Broadcast Catalogue
Broadcast
2014 Catalogue
An easy to use guide for broadcasting, studio and production
products distributed and supplied by Jands.
®
Introduction
Jands is an Australian owned, privately held and proudly independent
company founded in 1970. The company manufactures and distributes
the world’s most recognised brands of Audio, Lighting and Staging
products primarily for the entertainment and exhibition industry. With
headquarters and manufacturing facilities in Mascot, Sydney, New
South Wales, a factory in Melbourne and offices in Brisbane and Perth,
Jands employs over 120 people across Australia.
This publication is designed to give you an easy to use guide to
broadcasting, studio and production products distributed and supplied
by Jands. The technological innovations employed, and in many cases
patented, by our suppliers, including Shure, Clear-Com, and JBL
to name a few, have been recognised with numerous industry and
technology awards providing further proof that the Jands portfolio of
broadcast solutions represent the cutting edge.
Jands are not only distributors, but also manufacturers.Jands
manufacture lighting consoles and industry leading dimmers, as well
as customised staging solutions designed to meet the needs of the
modern studio.
Broadcast Staging
Broadcast Lighting
Broadcast Audio
The Jands Broadcast Catalogue shows a selection of the relevant
products available from our portfolio and is designed to be an easy
to use reference for application specific product recommendations. If
you require further information or find that your particular requirement
is not met by the products within this catalogue then please contact
the Jands Technical Resource Group for further assistance and
recommendations on 02 9582 0909 or support@jands.com.au.
Contents
®
Vista Series: Digital Mixing Consoles........................................... 4
DSi Series: Power Amplifiers..................................................... 29
Resource Link: Managed I/O Sharing System............................... 5
OnAir: Production Digital Mixing Systems.................................... 6
CMS and CMS Lite: Call Management System............................. 6
PCM96: Studio Standard Stereo Reverb/Effects Processor......... 29
Vi Series: Digital Audio Consoles................................................. 7
Lighting: Consoles............................................................. 30 - 31
Sensor3 CE: Installation Racks.................................................. 31
Eclipse: Digital Intercom Systems................................................ 8
Desire: Studio LED Fixtures....................................................... 32
Eclipse: Matrix Interface Cards.................................................... 9
Source Four: LED Fixtures......................................................... 32
Eclipse HX: Configuration Software (EHX).................................. 10
Eclipse HX: User Control Panels................................................ 11
Concert and Concert for Newsroom:
Software Intercom Solutions...................................................... 12
HelixNet: Intercom..................................................................... 13
HPC: Dimmers.......................................................................... 33
Tempset2400:
Wireless Communications Systems........................................... 14
FreeSpeak and FreeSpeak Integra:
Wireless Communications Systems........................................... 14
IFB (Interruptible Fold Back) Intercom:
Wireless Communications Accessories..................................... 14
DMX: Nodes.............................................................................. 33
CC-300 and CC-400: Intercom Headsets................................... 15
Studio Force: LED Fixtures......................................................... 34
BRH: Broadcast Headsets......................................................... 16
AutoLED II: LED Fixture............................................................. 35
SRH: Professional Monitoring Headphones................................ 16
Broadcast: Microphones.................................................... 17 - 19
UHF-R: Wireless Microphone Systems............................... 20 - 21
Wireless Workbench® 6: Wireless Management Software.......... 21
VLX: Moving Head LED Wash.................................................... 36
ULX-D and FP: Wireless Microphone Systems........................... 22
PSM: Wireless In-Ear Monitoring Systems................................. 23
Axient: Wireless Management Network...................................... 24
Domino 1000: Cyclorama Units................................................. 36
ScreenArray: Post Production & Cinema Loudspeakers............. 25
Surround Systems: Post Production & Cinema Loudspeakers.... 25
Lighting: Bars............................................................................ 37
LSR Series: Studio Monitors............................................... 26 - 27
VAB-6 MKII: Acoustic Banner System........................................ 38
M2: Master Reference Monitor.................................................. 28
Drapes and Tracking................................................................. 39
Broadcast Audio
®
Vista Series: Digital Mixing Consoles
Studer Vista Series Consoles
Studer are renowned for their quality and innovations in broadcast equipment, and
the Vista range does not compromise on any of the values and philosophy that were
instilled with the company when founded in 1948.
The Vista console range provides a solution for all broadcast applications, from OB
trucks to large production studios, there is a Vista to suit your needs.
The Vista 1 provides the first small format all-in-one Vista console designed to
specifically meet the needs of customers who require a small foot print but do not
wish to compromise on quality. Everything you need is contained within the console,
the control surface, I/O system, DSP and PSU’s are all in one box.
Available with 22 or 32 motorised faders, 96 DSP channels (including 5.1 surround
channels) and its simple to use and navigate Vistonics user interface, the Vista 1 is
the ideal choice when space is a luxury such as in OB and ENG vans, small studios
or for portable applications.
The Vista 5, available in 22, 32 or 42 fader versions, provides the next level of fixed
and/or portable console designed for small to mid-sized OB trucks and studios. Its
ease of operation provides users with total control and extreme flexibility as well as
comprehensive channel, bus and loudness metering (ITU – BS1770 and BS1771,
ATSC – A/85 and EBU – R128).
SCore live provides redundancy for power supplies, DSP and the HD link for the
console for total piece of mind in mission critical applications.
The Vista 9, the flagship of the Vista family, provides operators with the “next level” of
control, flexibility and creativity that should be expected in high end broadcast audio
consoles. The comprehensive metering, automation, routing and I/O capability are
just some of the advantages with this console.
The customisable frame, available in sizes from 32 to 72 fader strips (in steps of 10)
utilises the power of the Vista SCore Live DSP core allowing an I/O matrix of up to
1728 inputs x 1728 outputs which can be configured to the users choice. The SCore
Live maintains full redundancy, with redundant power supplies and even DSP card
redundancy. In the case of a hardware failure any unused DSP card will take over the
processing almost immediately. Further, a redundant link between desk and core is
available, as is a redundant communication card.
All consoles in the Vista range feature EMBER support for seamless integration with
3rd-party broadcast or newsrooms automation systems over TCP/IP.
Providing the operators with an efficient and smooth workflow, all of the Vista
consoles feature the pristine audio quality, flexible I/O configuration, automation and
redundancy that is expected from the Studer name.
The Vista 5 utilises Studer’s SCore Live to provide all processing and I/O with the
option to provide up to 4000 timeslots for freely routing signals within the core. The
Studer Vista 5
Studer Vista 1
Studer Vista 9
Studer VistaMix
Un-scripted multi-microphone live events such as talk-shows, game-shows and
discussion boards suffer from both microphone spill and background noise. With
each active microphone added to the mix, the overall sound quality deteriorates. The
result is decreased intelligibility and unpleasant comb filter effects (phase distortion).
Without Studer® VistaMix automatic mixing, an operator needs to manually adjust all
the faders all the time, leaving the microphones of talking participants open, while
closing the microphones of silent participants in order to reduce spill and background
noise. Due to the reaction time of a human operator this often results in audible fadeins
4
of people who start talking rather unexpectedly. Also changes in fader positions can
quickly lead to disturbing changes of the total ambience/noise level in the mix.
VistaMix Offers the Solution - by mimicking the action of a human operator: Increasing
gain for ‘talking’ mics and reducing gain for all others, but very quickly and keeping
the amount of total gain constant, a clean live mix can be created. VistaMix also offers
the ideal solution for news operations when multiple mics are installed in the studio
but the desk operator is not sure which ones will be used. VistaMix switches on only
those mics that are in use.
Resource Link: Managed I/O Sharing System
Studer RELINK
The Studer range can be integrated easily within the Studer RELINK (Resource
Linking) managed I/O sharing system, which can link numerous Studer consoles in
various locations of a broadcast facility to allow audio input and output sharing across
a wide network.
One of the benefits of the Studer RELINK system in comparison to others is that
it is based totally on Studer’s existing SCore platform which is an integral part of
the Studer console architecture, so no additional hardware or breakout boxes are
required to complete the network. Communicating over TCP/IP with each other, any
combination of Studer Vista and OnAir consoles, as well as Route 6000 can connect
via RELINK.
RELINK is seamless, scalable, flexible, and can start with a simple connection
between two Studer consoles, right through to multi-console systems using a twostep topology where all signals are matrixed through a central device.
Broadcast Audio
®
Source selection is transparent, and signal labels are automatically transferred to the
consuming locations, so the operator always knows what source is connected. Signal
takeover between studios is seamless, so RELINK is well-suited for live transmission
switchover. A resilient mic take-over mechanism ensures that mic control parameters
such as analogue gain, phantom voltage, etc, are not unintentionally changed but
require conscious takeover confirmation.
5
Broadcast Audio
®
OnAir: Production Digital Mixing Consoles
OnAir 1500
The OnAir 1500 – a 12-channel, 6-fader console (expandable to 12 faders), is designed as
a flexible hybrid solution for radio broadcasting and production. It’s ideal for studios needing
an additional professional grade fader unit and additional I/O or a compact and cost effective
mixing console for a production room or studio. Integrated USB playback and record functions
make the OnAir 1500 a very compact yet complete mixer.
OnAir 2500
The all-in-one Studer OnAir 2500 ensures a new standard in ease-of-use for Radio
or TV Broadcast, and is available in both a fixed frame model for portability, or the
Modulo version for recessed installation in studio furniture.
Designed as an integrated system – on the Fixed Frame model the control surface,
I/O breakout, DSP and controller boards, as well as power supply, share the same
chassis – it addresses the medium segment of the live broadcast market including
both private and public network stations. Its self-contained architecture without
an external core reduces wiring complexity and setup time to a minimum. This
makes the OnAir 2500 the ideal audio mixing console for OB applications, where
robustness and reliability are a must.
CMS and CMS Lite: Call Management System
The Studer Call Management System (CMS) provides broadcasters with total integration of their telephone systems for on air and off
air management of callers.
Callers can be prioritised and details entered in for the DJ or talent to be provided with
information on the caller including: name, address/suburb and information on the
subject of the call all collected by a producer before the call is put to air.
Callers can be screened by a producer or assistant and put into various holding areas,
called Waiting Rooms. Here, incoming callers may be held prior to being put on air,
listen to hold music, leave messages or be given messages about the particular
show, such as ‘the line is now closed, competition is over’ or ‘all lines are busy’.
6
CMS provides voting lines for polls set up by radio and TV shows, utilising DTMF
tones from the caller’s keypad for Yes/No or multiple choice style “vote for your
favourite talent” contests. Voting can be done in the background with the DJ or
producer only needing to be informed about the results.
Vi Series
While Soundcraft’s sister company Studer’s Vista range of consoles is designed to
give every conceivable broadcast function and system integration possibility, the
Soundcraft Vi Series fulfils an everyday need to make quality productions, quickly,
within budget. The compact size and light weight make it ideal both for portable studio
applications, fixed production suites or OB vehicles.
bus outputs. Each input channel has 2 selectable input patches, 4-band parametric
EQ, aux and group controls, a compressor and gate.
The Soundcraft Vi Series uses a derivation of Studer’s patented Vistonics™
technology (Vistonics II™), which makes using the Vi Series easy for in-house or
freelance engineers.
The remote stagebox connects to the local rack and control surface via a digital snake
(either Cat5 or fibre) so can be quickly and easily setup in a live studio. It can be used
as an active splitter to feed both a PA and OB mix.
Based on a touch-sensitive TFT screen with embedded rotary controls, Vistonics
presents a complete set of channel information that the engineer can both see and
control simultaneously, removing the need for a central set of menus and pages.
Where long distance feeds are involved, the Vi Series uses single-mode or multimode fibre cables to run up to 300m from the stagebox to the console as standard,
but can reach distances in excess of 2km using the Optocore network interface.
Soundcraft’s patented FaderGlow™ allows the engineer to see at a glance which
mode the faders are in, as the fader edges are lit differently. For example, amber for
Aux sends, green for groups, red for graphic EQ and so on.
While the standard audio I/O format is analogue, optional cards provide interfaces for
AES/EBU, MADI, ADAT/TDIF, and perhaps more importantly with the advent of HD
and surround sound, Dolby D/E decoder and SDI de-embedder/re-embedder .
Having such colour-coded schemes is a great advantage when working in low
ambient light conditions such as those found in a video-orientated facility such as
production studios or OB vans.
Additionally, a number of GPIO connections are available to use on fader starts,
signalling, etc.
Broadcast Audio
Vi Series: Digital Audio Consoles
Eight Lexicon effects engines are assignable to inserts or outputs, while there is also
a 30-band graphic EQ on every output.
