Canon 3818B002, 3818B033, 3818B033AA/021, 3818B0043 Datasheet
SPRING 2010 usa.canon.com/eos Canon: Digital Magnificence For the best combination of technology and performance, there’s nothing like the EOS system. No matter the photographer, no matter the situation, the EOS system delivers with Canon designed and produced sensors and processors that work in concert with proven camera and lens designs for the best photographic performance. EOS products are complemented by a range of Canon systems including compact PowerShot cameras, a wide array of printers and projectors and even software solutions. This technological synergy not only creates a comprehensive photographic solution, it makes better images. With powerful imaging systems bolstered by a network of online support from the Canon Digital Learning Center, Canon delivers digital magnificence today. EOS SLR CAMERAS EF LENSES SPEEDLITES EOS SYSTEM ACCESSORIES POWERSHOT PHOTO PRINTERS PROJECTORS Rugged construction, photographerfriendly features, and compatibility with the entire line of EF lenses and EOS accessories make Canon EOS SLR benchmarks for performance, ease of use, and quality. A unique blend of hyper-advanced optical, microelectronics, and precision manufacturing technologies, EF lenses are perfected in Canon’s laboratories and proven in the field. Canon Speedlites are the ideal flash light source for EOS SLR cameras. They are technologically advanced to provide perfect exposure and illumination with just about any subject. Canon accessories are the best way to enhance EOS system performance and get the most out of EOS SLR cameras. There are solutions for virtually any shooting situation. Built on some of the same technologies as EOS Digital SLR cameras, PowerShot cameras offer spectacular quality and control in a compact and easy-to-use body. • EF Lens Technology . . . . . . . . . . 26 • EF Lens Lineup . . . . . . . . . . . . . . 32 • EF Lens Chart . . . . . . . . . . . . . . . 37 • EF Lens Accessories . . . . . . . . . . 38 • Speedlite Technology . . . . . . . . . 40 • Wireless Flash Photography . . . 42 • Speedlite Lineup . . . . . . . . . . . . 43 • Speedlite Accessories . . . . . . . . 45 • Digital Accessories . . . . . . . . . . . 46 • Wireless . . . . . . . . . . . . . . . . . . . 48 • Remote Control & Accessories . . 49 • Shooting Accessories . . . . . . . . . 50 • Power Supplies . . . . . . . . . . . . . . 52 • Peripherals . . . . . . . . . . . . . . . . . 53 • PowerShot Lineup . . . . . . . . . . . 54 From large format to 4" x 6" prints, Canon’s imagePROGRAF, PIXMA and SELPHY photo printers enable photographers to produce professionalgrade photoprints simply—almost anywhere, anytime. The REALiS Multimedia Projectors from Canon feature LCOS (Liquid Crystal on Silicon) technology and AISYS (Aspectual Illumination System) Optics, raising the bar for quality in presentation. • Photo Printer Technology . . . . . . 56 • Photo Printer Lineup . . . . . . . . . 60 • Printer & Scanner Comparison Chart . . . . . . . . . . . 62 • Projector Technology . . . . . . . . . 66 • Projector Lineup . . . . . . . . . . . . . 67 • EOS SLR Technology . . . . . . . . . . 4 • EOS Digital SLR Cameras . . . . . . 12 • EOS System Chart . . . . . . . . . . . 21 • EOS SLR Comparison Chart . . . . 22 • Image Format and Capacity Chart . . . . . . . . . . . . . . 25 • Canon Digital Learning Center/ Canon Live Learning . . . . . . . . . . 68 • Service and Support . . . . . . . . . 69 EOS SLR CAMERAS ©Simon Bruty EOS SLR TECHNOLOGY The history of Canon EOS SLR cameras is brimming with examples of technological innovations that have set new industry standards for performance and usability. And yet, at Canon, technology is never an end in itself. Every technological advance must yield tangible benefits to the user. Does a new feature enable the camera to more quickly and faithfully respond to the photographer’s will? Does a new material or process improve the camera’s long-term reliability? Canon EOS advancements endure because they enhance the photographic experience, whether you are a seasoned professional or new to SLR shooting. Put simply, Canon EOS SLR technologies are impressive because of the quality of the images they enable you to create. Autofocus Technology The best autofocus system is comprised of the ultimate combination of accuracy and speed. And for that combination, there’s nothing like the AF range of control over focusing point selection. The focusing point can be selected automatically by the camera (based on high-speed microcomputer analysis of image content) or manually by the user. Select EOS cameras feature up to 39 crosstype AF points that provide both vertical and horizontal sensitivity, guaranteeing the same optimal performance no matter the camera’s orientation. To maintain focus, advanced Canon focus tracking technology helps to retain the accuracy of the initial AF setting, no matter how fast the subject is moving. High-speed microcomputers use advanced algorithms that ensure fast and accurate AF performance under a wide variety of conditions. Focus tracking modes include single point AF, Spot AF (which narrows the area used by the AF line sensor, helping to reduce detection errors that occur from near and far objects when aiming at small subjects), and AF point expansion, where AF points surrounding the one chosen can assist when the subject becomes unfocused. Canon’s AF systems also detect the type of light source and automatically compensates the focus by taking into account artificial lighting sources and making appropriate adjustments. AF Modes Canon EOS cameras feature a number of dedicated autofocus modes designed to enhance reliability in specific shooting situations. ONE-SHOT AF mode is ideal for static subjects — the camera rapidly selects the optimum focusing point, and the subject is instantly brought into focus even if systems found in EOS SLRs. With cutting edge technical innovations, EOS cameras always feature the latest in AF performance, raising the bar with each successive camera introduction. Top EOS SLR cameras use an extraordinary 45-point high-density Area AF system that provides a large AF coverage area, but also the greatest High-Speed Shooting AF Technology — The EOS 7D features an all cross-type 19-point AF system with AI Servo II AF that precisely tracks subject movement for sharp, accurate focus almost every time. it is off-center. AI SERVO AF/AI SERVO II AF mode is excellent for moving subjects. Aided by a highly intelligent predictive focusing algorithm, it precisely tracks subject movement across the wide AF coverage area, automatically shifting the active focusing point vertically and horizontally as required. AI FOCUS AF mode, in which the camera automatically decides between ONE- SHOT and AI SERVO AF modes based on subject movement, is ideal for shooting unpredictable subjects. The new AI SERVO II AF, found on the EOS-1D Mark IV and EOS 7D, uses new algorithms for even better predictive focus tracking performance when shooting subjects with unpredictable movement. Even difficult, high-magnification subjects, such as a flower in a breeze are captured accurately with a Canon Macro lens using these new tracking algorithms. EOS SLR cameras have always been associated with speedy operation. Certain Canon EOS cameras offer 10 frames-per-second continuous shooting, up to 28 RAW files or 121 full-resolution JPEGs. Canon provides other aspects of camera responsiveness as well: the speediest EOS has a minimum lag time of 40msec, an 80msec viewfinder blackout time (at speeds of 1/60th and above), shutter speeds up to 1/8000 sec., and a flash sync as fast as 1/300 sec. when used with EOS Speedlites. Dedicated, quiet low-speed modes and self-timers add flexibility to speed. Diverse AF Shooting Options Beyond the AF modes supported in each EOS camera, Canon developed a number of AF options to further enhance customization and creativity. Certain Canon models can register original AF points’ “Home Positions” and represent them in both horizontal and vertical shooting positions, suitable for shooting in situations where compositions are retained from shot to shot. For more flexibility, the new Canon Zone AF system is particularly useful when the subject is off-center. One of five distinct focus zones can be chosen and the optimal point can be selected from there. In addition to these modes, certain EOS cameras’ AF systems can be further customized via the Custom Function Menu. Parameters such as initial focus point, AF beam control, AF zone expansion, AF Stop and more can be selected and refined to suit the photographer and the situation. 10 fps — This highly responsive AF technology contributes to the rapid continuous shooting capability of EOS SLR cameras —a maximum of 10 fps (frames per second) with the EOS-1D Mark IV & EOS-1v equipped with Power Drive Booster. 5 EOS SLR CAMERAS Viewfinder Dual Axis Electronic Level Sensor No matter the camera’s specifications, a clear, bright viewfinder is the photographer’s first tool for great images. Canon innovates with their viewfinders, especially with the viewfinder in the EOS-1D Mark IV, EOS-1Ds Mark III and EOS 7D, by offering Approx. 100% viewfinder coverage , and several EOS SLRs have a larger pentaprism for higher viewfinder magnification, these cameras offer the best view of any EOS Digital to date. All EOS Digital SLR cameras offer dioptric correction and several EOS SLRs have a number of different viewfinder accessories, including up to 11 different focus screens available for most any application. Among the newest and most useful features developed by Canon for the new EOS 7D, the brilliant new Dual Axis Electronic Level display aids in Unparalleled Exposure Control Viewfinder display with Intelligent Viewfinder. Intelligent Viewfinder A new Canon technology, the Intelligent Viewfinder, found on the EOS 7D, is a transparent LCD in the viewfinder that superimposes a variety of shooting information at the push of a button. Whereas with other EOS cameras’ viewfinders the representation of AF points and metering areas are static, with the EOS 7D’s Intelligent Viewfinder, they can be displayed, adjusted, or hidden, in camera, with ease. This means less distraction and more clarity to view the image in its entirety. The Intelligent Viewfinder includes a Grid Display and in Spot metering mode, the specific area metered is shown. displaying both roll and pitch in 1° increments, the Dual Axis Electronic Level Sensor is invaluable for architecture, macro photography, video, or any situation where critical composition is important. View of rear LCD monitor with Live View. achieving perfectly oriented shots. Visible in the viewfinder and on the camera’s LCD, in both Live View mode or as a standalone, and capable of Canon EOS SLR cameras incorporate advanced exposure control systems, offering the photographer exceptionally precise AE (auto exposure) with a wide range of metering options. Full-frame Evaluative metering incorporates the camera’s multi-zone sensor reading with specific focusing point data. The onboard microcomputer compares input from all zones and calculates optimum exposure. While Evaluative metering helps to assure excellent results in even the most challenging lighting situations, advanced photographers can choose from among several additional metering options. Centerweighted metering is available for those who prefer a more traditional pattern. Partial metering limits readings to sensor zones in the center of the image area, giving the photographer more area-specific control. Spot readings can be taken at the center of the frame area or, with some models, linked to an AF point. With certain EOS cameras, up to eight separate Spot meter readings can be recorded and averaged. For the EOS 7D , Canon developed the new multi-layer 63-zone iFCL (intelligent Focus Color Luminance) Metering System to incorporate the color wave- Intelligent Viewfinder – Change your viewfinder display to match any situation. AF point automatic selection – The camera automatically chooses the correct AF point. Spot metering display – Focus with a central, circular zone for accurate exposure control. AF point expansion – Focus with a selected AF point and points surrounding it. Great for moving subjects. EOS Full HD Video Advantage Full HD Full HD Video – Many EOS SLR cameras capture Full HD video at 1920 x 1080 resolution for exquisite detail and sharpness. Interchangeable EF/EF-S Lenses – Creative opportunities are at your fingertips thanks to Canon EF/EF-S Lenses and its wide range of lenses including fish-eye, macro and tilt-shift lenses. Fisheye lenses impart an extraordinary perspec- Tilt-shift lenses allow you to control the area tive and angle-of-view far beyond the limits of of focus. human vision. length surrounding the chosen focus point to help ensure more natural color rendition. Flash photography with EOS Systems also benefits from the extraordinary exposure control technology Canon has created. E-TTL (Evaluative Through-The-Lens) and E-TTL II autoflash systems work in combination with the camera’s multi-zone metering sensor to help take the guesswork out of flash photography. The camera performs instantaneous calcu- Zone AF – The AF points are divided into five focusing zones, useful for off-center shots. 63-zone Metering System — Canon’s sophisticated 63-zone Evaluative metering system considers not only the active focusing point but also a range of metered values from adjacent areas to determine correct exposure even in difficult lighting. Grid display – Useful for scenes where horizontal or vertical lines are stressed, such as architecture. 6 Hide all – An unobstructed view lets you get close to your subject and capture detail. AI Servo AF tracking display – Provides instant feedback of AF points tracking a moving subject. Spot AF – Focuses on an even smaller area for precise focus on small subjects. HD lations based on readings from the preflash, ambient lighting conditions and assessment of subject location to determine the optimum flash output and exposure settings. With E-TTL II, the calculations also incorporate distance information from compatible EF lenses, enabling the system to better handle dark, light and highly reflective Outstanding Color and Detail – The quality of images captured with EOS SLR cameras holds true for both stills and video, even in low-light. Macro lenses let you get up close for detailed shots of small subjects. subjects. Resulting images can have a virtually perfect balance between ambient light and flash illumination, even in complicated lighting situations and compositions. EOS Full HD Video Select EOS cameras which feature Full HD video capture offer the enhanced image quality, smooth frame rates and adaptive exposure compensation necessary in professional movie making tools. Shooting video with a large sensor camera (EOS 5D Mark II’s full-frame CMOS sensor is 36.0 x 24.0mm), it’s simple to take advantage of the image quality and characteristics that are intrinsic to SLR photography. It increases flexibility for the photographer in that it also allows for full use of Canon EF lenses, including wide-angle, macro, super-telephoto, tilt-shift and fisheye, providing a wealth of depth-of-field and other creative shooting options once reserved only for still photography. Combined with their size, image quality and flexibility, EOS SLR cameras with Full HD video capture are all-in-one, multimedia image-capturing tools. Not only can one take advantage of the SLR’s range of ISO sensitivities, it’s simple to exert full control over exposure and depth-of-field, which can have a profound effect on the mood of the moving image. And it’s all as easy as the press of a button. All Live View AF features can also be used in shooting video and playback modes are available Use wide-aperture lenses for greater control over depth-of-field. in-camera, with sound. With select models, EOS Full HD video movies can be captured at 1920 x 1080 resolution at 24, 25 or 30 frames per second (fps), for up to 4GB per clip. Movies are saved as MOV files and can be viewed in Full HD with HDMI output. Other recording sizes include HD at 1280 x 780 (50/60 fps) or SD/VGA at 640 x 480 (50/60 fps). Select EOS cameras offer flexible manual exposure control for their movie modes, allowing for complete creative control for the shooter. In Manual mode, users can control depth-of-field and sense of motion, creating gorgeous background blur. Exposure can be determined and set even in complex lighting situations, maintaining the same look and feel throughout an entire scene, not just the initial shot, and minimizing audible camera noise that can occur when the aperture changes due to exposure adjustment mid-clip. All EOS cameras with HD recording feature a built-in microphone for simple mono recording. On some models, stereo sound can be recorded through an external microphone. Additionally, with select models, still images can also be captured in full resolution while shooting movies. It’s as simple as pressing the shutter button while recording, and the supplied image can be modified as would any other recorded still. Simple editing can even be done in-camera, and movies can be played on HD televisions by using a USB AV cable, or HDMI. (more information at: usa.canon.com/fullhd) 7 EOS SLR CAMERAS Highlight Tone Priority Loss of highlight detail is one of the greatest concerns for photographers shooting digitally in brightly Highlight Tone Priority: ON lit and contrasty situations. Canon’s Highlight Tone Priority function calculates the exposure to expand the image’s Highlight Tone Priority: OFF dynamic range so that more detail is preserved in highlights. This renders a more continuous tone image without blown highlights, and helps to save time in postprocessing for highlight retrieval. High ISO – Whether shooting stills or video, Canon EOS SLR cameras capture silky-smooth low-noise images that are sharp with a wide dynamic range of color and tone, even at high ISO speeds. ©Clay Blackmore Canon CMOS Sensor Taking advantage of its own proprietary technologies, Canon develops and produces its own CMOS sensors. Unlike CCD sensors, CMOS sensors convert and amplify signals before they are transferred to the image processor, enabling them to produce exceptionally clean image data and reduce power consumption by as much as 90%. Data transfer speeds are increased by using multi-channel signal paths that dramatically improve the camera’s responsiveness. Canon’s CMOS sensors incorporate a unique on-chip noise reduction technology to deal with both fixed pattern and random noise. In addition, a multilayer low-pass filter is placed in front of the sensor to isolate false colors that the sensor may detect. Then, Canon's own ≥ Image Processor processes the image to help eliminate those colors while retaining full detail. CMOS sensors can also be fabricated to full-frame 35mm dimensions, an important consideration for photographers who wish to use their lenses without a conversion factor. Canon’s CMOS sensors deliver outstanding resolution and signal purity, making them ideal for the most critical photo or video applications. Full-Frame Canon CMOS Sensor The Canon-manufactured full-frame CMOS sensor delivers professional performance with digital convenience. EOS Digital 8 ≥4 / ≥III Image Extensive ISO Range* Processor EOS SLR cameras feature an extensive ISO range for greater flexibility in diverse photographic situations. The EOS-1D Mark IV features the Developed to maximize performance between capturing and recording stages of digital photography, the DIGIC 4 and DIGIC III Image Processors by Canon use advanced signal processing technologies to dramatically enhance image quality and deliver a more intuitive, responsive camera. The DIGIC 4/III Image Processors work in concert with Canon CMOS sensors to achieve even higher levels of performance, with high-end EOS cameras incorporating Dual DIGIC 4 Image Processors. Signal process- Taken with the EOS-1D Mark IV. Full-Frame (1.0x) EOS-1Ds Mark III Full-Frame CMOS Sensor (actual size) When using the same lens with different cameras, the angle-of-view varies depending on the sensor size. SLR cameras with full-frame sensors, found on the EOS-1Ds Mark III and EOS 5D Mark II, do not require a focal length conversion factor common to other digital SLR cameras on the market. Instead, they deliver the same angle-of-view as 35mm film cameras, so the working distance to the subject, with a given lens, is the same as it would be on film. Since you can use EF lenses on either 35mm film cameras or Canon Digital SLR cameras with the same results, the switch from film to digital is truly seamless. Full-frame sensors provide greater control over depth-offield, which helps to create beautiful background blur, perfect for portraits. The large sensor area also helps to enable a marked reduction in noise levels at all ISO values. When combined with high resolution and smooth gradation from highlights to shadows, Canon digital SLR cameras with full-frame sensors produce images that rival those taken with professional medium-format and large-format film cameras. For maximum control and dependable performance, the choice is simple—Canon full-frame Digital SLR cameras. Effective Light-gathering The EOS-1Ds Mark III and 5D Mark II sensors have 21.1 effective megapixels and the EOS-1D Mark IV has 16.1 effective megapixels. Individual pixel size on the EOS-1Ds Mark III’s and 5D Mark II’s sensors are 6.4μm, and the EOS-1D Mark IV’s sensor is 5.7μm. By optimizing the gap between the on-chip microlenses and improving the fill factor (photodiode area divided by total pixel size) of each pixel, light-gathering efficiency has been improved. ing algorithms work with the multi-channel signal from the sensor and the high-speed DDR-SDRAM buffer to deliver significantly improved camera response. Power consumption has been further reduced for even longer battery life. Color reproduction, noise reduction in low light situations and reproduction of fine detail are all significantly improved. In addition, the latest Dual DIGIC 4 Image Processors speed up all operations such that a number of processor intensive features are possible. Canon technologies like Face Detection Live mode, Full HD and HD movie recording, Lens Peripheral Illumination Correction and Auto Lighting Optimizer are all possible thanks to the power afforded by the amazing DIGIC Image Processor. *Standard output sensitivity. Recommended exposure index. Another feature available in Canon’s newest EOS Digital cameras is Canon’s Lens Peripheral Illumination Correction feature. Taking into account the lens in use, this feature automatically brightens the light level at the four corners of the composition where light falloff may have occurred. Peripheral illumination characteristics and correction data are detected automatically on a number of Canon lenses and can be entered manually through Canon’s EOS utility software. This function can be applied when shooting to JPEG images, and in post-processing with RAW images. Auto Lighting Optimizer APS-C (1.6x) APS-H (1.3x) Lens Peripheral Illumination Correction breathtaking ISO range of ISO 100-12800 (L:50, H1: 25600, H2: 51200, H3: 102400)! Even at higher ISO settings where one might expect to see a higher degree of noise, the renowned Canon CMOS sensor and noise reduction system work to ensure superb image quality. Accordingly, even the most critical photographers can use EOS SLR cameras with confidence, no matter the light. One of Canon’s newest technologies, the Auto Lighting Optimizer, automatically corrects image exposure to help ensure accurate brightness and contrast. It can actually brighten areas of Auto Lighting Optimizer OFF Advanced 14-bit A/D Conversion EOS Digital SLR cameras employ 14-bit converters to process the output of the imaging sensor. Compared to the 12-bit converters used in most digital cameras, the Canon design helps ensure smoother tonal transitions, more natural gradations, and superb color fidelity. RAW images are recorded at 14 bits so that processed 16-bit TIFF images contain the full range of tonal values captured by the sensor. Auto Lighting Optimizer ON the composition while maintaining highlight details and accurate exposure in others, or darken areas of composition while maintaining brightness and shadow details in others. This remarkable feature is available as both an automatic feature in Full Auto and Creative Auto shooting modes, and can be used and fine-tuned in other modes. The Canon Auto Lighting Optimizer ensures beautifully exposed images that require little to no post-production work. 9 EOS SLR CAMERAS “off-the-shelf” components, and enables the fast deployment of new, innovative solutions in digital camera design. Canon EOS Digital SLR cameras thus incorporate advanced sensors, processors, and other key components. Combined with Canon’s unequaled electromechanical and optical design know-how, these digital technologies make EOS simply the finest digital SLR system anyone can own. and landscape, giving the ability to fine-tune the images the camera produces. They enable the photographer to make optimal choices based simply on the type of shooting. These presets can be used in much the same way one would use different types of film, and more can be created using Canon’s included Picture Style Editor Software. Individual camera settings—such as sharpening, contrast, color tone, and saturation can be overridden if need be. digital SLR. While professionals and advanced amateurs will often prefer to shoot in RAW mode, JPEG images take up significantly less storage space and are often more immediately pleasing to the eye, thanks to Canon’s compression and optimization protocols. With Canon’s EOS Digital SLR cameras, you can capture images in a number of RAW or JPEG modes, depending on the camera’s sensor, as well as record numerous combinations of RAW and JPEG images simultaneously. Flexible Shooting Modes EOS Integrated Cleaning System Picture Style Technology With the myriad of features and settings available, even the best photographer might occasionally have doubts as to whether all of the camera settings are optimal for the shot. Canon’s ingenious Picture Style feature comes to the rescue, providing a number of user-friendly presets, including standard, neutral Most EOS models with a Mode Dial let photographers select from a variety of preprogrammed shooting modes, making it easy for even novice shooters to get professional-looking results. When you want the camera to make all the decisions for you, choose one of the Image Zone shooting modes. For greater control over camera settings, including full manual operation, select from the Creative Zone. Maximum Durability and Performance Live View Function – With Live View Function, images can be composed and captured from the camera’s LCD monitor. Live View Function Canon’s spectacular Live View shooting is now available through most of the EOS Digital models. Live View Function, where the photographer can compose and shoot directly from the camera’s LCD is an indispensable feature for creative photography in any number of situations. It enables the photographer to zoom in and navigate the composition 5x or 10x normal size, while enabling critical focus and allowing more attention to detail. Users can even choose a grid overlay, perfect for architectural photography. In the studio, Live View Function can be used remotely (via a computer) through the camera’s USB connection, or wirelessly if the optional Wireless File Transmitter is used. Live View Focusing Canon’s Live View Function include 3 focusing modes: Quick mode, Live mode, and Face Detection Live mode. In Quick mode, One-Shot AF is set automatically and the AF point is selectable even while the Live View image is displayed. In Live mode, AF can be started by pressing the AE button for either AF mode. In Face Detection Live mode, the largest face near center is detected initially, 10 10x magnified view. but the Multi-controller can be used to select any face detected. Landscape – Great for shooting nature scenes and blue skies, this setting enhances the blues and greens typical in landscapes, and enhances saturation, contrast and sharpening. Superb Ergonomics and Custom Functions Refined ergonomics and smooth operability are Canon EOS traditions, and even with the unavoidable complexities involved with digital capture, Canon’s EOS interface design puts the most frequently used controls where they make the most sense—in the hands of the photographer. Operation is enhanced by Custom Functions, a concept pioneered by Canon. Custom Functions enable photographers to tailor features and operating functions to suit their own