For the unseen photography ALWAYS EVOLVING X- Pro2 The first model to feature a newly-developed sensor for outstanding image quality The newly-developed 24.3MP X-Trans CMOS III APS-C sensor boasts the highest ever pixel count for an X-Series camera. Combined with an XF lens, it delivers images with a perceived resolution far greater than the number of pixels used. In addition, the phase detection pixels have been positioned over a larger area for a faster, more precise phase detection AF performance. High ISO sensitivity performance has also been improved to the point that the whole sensitivity range – up to the maximum ISO 12,800 – can now be used with confidence. The sensor readout speed is now approximately twice as fast, delivering high-speed continuous shooting, precise AF tracking, playback and higher quality movies. The X-Pro2: delivering a new level of X-series photo quality by combining the brand new X-Trans CMOS III sensor and X-Processor Pro engine *in High Performance mode 2 3 5 The X-Pro2 features a new CPU for high-speed processing. The Buffer memory has also been increased for an even faster response. 4 The unique random colour filter array reduces moiré and false colours without the need for an optical low-pass filter. 1 Micro-lens 2 X-Trans color filter 3 Shielding layer 4 Phase detection pixel 5 Photo diode Start-up time New processing engine increases speed and image processing capabilities Thanks to the newly-developed X-Processor Pro engine, processing speeds are now approximately four times faster than a conventional model. This maximises the capabilities of the X-Trans CMOS III sensor to ensure it delivers the highest image quality with super-fast response times. In addition, thanks to the high-speed reading technology of the sensor, the conventional EVF’s display speed of 54fps has been increased to a maximum of 85fps*. This substantially reduces the image delay phenomenon when tracking a moving subject. Blackout time after release has also been reduced by approximately half and compressed RAW is supported, improving the ease-of-handling of RAW data. 1 0.4 sec. Shooting interva 0.25 sec. Shutter time lag 0.05 sec. AF speed 0.06 sec. Live view (EVF) SXGA 85fps IMAGE QUALITY A commitment to photographic creativity, developed from more than 80 years of film production As a film manufacturer, Fujifilm has conducted exhaustive research into delivering photo quality results for more than 80 years. Without this experience, it would have been impossible to come up with the technical capability to reproduce colours and tones that emphasise the texture of the subject and deliver a three-dimensional look to images. The creative attributes of film that cannot be measured by resolution alone are alive and well in the X-Pro2. Grainy Effect Two strengths of grain effects The X-Pro2 has the ability to reproduce graininess typically unique to film-based images. There are two strengths: Strong or Weak, which can be combined with each of the different Film Simulation modes. The effects are also possible through in-camera RAW development. Film Simulation The foundation of Film Simulation colour reproduction ACRO S ACROS Film Simulation The X-Pro2 features the new ACROS Film Simulation mode. Its features include smoother gradation, deep blacks and beautiful textures. Ultra high-quality monochrome images are possible, adding extra creativity to the general monochrome mode. Using the knowledge gained from accurately reproducing colour in film manufacturing, Film Simulation allows the user to change colour and tone settings to match the subject, scene and creative intent, just as if shooting with a roll of film. There are a total of 15 modes including PROVIA / Standard, Velvia / Vivid and ASTIA / Soft. Classic Chrome Film Simulation FINDER Electronic Rangefinder Electronic Rangefinder (ERF) simultaneously displays a small EVF window in the optical viewfinder. Compose images in the viewfinder using one of three different viewing options Photographers love looking through a viewfinder to take photos, which is why X-Series models have used finders from the very start. Combining the advantages of both an OVF and an EVF, Fujifilm has perfected the Advanced Hybrid Multi Viewfinder with three viewing options. Now you can return to the roots of photography with the only viewfinder of its kind in the world. The EVF is simultaneously displayed as a small window in the optical viewfinder. It can be displayed in three different ways: 100% field of view, 2.5x magnification and 6x magnification. This allows the user to check focus, the angle-ofview, exposure and white balance in real-time, even when taking photos through the OVF. As it can also be used with MF assist, precise MF is possible in the OVF mode. Finder switching lever on the front of the body - easy to operate while shooting Eyesight Adjustment Depth of Field Scale Advanced optical