Canon 0296B013 Datasheet
C C KNOW HOW ® 1-800-OK-CANON www.usa.canon.com Canon U.S.A., Inc. One Canon Plaza Lake Success, NY 11042 U.S.A. Canon Canada Inc. 6390 Dixie Road Mississauga, Ontario L5T 1P7 Canada Canon Latin America 703 Waterford Way, Suite 400 Miami, FL 33126 U.S.A. Canon Mexicana, S. de R.L. de C.V. Blvd. Manuel Ávila Camacho No. 138, Piso 17 Col. Lomas de Chapultepec C.P. 11000 México, D.F. México www.canon.com.mx 0054W868 8/05 Photography by Canon Explorers of Light. ©2005 CANON U.S.A., INC. PRINTED IN U.S.A. Intuitive Speed, Massive Resolution and Perfect Operation. The World’s Fastest Digital SLR* Refined Canon’s new EOS-1D Mark II N can record at 8.5 fps for up to 48 frames in one burst. It features Canon’s proven 8.2 Megapixel CMOS sensor with a 1.3x conversion factor, combined with the speed and intelligence of the DIGIC II Image Processor, all in a rock-solid, magnesium alloy body. * As of August 2005 Presenting the next generation of EOS professional digital SLRs. A stunning combination of performance, resolution and ease of use, this trio of cameras is ready for anything. All Canon EOS digital SLRs combine Canon designed high-resolution sensors with the blazingly fast DIGIC II Image Processor, for nearly instant response across the board. Canon’s renowned build quality ensures perfect operation no matter the situation. Compatibility with over 50 EF Lenses and wide variety of accessories, plus new technologies, like the Wireless File Transmitter WFT-E1A and Canon’s wide-format printers, ensures that the EOS system is the most advanced today and is ready to be compatible with whatever tomorrow brings. Widen Your Horizons The new EOS 5D has a full-frame 12.8 Megapixel CMOS sensor combined with Canon’s DIGIC II Image Processor, a high-precision 9-point AF system with 6 Supplemental points, and “Picture Style” color control to deliver images of superior quality with enough resolution for any application, all in a compact lightweight body. Unparalled Resolution and Performance The EOS-1DS Mark II is a must have for those looking to capture huge, beautiful images fast. With a full-frame 16.7 Megapixel sensor, the EOS-1DS Mark II captures up to 32 consecutive frames at speeds up to 4 fps, rendering the largest file in Canon Digital SLR history. Commercial Applications The Ultimate in Resolution. Gil Smith ‘‘ My main concern with any camera system is having a wide array of lenses available that are manufactured to professional standards. I love using extreme wide-angle lenses and the full frame chip on the EOS-1Ds Mark II allows me to utilize all of the EOS lenses to their full potential. The creation of this particular photograph was immeasurably faster than previously possible thanks to Canon’s superior use of emerging technology. We were in a studio in a controlled lighting situation, wired to the internet with the art director hundreds of miles away. We were able to capture and send shots instantly, and the art director evaluated and approved the image in minutes. The Canon EOS-1Ds Mark II connected to a computer or a network is a remarkable platform for photography in this digital age.” The EOS-1Ds Mark II captures more pixels than the competition, quickly delivering a high-resolution photograph without equal. The 1Ds Mark II’s 16.7 Megapixel full-size CMOS sensor captures 4992 x 3328 pixels, enough resolution for almost anything. In addition, with ISO ratings of 50-3200, combined with Canon’s noise reduction technology for an incredibly low signal to noise ratio, there’s almost nowhere this sensor won’t perform. The 1Ds Mark II can take full advantage of Canon’s array of EF lenses, as its sensor is the same size as a traditional film SLR, meaning no focal length conversion factor—lenses will have the same view they would on a 35mm camera. The 1Ds Mark II can also be shot at lower resolutions to conserve space on memory cards if large images are not the priority of the shoot. Camera: EOS-1Ds Mark II Lens: EF 70-200mm f/2.8L USM ©2005 Gil Smith All Rights Reserved. 7 Fashion Photography ‘‘ Melvin Sokolsky As a photographer shooting fashion I’ve found that the relationship between the subject and photographer requires a highly responsive camera, even more so than in sports or journalism photography. In fashion, the cadence of shutter releases will spur on the models performance in a kind of dance with the photographer. In my experience, the EOS-1Ds Mark II has proved to be the best when used in tandem with the vast arsenal of lenses in the EOS line. I, in fact, prefer the 1Ds Mark II to any of the 22MP medium format backs both in terms of image quality and FPS response time. For the White Balance Controls The EOS-1Ds Mark II has nine white balance modes plus PC-1 to PC-3, for registration of up to three temperatures. To fine-tune white balance, the 1Ds Mark II also features white balance compensation in addition to a number of different white balance bracketing options, for spot-on white balance in any number of lighting situations. photo on the left, I deliberately placed the model in a cocoon of veils to create a situation that would produce moiré and chromatic aberration problems that most cameras could not handle. The veils envelop the model with multiple layers to amplify the potential moiré problem; clearly the EOS-1Ds Mark II performed flawlessly.” Color Matrix Just as traditional photographers choose their film based upon considerations of light, saturation and color temperature, the EOS-1Ds Mark II’s Color Matrix function allows the photographer to change characteristics as if they were changing films or filters. There are 5 preset color matrixes and 2 customizable color settings, allowing photographers to fine-tune the color space to their specifications. Whether using the camera’s preset color spaces, or customizing color settings for the shoot, photographers can expect precise, natural color, every time. Canon Digital Camera Color Space Camera: EOS-1Ds Mark II Lens: EF 70-200mm f/2.8L IS USM ©2005 Melvin Sokolsky All Rights Reserved 9 Commercial Studio Photography DIGIC II: Faster, Smarter Operation from Start to Finish. Michel Tcherevkoff ‘‘ Here’s what I like about the Canon EOS system: Fast shooting, instant feedback, instant changes in the color temperature, instant change of ISO. No more changing of film from B&W to tungsten to daylight and everything in between, it’s all right there. No more grain with high-speed film, no more need to shoot at low ISO to accommodate slow tungsten film. Plus, you keep only the best shots! I love the high-resolution sensor, and the big new LCD monitor is the best! Few corporations today have a commitment to innovative research and development based on the demand of its customers. Canon does. Pretty forward thinking!” Canon’s DIGIC II Image Processor turns information captured by the CMOS sensor into images of exceptional clarity and resolution. Photographers can expect precise, natural colors with smooth, lifelike gradations, spot-on white balance and speed in any number of lighting situations. By handling larger volumes of image data, the DIGIC II Image Processor also contributes to lower power consumption: about 1,200 shots can be taken on a full battery under normal conditions. Photographs can be recorded as JPEG images, RAW images, or both simultaneously— with unprecedented control over image quality. Canon's newly developed proprietary CR2 RAW type compression method offers tremendous image quality, with rich 12-bit gradation and lossless image compression. Perfect for critical applications, amazing results can be achieved when processing Canon’s RAW images on a computer. Camera: EOS-1Ds Mark II Lens: EF 50mm f/2.5 Compact Macro ©2005 Michel Tcherevko= All Rights Reserved 11 Photojournalism Vincent Laforet ‘‘ In Photojournalism there is no such thing as a second chance - every moment is unique and can never be reproduced. Therefore I need a camera system that is incredibly reliable, one that does not stand in between me and a photograph. I've come to rely on Canon cameras to not only capture the decisive moments but also to make photographs that I could not have otherwise. After five solid days of bad weather, and with a looming deadline, we finally got a clear sunset. I needed to capture a dramatic shot of