shooting style, or to optimize camera performance for specific subjects or shooting conditions. Whether customizing a shutter speed range, specifying the parameters of bracketing, or specifying the preferred type of flash metering, to name a few, photographers have literally hundreds of choices in how they want their EOS Digital SLR to operate. Canon is unique in its in-house capabilities. Canon’s ability to rapidly develop and manufacture proprietary ASICs (Application-Specific Integrated Circuits) eliminates dependence on common Hold a Canon EOS SLR in your hands. The look and feel of quality and reliability are the result of decades of camera-making experience and these translate to real-world performance and durability second to none. The newest EOS-1D class professional SLR cameras, for example, feature bodies made of coated cast magnesium alloy, which, while light in weight, deliver outstanding strength, rigidity and electromagnetic shielding. Furthermore, the body is extensively gasketed and sealed, making the cameras exceptionally water and dust-resistant. These are truly cameras built to take on the some of the world’s harshest shooting conditions. Monochrome – This setting emulates the color filters of silver halide film for bold black and white images and allows for red, green and other types of filter work. Weatherproof – Select EOS cameras feature dust and weather-resistant bodies. EOS 7D shown. Advanced RAW + JPEG Recording Portrait – The perfect setting for photographing people, the portrait setting adds warmer skin tones with a slight boost in contrast and in-camera sharpening. Best described as “digital negatives”, RAW images contain pre-processed image data as captured by the sensor and, with post-processing, they yield the highest image quality possible from a Canon has designed an Integrated Cleaning System with a Self Cleaning Sensor Unit customized to the specifications and performance characteristics of each EOS Digital SLR camera that helps combat stray dust that can enter the camera when changing a lens or when out in the field. The front surface of the sensor’s IR-cut/Low-pass filter cleans itself automatically with ultrasonic vibrations every time the camera is turned on or off. Removed dust adheres to material around the filter to help it stay off. With DPP, dust missed by the cleaning unit can be captured by Canon’s Dust Delete Data Detection and can be erased from the image file. Additionally, the WFT-E5A also includes a media server function. With select models, in WFT Server mode, up to three separate computers can access the camera’s memory card using a standard web browser from anywhere in the world (Microsoft Internet Explorer ®, Apple Safari®, etc.). Images can be selected from the browser window and dragged onto a computer’s desktop or to a folder, which copies the full file to a computer. Remote — Wireless and Wireless LAN Functions — FTP Transfer Transfer images to an FTP server EOS Utility Use EOS Utility to capture, view, and download images remotely WFT Server Use a web browser to capture,view, and download images remotely Media Server View images on a DLNAcompatible TV or other devices Linked Shooting Wirelessly trigger shooting by slave cameras linked to a master camera — Functions When Connected via USB — External Media Record or backup images onto external media GPS Wireless Transmitter Technology As quickly as the digital SLR has become commonplace in the hands of professional photographers and enthusiasts alike, so too has wireless communication between the SLR and external components. The EOS series has a number of dedicated Wireless File Transmitters that keep the camera connected to the wireless world, simply, with tremendous speed. Whether connected through a port on the side of the camera, or incorporated into a camera-integrated design — some units serve as an auxiliary hand grip — Canon Wireless Transmitters can connect securely to Local Area Networks (LAN) wirelessly (with a range up to approximately 500 feet) or directly, and can connect and upload to FTP (File Transfer Protocol) or dedicated WFT Servers. The new WFT-E5A (EOS 7D), WFT-E2 II A (EOS-1D Mark IV, EOS-1Ds Mark III and EOS-1D Mark III) and WFT-E4 II A (EOS 5D Mark II) feature IEEE802.11a/b/g compatibility (Type-A/B/G), WPS compatibility, WFT Server Remote Live View, a camera linking function and Bluetooth connectivity. Connected by a USB cable Connected via Bluetooth Add the latitude, longitude, altitude, date and time, and other shooting information to images firing of the camera over the Internet is also possible. With the EOS 7D, a dedicated media server can also be created with DLNA (Digital Living Network Alliance) compliant devices, allowing numerous points of access to images instantaneously. EOS Utility Mode, or PTP (Point to Point) connectivity allows the photographer to connect a single camera to a computer for advanced twoway communication and professional tethered camera operation. WFT units can also connect to select GPS units, via the USB Host function, and have GPS information, altitude and time code added to each image’s shooting data. External hard drives can be attached for direct recording or backup. Plus, select WFT models can be used as remote control receivers, allowing for wireless shooting and control, from a range of Wi-Fi enabled handheld devices including smartphones. 11 EOS SLR CAMERAS The Advanced Made Simple Created to make advanced photography simple, the EOS Rebel T2i represents the latest of Digital SLR technology. Featuring Canon’s “Digital Trinity” of a Canon CMOS Image Sensor, ≥ 4 Image Processor and industry-leading optics, EOS Rebel T2i also includes a sophisticated HD Movie mode that captures gorgeous Full HD movies with ease. Whether it’s the high-resolution 18.0 Megapixel sensor, the advanced AF system working in combination with amazing Canon EF and EF-S lenses, the increased low-light sensitivity, or the powerful 3.7 fps ability, the technology in the EOS Rebel T2i ensures simplicity, speed and precision every time, and delivers stunning quality from the start. And it produces images, in print and on the screen, with sharpness, clarity and color accuracy that will inspire, every time. High Image Quality Full HD Video Recording LCD Monitor The EOS Rebel T2i has an The EOS Rebel T2i captures HD The EOS Rebel T2i has a 3.0-inch 18.0 Megapixel CMOS video at a number of resolutions high resolution Clear View LCD (complementary metal oxide semiconductor) Image and frame rates for numerous applications, from monitor with the same aspect ratio (3:2) as the Sensor that captures images with exceptional clarity home movies to professional shoots and everything camera’s sensor, making for huge, clear and easy and tonal range, perfect for poster-sized enlarge- in between. It can even capture 1920 x 1080 Full HD Live View composition. It features a class-leading ments or significant video at frame rates of 24 (23.976), 25 or 30 (29.97) 1.04 million dots/VGA for spectacular detail. It also cropping. Its APS-C frames per second. It allows for full manual control has an anti-reflective and water-repellant coating size sensor creates over exposure and depth-of-field, which can have a that provides a clear and smudge-resistant surface, an effective 1.6x profound effect on the mood of the moving image, plus 7 adjustable screen brightness levels that angle of view (com- and — in a first with Movies on an EOS camera — when make the EOS Rebel T2i customizable for any situation. pared to 35mm for- shooting an SD quality movie (640 x 480) the EOS The EOS Rebel T2i's refined button layout includes a Rebel T2i can crop or magnify up to 7x the regular dedicated button that directs the camera immedi- frame. Sound is recorded either through the ately to the Quick Control screen where it’s simple to mat). The Canon CMOS Image Sensor ≥ 4 Image Processor dramatically speeds up the EOS Rebel T2i's camera functions for intuitive navigate among any number of settings, including operation, working in concert with the image sensor ISO, Exposure and Flash Exposure compensation, to achieve phenomenal levels of performance — up drive mode, white balance, image quality and much, to 3.7 fps! Thanks to the ≥ 4 Image Processor, much more. the EOS Rebel T2i offers other improvements as well: It employs a 14-bit converter to process the output of the CMOS Image Sensor. 14-bit conversion means smoother tonal transitions, more natural gradations and spectacular color fidelity. Wide Range ISO Setting and High The Evolution Continues. Speed Performance The new flagship of the EOS Rebel line, the EOS Rebel T2i is an easy to use, lightweight SLR that’s a joy to have, featuring a class-leading 18.0 Megapixel CMOS Sensor and improved EOS Movie mode with manual exposure control, expanded recording options and a movie crop function. With increased light sensitivity for low light photography and the speed to capture up to 3.7 frames per second, the EOS Rebel T2i is ready to go the minute it’s picked up. Gorgeous photos and Full HD movies are as simple as the press of a button. It’s simply the best Rebel Canon has ever created. to maximize each individual pixel's light gathering EOS Rebel T2i’s built-in microphone or through an efficiency, enabling the camera to capture a level of external microphone connected to the EOS Rebel T2i’s detail missed not only by many other cameras, but microphone input terminal. ” 12 VGA The EOS Rebel T2i’s sensor is designed likely the human eye as well. The EOS Rebel T2i Easier Than Ever features an expanded ISO range up to 6400 (ISO Metering System With its 3-inch wide screen, an improved button 12800 expanded), making shooting possible in The EOS Rebel T2i features a 63 zone, layout that includes a dedicated Live View/Movie situations previously unthinkable without flash. Dual-layer metering sensor designed to mode button and direct access to the quick control And while an increased sensitivity to light enables compliment the 9-point AF system. By screen, the EOS Rebel T2i is the most streamlined shooting in dim light, the EOS Rebel T2i also shines taking into account the scene's color and luminosity EOS Rebel ever created. when shooting action. With a 9-point AF sensor, a surrounding the chosen AF point(s), this system top shutter speed of 1/4000 sec, plus the ability delivers an entirely new level of metering accuracy Recording Media to shoot up to 3.7 frames per second, the EOS with an ideal balance of foreground and back- In addition to SDHC cards, the EOS Rebel T2i is Rebel T2i is as happy on the soccer field as it is in ground information and natural color rendition no compatible with SDXC memory cards for greater the living room. matter the composition. storage capacity. 13 EOS SLR CAMERAS ©Clint Clemens The Flagship EOS. The Next Chapter of EOS. The EOS-1Ds Mark III has been designed from the ground up to be among the most powerful, go-anywhere, capture-anything EOS ever made. This professional powerhouse camera features a full-frame 21.1 Megapixel CMOS sensor for high-resolution image capture, Dual “≥ III” Image Processors for speedy performance and a host of technologies designed to capture phenomenal images quickly and without compromise. With strong construction complementing the ultimate combination of power, speed and resolution, the EOS-1Ds Mark III is suited for your professional needs. Offering a comprehensive combination of speed, accuracy and image quality, the EOS-1D Mark IV is the perfect choice for the professional photographer or videographer. Featuring a new 16.1 Megapixel APS-H sized CMOS sensor, a completely redesigned 45-point AF system with new AI Servo II AF tracking algorithm, 10 fps capture, boosted ISO sensitivities with exceptionally low noise, a versatile EOS Full HD video capture mode and much more, the EOS-1D Mark IV is capable of doing more things, in more places. It’s the flagship of the Canon EOS line, offering performance that’s nothing short of stunning. ” 14 ” 15 EOS SLR CAMERAS ©Tyler Stableford High Performance for High Expectations. Beyond the Still. For phenomenal full-frame performance in a compact and easy to use digital SLR, look no further than the brilliant EOS 5D Mark II. Featuring the ability to capture video in Full HD with its large full-frame CMOS sensor, it is an exciting new tool not just for photographers, but also for videographers and cinematographers as well. It has a 21.1 Megapixel Canon CMOS sensor, a ≥4 Image Processor for speed, offers an extended ISO range and Live View shooting. Whether in the hands of a wedding photographer, or capturing breathtaking landscapes, on a movie set, or anywhere in between, the EOS 5D Mark II helps bring photographic brilliance. With a host of phenomenal new features designed to enhance and speed up every facet of the photographic and moviemaking process, the cutting-edge EOS 7D represents a whole new level of photographic and filmmaking performance. With its 18.0 Megapixel CMOS sensor and Dual ≥4 Image Processors, it shoots amazing stills and Full HD video without compromise. It has an entirely new, bright and customizable Intelligent Viewfinder with approximately 100% coverage, a newly designed AF system, plus rugged, refined construction for reliable pro-level performance anywhere, any time. The EOS 7D, simply put, introduces the user to an entirely new evolutionary stage of camera. ” 16 ” 17 EOS SLR CAMERAS ©Lewis Kemper Explore Photography. The Journey Continues. The Canon EOS 50D is a perfect go-anywhere, shoot-anything camera. As comfortable in the hands of a novice as of a seasoned pro, there’s virtually nothing this camera can’t do! It features an APS-C sized 15.1 Megapixel CMOS sensor for tremendous images, the brilliant Canon ≥ 4 Image Processor for fine detail and color reproduction, plus improved ISO capabilities up to 12800* for uncompromised shooting even in extremely dim lighting situations. It’s compatible with Canon’s entire line of EF and EF-S lenses and, with its rugged build, is ready for almost anything, anywhere, anytime. ” 18 A remarkable combination of power and simplicity, Canon’s EOS Rebel T1i gives you uncompromised EOS performance with the power and flexibility of HD video, captured right in the palm of your hand. Even if you’re a beginner to SLR photography, with the EOS Rebel T1i, you’ll be amazed at the ease with which you’ll be shooting professional caliber photos and HD movies from the moment you pick it up. For creativity in compact, there’s nothing like the EOS Rebel T1i. It’s the EOS system on the move! * Standard output sensitivity. Recommended exposure index. ” 19 EOS SLR CAMERAS EOS System Chart EOS-1Ds Mark III/EOS-1D Mark IV Only Battery Pack LP-E4 Battery Charger LC-E4 AC Adaptor Kit ACK-E4 Car Battery Cable CB-570 Interface Cable IFC-500U Eyecup Eg Dioptric Adjustment Lenses Eg Anti-Fog Eyepiece Eg Angle Finder C Mini-HDMI Cable HTC-100* Interface Cable IFC-200U Stereo AV Cable AVC-DC400ST* Video Cable VC-100 USB Cable Protector Wireless Controller LC-5 EOS-1Ds Mark III 580EX II Wireless File Transmitter WFT-E2A Wireless File Transmitter WFT-E2 II A Remote Switch RS-80N3 Original Data Security Kit OSK-E3 Ec-Series Focusing Screens EOS 5D Mark II Only EOS-1D Mark IV Battery Pack LP-E6 Battery Grip BG-E6 430EX II Mini-HDMI Cable HTC-100 Stereo Video Cable STV-250N Wireless File Transmitter WFT-E4A Battery Magazine BGM-E6 Wireless File Transmitter WFT-E4 II A Battery Charger LC-E6 Eyepiece Extender EP-EX15 Eyecup Eb Interface Cable IFC-200U Rubber Frame Eb Interface Cable IFC-500U Timer Remote Controller TC-80N3 Dioptric Adjustment Lens E Cable Release Adapter T3** Car Battery Cable Car Battery Charger CB-570 CBC-E6 AC Adapter Kit ACK-E6 Eg-Series Focusing Screens Original Data Security Kit OSK-E3 Angle Finder C Remote Switch Adapter RA-N3 EOS 5D Mark II EOS 7D Only 270EX Battery Grip BG-E7 EOS 7D 220EX Battery Charger LC-E6 Battery Pack LP-E6 Interface Cable IFC-200U Interface Cable IFC-500U Mini-HDMI Cable HTC-100 Remote Switch Adapter T3** Stereo AV Cable AVC-DC400ST Extension Cord 1000T3** Dioptric Adjustment Car Battery Cable Car Battery Charger Eyecup Anti-Fog Original Data Security Kit Battery Magazine Eyepiece Eg Eg CB-570 CBC-E6 OSK-E3 AC Adapter Kit ACK-E6 Lenses Eg Angle Finder C BGM-E6 Wireless File Transmitter WFT-E5A EOS 5D Only Remote Switch 60T3** EOS 5D Battery Pack BP-511A Battery Grip BG-E4 USB Interface Cable IFC-400PCU Battery Charger CB-5L Video Cable VC-100 Data Verification Kit DVK-E2 or OSK-E3 Angle Finder C Ee-Series Focusing Screens Extension Cord ET-1000N3 Macro Twin Lite MT-24EX Car Battery Cable Compact Power Adapter Eyepiece Extender EP-EX15 CB-570 CA-570 AC Adapter Kit ACK-E2 Eyecup Eb Rubber Frame Eb Dioptric Adjustment Lens E Wireless File Transmitter WFT-E1A Extended Range Antenna ERA-E1 Wireless Remote Controller RC-1*** EOS 50D/EOS 40D Only Mini-HDMI Cable HTC-100 (EOS 50D only) EOS 50D Battery Grip BG-E2N Battery Pack BP-511A Wireless File Transmitter WFT-E3A Battery Magazine BGM-E2 Battery Charger CG-580 or CB-5L Compact Power Adapter CA-PS400 Eyepiece Extender Eyecup EP-EX15 Eb Interface Cable IFC-200U Interface Cable IFC-500U Dioptric Adjustment Lens E Ef-Series Focusing Screens Wireless Remote Controller RC-5/RC-6*** Original Data Security Kit OSK-E3 * 1D Mark IV only ** Requires RA-N3 with 40D, 30D. *** 7D and 5D Mark II only Rubber Frame Eb Macro Ring Lite MR-14EX EOS 40D AC Adapter Kit ACK-E2 DC Coupler DR-400 Car Battery Cable CB-570 Compact Power Adapter CA-570 Video Cable VC-100 Angle Finder C EOS Rebel T2i Only Speedlite Transmitter ST-E2 EOS Rebel T2i Stereo AV Cable AVC-DC400ST Battery Charger LC-E8 Battery Pack LP-E8 Battery Grip BG-E8 Interface Cable HDMI Cable HTC-100 Interface Cable IFC-200U/IFC-500U Remote Switch RS-60E3 Off-Camera Shoe Cord OC-E3 EOS Rebel T1i Battery Magazine BGM-E8L AC Adapter Kit ACK-E8 Eyecup Ef Angle Finder C Rubber Frame Ef Eyepiece Extender EP-EX15 II Original Data Security Kit OSK-E3 Dioptric Adjustment Lens E EOS Rebel T1i/Rebel XSi/Rebel XS Only TTL Hot Shoe Adapter 3† Co n ctin n e g o Cr d 60† Power Made Simple. EOS Rebel XSi EOS Rebel XS EOS Rebel XSi ” 20 Battery Pack LP-E5 AC Adapter Kit ACK-E5 DC Coupler DR-E5 Interface Cable IFC-500U Video Cable VC-100** Car Battery Charger CBC-E5 HDMI Cable HTC-100* AV Cable AVC-DC400* Angle Finder C Eyepiece Extender EP-EX15 II/EP-EX15 Eyecup Ef Original Data Security Kit OSK-E3 Rubber Frame Ef Dioptric Adjustment Lens E Wireless Remote Controller RC-5/RC-6 EOS Rebel XS USB Interface Cable IFC-400PCU Connecting Cord 300† EOS Rebel XS EOS Digital Rebel XTi Battery Grip BG-E3 Battery Pack NB-2LH Battery Charger CB-2LW AC Adapter Kit ACK-DC20 Compact Power Adapter CA-PS700 Angle Finder C Eyepiece Extender EP-EX15 II/EP-EX15 Eyecup Ef Video Cable VC-100 Rubber Frame Ef Dioptric Adjustment Lens E *EOS Rebel T1i only **EOS Rebel XSi/XS only Battery Magazine BM-E2 TTL Distributor† Off-Camera Shoe Adapter OA-2† EOS Rebel XS Interface Cable IFC-200U Battery Charger LC-E5 Battery Grip BG-E5 EOS Digital Rebel XTi/Digital Rebel XT Only For superb photos, there’s nothing better than the Canon EOS Rebel XSi and XS. With powerful features, including the Canon CMOS sensors and “≥ III” Image Processors, plus fast shooting and more, it’s amazing what these cameras can do! With simple, easy to use controls, compact designs, big monitors with Live View shooting, and some of the best automated shooting functions in the business, the EOS Rebel XS & XSi are a beginner’s dream come true. EOS Rebel XSi EOS Rebel XSi Wireless Remote Controller RC-1 † These accessories provide TTL or manual flash control, but are not compatible with E-TTL or E-TTL II; no automatic flash with EOS Digital SLR cameras. EOS Digital Rebel XT Power Drive Booster PB-E2 EOS-1v Ni-MH Pack NP-E2 Ni-MH Charger NC-E2 Battery Pack BP-E1 Timer Remote Controller TC-80N3 Battery Pack BP-300 Wireless Remote Controller RC-1 Battery Pack BP-220 Wireless Remote Controller RC-1* Remote Switch RS-80N3 Wireless Controller LC-5 Extension Cord ET-1000N3 Wireless Remote Controller RC-5/RC-6 Anti-Fog Eyepiece Extender Eyecup Eyepiece Ec EP-EX15 Ec-II Remote Switch Adapter RA-N3 Remote Switch RS-60E3 Anti-Fog Eyepiece Ed Extension Cord 1000T3* Eyecup Ed Rubber Frame Dioptric Adjustment Ec Lens E Remote Switch 60T3* Cable Release Adapter T3* Dioptric Adjustment Lens Ed Angle Finder C Remote Switch Adapter T3* Angle Finder C Ec-Series Focusing Screens EOS Link Software ES-E1 *Requires RA-N3 with EOS-1V Eyecup Ed-E EOS ELAN 7NE EOS REBEL T2/K2 Wireless Remote Controller RC-5/RC-6* Remote Switch RS-60E3** Eyecup Ef Rubber Frame Ef Dioptric Adjustment Lens E Angle Finder C *EOS Rebel T2 Date / Rebel K2 Date only **EOS Rebel T2 only 21 EOS SLR CAMERAS EOS SLR Comparison Chart EOS-1Ds Mark III EOS 5D Mark II EOS 7D TTL-AREA-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus Prediction; Manual focusing confirmation possible with EF lenses; Automatic or manual focus point selection TTL-AREA-SIR CMOS Sensor with 39 high-precision cross-type points; One-Shot and AI Servo II AF with Focus Prediction; Manual focusing confirmation possible with EF lenses; Automatic or manual focus point selection TTL-CT-SIR CMOS Sensor (only the center point is cross type); One-Shot and Al Servo AF with Focus Prediction; Manual focusing confirmation possible with EF lenses; Automatic or manual focus point selection Image Processor / Image Sensor Dual "DIGIC III" / 36 x 24mm, Single-plate CMOS Sensor with Auto Sensor Cleaning Dual DIGIC 4 / 27.9mm x 18.6mm, single-plate CMOS Sensor with Auto Sensor Cleaning DIGIC 4 / 36.0 x 24.0mm, Single-plate CMOS Sensor with Auto Sensor Cleaning Crop Factor 1.0x (Full-frame) 1.3x (APS-H) 1.0x (full-frame) Special Features • 21.1 Megapixel CMOS Digital SLR camera • Built-in 3.0" (approx. 230,000 dots) wide viewing angle color monitor • 57 Custom functions in 4 sets • Quick Control Dial • Simultaneous RAW and JPEG image capture • Dioptric adjustment • Depth-of-field preview • FE lock • Mirror lock Movie Recording Size – 1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976), 1280 x 720 (HD): 60p (59.94) / 50p; 640 x 480 (SD): 60p (59.94) / 50p. 1920 x 1080 (Full HD): 30p, 640 x 480 (SD): 30p Number of Focusing Points 45 (Area AF Ellipse) 19 cross-type AF points (plus 26 Assist AF points) 45 (Area AF Ellipse); All 45 points selectable, 39 cross-type, high-precision AF points (manual), 19 (automatic), improved AI Servo II AF 9 (plus 6 Assist AF points) Center AF point is cross-type Hybrid high and standard precision ISO Range* ISO 100–1600, ISO 50 and 3200 via Menu Selection ISO 100–12800, ISO 25600, 51200, & 102400 via Custom Function Recording Media UDMA CF/CF card (Type I or II), SD/SDHC** memory card UDMA CF/CF card (Type I or II), SD/SDHC memory card Frames Per Second Single, 3.0 fps, 5.0 fps Shutter Speeds • • • • • • N3 remote control socket USB compatible Magnesium alloy body Picture Style Dust reduction feature Live View Function • 16.1 Megapixel CMOS Digital SLR Camera • Built-in 3.0" (approx. 920,000 dots) wide viewing angle color monitor • 62 Custom functions in 4 sets • Multi-controller • Simultaneous RAW and JPEG image capture • Dioptric adjustment • Depth-of-field preview • FE lock • • • • • • Mirror lock USB 2.0 Hi-Speed compatible Magnesium alloy body Picture Style Dust reduction feature Live View Function & Face Detection Live mode • Full HD Video • 21.1 Megapixel CMOS Digital SLR camera • Built-in 3.0" (approx. 920,000 dots) wide viewing angle color monitor • 25 Custom functions with 71 settings • Multi-controller • Simultaneous RAW and JPEG image capture • Dioptric adjustment • Depth-of-field preview • FE lock • Mirror lock Dual DIGIC 4 / 22.3mm x 14.9mm, single-plate CMOS Sensor with Auto Sensor Cleaning 1.6x (APS-C) • • • • • • N3 remote control socket USB 2.0 Hi-Speed compatible Magnesium alloy body Picture Style Dust reduction feature Live View Function & Face Detection Live mode • Full HD video • 18.0 Megapixel CMOS Digital SLR camera • Built-in 3.0" (approx.920,000 dots) wide viewing angle color monitor • 27 Custom Functions in 4 Groups • Multi-controller • Dual Axis Electronic Level • Simultaneous RAW and JPEG image capture • Dioptric adjustment • Depth-of-field preview • Intelligent Viewfinder Display • FE lock EOS Rebel T2i EOS Rebel T1i TTL-CT-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus Prediction; Manual focusing confirmation possible with EF and EF-S lenses; Automatic or manual focus point selection TTL-CT-SIR AF CMOS Sensor;One-Shot and AI Servo AF with Focus Prediction;Manual focusing confirmation possible with EF and EF-S lenses; Automatic or manual focus point selection TTL-CT-SIR CMOS Sensor (only the center point is cross type); One-Shot and Al Servo AF with Focus Prediction; Manual focusing confirmation possible with EF and EF-S lenses; Automatic or manual focus point selection TTL-CT-SIR CMOS Sensor (only the center point is cross type); One-Shot and Al Servo AF with Focus Prediction; Manual focusing confirmation possible with EF and EF-S lenses; Automatic or manual focus point selection TTL-CT-SIR CMOS Sensor (only the center point is cross type); One-Shot and Al Servo AF with Focus Prediction; Manual focusing confirmation possible with EF and EF-S lenses; Automatic or manual focus point selection DIGIC 4 / 22.3 x 14.9mm, single-plate CMOS Sensor with Auto Sensor Cleaning DIGIC 4 / 22.3 x 14.9mm, single-plate CMOS Sensor with Auto Sensor Cleaning DIGIC 4 / 22.3 x 14.9mm, single-plate CMOS Sensor with Auto Sensor Cleaning DIGIC III / 22.2 x 14.8mm, Single-plate CMOS Sensor with Auto Sensor Cleaning DIGIC III / 22.2 x 14.8mm, Single-plate CMOS Sensor with Auto Sensor Cleaning 1.6x (APS-C) 1.6x (APS-C) EOS 50D TTL-CT-SIR CMOS Sensor; One-Shot and AI Servo II AF with Focus Prediction; Manual focusing confirmation possible With EF lenses; Automatic or manual focus point selection 1.6x (APS-C) 1.6x (APS-C) • Mirror lock • Retractable built-in E-TTL II flash, with integrated Speedlite transmitter and manual output control • USB 2.0 Hi-Speed compatible • Magnesium alloy body • Picture Style • Live View Function & Face Detection Live mode • Dust Reduction Feature • Full HD video • 15.1 Megapixel CMOS Digital SLR camera • Built-in 3.0" (approx. 920,000 dots) wide viewing angle color monitor • 25 Custom functions with 72 settings • Multi-controller • Simultaneous RAW and JPEG image capture • Dioptric adjustment • Depth-of-field preview • FE lock • • • • • • • • Mirror lock Retractable built-in E-TTL II flash N3 remote control socket USB 2.0 Hi-Speed compatible Magnesium alloy body Picture Style Dust reduction feature Live View Function & Face Detection Live mode • 18.0 Megapixel CMOS Digital SLR Camera • Built-in 3.0" (Approx. 1,040,000 dots) wide viewing angle color monitor • 12 Custom functions • Simultaneous RAW and JPEG image capture • Dioptric adjustment • Depth-of-field preview •FE lock •Mirror lock •Retractable built-in E-TTL II flash •USB 2.0 Hi-Speed compatible •Picture Style •Live View Function & Face Detection Live Mode •Dust Reduction Feature •Full HD video •15.1 Megapixel CMOS Digital SLR camera •Built-in 3.0" (approx. 920,000 dots) wide viewing angle color monitor •13 Custom functions with 39 settings •Multi-controller •Simultaneous RAW and JPEG image capture •Dioptric adjustment •Depth-of-field preview •FE lock •Mirror lock •Retractable built-in E-TTL II flash •USB 2.0 Hi-Speed compatible •Double hybrid stainless steel internal chassis •Picture Style •Dust reduction feature •Live View Function •Full HD video EOS Rebel XSi • 12.2 Megapixel CMOS Digital SLR camera • Built-in 3.0" (approx. 230,000 dots) wide viewing angle color monitor • 13 Custom functions with 35 settings • Multi-controller • Simultaneous RAW and JPEG image capture • Dioptric adjustment EOS Rebel XS 1.6x (APS-C) • Depth-of-field preview • FE lock • Retractable built-in E-TTL II flash • USB 2.0 Hi-Speed compatible • Double hybrid stainless steel internal chassis • Picture Style • Dust reduction feature • Live View Function • 10.1 Megapixel CMOS Digital SLR camera • Built-in 2.5" (approx. 230,000 dots) wide viewing angle color monitor • 12 Custom functions with 32 settings • Cross keys for instant control • Simultaneous RAW and JPEG image capture • Dioptric adjustment •Depth-of-field preview •FE lock •Retractable built-in E-TTL II flash •USB 2.0 Hi-Speed compatible •Double hybrid stainless steel internal chassis •Picture Style •Dust reduction feature •Live View Function – 1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p, 1280 x 720(HD): 60p (59.94) / 50p, 640 x 480 (SD and SD Movie Crop Function): 60p (59.94) / 50p 1920 x 1080 (Full HD): 20p, 1280 x 720 (HD): 30p, 640 x 480 (SD): 30p – – 19; Each AF point has a cross-type sensor, Center AF point is dual-diagonal high-precision cross-type sensor with f/2.8. 