Rane SL 3 DJ mixer Operator's Manual
Below you will find brief information for DJ Interface SL 3. The Rane SL 3 is an advanced 24-bit USB 2.0 interface for professional DJs with Serato Scratch Live, designed for use with turntables and CD players. The SL 3 offers a range of features including vinyl control, sample player, recording capabilities, and MIDI control, allowing DJs to control music and special effects in a variety of ways. DJs can use the interface to play music, scratch, mix, and record their performances. The SL 3 also has features for organizing music files and managing audio information.
advertisement
Assistant Bot
Need help? Our chatbot has already read the manual and is ready to assist you. Feel free to ask any questions about the device, but providing details will make the conversation more productive.
RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 2 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Important Safety Instructions Copyright Notices Minimum System Requirements For the continued safety of yourself and others © 2010 Rane Corporation. All rights reserved. • A DJ mixer with at least 2 channels. we recommend that you read the following safety Scratch Live and the Scratch Live logo • At least one turntable or CD player. and installation instructions. Keep this document are trademarks of Serato Audio Research. in a safe location for future reference. Please Trademarked in the U.S. and other countries. PC heed all warnings and follow all instructions. Licensed exclusively to Rane Corporation. This • Windows XP with Service Pack 3 or software is based in part on the work of the higher, or Vista with Service Pack 2 or Do not use this equipment in a location where Independent JPEG Group, and uses libpng code, higher, or Windows 7. We recommend it might become wet. Clean only with a damp copyright © 2000-2002 Glenn Randers-Pehrson. Windows 7 over Vista. cloth. This equipment may be used as a table The Scratch Live Control Tone, the audio pressed • Intel processor, 1.6 GHz or better. top device, although stacking of the equipment on Scratch Live Control Vinyl and Control CDs, is • 2 GB RAM. is dangerous and not recommended. copyright © 2004-2010 Serato Audio Research. • Screen resolution 1024 x 768 or higher. The Control Vinyl and Control CDs are licensed • Hard drive space for storing music. Equipment may be located directly above or for personal use only. The creation of personal • Available 2.0 USB port. below this unit, but note that some equipment backups of the Control CD is allowed, however (like large power amplifiers) may cause an duplicating Control CDs for commercial benefit unacceptable amount of hum or may generate is strictly prohibited. For avoidance of doubt the • Mac OSX 10.4.11 or higher. too much heat and degrade the performance duplication or creation of Control Vinyl for any • 1 GHz G4. of this equipment. Only use attachments use is strictly prohibited. Please respect our • 2 GB RAM. and accessories specified by Rane. Refer copyright. • Screen resolution 1024 x 768 or higher. Mac • Hard drive space for storing music. all servicing to qualified service personnel. Servicing is required when the apparatus has © 2004-2010 Serato Audio Research. Windows • Available 2.0 USB port. been damaged in any way, such as spilled liquid, XP, Vista and 7 is either a registered trademark • Scratch Live is compatible with Intel- fallen objects into an opened chassis, exposure or a trademark of Microsoft Corporation in the to rain or moisture, a dropped unit, or abnormal United States and/or other countries. Apple, operation. Mac, Macintosh and iTunes are trademarks of PLEASE NOTE: These are the minimum Apple Computer, Inc., registered in the US and/ requirements or other countries. Live without optional plugins. For best Introduction new copy (along with this manual and all other documentation) may be downloaded at rane. com/sl3.html. To keep up with the latest tips, and to check for Scratch Live software updates, visit the Official Scratch Live Forum at serato. to run Serato Scratch performance or when using optional plugins Refer to the separate Quick Start guide that was included in the box. If you lose yours, a based Mac computers. Wear Parts The SL 3 interface contains no wear parts. The vinyl records and CDs are wear parts as described in the Limited Domestic Warranty section at the end of this manual. com we recommend you use a higher spec computer. For more information please visit www.serato.com/scratchlive#minspecs. Check List These items are included in the box: 1 SL 3 interface. 1 soft carry case. 1 Serato Scratch Live software install disc. 1 external universal power supply with country adaptors. 1 USB cable. 4 stereo RCA cables. 2 control CDs. 2 control vinyl records. 4 rubber feet for the SL 3. 1 Quick Start Guide. 1 warranty card. 1 this manual. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 3 Scratch Live: Getting started 6 Connecting Your Hardware Contents Main Screen Overview 12 6 Virtual Deck 12 System Overview 6 Visual Aids 12 Connecting the SL 3 6 Tempo Matching Display 12 Turntable Setup 6 Track Overview Display 12 CD Player Setup 6 Main Waveform Display 12 Kensington Security Slot 6 Beat Matching Display 12 7 Master Gain 13 Installing Scratch Live Mac7 33 / 45 Speeds 13 Windows7 Tracking Indicator 13 Additional Windows Drivers 7 Tap Tempo 13 Starting the Software 7 Key Lock 13 Using the Tool Tips 7 Repeat13 Playing Regular Vinyl and CDs 8 Censor13 Power Supply 8 Eject13 Important Safety Instructions 3 Copyright Notices 3 Wear Parts 3 8 Reverse Input Control 13 Minimum System Requirements 3 The Noise Threshold 8 Track Gain 14 3 The Scopes 8 USB Dropout Indicator 14 Calibration Troubleshooting 9 Check List Autoplay13 Calibrating Scratch Live Display Modes 14 Library Views 14 Scratch Live Modes 15 Importing and Playing Music 9 Importing Your Music 9 Supported File Types 9 Playing Music 10 Track Display 10 Thru Mode 15 Absolute Mode 15 10 Relative Mode 15 Analyzing Files 10 Internal Mode 16 How to Analyze Files 10 Temporary Cue 16 About Corrupt Files 10 More Controls 16 Set Auto BPM 11 The Offline Player 11 Preparing Your Files Whitelabel.net 11 Cue Points 17 Setting Cue Points 17 Enable Hot Cues 17 Triggering Cue Points 17 Playback Control 11 Editing Cue Points 17 The Control Record 11 Customizing Cue Points 17 The Control CD 11 Vinyl Scroll 11 Looping 17 Auto-Looping18 4 The A-Slot 18 Loop Roll 18 Loop Roll with MIDI 18 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 SP-6 Sample Player 19 Status Icons 26 Loading the SP-6 19 More Info on Corrupt Files 26 Playing Samples 19 SP-6 Instant Doubles 19 File Management Library 33 Read iTunes Library 33 Protect Library 33 27 Customize Crate Views 33 27 Center On Selected Song 33 SP-6 Play Modes 19 Rescan ID3 Tags SP-6 Pitch Controls 20 Relocate Lost Files 27 Show All File Types 33 SP-6 ‘Play From’ Selector 20 Deleting Crates and Tracks 27 Include Subcrate Tracks 33 SP-6 Track Overviews 20 Copying and Moving Files / Folders 27 AutoFill Overviews 33 SP-6 Slot Volumes 20 Copying and Moving Crates 27 Import AAC Files 34 SP-6 Output Selector 20 Scratch Live Backup 27 Font Size 34 Individual Output Selectors 20 Album Art Size 34 SP-6 Sample Banks 20 Recording 28 34 Maximum Screen Updates 34 SP-6 Mute Buttons 20 Record Gain Knob SP-6 MIDI 20 Sampling From Vinyl 28 Audio Cache 34 Recording Your Mix 28 Show Album Art On Deck 34 Recording Bit Depth 28 DJ FX Plugin 21 28 Display 21 Performance Mode 21 Advanced Mode 21 Edit Mode 21 Keyboard Shortcuts 30 22 Additional Setup 31 Hardware 31 MIDI Control LiveFeed 29 22 USB Buffer Size (Latency) 31 MIDI Controller Setup 22 Updating Firmware 31 Assigning Controls 22 Line / Phono Status 31 MIDI Platters 22 Recording Bit Depth 31 Assigning MIDI to Other Controls 22 Playback 31 Track End Warning 31 Presets23 Playback Keys Use Shift 31 Native Controller Support 23 Lock Playing Deck 31 Technical Information 23 Sort Cues Chronologically 31 Enable Hot Cues 31 Ctrl-Click Functionality 22 Organizing Your Music 23 Use Auto Gain 32 Grouping Tracks into Crates 23 Hi-Fi Resampler 32 Subcrates23 Play From Start 32 Smart Crates 23 Instant Doubles 32 Sorting Your Files 24 Play From First Cue Point 32 Using the Song Browser 24 Braking (Internal Mode) 32 Audio Output 32 Searching24 Prepare Window 24 Vinyl Control History24 Adjust Loops with Vinyl 32 25 Next Song On Flip 32 Uploading Serato Playlists 25 Enable Vinyl Scroll 32 Live Playlists 25 Reverse Vinyl Scroll 32 Editing ID3 tags 26 Vinyl Scroll Speed 32 Library Zoom 26 Drop To Absolute Position 32 Display Album Art 26 Drop To Cue Points 33 26 Vinyl Start Offset 33 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 DJ FX 34 SL 3 Aux Deck 34 Serato Playlists 34 Troubleshooting and Frequently Asked Questions 35 Corrupt File Descriptions and Diagnoses 36 Mixing With One Turntable Or CD Player 37 SL 3 Specifications 37 Scope Reading and Fixes 38 Declaration of Conformity 41 Factory Authorized Service 42 Limited Warranty 42 32 Serato Playlists Adding Album Art 34 SP-634 Using the DJ FX Aux Deck Plugin Plugins 5 Connecting the SL 3 Scratch Live: Getting started 3.Outputs To integrate an SL 3 unit into a typical DJ setup, connect it to your turntables (or CD players) and mixer, as follows: AUX 1.Inputs LEFT DECK * RIGHT DECK Connect the OUTPUTS of the SL 3 to line inputs on your mixer. Connect the AUX output to an additional line input or AUX input on your mixer RIGHT DECK to output the sample player. SEE “SP-6 Sample Player” on page 19. Connecting Your Hardware Connect your CD players or turntables to the System Overview turntables, connect their ground wires to either The Scratch Live control records and CDs are pressed with an audible tone specifically developed for controlling the Scratch Live software application. The SL 3 interface converts the control signal coming from each deck into digital audio, to be sent via USB to the Scratch Live software, which decodes that signal into a stream of information DECK INPUTS on the Rane SL 3. If you use the SL 3’s or the mixer’s ground post. *Optional Step: Connect an additional output (such as AUX OUT) from your mixer to the AUX INPUTS on the SL 3 to record your set in Scratch Live. See “Recording” on page 28. 2.Input Level Selection Using the provided USB cable, connect your based on what the DJ is doing with the control SL 3 to an available USB 2.0 port on your disc. A virtual ‘deck’ replicates the movements computer. of the control disc. Audio files loaded onto the Make sure you connect it directly to your Virtual Decks are then played back through the outputs of the hardware, with any manipulation computer and not through a hub or splitter. DIP SWITCHES of the control discs reproduced on the audio, Turntable Setup effectively emulating vinyl control of the files loaded in software. 4. Connect the SL 3 to your computer 1. Set the tone arms to the specific Set each input to the correct input level using recommendations of the cartridge used, so the dip switches. Set the switches UP for Phono that the needle never leaves the record, but (turntables) or DOWN for Line (CD players). not heavy enough that it heats up significantly. Both produce poor tracking. 2. Grounding is extremely important when using Scratch Live. Make sure you have good connections from the ground wires of your turntables to the grounding post of the SL 3 or your mixer. If you do not ground your turntables properly, the control signal will be noisy and the tracking of the record position will be erratic. 3.Ensure the SL 3 is set to receive a phono level signal – See step 2 of connecting the SL 3. 6 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 CD Player Setup 2. Insert the Software Installation CD-ROM. Disable all built-in effects on the CD player, Make sure your SL 3 is connected first. If a including keylock/master tempo. window doesn’t open automatically, browse to Ensure the SL 3 is set to receive a LINE level signal – See step 2 of connecting the SL 3. Starting the Software the CD drive. Run setup.exe. or Launch the installer you just downloaded from Kensington Security Slot You can use a Kensington security cable to attach the SL 3 to an immovable object. Each side of the SL 3 has a Kensington Security Slot. Refer to the instructions provided with your Kensington Lock. Installing Scratch Live Check for the latest download version of Scratch Live software at serato.com. If it is newer than what is on your CD-ROM, we recommend installing it instead. Mac 1. Insert the Software Installation CD-ROM and double-click the installer icon. or Launch the installer you just downloaded from serato.com. 2. Follow the on-screen instructions. Once the installation is complete, Scratch Live will appear in your applications list. You may like to drag the Scratch Live icon to your dock for quick launching. 3. Plug in your SL 3. No extra hardware or driver installation is required. Windows It is important that Windows users install the serato.com. 3. Follow the on-screen instructions. Once the installation is complete, Scratch Live appears in the Start Menu under All Programs > Serato > Scratch Live. Close all other programs on your Mac or PC. Because the SL 3 was connected prior to When you load Scratch Live for the first time, installing Scratch Live, no extra hardware you will see the screen shown above. installation is required. Using the Tool Tips NOTE: Select the custom install option if you wish to change the installation location of Scratch Live. Additional Windows Drivers Click on the ? icon to enable tool tips. Tool tips provide a handy way to learn the various features of Scratch Live. Move the mouse over a section Vista & Windows 7 install the driver for all USB of the screen to bring up a context-sensitive ports at once. Windows XP treats each USB port tool tip. Holding the mouse over the ? button individually. You might like to install the Drivers with tool tips turned on will show you a list of for the SL 3 hardware on all of your USB ports. all keyboard shortcuts. Tool tips are available in Connect your Scratch Live hardware to a several languages. Scratch Live will display the USB port. Windows will again attempt to install tool tips in the language that your computer is the drivers via the hardware wizard. Cancel and set to. If your language is not available, the tool close the hardware wizard. tips will be displayed in English. With your hardware still connected, run the Scratch Live driver updater. This is usually located in: C: > Program Files > Serato > driver_updater32.exe or for Vista and 7 64-bit systems: C: > Program Files (x86) > Serato > driver_ updater64.exe. Repeat this process for each of your USB ports. SL 3 drivers as well as the Scratch Live software. The easiest way to do this is to allow the Scratch TIP: The driver updater can install drivers for Live installer to do all the work. different types of Scratch Live hardware, not just the SL 3. For example, if you play at a 1. Connect your SL 3 before you insert your club that uses a TTM 57SL mixer, just connect installation CD. When you first connect it, the mixer and run through the driver updater Windows will attempt to install the drivers via as above. the hardware wizard. Cancel and close the hardware wizard. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 7 Playing Regular Vinyl and CDs How to Calibrate Scratch Live NOTE: the SL 3 must be powered by USB or DECK THRUs to work. Calibrating Scratch Live While Scratch Live is not running, and the the supplied external power supply for the With music playing in the background (from any source), put your needle on the record with the turntable stopped. If you are using CD players, the same rules apply. Have the CD deck paused SL 3 is powered by the external supply, the Deck or stopped while calibrating. Ensure the input Thrus on the SL 3 will always be on, allowing level in Scratch Live is set correctly to accept you to play regular CDs and vinyl with your CD a LINE level signal. See “Line / Phono Status” players or turntables. on page 31. When the SL 3 is powered by the universal Click and hold the estimate button until the power supply, and then Scratch Live is launched, slider stops moving. Moving the threshold slider the Deck Thrus are still on. This allows a laptop to the left will make Scratch Live more sensitive to be connected during a set (when using the to slow record movement, but also more sensitive to background noise. Deck Thrus) with no audio interruption. If the SL 3 is not powered by the universal power supply when Scratch Live is launched (USB connected), the Deck Thrus will be off, but can be turned on in Scratch Live. To turn the Thrus off and on in Scratch Live, click on the THRU button just above each Virtual Deck for the respective channel. This will change the state of the channels to Thru Mode, sending audio direct from the SL 3 inputs to your mixer. SEE “Thru Mode” on page 15. Connect the barrel connector of the power supply to the 7.5 VDC jack on the SL 3. Plug the power supply into an AC outlet. The yellow POWER indicator will light on the SL 3. The universal power supply includes different input plugs for the USA, Europe, UK and Australia. The USA plug is attached at the factory — you may need to replace it in your country. N N OPE OPE PU LOCK LOCK rim counterclockwise. interpret it. Therefore, Scratch Live needs to be Things to remember: able to handle a wide range of signals, and be • Your needle must be on the record. configurable to use them optimally. Calibrating • Your turntable (or CD player) must be is just configuring the software to your situation. Calibration is equally important for both vinyl and CD users of Scratch Live. stationary. • The background music playing must be at a similar level to which you will play your set at. There are two parts to the Scratch Live control • Calibrate Scratch Live every time you play. Listening to the control vinyl, the directional tone TIP: If the slider jumps to the far right, is the 1 kHz tone. The noise map sounds like then you have a problem with noise in your random noise over the top of the tone. turntables/CD players/mixer. Check all your The directional tone provides the current connections and make sure your equipment speed and direction of the record, while the is well earthed. In some situations you will noise map tells the software precisely where on not be able to improve the signal quality, and the record the needle is currently. you will have to play on regardless. In this situation, stick to REL mode. See Calibration The Noise Threshold Troubleshooting on the next page. process will not occur. In the case of Scratch button while turning the outer Repeat the process for each deck. signal will be in by the time the software gets to A threshold is a lower limit, below which a To remove a plug, the signal, there is no guarantee of what state that signal: The directional tone, and the noise map. Power Supply PUSH Since Scratch Live is controlled by an analog SH To attach a plug, The Scopes Live, the noise threshold is the limit below which the input signal will not be interpreted as control signal; in other words if it’s below the threshold, it is considered noise and ignored. rotate it to fit into This setting is necessary because a stylus is the supply and turn very sensitive, and will inevitably pick up noise clockwise until it locks in place. The power supply is regulated 7.5 volts DC, 1 amp, using a P6 type barrel plug. Any substitute must meet these specifications. from the environment as well as the signal on the The scopes on the Setup screen in Scratch Live record, especially in the noisy environment of a display the input signal as a phase diagram. The live show. key factors to look at on the scope display are crisp clean lines, round shape, and the tracking percentage in the lower right corner. -(5.5mm) 8 +(2.5mm) RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 2. Once you have located your music, drag the Start both turntables or CD players. You will see green rings appear in the scope view as shown. For optimal performance the inner ring should be as close to circular as possible. Use the Importing and Playing Music folder or files you want to import onto the purple “ All...” icon. This is located to the left of your screen at the top of the crates and playlist window. If you wish to import all of scope zoom slider (1x to 16x) to zoom in or out your music, just drag your whole music folder as necessary. Use the scope L/R Balance and onto this icon. P/A Balance controls to adjust the shape of the inner ring. TIP: You can also import by dragging files The number in the top left corner of the scope and folders directly from Windows Explorer view gives the current absolute position within (PC version) or Finder (Mac version) into the the control record or CD. The number in the Scratch Live library. top right corner is the current speed in RPM. In TIP: Adjust the size the bottom left is the current threshold setting, and the number in the bottom right shows the Importing Your Music of the Files window percentage of readable signal – this number The easiest way to load music into your library is by by using the Files button: dragging near the three dots up or down. The should be close to 85% when your system is clicking and vertical crates window drags left and right. calibrated properly. 1. Click on the Files button to open the files Calibration Troubleshooting panel. The left side of this window displays Supported File Types After calibration, the number in the upper right various locations on your computer hard drive Scratch Live supports fixed and variable bit corner of the scope view should say 0.0 while (and external drives if you have one). Click on rate .MP3, Ogg Vorbis, AAC, .AIFF, .WAV and the needle is on the record and the turntable is these locations to navigate your computer and Whitelabel (wl.mp3) file types. M3U playlists stopped. find your music. By default, your music will are also supported. For more on Whitelabel.net If that number is fluctuating then manually usually be found in either “Music” (Mac) or “My audio files, see “Whitelabel.net” on page 10. move the Estimate slider to the right until that Music” (Windows). number is stable at 0.0. If you’ve moved the slider all the way to -24 and its still fluctuating then you have a grounding or interference problem somewhere in the chain. If so, the first thing to check is that the grounding wire coming from your turntable is connected to either your SL 3’s or mixer’s grounding posts. Next, make sure that the SL 3 isn’t sitting next to a power source such as a power strip or power box and that the RCA cables connected to the SL 3 aren’t laying across other power conducting cables. If you are still experiencing issues, you might have to adjust the placement of your setup. For example, make sure bass bins aren’t directly under the turntables. for more calibration troubleshooting help SEE “Scope Reading and Fixes” on page 38. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 9 NOTE: Older iTunes Music Store DRM files cannot be played back by Scratch Live. iTunes Plus files are DRM-free. Whitelabel.net Playing Music Preparing Your Files Click on the “ All...” icon to show all the tracks in your library. Use the keyboard shortcut Shift - Left Arrow to load the highlighted track on to the Left Deck, and Shift - Right Arrow to load the highlighted track on to the Right Deck. TIP: You can also load tracks to Decks using the mouse. Click and drag a track from the track list area on to either Virtual Deck. The Serato Whitelabel Delivery Network is a Analyzing Files unique system that allows record labels to Before you play your music in Scratch Live, It is digitally deliver promotional releases directly to important to first analyze your files. DJs. The analyze files function processes the To download Whitelabel audio files and sign songs in your library to detect file corruption, up to receive updates on the latest promotional saves the waveform overview to an ID3 tag*, and releases, visit www.whitelabel.net. calculates auto-gain and BPM values. Whitelabel Audio Files How to Analyze Files playing from the beginning. You can skip through Whitelabel.net audio files are a unique format To analyze files run Scratch Live with the SL 3 the track by picking up the needle and placing (file extension wl.mp3) developed by Serato. disconnected. On the left side of the main screen, it further into the record, just as with regular They are specially prepared for use in Scratch click the Analyze Files button to automatically records (This is known as needle dropping). See Live; pre-analyzed, tagged with song and artist build overviews for all the tracks in your library. “Scratch Live Modes” on page 15. info, BPM and album art where possible. To start playing a track, simply put the needle on the record and start the turntable. The track will start playing as soon as it detects the signal from the control vinyl (or CD). In ABS mode, the track will play from the position dictated by the placement of the needle on the record. If you place the needle at the beginning of the record, the track will start Track Display When a track is loaded, the track name, artist and length are displayed in the track title bar, and the Virtual Deck shows a solid black line. If the track has BPM or key information written in the tag this will also be displayed. See “Set auto-BPM.” Whitelabel audio files play as high quality 320 TIP: You can drag and drop individual folders, kbps stereo audio in Scratch Live when Rane crates or files onto the Analyze Files button Scratch Live hardware is connected. Without to force the building of overviews at any time. Scratch Live hardware connected, or when playing these files through other mp3 software and devices, they will play as low quality 32 kbps mono audio. Whitelabel audio files are promotional releases from records labels available to Scratch Live DJs for free from Whitelabel.net. About Corrupt Files If Scratch Live detects a corrupt file it will tag it with a corrupt file icon: It is very important that you delete ANY corrupt files from your library as they can cause Scratch Live to crash regardless if you play the file or not. See “Status Icons” on page 26 and “Corrupt File Descriptions and Diagnoses” on page 36. 10 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Set Auto BPM The Control CD Playback Control The control CD has two tracks. The first track is 15 minutes long and controls playback. The second track is 40 seconds If this option is checked while analyzing files, long and controls vinyl Scratch Live will calculate the estimated tempos scroll. of your files. If Scratch Live is confident that the Auto BPM estimate for a file is accurate, it will be Vinyl Scroll written to an ID3 tag* in the file. The Auto BPM Vinyl Scroll allows you to select and load tracks function will not be applied if the track already using only your turntables (or CD player) – no contains BPM information. To re-analyze these files and use Auto BPM or auto gain on them, The Control Record drag them onto the Analyze Files button. If you The control record has two sides. The first side know your file’s BPM will fall within a certain is 10 minutes long and contains the Vinyl Scroll range, use the range drop down to avoid double section. The second side is 15 minutes long. or half value BPMs being calculated. Scratch Live can be configured to work with records playing at either 33 RPM or 45 RPM, *NOTE: ID3 tags contain data about your depending on your preference. The record has tracks and files thin marks every minute, and a thicker mark themselves. Genre, track name and artist are every 5 minutes (when playing at 33 RPM). examples of common tag information. See These marks are to assist you when using needle “Editing ID3 tags” on page 26. dropping to move through the track. These are saved inside the marks do not affect the playback of the track. The Offline Player The mode will switch when it reaches the The offline player is a useful tool for preparing end of the record so you track won’t stop. See crates, auditioning tracks, and setting cue and “Absolute Mode” on page 15. loop points. The offline player is available when Scratch Live hardware is not connected, and outputs through the current default audio device. Load a track to the offline player by dragging and dropping onto the Deck, or pressing shift+left arrow. If the end of the loaded track is reached, the next track in the current playlist is played automatically. Click the Offline Player Controls button (outlined below) to expand and hide the offline player controls. contact with the computer necessary! To use Vinyl Scroll with turntables, lift the needle off the record and drop it into special “bonus track” section at the end of the record’s A side. The movement of the control disk now controls the selected track within your library. Lift the needle out of the Vinyl Scroll section of the record and into the lead out (between the Vinyl Scroll area and the end of the record) to change crates or iTunes playlists. Go back to the Vinyl Scroll area of the record to choose a track within the crate or playlist. Once you have found the track you wish to play, put the needle back at the beginning of the record and it will load automatically. This feature is available to CD users. Go to track 2 on the control CD to access Vinyl Scroll. Find the track you want to load, and go back to track 1. The track you selected will be loaded and ready to play. You can reverse the direction of Vinyl Scroll and set the sensitivity in the Setup screen. TIP: You can also use Vinyl Scroll in the Prepare window. See the options for “Vinyl Control” on page 32. For information on rescanning, moving, copying, deleting and backing up your files, see “File Management” on page 27. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 11 Main Screen Overview Visual Aids Main Waveform Display When the track is playing several waveforms are This view provides a close-up displayed. Each shows a different aspect of the of the track, including color track being played. coding to show the frequency of the sound; red representing Tempo Matching Display low frequency bass, green representing mid-frequencies and blue representing high- The Tempo Matching display area provides a frequency helpful tool for beat matching. Scratch Live You can also switch to a detects the beats within the track, and places three-band a row of orange peaks (for the track on the left by holding the ctrl key and side) above a row of blue peaks (for the track clicking on the waveform. Click on the right side) in the Tempo Matching display on the waveform to ‘scrub’ or area. When the two tracks are matched to the make fine adjustments to your Deck same tempo, the peaks will line up. The tempo position within the track. This applies to INT everything display is aligned with the beginning of the bar, Mode only, and may be useful if you wish to set Virtual Deck The Virtual shows treble sounds. spectrum view so the peaks keep their relative position as the cue points in your tracks without your turntables a track plays. This display does not show the or CD players connected. The Main Waveform is track. As the vinyl relative timing of the beats, only the tempos of zoomed around the current position in the track. rotates, so does the the tracks. The peaks will still line up when the See “Cue Points” on page 17 and “Scratch line tracks are playing at the same tempo, but are Live Modes” on page 15. about and the position on the speed of label. The circular progress bar around the edge is out of sync. TIP: Use the + and – keys to zoom in and out. a visual representation of the position within TIP: Waveform can be either vertical or horizontal. the song, and can be set to flash to warn you Track Overview Display that the track is nearing its end. The time and This view provides a complete overview remaining time are displayed in minutes and of the track waveform, and includes seconds. The pitched BPM (BPM with pitch a marker to show the current position adjustment multiplier added) is shown on the within the track. This view is useful for left of the Virtual Deck, and the turntable speed finding transitions within the track. The as a percentage pitch shift is shown on the right waveform is colored according to the of the Virtual Deck. If the track has no BPM sound spectrum – red representing information, pitched BPM will not be shown. low frequency bass sounds, green If you are playing regular vinyl, notice the representing mid frequency sounds and Virtual Deck behaving strangely as Scratch Live blue representing high frequency treble attempts to decode the incoming signal. This sounds. will not cause any problems, but you may find it You can jump to different positions This view shows the position of beats distracting. You can unload the currently loaded within the track by clicking on the Track within the track. When beat matching, track using the Virtual Deck eject button. Overview display (disabled in ABS this view helps align the downbeats Mode). Grey lines behind the overview show the of the two tracks. The markers are TIP: Use the keyboard shortcut shift-alt- length of the track – a thin grey line every minute, matched up when the two tracks are arrow to unload a track from the Virtual Deck. and a thick grey line every 5 minutes. The beat matched. overview will be filled when you load the track Example: onto a Virtual Deck. On slower computers, you demonstration of using the visual aids should disable Autofill overviews in the Library to help beat match. In this example, tab of the Setup screen. See “Preparing Your the track that is playing is on the left Files” on page 10 and “AutoFill Overviews” deck, and the track to be mixed in is on page 33. on the right deck. 12 See “Display Modes” on page 14. Kick Drum In this example, the red part of the wave represents a kick drum, while the purple part represents a snare drum. Snare Drum Beat Matching Display The following is a RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Tap Tempo Censor After a few seconds, blue peaks appear in the For tracks with no BPM information, Use the censor button to ‘mask’ parts of a Tempo Matching display. there is a tap tempo button displayed song, or use as a special effect. When you where the BPM usually is, in the song info area. press the censor button, the track starts playing Pressing alt-space bar activates the tempo backwards from that point. When you release the blue peaks sit under the orange peaks in tapper (press alt-space bar a second time to the censor button, the track plays forward from the Tempo Matching display. Once they are activate the tempo tapper on the Right Virtual the point you would have been, had you not aligned, the two tracks have the same tempo. Deck). Tap the space bar along with the beat. pressed the censor button. Censor is available After you’ve tapped the first beat, you can switch only in REL and INT Modes. 