viewfinder system Depth of Field scale supports zone focusing in MF The optical design of the viewfinder has been improved, moving the eye point from 14mm on the previous model to 16mm. A diopter correction dial is also included, which makes the viewfinder even more comfortable to use. Optical viewfinder diopter correction is not only available on the EVF, but also when using the OVF and ERF. The Depth of Field Scale can be selected for film reference display in addition to conventional pixel reference. With film reference, photo viewing from printing becomes a prerequisite for depth display, allowing the user to use it in a sense of depth of field similar to film photos. The Depth of Field Scale, displayed as a blue bar in the distance index, gives a visual guide when manually pre-focusing. FOCUSING Advanced MF Mode AF Point Expantion Driving MF forward Phase Detection AF area expanded to 7x7 Focusing system combines fast and accurate AF with simple MF Accentuate your subject. For photographers, focusing is an important job. Although AF now reacts faster than the human eye, the appeal and level of trust in MF will never disappear. Manually operating the focus ring to pick out a specific element in the frame is often crucial. Speed isn’t always everything. The X-Pro2 comes equi pped with different types of MF assist including Digital Split Image, which is reminiscent of old rangefinders, and Focus Peaking where colour is used to show the parts of the image that are in focus. Digital Split Image can be selected in both monochrome and colour options The motion prediction algorithm has also been improved making fast, precise continuous tracking possible. The number of selectable focusing points has been expanded from 49 on previous models to 77. Approximately 40% of the imaging area is now covered by fast, precise phase detection AF pixels, which means focusing speeds when photographing moving subjects have impro ved dramatically. Focus Lever Focus Lever allows you to instantly change the focus area The new Focus Lever on the back of the camera can be moved like a joystick in eight directions to instantly move the focus area. Now, rapid focus area changes can be made, even when composing an image. Not only is this available to move the AF point during AF mode, but it can also be used during MF mode to quickly move the enlarged display area when using MF assist. Clicking the focus lever in the centre will instantly return the focus area back to the central point. OPERABILITY A body design that maximises practicality No photographer wants to take their eye from the viewfinder for fear of missing the perfect shot. With this in mind, key design aspects have been concentrated on the camera’s right side. The major exposure settings are available on a dial for quick fingertip control. Changes can also be made while the camera is switched off, so users will always be ready for the next photo opportunity. Thanks to the simplicity of the X-Pro2, you’ll soon be creating masterpieces. Exposure Compensation Dual-Functioned Dial Exposure compensation dial in the C position One dial for both ISO and shutter speed As it’s used so frequently, exposure compensation has been made into a dual-purpose dial. Compensation up ±3 stops in 1/3 steps is possible even with the camera to your eye thanks to the dial’s knurled shape. But if the C position is selected, exposure compensation of up to ±5 stops is possible using the front command dial. The shutter speed and ISO dials have now been combined into one dial, which is reminiscent of those found on old film cameras. Changing the ISO is done by lifting the outer portion of the dial. Now all exposure settings can be performed with dials. Accurate exposures are possible, even in situations with large variations in brightness, thanks to ±5 stops of exposure compensation. In addition to Auto (A), Low (L) and High (H), manual selections can be made from ISO 200-12,800. Front Command Dial Great Versatility For more comfortable handling Highly customizable menus The X-Pro2 features a new front command dial. It is used to set intermediate shutter speeds that are not available on the shutter speed dial when shooting in Manual or Shutter Speed Priority modes. It’s also used to shift programmed exposure combinations when shooting in Program mode. A maximum of 16 frequently used menu items can be registered to the new My Menu feature. When combined with the Q Menu, which instantly brings up the main menu, and the six Fn Buttons, a total of 38 shortcuts can be created for a truly impressive level of customization. Precise exposure settings that cannot be made with dials are now possible. The re-designed GUI is now easier to see and use. RELIABILITY Tough conditions are no longer to be feared. The X-Pro2 can be relied upon to take a picture at any time in any conditions. Reliability is one of the most important considerations