9; Each AF point has cross-type sensors—Center AF point also has additional, high-precision cross-type sensor with f/2.8 or faster lenses 9; each AF point has a cross type sensor; cross-type at center compatible with sensor with f/2.8 9; Center AF point is cross-type with added high-precision horizontal sensor (f/2.8 or faster lenses) 9; Center AF point is cross-type with added high-precision horizontal sensor (f/2.8 or faster lenses) 7 Center AF point is cross-type Hybrid high and standard precision ISO 100–6400, ISO 50, 12800 and 25600 via Menu Selection ISO 100-6400, ISO 12800 via Custom Function ISO 100–3200, ISO 6400 and 12800 via Custom Function 100-6400, ISO 12800 via Custom Function ISO 100–3200, ISO 6400 and 12800 via Custom Function ISO 100–1600 ISO 100–1600 UDMA CF/CF card (Type I or II) UDMA CF/CF card (Type I or II) UDMA CF/CF card (Type I or II) SD/SDHC/SDXC memory card SD/SDHC memory card SD/SDHC memory card SD/SDHC memory card Single, 10.0 fps, 3 fps Single, 3.9 fps Single, 8.0 fps, 3 fps Single, 3.0 fps, 6.3 fps Single and 3.7 fps Single and 3.4 fps Single and 3.5 fps Single, 3.0 fps 30–1/8000 sec. & Bulb; manually settable in 1/3-, 1/2-, 1-stop increments 30-1/8,000 sec. & Bulb; manually settable in 1/3-, 1/2-, 1-stop increments 30–1/8000 sec. & Bulb; manually settable in 1/3-, 1/2-stop increments 30-1/8,000 sec. & Bulb; manually settable in 1/3- or 1/2-stop increments 30–1/8000 sec. & Bulb; manually settable in 1/3- or 1/2-stop increments 30-1/4,000 sec. & Bulb, manually settable in 1/3- or 1/2-stop increments 30–1/4000 sec. & Bulb; manually settable in 1/3-stop increments 30–1/4000 sec. & Bulb; manually settable in 1/3-stop increments 30–1/4000 sec. & Bulb; manually settable in 1/3-stop increments Autofocus Sensitivity EV -1–18 (at ISO 100) EV -1–18 (at ISO 100 with f/1.4 lens) EV -0.5–18 (at ISO 100) EV -0.5–18 (at ISO 100) EV -0.5–18 (at ISO 100) EV -0.5–18 (at ISO 100) EV -0.5–18 (at ISO 100) EV -0.5–18 (at ISO 100) EV 0.5–18 (at ISO 100) Autofocus Auxiliary Light Built-in – – – Yes (via built-in flash) Yes (via built-in flash) Yes (via built-in flash) Yes (via built-in flash) Yes (via built-in flash) Yes (via built-in flash) Shutter Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled Vertical-travel, mechanical, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds electronically controlled Maximum Flash Synchronization Speed Up to 1/250 sec.; high-speed sync. available with EX-series Speedlites Up to 1/300 sec.; high-speed sync. Available with EX-series Speedlites Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites Up to 1/250 sec.; high-speed sync. Available with EX-series Speedlites Up to 1/250 sec.; high-speed sync. available with EX-series Speedlites Up to 1/200 sec., high-speed sync. Available with EX-series Speedlites Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites Metering System TTL full-aperture metering: • 63-zone Evaluative metering • 8.5% Partial metering • 2.4% Center spot metering • 2.4% Spot metering (linked to user-selected focusing point) TTL full-aperture metering: • 63-zone evaluative metering • 13.5% Partial metering • 3.8% Center spot metering • 3.8% Spot metering (linked to user-selected focusing point) TTL full-aperture metering: • 35-zone Evaluative metering • 8% Partial metering • 3.5% Center spot metering • Center-weighted average metering • Pre-flash metering (E-TTL II) TTL full-aperture metering: • 63-zone Evaluative metering • 9.4% Partial metering • 2.3% Center spot metering • Center-weighted average metering • Pre-flash metering (E-TTL II) TTL full-aperture metering: • 35-zone Evaluative metering, • 9% Partial metering, • 3.8% Spot metering, • Center-weighted average metering, • Pre-flash metering (E-TTL II) TTL full-aperture metering: • 63-zone Evaluative metering • 9% Partial metering • 4% Center spot metering • Center-weighted average metering • Pre-flash metering (E-TTL II) TTL full-aperture metering: • 35-zone Evaluative metering • 9% Partial metering • 4% Center spot metering • Center-weighted average metering • Pre-flash metering (E-TTL II) TTL full-aperture metering: • 35-zone Evaluative metering • 9% Partial metering • 4% Center spot metering • Center-weighted average metering • Pre-flash metering (E-TTL II) TTL full-aperture metering: • 35-zone Evaluative metering • 10% Partial metering • Center-weighted average metering • Pre-flash metering (E-TTL II) • Multi-spot metering (up to 8 spot readings) • Center-weighted average metering • Pre-flash metering (E-TTL II) • Multi-spot metering (up to 8 spot readings) • Center-weighted average metering • Pre-flash metering (E-TTL II) 1920 x 1080 (Full HD): 30p (29.97), 25p/ 24p (23.976) / 1280 x 720 (HD): 60p (59.94) / 50p, 640 x 480 (SD): 60p (59.94) / 50p. Metering Sensitivity EV 0–20 for all patterns (at ISO 100 with f/1.4 lens) EV 0–20 for all patterns (at ISO 100 with f/1.4 lens) EV 1–20 for all patterns (at ISO 100 with f/1.4 lens) EV 1-20 for all patterns (at ISO 100 with f/1.4 lens) EV 1–20 for all patterns (at ISO 100 with f/1.4 lens) EV 1-20 for all patterns (at ISO with f/1.4 lens) EV 1–20 for all patterns (at ISO 100 with f/1.4 lens) EV 1–20 for all patterns (at ISO 100 with f/1.4 lens) EV 1–20 for all patterns (at ISO 100 with f/1.4 lens) Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments ±5 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±5 stops in 1/3- or 1/2-stop increments. ±3 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments Flash Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments ±3 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments ±2 stops in 1/3- or 1/2-stop increments AE Lock Yes Yes Yes Yes Yes Yes Yes Yes Yes Exposure Modes • • • • Viewfinder Fixed eye-level pentaprism Viewfinder Coverage Viewfinder Information 22 EOS-1D Mark IV Autofocus System Shutter Speed-priority AE Aperture-priority AE Program AE (shiftable) Manual • E-TTL II Flash AE • Flash Metered Manual • Bulb • • • • Shutter Speed-priority AE Aperture-priority AE Program AE (shiftable) Manual • E-TTL II Flash AE • Bulb Inside the picture area: Forty-five focusing points, 3.8% Spot metering circle. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD • • • • • • • • • • • • • • • • • • • Exposure compensation / Flash compensation • Exposure bracketing • Flash ready / Hi-speed sync • Focus confirmation • White Balance +/• ISO speed • JPEG indicator • RAW indicator • Battery check • Memory card full warning Shutter speed Aperture value AE Lock FE Lock Shots remaining Max. burst Multi-spot readings Metering Pattern Exposure level / Flash exposure level / Manual Exposure level • Manual • E-TTL II Flash AE • Bulb 98% horizontal/vertical at 0.71x Approx. 100% horizontal and vertical at 0.76x Inside the picture area: Area AF Ellipse, illuminated AF points and Spot metering circle. Displayed at the bottom and right side of the viewing area: Shutter speed Aperture value AE Lock FE Lock Shots remaining Max. burst Multi-spot readings Metering Pattern Exposure level / Flash exposure level / Manual Exposure level Program AE (shiftable) Shutter Speed-priority AE Aperture-priority AE Creative Auto Full Auto Fixed eye-level pentaprism Fixed eye-level pentaprism Approx. 100% horizontal and vertical at 0.75x • • • • • • Exposure compensation / Flash compensation • Exposure bracketing • Flash ready / Hi-speed sync • Focus confirmation • White Balance +/• ISO speed • JPEG indicator • RAW indicator • Battery check • Memory card full warning • • • • • Program AE (shiftable) Shutter Speed-priority AE Aperture-priority AE Depth-of-field AE Full Auto • • • • Creative Auto Manual E-TTL II Flash AE Bulb Fixed eye-level pentaprism Approx. 100% horizontal/vertical at 1x • • • • • Program AE (shiftable) Shutter Speed-priority AE Aperture-priority AE Depth-of-Field AE Creative Auto • • • • • Full Auto Manual E-TTL II Flash AE 6 PIC (Programmed Image Control) modes 2 user-defined Custom modes Fixed eye-level pentaprism 95% horizontal/vertical at 0.95x • Program AE • Shutter Speed-priority AE • Aperture-priority AE • Depth-of-Field AE • Full Auto • Manual • E-TTL II autoflash AE • 6 PIC (Programmed Image Control) modes • Bulb • Program AE (shiftable) • Shutter Speed-priority AE • Aperture-priority AE • Auto Depth-of-Field AE • Full Auto • Manual • E-TTL II Flash AE • 6 PIC (Programmed Image Control) modes • Program AE (shiftable) • Shutter Speed-priority AE • Aperture-priority AE • Auto Depth-of-Field AE • Full Auto • Manual • E-TTL II Flash AE • 6 PIC (Programmed Image Control) modes • Program AE (shiftable) • Shutter Speed-priority AE • Aperture-priority AE • Auto Depth-of-Field AE • Full Auto Fixed eye-level pentamirror Fixed eye-level pentamirror Fixed eye-level pentamirror Fixed eye-level pentamirror 95% horizontal/vertical at 0.87x 95% horizontal and vertical at 0.87x 95% horizontal and vertical at 0.87x 95% horizontal/vertical at 0.81x • Manual • E-TTL II Flash AE • 6 PIC (Programmed Image Control) modes Inside the picture area: Nine focusing points, 3.5% Spot metering circle. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD • Shutter speed • Focus confirmation • Aperture value • White Balance +/• AE Lock • ISO speed • FE Lock • CF card full warning • Max. burst • Exposure level • Flash exposure compensation • Exposure bracketing • Flash ready/High-speed sync • B/W shooting • Highlight Tone Priority Inside the picture area: Nineteen focusing points, 2.3% Spot metering circle, Compositional Grid. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD • Shutter speed • Highlight Tone Priority • Aperture value • JPEG indicator • AE Lock • CF card full warning • FE Lock • Max. burst • Exposure level • Flash exposure compensation • Exposure bracketing • Flash ready /High-speed sync • Focus confirmation Inside the picture area: Nine focusing points, 3.8% Spot metering circle. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD • Shutter speed • White Balance +/• Aperture value • CF card full warning • AE Lock • FE Lock • Max. burst • Exposure level • Flash exposure compensation • Exposure bracketing • Flash ready/High-speed sync • Highlight Tone Priority • Focus confirmation Inside the picture area: Nine focusing points, 4% Spot metering circle. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD Inside the picture area: Nine focusing points, 4% Spot metering circle. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD Inside the picture area: Nine focusing points, 4% Spot metering circle. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD Inside the picture area: Seven focusing points. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD • Shutter speed • Aperture value • AE Lock • FE Lock • Max. burst • Exposure level • Flash exposure compensation • Exposure bracketing • Flash ready/High-speed sync • Shutter speed • Aperture value • AE Lock • FE Lock • Max. burst • Exposure level • Flash exposure compensation • Exposure bracketing • Flash ready/High-speed sync • Shutter speed • Aperture value • AE Lock • FE Lock • Max. burst • Exposure level • Flash exposure compensation • Exposure bracketing • Flash ready/High-speed sync • Shutter speed • Aperture value • AE Lock • FE Lock • Max. burst • Exposure level • Flash exposure compensation • Exposure bracketing • Flash ready/High-speed sync • Focus confirmation • Highlight tone priority • ISO speed • White balance correction • Red-eye reduction light • Monochrome Shooting • SD card information • Focus confirmation • White Balance +/• SD/SDHC memory card full warning • Focus confirmation • White Balance +/• SD/SDHC memory card full warning • Focus confirmation • White Balance +/• SD/SDHC memory card full warning Focusing Screens Laser-matte screen Ec-C IV with area AF Ellipse and fine Spot metering circle provided as the standard screen (Interchangeable with Ec-series focusing screens, metering correction data can be set with a custom function for the Laser-matte screens) Precision laser-matte screen Ec-CIV Interchangeable (Ec series) Precision laser-matte screen Eg-A marked with focusing points and Spot metering circle (interchangeable with Eg-series focusing screens) Intelligent Viewfinder with adaptable LCD overlay displaying Dual Axis Electronic Level, Compositional Grid,Spot Metering Circle, AF Selection Modes, and AF Points Precision laser-matte screen Ef-A marked with focusing points and Spot metering circle (interchangeable with dedicated Ef-series screens. Metering correction can be set with Custom Function IV-5) Precision laser-matte screen market with focusing points and Spot metering circle Precision laser-matte screen marked with focusing points (Non-interchangeable) Precision laser-matte screen marked with focusing points (Non-interchangeable) Precision laser-matte screen marked with focusing points (non-interchangeable) Self-Timer Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second display Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Electronically controlled with 2- or 10-second delay Body Dimensions (W x H x D) 6.1 x 6.3 x 3.1 in. / 156 x 159.6 x 79.9mm 6.1 x 6.2 x 3.1 in. / 156 x 156.6 x 79.9mm 6.0 x 4.5 x 3.0 in. / 152 x 113.5 x 75mm 5.83 x 4.36 x 2.9 in. / 148.2 x 110.7 x 73.5mm 5.7 x 4.2 x 2.9 in. / 145.5 x 107.8 x 73.5mm 5.1 x 3.8 x 2.4 in / 128.8 x 97.3 x 62.0mm 5.1 x 3.8 x 2.4 in. / 128.8 x 97.5 x 61.9mm 5.1 x 3.8 x 2.4 in. / 128.8 x 97.5 x 61.9mm 4.96 x 3.8 x 2.4 in. / 126.1 x 97.5 x 61.9mm Weight (Body Only) 42.5 oz. / 1,205g 41.6 oz. / 1,180g 28.6 oz. / 810g 28.9 oz. / 820g 25.7 oz. / 730g 18.7 oz. / 530g* 16.9 oz. / 480g 16.8 oz. / 475g 15.9 oz. / 450g * Standard output sensitivity. Recommended exposure index. ** SDHC compatibility requires firmware update *CIPA standard, includes battery and memory card. 24 EF LENSES Image Format and Capacity Chart Image Format Recording Resolution Recording Method Compression Rate Image File Recording Size (MB) Capacity (shot) 5616 x 3744 (Approx. 21.00 megapixels) JPEG Low Compression 6.4 EOS 7D JPEG EOS-1Ds Mark III* JPEG Image Format Large 290 Medium 1 4992 x 3328 (Approx. 16.6 megapixels) 5.2 350 Medium 2 4080 x 2720 (Approx. 11.0 megapixels) 3.9 470 RAW Small 1936 x 1288 (Approx. 2.5 megapixels) 2.2 840 RAW + JPEG RAW .CR2 5616 x 3744 (Approx. 21.00 megapixels) Lossless Compression — 25.0 75 RAW Large — RAW + Separate JPEG File — 25.0 + 6.4 54 + Medium 1 25.0 + 5.2 57 JPEG Medium 2 25.0 + 3.9 60 Small M RAW M RAW + JPEG 25.0 + 2.2 64 sRAW .CR2 2784 x 1856 (Approx. 5.2 megapixels) Lossless Compression sRAW Large — sRAW + Separate JPEG File — 14.5 — 130 S RAW 14.5 + 6.4 82 + Medium 1 14.5 + 5.2 90 JPEG Medium 2 14.5 + 3.9 97 Small 14.5 + 2.2 100 S RAW + JPEG EOS-1D Mark IV JPEG Large 4896 x 3264 (Approx. 16 megapixels) Medium 1 JPEG Low Compression 5.7 692 4320 x 2880 (Approx. 12.40 megapixels) 4.5 874 Medium 2 3552 x 2368 (Approx. 8.40 megapixels) 3.5 1148 Small 2448 x 1632 (Approx. 4 megapixels) 2.0 1957 RAW .CR2 4896 x 3264 (Approx. 16 megapixels) Lossless Compression — 22.2 RAW Large — RAW + Separate JPEG File — 22.2 + 5.7 139 + Medium 1 22.2 + 4.5 145 Medium 2 22.2 + 3.5 152 Small 22.2 + 2.0 161 M RAW .CR2 3672 x 2448 (Approx. 9 megapixels) Lossless Compression — 14.8 M RAW Large — M RAW — 14.8 + 5.7 190 + Medium 1 JPEG Medium 2 + .CR2 S RAW Large + Medium 1 JPEG Medium 2 sRAW1 sRAW1 + JPEG 263 sRAW2 14.8 + 3.5 214 Small S RAW RAW + JPEG 14.8 + 4.5 202 Separate JPEG File 14.8 + 2.0 232 2448 x 1632 (Approx. 4 megapixels) Lossless Compression 9.9 397 S RAW 9.9 + 5.7 251 + 9.9 + 4.5 272 9.9 + 3.5 294 9.9 + 2.0 329 Separate JPEG File Small sRAW2 + JPEG Large/Fine Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal 5616 x 3744 (Approx. 21.00 megapixels) Low Compression 6.1 310 High Compression 3.0 610 4080 x 2720 (Approx. 11.10 megapixels) Low Compression 3.6 510 High Compression 1.9 990 2784 x 1856 (Approx. 5.20 megapixels) Low Compression 2.1 910 JPEG High Compression 1.0 1680 RAW .CR2 5616 x 3744 (Approx. 21.00 megapixels) Lossless Compression — 25.8 72 RAW Large/Fine — RAW + Separate JPEG File — 25.8 + 6.1 57 + Large/Normal 25.8 + 3.0 64 JPEG Medium/Fine 25.8 + 3.6 62 Medium/Normal 25.8 + 1.9 67 Small/Fine 25.8 + 2.1 66 Small/Normal sRAW1 sRAW1 .CR2 Large/Fine + Large/Normal JPEG Medium/Fine Lossless Compression — sRAW1 — 14.8 — 14.8 + 3.6 100 14.8 + 2.1 110 14.8 + 1.0 110 sRAW2 .CR2 2784 x 1856 (Approx. 5.20 megapixels) Lossless Compression — 10.8 sRAW2 Large/Fine — sRAW2 — 10.8 + 6.1 110 Medium/Fine + 10.8 + 3.6 130 10.8 + 1.9 140 Small/Fine 10.8 + 2.1 140 Small/Normal 10.8 + 1.0 150 Total Recording Time File Size 4GB Card 16GB Card Movie Frame Recording Size Rate Total Recording Time File Size 4GB Card 16GB Card EOS 5D Mark II 1920x1080 30fps (16:9) Full HD 25fps 12 min. 49 min. 330 MB/min. 1920x1080 30fps 25 60fps (16:9) HD 50fps 640x480 60fps (4:3) SD 50fps RAW+ JPEG Movie Frame Recording Size Rate 5184x 3456 (Approx. 17.90 megapixels) Lossless Compression Low Compression High Compression Low Compression High Compression Low Compression Low Compression — 6.6 3.3 3.5 1.8 2.2 1.1 25.1 593 1169 1122 2178 1739 3297 155 Large/Fine Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal .CR2 — RAW + Separate JPEG File — 5184 x 3456 (Approx. 10.10 megapixels) Lossless Compression — 25.1 + 6.6 25.1 + 3.3 25.1 + 3.5 25.1 + 1.8 25.1 + 2.2 25.1 + 1.1 17.1 122 136 135 144 141 147 229 Large/Fine Large/Normal Medium/Fine Medium/Normal Small Small/Normal .CR2 — M RAW + Separate JPEG File — 2592 x 1728 (Approx. 4.50 megapixels) Lossless Compression — 17.1 + 6.6 17.1 + 3.3 17.1 + 3.5 17.1 + 1.8 17.1 + 2.2 17.1 + 1.1 11.4 164 190 189 206 201 213 345 Large/Fine Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal — S RAW + Separate JPEG File — 11.4 + 6.6 11.4 + 3.3 11.4 + 3.5 11.4 + 1.8 11.4 + 2.2 11.4 + 1.1 217 265 262 297 287 311 4752 x 3168 (Approx. 15.10 megapixels) JPEG 5.0 2.5 3.0 1.6 1.7 0.9 20.2 370 740 620 1190 1090 2040 91 20.2 + 50 20.2 + 2.5 20.2 + 3.0 20.2 + 1.6 20.2 + 1.7 20.2 + 0.9 12.6 72 80 79 84 83 87 140 12.6 + 5.0 12.6 + 2.5 12.6 + 3.0 12.6 + 1.6 12.6 + 1.7 12.6 + 0.9 9.2 100 120 110 130 120 130 200 • With Optical Image Stabilizer in the lens, Canon can equip each Optical Image Stabilizer lens with the stabilizer it needs 9.2 + 5.0 9.2 + 2.5 9.2 + 3.0 9.2 + 1.6 9.2 + 1.7 9.2 + 0.9 120 150 150 170 160 180 • With Canon Optical Image Stabilizer, the effects of the stabilization can be seen in the viewfinder—the image is steadier, making composition more accurate 12 min. 49 min. 330 MB/min. (16:9) Full HD 49 min. 330 MB/min. 1280x720 — — — 4752 x 3168 (Approx. 15.10 megapixels) Lossless Compression — RAW + Separate JPEG File — 3267 x 2178 (Approx. 7.10 megapixels) Lossless Compression — Large/Fine Large/Normal Medium/Fine Medium/Normal Small Small/Normal .CR2 — sRAW1 + Separate JPEG File — 2376 x 1584 (Approx. 3.80 megapixels) Lossless Compression — Large/Fine Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal — sRAW2 + Separate JPEG File — JPEG 6.4 3.2 3.4 1.7 2.2 1.1 24.5 570 1120 1070 2100 1670 3180 150 Large/Fine Large/Fine Large/Fine Large/Fine Total Recording Time File Size 4GB Card 16GB Card (16:9) HD 24 min. 1 hr. 39 min. 165 MB/min 640x480 (4:3) SD 30fps 24 min. 1 hr. 39 min. 165 MB/min 3456 x 2304 (Approx. 8.00 megapixels) 2352 x 1568 (Approx. 3.70 megapixels) 5184 x 3456 (Approx. 17.90 megapixels) — RAW + Separate JPEG File — 24.5 + 6.4 100 4752 x 3168 (Approx. 15.10 megapixels) JPEG 5.0 2.5 3.0 1.6 1.7 0.9 20.2 370 740 610 1190 1080 2030 90 4752 x 3168 (Approx. 15.10 megapixels) Lossless Compression Low Compression High Compression Low Compression High Compression Low Compression High Compression — — RAW + Separate JPEG File — 20.2 + 5.0 72 4272 x 2848 (Approx. 12.2 megapixels) JPEG 4.3 2.2 2.5 1.3 1.6 0.8 15.3 460 880 770 1470 1190 2290 120 3456 x 2304 (Approx. 8.0 megapixels) 2352 x 1568 (Approx. 3.7 megapixels) 4272 x 2848 (Approx. 12.2 megapixels) Lossless Compression Low Compression High Compression Low Compression High Compression Low Compression High Compression — — RAW + Separate JPEG File — 15.3 + 4.3 99 3888 x 2592 (Approx. 10.1 megapixels) JPEG 3.8 2.0 2.3 1.2 1.3 0.7 9.8 514 982 859 1630 1474 2816 199 9.8 + 3.8 143 3088 x 2056 (Approx. 6.3 megapixels) 2256 x 1504 (Approx. 3.4 megapixels) 30fps (16:9) Full HD 25fps 12 min. 49 min. 330 MB/min. 60fps (16:9) HD 50fps 640x480 60fps (4:3) SD 50fps 12 min. 24 min. 49 min. 330 MB/min. 1 hr. 39 min. 165 MB/min ©Arthur Morris EF LENS TECHNOLOGY Great images start with great lenses and, in many ways, an SLR is defined by the quality, breadth and scope of its associated system of lenses. For many, Canon EF series lenses alone are reason enough to choose the EOS System. A blend of some of the world’s most advanced optical, microelectronic, and precision manufacturing technologies, EF lenses are perfected in Canon’s laboratories and proven in the field. Whatever you shoot, whatever your budget, there are Canon EF lenses perfect for your needs. Optical Image Stabilizer 3888 x 2592 (Approx. 10.1 megapixels) Lossless Compression Low Compression High Compression Low Compression High Compression Low Compression High Compression — — RAW + Separate JPEG File — 2816 x 1880 (Approx. 5.3 megapixels) 1936 x 1288 (Approx. 2.5 megapixels) Movie Frame Recording Size Rate Total Recording Time File Size 4GB Card 16GB Card 30fps 25fps 24fps 60fps 1280x720 (16:9) HD 50fps 640x480 60fps (4:3) SD 50fps 640x480 (4:3) SD 60fps (Movie Crop) 50fps 1920x1080 (16:9) Full HD Movie Frame Recording Size Rate Total Recording Time File Size 4GB Card 16GB Card EOS Rebel T1i 12 min. 49 min. 330 MB/min. 1920x1080 20fps 12 min. 49 min. 30fps 18 min. 1 hr. 13 min. 222 MB/min. 30fps 24 min. 1 hr. 39 min. 165 MB/min 330 MB/min. (16:9) Full HD 12 min. 49 min. 24 min. 1 hr. 39 min. 165 MB/min (16:9) HD 24 min. 1 hr. 39 min. 165 MB/min 640x480 330 MB/min. 1280x720 1: No Camera Shake • Found on some telephoto lenses, Optical Image Stabilizer Mode 2 is especially effective when doing panned shots Lossless Compression 2592 x 1728 (Approx. 4.5 megapixels) Optical Image Stabilizer Parallel Movement Principle • Reduces motion blur by counteracting camera shake during handheld photography 5184 x 3456 (Approx. 17.90 megapixels) 3456 x 2304 (Approx. 8.0 megapixels) Image Stabilization: It Belongs In the Lens Because every lens is different, different lenses have different Optical Image Stabilizer needs. Low Compression High Compression Low Compression High Compression Low Compression High Compression — EOS Rebel T2i 1920x1080 1280x720 2592x 1728 (Approx. 4.50megapixels) Large/Fine Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal .CR2 24fps 12 min. 3456 x 2304 (Approx. 8.00 megapixels) Low Compression High Compression Low Compression High Compression Low Compression Low Compression — EOS 7D 24fps 1280x720 JPEG EOS Rebel XS** Large/Fine JPEG Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal .CR2 RAW 10.8 + 3.0 130 Separate JPEG File EOS-1D Mark IV RAW+ JPEG 170 Medium/Normal Movie Frame Recording Size Rate 5184 x 3456 (Approx. 17.90 megapixels) 14.8 + 1.9 110 Small/Normal Large/Normal Large/Fine Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal .CR2 EOS Rebel XSi**** Large/Fine JPEG Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal .CR2 RAW 120 Small + RAW+ JPEG 14.8 + 3.0 100 Separate JPEG File Image File Recording Size (MB) Capacity (shot) EOS Rebel T1i **** Large/Fine JPEG Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal .CR2 RAW 14.8 + 6.1 89 + Medium/Normal JPEG RAW+ JPEG 25.8 + 1.0 69 3861 x 2574 (Approx. 10.00 megapixels) Compression Rate EOS Rebel T2i***** Large/Fine JPEG Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal .CR2 RAW EOS 5D Mark II* JPEG Recording Method EOS 50D* Large/Fine JPEG Large/Normal Medium/Fine Medium/Normal Small/Fine Small/Normal .CR2 RAW 175 JPEG Recording Resolution (4:3) SD JPEG file sizes will vary depending on the subjects, shooting mode, and ISO speed. * Based on a 2GB CF card, JPEG quality 8, ISO 100, Standard Picture Style and Canon standard testing methods. ** Based on a 1GB CF card, JPEG quality 8, ISO 100, Standard Picture Style and Canon standard testing methods. *** Based on a 512MB CF card and Canon standard testing methods. **** Based on a 2GB SD card and Canon standard testing methods.*****The number of possible shots and maximum burst apply to a 4GB SDHC cardbased on Canon's testing standards. Canon Optical Image Stabilizer technology makes handheld photography more practical at slow shutter speeds, accommodating more low-light shooting situations than ever before. Camera shake typically occurs at shutter speeds less than 1/ [focal length], resulting in image blur. Canon Optical Image Stabilizer technology uses miniature sensors and a high-speed microcomputer built into the lens. The sensors analyze vibrations and apply correction via a special stabilizing lens group that shifts the image parallel to the focal plane. Motion blur is Image Stabilizer OFF Image Stabilizer ON canceled, resulting in a sharper image. With Optical Image Stabilization, it’s like gaining up to four stops. Canon Optical Image Stabilizer technology is built into many EF or EF-S lenses and outperforms incamera stabilization technologies found in other cameras by allowing for more movement of the stabilizing lens group. Especially with telephoto lenses, as the lens focal length increases, the effect of shake and the degree of correction needed to cancel it increase as well. With the Optical Image Stabilizer in the lens, Canon can equip each IS lens with a stabilization unit optimized for the focal lengths and optical characteristics unique to that lens Other systems are limited by how far they can move an image sensor, and as a result their stabilization is less effective as telephoto lengths get longer. Also, the result of Optical Image Stabilization can be seen right in the viewfinder— impossible with some other stabilizer systems. How the Image Stabilizer Works — The Optical Image Stabilizer shifts a lens group in parallel to the focal plane. When the lens jerks due to camera shake, the light rays from the subject are bent relative to the optical axis, resulting in a blurred image. Camera shake is detected by two gyro sensors (one each for the yaw and pitch). The gyro sensors detect the angle and speed of the camera shake caused by handheld shooting. By moving select lens elements according to how the entire lens is being shaken, the image passing through the lens can be steady and sharp when it hits the imaging sensor. The figure on the right shows what happens when the lens is jerked downward. The center of the image moves downward on the focal plane. When the Optical Image Stabilizer lens group shifts downward, the light rays are refracted so that the image center returns to the center of the focal plane. Since image Camera Shake 2: Lens Front Shake Downward Optical Image Stabilizer Units shake occurs in both the horizontal and vertical directions, the Optical Image Stabilizer lens group can shift vertically and horizontally on a plane perpendicular to the optical axis to counteract the image shake. 