Cloud CX263 manual

CX263
ZONE MIXER
Installation and User Guide
CX263 Installation and User Guide v1.2
Contents
SAFETY INFORMATION.............................................................................................................. 4
Important Safety Instructions...................................................................................................................................... 4
Conformities.................................................................................................................................................................... 4
Safety Considerations and Information..................................................................................................................... 5
OVERVIEW...................................................................................................................................... 6
Introduction..................................................................................................................................................................... 6
What’s in the box........................................................................................................................................................... 6
Main Features................................................................................................................................................................... 6
BLOCK DIAGRAM......................................................................................................................... 7
DESCRIPTION OF FRONT PANEL............................................................................................. 7
DESCRIPTION OF REAR PANEL................................................................................................ 8
INSTALLATION.............................................................................................................................. 9
Hardware Considerations............................................................................................................................................ 9
Power Supply................................................................................................................................................................... 9
Fuses and ratings.......................................................................................................................................................... 9
System Connections...................................................................................................................................................... 9
Music Sources............................................................................................................................................................... 9
Microphone inputs.................................................................................................................................................... 10
Zone Outputs............................................................................................................................................................ 10
Music Control............................................................................................................................................................ 10
Music Mute.................................................................................................................................................................. 11
SETTING UP & OPERATION..................................................................................................... 12
Music Inputs................................................................................................................................................................... 12
Gain & level................................................................................................................................................................. 12
Local/remote control................................................................................................................................................ 12
Music EQ..................................................................................................................................................................... 12
Microphone Inputs....................................................................................................................................................... 13
Phantom Power.......................................................................................................................................................... 13
Gain & level................................................................................................................................................................. 13
Paging Access Control.............................................................................................................................................. 13
EQ................................................................................................................................................................................. 13
High-pass filter........................................................................................................................................................... 13
Zone Outputs................................................................................................................................................................ 14
EQ................................................................................................................................................................................. 14
Priorities......................................................................................................................................................................... 14
Line 6 priority............................................................................................................................................................. 14
Microphone 1 priority.............................................................................................................................................. 14
Mic-over-Music priority............................................................................................................................................ 14
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CX263 Installation and User Guide v1.2
OPTIONS AND ADDITIONAL INFORMATION..................................................................... 15
CDI-S200 Serial Interface Card................................................................................................................................. 15
RL-1 Series and RSL-6 Series remote control plates – general considerations.............................................15
Control of music source and level via external DC.......................................................................................... 16
Music level................................................................................................................................................................ 16
Music source............................................................................................................................................................ 17
Fitting loudspeaker EQ cards..................................................................................................................................... 17
APPENDIX.................................................................................................................................... 18
Application example..................................................................................................................................................... 18
PCB jumper location and settings............................................................................................................................. 19
Ground loops................................................................................................................................................................ 20
EMC considerations..................................................................................................................................................... 20
Technical Specifications............................................................................................................................................... 21
CX263 Installation and User Guide v1.2
3
Safety Information
Important Safety Instructions
Read these instructions.
• Keep these instructions.
• Heed all warnings.
• Follow all instructions.
• Do not use this apparatus near water.
• Clean only with dry cloth.
• Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
• Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
• Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If
the provided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete outlet.
• Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
• Only use attachments/accessories specified by the
manufacturer.
• Use only with the cart, stand, tripod, bracket, or
table specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when moving
the cart/apparatus combination to avoid injury from tipover.
• Unplug this apparatus during lightning storms or when
unused for long periods of time.
• Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed to
rain or moisture, does not operate normally, or has
been dropped.
WARNING:
To reduce the risk of fire or electric shock, do not expose this
appliance to rain or moisture.
CAUTION:
Use of controls or adjustments or performance of procedures
other than those specified may result in hazardous radiation
exposure.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING: SHOCK HAZARD - DO NOT OPEN
AVIS: RISQUE DE CHOQUE ÉLECTRIQUE - NE PAS OUVRIR
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CX263 Installation and User Guide v1.2
The lightning flash with the arrowhead symbol within
an equilateral triangle, is intended to alert you to the
presence of uninsulated dangerous voltages within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the appliance.
Un point d’exclamation dans un triangle équilatéral est destiné
à alerter l’utilisateur de la présence d’instructions importantes
sur le fonctionnement et l’entretien (la réparation) dans la
documentation accompagnant l’appareil.
The mains plug is used as the disconnect device and it
should remain readily accessible during intended use. In
order to electrically isolate the apparatus from the mains, the
mains plug should be completely removed from the mains
outlet socket.
La prise du secteur ne doit pas être obstruée ou doit être
facilement accessible pendant son utilisation. Pour être
complètement déconnecté de l’alimentation d’entrée, la prise
doit être débranchée du secteur.
Meaning of the label: Evaluation for apparatus only
based on temperate climate condition, therefore it’s
the only operating condition applied for the
equipment .There may be some potential safety hazard if the
equipment is used in tropical climate region.
L’évaluation pour les appareils est basée dans une condition
climatique tempérée, donc c’est la seule condition de
fonctionnement à appliquer pour l’appareil. Il peut y avoir un
risque potentiel pour la sécurité si l’équipement est utilisé
dans une région climatique tropical.
Meaning of the label: Evaluation for apparatus only
based on altitude not exceeding 2000 m, therefore
it’s the only operating condition applied for the
equipment .There may be some potential safety hazard if the
equipment is used at altitude above 2000 m.
L’évaluation pour les appareils est basée uniquement sur une
altitude inférieure à 2000 m, donc c’est la seule condition de
fonctionnement à appliquer pour l’appareil. Il peut y avoir un
risque potentiel pour la sécurité si l’équipement est utilisé
avec une altitude au-dessus de 2000 m.
Conformities
This product conforms to the following European EMC
Standards: BS EN 55103-1:2009, BS EN 55103-2:2009
This product has been tested for use in commercial
and light industrial environments. If the unit is used
in controlled EMC environments, the urban
outdoors, heavy industrial environments or close to railways,
transmitters, overhead power lines, etc., the performance of
the unit may be degraded.
