Specifications

PYD2200

Input Sensitivity/Impedance

Mic 1-2

Phono 1-2

Line 1-9

1.5 mV/600 Ohms, bal/unbal

3.0 mV/50K Ohms

150 mV/27K Ohms

Output Level

Amp

Booth

Record

Frequency Response

2.0 V/10kOhms

2.0 V/10kOhms

150mV/10kOhms

20Hz – 20kHz +/- 3 dB

S/N Ratio (at 1 kHz)

Mic

Phono

Line

Distortion

Mic

Phono

Line

>60 dB/1.5mV input

>70 dB/3.0mV input

>80 dB/150 mV input

0.20%

0.05%

0.03%

High

Mid

10kHz; +12/-12dB

Low

1 kHz; +12/-12dB

100Hz; +12/-12dB

MIC Tone Control

High 10kHz; +10/-10dB

LOW

100Hz; +10/-10dB

Talkover Attenuation -16dB

Power Source

Dimensions, inches

(mm)

120 VAC, 60Hz/230 VAC, 50 Hz

19.0 x 4 x 7

(482 x 101.6 x 177.8)

Limited Warranty

All PYLE PRO products are carefully constructed and tested before shipment.

Units purchased in the USA are warranted to be free of defects in material and workmanship for two (2) years from the date of purchase. This warranty is limited to the original retail purchaser of the mixer.

Should the unit fail due to factory defects in material or workmanship, your unit will be repaired or replaced at the sole discretion of PYLE.

R.A.#: _____________

PYLE PRO Service Center

1600 63rd Street

Brooklyn, NY 11204

You must also include the following items with your return:

• A copy of your sales receipt or other proof of purchase

• A brief letter, indicating the problem you are experiencing with the product

• Include in your letter your return address, daytime phone number and R.A. number

• Also include a check or money order for $18.00 for return shipping, handling and insurance, or provide your Visa/MC number with expiration date.

To obtain warranty service, you must first call our Consumer Return Hotline at (718) 236-6948 to obtain a Return Authorization Number. This R.A. # must appear on the outside of your package and on all paperwork relating to your return.

When returning the unit to us for warranty service, it must be carefully packed and shipped, prepaid, to:

Our obligation under this warranty is limited to the repair or replacement of the defective unit when it is returned to us prepaid. This warranty will be considered void if the unit was tampered with, improperly serviced or subject to misuse, neglect or accidental damage.

Please complete warranty card, detach and return

Thank you for purchasing this PYLE product. To activate your warranty, please mail this card within 10 days.

warranty registration card

PYLE PRO MIXERS

Name

Address

City, State ZIP

Model No. Serial #

(if available)

Date of Purchase

Purchased at:

Music Products Store

Catalog Merchandiser

Sound Contractor/Installer

Other

Mail Order www.pyleaudio.com

9 – Pyle Pro Mixer Owner’s Manual

PYD 2200 professional mixer

Your PYLE PRO Series Performance Mixer

is a sophisticated control center, perfect for mixing sound from multiple playback sources such as microphones, tuners, CD players, turntables or the audio outputs from a VCR. This mixer is ruggedly constructed for home or professional use. Wide range volume controls permit you to adjust sound levels accurately to achieve just the right mix for playing through your speaker system or for recording.

Please read this manual thoroughly before you attempt to set up and use the mixer. It contains a range of suggestions and instructions to insure safe usage. Set up and used properly, you can expect years of trouble-free service from this product.

Owner’s Manual Table of Contents

1 i

2

4

5

6

Input/Output Features

Features and Controls: PYD 2200

Presetting Controls Before Use

Connecting the Mixer Inputs

Using the Gain Controls

Connecting the Mixer’s Outputs

to Amplifiers

to Recorders

to Booth Speakers

Using Headphones

Using the Mixer Controls

Turning On the Mixer

7

8

9

Monitoring (”Cueing”) Inputs

Mixing Inputs

Adding Equalization to the Mix

Using the MicrophoneTalkover Mode

Microphone Tone and Level Controls

Using the Crossfader w/Assign Switches

Troubleshooting

Care and Maintenance

Specifications

Warranty

Input/Output Features:

Stereo Line Inputs let you connect most high-level audio sources, such as

CD players, tape deck, tuner or VCR.