when choosing a camera, so the X-Pro2 needs to work at any moment, regardless of where you are and what type of scene you want to photograph. That’s why the camera body is made from magnesium and features a dust-proof, splash-proof and freezeproof structure, along with a highly durable focal plane shutter and dual card slot. Dual SD Card Slot 1/8000 sec. Shutter Speed Dual Card Slots Focal plane shutter with a maximum speed of 1/8000 sec. The X-Pro2 is the first mirrorless camera to offer dual SD card slots for highly reliable data storage. Slot 1 is compatible with UHS-II standards for excellent write speeds. One of three recording methods can be selected: sequential, backup and RAW / JPEG sorting. Images can be copied between SD cards within the camera, making image data backup possible without a PC. Magnesium Body Durable magnesium body Coated in the same half-matt paint as the X-Pro1, the luxurious body of this new flagship model is made from highly robust magnesium alloy, which feels both solid and reliable in the hand. The dials are milled from aluminum and operating with a re-assuring click. In addition, the X-Pro2 has many pre-requisites of a professional camera, including dust-resistance, water-resistance and the ability to work in low-temperatures thanks to the XX weatherproof seals around the body. Shoot with confidence, no matter what the weather. The X-Pro2 comes equipped with a focal plane shutter boasting a durability of 150,000 shots, a maximum speed of 1/8000 sec and a flash sync speed of 1/250sec. Furthermore, the camera also includes an electronic shutter with completely silent operation and a maximum speed of 1/32,000 sec, allowing users to select maximum apertures even in bright conditions. Reliable mechanical shutter. The X-Pro2 can be set to Mechanical + Electronic mode, automatically switching to an electronic shutter when the correct exposure exceeds 1/8000 sec. in Aperture Priority (AE) mode. System Chart Multi Views Technical Notes Parts of the Camera Metering button / Function button (Fn3) Shoe Mount Flash External Microphones instax SHARE printers AF-assist illuminator / Self-timer lamp Wireless LAN SP-1 Viewfinder window Smartphone Tablet MIC-ST1 EF-X20 EF-20 EF-42 Focus stick (focus lever) Rear command dial Front command dial Wireless LAN AF-L (focus lock) button Function button (Fn2) Hot shoe cover Q (quick menu) button Impact Sync Cord Cable release Leather Case AE-L (exposure lock) button Eye sensor HDTV Image Management and Processing Software SD/SDHC/SDXC memory card HDMI cable Viewfinder selector playback button Selector DRIVE button/ Function buttons MENU/OK button MyFinePix Studio third-party suppliers third-party suppliers BLC-XPRO2 RAW FILE CONVERTER EX Powered by SILKYPIX Battery chamber Computer USB cable Speaker Lens release button Tripod mount Focus mode selector Lens signal contacts LCD monitor Indicator lamp DISP(display)/BACK button VIEW MODE button delete button third-party suppliers Hand Grip Battery chargers Rechargeable Li-ion batteries Remote Shutter Release Microphone Strap eyelet Printer Body caps BC-W126 MHG-XPRO2 ON/OFF switch BCP-001 NP-W126 RR-90 Shutter button Movie-record button Function button (Fn1) DC couplers AC power adapters Macro Extension Tube FUJINON lenses Mount adapters Microphone/ remote release connector Micro HDMI connector Micro USB connector MM ADAPTER Exposure compensation dial AC-9V CP-W126 MCEX-11 / MCEX-16 XF23mm F1.4 R XF35mm F2 R WR XF56mm F1.2 R XF90mm F2 R LM WR FUJINON X Mount 21 Lenses, as of 15th Jan 2016 M Mount Lenses Diopter adjustment control Memory card slot Hot shoe Shutter speed dial / Sensitivity dial Specification X-Pro2 Specification Model name FUJIFILM X-Pro2 Interval timer shooting Yes (Setting : Interval, Number of shots, Startinng time) Number of effective pixels 24.3 millions pixels Flash modes Red-eye Removal OFF Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander Image sensor 23.6mm×15.6mm (APS-C) X-Trans CMOS Red-eye Removal ON Sensor Cleaning system Ultra Sonic Vibration Hot shoe Yes (Dedicated TTL Flash compatible) Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Red-eye Reduction & Slow Synchro / Suppressed Flash / Red-eye Reduction & Rear-curtain Synchro / Commander SD card (~2G)/SDHC card (~32G)/SDXC card (~256G) UHS- /UHS- (Only Slot 1)(*1) Viewfinder (Hybrid Viewfinder) OVF everse Galilean viewfinder with electronic bright frame display Coverage of frame area v.s. capturing area: approx.92% Magnifications approx x0.36/x0.60 Still image JPEG:Exif Ver.2.3, RAW:14bit RAW (RAF original format)/RAW+JPEG EVF 0.48-in TFT color viewfinder Aprox 2.36 millions dots(4:3) Coverage of viewing area vs. capturing area : approx. 