The product conforms to the following European electrical
safety standard: BS EN 60065:2012
Safety Considerations and
Information
The unit must be earthed. Ensure that the mains power
supply provides an effective earth connection using a threewire termination.
CAUTION – High Voltages
Do not touch any part or terminal carrying the hazardous live
symbol
while power is supplied to the unit.
Terminals to which the hazardous live symbol refers require
installation by a qualified person.
CAUTION - Mains Fuse
Replace the mains fuse only with the same type and rating as
marked on the rear panel.
Fuse type:
T1AH 250 V
Fuse rating:
1A
Fuse Size:
20 mm x 5 mm.
CAUTION – Servicing
The unit contains no user serviceable parts. Refer servicing to
qualified service personnel. Do not perform servicing unless
you are qualified to do so.
Disconnect the power cable from the unit before removing
the top panel and do not make any internal adjustments with
the unit switched on.
Only reassemble the unit using bolts/screws identical to the
original parts.
CX263 Installation and User Guide v1.2
5
OVERVIEW
Introduction
The Cloud CX263 is a 1U rack-mounting, three-zone
audio mixer intended for use in multi-purpose areas where
simple control of high-quality background music needs to be
combined with a range of paging options.
The CX263 independently mixes any one of six stereo line
inputs with one or two microphone inputs for each zone
output. Separate controls for music and mic levels in each
zone are provided, and music source selection and level
may be controlled remotely if wished, either using standard
Cloud remote control plates, or from an AV control system
(e.g., Crestron, AMX, etc.)
The mixer may be configured to operate with most paging
systems: Mic 1 input may be activated by voice (VOX) or
short-to-ground access connections, and may be set to have
priority over Mic 2; additionally, Line Input 6 may have priority
over any other selected to facilitate connection of a juke box,
digital sound store or similar device.
A Music Mute input is provided to allow external systems
such as fire alarm panels to disable background music in the
event of an emergency.This is a function that may be required
by Local Authority regulations.
A Serial Interface Card (the CDI-S200) is available as an
option, which permits control of most unit functions via
RS-232C. Optional plug-in EQ cards may be fitted to any or
all zone outputs to optimise the CX263 for use with various
installed-audio loudspeakers.
What’s in the box
Unpack the CX263 and its accessories with care. It is always a
good idea to store all packaging (if practical), in case you ever
need to return the unit to your Cloud dealer for any reason.
As well as this manual, the shipping carton should contain
the items listed below. Please contact your Cloud dealer
immediately if any of them are missing or damaged.
• Cloud CX263 Zone Mixer
• Anti-tamper cover for front panel Mic EQ controls
• IEC mains lead (AC cord) with moulded plug appropriate
to the territory
• Set of mating connectors for all rear panel screw-terminal
connectors
Main Features
• Provides music and paging in three zones
• Front panel controls for music source, music level and
Mic 1/Mic 2 level in each zone
• Six (unbalanced) stereo line inputs with individual gain
controls
• Two balanced mic inputs – 12 V phantom power
available on either or both
• 100 Hz hi-pass filter on both mic inputs
• Sensitivity (rear panel) and HF/LF EQ adjustment (front
panel) for each mic input
• Three electronically-balanced zone outputs, one stereo,
two mono
• HF/LF music EQ adjustment on each zone output
• Paging priority control on Mic 1 input via short-toground access connection or VOX triggering
• Mic 1 may be selected to have priority over Mic 2
• Selectable Line Input 6 priority, per zone, with choice of
release times
• Music Mute control input (N/O or N/C) for interface to
emergency system
• Compatible with standard Cloud remote control panels:
RL-1 (music level) and RSL-6 (music level and source
selection)
• Optional Serial Interface Card for RS-232 remote
control
• Optional Loudspeaker EQ cards (per-zone)
• 1U 19” rack mounting unit
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CX263 Installation and User Guide v1.2
Block Diagram
Description of front panel
8
8
7
6
1
2
3
4
1
2
3
4
1
2
3
4
5
1. SOURCE – selects one of the Music Inputs (Line 1 to Line 6) for each Zone. See “Music Inputs” on page 12.
2. MUSIC LEVEL – adjusts the level of the selected Music input in each Zone. See “Gain & level” on page 12.
3. MIC 1 LEVEL – adjusts level of Mic input 1 in each Zone. See page 13.
4. MIC 2 LEVEL – adjusts level of Mic input 2 in each Zone. See page 13.
5. MICROPHONE EQ – preset controls adjusting HF/LF EQ for each Mic Input. See “EQ” on page 14.
6. MUSIC MUTE – indicates (red) when external Music Mute is active. See “Music Mute” on page 11.
7. POWER – Green LED, confirms power is applied to the unit.
8. Rack mounting ears – the unit may be rack-mounted in a standard 19” equipment rack. It requires 1U of rack height.
See “Hardware Considerations” on page 9.
CX263 Installation and User Guide v1.2
7
Description of rear panel
10
4
3
9
8
10
9
2
8
10
9
8
11
6
1
5
7
12
14
13
1. LINE 1 to LINE 6 – six pairs of RCA (phono) sockets for connection of music sources with unbalanced outputs.
Inputs are stereo, summed internally to mono for Zones 2 and 3. See “Music Sources” on page 9.
2. GAIN 1 to GAIN 6 – gain trims for each line input.
3. MIC 1 and MIC 2 – two balanced mic inputs. Mic 1 can be used for connection of paging microphones.
See “Paging Access Control” on page 13.
4. GAIN 1 and GAIN 2 – gain trims for each mic input. See “Gain & level” on page 13.
5. OUTPUTS 1 to 3 – three balanced Zone outputs: Zone 1 is stereo, Zones 2 & 3 are mono. See “Zone Outputs” on
page 10.