the Chrysler Building but did not want to isolate it as it’s a vital part of the city and rooted to the streets below. Since the surrounding buildings are lower, they appeared in shadow while the Chrysler appears to be in spotlight. Flying high above New York in a helicopter banking at 45°, with one chance to get the shot that will tell your story, you need confidence in your equipment, and that’s why I use Canon.” EOS-1D Mark II N: You Spoke, We Listened. The successor to the amazing EOS-1D Mark II, the EOS-1D Mark II N refines every facet of the photographic process, resulting in a faster, more fluid experience for the photographer. Retaining the EOS-1D Mark II’s 1.3x conversion factor and 8.2 Megapixel CMOS sensor, sophisticated 45-point AF, 21-zone Evaluative Metering, superb build quality and instant 0.2 second startup time, the EOS-1D Mark II N incorporates userrequested improvements such as an optional changeable focusing screen for critical focus in low light and a larger 2.5 inch LCD screen which provides a bigger image for playback, and can be viewed at 170° from all angles. ISO values can now be changed in the viewfinder, allowing photographers to change settings without taking the camera from their eye. The 1D Mark II N features these improvements, plus, all the shooting modes of the EOS 1 line and shutter speeds from 1/8000 to 30 sec. Camera: EOS-1D Mark II N Lens: EF 16-35mm f/2.8L USM ©2005 Vincent Laforet All Rights Reserved 13 Sports Photography Peter Read Miller ‘‘ Since I started using the EOS-1 system, I’ve witnessed Canon’s continual commitment to providing the most advanced, adaptable, and highest quality equipment to the professional photographer. Why did I switch to, and continue to use, Canon EOS cameras and EF Lenses? Durability, functionality and flexibility. As a sports photographer, my equipment needs to be as tough and adaptable as the athletes I cover. They don’t accept excuses for second place and neither do my photo editors. The Canon EOS-1D Mark II N’s fast and accurate auto-focus, high frame rate, plus the incredible sharpness of Canon’s bright telephoto lenses were all critical to my capturing the power and grace of Maria Sharapova. The high quality files, the larger buffer, the 2.5 inch LCD screen and improved playback all helped to make everything faster and easier.” Fast Capture, Faster Processing. As the “1” designation has always been used for the flagship models in the EOS line, Canon has made no compromises with the construction and performance of the EOS-1D Mark II N. Photographers can expect an exceptional degree of performance and reliability on par with any film camera they’ve ever used. In addition to lightning-fast 45-point AF, sophisticated tracking, predictive AF technology, and precise, instant metering, no matter the setting, the 1D Mark II N can shoot 8.5 JPEG images for up to 48 shots in one burst, and at least 22 consecutive RAW images. Shutter lag is a responsive 55 milliseconds. Starting up in 0.2 sec., the EOS-1D Mark II N demonstrates its speed immediately. The revolutionary DIGIC II Image Processor complements the 1D Mark II N’s speed in capturing images by processing and saving them with corresponding speed and precision. Camera: EOS-1D Mark II N Lens: EF 70-200mm f/2.8L IS USM ©2005 Peter Read Miller All Rights Reserved 15 Wedding Photojournalism Denis Reggie ‘‘ A telling, gleeful moment is there for an instant and then gone. A camera’s ability to focus instantly and perfectly control flash exposure is often the difference between a moment lost and one captured forever. In dark reception halls, I often twist the head of my Speedlite flash to bounce off distant walls and ceilings, trusting Canon’s remarkable E-TTL II system to handle the tricky exposure challenge effortlessly. Whether that wall is yellow or blue, any color cast is instantly eliminated by the celebrated automatic white balance system. Difficult shots are now routine thanks to Canon’s industry-leading technology. I use Canon equipment with full confidence that I am using the finest photographic tools available in the world today.” Canon’s Most Advanced Flash Metering System: E-TTL II. The EOS-1D Mark II N’s advanced features are complemented by Canon’s proven E-TTL II flash metering technology. Unlike older systems, E-TTL II weighs and averages the flash metering, capturing the subject as a “plane” and not as a “point”. E-TTL II incorporates distance information from compatible EF Lenses for more versatile flash exposure control, rendering consistent flash exposures even if the subject contains various colors and levels of reflection. E-TTL II also eliminates underexposure that can occur with straight reflections by ignoring sensor areas that report abnormally high levels of light from the calculated reading. In addition, E-TTL II prevents overexposure when photographers lock focus and recompose the shot. In this case, E-TTL II calculates the flash output level according to the distance information, not simply the reading off of the subject. This means more consistent flash exposure results, no matter where the photographer chooses to focus. Masked Focusing Screens (Ec and Ee versions available) Camera: EOS-1D Mark II N Lens: EF 24-70mm f/2.8L USM Ideal for portrait and wedding photographers, two new sets of focusing screens, featuring “crop lines” or “black mask”, help frame an image in a traditional 4 x 5 or square format. Compatible sets are available for the EOS-1 series cameras as well as the EOS 5D. ©2005 Denis Reggie All Rights Reserved 17 Senior Portrait Clay Blackmore ‘‘ The features that attracted me to the Canon system are numerous…Let’s start with the awesome selection of lenses. I own several of Canon’s fast lenses and they have given me a whole new look to my photographs. The fast lenses allow me to work in available light, creating portraits that are simple and direct, yet make powerful statements. I also love working with the EOS-1 body. It’s durable and nimble all at the same time. I can work the menu features in the dark–with my eyes closed–and this is important during stressful shoots when I need to change a setting. Most important: Consistent exposures and accurate focus. That would be the key word…Consistency! This consistency helps keep my work fresh and exciting.” More Options for The Way You Work. The EOS-1D Mark II N is one of the easiest cameras to customize to a photographer’s personal style of shooting. Six new “Picture Style” settings simulate the characteristics of different film styles, including Snapshot mode, for punchy, print-from-the-camera color, Portrait mode, for softer, more natural skin tones; Landscape, for vivid blues and greens and overall sharpness, plus Neutral, Faithful and Monochrome, which can be customized to emulate color filters with black and white film. Add Canon’s new interchangeable matte focusing screens, proven Custom and Personal functions (two card slots, one for CompactFlash (CF) and one for Secure Digital (SD) memory cards) with the ability to record JPEG and RAW image on different memory cards, simultaneously, and it’s clear that the 1D Mark II N is an incredibly adaptable photographic tool. Camera: EOS-1D Mark II N Lens: EF 300mm f/2.8L IS USM ©2005 Clay Blackmore All Rights Reserved 19 Studio Portrait The New EOS with Wide Appeal. Monte Zucker ‘‘ I look for a camera that takes the guesswork out of photography, a camera that is easy to hold and use, that is an extension of my hands, head and heart. The instant I picked up the new EOS 5D, I knew this was it. Viewing the results of each shot on the 2.5” LCD monitor on the back of the camera, I’m able to focus in on the details that are usually missed until I’m back at the computer viewing images on a monitor. With the EOS 5D’s advanced playback, I was able to scrutinize every little detail, refining and The new EOS 5D offers advanced photographers a lightweight, robust Digital SLR that uses Canon’s superlative EF lenses without a conversion factor, an important feature for photographers who want to make the most of their EF lenses range. The EOS 5D’s full-frame CMOS sensor perfecting the picture with each successive exposure. What a savings of time, talent and money! Then, when viewing images on the back of the camera section by section I was