Rode M3 microphone User guide

M3
Instruction Manual
www.rodemic.com
(EMC, LVD)
Introduction
Congratulations on purchasing the
M3
microphone.
The M3 was created to allow you to achieve the very
best results from both live performance and in the
studio.
One of the key features of the M3 is that it has been
designed with a switchable PAD and high pass filter,
which gives you greater control of the sound source.
It is battery operated to allow versatility with
locations as well as being manufactured in a sleek
contemporary black design.
Please take time to read through the manual provided
to help you get the very best from your M3.
For more information on the M3 and other
products, please visit www.rodemic.com.
Thank you for your purchase and please enjoy yet
another great product from
Peter Freedman
Microphones
Sydney, Australia
-2-
.
Specifications
Acoustic Principle: Permanently Polarised
Condenser
Directional
Pattern:
Cardioid
Frequency Range:
40Hz ~ 20,000Hz
selectable High Pass Filter (HPF)
@ 80Hz 12dB/octave (see graph)
Output
Impedence:
200Ω
Sensitivity:
-40dB ±3dB re 1V/Pa @ 1kHz
(6.3mV/Pa @ 94dB SPL)
Equivalent Noise:
21dBA SPL
(A - weighted per IEC651)
Maximum Output: +9.22dBu (@ 1% THD into 1kΩ)
Dynamic Range:
121dB (per IEC651)
Maximum SPL:
142dB (@ 1kHz, 1% THD into 1kΩ
load)
Signal/Noise:
73dB SPL (@ 1kHz, rel 1Pa)
Power
Requirements:
1.6mA - battery
6.5mA - 48V Phantom Power
Battery Life:
>200 hours
Output
Connection:
3 pin XLR, balanced output
between Pin 2 (+), Pin 3 (-) and
Pin 1 (ground)
Net Weight:
390g (no battery)
Shipping Weight:
1,285g
Dimensions:
Length - 225mm (8 3/4”)
Diameter - Ø33mm (1 5/16”)
-3-
Specifications
Frequency Response
20
dB re 1 V/Pa
10
0
-10
-20
-30
20Hz
100
1000
10 000
20 000
Polar Responses
0˚
+5.0
0.0
-2.0
-4.0
-6.0
-8.0
-10.0
-12.0
-14.0
-16.0
-18.0
-20.0
-22.0
-24.0
-2.0
-10.0
-20.0
90˚
-25.0
270˚
dB rel. 1V/Pa
Frequency:
500 Hz:
1000 Hz:
4000 Hz:
–
180˚
Features
• Heavy duty metal body
• Internal capsule shock mount
• High level of RF rejection
• Switched high pass filter @ 80Hz-12dB/Oct
(-10 and -20dB PAD)
• Low handling noise
• Heat treated high-strength mesh head
• Battery status indicator
• 9V Battery Power and 24 - 48V phantom power
• Designed and manufactured in Australia
• 10 year warranty*
*Online product registration required.
-4-
Contents
M3 Microphone
ZP1 zip pouch
WSM3 windshield
RM3 stand mount
Powering the M3
The
M3 is suitable for a wide range of
applications. Recording, stage, and location work
are all well within the capabilities of this microphone.
Its low noise and full frequency response ensure the
sound quality is at a standard that is expected by
today’s musicians and engineers.
You may use either phantom power (see Specifications
- page 3) or 9V battery to operate your M3.
Phantom power (P48 & P24)
Most professional mixing consoles include a 48 volt
phantom power supply; if yours does not, a separate
one may be used. Whichever power supply or cables
you use, ensure they are professional units and are
working correctly.
Note: When using phantom power, a battery may be
in or out; if a battery is installed it will not be utilised.
-5-
To connect an XLR cable;
1. Before you connect your mic, ensure that the XLR
cable you are using is wired correctly to match the
output pins on the M3. The M3 offers a balanced
microphone level output and is wired as follows:
Pin 1 (earth), Pin 2 (+) and Pin 3 (-).
XLR KEYWAY
PIN 2 (+)
PIN 3 (-)
PIN 1 (EARTH)
Figure 1 - XLR jack
You may of course use XLR-XLR, XLR-jack, or XLRmini jack plugs depending on your relevant input
socket.
2. Make sure you use a high-quality, low-loss XLR
cable that is as short as practical to avoid losses
and distortion.
3. To connect the XLR cable, hold the M3 in one hand
and your 3-pin XLR cable in the other. Align the
slot on the XLR cable to the groove on the inside
of M3 body and insert (figure 2). Ensure that the
XLR cable ‘clicks’ into place so that it can not be
removed unless the release latch is used.
