Master Anamorphic T1.9/35 mm
DATA SHE E T
Master Anamorphic T1.9/35 mm
A range of seven high-performance prime lenses, the ARRI/ZEISS Master
Anamorphic series represents a significant step forward in the technology
and practicality of anamorphic cinematography for 35 format digital and
film cameras.
For the first time, a perfect combination of compact size, minimal weight,
very high speed and exceptional optical design with minimal distortion
has been achieved in a set of anamorphics. With beautiful out-of-focus
backgrounds and a smooth, cinematic look, the Master Anamorphic
lenses are as fast and easy to use on set as other modern cine lenses.
Main Features
■
Low distortion for uncompromised Cinemascope
straight lines stay straight
no distortion compensation in post necessary
low distortion even at close focus
■■
■■
■■
■
Cinematic bokeh with high contrast and nice focus fall-off
very smooth out-of-focus image
immersive look
■■
ø114
■■
■
ø95
Beautiful skin tones and precise color rendition
smooth and pleasant skin tones
Crisp, natural color rendition
■■
■■
Master Anamorphic
Characteristic out-of-focus highlights
oval and uniformly illuminated out-of-focus highlights
smooth iris shape because of 15 aperture blades
2x
35
■
■■
■■
■
234.7
Large image field for full freedom in composition
full 2.39:1 format is useable for image composition
no visible image drop at the corners
■■
■■
■
No anamorphic mumps (fat face effect)
■
Super color matched to other ARRI/ZEISS primes and ARRI/FUJINON zooms
■
ARRI Lens Data System (LDS) for lens metadata
52
■
91.2
Virtually no image breathing
136.1
■■
■
132.7
Large aperture of T1.9 for shallow depth of focus
T1.9 useable with any focal length at any distance
overcomes the old rule: “anamorphics need to be stopped down to T4.5”
■■
ø100.5
ø109.5
Technical Details
Lens Mount (1):
PL-LDS
Aperture
T1.9 - T22
Close Focus (2)
0.75 m / 2‘6“
Magnification Ratio (3)
H: 1:32.3, V: 1:16.1
Length (4)
183 mm / 7.2“
Length including flange focal distance (5)
235 mm / 9.3“
Front Diameter (6)
95 mm / 3.7“
Maximum Housing Diameter
114 mm / 4.5“
Weight (kg)
2.6
Weight (lbs)
5.7
Entrance Pupil (7) (mm)
-179
Entrance Pupil (7) (inch)
-7.04
Angle of View H - V
Super 35 Cinemascope (8)
Image Diameter = 29.26 mm (9)
65° - 30°
(x)
For abbreviations please see legend at end of document
Ident.-No.: 80.0000428 · Technical data subject to change without further notice. Date: August 22nd, 2013 © ARRI/2013
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG · Türkenstrasse 89 · D-80799 Munich · phone +49 (0)89 3809 0 · fax +49 (0)89 3809 1245 · www.arri.com
DATA SHE E T
Master Anamorphic T1.9/40 mm
A range of seven high-performance prime lenses, the ARRI/ZEISS Master
Anamorphic series represents a significant step forward in the technology
and practicality of anamorphic cinematography for 35 format digital and
film cameras.
For the first time, a perfect combination of compact size, minimal weight,
very high speed and exceptional optical design with minimal distortion
has been achieved in a set of anamorphics. With beautiful out-of-focus
backgrounds and a smooth, cinematic look, the Master Anamorphic
lenses are as fast and easy to use on set as other modern cine lenses.