able to confirm in my own mind that I had accomplished what I set out to do. The Canon EOS 5D and I were “best buddies” right after the first few test shots.” records 4368 x 2912 pixels, that’s 12.8 Megapixels, larger than many other companies’ top-of–the-line sensors. This sensor, designed in-house by Canon, provides smooth, highresolution images in line with the EOS-1Ds Mark II. The 5D uses Canon’s DIGIC II Image Processor, has a high-precision 9-point AF system with 6 Supplemental points, an extended ISO range of 50-3200 and 2 automatic noise reduction settings which maximize the effectiveness of the EOS 5D’s on-chip noise reduction. With its wide-angle capabilities, 2.5 inch LCD and magnesium-alloy body, the 5D is the perfect addition to the EOS digital line. (Shown with optional Wireless File Transmitter WFT-E1A) Camera: EOS 5D Lens: EF 85mm f/1.2L USM ©2005 Monte Zucker All Rights Reserved 21 Environmental Portrait Michele Celentano ‘‘ In a lot of ways you are only as good as the tools you use–learn to use the best tools properly and your advantage is miles high. As such, I believe that having my Canon cameras and lenses is critical at every job I photograph. Beautiful files, speedy focus, fast lenses, Image Stabilization, high ISOs, easy exposure compensation, and excellent dynamic range are critical to capturing moving moments in life and it’s those moments that I earn my living from. There can be no compromise. Photographing three little girls at sunset in this remote setting required all the elements that are important to my work. Having a compact, lightweight camera with the imaging power of the EOS 5D made this shoot possible. Without the right tools this shoot would not have been More Features, Less Camera! The decidedly professional features of the EOS 5D are built into a newly designed compact, rugged and ergonomically designed body. Built with magnesium alloy body covers for strength and portability, measuring approximately 6" x 4.4" x 3" and under 2 lbs, the 5D is easy to carry during even the longest photo shoots. Even the grip is designed for all-day comfort, featuring a groove where the photographer’s middle finger falls. The metallic mode dial features roulette wheel grooving for a more positive feel, and all buttons and dials are clearly labeled and feature tactile cues, so use becomes purely instinctive. This elegant design follows over to the optional BG-E4 battery grip. With a shutter designed to take a professional 100,000 frames, the 5D is the perfect choice for a primary or secondary SLR. possible.” Camera: EOS 5D Lens: EF 70-200mm f/2.8L IS USM ©2005 Michele Celentano All Rights Reserved 22 23 Nature Photography George Lepp ‘‘ Every time I go into the field my Canon EOS digital system allows me to capture precisely what I see. I need a camera that will solve the photographic problems that are inevitable in outdoor photography. Will the camera’s functions assist me, or be an obstacle to overcome? Will it focus quickly enough? Stand up to the weather and terrain I frequently find myself in? Most importantly, will the image quality be up to the standards that my clients and I demand? Canon has always been interested in what those of us in the field have to say, and the improvements made over the years reflect that input. If not for the fullframe sensor on the EOS 5D, for example, this dramatic “fisheye” shot would not be possible. Occasionally they’ll even think of something I didn’t even know I needed!” The Result Is Clear. The EOS 5D has been designed to provide the photographer with instant feedback, saving valuable time when reviewing images. A new 2.5 inch LCD screen with approximately 230,000 pixels not only displays more information, it can also be viewed from a far greater angle than many other conventional LCD screens (170°). The full-featured shot information screen provides an RGB histogram, and displays the AF frames used. Magnification to check exposure and critical focus has never been faster, and it is now simple to jump quickly in image intervals up to 100. Menus are easily accessed at the touch of a button, and feature larger, easier-to-read text than previous models. Whether changing color parameters, setting up custom functions, organizing folders, setting white balance, or any other feature, the new screen is designed with the professional in mind. Photographers get to their information quickly, so they never lose a shot. Wrapped in magnesium-alloy, the BG-E4 adds buttons for vertical shooting, and takes either BP-511A batteries or AA’s. Camera: EOS 5D Lens: EF 15mm f/2.8 Fisheye ©2005 George Lepp All Rights Reserved Actual Size (Shown with optional Battery Grip BG-E4) 24 25 Architectural Photography Gerry Kopelow ‘‘ Long before I switched to Canon digital SLRs, I made a list of features that I required in a digital camera. Canon was the first (and remains the only) manufacturer to meet my requirements: full frame sensor, high pixel count, bright LCD review, rapid operation and superlative image quality. I bought one of the first EOS-1Ds cameras available, and every iteration since has only improved upon its versatile, intelligent and reliable design. Now with the EOS 5D I've got another great option. A higher resolution full-frame camera in a compact, lightweight body that affords me more versatility than ever before. The high resolution, wide tonal range sensor made this kitchen image possible. Note the extreme density range–from bright chrome to dark wood–and the mixed lighting. The Canon sensor takes mixed light sources in stride, allowing faithful image capture without supplemental lighting.” Expansive Perspective. Historically, full frame digital sensors were reserved only for the very top end of Digital SLR lines. The EOS 5D is the 3rd camera in the EOS Digital SLR line to use a full-frame sensor, eliminating the lens conversion factor so that lenses function as they would on a 35mm camera. With a 12.8 Megapixel CMOS sensor, the 5D produces a large file with enough information to reduce electronic distortions out of the camera. Besides being a welcome feature to wide-angle enthusiasts, the sensor also realizes the full potential of Canon’s tilt-shift lenses. Add the choice of 3 focusing screens, including one with grid lines, and the EOS 5D is the perfect camera for creating fast, huge digital architectural photos. The EOS 5D also adds a 9-point AF sensor, with 6 additional supplemental focusing points, which bring a new level of accuracy to focus tracking. These new features combine with a new 3.5% spot meter and Canon’s “Picture Style” feature, resulting in superior color accuracy and much, much more. Camera: EOS 5D Lens: TS-E 24mm f/3.5L ©2005 Gerry Kopelow All Rights Reserved 26 27 Rugged Build Quality, Total Flexibility Digital Solutions and Connections Photographers have come to expect stellar images Reflecting the range of viewing and image Digital Photo Professional (Version 2.0) EOS Solution Disk (Version 11.0) from Canon digital SLRs. And along with excellent transfer possibilities available today, the Digital Photo Professional is a RAW image The EOS Solution Disk includes ZoomBrowser optics, powerful processors and smooth sensors, EOS-1Ds Mark II, EOS-1D Mark II N and EOS 5D processing application featuring a newly EX 5.5 and ImageBrowser 5.5, which provide Canon digital SLRs are complemented by renowned have a video OUT terminal, perfect for viewing designed, dedicated image processing engine dedicated support for downloading and build quality for ergonomic and reliable operation, images on a television screen. And in which is optimized to streamline the workflow simple RAW image adjustment, EOS Capture whether in the studio or the field. EOS-1 series addition to a standard professional IEEE1394 demands of professional digital photogra- 1.5, a remote capture tool, which offers cameras have rigid, well-coated magnesium alloy (FireWire) port on the 1Ds Mark II and phers. It enables high-speed RAW image improvements in both speed and usability bodies, as well as being dust-proof and weather- 1D Mark II N, all three include a USB 2.0 port processing and preview, support for sRGB, over previous programs. resistant for shooting in even the most inclement (Hi-Speed USB on the EOS 5D) for connection Adobe RGB and Wide Gamut