The smaller Vi4 is highly suited to OB use, since it has an even more compact
footprint (just 1.45m wide and 725mm deep) yet can access 96 inputs to mix with 35
Soundcraft Vi1
Soundcraft Vi2
Soundcraft Vi4
Soundcraft Vi6
7
Broadcast Audio
Eclipse: Digital Intercom Systems
Exceptional Performance
Building on the powerful Eclipse platform, the new Eclipse HX range offers high performance for implementing changes to
the system rapidly and easily. Leveraging the existing core hardware design, Eclipse HX allows a seamless transition to the
new range.
Eclipse HX-PiCo
Eclipse HX-PiCo provides up to 36 ports for high-quality full-duplex communications
in a compact 1RU form. This system is ideal for communication needs in small to
mid-size production environments such as OB vans, studio and sports facilities.
Built-in display module and menu system enables quick and easy changes to input/
output levels, routes and configurations. The new PiCo-Link feature connects audio
between two Eclipse HX-PiCo frames with the same capabilities as E-FIB-HX fiber
linking of the larger frames.
Eclipse HX-Delta
The Eclipse HX-Delta offers the connectivity and high capacity of a large system
in a smaller 3RU frame. It can house two CPU cards, four frame cards, and up
to three interface modules. The Eclipse HX-Delta is ideal for mobile productions
where size and connectivity are key. It is also optimal for the remote section
of a network that needs a smaller expansion.
Eclipse HX-Median
Based on a powerful 6RU matrix frame, Eclipse HX-Median is expandable up to 448
CAT-5 panel/four-wire ports. It can house two CPU cards and seven frame cards
with up to eight interface modules, which makes Eclipse HX-Median ideal for outside
broadcast vehicles, mobile flight-case systems, or any production environment
where rack space is limited. Up to 64 Eclipse HX matrices can be connected to form
a single networked platform.
Eclipse HX-Omega
The 15-slot Eclipse HX-Omega can support up to 460 ports in the 6RU frame using
combinations of 64-channel E-MADI64-HX cards, 32 port E-QUE-HX cards and 16
port MVX-A16-HX cards. In addition, other compatible frame cards are available for
use with the Eclipse HX-Omega to offer expanded capabilities and connections with
the matrix. By connecting multiple Eclipse HX-Omega matrices, this system is perfect
for large scale communications productions with many users or destination points
located in two or more different facilities in a single cluster.
Note: Restrictions based on power supply set the allowable
quantity of IVC-32-HX and E-QUE-HX cards.
8
The Eclipse Matrix interface cards provide a seamless approach to integrate the frames with other Clear-Com intercom
technologies and to enable connection to other audio sources.
MVX-A16-HX
IVC-32-HX
The Eclipse 16 port audio and data card set for use with panels interface modules
and direct ports using balanced 4-wire audio and RS422 data interfacing by RJ45
connectors.
Utilising Clear-Com’s I.V Core technology, the IVC-32 card delivers a total of 32 IPChannel (or 32 port) connections for use with the V-series panels and Clear-Com
Concert clients. This enables use of panels and soft clients over IP to connect to
the frame from either your LAN or remote locations around the world. The I.V Core
technology features a decision engine that enables real-time, low-latency and nonblocking intercom capabilities over standard IP networks, making new and traditional
intercom systems IP-compatible.
E-Que-HX
E-FIB-HX
This multipurpose card is capable of being used as a wireless cell controller card,
known as FreeSpeak Integra, or E1 and T1 digital audio trunks. This allows seamless
connection for digital wireless communication and high capacity links between matrix
frames. For more information on FreeSpeak Integra, see “Wireless communications”.
This fibre-net card enables dual-redundant, non-blocking, audio fibre network
connections with up to 14 other frames.
LMC-64-HX
E-MADI-HX
For use with Clear-Com’s Production Maestro Pro software for ECS, the LMC-64 card
provides both activity and level monitoring of feeds at a simple glance, while reducing
the need for multiple monitoring speakers.
One E-MADI64 card expands the functionality of the Eclipse Matrix system by
providing up to 64 bi-directional channels to any AES10 compatible device.
Broadcast Audio
Eclipse: Matrix Interface Cards
9
Broadcast Audio
Eclipse HX: Configuration Software (EHX)
Eclipse HX Configuration Software (EHX) provides administrators and operators with an easy and intuitive means to
configure an entire Eclipse HX network. Its graphical view of
features such as operator panels configuration, control logic
configuration and system resource utilisation allow efficient
system setup and maintenance.
The new EHX software significantly improves user experience. Built-in automation, pre-set factory configuration, and
intuitive hardware discovery drastically enhance the out-ofbox start-up experience. Now, with the new EHX V7.1, many
software improvements have been added to empower users
to make more dynamic system changes.
New Features in EHX:
•
Faster software algorithms to enable non-disruptive real-time system-wide
updates
•
Save time with simplified user interface for the setup of matrix cards and ports
•
Restrict access and prevent training errors with System Access Control
•
Have confidence in the programming using the new Resource Chart to display
the users configuration limits as a tabular list
•
Easily-identifiable colour tallies for IFB, phone lines, 4-wire, and partyline
assigned keys (Applies to V-Series Rotary Panels only)
•
Configure a network of up to 64 matrices and 20,000+ audio ports
•
Highlighted off-normal crosspoint levels
•
New Online Help
Additional EHX Features
10
Simple-to-use Eclipse HX Configuration Software (EHX) for configuring and managing
the entire Eclipse HX network
New Resource Utilisation screen for providing at-a-glance status on resource usage
•
Automatic setup of initial configuration by hardware discovery and default
factory configuration
•
Configuration upload from frames
•
Real-time key assignment routes, IFB and partyline routing
•
Centrally set global and local IFB operations
•
Programmable and real-time V-Series Panel audio routing-mixing
•
DTMF dial tone inward access
•
Activation of relays, routes, and DTMF sequences via controls
•
Global label based key latch disable
•
Configuration of frame and panel relay controls
•
Port I/O audio level control
•
Centrally set local and global ISO routes
Production Maestro Pro for fast conference and line routing setup
•
8 programmable pages on a V-Series panel
Logic Maestro – Now Bundled with EHX
•
4 configuration maps onboard system configuration card
•
Intelligent linking (analog and digital trunks over 4-wires, E1, T1, Dark Fiber,
or MADI)
•
Hardware graphical diagnostics and reporting
Logic Maestro Programming replaces the current scripted Control Macros in EHX
(Eclipse HX Configuration Software) with a simple graphical logic programming tool
with EHX, enabling significantly easier design & programming of complex logical
function. Logic Maestro makes it easy to add combinational logic between general
purpose inputs and crosspoints and general purpose outputs, like relays.
•
Event and status logging
Production Maestro Pro
•
Logic Maestro for graphical logic control programming (Now bundled with
EHX Configuration Software)
•
FreeSpeak Integra Digital Wireless beltpack configuration
The Production Maestro Pro application provides a centralised routing tool for
enabling simple and reliable routing of 4-wire lines and allows operators to control
small or large networked intercom systems. It is a multi-user, multi-matrix PC based
software package which provides fast, intuitive audio routing control for Eclipse HX
Intercom systems. Production Maestro Pro can manage and preset live external lines
in and out of a Master Control Room of sports venue control centre to groups of
remote users’ panels and their keys.
Clear-Com’s comprehensive set of user control panels are advanced, fully programmable digital pushbutton, lever key and
LCD units, to basic, non-display panels.
Broadcast Audio
Eclipse HX: User Control Panels
V-Series
The most advanced user control panels on the market deliver unmatched features,
functionality, audio quality and performance. All Clear-Com V-Series panels are
compatible with the Eclipse HX systems and are available in pushbutton, lever or
rotary key form.
V-Series Control Panels combine cutting-edge Digital Signal Processing and native IP
technology in an acoustically-controlled contemporary design.
The broadest variations in form and size: The V-Series Panels are available in rotary-,
pushbutton-, or lever-key in 12-key/1RU panel, 24-key/2RU panel and 12-key
Desktop panel forms. Up to eight Expansion panels for additional keys can be added
to the 12-key and 24-key panels in rotary-, pushbutton- and lever-key forms.
Distinctive and extensive graphic display: The bright yellow OLED colour provides
superior contrast for accentuating the panel labels for greater legibility in dim
locations and for enhancing visibility in bright conditions. Source and destination
labels are more distinct and easily identified through 10-character high resolution
graphic displays with international character support. Improved Roman English &
European character fonts and new font style makes vertical panel mounting possible.
The V-Series panels are capable of simultaneously running both eight shift pages,
up to eight extension panels, and many extra physical keys on extension panels for
source or IFB routing.
User-configured signalling LEDs and Listen Again digital memory: User-configured
signalling LEDs make incoming calls easy to follow at busy times. When there are
multiple calls or operators miss the last call, the Listen Again digital memory can
replay up to the last 30 seconds of any incoming call at his/her fingertips. Digital
Signal Processing (DSP) and Audio Level Controls: Leading DSP makes local and
centralized real-time changes to audio routing and effects possible.
Individual up and down level controls let users adjust personal audio mix for all calls
or to send call alerts to partylines. The Supervisor functionality centralises control of
any V-Series panel, enabling efficient workflow.
V-Series 12-Key Rotary Panel
V-Series 12-Key
Lever Desktop Panel
V-Series 24-Key Pushbutton Panel
i-Series Panels
The 1RU i-Series panels are engineered and built to be rugged and reliable. i-Series
panels are factory built with two to four 5-character display selector modules and a
microphone headset module. The fully fitted 4 module panels also include a keypad.
There are 5 standard variants available:
I-1110E 1x8-key display key module, no keypad
I-1210E 2x8-key display key modules, no keypad
I-1410E 4x8-key display key modules, no keypad
I-1430E 4x8-key display key modules with keypad
(dial and assignment menus)
I-1470E as per I-1430E but with AUX-101 option (local audio and GPIs plus the
I-1410E 4 x 8 display key extension panel)
11
Broadcast Audio
Concert and Concert for Newsroom: Software Intercom Solutions
Clear-Com Concert enables collaborative workgroups to instantly and reliably intercommunicate. An intuitive user interface facilitates ad-hoc communications and makes the user
the conductor of his or her own audio conference with easy
drag-and-drop functionality and simple point-and-click controls. Based on the innovative I.V.Core technology and market
Concert Applications
•
Talk/Listen and Listen Only Modes, and text messaging
Concert is ideal for many communication applications, including but not limited to:
•
Presence identification for high visibility of participant
•
Remote Access to Intercom Systems
•
4-Wire audio interface connections
•
Interface Connections with Third Party 3-Wire Audio Devices
•
•
Enterprise-wide Communications and Collaborations
Native Eclipse interface (to the IVC-32 card) for communications with
intercom panel users
•
Collaborations and Communications for Newsroom Members (seamlessly
integrated into the ENPS application)
•
Encrypted audio for high-level security and privacy
(AES 128-bit encryption key)
•
Interruptible audio feeds
•
High audio quality:
Concert Main Features
•
Non-blocking and Instant Point-to-Point, Point-to Multi-point voice
communications and conferencing from the user PC:
- Unlimited number of users on a conference
- Instant connections of new participants to in-progress conferences
- Ad-hoc conferencing and pre-defined partyline voice group
- Talk/Listen on multi-conferences simultaneously
12
proven audio quality standards experienced in mission-critical
settings such as broadcast and live events, Concert is ideal for
many communication applications including, but not limited
to, enterprise-wide communications and collaborations, remote access to existing intercom systems, and interface connection with third-party 4-wire audio devices.
- Built-in echo cancellation for better use of Concert without headsets
- Multiple CODEC support
- Built-in packet reconstruction and recovery
Communication technology for today’s productions must be
highly advanced and more dynamic than ever before, and yet
continue to deliver the simplicity of the plug-and-play intercom systems of the past. HelixNet™, based on the awardwinning Clear-Com I.V.Core Technology that delivers the clear
audio experience of professional-grade intercoms and inherit
flexibility of IP, is a platform of intercom products designed
to offer simplified user operations and cabling requirements,
ease-of-set-up and system management, unparalleled voice
intelligibility, networking flexibility and system intelligence.
Broadcast Audio
HelixNet: Intercom
HelixNet Partyline
HelixNet Partyline is the first set of products based on the HelixNet Platform,
comprising Main Station, Beltpack and Interface modules. The HMS-4X HelixNet
Main Station carries four channels of communication for supporting up to 20 digital
beltpacks. It is an all-digital system, fitted in a sleek 1RU form that can be mounted
into any standard 19” rack.
The HBP-2X HelixNet Beltpack gives you superb digital sound quality in a rugged,
ergonomic design. Fabricated from lightweight cast aluminium, HelixNet’s powered
Beltpacks are designed to perform on the big stage, and offering reliability and
durability across the most demanding production environments.