Main Features
■
Low distortion for uncompromised Cinemascope
straight lines stay straight
no distortion compensation in post necessary
low distortion even at close focus
■■
■■
■■
■
Cinematic bokeh with high contrast and nice focus fall-off
very smooth out-of-focus image
immersive look
■■
ø114
■■
■
ø95
Beautiful skin tones and precise color rendition
smooth and pleasant skin tones
Crisp, natural color rendition
■■
■■
Master Anamorphic
Characteristic out-of-focus highlights
oval and uniformly illuminated out-of-focus highlights
smooth iris shape because of 15 aperture blades
2x
40
■
■■
■■
■
234.7
Large image field for full freedom in composition
full 2.39:1 format is useable for image composition
no visible image drop at the corners
■■
■■
■
No anamorphic mumps (fat face effect)
■
Super color matched to other ARRI/ZEISS primes and ARRI/FUJINON zooms
■
ARRI Lens Data System (LDS) for lens metadata
52
■
91.2
Virtually no image breathing
136.1
■■
■
132.7
Large aperture of T1.9 for shallow depth of focus
T1.9 useable with any focal length at any distance
overcomes the old rule: “anamorphics need to be stopped down to T4.5”
■■
ø100.5
ø109.5
Technical Details
Lens Mount (1):
PL-LDS
Aperture
T1.9 - T22
Close Focus (2)
0.70 m / 2‘4“
Magnification Ratio (3)
H: 1:25.6, V: 1:12.8
Length (4)
183 mm / 7.2“
Length including flange focal distance (5)
235 mm / 9.3“
Front Diameter (6)
95 mm / 3.7“
Maximum Housing Diameter
114 mm / 4.5“
Weight (kg)
2.7
Weight (lbs)
6
Entrance Pupil (7) (mm)
-177
Entrance Pupil (7) (inch)
-6.96
Angle of View H - V
Super 35 Cinemascope (8)
Image Diameter = 29.26 mm (9)
59° - 26°
(x)
For abbreviations please see legend at end of document
Ident.-No.: 80.0000429 · Technical data subject to change without further notice. Date: August 22nd, 2013 © ARRI/2013
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG · Türkenstrasse 89 · D-80799 Munich · phone +49 (0)89 3809 0 · fax +49 (0)89 3809 1245 · www.arri.com
DATA SHE E T
Master Anamorphic T1.9/50 mm
A range of seven high-performance prime lenses, the ARRI/ZEISS Master
Anamorphic series represents a significant step forward in the technology
and practicality of anamorphic cinematography for 35 format digital and
film cameras.
For the first time, a perfect combination of compact size, minimal weight,
very high speed and exceptional optical design with minimal distortion
has been achieved in a set of anamorphics. With beautiful out-of-focus
backgrounds and a smooth, cinematic look, the Master Anamorphic
lenses are as fast and easy to use on set as other modern cine lenses.
Main Features
■
Low distortion for uncompromised Cinemascope
straight lines stay straight
no distortion compensation in post necessary
low distortion even at close focus
■■
■■
■■
■
Cinematic bokeh with high contrast and nice focus fall-off
very smooth out-of-focus image
immersive look
■■
ø114
■■
■
ø95
Beautiful skin tones and precise color rendition
smooth and pleasant skin tones
Crisp, natural color rendition
■■
■■
Master Anamorphic
Characteristic out-of-focus highlights
oval and uniformly illuminated out-of-focus highlights
smooth iris shape because of 15 aperture blades
2x
50
■
■■
■■
■
234.7
Large image field for full freedom in composition
full 2.39:1 format is useable for image composition
no visible image drop at the corners
■■
■■
■
No anamorphic mumps (fat face effect)
■
Super color matched to other ARRI/ZEISS primes and ARRI/FUJINON zooms
■
ARRI Lens Data System (LDS) for lens metadata
52
■
91.2
Virtually no image breathing
136.1
■■
■
132.7
Large aperture of T1.9 for shallow depth of focus
T1.9 useable with any focal length at any distance
overcomes the old rule: “anamorphics need to be stopped down to T4.5”
■■
ø100.5
ø109.5
Technical Details
Lens Mount (1):
PL-LDS
Aperture
T1.9 - T22
Close Focus (2)
0.75 m / 2‘6“
Magnification Ratio (3)
H: 1:22.2, V: 1:11.1
Length (4)
183 mm / 7.2“
Length including flange focal distance (5)
235 mm / 9.3“
Front Diameter (6)
95 mm / 3.7“
Maximum Housing Diameter
114 mm / 4.5“
Weight (kg)
2.6
Weight (lbs)
5.7
Entrance Pupil (7) (mm)
-171
Entrance Pupil (7) (inch)
-6.75
Angle of View H - V
Super 35 Cinemascope (8)
Image Diameter = 29.26 mm (9)
48° - 21°
(x)
For abbreviations please see legend at end of document
Ident.-No.: 80.0000430 · Technical data subject to change without further notice. Date: August 22nd, 2013 © ARRI/2013
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG · Türkenstrasse 89 · D-80799 Munich · phone +49 (0)89 3809 0 · fax +49 (0)89 3809 1245 · www.arri.com
DATA SHE E T
Master Anamorphic T1.9/60 mm
A range of seven high-performance prime lenses, the ARRI/ZEISS Master
Anamorphic series represents a significant step forward in the technology
and practicality of anamorphic cinematography for 35 format digital and
film cameras.