RGB color spaces, conditions. In addition, the shutters are designed to computers or direct connection to and is CMS (Color Management System) to endure 200,000 cycles (100,000 for the EOS 5D). compatible printers. Once transferred to a compatible. In addition to numerous controls With newly strengthened accessory shoes, computer, Canon’s EOS Digital Solution for exposure and color settings, it also electromagnetic shielding to help reduce noise, Disk (Ver. 11.0 as of September 2005), and includes a cropping tool, a navigation tool, all in elegant, durable bodies, these SLRs are a Digital Photo Professional (Ver. 2.0), add a CMYK printer simulation, batch pleasure to hold and use. combination of powerful, easy to use tools conversion, multiple image designed to seamlessly transform data download and download to captured by the cameras into spectacular applications other than Photoshop. digital files, perfect for any application the photographer may have in mind. “Shooting boats means consistently exposing my equipment to the most demanding and equipmentthreatening conditions that one can expose a camera to–salt water! I have to be able to concentrate on capturing the image. I have enough to worry about, keeping myself from falling overboard, keeping the lens steady, framing the shot, and telling the driver where to go. The EOS-1 cameras are as tough as nails and that’s what I need to get my work done.” –Onne van der Wal Digital Photo Professional 2.0 ZoomBrowser EX 5.5 Camera: EOS-1Ds Lens: EF 70-200mm f/2.8L IS USM ©2005 Onne van der Wal All Rights Reserved. 28 29 Easy Solutions, for Any Kind of Print The EOS-1Ds Mark II, EOS-1D Mark II N and imagePROGRAF W8400 i9900 Photo Printer EOS 5D are capable of direct printing with • 44" wide, for tremendous prints PictBridge-enabled printers, including a • High-density, 6 color print head totaling • 6,144 nozzles for exceptional speed. • 8 color ChromaPLUS ink system for expanded color gamut. • 2 Picoliter droplets for virtually grain-free photos up to 13" x 19". • Direct printing from PictBridge compatible digital cameras and DV camcorders. number of printers made by Canon. Canon's excellent Compact Photo Printers are perfect for on-site portable printing, a plus for professionals who need to quickly produce prints for client review—a viable alternative to 7,680 nozzles and resolution of up to 2,400 x 1,200 dpi • Canon’s PG pigment-based ink set for detailed prints, with enhanced longevity, and enhanced color gamut an instant photo. For portfolio and fine art • Print longevity of up to 75 years† under glass prints, Canon’s CP series is complemented by • Intuitive operation with newly-designed Canon's photo printers, i9900 and new control panel PIXMA iP6600D for a whole new level of speed, resolution and overall picture quality. And for large-scale prints that rival any fine PIXMA iP6600D art printer, Canon is pleased to announce the • Color Chroma Life100 ink system for expanded color gamut. • 3,072 nozzles for exceptional photo speed, borderless 4" x 6"photographs in approx. 46 seconds. • Microscopic 1 picoliter droplets for virtually grain-free photos. • Direct photo printing from PictBridge compatible digital cameras and DV camcorders. imagePROGRAF line of wide-format printers. The PIXMA and imagePROGRAF series feature Canon’s new FINE (Full-photolithography Inkjet Nozzle Engineering) technology. FINE printers have a high-precision multi-nozzle print head designed to provide smaller ink droplets in one pass, resulting in faster and more accurate printing than ever before. With powerful software, these sleek printers imagePROGRAF W6400 streamline workflow and create professional • 24" wide, high-speed printer quality prints. Photographers can easily crop, • Canon’s PG pigment-based ink set for brighten and sharpen their images, and can even remove blemishes on faces using detailed prints, with enhanced longevity • Newly-designed print head, enabling 4pl supplied software. Printing in volume, even droplets for smooth, detailed prints double sided, with any number of different • Enhanced resolution of up to 2,400 x print media is as simple as the touch of a button. 1,200 dpi • Adobe PostScript 3 RIP (Register Image Processor) and poster creation software * Based on Color Ink/paper Set KP-108IP and manufacturer’s suggested retail price as of 9/01/05. ** Based on accelerated dark storage testing by Canon under controlled lighting, temperature and humidity conditions. Canon cannot guarantee the longevity of the prints; results may vary depending on printed image, display/storage conditions and environmental factors. 30 Compact Photo Printer SELPHY CP710 • Create lab quality, long-lasting 4" x 6" photos with the touch of a button – no computer required. • Paper and Ink for 4" x 6" photo print are as low as 28¢ per print* and come in one convenient package. • High quality, water resistant prints last up to 100 years.** • Print directly from PictBridge enabled digital camera or from your memory card via card slot. • Preview your images on the 1.5 inch LCD monitor, or use a computer. • Print images from your Bluetooth enabled camera phone with an optional Bluetooth adapter. 31 EOS: The Most Comprehensive Digital SLR System Canon's world-renowned lineup of EF Lenses elements. In certain super- telephoto lenses, lens attached to the camera, a special group includes over 50 models ranging from 14mm Fluorite elements are used, as they are even of lens elements automatically shift position, ultra-wide-angle to 600mm super-telephoto. more effective in minimizing these compensating for the movement and Through Canon's advanced optical know-how characteristics, enabling more compact lens stabilizing the image. This compensatory and sub-micron precision engineering, design with no compromise in performance. effect adds the equivalent of up to three stops EF Lenses offer unprecedented capabilities Wide angle and fast standard lenses often of exposure, expanding a photographers that meet wide-ranging needs. Leading suffer from another optical problem: Spherical handheld options dramatically. features include a high precision Ultrasonic Aberration. This occurs when the point of Motor that silently drives the AF mechanism, focus of the light ray coming through the Lenses using Canon’s Diffractive Optics are an Image Stabilizer that automatically center of the lens does not align with the point both high performance and more compact compensates for camera shake, aspherical of focus of the light ray coming through the than those with traditional refractive designs. optics, Fluorite lenses, Ultra Low Dispersion lens edge. Since there is no sharp point of While conventional glass elements disperse (UD) lenses, and Super UD lenses. focus, the image looks blurred. Canon’s incoming light, thereby causing chromatic Aspherical elements change the curvature aberration, Canon’s unique multi-layer No other line of lenses carries the reputation from center to edge diffractive elements work together with of Canon’s renowned L-series. Easily to align the points conventional glass optics to reduce the effects recognized by the bold red ring around the of focus of the of dispersion and minimize or eliminate outer barrel, these lenses utilize the best in incoming light chromatic aberration. Diffractive coatings are Canon’s cutting-edge technology, and feature rays so that the bonded to the rear surface of one lens superior durability and resistance to the entire image plane element and the front surface of another. element, enhancing performance without appears focused. compromising ease of use. Lens: EF 100mm f/2.8 Macro USM These elements are attached together to form EF 24–105mm f/4L IS USM Lens: TS-E 24mm f/3.5L Tilt-Shift ©2005 Gerry Kopelow All Rights Reserved a single multi-layer diffractive (DO) element. Canon’s Image Stabilizer (IS) This elements’ dispersion characteristics are One of the greatest challenges in the design of technology makes handheld photography reversed when compared to conventional a telephoto lens has been the minimization of possible in more low-light situations than ever optics, making it possible to cancel chromatic Macro Lenses TS-E Super Telephoto TS-E lenses are capable of tilt and shift Canon’s Super Telephoto lenses are Specialty Lenses