6. Zone LF/HF – preset controls for EQ adjustment in each Zone. See “EQ” on page 14.
7. MIC 1 ACC – external paging control input for MIC 1. See “Paging Access Control” on page 13.
8. Z1, Z2 & Z3 REMOTE – for connection of RL-1 or RSL-6 remote control plates. See “Music Control” on page 10.
9. FR/REM – three switches disabling front panel controls for each Zone when remote control is in use.
See “Local/remote control” on page 12.
10. DIG/AN – three switches enabling operation of the optional CDI-S200 Serial Interface Card.
11. SERIAL INTERFACE CARD – optional CDI-S200 card with 9-pin Dsub connector. A blanking panel is fitted when
the card is not installed.
12. MUSIC MUTE – Emergency control input for muting music source. See “Music Mute” on page 11.
13. IEC mains input
14. Mains fuse
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CX263 Installation and User Guide v1.2
INSTALLATION
Hardware Considerations
The CX263 Zone Mixer is built in a 1U-high 19” rack mount
enclosure. It is recommended that the Zone Mixer is installed
in a 19” rack wherever possible. The unit is approx. 150 mm
deep, but 250 mm of rack depth should be available to allow
for rear connectors and cabling.
The CX263 has low power consumption and there should
be no thermal problems. Other equipment may be installed
above or below the CX263.
If it is necessary to connect an item of source equipment
with a balanced output, the ideal method is to use a balancing
transformer between the source and the unbalanced input.
Suitable audio transformers, which should have a ratio of 1:1,
are readily available from major audio component suppliers.
The transformer(s) should be mounted as close to the Zone
Mixer as practical, and housed in a screened enclosure if
they are not individually screened. The preferred connection
method is shown below.
Balanced outputs (XLRs):
pin 1 ground
pin 2 hot
pin 3 cold
The choice of location will be dictated by the specifics of the
system and building layout. It is recommended that wherever
possible, the CX263 should be mounted in an equipment rack
along with as many of the music sources (CD players, music
servers, TV receiver boxes, etc.) and audio power amplifiers
(driving the zone loudspeakers) as practical.
3
1
The CX263 is fitted with a Universal power supply which can
operate on mains voltages from 85 to 253 V. An IEC mains
cable with a plug appropriate for your country is supplied.The
unit’s power consumption is 10.3 W.
Fuses and ratings
The only user-accessible fuse is an AC mains fuse on the rear
panel. Only replace a fuse with one of exactly the same
type. The fuse rating is 1 A; the type is a T1A, size 20 x 5 mm,
with high breaking capacity.
2
-
-
+
+
SCN
SCN
LEFT
SCN
Unbalanced
inputs
SCN
Unbalanced
inputs
RIGHT
When deciding the Zone Mixer’s location, bear in mind that
access to it will probably be required even if a full complement
of remote controls is being fitted as part of the system, as
some adjustments can only be made on the mixer itself.
Power Supply
Audio balancing transformers
LEFT
3
1
2
-
-
+
+
SCN
SCN
RIGHT
If transformers are not available, a balanced source may feed
an unbalanced input directly as long as care is taken over how
the connections are made. A variety of design techniques are
in use to implement balanced outputs in audio equipment,
and some designs require different wiring protocols to others.
Installers are advised to check the manuals with each item
for guidance on how the outputs should be connected to an
unbalanced input.
However, the wiring method shown below will work in a large
number of cases:
-
3
2
1
Unbalanced
inputs
RIGHT
+
LEFT
SCN
System Connections
Music Sources
Connect the system’s various music sources to inputs
LINE 1 to LINE 6.The inputs are unbalanced,on standard RCA
jacks (phono sockets). All six inputs are stereo, with separate
L and R connectors. The channels are summed internally to
mono as they are fed to Zones 2 and 3, but remain separate
for the stereo Zone 1. If connecting a mono source with
only a single output, it may be connected to either the left
or the right input (but see “Zone Outputs” on page 10
re configuring Zone 1 for mono operation). The sensitivity
range available should allow most standard items of audio
equipment such as computers/tablets, music servers and
media receivers, etc., to operate at a satisfactory level.
SCN
LEFT
3
2
1
-
-
+
+
SCN
SCN
-
RIGHT
+
Balanced outputs (XLRs):
pin 1 ground
pin 2 hot
pin 3 cold
When using twin-and-screen
cable, join ‘cold’ to screen at
CX263 end
Provided the music source is adjacent to the Zone Mixer,
normal phono-phono (or 3.5 mm jack-to-phono) leads can
be used. Always avoid using pre-made leads of an unnecessary
length.
CX263 Installation and User Guide v1.2
9
Microphone inputs
Amplifiers with unbalanced inputs:
MIC 1 and MIC 2 inputs are intended for the direct
connection of microphones. They are electronically balanced
and transformerless with an input impedance of greater than
2 kohms and optimised for use with microphones of 200 to
600 ohms impedance. The screw terminal input connectors
should be wired thus:
If audio amplifiers with unbalanced inputs are being used
(e.g., hi-fi amplifiers), the following wiring should be adopted:
PIN
CONNECTION
1
Screen
2
Signal ‘-’ (cold)
3
SCN
SC
When using single-core cable,
don’t connect ‘cold’ at the
CX263
Signal ‘+’ (hot)
Each mic input may be routed to any of the zones in use,
at any level in each zone. All microphone announcements
automatically reduce the music level in that zone while the
announcement is in progress; MIC 1 input also has priority
over MIC 2 input (see “Mic-over-Music priority” on page
14 for full details.)
Zone Outputs
Connect the inputs of the power amplifiers feeding the
loudspeakers for each zone to the ZONE 1 (L & R),
ZONE 2 and ZONE 3 connectors. Note that Zone 1
output is stereo, while Zones 2 and 3 are mono; Zone 1
may be reconfigured to operate in mono by moving internal
PCB jumper J11 (see “PCB jumper location and settings” on
page 19). The outputs are balanced and will drive input
impedances down to 600 ohms. Nominal output level is
0 dBu (775 mV). The output is designed to drive professional/
industrial power amplifiers with balanced inputs (typically on
XLRs). In this case, wire as the diagram below. Note that the
screen can be left unconnected at the source end if earth
loops are a problem.