For the first time, a perfect combination of compact size, minimal weight,
very high speed and exceptional optical design with minimal distortion
has been achieved in a set of anamorphics. With beautiful out-of-focus
backgrounds and a smooth, cinematic look, the Master Anamorphic
lenses are as fast and easy to use on set as other modern cine lenses.
Main Features
■
Low distortion for uncompromised Cinemascope
straight lines stay straight
no distortion compensation in post necessary
low distortion even at close focus
■■
■■
■■
■
Cinematic bokeh with high contrast and nice focus fall-off
very smooth out-of-focus image
immersive look
■■
ø114
■■
■
ø95
Beautiful skin tones and precise color rendition
smooth and pleasant skin tones
Crisp, natural color rendition
■■
■■
Master Anamorphic
Characteristic out-of-focus highlights
oval and uniformly illuminated out-of-focus highlights
smooth iris shape because of 15 aperture blades
2x
60
■
■■
■■
■
234.7
Large image field for full freedom in composition
full 2.39:1 format is useable for image composition
no visible image drop at the corners
■■
■■
■
No anamorphic mumps (fat face effect)
■
Super color matched to other ARRI/ZEISS primes and ARRI/FUJINON zooms
■
ARRI Lens Data System (LDS) for lens metadata
52
■
91.2
Virtually no image breathing
136.1
■■
■
132.7
Large aperture of T1.9 for shallow depth of focus
T1.9 useable with any focal length at any distance
overcomes the old rule: “anamorphics need to be stopped down to T4.5”
■■
ø100.5
ø109.5
Technical Details
Lens Mount (1):
PL-LDS
Aperture
T1.9 - T22
Close Focus (2)
0.90 m / 3‘
Magnification Ratio (3)
H: 1:24.3, V: 1:12.2
Length (4)
183 mm / 7.2“
Length including flange focal distance (5)
235 mm / 9.3“
Front Diameter (6)
95 mm / 3.7“
Maximum Housing Diameter
114 mm / 4.5“
Weight (kg)
2.7
Weight (lbs)
6
Entrance Pupil (7) (mm)
-152
Entrance Pupil (7) (inch)
-5.99
Angle of View H - V
Super 35 Cinemascope (8)
Image Diameter = 29.26 mm (9)
41° - 18°
(x)
For abbreviations please see legend at end of document
Ident.-No.: 80.0000431 · Technical data subject to change without further notice. Date: August 22nd, 2013 © ARRI/2013
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG · Türkenstrasse 89 · D-80799 Munich · phone +49 (0)89 3809 0 · fax +49 (0)89 3809 1245 · www.arri.com
DATA SHE E T
Master Anamorphic T1.9/75 mm
A range of seven high-performance prime lenses, the ARRI/ZEISS Master
Anamorphic series represents a significant step forward in the technology
and practicality of anamorphic cinematography for 35 format digital and
film cameras.
For the first time, a perfect combination of compact size, minimal weight,
very high speed and exceptional optical design with minimal distortion
has been achieved in a set of anamorphics. With beautiful out-of-focus
backgrounds and a smooth, cinematic look, the Master Anamorphic
lenses are as fast and easy to use on set as other modern cine lenses.