3: Image-stabilizing group counteracting downward camera shake Optical Image Stabilizer in effect, right in the viewfinder. Close-up — For close-up shots, even the tiniest of motions is magnified and spoils a great shot! Low-light — In low light situations, when you would normally expect to have to use flash or tripod, Canon’s Optical Image Stabilizer lenses give you the freedom of up to 4 stops of light. Telephoto — Canon designs each Optical Image Stabilizer system to complement the lens’ focal length. So even with telephoto lenses you’ll capture the shot! 27 EF LENSES Diffractive Optics Canon’s use of diffractive optics (DO) results in high-performance lenses that are much smaller and lighter than traditional designs. Canon’s unique multilayer diffractive elements are constructed by bonding diffractive coatings to the surfaces of two or more lens elements. These elements are then combined to form a single multilayer DO element. Conventional glass lens elements disperse incoming light, causing chromatic aberration. The DO element’s dispersion characteristics are designed to cancel chromatic aberrations at various wavelengths when combined with conventional glass optics. This technology results in smaller lenses with no compromise in image quality. Canon has also developed a new triple-layer type DO lens that uses an advanced diffractive grating to deliver excellent performance, with superb control of color fringing. This configuration is ideal for zoom lens optics and provides significant with virtually instantaneous stops and starts. USM lenses also draw minimal power from the camera, ensuring longer battery life. Canon makes two types of Ultrasonic Motor lenses. Ring-type USM lenses, found in large aperture and supertelephoto designs, permit manual focusing without first switching out of the Ring-type USM auto mode. Micro USM designs bring the performance benefits of Canon’s USM technology to a wide assortment of Micro USM affordable EF lenses. L-series Lenses Most highly regarded among professional photographers, Canon L-series lenses are distinguished by a bold red ring around the outer barrel. What makes them truly distinctive, however, is their remarkable optical performance — the result of sophisticated Canon technologies, such as Ultralow Dispersion UD glass, Fluorite and Aspherical elements and Super Spectra Coating. Fluorite / UD Elements EF 400mm f/4 IS DO USM •f/4 • 1/1250 sec. Refractive Optical Element Chromatic aberrations Refractive Optical Element and Multi-Layer Diffractive Optical Element Combined Image formation in the blue, green and red wavelength order Taken with EF 100-400mm f/4.5-5.6L IS USM Reducing color fringing, or chromatic aberration, has been one of the great challenges in the design of telephoto lenses. L-series telephoto lenses – like the EF 70-200mm f/2.8 IS II USM and EF 300mm f/4L IS USM – employ Canon’s Ultra-low Dispersion glass to minimize this effect, providing much improved contrast and sharpness. Even more effective at suppressing chromatic aberration Aspherical Elements Wide-angle lenses and fast normal-focal-length lenses often suffer from spherical aberration. When the light rays coming through the center of the lens do not converge at the same point as light rays coming through the lens edge, the Spherical aberration of spherical lens. Convergence of parallel light rays by an Aspherical lens. image appears blurred because there is no sharp point of focus. Canon’s Aspherical elements use a varying curved surface to ensure that the entire image plane appears focused. Aspherical optics also help to correct curvilinear distortion as one might find in ultra wide-angle lenses. Canon designs aspherical elements with extremely precise variable curvature of one or both sides, making possible lighter, more compact lenses. Subwavelength Structure Coating SWC is a new proprietary lens coating that helps control ghost and flare to a far greater degree than with earlier coating technologies. Utilizing SWC technology on large-curvature lens elements that are mainly found in wide-angle lenses, will significantly minimize the occurrence of ghosting and flare caused by reflected light in environments that have posed problems. SWC is used on the latest Canon wide angle lens, EF 24mm f/1.4L II USM. Multi-Layer Diffractive Optical Element Chromatic aberrations reversed from that of a refractive optical element 28 Optical Image Stabilizer Mode 2 Hybrid Image Stabilizer The standard settings of the Optical Image Stabilizer are set so that it is most effective when photographing stationary subjects. However when panning with a moving subject is attempted (tracking of the subject horizontally or vertically), the shake-correction of the OIS may inadvertently over-compensate and interfere with framing. To help resolve this, Canon developed Optical Image Stabilizer Mode 2. In this mode, if you move the lens to follow a subject for a predetermined time, the Optical Image Stabilizer does not correct for the intentional panning while continuing to correct any camera shake that’s perpendicular to the panning motion. The result is a virtually smooth viewfinder image as you follow the moving subject. During normal shooting situations, sudden camera movement in rotational camera angle can cause significant image blur. During macro or close-up photography however, the image blur caused by linear camera shake—when the camera moves parallel to the subject—is more pronounced. Optical Image Stabilizer is optimized to counteract rotational or angular camera shake and works well for most camera shooting situations. To help compensate for linear camera shake, a new acceleration sensor determines the amount of shift-based camera movement. The new Canon Hybrid Image Stabilizer technology employs a highly sophisticated algorithm that combines the feedback of both the acceleration sensor Chromatic aberration canceled out Image formation in the red, green and blue wavelength order Green Blue Red Correction of Chromatic Abberation by the Multi-Layer Diffractive Optical Element. Linear Camera Shake and angular velocity sensor (found in current OIS technology) and moves the image stabilizer lens elements, effectively compensating for both rotational and linear camera shake. Hybrid IS dramatically enhances the effects of Optical Image Stabilizer especially during macro shooting, which may be difficult for conventional image stabilization technologies. reductions in size. A good example is the EF 70-300mm f/4.5-5.6 DO IS USM lens, which is 28 percent shorter than the EF 70-300mm f/4-5.6 IS USM lens. Red Anomalous dispersion Glass Blue Red Blue Fluorite Comparison of optical characteristics between optical glass and Fluorite Ultrasonic Motor Canon developed the world’s first lens-based Ultrasonic Motor (USM) to power the lens autofocus mechanism. Instead of large noisy drive trains powered by conventional motors, Canon USM lenses employ the minute electronic vibrations created by piezoelectric ceramic elements. The focusing action of the lens is fast and quiet, are Fluorite elements, used in high-end super-telephoto L-series lenses. Composed of crystallized calcium fluoride (CaF2), a single Fluorite element, although costly, has roughly the corrective power of two UD-glass elements, giving these L-series lenses their spectacular performance and relatively compact design. EF 24mm f/1.4L II USM •f/6.3 •13 sec. Focus Preset Focus Preset enables you to program a focusing distance in the camera’s memory. Normal picture taking and focusing are unaffected by preset distances. For example, at a soccer game, you Focus Preset the goal area. Shoot normally elsewhere on the field, but once the action moves toward the goal, the user can instantly return to the preset distance by turning a ring on the lens. 29 EF LENSES Floating System Typical lenses correct for optical aberrations only at commonly used focusing distances. Not surprisingly, at other focusing distances, especially close range, aberrations can compromise image TS-E 24mm f/3.5L Floating System Focal plane Closest shooting distance Floating Floating Effect (TS-E 24mm f/3.5L) Dust- and Water-Resistant Construction Most L-Series EF telephoto lenses are highly dust- and water-resistant thanks to rubber seals at the switch panels, exterior seams, drop-in filter compartments and lens mounts. Moving parts, such as the focusing ring and switches, are also designed to help keep out environmental contaminants, providing reliable performance under harsh conditions. EF 15mm f/2.8 Fisheye •f/16 •1/640 sec. EF 24mm f/1.4L II USM •f/2.8 •1/30 sec. Full-Time Manual Focusing Canon EOS cameras with EF lenses deliver impeccable AF precision. Manual focusing capability, nevertheless, can enhance flexibility. Canon EF lenses with full-time manual focusing enable the photographer to manually tweak focus without switching out of AF mode. Since AF action does not cause the focusing ring to turn, it can be made wider for improved grip and comfort. TS-E Movements Tilt Movements alter the angle of the plane of focus between the lens and focal plane, and Shift Movements move the lens’s optical axis in parallel. Astigmatism quality. Rather than using fixed spacings, Canon’s floating system dynamically varies the gap between key lens elements based on focusing distance. Most aberrations are effectively suppressed throughout the focusing range, assuring high image quality in all shooting situations. Circular Aperture Canon lenses featuring circular aperture diaphragms employ curved blades to create a smoothly rounded opening as the lens is stopped down. As a result, most out-of-focus background highlights are rendered as natural-looking rounded shapes rather than as distracting polygons. These lenses deliver smooth, consistent stop-down action (even at 10 fps), near-silent operation and excellent optical characteristics. Reverse tilt and shift greatly reduces the range on which focusing is possible. Shift was used to adjust the image to keep the building perpendicular all the way to the top. Specialty Lenses EF-S Lenses — Designed for the Canon EOS 7D, EOS 50D and all EOS Rebel models with APS-C sized sensors (with a 1.6x crop factor), Canon’s EF-S lenses take advantage of the sensor’s smaller size to help deliver optimized performance in compact, lightweight designs. The EF-S 15-85mm f/3.5-5.6 IS USM is a perfect example of this technology. With a compact design, a 35mm equivalent range of 24-136mm, and Optical Image Stabilizer technology, it’s a superlative walkaround lens… possibly the only lens you’ll need to enjoy basic Canon digital SLR photography. Fisheye — Perfect for super wide-angle and special effect photography, Canon’s full-frame fisheye can focus as close as eight inches (0.2m), and delivers exceptionally sharp images throughout its focus range. Up to three gel filters can be inserted into its built-in rear filter holder. TS-E — TS-E lenses are capable of tilt and shift movements, which bring many of the advantages of technical view cameras to the EOS System. Tilt movements alter the angle of the plane of focus between the lens and film plane, making broad depth-of-field possible even at larger apertures; shift movements slide the lens’s optical axis along the film/sensor plane, enabling photographers to correct or alter perspective at almost any angle. Macro — Canon’s EF lens lineup has a number of options for true close-up and macro photography. With five macro lenses for precision, and three screw-on close-up lenses for convenience—in addition to Life-Size Converter EF and two Extension Tubes—Canon’s macro lenses and close-up accessories can uncover detail that is nearly impossible for the unaided human eye to detect. EF Mount In designing the EF lens mount, Canon engineers gave photographers a lot more than a way to quickly attach a lens to a camera body. As the communication conduit between camera and lens, this fully electronic mount system has none of the shock, operational noise, abrasion, play, lubrication requirements, slow response, lever operation limitations, or other design restrictions related to mechanical linkage mechanisms. A self-test system, using the lens’s built-in microcomputer, can even warn of malfunctions through the camera’s display. The EF mount makes possible high-speed autofocus, precise aperture control and preview, automatic compensation with lens extenders, and both forward and backwardcompatibility with new lens technologies—such as USM and IS—as they are developed by Canon. About Macro Magnification A life-size macro lens—that is, a 1x magnification—records an image on film at its actual size. If you’re photographing a flower, for example, and it has a diameter of 1 in., it will occupy 1 in. of your actual slide or negative. With a digital SLR, at 1.0x magnification, the image projected onto your camera’s sensor will likewise be the same size at the sensor plane as the actual subject itself. Other macro lenses 0.25x have lower or higher magnifications. A lens with 0.5x magnification will produce an image on film that is half the size of the actual subject. Your 1 in. flower then would only occupy 0.5 in. on film. 0.5x In the other direction, a 5x magnification lens will convert the 1-in. flower to a 5-in. diameter image. Since the entire image won’t fit in the frame of your film, you will have an enlarged image of a detail of the flower. 1.0x Magnification is not the same as focal length. A 50mm lens and a 180mm might both be macro lenses with, for example, 1.0x magnification. The advantage of the longer lens is that it allows greater distance from 3.0x a subject, while allowing the same magnification in the final image. The 180mm lens is ideal for shooting tiny subjects without disturbing them; the 50mm is better choice for copying flat documents. 5.0x FOCAL LENGTH COMPARISON Inner and Rear Focusing An inner focusing lens has the focusing lens group(s) in front of the diaphragm, while a rear focusing lens has the focusing lens group(s) behind the diaphragm. Both designs allow for compact optical systems that produce faster AF. And because the front of the lens does not rotate to focus, filter orientation remains constant. AF Stop Feature Pressing the AF Stop button (featured on several EF IS telephoto lenses) momentarily locks the AF to help prevent the focus from shifting to a passing obstruction. After the obstruction has cleared, the focus will still be on the subject, and you can quickly resume shooting. AF Stop buttons are positioned at four locations around the lens grip for easy access. 30 The lens’s tilt mechanism is used to achieve a pan focus effect that allows focusing all the way back. Without using shift causes the image of the building to lean in at the top. Tilt Movements –Using a normal lens, shallow or deep focus is controlled by the size of the aperture used to adjust depth-offield. Canon TS-E lenses can help achieve this by the tilting of the lens barrel in relationship to the focal and subject planes. This allows for the appearance of extremely deep focus even at wide open apertures, and shallow focus at smaller apertures. Shift Movements – By keeping the camera level, and using the shift function to raise the lens instead, this perspective effect can be corrected. With the camera’s focal plane set parallel to the building, shifting the lens upward will obtain a more rectangular-looking building. 15mm Fisheye 14mm 180° 17mm 114° 20mm 104° 24mm 94° 28mm 84° 75° Depth-of-field with tilt movements Plane of optimum focus 35mm 50mm 63° 70mm 46° 85mm 34° 100mm 28° 30' 135mm 24° 18° Film plane With a normal lens Using Tilt Movements to Focus an Oblique Subject Plane With a TS-E lens Using Shift Movements to Focus Tall Building 200mm 300mm 12° 400mm 8° 15' 500mm 6° 10' 600mm 5° 1200mm 4° 10' 2° 5' 31 EF LENSES Take In the Wider View. See It. Capture It. Canon EF fixed-focal-length wide-angle lenses are exceptionally sharp, virtually distortion-free, and fast – making them great choices for low-light shooting. EF ultra-wide zooms deliver stunning perspectives. The added versatility of zooming makes them perfect for enthusiasts and professionals alike. for EOS Cameras Ultra-Wide Zoom EF-S 10-22mm f/3.5-4.5 USM* EF “standard” zooms cover a popular range of focal lengths for most photographers, from wide-angle through telephoto. This versatility makes them great for a wide range of shooting situations. EF medium telephoto lenses help deliver natural perspective with wide maximum apertures that make them ideal for low-light shooting. for EOS Cameras Standard Zoom EF 16-35mm f/2.8L II USM EF 17-40mm f/4L USM EF-S 15-85mm f/3.5-5.6 IS USM* EF-S 17-55mm f/2.8 IS USM* EF-S 17-85mm f/4-5.6 IS USM* EF-S 18-200mm f/3.5-5.6 IS* EF 24-85mm f/3.5-4.5 USM EF-S 18-55mm f/3.5-5.6 IS* EF-S 18-135mm f/3.5-5.6 IS* Wide-Angle EF 14mm f/2.8L II USM EF 24-70mm f/2.8L USM EF 15mm f/2.8 Fisheye EF 24-105mm f/4L IS USM •f/10 •1/125 sec. EF 24-105mm f/4L IS USM EF 20mm f/2.8 USM EF 28-90mm f/4-5.6 III EF 28-105mm f/3.5-4.5 II USM EF 28-135mm f/3.5-5.6 IS USM EF 28-200mm f/3.5-5.6 USM EF 24mm f/1.4L II USM EF 24mm f/1.4L II USM •f/2.8 •1/30 sec. Standard and Medium Telephoto EF 24mm f/2.8 EF 28mm f/1.8 USM Icons: See “EF Lens Technology” section. Diagram: • EF 28mm f/2.8 Super UD Lens • UD Lens EF 35mm f/1.4L USM • EF 35mm f/2 Aspherical Lens * For EOS 7D, EOS 50D, 40D, 30D, 20D/20Da, Rebel T2i, T1i, XSi, XS and all versions of EOS Digital Rebel only. 32 EF 50mm f/1.2L USM EF 50mm f/1.4 USM EF 50mm f/1.8 II Icons: See “EF Lens Technology” section. Diagram: • EF 85mm f/1.2L II USM Super UD Lens • UD Lens • EF 85mm f/1.8 USM EF 100mm f/2 USM Aspherical Lens * For EOS 7D, EOS 50D, 40D, 30D, 20D/20Da, Rebel T2i, T1i, XSi, XS and all versions of EOS Digital Rebel only. 33 EF LENSES Focus Your Attention. Up Close Detail From Afar. Telephoto lenses make it easy to throw backgrounds out of focus, grab detail, or “get close” to unapproachable subjects… and these EF zoom lenses are superb tools for the job. EF fixed-focal-length telephotos combine great picture quality with fast maximum apertures, making them ideal for handheld shooting in low light. Distinguished by their white color and seen at major sporting events around the world, the powerful EF super-telephotos are also ideal for nature, scenic, and even outdoor fashion photography. Canon’s ring-type USM delivers a high level of focusing performance, and most feature Canon’s superb Image Stabilization. EF tele extenders and extension tubes add even more power and versatility. for EOS Cameras Telephoto Zoom for EOS Cameras Super Telephoto EF 28-300mm f/3.5-5.6L IS USM EF-S 55-250mm f/4-5.6 IS* EF 55-200mm f/4.5-5.6 II USM EF 70-200mm f/2.8L IS II USM EF 70-200mm f/2.8L USM EF 400mm f/2.8L IS USM EF 400mm f/4 DO IS USM EF 400mm f/5.6L USM EF 400mm f/4 DO IS USM •f/4 •1/1250 sec. EF 70-200mm f/4L IS USM EF 70-200mm f/4L USM EF 70-300mm f/4.5-5.6 DO IS USM EF 70-300mm f/4-5.6 IS USM EF 75-300mm f/4-5.6 III USM EF 500mm f/4L IS USM EF 75-300mm f/4-5.6 III EF 100-300mm f/4.5-5.6 USM EF 600mm f/4L IS USM EF 800mm f/5.6L IS USM EF 100-400mm f/4.5-5.6L IS USM EF 100-400mm f/4.5-5.6L IS USM •f/14 •1/80 sec. Extenders Telephoto EF 135mm f/2L USM EF 135mm f/2.8 w/Softfocus EF 200mm f/2L IS USM Icons: See “EF Lens Technology” section. Diagram: • Fluorite Lens • EF 200mm f/2.8L II USM Super UD Lens • UD Lens • EF 300mm f/2.8L IS USM DO Lens • EF 300mm f/4L IS USM Aspherical Lens Extender EF 1.4x II Extender EF 2x II Icons: See “EF Lens Technology” section. Diagram: Extension Tube EF 12 II Extension Tube EF 25 II • Fluorite Lens • Super UD Lens • UD Lens • DO Lens * For EOS 7D, EOS 50D, 40D, 30D, 20D/20Da, Rebel T2i, T1i, XSi, XS and all versions of EOS Digital Rebel only. 34 35 EF LENSES EF Lens Chart Solutions for Specialized Shooting. • • Canon’s manual focus TS-E (Tilt-Shift) lenses provide tilt capability to alter the plane of focus and shift capability for perspective correction, offering solutions for numerous applications, from architectural to studio photography. Canon also offers a range of close-up, high-magnification shooting solutions with a lineup of exceptional macro lenses and accessories. • for EOS Cameras Tilt-Shift • • • • • • • • • • • • TS-E 17mm f/4L TS-E 24mm f/3.5L II • • • • • • • • • • • • • • • • • TS-E 45mm f/2.8 TS-E 90mm f/2.8 • • • • TS-E 24mm f/3.5L II •f/5.7 •3.2 sec. • • • Macro • • • EF 50mm f/2.5 Compact Macro EF-S 60mm f/2.8 Macro USM* • • • MP-E 65mm f/2.8 1-5x Macro Photo • • • • • • • • • • • • EF 100mm f/2.8L Macro IS USM EF 180mm f/3.5L Macro USM Life-Size Converter EF • • • • • MP-E 65mm f/2.8 1-5x Macro Photo •f/11 •1/125 sec. (3.0x) Icons: See “EF Lens Technology” section. Diagram: • UD Lens • Aspherical Lens * For EOS 7D, EOS 50D, 40D, 30D, 20D/20Da, Rebel T2i, T1i, XSi, XS and all versions of EOS Digital Rebel only. 36 • • Apparent Focal length (mm) CANON EF LENS SPECIFICATIONS APS-C APS-H Ultra_Wide Zoom EF-S 10-22mm f/3.5-4.5 USM †† EF 16-35mm f/2.8L II USM EF 16-35mm f/2.8L USM † EF 17-35mm f/2.8L USM † EF 17-40mm f/4L USM EF 20-35mm f/2.8 USM † EF 20-35mm f/3.5-4.5 USM † 16–35 26–56 26–56 – 27–64 – 32–56 N/A 21–45 21–45 – 22–52 – 26–46 Angle of View (Diagonal) Focus Drive Ultrasonic Ultrasonic Ultrasonic Ultrasonic Ultrasonic AFD Ultrasonic Lens Minimum Filter Construction Aperture Diameter (Groups/ (f) (mm) Elements) Closest Focusing Distance (m) (ft.) Weight Lens Cap Soft Case 385 635 600 545 475 540 340 EW–83E EW–88 EW-83E EW–83C EW–83E EW–75 EW–83II E–77U E–82U E–77U E–77U E–77U – E–77U LP1319 LP1319 LP1319 – LP1319 – LP1214 20.3 22.8 1.1 lbs. 7.8 6.7 6.7 16.0 21.0 – 2.1 lbs. 13.4 1.5 lbs. 1.9 lbs. – 7.8 7.8 7.8 6.7 6.7 13.1 7.4 1.2 lbs. 1.1 lbs. 6.2 15.0 575 645 475 200 190 190 4555 595 175 950 380 670 880 300 200 200 200 190 190 375 210 540 500 175 425 EW–78E EW–83J EW–73B EW–60C EW–60C EW–60C EW–73B EW–78D – EW–83F EW–73II EW–83H EW–83B – EW–60C EW–60C EW–60C EW–60C EW–60C EW-63II EW–63B EW–78BII EW–78D EW–54II EW–62 E-72U E-77U E–67U E–58 E–58U E–58U E–67 E–72 – E–77U E–67U E–77U E–77U – E–58 E–58 E–58 E–58U/E-58 E–58 E–58U E–58U E–72U E–72U E–52 – LP1116 – LP1116 LP814 LP814 LP814 LP1116 LP1116 – LP1219 LP1014 LP1219 – – LP814 LP814 LP814 LP814 LP814 LP814 LP814 LP1116 LP1116 LP814 – 184.0 167 97.3 108 199 197.0 172.0 172.0 99.0 137.2 137.2 122.0 137.2 186 78.5 121.5 167 189.0 3.7 lbs. 3.0 lbs. 10.9 15.4 3.3 lbs 3.2 lbs. 26.8 19.2 1.6 lbs. 1.4 lbs. 1.4 lbs. 1.1 lbs. 1.4 lbs. 2.9 lbs. 8.8 1.2 lbs. 1.5 lbs. 3.0 lbs. 1,670 1,385 310 390 1,490 1,470 760 705 720 630 650 480 650 1330 250 540 695 1,360 EW–83G EW–78 ET–54 ET–60 ET–87 ET–86 ET–74 ET–74 ET–65B ET–65B ET–64II ET–60 ET–64II ES–79 ET–54 ET–65III ET–62II ET–83C E–77U E–72U E–52U E–58 E–77U E–77U E–67U E–67U E–58U E–58U E–58U E–58U E–58U – E–52 E–58U – E–77U LZ1324 – LP1016 LP1019 LZ1326 LZ1324 LP1224 LP1224 LP1116 LP1222 LP1022 LP1019 LP1022 – LP1014 LP1019 – LZ1324 –3/4 3–1/2 2–7/16 2–13/16 3.4 3 1–7/8 2–3/16 1–11/16 3–2/5 1–11/16 116.0 89.0 62.2 70.6 86.9 77.4 48.5 55.6 42.5 86.0 42.5 22.8 1.2 lbs. 11.6 14.3 22.9 1.2 lbs. 9.5 10.9 6.5 1.3 lbs. 7.4 645 560 330 405 650 550 270 310 185 580 210 Built-in Built-in Built-in EW–75II EW–83K EW–83DII EW–60II EW–63II EW–65II EW–78C EW–65II Exclusive Exclusive E–73 E–72U E–77U E–77U E–58 E–58U E–52 E–72U E–52 LP1016 LP1016 LP814 LP1214 LP1319 LP1214 LP811 LP814 LP1011 LP1214 LP1011 0.6 0.45 0.45 0.45 0.45 0.95 0.85 0.9 3–3/16 2.58 2 1–5/8 1–5/8 3–5/16 2–13/16 2–7/8 81.5 65.5 50.5 41.0 41.0 84.0 71.5 73.5 2.2 lbs. 18.7 10.2 4.6 4.6 2.3 lbs. 15.0 1.0 lbs. 985 580 290 130 130 1,025 425 460 ES–79 ES–78 ES–71II ES–62# ES–62# ES–79II ET–65III ET–65III E–72U E–72U E–58U E–52 E–52 E–72U E–58U E–58U – LP1214 LP1014 LP1014 LP1014 LP1219 LP1014 LP1014 3.0 4.3 8.2 6.2 4.9 8.2 4.9 0.9 1.3 2.5 1.9 1.5 2.5 1.5 4–7/16 3–7/8 8–3/16 8–3/16 5–3/8 9–7/8 8–11/16 112.0 98.4 208 208 136.2 252.0 221.0 1.6 lbs. 13.8 6.6 lbs. 5.6 lbs. 1.6 lbs. 5.6 lbs. 2.6 lbs. 750 390 3,000 2,520 765 2,550 1,190 ET–78II ET–65III ET–123 ET–120B ET–83BII ET–120 Built-in E–72U E–52 E–162 E-145B E–72U E–145 E–77U LP1219 LP1016 – – LP1222 – LZ1128 52 DI 52 DI 77 52 DI 48 DI 52 DI 52 DI 48 DI 9.8 11.48 11.5 14.8 16.4 18.0 19.69 45.9 3.0 3.5 3.5 4.5 5.0 5.5 6.0 14.0 13–11/16 9–7/16 10–1/16 15–3/16 15–3/8 18 18.1 33 349.0 232.7 256.5 387.0 390 456.0 461.0 836.0 11.7 lbs. 4.3 lbs. 2.8 lbs. 8.5 lbs. 6.6 lbs. 11.8 lbs. 9.9 lbs. 36.4 lbs. 5,300 1,940 1,250 3,870 3,000 5,360 4,500 16,50 ET–155 ET–120 Built-in ET–138 ET–123BII ET–160 ET–155 Built-in E–180C E–145 II E–77U E–163 E–130 E–185 E–180C Exclusive – – LZ1132 – – – – – 32 32 16 32 32 32 – 52 52 58 67 58 72 – 0.8 0.65 0.8 0.97 1.0 1.6 0.8 0.23 0.2 0.24 0.3 0.31 0.48 0.24 2–1/2 2–3/4 3–7/8 4–13/16 4–11/16 7–3/8 1–3/8 63.0 69.8 98.0 123.0 119.0 186.6 34.9 9.9 11.8 1.6 lbs. 1.4 lbs. 1.3 lbs. 2.4 lbs. 5.6 280 335 730 625 600 1,090 160 Built-in ET–67B – ET–73 ET–67 ET–78II – E–52 E–52U E–58 E–67U E–58U E–72U R–F–3 LP814 LP1016 LP1216 LP1219 LZ1324 LZ1324 LP811 13/18 10/16 9/11 9/10 5/6 22 22 22 22 32 – 82 72 72 58 0.82 0.69 1.0 1.3 1.6 0.25 0.21 0.3 0.4 0.5 4.20 4.20 3–7/16 3–9/16 3–7/16 106.7 106.9 87.0 90.0 88.0 1.8 lbs. 1.7 lbs. 1.2 lbs. 1.4 lbs. 1.2 lbs. 820 780 570 645 565 – EW–88B EW–75BII EW–79BII ES–65III 17 E–82 E–72 E–72 E–58 LP1219 LP1319 LP1216 LP1216 LP1016 – – – – – – – – – – 1–1/16 2–5/16 27.2 103 7.8 9.3 220 265 – – Extender Cap II Extender Cap II LP811 LP811 APS-C APS-H N/A 108°10'–63° 108°10'–63° 104°–63° 104°–57°30' 94°–63° 94°–63° 107°30'–63°30' 80°56'–42°36' 80°56'–42°36' 78°30'–42°36' 78°30'–37°41' 78°37'–42°36' 68°37'–42°36' N/A 93°08'–51°32' 93°08'–51°32' 89°39'–51°32' 89°39'–45°48' 80°23'–51°32' 80°23'–51°32' 10/13 12/16 10/14 10/15 9/12 12/15 11/12 22 22 22 22 22 22 22-27 77 82 77 77 77 72 77 0.8 0.92 0.9 1.38 0.92 1.6 1.1 84°30'–18°25' 78°30'–27°50' 78°30'–18°25' 74°20'–27°50' 74°20'–27°50' 74°20'–27°50' 74°20'–11°30' 74°20'–07°48' 63°38'–27°52' 59°15'–22°04' 59°15'–18°14' 59°15'—14°48' 51°58'—22°04' 51°58'—22°04' 51°58'—19°21' 51°58'—19°21' 51°58'—19°21' 51°58'—17°14' 51°58'—17°14' 51°58'—14°48' 51°58'—14°48' 51°58'—11°32' 51°58'—07°48' 42°36'–19°21' 42°36'–11°32' N/A N/A N/A N/A N/A N/A N/A N/A 75°03'–34°09' 70°18'–27°08' 70°18'–22°29' 70°18'—18°17' 62°13'—27°08' 62°13'—27°08' 62°13'—25°51' 62°13'—25°51' 62°13'—25°51' 62°13'—21°16' 62°13'—21°16' 62°13'—18°17' 62°13'—18°17' 62°13'—14°16' 62°13'—09°39' 51°32'—23°51' 51°32'—14°16' 12/17 12/19 12/17 9/11 9/11 9/11 12/16 12/16 9/9 13/16 12/15 13/18 11/16 9/10 10/10 10/10 10/10 8/10 8/10 12/15 9/10 12/16 12/16 8/8 12/14 36 22 22 22 22–38 22–38 36 22-36 22–32 22 22–32 22–27 22 29 22–38 22–38 22–38 22–32 22–32 22–27 22–32 22–36 22–36 22–32 22–32 72 77 67 58 58 58 67 72 58 77 67 77 77 52 58 58 58 58 58 58 58 72 72 52 58 51°58'–5°12' 42°36'—04°28' 27°–07°48' 27°5'–6°15' 22°04'–07°48' 22°04'–07°48' 22°04'–07°48' 22°04'–07°48' 22°04'–05°12' 22°04'–05°12' 20°37'–05°12' 20°37'–05°12' 20°37'–05°12' 19°21'–07°48' 19°21'–07°48' 15°32'–05°12' 15°32'–05°12' 15°32'–03°54' 62°13'—06°26' 51°32'—05°31' 34°09'–09°39' N/A 27°08'–09°39' 27°08'–09°39' 27°08'–09°39' 27°08'–09°39' 27°08'–06°26' 27°08'–06°26' 25°23'–06°26' 25°23'–06°26' 25°23'–06°26' 25°31'–09°39' 25°31'–09°39' 19°11'–06°26' 19°11'–06°26' 19°11'–04°50' 16/22 15/21 13/13 10/12 19/23 18/23 15/20 13/16 12/18 10/15 10/15 9/13 10/15 13/16 7/10 10/13 10/15 14/17 38 22–32 22–29 22–32 32 32 32 32 32–38 32–45 32–45 32–45 32–45 32 22–27 32–38 32 32–38 88°32' 88°32' 108°15' 68°37' 59°15' 59°15' 59°15' 51°58' 51°58' 42°36' 42°36' 100°43' 100°43' 137°08' 80°23' 70°18' 70°18' 70°18' 62°13' 62°13' 51°32' 51°32' 11/14 10/14 7/8 9/11 10/13 9/11 10/10 9/10 5/5 9/11 5/7 30°32' 30°32' 30°32' 30°32' 30°32' 18°14' 18°14' 15°32' 37°21' 37°21' 37°21' 37°21' 37°21' 22°29' 22°29' 19°11' 11°32' 11°32' 07°48' 07°48' 07°48' 5°12' 5°12' Standard Zoom Ultrasonic N/A EF-S 15-85mm f/3.5-5.6 IS USM†† 124–136 N/A Ultrasonic N/A EF-S 17-55mm f/2.8 IS USM †† 27–88 N/A Ultrasonic N/A EF-S 17-85mm f/4-5.6 IS USM †† 27–136 N/A MM N/A EF-S 18-55mm f/3.5-5.6 IS †† 29–88 N/A Ultrasonic N/A EF-S 18-55mm f/3.5-5.6 USM † 29–88 N/A MM N/A EF-S 18-55mm f/3.5-5.6 ††**** 29–88 N/A MM N/A EF-S 18-135mm f/3.5-5.6 IS†† 29–216 N/A DC motor N/A EF-S 18-200mm f/3.5-5.6 IS†† 29–320 N/A EF 22-55mm f/4-5.6 USM † Ultrasonic 88°56'–42°52' – – EF 24-70mm f/2.8L USM Ultrasonic 31–91 38–112 84°–34° EF 24-85mm f/3.5-4.5 USM † 38–136 31–111 Ultrasonic 84°–28°30' EF 24-105mm f/4L IS USM 84°—23°20' 38–168 31–136 Ultrasonic EF 28-70mm f/2.8 L USM † 75°–34° Ultrasonic – – EF 28-70mm f/3.5-4.5 † 75°–34° – MM – EF28-80mmf/3.5-5.6IVUSM†/ VUSM † 45–128 36–104 Ultrasonic 75°–30° EF 28-80mm f/3.5-5.6 III † / II † 75°–30° 45–128 36–104 MM EF 28-80mm f/3.5-5.6 † 75°–30° 45–128 36–104 MM EF 28-90mm f/4-5.6 III / II USM 75°–27° 45–144 36–117 MM/Ultrasonic EF 28-90mm f/4-5.6 USM † 75°–27° 45–144 36–117 Ultrasonic EF 28-105mm f/3.5-4.5 II USM / USM † 75°–23°20' 45–168 36–136 Ultrasonic EF 28-105mm f/4-5.6 USM † 75°–23°20' 45–168 36–136 Ultrasonic EF 28-135mm f/3.5-5.6 IS USM 75°–18° 42–216 36–176 Ultrasonic EF 28-200mm f/3.5-5.6 USM 75°–12° 45–320 36–260 Ultrasonic EF 35-80mm f/4-5.6 III † / II / USM † 56–128 46–104 63°–30° MM EF 35-135mm f/4-5.6 USM † 63°–18° – – Ultrasonic Telephoto Zoom EF 28-300mm f/3.5-5.6L IS USM 45–480 36–390 Ultrasonic 75°–8°15' Ultrasonic EF 35-350mm f/3.5-5.6L USM † – – 63°—07°03' EF 55-200mm f/4.5-5.6 II USM / USM † 88–320 72–260 Ultrasonic 72–260 DC motor N/A EF-S 55-250mm f/4-5.6 IS †† 88–400 N/A EF 70-200mm f/2.8L IS II USM 112-320 91-260 Ultrasonic 34°-12° EF 70-200mm f/2.8L IS USM†/ USM 112–320 91–260 Ultrasonic 34°–12° EF 70-200mm f/4L IS USM 112–320 91–260 Ultrasonic 34°–12° EF 70-200mm f/4L USM 112–320 91–260 Ultrasonic 34°–12° EF 70-300mm f/4.5-5.6 DO IS USM 112–480 91–390 Ultrasonic 34°–8°15' EF 70-300mm f/4–5.6 IS USM 112–480 91–390 Ultrasonic 34°–8°15' EF 75-300mm f/4–5.6 IS USM † 120–480 98–390 Ultrasonic 32°11'–8°15' EF 75-300mm f/4-5.6 III USM/III/II USM† 120–480 98–390 MM/Ultrasonic 32°11'–8°15' EF 75-300mm f/4-5.6 USM 120–480 98–390 Ultrasonic 32°11'–8°15' EF 80-200mm f/2.8L – – 30°–12° AFD EF 80-200mm f/4.5-5.6 II †/ USM † 128–320 104–260 MM/Ultrasonic 30°–12° EF 100-300mm f/4.5-5.6 USM 160–480 130–390 Ultrasonic 24°–8°15' EF 100-300mm f/5.6 L † – – 24°–8°15' AFD EF 100-400mm f/4.5-5.6L IS USM 160–640 130–520 Ultrasonic 24°–6°10' Wide-Angle EF 14mm f/2.8L II USM 114° Ultrasonic 18 22 EF 14mm f/2.8L USM † Ultrasonic 18 22 114° EF 15mm f/2.8 Fisheye AFD 20 24 180° EF 20mm f/2.8 USM Ultrasonic 26 32 94° EF 24mm f/1.4L II USM Ultrasonic 31 38 84° EF 24mm f/1.4L USM† 