Green, Yellow, Red) at -10, 0,
+10, and +18dBu
EQ Bypass: Red LED
Clip: Red LED
Low Cut Active: Red LED
+/-6dB range: Red LED
+/-15dB range: Red LED
POWER SUPPLY
Operating Voltage: 100VAC 50/60Hz, 120VAC 60Hz 230VAC 50/60Hz
Power Consumption: (watts): 24 w
Mains Connection: IEC receptacle
DIMENSIONS: H x W x D
1215
1231
3.5"x 19"x7.9"
5.25"x19"x7.9"
*All specifications above apply to 1215 & 1231 respectively except for
the ones in red
? 18dB/octave 40Hz Bessel low-cut filter
? Chassis/signal ground lift capability
? Internal power supply transformer
? Power-off hardwire relay bypass with 2-second
power-up delay
20 SERIES
Graphic Equalizers
2031 -
Single Channel 31-Band Equalizer/Limiter
2215 - Dual Channel 15-Band Equalizer/Limiter
2231 - Dual Channel 31-Band Equalizer
INPUTS/OUTPUTS
Connectors: 1/4" TRS, XLR (pin 2 hot),
and barrier terminal strip
Type: Electronically
balanced/unbalanced, RF filtered
Input Impedance: Balanced 40kΩ,
unbalanced 20kΩ
+22dBu +22dBu Maximum Input Level:
>+21dBu balanced or unbalanced
CMRR: >40dB, typically >55dB at 1kHz
Output Impedance: Electronically
balanced 200Ω, unbalanced 100Ω
Maximum Output Level: >+21dBu
SYSTEM PERFORMANCE
Bandwidth: 20Hz to 20kHz, +/-0.5dB
Frequency Response: <10Hz to >50kHz ,
+0.5/-3dB
THD + Noise: <0.04% , 0.02% typical at
+4dBu, 1kHz
Interchannel Crosstalk: <-80dB, 20Hz to
20kHz
Dynamic Range: >112dB, unweighted
Signal to Noise: >94dB, unweighted, ref.
: +4dBu, 22kHz measurement bandwidth
Dynamic Range: 108dB
Signal to Noise Ratio: 90dB
Noise Reduction: Up to 20dB of dynamic
broadband noise reduction
Noise Reduction In (+/-6dB and +/15dB range)
Dynamic Range: >120dB , unweighted
Signal to Noise Ratio: >102dB,
unweighted , ref: +4dBu, 22kHz
measurement bandwidth
Signal to Noise: >94dB, unweighted, ref.
: +4dBu, 22kHz measurement bandwidth
FUNCTION SWITCHES
Type III: Activates dbx Type III™ Noise
Reduction
EQ Bypass: Bypasses the graphic
equalizer section in the signal path
Low Cut (recessed): Active the 40Hz
18dB/octave Bessel high-pass filter
Range: (recessed) Selects either +/-6dB
or +/- 15dB slider boost/cut range
INDICATORS
4-LED bar graph (Green, Green, Yellow,
Red) at -10, 0, +10, and +18dBu
? Revolutionary instant encode/decode Type III Noise Reduction
in-circuit at the push of a button. Increases S/N ratio by up to
20dB
? Patented PeakPlus Limiter threshold range from 0dBu to
+24dBu (off) can transparently tame the wildest hits or the
subtlest nuances of any signal
? An extremely high quality EQ, patented Type III Noise
Reduction, and the elegant new PeakPlus Limiter all in one
great sounding box
Gain Reduction Meter: 4-LED bar graph
(all Red) at 3, 6, and 10dB
Type III™ NR Active: Yellow LED
EQ Bypass: Red LED
Clip: Red LED
Low Cut Active: Red LED
+/-6dB range: Red LED
+/-15dB range: Red LED
POWER SUPPLY
Operating Voltage: 100VAC 50/60Hz,
120VAC 60Hz - 230VAC 50/60Hz
Power Consumption: (watts)
2031
2215
2231
12 w
24 w
24 w
Mains Connection: IEC receptacle
DIMENSIONS: H x W x D
2031: 3.5"x19"x7.9"
2215: 3.5"x19"x7.9"
2231: 5.25"x19"x7.9"
*All specifications above apply to 2031, 2215
& 2231 respectively except for the ones in
red
? Four segment LED bar graphs for BOTH Gain Reduction AND
Output Level offers the most comprehensive visual feedback
available
? Status LEDs offer visual feedback for all settings on the front
panel
iEQ15 -
Dual 15-Band Digital Graphic Equalizer/Limiter with
TYPE V™ NR and AFS™
iEQ SERIES
iEQ31 -
Dual 31-Band Digital Graphic Equalizer/Limiter with
TYPE V™ NR and AFS™
INPUTS/OUTPUTS
Connectors: 1/4" TRS, XLR (pin 2 hot), and Euroblock
Type: Electronically balanced/unbalanced, RF filtered
Input Impedance: Balanced 40kΩ, unbalanced 20kΩ
Maximum Input Level: >+21dBu balanced or unbalanced:
+22dBu
CMRR: >40dB, typically >55dB at 1kHz
Output Impedance: Electronically balanced 120Ω, unbalanced
60Ω
Maximum Output Level: >+20dBu
SYSTEM PERFORMANCE
Bandwidth: 20Hz to 20kHz, +/-0.5dB
Frequency Response: <10Hz to >50kHz , +0.5/-3dB
THD + Noise: <0.004%, at +4dBu 1kHz
Interchannel Crosstalk: <-80dB, 20Hz to 20kHz
Noise Reduction: Up to 10dB of dynamic broadband noise
reduction
Noise Reduction In (+/-6dB and +/-15dB range)
Digital Resolution: 24 bits
Sample Frequency: 48kHz
Latency: 2msec
FUNCTION SWITCHES
AFS: Activates dbx AFS™ Advanced Feedback Suppression
Type V: Activates dbx Type V™ Noise Reduction
EQ Bypass: Bypasses the graphic equalizer section in the signal
path
?
?
?
?
?
?
?
Advanced Feedback Suppression (AFS)
Type V Noise Reduction
PeakStopPlus Limiting
1/3-octave Constant Q frequency bands
Switchable boost/cut ranges of ±6 or ±15dB
18 dB per octave 40Hz low-cut filter
±12dB input gain range
Low Cut (recessed): Active the 40Hz 18dB/octave Bessel highpass filter
Range: (recessed) Selects either +/-6dB or +/- 15dB slider
boost/cut range
INDICATORS
4-LED bar graph (Green, Green, Yellow, Red) at -10, 0, +10, and
+18dBu
Gain Reduction Meter: 4-LED bar graph (all Red) at 3, 6, and
10dB
Type V™ NR Active: Yellow, Green, Red LED
AFS™ Advanced Feedback Suppression Active: Red LED
EQ Bypass: Red LED
Clip: Red LED
Low Cut Active: Red LED
+/-15dB range: Red LED
POWER SUPPLY
Power Consumption: (watts): 17 w
Mains Connection: IEC receptacle
DIMENSIONS: H x W x D
iEQ15
iEQ31
3.5"x19"x7.9"
5.25"x19"x7.9"
*All specifications above apply to iEQ15 & iEQ31 respectively except for the
ones in red
?
?
?
?
?
?
XLR, TRS and Euroblock Inputs and Outputs
Internal Toroidal Transformer
Frequency Response of 10Hz to 22kHz
Dynamic range of greater than 113dB
User Power Up Features
Relay Bypass for Power Failure System
Protection
CROSSOVERS
223XL - Stereo 2-Way/Mono 3-Way Crossover
234XL -
Stereo 2-Way /3-Way/ Mono 4-Way Crossover
INPUTS
Connectors: XLR
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced > 50 kΩ, unbalanced > 25 kΩ
Max Input Level: > +21 dBu balanced or unbalancedCMRR: >
40 dB, typically > 55 dB at 1 kHz
OUTPUTS
Connectors:XLR
Impedance: Balanced 200Ω, unbalanced 100Ω
Electronically balanced/unbalanced, RF filtered
Max Output Level: > +21 dBu balanced/unbalanced into 2 kΩ or
greater
SYSTEM PERFORMANCE
Bandwidth: 20 Hz to 20 kHz, +0/-0.5 dB
Frequency Response: < 3 Hz to > 90 kHz, +0/-3 dB
Signal-to-Noise: Ref: +4 dBu, 22 kHz measurement bandwidth
Low Output: > 94 dB (Stereo Mode) > 94 dB (Mono Mode)
(223XL)
Low Mid Output: >94 dB (Mono Mode) (234XL)
High-Mid: > 92 dB (Mono Mode) (234XL)
Mid Output: > 93 dB (Mono Mode)
? 1/4” TRS (223) / XLR (223XL) differentially
balanced inputs and outputs
? Mode switch for stereo 2-way or mono 3-way
operation
? Stereo/Mono status LEDs indicate the selected
mode
? Low frequency summed (subwoofer) output
? x10 range switch on both channels
? 40Hz low-cut (high-pass) fi lter both channels
? Phase reverse switch on all outputs
? Individual level controls on all outputs
? 24dB per octave Linkwitz-Riley filters (the
professional standard)
? dbx® 2 year parts and labor as standard
? CSA NRTL/C approved
? CE compliant
? 1/4” TRS (234) / XLR (234XL) differentially
High-Mid Output: > 92 dB (234XL)
High Output: > 92 dB (Stereo Mode) > 92 dB (Mono Mode)
Dynamic Range: > 114 dB, unweighted, any output
THD+Noise: < 0.004% at +4 dBu, 1 kHz, < 0.04% at +20
dBu, 1 kHz
Interchannel Crosstalk: < -80 dB, 20 Hz to 20 kHz
CROSSOVER FREQUENCIES
Stereo Mode: Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz
(x10 setting)
POWER
Operating Voltage: 100 VAC 50/60 Hz; 120 VAC 60 Hz, 230
VAC50 HZ
Power Requirements (watts): 15 w
DIMENSIONS H x W x D: 1.75"x19"x6.9"
*All specifications above apply to 223XL & 234XL respectively except for the
ones in red
balanced inputs and outputs
? Mode switches for mono 4-way or stereo 2-way/3-
way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz low-cut (high-pass) filter both channels
Phase reverse switch on all outputs
Individual level controls on all band outputs
24dB per octave Linkwitz-Riley filters (the
professional standard)
? Stereo/Mono status LEDs indicate the selected
mod
? dbx® 2 year parts and labor as standard
? CSA NRTL/C approved
? CE compliant
?
?
?
?
?
?
DYNAMIC
PROCESSORS
266XL -
Compressor/Gate
166XL - Compressor/Limiter/Gate
INPUTS
Connectors: X=XLR, T=TRS ¼ ": X,T
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced/Unbalanced (ohms):
266XL
166XL
>40k
>50k/>25k
Max Input Level: Balanced or Unbalanced:
266XL
166XL
>+20dBu
>+24dBu
CMRR: Typical @ 1kHz: >45k
VCA TYPE: V1
SIDECHAIN INSERT Connectors: X=XLR, T=TRS¼ ": T
OUTPUTS
Connectors: X=XLR, T=TRS ¼ ": X,T
Type: Electronically balanced/unbalanced, RF filtered
(*266XL is impedance balanced)
Impedance: Balanced/Unbalanced (ohms): >120/>160
(166XL)
Max Output Level: (dBu): +>21
SYSTEM PERFORMANCE
Bandwidth: 20 Hz to 20 kHz, +0/-0.5 dB (162SL=+0/0. dB)
Noise: < (dBu), unweighted, 22 kHz measurement
bandwidth: -90
? Goof proof operation to smooth uneven levels,
add sustain to guitars, fatten drums or tighten up
mixes.
? New gate timing algorithms ensure the smoothest
release characteristics.
? Program-adaptive expander/gates.
? Great sounding dynamics control for any type of
program material
? Separate precision LED displays for gain
Stereo Coupling; True RMS Power Summing
COMPRESSOR
Threshold Range: -40 dBu to +20 dBu
Ratio: 1:1 to ∞:1
Threshold Characteristic: Selectable OverEasy* or hard
knee
Attack/Release: Selectable manual or auto
Output Gain: -20 to +20 dB
LIMITER
Type:
266XL
166XL
N/A
Peakstop
DIMENSIONS: H x W x D
266XL
166XL
1.75"x19"x5.75"
1.75"x19"x6.75"
*All specifications above apply to 266XL & 166XL respectively except for the ones
in red
reduction, compression threshold and gate
threshold allow quick, accurate setup.
? Stereo or dual-mode operation.
? Balanced inputs and outputs on 1/4" TRS and
XLR.
? Side Chain insert.
? Classic dbx “Auto” mode.
? dbx PeakStop® Limiter (166XL)
DYNAMIC
PROCESSORS
1066 -
Compressor/Limiter/Gate
1074 -
Quad Gate
1046 -
Quad Compressor
INPUTS
Connectors: X=XLR, T=TRS ¼" :
1074
1046
1066
X
X,T
X,T
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced/Unbalanced (ohms)
1046
1066
1074
>50k/>25k
>40k/>20k
>40k/>20k
Max Input Level: Balanced or Unbalanced: >+22dBu
CMRR: Typical @ 1kHz: >45
VCA TYPE: V2
SIDECHAIN INSERT Connectors: X=XLR, T=TRS ¼ ": T
OUTPUTS
Connectors: X=XLR, T=TRS ¼ "
1074
1046
1066
X,T
X
X,T
Type: Electronically balanced/unbalanced, RF filtered
Impedance: Balanced/Unbalanced (ohms)
1074
1046
1066
>60/>30 >30/>15 >30/>15
Max Output Level: (dBu)
1074
1046
1066
>+22
>+22
>+21
1066
? Selectable auto (classic dbx) or
manual (variable Attack and
Release) compression
? Contour switch removes unwanted
low frequency information from
detector circuit
? PeakStopPlus™ limiting for setting
maximum allowable level with
minimal distortion
? SC Ext and SC Mon for setting up
and monitoring external devices for
gating function
? True stereo or dual mono operation
SYSTEM PERFORMANCE
Bandwidth: 20 Hz to 20 kHz, +0/-0.5 dB (162SL=+0/-0. dB)
Noise: < (dBu), unweighted, 22 kHz measurement bandwidth: -94
Stereo Coupling; True RMS Power Summing
COMPRESSOR
Threshold Range: -40 dBu to +20 dBu: only for 1046 & 1066
Ratio: 1:1 to ∞:1: only for 1046 & 1066
Threshold Characteristic: Selectable OverEasy* or hard knee: only for
1046 & 1066
Attack/Release: Selectable manual or auto: only for 1066
Attack/Release: Auto: only for 1046
Output Gain: -20 to +20 dB
LIMITER
Type
1074
1046
1066
N/A
Peakstop Plus*
Peakstop Plus*
OPTIONS
Output Transformer: Jensen* JT-123-dbx or JT-11-dbx, BCI™
DIMENSIONS: H x W x D: 1.75"x19"x9"
*All specifications above apply to 1074,1046 & 1066 respectively except for the ones in red
1046
? Four independent channels of
operation, stereo linkable in two
pairs
? PeakStopPlus™ limiting control for
setting maximum allowable level
regardless of compressor settings
? Classic dbx® compression
? Dual True stereo or quad mono
operation
1074
? Four independent channels of
gating
? Independent key filtering
? Stereo Coupling mode
1066 & 1046
? Selectable OverEasy® or Hard
Knee compression modes
? Precision metering of input level,
output level, and gain reduction
1066, 1046 & 1074
? True differentially balanced gold-
plated XLR and 1/4" inputs and
outputs.
? True RMS level detection
? Switchable +4dBu or -10dBV
operation per channel
MIC PREAMPS &
CHANNEL STRIPS
386 -
Mic Preamp
376 -
Tube Preamp Channel Strip with Digital Out
286A -
Mic Preamp/Processor
MICROPHONE INPUT
Connector: Female XLR Pin 2 Hot
Type: Electronically balanced/unbalanced
Maximum Input Level: -10dBu or +10 dBu with 20dB pad engaged (286A)
Maximum Input Level: -9 dBu or +11 dBu with 20 dB pad engaged (386 &
376)
Gain Adjustment Range: +10dB to +60dB (286A)
Gain Adjustment Range: +30dB to +60dB (386 & 376)
Phantom Power: 48V
Pad: 20dB
Equivalent Input Noise: Typically -(dBu) typical with a 150Ω source load "Aweighted": -120
LINE INPUT
Connector: TRS ¼ " Jack
Type: Electronically Balanced/unbalanced (386 & 376)
Impedance: bal/unbalanced
376
286A
386
20k-40kΩ
20k-40kΩ
100kΩ
Maximum Input Level: +21dBu balanced or unbalanced (386 & 286A)
Maximum Input Level: +18dBu balanced or unbalanced (376)
INSTRUMENT INPUT (Front Panel)
Connector: TS ¼ " Jack (386 & 376)
Type: Unbalanced (386 & 376)
Impedance: 470 kΩ (386 & 376)
Maximum Input Level (unbalanced)
386
376
286A
+21dBu
+18dBu
+21dBu
Insert Connector: TRS ¼ " (386)
Type: Unbalanced (386)
LINE OUTPUT
Connector: Male XLR Pin 2 Hot and impedance balanced TRS ¼ "
Connector: ¼ " TRS phone balanced/unbalanced (286A)
Type: Electronically balanced
Maximum Output Level: (XLR) +dBu
386
376
286A
>21
>18
>21
DIGITAL OUTPUTS
Connectors: XLR for AES/EBU, RCA for S/PDIF l = both connector types
386
? Two channel tube microphone preamplifier
? Selectable 96kHz, 88.2kHz, 48kHz, or 44.1kHz
sampling rate 9 24, 20, and 16-bit word
lengths
?Selectable dither and noise shaping
?AES/EBU and S/PDIF digital outputs
?Word clock sync input and output
?Separate analog and digital output control
?Type IV™ conversion system
? 60dB of gain and +/- 15dB of output gain
? Selectable mic/line switch
?48 volt phantom power
?20dB pad
?75Hz low cut fi lter
(386 & 376)
INSERT
Connector: TRS ¼" (TS: 386)
Ring Impedance: >5kΩ (286A)
Maximum Level: >+21dBu (286A)
Word Sync Input/Output
Connectors: BNC (386 & 376)
Input Impedance: 75Ω terminated by internal jumper (386 & 376)
Input: 96, 88.2, 48, or 44.1kHz word clock (386 & 376)
Output: 96, 88.2, 48, or 44.1kHz word clock (386 & 376)
A/D CONVERSION
Type: dbx Type IV® A/D Conversion System (386 & 376)
Sample Rate: 96, 88.2, 48, or 44.1kHz selectable (386 & 376)
Wordlength: 24, 20, or 16 bit selectable (386 & 376)
Dither Type: TPDF, SNR2, or none (386 & 376)
Noise Shape: Shape 1, Shape 2, or none (386 & 376)
Output Format: S/PDIF or AES/EBU (386 & 376)
Converter Dynamic Range: typical, A-Weighted, 22kHz Bandwidth: 107dB
(386 & 376)
D/A CONVERSION
D-A Conversion 24-bit (376)
Dynamic Range: 103 dB typical, A-weighted, 20 kHz bandwidth, 101 dB
typical, unweighted, 20 kHz bandwidth (376)
THD+Noise: 0.002% typical at +4 dBu, 1 kHz, output gain at 0 dB (376)
Frequency Response: 20 Hz to 20 kHz, +0/-0.5 dB (376)
Interchannel Crosstalk: < -85 dB at 1 kHz, output gain at 0 dB (376)
DIMENSIONS H x W x D
386
376
286A
1.7 5"x 19"x 7.75"
1.75"x 19"x 7.75"
1.75"x 19"x 5.75"
*All specifications above apply to 386, 376, & 286A respectively except for the ones in red
? Phase reverse
? Segment LED analog/digital
376
? Tube microphone pre-amp
? 200V tube plate voltage
? Selectable mic/line switch
? +48 Volt phantom power
? 3-Band Parametric EQ
? Compressor
? De-Esser
? Front panel instrument input
? Drive meter LEDs
? Threshold and De-Esser meters
? 8 segment analog or digital meter
? Type IV™ conversion system
? Selectable sampling rate (96, 88.2, 48, 44.1kHz)
? 24, 20 and 16 bit wordlengths
? AES/EBU and S/PDIF digital outputs
? Selectable dither and noise-shaping algorithms
?Word clock sync input and output
286A
? New dbx standard internal power supply
? Frequency control for De-Esser
? Expanded meter to show heavy De-Essing
? Above/Below threshold indicator for gate
? +48VDC Phantom Power
? Precision detented controls
db10 - Passive Direct Box
db12 - Active Direct Box
DI BOXES
db10 / db12
Circuit Type: A=Active, P=Passive:
dB10
dB12
P
A
INPUTS
Number of Connectors: Instrument/line/speaker level: 1
1/4” TS Connection (Tip Hot, Sleeve GND)
Unbalanced, RF Filtered
Attenuation Pad: Switchable 0, 20, 40 dB
Filter: Switchable, Low Pass @ 6 kHz (40 dB pad position
only)
Max Input Level (0 dB Pad):
dB10
dB12
+33dBu
+10dBu
Max Input Level (20 dB Pad):
dB10
dB12
+33dBu
+30dBu
Max Input Level (40 dB Pad): +33dBu
Input Impedance (0 dB):
dB10
dB12
80kΩ
1MΩ
Input Impedance (-20 dB): 65kΩ
Input Impedance (-40 dB): 70kΩ
OUTPUTS
Main Output: Male XLR Balanced, Pin 2 Hot
Thru Output: 1/4” Unbalanced, TS (Tip Hot, Sleeve GND)
Main Output Impedance: 600Ω Typical, balanced
Main Output CMRR: 128 dB typical @ 60 Hz,
104 dB typical @ 1 kHz, 98 dB typical @ 10 Hz: db10
Main Output CMRR: 106 dB typical @ 60 Hz,
123 dB typical @ 1 kHz, 108 dB typical @ 10Hz: db12
Direct Box Features
Premium Performance
Rugged Design
Stackable Chassis with Durable Rubber Foot
Gold-plated Neutrik® XLR Connector
Recessed Chrome Toggle Switches
Hi-Z ¼" Input Jack < Parallel ¼" Thru Jack
Transformer Isolated
Premium Shielded dbx Custom Transformer
Balanced XLR Lo-Z Output
3-Way 0/20/40 dB Pad Switch
Flat/High-Cut Filter Switch
Output Polarity Invert Switch
Ground Lift Switch
4-Year Product Warranty
?