1. Start the track playing on the Right Deck. 2. Adjust the pitch of the right turntable until 3. Next align the markers in the Beat Matching to double time tapping, half time, start of each display. Watch the color of the items passing bar etc. The range is set by the first two taps, by in the Main Waveform display. Remember Eject after that you can switch to any steady rhythm that a kick or bass drum will be red in color, This ejects the track playing or loaded you feel comfortable with – quarter notes, half and a snare drum will be green or blue. This from it’s Virtual Deck. note, whole notes. Esc resets the BPM, Enter technique will by no means guarantee perfect saves the BPM to the track. You can use the mixes, but may help to speed up the process mouse if you prefer. Your CD player or turntable’s of beat matching. pitch slider doesn’t need to be at zero, we do the Master Gain The master output of Scratch Live can be math for you. You can also use the tempo tapper when no song is loaded, for finding the BPM of regular records, for example. controlled using the master gain control. Autoplay Click the Auto button to enable autoplay. With this setting turned on, when one track finishes playing, the next track starts automatically. Load from a crate to play through the songs in that crate, or from your library to play through your library. Autoplay This adjusts the output volume of all tracks Key Lock played. When Key Lock is on, the key or pitch of start must be checked in the Playback tab of the the song stays locked at what it would Setup screen for autoplay to work correctly. See be if the track was playing at normal speed, “Play From Start” on page 32. NOTE: For best results, set the master gain to the 12 o’clock position, and adjust the volume of individual tracks using the track gain adjustment. 33 / 45 Speeds Set this to match the speed of your regardless of the platter speed of the turntable or CD player. Key Lock has scratch detection, so that it automatically turns off when scratching for a natural scratching sound. Turn Key Lock on or off by clicking the button to the top right of the Virtual Deck. turntable for normal playback. TIP: F5 and F10 will turn Key Lock on and off Tracking Indicator works in both REL and INT modes. Play from for the Left and Right Decks respectively. The tracking indicators on the main screen show the quality of the signal Repeat coming from the control record or CD. The length Use the Repeat function to repeat the of the bar indicates the speed of the record or song across the entire length of the CD. The color indicates the amount of position control record. Reverse Input Control Swaps the Left Deck input (3 & 4) with the Right Deck input (5 & 6) of the SL 3. This transfers control over to the alternate Virtual Deck. For example, the physical record on the right hand side now controls the Left Virtual Deck. This essentially lets you continue mixing, but just using one turntable. See “Mixing With One Turntable Or CD Player” on page 37. information Scratch Live is receiving. When you are playing the record at normal speed, the TIP: Short “loop” samples can be turned into tracking indicator should be grey. If it is mostly a continuous track using the Repeat function. red there is a problem reading the control signal. The loops must be less than 10 seconds long, Make sure your needles are clean, and check the and cut at the start and end of a bar. calibration in the setup screen. NOTE: It is normal for the tracking indicator to be red when cueing or scratching. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 13 Track Gain Use the track gain knob to balance the volume of the tracks in your library. Any Display Modes Library Views adjustment made to the gain of a track is saved with the file, and will be reapplied to the entire track when it is loaded again. The level meter shows the level sent to the hardware interface after both individual track gain and master gain adjustment. NOTE: For automatic gain setting of your tracks, see “Use Auto Gain” on page 32. USB Dropout Indicator The USB dropout indicator on the main screen is a useful trouble shooting tool if you have problems with audio dropouts. Such dropouts are caused by an interruption in passing the audio to the Scratch Live hardware interface. If such an interruption (or dropout) occurs, a red light will appear briefly, just to the left of the Scratch Live logo at the top of the screen. The light will be red for one second, and then orange for four seconds. If you experience USB drop outs: • Increase the USB Buffer Size See “USB Buffer Size (Latency)” on page 31. • Try closing other applications that are running at the same time as Scratch Live. • Try turning off background tasks, for example, wireless networking. • If your CPU load is very high, try decreasing the Maximum Screen Updates setting in the Display tab of the Setup screen. See “Maximum Screen Updates” on page 34. Scratch Live gives you the option of four different You can choose between four different library display modes to suit your style of performance. views which allow for visual browsing using text The Display Mode buttons are located in the top and album art. Select your Library View by using left of the Main Screen. The available display the buttons in the bottom left area of the main modes are: screen. The available Library Views are: Library Mode: Maximizes your library Simple space by minimizing the Virtual Deck information in a text list. List: Displays the track information displayed. In Library Mode only the track information, Virtual Deck, mode, track Album Art List: Adds an album art overview display and meter are displayed. column to the Simple List mode. TIP: Use the space bar to toggle between Album Art Grid 1: Displays the album Library Mode and your current display mode. art as a grid with the track information text to the right. Classic Vertical Mode: The two Decks are displayed on the left and right sides Album Art Grid 2: Displays the album of the screen with vertical waveforms in the art as a grid with the track information middle. text below. Classic Horizontal Mode: The two NOTE: Your files must have album art added Decks are displayed on the left and right for it to be displayed. See “Adding Album sides of the screen with horizontal waveforms in Art” on page 26. the middle. TIP: For all views you can adjust the font size Stack Mode: The Decks are stacked on by using the Font Size slider in the Library tab top of each other in a horizontal fashion. on the Setup screen. For all Album Art views Stack Mode aligns the waveforms on top of each you can adjust the album art size using the other, while maximizing waveform space. The Album Art Size slider in the same area. controls for all Decks can be shown or hidden by pressing the Show Deck Controls Button on any deck. 14 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Absolute Mode Relative Mode ABS mode is the default mode, and most closely REL mode observes the relative forward and resembles the properties of normal vinyl. The backward movement of the record, but does not beginning of the track is mapped to the start of take into account the position within the record. the record, and by picking up the tone arm and REL mode disables needle dropping, but allows moving the needle to another part of the record skip-free scratching. Scratch Live Modes Scratch Live has three different modes of operation. You can switch between these modes by clicking the mode buttons near each Virtual Deck. Thru Mode (needle dropping) you can move to a different position within the track. See: “Drop To Absolute Position (Relative ABS mode faithfully reproduces the movement Mode)” on page 32. of vinyl control records, including stops, starts, scratching, needle dropping, rubbing and other Click on the THRU button to switch turntablist techniques. REL mode adds additional speed controls: between Scratch Live and regular vinyl When you reach the end of the record Previous track – Go to the previous track or CDs. Click the THRU button for the respective using either REL or ABS modes, Scratch Live in the list. Deck in Scratch Live. (The THRU button on the automatically switches to INT mode. This left Virtual Deck for the left channel, and vice is known as Emergency Internal mode, and Rewind - The rewind function speeds up versa.) prevents long tracks from stopping when you run the longer you press the button. This will change the state of the channels to out of record. You can switch from Emergency THRU mode, sending audio direct from the SL 3 Internal mode to ABS mode by lifting the needle Fast forward – The fast forward function inputs to your mixer. SEE “Playing Regular and placing it in the lead-in of the control record. speeds up the longer you hold the button. Vinyl and CDs” on page 8. Emergency Internal mode will activate after 1 second. Use the keyboard shortcut F1 (left deck) Next track – Jump to the next track in or F6 (right deck) to switch to ABS mode. the list. NOTE: Be careful when scratching near the TIP: Use the keyboard shortcut F2 (left deck) end of the record not to accidentally go past or F7 (right deck) to switch to REL mode. this point and into internal mode, or the track will no longer respond to record movement! RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 15 Internal Mode Pitch Slider - Use the pitch slider to More Controls make pitch adjustments while using You can also control playback using the INT mode. Drag the pitch slider with the computer keyboard shortcuts — turn Caps Lock mouse to make large pitch movements, on to enable. See “Playback Keys Use Shift” or hold the shift key and drag the pitch on page 31. slider to make fine adjustments. INT mode allows playing tracks without external vinyl (or CD) control. INT mode has a start / stop function and a virtual pitch slider. Holding down the shift key moves the pitch slider slowly. Holding the ctrl key and clicking on the pitch slider resets it to 33 RPM or 45 RPM, depending on which you are closest to at the time. Scratch Live automatically switches to INT mode when the end of the control record is reached; you can switch back to ABS mode by placing the needle in the lead-in of the control record. If you switch from ABS or REL into INT mode, Scratch Live automatically adjusts pitch to maintain playback speed as set by the turntable. Use the keyboard shortcut F3 (left deck) or F8 (right deck) to switch to INT mode. INT mode adds these additional controls: Play / pause reverse - Press to play, press again to stop playback. You can adjust the braking knob in the setup screen to range from an immediate stop to a slow turntable-style ‘power down’. See “Braking (Internal Mode)” on page 32. Play / pause forward – Press to play, Clicking the RANGE button above Left Deck Function the slider changes the slider range to Q play / pause reverse A ±8%, ±10%, ±16%, ±50% or ±100%. W play / pause forward S E pitch down D Temporary Cue R pitch up F There is a temporary cue point that can be used T bend down G like the cue button on many DJ CD players. Y bend up H Press ctrl-I to set this temporary cue point on Alt-Q load previous track the Left Deck, and ctrl-K to set it on the Right Alt-W load next track Alt-S Deck. This temp cue point is shown in the main Alt-E rewind Alt-D waveform as a white marker. This cue point is Alt-R fast forward Alt-F not saved with the track, and by default is set to Ctrl-I set temporary cue point Right Deck Alt-A Ctrl-K the beginning of the track. Press I to jump to this temporary cue point on the Left Deck, and K for Click on the waveform to ‘scrub’ or make fine the Right Deck. If you hold down the I or K key adjustments to your position within the track. while the track is stopped, it will play from the This may be useful if you wish to set cue points temporary cue point. As soon as you release the in your tracks, and don’t have your turntables or key, it will jump back to the temporary cue point. CD players connected. Note that you can use this shortcut to jump to the beginning of the track if the temporary cue NOTE: If you play a track in INT mode, and point has not been set. See “Cue Points” on then switch to ABS or REL mode, the pitch page 17. adjustment will be dictated by the turntable, so there will be a jump in pitch unless they are already perfectly matched. TIP: If you are in ABS or REL mode and you get a build up of dust on the needle that is breaking up the audio, hold down ctrl and press the INT button. This will take you to INT mode and reset the pitch to zero. press again to stop playback. Uses the same braking as described above. Bend down - Create a temporary decrease in the playback speed. Use bend down if the two tracks are in time, but this track is slightly ahead of the other track. Bend up – Create a temporary increase in the playback speed. Use bend up if the two tracks are in time, but this track is slightly behind the other track. 16 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 TIP: Zoom in on the waveform using the – and Cue Points + keys and ‘scrub’ to the desired position for greater accuracy when setting cue points. Looping Enable Hot Cues To turn on hot cues, check Enable Hot Cues in the Playback tab on the Setup screen. When Hot Cues are enabled, you can set cue points simply by pressing the number keys 1 through 0 (no ctrl modifier required). Note that you can only add cues this way if the cue point slots are empty. See “Enable Hot Cues” on page 31. Triggering Cue Points You can save up to 9 loops Use cue points in Scratch Live to mark and Click the arrow to the left of each cue point trigger different parts of your tracks. The cue to jump to it (REL and INT modes only). You per track. These loops are point markers are saved with the file in the can also jump to cue points using keyboard saved in the file, and will be track’s ID3 tag. This means they will be present shortcuts: 1 through 5 for the cue points on the present when you reload the track. To make a each time you load the track. Left Deck, and 6 through 0 for the Right Deck loop, set the in-point by clicking the IN button, cue points. and the out-point by clicking the OUT button. To You can set up to five cue points for each track. Editing Cue Points you want the playhead to jump to the start of the Click on the + button to place a cue point, or To remove a cue point, use the x button on the use the keyboard shortcuts below. A cue point right side of the cue point panel. You can also will be set at the current playhead position of the overwrite cue points by using the shortcut keys track and can occupy any of the 5 slots. ctrl-1 through 0. Setting Cue Points Use the keyboard shortcuts: ctrl-comma (for left) and ctrl-period (for right) to place cue points in chronological order. Alternatively, use ctrl-1 through 0 to set a specific cue point, i.e., to set a cue point on the Left Deck in slot 2, press ctrl-2. Notice the stripe on the Virtual Deck jumps to the 12 o’clock position and changes color when you set a cue point – you are at the cue point when the stripe is one solid color and at the 12 o’clock position. As the track plays on beyond the position of the cue point, the colored bar shortens by a fifth for each rotation. Likewise, as you approach the cue point, the color will grow by a fifth each rotation. For example, the picture below shows the track just before the end of the 5th rotation before the cue point. Customizing Cue Points turn the loop on or off, click the LOOP button. If loop when you enable the loop, hold the control key and press the LOOP button. To adjust the in-point of the loop, click the IN button. You can use the arrow keys: left arrow to move the in-point towards the start of the track, right arrow to move the in-point towards the end of the track. Hold down the shift key The colors of cue points can be changed at any while pressing the arrow key to make coarse time. To change the color of a cue point, click on adjustments. Click the IN button again to save the colored square and choose a new color from the in-point. The same applies to adjusting the the drop down menu. out-point. You can also drag and drop cue points to You can also use the control vinyl (or CD) to change their order in the list. If you wish to have adjust the in- and out-point. Click the IN button, the cue points sorted chronologically, check Sort cues chronologically in the Playback tab on the Setup screen. If you load the same track onto both Decks, you will be able to add or then move the control vinyl. Moving the vinyl will adjust the in-point. Once you are happy with the new in-point, click the IN button again to save, and release the control vinyl. modify cue points from either Deck. The control vinyl will go back to controlling When you jump to a cue point in INT mode playback once the record is back up to normal while paused, the track will play from the cue speed. Using the control vinyl to adjust loop point for as long as the key or mouse button end points is optional — to turn this feature off, is pressed, after which the playhead returns to disable Adjust loops with vinyl under the Vinyl the cue point. If this is done using the keyboard Control tab in the Setup screen. while the track is playing in either INT or REL mode, the cue point will be repeatedly triggered, producing a stuttering effect. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 17 There are 9 available loop slots per track. The A-Slot Loop Roll with MIDI If a loop is set in a given slot, the background A special loop slot ‘A’ exists for auto-looping. The You can assign loop roll to MIDI in several ways: (behind the loop number) will be green. Press act of using the auto-loop buttons sets a loop in After pressing the MIDI assign button in Scratch the ‘A’ slot, following the rules above. Turning Live, press the control + alt keys, click on an locked loop symbol, a red border will appear. a loop off using the auto-loop buttons returns auto-loop value, then click on the button/slider This indicates the loop is locked, and you will you to the loop slot that you were previously in you want it mapped to on your MIDI controller. not be able to adjust the end points or delete at the time you started auto-looping. Turning Alternatively, you can assign the singular loop the loop until you unlock it, by clicking on the the loop off using the LOOP button leaves you roll button to MIDI, then assign a MIDI knob or number again. in the ‘A’ slot. The ‘A’ slot is not saved to disk slider on your controller to the autoloop select automatically, pressing ‘save’ saves the loop to knob (visible in the MIDI assign panel area when the first empty slot in 1-9. in MIDI assign mode) to change the values on Auto-looping shortcut keys are alt-1 to 5 for the fly. the x button to clear the loop. If you click on the NOTE: Looping applies to REL and INT modes. Auto-Looping the left deck, and alt-6 to 0 for the right deck. They correspond to the looping buttons as laid TIP: When you have the “Autoloop Select” allows out on screen. ie. if the onscreen buttons display knob assigned to MIDI, you have all of the you to create loops 1 2 4 8 16 bar loops, alt-1 triggers 1 bar loop, loop roll lengths at your disposal. This allows instantly. If the track has and alt-5 triggers a 16 bar loop. you to roll up and down the loop length scale, Auto-looping a BPM value simply click the number of beats to create interesting stutter and build-up you wish to loop and Scratch Live will create the Loop Roll loop for you. The loop is snapped to the beats in Loop roll performs a standard auto-loop, but the song detected by Scratch Live so even if you when the loop is turned off, the playback position NOTE: Like auto-loop, loop roll requires a press the button slightly out of time Scratch Live is returned to the position where it would be if it BPM value written to the ID3 tag in order will still create a perfect loop for you. had not entered the loop (much like censor). to work. Build overviews with the “Set Auto Five auto-loop buttons are available on screen The other difference between loop roll BPM” box checked and the proper range for at any one time. They range from 1/32 to 32 and standard auto-loop is the ‘‘roll’’ button is your music selected to ensure an accurate beats. The user can select the auto-loop range momentary. The loop is engaged when the BPM value. See “Set Auto BPM” on page 11 with the and buttons. effects. button is pressed down, and disengaged when Pressing an auto-loop button will create a loop the button is released. Use short loop lengths to start point from the nearest beat to the playhead create “stutter” type effects. (within reason), and set a loop endpoint in the To activate loop roll, hold control + alt while future. Pressing auto-loop 1 while auto-loop clicking on the desired autoloop increment, or 1 is active will deactivate the loop. Pressing a use the keyboard shortcuts: control + alt + 1 different auto-loop button while looping is active through 5 for the left deck and control + alt + 6 will extend the endpoint of the current loop to through 0 for the right deck. (ie. the same as the the appropriate new auto-loop length. auto-loop controls with the additional ‘alt’ key as You can also save an auto-loop to the next a modifier). available slot. When using an auto-loop, a The range of values available for loop roll are save button is visible where the lock loop button 1/32 through to 32 beats. The shortcut keys normally is. will activate whichever loop lengths are visible NOTE: Auto-looping requires the track BPM to be set. SEE “Set Auto BPM” on page 11. on screen, i.e., if you have lengths of a 1/4 beat through to 4 beats visible for the left deck, control + alt + 1 will activate a 1/4 beat loop roll, control + alt + 2 will activate a 1/8 beat loop roll and so on. Use the and buttons to toggle through the range of possible lengths visible onscreen. 18 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 SP-6 Sample Player Loading the SP-6 SP-6 Play Modes To load a track to the SP-6, drag and drop the Each sample slot has three different play modes: desired file from your library into one of the sample slots. To eject a track, click the eject Trigger mode - When play is pressed, button to the right of the title display. the audio plays through until the end of the track. Pressing repetitively will trigger the The SP-6 Sample Player allows you to play up TIP: You can load tracks to the SP-6 with the audio from the beginning of the track. To stop to six sources of audio, in addition to the tracks keyboard shortcuts: ctrl + alt + z to n. the audio, hold the alt key while either clicking playing on the Virtual Decks. Any audio file in the play button, or pressing the corresponding your Scratch Live library can be loaded to any TIP: Select and drag six tracks from your one of the six slots, allowing playback of short library onto the first sample player slot to samples, sound effects, or full length tracks. simultaneously load six tracks across all six Hold Mode - The sample will only play The SP-6 is enabled when the SL 3 is plugged slots. while you press and hold the play button in, but not operational in the offline player mode. Click on the SP-6 button to access the sample player window. In the top right corner of the SP-6 there is a button which opens the Display Menu. Clicking on this drops down a menu with the list of available controls: • Mode: Chooses the play mode: Trigger / OnOff / Hold / Repeat modes. • Output Select: Assigns individual slot outputs to the left, mix, aux, right or to the master output selector. • Pitch: Pitch Slider / Bend / Nudge / Keylock controls. • Play from: Choose which cue point / loop to use for the loaded track. • Overview: Displays the overview of each track. • Level” Individual sample slot level and Gain controls. • Level meter: Displays the volume level for the sample slot. shortcut key (e.g., alt - z for slot one). or the corresponding shortcut key. Upon release Playing Samples of the play button, the audio stops immediately. Pressing the play button on each slot will This mode most closely resembles the function play the loaded audio. of the “note off” mode found on many samplers. TIP: Use the shortcut keys On / Off Mode - When play is pressed, z (slot 1) x (slot 2) c (slot 3) v (slot 4) b (slot 5) n (slot 6) to trigger each sample respectively. SP-6 Instant Doubles You can instant double from the Virtual Decks down to the SP-6, from the SP-6 up to the Virtual Decks and also between the sample slots themselves. This means the position, track gain and speed will match when you drag a track to from one location into another. This allows you to beat match tracks with your turntables/CD players on the Virtual Decks, and then “instant double” the track down to a slot, freeing up the Virtual Decks to continue your mix with other tracks. Click and drag an already playing track from a Virtual Deck or sample slot and drop it on the audio plays through until the end of the track. Pressing play again stops the audio. Repeat Mode - Each slot has a repeat button. When activated, this will repeat the loaded audio file from beginning to end, or will turn on the loop selected in the “play from” field. TIP: Short “loop” samples can be turned into a continuous track using the repeat function. Ensure there is a clean cut at the start and end of a bar. TIP: If you don’t wish to use the SP-6, you can disable it in the Plugins tab on the Setup screen. another sample slot to begin instant doubling. This enables you to set up the sample player with the appropriate controls that suit your workflow. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 19 SP-6 Pitch Controls SP-6 Slot Volumes individual output selector buttons to override the There are E a c h master output setting. individual individual To send an individual slot to a different Pitch Slider, sample slot output from the master, deselect the master Bend, Nudge, and Keylock controls for each has a separate volume slider and gain control. option by clicking on the master button for the corresponding slot. sample slot. The BPM is also displayed next to the pitch slider. If no BPM is present in the tracks Volume Sliders - Use the volume slider to mix This will unlink the sample slot from the ID3 tag, the pitch of the track is displayed as a and make temporary adjustments to the volume master sample player output selection, allowing percentage. of the sample you are playing. You can use these you to choose the L, M, A, R output for each slot. Click and drag the pitch slider to make regular sliders like you use the line faders or up faders These output routings will be saved when you pitch adjustments. Hold the shift key and move on your DJ mixer, fading from full volume right close down Scratch Live, so the next time you the pitch slider to make fine pitch adjustments. through to completely silent. launch Scratch Live, your preferred settings will remain the same. Click on the + and – buttons to nudge the track into time. (temporary pitch adjustment) Gain Knobs - In addition to the volume slider Hold the ctrl key and click the + and – buttons to there is an additional gain knob for each slot. SP-6 Sample Banks make ultra-fine pitch adjustments to nudge the These allow you to fine tune the maximum The SP-6 has four separate track, adjusting the pitch permanently. gain volume of the loaded sample. The gain sample banks, labeled A, B, C adjustment will also be written to the track’s ID3 and D. To switch between the SP-6 ‘Play From’ Selector tag, meaning that it will be the same everytime different banks click on the A, B, C or D buttons. Use you load it. Each bank will save the individual sample and the sample slot settings you last used, allowing you “Play From” selector to choose where the track will play from. SP-6 Output Selector to prepare banks for easy recall at a later stage. You can choose to play a track from the start of Use Sample Bank A will load as the default. the file, any one of the cue points, or any one of selector button to choose the loop in points. where you wish to have the SP-6 Mute Buttons When this is set to play from start, or play from SP-6 output to. Use the mute buttons to mute the audio the master output output for each of the SP-6’s sample a cue point, the track will play right through until stopped. When a loop is selected, the track will L outputs through the left channel slots. Click the mute button to silence the audio play until the loop out point, unless you have Moutputs through both channels (mix) output, click the mute button again to turn the “track repeat” on, in which case the track will loop A outputs through the aux channels (1 and 2) audio back on. using the in and out points of the selected loop. R outputs through the right channel You can also ctrl-click on the mute buttons to mute the outputs momentarily, meaning that the The number of options will be dependent on the number of cue points and loops already set If you have the output set to Aux and click on audio will only be muted for as long as you hold in your track. i.e if the track loaded has no cue the SP-6 THRU button, the sample player will your mouse click. points and loops set, then only “start” will be automatically switch to use the Main mix output. available as a “Play From” option. This prevents a feedback loop from occurring. TIP: To set or adjust cue and loop information There is also a master sample player the sample slot. To MIDI assign momentary for a track, load it to a Virtual Deck, make Gain knob to adjust the overall SP-6 mute, hold ctrl and click on the mute button your adjustments, then load it back into the volume. before tapping your MIDI controller. Individual Output Selectors SP-6 MIDI SP-6 Track Overviews By default All features of the SP-6 are MIDI assignable. Displays each sample The SP-6 window must be opened first before TIP: You can MIDI assign these buttons, allowing you to create a virtual kill switch for sample slot. an overview of the slot will be set to Master, mirroring the SP-6 enabling MIDI assign mode. SEE “MIDI Control” track loaded to each sample slot. The waveform, master output setting. You can however, use the on page 22. play head position, cue points and selected loops will all be visible. 20 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 DJ FX Plugin Using the DJ FX Edit Mode Click the Effects drop down box to select an Edit Mode allows you to create macro mappings effect for the effect slot. The available effects are: for each effect. Open Edit Mode by pressing • Braker • Crusher the Edit Button while in Advanced Mode. Once • Delay • Echo opened, more controls appear which allow you • Flanger • HPF (high pass filter) to create and change parameter mappings to • LPF (low pass filter) • Phaser • Repeater • Reverb • Reverser • Tremolo the Super Knob. To map a parameter to the Super Knob: 1. Unlink the parameter that you want to map Note: You can leave a slot empty by selecting “empty”. to the super knob. The Macro Min and Max buttons for this parameter are now displayed. 2. Move the Super Knob to the position that you The DJ FX Plugin gives you control of two FX units, each with three chained effects slots per unit. There are three control modes for the DJ FX Plugin: Performance Mode, Advanced Mode and Custom Mode (the DJ FX plugin opens in Performance Mode by default). To enable the DJ FX Plugin go to the Plugins tab on the Setup screen, choose the DJ FX Plugin and check the Enable DJ FX Plugin option. Once enabled, the DJ FX panel button will appear in the panels area on the main screen. NOTE: The DJ-FX plugin is not visible if your Rane hardware is not connected. The effects chain works in series going from want the parameter to start mapping from. effects slots 1 to 3, meaning that the effected 3. Move the Parameter Knob to the position that audio from slot one passes through slot two, you want the to be the lowest value of the which is then passed through slot three. parameter. You can select which deck the FX unit applies to by clicking the Deck buttons. Each Deck can only pass through one FX unit at a time. 4. Press the Macro Min Button (–) to set the minimum position. 5. Move the Super Knob to the position that you want the parameter to end being controlled Performance Mode from. This is the basic effects mode. Each effect unit 6. Move the Parameter Knob to the position that has a Super Knob which controls the wet and you want the to be the highest value of the dry amount of each effect. parameter. 7. Press the Macro Max Button (+) to set the Advanced Mode Press the Advanced Mode button to open Advanced Mode, which exposes the individual parameters for each effect. You can then control the individual parameters by adjusting their respective knobs. You can link or unlink a parameter to the Super Knob by pressing the Link Button, allowing one master control of some parameters and individual control of others. maximum. 