Interface modules include 2-wire for connection to an existing partyline system and
4-wire interface for camera and matrix connection. The New v1.1 of HelixNet provides
linking of master stations with resource sharing using two new interface modules, an
Ethernet module which can use standard network infrastructure or connected directly
to another master station or a fibre module for daisy chain connection between
master stations.
savings during setup and configuration. Fewer cables means users have more
space and less weight to transport.
•
No hum or electro-magnetic interference thanks to an all-digital system
architecture.
•
Works with existing partyline products and cables.
•
Clear-Com Sound: Legendary contoured audio frequency response for
maximum intelligibility and exceptional sound quality.
•
Plug-and-go system with hardware auto-discovery allows any connected
beltpack or user device to be immediately recognised.
•
Seamless connectivity to existing analogue intercom systems and audio
devices using optional 2-wire and 4-wire interface modules.
•
Easy-to-navigate menu provides quick access to system settings and
configuration, for fast and painless set up.
•
Up to 20 independent intercom channels, program and power for Beltpacks
transmitted over a shielded twisted-pair (mic cable or CAT-5 cable).
•
High-resolution, large format OLED displays provide up to 10 characters of
user-defined labels.
•
No rewiring required for communicating on more than one partyline channel or
for adding or changing channel assignment.
•
•
Single cable operation to deliver cost savings, cable reductions, and time
Resource sharing of channels between master stations connected by the new
Ethernet or fibre modules allowing each beltpack to access two of up to 20
party-line channels from up to 5 master stations.
13
Broadcast Audio
Tempset2400: Wireless Communications Systems
Operates in the 2.4GHz band, Tempest2400 is available in a robust 2- or
4-channel system for indoors, outdoors and touring applications.
Tempest2400 offers Multi-Modes of Operations, with each mode
providing varying level of communication flexibility and user capacity.
Unlimited number of users is possible in Split and Shared Modes.
In Normal Mode, up to 10 BaseStations and 5 full-duplex wireless
BeltStations can operate on one system with no frequency coordination
required.
The Tempest 2400 now provides users with ability to seamlessly roam
between base stations to provide multiple coverage areas throughout a
facility without any manual intervention.
The all new Tempest2400 MasterBelt delivers the power, features and
reliability in a portable and compact package.
The systems maintain the high quality voice audio with the Frequency
Hopping Spread Spectrum (FHSS) technology and can function in very
high ambient noise environments with extremely high audio dynamics
range (>94dB). Patented RF architecture allows the system to coexist with Wi-Fi networks. iSelect On Command Roaming allows users
to move from one coverage to another. BaseStation features Seamless
Roaming, Stage Announce, Unique GPIO Contact Closures, and Remote
Talk Kill; BeltStation features Vibrate Call function, Discreet audio path
for point-to-point communication, Unique GPO addressing and more. No
license fee required.
FreeSpeak and FreeSpeak Integra: Wireless Communications Systems
Highly flexible and functional, the FreeSpeak wireless communication
system operates within the license-free 1.88GHz-1.9GHz frequency band,
away from the crowded frequency where other wireless devices operate.
FreeSpeak combines DECT and wireless auto-roaming technologies
to allow users to move freely without fading or losing communication
connection.
FreeSpeak can operate as a standalone system, with up to 20 full-duplex
wireless beltpacks connected to one base station. Active Antennas can
enable beltpack-to-base station distance up to 1,000m. The system has
4-wire and partyline intercom connectivity, program feed input, stage
announce, IFB, up to 5 wireless partyline groups and partyline call alert
functionality.
FreeSpeak Integra provides an integrated solution utilising the E-Que
interface card within an Eclipse matrix system. The FreeSpeak beltpacks
are seamlessly connected to a Matrix frame and can be configured as part
of groups or point-to-point communications from any panel or concert
client. Up to 40 user connections per E-Que can be achieved with a total
of 4 cards per Matrix frame.
IFB (Interruptible Fold Back) Intercom:
Wireless Communications Accessories
PTX-3 and PRC-2
The Clear-Com PTX-3 transmitter and PRC-2 receiver provide a wireless IFB solution
for studios where talent are unable to be tethered to a traditional wired IFB solutions.
14
Using ECS, up to 200 roles can be accessed by each beltpack, menu’s
can be assigned to be completely user accessible, provided with only
some user option or completely locked out. Antenna and beltpack status
can be monitored as well as viewing beltpack crosspoints.
Single or double ear headsets with flexible design, excellent noise attenuation and superior comfort. Able to rotate 300
degrees, microphone boom acts as On/Off switch for quick microphone muting. Available with 4, 5, 6 and 7-pin connectors.
Interchangeable cabling for easy connector changing and repair.
CC-300 Single-Ear Intercom Headset
CC-400 Double-Ear Intercom Headset
The CC-300 single-ear headset features high
ambient-noise attenuation headphones and a hypercardioid dynamic microphone that provide high
quality audio. The headset has a flexible design
and a soft-ear pad to offer superior comfort. Able
to rotate 300 degrees, the microphone boom acts
as an On/Off switch for quick microphone muting.
The CC-400 double-ear headset features high
ambient-noise attenuation headphones and a hypercardioid dyanamic microphone that provide high
quality audio. The headset has a flexible design
and soft-ear pads to offer superior comfort. Able to
rotate 300 degrees, the microphone boom acts as
an On/Off switch for quick microphone muting.
Broadcast Audio
CC-300 and CC-400: Intercom Headsets
Are you
www.readyfordigital.com.au
Are you ready for the Digital Dividend Restack? From the
1st January 2015 you may not be able to use your current
wireless audio products. There is a lot of confusion and
misinformation out there about the Digital Dividend and how
it will affect you, so we’ve created the one website where you
can find everything you need to be Ready for Digital.
>
>
>
>
>
>
Restack Overview
FAQ’s
Updates and Articles
Online Forum
Frequency Guide
Helpful Links
15
Broadcast Audio
BRH: Broadcast Headsets
Shure broadcast headsets combine the pristine audio reproduction of our critical-listening and monitoring headphones
with dynamic microphones developed especially for broadcast and media production.
BRH31M Lightweight
Single-Sided Broadcast
Headset
Features a single supra-aural
earcup design that enables
the user to hear external audio
cues.
BRH440M Dual-Sided
Broadcast Headset
BRH441M Single-Sided
Broadcast Headset
Features circumaural
ear cups that block out
background noise. Boom
offers flip-up mute function.
Features a single-side
circumaural ear cup that
eliminates background noise.
Boom includes flip-up mute
function.
SRH: Professional Monitoring Headphones
Building on 80 years of pro audio experience, Shure Professional Headphones offer excellent sound quality, comfort and
legendary Shure sound. The range includes headphones which can be used for studio recording.
SRH840 Reference Studio Headphones
SRH940 Reference Studio Headphones
Precision Performance for Critical Listening
Critical Listening, Studio Monitoring and Mastering
Featuring 40 mm neodymium dynamic drivers precisely
tailored to deliver rich bass, clear mid-range and extended
highs needed for critical listening and studio monitoring.
The SRH840 also provides an ergonomic fit and collapsible
design for comfort and portability.
Designed for professional audio engineers, SRH940
Headphone provides an accurate frequency response for
smooth high-end extension with tight bass, and superior
transient response for minimal distortion.
SRH1440 Professional Open Back
Headphones
SRH1840 Professional Open Back
Headphones
Natural Sound. Wide Stereo Image. Optimal Sensitivity.
Unparalleled Acoustic Performance and High Fidelity
The SRH1440 provides full range audio with detailed highs
and rich bass in a sleek, attractive design. The premiumpadded headband with steel frame provides hours of
listening comfort.
The SRH1840 Professional Open Back Headphones features
individually matched drivers for smooth, extended highs
and accurate bass. Developed with premium materials
and precision engineering, the custom-crafted design is
extremely lightweight and durable.
Want to know more about Jands? Interested in how to install audio
products or stay up to date on the latest product news? Our e-newsletters
cover audio, lighting and staging needs of the contracting, production
and rental markets. Don’t be left out of the loop! Subscribe to any of the
free Jands e-newsletters on our website:
www.jands.com.au/news/newsletters
16
Shure microphones are the industry standard for beginners and professionals alike and offer legendary sound
quality and reliability.
Broadcast Audio
Broadcasting: Microphones
KSM Series
KSM microphones deliver world-class mastery of
sound reproduction from exquisite electro-acoustical
design and technology. Crafted from premium
components, each KSM microphone is designed to
capture and control the detailed sonic nuance of critical
studio performance, while withstanding the punishment
of the most accomplished and demanding live sound
reinforcement.
The VP64A and VP64AL are identical except for handle length. The 200 mm (77/8 inch) long VP64A is ideal for close-up use and can be used outside as well as
indoors. The VP64AL is well-suited to location interviews, sports broadcasting, and
other situations where the 244 mm (9-5/8 inch) length is an advantage.
VP64
The VP64A and VP64AL are high-output omnidirectional handheld dynamic
microphones have a simple, rugged construction and can handle very high sound
pressure levels designed for professional audio and video production. They combine
exceptional performance and comfortable feel with a handsome on-camera
appearance.
The omnidirectional pickup pattern provides uniform pickup on or off axis, eliminating
the need for critical microphone positioning. The VP64A series also features a tailored
frequency response with an upper midrange presence rise that adds crispness and
clarity to speech. The cartridge utilises a neodymium magnet for higher output
and increased signal-to-noise ratio. An internal rubber isolation mount protects the
microphone cartridge and minimises handling noise. A water-resistant mesh grille
allows the microphone to be used during the most challenging weather conditions.
The supplied windscreen further reduces “pop” and wind noise.
VP88
The Shure Model VP88 is a single-point, stereo condenser microphone for use in
professional studio recording, field production, electronic news gathering (ENG), and
studio broadcasting applications. It combines two condenser cartridges in a single
housing to create a stereo audio image of the sound source.
It is unique in its ability to capture the realism of a live event and yet withstand rigorous
field production environments. The VP88 uses a mid-side (M-S) configuration. One
microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid
pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing
sound from either side.
The VP88 contains an internal M-S matrix with three settings for different degrees of
stereo image separation. The internal matrix can be bypassed if an external matrix
is used or if stereo imaging is done in post-production. Switches on the top of the
microphone control output mode, stereo imaging, low-frequency rolloff settings, and
battery on/off. The VP88 can operate on phantom power or an internal 6 V battery.
The VP88 is supplied with a multi-connector “Y-splitter” cable, foam windscreen,
swivel stand adapter, 6-volt battery, and zippered carrying/storage bag.
Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension
cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand. The optional
A88SM Shock Mount provides optimum isolation from stand-transmitted shock
and vibration. The A88SM, ideal for critical studio applications, contains a standard
mounting foot for use with most electronic news gathering (ENG) video cameras.
SM63
Elegant yet rugged, the high-output SM63 series of dynamic omnidirectional
microphones are designed for professional applications where performance and
appearance are critical. The three models differ only in length and color. The SM63 is
designed for handheld use on stage and in broadcast, recording, and TV studios. The
SM63L and SM63LB are ideal for remote interviews and other situations where longer
microphones are desirable.
The smooth, wide frequency response of the SM63 is tailored for optimum speech
intelligibility, and includes a controlled low-frequency rolloff for reduced pick-up of
stand and wind noise. A built-in humbucking coil makes the microphones virtually
immune to strong hum fields, such as those produced by studio lighting.
17
Broadcast Audio
Countryman Series
MX153
Practically invisible to live or broadcast audiences, the WCE6 series earset microphone
is the smallest, lightest and most comfortable microphone of its kind.
The Shure Microflex® MX153 is a professional subminiature earset microphone ideal
for speech and other applications requiring low-profile discreet placement where
improved gain before feedback over lavalier microphones is desired. Delivering
exceptional speech clarity, the MX153 is ideal for speech reinforcement applications.
Additionally, Commshield® Technology offers superior RF immunity from cellular
devices and digital bodypack transmitters. Available in three color options, the MX153
provides outstanding clarity in an extremely comfortable, over the ear design.
The WCE6 Earset microphone is ideally suited to singing and spoken word applications
for professional performers and presenters in settings such as the theatre, houses of
worship and TV studios. The rugged, bendable boom arm assures custom fit and
the snap-on cable makes your WCE6 compatible with all Shure wireless microphone
systems.
MX150
SM93
The Shure Microflex MX150 is a professional
subminiature electret condenser lavalier
microphone ideal for use in speech and
other applications requiring low profile,
discreet placement. Available with cardioid or
omnidirectional patterns, the MX150 provides
uncompromised sound quality and high reliability
with minimal visibility for use in television
broadcasting. Commshield® Technology offers
superior RF immunity from cellular devices and
digital bodypack transmitters. Each microphone
is supplied with a snap-fit foam windscreen to
minimise wind noise and a multi-position tie clip
with integrated cable management to minimise
cable handling noise.