?
?
?
?
?
?
?
?
?
?
?
?
?
PERFORMANCE
Bandwidth: 20 Hz to 20 kHz +/-0.1 dB typical: db10
Bandwidth: 20 Hz to 20 kHz +0/-2 typical with 600Ω load:
db12
Frequency Response: <10 Hz to 80 kHz, -3 dB: db10
Frequency Response: 10 Hz to 70 kHz, -3 dB
with 2 kΩ or higher load: db12
nsertion Loss: 21 dB typical: db10
Insertion Loss: 1 dB typical: db12
Harmonic Distortion: (THD+N) 0.002% typical @ 1 Hz,
0dBu: db10
Harmonic Distortion: (THD+N) 0.003% typical @ 1 Hz,
0dBu: db12
Noise Floor: -120 dBu, 22 Hz to 22 kHz, unweighted: db10
Noise Floor: -112 dBu, 22 Hz to 22 kHz, unweighted: db12
Dynamic Range: 153 dB, 22 Hz to 22 kHz, unweighted:
db10
Dynamic Range: 122 dB, 22 Hz to 22 kHz, unweighted:
db12
POWER SUPPLY
Voltage: +48 V Phantom Power: db12
Current: < 8 mA: db12
DIMENSIONS: H x W x D: 2.20”x5.44"x5.82”
*All specifications above apply to dB10 & dB12 respectively except
for the ones in red
dB12 Additional Features
? +48V Phantom Powered Operation < Green LED
Phantom Power Indicator
? Low-Noise Active Circuitry
DriveRack 260 - Complete equalization &
loudspeaker control system
DriveRack® 4800 - Loudspeaker management
DRIVERACK
system
INPUTS
Number of Inputs (RTA Mic Input):
260
4800
2 (1)
4(1)
Connectors: Female XLR
Type: Electronically bal/RF filtered
Impedance, >40K
Max Input Level: Hardware selectable for +30, +22, +14
dBu
CMRR: >40dB typical, >55dB at 1kHz
Input Gain Range RTA: 10dB to 70dB w/60dB typical
RTA Mic Phantom Voltage:
260
4800
15V DC
48V DC
OUTPUTS
Number of Outputs:
260
4800
6
8
Connectors: XLR
Type: Electronically balanced, RF filtered
Impedance: 120Ω
Maximum Output Level: +25.5dBu into 1kΩ, +22dBu
into 600Ω: 4800
Maximum Output Level: +22dBu: 260
A/D PERFORMANCE
Type: dbx Type IV™ Conversion System
Dynamic Range: (dB) A-weighted:
260
4800
114
115
Dynamic Range: (dB) Unweighted: 112
Sample Rate: 48kHz
A/D Wordlength: (bit): 24
D/A PERFORMANCE
Dynamic Range: (dB) A-weighted:
260
4800
112
115
Dynamic Range: (dB) unweighted:
260
4800
110
112
Sample Rate:
260
4800
48kHz
96kHz
A/D Wordlength: (bit): 24
SYSTEM PERFORMANCE
Internal Wordlength (bit):
4800
24
Dynamic Range: >110 dB A-weighted, >107dB
unweighted
THD + Noise: % typical at +4dBu, 1kHz, 0dB input gain:
260
4800
0.002
0.003
Frequency Response: 20Hz - 20kHz, +/-0.5dB
PRE EQ – (Input)
Type: Graphic EQ per input channel, or PEQ per input
channel:
260
4800
28-Band
31-Band
Range: +/-12dB range
NOTCH FILTERS
Number: 1-5 per input channel not to exceed 10 for all
input channels
PRE DELAY – (Input)
Length: ms/channel:
260
4800
configurable
680
POST DELAY (DRIVER ALIGNMENT) – (Output)
Length: ms/channel:
260
4800
configurable
170
TOTAL DELAY TIME:
260
4800
2.7sec
2.0sec
CROSSOVER
260
4800
? Feedback Elimination
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
2.7 Seconds of Delay
RS-232 PC GUI control
Classic dbx® Compression and Limiting
Graphic and Parametric EQ
Auto-EQ Function
Full Bandpass, Crossover, and Routing
Configurations
Auto Gain Control
Pink Noise Generator and RTA
Setup Wizard with JBL® Speaker and Crown®
Power Amplifier Tunings
Security Lockout
Wall Panel Control Inputs
IEC, UL and CSA Approvals
?
?
?
?
48 and 96 kHz operation with Wordclock input
Full Color QVGA Display (4800 only)
4 analog and AES/EBU inputs
8 analog and AES/EBU outputs
Optional Jensen® I/O Transformers
Full Bandpass Filter, Crossover and Routing
Confi gurations with Bessel, Butterworth, and
Linkwitz-Riley filters
31-Band Graphic and 9-band Parametric EQ
on every input
6-band Parametric EQ on every output
Loudspeaker Cluster and Driver Alignment
Delays
Selectable DSP inserts on all inputs and
outputs including Classic dbx Compression,
Type: 1x2, 1x3, 1x4, 1x5, 1x6, 2x3, 2x4, 2x5, 2x6, 2x7,
2x8, 3x4, 3x5, 3x6, 3x7, 3x8, 4x6, 4x8: 4800
Filter Type: Butterworth, Bessel, or Linkwitz-Riley - Note:
PA+, PX - offer no bessel
Slope: 6, 12, 18 or 24 dB/octave for Butterworth or
Bessel filters 12, 24, 36 or 48 dB/octave for LinkwitzRiley filters Note: PA+, PX - offer only 12 and 24 LR
POST EQ - (Output)
Number: EQ bands per output channel:
260
4800
4(2)
4
DYNAMICS
Type: Compressor/Limiter with PeakStopPlus®
Pink Noise Generator
Position: Pink noise inserted on selected input(s)
Phase Compensation
Amount: 0-180 degrees phase shift
Output Polarity: Reversible
MISCELLANEOUS
Output Transformers: Optional: 4800
GUI: RS-232 for computer display and configuration
RTA Microphone: Optional
ROM Upgrade: Flash upgradable through RS-232
Dimensions: H x W x D:
260
4800
1.75"x19"x7.7"
3.5"x19"x12.25"
*All specifications above apply to 260 & 4800 respectively
except for the ones in red
?
?
PeakStopPlus™, Limiting and AFS®
Advanced Feedback Suppression among
others
Ethernet HiQnet networking and control
dbx ZC wall panel control
DriveRack® PA+ - Complete equalization &
loudspeaker control system
DRIVERACK
DriveRack® PX - Powered
INPUTS
Number of Inputs (RTA Mic Input): 2 (1)
Connectors: Female XLR
Type: Electronically bal/RF filtered
Impedance, >40K
Max Input Line Level: +20dBu Mic/Line, +12dBu
RCA
CMRR: >45dB
RTA Mic Phantom Voltage: 15V DC
OUTPUTS
Number of Outputs:
PA+
PX
6
4
Connectors: XLR
Type: Electronically balanced, RF filtered
Impedance: 120Ω
Maximum Output Level: +20dBu
A/D PERFORMANCE
Type: dbx Type IV™ Conversion System
Dynamic Range: (dB) A-weighted: 110
Dynamic Range: (dB) Unweighted:107
Sample Rate: 48kHz
A/D Wordlength: (bit): 24
D/A PERFORMANCE
Dynamic Range: (dB) A-weighted: 112
Dynamic Range: (dB) unweighted: 110
PA+
speaker optimizer
Sample Rate: 48kHz
A/D Wordlength: (bit): 24
SYSTEM PERFORMANCE
Dynamic Range: >110 dB A-weighted, >107dB
unweighted
THD + Noise: % typical at +4dBu, 1kHz, 0dB
input gain:
PX
PA+
0.004
0.002
Frequency Response: 20Hz - 20kHz, +/-0.5dB
PRE EQ – (Input)
Type: Graphic EQ per input channel, or PEQ
per input channel: 28-Band
Range: +/-12dB range
PRE DELAY – (Input)
Length: ms/channel: N/A
POST DELAY (DRIVER ALIGNMENT) –
(Output)
Length: ms/channel: 10
TOTAL DELAY TIME: 2.7sec
CROSSOVER
Filter Type: Butterworth, Bessel, or LinkwitzRiley - Note: PA+, PX - offer no bessel
Slope: 6, 12, 18 or 24 dB/octave for Butterworth
or Bessel filters 12, 24, 36 or 48 dB/octave for
Linkwitz-Riley filters Note: PA+, PX - offer only
? Setup Wizard Steps Through Speaker and
? 24-Bit ADC/24-Bit DAC, >113 dB Dynamic
?
?
?
?
?
?
?
?
?
?
?
?
?
Amp Selection and Levels
Auto EQ™ Wizard with 28-Band RTA
Auto Level™ Wizard
AFS® Wizard
Stereo Feedback Elimination with 12 feedback
notch filters
dbx 120A Sub-harmonic Synthesizer
Classic dbx Input Compression
JBL® Speaker and Crown® Power Amp
Tunings included
USB Firmware and Speaker Tunings Field
updatable With Harman HiQnet® System
Architect
Full time RTA function
Front-Panel Output Mutes
Pink Noise Generator (used with Auto EQ and
Auto Level Wizards)
Linked Stereo DSP Processing for ease of use
?
?
?
?
?
?
?
?
?
?
Range
2-Channel XLR Input and 6-Channel XLR
Output
2x3, 2x4, 2x5, 2x6 Crossover Configurations
Dual 28-band Graphic EQ- Linked or Dual
Mono
Stereo Multi-band Parametric EQ
Stereo Output Limiters
Output Alignment Delay
Power on/off Mute Circuitry
Front-panel RTA-M XLR input with phantom
power
25 User Programs/25 Factory Programs
Full Graphic LCD Display
Front Panel Input and Output
12 and 24 LR
POST EQ - (Output)
Number: EQ bands per output channel: 3(2)
DYNAMICS
Type: Compressor/Limiter with PeakPlus®
Pink Noise Generator
Position: Pink noise inserted on selected
input(s)
MISCELLANEOUS
ROM Upgrade: Flash upgradable through USB:
PA+
RTA Microphone: Optional (RTA mic included
on PX)
Dimensions: H x W x D:
1.75 "x19"x5.75"
*All specifications above apply to PA+ & PX
respectively except for the ones in red
PX
? Optimized for powered speakers
? Support stereo speakers and subwoofer(s)
? Supports JBL® and other popular powered
speakers
? Easy-to-use wizards for setup, Auto-EQ™, and
?
?
?
?
?
?
?
?
?
?
AFS®
dbx® M2 measurement mic included
Classic dbx compression with graceful
PeakPlus™ limiters
Patented AFS Advanced Feedback
Suppression
120A Subharmonic Synthesizer
Auto-EQ optimizes sound quality for any room
Patented dbx Type IV™ conversion system
2 channel XLR input
2 channel XLR output
2 Channel XLR subwoofer output
EON PORTABLE
PA SYSTEM
EON210P
SYSTEM
SPEAKER
MIXER
System Type: Powered mixer with
2 two-way bass-reflex enclosures
Maximum SPL Output: 124 dB peak
system output (pink noise)
Frequency Range (-10 dB): 60 Hz - 20
kHz
Frequency Response (±3 dB): 75 Hz 19 kHz
AC input: 120-240 V 50/60 Hz, voltage
selector switch sets operational range
AMPLIFIER
Design: Crown® Class-D
System Power Rating: 300 Watts
(2 x 150 W Sine Wave Burst)
Output Connector: 2 x 1/4" TS
(unbalanced) amplifier outputs
MIXER
Input Connectors: 8 inputs
(4 Mono Mic/Line, 2 x Stereo)
Channels:
1-4 are XLR / ¼" jack combo connectors
XLR is a mic level input, ¼" is a line level
input
5-6, one pair of ¼" balanced TRS jacks
(stereo), and a pair of RCA jacks
(stereo)
7-8 is a 3.5 mm stereo jack
LF Driver: 1 x JBL 328H 250 mm (10" )
woofer
HF Driver: 1 x JBL 2414H-1 37.5 mm
(1.5" ) annular polymer diaphragm,
neodymium compression driver
Coverage Pattern: 100º x 60º nominal
Crossover Frequency: 2 kHz
Crossover Type: Passive network,
2nd order filters (-12 dB per octave)
for high-pass and low-pass filters
Enclosure: Polypropylene
Suspension / Mounting: 36 mm pole
socket with stabilizing screw
Handles: One on top
Grille: Powder coated perforated steel
Shipping Package Dimensions (H x W
x D):
546 mm x 660 mm x 349 mm
Net Weight of system: 33 lbs. Total (19
lbs. for unit with powered mixer, 14 lbs.
for unit with storage pod )
Input Impedance:
Ch 1-4 Combo: XLR 3 K Ohms
Balanced
Ch 1-4 Combo: TRS 20 K Ohms
Balanced
Ch 5-6: TRS 25 K Ohms Balanced
Ch 5-6: RCA 12 K Ohms Unbalanced
Ch 7-8: 3.5 mm 30 K Ohms Unbalanced
Phantom Power: 30 V
Output Connectors:
Monitor Outputs: One pair of ¼"
balanced TRS jacks (stereo), and a pair
of RCA jacks (stereo)
Headphone Output: One 3.5 mm
stereo jack
Signal Indicators: Main Output LED
Ladder
Limit: Red LED indicates limiter active
condition
Signal: Green LED indicates signal
present
Signal Indicators: Ch 1-4
Peak LED: Green = Signal Present, Red
= Input Overload
EQ: Individual channel Bass and Treble
controls, center detent, +/-6 dB cut and
boost
System Limiter: On Board DSP Limiting
and Tuning
? 300 watt High-Performance Powered Speaker
System
? Ergonomic soft touch top grip for easy handling
? 10” low-frequency driver with neodymium magnet
for low-distortion and light weight
? 1” throat diameter next generation JBL neodymium
compression driver
? Efficient Crown® Class-D amplifier technology
? 100° H x 60° V asymmetrical wave guide for
uniform audience coverage
? 8 chanel powered mixer with intuitive interface
? On board digital multi-effects
? Integrated 36 mm pole mount socket with
stabilizing securing screw
? Highly designed composite enclosures for
durability, lightweight, and acoustic performance
EON315
EON 300 SERIES
EON305
EON305
15", two-way, bass-reflex design
SYSTEM TYPE
FREQUENCY RANGE (-10dB)
COVERAGE PATTERN
CROSSOVER FREQUENCY
SENSITIVITY
MAXIMUM SPL
SYSTEM POWER RATING
TRANSDUCERS: LF
HF
CONNECTORS: INPUT
38 Hz - 20 kHz
100° H x 60° V nominal
1.9 kHz
98 dB (1w/1m)
128 dB
250 W continuous, 500 W program,
1000 W peak
1 x M115-8 380 mm woofer
1 x JBL 2414H-1 25.4 mm
Parallel Neutrik® NL4 /1/4" combo
connectors
OUTPUT
SUSPENSION/MOUNTING
DIMENSIONS (H x W x D)
NET WEIGHT (each)
35 mm pole socket with stabilizing
screw
4 x M10 suspension points
1 x M10 pull-back point
685 x 438 x 366 mm
15 kg
? 15" low-frequency driver with a 64mm diameter
edge wound ribbon voice coil
? Light weight for true portability
? 100° h x 60° v asymmetrical waveguide
EON315
Self-powered 15", two-way, bass-reflex
design
38 Hz - 20 kHz (EQ in ‘Flat’ position)
100° H x 60° V nominal
1.8 kHz
127 dB
280 W continuous, 560 W peak
1 x M115-2 380 mm
1 x JBL 2414H-1 25.4 mm
Balanced XLR / 1/4 inch TRS combo
jack
Balanced male XLR, +20 dBu (peak)
o/p level
35 mm pole socket with stabilizing
screw
4 x M10 suspension points
1 x M10 pull-back point
685 x 438 x 366 mm
15.9 kg
for uniform audience coverage
? Efficient class-d digital amplifier technology
(eon315)
EON 500 SERIES
EON515
EON518S
EON510
EON510
Self-powered 10", twoway, bass-reflex design
58 Hz - 18.5 kHz (EQ in
‘Flat’ position)
100º H x 60º V nominal
1.6 kHz
EON515
Self-powered 15", twoway, bass-reflex design
39 Hz -20 kHz (EQ in
‘Flat’ position)
100º H x 60º V nominal
2.2 kHz
EON518S
Self-powered 18", bassreflex design
36 Hz -130 Hz
SENSITIVITY
MAXIMUM SPL
SYSTEM POWER
RATING
TRANSDUCERS: LF
HF
CONNECTORS: INPUT 3
121 dB
129 dB
129 dB
280 W continuous, 560 W
peak
1 x JBL 261F 254 mm
1 x JBL 2414H-1 25.4 mm
Balanced XLR / 1/4 inch
TRS combo jack
INPUT 1 & 2
1/4 inch TRS jack
500 W continuous, 1000
W peak
1 x JBL 268G 460 mm (4
ohm )
Balanced XLRs with loop
through (stereo) to
balanced XLR satellite
outputs. 1/4 inch speaker
level input
OUTPUT
Balanced male XLR, +20
dBu (peak)
35 mm pole socket with
stabilizing screw
3 x M10 suspension
points
1 x M10
490 x 315 x 262 mm
450 W continuous, 900 W
peak
1 x JBL 265F-1 380 mm
1 x JBL 2414H 25.4 mm
Balanced XLR / 1/4 inch
combo jack with XLR loop
through
Balanced XLR / 1/4 inch
TRS jack
Balanced male XLR, +20
dBu (peak)
35 mm pole socket with
stabilizing screw
4 x M10 suspension
points
1 x M10 pull-back point
685 x 438 x 366 mm
7.7 kg
14.8 kg
29.5 kg
SYSTEM TYPE
FREQUENCY RANGE
(-10dB)
COVERAGE PATTERN
CROSSOVER
FREQUENCY
SUSPENSION/
MOUNTING
DIMENSIONS
(H x W x D)
NET WEIGHT (each)
? Light weight for true portability
? Comfortable grips for easy transport
? Built-in 3-channel mixer (Eon 510 & 515)
120 Hz (HPF selectable
on outputs)
35 mm pole socket on top
595 x 569 x 652 mm
? Differential Drive® low frequency transducers
? Efficient class-d digital amplifier technology
EON 500 SERIES
EON515XT
SYSTEM TYPE:
MAXIMUM SPL OUTPUT:
FREQUENCY RANGE (-10 DB):
FREQUENCY RESPONSE (±3 DB):
EQ:
AMPLIFIER DESIGN:
SYSTEM POWER RATING:
Self-Powered 15", Two-Way, Bass-Reflex
132 dB
39 Hz - 20 kHz
42 Hz - 18 kHz
Individual Bass and Treble controls, center detent, +/-6 dB cut and boost
Crown® Class-D
625 Watts (525 + 100)
LF DRIVER:
HF DRIVER:
COVERAGE PATTERN:
CROSSOVER FREQUENCY:
1 x JBL 265F-1 380 mm (15") Differential Drive® integrated woofer with dual 2" voice coils
1 x JBL 2414H 37.5 mm (15") annular polymer diaphragm, neodymium compression driver
100˚ x 60˚ nominal
1.7 kHz
ENCLOSURE MATERIAL:
SUSPENSION / MOUNTING:
HANDLES:
FINISH:
GRILLE:
DIMENSION (H X W X D):
NET WEIGHT:
Polypropylene, multi-purpose main & monitor
36 mm pole socket with stabilizing screw, 5 x M10 suspension points
One left / right side, one on top, with rubber grip
Black Granite
Powder coated perforated steel with acoustically transparent cloth backing
673 mm x 406 mm x 368 mm
14.8 kg
? Highly designed composite enclosures for durability,
lightweight, and precise acoustic performance
? True portability weighing only 14.8 kg (32.5 lb)
? Multiple handles with comfort rubber grips for easy
transport
? Multi angle enclosure for main PA or floor monitor
applications
? Integrated 36 mm pole mount socket with stabilizing
securing screw
? Integrated M10 suspension points for easy fixed
installation
? 100º H x 60º V asymmetrical wave guide for uniform
audience coverage
? 1 5” Differential Drive® low-frequency driver with
neodymium magnet for low-distortion and light weight
? 1” throat diameter next generation JBL neodymium
compression driver
Efficient Crown® Hybrid Class-D amplifier technology
625 watt high-performance powered speaker system
Intuitive onboard 3-Channel Mixer
Line level and direct microphone input capability
User adjustable Bass and Treble controls
Unique Mix/Loop signal flow function for extended
system application
? Easy “Daisy-Chain” connections for extending the
system
?
?
?
?
?
?