~AC INPUT

FUSE F 500mA 250V

V O LTA G E

R

BALANCED

L

OUTPUT

Master Booth

L

Rec

L

R R

CH 5 CH 4

L

R

Line 9 Line 8 Line 7 Line 6

INPUT

CH 3

L L

CH 2

L

R R R

Phono 2

/Line 4

LN 4 PH 2 Line 3 Phono 1

/Line 2

LN 2 PH 1 Line 1

R

LL

CH 1

MIC 2

GND

Output Jacks to connect the mixer to a receiver or amplifier – choose to use cables with either 1/4” plugs or RCA plugs.

Booth Output Jacks to connect the mixer to a second receiver or amplifier powering speakers in the DJ booth or in a remote location

Record Output Jacks to connect the mixer to a tape deck for recording the mixed program

Dual Purpose Stereo Inputs for using a turntable with a magnetic cartridge OR a high level input source

Input Select Switches – set these switches based on what is plugged into Phono1/Line2 and Phono2/Line4 input jacks

Ground Screw for turntables

MIC2 Microphone

connector permits you to connect a balanced or unbalanced low impedance microphone with 1/4” plug.

Features and Controls: PYD2200 Mixer

MIC 1 Combo Input Jack For connecting a balanced or unbalanced low impedance microphone with XLRtype or 1/4” plug

Channel Gain Control Lets you adjust the gain of the input source

Channel Input Selector Lets you choose the input source to play for each channel

Channel CUE Switch Allows you to monitor the selected audio input source and prepare it prior to mixing it in.

Dual VU Meter Indicates the levels of Left and Right Master Channels

MIC 1

MIC 1 Volume

MIN

High

MAX

-10

Low

+10

-10 +10

TALKOVER

ON

OFF

-10

Line 9

-5

-10

+3

0

-15

MIC 2

High

Cue

MIN

Gain

MAX

Line 1

-10

Mid

+10

-10

Low

+10

-5

-10

+3

0

-15

High

1

0

2

7

6

5

4

3

9

10

CH

8

1

-10

Mid

-10

Low

+10

+10

Cue

Phono 1

Line 2

Gain

Line 3

MIN MAX

-5

-10

+3

0

-15

High

1

0

2

8

2

7

6

5

4

3

9

10

CH

-10

Mid

+10

-10

Low

+10

Cue

Phono 2

Line 4

Gain

Line 5

MIN MAX

-5

-10

+3

0

-15

High

1

0

2

7

6

5

4

3

9

10

CH

8

3

-10

Mid

+10

-10

Low

+10

Cue

Line 6

MIN

Gain

MAX

Line 7

+3

0

-5

-10

-15

1

0

2

7

6

5

4

3

9

10

CH

8

4

-10

Mid

-10

Low

High

+10

+10

Cue

Line 8

MIN

Gain

MAX

2

8

5

7

6

5

4

3

10

9

-5

CH

-15

-20

-25

-30

1

0

PWR

+6

+3

0

+10

CH 2

CH 1

CH 3

CH 4

CH 5

-10 +10 -10 +10 -10 +10

CH 2

CH 1

CH 3

CH 4

CH 5

-10 +10

Mix

CUE

ASSIGN A ASSIGN B

C R O S S F A D E R

PGM

Balance

L

Master

R

0

Booth

10

0 10

Cue Level

POWER

-5

-10

-15

-20

+6

+3

0

-25

-30

PWR

0 10

Headphones

MIC Talkover Allows you to lower the level of the input sources so you can talk them using the DJ Mic

MIC1 Tone Controls

MIC1 Level Controls Lets you control the

MIC levels as they enter the mix

Master Balance Control

Master Level Control

Lets you control mixer’s overall volume level

Booth Level Control Lets you control the mixer’s overall BOOTH volume level, if you set up remote speakers or DJ booth monitors

Headphone Level Control

Headphone Jack

Accepts headphones with

1/4” plug

Headphone CUE/PGMControl Allows you to listen simultaneously or separately to the CUE material or the active program

3-Band Equalizer Allows you to tailor the mixer output to suit your taste or performance environment. Each frequency range can be cut or boost by up to 12dB.