®
The SM93 omnidirectional miniature lavalier condenser
microphone is designed for use in speech applications such as
broadcast presenting, speeches, lectures and for use in houses
of worship.
Despite its small size, the microphone element provides full,
clear sound comparable to that of much larger microphones. Its
frequency response is tailored to body-worn applications, with
low-end rolloff and presence rise.
The SM93 is supplied with a sew-on mounting bracket,
a mounting block with attached tie bar, and an acoustic
windscreen to minimise wind noise in outdoor applications. It is
also supplied with a dual mounting block with attached tie bar.
Shure Wireless Workbench School
http://www.jands.com.au/shure_wwb
Shure have lifted the veil on the dark art of frequency selection with the release of version 6 of Wireless Workbench
(WWB6), their software application for configuration, control and monitoring of wireless audio devices.
Earn 4 renewal units (RUs) toward InfoComm CTS accreditation through successful completion of the Level 1 course.
Recommended for any audio professional involved in the design and / or operation of wireless audio systems.
Attendees should have previous experience with wireless audio systems and be familiar with technical terms and
concepts.
Classes sizes are limited. We recommend that you register now to ensure your place!
18
Scan this QR code OR visit
the link below to register.
The SM7B is a selectable frequency response cardioid microphone that delivers warm
and smooth audio reproduction in close-proximity studio and vocal applications, while
shielding from electromagnetic hum. A smooth and warm sounding microphone that
is ideal for close-talk applications such as radio presenting and voiceovers for TV. It
has also been widely used for vocals on numerous albums.
•
Flat, wide-range frequency response for exceptionally clean and natural
reproduction of both music and speech
•
Bass rolloff and mid-range emphasis (presence boost) controls with graphic
display of response setting
•
Improved rejection of electromagnetic hum, optimised for shielding against
broadband interference emitted by computer monitors
•
Internal “air suspension” shock isolation virtually eliminates mechanical noise
transmission
•
Highly effective pop filter eliminates need for any add-on protection against
explosive breath sounds, even for close-up vocals or narration
•
Now shipping with the A7WS detachable windscreen, designed to reduce
plosive sounds and gives a warmer tone for close-talk vocals
•
Yoke mounting with captive stand nut for easy mounting and dismounting
provides precise control of microphone position
•
Classic polar pattern, uniform with frequency and symmetrical about axis, to
provide maximum rejection and minimum coloration of off-axis sound
•
Rugged construction and excellent cartridge protection for outstanding
reliability
Broadcast Audio
SM7B
VP89 Shotgun Microphones
The VP89 series provides a range of professional microphone for use in critical
broadcast and A/V media production applications. Designed with interchangeable
long, median and short capsules, the VP89 model provide scalable, superior off-axis
rejection for focus and flexibility in a wide variety of on-site locations.
•
State-of-the-art preamplifier redesign with RF immunity
•
Long, medium and short cartridge/barrel housings
- Long – for focusing/targeting sources of high volume over long distances
- Medium – wider target aperture for greater degree of ambience
- Short – high volume, widest aperture – greatest ambience, near-field target
range
•
Full range of premium complementary accessories
VP82 Shotgun Microphone
The VP82 is a compact and lightweight shotgun microphone with wide aperture and
excellent off-axis rejection, providing an affordable and reliable professional choice
for camera-mounted media production applications.
•
Integrated preamplifier design
•
Wide aperture for near-field sound sources
•
Natural off-axis rejection
•
Compatible with VP89/S (short) premium complementary accessories
VP83 and VP83F – Camera Mount Shotgun Microphones
Two new ultra-compact, rugged and battery powered condenser microphones
designed to easily capture detailed, high definition audio with HD camcorders and
DSLR cameras. Developed with highy directional super-cardioid/lobar polar patterns,
both the VP83 and VP83F provide superior off-axis rejection and deliver natural audio
reproduction. The VP83F offers digital flash recording and play back with intuitive
menu and controls and as well as dedicated headphone audio output for real time
monitoring.
19
Broadcast Audio
UHF-R: Wireless Microphone Systems
Experience the legendary Shure sound with the total freedom of a wireless microphone system. You can choose from wireless
handheld microphones, to wireless headset and lapel/lavalier microphones, or a combination. From the entry to professional
sound PG wireless systems, Shure caters for start out bands to the needs of professional touring musicians and presenters.
UHF-R Series
Shure UHF-R® Wireless Microphone Systems master the high pressure and extreme conditions of large-scale touring or installations environments while delivering
uncompromising sound. Rock-solid engineering and unparalleled RF performance provide sound professionals with all the features and flexibility they need to tightly control
up to 160 systems for the most elaborate productions.
UHF-R incorporates automatic frequency selection, transmitter sync and smart menu-driven system functionality for fast, intuitive setup. Up to 2400 selectable frequencies
across an ultra-wide 60 MHz bandwidth provide superior capability to respond to unpredictable RF conditions. Featuring Shure’s Advanced Track Tuning Filtering Technology,
UHF-R delivers up to 40* simultaneously compatible systems per band without audio degradation or interference.
UR4+ Receiver
The UR4S+ and UR4D+ receivers provide single and dual-channel options for
premium wireless. Technology innovations such as Networked Automatic Frequency
Selection and Automatic Transmitter Setup provide advanced control and robust
flexibility for a wide range of professional uses. RF distribution ports allow up to 10
receivers to share a single pair of antennas.
UR2 Handheld Transmitter
UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna
design which advances RF transmission reliability.
The transmitter design allows for interchangeable microphone cartridges. The UR2 is
offered with BETA 87A, BETA 87C, BETA 58A, SM86, SM87A, SM58, and KSM9. The
new VP68 will provide an omnidirectional capsule option for UHF-R wireless systems.
UR1 Beltpack
UR1M Micro-Bodypack Transmitter
The UR1 transmitter is a compact bodypack,
constructed of lightweight metal to be exceptionally
unobtrusive and abuse-resistant. Also available is
the UR1H high powered (250mw) transmitter^.
The UR1M Bodypack Transmitter is the most compact
bodypack available from Shure. About half the size of
most standard bodypacks, the UR1M is designed to
be easily concealed and worn comfortably by actors,
performers, musicians, and public speakers.
Operating on the premium Shure UHF-R Wireless
platform, the UR1M offers superior wireless audio and
an industry-leading tuning range – all in a durable, ultracompact and lightweight form factor.
*Maximum number of compatible systems.
^High power beltpack requires licensing.
20
The UR3 is a premium wireless microphone transmitter which provides Shure UHF-R class technology and flexibility. With
smart feature and ergonomic industrial design, the UR3 is compatible with any XLR microphone and is an essential component
for professional field and media production applications.
•
Smart, ergonomic and industrial design
•
Microphone preset list
Broadcast Audio
UR3 Portable Wireless Transmitter
- Program microphone ID lists to tailor settings(gain/phantom power/high pass filter/etc.) per microphone for quick
recall
•
Audio Reference Companding for crystal-clear audio
•
Selectable Mic/Line-level input
•
Sweepable high-pass filter (35Hz – 285Hz)
•
2AA batteries provide full range of phantom power
UR5 Portable Wireless Receiver
The UR5 is a premium portable wireless microphone receiver component designed to provide Shure UHF-R class
wireless technology, performance and quality for professional field and media production applications. Featuring
wide-band frequency tuning, hands-on navigation, rechargeability and a wide variety of mounting options, the UR5 is
the clearest choice for wireless portability.
•
Full bandwidth scan and sync at the touch of a button
•
2400 selectable frequencies across 60 MHz bandwidth
•
Audio Reference Companding for crystal-clear audio
•
Feature-rich, hands-on navigation control
•
MTX (Multi-transmitter) mode
- Populate multiple transmitters with open frequencies
•
Headphone monitoring output jack
•
Mic and Aux-level balanced output
•
Full range of mounting and power options
Wireless Workbench® 6: Wireless Management Software
The Wireless Workbench® application integrates with all Shure® hardware featuring Ethernet connectivity to let you take full
advantage of the most advanced features of each product.
Comprehensive Frequency Coordination
•
•
•
•
•
•
Import a saved scan file or perform live, wideband scans.
Coordinate frequencies for all Shure®wireless products, as well as intercoms,
in-ear monitors, and wireless microphone systems by numerous other
manufacturers.
Calculate a list of backup frequencies.
Program Shure networked devices to their assigned frequencies.
Program Axient transmitters remotely over the ShowLink™ network using a
ShowLink Access Point (AXT610).
Group equipment into zones and increase the number of frequencies
available.
Offsite Show Planning
•
•
•
•
Do your pre-show planning anywhere, with or without connecting to
hardware.
Use saved scan files and a database of local TV channels. Email and share
scan files.
Import scan files to perform frequency coordination.
Use device markers to see microphones assigned to frequencies, even when
microphones are not online.
Wireless Workbench 6 can interact over an Ethernet network with the following Shure
wireless systems:
•
Axient® Wireless Management Network
•
UHF-R® Wireless System
Comprehensive Wireless System Control
•
ULX-D™ Digital Wireless System
•
•
PSM®1000 Personal Monitoring System
•
•
Coordinate, monitor, and control your entire wireless system from your
laptop.
Monitor backup frequencies using a Spectrum Manager (AXT600).
View the status of networked equipment and make remote adjustments to
hardware.
21
Broadcast Audio
ULX-D and FP: Wireless Microphone Systems
ULX-D Digital Wireless Systems
Shure ULX-D™ Digital Wireless offers uncompromising 24-bit audio clarity and
extremely efficient RF performance with single, dual, and quad channel receivers for
any size professional sound reinforcement application.
Scalable, intelligent hardware delivers the best performing digital wireless available,
with a wide selection of trusted Shure microphones to choose from. Unmatched
spectrum efficiency enables a dramatic increase in the number of simultaneous
active transmitters on one TV channel, with rock-solid signal over the entire range.
Optional rechargeable accessories eliminate the need for disposable batteries while
offering extended run time and metering accuracy in hours and minutes. For secure
transmission, all ULX-D components include AES-256 encryption. The ULX-D
Dual and Quad receivers also feature Audinate Dante connectivity allowing other
compatable devices to receive the receiver’s audio over Ethernet.
Generations ahead of any other available system in its class, ULX-D brings a new
level of performance to professional sound reinforcement.
ULXD1 Wireless Bodypack Transmitter
ULXD4Q Quad Channel Digital Wireless Receiver
The ULXD1 is a wireless bodypack transmitter compatible
with ULX-D™ Digital Wireless Systems. The ULX-D dual
and Quad receivers provide bodyback frequency diversity
by allowing two body backs to be linked together for
redundancy on different frequencies.
The Shure ULXD4Q Quad Channel Digital Wireless Receiver offers four channels of
uncompromising audio quality, RF signal stability, and advanced setup features in a
space-efficient single rack unit.
ULXD2 Handheld Wireless Transmitter
ULXD4D Dual Channel Digital Wireless Receiver
The Shure ULXD2 is a handheld wireless transmitter
compatible with ULX-D™ Digital Wireless Systems.
The Shure ULXD4D Dual Channel Digital Wireless Receiver offers two channels of
uncompromising audio quality, RF signal stability and efficiency, and advanced setup
features in a single rack unit. Rugged, yet lightweight and compact, the all-metal
chassis houses two independent receivers, each with its own audio and RF meters,
gain control, and receiver outputs that can be either direct or summed for flexible
signal routing.
ULXD4 Digital Wireless Receiver
The Shure ULXD4 is a half-rack, networkable
wireless receiver for use with ULX-D™
Digital Wireless Systems.
FP Wireless Systems
Capturing audio in the most demanding environments has never been easier. Shure FP Wireless Systems offer a full selection of affordable, lightweight portable wireless
components that feature 24 MHz bandwidth, automatic frequency selection and automatic transmitter setup.
VP68 Capsule
FP2/SM58 Capsule
All powered by 2 AA batteries and compatible with up to 20 systems simultaneously.
22
FP1 Bodypack Transmitter
FP2 Handheld Transmitter
FP3 Plug-on Transmitter
FP5 Portable Receiver
The FP1 Bodypack Transmitter features
a lightweight and durable design for use
with TA4F-connection microphones
including lavaliers and headsets.
The FP2 Handheld Wireless Transmitter
features either the legendary Shure
SM58® cardioid dynamic microphone
capsule or the VP68 omnidirectional
condenser capsule mounted to
lightweight,
durable
transmitter
handles.
The FP3 Plug-on Transmitter works
with virtually any Shure XLR dynamic
microphone and battery-powered
condenser microphones.
