musicplant – kortenhoef – holland

musicplant – kortenhoef – holland
h/o CMJ Jansen
Emmaweg 59
1241 LH kortenhoef
The Netherlands
Phone; 0031356569475
Email; [email protected]
Focusrite RED7
Focusrite 7 - Mic-pre Amp & Dynamics processor
Mic Input Gain: -6dB to +60dB in two variable ranges
Mic Input Impedance: 1200O ±15%, balanced and fl oating
Line Input Gain: -12dB to +12dB
Line Input Impedance: 10kO ±15%, electronically balanced
Input balance: >60dB to 15kHz on both inputs
Frequency Response: 10Hz to 140kHz (-3dB points), ±0.1dB within passband
Noise Better than -80dB below +4dBu output level, dynamics in
Distortion 0.006% (+10dBu @ 1kHz)
Output +24dBm into 600O
+26dBm into 10kO,
Balanced and floating
Eventide H3000 D/SE ultra harmonizer
DIATONIC SHIFT – A pitch shifter that stays in key
DUAL SHIFT – Two separate pitch shifters
LAYERED SHIFT – Two pitch shifts from one input
STEREO SHIFT – Mon0-compatible stereo pitch shi?ing (maintains stereo imaging)
REVERSE SHIFT – Backwards-talking pitch shift
SWEPT COMBS – Six sweepable delay lines, with stereo panning
SWEPT REVERE – A dense reverb with smooth sweep capability
REVERB FACTORY – A full-featured reverb with EQ and ?exible gating
ULTRA-TAP – Twelve delay taps with full control over panning, level, and delay, Includes a diffusor to
generate dense gated reverb effects.
DUAL DIGIPLEX – A stereo delay with smooth delay change
LONG DIGIPLEX – A 1.5 second delay with smooth delay control
PATCH FACTORY – A “modular” efects program which lets you design your own effect. “Pateh”
together delay lines, filters and pitch shi?ing to create never-heard-before effects.
STUTTER – Get that sound – effortlessly
DENSE ROOM – Our densest reverb, with unique front/back position control
VOCODER – This is our version of the classic vocoding effect
MULTI-SHIFT – Two six-octave pitch shi?ers, two delays, panning and patchable feedback paths make
this program incredibly useful.
BAND DELAY – A multi-tap delay line feeding eight resonant bandpass ?lters make for some sounds
like you’ve never heard
Lexicon 960L + Larc
Lexicon 960L world-class reverb- processor. Used mainly in studio for many year. technical 100% in
working condition. Larc has a LCD display with dark spot in center (not visible, when turned on)
Larc2 remote controller motorized faders
960L Mainframe
Analog Input
Connectors Eight, Female XLR
Impedance 50Kohm, balanced
Level (for 0 dbFS) +24dBu
Freq Response @48K 20Hz-20KHz, ±1db
Freq Response @96K 20Hz-40KHz, ±1db
A/D Conversion 24 bits
128x oversampled
A/D Dyn Range >110 dB (20-20kHz)
THD <.002%
CMRR >50db
Crosstalk @ 1Khz < -100dB
Analog Output
Connectors Eight, Male XLR
Impedance 50 Ohm, balanced
Level (at 0 dBFS) +24dBu
Freq Response @48K 20Hz-20Khz, ±1dB
Freq Response @96K 20Hz-40Khz, ±1dB
D/A Conversion 24 bits
8x oversampled @ 44.1/48Khz
4x oversampled @ 88.2/96Khz
D/A Dyn Range >110 dB (20-20kHz)
THD <.002%
Crosstalk @ 1kHz < -100dB
A/A Performance
Freq Response @48K 20Hz-20Khz, ±1dB
Freq Response @96K 20Hz-40Khz, ±1dB
Dyn Range >107 dB (20-20kHz)
THD <.002%
Digital Audio IO
Connectors Four Male XLR Outputs
Four Female XLR Inputs
Format AES/EBU
Word Size 24 bits
Sample Rates
Internal 44.1/48/88.2/96kHz
Accuracy within ±10ppm
External 44.1/48/88.2/96kHz
Lock Range ±1%
Group Delays (milliseconds)
44.1 kHz 48 kHz 88.2 kHz 96 kHz
A/D 1.44 1.33 0.81 .0.74
A/A 2.42 2.23 1.80 1.66
D/A 1.59 1.42 1.35 1.25
D/D 0.54 0.50 0.36 0.33
TTL Word Clock Input *
75 Ohm, BNC
self-terminating loopthru
TTL Word Clock Output* Low Z, BNC
(*Falling edge marks start of frame)
Clock Jitter