JRX 100 SERIES
JRX115 & JRX115i
JRX125
SYSTEM TYPE
Two-Way Speaker
FREQUENCY
RANGE (-10 dB)¹
FREQUENCY
RESPONSE (±3 dB)¹
SENSITIVITY: 1 W, 1
m
NOMINAL
IMPEDANCE
POWER CAPACITY²
PEAK POWER
CAPACITY²
MAXIMUM SPL
NOMINAL
DISPERSION
COMPONENTS
INPUT
CONNECTORS
JRX112M
JRX115
JRX118S
JRX118SP
JRX118S
JRX118SP
18" Subwoofer
38 Hz - 16 kHz
Dual-15" Two-Way
Speaker
35 Hz - 16 kHz
JRX112M &
JRX112Mi
Two-Way Stage
Monitor
60 Hz - 16 kHz
38 Hz - 300 Hz
18 " Powered
Subwoofer
38 Hz - 300 Hz
50 Hz - 12.5 kHz
45 Hz - 12 kHz
70 Hz - 12 kHz
55 Hz - 300 Hz
55 Hz - 300 Hz
98 dB SPL
100 dB SPL
99 dB SPL
96 dB SPL
8 ohms
4 ohms
8 ohms
4 ohms
250 watts
1000 watts
500 watts
2000 watts
250 watts
1000 watts
350 watts
1400 watts
128 dB
90° x 50°
133 dB
90° x 50°
129 dB
90° x 50°
127 dB
LF: JBL M115-8A
HF: JBL 2412 1 in exit
compression driver on
Progressive
Transition™
Waveguide
NeutrikR SpeakonR
NL-4 (x1);
1⁄4 in TS phone jack
(x1); parallel
LF: JBL M115-8A x 2
HF: JBL 2412 1 in exit
compression driver on
Progressive Transition
Waveguide
Neutrik Speakon NL-4
(x1);
1⁄4 in TS phone jack
(x1); parallel
LF: JBL M112-8
HF: JBL 2412 1 in exit
compression driver on
Progressive Transition
Waveguide
Neutrik Speakon NL-4
(x1);
1⁄4 in TS phone jack
(x1); parallel
LF: JBL 2043-G
LF: JBL 2043-G
Neutrik Speakon NL-4
(x 2);
1⁄4 in TS phone jack
(x 1); parallel
XLR/M x 2 (line level,
balanced);
1⁄4 in TS phone jack
x1 (spkr level)
Internal Power
Peak: 500 watts
Continuous: 300 watts
with <0.2%THD
699 x 460 x 432 mm
1092 x 464 x 426 mm
584 x 399 x 325 mm
605 x 508 x 551 mm
XLR/F x 2
(Selectable, Thru or
Hi Pass)
605 x 508 x 592 mm
27.4 kg
42.6 kg
19.5 kg
32.2 kg
40.4 kg
OUTPUT
CONNECTORS
DIMENSIONS
(H x W x D)
NET WEIGHT (each)
JRX125
1 “Frequency Range” and “Frequency Response” are based on half-space response.
2 “Power Capacity” and “Peak Power Capacity” ratings are based on the average and peak power handling capacity of product samples subjected to a 100 hour
power test of the system design using IEC filtered random noise with a crest factor of 6 dB.
* In the JRX115i and JRX112Mi, the installation versions, three M10 eyebolts and
threaded brackets replace the feet, pole socket, and handles of the portable JRX115
and JRX112M. All other specifications are the same.
? Progressive transition™ waveguides for well-
controlled coverage, low distortion, and smooth
response
? Sonicguard™ high frequency driver protection
? Acoustically superior 3⁄4" mdf enclosure
construction for ruggedness and better low end
performance
? Tough, non-resonant handles and 18 gauge
steel grille
MRX 500 SERIES
MRX512M
SYSTEM TYPE
FREQUENCY
RANGE
FREQUENCY
RESPONSE
SENSITIVITY: 1 W, 1
m
NOMINAL
IMPEDANCE
POWER RATING ¹
Continuous/Progra
m/Peak
MAXIMUM SPL @ 1
m
COVERAGE
PATTERN
TRANSDUCERS: LF
HF
FINISH
INPUT
CONNECTORS
DIMENSIONS
(H x W x D)
NET WEIGHT (each)
MRX515
MRX528S
MRX518S
MRX525
MRX512M
12" Two-way Stage
Utility/Monitor
Speaker
60 Hz - 20k Hz(-10
dB)
90 Hz - 20k Hz (± 3
dB)
94 dB SPL
MRX515
15" Two-way Bassreflex
MRX525
Dual 15" Two-way
Bass-reflex
MRX518S
18" Bass-reflex
Subwoofer
MRX528S
Dual 18" Bass-reflex
Subwoofer
52 Hz - 20 kHz (-10
dB)
65 Hz - 20 kHz (± 3
dB)
98 dB SPL
40 Hz - 20 kHz (-10
dB)
57 Hz - 20 kHz (± 3
dB)
100 dB SPL
40 Hz - 200 Hz (-10
dB)
45 Hz - 200 Hz (± 3
dB)
100 dB SPL 3
35 Hz - 250 Hz (-10
dB)
40 Hz - 250 Hz (± 3
dB)
103 dB SPL 3
8 ohms
8 ohms
4 ohms
4 ohms
4 ohms
400 W / 800 W / 1600
W, 2 hrs
350 W/ 700 W/ 1400
W, 100 hrs
123 dB SPL cont /129
dB SPL peak ²
400 W / 800 W / 1600
W, 2hrs
350 W/ 700W/1400
W, 100 hrs
124 dB SPL cont /130
dB SPL peak ²
800 W / 1600 W /
3200 W, 2 hrs
700 W/ 1400 W/ 2800
W, 100 hrs
129 dB SPL cont /135
dB SPL peak ²
500 W / 1000 W /
2000 W, 2 hrs
400 W/ 800 W/ 1600
W, 100 hrs
127dB SPL cont /133
dB SPL peak ³
1000 W / 2000 W /
4000 W, 2 hrs
800 W/ 1600 W/ 3200
W, 100 hrs
133 dB SPL cont /139
dB SPL peak ³
70° x 70° nominal
70° x 70° nominal
70° x 70° nominal
1 x JBL 262H 305 mm
1 x JBL 265H 380 mm
2 x JBL 265H 380 mm
1 x JBL 2044G 457
mm
2 x JBL 2044H 457
mm
1 x JBL 2408H 37.5
mm
DuraFlex™
Neutrik® NL4MP
1 x JBL 2408H 37.5
mm
DuraFlex
Neutrik NL4MP
1 x JBL 2408H 37.5
mm
DuraFlex
Neutrik NL4MP
DuraFlex
Neutrik NL4MP
DuraFlex
Neutrik NL4MP
645 x 380 x 345 mm
700 x 435x 470 mm
1240 x 535 x 460 mm
560 x 535 x 700 mm
1095 x 535 x 700 mm
14.9 kg
19.5 kg
38.2 kg
32.5 kg
55 kg
1 IEC standard, full bandwidth pink noise with 6 dB crest factor for specified period.
2 Calculated based on power rating and sensitivity.
3 Calculated on half space condition.
? Differential drive® lf transducers
? Annular polymer diaphragm compression drivers
? Heavy duty 16 gauge protective screenbacked
steel grille
? Tough duraflex™ finish
PRX615M
PRX 600 SERIES
PRX612M
PRX625
PRX635
PRX618S-XLF
PRX618S
PRX612M
PRX615M
PRX625
PRX635
PRX618S
PRX618S-XLF
System Type:
Self-powered 12",
two-way, bass-reflex
Maximum SPL
Output:
Full Range:
134 dB peak
Monitor:
133 dB peak
Frequency Range
(-10 dB):
Full Range:
50 – 20 kHz
Monitor:
51 – 20 kHz
Frequency
Response (±3 dB):
Full Range:
60 – 17.5 kHz
Monitor:
61 – 18.5 kHz
Coverage Pattern:
90º x 50º nominal
Amp Design:
Crown® Class D
Power Rating:
1000 W ( 2 x 500 )
Dimension
(H x W x D):
592 mm x 353 mm x
340 mm
Net Weight:
15.6 kg
System Type:
Self-powered 15",
two-way, bass-reflex
Maximum SPL
Output:
Full Range:
135 dB peak
Monitor:
134 dB peak
Frequency Range
(-10 dB):
Full Range:
54 Hz – 18 kHz
Monitor:
48 Hz – 20 kHz
Frequency
Response (±3 dB):
Full Range:
45 Hz – 19 kHz
Monitor:
60 Hz – 18 kHz
Coverage Pattern:
90º x 50º nominal
Amp Design:
Crown® Class D
Power Rating:
1000 W ( 2 x 500 )
Dimension
(H x W x D):
660 mm x 429 mm x
414 mm
Net Weight:
19.7 kg
System Type:
Self-powered dual
15", two - way, bass
- reflex
Maximum SPL
Output:
139 dB peak
Frequency Range
(-10 dB):
Flat: 40 – 19.5 kHz
Boost: 39 – 19.5 kHz
Frequency
Response (±3 dB):
Flat: 55 – 17.5 kHz
Boost: 50 – 18 kHz
Coverage Pattern:
90º x 50º nominal
Amp Design:
Crown® Class D
Power Rating:
1500 W ( 3 x 500 )
Dimension
(H x W x D):
1.053 mm x 424 mm
x 413 mm
Net Weight:
27.2 kg
System Type:
Self-powered 15",
three - way, bass reflex
Maximum SPL
Output:
135 dB peak
Frequency Range
(-10 dB):
Flat: 41 – 19 kHz
Boost: 40 – 19 kHz
Frequency
Response (±3 dB):
Flat: 53 – 18 kHz
Boost: 50 – 18 kHz
Coverage Pattern:
90º x 50º nominal
Amp Design:
Crown® Class D
Power Rating:
1500 W ( 3 x 500 )
Dimension
(H x W x D):
921 mm x 424 mm x
413 mm
Net Weight:
27.2 kg
System Type:
Self-Powered 18",
bass - reflex
Maximum SPL
Output:
129 dB peak
Frequency Range
(-10 dB):
41 Hz – 130 Hz
Frequency
Response (±3 dB):
50 Hz – 100 Hz
Polarity:
Normal or reverse
polarity
Crossover
Frequency:
120 Hz
Amp Design:
Crown® Class D
Power Rating:
600 W
Dimension
(H x W x D):
685.8 mm x 530.9
mm x 614.7 mm
Net Weight:
32 kg
System Type:
Self-Powered 18",
bass - reflex
Maximum SPL
Output:
133 dB peak
Frequency Range
(-10 dB):
30 Hz – 105 Hz
Frequency
Response (±3 dB):
39 Hz – 93 Hz
Polarity:
Normal or reverse
polarity
Crossover
Frequency:
90 Hz
Amp Design:
Crown® Class D
Power Rating:
1000 W ( 2 x 500 )
Dimension
(H x W x D):
685.8 mm x 530.9
mm x 716.3 mm
Net Weight:
37 kg
SRX 700 SERIES
SRX712M
SRX715
SRX722
SRX712M
SYSTEM TYPE
FREQUENCY RANGE (10 dB)
FREQUENCY
RESPONSE (±3 dB)
COVERAGE PATTERN
SENSITIVITY: 1 W, 1 m
NOMINAL IMPEDANCE
COMPONENTS: LOW
FREQ.
MID FREQ.
HIGH FREQ.
RATED MAXIMUM SPL
POWER RATING: ¹
(Continuous/Program/
Peak)
INPUT CONNECTORS
SUSPENSION/
MOUNTING
DIMENSIONS
(H x W x D)
NET WEIGHT (each)
SRX725
43 Hz – 20 kHz
SRX722
SRX722F
Dual 12" Two-way Bassreflex
72 Hz – 20 kHz
SRX725
SRX725F
Dual 15" Two-way Bassreflex
37 Hz – 20 kHz
83 Hz – 18 kHz
53 Hz – 20 kHz
81 Hz – 20 kHz
53 Hz – 20 kHz
90º x 50º nominal
96 dB SPL (Passive
Mode)
8 ohms
1 x JBL 2262H Differential
Drive®
75º x 50º nominal
96 dB SPL (Passive
Mode)
8 ohms
1 x JBL 2265H Differential
Drive
75º x 50º nominal
97 dB SPL (Passive
Mode)
4 ohms
2 x JBL 2262H Differential
Drive
75º x 50º nominal
99 dB SPL (Passive
Mode)
4 ohms
2 x JBL 2265H Differential
Drive
1 x JBL 2431H
131 dB SPL @1 m
800 W / 1600 W / 3200 W
¹
1 x JBL 2431H
131 dB SPL @ 1 m
800 W / 1600 W / 3200 W
¹
1 x JBL 2452H
135 dB SPL @ 1 m
1200 W / 2400 W / 4800
W¹
1 x JBL 2452H
136 dB SPL @1 m
1200 W / 2400 W / 4800
W¹
Neutrik® Speakon® NL-4
(x2)
Dual angle, 35 mm pole
socket
2 x M10 fittings
Neutrik Speakon NL-4 (x
2)
Dual angle, 35 mm pole
socket
5 x track and M10
suspension points
(“F” version only)
711 x 439 x 406 mm
Neutrik Speakon NL-4 (x
2)
5 x track and M10
suspension points (“F”
version only)
Neutrik Speakon NL-4 (x
2)
5 x track and M10
suspension points (“F”
version only)
965 x 394 x 394 mm
1219 x 541 x 508 mm
22 kg (SRX715)
24.1 kg (SRX715F)
34 kg (SRX722)
36.8 kg(SRX722F)
45 kg (SRX725)
47.7 kg (SRX725F)
12" Two-way Bass-reflex
Stage monitor/utility
70 Hz – 20 kHz
349 x 546 x 260 mm
15 kg
SRX715
SRX715F
15" Two-way Bass-reflex
SRX 700 SERIES
SRX728S
SRX738
SRX718S
SYSTEM TYPE
FREQUENCY RANGE (-10 dB)
FREQUENCY RESPONSE (±3
dB)
COVERAGE PATTERN
SENSITIVITY: 1 W, 1 m
NOMINAL IMPEDANCE
COMPONENTS: LOW FREQ.
MID FREQ.
HIGH FREQ.
RATED MAXIMUM SPL
POWER RATING: ¹
(Continuous/Program/Peak)
INPUT CONNECTORS
SUSPENSION/MOUNTING
DIMENSIONS
(H x W x D)
NET WEIGHT (each)
SRX738
SRX738F
18" Three-way Bass-reflex
35 Hz – 20 kHz
44 Hz – 20 kHz
60º x 40º nominal
95 dB SPL (Passive Mode)
8 ohms
SRX718S
SRX728S
18" Bass-reflex Subwoofer
31 Hz – 220 Hz
34 Hz – 220 Hz
Dual 18" Bass-reflex Subwoofer
27 Hz – 220 Hz
33 Hz – 220 Hz
95 dB SPL
8 ohms
1 x JBL 2268H Differential Drive
1 x JBL 2169H CMCD™
1 x JBL 2431H
130 dB SPL @1 m
800 W / 1600 W / 3200 W¹
1 x JBL 2268H Differential Drive
95 dB SPL
4 ohms (parallel); 8 ohms x2
(discrete)
2 x JBL 2268H Differential Drive
130 dB SPL @1 m
800 W / 1600 W / 3200 W²
136 dB SPL @1 m
1600 W / 3200 W / 6400 W²
Neutrik Speakon NL-4 (x 2)
5 x track and M10 suspension
points (“F” version only)
1092 x 541 x 648 mm
Neutrik Speakon NL-4 (x 2)
Top mounted M20 threaded
socket for optional SS4-BK pole
508 x 597 x 749 mm
Neutrik Speakon NL-4 (x 2)
Top mounted M20 threaded
socket for optional SS4-BK pole
602 x 1067 x 838 mm
43 kg (SRX738)
45.5 kg (SRX738F)
36 kg
76 kg
¹ IEC filtered noise with 6 dB crest factor, 2 hrs.
²40 Hz – 120 Hz pink noise with 6 dB crest factor, 2 hrs.
? Patented differential drive® woofers with
neodymium magnets
? High-power, light weight low frequency drivers
? Constructed of top quality birch plywood and
coated with duraflex™
? Wrap-around 16-gauge steel grill lined with
acoustically transparent foam
VRX932LA/LAP
VRX928LA
VRX 900 SERIES
VRX915S
VRX915M
SYSTEM TYPE
VRX915M
VRX928LA
VRX932LA-1
VRX932LAP
VRX915S
VRX918S
VRX918SP
15" Two-way Stage
Monitor
12" Two-way, Powered
Line
Array Loudspeaker
System
70 Hz - 20 kHz
12" Two-way, Powered
Line
Array Loudspeaker
System
57 Hz - 20 kHz
12" Two-way, powered
Line
Array Loudspeaker
System
57 Hz - 20 kHz
15" Bass-reflex
Subwoofer
18" Bass-reflex
Subwoofer
18" Bass-reflex
Powered
Subwoofer
35 Hz - 250 Hz
31 Hz - 220 Hz
31 Hz - 220 Hz
87 Hz - 19 kHz
75 Hz - 20 kHz
75 Hz - 20 kHz
40 Hz - 250 Hz
34 Hz - 220 Hz
34 Hz - 220 Hz
Passive: 90 dB SPL,
Bi-Amp LF: 90 dB SPL
Bi-Amp HF 108 dB
SPL³
Passive: 95 dB SPL,
Bi-Amp LF: 95 dB SPL
Bi-Amp HF 114 dB
SPL³
Passive: 95 dB SPL,
Bi-Amp LF: 95 dB SPL
Bi-Amp HF 114 dB
SPL³
91 dB SPL
95 dB SPL
8 ohms
8 ohms
LF: 2 x 2 ohms / HF: 4
ohms
4 ohms
8 ohms
2 x 2 ohms
LF: 8 ohms/HF: 16
ohms
Passive: 122 dB SPL²
LF: 8 ohms/HF: 16
ohms
Passive: 130 dB SPL²
136 dB SPL²
126dB SPL peak²
130 dB SPL peak²
126dB SPL peak²
Bi-amp LF: 122 dB
SPL
Bi-amp HF: 128 dB
SPL³
Bi-amp LF: 130 dB
SPL
Bi-amp HF: 139 dB
SPL³
800 W / 1600 W /
3200 W
LF: 800 W / 1600 W /
3200 W²
HF: 75 W / 150 W /
300 W
100º x 15º
Internal DPC-2 :
800 W / 1600 W /
3200 W4
800 W / 1600 W /
3200 W4
Internal DPC-2 : 750W
1 x JBL 2268H (18 in)
Differential Drive
Woofer
18 mm, 11- ply birch
plywood
Black DuraFlex finish
1 x JBL 2268FF (18
in)
Differential Drive
Woofer
18 mm, 11- ply birch
plywood
Black DuraFlex finish
FREQ. RANGE (-10
60 Hz - 20 kHz
dB)¹
FREQ. RESPONSE
70 Hz - 20 kHz
(±3dB)¹
SENSITIVITY: 1 W, 1 m 98 dB SPL
NOMINAL
IMPEDANCE:
PASSIVE
8 ohms
BI-AMP
MAXIMUM SPL @ 1 m 127 dB SPL
continuous
133 dB SPL peak²
POWER RATING:
PASSIVE
VRX918S/SP
800 W / 1600 W /
3200 W²
Continuous/Program/
Peak
NOMINAL
DISPERSION
TRANSDUCERS: LF
50º x 90º
400 W / 800 W / 1600
W
LF: 400 W / 800 W /
1600 W²
HF: 30 W / 60 W /
120W
100º x 15º
1 x JBL 2265H
1 x JBL 2168H-1 (8 in)
1 x JBL 2262H (12 in)
HF
1 x JBL 2452H (4 in)
2 x JBL 2414H (1 in)
3 x JBL 2408J (1.5 in)
1 x JBL 2262FF (12
in)
3 x JBL 2408J (1.5 in)
15 mm - 25 mm multiply birch plywood
Black DuraFlex finish
18 mm - 25 mm multiply birch plywood
Black DuraFlex finish
15mm - 25 mm multiply birch plywood
Black DuraFlex finish
1 x JBL 2265G-1 (15
in)
Differential Drive
Woofer
15/18 mm birch
plywood
Black DuraFlex finish
Neutrik Speakon NL-4
(x2)
230 x 419 x 267 mm
Neutrik Speakon NL-4
(x2)
349 x 597 x 381 mm
AC: Neutrik PowerCon
(NAC 3MPA)
349 x 597 x 444 mm
Neutrik Speakon NL-4
(x2)
496 x 420 x 597 mm
Neutrik Speakon NL-4
(x2)
508 x 597 x 749 mm
AC: Neutrik PowerCon
(NAC 3MPA)
508 x 597 x 749 mm
12.7 kg
21.0 kg
24.0 kg
26 kg
37 kg
38.5 kg
BI-AMP
15/18 mm birch
plywood
Black DuraFlex™
finish
INPUT CONNECTORS Neutrik® Speakon®
NL-4 (x2)
629 x 432 x 324 mm
DIMENSIONS
(H x W x D)
21 kg
NET WEIGHT (each)
ENCLOSURE
FINISH
875W Cont. / 1750W
Peak
LF: 750 W / HF:125 W
100º x 15º
¹ “Frequency Range” and “Frequency Response” are based on half-space conditions.
² IEC filtered noise with 6 dB crest factor, 2 hrs.
³ HF driver sensitivity is based on measurements averaged between 1.5 kHz – 16 kHz
4 40 - 120 Hz pink noise, 6 dB crest factor, 2 hrs.
? Patented differential drive® woofers with
neodymium magnets
? Multiple neodymium, annular diaphragm ring
drivers per speaker
?
?
?
?
