Rider Noumoucounda_ Cissoko (english)

Rider Noumoucounda_ Cissoko (english)
NOUMOUCOUNDA CISSOKO
Terms & Conditions + Technical Rider (8 pages)
These technical requirements are an integral part of the contract and determine the performing conditions for the artist. The PRODUCER and the
PROMOTER have to initial each of these following pages.
If any doubt or problem arise, please contact :
MANAGEMENT : fred@afrorenn.com
SOUND ENGINEER: BENJAMIN YEME
TEL : ++33 6 10 66 92 86
mightyprod@gmail.com
Please contact Ben for any technical question.
1/ ACCESS AND VEHICLES:
Please join a clear and legible access map to the venue and the hotel (see address below) when sending us back the contract and the road map.
(Please no photocopy, but rather a city map like those available in tourism offices). Please point out the stage access if located in another street or
another side of the building.
DO NOT FORGET TO APPOINT A "RUNNER" for the day FOR CAR TRANSFERS (AIRPORT/STATION, HOTEL, VENUE, PROMO…).
In case the band should travel by car, please make three secured parking slots available all day long (one must be large enough for a van, free of
charge) for the artist's arrival.
The band has no backliner/roady so please appoint a qualified person to unload the equipment.
2/ TOUR STAFF: 08 persons
Artists: 7 persons
Sound Engineer : 1 person
3/ LOCAL STAFF:
The promoter (or one of his duly mandated representatives allowed to take any decision regarding the signed contract) will be present at the
artists arrival and for their entire presence at the venue.
Required staff as follows:
- 1 stage manager
- 2 sound technicians
- 1 electrician (who is familiar with the venue)
- 1 stage technician
- 1 light technician
4/ UNLOAD / RELOAD / SOUND CHECKS:
The venue staff will help out in unloading, installing on stage, removing and reloading the equipment.
The band needs 30 minutes for SETUP + 90 minutes for SOUNDCHECK. Please inform the tour manager and sound engineer before the tour
starts in case of planning issues.
5/ BACKLINE:
At the artist's arrival, the promoter shall have rented the required backline equipment and microphones for the show.
PLEASE FIND ATTACHED TECHNICAL RIDER.
6/ SOUND:
The sound technical rider attached to this document must absolutely be observed.
If you need to make some changes please contact Ben our Sound engineer, he will find smooth solutions, he’s a nice guy!
7 LIGHTS:
A light technician shall be made available by the promoter to set up and run light equipment to ensure optimal performance.
8/ DRESSING-ROOMS:
2 clean and comfortable rooms shall be made available for the artists at their arrival.
We would appreciate if we could lock up these rooms with a key and those keys must be handed over the tour manager. The rooms must be
provided with clean hand towels and some chairs/sofa.
We would appreciate if these rooms remain for the sole use of the staff working with the PRODUCER regarding the contract. The PROMOTER
put at the PRODUCER’s disposal a phone, a fax machine and an Internet access. The tour manager will pay to the PROMOTER the calls made
by the staff of the PRODUCER (meter or estimation).
9/ CATERING FOR 08 PEOPLE:
Please favor quality and presentation. At the artist’s arrival, please allow some sandwiches (in sufficient quantities) with tuna, crab, chicken, etc,
some fresh vegetables (tomatoes, cucumbers, broccolis, carrots, etc), some fruits (apples, oranges, bananas, etc), bread and cheeses.
Please allow in sufficient quantities for the whole day: fresh drinks, hot beverages, beer, and fresh mineral water (including small bottles on
stage). And the artists would warmly enjoy 1 bottle of dark rum!
The PROMOTER will take at his own expense the dinner of the tour staff, namely a three-course meal (starter, hot main course and dessert),
including drinks and coffees. PLEASE NOTE NO PORK!
10/ ACCOMMODATION:
Please choose a 3-star hotel at least (no “Formule 1” or similar).
Please refer to the rooming-list
11/ INVITATIONS:
The promoter will put some invitations at the artist’s disposal (quantity to be determined).
BACKLINE
DRUMS: (mounted on carpeted riser 3m X 2m X 0,40m)
Yamaha Maple Custom Absolute:
Kick drum : 20 x 18
Snare drum 1 : 13 X 7
Snare drum 2 : 14 X 6
Floor Tom : 16 x 16
Kick drum pedal and hi-hat pedal: DW 9000
Cymbals Zildjan :
- hi-hat KZ 13 inches
- crash 18 inches Acustom
Cymbal Sabian Ozone:
- crash 16 inches
1 drum seat
PERCUSSIONS:
1 pair of congas + stand congas
1 djembe + stand djembe
BASS: (Mounted on carpeted riser 2m X 2m X 0,40m)
1 head AMPEG SVT II or SVT I
1 speaker: 8 X10” or 4 X 10” +1X 15” or 2 X 4 X 10”
1 bass stand
KEYBOARDS :
1 fender rhodes
1 nordstage + stand
GUITAR :
1 FENDER TWIN REVERB 65 BLACKFACE
KORA :
1 ROLAND JAZZ CHORUS
PUBLIC ADRESS
SYSTEM AND CONFIGURATION: 3-Way active at least, sub-bass and equalization fitted to the system, access to the crossover/filter control.
No passive system
Recommended: D&B, LA ACOUSTIC, MEYER, please allow front fills for all the systems
Power +/- 105 dB (uniform and non-aggressive at the FOH position)
Partially or totally hanging system is prefered, any non-hanging piece of equipment shall be isolated from the stage, the subwoofers will NOT
be placed on stage.
Control room set up at the center of the venue, under no circumstances more than 20 m from the stage, under a balcony or close to a bar
FRONT OF HOUSE:
DIGITAL DESK is much prefered (Yamaha CL5, Soundcraft VI, Eclipse, M32/X32)
In case of analog desk MIDAS XLseries, SOUNDRAFT MH)
If monitors are mixed from the FOH, please make sure the desk and the snake provide enough aux outputs.
CONTROL:
- 1 EQ stereo 2 X 31 (BSS, Clark) for the front
- In case delays should be hanging in the venue, please allow an EQ for every delay line
- 1 CD Player
- 1 Intercom (FOH/monitors) apart from the lights
- 1 switchable SM58 for talkback and tuning the system.
EFFECTS:
Fx 1- YAMAHA SPX 2000/1000
Fx 2- TC ELECTRONIC M2000
Fx 3- LEXICON PCM 70
FX 4- TC ELECTRONIC D-TWO
INSERTS: (if analog desk)
- Gates/Compressors (BSS, DRAWMER), please refer to patchlist for instruments
- 2 DBX 160A for vocals
ON STAGE :
Microphones/Mic Stands/Cables
Please refer to patchlist
MONITORS :
8 Wedges on 6 independent channels (D&B, L Acoustics, Nexo, …)
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