Designed for on-camera mounting, the
FP5 Portable Receiver locates an open
frequency at the touch of a button and
instantly syncs the transmitter to the
receiver frequency.
Ergonomically
designed
to
fit
comfortably in the hand, the FP3 is ideal
for use with Shure FP Wireless and SLX
Wireless.
The battery-powered FP5 is lightweight
and durable, featuring diversity
antennas and output to either XLR or
1/8” connectors.
Whether you’re practicing or performing, it’s impossible to sound your best if you can’t hear what’s going on around you.
For years, Shure Personal Monitor Systems and Sound Isolating earphones have given professional applications an edge
over the wedge.
Broadcast Audio
PSM: Wireless In-Ear Monitoring Systems
PSM 900 Wireless Personal Monitor System
The PSM®900 Wireless Personal Monitor System from Shure offers an unprecedented combination of superb audio quality, robust RF performance, and
category-leading features for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different
stage mixes with the touch of a button.
Precision front-end RF filtering significantly reduces dropouts from RF interference, and the enhanced digital stereo encoder provides excellent stereo
separation and audio clarity.
P9T Wireless Transmitter
P9R Wireless Bodypack Receiver
The P9T is a half-rack wireless transmitter used in conjunction with the P9R Bodypack
receiver as part of the PSM®900 Wireless Personal Monitor System.
The P9R is a compact, stereo bodypack receiver for
use with the PSM®900 Wireless Personal Monitor
System.
It offers state-of-art technology like CueMode (patent pending), Scan and Sync, and
RF mute switch for easy setup and operation.
Connections include balanced 1/4” and XLR, loop out, and headphone out. Includes
rack-mounting kit, front or back mountable antennas, and power supply.
It offers premium features like RF Scan and Automatic
Gain Control for unparalleled RF stability and channel
availability, all packed in the thinnest form factor
available.
Patent-pending CueMode allows monitoring of
different stage mixes and storing of up to 20 separate
channels from one bodypack for quick and easy
reference.
The P9R is compatible with all Shure SCL Sound
Isolating Earphones, designed specifically for use
with Shure PSM systems.
PSM 1000 Personal Monitor System
PSM® 1000 Dual Channel Personal Monitor System – a full-rack professional
monitoring system that is designed to integrate seamlessly with Shure Wireless
Workbench (WWB) software.
The Shure PSM 1000 Personal Monitor System represents a new benchmark for
in-ear monitoring. With best-in-class audio and RF performance, networking
connectivity with full WWB integration, and a true diversity-equipped low profile
bodypack receiver, PSM 1000 delivers on the demanding requirements of top tier
sound professionals worldwide.
The PSM 1000 builds on the feature set of its counterpart, the PSM 900 to deliver
a package suited to high end professional touring applications and demanding end
users. Including;
•
Full width 1RU chassis incorporating internal mains supply (no wall warts).
•
Dual channel transmitter.
•
Integration with Shure Wireless Work Bench (WWB) software for configuration
and remote control / monitoring.
•
Networked automatic scan & sync. Scan ONCE only and deploy frequencies to
all networked devices simultaneously.
•
True diversity body pack receiver utilising TWO real antennas.
•
Rechargeable battery option.
•
Backwards compatible with PSM 900 product.
*Maximum number of compatible systems.
23
Broadcast Audio
Axient: Wireless Management Network
Axient™ Wireless Management Network.
Beyond Wireless.
The Axient Wireless Management Network from Shure
establishes a dramatic new threshold of control, convenience
and confidence in wireless audio transmission, reception and
spectrum management for mission-critical applications.
The foundation of the Axient system is a suite of inter-related
spectrum management tools that integrate spectrum analysis,
channel allocation and device management in a seamless,
network-based platform.
More than an RF solution, Axient is a whole new way to think
about wireless. Fully networkable, with advanced automated
features and failsafe functionality, Axient is the last word in any
conversation about the future of wireless performance.
Spectrum Management
Detailed Scanning, Coordination, and Visualisation of the RF World
Introducing a new level of RF management.
Axient Spectrum Management tools make clearing the air effortless. Providing
detailed RF spectrum scans in rich visual displays, along with compatible frequency
coordination for even the highest channel counts, Axient simplifies complex RF
environments.
Together with Shure Wireless Workbench 6 software (see p.21), Axient Spectrum
Management tools open up a rich graphical interface for viewing the RF world and
choosing the optimal frequencies for all wireless channels on a production.
Interference Detection & Avoidance
Move to a clear, compatible frequency when interference strikes
Don’t just accept RF interference. Avoid it.
Interference Detection and Avoidance provides alerts when RF interference
occurs, and allows the system to move to a clear and compatible frequency within
milliseconds, making even major interference issues nearly undetectable.
Frequency Diversity
Seamless, uninterrupted audio in the face of direct interference.
(Because great performances can’t be interfered with.)
Frequency Diversity simultaneously transmits on two separate frequencies to ensure
seamless, uninterrupted audio for mission-critical channels.
Transmitter Remote Control
Real-Time Remote Transmitter Adjustments
Chasing down performers to make changes to their wireless microphone settings
is now a thing of the past. ShowLink™ Remote Control provides real-time remote
control of all transmitter parameters, from gain adjustments to on-the-fly frequency
changes.
Advanced Power Management
Axient’s smart, rugged, and reliable suite of batteries and chargers
The Axient rechargeable power system sets new standards for real-time monitoring
and lifecycle management of batteries and chargers. Its suite of batteries and
chargers are rugged, modular, networkable, and provide real-time intelligence about
power levels, charge status, and overall battery health.
24
No other manufacturer provides a wider, more cost-effective
range of solutions to take on the demands of modern cinema
and post production facility sound reproduction than JBL
Professional. With one of the longest track records in the
industry (James B. Lansing Sound, Incorporated manufactured
some of the world’s first true highfidelity loudspeakers for
cinema sound systems) and JBL’s legendary reputation for
quality, reliability, and innovation, it’s easy to see why today
the majority of all professional cinema loudspeakers sold
worldwide come from JBL Professional. JBL Professional
offers three complete lines of enclosed cinema loudspeaker
systems, along with discreet components and electronics, to
meet the needs of any cinema application; from the smallest
rooms to the most exotic custom installations, renovations
and retrofits.
Broadcast Audio
ScreenArray: Post Production & Cinema Loudspeakers
Although primarily developed for installed cinema
applications, the need for quality reproduction of cinema
level sound in post production facilities has seen the JBL
ScreenArray Series come to the forefront, and fulfil the
desires of the discerning post-production sound designer.
3730
3731
The 3730 ScreenArray provides smooth and accurate
reproduction of cinema soundtracks in a compact
and very cost effective system for small to medium
cinemas. The ScreenArray horn features a patented
design that compensates for high frequency spreading
caused by perforated screens for greatly improved
audience coverage.
The 3731 is a three-way triamplified ScreenArray
Cinema Loudspeaker System for critical sound
reproduction in small to medium cinemas and studio
production and post production applications.
3732
4732
The 3732 ScreenArray features true three-way system
design enhanced for critical film sound reproduction in
small to medium cinema environments.
The 4732 ScreenArray features true three-way system
design enhanced for critical film sound reproduction in
medium to large cinema, and studio production and post
production applications.
Surround Systems: Post Production & Cinema Loudspeakers
Built to traditional JBL quality standards, the surround speakers will stand up to long-term use under adverse conditions
while delivering excellent performance.
8340A
8350
The 8340A Cinema Surround Speaker offers
very high power handling, high sensitivity, and
extended bass response in a very compact
enclosure. The twoway 8340A’s proven reliability
and performance features have positioned it as
the industry standard for the extended dynamic
range required by digital sound formats.
The 8350 Cinema Surround Speaker offers
very high power handling, high sensitivity, and
extended bass response in a very compact
enclosure. The twoway 8350’s reliability and
performance features position it as the ideal high
power surround for the extended dynamic range
required by digital sound formats.
The 8340A features a high power, long-throw 250 mm (10 in) low frequency driver
for smooth, extended bass response. The high frequency section combines a 25 mm
(1 in) coil diameter titanium diaphragm compression driver with a constant coverage
horn for very high output capability and wide, even high frequency coverage. The 250
watt continuous power rating (1000 watt peak) provides extended dynamic range
required for digital soundtracks with absolute reliability.
The 8350 features a high power, long-throw 250 mm (10 in) low frequency driver for
smooth, extended bass response. The high frequency section combines a 38 mm
(1.5 in) coil diameter compression driver with a constant coverage horn for very high
output capability and wide, even high frequency coverage. The 350 watt continuous
power rating (1400 watt peak) provides extended dynamic range required for digital
soundtracks with absolute reliability.
25
Broadcast Audio
LSR Series: Studio Monitors
Post-production edit suites, studio’s and broadcast control rooms all require an accurate reproduction. JBL’s LSR (Linear
Spatial Reference) family of loudspeakers delivers the professional sound quality you have come to expect.
LSR2300
The LSR2325P Bi-Amplified Two-Way Model is based on a 5” (132 mm) long
excursion woofer and a 1” (25 mm) soft dome tweeter. It includes balanced XLR,
balanced 1/4” TRS, and RCA unbalanced input connectors to allow connection of
professional mixing consoles, computer audio interfaces, audio visual equipment,
and consumer audio systems. A detented level control allows fine adjustment of
individual speaker levels to balance each speaker in the system. Low Frequency and
High Frequency Trim controls let you tailor the speaker’s response to preference
or room acoustics. A neoprene rubber pad on the bottom of the speaker provides
acoustic isolation and increases stability when the speaker is placed on a speaker
stand or a console top. Mounting points are included and the enclosure has been
reinforced for safe mounting using industry-standard mounting hardware.
The LSR2328P Bi-Amplified Two-Way Model is based on an 8” (203 mm) long
excursion woofer and a 1” (25 mm) soft dome tweeter. It includes balanced XLR,
balanced 1/4” TRS, and RCA unbalanced input connectors to allow connection of
professional mixing consoles, computer audio interfaces, audio visual equipment,
and consumer audio systems. A detented level control allows fine adjustment of
individual speaker levels to balance each speaker in the system. Low Frequency and
High Frequency Trim controls let you tailor the speaker’s response to preference
or room acoustics. A neoprene rubber pad on the bottom of the speaker provides
acoustic isolation and increases stability when the speaker is placed on a speaker
stand or a console top. Mounting points are included and the enclosure has been
reinforced for safe mounting using industry-standard mounting hardware.
The LSR2310SP Powered Studio Subwoofer is based on a 10” long excursion
woofer and a 180 watt power amplifier. Added to a stereo system, it extends the
low frequency response of the system below 30Hz. In a surround sound system
the sub provides stunning reproduction of the LFE (low frequency effects) channel.
The LSR2310SP is packed with professional features including two sets of balanced
XLR, 1/4” and unbalanced RCA input connectors, selectable crossover settings and
two sets of balanced outputs to allow connection of Left and Right main speakers.
A detented level control allows independent adjustment of the subwoofer output to
balance the subwoofer in the system.
The MSC1 Monitor System Controller includes essential “Monitor Strip” features
found in large mixing consoles so you can take control of all monitoring functions
from your place at the mix position. Since the acoustics of the room can play a big
part in what you hear, the MSC1 includes JBL’s highly acclaimed RMC Room Mode
Correction Technology to tune your monitor system to the room. The end-result is a
calibrated reference environment in which your speakers work in harmony with your
room to take the guesswork out of mixing.
LSR4300
Introducing the new JBL LSR4300 Studio Monitors featuring RMC™ Room Mode
Correction, JBL’s exclusive technology that automatically analyses and corrects the
response of each speaker in the room for absolute accuracy at the mix position.
The first studio monitors with powerful network intelligence built into each speaker
specifically designed to deliver an accurate mix in any room, the LSR4300’s are
the ultimate monitor for modern production studios. The LSR4300 models feature
stunning JBL sound, provide accurate mixes in any workspace, and are priced well
within the reach of any project studio. The first self aware monitoring system, they’re
the only choice for music, post, broadcast, Surround 5.1, and beyond.
Available in a 6.25” two-way (LSR4326P), a 8” two-way (LSR4328P) and a 12”
subwoofer, all speakers feature analogue inputs on both XRL and TRS connectors,
S/PDIF I/O, AES I/O and HiQnet network I/O on RJ45 for total control of all connected
speakers by remote control. In addition to this, the subwoofer can be used to manage
the bass crossover of a low frequency effects channel or all channels which have
been implemented as part of a 5.1 channel system.
26
Broadcast Audio
LSR6300
The award-winning JBL LSR6300 Series professional loudspeakers deliver the
exceptional accuracy and performance needed in demanding music, post audio and
broadcast applications.