Balanced inputs
pin 1 ground
pin 2 hot
pin 3 cold
+
Unbalanced input (e.g. phono)
CX263 Balanced output:
pin 1 ground
pin 2 cold
pin 3 hot
+
3
2
1
When using twin-and-screen
cable, don’t connect the screen
at the amplifier end.
SCN
SC
+
Unbalanced input (e.g., phono)
Music Control
Like many other Cloud products, the CX263 allows remote
control of music level and source selection in each zone.
Cloud remote control plates from the RL-1 Series (music
level only) and RSL-6 Series (music level and source selection)
provide an elegant solution, though control via a DC voltage
from third-party systems is also possible (see “Control of
music source and level via external DC” on page 15).
Both types of remote control plate connect via the REMOTE
port for the relevant zone (see [8] on “Description of rear
panel” on page 8). This connector is a 3-pin 5 mm-pitch
screw terminal type.
Connecting an RL-1 Series remote control plate
Wire the remote control plate as shown below. Either
single-core screened or twin-and-screen cable may be used;
in the case of the latter, ignore one of the cores. Maximum
reliable cable run is 100 m.
(XLRs):
3
REMOTE LEVEL CONTROL WIRING
1
2
RL-1
+
SCN
SC
The screen connection at the
zone end may be omitted if it
helps reduce earth loops
SCN
3
2
1
+
3
2
1
Unbalanced microphones may be used by connecting pin 2
to pin 1 (cable screen) in the mating (male) screw-terminal
connector. 12 V phantom power is available, see “Phantom
Power” on page 13.
CX263 Balanced output:
pin 1 ground
pin 2 cold
pin 3 hot
CX263 Balanced output:
pin 1 ground
pin 2 cold
pin 3 hot
-
+
REMOTE
PORT
1
1
2
2
3
SINGLE-CORE SCREENED CABLE MAY BE USED
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CX263 Installation and User Guide v1.2
3
Before the RL-1 will operate, the zone’s REMOTE port must
be enabled by setting the adjacent FR/REM push-button
switch ([9] on “Description of rear panel” on page 8)
to REM (i.e., pressing it in). In this setting, the zone’s front
panel MUSIC LEVEL and SOURCE controls become
inoperative. As music source selection will still be required
from the mixer’s front panel when an RL-1 is in use, the REM
setting may be overridden for the source selection control only
by moving internal jumper J20 (Zone 1), J22 (Zone 2) or
J24 (Zone 3) on the internal rear sub-board. See “PCB jumper
location and settings” on page 19 for location of internal
jumpers.
The Mute input can be set to operate on either normally
open (N/O) or normally closed (N/C) contacts via an internal
jumper (see “PCB jumper location and settings” on page
19). The factory default setting is N/O, thus requiring a
short-circuit to be applied across the two pins of the
connector for muting to occur.
Visual indication of muting being activated is given by the
MUSIC MUTE LED on the front panel.
MUSIC MUTE
INPUT
1
Wire the remote control plate as shown below. Twin-andscreen cable should be used. Maximum reliable cable run is
100 m.
RELAY
Connecting an RSL-6 Series remote control plate
2
NORMALLY OPEN (N/O)
CONNECTION
REMOTE SOURCE & LEVEL CONTROL WIRING
1
2
MUSIC MUTE
INPUT
1
3
RSL-6
1
2
3
2
RELAY
REMOTE
PORT
NORMALLY CLOSED (N/C)
CONNECTION
USE TWO-CORE SCREENED CABLE
Before the RSL-6 will operate, the zone’s REMOTE
port must be enabled by setting the adjacent FR/REM
push-button switch ([9] on “Description of rear panel” on
page 8) to REM (i.e., pressing it in). In this setting, the
zone’s front panel MUSIC LEVEL and SOURCE controls
become inoperative.
Music Mute
External muting of music is available at the MUSIC MUTE
connector. National or Local Authority regulations governing
such systems may require that normal programme material
(i.e., music) should be muted in an emergency, to ensure that
any emergency messages are clearly audible.
The Music Mute input is on a 2-pin 5 mm-pitch screw-terminal
connector. It should be connected to the appropriate alarm
output on whichever building management system registers
the alarm (typically the Fire System). The alarm output must
be volt-free; if no such output is available, an intermediate
relay or other isolation device must be installed between the
alarm output and the Music Mute input.
CX263 Installation and User Guide v1.2
11
SETTING UP & OPERATION
The diagrams below summarise the options:
Music Inputs
Gain & level
To avoid dramatic changes in volume when switching between
sources, the CX263’s music inputs are provided with preset
gain trim controls ([2] on “Description of rear panel” on
page 8). These vary the input sensitivity from -17.8 dBu to
+6 dBu (approx. 100 mV to 1.5 V). When setting the system
up, play audio from all the sources in use and listen to them
one at a time in a convenient zone (preferably that in which
the mixer is located) at a reasonable volume. Taking a source
of “average” volume as the reference, the gain controls of
the others should be adjusted so that there is no appreciable
difference in volume between any of the sources. (With
a typical music source, setting the gain on its channel to
mid-way is a good starting point.) Note that consideration
may need to be given to the type of programme in use,
particularly if one or more sources are TV sound.
In normal operation, the music level in each zone is set
with the MUSIC LEVEL control on the front panel
([2] on “Description of front panel” on page 7). This
control will not be operative if the corresponding rear
panel FR/REM push-button is set to REM. When setting
the audio system up, set the gain controls (if any) on the
power amplifiers for each zone to minimum, then turn the
MUSIC LEVEL control on the mixer to maximum. Then
increase the zone volume by turning up the power amplifier
gain until it is as loud as will be required in normal use. This
method ensures that excessive volumes will not be possible
with the mixer’s operational controls.