Figure 2 - Connecting XLR cable
-6-
Battery power (9 volt)
If phantom power is not available on your equipment,
you will need to use battery power. To use battery
power, a 9 Volt (PP3) battery should be fitted into the
cavity within the microphone body ensuring correct
polarity (+ to + and - to -).
We recommend that you use a high quality alkaline
battery. Tests have shown a life expectancy for a high
quality alkaline battery used in the M3 to be in excess
of 300 hours. This is roughly the equivalent of 6 hours
usage per week for a year.
To fit the battery:
1. Unscrew the lower section of the body to reveal the
battery cavity (figure 3).
Figure 3 - Unscrewing M3 body
2. Flip open the battery clip so that it doesn’t
interfere with loading the battery.
3. Insert the battery into the cavity, inserting the non
-terminal side first. Take note of the plus and minus
symbol on the floor of the battery cavity to ensure
the battery is positioned the correct way (figure 4).
-7-
Figure 4 - Inserting the battery
4. Push the battery into place so that it is parallel with
the top of the cavity. Secure the battery in place by
flipping the battery clip over so that it sits on the
battery.
5. Reassemble the body, screwing lower section
firmly together with the upper section.
-8-
Operating the M3
The M3 may be connected to a mixer (recording or
live), and battery power will only be required if the
mixer does not have an in-built phantom P48 or P24
supply. Connection may also be made direct to a
portable DAT or other tape machine enabling field/
location operation using the 9V battery supply.
The M3 microphone has both a PAD switch and a
Filter switch.
On/Off Filter switch
The filter switch is a multifunctional three position
switch. It will control main power (from battery),
microphone mute and filter selection (figure 5). Take
the time to learn what each position does so that you
can get the best performance from your M3.
The two-position variable
High-Pass Filter enables
L.E.D.
you to step from a flat
HIGH PASS FILTER
response to 80Hz cut.
FLAT FILTER
Use the high pass filter
BATTERY POWER OFF
MIC MUTE
when you wish to remove
low frequency noise
that is not part of your
Figure 5 - L.E.D. and Filter Switch
intended sound source. Remember however the
tonal characteristics will be affected by this, so it
is important that you listen to the sound both with
and without the HPF in circuit before deciding if it is
appropriate for the source.
L.E.D light indicator
The M3 has a handy power indicator light to help
notify you when the battery is running low.
-9-
L.E.D. SINGLE FLASH – When the L.E.D. flashes
(illuminates for around one second), the battery power
is ‘good’. This indicates that the microphone has just
been powered.
L.E.D. STAYS ON – When the L.E.D. light illuminates
continuously the battery power is getting low. Please
replace the battery as soon as possible, as the
microphone’s sensitivity is greatly compromised when
operated with a low battery.
Note: When using M3 on battery power, it is a good
idea to keep the microphone in the off position when
not in use. This will save battery power and increase
the battery life. We recommend that during long
periods of non-use the battery should be removed, as
it may leak and potentially damage the microphone.
PAD switch
The PAD setting provides a -10 or -20 dB reduction in
sensitivity and is commonly referred to as attenuation.
To access the PAD switch unscrew the lower section of
the body to reveal the switch (figure 6)
Figure 6 - PAD switch
A small screwdriver or pen can be used to alter the
switch positions as required.
A choice between 0dB, -10dB and -20dB settings can
be selected (figure 7). We recommend you start with
- 10 -
0dB selected first and assess the sound quality before
making further adjustments.
Figure 7 - PAD switch selection
The
M3 has been designed with a special
recessed slide switch that is placed inside the
microphone to reduce the possibility of unauthorised
or mistaken activation.
- 11 -
Mounting the M3
A stand mount clip (RM3) is included with your M3 and
should be used to connect the M3 firmly and safely to
a stable microphone stand.
How to attach the stand mount
1. Before placing the M3 into the RM3 stand mount,
remove all cables and connectors to eliminate the
possibility of damaging the connectors.
2. Place the M3 into the RM3 by inserting the mic on
an angle (figures 8 & 9).
Figure 8 - Microphone mounting
Figure 9 - Microphone mounting
You will notice the holder is quite firm. This is intended
to stop the mic from coming loose. Ensure you leave
the On/Off Filter switch facing upwards to enable
better access while in its mount.