Each model provides ultra-flat response, extraordinary SPL capability and technology
to optimize performance in any size production environment. All models are shielded,
ready for mounting and THX® pm3T approved.
The LSR6325P-1 powered 5.25” Studio Monitor provides ultra-accurate response
and exceptional SPL capability in a very compact form factor. THX pm3® approved,
the LSR6325P-1 is ideal for stereo and surround recording, post production and
broadcast systems where space is limited but accuracy and high-output are required.
The LSR6325P-1 Studio Monitor combines JBL’s latest in transducer and system
technology and incorporates the LSR Linear Spatial Reference design to provide
greater accuracy at the mix position. The Linear Spatial Reference (LSR) philosophy
is based on a set of design goals that optimise the overall performance of the system
in a variety of acoustic spaces. Instead of focusing on a simple measurement such
as on-axis frequency response, LSR design requires the system meet frequencyresponse criteria for seventy-two off-axis measurements.
Carefully-controlled dispersion, achieved through transducer design, crossover
frequency selection and engineering of the enclosure, ensures not just the on-axis
sound, but also the reflected sound which reaches of the mix position is neutral.
By incorporating LSR into the system design the LSR6325P-1 delivers greater high
and mid frequency accuracy to the mix position, in a broad range of production
environments.
The LSR6328P powered 8” studio monitor is designed for use in critical stereo and
multi-channel monitoring applications that require exceptional spectral accuracy
and high SPL capability. The LSR6328P combines the latest in JBL’s renowned
transducer and system technology with psychoacoustically derived spatial response
criteria, resulting in a more accurate studio monitoring reference system. In this
design process, the system’s frequency response over the forward listening range
(±15° vertically and ±30° horizontally) is optimised, as opposed to the conventional
approach of optimising the response directly on axis. This design approach involved
careful component design, selection of crossover frequency, and precise baffle
geometry and detail. The result is a system that can be used for the most critical
judgements of recording balance, image placement, and equalisation. The matching
of the LSR6328P system to the listening environment is further enhanced through
the use of RMC, an analysis/correction system that identifies and corrects response
to compensate for the dominant low frequency standing wave in the system’s room
response. In addition to a rich array of performance features, the LSR6328P has
a reinforced enclosure and integral mounting points to facilitate wall mounting.
Recessed handles facilitate easy positioning of the loudspeaker in the environment
and aid in transportability.
The LSR6332 passive studio monitor is designed for use as a near or mid-field
reference monitor, or a soffit-mounted main monitor in applications requiring
exceptional spectral accuracy and high SPL capability. The LSR6332 combines the
latest in JBL’s renowned transducer and system technology with psychoacoustically
derived spatial response criteria, resulting in a more accurate studio monitoring
reference. In this design process, the system’s frequency response over the forward
listening range (±15° vertically and ±30° horizontally) is optimised, as opposed to
the conventional approach of optimising the response directly on-axis. This design
approach involves careful component design, selection of crossover frequency, and
precise baffle geometry and detail. The result is a system that can be used for the
most critical judgements of recording balance, image placement, and equalisation.
Available as a mirror imaged Left and right models.
The LSR6312SP powered subwoofer is based on a 12” woofer with JBL’s patented
Differential Drive® and 250 Watts of power. THX® pm3 Approved. METAlliance®
Certified.
Control 2P
The Control 2P Compact Powered Reference Monitor System combines JBL’s
legendary loudspeaker design with powerful amplification to deliver rich, accurate
performance for the most demanding audio applications. The compact design, rugged
enclosure, and professional feature-set make the Control 2P Compact Powered
Reference Monitor ideal for desk-top recording and video production, audio visual
presentations, professional broadcast applications, and monitoring of electronic
musical instruments.
27
Broadcast Audio
28
M2: Master Reference Monitor
Innovation through meticulous attention to detail
Addressing the growing need for high dynamic range and reference-monitor accuracy
in a broad range of studios, JBL has developed the M2 Master Reference Monitor:
a free-standing, 2-way system that can be placed in any environment to provide an
exceptionally accurate monitoring experience. Leveraging a new generation of JBL
high-output, ultra-low distortion transducers, the M2 provides in-room frequency
response of 20 Hz to 40 kHz, and an extraordinary 123 dB maximum SPL to meet
the demanding music, cinema and broadcast production requirements for impactful
dynamic range.
The unique Image Control waveguide completes the acoustic design. A marvel of
engineering in its own right, this new JBL waveguide was designed specifically for
the M2. Allowing an acoustically seamless transition between the woofer and high
frequency driver, it produces exceptional imaging and delivers rich detail to a broad
area of the room. These unique components make possible a two-way design with
an unprecedented level of performance, utilising a single seamless cross-over point
that reduces system complexity and allows a compact form-factor for flexibility of
placement in the room.
In a compact form-factor, the M2 integrates three key components that work in
harmony to deliver unparalleled performance. At the heart of the system, JBL’s
patented D2 high frequency and 2216Nd low frequency transducers are the engines
that make this possible. Using a revolutionary design, the D2 produces smooth,
extended high frequency response with ultra-low distortion whether listening at very
high or subtle levels. Using patented technology, the remarkable 2216Nd woofer
offers deep bass extension and very low power compression, even at its full-rated
output. In spite of the M2’s minimal footprint, its exceptional low frequency response
eliminates the need for a subwoofer.
Crown® Power Amplifiers with internal floating-point DSP are used to bi-amplify and
tune each speaker, optimising the M2’s performance in any room.
The M2 brings a world-class, big monitoring experience with a new level of accuracy
to a broad range of production spaces. For rooms wishing to step up, the M2 is a
game changer.
Engineered from the ground up for unmatched quality and
performance, the Crown® DSi Series of power amplifiers
offers four models of 500W, 800W, 1,200W, and 2,100W
per channel at 4 ohms. Onboard digital signal processing
includes crossovers, EQ filters, delay and output limiting.
Rear panel HD-15 connector provides easy input/output
•
Includes three models of 500W, 800W, and 1200W per channel at 4 ohms
•
Automatic presets for popular JBL cinema speaker systems for quick, easy
configuration
•
Intuitive front-panel LCD screen guides installers through setup
•
Onboard digital signal processing includes crossovers, EQ filters, delay, and
output limiting
•
Computer connectivity via USB allows fast setup and configuration with
HiQnet™ System Architect™ software
•
Rear-panel HD-15 connector provides easy input/output connectivity between
DSi amplifiers and new DSi-8M System Monitor
•
Switch-mode universal power supply
•
All products fill 2U rack spaces and weigh under 9 Kgs
•
Barrier strip outputs, removable Phoenix-style input
Minimum Guaranteed
Power, 1 kHz
DSi 1000
connectivity between DSi amplifiers and the new DSi-8M
System Monitor. At the touch of a button, Crown’s DSi
cinema amplifiers deliver perfectly matched performance
with each award-winning JBL ScreenArray® system, making
this the ultimate cinema solution.
DSi 2000
DSi 4000
DSi 6000
Broadcast Audio
DSi Series: Power Amplifiers
Per channel, both channels driven
Stereo, 2 ohms (per ch.)
700W*†
1,000W*
1,450W*
3,000W*
Stereo, 4 ohms (per ch.)
475W
800W
1,200W
2,100W
Stereo, 8 ohms (per ch.)
275W
475W
650W
1,200W
Bridge-Mono, 4 ohms
1,400W*†
2,000W*
3,000W*
6,000W*
Bridge-Mono, 8 ohms
950W
1,600W
2,400W
4,200W
With 0.5% THD
*With 1% THD
†Not rated for 100V versions.
PCM96: Studio Standard Stereo Reverb/Effects Processor
An artful blend of heritage and innovation, the PCM96 Stereo Reverb/
Effects Processor delivers 28 new and legendary Lexicon reverbs, delays
and modulation effects straight into your DAW.
•
Two channels XLR analog I/O
•
Two channels XLR digital AES/EBU I/O
•
Four channels streaming FireWire
•
Automation and control via Ethernet or Firewire
•
32-bit floating point processing
•
Sample rates up to 96 kHz
Also available in a surround version.
29
Broadcast Lighting
Lighting: Consoles
EOS Ti
Gio
Realise your art with the ETC Ti lighting desk’s powerful hardware, easy-to-navigate
software and common-sense command syntax.
Need the power of an Eos® lighting system but in a smaller desk, sized just right for
your budget and space? Or, maybe you’re going on tour? Lightweight with a tidy
footprint, Gio is scaled to travel -- taking Eos’s multi-award winning console featureset on the road.
With two large-format, articulating multitouch displays, Ti gives you a substantial
programming surface, and Ti’s dedicated multitouch encoder display, 20 userdefinable buttons, backlit keyboard, motorised faders and multiple USB and video
ports make quick work of designing and programming.
Partitioned control. Each device on a Ti system can have a discrete workspace, so
multiple users can simultaneously build content into a single show file in a safe and
effective manner.
Both novices and professionals will feel comfortable with Ti’s logical syntax, working
from an abstract concept of a design or a straightforward command sequence.
The command line is fully integrated with direct selects and magic sheets, allowing
seamless work from the keypad and the touchscreen controls.
Gio also introduces some new technologies to the Eos line-up. Backlit buttons have
arrived (so now you can use your dimmable Littlites® for your script instead!) Gio
includes two integral, articulating multi-touch displays and supports up to three
external displays, all of which can also be multi-touch.
And of course, Gio can integrate into an Eos or Ion system with ease, acting as a
primary, back-up, or client console in combination with the rest of the family. All of
the accessories available for Eos and Ion service Gio as well.
•
Abundant programming surface
The keypad layout is virtually identical to Eos, making moving between platforms a
snap. If you know Eos – the industry standard in lighting control – you’ll know (and
love) Gio.
•
10,000 channels (devices)
Product Features
•
4096, 6144, 8129, or 16384 outputs/parameters
•
10,000 channels (devices)
•
Two 17” articulating multitouch displays
•
2048, 4096, 6144, or 8192 outputs/parameters
•
Large 9” multitouch encoder display
•
Dedicated master-playback fader pair
•
Dedicated pan and tilt encoders + four pageable encoders
•
10 definable motorised faders, with 30 pages of control
•
Easy-to-navigate backlit keypad
•
999 cue lists
•
20 user-defined buttons
•
200 active playbacks
•
Solid-state hard drive
•
300 submasters
•
Supports up to three external multitouch displays
•
4 pageable haptic encoders
•
Master fader pair + 10 motorised faders x 30 pages
•
2 – 12.1” LCD touchscreens
•
High-density live and blind displays
•
Supports 3 external DVI/SVGA monitors touchscreens optional
•
Electronic magic sheets
•
High-density live and blind displays
•
Virtual Media Server Control with stock content (user images may be
imported)
•
Electronic magic sheets
•
Net3™ (ACN based) and ETCNet2™ native
•
Virtual Media Server Control with stock content (user images may be
imported)
•
Artnet and Avab UDP optional
•
Net3™ (ACN based) and ETCNet2™ native
•
Multiple MIDI and SMPTE Inputs
•
Artnet and Avab UDP optional
•
Client/server networking and synchronised backup
•
Multiple MIDI and SMPTE Inputs
•
Client and Offline programming on PC (Windows 7 or XP) and native on
Macintosh (Intel only, OS X)
•
Client/server networking and synchronised backup
•
Data-laundering from Obsession®, Express/ion, Emphasis™, Congo® and
Strand 500/300 series show files via ASCII
•
Client and Offline programming on PC (Windows 7 or XP) and native on
Macintosh (Intel only, OS X)
•
12 discrete on-line users with partitioned control
•
Data-laundering from Obsession®, Express/ion, Emphasis™, Congo® and
Strand 500/300 series show files via ASCII
•
Eleven multipurpose USB bus (pointing devices, keyboard, touchscreens,
flashdrives)
•
12 discrete on-line users with partitioned control
•
Seven multipurpose USB bus (pointing devices, keyboard, touchscreens,
flashdrives)
Product Features
30
The middle child of the Eos line, Gio sits between Ion® and Eos in the product family
– sharing the same powerful programming DNA.
Broadcast Lighting
Lighting: Consoles
ION
Sensor3 CE Installation Racks
With the ease, power and operational style of Eos in a small, affordable package,
Ion’s small footprint – 19” wide only – is the perfect solution for space-challenged
Control Rooms. Providing fully integrated control of conventional and moving lights,
Ion packs a punch.
Sensor3 is the foundation for a versatile power system that builds on our proven
Sensor™ workhorse system with CEM3 control. ETC’s Sensor3 Power Control
Systems are the performance standard for top theaters, TV studios, and concert halls
worldwide. Because a complete range of Sensor3 racks are available, smaller venues
like schools and community theaters can also afford Sensor3 excellence.