Main Features
■
Low distortion for uncompromised Cinemascope
straight lines stay straight
no distortion compensation in post necessary
low distortion even at close focus
■■
■■
■■
■
Cinematic bokeh with high contrast and nice focus fall-off
very smooth out-of-focus image
immersive look
■■
ø114
■■
■
ø95
Beautiful skin tones and precise color rendition
smooth and pleasant skin tones
Crisp, natural color rendition
■■
■■
Master Anamorphic
Characteristic out-of-focus highlights
oval and uniformly illuminated out-of-focus highlights
smooth iris shape because of 15 aperture blades
2x
75
■
■■
■■
■
234.7
Large image field for full freedom in composition
full 2.39:1 format is useable for image composition
no visible image drop at the corners
■■
■■
■
No anamorphic mumps (fat face effect)
■
Super color matched to other ARRI/ZEISS primes and ARRI/FUJINON zooms
■
ARRI Lens Data System (LDS) for lens metadata
52
■
91.2
Virtually no image breathing
136.1
■■
■
132.7
Large aperture of T1.9 for shallow depth of focus
T1.9 useable with any focal length at any distance
overcomes the old rule: “anamorphics need to be stopped down to T4.5”
■■
ø100.5
ø109.5
Technical Details
Lens Mount (1):
PL-LDS
Aperture
T1.9 - T22
Close Focus (2)
0.90 m / 3‘
Magnification Ratio (3)
H: 1:19.6, V: 1:9.8
Length (4)
183 mm / 7.2“
Length including flange focal distance (5)
235 mm / 9.3“
Front Diameter (6)
95 mm / 3.7“
Maximum Housing Diameter
114 mm / 4.5“
Weight (kg)
2.6
Weight (lbs)
5.7
Entrance Pupil (7) (mm)
-137
Entrance Pupil (7) (inch)
-5.38
Angle of View H - V
Super 35 Cinemascope (8)
Image Diameter = 29.26 mm (9)
33° - 14°
(x)
For abbreviations please see legend at end of document
Ident.-No.: 80.0000432 · Technical data subject to change without further notice. Date: August 22nd, 2013 © ARRI/2013
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG · Türkenstrasse 89 · D-80799 Munich · phone +49 (0)89 3809 0 · fax +49 (0)89 3809 1245 · www.arri.com
DATA SHE E T
Master Anamorphic T1.9/100 mm
A range of seven high-performance prime lenses, the ARRI/ZEISS Master
Anamorphic series represents a significant step forward in the technology
and practicality of anamorphic cinematography for 35 format digital and
film cameras.
For the first time, a perfect combination of compact size, minimal weight,
very high speed and exceptional optical design with minimal distortion
has been achieved in a set of anamorphics. With beautiful out-of-focus
backgrounds and a smooth, cinematic look, the Master Anamorphic
lenses are as fast and easy to use on set as other modern cine lenses.
Main Features
■
Low distortion for uncompromised Cinemascope
straight lines stay straight
no distortion compensation in post necessary
low distortion even at close focus
■■
■■
■■
■
Cinematic bokeh with high contrast and nice focus fall-off
very smooth out-of-focus image
immersive look
ø114
■■
ø95
■■
■
Beautiful skin tones and precise color rendition
smooth and pleasant skin tones
Crisp, natural color rendition
■■
■■
Master Anamorphic
100
Characteristic out-of-focus highlights
oval and uniformly illuminated out-of-focus highlights
smooth iris shape because of 15 aperture blades
2x
■
■■
■■
■
261.7
Large image field for full freedom in composition
full 2.39:1 format is useable for image composition
no visible image drop at the corners
■■
■■
■
No anamorphic mumps (fat face effect)
■
Super color matched to other ARRI/ZEISS primes and ARRI/FUJINON zooms
■
ARRI Lens Data System (LDS) for lens metadata
52
■
91.2
Virtually no image breathing
139
■■
■
132.7
Large aperture of T1.9 for shallow depth of focus
T1.9 useable with any focal length at any distance
overcomes the old rule: “anamorphics need to be stopped down to T4.5”
■■
ø100.5
ø109.5
Technical Details
Lens Mount (1):
PL-LDS
Aperture
T1.9 - T22
Close Focus (2)
0.95 m / 3‘1‘‘
Magnification Ratio (3)
H: 1:14.7, V: 1:7.4
Length (4)
210 mm / 8.1‘‘
Length including flange focal distance (5)
262 mm / 10.2‘‘
Front Diameter (6)
95 mm / 3.7“
Maximum Housing Diameter
114 mm / 4.5“
Weight (kg)
3.1
Weight (lbs)
6.8
Entrance Pupil (7) (mm)
-146
Entrance Pupil (7) (inch)
-5.74
Angle of View H - V
Super 35 Cinemascope (8)
Image Diameter = 29.26 mm (9)
25° - 11°
(x)
For abbreviations please see legend at end of document
Ident.-No.: 80.0000433 · Technical data subject to change without further notice. Date: August 22nd, 2013 © ARRI/2013
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG · Türkenstrasse 89 · D-80799 Munich · phone +49 (0)89 3809 0 · fax +49 (0)89 3809 1245 · www.arri.com
DATA SHE E T
Master Anamorphic T1.9/135 mm
A range of seven high-performance prime lenses, the ARRI/ZEISS Master
Anamorphic series represents a significant step forward in the technology
and practicality of anamorphic cinematography for 35 format digital and
film cameras.