- 12 -
Recommended
Initial Setup
Now that you have the M3 securely fastened to a mic
stand or tripod, and the audio output XLR connected,
you are ready to fine tune your setup.
1. When first switching the mixer on and phantom
power is applied to the M3, or when the
microphone battery power is switched ON, several
seconds should be allowed for the microphone to
stabilize.
We recommend that all connections made to the
mixer or recorder are made with the attenuation
(gain) set to OFF (0db).
2. To ensure the lowest noise/distortion, your mixer
input gain control should be set so that the Peak
Program Indicator (P.P.I.) L.E.D. flashes ON during
peaks (high levels) of the program source (Voice/
Instrument). If there is no P.P.I., adjust the input
gain while listening for distortion of the sound. As
distortion is heard, reduce the gain gradually until
the sound is undistorted (clean).
3. Sound quality is of course subjective and ‘your
sound’ will be achieved with experimentation. We
suggest that you begin with EQ set FLAT/OFF (no
boost or cut). Remember the EQ cannot change
the acoustic properties of a room. In a recording
situation, you should try placing absorbent or
reflective panels/material in various positions
within the vicinity of the sound source and
microphone. The positioning of the microphone
can also have a dramatic effect on the sound
quality.
- 13 -
The best way to assess your recording environment
is to listen to the sound you wish to record
acoustically first. Remember that no amount of EQ
can correct a ‘bad’ recording environment. Any
further desired modification of sound can then be
undertaken with the EQ and effects.
4. Live/Stage Use: As a live vocal mic, the M3 offers
studio-quality sound on stage, which is not
achievable with a dynamic microphone.
A characteristic of most dynamic vocal
microphones is that their ‘full frequency response’
is only evident when they are used very close to
the sound source (within the proximity effect area).
The low frequency of the M3 extends to below
20Hz which is an attractive quality for most
recording situations.
For live performance however, you may wish to
reduce these frequencies when using the M3 as
a vocal microphone. If you have an external high
pass filter/bass roll-off, switch it in.
Alternatively, try moving the microphone away
from the sound source (out of the proximity effect)
or adjust the on-mic filter switch.
This basic microphone control/technique should
be practiced, to ensure that the best possible
results are achieved.
- 14 -
Care and Maintenance
1. Like all electret condenser microphones, the
M3 should be kept dry at all times. The capsule
will be potentially subject to moisture during
vocal use, and we strongly recommend the use
of the foam windscreen (supplied with your M3)
during all vocal applications. This screen will also
minimise plosives (the high sound pressure levels
of pronounced B’s and P’s which can bottom-out
the capsule).
2. Although the M3 is a well-built, durable
microphone it is subject to damage. You should be
careful not to drop or knock it as this could cause
internal damage to the electrical components.
After use, the M3 should be wiped clean with
a soft cloth, and stored in its protective case
together with its accessories.
A pack of moisture absorbent crystals (silica gel/
desiccant) is provided with your mic, and should be
stored in the case with the mic. These crystals should
be blue and if they have turned pink they are no
longer active. To restore them, place the pack in an
oven set between 100-150OC until they return to their
original colour.
Note: There are no user serviceable parts inside
this microphone so there will never be a reason for
you to dismantle it (except to replace the battery).
Any service which may require dismantling must be
performed by an authorised
- 15 -
Service Agent.
Warranty
All
products are warranted for one year from
date of purchase. You can extend that to a full ten
years if you register online at www.rodemic.com.
The warranty covers parts and labour that may be
required to repair the microphone during the warranty
period. The warranty excludes defects caused by
normal wear and tear, modification, shipping damage,
or failure to use the microphone as per the instruction
guide.
If you experience any problem, or have any questions
regarding your
microphone, first contact the
dealer who sold it to you. If the microphone requires a
factory authorised service, return will be organised by
that dealer.
We have an extensive distributor/dealer network, but
if you have difficulty getting the advice or assistance
you require, do not hesitate to contact us directly.
Microphones
International
107 Carnarvon Street
Silverwater NSW 2128 Australia
Ph:
+61 2 9648 5855
Fax:
+61 2 9648 2455
USA
P.O. Box 4189
Santa Barbara, CA 93140-4189
Ph: 805 566 7777
Fax: 805 566 0071
Technical Support
For information and technical support questions contact:
[email protected]
In the Unites States and Puerto Rico, contact
[email protected] or call 425 398-1910
In Australia, contact [email protected] or call (02) 9648 5855
Anywhere except Australia, the United States and Puerto Rico,
contact [email protected] or call +61 2 9648 5855
- 16 -