Crossfader Slider Control Allows you to smoothly switch between the input sources assigned to Channel A and Channel B

Channel Level Slider Control

Channel Assign Switch Lets you select the input source to be mixed by the Crossfade Slider Control i – Pyle Pro Mixer Owner’s Manual Pyle Pro Mixer Owner’s Manual – 1

Presetting the Controls Before Use

Since sudden high output levels from your Pyle Pro mixer can damage not only audio devices connected to the mixer output but your hearing as well (especially if you are using headphones), please adjust the mixer’s controls BEFORE connecting AC power or turning on the unit.

Set up the mixer controls like this before you start:

CONTROL SETTING

Power On/Off

Balance

Gain

Tone Controls, High, Mid & Low

MIC 1, CH 1/2/3/4/5, Master & Cue Levels

Crossfader

OFF

MID

MID

0

0

CENTER

Connecting the Mixer Inputs

This mixer permits connection of up to nine (9) audio input sources,and two microphones. Such a system might include, for example:

Two Microphones

Two Turntables

Seven CD players

Two Microphones

Nine CD players

Two Microphones

Two Turntables

Four CD players

Three Cassette Decks

Two Microphones

Two Turntables

Four CD players

One Rhythm Synth

Two Cassette Deck

Please observe the following:

Do not connect any audio source with a HIGH LEVEL OUTPUT to the

LOW LEVEL PHONO 1 or PHONO 2 mixer audio input jacks (an audio source output with a volume control is HIGH LEVEL).

Connecting Microphones

Microphone 1. Connect a balanced/unbalanced low impedance (600 Ohm) XLR type MIC OR a low impedance MIC with a 1/4” plug to the MIC 1 jack in the upper left corner of the mixer control panel.

MIC 1

Use 1/4” or

XLR-type jack

MIC 1

MIC 1 Volume

MIN

High

MAX

-10

Low

+10

-10 +10

TALKOVER

ON

OFF

-10

-5

-10

+3

0

-15

High

Cue

-10

Mid

+10

-10

Low

+10

MIC 2

MIN

Gain

MAX

Line 1

-5

-10

+3

0

-15

High

1

0

8

7

6

1

3

2

5

4

10

9

CH

-10

Mid

+10

-10

Low

+10

Cue

Phono 1

MIN

Line 2

Gain

Phono 2

MAX

Line 3

-5

-10

+3

0

-15

High

1

0

8

7

6

2

3

2

5

4

10

9

CH

-10

Mid

+10

-10

Low

+10

Cue

MIN

Line 4

Gain

MAX

Line 5 +3

0

-5

-10

-15

High

1

0

3

2

5

4

10

9

CH

8

7

6

3

-10

Mid

+10

-10

Low

+10

Cue

Line 6

MIN

Line 9

Gain

Line 7

MAX

+3

0

-5

-10

-15

High

1

0

3

2

5

4

10

9

CH

8

7

6

4

-10

-10

Low

Mid

+10

+10

Cue

Line 8

MIN

Gain

MAX

1

0

5

4

3

2

8

7

6

10

9

-5

CH

-15

5

-20

-25

-30

PWR

+6

+3

0

+10

CH 2

CH 1

CH 3

CH 4

CH 5

-10 +10 -10 +10 -10 +10

CH 2

CH 1

CH 3

CH 4

CH 5

-10 +10

Mix

CUE

ASSIGN A ASSIGN B

C R O S S F A D E R

PGM

Balance

L

Master

R

0

Booth

10

0 10

Cue Level

POWER

-5

-10

-15

+6

+3

0

-20

-25

-30

PWR

0 10

Headphones

Microphone 2. Connect a high quality balanced/unbalanced low impedance (600 Ohm) microphone with a 1/4” plug to the MIC 2 jack on the lower left corner of the mixer’s back panel.