100% Movie MOD (MPEG-4 AVC/ H.264, Audio: Linear PCM/ Stereo sound 48KHz sampling) Eyepoint:approx 16mm(from the rear end of the camera’s eyepiece) Diopter adjustment:-4~+2m-1 Magnification:0.59x with 50 mm lens (35mm equivalent) at infinity and diopter set to -1.0m-1 Storage media File format with primary color filter. Number of recorded pixels L: <3:2>6000×4000 / <16:9>6000×3376 / <1:1>4000×4000 M: <3:2>4240×2832 / <16:9>4240×2384 / <1:1>2832×2832 Diagonal angle of view : approx 29.1°(Horizontal angle of view:approx 24.4°) Built-in eye sensor S: <3:2>3008×2000 / <16:9>3008×1688 / <1:1>2000×2000 LCD monitor 3.0-inch, aspect ratio 3:2, approx 1.62 millions dots Lens mount FUJIFILM X mount Movie recording Full HD 1920×1080 60p/50p/30p/25p/24p up to 14 min. HD 1280×720 60p/50p/30p/25p/24p up to 28 min Sensitivity AUTO1/AUTO2/AUTO3 (up to ISO12800)/ISO200~12800(1/3 step)(Standard Output Sensitivity) * Use a card with SD Speed Class with class 10 or higher Extended output sensitivity:ISO100/25600/51200 Film simulation mode 15 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black& White, Black& White+Ye Filter, Exposure control TTL 256-zone metering, Multi / Spot / Average/ Center Weighted Black& White+R Filter, Black& White+GFilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter) Exposure mode P(Program AE)/A(Aperture Priority AE)/S(Shutter Speed Priority AE)/M(Manual Exposure) Dynamic range setting AUTO, 100%, 200%, 400% ISO restriction(DR100%:No limit, DR200%:ISO400 or more, DR400%:ISO800 ore more) Exposure compensation -5.0EV~+5.0EV 1/3EV step(Movie: -2.0EV~+2.0EV) Advanced filter Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) Image Stabilizer Supported with OIS type lenses Wireless transmitter Standard IEEE802.11b/g/n(standard wireless protocol) Shutter type Focal Plane Shutter Encryption WEP/ WPA/WPA2 mixed mode Shutter speed Mechanical Shutter 4sec.~1/8000sec(P mode), 30 sec.~1/8000 sec.(All modes) Bulb mode(up to 60min), TIME:30sec.~1/8000sec. Access mode Infrastructure Electronic Shutter 1sec~1/32000sec(P/A/S/M modes) Bulb mode:1sec. fixed, TIME:1sec~1/32000sec *2 Wireless function Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print Mechanical + Electronic Shutter 4sec~1/32000sec(P mode), 30sec~1/32000sec(All modes) Bulb mode(up to 60 min), TIME:30sec.~1/32000sec. *2 Other functions Exif Print , PRINT Image Matching II , Language(35 languages including JP/EN), Time difference, exposure preview on LCD during Manual mode, EVF brightness, Synchronized shutter speed for flash 1/250sec. or slower EVF color, LCD brightness, LCD color, Mode effect on monitor, Customize. Digital Split Image *3 Continuous shooting Approx. 8.0 fps(JPEG:83 frames Lossless compression RAW:33 frame Uncompressed RAW:27 frames) Terminal Digital interface USB2.0(High-Speed)/micro USB * connectable with Remote Release RR-90 (sold separately) Approx 3.0fps(JPEG:endless Lossless Compression RAW:endless Uncompressed RAW:36frames) HDMI output HDMI micro connector (Type D) * recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames Other Microphone / shutter release input: ø2.5mm, stereo mini connector Hot shoe, Syncronized terninal *Mechanical release S1 button Auto bracketing AE Bracketing(±2EV/±5/3EV/±4/3EV/±1EV/±2/3EV/±1/3EV) Filmsimulation bracketing(Any 3 types of film simulation selectable) Power supply NP-W126 Li-ion battery (included) Dynamic Range Bracketing (100% · 200% · 400%) ISO sensitivity Bracketing (±1/3EV/±2/3EV/±1EV) White Balance Bracketing (±1/±2/±3) Dimensions (W)140.5mm×(H)82.8mm×(D)45.9mm (minimum depth 34.8mm) mode Single AF / Continuous AF / MF Weight Approx 495g(including battery and memory card)/Approx 445g(excluding battery and memory card) type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) Operation Environment Operating Temperature AF frame selection Single point AF:EVF/LCD/OVF:11x7/21x13(Changeable size of AF frame among 5 types), Operating Humidity Zone AF:3×3/5×5/7×7 from 77 areas on 11x 7 grid, Wide/Tracking AF:(up to 18 area) *AF-S:Wide *AF-C:Tracking Battery life for still images Approx. 250/350 frames (EVF/OVF, When XF35mmF1.4 R is set) *4 White balance Automatic Scene recognition/Custom1~3/Color temperature selection(2500K~10000K)/ Starting up period Approx 0.4sec. Preset : Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater Accessories included Li-ion battery NP-W126, Battery Charger BC-W126, Shoulder strap, Body cap, Strap clip, Protective cover, Hot shoe cover, Sync terminal cover, Clip attaching tool, Self-timer 10sec/2sec Owner’s manual, Warranty+D66 Focus -10ºC~+40ºC 10%~80%(no condensation) *1 Please see the Fujifilm website (http://www.fujifilm.com/support/digital_cameras/compatibility/card/x/) to check memory card compatibility. *2 The Electronic Shutter may not be suitable for fast-moving objects. Flash can not be used. *3 Digital Split Image is a trademark or a registered trademark of FUJIFILM Corporation. *4 Approximate number of frames / period that can be taken with a fully-charged battery based on CIPA standard.
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