Note that the setting of the MUSIC LEVEL control has no
effect on microphone or paging volume.
Local/remote control
If a zone has an RL-1 or RSL-6 Series remote control plate
connected, the rear panel FR/REM push-button must be set
to REM (button in) for the remote controls to be operative
and for the corresponding front panel controls to be disabled.
Zones without such plates should be set to FR (button out).
The settings of the internal PCB jumpers J20 (Zone 1),
J22 (Zone 2) and J24 (Zone 3) are also relevant; note that
these jumpers are located on the rear sub-board. The default
setting for each of these jumpers is SW.This means that music
source selection for the zone will be determined by the
zone’s rear panel FR/REM switch position: it will be via the
front panel SOURCE control when it is set to FR and via a
remote plate or other external control when it is set to REM.
If the internal jumper for the zone is moved to its alternative
setting of FR, the source selection will always be made with
the front panel control whatever is connected at the rear
panel or the setting of the FR/REM switch. If external control
of music level only (i.e., not source selection) is required, the
jumper for the zone should be set to FR and the FR/REM
switch to REM.
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CX263 Installation and User Guide v1.2
Music EQ
Treble and bass equalisation for the music signal in each zone
is provided via rear panel pre-set controls ([6] at “Description
of rear panel” on page 8). This allows the installer to tailor
the response of the Zone Mixer’s music channels to suit the
acoustics and loudspeakers in each zone.The EQ controls are
marked HF and LF; the HF control has a range of ±10 dB at
10 kHz and the LF control a range of ±10 dB at 50 Hz.
Note that a flat frequency response is achieved by
positioning the slots on the controls in the horizontal plane
(Zone 1 only), or the vertical plane (Zones 2 and 3).
Microphone Inputs
Phantom Power
Each microphone input has 12 V phantom power available.
This will be adequate to power a wide range of condenser
microphones. (Some “studio quality” mics may require a
higher phantom voltage and thus necessitate an external
PSU.) To enable phantom power at the mic inputs, the internal
PCB jumpers J1 (Mic 1) and/or J2 (Mic 2) should be moved to
their ON positions. See “PCB jumper location and settings”
on page 19 for jumper locations.
Phantom power should NOT be enabled if dynamic
microphones are to be used.
Gain & level
Each microphone input is provided with a rear panel preset
GAIN control ([4] at “Description of rear panel” on page
8). A wide range of gain is available (10 to 50 dB), and
there should be no problem in obtaining a satisfactory level
from any normal microphone.
The mic GAIN control should be adjusted by speaking
normally into a microphone of the correct type. Start with it
at minimum gain (fully anticlockwise), turn the corresponding
front panel MIC LEVEL control up to maximum and listen
in a convenient zone; the rear panel GAIN control should
then be carefully advanced until the mic volume is as loud
as it is ever likely to be needed, and then reduced slightly.
There should be no audible distortion. The use to which the
microphone is to be put should be borne in mind – karaoke
is more likely to overload the mic preamplifier than spoken
announcements, if the gain is not set correctly.
In normal operation, the mic level in each zone is set with the
MIC 1 LEVEL and MIC 2 LEVEL controls on the front
panel ([3] & [4] on “Description of front panel” on page 7).
Zone selection is made using the MIC 1 ACC connector
([7] at “Description of rear panel” on page 8). This is a
4-pin 3.81 mm-pitch screw terminal connector with pinout
as follows:
PIN
FUNCTION
1
0V
2
Enable Zone 1
3
Enable Zone 2
4
Enable Zone 3
To enable Mic 1 input for paging, pin 2, 3 or 4 (or any
combination thereof) should be connected to pin 1 (0 V).
When the CX263 is shipped from the factory, the access
contacts are bypassed by internal PCB jumpers; in order for
the access port to operate correctly, these jumpers need to
be removed. The jumpers are: J4 (Zone 1), J5 (Zone 2) and
J6 (Zone 3); see “PCB jumper location and settings” on
page 19 for their locations. It is recommended that when
removed, the jumpers are stored on one pin of the PCB
header in case the unit needs to be reconfigured in the future.
See also the manual section “Priorities” (page 14) for
further information regarding configuring the CX263 for use
with a paging microphone.
EQ
Separate two-band equalisation adjustment is provided
for each microphone input. The MICROPHONE EQ
pre-set controls are on the front panel ([5] at page 7). The
equalisation is optimised for the tonal correction of speech
signals: the HF controls provide ±10 dB at 5 kHz whilst the
LF controls provide ±10 dB at 100 Hz.
A tamperproof cover is supplied with the CX263; this can
be fitted in place over the EQ controls once they have been
adjusted to prevent further alteration.
Paging Access Control
To achieve a “flat” response for either microphone input, set
the controls for that input to 0 dB (the ‘12 o’clock’ position).
On the CX263, MIC1 input may be used for paging purposes.
Paging microphones from the Cloud PM Series (and also
the older CDPM Series) are fully compatible; OEM paging
microphones using the “contact-closure” (short-to-ground)
method of zone selection will also be suitable.
High-pass filter
It should be noted that Cloud PM Series paging microphones
will need to be connected using the “analogue” interface;
the CX263 does not support the Cloud Digital Paging
Interface also implemented on these models. Note also
that microphones cannot be powered from the CX263; an
external PSU will be required. Full details can be found in the
PM Series Installation Guide.
Each mic input has a fixed 100 Hz high-pass filter to remove
the lowest frequencies. This helps to reduce the effects of
breath blasts and microphone handling noise. The filter is
always in circuit.
CX263 Installation and User Guide v1.2
13
Zone Outputs
Microphone 1 priority
In normal operation, the music level in each zone will be set by
the front panel MUSIC LEVEL control, or by a corresponding
control on a remote plate. Follow the procedure described
previously (“Gain & level” on page 12) to adjust the music
level in each zone.