MIC 2

Use 1/4” jack

~AC INPUT

FUSE F 500mA 250V

V O LTA G E

R

BALANCED

L

OUTPUT

Master

L

Booth Rec

L

R R

CH 5 CH 4

L

R

Line 9 Line 8 Line 7 Line 6

INPUT

CH 3 CH 2

L

R

L

R

L

R

Phono 2

/Line 4

LN 4 PH 2 Line 3 Phono 1

/Line 2

LN 2 PH 1 Line 1

LL

CH 1

MIC 2

R

GND

2 – Pyle Pro Mixer Owner’s Manual

Connecting High Level Output Audio Sources

Connect up to 9 such sources (tuner, cassette deck, CD Player, camcorder or VCR) to the input jacks for Line 1 , Line 2(if not being used as Phono 1 input), Line 3, Line 4(if not being used as Phono 2 input), Line 5, Line 6, Line 7, Line 8 and Line 9. Please note that Phono 1 and Line 2 (as well as

Phono 2 and Line 4) use the same jacks. The selector switch(e)s below the jacks should be set to

Line position if the jacks are used for the High Level input sources described here.

~AC INPUT

FUSE F 500mA 250V

V O LTA G E

Use RCA type patch cables

High Level Output

Audio Source

LEFT output

NPUT

CH 2

R

BALANCED

L

OUTPUT

L

Master Booth Rec

L

R R

CH 5 CH 4

L

R

Line 9 Line 8 Line 7 Line 6

INPUT

CH 3

L L

CH 2

L

R R R

Phono 2

/Line 4

LN 4 PH 2 Line 3 Phono 1

/Line 2

LN 2 PH 1 Line 1

R

LL

CH 1

MIC 2

GND

L L

R R

PH 2 Line 3 Phono 1

/Line 2

LN 2 PH 1 Line 1

R

LL

CH

RIGHT output

CD player, cassette deck, camcorder, VCR, etc.

NOTE!

If you use a High Level Output Audio Source(s) in the Phono1/Line2 (and/or Phono2/Line4) input jack(s), be sure to place the Input Select switch in the LINE2 (and/or LINE4) position(s)!

Connecting Turntables and Other Level Output Audio Sources

Connect up to 2 turntables to the Phono 1 and Phono 2 input jacks. Please note that Phone 1 and

Line 2 (as well as Phono 2 and Line 4) use the same jacks. The selector switch below the jacks should be set to Phono position if the jacks are used for phono inputs.

When using a turntable, you should also securely connect its ground wire (usually green or black) to the Ground screw on the input panel of the mixer.

Use RCA type patch cables

~AC INPUT

FUSE F 500mA 250V

V O LTA G E

R

BALANCED

L

OUTPUT

L

Master Booth Rec

L

R R

CH 5 CH 4

L

R

Line 9 Line 8 Line 7 Line 6

Magnetic cartridge turntable

LEFT output

CH 3

INPUT

L L

R R

LN 4 PH 2 Line 3

CH 2

L

R

LN 2 PH 1 Line 1

CH 1

LL

MIC 2

R

GND

RIGHT output

GROUND wire from turntable

NPUT

L

CH 2

L

R R

PH 2 Line 3 Phono 1

/Line 2

LN 2 PH 1 Line 1

R

NOTE!

If you use a Turntable in the Phono1/Line2

(and/or Phono2/Line4) input jack(s), be sure to place the Input Select switch in the PHONO1

(and/or PHONO2) position(s)!

LL

CH

Pyle Pro Mixer Owner’s Manual – 3

Using the Channel Input Gain Controls

Adjusting the Gain controls for each channel permits you to fine tune the level of each of the audio inputs, since input levels usually vary. Rotate the Gain controls clockwise to increase levels. After you preset the gain levels for each input, it is recommended that you do not adjust them further, as you can cause sound level imbalances during a mix.

Connecting the Mixer Outputs

Output to an Amplifier

To play the mixer’s output signal through your speaker system (for events such as parties, dances, conferences, etc.) connect an audio patch cord (not supplied) from the mixers AMP L and R jacks to your receiver amplifier’s left and right input jacks.

This mixer features two kinds of output jacks for you to choose from: RCA style and 1/4” type. DO

NOT USE BOTH SIMULTANEOUSLY.

Output to a Tape or Digital Audio Recorder

To play the mixer’s output signal through your speaker system (for events such as parties, dances, conferences, etc.) connect an audio patch cord (not supplied) from the mixers REC L and R jacks to your receiver/amplifier’s left and right input jacks.