Constant curvature waveguide
Dual angle pole socket
Integral rigging hardware
Array configuration selector for “array shading”
VERTEC SERIES
VT4889
System type
Frequency Response
Coverage (H) -6dB
Sensitivity: 1W, 1m
Nominal Impedance
Input Rating¹: LF
MF/HF
Transducers
Enclosure
Finish
Input Connectors
Dimensions (H x W x D)
Net Weight (each)
VT4886
VT4887A
VT4888
VT4889
VT4888
VT4887A
VT4886
Fullsize Three-way Line Array
Element
45 Hz - 16 kHz (± 3 dB)
90° nominal (250 Hz – 16 kHz)
LF: 99 dB, MF: 102 dB,
HF:116 dB
LF: 2 x 8 ohms,
MF: 8 ohms, HF:16 ohms
2 x 1000 W
1400 W MF/ 225 W HF
LF: 2x 2255H (15")
MF: 4 x 2250H (8")
HF: 3x 2435H
Wedge Frustrum
PlyMax®[ VT4889-1]
DuraFlex™
NL8,2 each
489 x 1213 x 546 mm
72.6kg [VT4889]
78.9kg [VT4889-1]
Midsize Three-way Line Array
Element
60 Hz - 16kHz (± 3dB)
90° nominal (250 Hz – 16 kHz)
LF: 98 dB, MF: 102 dB,
HF: 114 dB
LF: 2 x 8 ohms,
MF: 8 ohms, HF: 16 ohms
2000 W
600 W MF/ 150 W HF
LF: 2 x 2262H (12")
MF:4 x 2106H (5 1/2")
HF: 2 x 2431H
Wedge Frustrum,
PlyMax
DuraFlex
NL8, 2 each
355 x 991x 508 mm
51.3 kg
Compact Bi-amped Line Array
Element
67 Hz - 20 kHz (± 3 dB)
100° nominal (500 Hz - 16 kHz)
LF: 97 dB,
MF/HF: 103 dB
LF: 8 ohms,
MF/HF: 8 ohms
1000 W
225 W (MF/HF)
LF: 2 x 2168J-1 (8")
MF: 4 x 2104H (4")
HF: 2 x 2408H
Wedge Frustrum,
PlyMax
DuraFlex
NL8 and NL-4, 2 each
281 x 787 x 415 mm
30.4 kg
Subcompact Passive 3-Way Line
Array Element
75 Hz - 18 Hz
110° nominal (250 Hz – 16 kHz)
102 dB
VT4880
12 ohms
700 W
LF: 2 x 2166H Dual Coil (6.5")
MF: 4 x 2103G (2.5")
HF:2 x 2414H
Wedge Frustrum,
PlyMax
DuraFlex
NL8 and NL-4, 2 each
197 x 577 x 260 mm
15.9kg
VT4881A
VT4882
VT4883
VT4880
VT4880A
VT4882
VT4881A
VT4883
System type
Fullsize Dual 18"
Subwoofer
Fullsize Dual 18" Ultra
Long Excursion Subwoofer
Midsize Dual 15"
Subwoofer
Compact 15" Subwoofer
Frequency Response
Sensitivity: 1W, 1m
Nominal Impedance
28 Hz - 75 Hz (± 3 dB)
98 dB (2.83v/1m)
2 x 8 ohms
29 Hz - 120 Hz (-3 dB)
95 dB (2.83v/1m)
2 x 8 ohms
32 Hz - 110 Hz (±3 dB)
95 dB (35 Hz - 120 Hz)
8 ohms
Input Rating¹: LF
Transducers
2000 W
2 x 2258H Dual-Coil (18")
4000 W
2 x 2269H Dual-Coil (18")
2000 W
2 x 2266H Dual-Coil (15")
34 Hz - 125 Hz (±3 dB)
91 dB (2.83v/1m)
8 ohms (Each coil
independently wired)
2000 W
1 x 2269H Dual-Coil (18")
Enclosure
Finish
Input Connectors
Dimensions (H x W x D)
Net Weight (each)
Wedge Frustrum
DuraFlex
Nl4, 2 each
493 x 1229 x 860 mm
68.5 kg
Wedge Frustrum
DuraFlex
NL8 and NL4, 2 each
493 x 1229 x 860 mm
83.9 kg
Wedge Frustrum
DuraFlex
NL8 and NL4, 2 each
457 x 1013 x 858 mm
53.5 kg
Rectangular, PlyMax
DuraFlex
NL8 and NL4, 2 each
569 x 787 x 654 mm
50.4 kg
Subcompact Dual 12"
Cardioid-Arrayable
Subwoofer
40 Hz - 600 Hz (±3 dB)
95 dB
2 x 8 ohms or 4 ohms
(user-selectable)
1600 W
2 x 2263H-1 Dual-Coil
(12")
Rectangular, PlyMax
DuraFlex
NL8 and NL4, 2 each
397 x 577 x 641 mm
30.8kg
? Industry’s smallest, lightest, most powerful high
frequency compression drivers
? Advanced technology components
? Precision waveguides couple to create HF vertical slot
aperture
? Radiation Boundary Integrator (RBI™) Technology
integrates output of Individual bandpass elements
? Exceptionally rigid, lightweight enclosure construction
? Rugged Duraflex™ exterior finish and weatherized
components
? Integrated S.A.F.E.™ suspension system
VERTEC DP SERIES
VT4889ADP
System type
Frequency Response
Coverage (H) -6dB
Maximum Peak Output
Nominal Impedance: LF
MF
HF
Drivepack Power Rating
Transducers: LF
MF
HF
Enclosure
Finish
Input Connectors
Dimensions (H x W x D)
Net Weight (each)
VT4888DP
VT4887ADP
VT4889ADP
VT4888DP
VT4887ADP
Powered Fullsize 3-way Line Array,
Integrated Audio System
45 Hz – 16 kHz (±3 dB)
90° nominal (250 Hz - 16 kHz)
143 dB, 1m
LF:4 ohms
MF: 8 ohms
HF: 16 ohms (wired in series)
6000W Peak, 3000W Continuous
2 x 2265H (15 in) (Dual-Coil)
4 x 2169H (8 in)
3 x 2435H (3" exit compression driver)
Wedge Frustrum
DuraFlex™
Female XLR/Male XLR
1215 x 494 x 692 mm
93.1 kg
Powered Midsize 3-way Line Array,
Integrated Audio System
60 Hz - 16 kHz (±3 dB)
90° nominal (250 Hz - 16 kHz)
139 dB, 1m
LF:4 ohms
MF: 8 ohms
HF: 16 ohms
6000W Peak, 3000W Continuous
2 x 2262H (12 in) (Dual-Coil)
4 x 2106H (5 1⁄2 in)
2 x 2431H (1.5" exit compression driver)
Wedge Frustrum
DuraFlex™
Female XLR/Male XLR
355 x 1013 x 678 mm
67.2 kg
Powered Compact 3-way Line Array,
Integrated Audio System
67 Hz - 20 kHz (±3 dB)
100° nominal (250 Hz - 16 kHz)
136 dB,1m
LF:4 ohms
MF, HF: 8 ohms
2200W Peak 1100W Continuous
2 x 2168H-1 (8 in) (Dual-Coil)
4 x 2104H (4 in)
2 x 2408H (1" exit compression driver)
Wedge Frustrum
DuraFlex
Female XLR/Male XLR
279 x 787 x 563 mm
39.7 kg
.
VT4882DP
VT4880ADP
System type
Frequency Response
Maximum Peak Output
Nominal Impedance
Drivepack Power Rating
Transducers: LF
Enclosure
Finish
Input Connectors
Dimensions (H x W x D)
Net Weight (each)
?
?
?
?
VT4881ADP
VT4880ADP
VT4882DP
VT4881ADP
Powered Fullsize 2-15" Subwoofer,
Integrated Audio System
29 Hz – 120 Hz (±3 dB)
143 dB SPL, 1m
LF: 4 ohms (Each transducer)
6900 W Peak, 3500 W Continuous
2 x 2269G (18 in) (Dual-Coil)
Wedge Frustrum
DuraFlex
Female XLR/Male XLR
1229 x 493 x 1011 mm
99.4 kg
Powered Midsize 2-15" Subwoofer,
Integrated Audio System
32 Hz - 110 Hz (±3 dB)
133 dB SPL, 1m
LF: 8 ohms (Each transducer)
3400W Peak, 1700W Continuous
2 x 2266H (15 in) (Dual-Coil)
Wedge Frustrum
DuraFlex
Female XLR/Male XLR
457 x 1013 x 1011 mm
69.9 kg
Powered Compact 1-18" Subwoofer,
Integrated Audio System
34 Hz - 125 Hz(±3 dB)
131 dB SPL,1m
VLF:4 ohms
3600W Peak, 1800W Continuous
VLF 1 x 2269G (18 in) (Dual-Coil)
Rectangular enclosure
DuraFlex
Female XLR/Male XLR
569 x 787 x 800 mm
62.2 kg
Integrated digital signal processing
Jbl drivepack® electronics package
Automatic selection of 50 or 60 hz Worldwide ac line voltages
Optional network input modules
MX200
MX SERIES
MX300
MX400
MX400/XL
ANALOG AUDIO INPUTS
Connectors: Four ¼" TRS or XLR balanced
or unbalanced
Impedance: 50k Ohms balanced,
25k Ohms unbalanced.
Input Level: +4 dBu nominal,
+24 dBu maximum
48kHz or 44.1kHz
A/D Conversion:
24-bit, 48kHz
128 x oversampling
ANALOG AUDIO OUTPUTS
Connectors: Four ¼" TRS or XLR balanced
or unbalanced
Impedance: 2k Ohms balanced
1k Ohms unbalanced
Output Level: +4 dBu or –10 dBV nominal
(software adjustable),
24 dBu maximum
48kHz or 44.1kHz
D/A Conversion:
24-bit, 48kHz
128 x oversampling
ANALOG AUDIO PERFORMANCE
Frequency
Response:
10 Hz – 20kHz
+0 dB/–0.5 dB
THD+N:
<0.0019% 10Hz –
20kHz
Dynamic Range:>109 dB (A-weighted) A/A
Crosstalk:
typical <–80 dB 20Hz – 20kHz
DIGITAL INPUT AND OUTPUT
Connectors: Dual RCA phono (S/PDIF)
Format:
S/PDIF 24-bit
Sample Rate: 44.1 or 48kHz
Processing
Delay:
3.7 ms @ 48 kHz
Frequency
Response:
10Hz to 22kHz
±0.5 dB @ 48kHz
CONTROL INTERFACE
USB:
USB 1.0 for MX-EDIT™
Editor/Librarian and
VST™/Audio Units plug-ins
MIDI:
In/Out 5-pin DIN
Foot Pedal: ¼" phone jack
GENERAL
Power:
117 VAC or 230 VAC,
18 Watts
Size (W/H/D): 483 x 44 x 185mm
Weight:
(2.6 kg)
MX300
ANALOG AUDIO INPUTS
Connectors: Two ¼" TRS, Two XLR female
Impedance: 50k Ohms balanced
25k Ohms unbalanced
Input Level: +4 dBu nominal,
+24 dBu maximum
48kHz or 44.1kHz
A/D Conversion:
24-bit, 48kHz
128 x oversampling
ANALOG AUDIO OUTPUTS
Connectors: Two ¼" TRS balanced or
unbalanced
Two XLR male
Impedance: 2k Ohms balanced,
1k Ohms unbalanced ¼" only
Output Level: +4 dBu or –10 dBV nominal
(software adjustable),
24 dBu maximum
48kHz or 44.1kHz
D/A Conversion:
24-bit, 44.1/48kHz
128x oversampling
ANALOG AUDIO PERFORMANCE
Frequency
Response:
10 Hz – 20kHz
+0 dB/–0.5 dB
THD+N:
<0.0019% 10Hz – 20kHz
Dynamic Range:>109 dB (A-weighted) A/A
Crosstalk:
typical <–80 dB 20Hz – 20kHz
DIGITAL INPUT AND OUTPUT
Connectors: RCA phono (S/PDIF)
Format:
S/PDIF 24-bit
Sample Rate: 44.1kHz or 48kHz
Processing
Delay:
3.7 ms @ 48 kHz
Frequency
Response:
10Hz to 22kHz
±0.5 dB @ 48kHz
CONTROL INTERFACE
USB:
USB 1.0 for MX-EDIT™
Editor/Librarian and VST™/Audio
Units plug-ins
MIDI:
In/Thru 5-pin DIN
Footswitch: ¼" phone jack
GENERAL
Power:
100–120 VAC 50/60Hz,
18 Watts
220–240 VAC 50/60Hz,
18 Watts
Size (W/H/D): 483 x 44 x 185mm
Weight:
2.63kg
MX200
ANALOG AUDIO INPUTS
Connectors: Two ¼" TRS balanced or
unbalanced
Impedance: 20k Ohms balanced,
10k Ohms unbalanced
Input Level: +4 dBu nominal,
+20 dBu max
48kHz or 44.1kHz
A/D Conversion:
24-bit, 48kHz
128 x oversampling
ANALOG AUDIO OUTPUTS
Connectors: Two ¼" TRS balanced or
unbalanced
Impedance: 2k Ohms balanced,
1k Ohms unbalanced ¼" only
Output Level: +4 dBu or –10 dBV nominal
(software adjustable),
20 dBu maximum
48kHz or 44.1kHz
D/A Conversion 24-bit, 44.1/48kHz
128x oversampling
ANALOG AUDIO PERFORMANCE
Frequency
Response:
20 Hz – 20kHz, ref. 1kHz +/–1 dB
THD+N:
<0.007% 20Hz – 20kHz
Dynamic Range:>107 dB (A-weighted) A/A
Crosstalk:
<-80 dB 20Hz – 20kHz
DIGITAL INPUT AND OUTPUT
Connectors: RCA phono (S/PDIF)
Format:
S/PDIF 24-bit
Sample Rate: 44.1kHz or 48kHz
Processing
Delay:
3.7 ms @ 48 kHz
Frequency
Response:
10Hz to 22kHz
±0.5 dB @ 48kHz
CONTROL INTERFACE
USB:
USB 1.0 for MX-EDIT™
Editor/Librarian and VST™/Audio
Units plug-ins
MIDI:
In and Out/Thru 5-pin DIN
Footswitch: ¼" phone jack
GENERAL
Power:
9 VAC 1.3A 50/60Hz,
18 Watts
Size (W/H/D): 483 x 44 x 185mm
Weight:
2.63kg
REVER/EFFECTS
PROCESSORS
PCM92
PCM96
PCM96 SURROUND SOUND
PSM92
ANALOG AUDIO INPUTS
Connectors Two XLR / ¼" TRS combi-jack balanced inputs
Impedance 20k Ohms balanced
Input Level +4 dBu mode; +20dBu max
-10 dBv mode; +8.2dBu max
Type IV mode; +26dBu max
ANALOG AUDIO OUTPUTS
Connectors Two male XLR and two female ¼" TRS
Impedance 30 Ohms balanced (elec.)
Output Level +20 dBu
DIGITAL INPUT AND OUTPUT
Connectors One female XLR input and one male XLR
output
Format AES/EBU balanced
Sample Rate 44.1kHz, 48kHz, 88.2kHz, 96kHz
Conversion 24-bit A/D; 24-bit D/A
AUDIO PERFORMANCE
Frequency Response (96kHz) 20Hz - 20kHz ±.25dB
20kHz to 40kHz, +0/-3dB
THD <0.003%, 20Hz - 20kHz @ 4dBu
Dynamic Range >112 dB unweighted, 115 dB A-weighted
Crosstalk (1kHz) <-90dB, 20Hz to 20kHz @+20dBu input
Internal Audio DSP 32/64-bit floating point
SYNCHRONIZATION
TTL Word Clock Input 75 Ohms, BNC
CONTROL INTERFACE
MIDI In/Thru/Out 5-pin DIN’s
Footswitch ¼" TRS connector for independent momentary
footswitches
Foot Controller ¼" TRS connector for foot pedal
100 Ohms – 10k Ohms (Impedance)
GENERAL
Power 100–240 VAC 50/60Hz, <14 Watts
Automatic switching, (3-pin IEC connector)
Size (W/H/D) 483 x 45 x 241.3 mm rack mount standard
Weight 3.63 kg
Operating Temp. 15° to 35°C
Maximum Humidity 75% relative humidity max.
PSM96
ANALOG AUDIO INPUTS
Connectors Two XLR balanced
Impedance 20k Ohms balanced
Input Level +4 dBu mode; 20 dBu max.
-10 dBv mode; 8.21 dBu max.
Type IV mode; +26 dBu max.
ANALOG AUDIO OUTPUTS
Connectors Two XLR balanced (elec.)
Impedance 30 Ohms balanced
Output Level +4 dBu mode; +20 dBu max.
-10 dBv mode; 8.21 dBu max.
DIGITAL INPUT AND OUTPUT
Connectors XLR I/O
Format AES/EBU balanced
Sample Rate 44.1kHz, 48kHz,
88.2kHz, 96kHz
Conversion 24-bit A/D; 24-bit D/A
AUDIO PERFORMANCE
Frequency Response 20Hz - 20kHz ± .25dB
20Hz - 40kHz +0/-3dB
THD <0.002%, 20Hz - 20kHz @ +4dBu
Dynamic Range D/A: >112dB typical, 20Hz - 20kHz
A/D: >112dB typical, 20Hz - 20kHz
A/A: >111dB typical, 20Hz - 40kHz
Crosstalk -90dB, 20Hz to 40kHz
Internal Audio DSP 32/64-bit floating point
CONTROL INTERFACE
Memory Cards Compact Flash Type I
Format Supports all size memory cards
MIDI In/Thru/Out 5-pin DIN’s
Footswitch N/A
Foot Controller N/A
GENERAL
Power 100–240 VAC 50/60Hz, 20 Watts
Automatic switching, (3-pin IEC connector)
Size (W/H/D) 483 x 45 x 318 mm rack mount standard
Weight 3.93 kg
Operating Temp. 15° to 35°C
Maximum Humidity 75% relative humidity max.
PSM96 Surround Sound
ANALOG AUDIO INPUTS [PCM96SUR-A]
Connectors 25-pin Dsub female connector
Impedance 20k Ohms balanced
Input Level +4 dBu mode; 20 dBu max.
-10 dBv mode; 8.21 dBu max.
ANALOG AUDIO OUTPUTS [PCM96SUR-A]
Connectors 25-pin Dsub female connector
Impedance 30 Ohms balanced
Output Level +4 dBu mode; +20 dBu max.
-10 dBv mode; 8.21 dBu max.
DIGITAL INPUT AND OUTPUT
Connectors XLR 3/3 I/O [PCM96SUR-D] 25-pin Dsub
female connector [PCM96SUR-A]
Format AES/EBU balanced
Sample Rate 44.1kHz, 48kHz,
88.2kHz, 96kHz
Conversion 24-bit A/D; 24-bit D/A
AUDIO PERFORMANCE
Frequency Response 20Hz - 20kHz ± .15dB
20Hz - 40kHz ± .5dB
THD <0.002%, 20Hz - 20kHz @ +4dBu
Dynamic Range D/A: >112dB typical, 20Hz - 20kHz
A/D: >112dB typical, 20Hz - 20kHz A/A: >111dB typical,
20Hz - 40kHz
112 dB unweighted, 115 dB A-weighted
Crosstalk -75dB, with a +20 dBu signal
Internal Audio DSP 32/64-bit floating point
CONTROL INTERFACE
Memory Cards Compact Flash Type I
Format Supports all size memory cards
MIDI In/Thru/Out 5-pin DIN’s
Footswitch N/A
Foot Controller N/A
GENERAL
Power 100–240 VAC 50/60Hz,
26 Watts Automatic switching, (3-pin IEC connector)
Size (W/H/D) 483 x 45 x 406 mm rack mount standard
Weight 4.48 kg
Operating Temp. 15° to 35°C
Maximum Humidity 75% relative humidity max
Specifications are subject to change
PCM92
? 28 Signature Lexicon reverbs, delays and
modulatioin effects
? Comprehensive library of over 1200 finelycrafted studio presets
? Full system configuration and control with
HiQnet System Architect
? 44.1 to 96 kHz sample rate
? Ethernet connectivity
? MIDI In, Out, and Thru
? Foot controller inputs make it easy to
change presets and adjust parameters
during live performances.
? 32-bit floating point processing
? High-resolution OLED display
PCM96
? 28 legendary Lexicon® reverbs, room
models, modulation, delay, and pitch
effects
? DAW automation through plug-in format
? FireWire streaming through plug-in format
? Quick softrow keys for fast navigation through
? 50 legendary Lexicon reverbs, delays, and
? “Hardware Plug-In” feature with Mac VST® and
? Lexicon’s new Surround Room algorithm, used to
complex algorithms
Audio Units plug-in software
MIDI In, Out, and Thru
Compact Flash preset storage
HiQnet compatible
32-bit floating point processing
Multiple sample rates: 44.1, 48, 88.2, and 96
kHz
? +4 dBu or –10 dBV selectable input and output
levels
? External BNC Wordclock input
?
?
?
?
?
PCM96 Surround System
? Available in two models:
§ 6 channels of XLR/AES inputs and outputs
§ 2 DB25 6-channel analog I/O and 1 DB25 6channel digital I/O
? New Parallel Stereo and Surround
configurations
modulation effects
?
?
?
?
?
?
?
?
?
?
generate a vast array of room-related effects for
music and post
New Pitch algorithms
Seamless automation and control via Ethernet or
FireWire
Over 2200 factory presets, including recognizable
classics from Lexicon's immense library of
sounds
Hardware Plug-In capability inside Mac® VST®,
Audio Units, or RTAS software
32-bit floating point processing
Sample rates up to 96kHz
External BNC Wordclock
MIDI in, out, and thru
1024 user presets
Compact Flash for additional storage
GB2
GB SERIES
GB2
Frequency Response
Mic/Line Input to any output
►20Hz – 20kHz, < 1dB
T.H.D.