8. Link the parameter to the Super Knob by pressing the Link Button. Now when you adjust the Super Knob you will see the parameter knob move within the range that you just specified. Any parameters not customized but linked to the Super Knob will behave as normal. You can save any macro mappings you have made by clicking the Save button below the effects parameters. Performance Mode All effects controls can be assigned to a MIDI controller using the MIDI Learn function. See “MIDI Control” on page 22. Advanced Mode RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Advanced / Edit buttons 21 Assigning Controls Aux Deck Plugin To enable MIDI assign mode, click MIDI Control the MIDI button. Hovering the mouse pointer over a control will bring up the MIDI assignment box, showing the current assignment status. To assign a MIDI control, click on the control in Scratch Live, then move the MIDI control. The MIDI assignment box should update to show it has mapped the controls to one-another. To un-assign a MIDI control, click on the control in Scratch Live, and press return on your computer keyboard. While in MIDI assign mode, controls which The Aux Deck Plugin for the SL 3 enables you The MIDI Control feature in Scratch Live provides have MIDI inputs assigned show a green box to DJ with three decks, allowing more creativity the ability to map MIDI controls to Scratch Live indicator around them. when you play! The third deck has all the same controls, and thus control the functions of Scratch functionality as the standard two decks and is Live using MIDI controllers such as keyboards, NOTE: Once in MIDI assign mode, Scratch displayed when in Stack Mode. See “Display triggers, sliders, and knobs. Integrating MIDI Live controls will no longer respond directly Modes” on page 14. controllers into your Scratch Live setup can to the mouse. If you need to change a control To turn on the Aux Deck Plugin, go to the improve live performance usability, such as using the mouse, disable MIDI assign mode. Plugins tab on the Setup screen, then choose hitting pads on a MIDI controller to trigger loops SL 3 Aux Deck and check Enable SL 3 AUX and cue points. MIDI Platters Deck plugin. To enable a turntable or CD player The Scratch Live Virtual Decks are not user to control the third deck, connect it to the Aux MIDI Controller Setup Inputs on the SL 3, and connect the SL 3 Aux The process of setting up a MIDI controller for platters on them all send different data so user Outputs to a spare input on your mixer. use with Scratch Live will vary depending on mapping is not possible. To control the platter When using the third deck you must use the hardware in question. Many devices can use a natively supported controller. Stack Mode to show the third deck waveforms connect to a computer using MIDI over USB, and controls. You can still use the third deck and will either be supported directly by your with the other display modes, however it won’t operating system, or require installation of be displayed. drivers and configuration utility software. Follow assignable to MIDI control. MIDI devices with the manufacturers instructions for installation. Other controllers may solely use a MIDI out connector to send control messages, and will require a separate MIDI interface unit to communicate to software. Generally the MIDI interface will come with drivers and configuration tools which pass your controller’s output onto an available MIDI channel, which can be used by Assigning MIDI to Other Controls Controls which are not normally visible are available for assignment when in MIDI assign mode by clicking on the Show MIDI Panel button. This will open up a panel allowing MIDI assignment for controls including library navigation as well as additional Deck functions such as fine pitch control and extended cue and looping features. Scratch Live. Once your controller is installed and functioning correctly, use these directions for assigning controls. 22 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Ctrl-Click Functionality Technical Information Some Scratch Live controls on the GUI have Scratch Live MIDI Control only supports: additional functionality assigned to ctrl-click. • Note On/Off You can assign ctrl-click functionality to a MIDI • Standard 7-bit CC (Control Change) control, alongside the normal functionality. For • 14-bit CC example, ctrl-click on the INT mode pitch slider • RPN/NRPN (14-bit) Organizing Your Music returns pitch to zero. To assign this to MIDI control, enter MIDI assign mode, ctrl-click on the slider, and then assign one of the pads to it. When you press the pad, pitch goes to 0. Presets Scratch Live can support an unlimited number of tracks – the only limitation is the size of the hard drive of your computer. A number of features are included to help you to keep your music organized and find songs quickly and easily. Grouping Tracks into Crates Scratch Live supports several ways of organizing MIDI presets are accessible in the MIDI panel of the Setup screen. By default, the current MIDI assignments in Scratch Live are automatically remembered and loaded next time you start the program. The preset screen allows you to save and recall several different MIDI setups. This is useful if you are using several MIDI devices or want to quickly switch MIDI setups without having to reassign all your controls. Native Controller Support This Scratch Live version currently has native support for the following 3rd party controllers: • Denon DN-HC4500 • Denon DN-HD2500 • Denon DN-HC1000S • Numark DMC2 • Numark iCDX • Pioneer CDJ-400 • Pioneer MEP-7000 / SEP-C1 These controllers are plug and play, and can automatically control Scratch Live with no MIDI assigment necessary. Visit serato.com for detailed documentation on how to use these and sorting your file library. iTunes users will notice that Scratch Live can incorporate your existing iTunes library and playlists. Scratch Live uses digital “crates” for quick access to your favorite collections. There is no limit to the number of crates you can create, and any given track can be placed in multiple crates. For example, you could organize your files into the following crates, where any one track would be filed in more than one crate: • Hip Hop • UK Hip Hop • French Hip Hop • Inst Hip Hop • Old Hip Hop • Hip Hop LPs To make a new crate, click the Add New Crate button in the bottom left corner of the main screen (brown crate icon). To rename a crate, double click the crate name. You can change the order of tracks within a crate by sorting by the “#” column and dragging them up or down. controllers. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 23 TIP: Check the ‘Protect library’ option in the You can then choose the following inclusion / The column button is located at the top of the Library tab of the Setup screen to prevent exclusion criteria: library pane in the right hand corner. Click on changes to your crates. If you do delete a • Contains the column button to select which columns you crate by accident, you can get it back from • Is want to display. To sort your library by a column, the recycle bin / trash. Crate files have the • Does not contain click the column header so it highlights. For extension .crate. • Is not example, clicking on the album column header Subcrates Check the Match all of the following Rules To move a column, drag the header to the left You can drag and drop crates into other crates option so that tracks must match all the set rules or right. To resize a column, click on the column to make subcrates. If you drag a crate to the very to be added to the crate. If this option is not boundary and drag it to the left or right. left of the crate panel, it will stay in the top level checked, any track which matches any of the of the crate structure. If you drag the crate a little rules will be added to the crate. to the right, onto the name of another crate, it Check the Live update option to have the will make the crate you are dragging a sub crate smart crate update when any tags are edited in of the first crate. your music library. With this option unchecked, will sort your library alphabetically by album title. Using the Song Browser the crate contents will be updated only when you click the refresh crate icon, which is not Smart Crates Smart crates are crates which update their contents by using keywords which are matched with selected tags of your music library tracks. Smart crates can be updated automatically or at your discretion. To create a smart crate, click the Add Smart Crate button in the bottom left corner of the main screen (blue crate icon). A popup window will open which allows you to add the rules to fill your smart crate. Press Add Rule to visible when Live update is checked. The song browser allows you to filter your song Click Save to save your crate or Cancel to list by Genre, BPM, Artist and Album. To turn the exit without saving. song browser on or off, click the Browse button. Click the Edit button (next to the Add Smart Crate button) to edit the rules of an existing Smart Crate. Searching Scratch Live includes a search function to help Sorting Your Files you find files quickly and add a rule for the smart crate to match with. For The track information display area can be easily. Enter text into the each rule you can choose a field to match on customized to display the columns listed below: search box and Scratch from the drop down menu: • Added (date) • Album • Artist • BPM • Comment • Composer • Filename • Genre • Grouping • Key • Label • Remixer • Song • Whitelabel • Year • Added • Album • Artist • Bitrate • BPM • Comment • Composer • Filename • Genre • Grouping • Key • Label • Length • Location • Remixer • Sampling • Size • Track • Video Track Live will automatically find as you type. To select which fields the search function will look through, click on the left hand side of the search box. The drop down menu shows which fields are currently being used. Press esc or the x button on the right of the search box to clear the search. TIP: Use the keyboard shortcut ‘ctrl-f’ to jump to the search box. This keyboard shortcut will also take you out of any crate or playlist that you might be in and into your main library, so you can find any track in your collection. If you then click on a crate or playlist, the search query will be cleared. • Year 24 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Prepare Window Playtime: When viewing a song row, the total TIP: To make a new Scratch Live crate The Prepare window is a holding area for tracks, played time of the song is displayed (i.e., containing your session information, select a much like preparing a set by lifting records part 00:03:00). When viewing a session row, the total session and drag it to the + new crate icon. way out of your record bag. You can drag tracks elapsed time of the session is displayed with The crate will automatically use the session (or whole crates) from the main track list into the date (i.e., 10/09/08 01:38:16). date as the crate name. Prepare button. These tracks will be removed Deck: The Virtual Deck that the song was played Listing Behavior - only the tracks you actually from the Prepare window once they have been on will be displayed under the deck column. In play are listed in history. This is done using an played. All tracks in the Prepare window will be the song row, either left or right is displayed. The A-B algorithm, meaning a track on Deck A is discarded when you exit Scratch Live. offline player will be listed as offline. only listed once the track on Deck B has been TIP: Use the keyboard shortcut ctrl-p to add Notes: Use this field to list particular information You can choose to show tracks which you tracks to the Prepare window. about your songs and each session (i.e., note have auditioned, but not actually played, by how you transitioned from one track to another). checking the Show unplayed tracks box. The Prepare window, or simply drag them onto the changed or ejected. TIP: Select the contents of the Prepare session will then also list these tracks in grey, window and drag them onto the new crate Start Session / End Session: To start or end along with actual played tracks. button (+) to save your selection as a crate. a session, click the corresponding button. Alternatively, you can mark or unmark tracks as played manually. Select a track (or a group of History The History button opens a complete log of all the tracks you have played and allows exporting Scratch Live session information as a data file. Each session is catalogued by date and time. Using the drop down arrow, you can navigate to and view detailed information of any previous sessions. There are columns for the period (i.e., date of session), name of track and artist name. In addition, these other categories listed below will give you more detailed information about your sessions: Start Time: When viewing a song row, the start time of the song is displayed. When viewing a session row, the start time of the session is displayed with the date (in real time value). End Time: When viewing a song row, the end time of the song is displayed. When viewing a session row, the end time of the session is displayed with the date (in real time value). tracks) and click the Mark as played or Mark as Insert Track: If you wish to add information unplayed button. This may be useful if you play for tracks not played in Scratch Live into your a track off regular vinyl or CD — breaking the session (e.g., if you played one of your favorite A-B algorithm). vinyl or CDs), select the song you want to insert Songs that you have played are marked as after and click the Insert Track button. Double green in your library. Click on the button marked click the inserted track fields and edit your Clear to reset the list of recently played tracks information accordingly. When exporting an m3u and turn the color of your library back to white. playlist [see exporting below] “Inserted Tracks” will not be present. Serato Playlists The Serato Playlists plugin allows you to upload Export: You can export each session as a data your history sessions to your serato.com profile file using the Export button. Select a session, for viewing, sharing and editing. You can upload then choose your preferred file Format, and click your playlist once your session is complete, or Export. There are three possible export formats: by using the Live Playlists feature to update your playlists online in real time! • text: to create a simple text file with your session information contained within. To enable this plugin, go to the Plugins tab on the Setup screen and check the Enable Serato Playlists Plugin option. Open the History panel • csv: to create a file for use in spreadsheet software. and you will now have access to the Serato Playlists options. • m3u: to create a playlist file, which can be imported into media players. Note that an m3u does not contain audio itself, it only points to the location of your audio files. (Inserted tracks within sessions will not be included in an m3u playlist.) RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 25 Uploading Serato Playlists Editing ID3 tags Adding Album Art Once you have finished your session, or to Much of the information associated with each file You can add album art to a file by dragging and upload a previous history session, select the can be edited from within Scratch Live. Double dropping a jpeg or png file onto the track in any desired session in the History panel. Click the click on the attribute within the main library to of the album art views, or onto the Album Art Format dropdown box, select Serato Playlists edit the attribute. Filename, length, size, bit rate window. and click the Export button. You will receive the and sampling cannot be edited. This information following warning: is saved in the file itself. Note that the protect Status Icons library option in setup must be unchecked to Warning: This feature will submit play data The leftmost column shows the status of each allow edits. for details on auto-BPM See from your History to your online Serato track. The image to the left shows five tracks “Preparing Your Files” on page 10. with differing statuses. TIP: Use the keyboard shortcut ctrl-e to edit • Scratch Live has detected some text. Hold down the ctrl key and move with corruption in the MP3 file. If possible, the arrow keys to change to a different field re-encode the MP3. Playlists and may affect sound card performance while sending. Do you wish to continue? while staying in edit mode. When you have If you choose “Yes” you will then be taken to more than one file selected, editing tags www.serato.com where you can review your changes all the files in your selection. • The track has been imported from the iTunes library. playlist before choosing to post it online. Once posted, you have the option to edit the playlist TIP: The second column in the library is the • The track has been imported from the and track information. label color for that file. Click it to bring up a iTunes library, and Scratch Live has color palette, and customize the Virtual Deck detected some corruption in the MP3 for that file. file. Solution: If possible, re-encode the MP3. NOTE: We recommend that you turn off any wireless networking devices when using Scratch Live. If you export your playlist online Library Zoom whilst playing you may experience USB You can change the size of your library text by dropouts. If so, you may wish to avoid using using the shortcuts ctrl + and ctrl –. • The track cannot be found. Most likely this function. Live Playlists the file has been renamed or moved. • Tracks that are read-only have a Display Album Art locked icon. Serato Playlists has the Live Playlists option to More Info on Corrupt Files allow you to display what you are playing online If you have a corrupt file in your library, hover in realtime on your serato.com profile. your mouse over the status icon for information To enable the Live Playlists feature go to the on what type of corruption was found. SEE Plugins tab on the Setup screen and check the “Corrupt File Descriptions and Diagnoses” Enable Live Playlists option. Once enabled, the on page 36. Start Live Playlist button is now displayed in the MP3 files can contain album art information. History panel. Click this to start and stop your Click the Album Art button at the very bottom Live Playlist session. left of the screen to open a small window. This window displays the album art of the track NOTE: Live Playlists requires you to be currently selected in the library. connected to the internet while playing, Album art can also be shown next to the the which may result in USB dropouts. If so, you track information display on each Virtual Deck. may wish to avoid using this function. Click on the Display tab in the Setup screen to find this option. See “Show Album Art On Deck” on page 34. 