Booth Output

To monitor the mixer output to a second set of speakers in the DJ booth (or in a remote location) connect an audio patch cord (not supplied) from the mixers BOOTH L and R jacks to your secondary amplifier’s left and right input jacks.

CAUTION: In order to avoid sudden unpleasant sound output, adjust the output devices controls to these settings before you connect the mixer’s output jacks to these devices’ input jacks.

OUTPUT DEVICE

Tape Deck

Amplifier/Receiver

CONTROL

POWER

POWER

TONE

SETTING

OFF

OFF

FLAT

Using Headphones

Plug a pair of stereo headphones (not supplied) with a 1/4” jack into the Phones input. Using headphones not only affords you the opportunity to listen privately, but also enables you to monitor

(”cue”) the incoming audio sources so you can locate an exact passage or section before mixing it in. It also gives you the opportunity to set up the relative volume level of the upcoming passage before it joins the mix.

MIC 1

MIC 1 Volume

MIN

High

MAX

-10

Low

+10

-10 +10

TALKOVER

ON

OFF

-10

-5

-10

+3

0

-15

High

Cue

-10

Mid

+10

-10

Low

+10

MIC 2

MIN

Gain

MAX

Line 1 +3

0

-5

-10

-15

High

1

0

3

2

5

4

10

9

CH

8

7

6

1

-10

Mid

+10

-10

Low

+10

Cue

Phono 1

MIN

Line 2

Gain

Phono 2

Line 3

MAX

+3

0

-5

-10

-15

High

1

0

3

2

5

4

10

9

CH

8

7

6

2

-10

-10

Mid

+10

Low

+10

Cue

MIN

Line 4

Gain

Line 5

MAX

-5

-10

+3

0

-15

High

1

0

3

2

5

4

10

9

CH

8

7

6

3

-10

-10

Mid

+10

Low

+10

Cue

Line 6

MIN

Line 9

Gain

Line 7

MAX

-5

-10

+3

0

-15

High

1

0

8

7

6

4

3

2

5

4

10

9

CH

-10

Mid

+10

-10

Low

+10

Cue

Line 8

MIN

Gain

MAX

5

-25

5

4

3

2

8

7

6

10

9

-5

CH

-15

-20

-30

1

0

PWR

+6

+3

0

+10

CH 2

CH 1

CH 3

CH 4

CH 5

-10 +10 -10 +10 -10 +10

CH 2

CH 1

CH 3

CH 4

CH 5

-10 +10

Mix

Balance

L

Master

R

0

Booth

10

0 10

Cue Level

POWER

-5

-10

-15

+6

+3

0

-20

-25

-30

PWR

0 10

Headphones

CUE PGM

ASSIGN A ASSIGN B

C R O S S F A D E R

Listen Safely! Please observe the following:

Do not listen at extremely high volume levels. Extended, high-volume listening can lead to permanent hearing loss.

Follow these guidelines to protect your hearing, especially when using headphones.

Always start by setting the volume level to the lowest possible level before listening.

Put headphones on, and then gradually increase the volume as necessary.

Once you set the volume level do not increase it. Over a period of time, your ears adapt to a volume level and there is a temptation to increase it. Even though such an increase may not cause discomfort, it might still damage your hearing.

Stereo Headphones

4 – Pyle Pro Mixer Owner’s Manual Pyle Pro Mixer Owner’s Manual – 5

Using the Mixer Controls

Turning on the Mixer

1. Turn on the output amplifier and temporarily set its volume to the minimum setting.

2. On the mixer, turn ON the power switch. The power LED will illuminate.

3. Turn on the audio input sources you wish to mix, and set them to play (or talk continuously into

the microphone).

4. To monitor the audio input sources so that you can decide when to mix in each input, see

“Monitoring

‘Cueing’ the Inputs.”

5. To mix the audio input sources so that you can play them through your amplifier system or record

them on your tape deck, see “Mixing the Inputs.”

Monitoring (”Cueing”) the Inputs

1. Set the CUE ASSIGN switch of the input source (CH1, CH2, CH3,CH4 or CH 5) you wish to

monitor.

2. Adjust the Headphone Level control to a comfortable listening level.

3. The Headphone CUE/PGM control permits you to switch easily from listening to CUE material to

the playing PROGRAM sound. You can also listen to both simultaneously by moving the Headphone

CUE/PGM control to a point midway between the two ends.