Mic sens. -30dBu, +20dBu at all outputs
►< 0.006% @ 1kHz
Noise
►Measured RMS, 22Hz to 22kHz
Bandwidth
Mic Input E.I.N. @ unity gain
►< -128dBu (150Ω source)
Mix Output, 40 inputs routed to mix
►< -82dBu
Group Outputs ►< -83dBu
Aux Outputs ►< -80dBu
Matrix Outputs ►< -89dBu
Crosstalk (@ 1kHz)
Input channel muting ►< -97dB
Input fader cutoff ►< -95dB
Input pan pot isolation ►< -75dB
Mix routing isolation ►< -97dB
Group routing isolation ►-97dB
Adjacent channel isolation ►< -99dB
Group-Mix crosstalk ►< -84dB
Aux send off ►< -84dB
Matrix send off ►< -84dB
Typical CMRR at max gain @ 1kHz
►80dB
Filter HP (mono input) 100Hz,
►18dB/octave
EQ (Mono Input)
HF ►13kHz, +/-15dB
Hi-Mid ► 550Hz – 13kHz, +/-15dB
Lo-Mid ► 80Hz – 1.9kHz, +/-15dB
LF ►80Hz, +/-15dB
Q ►1.5
Metering
Input channels
►Signal present and peak LEDs
Left and right output channels
► tri-colour 12-segment LED bargraphs
ri-colour 12-segment LED bargraphs
ri-colour 12-segment LED bargraphs
Power
►AC mains supply (internal PSU) 85V270V AC, 50/60Hz universal input
Power consumption ►Less than 150W
Operating Conditions
Temperature Range ► -10°C to +30°C
Humidity ► 0% to 80%
Input & Output Levels
Mono & Stereo Mic Inputs ►+15dBu max.
GB2R
Mono & Stereo Line Inputs ►+30dBu
max.
Stereo Inputs & Insert Returns ►+20dBu
max.
All Outputs ►+20dBu max.
Nominal operating level ►0dBu max.
Headphone power ► 2 x 250mW into
200Ω phones
Input & Output Impedances
Mic Input ► 2kΩ
Line Inputs and Stereo Returns ► 10kΩ
Input Channel Insert Return ► 5k (with
EQ in, otherwise worst case 3kΩ
Mix, Group, Aux, Matrix & Direct outputs
► 150Ω
Insert Sends ► 75Ω
Recommended headphone impedance
► 50-600Ω
Height
All frame sizes ► 159mm
Width
16 channel ► 790mm
24 channel ► 1013mm
32 channel ► 1247mm
Depth
All frame sizes ► 656mm
Weight
16 channel ► 22 kg
24 channel ►25 kg
32 channel ► 30 kg
GB2
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
16, 24, 32 channel frame sizes
12 busses
2 full feature stereo channels
2 stereo returns (on stereo channels)
6 Aux sends
4 sub groups (paired)
6x2 output matrix
GB30 mic preamp and precision equalisation circuitry
Direct outputs on every mono channel
Talkback facility
100mm faders
Switchable 48V phantom powering on every channel
100Hz high pass filter
12-segment LED metering
Record output
GB2R
Frequency Response
Mic/Line Input to any output
► 20Hz – 20kHz, < 1dB
T.H.D.
Mic sens. -30dBu, +10dBu at all outputs
► < 0.006% @ 1kHz
Noise
► Measured RMS, 22Hz to 22kHz
Bandwidth
Mic Input E.I.N. @ unity gain
► < -128dBu (150Ω source)
Mix Output, 16 inputs routed to mix
► < -86dBu
Group Outputs ► < -86dBu
Aux Outputs ► < -86dBu
Crosstalk (@ 1kHz)
Input channel muting ►< -97dB
Input fader cutoff ►< -95dB
Input pan pot isolation ►< -77dB
Mix routing isolation ►< -97dB
Group routing isolation ►< -97dB
Adjacent channel isolation ►< -99dB
Group-Mix crosstalk ►< -89dB
Aux send off ► < -84dB
Typical CMRR at max gain @ 1kHz
►90dB
Filter
HP (mono input) ►100Hz, 18dB/octave
EQ (Mono Input)
HF ►13kHz, +/-15dB, 2nd order shelving
Hi-Mid ►550Hz – 13kHz, +/-15dB
Lo-Mid ►80Hz – 1.9kHz, +/-15dB
LF ►80Hz, +/-15dB, 2nd order shelving
Q ►1.5
EQ (Stereo Input)(GB2R 12/2 only)
HF ►13kHz, +/-15dB, 2nd order shelving
Hi-Mid ►2kHz, +/-15dB
Lo-Mid ►450Hz, +/-15dB
LF ►80Hz, +/-15dB, 2nd order shelving
Q ►0.8
Metering
Input channels
►Single LEDs, Signal Present and Peak
Left and right output channels .
►tri-colour 12-segment LED bargraphs
Power
► AC mains supply (internal PSU) 85V270V AC, 50/60Hz universal input
Power consumption ►Less than 150W
Operating Conditions
Temperature Range ►-10°C to +30°C
Humidity ►0% to 80%
Input & Output Levels
Mono & Stereo Mic Inputs
►+15dBu max.
Mono & Stereo Line Inputs
►+30dBu max.
Stereo Returns & Insert Returns
►+20dBu max.
Any Output ►+20dBu max.
Nominal operating level ►0dBu max.
Headphone power
►2 x 250mW into 200Ω phones
Input & Output Impedances
Mic Input ►2kΩ
Line Inputs and Stereo Returns ►10kΩ
Input Channel Insert Return
►5k (with EQ in,otherwise worst case
3kΩ
Mix, Group, Aux, & Direct outputs ►150Ω
Insert Sends ►75Ω
Recommended headphone impedance
►50-600Ω
Depth (at deepest point)
Rearcon rotated to rack mount
Both models ►159mm
Rearcon rotated for desktop use
Both models ►190mm
Width
With rack ears
Both models ►483mm
Without rack ears
Both models ►440mm
Height
Both models ►445mm
Weight
GB2R 12/2 ►12.2 kg
GB2R 16 ►12.2 kg
GB2R
? 19" rack-mountable or tabletop mixer
? 12/2 channel version with 12 mono inputs and 2 stereo inputs, stereo
Sub Group Output, Mix and Mono Sum Outputs – total inputs to mix 26
? 16 channel version with 16 mono inputs, Stereo Mix and Mono Sum
?
?
?
?
?
?
?
?
?
?
?
outputs – total inputs to mix 22
8 (GB2R 16) or 10 (GB2R 12/2) busses
2 stereo inputs (GB2R 12/2 only)
GB30 mic preamp and precision equalisation circuitry
6 Aux Outputs
Direct Outputs on every mono channel
100mm faders
Switchable +48V phantom power on every mic input
100Hz high pass filter
12-segment LED metering
Internal switched mode power supply
Record output
GB8
GB SERIES
GB8
Frequency Response
Mic/Line Input to any output
►20Hz – 20kHz, < 1dB
T.H.D. Mic sens. -30dBu, +20dBu at all
outputs ►< 0.006% @ 1kHz
Noise
►Measured RMS, 22Hz to 22kHz
Bandwidth
Mic Input E.I.N. @ unity gain
►< -128dBu (150Ω source)
Mix Output, 40 inputs routed to mix
►< -82dBu
Group Outputs ►< -83dBu
Aux Outputs ►< -80dBu
Matrix Outputs ►< -89dBu
Crosstalk (@ 1kHz)
Input channel muting ►< -97dB
Input fader cutoff ►< -95dB
Input pan pot isolation ►< -75dB
Mix routing isolation ►< -97dB
Group routing isolation ►< -97dB
Adjacent channel isolation ►< -99dB
Group-Mix crosstalk ►< -84dB
Aux send off ►< -84dB
Matrix send off ►< -84dB
Typical CMRR at max gain @ 1kHz
►80dB
Filter
HP (mono input) ►100Hz, 18dB/octave
EQ (Mono Input)
HF ►13kHz, +/-15dB
Hi-Mid ►550Hz – 13kHz, +/-15dB
Lo-Mid ►80Hz – 1.9kHz, +/-15dB
LF ►80Hz, +/-15dB
Q ►1.5
Metering
Input channels
►tri-colour 4-segment LED bargraph
Output channels
►tri-colour 12-segment LED bargraphs
Power
►AC mains supply (internal PSU) 85V270V AC, 50/60Hz universal input
Power consumption ►Less than 150W
Operating Conditions
Temperature Range ►-10°C to +30°C
Humidity ►0% to 80%
GB4
Input & Output Levels
Mono & Stereo Mic Inputs
►+15dBu max.
Mono & Stereo Line Inputs
►+30dBu max.
Stereo Inputs & Insert Returns
►+20dBu max.
All Outputs ►+20dBu max.
Nominal operating level ►0dBu max.
Headphone power
►2 x 250mW into 200Ω phones
Input & Output Impedances
Mic Input ►2kΩ
Line Inputs and Stereo Returns ►10kΩ
Input Channel Insert Return
►5k (with EQ in,otherwise worst case
3kΩ)
Mix, Group, Aux, Matrix & Direct outputs
►150Ω
Insert Sends ►75Ω
Recommended headphone impedance
►50-600Ω
Height
All frame sizes ►159mm *
Width
24 channel ►1208mm
32 channel ►1442mm
40 channel ►1666mm
48 channel ►1889mm
Depth
All frame sizes ►656mm
Weight
24 channel ►30 kg
32 channel ►35 kg
40 channel ►40 kg
48 channel ►45 kg
* Height with meterpod = 235mm
GB8
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
16, 24, 32, 40 and 48 channel frame sizes
19 busses
4 full feature stereo channels
4 stereo returns
8 Aux sends (all are pre/post switchable)
8 sub groups (SWAP with all 8 Auxes)
11x4 output matrix
Record output with limiter
Alternate stereo output with limiter
1kHz oscillator
Meterpod with 3 high definition LED VU meters (L/C/R)
Internal jumpers switch pre-fade Aux sends to pre-EQ
GB30 mic preamp and precision equalisation circuitry
Direct outputs on every channel
Talkback facility
100mm faders
Switchable 48V phantom powering on every channel
18dB/octave high pass filter
4 mute groups
12-segment LED metering
GB4
Frequency Response
Mic/Line Input to any output
►20Hz – 20kHz, < 1dB
T.H.D.
Mic sens. -30dBu, +20dBu at all outputs
►< 0.006% @ 1kHz
Noise
►Measured RMS, 22Hz to 22kHz
Bandwidth
Mic Input E.I.N. @ unity gain
►< -128dBu (150Ω source)
Mix Output, 40 inputs routed to mix
►< -82dBu
Group Outputs ►< -83dBu
Aux Outputs ►< -80dBu
Matrix Outputs ►< -89dBu
Crosstalk (@ 1kHz)
Input channel muting ►< -97dB
Input fader cutoff ►< -95dB
Input pan pot isolation ►< -75dB
Mix routing isolation ►< -97dB
Group routing isolation ►< -97dB
Adjacent channel isolation ►< -99dB
Group-Mix crosstalk ►< -84dB
Aux send off ►< -84dB
Matrix send off ►< -84dB
Typical CMRR at max gain @ 1kHz
►80dB
Filter
HP (mono input) ►100Hz, 18dB/octave
EQ (Mono Input)
HF ►13kHz, +/-15dB
Hi-Mid ►550Hz – 13kHz, +/-15dB
Lo-Mid ►80Hz – 1.9kHz, +/-15dB
LF ►80Hz, +/-15dB
Q ►1.5
Metering
Input channels
►tri-colour 4-segment LED bargraph
Output channels
►tri-colour 12-segment LED bargraphs
Power
►AC mains supply (internal PSU) 85V270V AC, 50/60Hz universal input
Power consumption ►Less than 150W
Operating Conditions
Temperature Range ►-10°C to +30°C
Humidity ►0% to 80%
Input & Output Levels
Mono & Stereo Mic Inputs
►+15dBu max.
Mono & Stereo Line Inputs
►+30dBu max.
Stereo Inputs & Insert Returns
►+20dBu max.
All Outputs ►+20dBu max.
Nominal operating level ►0dBu max.
Headphone power
►2 x 250mW into 200Ω phones
Input & Output Impedances
Mic Input ►2kΩ
Line Inputs and Stereo Returns ►10kΩ
Input Channel Insert Return
►5k (with EQ in, otherwise worst case
3kΩ)
Mix, Group, Aux, Matrix & Direct outputs
►150Ω
Insert Sends ►75Ω
Recommended headphone impedance
►50-600Ω
Height
All frame sizes ►159mm
Width
12 channel ►730mm
16 channel ►842mm
24 channel ►1065mm
32 channel ►1300mm
40 channel ►1523mm
Depth
All frame sizes ►656mm
Weight
12 channel ►20 kg
16 channel ►22 kg
24 channel ►27 kg
32 channel ►32 kg
40 channel ►37 kg
GB4
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
?
12, 16, 24, 32 and 40 channel frame sizes
15 busses
2 full feature stereo channels
2 stereo returns
8 Aux sends (4 are pre/post switchable)
4 sub groups (SWAP with Auxes 1-4)
7x4 output matrix
Record output with limiter
GB30 mic preamp and precision equalisation circuitry
Direct outputs on every channel
Talkback facility
100mm faders
Switchable 48V phantom powering on every channel
18dB/octave high pass filter
4 mute groups
12-segment LED metering
EPM6, 8, 12
MP RANGE
EFX8
Frequency Response: Mic / Line Input to any Output
►+/-1.5dB, 20Hz – 20kHz
T.H.D.
Mic Sensitivity -30dBu, +14dBu @ Mix output ►< 0.02%
@ 1kHz
Noise:
Mic Input E.I.N. (maximum gain) ►-127dBu (150Ω
source)
Aux, Mix and Masters (@ 0dB, faders down ►< -85dBu
EFX12
HF ►12kHz, +/-15dB
MF ►(EFX Only) 720Hz, +/-15dB
LF ►80Hz, +/-15dB
Power Consumption:
►Less than 35W
Operating Conditions:
Temperature Range ►5°C to +40°C
Crosstalk Channel (@ 1kHz):
Mute ►> 96dB
Fader Cut-off (rel +10 mark) ►> 96dB
Aux Send Pots Offness ►> 86dB
Input & Output Levels:
Mic Input ►+15dBu max.
Line Input ►+30dBu max.
Stereo Input ►+30dBu max.
Mix Output ►+20dBu max.
Headphones (@150Ω) ► 300mW
EQ (Mono inputs):
HF ►12kHz, +/-15dB
MF (swept) ►150Hz – 3.5kHz, +/-15dB
LF ►80Hz, +/-15dB
Q ►1.5
Input & Output Impedances:
Mic Input ►2kΩ
Line Input ►10kΩ
Stereo Input ►65kΩ (stereo), 35Ω (mono)
Outputs ►150kΩ (balanced), 75Ω (unbalanced)
EQ (Stereo inputs):
Note: These figures are typical of performance in a normal electromagnetic environment and are often exceeded. Performance may be degraded in severe conditions.
All measurements refer to electronically balanced inputs and outputs.
? Built-in Lexicon 24-bit effects (EFX only)
? Multi-point signal channel status monitoring with
proportional illumination
? Precision GB30 mic pre-amps
? True, professional +48V phantom power for
condenser microphones
? Insert points for external processing
? Choice of frame sizes, each with 2 stereo inputs
(EPM - 6/8/12, EFX - 8/12)
? Aux sends globally switchable pre or postfade
(EPM - 2, EFX - 1)
? FX send (EPM - None, EFX - 1)
? Universal internal power supply
? Simple rack mounting options
MFXi 12, 20
MP RANGE
MPMi 12, 20
Frequency Response:
Mic / Line Input to any Output ►+/-1.5dB, 20Hz – 20kHz
HF ►12kHz, +/-15dB
MF ► 720Hz, +/-15dB
LF ► 80Hz, +/-15dB
T.H.D.:
Mic Sensitivity -30dBu, +14dBu @ Mix output ►< 0.01%
@ 1kHz
Power Consumption: ►Less than 40W
Noise:
Mic Input E.I.N. (maximum gain) ►-126.5dBu (150Ω
source)
Aux, Mix and Masters (@ 0dB, faders down) ► < 85dBu
Crosstalk (@ 1kHz):
Channel Mute ►> 96dB
Fader Cut-off (rel +10 mark) ►> 96dB
Aux Send Pots Offness ►> 86dB
EQ (Mono inputs): HF ►12kHz, +/-15dB
MF (swept) ►150Hz – 3.5kHz, +/-15dB
LF ►80Hz, +/-15dB
Q ► 1.5
Operating Conditions:
Temperature Range ►5°C to +40°C
Input & Output Levels:
Mic Input ►+15dBu max.
Line Input ►+30dBu max.
Stereo Input ►+30dBu max.
Mix Output ►+20dBu max.
Headphones (@150Ω) ►300mW
Recommended headphones impedance ►32 - 200Ω
Input & Output Impedances:
Mic Input ► 2kΩ
Line Input ►10kΩ
Stereo Input ►45kΩ
Outputs ►150kΩ (balanced), 75Ω (unbalanced)
EQ (Stereo inputs):
Note: These figures are typical of performance in a normal electromagnetic environment and are often exceeded. Performance may be degraded in severe conditions.
All measurements refer to electronically balanced inputs and outputs.
? Built-in Lexicon 24-bit effects (MFXi only)
? Precision GB30 mic pre-amps
? True, professional +48V phantom power for
condenser microphones
? 2 Group busses
? Stereo Mix output
? Number of Mic inputs, all with 2 stereo line
inputs (MPMi - 21/20, MFXi - 8/12/20)
? Maximum inputs to mix (MPMi - 18/26, MFXi -
16/20/28)
? Aux sends, globally switchable pre or
post-fade (MPMi - 1 + 1 pre fade and 1 post
fade, MFXi - 1 + 1 pre fade)
? FX send (MPMi - none, MFXi - 1)
? Universal internal power supply
? Optional rack ears (standard on 12 channel)
MP RANGE
FX16ii
Frequency Response:
Mic / Line Input to any Output ►+/-1dB, 20Hz –
20kHz
MF (swept) ►150Hz – 3.5kHz, +/-15dB
LF ►80Hz, +/-15dB
Q ►1.5
T.H.D.:
Mic Sensitivity -30dBu, +14dBu @ Mix output ►<
0.09% @ 1kHz
Power Consumption:
►Less than 40W
Noise:
Mic Input E.I.N. (maximum gain) ►-127dBu (150Ω
source)
Aux, Mix and Masters (@ 0dB, faders down) ►< 84dBu
Crosstalk (@ 1kHz):
Channel Mute ►> 96dB
Fader Cut-off (rel +10 mark) ►> 90dB
Aux Send Pots Offness ►> 86dB
EQ (Mono inputs):
HF ►12kHz, +/-15dB
Operating Conditions:
Temperature Range ►5°C to +40°C
Input & Output Levels:
Mic Input ►+15dBu max.
Line Input ►+30dBu max.
Stereo Input ►+30dBu max.
Mix Output ►+20dBu max.
Headphones (@150Ω) ►300mW
Input & Output Impedances:
Mic Input ►2kΩ
Line Input ►10kΩ
Stereo Input ►65kΩ (stereo), 35Ω (mono)
Outputs ►150kΩ (balanced), 75Ω (unbalanced)
Note: These figures are typical of performance in a normal electromagnetic environment and are often exceeded. Performance may be degraded in severe conditions.
All measurements refer to electronically balanced inputs and outputs.
26 inputs as standard
16 mono channels with UltraMic™ preamps
4 stereo returns
4-bus architecture with sub-group routable to mix
24-bit Lexicon effects processor
Direct outputs for multitrack recording individually
switchable for pre/post fade operation
? 100mm faders
? Inserts on all mono channels
? Inserts on stereo mix bus
?
?
?
?
?
?
?
?
?
?
?
?
?
3-band ‘British’ EQ with swept mid-band
100Hz high-pass filter
+48V phantom power
10 segment tri-coloured metering
2 sub-group outputs
Rack mountable with rotating rear panel
Universal internal power supply
Si COMPACT
16
24
Frequency Response
Mic input to Line output +0/-1dB, 20Hz – 20kHz
Stereo input to master output +0.5/-0.5dB, 20Hz – 20kHz
T.H.D. & Noise (10Hz - 22kHz)
Mic In (min gain) to Bus output 0.006% @ 1kHz
Mic In (max gain) to Bus output 0.008% @ 1kHz
Stereo input to master output 0.005% @ 1kHz
Mic Input E.I.N.
22Hz-22kHz bandwidth, unweighted <-126dBu (150 Ohm
source)
Residual Noise
Master output; no inputs routed, Mix fader @0dB <-88dBu
CMRR 80dB @ 1kHz Mic input
Sampling Frequency 48kHz
Convertor Resolution 24 bit
Latency
Mic Input to Bus output < 1ms @48kHz
DSP Resolution 40-bit floating point
Internal Clock
Accuracy < +/- 50ppm
Jitter < +/- 5ns
Input & Output Levels
Mic Inputs +26dBu max
Stereo Inputs / Returns +22dBu max
Bus Outputs +22dBu max
Nominal Operating Level 0dBu (-22dBFS)
Input & Output Impedances
Mic Inputs 6.8 kOhms
All other analogue Inputs >10 kOhms
Line Outputs <75 Ohms
Oscillator 20Hz to 20kHz Sine/Pink Noise, variable level
Filters
Channel HP Filter 22Hz-1kHz, 18dB per octave
EQ (Inputs and Bus Outputs)
HF 800Hz-20kHz, +/-15dB shelving
Hi-Mid 22Hz-20kHz, +/-15dB, Q=0.3-6.0
32
Lo-Mid 22Hz-20kHz, +/-15dB, Q=0.3-6.0
LF 22Hz-500Hz, +/-15dB shelving
Metering
7x 8 segment meters for selected channel/bus, masters &
monitors
Each fader strip offers 4 segment level plus gain reduction &
Gate Closed status
Mains Voltage Operating Range 90-264V, 47-63Hz,
autoranging
Mains Power Consumption 200W
Temperature/Humidity Range
Operating Temperature Range 0°C – 45°C
Relative Humidity 0% – 90%, non-condensing Ta=40°C
Storage Temperature Range -20°C – 60°C
Dimensions
Height 168mm
Depth 520mm
Width
Si Compact 16 445mm (482mm/19" with rack kit)
Si Compact 24 716mm
Si Compact 32 928mm
Weights
Si Compact 16 11.8kg
Si Compact 24 15.5kg
Si Compact 32 19.2kg
Optional Compact Stagebox
Add up to 32 input sources remotely for patching to the
channels.