31 38 Ultrasonic 84° EF 24mm f/2.8 31 38 AFD 84° EF 28mm f/1.8 USM 36 45 Ultrasonic 75° EF 28mm f/2.8 36 45 AFD 75° EF 35mm f/1.4L USM 45 56 Ultrasonic 63° EF 35mm f/2 45 56 AFD 63° Standard & Medium Telephoto EF 50mm f/1.0L USM † Ultrasonic – – 46° EF 50mm f/1.2L USM Ultrasonic 65 80 46° EF 50mm f/1.4 USM Ultrasonic 65 80 46° EF 50mm f/1.8 II MM 65 80 46° EF 50mm f/1.8 † MM 65 80 46° EF 85mm f/1.2L II USM / USM † Ultrasonic 111 136 28°30' EF 85mm f/1.8 USM Ultrasonic 111 136 28°30' EF 100mm f/2 USM Ultrasonic 130 160 24° Telephoto EF 135mm f/2L USM 18° Ultrasonic 175 216 EF 135mm f/2.8 w/ Softfocus 18° AFD 175 216 EF 200mm f/1.8L USM † 12° Ultrasonic – – EF 200mm f/2L IS USM 12° Ultrasonic 260 320 EF 200mm f/2.8L II USM / USM † 12° Ultrasonic 260 320 EF 300mm f/2.8L IS USM / USM † 8°15' Ultrasonic 390 480 EF 300mm f/4L IS USM / USM † 8°15' Ultrasonic 390 480 Super Telephoto EF 400mm f/2.8LIS USM/II USM†/USM† 6°10' Ultrasonic 520 640 EF 400mm f/4 DO IS USM 6°10' Ultrasonic 520 640 EF 400mm f/5.6L USM 6°10' Ultrasonic 520 640 EF 500mm f/4L IS USM 5° Ultrasonic 650 800 EF 500mm f/4.5L USM † 5° Ultrasonic – – EF 600mm f/4L IS USM / USM † 4°10' Ultrasonic 780 960 EF 800mm f/5.6L IS USM 3°5' Ultrasonic 1,040 1,280 EF 1200mm f/5.6L USM † 2°5' Ultrasonic 1,560 1,920 Macro EF 50mm f/2.5 Compact Macro 46° AFD 65 80 EF-S 60mm f/2.8 Macro USM †† N/A Ultrasonic N/A 96 MP-E 65mm f/2.8 1-5x Macro Photo * 18°40' (at 1x) Manual 85 104 EF 100mm f/2.8L Macro IS USM 23.4° Ultrasonic 130 160 EF 100mm f/2.8 Macro IS USM 24° Ultrasonic 130 160 EF 180mm f/3.5L Macro USM 13°40' Ultrasonic 234 288 Life Size Converter EF *** – – – – Tilt-Shift TS-E 17mm f/4L * 27 22 Manual 104° TS-E 24mm f/3.5L II * 38 31 Manual 84° TS-E 24mm f/3.5L †* 38 31 Manual 84° TS-E 45mm f/2.8 * 72 59 Manual 51° TS-E 90mm f/2.8 * 144 117 Manual 27° Extenders Extender EF 1.4x II ** – – – – Extender EF 2x II ** – – – – Length Lens Hood 35mm (in.) (mm) (oz.) (g) 0.24 0.28 0.28 0.42 0.28 0.5 0.34 3–1/2 4–2/5 4-1/8 3–3/4 3–3/4 3–1/2 2–3/4 89.8 111.6 103 95.7 96.8 89.0 68.9 13.6 22.4 1.3 lbs. 19.1 1.1 lbs. 1.2 lbs. 11.9 1.15 1.5 1.1 0.82 0.92 0.92 1.5 1.5 – 1.25 1.6 1.5 1.6 – 1.25 1.25 1.25 1.3 1.3 1.6 1.57 1.64 1.5 1.3 2.5 0.35 0.45 0.35 0.25 0.28 0.28 0.45 0.45 0.35 0.38 0.5 0.45 0.5 0.39 0.38 0.38 0.38 0.38 0.38 0.5 0.48 0.5 0.45 0.4 0.75 3–7/16 4–2/5 3–5/8 2–3/4 2–5/8 2–5/8 4 4 – 4–7/8 2–3/4 3–5/16 4–5/8 – 2–13/16 2–13/16 2–13/16 2–13/16 2–13/16 3 2–11/16 3–13/16 3–1/2 2–1/2 3–3/8 87.5 110.6 92.0 68.5 66.2 66.2 101 102 – 123.5 69.5 83.5 117.6 – 71.2 71.2 71.2 71.0 71.0 75.0 68.0 96.8 89.6 63.5 86.0 77 72 52 58 77 77 67 67 58 58 58 58 58 72 52 58 58 77 2.3 2.0 3.9 3.6 3.9 4.6 3.9 3.9 4.6 4.9 4.9 4.9 4.9 5.9 4.9 4.9 4.6 5.9 0.7 0.6 1.2 1.1 1.2 1.4 1.2 1.2 1.4 1.5 1.5 1.5 1.5 1.8 1.5 1.5 1.4 1.8 7–1/4 6–9/16 3–13/16 4.3 7.8 7–13/16 6–7/8 6–7/8 3–7/8 5–7/16 5–7/16 4–13/16 5–7/16 7–5/16 3–1/8 4–3/4 6–9/16 7–7/16 22 22 22 22 22 22 22 22 22 22 22 Gelatin Gelatin Gelatin 72 77 77 58 58 52 72 52 0.66 0.8 0.7 0.8 0.8 0.82 0.8 0.8 1.0 0.98 0.8 0.2 0.25 0.2 0.25 0.25 0.25 0.25 0.25 0.3 0.3 0.25 9/11 6/8 6/7 5/6 5/6 7/8 7/9 6/8 16 16 22 22 22 16 22 22 – 72 58 52 52 72 58 58 2.0 1.5 1.5 1.5 1.5 3.2 2.8 3.0 14°16' 14°16' 09°39' 09°39' 09°39' 06°26' 06°26' 8/10 6/7 10/12 12/17 7/9 13/17 11/15 32 32 32 32 32 32 32 72 52 48 DI 52 DI 72 52 DI 77 03°54' 03°54' 03°54' 03°07' 03°07' 02°36' 01°57' 01°18' 04°50' 04°50' 04°50' 03°52' 03°52' 03°13' 02°25' 01°36' 13/17 13/17 6/7 13/17 6/7 13/17 14/18 10/13 32 32 32 32 32 32 32 32 30°32' 25° 11°51' (at 1x) 15°7' 15°32' 08°40' – 37°21' N/A 14°39' (at 1x) 19°12' 19°11' 10°43' – 8/9 8/12 8/10 12/15 8/12 12/14 3/4 78°30' 59°15' 59°15' 33°44' 17°14' 89°39' 70°18' 70°18' 41°10' 21°16' – – – – † Discontinued. †† Compatible only with EOS 7D, EOS 50D, 40D, 30D, 20D/20Da, Rebel T2i/T1i/XSi/XS and Digital Rebel XTi/XT only. • Incorporates distance information with E-TTL II. * TS-E AND MP-E lenses are manual focus only, with automatic diagram. ** Extensions EF 1.4x II and 2x II are for exclusive use with EF70-200mm f/2.8L, 70-200mm f/2.8L IS, 70-200mm f/4L, 100-400mm f/4.5-5.6L, 135mm f/2L, 180mm f/3.5L Macro, 200mm f/1.8L, 300mm f/2.8 L, 300mm f/4L, 300mm f/4L IS, 400mm f/2.8L IS, 400mm f/4 DO, 400mm f/5.6L, 500mm f/4L IS, 600mm f/4L IS, and 1200mm f/5.6L (Manual focus only when EF 1.4x II is used with EF 100-400mm f/5.6L, 400mm f/5.6L, 500mm f/4.5L, 1200mm f/5.6L, and with 180mm f/3.5 Macro when focused closer than 2.6 feet; or with Extender EF 2x II when used with EF70-200mm f/4L, 100-400mm f/4.5-5.6L, 180mm f/3.5L Macro, 300mm f/4L IS, 300 f/4L, 400mm f/4 DO, 400mm f/5.6L, 500mm f/4L, 500mm f/4.5L, 600mm f/4L, and 1200mm f/5.6L). *** Life Size Converter EF is for exclusive use with 50mm f/2.5 Compact Macro. **** Available only with the EOS 40D, 30D, 20D and Digital Rebel Kit. # With Adapter Ring. Rear Cap for EF lenses = Lens Dust Cap E. Body Cap for EOS Cameras, Life Size Converter EF = Camera Cover R-F-3. Specifications subject to change. 37 EF LENSES The Finest Accessories for Your Lenses. To enhance the stellar features of the EF Lens system, there are a number of accessories designed to perform perfectly with your system. Canon offers cases to help protect your lenses, hoods and filters to help control glare, and a number of adapters to further expand the possibilities of your EF Lenses and your EOS System. Softmat Filters Extension Tubes Gelatin Filter Holders Close-up Lenses Gelatin Filter Hoods IV Extension Tube EF 25 II & EF 12 II These close-up accessories are placed between the camera body and lens to help enable highmagnification photography. Eight electronic contact points allow communication between the camera and lens to continue as usual. The magnification differs according to the lens, but for standard zoom lenses it is about 0.3x to 0.5x for the EF 12 and 0.7x or more for the EF 25. By using both tubes effectively, the choice of magnifications can be greatly extended. However, for best results, manual focusing is recommended. Without Softmat Filter Haze (UV-1) Haze (UV-1) Lens Cases The Haze (UV-1) filter absorbs ultraviolet light and is most effective on sunny days for cutting haze out of the shot. Type Screw-in With Close-up Lens 250D Available Sizes 67mm, 72mm, 77mm, 82mm 500D 500 Lens Hoods Lens Cases and Lens Hoods These functional, rugged cases are indispensable to help protect lenses. Lens hoods help prevent unwanted glare from affecting your photographs. 52mm Drop-in Screw Filter Holder Drop-in Screw Filter Holder A holder for screw-type filters, for use with rearmounted drop-in filters. Type Drop-in Available Sizes 48mm, 52mm. Includes clear filter. For super-telephoto lenses. Current IS Super-teles—52mm. Previous super-teles without IS—48mm. The 250D/500D series incorporates doubleelement achromatic design for maximum optical performance. These screw-in lenses are used to provide a shorter minimum focusing distance with no loss of light. Each lens is optimized for a particular focal length. Manual focus is recommended with these lenses. Type Screw-in Available Sizes 500D/500: 52mm, 72mm, 77mm. Optimized for lenses 70 thru 300mm. 250D: 52mm, 58mm. Optimized for lenses 50 thru 135mm. Polarizing Filters Screw-in 48mm Drop-in Loupes Use a Softmat Filter for a soft effect. Softmat No. 1 Using Circular PL Filter emphasizes the blue of the sky. Polarizing filters enhance picture quality by blocking harmful reflected light. Use it to reduce light reflections from glass and water surfaces or to improve color saturation. Simple to use, these filters polarize light circularly, rather than linearly, so they do not interfere with autofocus or TTL light metering. DROP-IN — For use with lenses using rear-mounted drop-in filters, this polarizing filter can be rotated from the outside without removing the holder from the lens, helping enable precise control. Type Screw-in Drop-in Not using Circular PL Filter 38 Using Circular PL Filter suppresses the reflection from the surface of the leaves and the surface of the water. Available Sizes 52mm, 58mm, 67mm, 72mm, 77mm, 82mm 48mm, 52mm. For super-telephoto lenses. Current IS Superteles—52mm. Previous super-teles without IS—48mm. Gelatin Filter Holder III Gelatin Filter Holder Adapter III Gelatin Filter Holder System This convenient holder system allows the use of commercially available square filters without the need for cutting. The holder attaches to the lens through an adapter that fits the filter diameter. A special hood is available for use with the system. Use with 3-inch square type III and 4-inch square type IV gelatin filters. Gelatin filters can be used with most EF lenses. Gelatin Filter Holder Hoods III & IV Type Available Sizes Screw-in Lens shades which attach to holder can be stacked with telephoto lenses. Loupe 4x Softmat No. 2 Gelatin Filter Holder Adapter III & IV Type Available Sizes Screw-in III: 52mm, 58mm, 67mm, 72mm, 77mm. IV: 58mm, 67mm, 72mm, 77mm. Softmat No. 1 & No. 2 Softmat filters mildly soften the focus for flattering portraits and dreamy landscapes. These filters utilize the effect of diffraction, which occurs between light passing through the transparent part and light passing through the coated part. Use Softmat No. 1 filter for a gentle soft focus effect, and Softmat No. 2 for a stronger effect. Type Screw-in Circular Polarizing Filter PL-CB/PL-C Gelatin Filter Hoods III Gelatin Filter Holder III & IV Type Available Sizes Screw-in Holder for 3-inch square (III) or 4-inch (IV) gelatin filters. Close-up Lens 250D/500D/500 Not using Circular PL Filter Gelatin Filter Holder Adapter IV EF 12 II EF 25 II General Purpose Available Sizes See EF Lens Specifications. Gelatin Filter Holder IV Loupe 4x Drop-in Gelatin Filter Holder II Designed for viewing 35mm film frames at high magnifications, these loupes use a high-performance lens system that help to eliminate all aberration and distortion. They offer diopter adjustment of -4 to +1 dpt, and include an eyecup, hood and case. Up to three gelatin filters can be placed in these holders. To use, insert a cut piece of gelatin film between the holder’s filter frame and pressure 48mm Drop-in clip, and screw on to the lens. Gelatin Filter Holder II Available Sizes 52mm, 58mm Extender EF Specifications EF Lens Attachment EF 135mm f/2L USM EF 180mm f/3.5L Macro USM EF 200mm f/2.8L II USM EF 200mm f/2L IS USM EF 300mm f/2.8L IS USM EF 300mm f/4L IS USM EF 400mm f/2.8L IS USM EF 400mm f/4 DO IS USM EF 400mm f/5.6L USM EF 500mm f/4L IS USM EF 600mm f/4L IS USM EF 800mm f/5.6L IS USM EF 1200mm f/5.6L USM EF 70-200mm f/2.8L USM EF 70-200mm f/4L IS USM / USM EF 100-400mm f/4.5-5.6L IS USM Type Drop-in with Extender EF 1.4x II attached Apparent Focal Length (mm) 35mm 189 252 280 280 420 420 560 560 560 700 840 1,120 1,680 98–280 98–280 140—560 APS-H 246 328 364 364 546 546 728 728 728 910 1,092 1,456 2,184 127–364 127–364 182—728 APS-C 302 403 448 448 672 672 896 896 896 1,120 1,344 1,792 2,688 157–448 157–448 224—896 f-stop (f) 2.5–45 4.5–45 2.5–32 2.8–45 4–45 5.6–45 4–45 5.6–45 8–45 5.6–64 5.6–64 8–45 8–45 4–45 5.6–45 6.7—54 Available Sizes 48mm, 52mm. For super-telephoto lenses. Current IS Superteles—52mm. Previous super-teles without IS—48mm. with Extender EF 2x II attached Maximum Magnification 0.27 1.4 0.22 0.18 0.15 0.33 0.22 0.17 0.18 0.17 0.17 0.2 0.12 0.22 0.29 0.28 Apparent Focal Length (mm) AF *2 *3 *5 *3*4 35mm 270 360 400 400 600 600 800 800 800 1,000 1,200 1,600 2,400 140–400 140–400 200—800 APS-H 351 468 520 520 780 780 1,040 1,040 1,040 1,300 1,560 2,080 3,120 182–520 182–520 260—1,120 APS-C 432 576 640 640 960 960 1,280 1,280 1,280 1,600 1,920 2,560 3,840 224–640 224–640 320—1,280 f-stop (f) Maximum Magnification 4–64 6.7–64 5.6–64 4–64 5.6–64 8–64 5.6–64 8–64 11–64 8–90 8–90 11–64 11–64 5.6–64 8–64 9.5–76 0.38 2.00 0.32 0.24 0.28 0.47 0.31 0.24 0.27 0.27 0.27 0.28 0.27 0.44 0.42 0.40 AF *5 *3*4 *3*4 *3*4 *3*4 *5 *3 *4 For Best Results with your Canon EOS Camera Use Original Canon EF Lenses. Each EOS camera body and each EF Lens has its own built-in microcomputer. These microcomputers store a range of special data to ensure the smooth operation of bodies and EF lenses which support two-way digital communications between each part to allow exchange of information. Since the EOS System's market launch in 1987, functions have been added and improved on a continuing basis, such as Optical Image Stabilizer to some lenses, speeding up the AF function, increasing the number of focusing points, and the addition of the Eye Controlled Focus™ Function. As the system's range of functions has evolved, the nature of the basic system of communications between lens and body has evolved as well, ensuring that complete compatibility is maintained. This process of evolution will continue in the future with the addition of more new specifications, resulting in still further gains in reliability. Accordingly, in order to realize the maximum performance of the EOS System and thereby achieve among the highest possible photographic quality, we recommend that you use Canon EF lenses and Canon brand accessories, since they are designed and manufactured to match the special qualities of your EOS camera. *1 If the lens is attached to an EOS camera, having multiple focusing points and an Extender is attached to the lens, only the center focusing point will be useable for AF. *2 The autofocusing range is from 2.6 feet/0.8m to infinity. *3 With the EOS-1Ds Mark III, EOS-1Ds Mark II, EOS-1D Mark III, EOS-1D Mark II, EOS-1Ds, EOS-1D, EOS-1v and EOS-3, AF is possible with the center focusing point only. *4 The Image Stabilizer does not operate with the following cameras: EOS650, 630, 620, 600, RT, 700, 750, 850, EOS-1, A2, A2E, 10s, ELAN, Rebel, Rebel S, Rebel II and Rebel SII. *5 With the EOS-1Ds Mark II, EOS-1Ds, EOS-1D Mark II N, EOS-1D Mark II, EOS-1D, EOS-1v, EOS –1v HS and EOS-3, AF is possible with the center focusing point only. 39 SPEEDLITES SLR Compatibility Camera Model EOS-1Ds Mark III EOS-1D Mark IV EOS 5D Mark II EOS 7D EOS 50D EOS 40D EOS 30D EOS Rebel T2i / T1i / XSi / XS EOS Digital Rebel XTi / XT EOS-1v / EOS-3 EOS ELAN 7NE EOS Rebel T2 / T2 Date EOS Rebel K2 / K2 Date E-TTL No No No No No No No No No Yes Yes No Yes E-TTL II Yes† † Yes † Yes † Yes † Yes † Yes † Yes † Yes † Yes No Yes Yes No A-TTL No No No No No No TTL Yes††† No No Yes††† Yes††† Yes††† A-TTL / TTL Not Possible Not Possible Not Possible Not Possible Not Possible Not Possible Not Possible Not Possible Not Possible 4-point / 3-zone 4-point / 3-zone Not Possible 4-point / 3-zone Speedlite Compatibility 580EX II 430EX II 270EX 220EX MR-14EX MT-24EX E-TTL / E-TTL II Yes†† Yes†† Yes†† Yes†† Yes†† Yes†† Manual Yes Yes No No Yes Yes † Not Linked to AF point. †† Requires EOS body that supports E-TTL and E-TTL II respectively. ††† Defaults to TTL in all conditions except direct flash in the camera’s Program mode. For example, with the EOS-1D Mark IV, the ambient light is first measured using the camera’s 63-zone metering when the shutter button is pressed. Next, a preflash is fired and the metering sensor takes readings. The ambient and preflash readings are compared. The metering areas having small differences are selected as the main flash exposure areas. Areas with large discrepancies between ambient and preflash readings are excluded or down-weighted because they are assumed to contain a highly reflective subject, or the subject is not in that part of the frame—an assumption validated by distance information. The algorithm thus helps avoid chronic underexposure problems in such situations. These readings are weighted, averaged, and compared with the ambient light reading and the main flash output is then set and stored in memory. SPEEDLITE TECHNOLOGY Integral to the EOS System, Canon Speedlites are the ideal flash source for EOS SLR cameras. They are technologically advanced to provide perfect exposure and illumination with just about any subject, yet operation is remarkably simple. Whether you’re an amateur or an expert, Canon Speedlites make it easy to obtain professional results. Sophisticated Flash Control Modes E-TTL—In E-TTL (Evaluative Through-The-Lens) flash exposure control mode, meter readings are taken through the lens, but not off the focal plane. Using a preflash fired after the shutter button has been fully depressed—but before the camera’s reflex mirror goes up—E-TTL uses the camera’s Evaluative metering sensor to compare the ambient light values with the light reflected from the subject by the preflash. The camera then calculates and stores the flash output required for optimum exposure of the main subject (as identified by the AF point) and the background. E-TTL requires the use of EX-series dedicated Speedlites such as the 580EX II, 430EX II, 270EX, 220EX, MT-24EX, or MR-14EX in combination with a compatible camera. E-TTL II—Available on Canon’s EOS Digital SLR cameras, E-TTL II incorporates distance information from compatible EF lenses (see page 30 for details) for more versatile flash exposure control. E-TTL II minimizes underexposure that can occur with straight reflections by ignoring sensor areas that report abnormally high levels. This feature is useful when shooting a subject with a highly reflective object in the background, or if the subject itself is highly reflective. In addition, because distance information is used in calculating the flash output level, E-TTL II prevents overexposure when photographers lock focus and recompose. Speedlite’s preflash fires when the camera’s AE Lock button is depressed, storing a Spot meter reading of flash and ambient lighting data for up to 16 seconds. This provides enough time to not only recompose the shot, but also alter the ambient light exposure for maximum creative control. FE Lock is extremely useful when you wish to recompose after focus lock or to place the main subject in a part of the frame not covered by one of the focusing points. It can also eliminate potential exposure errors caused by unwanted reflections from surfaces like windows or mirrors. Adjusting Ambient Exposure in FE Lock**—After preflashing the subject with the FE Lock button, ambient exposure can be adjusted by turning the Quick Control Dial. The ambient exposure level is displayed on the exposure level scale in the viewfinder and on the external LCD panel. FP Mode*** FP (focal-plane) flash, or High-speed Sync, enables E-TTL and E-TTL II compatible cameras equipped with an EX-series Speedlite to synchronize flash at shutter speeds faster than the camera’s normal maximum sync speed. Even in bright daylight, for example, a fast lens can be used at a wide aperture to reduce depth-of-field and emphasize the subject. FP flash can be combined with E-TTL, E-TTL II, or FE Lock, and is available in all AE modes plus Manual. Flash Exposure Compensation**** This setting adjusts flash output without changing the shutter speed or aperture. It’s a particularly effective way to fine-tune the balance between foreground and background exposure for fill flash shots, but it can also be used to compensate for extremely bright or dark tones in the subject. Second-Curtain Sync The E-TTL II, in effect, captures the subject as a “plane” and not as a “point.” As a result, EOS SLR cameras can help deliver consistent flash exposures even if the subject contains various colors and levels of reflection. The camera also allows the user to select an averaged metering pattern through custom function settings. Instead of firing the instant the shutter opens, Second-Curtain Sync fires the flash at the end of the exposure, allowing streaks of light to flow naturally behind a moving subject. This creative flash mode is most effective with slower shutter speeds and subjects with light sources, such as the headlights of a moving car. TTL*—TTL (Through-The-Lens) is the standard flash exposure control mode used by the built-in flash units that come with some 35mm EOS film cameras. Unlike E-TTL or E-TTL II, TTL reads flash illumination reflected from the film during the exposure. When the camera is set to Program AE mode, TTL flash sets an aperture based on the ambient light level. Stroboscopic Flash Stroboscopic flash is a series of flashes fired in rapid succession during a single exposure. With stroboscopic flash, multiple images of a moving subject appear in the photograph. Using this mode, you can analyze a golf swing or record the shattering of a windowpane. (Available with Speedlite 580EX II, Macro Ring Lite MR-14EX and Macro Twin Lite MT-24EX, the built-in flash of the EOS 7D). Flash Exposure Lock (FE Lock) FE Lock adds Auto Exposure lock and Spot metering functions when shooting with EX-series Speedlites and E-TTL compatible EOS cameras. The EX-series High-Speed Sync — EF 135mm f/2.0L USM lens •f/2 •1/750 sec. Taken with MT-24EX and EOS-1v HS *ATTL and TTL are not compatible with digital SLR cameras. See lens chart for a listing of lenses that supply distance information. **Ambient exposure cannot be adjusted when the camera is set to Bulb mode or in low-light situations when the camera is set to Program AE or A-DEP. ***Unlike conventional electronic flash, FP flash output (guide number) decreases as shutter speed increases above normal X-sync speed. ****Flash exposure compensation can be set with most current Speedlites, and it can also be set with all current EOS cameras other than the EOS Rebel series and EOS Digital Rebel. 41 SPEEDLITES Wireless Flash Photography Amazing Flash System Canon offers a full range of Speedlite flash units compatible with EOS System cameras for a wide variety of applications and photographers’ needs. They range from simple, economical flashes to high-power, highly advanced Speedlites for professional use. Speedlites Speedlite 580EX II • Approx. 20% faster recycling time compared to 580EX. • Superb evenness of exposure, center to corner of frame. • Higher max. Guide No. at 105mm setting (max. GN 190, feet). • Auto conversion of flash coverage with compatible EOS Digital SLR cameras.* • White Balance info communicated instantly to compatible EOS Digital SLR cameras.* • Full swivel, 180˚ in either direction. • AF-assist beam compatible with all AF points on every EOS SLR. • Dust- and water-resistance to match the EOS-1Ds Mark III. (B) (B) Camera with Master (A) A:B=1:2 Bounce Canon’s EX series Speedlites have made multiple-flash photography simple, wireless and automatic. Using the Speedlite 580EX II, Macro Speedlite MR-14EX, Macro Twin Lite MT-24EX, or the Speedlite Transmitter ST-E2 as a master unit, wireless signals are transmitted to an unlimited number of Speedlites 580EX II or 430EX II, creating myriad possibilities for lighting, no matter the location. For the ultimate convenience, the EOS 7D has an Integrated Speedlite Transmitter, which has the transmitting features of the Speedlite 580EX II, allowing users to wirelessly control EX series Speedlites and doing away with the need for an external master unit. Bounce (B) Bounce Bounce Camera with Master (A) 1. Set up the main flash unit – To prevent the strong shadows a direct flash would produce, the main flash was bounced off a wall near the camera to soften the lighting. 42 Bounce (A) Bounce Camera with Master (A) 2. Add an auxiliary flash unit – Remaining shadows were weakened by bouncing an auxiliary flash (A) off another wall to hit the subjects from a direction opposite that of the main flash unit. (A) Bounce Camera with Master (A) 3. Add another auxiliary flash unit – To improve gradation and contrast, another auxiliary flash unit (B) was set up behind the subjects. Its light was bounced off the back wall to accent key details of the image. Sample Photo Analysis – Three flash units provided illumination. The light from the master flash unit (A), a Speedlite 580EX II mounted on the camera, was bounced off the wall to soften its intensity before reaching the two violin makers. A slave 580EX II (B) was set far enough away on a desk to be pointed directly at the statue, and another 580EX II (B) was used to light up the overall office. Based on the results displayed on the camera’s LCD monitor, the brightness of the master flash unit was halved to achieve natural lighting. Speedlite 430EX II • Superb build quality, including a metal foot for added strength. • Approx. 20% faster recycling time, compared to previous 430EX. • One-touch quick-lock mechanism for easy attaching/detaching flash from camera. • Full flash control possible on camera menu, with compatible EOS Digital SLR cameras. • Virtually silent flash recycle. • Full 180˚ swivel in either direction. • Zoom flash head covers range of 24–105mm; maximum guide number 141 ft./43m at ISO 100. E-TTL/E-TTL II Wireless Autoflash Control Up to three groups (for main, fill and background) of slave units can be set up for comprehensive control of flash lighting. The Speedlite slave units can be assigned to group A, B, or C, with output ratio between groups A and B adjustable from 8:1 to 1:1 or 1:1 to 1:8. The output of the group C can be adjusted through flash exposure compensation. Superb lighting is simple thanks to the E-TTL/E-TTL II autoflash system which controls the total flash output to ensure consistently correct exposure. The EOS 7D features the wireless autoflash control with its built-in flash. The EOS 7D, also features a modeling (preview) flash is available by pressing the depth-of-field preview button directly, or when Speedlite 580EX II is used with any other current EOS SLR. Even with multiple Speedlites, the modeling flash fires according to the ratios you have set. E-TTL/E-TTL II wireless autoflash also supports most other Speedlite features, such as FE Lock, FP Flash, Flash Exposure Bracketing/Compensation, and Stroboscopic Flash. Finally, for macro shooting, the Macro Ring Lite MR-14EX and Macro Twin Lite MT-24EX can be used as master units as well. Speedlite 270EX • Compact, lightweight design – ideal for smaller cameras • 28mm and 50mm. 2-step Coverage Angle Selection • Bounce feature for an expanded range of illumination options • Simple set-up and communication via the camera's rear monitor • Speedy, near silent recycling 3.9 sec. • Soft case included Speedlite 220EX • Smallest EOS Speedlite, with full E-TTL compatibility. • Covers lenses as wide as 28mm (full-frame cameras) or 17mm (APS-C size sensors). • Hot-shoe lock with a single motion. • Flash confirmation lamp (after firing). • Fast recycle time, and Save Energy (SE) feature. Speedlite Transmitter Speedlite Transmitter ST-E2 • Dedicated transmitter to control unlimited number of slave flashes. • For Speedlites 580EX II and 430EX II (also 580EX, 430EX and 420EX). • Controls slave units up to 33 ft. outdoors and 49.5 ft. indoors. * Feature compatible with EOS-1Ds Mark III, 1D Mark IV, 1D Mark III, 1Ds Mark II, 1D Mark II N, 1D Mark II, 5D Mark II, 5D, EOS 7D, 50D, 40D, 30D, 20D, 20Da, Rebel T2i, Rebel T1i, Rebel XSi, Rebel XS, Digital Rebel XTi and Digital Rebel XT only (some earlier models require firmware upgrade). 