color fringing, or chromatic aberration. So, before. When camera shake occurs using aberrations at each wavelength when To bring small things into full-sized view, some L-series lenses use Canon’s Ultra Low normal lenses without IS technology, the conventional and DO elements are combined. Canon’s EF lens lineup has a number of movements, bringing many of the advantages renowned for their optics, performance and image projected on the focal-plane also options for true close-up and macro of technical view cameras to the EOS system. speed. They can be found on the sidelines of shakes, often resulting in blurred images at photography. With macro lenses for Tilt movements alter the angle of the plane every major sports event around the world. contrast and sharpness and minimizes the slower shutter speeds. In the same precision, and three screw-on close-up of focus between the lens and CMOS sensor From the EF 300mm f/2.8L IS USM all the way splitting of colors as they pass through the situation, with an IS lenses for convenience—in addition to (or film plane), making broad depth-of-field to the EF 600mm f/4L IS USM, every EF Life-Size Converter and two Extension possible even at large apertures; shift professional’s arsenal will be fortified with an Tubes, Canon has a perfect close-up movements move the lens’ optical axis L-series Super Telephoto. option for any situation. in parallel, allowing the photographer to Dispersion glass to help minimize this effect. The design of the UD glass provides outstanding control perspective. 32 33 E-TTL II: Smarter Flash Performance Canon’s Pro digital SLRs employ E-TTL II, the E-TTL II knows to ignore those levels, resulting Speedlite 580EX Speedlite 430EX Speedlite Transmitter ST-E2 most advanced flash metering technology, in the correct exposure. This feature is useful • Approx. 25% faster recycling time • Significantly greater user control via new • Dedicated transmitter to control unlimited to solve problems encountered by when shooting a subject with a highly photographers. Occasionally, if you lock reflective object in the background, or if the focus and recompose your shot, this could subject itself is highly reflective. Metered result in a non-optimal exposure with areas with large discrepancies between previous systems. E-TTL II remedies this by ambient and pre-flash readings are excluded ignoring the active focusing point, considering or down-weighted because they are assumed distance information and evaluating pre-flash to contain a highly reflective subject. These information immediately before the exposure readings are weighted, averaged and occurs. Sometimes in flash photography, compared with the ambient light reading mirror-like objects in the image cause the and the main flash output is then set and sensor to register localized, abnormally high stored in memory, ensuring consistent flash levels, and would result in underexposure. output through a number of shots. compared to previous 550EX. • Superior evenness of exposure, center to corner of frame. • Slightly higher max. guide number at 105mm setting (GN 190-feet at ISO 100). • Auto conversion of flash coverage with compatible digital SLRs. • White Balance info communicated instantly to compatible digital SLRs. • Full swivel, 180° in either direction (first TTL flash with this ability). • AF-assist beam now LCD panel on rear of flash. • Wide-angle pull-down panel covers 14mm lens (on a full-frame camera). • Slightly higher max. Guide number at 105mm setting (GN 141-feet, at ISO 100). number of compatible slave flashes. • Compatible with Speedlite 580EX, 550EX, 430EX and 420EX. • Controls compatible slave units up to 33 ft. outdoors and 49.5 ft. indoors. • Auto conversion of flash zoom coverage with compatible digital SLRs. • White balance info communicated instantly to compatibe digital SLRs. • Bounce upward to 90°; swivel right (to 90°) and left (180°). compatible with all AF Slave points on every EOS SLR. Slave • Select Dial for easy inputs and user control. Macro Twin Lite MT-24EX • Attaches to all Canon EF and EF-S Macro lenses (EF 180mm f/3.5L requires Macro Macro Ring Lite MR-14EX • Twin-tube ring lite designed for close-up photography with EF and EF-S Macro lenses; Flash tubes can fire together or independently. • Supports E-TTL and E-TTL II Wireless Lite Adapter 72C). • Twin flash heads can be rotated over 80° angle around lens in 5° increments. • Heads can be swiveled or bounced and can be removed from mounting ring for added control. • Powerful Guide Number of 78 (feet, at Autoflash in conjunction with one or more ISO 100), full E-TTL/E-TTL II control and compatible EX Speedlites. advanced features including FEL, Hi-speed • Incandescent focusing lamps and two forms of modelling flash permit preview of lighting effects. • Illuminated LCD panel for easy flash settings in any lighting condition. Camera with Master sync, and FEB. • Full E-TTL/E-TTL II automatic flash control with compatible EOS bodies, including EOS-1Ds Mark II, 1D Mark II N, 5D, 20D, and Digital Rebel XT digital SLRs. • Incandescent focusing lamps, and two different types of 1-second modeling flash allow easy focusing and previewing of lighting effects. 35 ©2005 Gerd Ludwig All Rights Reserved Wireless File Transfer: The Next Generation of Image Delivery concentrate on shooting photographs, Wireless Transmitter WFT-E1A knowing that their images are being • Wireless LAN compatible (IEEE 802.11 B/G transferred in the background, automatically. Whether working on location, in the studio, shooting fashion or events, the WFT-E1A is an indispensable tool for today’s pros. The WFT-E1A offers several different ways of transmitting image data: It can communicate For Sports Photojournalism Wireless File transfer has already found any deadline and can even get feedback a home with sports photographers and on images while shooting. And, since they photojournalists, who benefit from the are transmitting their files, photographers speed and ease of transferring images don’t have to worry about changing memory while they shoot: by transmitting images cards. Whether capturing the winning to a local computer, an assistant manages serve, or the handshake at the net, the and transmits image files immediately. photographer will never miss a minute of This way, the photographer can meet the action. up to 54 mbps) for speedy image transmission during or after shooting. Publish • 100 Base-TX Ethernet connection for tethered, fast connection. • Compatible with both USB 2.0 and IEEE 1394 (firewire) connections to the camera. directly with a local computer outfitted with a • Thin profile complements the design of the digital EOS Canon’s Wireless File Transmitter WFT-E1A wireless LAN adapter, or with a direct Ethernet • Operable up to approx. 200 ft with normal. enables fast, wireless image transfer from connection. It can also connect to a remote EOS Digital cameras directly to a computer. server through a Wireless Access Point This amazing productivity tool eliminates the connection. Built to withstand the rigors of need to stop and upload image files to the professional shooting, the WFT-E1A is the WEP and TKIP encryption (180 minutes wireless, computer, allowing photographers to perfect complement to a digital EOS System. 270 minutes wired). antenna, or up to approx. 500 ft with optional extended-range antenna. (ERA-E1) • Offers high-security transfer using WPA-PSK, For Commercial Studio Photography Studio photographers can transfer images transfer to an FTP server via wireless or automatically, either immediately or after wired LAN. Wirelessly, the antenna the shooting session. In immediate mode, supplied allows a 200 ft. range, more than the art director, client, and assistants can sufficient for most studios. In wired mode, be working, even off-site, giving feedback a port on the side of the unit connects, during the session for greater spontaneity with an appropriate Ethernet cable, to a and efficiency. In operation, images computer or other Ethernet device. Layout For Wedding Photography Wedding photographers can have one less shots while offsite downloading images thing to worry about with the WFT-E1A to the computer. They can shoot either attached to their camera. Free to roam vertically or horizontally, transferring their about the ceremony and reception, images without worry of getting tangled up photographers can feel confident knowing in wires. Results can be shared and orders their images are being transferred to their can be taken on the spot, from clients and computer as they shoot. They won’t run guests; showing photographs in print or out of memory cards or lose important on screen. Sell * Canon USA does not provide support for configuring TCP/IP, encryption or FTP on your computer and/or network. You should consult with your IT specialist or computer systems integrator to configure your computer and/or network for these services. 