Ion sports a generous programming keypad, dedicated encoders for non-intensity
parameter control, a grand master and blackout button, as well as a master split
fader. For more hands on control, Ion hosts up to six USB fader wings – the 1x20,
2x10 and 2x20 - for a total of 300 additional submasters with paging controls. The
desk can support one or two external high-resolution DVI monitors, which can also
be touchscreens.
Ion is available in five basic configurations –1024, 1536, 2048, 2560 or 3072 outputs.
Each of these versions supports channel numbering from 1 – 10,000. A networked
Ion system can support four discrete control inputs, including a combination of Ion
desks, Ion Remote Processor Units - for synchronised backup or stand-alone lighting
applications, Net3 Remote Video Interfaces or PC’s running the Eos Client Software.
Remote control is also provided with the Net3 Radio Focus Remote.
Modularity means configurability: mix and match the modules in the racks according
to your particular fixture inventory. Now with Sensor3’s new three-in-one ThruPower
modules, you can freely jump from Dimmable to Non-Dim, as well as lock a circuit to
a constant hot output override without changing modules. The compact design lets
you slide up to 48 modules for up to 96 circuits of 1.3kW, 2.3kW, 3.0kW, 5kW and
10kW dimming in and out of a single Sensor3 rack – without tools!
With CEM3 Power Control, your system is high performance, fast to set up and easy
to use! Quickly override levels with console-style numberpad entry. Take remote management even further with
Advanced Feature (AF) monitoring by providing circuitspecific information, such as load changes, lamp failures
or breaker trips directly to the control console.
•
Available in 1024, 1536, 2048, 2560 or 3072 output configurations
Our philosophy at ETC is “zero downtime!” Add the
optional backup stations for an easy, ‘off the network’
control backup solution for failure proofing. Additionally,
system backup is stored directly in the rack – which
means no setup during controller changes – and options
are available for secondary USB backups.
•
Dedicated master playback fader pair
Product Features
•
Dedicated grand master and blackout switch
•
12, 24, 36 and 48-module configurations
•
999 cue lists
•
1.3kW, 2.3kW, 3.0kW, 5kW and 10kW dimmers
•
200 active playbacks
•
Standard, enhanced, and high rise-time choices
•
300 submasters
•
•
4 x 1000 palettes (Intensity, Focus, Colour, Beam)
Front-access installation with easily accessible
line, load and control terminations
•
1000 presets, effects and macros
•
Dual processors for redundant tracking
•
4 pageable encoders
•
Direct Ethernet control-signal input and two
DMX512 inputs
•
Channel summary or table views, user configurable in live/blind
•
•
Blind spreadsheet views
Standard system- and rack-monitoring with
diagnostic reporting
•
Offline programming on PC (Windows 7 or XP) and native on Macintosh (OS X
Power PC or Intel)
•
Advanced Features (AF) option records and
monitors circuit-specific load information
•
Data import from ETC Obsession, Express/Ion, Emphasis, Congo and Strand
Show files via ASCII
•
CE-compliant
•
Show file compatibility with Eos and Element
•
Client/server networking and synchronised backup
Product Features
Sensor3 CE Installation Racks 48
Elegant, highly intuitive and simple to use, Ion will satisfy the needs of beginners and
pros alike. But you don’t need a PhD in Ion to use it! Start with the everyday (channel
5 at full) and let the full potential of Ion – like the powerful effects package, marking
and timing functions – unfold with your experience.
31
Broadcast Lighting
Desire: Studio LED Fixtures
Studio HD
Studio Tungsten and Daylight
Broadcast lighting designers no longer have to compromise when it comes to LED
lighting. ETC designed the Studio HD luminaires to generate spectrally balanced white
light for high definition uses. The fixtures combine warm and cool white LEDs with five
coloured LED emitters to provide Kelvin adjustable white light. And Studio HD arrays
give you the ability to vary the tint of your lighting. Easy green and magenta tint control
allows for superior colour balancing. The high brightness light produced by the Studio
HD luminaires makes talent look great on camera or in person and beautifully renders
the colour of sets and clothing. Studio HD arrays mean easy lighting for television
and film applications.
Desire Studio Tungsten and Studio Daylight luminaires feature new, all-white Luxeon
Rebel Energy Saving LEDs to create more light with less energy. The emitters are
balanced evenly to replicate HMI daylight or tungsten fixtures’ light production, while
using only 140 watts of power.
ETC crafted the Studio Daylight arrays with a select range of cool white LED emitters,
so the luminaires produce a large quantity of daylight white-light without drawing as
much power as HMI fixtures. With a colour temperature of 5,600K, the Studio Daylight
fixtures work well with arc-based automated lighting that already has a high colour
temperature. Use Studio Daylight luminaires on the set to mimic the beautiful, natural
look of daylight.
A stand-in for power-hungry tungsten units at studio applications, Desire Studio
Tungsten luminaires combine warm-white emitters to produce stunning, warmspectrum light. The fixtures use a fraction of the energy needed to run conventional
tungsten sources, and can be used wherever you need a fill of warm white colour.
Outputting a colour temperature of 3,200K, Studio Tungsten illuminators can be used
alongside tungsten fixtures or replace them completely.
Source Four: LED Fixtures
32
Source Four CE LED Tungsten
Source Four CE LED Daylight
Source Four LED Studio HD
An LED luminaire that perfectly emulates tungsten light
The look of daylight… from an LED source
The camera loves you when you’re lit by Studio HD.
Source Four LED Tungsten fixtures give you the look of tungsten
from a highly efficient, low-power LED source. With the soul of
a Source Four, the Source Four LED Tungsten luminaires create
pure, warm-white light.
Source Four LED Daylight luminaires produce beautiful
light that mimics natural daylight. They provide the same
functionality as other fixtures in the Source Four family, with
a low-power, high-efficiency output of cool white light.
The more spectrally-complete the white light -- the more
finely tuned to the on screen talent, for the highest-quality
colour rendition in video, broadcast, and film production.
The Studio HD combines impressive light output with
the most flexible, variable white light, for more accurate
colour performance on camera. The Studio HD’s unique
recipe of LED colour blending pleases the most discerning
professional.
The Jands HPC dimmer range integrates both dimming and high current full-on and
full-off contactor-type elements for each channel to create a power control product
that can be used to control any type of mains load.
Relay operation is dependent upon the channel mode as set by the operator i.e. Off,
Dimmer, Switch, or On. Additionally the appropriate relay/s will operate if the dimmer
drive level is at full or off for more than 1 minute, maximising system efficiency and
safety. You can now connect a dimmer per outlet in your lighting system and without
the need for patching and be able to deliver high quality dimmed power or clean mains
from each socket as required. The adaptability of the HPC series is not limited to the
output mode however as it is fully capable of operating under a variety of conditions
and in a range of configurations.
The HPC will operate from a 100 to 240VAC supply with various rise time options,
single Triac or dual SCR switching devices, various channel current ratings, and with
a variety of output connectors. Additionally the Hi Rise Time variant of the HPC may
be optionally fitted with an RCD protection device per channel ensuring maximum
safety. All models may be powered from two phase power supplies while maintaining
equal numbers of channels per phase, and will operate from mains power supply
frequencies of between 40 and 66Hz with no setting changes. Remote dimmer
configuration and monitoring via RDM is incorporated for those who want to work
at a distance.
Broadcast Lighting
HPC: Dimmers
Product Features
•
Mains Voltage – 90 to 264v Phase to Neutral
•
Mains Frequency – 40-66Hz
•
Operating Temp -0-40 Degrees C Ambient
•
Output Risetime 220 or 470uS, 10-90%
•
Dissipation <1.0% of output load
•
Power rating 10A per channel
DMX: Nodes
Building an Ethernet-based network that utilises Pathport nodes for DMX integration
provides a number of significant advantages over conventional DMX distribution
solutions.
Product Features
•
Single, 2, 4 or eight port nodes
•
Provides a robust and modern Ethernet-based backbone for sending lighting
data
•
Portable, fixed install, rack-mount and IP rated Touring models
•
Address up to 64000 universes depending on the protocol chosen
•
Seamless integration between Ethernet-based and DMX-based lighting devices
is easily achieved
•
Support for Strand Shownet, ETCNet3 (SACN), Ki-Net, ArtNet and Pathport
Protocols
•
Any universe of DMX data can be sent to any node with no hard DMX
re-patching required
•
POE or Auxiliary power
•
Multiple DMX-over-Ethernet protocols are supported allowing seamless cross
manufacturer compatibility
•
DMX routing on a universe or channel by channel basis, merged and or
prioritised
•
Simple star topology layout and reduced cabling costs
33
Broadcast Lighting
Studio Force: LED Fixtures
Studio Force D 12
Studio Force D XT 12
Extreme Output Daylight White Phosphor LED Fixture
Ultra Bright Daylight White LED Fixture
Utilising the same core technologies as the innovative Chroma-Q™ Color Force™ 12
multi-purpose LED fixture, the new Studio Force™ D 12 is a 6,100K CCT, daylight
white version that is specifically designed for TV, film, touring, exhibitions, corporate
events and theatre lighting applications. At only 300mm / 1ft* long, the unit is ideal
for floor, wall or truss mounting. It also provides an extreme output of 6,000 lumens
for evenly washing large areas, complemented by smooth, theatrical grade dimming.
Utilising the same core technologies as the innovative Chroma-Q™ Studio Force™ D
12 daylight white LED fixture, the new Studio Force D XT 12 is an ultra bright, higheroutput version that provides a blistering 15,000 lumens output. Specifically designed
for TV, film, touring, exhibitions, corporate events and theatre lighting applications,
the Studio Force D XT 12 is perfect for evenly washing large areas, complemented by
its smooth, theatrical grade dimming. At only 335mm / 1ft* long, the unit is ideal for
floor, wall, stand or truss mounting.
*Measurements may have been rounded, please see specification sheet for full
measurements.
Also available Studio Force V 12 and Studio Force T 12.
*Measurements may have been rounded, please see specification sheet for full
measurements.
Product Features:
Product Features:
•
6,100K CCT daylight white
•
6,100K CCT (+/-200k) daylight white
•
Extreme output - 6,000 lumens
•
Extreme output – up to 15,000* lumens
•
Extremely smooth uniform wash
•
Extremely smooth, uniform wash
•
Theatrical grade dimming
•
Theatrical grade dimming
•
Ideal for TV, film, touring, exhibitions, corporate events and theatre
•
Ideal for TV, film, touring, exhibitions, corporate events and theatre
•
335mm / 1ft* length ideal for floor, wall or truss mounting
•
335mm / 13.2” length ideal for floor, wall or truss mounting
•
PowerCon input and output for easy daisy chaining of fixtures
•
Camera friendly
•
Broad range of accessories available, including lightbank kit and barn door
•
PowerCon input and output for easy daisy chaining of fixtures
•
Hidden quick release fixings
•
Broad range of accessories available, including lightbank kit and barn door
•
Flat end plates for seamless wall-washing
•
Built-in power supply
•
Hidden quick release fixings
•
Rugged extruded aluminium body
Studio Force V 48 / 72
34
Extreme Output Variable White LED Battens
Product Features:
Utilising the same core technologies as the innovative Chroma-Q™ Color Force™ LED
battens range, the new Studio Force™ V 48 & 72 models are 3,000K - 6,100K CCT
variable white versions featuring laboratory calibrated 3200°K and 5600°K presets
that are specifically designed for TV, film, touring, exhibitions, corporate events and
theatre lighting applications. With an extreme output of up to 25,400 lumens, the
battens evenly wash large areas, complemented by smooth, theatrical grade dimming.
•
3,000K - 6,100K CCT variable white
•
Extreme output - 16,900 lumens (48) / 25,400 lumens (72)
•
Extremely smooth uniform wash
•
Theatrical grade dimming
•
Ideal for TV, film, touring, exhibitions, corporate events and theatre
Also available are the Studio Force D 48 / 72 Daylight White LED Battens.
•
PowerCon input and output for easy daisy chaining of fixtures
•
Optional cyc and border light lens media accessories
•
Hidden quick release fixings
Studio Force D 12 Phosphor
Extreme Output Daylight White Phosphor LED Fixture
Product Features:
The new Chroma-Q™ Studio Force D Phosphor™ is a 5,600K CCT, daylight white
fixture which utilises innovative LED technologies found in the Studio Force™ range
to provide an equivalent soft edge output to a fluorescent fixture - up to 7,000 lumens
- developed specifically for use in TV, film and broadcast studio environments. Other
features include an extremely smooth uniform wash, extra soft beam, theatrical grade
dimming, laboratory calibration to match Black Body Locus. Designed for practicality,
the unit is equipped with a manual control mode, colour touch screen interface,
fanless, studio & full modes for maximum control of the units and a range of optional
accessories.