43 SPEEDLITES Speedlite to the Max Macro Lites Whether adding a battery pack, connecting two or more Speedlite flashes, or creating a complex wireless lighting solution, Canon has flash accessories for almost any photographic situation that are perfect complements to your Speedlite. EF 85mm f/1.2L USM •f/2 •1/30 Macro Twin Lite MT-24EX • Attaches to all Canon EF macro lenses (EF 180mm f/3.5L requires Macro Lite Adapter 72C). • Twin flash heads can be rotated over 80° angle around lens in 5 degree increments. • Heads can be swiveled or bounced and can be removed from mounting ring for added control. • Powerful Guide Number of 78 (feet, at ISO 100), full E-TTL control and E-TTL features including FEL, Hi-speed sync, and FEB. Compact Battery Pack CP-E4 Transistor Pack E Ni-Cd Pack TP Battery Magazine TP This dedicated external power pack is dust/water-resistant and makes the flash system dust/water-resistant. The power pack's performance is the same as the Compact Battery Pack CP-E3. A high-performance battery pack with interchangeable power supplies. Available as Transistor Pack E (six alkaline batteries in Battery Magazine TP) or transistor Pack E Ni-Cd Set (Ni-Cd Pack TP and charger). Both versions include Connecting Cord ET. Additional rechargeable Ni-Cd Pack TP batteries are available separately. They can also be freely interchanged with Battery Magazine TP. The charger TP recharges a Ni-Cd Pack TP in approximately 15 hours. This magazine holds six commonly available C-size alkaline batteries. Included with Transistor Pack E, it is available separately for instant battery changes during shooting. Can be used in place of the Ni-Cd Pack TP. Connecting Cord ET is also available separately. Other Speedlite Accessories A B C D E F Macro Ring Lite MR-14EX • Twin-tube ring lite designed for close-up photography with EF Macro lenses; Flash tubes can fire together or independently. Speedlite Off-Camera Shoe Cord OC-E3 • Compatible with all EOS bodies. • Supports E-TTL/E-TTL II Wireless Autoflash in conjunction with one or more compatible EX Speedlites. • Incandescent focusing lamps and two forms of modeling flash permit preview of lighting effects. Camera Compatibility All EOS SLR cameras Description Dust- and waterresistant 2 ft. (0.6m) TTL cord; retains all oncamera flash functions. Same quick connect as 580EX II. Dimensions (W x H x D) Speedlite 430EX II Speedlite 270EX Speedlite 220EX Macro Twin Lite MT-24EX Macro Ring Lite MR-14EX 3.0 x 5.4 x 4.6 in. 76 x 137 x 117mm 2.8 x 4.8 x 4.0 in. 72 x 122 x 101mm 2.5 x 2.6 x 3.0 in. 64 x 65 x 76.5mm 2.7 x 3.62 x 2.42 in. 65 x 92 x 61.3mm Control Unit: 2.9 x 4.9 x 3.8 in. 74 x 125.9 x 97.4mm Flash Unit: 9.3 x 3.5 x 1.9 in. 235 x 90.4 x 49mm Control Unit: 2.9 x 4.9 x 3.8 in. 74 x 125.9 x 97.4mm Flash Unit: 4.44 x 4.96 x 1.02 in. 112.8 x 126 x 25.6mm 20.64 oz./585g 15.1 oz./428g (combined flash & control units) (combined flash & control units) Weight (without batteries) 13.2 oz./375g 11.3 oz./330g 5.1 oz./145g 5.6 oz./160g Compatibility All EOS SLR cameras All EOS SLR cameras All EOS SLR cameras All EOS SLR cameras All EOS SLR cameras All EOS SLR cameras Max. Guide Number (ISO 100) 190 ft./58m AA (Alkaline, re-chargeable NiCd, Lithium-ion, Ni-MH) batteries (x4); Compact Battery Pack CP-E4; Transistor Pack E 141 ft./43m AA (Alkaline, re-chargeable NiCd, Lithium-ion, Ni-MH) batteries (x4) 89 ft./27m AA (Alkaline, re-chargeable NiCd, Lithium-ion, Ni-MH) batteries (x2) 72.2 ft./22m AA (Alkaline, re-chargeable NiCd, Lithium-ion, Ni-MH) batteries (x4) 79 ft./24m 45.9 ft./14m Power Source AA (Alkaline, re-chargeable NiCd, Lithium-ion, Ni-MH) batteries (x4); Compact Battery Pack CP-E3; Transistor Pack E AA (Alkaline, re-chargeable NiCd, Lithium-ion, Ni-MH) batteries (x4); Compact Battery Pack CP-E3; Transistor Pack E TTL Distributor* Connecting Cord 60* C All 35mm and APS SLR cameras Speedlite+ (Not compatible with Digital SLR cameras or PowerShot digital cameras) (Except 630 & RT) Placed in the EOS camera’s accessory shoe, this adapter controls up to 4 off-camera Speedlites. For off-camera applications of Speedlite flash units, this adapter will accept one Speedlite and a connecting cord to the camera. This connector accepts up to 4 connecting cords. This 2 ft./60cm coiled cord has connections on both ends for TTL Distributor, OA-2, and/ or Hot Shoe Adapter 3. This 9.8 ft. / 3m straight cord has connections on both ends for TTL Distributor, OA-2, and/ or Hot Shoe Adapter 3. Speedlite + C E D Speedlite+ B E * These accessories provide TTL or manual flash control, but are not compatible with E-TTL or E-TTL II; no automatic flash with EOS digital SLR cameras. Recycling Times and Shooting Capacities (580EX II, 430EX II, MR-14EX and MT-24EX) Compact Battery Pack CP-E4 With the 430EX II Recycling Shooting Time Capacity MR-14EX Recycling Time Shooting Capacity Recycling Time Shooting Capacity (sec.) (sec.) (sec.) (No. of Flashes) (sec.) (No. of Flashes) 0.1~2.0 (No. of Flashes) 350~2,450 0.1~3.0 (No. of Flashes) 200~1,400 0.1~3 Compact Battery Pack CP-E4 450~2,800 0.1~3 450~2,800 0.1~1.5 400~2,800 N/A N/A 0.1~5 150~1,000 0.1~5 150~1,000 † 0.1~5 350~2,200 N/A N/A 0.1~4 400~2,500 0.1~4 400~2,500 0.1~3 300~1,800 N/A N/A 0.1~3 330~2,000 0.1~3 330~2,000 † Transistor Pack E Ni-Cd Set Compact Compact Transistor † Battery Battery Pack E † Pack CP-E4 Pack CP-E3 Speedlite 220EX • • – – • – – – • – – – Macro Twin Lite MT-24EX • • • Macro Ring Lite MR-14EX • • • Speedlite 580EX II Speedlite 430EX II Speedlite 270EX (w / Ni-MH Batteries) (w / Alkaline Batteries) Compatibility Chart MT-24EX With the 580EX II Recycling Shooting Time Capacity (w / Alkaline Batteries) Transistor Pack E † Discontinued product, for reference only. 44 A Connecting Cord 300* F EX-series Speedlite Lineup Speedlite 580EX II Off-Camera Shoe Adapter OA-2* TTL Hot Shoe Adapter 3* Weight †† oz./530g 5.5 oz./155g 5.5 oz./155g 29.8 (without batteries) †† With alkaline batteries only. 45 EOS SYSTEM ACCESSORIES Digital Accessories Designed to help you get the most out of your EOS Digital SLR, Canon has designed a number of different accessories, including power supplies and grips to help extend battery life. Other specialized accessories include the Data Verification kit, CompactFlash (CF) cards, cases and much more. EOS 5D Mark II with Battery Grip BG-E6 Weight Description † Battery Grip BG-E6 Battery Grip BG-E5 Battery Grip BG-E4 Battery Grip BG-E3 Battery Grip BG-E2N Battery Grip BG-E2 Weight 11.1 oz./315g (without batteries) 8.1 oz./230g (without batteries) 11.3 oz./320g (without batteries) 8.1 oz./230g (without batteries) 11.5 oz./325g (without batteries) 10.2 oz./290g (without batteries) Compatibility EOS 5D Mark II Battery Grip BG-E8† Functions Compatibility Power Source Functions Battery Charger LC-E5 Battery Charger LC-E4 Battery Charger CG-580 Battery Charger CB-5L Battery Charger CB-2LW DC Coupler DR-400 2.9 oz. / 82g 2.8 oz./80g 15.2 oz./431g 5.6 oz./160g 3.5 oz./110g 2.3 oz./65.2g 3.9 oz./123g EOS Rebel T2i EOS Rebel T1i, Rebel EOS-1Ds Mark III, EOS 5D, 50D, 40D, EOS 5D, 50D, 40D, EOS Digital Rebel XSi, Rebel XS 1D Mark III, Mark IV 30D, 20D, 20Da, 10D, 30D, 20D, 20Da, 10D, XTi, Digital Rebel XT D60, D30, Digital Rebel D60, D30, Digital Rebel Compatibility Battery Grips Weight Battery Charger LC-E8 † † EOS Rebel T1i, Rebel XSi, EOS 5D Battery Grip BG-E7† Battery Grip BG-E6† Battery Grip BG-E5† Rebel XS † † † 11.3 oz./320g button,8.1 oz./230g oz./325g Shutter-Release 10.2 oz./290g Shutter-Release Shutter-Release11.5 button, button, LP-E5 (x2); AA-size battery LP-E6 (x2); AA-size battery BP-511A/511/512/514 (x1 AE/FE Shutter-Release Shutter-Release butShutter-Release (x6); or AC Adapter ACK-E5 (x6); Lock/ or ACIndex/ Adapter ACK-E6 or x2), AA-size batteries but(x6), Reduce button, Main button, AE/FE Lock/ ton, AE/FE Lock/ ton, AE/FE Lock/ AC Adapter Kit ACK-E2, Dial, AF point selection/ Index/Reduce button, Index/Reduce button, Index/Reduce button, Compact Power Adapter Magnify button, Main Dial, AF-frame- Main Dial, AF-frame- Main Dial, AF-frameplusbutton, DC Coupler Aperture/exposure com- select button, select button, CA-PS400 select DR-400 Aperture/ Exposure pensation button, Attach/ Aperture/ Exposure Aperture/ Exposure Detach button, Vertical- compensation button compensation button compensation button grip operation switch NB-2LH (x2); AA-size BP-511A/511/ 512/514 (x1 BP-511A/511/ 512/514 (x1 Shutter-Release Shutter-Release but- Shutter-Release butShutter-Release battery (x6); or AC Adapter or x2), size-AA-size batteries or x2), size-AA-size batteries button, AE/FE Lock ton, AE/FE Lock/ ton, AE/FE Lock but- button, AE/FE Lock ACK-700 (x6), or AC Adapter Kit (x6), or AC Adapter Kit button, Main Dial, Index/Reduce button, ton, Main Dial, AF button, Main Dial, AF ACK-E2, or Compact Power ACK-E2, or Compact Power AF-frame-select Main Dial, AF-frame- frame-select button frame-select button Adapter CA-PS400 plus Adapter CA-PS400 plus button select button, DC-Coupler DR-400 DC-Coupler DR-400 Aperture/ Exposure compensation button LP-E8 (x2); AA-size battery (x6), AC Adapter ACK-E8 BP-511A/511/512/514 NB-2LH (x2); AA-size battery (x6); or AC (x1 or x2), AA-size Adapter ACK-700 batteries (x6), AC Adapter Kit ACK-E2, Compact Power Adapter CA-PS400 plus DC Coupler DR-400 LP-E5 (x2); AA-size battery (x6); or AC Adapter ACK-E5 LP-E5 (x2); AA-size battery (x6); or AC Adapter ACK-E5 Power Source Charger that’s included with Rebel T1i, Rebel XSi and Rebel XS. It charges an LP-E5 battery in 2 hours, and can be plugged-in nearly anywhere in the world (100 –240V). EOS Digital Rebel XTi, EOS 50D, 40D EOS 30D, 20D, 20Da Battery Grip BG-E4† Battery Grip BG-E3† Battery Grip BG-E2N† Battery Grip BG-E2† Digital Rebel XT 8.1 oz./230g oz./315g Shutter-Release 8.1 oz./230g Shutter-Release11.1 button, Shutter-Release button,12.0 oz./340g button, (without (without batteries) (without batteries) (without batteries) AE/FE Lock/ Index/ AE/FE batteries) Lock/ Index/ AE/FE Lock button, Main Dial, Reduce button, Main Dial, Reduce button, Main Dial, AF-frame-select button EOS Rebel T2i EOS 7D EOS 5D Mark II EOS Rebel T1i, Rebel AF-frame-select button, AF-frame-select button, XSi, Rebel XS Aperture/ Exposure Aperture/ Exposure compensation button compensation button LP-E6 (x2); AA-size battery (x6); or AC Adapter ACK-E5 Plug-in type battery charger with charge control system (by microcomputer). Charging time is approximately 2 hours. Two battery packs can be attached. It takes about 120 min. to recharge one battery pack. It plugs directly into AC outlets, and with optional CB-570 cable, into a car cigarette lighter. (including cord) Compact and light battery charger for BP-511A/BP-511/ BP-512/BP-514 as well as BP-522 and BP-533 for video camcorders. Compact and light battery charger for BP-511A/BP-511/ BP-512/BP-514 as well as BP-522 and BP-533 for video camcorders. Dedicated battery charger for Battery Pack NB-2LH. It has a built-in power plug and can be recharge the battery about 90 minutes. (including cord) AC Adapter Kit ACK-E6 3.9 oz./110g (DC Coupler) 6.2 oz./175g (AC Adapter) EOS 5D, 50D, 40D, EOS 5D Mark II. 30D, 20D, 20Da, 10D, EOS 7D D60, D30, Digital Rebel Allows the camera to draw power directly from an AC power source when connected to the CA-PS400 Power Adapter or AC Adapter ACK-E2. Allows the camera to connect the DC cord to the AC adapter terminal. Kit includes the AC adapter, power cord, and DC coupler. It prevents accidental disconnection. (without AE/FE batteries) Lock/ Index/ (without batteries) (without batteries) (without batteries) AE/FE Lock button, AE/FE Lock button, Reduce button, Main Dial, Main Dial, AF frame-select Main Dial, AF frame-select EOS 5D EOS Digital Rebel EOS 50D, 40D EOS 30D, 20D, 20Da AF-frame-select button, button button XTi, Digital Rebel XT Aperture/ Exposure compensation button BP-511A/511/ 512/ 514 (x1 or x2), AA-size batteries (x6), or AC Adapter Kit ACK-E2, or Compact Power Adapter CA-PS400 plus DC-Coupler DR-400 BP-511A/511/ 512/ 514 (x1or x2), AAsize batteries (x6), or AC Adapter Kit ACK-E2, or Compact Power Adapter CA-PS400 plus DC-Coupler DR-400 Weight Compatibility Description AC Adapter Kit ACK-E8 AC Adapter Kit ACK-E5 AC Adapter Kit ACK-E4 AC Adapter Kit ACK-E2 0.7 oz. / 20g 15.0 oz./425g 14.1 oz./399g 3.9 oz./123g 13.6 oz./386g (AC-E2 unit only) (including cord) EOS Rebel T2i, BG-E8 EOS Rebel T1i, EOS Rebel XSi, EOS Rebel XS EOS-1Ds Mark III, 1D Mark III, Mark IV EOS 5D, 50D, 40D, EOS Digital Rebel 30D, 20D, 20Da, XTi, Digital Rebel 10D, D60, D30, XT Digital Rebel Comes with AC Adapter, DC Coupler and Power Cord. Assuring constant power throughout a shoot, it’s perfect companion to the EOS Rebel T2i and BG-E8. AC adapter Kit is a perfect companion for the EOS Rebel XSi. With constant power, there’s no fear of running out of power in the middle of a shoot. Allows the camera to connect the DC cord to the AC adapter terminal. Kit includes the AC adapter, power cord, and DC coupler. It prevents accidental disconnection. Allows the camera to draw power directly from an AC power source. Kit includes a AC Adapter and DC Coupler DR-400. DC Coupler Kit Compact Power Adapter CA-PS400 DCK-E1 AC Adapter Kit ACK-DC20 Car Battery Charger CBC-E6 Car Battery Charger CBC-E5 5.3 oz./150g (DC Coupler) 7.2 oz./205g (AC Adapter) 3.7 oz./105g EOS 5D, 50D, 40D, EOS-1Ds Mark II, EOS 5D Mark II, 1Ds, 1D Mark II N, EOS 7D 30D, 20D, 20Da, 1D Mark II, 1D 10D, D60, D30, Digital Rebel 10.1 oz./287g 4.9 oz./140g (excluding AC cord) Allows the camera to draw power directly from an AC power source. Kit includes Compact Power Adapter CA-PS700, DC Coupler DR-700 and DR20. It charges two BP-511A/BP-511/ BP-512/BP-514 battery packs. When connected to the DR-400, it allows the camera to draw power directly from an AC power source. Allows the camera to draw power directly from an AC power source. Kit includes a dedicated DC Coupler and AC Adapter PA-V16. EOS Rebel T1i, EOS Rebel XSi, EOS Rebel XS A car battery charger, dedicated to the EOS 5D Mark II and its new LP-E6 battery pack plugged into a car’s cigarette lighter, it charges a battery pack in about 2.5 hours. Interface & Video Cable A car battery charger, dedicated to the EOS Rebel XSi and its new LP-E5 battery pack plugged into a car’s cigarette lighter, it charges a battery pack in about 2 hours. Memory Cards † Accepts optional Hand Strap E1. Batteries, Chargers and Adapters Interface Cable IFC-200U*/ IFC-500U Battery Pack NP-E3 Battery Pack BP-511A/ BP-512/ BP-514 Battery Pack LP-E8 Battery Pack LP-E6 Battery Pack LP-E5 Battery Pack LP-E4 Battery Pack NB-2LH Weight 11.8 oz./325g 2.5 oz./70g 1.8 oz. / 52g 2.8 oz./80g 1.8 oz./50g 6.3 oz./180g 1.52 oz./43g EOS 5D, 50D, 40D, 30D, 20D,20Da,10D, D60, D30, Digital Rebel EOS Rebel T2i EOS 5D Mark II, EOS 7D EOS Rebel T1i, Rebel XSi, Rebel XS EOS-1Ds Mark III, 1D Mark III, Mark IV EOS Digital Rebel XTi, Digital Rebel XT EOS 5D Mark II, EOS 7D Compatibility EOS-1Ds Mark II, 1Ds, 1D Mark II N, 1D Mark II, 1D Ni-MH battery with a rated voltage of 12V, a rated capacity of 1,650 mAh. Water and dust resistance. Uses the NC-E2 charger (recharges in about 120 minutes). High-capacity lithium-ion battery. BP-511A has a different contour and 26% more storage capacity than BP-512. Note: EOS D30, D60 and Battery Grip BG-ED3 cannot use BP-512. It is a large-capacity lithium-ion battery (7.2 V/1120 mAh) that provides slight more capacity than the LP-E5. Uses the LC-E8 charger. Lithium-ion battery pack with a 720mAh capacity. The battery cover has a little hole whose orientation can be used to remind you whether the battery has been recharged or not. Charger that’s included with EOS 5D Mark II. It charges an LP-E6 battery in 2.5 hours, and can be plugged-in nearly anywhere in the world (100 –240V). Description 46 Lithium-ion battery pack, exclusively for the EOS 5D Mark II. At 1800 mAh, it has 1.3x the capacity of the EOS 5D’s battery. Lithium-ion battery pack, exclusively for the Rebel XSi. At 1080 mAh, it has 1.5x the capacity of the Digital XTi’s battery. High-capacity (2300mAh) lithium-ion battery pack is 40% less volume and 46%lighter than the NP-E3. Exact Battery Info can be viewed on camera’s menu. Battery Charger LC-E6 Length 4.4 oz./125g (without cord) Compatibility Description 6.9 ft. (1.9m)/ 15.4 ft. (4.7m) USB cable for EOS-1Ds Mark III, 1D Mark III, Mark IV, EOS Rebel T2i, EOS Rebel T1i, EOS Rebel XSi, and EOS Rebel XS Interface Cable IFC-200D6/ IFC-200D4***/ IFC-200D44 6.6 ft. (2m) Interface Cable IFC-450D6**/ IFC-450D4/ IFC-450D44 14.8 ft. (4.5m) D6: EOS-1Ds, 1D / D4: EOS-1Ds Mark II, 1Ds, 1D Mark II N, 1D Mark II, 1D / D44: EOS-1Ds Mark II, 1D Mark II N, 1D Mark II IEEE 1394 (FireWire®) interface cables used to connect the EOS to a MAC or Windows. D6: 6-pin/6-pin, D4: 4-pin/6-pin, D44: 4-pin/4-pin Mark ll series cameras have 4-pin FireWire connector. USB Interface Cable IFC-400PCU****/ IFC-200PCU Mini-HDMI cable HTC-100 3.3 ft./1m 9.5 ft./2.9m 4.9 ft./1.5m 4.8 ft./1.45m 400 cable: EOS1Ds, Mark II, 1D Mark II N, 1D Mark II, 5D, 30D, 20D, 20Da, 10D, Digital Rebel XTi, Rebel XT, Digital Rebel 200 cable: EOS-1Ds Mark II, 1D Mark II, 20D, 10D, Digital Rebel 200 cable: EOS D60, D30 1D Mark IV, EOS 5D Mark II, EOS 7D, EOS 50D, EOS Rebel T2i EOS Rebel T1i EOS Rebel T1i EOS 5D Mark II, All EOS Digital SLR cameras except original EOS-1D, EOS-1Ds and EOS Rebel T1i 4GB/1GB SDHC cards: All EOS SLR cameras except EOS-1Ds, 1D, D2000, 5D Mark II, 7D, 5D, 50D, 40D, 30D, 20D/ 10D,D60/D30,Digital Rebel XTi/XT and Digital Rebel. 4GB CF cards: All EOS SLR cameras except: Digital Rebel T2i, and T1i/XSi/XS USB interface cables used to connect the EOS to a MAC or Windows. Cable to connect the Camera’s miniHDMI OUT terminal to the TV's HDMI port. Enables direct image display from the EOS to an HD television or a similar display device. Enables direct image display from the EOS to a television or a similar display device. SimpleTech® CF, SD and SDHC cards are available through Canon. AV Cable Video Cable AVC-DC400***** VC-100**** Stereo Video cable STV-250N 4.9 ft./1.5m— Cable to connect the EOS 5D Mark II’s 3.5mm dia. 4-pole mini jack to the TV or other appliance's AV jack (video and audio L/R). CompactFlash (CF) and SD Cards — * Comes standard with the EOS-1Ds Mark III, 1D Mark IV, 1D Mark III, 5D Mark II, 7D, 50D, 40D, Rebel T2i, Rebel T1i, Rebel XSi, Rebel XS ** Comes standard with the EOS-1Ds *** Comes standard with the EOS-1D Mark II **** Comes standard with the EOS-1Ds Mark III, 1D Mark IV, 1D Mark III, 1Ds Mark II,1D Mark II N, 1D Mark II, 5D Mark II, 7D, 5D, 50D, 40D, 30D, 20D, 10D and all Digital Rebel ***** Comes standard with the EOS Rebel T1i 47 EOS SYSTEM ACCESSORIES Wireless Remote Control & Accessories Canon’s Wireless File Transmitters help enable fast, wireless image transfer from EOS Digital cameras directly to a computer. This amazing productivity tool eliminates the need to stop and upload image files to the computer, allowing photographers to concentrate on shooting photographs. Canon accessories are the perfect choice to help enhance your EOS System’s performance. Whether through recording data or controlling your camera remotely, Canon’s own accessories are designed to complement your EOS camera. EOS 7D with Wireless File Transmitter WFT-E5A EF 100mm f/2.8 Macro •f/4 •1/125 sec. Wireless File Transmitter Remote Controller and Switches Shown with Extended Range Antenna ERA-E1 Compatibility Description Wireless File Transmitter WFT-E5A Wireless File Transmitter WFT-E2 II A Wireless File Transmitter WFT-E4 II A Wireless File Transmitter WFT-E4A Wireless File Transmitter WFT-E3A Wireless File Transmitter WFT-E2A Wireless File Transmitter WFT-E1A EOS 7D EOS-1D Mark IV, EOS-1Ds Mark III, EOS-1D Mark III EOS 5D Mark II EOS 5D Mark II EOS 50D, 40D EOS-1D Mark IV, EOS-1Ds Mark III, EOS-1D Mark III EOS-1Ds Mark II, 1D Mark II N, 1D Mark II, 5D, 30D, 20D and 20Da* Canon’s Wireless File Transmitter WFT-E2 II A is designed for the EOS-1D Mark IV, (EOS-1Ds Mark III and EOS-1D Mark III with firmware upgrade). It allows photographers to transmit images from cameras to a computer via wired or wireless local area networks (LAN) and incorporates a number of significant features into a robust, camera powered system to make wireless transfer up to 492 ft. Added functions include IEEE802.11a/b/g compatibility (Type-A/B/G), WPS compatibility, camera linking function, Bluetooth function, media server function and WFT server Remote Live View. This wireless transmitter is dedicated to the EOS-5D Mark II with firmware upgrade. The transmitter is compatible with Wi-Fi Protected Setup to connect to a wireless LAN access point and automatically leads to the security setting for secure image transfer. Images can be stored in selected folders and the entire folder can be transferred. Added functions include IEEE802.11a/b/g compatibility (Type-A/B/G), WPS compatibility, camera linking function, Bluetooth function, media server function and WFT server Remote Live View. It allows wireless transmission (802.11a, b or g) to Mac or Windows computers up to 492 ft. Canon’s Wireless File Transmitter WFT-E2A allows photographers transmit images from cameras directly to a computer over a wired or wireless local area network (LAN), incorporates a number of significant features into a robust, camerapowered system to make wireless transfer up to 492 ft. (150m)* faster, simpler and less cumbersome than WFT-E1A. The WFTE2A is smaller and attaches to the side of the camera. The WFT-E1A offers several different ways of transmitting image data: it can communicate directly with a local computer outfitted with a wireless LAN computer, or with a direct Ethernet connection. It can also connect to a remote server through a wireless access point connection. Built to withstand the rigors of professional shooting, the WFT-E1A is the perfect complement to an EOS System. This wireless transmitter is dedicated to the EOS 7D. The transmitter is compatible with Wi-Fi Protected Setup to connect easily to a wireless LAN access point and automatically leads to the security setting for secure image transfer. Images can be stored in selected folders and the entire folder can be transferred. Added features include IEEE802.11a/b/g compatibility (TypeA/B/G), WPS compatibility, WFT server Remote Live View, media server function, camera linking function and Bluetooth function. It allows wireless transmission (802.11a, b or g) to Mac or Windows computers up to 492 ft. This wireless transmitter dedicated to the EOS 5D Mark II. The transmitter is compatible with Wi-Fi Protected Setup to connect easily to a wireless LAN access point and it automatically leads to the security setting for secure image transfer. Sending a batch of photos wirelessly is easy with the WFT-E4A. Images can be stored in selected folders and the entire folder can be transferred at once. It retains the same features as the WFT-E3A including great handling for vertical shooting and wireless transmission (802.11b or g) to Mac or Windows computers up to 492 ft. (150m)* away. This wireless transmitter dedicated to the EOS 50D and 40D camera. Completely integrated design for outstanding handling; includes vertical controls. Wireless transmission (802.11b or g) to Mac or Windows computers. Three separate wireless methods, including wireless remote control of camera from computer. Transmits up to 492 ft. (150m)*, depending on environment and computer set-up; wired Ethernet connection up to 1,000 ft. (330m). Its USB port allows an external hard drive to be directly connected to the camera. Superior Wireless Capabilities Protected Setup) makes it easy to make secure LAN connections. The newest generation of Canon WFT units (WFT-E5A, WFT-E2 II A, WFT-E4 II A) provide a wide range of networking functions that expand the photographer’s shooting versatility and efficiency. Whether attached to the side of the camera, or integrated to the body as an ergonomic grip, Canon's newest Wireless Transmitters include many advanced features and capabilities that make them required accessories for many working professionals. •Remote Live View – When used in the new WFT Server Mode, the Remote Live View function takes on added power. The unit then serves as a wireless server, transmitting images and enabling camera control over a LAN connection using an internet browser, or any browser-enabled device such as a smartphone or a notebook computer. A handheld device, for example, can be used as a remote live image viewer and a remote camera control, enabling the photographer to both view the image and release the shutter from a remote distance. WFT Server Mode also makes it possible for up to three separate computers to view the camera’s memory card contents over the Internet, providing simple drag-and-drop file transfer capability from anywhere in the world. •Weather-Resistant Design – Like the EOS-1D Mark IV, the WFT-E2 II A features a magnesium alloy body, making it rugged and lightweight. Moreover, its fully sealed design ensures that the highly weather-resistant design of the camera is not compromised. •Extensive Wired and Wireless LAN Functions – These new WFT units support IEEE 802.11 a/b/g wireless LAN environments. For wired connections, the adapter supports highspeed 100Base-TX communication. Built-in WPS (Wi-Fi •Multiple File Transfer Options – The new WFT units enable wired or wireless file transfer using a wide range of standard protocols. With the FTP mode, the computer becomes an FTP server, enabling files to be transferred to a folder on the computer’s hard drive. •Computer Connectivity and Control – EOS Utility mode, using Remote Switch RS-80N3 Timer Remote Controller TC-80N3 Remote Switch 60T3 Remote Switch RS-60E3 Wireless Remote Controller RC-1 Wireless Remote Controller RC-6 Wireless Remote Controller RC-5 Compatibility All EOS Digital SLR cameras except EOS Digital Rebel series, 1v Hs, 1v, 3 All EOS Digital SLR cameras except EOS Digital Rebel series, 1v Hs, 1v, 3 All EOS Digital SLR cameras except EOS Digital Rebel series, 1v Hs, 1v, 3 N3-compatible cameras**, 1n RS, 1n, 1, A2/A2e, RT,* 630*, 620*, 650* EOS Rebel T1i, Rebel XSi, Digital Rebel XTi/XT, Digital Rebel, ELAN 7 series, ELAN II/IIe, Rebel T2, Ti, 2000, G, X, XS, XSN, IX EOS 5D Mark II, EOS 7D, Rebel T1i, Rebel XSi, Digital Rebel XTi/XT, Digital Rebel, ELAN 7 series, II/IIe, ELAN, Rebel T2 Date, Ti Date, K2 Date, 10S EOS Rebel T2i, EOS 5D Mark II, EOS 7D, EOS Rebel T1i, Rebel XSi, Digital Rebel XTi/XT, Digital Rebel, ELAN 7 series, II/IIe, ELAN Rebel T2 Date, Ti Date, K2 Date, IX, 10S EOS 5D Mark II, EOS 7D, Rebel T1i, Rebel XSi, Digital Rebel XTi/XT, Digital Rebel, ELAN 7 series, II/IIe, ELAN, Rebel T2 Date, Ti Date, K2 Date, IX, 10S Description • An extendedrange Wireless Controller system designed for EOS cameras with N3 remote control sockets. • Provides remote shutter release capability. • Max. transmitter to receiver distance of 300 ft./91.5m • Remote switch to prevent camera shake for supertelephoto or macro shots and bulb exposures. • Works like a Shutter button, enabling halfway or complete pressing. • Shutter release lock • Connects to N3type socket. • Cord length: 2.6 ft./80cm. • Remote switch with self-timer, interval timer, long-exposure timer, and exposure-count setting feature. • Timer set from 1 sec. to 99 hrs., 59 min., 59 sec. • Easy operations with new dial. • Illuminated LCD panel. • N3-type connector. • Cord length: 2.6 ft./80cm. • Electromagnetic cable release with a 3-pin terminal. • Allows independent control of light metering and shutter release. • Cord length: 2 ft./ 60cm. • Compact remote switch replicating all the functions of a shutter release button. • Cord length: 2 ft./ 60cm. • Miniature infrared transmitter. • Set for either instant shutter release or 2-sec. delay. • Activate mirror lock and bulb shutter functions. • Operates as far as 16.4 ft./5m. • Compact design. • operates approximately 16.4 ft/5 m from the camera. • Set for either instant shutter release or 2-sec. delay. • Activate mirror lock and bulb shutter functions. • Compact design. • Operates as far as 16 ft./5m from the camera. *some earlier models require firmware upgrade Remote Control Accessories PTP protocol, provides two-way communication between camera and computer, enabling not only file transfer but also remote live view and extensive camera control capabilities. •USB Host Capability with GPS Support – Photographers can take full advantage of the WFT unit's USB host capability by connecting a compatible GPS device via USB cable or optional Bluetooth dongle. This makes it possible to add GPS coordinates, altitude and UTC time code to embedded shooting data within image files. Compatible GPS units include several in Garmin’s GPSMAP series and in the Magellan eXplorist series (using NMEA 0183 v.2.0.1 output data standard or “Garmin protocol”). USB Host capability also allows connectivity to some external hard drives for added storage options. •Linked Multi-Camera Shooting – Using multiple WFT units on compatible EOS Digital cameras, up to ten Slave/Remote cameras can be linked wirelessly to a Master camera. Connections are made simply and conveniently via wireless LAN. Remote camera shutters are automatically tripped when the Master camera shutter is released. With such a setup, a photographer can, for example, shoot simultaneously from various angles. * With no obstructions between the transmitting and receiving antennas, and no radio interference. With a large, high-performance antenna attached to the wireless LAN access point. 48 Wireless Controller LC-5 Remote Switch Adapter RA-N3 Remote Switch Adapter T3 Cable Release Adapter T3 Extension Cord ET-1000N3 Extension Cord 1000T3 Compatibility All EOS Digital SLR cameras except EOS Digital Rebel series, 1v Hs, 1v, 3 N3-compatible cameras**, EOS 1n RS, 1n, 1, A2/A2e, RT*, 630*, 620*, 650* N3-compatible cameras**, EOS 1n RS, 1n, 1, A2/A2e, RT*, 630*, 620*, 650* All EOS Digital SLR cameras except EOS Digital Rebel series, 1v Hs, 1v, 3 N3-compatible cameras**, EOS 1n RS, 1n, 1, A2/A2e, RT*, 630*, 620*, 650* Description • Enables old-model, T3 terminalequipped accessories to be connected to cameras with the N3-type socket. • Enables use of remote control devices with standard 2-pin subminiature jacks with T3-compatible EOS cameras. • Allows conventional mechanical cable release to be used with T3-type remote control sockets. • Connects compatible EOS cameras with Timer Remote Controller TC-80N3 or Remote Switch RS-80N3. • Cord length: 33 ft./10m. • Used with any other T3-compatible accessories for extension. • Cord length: 3 ft./10m. * EOS RT, 650, 630 and 620 require Grip GR20 with built-in T3 remote socket. ** T3 accessories require Remote Switch Adapter RA-N3 with N3-series cameras. 