37 ©2005 Peter Read Miller All Rights Reserved VIEWFINDER INFORMATION NOMENCLATURE for EOS-1Ds Mark II/EOS-1D Mark II N Spot Metering Circle Area AF Ellipse Correct Exposure Index Exposure Level Increments : 1 stop : 1/3 stop Overexposure Flash Overexposure Laser-matte Screen AF Point Self-Timer Lamp Shutter Button Grip PC Terminal Lens Release Button Remote Control Terminal (N3 type) High-speed sync (FP flash) Flash-ready Blinks when FE lock cannot be achieved Exposure Level Flash exposure Level * AE Lock AEB in-progress Multi-Spot metering Flash Underexposure Underexposure Max. burst for continuous shooting M Manual Exposure Video OUT Depth-of-Field Preview Button Vertical Grip Shutter Button Digital Port Direct Printer Port Battery Release Knob Vertical Grip Main Dial Battery Hand Strap Eyelet Battery Release Button Tripod Socket Quick Control Dial Switch Viewfinder Eyepiece Eyecup LCD Monitor Protect/Sound Recording Button MENU Button SELECT Button Quick Control Dial Assist Button/White Balance Compensation Button (WB Button pressed simultaneously) AE Lock/Reduce Button JPEG Mark Shutter Speed Bulb AF Point Selection Mode ([ ], SEL) FE Lock Busy ( ) Aperture AF Point Selection Mode (AF, [ ], HP) Memory Card No. (1,2) Exposure Compensation Flash Exposure Compensation In-focus Indicator Remaining Shots ISO Speed Self-Timer Countdown ISO Speed Icon White Balance Compensation TOP LCD PANEL INFORMATION Shooting Mode P : Program AE M : Manual Exposure T : Shutter-priority Ae V : Aperture-priority Ae Aperture AEB amount AF Point Selection Mode (AF, [ ], HP) Memory Card No. (1,2) Memory Card Selection/Enlarge Button Rear LCD Panel Drive Mode Single Continuous Shooting* High-speed Continuous Shooting** Low-speed Continuous Shooting** Self-timer (10 sec.) Self-timer (2 sec.) AF Point Selector/Enlarge Button Memory Card Slot Cover Memory Card Slot Cover Knob Battery Level Mark Image Recording Quality Selection Button White Balance Button White Balance Bracketing Button Exposure Level Scale Exposure Compensation Level AEB Amount Flash Exposure Compensation Level Personal Function Mark B AEB Access Lamp Vertical AE Lock/Reduce Button Vertical AF Point Selector/ Enlarge Button ERASE Button CLEAR Button AF Mode One-Shot AF AI SERVO AF Metering Mode Evaluative Metering Partial Metering Spot Metering Center-weighted Average Metering Flash Exposure Compensation DISPLAY Button Shots Remaining ISO Speed Self-timer Countdown Bulb Exposure Time Error Code Remaining Images to Record Shutter Speed Bulb Bulb Exposure Time (Min.:Sec.) AF Point Selection Mode ([ ], SEL) FE Lock Busy ( ,PC ) Error ( ) Vertical FE Lock/Multi-Spot Metering Button Vertical Operation ON/OFF Switch Vertical Assist Button/White Balance Compensation Button (WB button pressed simultaneously) REAR LCD PANEL INFORMATION (EOS-1Ds Mark II) White Balance Auto Daylight Shade Cloudy Tungsten Light Fluorescent Light Flash Custom Color Temperature Image Quality Large Medium1 Medium2 Small RAW RAW+Large RAW+Medium1 RAW+Medium2 RAW+Small CF Card Selection Indicator Blue/Amber/ White Balance Correction Green/Magenta/ White Balance Correction SD Memory Card Selection Indicator Folder No. Recording Microphone LCD Panel Illumination Button Power Switch White Balance Bracketing Level File No. Color Temperature Personal White Balance Data Transfer Mark FE Lock/Multi-Spot Metering Button REAR LCD PANEL INFORMATION (EOS-1D Mark II N) AEB Button Shooting Mode Selection Button AF Mode Selection Button Metering Mode Selection/Flash Exposure Compensation Button Shutter Button Main Dial Exposure Compensation/ Aperture Button Strap Mount Blue/Amber/ White Balance Correction Green/Magenta/ White Balance Correction Drive Mode Selection Button SD Memory Card Indicator SD Card Selection Icon CF Card Indicator CF Card Selection Icon Dioptric Adjustment Knob RAW Image-recording Card Slot Indicater White Balance Bracketing Level ISO Speed Button Top LCD Panel Flash-sync Contacts Hot Shoe 38 White Balance Auto Daylight Shade Cloudy Tungsten Light Fluorescent Light Flash Custom Color Temperature * EOS-1Ds Mark II Only Data Transfer Icon Monocrome Shooting Folder No. File No. Color Temperature Personal White Balance Image-recording Quality Large Medium1 Medium2 Small RAW RAW+Large RAW+Medium1 RAW+Medium2 RAW+Small ** EOS-1D Mark II N Only Eyepiece Shutter Lever 39 VIEWFINDER INFORMATION NOMENCLATURE for EOS 5D Self-timer Lamp Strap Mount Lens Release Button Grip (Battery Compartment) AF Points (with Superimposed Display) Spot Metering Circle Focusing Screen PC Terminal Digital Terminal Remote Control Terminal (N3 type) CF Card Slot Cover Video OUT Terminal Depth-of-field Preview Button Battery Compartment Cover Release Lever Battery Compartment Cover Tripod Socket DC Coupler Cord Hole * AE Lock/AEB in-progress Focus Confirmation Light Maximum burst Flash-ready White Balance Correction High-speed Sync (FP flash) FE Lock Exposure Level Flash Exposure Compensation Eyecup Multi-controller Exposure Compensation Amount Shutter Speed CF Card Full Warning ( ) FE Lock ( ) CF Card Error Warning ( ) Busy ( ) No CF Card Warning ( Flash Exposure Compensation Amount AEB Level ) Aperture AE Lock/FE Lock Button/ Index/Reduce Button Viewfinder Eyepiece Direct Print Button MENU Button AF Point Selection/Enlarge Button TOP LCD PANEL INFORMATION CF Card Slot INFO/Trimming Orientation Button CF Card Full Warning ( ) ISO Speed ) ) CF Card Error Warning ( No CF Card Warning ( Setting Button Playback Button AF Point Selection ( Busy ( ISO Speed Quick Control Dial JUMP Button Shutter Speed Error Code ( ) ) ) Cleaning Image Sensor ( WB Correction ) Aperture Erase Button Shots Remaining White Balance Auto LCD Screen Power/Quick Control Dial Switch Shots Remaining During WB-BKT Daylight Self-Timer Countdown Shade Bulb Exposure Time Cloudy Tungsten Light White Fluorescent Light Flash AF Mode Selection/White Balance Selection Button LCD Panel Illumination Button Drive Mode Selection/ ISO Speed Button Metering Mode Selection/ Flash Exposure Compensation Button Shutter Button Custom Beeper Monochrome Shooting Evaluative Partial AF Mode ONE-SHOT AF AI FOCUS AF AI SERVO AF * Manual focus when none is displayed Large/Normal Spot Medium/Fine Center-weighted Average Medium/Normal Small/Fine LCD Panel Exposure Level Small/Normal Exposure Compensation Amount RAW AEB Level Flash-sync Contacts 40 B AEB Metering Mode Recording Quality Large/Fine Hot Shoe Continuous Self-Timer Main Dial Strap Mount Single Battery Level Mark Custom Function Mode Dial Drive Mode Color Temperature Flash Exposure Compensation Amount Dioptric Adjustment Knob Flash Exposure Compensation CF Card Writing Status 41 SPECIFICATIONS Image Sensor Special Features EOS-1D Mark II N EOS 5D 16.7 MP CMOS Full-frame 36 x 24mm 8.2 MP CMOS APS-H 28.7 x 19.1mm 12.8 MP CMOS Full-frame 36 x 24mm • Maximum continuous shooting speed of 4 fps (approximate) • Built-in 2.0 inch color monitor • Custom Functions (20 custom functions with 65 settings) • Custom Functions (21 custom • Maximum continuous functions with 69 settings) shooting speed of 8.5 fps • Simultaneous or separate (approximate) RAW and JPEG image capture • Built-in 2.5 inch wide viewing angle color monitor • Depth-of-Field Preview • Mirror Lock • IEEE 1394 Compatible • Maximum continuous shooting speed of 3 fps (approximate) • Simultaneous RAW and JPEG image capture • Depth-of-Field Preview • Mirror Lock • IEEE 1394 Compatible • Built-in 2.5 inch wide viewing angle color monitor • Custom Functions (21 custom functions with 57 settings) • Simultaneous RAW and JPEG image capture • Depth-of-Field Preview • Mirror Lock TTL-AREA-SIR CMOS Sensor. One-Shot and AI Servo AF with Focus Prediction. Manual focusing confirmation possible with EF Lenses. Automatic or manual focus point selection. TTL-CT-SIR CMOS Sensor. One-Shot and AI Servo AF with Focus Prediction. Manual focusing confirmation possible with EF Lenses. Automatic or manual focus point selection. No. of Focusing Points Forty-five (Area AF Ellipse) Seven central high-precision cross-type AF points. Nine (plus 6 Assist AF points) Center-AF point is cross-type Hybrid high and standard precision. Autofocus Sensitivity EV 0-18 (at ISO 100). EV-0.5-18 (at ISO 100). Shutter Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled. 30–1/8,000 sec. & Bulb; manually selectable in 1/3 stop increments. Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled. 1/250 sec.; high-speed sync. available with EX-series Speedlites. Digital images are stored on removable CompactFlash™ (Type I & II) or SD memory card. 1/200 sec. Autofocus System Shutter Speeds Maximum Flash Synchronization Speed Storage Media 30–1/8,000 sec. Digital images are stored on removable CompactFlash™ Type I & II. Frames Per Second Single, 4.0 fps. (Can be altered in 1 fps increments with Personal Function) Single, 3.0 fps, 8.5 fps (Can be altered with Personal Function) Single, 3.0 fps. Metering System TTL full-aperture metering: • 21-zone evaluative metering • 8.5% partial metering • 2.4% center spot metering • 2.4% spot metering (linked to user-selected focusing point) TTL full-aperture metering: • 21-zone evaluative metering • 13.5% partial metering • 3.8% center spot metering • 3.8% spot metering (linked to user-selected focusing point) TTL full-aperture metering: • 35-zone Evaluative metering • 8.0% Partial metering • 3.5% Center spot metering • Center-weighted average metering • Pre-flash metering (E-TTL II) Metering Sensitivity Exposure Compensation Flash Exposure Compensation AE Lock Exposure Modes White Balance Auto White Balance Color Temperature Compensation* 42 EOS-1Ds Mark II • Multi-Spot metering (up to 8 spot readings) • Center-weighted average metering • Pre-flash metering (E-TTL II) • Multi-Spot metering (up to 8 spot readings) • Center-weighted average metering • Pre-flash metering (E-TTL II) EV 0–20 for all patterns (at ISO 100 with f/1.4). ±3 stops in 1/3 or 1/2-stop increments. EV 1–20 for all patterns (at ISO 100 with f/1.4). ±3 stops in 1/3 or 1/2-stop increments. Yes. ±2 stops in 1/3 increments. • Shutter Speed-priority AE • Intelligent Program AE • Manual • Flash Metered Manual • Aperture-priority AE with variable shift • E-TTL II Flash AE • Bulb Settings: Auto, Daylight, Shade, Cloudy, Tungsten Light, Fluorescent Light, Flash, Custom, Color Temperature, Personal White Balance (total 10 settings). • Program AE • Shutter Speed-priority AE image sensor. • White Balance bracketing: ±3 stops in full-stop increments. • White Balance correction: ±9 stops in full-stop increments. * Blue/Amber bias or Magenta/Green bias possible. image sensor. ±2 stops in 1/3 or 1/2-stop increments. Yes. • Aperture-priority AE • Full Auto • Manual • E-TTL II Flash AE Settings: Auto, Daylight, Shade, Cloudy/Twilight/Sunset, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature (total 9 settings). • White Balance bracketing: ±3 stops in full-stop increments. • White Balance correction: ±9 stops in full-stop increments. * Blue/Amber bias on Magenta/Green bias possible. Fixed eye-level pentaprism. Viewfinder Fixed eye-level pentaprism. Viewfinder Coverage 100% horizontal and vertical at 0.7x. Viewfinder Information Inside the picture area: Area AF ellipse, illuminated AF frames and spot metering circle. Displayed at the bottom and right side of the viewing area: • Manual exposure level • Exposure compensation/ • Shutter speed Flash compensation • Remaining frames in burst • Aperture Value • Multi-Spot readings • Exposure level/ • AE Lock • FE Lock • ISO Speed Flash exposure level Focusing Screens Laser-matte screen Ec-C III, with area AF ellipse and fine spot metering circle provided as the standard screen (interchargeable with Ec-series focusing screens. Metering correction data can be set with a Custom function for the Laser-matte and New Laser-matte screens). Masked Focusing Screens (Ec and Ee versions available) Ee-A , Ee-D and Ee-S Masked Focusing Screens (Ec and Ee versions available) Self-Timer Electronically controlled with 2- or 10-second delay. Electronically controlled with 2- or 10-second delay. LCD Monitor TFT color liquid-crystal type; 2.0 in. with approx. 230,000 pixels. 100% coverage with respect to the e=ective pixels. Brightness adjustment available with 5 levels. 12 interface languages. Image Playback Single Image, Single Image (INFO.), 4-image index, 9-image index, Magnified zoom (approx. 1.5x – 10x), Rotated image can be displayed. Highlight alert is displayed in Single Image and Single Image (INFO.) formats, any overexposed highlight areas blink in the image display. Single Image, 9-image index, Magnified zoom (approx. 1.5-10x), Auto Play, Jump (by 1/10/100 images, with 9-image index, during magnified view, during the menu display), Rotated image can be displayed. Highlight alert is displayed in Single Image (INFO.) formats, any overexposed highlight areas blink in the image display. Sound Recording Voice annotation recorded with the built-in microphone and attached to the image in WAVE format. N/A Direct Printing Compatible printers: SELPHY Compact Photo Printers, CP Direct, PictBridge compatible printers. Compatible printers: SELPHY Compact Photo Printers, CP Direct, PictBridge compatible printers. Body Dimensions (W x H x D) 6.1 x 6.2 x 3.1 in. / 156 x 157.6 x 79.9mm 6.0 x 4.4 x 3.0 in. / 152 x 113 x 75mm Weight (Body Only) 43.0 oz. / 1,220g 100% horizontal and vertical at 0.72x. • JPEG Indication • Hi-speed flash sync • White Balance +⁄– TFT color liquid-crystal type; 2.5 in. with approx. 230,000 pixels. 100% coverage with respect to the effective pixels. Brightness adjustment available with 5 levels 15 interface languages. 43.2 oz. / 1,225g 96% horizontal and vertical at 0.71x. Inside the picture area: Nine focusing points, 3.5% Partial metering circle. Displayed at the bottom of the viewing area: • Shutter speed • Exposure level scale • FP mode indicator • Aperture value • Flash status (high-speed sync) • AE Lock • Flash expsure compenstion • Remaining frames in burst • FE Lock • AF-in-focus indicator • Red-Eye reduction • CF card full warning • White Balance +/• Focus Confirmation TFT color liquid-crystal type; 2.5 in. with approx. 230,000 pixels. 100% coverage with respect to the effective pixels. Brightness adjustment available with 5 levels. 28.6 oz. / 810g 43 CUSTOM FUNCTION CHART (EOS-1 series) Custom Function No. C. Fn-01 C. Fn-02 C. Fn-03 C. Fn-04 C. Fn-05 C. Fn-06 C. Fn-07 C. Fn-08 C. Fn-09 C. Fn-10 C. Fn-11 C. Fn-12 C. Fn-13 C. Fn-14 C. Fn-15 C. Fn-16 C. Fn-17 C. Fn-18 C. Fn-19 C. Fn-20 C. Fn-21 C. Fn-00 44 Function Description Setting EOS-1Ds Mark II EOS-1D Mark II N 0 No viewfinder display 1 Finder display on 0 Possible without card Shutter release without CF card 1 Not possible None (ISO Speed extension moved to menu) 0 AF/AE lock 1 AE lock/AF Shutter button/ AE Lock button 2 AF/AF lock, no AE lock 3 AE/AF, no AE lock Tv= Av= 0 Tv= Av= 1 Manual Tv/Av set. for M exp. Tv= Av= w/o lens 2 3 Tv= Av= w/o lens 0 1/3-stop set, 1/3-stop comp Exposure level 1 1-stop set, 1/3-stop comp increments 2 1/2-stop set, 1/2-stop comp 0 Turns on after One-Shot AF USM Lens 1 Turns o= after One-Shot AF electronic MF 2 Always turned o= Disabled in AF mode 0 Remaining Shots/File No. 1 ISO/Remaining Shots Top LCD panel/ Back LCD panel 2 ISO/File No. 3 Shots in folder/Remaining Shots 0 0 → — → +/Auto cancellation 1 0 → — → +/No cancellation Auto bracketing sequence/cancel 2 — → 0 → +/Auto cancellation 3 — → 0 → +/No cancellation 0 On 1 O= AF point illumination 2 On without dimming 3 Brighter 0 ↔= + = + 1 ↔ = +⁄– + = +⁄– + AF point selection method 2 ↔ = only = + 3 ↔= + = + 0 Disable Mirror lockup 1 Enable 0 45/Center AF point 1 11/Active AF point Number AF points/ 2 11/Center AF point Spot metering 3 9/Active AF point 4 N/A 9/Center AF point 0 Evaluative flash metering E-TTL II 1 Averaged flash metering 0 1st-curtain synchronization Shutter curtain synchronization 1 2nd-curtain synchronization 0 Disable Safety shift in