Frames with 16 (19" rackmount), 24 or 32 mono inputs and 4 stereo channels to mix
14 mono aux busses
? 4 FX busses
? 4 Matrix busses
? LRC Mix busses
? 4 Stereo Lexicon Effects engines
? 4 Mute Groups
? 4 assignable insert send/returns (24 and 32 models)
? Harman HiQnet integration
?
?
Si SERIES
Si1 / Si2 / Si3
Frequency Response
Mic input to Line output
►+0/-1dB, 20Hz-20kHz
Stereo input to master output
►+0/-0.5dB, 20Hz-20kHz
T.H.D. & Noise 10Hz-22kHz
Mic In (min gain) to Bus output
►0.006% @ 1kHz
Mic In (max gain) to Bus output
►0.008% @ 1kHz
Stereo input to master output
►0.005% @ 1kHz
Mic Input E.I.N.
22Hz-22kHz bandwidth, unweighted
►<-126dBu (150 Ohms source)
Residual Noise
Master output; no inputs routed, Mix fader @0dB
►<-88dBu
CMRR
►80dB @ 1kHz Mic input
Sampling Frequency
►48kHz
Convertor Resolution
►24 bit
Latency
Mic Input to Bus output
►< 1ms @48kHz
AES/EBU Input Sample Rate
►32–108kHz (with SRC
enabled)
DSP resolution
►40-bit floating point
Internal clock
Accuracy
►< +/-50ppm
Jitter
►< +/-5ns
Input & Output Levels
Mic Inputs
►+26dBu max
Stereo Inputs / Returns
►+28dBu max
Bus Outputs
►+22dBu max
Nominal Operating Level
►0dBu (-22dBFS)
Input & Output
Mic Inputs
►6.8 kOhms
Impedances
All other analogue Inputs
►>10 kOhms
Line Outputs
►<75 Ohms
Oscillatior ►20Hz to 20kHz Sine/Pikn Noise, variable level
Filters
Channel HP Filter
►22Hz-1kHz, 18dB per octave
Channel LP Filter
► 500Hz-20kHz, 18dB per octave
EQ (Inputs and Bus Outputs)
HF
►22Hz-1kHz, +/-15dB, Q=0.3-6.0 or Shelving
Hi-Mid
► 22Hz-1kHz, +/-15dB, Q=0.3-6.0
Lo-Mid
►22Hz-1kHz, +/-15dB, Q=0.3-6.0
LF
►22Hz-1kHz, +/-15dB, Q=0.3-6.0 or Shelving
Metering
►Internal 14-segment LED bargraphs 12section plus 9-section gain reduction OLED
meters for all Inputs
? 80 inputs to mix (Si3)/64 inputs to mix (Si2) /48
inputs to mix (Si1)
? 64 mono mic inputs (Si3) /48 mono mic inputs
(Si2) /32 mono mic inputs (Si1)
? 4 stereo inputs and 4 dedicated FX returns, plus 8
assignable external inserts
? 24 Group/Aux/FX busses
? 8 Matrix busses with sends from all Group, Aux,
FX and Main L/R/C busses
? 12 VCA Groups and 8 independent Mute Groups
? 4-band fully parametric EQ on every input and
Mains Voltage operating range
►90-264V, 47-63Hz,
autoranging
Mains Power Consumption
►400W
Temperature
Operating Temperature Range
►0ºC – 45ºC
Humidity Range
Relative Humidity
►0% – 90%, non-condensing Ta=40ºC
Storage Temperature Range
► -20ºC – 60ºC
DIMENSIONS & WEIGHT
Height
Si1
Si2
Si3
Width
Si1
Si2
Si3
Depth
Si1
Si2
Si3
Weight
Si1
Si2
Si3
►340mm
►340mm
►340mm
►1202mm
►1414.8mm
►1684.6mm
►791mm
►791mm
►791mm
►38kg
►48kg
►61kg
►64 mono mic inputs (Si3)
►48 mono mic inputs (Si2)
►32 mono mic inputs (Si1)
output, with HPF on every input
? 35 full 30-band BSS Audio graphic equalisers
? 4 independent stereo Lexicon FX processors
? Compressor and gate on every input, compressor
on every output
? Delay adjustable on every input and output
? Metering for every Group/Aux/FX, Masters and
Monitors/Solo
? Full DSP horsepower to handle all functions at any
time.
Vi SERIES
Vi1
FREQUENCY RESPONSE
Stagebox Mic input to Line output ►+0/-1dB, 20Hz-20kHz
AES/EBU In to AES/EBU Out
►+0/-0.2dB, 20Hz-20kHz
T.H.D. & NOISE
Mic In (min gain) to Local Line Out,
22Hz-22kHz
►<0.003% @ 1kHz
Mic In (max gain) to Local Line Out,
22Hz-22kHz
►<0.020% @ 1kHz
Mic Input E.I.N (22Hz-22kHz bandwidth,
unweighted
►<-126dBu (150Ω source)
Residual Noise, local Line output; no inputs routed,
Mix fader @0dB
►-91dBu
CMRR, Mic input
►80dB @ 1kHz
Sampling Frequency
►48kHz
Latency, Mic Input to Line output ►< 2ms @48kHz
DSP resolution
►40-bit floating point
Internal clock accuracy
►< +/-50ppm
Internal clock jitter
►< +/-5ns
External Sync
►BNC Wordclock, AES/EBU sync in, Video sync in
Input & Output Levels Mic Inputs ►+25dBu max
Line Inputs
►+22dBu max
Line Outputs
►+22dBu max
Nominal Operating Level
►0dBu (-18dBFS)
Input & Output Impedances Mic Inputs
►>6kΩ
Line Outputs
►<75Ω
AES/EBU Outputs
►110Ω
Oscillator
►20Hz to 20kHz/Pink/White Noise, variable level
Stagebox HP Filter
►80Hz fixed, 12dB per octave
Channel HP filter
►20Hz-600Hz, 18dB per octave
Channel LP filter
►1kHz-20kHz, 18dB per octave
EQ (Inputs and bus Outputs)
?
?
?
?
?
?
Analogue/Digital:
Frame Sizes:
Stereo Channels:
Digital I/O:
FX Processors:
Groups:
Digital
64
variable
Yes
4
24
HF:
Hi-Mid:
Lo-Mid:
LF:
Metering
►20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving
►20Hz-20kHz, +/-18dB, Q=0.3-8.7
►20Hz-20kHz, +/-18dB, Q=0.3-8.7
►20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving
►Internal 11-segment LED bargraphs plus 4segment gain reduction meters for all inputs and
Outputs.
Peak hold variable from 0-2s.
Mains Voltage operating range
►90-264V, 47-63Hz,
autoranging
Mains Power Consumption
►100W
Operating Temperature Range
►0°C – 45°C
Relative Humidity
►0% – 90%, non-condensing Ta=40°C
Storage Temperature Range
►-20°C – 60°C
?
?
?
?
?
?
EQ Bands:
Aux Sends:
Returns:
Direct Outputs:
Matrix Outputs:
Main Bus Out:
4
24
0
Yes
8
LRC
Vi SERIES
Vi2 / Vi4 / Vi6
Frequency Response
Stagebox Mic input to Line output
►+0/-1dB, 20Hz-20kHz
AES/EBU In to AES/EBU Out
►+0/-0.2dB, 20Hz-20kHz
T.H.D. & Noise
22Hz-22kHz
Stagebox Mic In (min gain) to Local Line Out
►<0.003% @ 1kHz
Stagebox Mic In (max gain) to Local Line Out
►<0.020% @ 1kHz
Local Line In to Line Out (max gain)
►<0.003% @ 1kHz
Mic Input E.I.N.
22Hz-22kHz bandwidth, unweighted
►<-126dBu (150Ω source)
Residual Noise
Stagebox line output; no inputs routed, Mix fader @0dB
►-95dBu
CMRR
Stagebox Mic input
►80dB @ 1kHz
Sampling Frequency
►44.1kHz, 48kHz (96kHz with DSP upgrade, when available)
Latency
Stagebox Mic Input to Local Line output
►< 2ms @48kHz
AES/EBU Input
►32–108kHz (with SRC enabled)
Sample Rate
DSP resolution
►40-bit floating point
Internal clock
Accuracy
►< +/-50ppm
Jitter
►< +/-5ns
External Sync
►BNC Wordclock, AES/EBU sync in, Video sync in
Oscillator
►20Hz to 20kHz/Pink/White Noise, variable level
Stagebox HP Filter
►80Hz fixed, 12dB per octave
Channel HP filter
►20Hz-600Hz, 18dB per octave
Channel LP filter
►1kHz-20kHz, 18dB per octave
EQ (Inputs and bus Outputs)
HF:
►20Hz-20kHz, +/-18dB
Hi-Mid:
►20Hz-20kHz, +/-18dB
Lo-Mid:
►20Hz-20kHz, +/-18dB
LF:
►20Hz-20kHz, +/-18dB
Q:
►0.3-8.7
Metering
►Internal 20-segment LED bargraphs plus 9-segment gain
reduction meters for all inputs and Outputs. Peak hold variable
from 0-2s.
Mains Voltage operating range
►90-264V, 47-63Hz, autoranging
Mains Power Consumption
Control Surface:
►155W (165W redundant option)
Local Rack:
►140W (150W redundant option)
Stagebox*:
►140W (150W redundant option)
? Digital live sound consoles with highly intuitive
pairs assignable to any of the input or output
channels
? Vi2 uses standard stagebox/local rack hardware to
handle as many inputs as Vi4 and Vi6 on compact
control surface with 8 input faders
? 32 Group/Aux/Matrix busses
? 40-bit floating point digital audio processing
? Cat5 or Cat7 connection to remote stagebox
? Optional Fibre Optic interface
? Lexicon / BSS Audio processing
operation
? Vistonics™ II touchscreen interface relieves the
burden of complex mental mapping
? FaderGlow™ illumination of fader tracks for at a
glance status display
? Vi6 offers simultaneous mixing of up to 96 inputs
into 35 outputs, with 24 insert send/return pairs
assignable to any of the input or output channels
? Vi4 offers simultaneous mixing of up to 72 inputs
inputs into 35 outputs, with 24 insert send/return
DIMENSIONS & WEIGHT
Height
Control Surface (Vi6/Vi4/Vi2 – uncased)
Local Rack*
Stagebox*
Width
Control Surface (Vi6 - uncased)
Control Surface (Vi4 - uncased)
Control Surface (Vi2 - uncased)
Local Rack*
Stagebox*
Depth
Control Surface (Vi6/Vi4/Vi2 - uncased)
Local Rack*
Stagebox*
Weight
Control Surface (Vi6 - uncased)
Control Surface (Vi4 - uncased)
Control Surface (Vi2 - uncased)
Local Rack*
Stagebox
►326.4mm
►950mm
►870mm
►1757mm
►1447mm
►846mm
►600mm
►600mm
►725.1mm
►670mm
►540mm
►63kg
►52kg
►31.5kg
►50kg
►40kg
* Standard Flightcase
MICROPHONE STANDS
21020
The industry standard for a mic stand and boom arm combination. Package consists of the 201A/2 microphone stand and the
211 boom arm. Folding base for ease of transport. Long legs for added stability. The 210/2 - a classic for 30 years. More than
2 million sold.
Wt: 3.2 kg, H: 900/1605 mm, BL: 840 mm.
21090
A more compact version of the classic 210/2. The combination of the
long-legged 201A/2 mic stand and the 211/1 telescopic boom arm. Like
the 210/2, the 210/9 sets the standard for professional microphone
boom stands.
Wt: 3.2 kg, H: 900/1605 mm, BL: 460/770 mm.
21430
Mobile heavy steel microphone stand for studio or stage. 10 kg cast metal base, low centre of gravity for
high level safety with 3 lockable castor wheels. Rod combination extends to over 2 m with additional locking
mechanism. Extendable boom arm with a 3 kg counterweight and 5/8" connecting thread. Additional mini
boom arm with 5/8"- and 3/8"- connecting thread, fully adjustable regardless of the position of the main
boom arm, e.g. to use with studio microphones.
Weight: 17.0 kg, H: 1340/2200 mm, boom arm length: 1100/2000 mm, mini boom arm length: 245 mm,
base-diameter 660 mm.
Low-level, telescopic stand with foldable legs. Comes
with 2-piece boom arm. Attractive gray Soft-Touch
powder coating.
Wt: 2.2 kg, H: 425/645 mm, BL: 470/775 mm.
25900
Low-priced all-metal-stand. Consists of tubing assembly, boom arm and zinc die-cast base with long folding legs. Square
swivel joint with large wing nut.
WT: 2.5 kg, H: 1010/1720 mm, BL: 805 mm.
21070
MICROPHONE STANDS
25400
Entry-level, low-priced microphone stand. The practical swivel joint allows the one-piece boom arm to be simultaneously
positioned for tilt and length. Thanks to a low weight of only 1.85 kg, it is particularly suitable for the mobile musician. The
stand requires little space as its base diameter is only 660 mm. The large foot end caps help to make the stand stable and
reduce unpleasant transmission noise.
H: 890 -1600 mm, BL: 680 mm, Weight: 1.85 kg
25960
26010
Low profile roundbase mic stand with
telescopic boom arm,
designed for bass
drums and acoustic
instruments. Heavy
cast-iron round base, with anti-vibration rubber insert for noise filtration.
Wt: 6.0 kg, H: 430 mm, BL: 425/725 mm, base-diameter 250 mm.
Cast-iron round base, with anti-vibration rubber insert for noise filtration. Attractive gray Soft-Touch powder coating.
Wt: 3.6 kg, H: 870/1575 mm, round base-diameter 250 mm.
27195
Inexpensive stand with professional features. Fiberglass-reinforced plastic base with foldable legs.
Complete with extendable boom arm.
Wt: 2.5 kg, H: 900/1600 mm, BL: 425/725 mm.
MICROPHONE STANDS
26085
With the unique »Soft-Touch« one-hand clutch the height can be adjusted with a quick squeeze to easily raise and lower
the mic. Sleek, flat, cast-iron base is very stable and durable. Quality black powder coating is extremely durable.
Wt: 3.2 kg, H: 1060/1790 mm.
23105
Inexpensive, handy table microphone stand for professional use. Sturdy
plastic base with collapsible light-weight plastic legs and 3/8" thread.
Wt: 0.1 kg, H: 70 mm.
23850
Easy running microphone desk arm with 3/8" or 5/8" thread for studios
and multi-media workstations; black powder-coated. Easy to handle.
The microphone arm keeps the position which you select. The
included screw-on clamp (adjust-able up to 55 mm) or the additional
available table flange offer a multi-purpose use. Max. load capacity
0.8 kg. 5 m microphone cable (3-pole XLR connection) is included.
Arm lengths: 460 mm + 500 mm.
MICROPHONE STANDS
23860
This is a new microphone arm in a modern design for fast and
flexible microphone positioning in studios or multimedia
workplaces. The internal microphone cable with a 3 pin XLR
connection is 6 m long. The aluminium table clamp can be
attached to a table top depth of max. 55 mm. Microphones to max. weight of 1.5 kg can be freely positioned. The microphone arm can optionally be fixed with the
additionally obtainable table flange 23855.
Weight: 1,4 kg, arm lengths: 460 mm + 500 mm.
23550
Connects to top of mic stands for holding 2 microphones or
boom arms. 3/8" locking screws, adjustable from 60 to 172
mm.
Wt: 0.1 kg, L: 200 mm.
21140
Two-piece telescopic boom arm with 3/8" thread. Complete with locking washer
and plastic grip. Smooth, silent and scratch-free adjustment thanks to large
wing nut.
Wt: 0.6 kg, BL: 425/725 mm.
23266
Unique and small table mic stand with compact base. With anti-vibration felt insert for noise filtration. 3/8"
thread.
Wt: 0.3 kg, H: 60 mm.
SPEAKER STANDS
21460
The world-wide acclaimed speaker stand has been upgraded. All clamps are now high quality zinc
die-cast. The new leg construction and large fixed foot end caps enhance safety and stability even
further. This professional stand is TÜV (German Technical Supervisory Agency) approved for a
maximum central load capacity of 50 kg. Other features such as the pull-out guard for the extension
tube, the integral anti-shock component and comfortable height adjustment with spring-loaded bolt
and locking screw have of course been retained.
GS-approved for loads up to 50 kg. Wt: 4.3 kg, H: 1375/2185 mm.
21300
A high quality steel speaker stand with zinc
die-cast clamps for professional use. Infinitely
variable height adjustment with a hand crank
and push button system which prevents an
uncontrolled reverse motion. There is an
additional locking screw for extra safety.
Extension tube diameter 35 mm, suitable for
speakers and lighting crossbars with an
integrated M10 thread connector.
GS-approved for loads up to 50 kg. Wt: 8.6
kg, H: 1385/2180 mm.
21435
he standard speaker stand constructed from steel tubing has been significantly improved. The new legs
with a tubing diameter of 35 mm and the large, fixed foot end caps guarantee stability and safety. Lasered
bore holes and durable, robust plastic saddle washers improve the coefficient of friction between the legs
and braces and prevent scratching of the finish. A compact clamp with a patented push-button system
affords user-friendly stand height adjustment. The locking screw provides additional stability and
vibration-free speaker mount. Additional features include a pull-out guard for the extension tube, the
mounting aid and an integral anti-shock component.
GS-approved for loads up to 35 kg. Wt: 5.3 kg, H: 1320/2020 mm.
21436
The standard speaker stand constructed from
aluminum has been significantly improved.
The new legs with a tubing diameter of 35
mm and the large, fixed foot end caps
guarantee stability and safety. Lasered bore
holes and durable, robust plastic saddle
washers improve the coefficient of friction
between the legs and braces, and prevent
scratching of the finish. A compact clamp with
a patented push-button system affords userfriendly stand height adjustment. The locking
screw provides additional stability and
vibration-free speaker mount. Additional
features include a pull-out guard for the
extension tube and an integral anti-shock
component.
GS-approved for loads up to 35 kg. Wt: 3.2
kg, H: 1320/2020 mm.
INSTRUMENT STANDS
17540
For electric guitars. Stable, sturdy, simple and easy to adjust and fold. Width adjusts from 220 to 350 mm. Support
arms are covered with exclusive non-marring material to protect instrument finishes.
Wt: 2.0 kg, H: 420 mm.
17541
For acoustic guitars. Stable, sturdy, simple and easy to adjust and
fold. Width adjusts from 220 to 350 mm. Support arms are covered
with exclusive non-marring material to protect instrument finishes.
Wt: 2.0 kg, H: 420 mm.
18940
Extendable X-style keyboard stand with patented quick-release push button height-adjustment mechanism.
The 18940 is designed to hold two keyboards with the optional 18941 stacker, or to hold optional boom arm
and music desk. Non-marring pads to protect instruments. Adjustable end cap to stabilize the stand on
uneven surfaces.
Maximum load capacity: 40 kg, Wt: 4.3 kg, H: 485/1000 mm, W: 230/875 mm, D: 350 mm.
18990
Heavy-duty adjustable steel construction with double
square tubular cross supports. Patented push-button quick-release mechanism for easy operation. Nonmarring pads on support arms. Will accommodate second keyboard with optional stacker 18941 or boom
arm and music desk. Adjustable end cap to stabilize the stand on uneven surfaces.
Maximum load capacity: 40 kg, Wt: 6.0 kg, H: 480/1000 mm, W: 230/895 mm, D: 350 mm.
18941
Optional stacker for 18940 and 18990, fully
adjustable in height, depth and tilt to
accomodate various types of instruments. Allmetal construction, black powder-coated. Big
non-marring pads to protect the keyboard. The
new all-metal teeth locking devices ensure tight
non-slip settings at any position.
Maximum load capacity: 20 kg, Wt: 2.0 kg, H:
290 mm, W: refer to model 18940 or 18990, D:
340 mm.
18850
The keyboard stand of the future from K&M - the »Spider«. This is innovative design in combination with very modern
technology. Its sturdy aluminum section column rests on four aluminum tube legs, which provide the greatest possible
freedom of movement of the legs. Infinitely variable adjustment of the height of the support arms can be carried out at
the flick of a wrist by means of an ergonomically shaped clamp screw. For transport, the legs and the support arms fold
up. The small packing unit can then be transported in a carrier bag (Order-No. 18851). The »Spider« can be equipped
with further support arms.
Maximum load capacity per tier: 35 kg, Wt: 9.2 kg; H: 1410 mm, Depth: 280 mm.
Additional support arms for keyboard stand »Spider«, black or silver.
Comes with clamp to attach the arms to the column.
Wt: 0.65 kg.
18855
21333
DISTANCE RODS
Connecting rod for satellite systems. Steel tubing.
Wt: 0.8 kg, H: 745 mm.
21336
Connecting rod for satellite systems. With spring-loaded locking screw and safety bolt. Steel tubing.
Wt: 2.4 kg, H: 945/1475 mm.