Microphone 1 input on the CX263 is automatically configured
to take priority over both the music signals and Microphone 2.
When the priority circuit is triggered, signals at MIC 2 input
are effectively muted. See the next section for details of the
effect on music signals in the zone.
EQ
The various zones in a building often have different acoustic
properties, and may also have different models of loudspeaker
installed. The CX263 is fitted with HF and LF EQ adjustments
([6] on “Description of rear panel” on page 8) for the
music signal at each zone output, to enable the audio
frequency response to be best matched to each zone. The
controls should be adjusted by listening; up to 10 dB of cut or
boost at 10 kHz (HF) and 50 Hz (LF) is available. Note that
these EQ adjustments do not affect the frequency response
of microphones or paging.
Priorities
The CX263 offers several options for determining what
happens to music signals when announcements are made.The
options are selected via internal jumpers, and should be set
to suit the requirements of the installation when the system
is installed. See “PCB jumper location and settings” on page
19 for location of the internal jumpers.
Microphone 1 priority can be triggered either by signal
detection (AVO) or the zone access contacts on the rear
panel (ACC). Access-triggered priority should only be
selected when a paging microphone is in use with the CX263.
To configure Microphone 1 priority, internal PCB jumpers
J18 (Zone 1), J17 (Zone 2) and J16 (Zone 3) should be set as
required. (The jumpers are located behind the Microphone 1
level control for each zone.)
Jumper positions:
• AVO: the priority action is triggered when the access
contact for that zone is shorted to ground and a signal is
detected at the microphone input.
• ACC: the priority action is triggered as soon as the
access contact for that zone is shorted to ground.
• OFF: This position is not marked, but can be achieved by
removing the jumper altogether.
NOTE: It is recommended that if removed, the jumpers are
stored on one pin of the PCB header in case the unit needs
to be reconfigured in the future.
Mic-over-Music priority
It may sometimes be necessary for one music input to have
priority over all the others; for example, a jukebox in a bar,
or a digital sound store programmed to make automatic
announcements in a public space. Line Input 6 may be set
to have priority in any or all zones over whichever source is
selected for the zone by its SOURCE control.
Both microphone inputs have priority over music signals.When
the priority circuit is triggered, music signals in the respective
zones are attenuated by 30 dB until the priority circuitry is
released. Once priority has been released, the music signal will
be smoothly restored to its former level, over the time period
defined by the setting of J3 (see “Line 6 priority” on this
page). Note that J3 defines the time constant for both Line 6
priority and Mic-over-Music priority.
Line 6 priority can be enabled independently for each zone
by moving internal PCB jumpers J10a & J10b (Zone 1),
J8a & J8b (Zone 2) and J9a & J9b (Zone 3). Note that there are
two physical jumpers per zone. The jumpers should be set to
the ON position for Line 6 priority; the default setting is OFF.
A signal at MIC 2 input will trigger this priority circuit under
all conditions. A signal at MIC 1 input may trigger the priority
either via signal detection (AVO) or contact closure at the
rear panel access contacts (ACC). See the previous section
for details of how to configure the Mic 1 priority action.
When Line 6 priority is enabled, a signal present at the
LINE 6 input will force the zone’s source selection to that
input; when the signal disappears, the previously-selected
source will be gradually restored over a period of 3, 6 or
12 seconds, as selected by internal PCB jumper J3. Note that
the setting of J3 is applicable to all zones with the priority
enabled.
If for any reason it is necessary to permanently disable the
Mic-over-Music priority in a particular zone, an internal
modification to the PCB can be made. Please refer to
the Technical Notes section of the Resources page at
www.cloud.co.uk for details.
Line 6 priority
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CX263 Installation and User Guide v1.2
OPTIONS AND ADDITIONAL INFORMATION
CDI-S200 Serial Interface Card
The CDI-S200 is an optional RS-232C interface card designed specifically for use with the CX263. It can be retrofitted to the
Zone Mixer at any time. It carries a 9-pin Dsub connector, which replaces the blanking plate adjacent to the mains connector
on the rear panel. When installed, most of the CX263’s primary functions can be controlled with RS-232C serial commands,
typically from AV control systems such as Crestron, AMX, etc.
For the CDI-S200 card to operate correctly, the settings of various internal jumpers need to be changed. Additionally, the
FR/REM switches should be placed in the REM position, the DIG/AN switches in the DIG position for zones under serial
control, and the Access Port jumpers J4, J5 and J6 set to ON as required.
A separate Installation Guide, including full setup and operating instructions is supplied with the CDI-S200 card.
RL-1 Series and RSL-6 Series remote control plates – general considerations
Cloud RL-1 Series and RSL-6 Series remote control plates are available in three form factors: two fit single-gang UK or American
electrical back boxes respectively, while the third is a 50 x 50 mm “Media” module, suitable for “Euro-module” mounting frames
available in most European countries. Back boxes of either the recessed type or surface-mounting type may be used, providing
they are at least 25 mm deep.
Each plate should be connected to the REMOTE port of the relevant zone using single- or twin-core screened cable as described
at “Music Control” on page 10.The plate terminations are conventional screw terminals and the REMOTE port on the mixer is a
3-pin 5 mm-pitch screw terminal connector.
The remote control plates are passive and thus do not draw any significant current from the mixer.
CX263 Installation and User Guide v1.2
15
Control of music source and level via external DC
It may be necessary in some installations to adjust the music level and select music source in one or more zones from an
external control system (e.g., Crestron, AMX, etc.). If the REMOTE ports are not required for RL-1/RSL-6 Series remote
control plates, they may be used to receive DC voltages from the external system to effect these adjustments.