26 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 File Management Deleting Crates and Tracks Move: Select this to move the selected files and/ To delete tracks from your Scratch Live library, or folders to the new location. Your Scratch Live select the track and use the keyboard shortcut library and crates will now reference the files in ctrl-delete. Make sure you have the Protect their new location. library option unchecked in the Library tab of the Setup screen. Cancel: Cancel any changes. • Deleting a track when you are in the “ All...” Remove original references from library: playlist removes it from your library and any Check this option when using the copy feature crates that the track may be in. to remove the original references to these files in your Scratch Live library and replace them with Located in the files pane are two buttons, rescan ID3 tags and relocate lost files. Use these tools for ongoing file and library management. • Deleting a track inside a crate removes it the copies in the new location. The original files from that crate but the file will remain in your will still be kept in their current location, but will “ All...” playlist. no longer referenced in your Scratch Live library. • Deleting a track from a subcrate will remove it Copying and Moving Crates from the subcrate and the main crate but not You can also copy or move your Crates and the “ All...” playlist. Subcrates to another drive in the same way. Open the Files panel and select, drag and drop Rescan ID3 Tags • Crates that are deleted are sent to the recycle bin/trash. Click this button to force Scratch Live to re-read your Crates or Subcrates to the new drive. You will be presented with the same options as mentioned above. all file tags. Alternatively, you can drag and drop NOTE: To delete any files from your library files, folders, or drives onto the rescan id3 tags and your hard drive (sending them to the Scratch Live Backup button from the files pane. This will only scan the recycle bin) use the shortcut ctrl-shift-delete. Scratch Live stores your library database and files that you drag and drop, resulting in much crates information in the Scratch Live folder faster processing. If you are using iTunes playlists, your files cannot TIP: Rescanning the tags is a handy way to on your hard disk. This folder is created on be deleted this way. You will need to delete them identify all the files that Scratch Live can’t find a drive when files are added to Scratch Live. from within iTunes. A copy of each Scratch Live folder called (for example if the files have been altered or moved). These tracks will show up red in the main track list, with an exclamation mark in the status column. You can sort by the status column to group all these tracks together. Relocate Lost Files ScratchLiveBackup is created next to the folder Copying and Moving Files and Folders it is backing up. This folder is created when Scratch Live gives you the ability to copy and backup your Scratch Live library on exit if there move files, folders and crates between drives or is no backup for a drive or if the last backup is to a new location on the same drive. more than 1 week old. exiting Scratch Live. You will be prompted to To copy or move your files and/or folders, Backup will only keep ONE level backup at a This feature finds music and folders on your open the Files panel and select, drag and drop time; each time backup runs, it overwrites the computer that you have either moved or altered. them in the desired new location. Scratch Live previous backup. 1. Click the Relocate Lost Files button to search will then prompt you with the following options: all your drives (internal and external) for files NOTE: Make sure you back up your music currently marked as not found in your library. separately. This backup function only backs 2. When this process is complete, your Scratch up the Scratch Live folder, not your music Live library will be updated with the new files. location of your files. TIP: Drag and drop files, folders, or drives Copy: Select this to make a copy of the selected onto the Relocate Lost Files button from files and folders in the new location. Your Scratch the Files pane. This is useful if you know the Live library will now contain entries for both the location of your files, as it only scans the drag originals and copies. and drop location, with faster relocation. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 27 Recording Recordings are saved as 24-bit, 48 kHz stereo Sampling From Vinyl AIFF files by default. You can use the SL 3 interface to sample from Recordings are saved in “My Documents\ vinyl or any other sound source. Click the My Music\_Serato_\Recording” in Windows XP, “Libraries\Music\_Serato_\Recording” in triangle next to the record button to select from Aux, Left (deck) or Right (deck) inputs. Windows 7, and “~/Music/_Serato_/Recording Temp” on a Mac. TIP: Remember that ctrl-n turns recording on and off, and you can load a recording without Record Gain Knob Scratch Live allows you to record one of three stereo signals from the SL 3: saving it using shift + left arrow or shift + right Adjust the record level using this Gain knob. The arrow. Drop the needle into a loud part of the meter reveals the level of your audio. Ideally the track, record a few seconds, and then shift + meter should sit just below the red, meaning your left arrow or shift + right arrow to load it on signal is as loud as it can be without clipping. to the Virtual Deck. This way you can doublecheck your levels and adjust with the Gain • Left (deck) in NOTE: If you turn the record Gain knob down • Right (deck) in control. and the red clip led is still illuminated, the • Aux in Stereo recording is possible even while using two stereo vinyl control inputs. 1. Select the RECORD button at the left of the screen to open the Record controls. signal is clipping the input of the SL 3. Turn Recording Your Mix down the level at your audio source before it To record your DJ mix in Scratch Live: reaches the SL 3. 1.Connect an output (i.e., booth, session, aux or 2nd master output) from your DJ mixer into the TIPS AUX input of the SL 3. • The keyboard shortcut ctrl-n turns recording on and off. 2. Choose the Input Source by clicking on the downward arrow (icon) to get the drop menu. 3. Click the red record icon to start recording. 4. The record icon flashes while recording and the display shows the elapsed recording time. 5. Click the flashing record icon again to stop the 2.Select AUX as the record source in Scratch Live. 3.Adjust the input level to a suitable volume. Be • Load a recording without saving it using the shortcut keys shift left arrow to the Left Deck or shift right arrow to the Right Deck. NOTE: Recording files are automatically split when the recording exceeds 3 hours (16-bit) or 1 hour 50 minutes (24-bit). sure the red overload LED stays off. 4.Begin recording. Details are the same as steps 3 to 7 under RECORDING. Recording Bit Depth There is an option for Recording Bit Depth with the SL 3 on the Hardware tab of the Setup screen. Choose either 16-bit (CD quality, smaller file size) or 24-bit (high quality, larger file size). recording. See “Recording Bit Depth” on page 31. 6. To save the recording, type in a name for the recording and click the save icon. 7. The recording is automatically placed in a crate named “RECORDED”. If the crate does not already exist, it will be created automatically. 8. To start a new recording without saving, simply click the record button again. Recordings can be loaded onto the Decks, renamed, 28 and managed like other files. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Using LiveFeed LiveFeed First locate the LiveFeed files in your library. Type “livefeed” into the search box and you will see: LiveFeed - Rane SL 3 Aux In LiveFeed - Rane SL 3 Aux In (Gated) -xx dB. Load the desired LiveFeed file to any Deck. To begin recording, start the Virtual Deck playing. The waveforms will start to build in the track overview and main waveform display as the Aux input is being recorded, you can now use the recording as normal. Performing a needle drop LiveFeed allows you to stream the Aux input from the SL 3 to a Virtual Deck. For instance, on the record brings the playhead back to the “now” position in the audio stream. you can connect any available mixer output to the SL 3 Aux In to record a section of your set. You can then instantly play the recording back just like a normal audio file — you can scratch it, speed it up, slow it down, set loops and set cue points. There are two recording options, Normal and Gated. The Normal option means recording will begin as soon as the Deck starts playing. The Gated option means recording will only begin once the input source exceeds the set gate level (thus avoiding periods of silence). You can set the gate level by clicking the dropdown menu in the LiveFeed filename. The lower the gain setting the more sensitive the gate is. The amount of time available to record is determined by your audio cache setting. The track overview display shows the amount of usable audio you have to play with from the recording. Click anywhere in the track overview display to jump to your desired position in the recording. See “Audio Cache” on page 34. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 29 KEY Keyboard Shortcuts ctrl - L ctrl - R ctrl - F ctrl - A ctrl - C ctrl - E ctrl - V ctrl - X ctrl - Z shift - ctrl - shift - ctrl - These actions can be accessed directly from the computer keyboard. NOTE: Playback, cue and speed controls use Shift or Caps Lock. You can turn this off in the Setup screen. See “Playback Keys Use Shift” on page 31. ctrl - P ctrl - N ctrl - O - or + ctrl - or + tab ctrl - del and ctrl - backspace alt - del and alt - backspace ctrl - shift - del and ctrl - shift - backspace ctrl - shift - / esc SAMPLE PLAYER Load to sample slot Play sample slot LEFT DECK ctrl - or shift - ctrl - shift - shift - alt - ctrl - , (comma) ctrl - 1, 2, 3, 4, 5 1, 2, 3, 4, 5 F1 F2 F3 F5 Q W E R T Y U I O P [ ctrl - [ alt - Q alt - W alt - 1, 2, 3, 4, 5 ctrl - alt - 1, 2, 3, 4, 5 alt - E alt - R alt - O alt - L alt - space bar ctrl - I 30 ACTION Locate the current track. This will highlight the track you most recently loaded. Pressing ctrl - L again will alternate between the tracks recently loaded on both decks. Reveal - the highlighted song is opened in a file browser. Find - moves the cursor to the search box. Select all. Copy text in edit mode. Edit text. Paste text in edit mode. Cut text in edit mode. Undo last track load. Move focus up / down through the library or crates. Note that if you have a song highlighted in the song view, and use shift - ctrl - you will move up or down through the library or crates. When you release the shift or ctrl key, the focus will go back to the song view so that you can move up and down through songs using . Add tracks to the prepare window. Start a new mic recording. Open the track in your default MP3/WAV/OGG/AIF player. Zoom the main waveform display. Zoom the library text size. Alternate focus between crates or songs. Remove track from library., remove track from crate, delete crate (does not delete the file). Remove track from crate and from library. Delete the file from your library and send to the recycle bin. (Note to iTunes users: files in your iTunes library cannot be deleted this way). Toggle the input reverse switch Clear search string if searching, or exit Scratch Live. slot 1 ctrl - alt - Z Z slot 2 ctrl - alt - X X slot 3 ctrl - alt - C C slot 4 ctrl - alt - V V slot 5 ctrl - alt - B B ACTION Load the highlighted song to a deck. Load the track currently on one deck onto the other deck as well. Unload the track from a deck. Place a cue point. Place a cue point in a slot. Jump to cue points slots. (rel and int modes) Switch deck to absolute mode. Switch deck to relative mode. Switch deck to internal mode. Key lock on / off. Play / pause reverse. Play / pause forward. Pitch down. Pitch up. Bend down. (rel and int modes) Bend up. (rel and int modes) Censor. (rel and int modes) (rel and int modes) Go to temporary cue point. Set / adjust loop in-point. Set / adjust loop out-point. Loop on / off. Jump to selected loop. Load previous track. Load next track. Auto loop on / off. Loop roll. Rewind. (rel and int modes) Fast forward. (rel and int modes) Previous loop. Next loop. Activate the tempo tapper. (rel and int modes) Set temporary cue point. slot 6 ctrl - alt - N N RIGHT DECK ctrl - or shift - ctrl - shift - shift - alt - ctrl - . (period) ctrl - 6, 7, 8, 9, 0 6, 7, 8, 9, 0 F6 F7 F8 F10 A S D F G H J K L ; ' ctrl - ' alt - A alt - S alt - 6, 7, 8, 9, 0 ctrl - alt - 6, 7, 8, 9, 0 alt - D alt - F alt - P alt - ; alt - space bar (x2) ctrl - K RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Hardware Playback USB Buffer Size (Latency) Track End Warning Scratch Live processes audio in small chunks. Enable this option to flash the Virtual Deck as When smaller chunks are used, the movement you approach the end of the track. The label will of the record is translated into audio more often, start flashing 20 seconds from the end of the which results in a lower overall system latency. record. The Track end warning does not apply to However, this requires more processing and any tracks under 1 minute long. Additional Setup This section covers general preferences and adjustments you can make to improve the performance of Scratch Live. From the top of the main screen, click on SETUP to get to this area. therefore a higher CPU load, so lower buffer size settings require a more powerful computer to Playback Keys Use Shift produce uninterrupted audio. If you want tighter When this option is checked you must have the control, try decreasing this setting. On the other shift key pressed for the playback keys to trigger. hand, if you experience audio dropouts, you This applies to all keyboard shortcuts, including need to increase this setting (or use a more cue points, INT mode shortcuts, and the sample powerful computer). player shortcuts. Updating Firmware TIP: You can also turn on Caps Lock instead If a firmware update is available after installing a of using Shift. new Scratch Live software release, an Update Firmware button appears in the Hardware Lock Playing Deck screen. Every DJ’s nightmare used to be lifting the needle The firmware upgrade takes approximately 10 off the wrong turntable in the middle of a set. seconds, during which time the SL 3 will not be This setting helps to avoid the digital equivalent; usable. loading a new track to the wrong deck. When this option is checked, you can only load a track Line / Phono Status if the target deck is stopped. The input level currently set on the SL 3 is displayed for each input. To change the input Sort Cues Chronologically level setting, use the dip switches on the SL 3. The five cue points can be placed in any order, Choose up for Phono and down for Line. and can be dragged up and down if you wish When Phono is selected, the Phono Sensitivity setting is also displayed. Set the to reorder them. If you prefer to lock them to chronological order, turn this option on. Phono Sensitivity to the same level of your cartridge (see your cartridge documentation for the correct value). Recording Bit Depth Enable Hot Cues When Hot Cues are enabled, you can set cue points simply by pressing the number keys 1 through 0 (no ctrl modifier required) from your Choose to record in either 16-Bit (CD quality, keyboard. You can only add cues this way if the smaller file size) or 24-Bit (high quality, larger file cue point slots are empty. See “Cue Points” on size). see “Recording” on page 28. page 17. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 31 Vinyl Control Use Auto Gain Play From Start Auto gain enables you to set a uniform volume Enable this to start all tracks from the beginning level for the tracks in your library. When a track is when loaded in REL and INT modes. If this in auto gain mode, the track gain knob appears setting is not enabled, freshly loaded tracks will recessed. continue to play from the point the last track was Check this box to enable auto gain. Provided at. This option is on by default. you have analyzed your files, your tracks will now be loaded with the auto gain applied. Instant Doubles Next to this box is a drop down menu, in This option allows you to quickly match the which you set the target gain volume level. playhead position of two tracks. With this To find the optimum setting, load a track with option enabled, when you load the same file on an average volume level onto one of the Virtual one Virtual Deck that is already loaded on the Decks. Now play the track, and take note of the other Virtual Deck, the playhead will jump to the volume and LED lights inside the software. position of the track that was loaded first, with The idea is for the track volume to be sitting the keylock state and looping settings copied. just under the clipping point (indicated by the This setting overrides the Play from start and LED meter red-lining). If the track is too quiet, Play from first cue point options. Adjust Loops with Vinyl Once you’ve made this adjustment, load the same track onto the Virtual Deck again. You’ll notice that the volume knob has automatically adjusted itself. Keep making adjustments on the same track until it’s just below the clipping point. Once this is set you won’t need to adjust the target gain level ever again. Because the track you used had an average volume level, most of the other tracks in your library should be around the same volume. You may still need to make minor adjustments to some individual tracks, but once that’s done these will stay saved in the ID3 tag of the file. Enable this option to start all tracks from the first cue point when loaded in REL and INT modes. This setting overrides the Play from start option. and keep audio playback controlled by the vinyl. SEE “Looping” on page 17. Next Song On Flip When this option is enabled, changing the side Enable Vinyl Scroll Uncheck this box to disable the Vinyl Scroll feature. See “Vinyl Scroll” on page 11. Reverse Vinyl Scroll Braking (Internal Mode) In INT mode, this controls how fast the deck stops when play is stopped. Counter-clockwise, the stop is immediate. Clockwise rotation This setting allows you to reverse the direction of Vinyl Scroll. SEE “Vinyl Scroll” on page 11. increases the stop from a finger grab all the way Vinyl Scroll Speed to a slow turntable power-down. Vinyl Scroll allows you to load a new track without touching the computer, by lifting the needle and placing it in the special section of side A of the Audio Output TIP: Slightly too quiet is always better than You can also select mono output. This setting is too loud. If your LED meter is in the red, it is saved when you exit Scratch Live. not sound very nice, it can damage your use the computer’s arrow keys to adjust loops, loads the next song. Play From First Cue Point By default the output of Scratch Live is stereo. likely that it is clipping. Not only does clipping control vinyl. Disable this option if you wish to of control vinyl you’re using (‘flipping the record’) unload it, then go to the Playback setup screen and boost the auto gain dB value more. Loop end points can be adjusted using the control record. This setting allows you to adjust the sensitivity of Vinyl Scroll, so that you can control the amount of record movement required to move between tracks. equipment. Drop To Absolute Position (Relative Mode) Hi-Fi Resampler This detects a deliberate repositioning of the This significantly reduces digital distortion at very slow or very fast record speeds, increasing the CPU load slightly. This option is off by default, the old resampler is used when switched off. 32 needle, and moves the playhead to the needle’s absolute position, as if it were in ABS mode. Accidental skipping of the needle does not reposition the playhead. (REL mode only) RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Drop To Cue Points (Relative Mode) Library Protect Library Uncheck this option to remove files and crates This option triggers the corresponding cue point from your library. Check this option to lock when the needle is repositioned into one of the your library and prevent accidental file or crate first five one-minute sections on the control vinyl. deletion while using Scratch Live. Enabling this For instance: needle dropping into the second option will also lock all file tags and crate names, minute on the left turntable will send playback so that no text can be changed. for Deck 1 to cuepoint 2, if that cuepoint is set. (REL mode only) Vinyl Start Offset If there is cue burn at the beginning of the vinyl, you will notice that the tracking will be poor at this point. Use the two knobs to offset the start point, so that the track will start playing from a point further into the control record. The first knob sets the number of whole minutes to offset by, the second knob sets the number of whole rotations within that minute. Read iTunes Library Check this option to show your iTunes library and playlists in Scratch Live. You can collapse your iTunes playlists by clicking on the blue folder icon. Uncheck this option to remove iTunes playlists and iTunes songs from your Scratch Live library. Customize Crate Views Check this option to set custom column views for each crate and playlist. When the option is off (default), all crates will share the same column configuration as the “ All...” crate. Center On Selected Song To add your iTunes music to your Scratch Live With this option on, scrolling up and down in your library permanently, drag and drop tracks from library holds the selected track in the middle of the iTunes playlists onto the “ All...” icon (on the library panel. the far left hand side of the Scratch Live screen), or into individual Scratch Live crates. Show All File Types Any files moved to “ All...,” an existing crate, Enable this option to show all files when or a new crate will now remain in Scratch Live importing tracks into Scratch Live. If this option even when the Read iTunes library option is is unchecked, only files that Scratch Live can unchecked. Once a file has been permanently play will be displayed. added to Scratch Live, the iTunes logo will disappear. Include Subcrate Tracks We recommend unchecking this option after You can drag crates into other crates to make you have added your music into the Scratch Live subcrates. If you have this option turned on, library. any crate will also display the contents of all its subcrates. SEE “Organizing Your Music” on NOTES: page 23. • If your iTunes library contains a large number of tracks it may take some time for Scratch Live to read it. • Any changes made in Scratch Live to the file information of tracks in your iTunes library will not appear in iTunes until after you play the track. • Scratch Live cannot play files that have been protected by Digital Rights Management systems, such as those previously sold through the Apple iTunes Music Store. iTunes Plus files are DRM-free. • iTunes is available for Mac and PC. To get more information, visit www.apple.com. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 AutoFill Overviews Enable this option to automatically generate the track overview as soon as a track is loaded. If this setting is disabled, the track overview will be generated as the track plays. Automatically generating the track overview uses more of the computer’s CPU power, and should be disabled on slower computers. TIP: Analyze your files before you play to pre-build all your overviews. See “Preparing Your Files” on page 10. 33 Import AAC Files Display Plugins Maximum Screen Updates SP-6 This slider allows you to throttle back the screen Use the check box to enable and disable the refresh rate. Users with slower computers might SP-6 sample player plugin. The SP-6 is enabled like to do this if they are having performance by default. Turn this option off if you do not wish to import AAC files into your library. Changing this option will cause your iTunes library to be reloaded if the Read iTunes library option is turned on. Font Size Adjust this slider to increase and decrease the font size for the main library and crates area. TIP: You can also use the keyboard shortcuts ctrl + and ctrl – to increase and decrease the font size. issues. It could also be useful if you want to limit Scratch Live’s processor usage, for example if DJ FX you are running a recording program at the same Adjust this slider to set the maximum album art Use the check box to enable and disable the time. The default setting is 60 Hz, or refreshed size for any of the album art display modes. The DJ FX plugin. The DJ FX plugin is disabled by 60 times per second. This setting applies to artwork will still get larger if required to fit the default. the entire screen (i.e. the Virtual Decks, the track and will still scale with the library zoom Waveforms, the Library, and the SETUP screen). Album Art Size keyboard shortcut. SL 3 Aux Deck Use the check box to enable and disable the Audio Cache SL 3 Aux Deck plugin. The SL 3 Aux Deck plugin Use this slider to set the amount of audio that is disabled by default. is loaded into memory. A small audio cache will place less load on your computer, and the tracks will load faster. A large audio cache will give you a bigger view of the waveform when the main waveform view is zoomed out. The default is 15 seconds. Serato Playlists Use the check boxes to enable and disable the Serato Playlists plugin and the Live Playlists feature. These are disabled by default. Show Album Art On Deck Check this option to show the album art for your song next to the track information display on each Virtual Deck. 34 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 I can’t get the Scope View to show nice clean circles Troubleshooting and Frequently Asked Questions Check your needles and make sure they are clean. If the circles look fuzzy, try cleaning your control record. If the Scope View shows a line instead of a circle, Scratch Live is only receiving a signal from one channel — check all your cables, and the connection between your cartridges and the tone arm. You can order replacement control records from your local distributor. You may also order these in the online store at www.rane.com if you are in the USA. Scratch Live makes a strange digital noise, even when no track is playing The audio playback is dropping out / clicking / popping Scratch Live is not getting a clear signal from the record, or your computer is not able to process the information quickly enough. Go to the Setup screen and check the scope views. When the record is playing, the circles should be round, Scratch Live is interpreting background noise as record movement. Go to the Setup screen and move the threshold slider (located left of the Estimate button) to the right until the noise stops. See “Calibrating Scratch Live” on page 8. Scratch Live freaks out when I use the master tempo (key correction) function on my CD player Scratch Live interprets the signal coming out of the CD player, and uses this information to control the playback of the files on your computer. Any audio processing performed on the signal before it reaches the hardware interface, such as key correction, will scramble the signal making it illegible to Scratch Live. Use key correction within Scratch Live instead. See “Key Lock” on page 13. I want to backup my library and crates or move them to another machine, so where are they stored? Your database and crates are stored in the folder Home\Music\_Serato_ on a Mac, and My Documents\My Music\_Serato_ in Windows XP, and Libraries\Music\_Serato_ in Windows 7. If your library contains tracks that are stored on a drive other than your boot drive, a folder called _Serato_ will be created in the root of that be close to 100%. If this is not the case, you The first time I play a new track, it takes a while to load need to calibrate. See “Calibrating Scratch Scratch Live has to read the entire file and create this folder. If it is a removable drive, the tracks Live” on page 8. a file index (overview) the first time it is loaded. will only appear in your library when the drive Also try increasing the USB Buffer Size in This may take a few seconds for longer files. is connected. See “Scratch Live Backup” on Hardware Setup if your computer is close to the After the first load, it should load instantly. See page 27. minimum spec. “Preparing Your Files” on page 10. and the value in the bottom right corner should Clean your needles! This is the most common cause of audio drop-out. Because you are playing the same record over and over, the needles will get dirty more quickly than usual. The threshold goes to the far right when I click the estimate button Make sure the needle is on the record and the record is stopped when you click estimate. If the slider goes hard right and stays there, you most likely have an grounding problem with your turntables/mixer. If you cannot eliminate this problem, use REL mode instead of ABS mode. drive, and a separate database will be made in I have pink files which don’t play I have a particular MP3 that won’t play / plays badly / takes a long time to load / crashes the program. What should I do? missing. You can use the Relocate Lost Files The file may be damaged, and may need to be with their new location. To do this you can either: deleted from your library. Please go to the forum at serato.com and notify the support team that you have a bad file. By reporting damaged or corrupt files, you help the developers to improve Scratch Live’s ability to play damaged MP3 files in the future. These are files which Scratch Live thinks are feature in the Offline player to re-associate these drag the file itself from Finder/Windows explorer onto the button to relocate an individual file, drag an entire folder onto this button, or press the button (this will search all connected drives for all the missing files in your library). What are the best cartridges to use with Scratch Live? The tracks are playing backwards! I have cue burn at the beginning of my control record, does that mean I need to replace it? The inputs (from the turntables or CD players) No, use the Vinyl Start Offset function (in the employ revolutionary new cantilever suspension, are the wrong way around. Try swapping red and Vinyl Control tab of the Setup screen) to move which delivers high output volume, unrivaled white wires at one end. the point at which tracks begin to a position tracking ability and low record wear. We recommend the Ortofon|Serato S-120 cartridges for use with Scratch Live. These further into the vinyl. SEE “Vinyl Start Offset” on page 33. NOTE: To keep up with the latest tips, visit the Official Scratch Live Forum at serato.com. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 35 Corrupt File Descriptions and Diagnoses Corrupt file: This MP3 contains invalid frames. This MP3 contains frames which do not conform strictly to the official MP3 specification. Scratch Live can not be certain that this file will play back 100% accurately. Corrupt file: This file contains corrupt frames that may result in audible glitches. This file contains two or more contiguous corrupt frames. Since corrupt frames are replaced with silence, this could result in what might sound like an audio glitch. Corrupt file: This file has been split. You should check the beginning for audio glitches. The first MPEG audio frame in this file refers to audio that should be present before it but is not. This is usually the result of incorrect MP3 editing. Since a corrupt frame is replaced with silence and most songs start with silence, the resulting silence might not be noticeable. All the same, listen to the beginning of the song, just to be sure. Corrupt file: This file structure is incorrect. This file has caused the QuickTime metadata manager to fail. Corrupt file: This MP3 contains frames with corrupt data. Decoding of an MPEG audio frame failed. This means that the frame contained invalid data. As usual with corrupt frames, this frame will be played as silence. Corrupt file: This MP3 lost syncronization between the frame index and the frames. Scratch Live is reading an old overview of an MP3 that has been edited in a thrid party editing program. Rebuilding the overviews for the affected files usually corrects this error. Corrupt file: This MP3 is completely invalid and is not playable. Self explanatory. Possible causes are disk bad sectors, file system corruption, wrong file types, wrong file extensions, etc. Corrupt file: This file contains invalid audio data. Scratch Live encountered invalid data while looking for audio in this file. This message alerts you to the fact that the file you're trying to play contains corrupt data. This may, or may not, affect playback. Corrupt file: This MP3 contains no valid frames. No audio could be found in this file, which means it is completely unplayable as far as Scratch Live is concerned. Please make sure this really is an audio file. Unsupported file: This MP3 contains multiple layers. While scanning this file, Scratch Live found frames belonging to multiple MPEG layers. Scratch Live does not support MP3s containing frames from multiple layers – some frames may output as silence. Unsupported file: This file is more than 2 GB in size. Self explanatory. At the moment, Scratch Live does not support files that are 2 GB in size (or larger). Unsupported file: This file has data blocks greater than 2 GB in size. This file contains chunks of data that are larger than 2 GB. Scratch Live does not support files that are more than 2 GB in size. Corrupt file: This WAV contains no valid chunks. This WAV file contains no recognizable WAV data. It is quite possible that this might not be a WAV file. Unsupported file: This file's data is not in PCM format. WAV files can contain data in several formats. Scratch Live only supports WAV files that contain data in the PCM format. Unsupported file: This file has a sampling rate greater than 96 kHz. Scratch Live does not support sampling rates greater than 96 kHz. If you see this message, the simplest approach is to re-sample the audio at 96 kHz and re-save the file. Unsupported file: This file uses more than 24 bits per sample. Scratch Live supports a maximum of 24 bits per sample of audio data. Corrupt file: This WAV is incomplete. Scratch Live expected more data in the file, but found none. This could be because the file was incorrectly truncated or because the data in the file is corrupt, causing Scratch Live to incorrectly estimate the amount of data present in the file. Corrupt file: This file contains corrupt blocks. This file contains blocks of data that report their size to be zero. This message was inserted to identify files that might cause lockups on previous versions of Scratch Live. Corrupt file: This song contains no audio data. Scratch Live could not find any audio in this file. Please check to make sure this file contains audio in a format that Scratch Live supports. Corrupt file: This song contains invalid samples. This file contains samples of audio that are too small to represent accurately and will therefore be truncated to zero. This should not result in any audible audio artifacts, but could cause audio dropouts on earlier versions of Scratch Live. 36 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Mixing With One Turntable Or CD Player This single turntable technique allows you to mix as if you had two turntables, using just one. If one of your turntables is not performing properly, or if you only have one available, you will be able to continue to mix the way you are used to. The following is a step-by-step description of how to perform a mix using only your right turntable or CDJ with the instant doubles feature. Menu Settings Go to the Setup menu, click on the Playback tab. Make sure Instant doubles is checked, and Lock playing deck is unchecked. 1. Load a track onto the Right Deck in Scratch Live and play as usual. SL 3 Specifications Computer interface USB 2.0 High Speed USB Power Requirement 400 mA, 5.0 Volts USB Audio Channels Six Record and Six Playback External Power Supply 1060 mA, 7.5 Volts Converters 24-bit / 44.1 kHz or 48 kHz sample rate DAC Dynamic Range 104 dB, A-weighted Line Thru Dynamic Range 101 dB, A-weighted Phono Thru Dynamic Range 98 dB, A-weighted THD+N 0.009% at 1 kHz at 2 Vrms All Inputs Phono or Line Level Switchable Line Input Unbalanced RCA …...Gain Unity …...Maximum Input / Output 3 Vrms Phono Input Unbalanced RCA ……Sensitivity Adjustable 2.5 mV to 10 mV Unit Size 5 x 6.8 x 1.25 in (12.7 x 17.3 x 3.18 cm) 2. Put the Left Deck into INT mode. 3. Load the same song you have playing on the Right Deck onto the Left Deck. The track on the Left Deck will start playing from the same point and at the same pitch as the Right Deck. 4. You can now quickly slide your mixer’s crossfader over to the Left Deck. 5. Your Right Deck is now free to load up a new song ready to mix in. 6. Repeat! TIP: Instant doubles works with either deck. See “Lock Playing Deck” on page 31. See “Instant Doubles” on page 32. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 37 Scope Reading and Fixes Most of the problems that occur with Scratch Live can be attributed to it not getting a good reading of the control signal from your records or CDs. These examples show what the scopes on the setup screen can look like to help solve possible problems. Some problems cause similar looking scopes, e.g., if your scopes look like the Dusty Needle one, the cause could be a damaged needle. GOOD SIGNAL - Clean signal with 100% tracking. NO SIGNAL - Scratch Live is not receiving any control BAD TURNTABLE VIBRATION - Bass is reaching the signal - check your connections. stylus. Try to isolate the turntable from the speakers. CD PLAYER INTO PHONO INPUT - The SL 3 is set PHONO INTO LINE INPUT - The SL 3 is set to receive DUSTY NEEDLE - Dust is preventing the stylus from to receive a phono level input. Switch to the correct line level input. Switch to the correct setting on the tracking the groove correctly. Clean your needle and setting on the SL 3. SL 3. the control vinyl. UNEARTHED - Very susceptible to interference. USING PIGGYBACK CABLES - Picking up huge DAMAGED NEEDLE - Try re-seating, cleaning or Attach the turntable’s ground wire to the SL 3 or mixer. amounts of noise, barely tracking. Connect your replacing your stylus. turntables directly to the SL 3. 38 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 RECORD BURN - This section of the control vinyl has LEFT CHANNEL MISSING - The signal from the needle RIGHT CHANNEL MISSING - The signal from the been worn. Swap sides or use the track start offset. is not reaching the SL 3. Check the cable and cartridge needle is not reaching the SL 3. Check the cable and connections. cartridge connections. BAD RECORD BURN - Your record is very badly worn LEFT CHANNEL IS NOISE - Left signal has been lost RIGHT CHANNEL IS NOISE - Right signal has been and Scratch Live is unable to track correctly. Swap with a noisy loose connection. lost with a noisy loose connection. TONEARM IS SLIGHTLY TOO LIGHT - Susceptible to Signals are summing to mono - The left and RIGHT CHANNEL IS INTERFERENCE - Right signal dust and vibration. Adjust the tonearm. right signals have been combined into one somewhere has been lost with a noisy loose connection and left in your signal chain. channel crosstalk. sides or get new vinyl ASAP. RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 39 40 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Declaration of Conformity Standard(s) to which conformity is declared: Application of Council directive: EN60065:Ed. 7.1 (2005) 2006/95/EC EN55103-1:1996 2004/108/EC 2002/96/EC EN55103-2:1996 2002/95/EC ENVIRONMENT E2 SERIAL NUMBERS 700000-900000 Manufacturer: Rane Corporation 10802 47th Avenue West Mukilteo WA 98275-5098 USA This equipment has been tested and found to be in compliance with all applicable standards and regulations applying to the EU’s Low Voltage (LV) directive 2006/95/EC, and Electromagnetic Compatibility (EMC) directive 2004/108/EC. In order for the customer to maintain compliance with this regulation, high quality shielded cable must be used for interconnection to other equipment. Modification of the equipment, other than that expressly outlined by the manufacturer, is not allowed under this directive. The user of this equipment shall accept full responsibility for compliance with the LV directive and EMC directive in the event that the equipment is modified without written consent of the manufacturer. Type of Equipment: Professional Audio Signal Processing Model: SL 3 Immunity Results: THD+N: 4 dBu, 400 Hz, BW = 20 Hz - 20 kHz Test Description Results Conditions < -79 dB 80 MHz - 1,000 MHz RF Electromagnetic Fields Immunity 80 MHz -1000 MHz, 1 kHz AM, 80% depth, 3V/m Magnetic Fields Immunity 50 Hz -10 kHz, 3.0 - 0.3 A/m < -62 dB I, the undersigned, hereby declare that the equipment specified above conforms to the Directive(s) and Standard(s) shown above. (Signature) Roy G. Gill Compliance Engineer (Full Name) (Position) July 10, 2008 Mukilteo WA USA (Date) (Place) RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 41 Factory Authorized Service Your unit may someday need to be serviced by the Rane Factory if you live in the USA. International customers should contact your dealer or distributor for service. You must call the Rane factory before shipping. Please do not return your unit to Rane without prior authorization. Rane Corporation To obtain service or a Return Authorization in the USA, please phone 425-355-6000 or Fax 425-347-7757 Limited U.S.A. Warranty RANE CORPORATION WARRANTS ALL RANE PRODUCTS (EXCEPT THOSE ITEMS CLASSIFIED AS WEAR PARTS, AND LISTED ON THE MANUAL-1 PAGE OF EACH OPERATORS MANUAL) PURCHASED IN THE U.S. AGAINST DEFECTS IN MATERIAL OR WORKMANSHIP FOR A PERIOD OF TWO (2) YEARS. WEAR PARTS ARE LIMITED TO A PERIOD OF NINETY (90) DAYS FROM THE INITIAL DATE OF RETAIL PURCHASE FROM AN AUTHORIZED RANE DEALER—WEAR PARTS REQUIRE PROOF OF PURCHASE DATE. This limited warranty extends to all purchasers or owners of the product during the warranty period beginning with the original retail purchase. Rane Corporation does not, however, warrant its products against any and all defects: 1) arising out of material or workmanship not provided or furnished by Rane, or 2) resulting from abnormal use of the product or use in violation of instructions, or 3) in products repaired or serviced by other than the Rane Factory, or 4) in products with removed or defaced serial numbers, or 5) in components or parts or products expressly warranted by another manufacturer. Rane agrees to supply all parts and labor to repair or replace defects covered by this limited warranty with parts or products of original or improved design, at its option in each respect, if the defective product is shipped prior to the end of the warranty period to the Rane Factory in the original packaging or a replacement supplied by Rane, with all transportation costs and full insurance paid each way by the purchaser or owner. Limited Warranty Outside the U.S.A. RANE PRODUCTS ARE WARRANTED ONLY IN THE COUNTRY WHERE PURCHASED, THROUGH THE AUTHORIZED RANE DISTRIBUTOR IN THAT COUNTRY, AGAINST DEFECTS IN MATERIAL OR WORKMANSHIP, THE SPECIFIC PERIOD OF THIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME OF PURCHASE. Rane Corporation does not, however, warrant its products against any and all defects: 1) arising out of materials or workmanship not provided or furnished by Rane, or 2) resulting from abnormal use of the product or use in violation of instructions, or 3) in products repaired or serviced by other than authorized Rane repair facilities, or 4) in products with removed or defaced serial numbers, or 5) in components or parts or products expressly warranted by another manufacturer. Rane agrees, through the applicable authorized distributor, to repair or replace defects covered by this limited warranty with parts or products of original or improved design, at its option in each respect, if the defective product is shipped prior to the end of the warranty period to the designated authorized Rane warranty repair facility in the country where purchased, or to the Rane factory in the U.S., in the original packaging or a replacement supplied by Rane, with all transportation costs and full insurance paid each way by the purchaser or owner. ALL REMEDIES AND THE MEASURE OF DAMAGES ARE LIMITED TO THE ABOVE SERVICES, IT IS POSSIBLE THAT ECONOMIC LOSS OR INJURY TO PERSON OR PROPERTY MAY RESULT FROM THE FAILURE OF THE PRODUCT; HOWEVER, EVEN IF RANE HAS BEEN ADVISED OF THIS POSSIBILITY, THIS LIMITED WARRANTY DOES NOT COVER ANY SUCH CONSEQUENTIAL OR INCIDENTAL DAMAGES. SOME STATES OR COUNTRIES DO NOT ALLOW THE LIMITATIONS OR EXCLUSION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION MAY NOT APPLY TO YOU. ANY AND ALL WARRANTIES, EXPRESS OR IMPLIED, ARISING BY LAW, COURSE OF DEALING, COURSE OF PERFORMANCE, USAGE OF TRADE, OR OTHERWISE, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED TO A PERIOD OF TWO (2) YEARS FROM EITHER THE DATE OF ORIGINAL RETAIL PURCHASE OR, IN THE EVENT NO PROOF OF PURCHASE DATE IS AVAILABLE, THE DATE OF MANUFACTURE, SOME STATES OR COUNTRIES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS, SO THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU. THIS LIMITED WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY ALSO HAVE OTHER RIGHTS WHICH VARY FROM STATE TO STATE, COUNTRY TO COUNTRY. 42 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 Warranty Procedure - Valid in U.S.A. only NOTICE! You must complete and return the warranty card or register your product online to extend the Warranty from 2 years to 3 years! TO VALIDATE YOUR EXTENDED WARRANTY: Use the postcard that came in the box with your unit, or go to www.rane.com and click on New Product Registration. Fill out the warranty completely, being sure to include the model and serial number of the unit since this is how warranties are tracked. If your Rane product was purchased in the U.S.A., mail the completed card or register online with to Rane Corporation within 10 days from the date of purchase. If you purchased the product outside the U.S.A. you must file your warranty registration with the Rane Distributor in that country. It is advised that you keep your bill of sale as proof of purchase, should any difficulties arise concerning the registration of the warranty card. NOTICE: IT IS NOT NECESSARY TO REGISTER IN ORDER TO RECEIVE RANE CORPORATION’S STANDARD TWO YEAR LIMITED WARRANTY. WARRANTY REGISTRATION is made and tracked by MODEL AND SERIAL NUMBERS ONLY, not by the purchaser’s or owner’s name. Therefore any warranty correspondence or inquires MUST include the model and serial number of the product in question. Be sure to fill in the model and serial number in the space provided below and keep this in a safe place for future reference. WARRANTY SERVICE MUST BE PERFORMED ONLY BY AN AUTHORIZED RANE SERVICE FACILITY LOCATED IN THE COUNTRY WHERE THE UNIT WAS PURCHASED, OR (if product was purchased in the U.S.) AT THE RANE FACTORY IN THE U.S.. If the product is being sent to Rane for repair, please call the factory for a Return Authorization number. We recommend advance notice be given to the repair facility to avoid possible needless shipment in case the problem can be solved over the phone. UNAUTHORIZED SERVICE PERFORMED ON ANY RANE PRODUCT WILL VOID ITS EXISTING FACTORY WARRANTY. FACTORY SERVICE: If you wish your Rane product to be serviced at the factory, it must be shipped FULLY INSURED, IN THE ORIGINAL PACKING OR EQUIVALENT. This warranty will NOT cover repairs on products damaged through improper packaging. If possible, avoid sending products through the mail. Be sure to include in the package: 1. Complete return street shipping address (P.O. Box numbers are NOT acceptable). 2. A detailed description of any problems experienced, including the make and model numbers of any other system equipment. 3. Remote power supply, if applicable. Repaired products purchased in the U.S. will be returned prepaid freight via the same method they were sent to Rane. Products purchased in the U.S., but sent to the factory from outside the U.S. MUST include return freight funds, and the sender is fully responsible for all customs procedures, duties, tariffs and deposits. In order to qualify for Rane’s one year extended warranty (for a total of 3 years parts and labor), the warranty must be completely filled out and sent to us immediately. Valid in USA only. We recommend you write your serial number here in your owners manual and on your sales receipt for your records. SERIAL NUMBER:______________________________________PURCHASE DATE:_____________________________ RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 43 RANE SL 3 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.0 PART 19052
advertisement
Key Features
- Vinyl control
- Sample player
- Recording capabilities
- MIDI control
- Advanced 24-bit USB 2.0 interface