49 EOS SYSTEM ACCESSORIES Shooting Accessories Focusing Screens Ec Series For more customization, many of Canon’s EOS cameras are compatible with a vast choice of eyecups, diopter lenses and more for greater versatility in a number of shooting situations. Ec-A: Microprism EF 180mm f/3.5L Macro USM •f/4.5 •1/200 sec. Dioptric Adjustment Lens E Dioptric Adjustment Lens Ed Dioptric Adjustment Lens Eg All EOS SLR cameras except: EOS Mark III series, EOS-3, A2/A2e, ELAN 7 series, ELAN II/IIe, IX, IX Lite EOS-3, A2/A2e, ELAN 7 series, ELAN II/IIe EOS-1D Mark IV, 1Ds Mark III, 1D Mark III, EOS 7D Anti-Fog Eyepiece Ed Compatibility 1Ds Mark II, 1Ds, 1D Mark II n, 1D Mark II, 1D, D2000, 1v HS, 1v, 1n RS, 1n, 1 EOS-3, A2/A2e, ELAN 7 series, ELAN II/IIe Description These eyecups use specially treated advanced-process glass, which helps to prevent condensation, or fogging. The eyecups are useful in warm, humid and cold weather, when fogging is most likely to occur. These Dioptric Adjustment lenses provide near- and far-sighted users a clear viewfinder image without the use of eyeglasses. Available in versions from +3 to -4 dpt to match many types of eyesight, each Dioptric Adjustment Lens fits into the eyepiece holders of the appropriate EOS model for convenient use and a comfortable fit. Note: EOS-1Ds Mark III, EOS-1D Mark III and EOS 7D use Anti-fog Eyepiece Eg only. Note: EOS-1Ds Mark III and EOS-1D Mark III require Dioptric Adjustment Lens Eg only. Compatibility Eyecup Eb Eyecup Ec-II EOS ELAN, Rebel series**, 700, 750, 850, 5D Mark II, 5D, 50D, 40D, 30D, 20D, 20Da, 10D, D60, D30 EOS-1D Mark III, 1Ds Mark II, 1Ds, 1D Mark II n,1D Mark II, 1D, D2000, 1v HS, 1v, 1n RS, 1n, 1 Eyecup Ed Eyecup Ef EOS-3, A2/A2e, ELAN 7 series, ELAN II/IIe EOS Rebel T2i,T1i, Rebel XSi/XS, Digital Rebel XTi/XT, EOS Digital Rebel, Rebel T2, Ti, K2 Eyepiece Extender EP-EX15 II Eyepiece Extender EP-EX15 5D Mark II, 50D, 40D, EOS Rebel T2i,T1i, Rebel XSi, Rebel XS All EOS SLR cameras except: 1Ds Mark III, 1D Mark III, 5D Mark II, 50D, 40D, EOS-3, A2/A2e, ELAN 7 series, ELAN II/IIe, IX, IX Lite Extends the eyepiece 5/8" (15mm) from the camera body and reduces viewfinder magnification by 30%. Useful for eyeglass wearers and others to keep the tip of the nose from touching the camera body. Angle Finder C Eyecup Ed-E All EOS SLR cameras (Includes Adapter Ec-C and Ed-C to fit any EOS camera.) EOS-3, A2/A2e, ELAN 7 series, ELAN II/IIe Angle Finder C lets users adjust the viewing angle while providing a 2.5x magnification for critical focusing, or a full-screen image (1.25x) that includes exposure data. Provided with built-in dioptric adjustment for variations in eyesight. This large eyecup keeps out most sunlight and other external light, substantially enhancing viewfinder visibility. It is especially helpful for eyeglass wearers when photographing outdoors. The mount can be rotated for vertical shots. Eyecup Eg Rubber Frame Eb* Rubber Frame Ec* Rubber Frame Ef* EOS-1D Mark IV, EOS-1Ds Mark III, 1D Mark III, EOS 7D EOS 10S, ELAN, 5D mark II, 5D, 50D, 40D, 30D, 20D, 20Da, 10D, D60, D30, Rebel series** EOS-1Ds Mark II, 1Ds, 1D Mark II n, 1D Mark II, 1D, D2000, 1v HS, 1v, 1n RS, 1n, 1 EOS Rebel T2i,T1i, Rebel XSi, XS, Digital Rebel, Rebel T2, Ti, K2, Required for use of Dioptric Adjustment Lens E All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1v, 1n, 1n RS, EOS-1 and EOS-3 Description This matte field screen with microprism focusing spot in the center is used for general photography with all lenses.It achieves best results when using a lens of f/5.6 or faster. Ec-l: Laser-Matte with Double Cross-Hair Reticle Compatibility Description Eg-A: Compatibility Description 50 Eg-D: Eg-S: EOS 5D Mark II Standard focus screen exclusively for the EOS 5D Mark II. Matte surface with nine AF points etched on screen. For general photography with all lenses. Compatibility Similar to standard Eg-A screen for EOS 5D Mark II, but with horizontal and vertical lines for precise subject placement or alignment. EOS 5D must be set to Custom Function IV-5-1 for accurate exposure metering. An all-matte focus screen for the EOS 5D Mark II with finer microlens structure than the standard screens. Out-of-focus areas show more vividly than with EG-A and EG-D screens. EOS 5D Mark II must be set to Custom Function IV-5-2 for accurate exposure metering. Description Compatibility Ef-A: Ef-D: Ef-S: EOS 50D, 40D EOS 50D, 40D EOS 50D, 40D The standard focus screen for EOS 40D. Standard Precision Matte surface, ideal with most lenses including zooms f/3.5 thru f/5.6. All matte surface. Includes a special tool to remove existing screen. Precision Matte surface, with etched grid lines to assist composition. The EOS 40D's AF points remain fully visible. Focus characteristics suited to most lenses. Exclusively for the EOS 40D, this focus screen is optimized for wide-aperture lenses from f/1.8 to f/2.8. Areas that are slightly out of focus appear more out of focus, making it easier to tell when focus is righton. Ideal for users who frequently manually-focus in dim light with fast lenses. Standard on the EOS-1D series, EOS-1v HS/EOS-1v, and compatible with all EF lenses, this screen includes an Area AF ellipse and spotmetering circle. Manual focus can be checked anywhere on the screen. This Laser Matte Ec-C IV uses a shaping method improved over the Ec-C III. It achieves easier focusing and good background blur. brighter, less grainy, and better balanced. Ec-L: Cross-Split Image Ec-N: New Laser-Matte Ec-R: New Laser-Matte Description Ec-D: Laser-Matte with Sections Ec-H: Laser-Matte with Scale This is a matte field screen with sections. Grid lines assist in determining accurate picture composition. It is especially well suited for close-up photography or for copy work using EF macro lenses, it can also be used for general photography with all lenses. A matte field screen with vertical and horizontal scales marked in millimeters, this screen is effective for close-up photography and photo-micrography. Useful in determining magnification ratios and composition, this screen can be used with all lenses. Ec-S: Super Precision Matte† All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1v, 1n, 1n RS, EOS-1 and EOS-3 This is a matte field screen with a clear center spot containing a double crosshair reticule. Focusing is possible using the floating image of the central cross hair. This screen is particularly useful for photomicrography and astrophotography. Surrounding matte field can be used with all lenses. Ec-1Ds/Ec-1D/Ee: Crop Lines Focusing Screens Ef Series Ec-C IV: Laser-Matte This matte field screen with split-image focusing spot in the center is good for general photography with all lenses. This matte field screen has a cross-split image in the center, which divides the subject in half both vertically and horizontally for accurate manual focusing. Used for general photography with all lenses, best results are obtained when using a lens of f/5.6 or faster. This is the standard screen for the EOS-3. The outer oval-shape the 45 AF points; the inner circle is for spot and FEL metering. When shooting, the focusing points will be indicated in red LCD markings. Along with the Ec-R screen, it is approximately 1/2 stop brighter than the LaserMatte series screens. Focusing Screen Sets for 4x5 and Square Formats * Used with Dioptric Adjustment Lens E. ** Except Digital Rebel, Rebel T2, Ti and Rebel K2 Focusing Screens Eg Series Ec-C III: Laser-Matte Compatibility Eyecups, Rubber Frames and Dioptric Adjustment Lenses Anti-Fog Eyepiece Ec Ec-B: New Split Ideal for the portrait and wedding photographer, the set “Crop Lines” includes two focus screens—one with 4x5 (or 8x10) crop lines etched on the screen, and a second screen with lines for square composition. All exposure metering can be performed normally in camera, and red focus point illumination remains fully active. The other sets “Black Mask” have and opaque black mask outside the picture area. One screen of the set shows the area for 4x5 (or 8x10) cropping, the other shows the area for square cropping. Partial or Spot metering is recommended for these screens. E-TTL II flash exposure will definitely require significant compensation. FEL (Flash Exposure Lock) in conjunction with either partial or spot metering is recommended. 3 types are available for both sets respectively, according to the size of the CMOS sensor and viewfinder optics: for full frame 1Ds series*, 1D series and for 5D. An all-matte focus screen for the EOS-1D Mark II n with finer microlens structure than the standard screens. Out-of-focus areas show more vividly than with the other Ec type screens. Ideal for fast lenses (f/1.8 through f/2.8 max aperture). Focusing Screens Ee Series Ec-1Ds/Ec-1D/Ee: Black Mask EOS-1D Mark IV, EOS-1Ds/1D Mark III, 1Ds/1D Mark II, 1Ds/1D This is the standard screen provided with the EOS-1n RS. It compensates for decreased viewfinder brightness due to the low reflection factor of the pellicle mirror. It is about 1/2-stop brighter but otherwise similar to Focusing Screen Ec-CII. It can be used in all EOS-1 series cameras, as well as the EOS-3. Ee-A: Precision Matte Compatibility Ee-S: Super-Precision Matte Similar to standard Ee-A screen for EOS 5D, but with horizontal and vertical lines for precise subject placement or alignment. Overall matte surface gives viewing and focusing very similar to standard Ee-A screen. EOS 5D must be set to Custom Function 00-1 for accurate exposure metering. An all-matte focus screen for the EOS 5D with finer microlens structure than the standard screens. Out-of-focus areas show more vividly than with Ee-A and Ee-D screens. It works best with lenses from f/1.8 to f/2.8 max aperture, especially for manual focusing. EOS 5D must be set to Custom Function 00-2 for accurate exposure metering. EOS 5D Replacement standard focus screen exclusively for the EOS 5D. Matte surface with nine AF points etched on screen. For general photography with all lenses. Description Ee-D: Precision Matte with Grid Lines *can also be attached to 35mm EOS-1 series and EOS-3 cameras. Note: All focusing screens include a special tool for removing original screen and installing new screen. EOS-1Ds, EOS-1D Mark II, EOS-1D, EOS-1v HS and EOS-1v—If using New Laser Matte Focus Screens Ec-N or Ec-R, be sure to set camera’s Custom Function C.Fn-0 to “0”. EOS-3—If using Laser Matte Ec-A, Ec-B, Ec-C II, Ec-C III, Ec-D, Ec-I or Ec-L focus screens, be sure to set camera’s Custom Function C.Fn-0 to “1”. Exposure compensation is required when combining the focusing screen Ec-R with the EOS-1 or EOS-1n, and when combining the focusing screens Ec-A, B, Cll, D, H, I and L with the EOS-1n RS. Refer to each focusing screen’s instructions for detailed information. † EOS-1Ds Mark III, 1D Mark III and 1D Mark II n must be set to appropriate Custom Function for accurate exposure metering when this screen is installed. Manual exposure is required for use with other EOS-1 series cameras. 51 EOS SYSTEM ACCESSORIES Power Supplies Peripherals To add more power, ergonomics and speed to your EOS SLR body, consider one of Canon’s professional quality power boosters and grips. Check out the chart below to find the best match for your EOS SLR. Canon offers a comprehensive line of accessories for the photographer on the go. Canon’s camera cases are built specially to help protect EOS models, and the bags can accommodate a number of different camera configurations. These are all built to the highest standards, and are the perfect complement to the EOS System. Bag Power Drive Booster / Battery Pack Chart Includes Custom Media Case 10DG Digital Gadget Bag 100DG Power Drive Booster PB-E2 Battery Pack BP-E1* Battery Pack BP-220* Battery Pack BP-50* Weight (without batteries) 17.1 oz./484g 9.8 oz./280g 4.1 oz./115g 5.3 oz./150g Compatibility EOS-1v HS, 1v, 1n, 1, 3 EOS-1v HS, 1v, 1n, 1, 3 Rebel T2/Ti/K2 ELAN II/IIe Functions Shutter Release button, AE Lock button, FE Lock/Multi-spot Metering button, Main Dial, focusing point selector — Shutter Release button, on/off switch Shutter Release button, on/off switch Ni-MH Battery Pack NP-E2 or Battery Magazine BM-E2 and 8 AA-size Alkaline, Lithium-ion, Ni-MH or Ni-Cd batteries 2CR5 lithium-ion battery (x1), AA-size (Alkaline, rechargeable Ni-Cd, Ni-MH) batteries (x4) AA-size (Alkaline, Ni-MH) batteries (x4) 2CR5 lithium-ion battery (x1), AA-size batteries (x4) Power Source Storage Capacity 1~ 2 Power Drive Booster PB-E2 Accessories ~ 3 1 1~ 2 2 ~ Professional Gadget Bag 1EG 3 2 Deluxe Gadget Bag 10EG 7 ~ 10 2 5 ~ 8 Dimensions Inside: 13" x 9.5" x 6.25" (W x H x D) Inside: 10.5" x 7.5" x 7" (W x H x D) Inside: 14.2" x 8.7" x 8.3" (W x H x D) Inside: 10.5" x 8.0" x 7.5" (W x H x D) Description To hold cameras, lenses, accessories and a laptop computer. It features a durable, waterrepellent nylon extender, pockets and padded dividers. Also Custom Media Case 10DG* to organize memory cards and CDs is included. This bag has a roomy main compartment for camera body and extra lenses. Front and side pocket hold extra batteries, storage media and others. This functional bag is with nonslip shoulder strap and water-resistant nylon covering to keep your gear safe and sound. Waterproof, urethane-coated material provides this bag with superlative weather protection and the weather flapped top cover. Fully padded pockets and zippered pouches provide storage spaces with fast access to equipment. Made with rugged, waterproof material with all the features of the Professional Gadget Bag 1EG. Plus a built-in waist belt that tucks away behind the rear pouch. Deluxe Back Pack 200EG Custom Gadget Bag 100EG Zoom Pack 1000 Bag Gadget Bag 2400 Storage Capacity *Not compatible with AA-size lithium-ion batteries. 2 Digital Gadget Bag 200DG 1 1 ~ 1~2 2 3 ~ 4 1~2 1 3 ~ 4 1 Dimensions Size: 9.5" x 7.0" x 6.0" (W x H x D) Inside: 10" x 14.75" x 5" (W x H x D) Inside: 9" x 7" x 5.5" (W x H x D) Inside: 6.5" x 8.7" x 4.72" (W x H x D) Description A lightweight and versatile camera bag designed to hold your important gear. Durable water-repellant nylon sell and padded interior keep all equipment secure. Front and side pockets add storage space and easy access for smaller items. Perfect for the active photographer. Constructed of rugged water-repellant nylon, well arranged dividers and multiple pockets and pouches mean there is plenty of room for just about anything. The front zippered pouch features 3 accessory pockets. The rear flat-pouch is perfect for storing things such as plane tickets. There is also a zippered full-length mesh pouch inside the tip cover. Specially designed to comfortably transport one camera with a standard zoom lens. It features waterproof material, a belt strap and front pouch for small items such as films, memory cards or accessories. Grips Case Battery Magazine BM-E2 Weight Description 52 † Ni-MH Pack NP-E2 Ni-MH NC-E2 1.8 oz./50g (without batteries) 10.9 oz./320g 12.5 oz./354g Magazine holds eight AA-size alkaline, lithium-ion, Ni-Cd or Ni-MH batteries. (Provided with the PB-E2) Powerful rechargeable battery pack dedicated to the PB-E2. The rated voltage is 12V. It can be recharged over 500 times. When fully charged, it has enough power for 70 rolls of 36-exposure film at 68ºF/20ºC. Charger dedicated to the NP-E3 Battery Pack and the NP-E2 Pack. Two packs can be attached at one time. The discharge feature (taking up to 8.5 hrs) cancels the pack's memory effect. It runs on 100240V AC, ideal for international travel. Compatibility Grip GR100TP Grip GR-80TP Weight 9.5 oz./271g 10.5 oz./300g Compatibility Rebel 2000 Rebel G, X, XS, XSN Description Incorporates a mini tripod, excellent for use with self-timer, low-angle or night photography. The tripod can easily be adjusted vertically and horizontally, and when folded up, it is integrated with the body. Combined use with the hand strap to help ensure a secure grip on the camera. Semi-Hard Case EH19-L Semi-Hard Case EH18-L Semi-Hard Case EH17-L Semi-Hard Case EH14-L Semi-Hard Case EH15-L EOS Rebel T1i, EOS Rebel XSi EOSDigitalRebel XTi,DigitalRebel XT EOS 30D, 20D, EOS 20Da EOS ELAN 7 series EOS Rebel T2, Ti, K2 Canon Straps Tripod & Monopod Level Included Wide Neck Strap EW-EOS 5D Mark II Deluxe Tripod 200 Quick Release Photo Platform Monopod 100 Length 59.33" extended/21.67" folded 63.0" extended/20.5" folded Weight 2.65 lbs. 16 oz. Description This lightweight tripod is designed for easy portability and maximum stability. It features a 3-way pan head for precise control. The 3-section tubular leg construction allows for amazing stability. The tripod also features a built-in spirit level and a quick release shoe. A lightweight, high-quality monopod featuring a deluxe 4-section compact tubular leg with quickside-lever leg locks and rubber tipped foot for added stability. The Monopod 100 has a foam-covered handgrip, wrist strap and also a ball socket head. Professional Neck Strap 1 Rugged, high quality neck strap designed for the most demand- Wide Strap EW-100DB III ing photographers. Features durable nonslip backing, quickrelease clips and antitwist hardware to make carrying and shooting easy. Neck Strap L3 *Also available separately. †For compatibility with specific lenses see your Canon Authorized Dealer or visit usa.canon.com/eos. Wide Strap EW-EOS7D Neck Strap L4 Hand Strap E1 53 POWERSHOT The Perfect Complement to Your EOS System With shared EOS technologies like Genuine Canon optics, Optical Image Stabilizer, DIGIC Image Processor, and a familiar user interface, it’s easy to transition seamlessly between an EOS SLR and a PowerShot compact camera. They’re the perfect complement to each other. Pocketable perfection. The new PowerShot S90 from Canon puts SLR control and speed into a pocket-sized, take anywhere gem of photographic excellence. It delivers phenomenal results in most any situation. It has the new Canon High Sensitivity System — composed of a new 10.0 Megapixel sensor designed for low-noise, high-ISO shooting up to ISO 12800 and the Canon DIGIC 4 Image Processor — and a bright f/2.0 3.8x Optical Zoom (28 – 105mm equivalent) with the Canon Optical Image Stabilizer. And the S90 delivers phenomenal performance thanks to its fast lens, a 3.0-inch PureColor System LCD for true to life color reproduction, its customizable control ring for easy access and operation of manual or other creative shooting settings and its ability to shoot RAW + JPEG for creative control. All of this comes in a sleek, gorgeous and portable design tailored for the pockets of photographers everywhere. High Sensitivity System on the G11) and the lens-based Canon Optical hip level, enhancing Image Stabilizer, images are guaranteed to be composition choices sharp and crisp with impressive contrast and and making shooting color fidelity no matter the subject. possible in more situa- ≥4 control ring, parame- The Canon ≥4 ters like exposure, aperture, white balance, Image Processor iSAPS zoom and more can be accessed and set with a technology helps to simple twist. tions. With the S90’s Control Ring ensure that image capture ©VII Antonin Kratochvil The Best and the Brightest. The PowerShot G11 brings Canon EOS performance to a compact camera that can shoot virtually anywhere, anytime. Engineered to perform, the PowerShot G11 features the High Sensitivity System which allows for even greater opportunities in a wider range of situations for sharper, beautiful photos. The High Sensitivity System is possible thanks to a combination technologies: a 10.0 Megapixel sensor, wide ISO range, Canon DIGIC 4 Image Processor, a fast, f/2.8 lens with 5x Optical Zoom (28-140mm equivalent) and Canon Optical Image Stabilizer. It also features a large, 2.8-inch Vari-angle PureColor System LCD with 461,000 dots, plus optical viewfinder. It offers the ultimate in creative control, with a range of shooting modes including RAW + JPEG, has an improved Smart Auto function with 22 predefined shooting situation settings. It is also compatible with a number of optional accessories, including Speedlites, lens adapters and a waterproof housing, and connects to an HDTV via HDMI. With power to go, amazing automatic and manual functions, speed, flexibility and superlative Canon optics, the G11 is indeed the flagship PowerShot camera. 54 The superb performance of the PowerShot S90 is completed quickly and RAW Image Capture and G11 is in no small part thanks to the High easily, and that every Both the Sensitivity System from Canon. The combination image captured is as clear and sharp as can be. PowerShot G11 of a powerful 10.0 Megapixel CCD sensor and the More powerful processing makes the recording of and S90 offer brilliant DIGIC 4 Image Processor, along with fast large, high resolution images faster and easier RAW image lenses (f/2.0 on the S90 and f/2.8 on the G11) than ever before, while iSAPS technology enables recording in and the Canon Optical Image Stabilizer, ensure high-speed AF and high-precision exposure and addition to JPEG. enhanced performance. It delivers lower noise color processing, all in the blink on an eye. Perfect for images that the images even at higher ISOs, an increase in RAW development with Digital Photo Professional dynamic range, less blurring, less use of flash Enhanced Camera Operation photographer and more confidence to shoot in dimly lit situations. Specialized features, wishes to work with in post-production, RAW files like the 2.8-inch Vari- are the equivalent of digital negatives, in that Bright Lenses with OIS angle PureColor only the image data is recorded. With RAW The design brilliance and System LCD, found image files, the photographer can alter aspects know-how that goes into on the PowerShot like color balance, sharpness, saturation and some of the world’s most G11, and the control celebrated optics delivered ring found on the the phenomenal lenses in PowerShot S90, bring a whole new level of cus- the S90 and G11. With tomization to the photographic process. With bright maximum apertures, fast lenses (f/2.0 on the G11’s Vari-angle PureColor System LCD, it’s the S90 and f/2.8 on the G11), wide-angle simple to compose and shoot with the camera zooms, (28 – 105mm on the S90 and 28 – 140 held high above the photographer’s head or at more, infinite times in post-production virtually 2.8” Vari-angle PureColor System LCD without image degradation. 55 PHOTO PRINTERS imagePROGRAF Printer Technology Photographers seeking to produce their own gallery-grade inkjet prints have had limited choices until now. Understanding the demands of professional photographers—especially those who shoot with the EOS System—Canon has responded with the imagePROGRAF series Photo Printers. Both feature impressive new technologies that bring superb quality and performance to large format photo printing. It’s never been simpler or more cost-effective to produce gallery-grade prints at home or in the studio. LUCIA 12-Color Pigment Ink Set LUCIA 12Color Pigment Ink Set ©Nick Vedros PHOTO PRINTER TECHNOLOGY Built upon a foundation of leading-edge technologies, the EOS System puts photographers in touch with their mind’s eye, enabling them to capture images of beauty and clarity that had once existed only in their imaginations. Canon’s commitment to photographic excellence, however, does not end with image capture. Combining Canon’s superb expertise in photography, photocopying and printing technologies, Canon imagePROGRAF and PIXMA photo printers are redefining output quality, performance and convenience. They are the perfect complement to your EOS System with results that are nothing short of stunning! imagePROGRAF iPF5100 PIXMA Pro9500 Mark II 54 56 PIXMA Pro9000 Mark II Canon’s 12-color LUCIA ink set includes Red, LUCIA Ink Blue, Green, Photo Cyan, Photo Magenta, Gray, Photo Gray and Matte Black inks in addition to the traditional Cyan, Magenta, Yellow Canon LUCIA Ink set vs. Adobe RGB Canon RC Photogloss L=50 and Black inks. This enables the imagePROGRAF printers to reproduce a much wider range of colors with superb saturation and tonal gradation. Moreover, the two Gray inks ensure black-andwhite photo prints of exceptional tonal depth and detail with substantially reduced metamerism. The LUCIA ink set for imagePROGRAF iPF6100 and iPF5100 feature the same wide color gamut of their predecessors, but with improved features. They offer greater scratch resistance and longevity thanks to an improved polymer coating that allows the ink to bond more efficiently and effectively to the paper. Reformulated Gray and Photo Gray inks combine with processing optimization to ensure better gradation, resulting in even less visible grain than their predecessors, and offer a higher overall print quality with dramatically reduced bronzing. Automatic Color Stability Control System All imagePROGRAF printers offer a sophisticated, automatic color stability control system for simple, predictable color. With a high-performance multisensor installed in the printer, calibration is done easily and quickly (approximately 10 minutes) with a simple setup from the printer’s operation panel. When calibrated, photographers will find amazing consistency among all calibrated printers they might use. Canon’s imagePROGRAF color calibration will ensure that the colors photographers saw when they shot, and on their calibrated computer screens will be preserved in print. PhotoLithographic User-Replaceable Print Heads Canon’s FINE (Full-photolithography Inkjet Nozzle Engineering) print heads helps to ensure accurate and detailed ink delivery, no matter the medium being used for printMulti-nozzle Dual Print Heads ing. This new, advanced head design uses two print heads— each with 15,360 nozzles—yielding over 30,000 nozzles, which release microscopic ink droplets quickly and precisely. This not only makes extremely high output resolution simple, but also ensures faster, more reliable printing. Photographers no longer need to compromise on print speed to attain high image quality because Canon’s superb print head technologies deliver both. The large number of nozzles also substantially increases print head life, so the printer requires less frequent maintenance. The print heads are user replaceable, can be replaced with minimal downtime and without service calls, saving time and money and increasing productivity. 16-Bit Printing Support While conventional inkjet printers support 8 bits per-channel and require a conversion from 16 bits somewhere during the workflow, the imagePROGRAF Printers provide advanced support for high-bit depth files. Software Plug-ins enable high-bit depth images to be printed directly from Digital Photo Professional 2.1. Also included is an export module for printing 16-bit files directly from Adobe® Photoshop®. These features provide the photographer with the first true wide-dynamic-range workflow option from capture to output. Images are reproduced with smoother tonal gradations for greater photorealism. Dynamic-range-related problems, such as posterization and banding, are significantly reduced. Exclusive Canon L-COA Image Processor High Performance & Integration Integrated System & Engine Control High Speed Engine Control High Fine Image Process High Accuracy & High Speed Control of High Density Head Integrated System & Engine Control 57 PHOTO PRINTERS PIXMA Printer Technology Canon’s PIXMA photo printers bring life to images taken with EOS Digital SLR cameras. With the introduction of the PIXMA Pro9500 Mark II and Pro9000 Mark II, Canon has entered the realm of fine art printing while remaining true to the Canon quality and speed photographers everywhere know and trust. FINE Print Head Technology ©Eric Meola Automated Black Ink Cartridge Switching The ink set includes both black and matte black cartridges to allow printing on photo paper and matte paper respectively without switching cartridges or wasting of ink every time. Other printers require the user to perform an inconvenient and wasteful manual operation to flush unused ink and switch cartridges. However, with the Canon imagePROGRAF Printers, both black ink cartridges are loaded and live at all times, so switching over is performed efficiently with a simple push of a button. Vast Output Media Selection The imagePROGRAF Printers support a wide range of paper and specialty output media, such as resin coated photo paper, canvas and fine art more than 35 different types of compatible paper, with additional paper and media types in the works. Moreover, the supplied Media Configuration Tool enables the user to easily update the driver, using a periodically published database, to accommodate new Canon media as they become available. Cassette Automatic Head Clog Detection Canon’s sophisticated nozzle clog detection system automatically senses non-firing nozzles and executes a print head cleaning cycle as required. Should a clogged nozzle fail to recover after cleaning, the system automatically compensates by substituting other functioning nozzles. This minimizes print-head-related output failures, reduces paper waste and improves print head durability, saving photographers both time and money. paper. 