21334
21337
Connecting rod for satellite systems with M20 bolt. Steel tubing.
Wt: 1.33 kg, H: 880 mm.
Steel tube combination to connect satellite systems. With M20 bolt to attach connector plate 24116 for precise fit.
Wt: 2.7 kg, H: 905/1450 mm.
DISTANCE RODS
21338
Solid steel tubing to connect satellite systems. Height-adjustment by hand crank. Extra safety features
provided
by additional push-button and locking screw to avoid uncontrolled reverse motion.
Wt: 3.7 kg, H: 1040/1605 mm.
21339
Same as 21338, but with thread bolt M20 for connector plate 24116 for zero backlash and absolute vertical
position.
Wt: 3.8 kg, H: 935/1520 mm.
21340
An unstable satellite system – who needs it? Loudspeakers can be attached tightly and safely with the
patented »Ring Lock« system. A comfortable hand crank allows you to adjust the height of even the
heaviest of speakers both easily and safely. An M20 threaded bolt and the patented expanding
mandrel guarantee a professional and exceptionally safe system.
MISCELLANEOUS
ACCESSORIES
24116
Zinc die-cast plate. Attachable to speakers. Diameter 105 mm. Four 6.5
mm holes. May be used with distance rods with M20 bolt.
Wt: 0.3 kg.
19670
For speaker stands with tube diameter of 35 mm. Angle adjustable to 15°.
Secured by locking screw.
Maximum centrical load capacity: 25 kg. Wt: 0.6 kg, H: 230 mm.
24622
Attaches to lighting / speaker stands with extension tube diameter of 35 mm, easy-to-use locking
screw fixing. Aluminum cross bar with 4 boreholes for up to 8 spotlights. Optional corresponding
screw fitting set 24621 available.
Holds up to 20 kg central load. Wt: 0.7 kg, Dimensions: Diameter 35 x 1230 mm.
24637
4 fittings to mount spotlights to lighting stand
24620 or cross bar 24622.
Wt: 0.35 kg.
24621
Attaches to K&M light stand 24635. Accommodates 4 spot lights. Light-weight aluminum tubing
with tube-diameter 36 mm.
Load capacity up to 8 kg. Wt: 0.6 kg, L: 665 mm.
23855
Suitable for microphone arm 23850.
19580
Attachable to speakers.
Slip-on adapter for speaker stands with tube diameter 35 mm.
Flange 175 x 110 mm with two slots 35 x 9,5 mm.
Spacing of hole: 100 - 152 mm. Wt: 0.7 kg.
21700
3/8" female thread, 5/8" 27 gauge male thread.
Microphone stage cables - MY206
CABLES
Multicore microphone cables - PW8/12/16/24/32
MY206
PW8, PW12, PW16, PW24, PW32
Conductor:
stranded bare copper, 28 x 0.10 mm
Cross Section:
0.22 mmイ
Insulation:
PE
Core Arrangement:
2 cores + cotton tracers, twisted
Shielding:
bare copper spiral shield
Outer Jacket:
PVC, matt
Overall Diameter:
6.15 mm
Min. Bending Radius:
30 mm
Working Temperature:
-20 °C / +70 °C
Working Temperature:
-20 ーC / +70 ーC
Conductor Resistance:
< 85 Ω/km
Cond./Cond.:
60 pF/m
Cond./Shield:
110 pF/m
Insulation Resistance:
> 100 MΩ x km
Colour:
MY206SW black
MY206BL blue
MY206RT red
MY206GE yellow
MY206GN green
MY206GR grey
Weight:
45 g/m
Standard length (m):
100 / 500
Max. length/reel (m):
3000 m
Conductor:
stranded bare copper, 7 x 0,20 mm
Cross Section:
0.22 mm2
Insulation:
PE, red & blue
Core Arrangement:
2 cores twisted to a pair
Pair Shielding:
stranded tinned copper drain wire + AL/ PETP foil
Pair Jacket:
PVC, color coded and numbered in steps of 8 pairs
Cable Stranding:
n pairs twisted in layers
Overall Jacket:
PVC, soft, matt
Min. Bending Radius:
5 x overall diameter
Working Temperature:
-20 ° C / +70 ° C
Conductor Resistance:
< 85 Ω/km
Capacitance
Cond./Cond.:
95 pF/m
Cond./Shield:
170 pF/m
Crosstalk Attenuation:
> 100 dB (15 kHz)
Insulation Resistance:
> 50 GΩ x km
Test Voltage
Cond./Cond.:
1000 V
Cond./Shield:
500 V
Colour:
Black
Outer O
Weight
Standard
Reel
PW02
PW04
PW08
PW12
PW16
PW20
PW24
PW32
8.0 mm
9.5 mm
12.5 mm
15.0 mm
17.5 mm
19.0 mm
22.0 mm
24.0 mm
70 g/m
100 g/m
200 g/m
250 g/m
340 g/m
420 g/m
490 g/m
630 g/m
50 / 100
50 / 100
50 / 100
50 / 100
50 / 100
50 / 100
50 / 100
50 / 100
Max. Length /
Length [m]
1000 m
1500 m
1000 m
1000 m
750 m
500 m
500 m
400 m
NA2FBNC
3 pole XLR female - BNC socket
Wired according to IEC 268-12: pin 2 = signal,
pin 1 and 3: connected to ground
NA2FP
3 pole XLR female - Mono 1/4" plug (Tip, Sleeve
contact)
Wired according to IEC 268-12: pin 2 = signal
pin 1 and 3: connected to ground
ADAPTERS
NA2FPMF
3 pole XLR female - RCA / phono socket
Wired according to IEC 268-12: pin 2 = signal
pin 1 and 3: connected to ground
NA2FPMM
3 pole XLR female - RCA / phono plug
Wired according to IEC 268-12: pin 2 =
signal pin 1 and 3: connected to ground
NA2MBNC
3 pole XLR male - BNC socket
Wired according to IEC 268-12: pin 2 = signal
pin 1 and 3: connected to ground
NA2MP
3 pole XLR male - Mono 1/4" plug (Tip, Sleeve
contact)
Wired according to IEC 268-12: pin 2 = signal
pin 1 and 3: connected to ground
NA2MPMF
3 pole XLR male - RCA / Phono socket
Wired according to IEC 268-12: pin 2 = signal
pin 1 and 3: connected to ground
NA2MPMM
3 pole XLR male - RCA / phono plug
Wired according to IEC 268-12: pin 2 = signal
pin 1 and 3: connected to ground
NA3F5M
3 pole XLR female - Mono 1/4" plug (Tip,
Sleeve contact)
Wired according to IEC 268-12: pin 2 = signal
pin 1 and 3: connected to ground
NA3FJ
3 pole XLR female - Mono 1/4" plug (Tip,
Sleeve contact)
Wired according to IEC 268-12: pin 2 =
signal pin 1 and 3: connected to ground
NA3FM
3 pole XLR female - Mono 1/4" plug (Tip,
Sleeve contact)
Wired according to IEC 268-12: pin 2 =
signal pin 1 and 3: connected to ground
NA3FP
3 pole XLR female - Mono 1/4" plug (Tip,
Sleeve contact)
Wired according to IEC 268-12: pin 2 =
signal pin 1 and 3: connected to ground
NA3M5F
3 pole XLR female - Mono 1/4" plug (Tip,
Sleeve contact)
Wired according to IEC 268-12: pin 2 =
signal pin 1 and 3: connected to ground
NA3MJ
3 pole XLR female - Mono 1/4" plug (Tip,
Sleeve contact)
Wired according to IEC 268-12: pin 2 =
signal pin 1 and 3: connected to ground
NA3MM
3 pole XLR female - Mono 1/4" plug (Tip,
Sleeve contact)
Wired according to IEC 268-12: pin 2 =
signal pin 1 and 3: connected to ground
NA3MP
3 pole XLR female - Mono 1/4" plug (Tip,
Sleeve contact)
Wired according to IEC 268-12: pin 2 =
signal pin 1 and 3: connected to ground
NA4LJX
3 pole XLR female - Mono 1/4" plug
(Tip, Sleeve contact)
Wired according to IEC 268-12: pin 2 =
signal pin 1 and 3: connected to ground
NA3FF
3 pole XLR female - Mono 1/4" plug (Tip,
Sleeve contact)
Wired according to IEC 268-12: pin 2 = signal
pin 1 and 3: connected to ground
? Versatile, pre-wired and ready to use adapters to reliably interlock various connector systems
? Professional look and compact space saving design, based on the X Series (XLR worldwide accepted
standard)
? Rugged diecast shell for best reliability.
NAC3FCA
Cable connector, quick lock with
securing lever, A-type for powerin, screw terminals.
POWERCON
The powerCON is a locking 3
conductor equipment AC
connector with contacts for line,
neutral and pre-mating ground
contact. It replaces appliance
couplers wherever a very rugged solution in combination with a
locking device is needed in order to guarantee a safe power
connection.
NAC3FCB
Cable connector, quick lock
with securing lever, B-type for
power-out, screw terminals.
The powerCON is a locking 3
conductor equipment AC
connector with contacts for
line, neutral and pre-mating
ground contact. It replaces appliance couplers wherever a very
rugged solution in combination with a locking device is needed in
order to guarantee a safe power connection.
(Features for NAC3FCA & NAC3FCB):
? Locking 20 A / 250 V ac appliance coupler
? 3 contacts for line, neutral and premating safety ground
? Power-in (blue) and power-out (grey) versions with different
keying to avoid the possibility of intermating
? Fast and easy twist lock latching system
? Extremely robust and reliable
? Ergonomic design
? User friendly latch design for easy handling
? Unique Neutrik chuck type strain relief
? UL, CUL recognized components, VDE certified, SEV approved
? Branded with unique hologram - guarantees genuine and
authentic Neutrik product
NAC3FCHC
The 32 Amp PowerCon is an
extremely robust and reliable
locking single phase AC
appliance cable connector for
high current capacity (32 A
rated)
It is conceived as a nonstandardized 3 pole connection system without breaking capacity to
serve the needs of high power distribution systems and supplies for
professional audio and lighting equipment and installations. The
connectors comprise of contacts for phase, neutral and protective
earth (ground) conductors rated for currents up to 32 A and for
voltages up to 250V.
NAC3MP-HC
powerCON 32 Amp chassis connector.
The 32 Amp PowerCon is
an extremely robust and
reliable locking single
phase AC appliance cable
connector for high current
capacity (32 A rated). It is
conceived as a nonstandardized 3 pole
connection system without
breaking capacity to serve
the needs of high power
distribution systems and supplies for professional audio and lighting
equipment and installations. The connectors comprise of contacts for
phase, neutral and protective earth (ground) conductors rated for
currents up to 32 A and for voltages up to 250V.
(Features for NAC3FCHC & NAC3MP-HC):
? 250 V ac, 32 Amp single-phase (for ambient temperatures up to
35°C)
? Premating contact for protective earth
? Fast and easy locking system to prevent unintentional
disengagement
? Cable O.D. Range: 8 - 20 mm
? Wiring with screw-type terminals for wires 2.5 to 6.0 mm² (AWG
14 - 10)
? Excellent cable handling and protection
? Extremely robust and reliable
? VDE, UL, CUL and JET approved
NAC3MM-1
The powerCON Coupler for linking cables,
one side with NAC3MPA-1 (power in) and
the other side with NAC3MPB-1 (power
out).
The powerCON is a locking 3 conductor
equipment AC connector with contacts for
line, neutral and pre-mating ground contact. It replaces appliance
couplers wherever a very rugged solution in combination with a
locking device is needed in order to guarantee a safe power
connection.
NAC3MPA-1
Air tight chassis connector, A-type
for power-in, flat tab terminals.
The powerCON is a locking 3
conductor equipment AC
connector with contacts for line,
neutral and pre-mating ground
contact. It replaces appliance couplers wherever a very rugged
solution in combination with a locking device is needed in order to
guarantee a safe power connection.
NAC3MPB-1
Air tight chassis connector, Btype for power-out, flat tab
terminals.
The powerCON is a locking 3
conductor equipment AC
connector with contacts for
line, neutral and pre-mating
ground contact. It replaces
appliance couplers wherever a
very rugged solution in combination with a locking device is needed
in order to guarantee a safe power connection.
(Features for NAC3MM-1, NAC3MPA-1 & NAC3MPB-1):
? Lockable 3-pole equipment (AC) connector with contacts for line,
neutral and pre-mating safety ground.
? High current capacity, rated at 20A / 250V ac
? Fast and easy locking system
? Extremely robust and reliable
? Excellent cable retention
? UL, C-UL recognized components (except for NAC3MM-1)
? VDE and SEV approved
*Attention: The powerCON is a connector without breaking
capacity, i.e. the powerCON should not be connected or
disconnected under load or live!
CHASSIS
CONNECTORS
NC3FD-L-1
3 pole female receptacle.
NC6MP
6 pole male receptacle.
NC4FD-L-1
4 pole female receptacle.
Features:
? Smallest available traditional style metal panel
mount connector with large solder cups for
ease hard wiring.
? Solder contacts
? Nickel housing, silver contacts.
NC5FD-L-1
4 pole female receptacle.
NC6FD-L-1
4 pole female receptacle.
NC3MD-L-1
3 pole male receptacle.
NC4MD-L-1
4 pole male receptacle.
NC3FM-C
World's first 3 pole
unisex XLR cable
connector.
NC6MD-L-1
6 pole male receptacle.
Features:
? Easy selectable
gender converted by
sliding housing back and forth.
? Substitute adapters, ideal as an emergency kit.
? With all benefits of the XLR XX series.
Features:
? Universal D-size metal body XLR panel mount
series. UL recognized component.
? Robust "D" metal shell
? Standardized D sized 24 mm panel cutout
? Solder cups on 3 - 7 pole version
? Nickel housing, silver contacts.
NCJ6FI-S
3 pole XLR female
receptacle with 1/4"
stereo jack without
switching contact, solder
cups.
NC5MD-L-1
5 pole male receptacle.
NC3FP-1
3 pole male receptacle.
NC4FP-1
4 pole female receptacle.
NC5FP-1
5 pole female receptacle.
NC6FP-1
6 pole female receptacle.
NC3MP
3 pole male receptacle.
NC4MP
4 pole male receptacle.
NC5MP
5 pole male receptacle.
NCJ9FI-S
3 pole XLR female
receptacle with 1/4"
switching stereo jack,
solder cups for wire
termination
Features:
? Balanced or line inputs
in one XLR shell
? XLR / jack hybrid chassis connector combining
3 pole XLR receptacle and 1/4" jack.
? Saves rack space by combining 2 connectors
in one housing
? Very low conductor capacitance, therefore
suitable for digital audio
NP2C
3 pole female cable connector, Nickel housing
NP2C-BAG
Features:
? Built in noiseless ON-OFF switch short-circuiting contacts 2 + 3
? For use on a microphone without switch
? Rugged zinc diecast shell, long lasting and durable
? Rugged metal boot
? Chuck type strain relief system for secure clamping of cables
? Boot with rubber gland gives high
protection against bending stresses
2 pole 1/4" professional phone plug, black
metal housing, Nickel contacts
NP2X
1/4" professional phone plug, 2 pole, nickel
contacts, nickel shell
PLUGS & JACKS
NC3FXS
2 pole 1/4" professional phone plug, Nickel housing, Nickel contacts
NP3C
3 pole 1/4" professional phone plug, Nickel
housing, Nickel contacts
NP3RX
T3 pole right-angle 1/4" professional phone plug, nickel contacts, nickel shell
Features:
? Rugged diecast metal shell
? Chuck type strain relief for optimum cable protection
? Precision machined one-piece contacts - avoid
hook up of tip contact
NP2X-AU-SILIENT
2 pole 1/4" professional phone plug, gold plated
contacts, red rubber overlay, silent switch
NP2RX-AU-SILIENT
2 pole right angle 1/4" professional phone plug,
gold plated contacts, red coating, silent switch
Features:
? Hermetically sealed and magnetically operated switch
? No wear, constant contact resistance
? No corrosion or pollution of switch, durable and long-lasting
? Lifetime beyond 10'000 mating cycles
NP3TB-B
Black metal housing, Nickel contacts
NP3TB-R
Red metal housing, Nickel contacts
Features:
? 1/4" B-Gauge and MIL type plugs
? One-piece Tip conductor ensures secure conductivity
? Metall shell and chuck type cable retention - robust and dependable
NP3TT-1-B
4.4 mm `Bantam` plug, solder termination for T + R, crimp termination for S, black
plastic housing, Nickel contacts
NP3TT-1R
4.4 mm `Bantam` plug, solder termination for T+ R, crimp
termination for S, red plastic housing, nickel contacts
Features:
? Designed for pro audio applications
? Robust egonomic design - long-lasting and depenable
? Standard HEX crimp cable clamp for shield termination
and cable retention
? Colored sleeves available for coding and marking
NC3FRX
3 pole right angle female cable connector, nickel housing, silver contacts
NC3FXX
3 pole female cable connector with Nickel housing
and silver contacts.
NC3MXX
3 pole male cable connector with Nickel
housing and silver contacts.
Features:
? Male connector with improved locking
recess without "window", more stringent
housing increases durability
? Improved chuck type strain relief
provides higher pull-out force and makes assembly easier and faster
? Boot with polyurethane gland gives high protection to cable bending stresses
? Colored rings and boots available for coding or identification
? Sleek and ergonomic design - valuable and handy
? Rugged zinc diecast shell, longlasting and dependable
? Internal thread on shell is well proteced against any damage
NC4FX
World's first 3 pole unisex XLR cable connector.
NC5FX
3 pole XLR female receptacle with
1/4" switching stereo jack, solder
cups for wire termination
NC5MX
5 pole male cable connector with
Nickel housing and silver contacts.
NC6FX
6 pole female cable connector with
Nickel housing and silver contacts.
NC6MX
6 pole male cable connector with Nickel housing and silver contacts.
Features:
? Rugged zinc diecast shell, long lasting and durable
? Chuck type strain relief system for secure clamping of cables
? Boot with rubber gland gives high
protection against bending stresses
? Coloured rings and boots available for
coding and marking
? UL recognized components
NJ3FC6
Professional locking 1/4" cable jack for
secure in-line connections. Nickel
housing, silver contacts, excellent cable
protection.
Features:
? Securely locking cable jack
? Mates with all mono and stereo plugs specified acc. EIA RS-453 (A-gauge)
? Metal shell makes it extremely robust and reliable
? Neutrik® cable retention and boot as on XLR connectors
? Solder terminals
? Colored boots available in 10 colors
for color coding and marking
NJ3FP6FC
Features:
? Unique cage design of female contact for low
contact resistance and high integrity
? Female contact incorporates a solder barrier to
prevent solder running into the contact mating
area
? Female connector with improved solid metal latch which is larger and easier to
handle
? Additional ground spring contacts for better shell ground continuity
? Improved chuck type strain relief provides higher pull-out force and makes
assembly easier and faster
? Boot with polyurethane gland gives high protection
to cable bending stresses
? Coloured rings and boots available for coding or
identification
? Sleek and ergonomic design - valuable and handy
NC3MRX
3 pole right angle male cable connector, nickel
housing, silver contacts
Locking 1/4" phone jack, D-size shell,
nickel metal housing and silver
contacts.
Features:
? Securely locking chassis jack
? Mates with all mono and stereo
plugs specified acc. EIA RS-453 (Agauge)
? Closable grounding options: standard isolated, to get a sleeve/panel connection red
isolator on lateral screw must be removed
? Dimensionally compatible with D Series (31 x 26 mm)
? Solder terminals
RCA SERIES
NF2C-B/2
Pair of professional `Phono Plug` (`RCA`- or `CINCH`- type) - marked red and black.
Features:
? Makes ground before signal contact and
breaks signal before ground
? No more disturbing noise and broken
speaker cones
? Precisely machined to our demanding
quality standards
? Neutrik unique chuck type strain relief
? Gold plated contacts
NF2D-0
Phono socket in nickel D-shape housing, black
isolation washers, solder version.
NF2D-B-0
Phono socket in black chrome D-shape housing,
black isolation washers, solder version.
NF2D-B-2
Phono socket in black chrome D-shape housing, red
isolation washers, solder version.
LOUDSPEAKEER
CONNECTORS
NLFASTON
Faston receptacle for tabs with ´Positive lock´,
Tab Fit 4.8 x 0.5 mm (0.187 x 0.02 in),
Equivalent to AMP, pack of 100 pcs.
.
NL2FC
2 pole cable connector, quick lock, integrated
chuck type strain relief for cables 6 - 10 mm diameter, intermates with
4-pole chassis connector and makes contact with +1/-1.
Features:
? Current rating 30 A rms
continuous
? Reliable and robust, easy and
fast to assemble
? Contacts are touch proof and
meet all safety requirements
(IEC, UL, CSA)
? Accurate and dependable twist
lock latching system "Quick
Lock”
? High impact material for insert
and housing, long-lasting and
dependable
? Chuck type strain relief system for secure clamping of cable
NL2MP
2 pole chassis connector, black D-size flange, countersunk thruholes,
3/16" flat tabs. Does not intermate with the 4-pole cable connector.
Features:
? Standard current rating
30 Amp
? High current version up
to 50 Amp audio
current
? Glass reinforced
materials make it
extremely robust and
dependable
? Precise keyway for
secure mating
? Accurate twist lock
latching system
? Metal insert in locking
area
? Airtight design - optimized for speaker applications
NL4FC
4 pole cable connector, chuck type strain relief.
Features:
? Up to 30 A rms current rating
? Reliable and robust, easy
and fast to assemble
? Cable strain relief for 5 - 15
mm cable O.D.