Intrinsic Exceeds AES3 Amendment 1
Jitter Gain Exceeds AES3 Amendment 1
Control Interfaces
LARC2 Ports 2
MIDI In/Out/Thru
(supports program change)
Ambience (48K Stereo & Surround)
Chamber (48K Stereo & Surround)
Plate (48K Stereo & Surround)
Reverse (48K Stereo & Surround)
Random Hall (48/96K Stereo & Surround)
Ambient Chamber (48K Surround)
Standard Hardware Configuration
DSP/CPU Card Compartment
One System CPU Card
One Reverb DSP Card
Two Spare DSP card slots
One MIDI Card
IO Card Compartment
One Analog Input Card
One Analog Output Card
One AES/EBU Digital IO Card
One IO/Clock Card
One Spare IO Card slot
Storage Media
Hard Disk
3.5" Floppy Disk Drive
RME Advanced Digital Interface ADI-648
64 ch madi-adat conversion bidirectional
RME Hammerfall DSP MADI pci card
RME ADI-648 specs;
Input MADI: 1 x BNC, 1 x optical
Output MADI: 1 x BNC, 1 x optical
Input ADAT optical: 8 x TOSLINK, 24-Bit, Bitclock PLL
Output ADAT optical: 8 x TOSLINK, 24-Bit
Input word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), switchable
Output word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof
MIDI input and output: via two 5-pin DIN jacks
Sync sources: MADI, ADAT optical, word clock, internal
Varipitch: by input signal or word clock
Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock)
Sample rate range: MADI: 32 kHz - 96 kHz, word clock: 27 kHz-105 kHz, ADAT: 33 kHz - 57 kHz
Jitter: Internal clock < 1 ns, word clock In < 2 ns, ADAT In < 2 ns
Jitter suppression on external clock: circa 30 dB (2.4 kHz)
Jitter sensitivity: all PLLs operate even at 100 ns Jitter without problems
Power supply: internal switching mode ps, 100 V-240 V AC, 50-60 Hz, 10 Watts
Dimensions: 483 x 44 x 200 mm
RME Hammerfall DSP MADI pci card
8 buffer sizes/latencies available: 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms, 186 ms
ASIO zero CPU load technology: 0 (zero!)% CPU load when using ALL 128 channels!
All settings changeable in real-time
Clock modes slave and master
Automatic and intelligent master/slave clock control
Enhanced Zero Latency Monitoring for latency-free submixes and perfect ASIO Direct Monitoring
Sync sources: MADI coaxial, MADI optical, word clock, internal
Varipitch: by input signal or word clock
Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock)
Sample rate range: MADI: 32 kHz - 96 kHz, word clock: 27 kHz-105 kHz
Jitter: < 1 ns, internal and all inputs
Jitter sensitivity: PLL operates even at 100 ns Jitter without problems
Comes with DIGICheck: the ultimate measurement, analysis and test tool
Input MADI optical, MADI coaxial (BNC), 2 x MIDI, word clock (BNC)
Output MADI optical, MADI coaxial (BNC), 2 x MIDI, word clock (BNC), stereo analog line/phones
Input Word Clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), switchable
Output Word Clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof
MIDI input and output: via four 5-pin DIN jacks
Rosendahl nanosyncs dds - wordclock generator
Nanosyncs is a universal synchronisable audio clock reference with multiple outputs and integrated
video black & burst generator. Nanosyncs makes studio setups less complicated, more flexible and
optimizes audio quality. When each digital audio device receives a separate clock signal, the digital
audio connections are not used as clock lines and can be patched freely.
Nanosyncs provides six separate word clock, one AES / EBU, one SPDIF and four video outputs. The
word clock outputs can be individually configured as FS x1 (44.100 / 48.000 kHz), FS x2 (88.200 /
96.000 kHz), FS x4 (176.4 / 192 kHz) or FS x256 (also known as Digidesign Super Clock) signals.