Both music source selection and level can be controlled over their full ranges with a DC voltage of 0 to +10 V. The pinout of
the REMOTE port is as follows:
PIN
USE
1
0 V ref.
2
Music level control (0 to +10 V)
3
Music source selection (0 to +10 V)
+12 V
CONTROL
SYSTEM
4k7
SOURCE CONTROL
3
LEVEL CONTROL
2
0 V REF
1
REMOTE
PORT
15k
MUSIC SOURCE
SELECT
MUSIC VCA
0V
CX263
NOTE: If the control voltage source is not isolated from the power earth, there is a small risk of creating a ‘ground loop’ by
linking the mixer technical ground (0 V) to the ground (0 V) of the equipment supplying the control voltages. To minimise this
risk, we suggest that all pieces of equipment be in close proximity, and supplied from the same power outlet.
Music level
Music level in a zone may be varied over its full range by applying a DC voltage of between 0 and +10 V to pin 2, the 0 V reference
being connected to Pin 1. 0 V on pin 2 corresponds to full level and +10 V will produce maximum attenuation. Between these
two voltages, the rate of attenuation is approximately 165 mV/dB.
Note that there is an internal 4k7 “pull-up” resistor between pin 2 and the internal +12 V rail. If pin 2 is left “floating”, this
pull-up will result in full attenuation. The output impedance of the control voltage source should be low enough to overcome
the effect of this resistor.
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CX263 Installation and User Guide v1.2
Music source
Music source for a zone may be controlled by applying various DC voltages of between 0 and +10 V to pin 3, the 0 V reference
being connected to pin 1. 0 V at pin 3 will select Line input 6 and between +7.5 and +9 V will select Line input 1. The other line
inputs will be selected with intermediate voltages. Taking pin 3 above +9 V will deselect all inputs, making the zone effectively
‘off’ for music.
The table below lists the DC voltages required at pin 3 to select each line input.The third column is the value of a resistor which
should be connected between pins 1 and 3 to permanently ‘force’ a zone to a particular line input.
INPUT
DC VOLTAGE
RESISTOR VALUE
OFF
>+9.0 V
Line 1
+7.5 V
16k
Line 2
+6.0 V
11k
Line 3
+4.5 V
6k8
Line 4
+3.0 V
3k9
Line 5
+1.5 V
1k8
Line 6
0V
short-circuit
Note that there is an internal 15k “pull-up” resistor between pin 3 and the internal +12 V rail. If pin 3 is left “floating”, this
pull-up will cause ‘OFF’ to be selected.The output impedance of the control voltage source should be low enough to overcome
the effect of this resistor.
Fitting loudspeaker EQ cards
The CX263 is compatible with various popular installed-sound loudspeakers; a single-channel loudspeaker equalisation module
may be fitted to any or all of the zone outputs to optimise the frequency response of the channel to the loudspeaker type being
used.
Please check the Cloud website (www.cloud.co.uk/accessories) for makes and models of loudspeakers for which EQ cards are
available.
To install equalisation modules, first remove the top cover from the CX263 (6 screws). The modules plug into the four empty,
white 12-pin connectors in the centre of the main PCB. (Note that as Zone 1 is stereo it has two connectors.)
The connectors on the main PCB have two notches on one side only; these engage with lugs on the equalisation module’s mating
connector to ensure correct orientation. To enable the modules, an associated PCB jumper must be removed; these are listed
in the table below:
CONNECTOR
ZONE
JUMPER
CON3
Zone 1 Right
J12
CON4
Zone 1 Left
J13
CON5
Zone 2
J14
CON6
Zone 3
J15
See the Appendix section “PCB jumper locations and settings” at “PCB jumper location and settings” on page 19 for further
details. Replace the top cover with the original screws after fitting.
CX263 Installation and User Guide v1.2
17
APPENDIX
Application example
RSL-6
PAGING MIC
ZONE 1
ADDITIONAL MIC
MIC 1 IN
MIC 1 ACCESS
MIC 2 IN
REMOTE
MUSIC SOURCES
(all stereo)
ZONE 1
iPOD
DOCK
MUSIC
SERVER
DTV BOX
2
2
LINE 1
LINE 2
2
2
ZONE 2
REMOTE
LINE 3
LINE 4
CD
PLAYER
ZONE 2
RL-1
2
2
SAT BOX
L
R
LINE 5
ZONE 3
REMOTE
AMPLIFIERS
ZONE 3
LINE 6
JUKEBOX
RS-232 SERIAL REMOTE
MUSIC MUTE
FROM EXTERNAL
CONTROL SYSTEM
(e.g. Crestron, AMX, etc.)
FROM FIRE
CONTROL PANEL
The example shows a CX263 used to provide music, announcements and paging in three separate areas (zones) of a premises
such as a retail outlet.Area 1 is wired for stereo music, and can set its own music source and volume by means of the local RSL-6
remote control (optional). Areas 2 and 3 are mono only; Area 2 is fitted with an RL-1 remote control panel which allows local
control of music level in that zone. Music sources and levels could be set from the front panel of the mixer itself if preferred.
Paging to any zone is achieved using a paging mic (such as the Cloud PM4) connected to Mic 1 input; this would typically be
located somewhere other than within any one of the zones. Additional announcements to any zone can be made from the
separate microphone connected at Mic 2 input.
Note that the jukebox is shown connected to Line input 6; if Line 6 Priority is enabled in the mixer, then whenever the jukebox
is in use it will always be heard in Zone 1, regardless of the music source setting.
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CX263 Installation and User Guide v1.2
PCB jumper location and settings
The CX263 has various internal jumpers, the setting of which may require alteration during installation. The table below lists
each switch and jumper and its purpose, together with the factory default setting.