Av or Tv 1 Enable 0 Single AF point AF point 1 Expand (TTL. of 7 AF points) activation area 2 Automatic expand (max. 13) + 0 Switch to registered 1 AF point 2 Only while pressing 0 AF stop 1 AF start 2 AE lock while metering Lens AF stop button function 3 AF point: M → Auto/Auto → Ctr. 4 AF mode: ONE SHOT ↔ AI SERVO 5 IS start 0 Standard 1 Slow AI SERVO 2 Moderately slow tracking sensitivity 3 Moderately fast 4 Fast 0 N/A Disable Drive speed priority AI SERVO 1 N/A Enable 0 N Ec-N, R 1 L Ec-A, B, C, CII, CIII, D, H, I, L Focusing Screen 2 N/A P Ec-S CUSTOM FUNCTION CHART (EOS-5D) Custom Function No. Function Description Setting Finder display during exposure C. Fn-01 C. Fn-02 C. Fn-03 C. Fn-04 SET function when shooting Long exposure noise reduction Flash sync. speed in Av mode Shutter/ AE lock button C. Fn-05 AF-assisst beam C. Fn-06 Exposure level increments C. Fn-07 C. Fn-08 C. Fn-09 Flash firing ISO expansion Bracket sequence/ Auto cancel C. Fn-10 Superimposed display C. Fn-11 Menu button display position C. Fn-12 C. Fn-13 C. Fn-14 C. Fn-15 Mirror lockup AF point selection method E-TTL II Shutter curtain sync. EOS 5D 0 Default (No Function) 1 Change quality 2 Change Picture Style only) Personal Function No. Function Description P. Fn-00 Set Custom Function groups P. Fn-01 Disable shooting modes Usable modes P/Tv/Av/M/Bulb P. Fn-02 Disable metering modes Usable modes 5 Evaluative 6 Partial 7 Spot 7 Center-weighted averaging P. Fn-03 Specified M exp. metering modes EOS-1Ds Mark II Regist. Apply. P. Fn-00-1/2/3 P. Fn-00-1/2/3 EOS-1D Mark II N OK/ Cancel OK/ Cancel Menu display 4 Image replay 0 Off 1 Auto 2 On 0 Auto P. Fn-04 Set max. shutter speed 1 1/200 sec. (Fixed) P. Fn-05 Set max./min. aperture According to lens Max. f/1.0-72/ Min. f/91-1.4 0 AF/ AE lock 1 AE lock/ AF P. Fn-06 Preset shoot./ metering mode Register: Press +⁄– button, then press button. Select: Press button. buLb can’t be registered. 2 AF/ AF lock, no AE lock Registers and switches exposure mode, metering mode, exposure setting and exposure compensation amount. 3 AE/ AF, no AE lock P. Fn-07 Repeat continous bracketing While shutter button is held down, bracketing repeats continuously in the current drive mode. 0 Emits P. Fn-08 Number of bracketed shots Sets length of bracketing sequence to 2, 3, 5 or 7 shots. P. Fn-09 C. Fn-09-2,3 bracketing: +, 0,– Bracketing with C. Fn-09-2,3 Bracketing seq. is plus-, 0-, and minus-compensation. P. Fn-10 Program shift retained Normally, any program shift amount is cancelled after one picture. P. Fn-10 retains the program shift amount. P. Fn-14 Lens focus search turned o= P. Fn-15 AF-assist beam turned o= P. Fn-16 Camera shoots when in focus P. Fn-17 AF point auto sel. turned o= Camera normally switches to automatic AF point selection when user dials past peripheral AF points. P. Fn-17 prevents this. P. Fn-18 C. Fn-11-2: Auto AF point sel. Enables standard horizontal AF point selection together with automatic AF point selection with C. Fn-11-2. P. Fn-19 Set continuous shooting speed P. Fn-20 Number of continuous shots P. Fn-21 Quiet, delayed shutter cocking P. Fn-23 Time length for timers P. Fn-24 LCD panel illumination ON during B P. Fn-25 Default settings when cleared P. Fn-26 Shortened release time lag P. Fn-27 Reversed direction of dials P. Fn-28 Exposure compensation canceled 1 Does not emit 0 1/3-stop 1 1/2-stop 0 Fires 1 Does not fire 0 Off 1 On 0 0,—,+/ Enable 1 0,—,+/ Disable 2 —,0,+/ Enable 3 —,0,+/ Disable 0 On 1 O= 0 Previous (top if power off) 1 Previous 2 Top 0 Disable 1 Enable 0 Normal 1 Multi-controller direct 2 Quick Control Dial direct 0 Evaluative 1 Average 0 1st-curtain sync. 1 2nd-curtain sync. Safety shift in Av or Tv 0 Disable 1 Enable C. Fn-17 AF point activation area 0 Standard 1 Expanded C. Fn-18 LCD display→ Return to shoot 1 With Shutter Button only 0 Also with * etc. 0 AF stop 1 AF start 2 AE lock while metering 3 AF point: Manual→Auto/Auto→Center 4 ONE SHOT ↔ AI SERVO 5 IS start C. Fn-20 Add original decision data 0 Off 1 On 0 Ee-A C. Fn-00 Focusing Screen 1 Ee-D 2 Ee-S Lens AF stop button function N 3 C. Fn-16 C. Fn-19 PERSONAL FUNCTION CHART * (EOS-1Ds Mark II and EOS-1D Mark II 5 Evaluative 6 Partial 7 Spot 7 Center-weighted averaging 1/8000-30 sec. Max. 1/8000-1/250 sec. When autofocus can’t be achieved, the lens is normally driven to search for the correct focus. P. Fn-14 cancels searching under this condition. Disables the external Speedlite’s built-in AF-assist beam. Takes a picture automatically when the subject comes to the preset focusing distance. Adjust continuous shooting speed in 1 fps increments. High-speed continuous shooting: 8.5/7/6/5/4/3/2 fps Low-speed continuous shooting: 7/6/5/4/3/2/1 fps Depending on quality, number of continuous shots might be smaller than set number. In single-frame shooting mode, mechanical movement for next frame is done quietly after shutter button is returned to halfway point from fully depressed position. 6 sec. timer: 0 to 3600 sec. 16 sec. timer: 0 to 3600 sec. Post-shutter release timer: 0 to 3600 sec. After bulb exposure starts, press LCD panel illumination button to illuminate LCD panel until bulb exposure ends. Exposure, metering, drive, AF, AF point selection, WB, image size, processing parameter [STD]/1/2/3, color matrix. Shooting mode, metering mode, image-recording quality, AF mode, AF point selectio, drive mode, WB, picture style, color space. The shutter release time lag becomes shorter than 55 ms when the aperture stops down by fewer than 3 stops (40 ms at maximum aperture). Main Dial only Quick Control Dial only Both dials P. Fn-30 P. Fn-31 Set switch to also be e=ective for Add original decision data Exposure compensation is done with +⁄– and . When the Quick Control Dial switch is OFF, both For use with Data Verification Kit DVK-E2. will be disabled. With P. Fn-31 on, card writing takes longer than with P. Fn-31 off. * P. Fn-11, 12, 13, 14, 22, and 29 have been excluded. 45 SYSTEM CHART ST-E2 220EX 430EX 580EX Macro Ring Lite MR-14EX Anti-Fog Eyepiece Ec (1D series only) Macro Twin Lite MT-24EX Remote Switch RS-80N3 Timer Remote Controller TC-80N3 Bundled Accessories Rubber Frame Ec (1D series only) CF Card Ni-MH Pack NP-E3 Wireless Controller LC-5 SD Card (1D only) DC Coupler Kit DCK-E1 Eyepiece Extender EP-EX15 Ni-MH Charger NC-E2 EyeCup Ec-II (1D only) Rubber Frame Eb (5D only) EyeCup Eb (1DS/5D) CF Card reader Focusing Screen Ee-A (5D only) Data Verification Kit PC card slot Strap L5 EOS Digital Solution Disk E-series Dioptric Adjustment Lenses PC card adapter EOS-1Ds Mark II EOS-1D Mark II N Personal computer Windows XP (Home Edition/Professional) USB port Windows 2000 Professional Windows ME Windows 98 Second Edition IEEE 1394 port Mac OS X Software Instruction Manual (PDF) CR2025 Lithium Battery Wireless LAN adapter Ethernet port Interface Cable IFC-200D4 (Mark II series only) Hand Strap E1 (1D only) Angle Finder C Extended Range Antenna ERA-E1 Interface Cable IFC-400PCU Focusing Screen Ee-D Ee-S (5D only) Wireless File Transmitter WFT-E1A Wide Strap EW-100DGR EOS 5D Wireless LAN access point Video Cable VC-100 Date/time CR2016 Lithium Battery Battery Charger CG-580 or CG-5L Battery Pack BP-511A PictBridge-compatible printer (1D Mark II N only) Battery Grip BG-E4 Focusing Screen Ec Masked Focusing Screens (Ec and Ee versions available) 46 Interface Cable IFC-200D4 IFC-450D4 IFC-200D44 IFC-450D44 AC Adapter DC Coupler DR-400 AC-E2 AC Adapter Kit ACK-E2 Battery Pack BP-511A, BP-514 Car Battery Battery Compact power Cable Charger Adapter CB-570 CG-570 CA-570 Compact power Adapter CA-PS400 CP/SELPHY CP printer PIXMA printer Canon EF Lenses TV-Video TV-Video 47 C C KNOW HOW ® 1-800-OK-CANON www.usa.canon.com Canon U.S.A., Inc. One Canon Plaza Lake Success, NY 11042 U.S.A. Canon Canada Inc. 6390 Dixie Road Mississauga, Ontario L5T 1P7 Canada Canon Latin America 703 Waterford Way, Suite 400 Miami, FL 33126 U.S.A. Canon Mexicana, S. de R.L. de C.V. Blvd. Manuel Ávila Camacho No. 138, Piso 17 Col. Lomas de Chapultepec C.P. 11000 México, D.F. México www.canon.com.mx 0054W868 8/05 Photography by Canon Explorers of Light. ©2005 CANON U.S.A., INC. PRINTED IN U.S.A.
* Your assessment is very important for improving the work of artificial intelligence, which forms the content of this project