•
5,600K CCT daylight white
•
Extreme output – up to 7,000 lumens
•
Extra soft beam – very wide output
•
Extremely smooth, uniform wash
•
Theatrical grade dimming
•
Ideal for film and studio applications
•
Factory calibrated to match Black Body Locus
•
335mm / 13.2” length ideal for floor, wall or truss mounting
•
Camera friendly
•
PowerCon input and output for easy daisy chaining of fixtures
•
Broad range of accessories available, including barn door and spigot adaptor
•
Fanless, studio & full control modes
•
Intuitive colour touch screen interface
•
Flat end plates for seamless wall-washing
•
Built-in power supply
•
Hidden quick release fixings
•
Rugged extruded aluminium body
Also available is the Studio Force V Phosphor Variable White.
Broadcast Lighting
Studio Force: LED Fixtures
AutoLED II: LED Fixture
AutoLED II
Ultra Bright Daylight White LED Moving Light
Utilising the same core technologies as the innovative Chroma-Q™ Studio Force D XT
12™, the new AutoLED II™ is a 6,500K* CCT daylight white LED moving head fixture
that boasts an extreme 16,430* lumens output for ultra bright, long distance throw;
a high CRI; and a smooth linear dimming curve. Specifically designed for providing
precise daylight illumination of motor industry tradeshows, fashion events and retail
environments, the AutoLED II incorporates DMX control, allowing it to be operated
from any DMX enabled lighting console – saving time, energy and manpower when
rigging, focusing and cabling fixtures.
Product Features:
•
6,500K* CCT (+/-200K) Daylight White
•
Extreme output – up to 16,430* lumens
•
High CRI
•
Precise daylight illumination
•
Energy-efficient LED light source
•
Extremely smooth, uniform wash
•
Theatrical grade dimming
•
Ideal for tradeshows, fashion & retail events, broadcast & performance
applications
•
16-bit pan & tilt movement
•
Camera friendly
•
Comes supplied with louver accessory
•
Optional beam shaper kit accessory available
•
Built-in power supply
35
Broadcast Lighting
VLX: Moving Head LED Wash
The VARI*LITE® VLX Wash Luminaire is the next generation of solid-state lighting
from the company that started the revolution in automated lighting. The VLX wash
gives you all the benefits of LED technology and the best visual performance
characteristics of traditional automated luminaires. VLX offers stunning colours
and intensity, multi-year source life and high reliability. Combined with low energy
consumption and maintenance costs, the VARI*LITE® VLX wash series resets the bar
for all other LED fixtures.
Domino 1000: Cyclorama Units
For over 40 years Italian manufacturer Spotlight has been supplying quality luminaires to
the professional stage and broadcast markets.
The DOMINO 1000 is a modular, asymmetrical floodlight that delivers uniform washes
to cycloramas both from above (suspended) or below (as a groundrow). The modular
design means the Domino can be configured for use in square, or linear multiple units,
where a single element can be independently focused in the vertical plane.
Mechanics
•
The shape of the DOMINO 1000 and its exclusive spring locking system allow fast
and accurate focusing, both from the stage floor and overhead. The absence of
knobs on the sides of the unit allows the source of the light to be homogeneous
when several units are used side by side.
Cooling
•
The “labyrinth” system used for this equipment allows excellent ventilation of
both gels and housing, while ensuring no spill from the body even in the darkest
conditions.
Safety
•
A wire grid protects the lamp and stops it from falling if it breaks. This grid also
ensures that the colour filters cannot suffer from accidental damage. All electrical
parts are resistant to high temperatures. The power cable is toughened silicon
insulated with flame resistant outer sheathing, according to CEI safety regulations.
Optics: the asymmetrical curve of the reflector has been specially designed to give
maximum output and uniformity in the vertical plane. The mirrored sides increase the
sideways spread of the light thus ensuring a better colour mix when using adjacent units.
36
Product Features
•
Intensity Control: Smooth, high resolution dimming control of R, G, B, and W
LED’s.
•
Colour Mixing System: Seven x 120 watt, replaceable custom RGBW LED
chipsets. Each chipset contains high density red, green, blue, and white LED
emitters.
•
Zoom Optics: Patented optical zoom system with continuously variable field
angle from approximately 23° to 58°. (Zoom module is easily removable for
fixed field angle of 22°.)
•
Strobe: High speed with multiple strobe effects.
•
Pan and Tilt: Smooth, time-controlled continuous motion by way of a pair of
three-phase stepper motor systems.
•
Range: Pan - 540°, Tilt - 270°.
•
Accuracy: 0.3° resolution.
•
Source: Seven x 120 watt, replaceable custom RGBW chipsets.
•
Colour Temp. White: Variable between approximately 3000 and 9000 Kelvin.
•
CRI: Dynamically adjustable.
•
Manufacturer Rated Life: In excess of 10,000 hours (at full RGBW).
•
Output: Approximately 14,000 lumens (white light).
•
Power Requirements: Standard AC power distribution from 100-240VAC,
50/60Hz.
•
Operational Temperature: -20° to 122°F (-29° to 50°C).
•
Cooling: Variable forced air cooling.
•
DMX Control: Completely compatible with a wide variety of DMX512 lighting
control consoles. 23 channels. 5-pin in and thru DMX.
•
Mounting Position: May be mounted and operated in any orientation.
•
Spacing: Hangs on 22 inch (55.9 cm) centres.
•
Weight: 62 lbs. (28 kg) with included pair of hanging rails.
JLX-LITE - The Economical, Flexible Fixed Install System
The Jands JLX-LITE is a lighting bar system that has been designed for cost effective ease
of installation in fixed applications such as school halls, clubs, ballrooms and exhibition
spaces.
Broadcast Staging
Lighting: Bars
In a neat ready-to-go package, the Jands JLX-LITE features standard 10 amp 240V outlets
on one side and optional DMX outlets on the other, making it versatile enough to handle both
your conventional theatrical fixtures or moving lights, as well as LED fixtures.
The most innovative feature of the Jands JLX-LITE however is the segregated cable path in
the base plate, allowing you to run both power and data along the bar, avoiding electrical
interference and guaranteeing compliance with Australian electrical regulations. This
ensures your lights behave properly and your safety remains paramount.
A generous distribution of a variety of fixing holes means that the JLX-LITE can be either
flush mounted to the ceiling or suspended when using industry standard threaded rod. This
helps the bar blend into the room, particularly when you have the options of standard black,
or a white that can also be painted into any desired colour.
The Jands JLX-LITE is available in either 2m or 3m lengths with an underhung 48.4mm OD
tube, and has a distributed load of 50kg/m (max) or an individual point load of 50kg (max).
The Jands JLX-LITE is designed to be installed by a licensed electrician.
JLX-PRO - Modular Pre-Wired Bars for Heavy Duty Systems
The Jands JLX-PRO is a modular pre-wired lighting bar designed for venues that also
contain motorised fly systems and require an adaptable system. They are designed
specifically for professional applications such as theatres, convention centres and
Houses of Worship.
A range of pre-wired multi core cable options are available, and the allowance for
Socapex style connectors is perfect for venues that move flown lighting bars and
circuits around frequently.
The JLX-PRO Lighting Bar is rated to carry distributed loads of (up to) 100kg/m and
point loads of (up to) 100kg, depending on installation or rigging configurations. Three
module lengths (2.35m, 3.5m and 4.7m) and three outlet densities (low, medium and
high) provide for customised solutions using standardised building blocks.
The JLX-PRO features a central load bearing extrusion with aluminium side panels,
forming two mechanically and electrically segregated wiring compartments. Top and
bottom strut channels accept accessories for fixing to wire ropes, chains, RHS or
pipe battens and fixed supports. They are fitted with Jands SB Plates, which allow
installation of Extra Low Voltage services on the “reverse” side of the lighting bar.
The Jands JLX-PRO Lighting Bar is designed to comply with the electrical
safety requirements of AS3100 and is also designed for use as a lifting beam to
AS4991:2004, Classification C2.
Jands recommend professional advice be sought for applications requiring
motorised lighting bars.
SLX-100 - The Ultimate ‘Out of the Box’ Motorised
Lighting Bar Solution
The Jands SLX-100 Motorised Lighting Bar is an innovative self contained hoist
system for schools, television studios, media venues, theatres and other performance
or corporate spaces.
This all-in-one system provides an extremely cost effective, quick and easy solution
to having a motorised lighting bar in your venue.
Noise levels are so important in any performance environment, so the SLX-100
boasts a quiet operation adhering to requirements of the strictest settings, with a
design ensuring smooth acceleration and deceleration even under an emergency stop
or power failure conditions.
Safety is paramount with the system featuring a dynamically irreversible gearbox
and patented safety catch adhering to the highest levels of German Safety Standard
BGV-C1 and tested to AS/NZS 3100.
Overload and underload sensing is provided, with a gimballed design of the hoist
support system. An integrated energy chain cable management system reticulates
the cabling from the lighting bar up to ceiling level.
37
Broadcast Staging
VAB-6 MKII: Acoustic Banner System
VAB-6 MKII – Self Contained Acoustic Banner System
Have you ever needed to dampen the acoustics of your venue? The Jands VAB-6 MKII
is the solution to your problem!
The Jands VAB-6 MKII acoustic banner system is a self contained, modular,
motorised sound control banner. It is designed for simple installation in venues where
adjustment of the acoustic characteristic is often required. The VAB-6 MKII consists
of a motorised drive module and banner containment pelmet that enables the unique
sound absorbing banner to be deployed to any height within the available 6 metres.
When not required the banner can be rolled up to store discretely in the containment
pelmet.
The Jands VAB-6 MKII provides optimal acoustic performance through two layers of
a custom-woven fire retardant 650gsm wool fabric, with 90mm separation between
fabric surfaces.
The standard fabric colour is black, with other colours available upon request. The
banner is 1500mm wide.
Up/Down switches (not supplied) are used to lower the banner to the desired length
and then raise it when not in use. Where multiple units are installed to control the
acoustics of one room, multiple sets of switches are required. An optional group
control system is available if required.
Dynamic Stag e Te c h n olog y
Movecat develops and manufactures chain hoists and
controllers in Germany with the highest standards of safety
and functionality. Movecat products are suitable for the most
critical applications such as operation in TV studios, where
safety and versatility are key required features.
Now distributed by
38
The things that make Jands theatrical drapes stand out from the rest can be
summarised in four words: elegance, reliability, longevity, safety.
Where other drapes will lose their colour, begin shredding threads or start to become
transparent, Jands curtains retain their original look and feel for far longer. Why?
Because we only choose the best-quality materials and the colour most suited to
your venue, then expertly sew and hang the drapes to ensure they retain their original
condition for as long as possible. We take great pride in our ability to design and
install theatrical drapes so they have the longest possible life.
All Jands drapes are manufactured with fire safety* as a first priority. We only build
safe drapes, and what other kind would you want?
Jands Curtain Tracks, (“JH” Heavy Duty and “JT” Medium Duty) have become
industry standards over the past 15 years. The range enables any theatrical or public
space to be equipped with a robust and long lasting tracking system. Utilising “JS”
accessories, compound curves and very long runs can be easily assembled
Broadcast Staging
Drapes and Tracking
*For theatrical drapes, current BCA Regulations require compliance with AS 1530
Part 3 (pertaining to spread of flame and smoke developed indices) and for NSW,
additionally, compliance with AS 1530 Part 2 pertaining to the flammability index.
Please note that fabrics used for non-curtain wall treatments now require compliance
with other standards. Contact Jands for further details.
Whether you need winches for your lighting grid,
drapes or cycloramas for your studio,
Jands can do it all.
www.jands.com.au/staging
Complete Staging Solutions – Nationwide.
39
Over the past 40 years, Jands has become known as Australia’s premier
supplier of high quality audio, lighting and staging products. These
products are found world-wide in applications where excellence is
paramount.
Jands designed and manufactured dimmers and lighting control
equipment enjoy an international reputation for innovation and
reliability. The Staging division at Jands supplies solutions to the
challenges of providing high quality theatrical presentations.
Best Products, Best Solutions, Jands.
Distributed by Jands Pty Ltd ABN 45 001 187 837
Sydney
40 Kent Road • Mascot NSW 2020
Ph: (02) 9582 0909 • Fax: (02) 9582 0999
Melbourne
Unit 11/21 Sabre Drive • Port Melbourne VIC 3207
Ph: (03) 8698 0909 • Fax: (03) 8698 0994
www.jands.com.au • email: info@jands.com.au
Information in this document is subject to change without notice and
does not represent a commitment on the part of the vendor. Jands
Pty Ltd shall not be liable for any loss or damage whatsoever arising
from the use of information or any error contained in this document.
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