Mixing the Inputs

There are a maximum of ten input sources available at one time, including two microphone inputs.

Both microphone input sources are always available as part of the mix, if desired. Each of the four audio channels can be linked to two different input sources, and one of these sources for each channel is available for mixing.Turn on all the available audio sources and be sure they are providing sound before continuing.

1. Select the Channel Input Selectors for each channel, choose the audio sources you want to mix

for each channel (i.e., choose PHONO1/LINE2 or LINE3).

2. Set the Mic and Channel Level controls all to within the 8 - 10 range.

3. Rotary the MASTER volume control toward 10 until you get an average reading of 0 on both Output

Level LED Meters. The output level displayed in the meters represents the TOTAL output from all

the channels supplying audio to the mix. NOTE: Once you set this level, we suggest you do not

change it!

4. If you add or change input sources, adjust the corresponding MIC1 or CH1, CH2, CH3, CH4 or CH5

level control(s) to maintain the average reading of 0 on the LED meters.

5. To change the overall sound level, adjust the RECEIVER/AMPLIFIER (NOT THE MIXER) volume

control to the desired volume.

6 – Pyle Pro Mixer Owner’s Manual

Adding Equalization to the Mix

These high, mid and low 3 band equallzation controls, permit you to tailor the tone frequency of the each channels inputs processed through themix. left in their center positions, the sound is unaffected.

Using the Microphone

Incorporating Voice into the Mix

To blend voice from the microphones with the audio program material, first be sure the MIC/TALKOVER switch is set to the ON position. (In this position, the MIC channel is mixed into the program like any other audio input source.)

Then adjust the corresponding MIC level controls to increase or decrease the microphone level (this will not affect the main volume inputs). When a microphone is not in use, set the MIC/TALKOVER switch to OFF.

Talkover Mode

Talkover mode allows a voice to be heard clearly through the microphone by attenuating all the other audio input sources. This mode is engaged by setting the Talkover Switch to the TALKOVER position.

Microphone Tone Controls

These HIGH, and LOW controls, permit you to tailor the tone frequencies of the MIC inputs processed through the mix. Left in their center positions, the sound is unaffected (”flat”).

Microphone Level Controls

The independent MIC1 controls permit you to increase or decrease the levels of these microphones within the mix.

Using the Crossfader with the Assign Switches

For crossfading effects, you can assign any of the five channels to either A or B sides of the crossfader mix using the Crossfader assign knobs.

When the crossfade slider is in the center position, the two assigned channels play equally. Sliding the control towards the A position will increase the level of A and fade out B proportionally to the distance from center. Likewise, sliding the control towards the B position will increase the level of

B and fade out A.

Pyle Pro Mixer Owner’s Manual – 7

Troubleshooting

Your mixer should require very little maintenance. If you have problems, refer to the chart below for possible solutions. If you cannot solve the problem, contact a qualified technician for assistance.

PROBLEM

Nothing works

No signal from an audio input source

Hum from PHONO

POSSIBLE SOLUTION

• Check the AC connection. Make sure the AC outlet is “live.”

• Check the power connection to the rest of the system (receiver/amplifier, etc.)

• Check the control setting

• Check the connection between the mixer and the input source

• Check that the turntable’s ground wire (usually black or green) is fastened securely to the GROUND

SCREW on the mixer input panel

• Make sure there are no low level inputs connected to the LINE input jacks Hum from other source

Feedback is present

• Move the microphone further away from the output speakers, or use a directional microphone

Care and

Maintenance

Your Pyle Pro Mixer is an example of superior design and craftsmanship. The following suggestions will help you care for your mixer so you can enjoy years of use:

• Keep the mixer dry. If it gets wet, wipe immediately.

• Use the mixer only in wellventilated installations.

• Handle the mixer gently and carefully - do not drop!

• Keep the mixer away from dust and dirt.

• Wipe occasionally with a damp cloth to keep it looking new. Do not use harsh chemicals, solvents or detergents!

Please complete warranty card, detach and return

Place

Stamp

Here

PYLE PRO Audio, Inc.

1600 63rd Street

Brooklyn, NY 11204

8 – Pyle Pro Mixer Owner’s Manual