JUMPER
NAME
EFFECT
DEFAULT
Main PCB:
J1
Mic 1 phantom power
J2
Mic 2 phantom power
J3
Line 6 Priority release time
J4
Bypass Zone 1 Access
J5
Bypass Zone 2 Access
J6
Bypass Zone 3 Access
J7
Music Mute configuration
J8*
Line 6 priority – Zone 2
J9*
Line 6 priority – Zone 3
J10*
Line 6 priority – Zone 1
J11
Zone 1 mono/stereo operation
J12
Bypass EQ card – Zone 1R
J13
Bypass EQ card – Zone 1L
J14
Bypass EQ card – Zone 2
J15
Bypass EQ card – Zone 3
J16
Mic 1 priority trigger - Zone 3
J17
Mic 1 priority trigger - Zone 2
J18
Mic 1 priority trigger – Zone 1
OFF: Mic phantom power OFF
ON: Mic phantom power ON
OFF
3S: 3 seconds. release time
6S: 6 seconds release time
ABSENT: 12 seconds release time
3S
PRESENT: Access port disabled for relevant zone
ABSENT: Access port enabled for relevant zone
PRESENT
N/O: contact closure required for muting
N/C: contact opening required for muting
N/O
OFF: No priority in relevant zone
ON: Line 6 has VOX-triggered priority in relevant zone over other sources
OFF
STEREO: Zone 1 stereo operation
MONO: Zone 1 L & R channels summed
STEREO
PRESENT: EQ card socket is bypassed
ABSENT: EQ card socket is enabled
PRESENT
VOX: Paging mic signal triggers priority in relevant zone
SW: Contact closure at Access Port enables paging mic priority in relevant zone
ABSENT: Priority function disabled in relevant zone
VOX
SW: Music source selection in relevant zone is determined by rear panel
FR/REM switch
DG: Music source selection in relevant zone is controlled by Serial Interface Card
SW
SW: Music source selection in relevant zone follows rear panel FR/REM switch
FR: Music source selection in relevant zone is always via front panel SOURCE
control
SW
Rear sub-board:
J19
Enable CDI-S200 music source
selection – Zone 1
J21
Enable CDI-S200 music source
selection – Zone 2
J23
Enable CDI-S200 music source
selection – Zone 3
J20
Music source selection – Zone 1
J22
Music source selection – Zone 2
J24
Music source selection – Zone 3
* J8 – J10 each consist of two jumpers; they should be moved as a pair
CX263 Installation and User Guide v1.2
19
The diagram below shows the locations of the CX263’s internal PCB jumpers (not to scale).
If any jumpers need to be changed, turn the Zone Mixer off and disconnect it from the mains. Undo the 6 screws securing
the top cover of the unit and remove it. Use a pair of small pliers to gently remove the jumpers from the PCB headers and
reposition them as required.
The diagram also shows the locations of the socket for the optional loudspeaker EQ cards.
J6
J5
J4
J7
J23
J24
J22
J21
J20
PCB LAYOUT DIAGRAM.
ONLY PRIMARY COMPONENTS SHOWN.
NOT TO SCALE.
J3
J19
J1
J8b
J8a
J15
J14
J13
J2
J12
J9b
J9a
J11
CON6
CON5
CON4
CON3
J10b
J10a
J18
J17
J16
Denotes 2-pin header: jumper may be present or absent
FRONT OF UNIT
Denotes 3-pin header: jumper may in one of two positions;
black end indicates default setting
Motherboard jumper locations
Ground loops
If, despite your best efforts, the completed sound system ‘hums’ you probably have a ‘ground loop’. The offending signal source
can often be identified by setting the volume control to minimum, then disconnecting the input leads (both left & right channels)
on each line input until the ‘hum’ disappears. This problem is often caused by terminating a screened input cable into a signal
source positioned a significant distance from the mixer. A good way of avoiding this potential problem is to use signal sources
(CD players and the like) that are double insulated with no connection to the mains supply earth. If a signal feed were derived
from a second mixer (a club or microphone mixer for example) it would be perfectly normal to expect this to be earthed; we
suggest that a transformer be used to isolate the signal and prevent a noisy loop (see “Music Sources” on page 9).
EMC considerations
The Cloud CX263 fully conforms to the relevant electromagnetic compatibility (EMC) standards and is technically well behaved;
you should experience no operational problems and under normal circumstances, no special precautions need to be taken.
If the unit is to be used within close proximity to potential sources of HF disturbance such as high power communications
transmitters, radar stations and the like, the performance of the mixer may be reduced; we suggest that the microphone cable
screen be connected to the equipment chassis and the line input leads are kept as short as possible.
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CX263 Installation and User Guide v1.2
Technical Specifications
Line Inputs:
Frequency response
Distortion
Sensitivity
Input gain control range
Input impedance
Headroom
Noise
Equalisation
20 Hz to 22 kHz, +0/-0.5 dB
<0.05% typical, 20 Hz to 22 kHz
100 mV (-17.8 dBu) to 1.5 V (+6 dBu)
24 dB
48 kohms
>20 dB
<-84 dB, 20 Hz to 22 kHz @ 0 dB gain
LF: +/-10 dB @ 50 Hz; HF: +/-10 dB @ 10 kHz
Microphone Inputs:
Frequency response
Distortion
Gain range
Input impedance
Common mode rejection
Headroom
Noise
Equalisation
-3 dB @ 100 Hz (filter) to 20 kHz, +/-0.5 dB
<0.05%, 20 Hz to 22 kHz
10 dB to 50 dB
>2 kohms
>70 dB @ 1 kHz
>20 dB
-128 dB EIN, 20 Hz to 22 kHz @ 0dB gain
LF: +/-10 dB @ 150 Hz; HF: +/-10 dB @ 5 kHz
Outputs:
Output level (nominal)
0 dBu
Output level (max.)
+20 dBu
Minimum load impedance
1.2 kohms
General:
Power input
85 V to 253 V AC, 50/60 Hz
Current consumption
43.1 mA at 240 V
Fuse rating
1A
Fuse type
T1A, 20 x 5 mm
Dimensions (WxHxD)
Weight
482.6 mm x 44 mm (1U) x 152.5 mm
19” x 1.73” (1U) x 6”
2.13 kg
4.66 lbs
CX263 Installation and User Guide v1.2
21
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