For the first time, a perfect combination of compact size, minimal weight,
very high speed and exceptional optical design with minimal distortion
has been achieved in a set of anamorphics. With beautiful out-of-focus
backgrounds and a smooth, cinematic look, the Master Anamorphic
lenses are as fast and easy to use on set as other modern cine lenses.
Main Features
■
Low distortion for uncompromised Cinemascope
straight lines stay straight
no distortion compensation in post necessary
low distortion even at close focus
■■
■■
■■
■
ø114
Cinematic bokeh with high contrast and nice focus fall-off
very smooth out-of-focus image
immersive look
ø95
■■
■■
■
Beautiful skin tones and precise color rendition
smooth and pleasant skin tones
Crisp, natural color rendition
■■
135
Master Anamorphic
■■
Characteristic out-of-focus highlights
oval and uniformly illuminated out-of-focus highlights
smooth iris shape because of 15 aperture blades
2x
■
■■
■■
Large image field for full freedom in composition
full 2.39:1 format is useable for image composition
no visible image drop at the corners
271.7
■
■■
■■
■
No anamorphic mumps (fat face effect)
■
Super color matched to other ARRI/ZEISS primes and ARRI/FUJINON zooms
■
ARRI Lens Data System (LDS) for lens metadata
52
■
91.2
Virtually no image breathing
139
■■
■
132.7
Large aperture of T1.9 for shallow depth of focus
T1.9 useable with any focal length at any distance
overcomes the old rule: “anamorphics need to be stopped down to T4.5”
■■
ø100.5
ø109.5
Technical Details
Lens Mount (1):
PL-LDS
Aperture
T1.9 - T22
Close Focus (2)
1.20 m / 3‘11‘‘
Magnification Ratio (3)
H: 1:15.6, V: 1:7.8
Length (4)
226 mm / 9.1‘‘
Length including flange focal distance (5)
278 mm / 10.7‘‘
Front Diameter (6)
95 mm / 3.7“
Maximum Housing Diameter
114 mm / 4.5“
Weight (kg)
3.8
Weight (lbs)
8.4
Entrance Pupil (7) (mm)
-129
Entrance Pupil (7) (inch)
-5.09
Angle of View H - V
Super 35 Cinemascope (8)
Image Diameter = 29.26 mm (9)
19° - 8°
(x)
For abbreviations please see legend at end of document
Ident.-No.: 80.0000434 · Technical data subject to change without further notice. Date: August 22nd, 2013 © ARRI/2013
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG · Türkenstrasse 89 · D-80799 Munich · phone +49 (0)89 3809 0 · fax +49 (0)89 3809 1245 · www.arri.com
DATA SHE E T
ARRI Lenses Technical Legend
(1)
(2)
Lens Mount
Positive locking (PL) 54 mm stainless steel lens mount with Lens Data System (LDS) contacts.
Close Focus
Close focus is measured from the film/sensor plane.
Magnification ratio
Magnification Ratio is the relationship of the size of an object on the film/sensor plane (first number) to the size
of that object in real life (second number) at the close focus setting; horizontal (H) and vertical (V).
(4)
Length
Length is measured from the lens mount to the front of the lens housing.
(3)
(5)
(6)
Length including flange focal distance
Length is measured from the image to the front of the lens housing.
Front Diameter
Diameter of the lens/matte box interface.
(7)
Entrance Pupil
The distance from the entrance pupil to the film/sensor plane at focus = infinity. Positive numbers indicated an
entrance pupil behind, negative numbers indicated an entrance pupil in front the film/sensor plane.
The entrance pupil (often mistakenly called "nodal point") is the center of perspective; moving the camera/lens
system around the center of the entrance pupil prevents parallax errors.
While largerly irrelevant for live action, this measurement is important for special effects work.
(8)
Angle of View H, V, D (DIN Super 35)
Horizontal (H) and vertical (V) angles of view for a Super 35 Cinemascope camera aperture
(dimensions 22.5 mm x 18.7 mm / 0.8858" x 0.7362").
(9)
Image Diameter
The image diameter (ID) is the diameter of the image circle needed for the respective format. These lenses are
designed for the largest ID given here. All data subject to change without notice.
Technical data subject to change without further notice. Date: August 22nd, 2013 © ARRI/2013
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG · Türkenstrasse 89 · D-80799 Munich · phone +49 (0)89 3809 0 · fax +49 (0)89 3809 1245 · www.arri.com
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