4-way media feeding, including a roll feed, enable the printers to handle media thicknesses from 0.08 to 0.8 millimeters. Besides media available from other manufacturers, Canon offers 58 The imagePROGRAF Printers are equipped with USB 2.0 Hi-Speed and Ethernet interfaces. An IEEE 1394 Firewire interface is also an available option. The printers also feature excellent multiplatform support, helping to enable seamless integration with a wide variety of hardware and workflow configurations. Canon’s high-precision FINE (Full-photoFINE lithography Inkjet 2 pl 2 pl (conceptual diagram) PIXMA Pro9000 Mark II Nozzle Engineering) print heads each have thousands of nozzles designed to release microscopic ink droplets as small as 2-picoliters (PIXMA Pro9000 Mark II only) in a single pass, resulting in fast, high-resolution printing. Capable of plotting thousands of ink droplets each second, the high-density nozzle pitch produces sharper detail and less grain. Canon’s print heads are engineered using a photo-lithographic process that produces incredibly high-precision output and equally incredible prints. 10-Color Pigment Ink System * iPF6200, iPF6100 and iPF5100 handles: 0.08 to 1.5 millimeters Advanced Connectivity Roll Paper 4-way Media Feed (iPF5100 only) Total 6,144 nozzles Manual from the top Manual from the front Featuring the same LUCIA pigment ink found in the imagePROGRAF printers, the PIXMA Pro9500 Mark II’s 10-color pigment ink set produces professional quality, archival prints. The Gray, Black and Matte Black ink produce monochrome photographs of superb quality on fine art and glossy paper. Gray ink reduces grain, banding and metamerism and virtually eliminates color shifts. Unlike black ink that increases contrast, Matte Black ink increases black density on fine art paper while maintaining detail in shadows. With 10 individual ink tanks, users can replace a single color, reducing waste and saving money. Since the Pro9500 Mark II’s ink is less sensitive to light and environmental factors, prints have incredibly smooth gradations and are archival. The ChromaLife100 System to print directly from their cameras with the exact color tones and saturation they specify. The PIXMA Pro9000 Mark II is outfitted with an 8-color dye-based ink system. With the addition of Red and Green inks, red saturation is increased by approximately 60% and green saturation is increased by approximately 30%. The PIXMA Pro9000 Mark II uses ChromaLife100 ChromaLife100 Ink System ink for improved image longevity. Photos have a 100-year print life when kept in albums, and when these inks are combined with Canon’s genuine photo media, prints will withstand 30year light fastness and 10-year gas fastness*. This advantage is achieved without compromising print quality or speed. Easy-PhotoPrint Pro Software Canon’s Easy-PhotoPrint Pro (EPP Pro) software plug-in for Digital Photo Professional (Ver. 2.1 or higher), Adobe® Photoshop® CS/CS2/CS3/CS4 Pattern Print and Adobe® Photoshop® Elements® 6 provides an easier photo printing experience. EPP Pro has layout options such as pattern prints, contact prints and prints with shooting information. It also allows for color adjustments, including ICC Profile, Linear Tone, Photo Color, monotone printing and grayscale printing, and with advanced color management, all settings can be saved. The PIXMA Pro9500 Mark II and Pro9000 Mark II printers incorporate the Ambient Light Correction functionality that helps to ensure the quality of a print image viewed in a working environment as well as in a viewing environment where the image is exhibited. Advanced Paper Handling The PIXMA Pro9500 Mark II/9000 Mark II features two paper paths: a standard top loader and a manual front loader for increased versatility and convenience. The front loader can accept thick, fine art media, creating a straight paper path that prevents the media from bending while printing. PictBridge Shoot digital, print direct. It’s a fast and easy way to print pictures on the spot without a computer. Just connect any PictBridge-compatible printer to a digital camera and print. 1. Connect – Connect your EOS digital camera directly to a PictBridge-compatible photo printer. 2. Select – Choose the image, print size and style from the camera’s LCD menu screen. 3. Print – Press the print function from the menu and you’ll have photo lab-quality prints in minutes. Improved Camera to Printer Connectivity When shooting with selected EOS digital SLR cameras and printing with the PIXMA Pro9500 Mark II/ Pro9000 Mark II, photographers can take advantage of improved advanced camera direct capabilities. Photographers can use print effects to finely tune images and can arrange images in a variety of useful layouts—all on their cameras. Ultimately, this level of connectivity enables photographers USB Cable EOS Digital Cameras (with Direct Print) Interface Cable IFC-300PCU/IFC-400PCU (5D, Digital Rebel XTi/XT), IFC-500U/IFC200U (EOS-1Ds Mark III, 1D Mark IV, 5D Mark II, 7D, 50D, 40D, Rebel T2i/T1i/XSi/XS) (with Direct Print) Computers EOS-1Ds Mark III EOS-1D Mark IV PC Card Adapter Roll (optional) Inkjet Photo Printer PC Compatible Computer EOS 5D Mark II EOS 7D EOS 50D EOS 40D CF/SD Card Reader CF/SD Cards Consistent Ink Ejection System To enable smooth prints, all of the ink below the cartridge’s heater is expelled by the generated bubble, eliminating the need to break the ink away. The ejection volume is therefore not affected by differences in ink temperature, so ink droplets of a prescribed volume are ejected consistently. PictBridge Compatible Printers Macintosh Computer USB Cable Compact Photo Printer USB Cable EOS Rebel T2i EOS Rebel T1i EOS Rebel XSi EOS Rebel XS Scanner 35mm Slide 35mm Film Medium format negatives or transparencies up to 4” x 5” CanoScan * Based on accelerated dark storage testing by Canon under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves. Canon cannot guarantee the longevity of the print; results may vary depending on printed image, drying time, display/storage conditions and environmental factors. See www.cusa.canon.com/chromalife100 for additional details. 59 PHOTO PRINTERS Photo Printing Redefined Canon photo printers deliver professional, lab-quality prints of images taken by EOS digital cameras with convenience and speed. Augmented by new ink sets and technology that improve the quality of color and black-and-white prints, Canon’s new imagePROGRAF and PIXMA photo printers have redefined professional photo output. / Featuring Improved LUCIA Ink Set for Long-Lasting Photos. The iPF6200/iPF6100 features a 24-inch wide paper feed. A new, refined LUCIA Pigment based inkset offers improved scratch resistance and longevity thanks to an improved polymer coating that allows the ink to bond more efficiently and effectively to the paper. The Printer operation is easy to set up from the operation panel. FINE print head technology supports stable ink firing, printing speeds, accurate color adjustments and quality—beautiful and smooth color gradations. The iPF6200, only, has an internal 80GB hard disk. Professional Quality Photos for Big Ideas. Capable of quickly printing lab-quality prints up to 13" x 19", Canon PIXMA Pro9000 Mark II raises the bar thanks to its combination of speed and versatility. Its FINE print head generates a maximum resolution of 4800 x 2400 dpi and ChromaLife100 dye-based inks create long lasting, beautiful photos. Canon’s Easy-PhotoPrint Pro software, including plug-ins for Adobe® Photoshop® CS/CS2/CS3/CS4, Digital Photo Professional Ver2.1,and newly included Adobe® Photoshop® Elements® 6 provides an excellent photo printing experience. ©Michele Celentano ©Tyler Stableford Superb Color Reproduction with Canon’s LUCIA 12-Color Pigment Ink Set. ©Stephen Eastwood With Canon’s imagePROGRAF iPF5100, no-compromise large-format, fine art printing is incredibly easy. Canon’s exclusive LUCIA 12-color pigment ink set yields a tremendous range of colors and grays. For smooth, detailed color and black and white images, no matter the media. Canon’s FINE photo-lithographic heads help to ensure accurate plotting of even the fine details thanks to over 30,000 nozzles. Matte Black ink and Black ink cartridges are both loaded in the printer at the same time, enabling automatic switching without wasting time or ink. LUCIA 10-Color Pigment Ink Set Creates Rich Color Photos. ©Michel Tcherevkoff 60 For fabulous quality color and black and white photographs, up to 13" x 19", one needs to look no further than the PIXMA Pro9500 Mark II. With the LUCIA 10-color pigment ink system, few other printers out there that can print both stunning color and smooth black-and-white photographs like the Pro9500 Mark II. The inclusion of gray, matte and photo black pigment tanks, combined with 3 pl droplets helps to ensure very smooth gradations and the results are prints that will astound. Ultimate Wireless Photo All in One Printer. Six individual ink tanks including gray ink for truly professional-looking black & white photos. With maximum up to 9600 x 2400 color dpi, your prints will be of exceptional photo quality. New features include Professional Color Adjustment in the Easy-PhotoPrint Pro software and “Auto Photo Fix II” to adjust and correct your photos. High Quality and Portable. Up to 9600 x 2400 color dpi with microscopic droplets as small as 1 picoliter, 4" x 6" photo as fast as in 50 seconds, and your photo can be enhanced with Auto Image Fix. The PIXMA iP100 Mobile Printer is also capable of printing wirelessly via optional IrDA or Bluetooth. 61 PHOTO PRINTERS Printer and Scanner Comparison Chart Photo Printers Photo All-In-Ones Pro Series Ink System Ink Type PIXMA Pro9500 Mark II Inkjet Photo Printer PIXMA Pro9000 Mark II Inkjet Photo Printer LUCIA Pigments ChromaLife1005 10 Individual Ink Tanks 8 Individual Ink Tanks PIXMA MP990 Inkjet Photo All-In-One PIXMA MP640 Inkjet Photo All-In-One PIXMA MP560 Inkjet Photo All-In-One PIXMA MP490 Inkjet Photo All-In-One ChromaLife100+5 ChromaLife100+5 ChromaLife100+5 ChromaLife100+5 6 Individual Ink Tanks 5 Individual Ink Tanks 5 Individual Ink Tanks Cartridge Print Resolution 9600 x 2400 9600 x 2400 9600 x 2400 4800 x 1200 Number of Nozzles 6,144 Nozzles 4,416 Nozzles 2,368 Nozzles 1,472 Nozzles 4" x 6" Borderless in 20 sec. 4" x 6" Borderless in 20 sec. 4" x 6" Borderless in 39 sec. 4" x 6" Borderless in 43 sec. 3.8" LCD 3.0" LCD 2.0" LCD 1.8” LCD 8.5" x 11" • • • • 8" x 10" • • • • • • Ink System Ink Type 1 Print Resolution 1 4800 x 2400 4800 x 2400 Print Speed2 Number of Nozzles 7,680 Nozzles 6,144 Nozzles 4" x 6" Borderless in 65 sec. 4" x 6" Borderless in 25 sec. Display PIXMA iP4700 Inkjet Photo Printer PIXMA iP3600 Inkjet Photo Printer PIXMA iP100 Mobile Photo Printer ChromaLife100+5 ChromaLife100+5 ChromaLife1005 Ink Type 5 Individual Ink Tanks 5 Individual Ink Tanks Cartridge Print Resolution1 9600 x 2400 9600 x 2400 9600 x 2400 Number of Nozzles 4,416 Nozzles 2,368 Nozzles 1,856 Nozzles 4" x 6" Borderless in 20 sec. 4" x 6" Borderless in 41 sec. 4" x 6" Borderless in 50 sec. 8.5" x 11" • • • 8" x 10" • • • 5" x 7" • • • 4" x 6" • • • Auto Duplex • — — Auto Sheet Feeder • • • Auto Photo Fix II • — — Bluetooth3 — — — Dual Paper Path • • — Easy-PhotoPrint EX • • • Easy-PhotoPrint Pro — — — FINE Technology • • • IrDA4 — — • PictBridge • • • USB 2.0 Hi-Speed • • • Ink System Borderless Print Sizes Print Speed2 Borderless Print Sizes 13" x 19" • Print Speed2 5" x 7" • • • 4" x 6" • • • • 8.5" x 11" • • 8" x 10" • • 4 in 1 / 2 in 1 • • • — 5" x 7" • • Auto Duplex • • • — 4" x 6" • • Features Auto Scan Mode • 6 • 6 Auto Sheet Feeder Bluetooth3 Dual Paper Path Easy-PhotoPrint EX Easy-PhotoPrint Pro — • — — • — • • — — • • • • • • • • • — Dual Paper Path • • • — Easy-PhotoPrint EX • • • • Easy-PhotoPrint Pro • — — — — • Auto Photo Fix II • Bluetooth (optional)3 Easy-Scroll Wheel • • • Ethernet • • — — Film Scan/Copy • — — — FINE Technology • • • • Gutter Shadow Correction • • • • • • — — • IrDA IrDA4 PictBridge USB 2.0 Hi-Speed 62 • — • • Features • 4 FINE Technology • • Auto Sheet Feeder Features Auto Duplex • 6 Borderless Print Sizes Memory Cards7 • • • PictBridge • • • — Quick Start • • • • Reduction/Enlargement • • • — 4800 x 9600 4800 x 9600 2400 x 4800 1200 x 2400 USB 2.0 Hi-Speed • • • • Wi-Fi8 • • • — • — • • Scanning Resolution 1. Resolution may vary based on printer driver setting. Color ink droplets can be placed with a horizontal pitch of 1/4800 inch or 1/9600 inch at minimum. 2. Print speed measured as soon as first page begins to feed into printer. Copy speed is measured after the first page is ejected. Output speed will vary depending upon a number of factors. See www.usa.canon.com/printspeed for additional information. 3. Requires mobile device (or other device) equipped with Bluetooth v2.0 technology and optional Canon Bluetooth Unit BU-30. Bluetooth operation depends on the device and software version used. Operating distance is approx. 10 meters but may vary due to obstacles, radio signals, locations where radio interference occurs, magnetic fields from microwave ovens, device sensitivity and/or antenna performance. 4. Requires mobile device (or other device) with IrDA port and phone positioned no more than 7.9 inches from the printer. 5. Based on accelerated dark storage testing by Canon under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves. Canon cannot guarantee the longevity of the prints; results may vary depending on printed image, drying time, display/storage conditions and environmental factors. See www.usa.canon.com/ChromaLife100 or www.usa.canon.com/ChromaLife100plus for additional details. 6. For Network users, Auto Scan Mode is only available when scanning at a computer using MP Navigator EX software and selecting the 1-click feature then "Scan to PC". 7. See printer packaging for details. 8. Wireless printing requires a working Ethernet network with wireless 802.11b/g capability. Wireless performance may vary based on terrain and distance between the printer and wireless network clients. 9. Print speed obtained using compatible Canon compact digital camera incorporating DIGIC II (other camera models may vary). 10. Optical resolution is a measure of maximum hardware sampling resolution, based on ISO 14473 standard. 11. The time required for the light source to reach sufficient operating temperature. Film scanning excluded. 12. For document types other than films, the maximum resolution is 4800 x 4800 dpi. 63 PHOTO PRINTERS Compact Photo Printers Ink System Inkjet Business Printer SELPHY ES40 Compact Photo Printer SELPHY CP770 Compact Photo Printer SELPHY CP780 Compact Photo Printer Dye-Sub Dye-Sub Dye-Sub PIXMA iX7000 Inkjet Business Printer Ink System LUCIA Ink Type Integrated Paper/ Ink Cartridge Ink Type Print Resolution 300 x 300 Paper & Ribbon 300 x 300 Paper & Ribbon 300 x 300 6 Individual Ink Tanks 1 Print Resolution 4800 x 1200 Number of Nozzles 3,584 Nozzles Print Speed2 Print Speed9 Display 4" x 6" Borderless in 47 sec. 4" x 6" Borderless in 47 sec. 3.5" LCD 3.0" LCD 2.5" LCD Borderless Print Sizes 4" x 8" — • 4" x 6" Card Size (2.13"x 3.39") • • • • • • • • Bluetooth • • Voice Command Carrying Handle • • • — — • — — — Creative Print • • — DIGIC Technology • • — • • — ChromaLife100+ Ink Type 5 Individual Ink Tanks Cartridge Print Resolution1 4800 x 1200 9600 x 2400 4800 x 1200 Number of Nozzles 3,584 Nozzles 2,368 Nozzles 1,472 Nozzles 4" x 6" Borderless in 43 sec. 4" x 6" Borderless in 39 sec. 4" x 6" Borderless in 43 sec. 1.8" LCD 2.5" LCD 2.5" LCD • • • • • • • • • • • • 4 in 1 / 2 in 1 • • • Auto Document Feeder • • • Auto Duplex • • — Auto Scan Mode — • • 8.5" x 11" • 8" x 10" • 5" x 7" • 5" x 7" 4" x 6" • 4" x 6" Display 8.5" x 11" 8" x 10" 3 in 1 • Auto Document Feeder — Auto Duplex • Auto Scan Mode — Auto Sheet Feeder • Auto Sheet Feeder — • • Auto Photo Fix II • Bluetooth3 — • • Bluetooth — Dual Paper Path • • — Three Paper Path • Easy-PhotoPrint EX • • • Easy-PhotoPrint EX • Easy-PhotoPrint Pro • Easy-PhotoPrint Pro — — — Easy-Scroll Wheel — Easy-Scroll Wheel — • • Ethernet • Ethernet Fax — Fax • • • • • • Up to 13" x 19" Film Scan/Copy — — — Film Scan/Copy — FINE Technology • • • FINE Technology • • • — Gutter Shadow Correction — Gutter Shadow Correction IrDA — — — Memory Cards7 • • — PgR Technology • — — PictBridge Quick Start • • • • • • Reduction/Enlargement • • • 4800 x 9600 2400 x 4800 1200 x 2400 • • • • IrDA4 • IrDA 7 Memory Cards PictBridge 64 • • • • • — • • Portrait Image Optimize • • • USB • • • — 7 Memory Cards — PgR Technology • PictBridge — Quick Start — Reduction/Enlargement — Scanning Resolution Scanning Resolution — USB 2.0 Hi-Speed • USB 2.0 Hi-Speed • — Wi-Fi8 — 8 Wi-Fi 1. Resolution may vary based on printer driver setting. Color ink droplets can be placed with a horizontal pitch of 1/4800 inch or 1/9600 inch at minimum. 2. Print speed measured as soon as first page begins to feed into printer. Copy speed is measured after the first page is ejected. Output speed will vary depending upon a number of factors. See www.usa.canon.com/printspeed for additional information. 3. Requires mobile device (or other device) equipped with Bluetooth v2.0 technology and optional Canon Bluetooth Unit BU-30. Bluetooth operation depends on the device and software version used. Operating distance is approx. 10 meters but may vary due to obstacles, radio signals, locations where radio interference occurs, magnetic fields from microwave ovens, device sensitivity and/or antenna performance. 4. Requires mobile device (or other device) with IrDA port and phone positioned no more than 7.9 inches from the printer. 5. Based on accelerated dark storage testing by Canon under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves. Canon cannot guarantee the longevity of the prints; results may vary depending on printed image, drying time, display/storage conditions and environmental factors. See www.usa.canon.com/ChromaLife100 or www.usa.canon.com/ChromaLife100plus for additional details. CanoScan 8800F CanoScan 5600F CanoScan LiDE 700F CanoScan LiDE 200 CanoScan LiDE 100 Color Image Scanner Color Image Scanner Color Image Scanner Color Image Scanner Color Image Scanner Scanning Element Charged-Coupled Device (CCD) Charged-Coupled Device (CCD) Contact Image Scanner (CIS) Contact Image Scanner (CIS) Contact Image Scanner (CIS) Resolution10 4800 x 9600 4800 x 9600 9600 x 9600 (film)12 4800 x 4800 2400 x 4800 Scanning Mode (Color) 48-bit internal/ external 48-bit internal/ external 48-bit internal/ external 48-bit internal/ external 48-bit internal/ external Light Source White LED11 White LED11 /CCF Lamp PDF, Copy, Photo/Film, E-Mail PDF x 4, Copy, Scan, E-Mail Copy, Scan, PDF, E-Mail Copy, Scan, PDF, E-Mail Copy, Scan, PDF, E-Mail Advanced Z-lid™ — — — • • Auto Scan Mode — • • • • FARE Level 3 • — — — — Film Scanning • • • — — Gutter Shadow Correction — • — • • One Cable for Data & Power — — • • • USB 2.0 Hi-Speed • • • • • Vertical Scanning — — • • — EZ Buttons Features Features 4 4 PIXMA MX350 Inkjet Office All-In-One ChromaLife100+ Borderless Print Sizes Large Format Printing Easy-Scroll Wheel PIXMA MX870 Inkjet Office All-In-One LUCIA — Borderless Print Sizes 3 Built-in A/C Adapter PIXMA MX7600 Inkjet Office All-In-One 6 Individual Ink Tanks Ink System Print Speed2 Features 3 Color Image Scanners 4" x 6" Borderless in 44 sec. Display 4" x 6" Borderless in 55 sec. Office All-In-Ones Three-color (RGB) LED Three-color (RGB) LED Three-color (RGB) LED Features 6. For Network users, Auto Scan Mode is only available when scanning at a computer using MP Navigator EX software and selecting the 1-click feature then "Scan to PC". 7. See printer packaging for details. 8. Wireless printing requires a working Ethernet network with wireless 802.11b/g capability. Wireless performance may vary based on terrain and distance between the printer and wireless network clients. 9. Print speed obtained using compatible Canon compact digital camera incorporating DIGIC II (other camera models may vary). 10. Optical resolution is a measure of maximum hardware sampling resolution, based on ISO 14473 standard. 11. The time required for the light source to reach sufficient operating temperature. Film scanning excluded. 12. For document types other than films, the maximum resolution is 4800 x 4800 dpi. 65 REALiS PROJECTORS Digital Photography Projection High-resolution Canon REALiS projectors use LCOS technology to display all the detail and texture captured by your digital camera — projecting sharp, seamless images with a film-like quality. Equipped with advanced color management settings, compact and portable, REALiS projectors have everything needed to display images with exceptional color and accuracy. Optical Excellence with a Cinematic Feel. The cutting-edge WUX10 Mark II high-definition projector (1920 x 1200 pixels) adds visible impact to any presentation. Proprietary Canon AISYS-enhanced LCOS technology delivers sharp, high-contrast images with outstanding color. The WUX10 Mark II features 3200 lumens and 10-bit image processing resulting in true-to-life images with a film-like quality. The WUX10 Mark II also includes an HDMI input (Version 1.3 Deep Color) that supports 1080p high-definition content without any compression. ©Eric Meola REALiS PROJECTOR TECHNOLOGY Canon created the REALiS line of multimedia projectors to meet the exacting demands of professional photographers. REALiS projectors feature patented Aspectual Illumination System (AISYS), and LCOS (Liquid Crystal on Silicon) technology. Incorporating sophisticated Canon optics and a high-accuracy color management system, Canon REALiS projectors display even the subtlest hues and color gradations, reproduced with amazing clarity, resulting in true-to-life photography every time. For accuracy, simplicity and the confidence of Canon-to-Canon, there’s no substitute for REALiS. Display High Resolution Images and Video with exceptional color, intricate detail, crisp text and HD images that leap off the screen. REALiS LCOS projectors minimize the “screen-door effect,” creating detailed, color-rich images with text that is crisp and dark. The AISYS Optical System AISYS, which stands for “Aspectual Illumination System,” efficiently utilizes and equalizes light from the projector lamp, boosting the projectors brightness and contrast without compromise, resulting in a compact and lightweight system. All REALiS projectors can display wide-screen content produced on a PC or Mac. The REALiS WUX10 Mark II enables the display of images in high resolution WUXGA, perfect for displaying photographs and high-definition 1080p video — with zero compression. The LCOS Advantage The advantages of Canon LCOS (Liquid Crystal on Silicon) systems are easy to see: Lattice-free, seamless images 66 Taking LCOS to the Next Level New optical elements incorporated into the LCOS system enhance the uniformity of light, raising the bar in image presentation. The advantages of LCOS are easy to see for both presenter and audience alike: photos with rich color, deep contrast, fine grain and sharp resolution. Proprietary Color Management All Canon REALiS projectors feature the highaccuracy Color Management System (CMS). The Canon CMS ensures accurate color reproduction for an extended color space and compensates for color variances due to lighting differences. The advantage: true HD-quality color and gradation even in the toughest conditions. Vivid Colors in Perfect Clarity. The astounding color reproduction of the Canon REALiS SX7 ensures true high definition quality images. The expanded display area of high-resolution SXGA+ (1400 x 1050) allows you to display widescreen WXGA resolution images without distortion. Thanks to the Canon AISYS-enhanced LCOS technology, highly detailed images are accurately reproduced with amazing detail. The SX7 offers an impressive 4000 lumens and an Adobe RGB Color-Match System, resulting in outstanding brightness and color accuracy. Fine Tune Image Adjustment Control The REALiS Mark II projectors feature a Photo Mode setting, allowing for precise adjustments to color temperature and color level. Many projectors also feature a 6-Axis Color Adjustment function, wherein hue and saturation can be adjusted independent of RGB and CMYK color axes. Versatile Connectivity The REALiS SX80 Mark II features a USB port for PC presentations and PictBridge compatibility. The REALiS WUX 10 Mark II features an HDMI terminal for projection of digital images and video, and a builtin network connection for remote network operation. High Resolution for Amazing Detail. Versatile high-resolution projector displays images with precision. The expanded display area of high-resolution SXGA+ (1400 x 1050) allows you to display widescreen WXGA resolution images without distortion. The Canon proprietary AISYS-enhanced LCOS technology boosts contrast and brightness, and 3000 lumens ensure bright, crisp images. The SX80 Mark II also includes an HDMI input (Version 1.3 Deep Color) that supports high-definition 1080p content, and a USB port that allows for “PC Free” presentations and PictBridge compatibility. 67 EOSEDUCATION & INSPIRATION Expand Your Knowledge. Learn From the Pros. Chesapeake, VA. Home to Canon’s Customer Call Center. Canon has built its reputation as an industry leader in product reliability, service and support. No matter what Canon consumer product you buy, expect a top-rate experience. From our cutting-edge technology to industry-leading response times for service and support, Canon USA strives for complete customer satisfaction in everything we do. • 100% US-based support operation to assist with the needs of customers ranging from beginner to professional. 68 The Canon Digital Learning Center is a free online educational resource for photographers. It offers a broad range of content including informative tips, technical manuals, sample EOS HD Videos, interactive tutorials, inspiring image galleries, artists' interviews and much more! Our goal is to inspire and educate photographers, while helping them to make the most of their Canon equipment. The Canon Live Learning flagship program “EOS Essentials” is a full-day seminar offered in cities across America. This program is complemented with the opportunity to expand the knowledge in an intimate workshop, learning from and shooting with top professional photographers, including Canon's Explorers of Light. The Explorers of Light also lead 2-day destination workshops that get you out of your comfort zone and into an inspirational, creative learning environment. In 2010, Canon Live Learning will be expanding its offerings to professionals that shoot stills and video. usa.canon.com/dlc usa.canon.com/canonlivelearning • Canon factory-trained technicians to achieve industry-leading response time and quality of repair. • State-of-the-art technology and facilities to meet Canon’s rigorous precision and performance standards. • Environmentally responsible service operations include our Zero Landfill Product Recycling Policy. www.usa.canon.com/satisfaction 1-800-OK-CANON 69 1-800-OK-CANON usa.canon.com/eos Canon U.S.A., Inc. One Canon Plaza Lake Success, NY 11042 U.S.A. Canon Canada, Inc. 6390 Dixie Road Mississauga, Ontario L5T 1P7 Canada Canon Latin America, Inc. 703 Waterford Way, Suite 400 Miami, FL 33126 U.S.A. All images and effects simulated. Not responsible for typographical errors. Availability and specifications subject to change without notice. Canon, CanoScan, DIGIC, Digital ELPH, EOS, EOS Rebel, LUCIA, PIXMA, PowerShot, SELPHY and imagePROGRAF are registered trademarks of Canon Inc. in the United States, and may also be registered trademarks or trademarks in other countries. IMAGEANYWARE is a trademark of Canon. HDMI, the HDMI logo and High-Definition Multimedia Interface are registered trademarks or trademarks of HDMI Licensing, LLC in the United States and/or other countries. All other products and brand names are registered trademarks, trademarks or service marks of their respective owners in the United States and/or other countries. Canon Mexicana, S. de R.L. de C.V. Blvd. Manuel Ávila Camacho No. 138, Piso 17 Col. Lomas de Chapultepec C.P. 11000 México, D.F. México 0141W940 2/10 ©2010 CANON U.S.A., INC. PRINTED IN U.S.A.
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