? Accurate and dependable
twist lock latching system
"Quick Lock”
? Glass reinforced material for
insert and housing, longlasting and dependable
? User friendly latch design for easy handling
? Unique Neutrik chuck type strain relief
? Branded with unique hologram - guarantees genuine and authentic
Neutrik product
NL4MMX
4 pole lockable coupler, links two
NL2/4F*s together for cable
extension. Can be permanently
attached to NL2/4F*.
NL4MP
4 pole chassis connector, black D-size flange, countersunk thru holes,
3/16" flat tabs.
Features:
? Standard current rating 30 Amp
? High current version up to 50 Amp
audio current
? Glass reinforced materials make it
extremely robust and dependable
? Precise keyway for secure mating
? Accurate twist lock latching system
? Metal insert in locking area
? Airtight design - optimized for
speaker applications
NL4MPR
4 pole chassis connector, black round G-size flange, countersunk thru
holes, 3/16" flat tabs.
Features:
? Standard current rating 30 Amp
? High current version up to 50 Amp
audio current
? Glass reinforced materials make it
extremely robust and dependable
? Precise keyway for secure mating
? Accurate twist lock latching
system
? Metal insert in locking area
? Airtight design - optimized for
speaker applications
NL8FC
8 pole cable connector, latch lock, chuck type strain relief for cables 8 20 mm diameter, 30 A continuous per contact.
Features:
? Current rating 30 A rms continuous
? Reliable and robust, easy and fast
to assemble
? Contacts are touch proof and meet
all safety requirements (IEC, UL,
CSA)
? Accurate and dependable twist lock
latching system "Quick Lock”
? High impact material for insert and
housing, long-lasting and
dependable
? Chuck type strain relief system for secure clamping of cable
NL8MM
8 pole speakON coupler.
NL8MPR
8 pole chassis connector, nickel
metal square G-size flange,
countersunk thru holes, 3/16" flat
tabs.
Features:
? Standard current rating 30 Amp
? High current version up to 40
Amp audio current
? Glass reinforced materials
make it extremely robust and
dependable
? Precise keyway for secure
mating
? Accurate twist lock latching
system
? Metal flange
? Airtight design - optimized for
speaker applications
Built for the rigors
of the road
Deluxe Effects Cases
RR2UED
RR3UED
RR4UED
RR6EUD
RR8UED
RR10UED
RR12UED
RR2USED
RR3USED
CASES
DJ Cases
RR1200B
RR1200HWS
RR10MIX
RR12MIX
RRBB
RRCDJ
RRCDP
RRDJ19
RRCDJ200012W
RRDJM800
RRDJWS2
RRDJWS4
RRDJWS6
RRDJWS8
RRMG16
Slant / Rack Cases
RRM2U
RRM4U
RRM6U
RRM8U
RRM10U
RRM12U
RRM14U
RRM16U
RRM18U
RRM19R
See pricelist for detailed descriptions
CASES
Mixer Cases
RR01V96
RRCFX12
RRCFX16
RRCFX20
RREPM8
RREPM12
RRFX8
RRFX16
RRGB416W
RRGB424W
RRGB432W
RRGB824
RRGB832
RRLS932DHC
RRLX716
RRLX724
RRLX732
RRMFX12
RRM19R
RRM244
RRMG24
RRMG16
RRMG32
RRMPM12
RRMPM20
Amp Cases
RR10UAD
RR12UAD
RR12UAD-22
RR12UADE
RR12UADS
RR12UADSW
RR18UAD
RR18UAD-24
RR18UADS
RR2UAD
RR2UAD-22
RR3UAD
RR4UAD
RR4UAD-22
RR4UADS
RR6UAD-24
RR6UADS
RR6UAD-22
RR6UADS-24
RR8UAD-22
RR8UAD-24
RR8UADS
RR8UADS-22
RR8UADS-24
See pricelist for detailed descriptions
Keyboard Cases
RRKB61W
RRKB76W
RRKB88W
Utility Cases
RRWIRELESS
RRUC
RRLUC
RRHUT1
RRUT1
RR2PLASMA42C
RRPLASMA42C
CASES
CD Cases
RRCD100
RRCD100HW
RRCD200AS
RRCD300AS
Lighting Cases
RR2GIOTTO4CMYC
See pricelist for detailed descriptions
? Industrial Rivets Double anchor Industrial rivets to
secure all Road Ready Hardware for maximum
durability. Bring on the abuse.
? Ball Corners Beefy, stackable chrome ball corners
and headphone jacks. Because you don't have time
to waste.
? Cable Ports Unique ports with protective back plate
for convenient routing of AC and phono cables
with a 3-prong six-rivet industrial anchor designed to
through the rear of the case when in use and
provide protection against the heaviest transit.
protection of interior to keep your connections and
? Industrial Hinges ""Quick-Fit" Industrial hinges
allow easy top removal and installation while
providing secure latching. Quick and easy the way it
should be.
? Industrial Latches Recessed,chrome, bi-position
butterfly latches. Industrial grade with ten rivet
wiring secure when not in use. Think of them as
your case's personal body guard.
? Tongue & Groove Fit Tongue and groove
construction for a heavy-duty locking fit. Sealed
tight for anything the road throws your way.
? Case Construction Rugged premium 3/8" vinyl
? Pick-&-Fit Foam Pick-&-Fit Foam technology
allows you to customize your case to fit any gear
under the sun. Your gear can change, your case
shouldn't.
? Low Profile Wheels Stealth and sleek low profile
wheels for ultimate mobility. Take them off-roading if
your heart so desires.
? Integrated Storage Compartments Removable
compartment located within the case's cover to
provide extra storage for all your messy cables and
accessories. Simple and smart space planning.
? Wings Heavy-duty weight bearing wings designed
anchor construction. These puppies are built like a
laminated plywood; structurally strong and built to
to mount easily on the top of your slant rig and
safe!!
resist damage. Go ahead give it a pounding.
provide all the extra working space you need. Fold
? Rubber Feet Industrial grade rubber feet attached
? Pull Out Handle Pull out handle so you can pull or
with heavy-duty bolts and receded T-nuts. Because
push your gear with ease. Hide it away or extended
the bottom of your case has to deal with road rash.
into a locked position. No more lugging your gear
? Spring Loaded Handles Recessed chrome,
around.
spring-loaded, handles. Retractable so they stay out
? Rack Rails Heavy duty rack rails designed to
of your way. Heavy-duty rubber grip to prevent white
secure your electronics (mounting hardware
knuckles and blisters even when dealing with the
included) in place. Bolt down with confidence.
heaviest of loads.
? Front Access Panels Front panel design with
? Rear Access Door Latchable hinged door at the
rear of the case so you can access your gear for
removable faceplates. Designed to provide hassle
convenient connections. Definitely a secret passage
free access to your front mixer controls, CD drawers
worth having.
up neatly inside 1U of space when not in use. Your
work space problems solved.
? Z-Lock Foam Z-Lock Foam. Lock-it,un-lock and
easily customize the inner length, width and height
of your Road Ready case. Go ahead, upgrade to
the bigger model.
? Shock Mount Technology Unique integral
suspension system built into the case. Provides unparallel protection against even the most rigorous
trauma. Just begging for abuse.
* Not all features listed are available in all case models
DV-D01U
CD-01U PRO
CD-01U
CD/DVD/MP3
CD-200I
CD-160MKII
DV-D01U
►Power requirements:
o AC 120V, 60Hz (US, Canada, Mexico)
o AC 230V, 50Hz (Europe)
o AC 230V, 50Hz (Australia)
►Power consumption: 11W (at operation) 0.2W (in standby
mode)
►Dimensions (W x H x D): 482 x 51 x 269 mm
►Weight: 2.3 kg
►Analog output:
o Audio out: -8 dB/1 kØ
►Digital output*:
o Digital out (optical): -21 dBm to -15 dBm (660 nm ± 30
nm)
►Corresponding to Linear PCM, Dolby Digital, and DTS Digital
Surround (with sampling frequency - 32 kHz, 44.1 kHz, 48
kHz)
►Video system: NTSC
►Horizontal Resolution: 500 lines
►Signal-to-Noise Ratio: 64 dB
►Video output level
►Composite: 1.0 V(p-p)/75Ø
►S-video-Y: 1.0 V(p-p)/75Ø
►S-video-C: 0.286 V(p-p)/75Ø
►Component-Y: 1.0 V(p-p)/75Ø
►Component-Pb/Pr: 0.7 V(p-p)/75Ø
►HDMI Output (Ver. 1.1): HDMI
►Serial command: 9-Pin D-SUB
CD-01UPRO/CD-01U
►1-space rackmountable CD Player
►CD-R/RW Playback, including 12cm and 8cm CDs
►MP3 Playback
►20-second RAM buffer for shock protection
►Slot-loading CD transport
►RCA Unbalanced analog outputs
►S/PDIF optical digital output
►Repeat, Single-Play and Program playback modes
►±12.5% pitch control
►Key Original mode allows you to change the speed without
changing the pitch
►Call function returns to last play start point
►Auto Ready and Auto Cue
►Fade In/Out function (up to 10 seconds in 1/2 second steps)
►Eject block function
►Serial control via RS-232C
►Wireless remote control
►XLR balanced analog outputs (CD-01U Pro)
►XLR AES/EBU digital outputs (CD-01U Pro)
►Parallel control over 15-pin D-sub (CD-01U Pro)
►482.6 x 50 x 333.9 mm
►3.7 kg (CD-01U Pro)
►3.5 kg (CD-01U)
CD-200i
►Plays audio CDs, MP3 CDs and WAV file Cds
►Dock connector for Apple iPod charging and playback
►iPod video playback from S-video or composite output
►CD TEXT and ID3 tag support
►Continue, Random and Program play modes
►Repeat All and Repeat Single play modes
►Index Search
►Shock/skip prevention memory buffer
►±12% pitch control (analog outputs only)
►RCA unbalanced line outputs (CD and iPod)
►Coaxial and Optical S/PDIF digital out (CD only)
►1/4" stereo headphone output
►2u rack mountable
►Wireless 55-key remote control
►19"W x 3.72" H x 11.73"D
9.3 lbs
CD-160MKII
►MP3 File Playback
►Single Repeat, all repeat, and folder repeat (Repeat Album)
for MP3 Cds
►Optical and Coaxial S/PDIF digital output
►40 seconds of Electronic Shock Protection (ESP)
►Headphone Output with Level Control
►±12% Pitch Control
►Intro Check
►Wireless Remote Control (included)
►Shuffle Play and Program Play Modes
►Single Repeat and all Repeat for Audio CD
►483 x 100 x 285 mm
►4.1 kg
PORTA STUDIOS
2488
DP-004
DP-02
2488
►3-band EQ on 24 channels, 8-inputs, tone generator
and stereo bus with high and low sweepable shelving
bands and full parametric mid band
Three aux sends on all channels except the effects
return
►Loop effect provides reverb, delay, chorus and more
on an aux send and return
►Assignable Guitar multi-effects processor for
distortion, chorus, delay, flange and more
►Up to eight assignable dynamics processors for
compression during recording or mixdown
►Standard MIDI File player
►Dedicated Stereo Compressor on the stereo output
►Eight inputs: 4 XLR with phantom power double as
1/4" mic/line inputs, plus four dedicated 1/4" mic/line
inputs
►Twenty 45mm faders including master fader
►LCD display for viewing meters and edit parameters
►250 Virtual tracks
►CD-RW drive to record Red Book CDs, import/export
WAV files and backup hard drive
►64-voice General MIDI sound module
►High-speed USB 2.0 jack connects to PC or Mac® for
data backup and SMF/WAV file
►Recording resolution: 44.1kHz, 16-bit or 24-bit
►Dimensions: 21.5"W x 14"D x 5.7" H
►Weight: 17.6 lbs
DP-004
►Two 1/4" unbalanced mic/line inputs
►Switchable guitar input
►Headphone/Line output
►USB 2.0 connector
►Four-track digital multitrack recording
►CD-quality 44.1kHz/16-bit WAV recording
►Records to SD Card media (1GB card included)
►Repeat, Record undo
►Dedicated stereo mixdown track
►Powered through AA Batteries or optional PS-P520
power adapter
►Battery life: About 8 hours recording, about 8.5 hours
playback (alkaline batteries)
►Dimensions: 155mm W x 33.5mm H x 107mm D
►Weight: 360 g, w/o batteries
DP-02
►Two XLR mic/line inputs with phantom power for
condenser microphones
►Eight-track recording at uncompressed 44.1k/16-bit
audio quality
►Portastudio-based interface with volume fader, pan,
effect send, high and low EQ controls per channel
►EQ frequency button to access high and low EQ shelf
frequencies
►USB 2.0 interface for transferring tracks, mixes and
backup files to a computer
►Dedicated stereo master track for mixdown
►Internal metronome and bar/beat display for song
position
►Headphone output
►Stereo line outputs on RCA analog and S/PDIF optical
digital connectors
►40GB internal hard drive
►Multieffects processor with guitar, bass, vocal and
drum programs
►Stereo reverb processor with send/return controls for
multichannel mixing
►Built-in chromatic tuner
►Built -in CD-RW burner for CD mastering and song
backup
RACK MOUNT SOLID
STATE RECORDERS
HD-R1
SS-R1
SS-CDR1
SS-R05
HD-R1
►Applicable Recording Media: Compact Flash
►Recording Format: WAV, Mp3
►Quantization: 16/24 bit liner, MP3
►Sampling Frequency: 44.1/48/88.2/96kHz
►MIC/LINE INPUT
o Connector: XLR-3-31 (1: GND, 2: HOT, 3: COLD),
balanced
o Euro Block Terminal, balanced
►LINE INPUT
o Connector: RCA, unbalanced
►LINE OUTPUTS
o Connector: XLR-3-31 (1: GND, 2: HOT, 3: HOT),
balanced
o Euro Block Terminal, balanced
o Connector: RCA, unbalanced
►COAXIAL INPUT
o Connector: RCA
o Format: IEC60958-2 (S/PDIF)
o Quantization: 16/24-bit
►HEADPHONE OUTPUT
o Connector: 1/4" Stereo Phone Jack
►Serial Control Connector: D-Sub 9 pin
►Parallel Control COnnector: D-Sub 25 pin
►LAN Connector: Rj45
►USB Connector: USB A-type
SS-R1
►Solid state recoding to Compact Flash media
►One-rack-space compact design
►Records in WAVE or MP3 format to CF Card
►Balanced XLR and unbalanced RCA line input and output
►S/PDIF coaxial digital in and out with sample rate
converter
►Power on play
►Auto track increment (level or time)
►PS/2 keyboard input for folder/file naming and remote
control
►RS-232C serial control
►DB-25 parallel control port
►Dimensions (W x H x D): 483 x 44 x 300 (mm)
SS-CDR1
►Solid state recoding to Compact Flash media
►CD-RW Recording and Playback
►One-rack-space compact design
►Records in WAVE or MP3 format to CF Card
►Balanced XLR and unbalanced RCA line input and output
►S/PDIF coaxial digital in and out with sample rate
converter
►Power on play
►Auto track increment (level or time)
►PS/2 keyboard input for folder/file naming and remote
control
►RS-232C serial control
►DB-25 parallel control port
►Dimensions (W x H x D): 483 x 44 x 300 (mm)
SS-R05
►Solid state recording to Compact Flash media
►One-rack-space compact design
►Records in WAV or MP3 format to CF Card
►Unbalanced RCA line input and output
►S/PDIF coaxial digital in and out with sample rate
converter
►Power on play
►Auto track increment (level or time)
►PS/2 keyboard input for folder/file naming and remote
control
►Wired remote control
SOLID STATE
RECORDERS
DR-07
DP-004
DR-1
HD-P2
DR-07
►Portable Digital Recorder
►Built-in Stereo Electret Condenser Microphone
►Records to SD or SD-HC Card Media
►2GB SD Card Included
►USB 2.0 Jack for Transferring Files
►3.5mm Stereo Mic Input
►3.5mm Stereo Line Input and Output
►Switchable Low Cut Filter, Analog Limiter and Auto Gain Setting on
Input
►Writes WAV files at 44.1 or 48kHz, 16 or 24-bit
►MP3 File Recording from 32kbps to 320 kbps
►Variable-Speed Audition Function Slows Down Music Without
Changing the Pitch
►Powered by Two AA Batteries (included) or Optional PS-P520 Power
Adapter
►Dimensions: 2.2" W x 5.3" H x 1.1" H
►Weight: 4.4 oz (with batteries)
DP-004
►Two 1/4" unbalanced mic/line inputs
►Switchable guitar input
►Headphone/Line output
►USB 2.0 connector
►Four-track digital multitrack recording
►CD-quality 44.1kHz/16-bit WAV recording
►Records to SD Card media (1GB card included)
►Repeat, Record undo
►Dedicated stereo mixdown track
►Powered through AA Batteries or optional PS-P520 power adapter
►Battery life: About 8 hours recording, about 8.5 hours playback
(alkaline batteries)
►Dimensions: 155mm W x 33.5mm H x 107mm D
►Weight: 360 g, w/o batteries
DR-1
►Portable, Handheld Recording
►Built-in High-quality Stereo Condenser Microphone
►Variable Angle Microphone Mechanism with A/B Configuration
►48 or 44.1kHz 24-bit Recording Resolution
►MP3 and WAVE file Recording and Playback
►Switchable Low Cut Filter
►Analog Auto Gain Control
►Analog Limiter
►Rechargeable/Replaceable Lithium-Ion Battery
►USB 2.0 Connection to Computer
►Built-in Tuner and Vocal Cancel Features
►Overdub Feature to record narration, singing or instruments over an
existing recording
►1/8" stereo microphone input with 2.3V power
►1/8" stereo line input
►1/4" stereo microphone input
►1/8" stereo headphone output
►WAV recording resolution: 44.1kHz/48kHz, 16-bit or 24-bit
►MP3 recording rate: 32-320 kbps
►Battery life: About 7 hours when recording MP3 format with the built- in
mic (varies with operating conditions)
►Dimensions (not including protrusions):
o 70 (W) x 27 (H) x 135.3 (D) (mm)
o 2.8 (W) x 1.1 (H) x 5.3 (D) (inches)
►Weight: 208 g including battery
HD-P2
►Stereo recording to Compact Flash media
►44.1kHz to 192kHz recording resolution at 16- or 24-bit
►Time-stamped Broadcast WAVE file format is easily imported into DAW
software and spotted into projects with sample accuracy
►Retake button allows user to re-do last recording with a single button
press
►Audio files continually re-saved to safeguard against data loss
►Comprehensive system and transport control from the front panel or a
PS/2 keyboard
►XLR mic inputs with phantom power and analog peak limiter
►Unbalanced stereo RCA I/O
►S/PDIF digital I/O
►Headphone output
►Built-in mono microphone and speaker for desktop interview
applications
►Analog level controls for easy operation without the need to look at the
unit
►FireWire interface for fast data transfer to a computer
►SMPTE/LTC timecode input on locking XLR balanced jack
►Timestamps Broadcast WAVE recordings from SMPTE input
►Chase locks to incoming SMPTE timecode
►Video clock input resolves to house clock
►Tri-level sync support for HDTV applications
►Includes Frame Lock, Lock and Release and flexible Freewheel
settings for unpredictable timecode sources
►Pull-up and Pull-down sample rates included for video format
compatibility
►Familiar tape machine-style layout and function
►Angled screen for table-top or shoulder strap use
►Large, uncluttered LCD display
►Shortcut keys and LED indicators for frequently-accessed functions
►Recessed Compact Flash slot
►Optional carry case (CS-P2)
►Runs on (8) readily available AA batteries or DC power adapter
►Approximately 5.5 hours of operating time on battery power
►10.25"W x 7.75"D x 2.5"H
< 2 lbs with batteries
CD RECORDERS
CD-RW900SL
CD-RW901SL
CD-RW900SL
►Slot Loading Transport
►24 bit A/D and D/A converters
►Sample Rate Conversion
►MP3 file Playback
►MP3 Action setting
►Key Control (change the key w/o changing the
speed)
►Pitch Control
►Auto Cue from menu
►Auto Ready from menu
►S/PDIF coaxial and optical digital I/O
►RCA Unbalanced analog I/O
►± 16% pitch control on playback
►Power on Play
►Sync Record Start
►Auto or Manual Track Division
►All, single, or A-B repeat play
►Elapsed, remain, total, and total remain time
display
►Continuous, single, random, or program (up to
99 songs) play
►Erase or Un-Finalize for CD-RW discs
►Selectable disc reading speed
►Dedicated L/R input level control
►Digital Attenuator
►CD-TEXT read and write
►PS/2 Keyboard input for CD-TEXT input and
remote control
►Wireless (I/R) remote control unit (included)
►Selectable Infra-red remote Enable/Disable
CD-RW901SL
►Slot Loading Transport
►24 bit A/D and D/A converters
►Sample Rate Conversion (32KHz to 48KHz)
►XLR balanced and RCA unbalanced analog I/O
with dedicated input controls
►AES/EBU and S/PDIF digital I/O
►RS-232C serial control port and Parallel control
port
►Timed track increment feature can automatically
add a CD track ID every 1 to 10 minutes
►± 16% pitch control in 0.1% steps (CD audio
discs only)
►MP3 Audio Playback with MP3 Action Setting
►RS-232 and Parallel Control
►Index Search and Time Skip function on skip
mode
►Continuous Recording between two CDR901SLs
►CD Text and MP3 ID3 tag display
►Key Control (CD audio discs only): Change the
pitch without changing the playback speed
►Digital fade in/fade out recording features
►Supports CD-TEXT
►PS/2 keyboard input
►Auto track increment by level with trim function
►Un-finalize or Erase for CD-RW
►All, single, program, random play and repeat
play modes
►Power on play
►Selectable Copy ID
►Wired remote control (Included)
►Index mark and index search
Was this manual useful for you? yes no
Thank you for your participation!

* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project

Download PDF

advertisement