The unit provides 0.1% (1001/1000) and 4% (25/24) pull up and pull down rates for audio, video and
film transfers. The audio clock synthesiser can be resolved to the internal 1ppm accurate video time
base, to external PAL or NTSC video syncs, to an external audio word clock or even to free running
LTC time code. All audio clock signals are direct digital sythesised (DDS) by a high speed RISC
controller giving 73 pico seconds resolution.
The pure digital technique reduces clock jitter to below measurable levels. The internal video sync
generator is available as PAL or NTSC version. In "Internal" mode the four video outputs are
connected to the internal black & burst generator. In all other operation modes the video outputs
distribute the video input signal. Each of the four video outputs is individually buffered. The unit has
a robust aluminium housing and a built-in linear power supply.
TC2290 dynamic digital delay
Technical Specifications
I/O Specifications
Max. Input Level (XLR)
+22 dBu
Max. Output Level (XLR)
+22 dBu
Max. Input Level (Jack)
+14 dBu
Max. Output Level (Jack)
+10 dBu
Input Impedance (Jack/XLR)
1 MOhm unbal. / 20 kOhm bal.
Output Impedance (Jack/XLR)
750 Ohm unbal./ 50 Ohm Electronically bal.
Frequency Response
20-20 kHz, +0 / -0.5 dB, 25 kHz, -3dB
Total Harmonic Dist.
< 0.05% 1 kHz, 0 dBm
Dynamic Range
>100 dB
Group Delay
<30 microseconds
Delay Resolution
0.1 mSec to 999.9 mSec. then 1 mSec
Dynamic Differential Delta Sigma
Sampling Rate
1 MHz, no downsampling used
Operating Temperature
32° to 122° (0°C to 50°C)
Storage Temperature
-22°F to 167°F (30°C to 70°C)
Shipping Weight
12 lbs (5.7 kg)
Net Weight
19 lbs (6.4 kg)
1/4" Phone & XLR
Rear Panel Control
Assign Switch and TC LINK or TC 0144 Serial Jack
Controls & Display
Input Gain
Adjusts input gain ± 10 dB
Input Level
PPM 5 section LED input meter labeled to indicate: -20, 10,-3,0,+3
Single control electronic bypass, Non-volatile memory function
Feedback Controls
Low Pass at 8, 4, 2 kHz,Hi Pass at 100, 200, 400 Hz Level in % and Phase inversion of feedback
Output Volume
Delay, Direct, Delay + Direct, location of same in L &R outputs, phase invertion of Delay
Modulation Controls
Individual control for Delay, Pan & Dynamic.
Sine, Random, Envelope & Trig
Pan Section
Panning of direct signal, Delay signal or both
Dyn Section
Enables Gating, Ducking, Sampling and Auto Trig
Delay Time
Multi function 4 digit display reads Delay Time and Special Function Values
Delay Up-Down
Scroll buttons for adjusting Delay time
Tap in Delay times, start/stop of sample
Numeric Keypad for parameter entry
Enters Preset mode
Stores updated preset
Keys A & B
Programmable "Soft Keys" Sets record mode and edit points in sample mode
Channel & Enable
MIDI Channel & MIDI in enable
Enables External Effects Loop mode
Selectable: 100/120/ 220/ 240V, 50-60 Hz, 30W
3 1/2 x 19 x 9.5 inches (89 x 482 x 242 mm)
Universal Audio 1176LN limiter amplifier
1176LN Classic Limiting Amplifier
True to the original in design, manufacturing and performance
Modeled after 1176LN, blackface, D and E revisions
Ultra fast attack time -20 microseconds to 800 microseconds
Class A line level output amplifier
Custom built Putnam-designed output transformer
Stereo interconnect operation
Hand-built in USA; backed by 1-year limited warranty
Technical Specifications:
Input Impedance
600 ohms, bridges-T control (floating)
Output Load Impedance
600 ohms, floating, damping factor 20
External Connections
Jones Barrier terminals and XLR connectors
Frequency Response
± 1 dB 20 Hz to 20kHz
50 dB
Less than 0.5% total harmonic distortion from 50 Hz to 15 kHz with limiting
Signal to Noise Ratio
Greater than 70 dB at +10 dBm
Attack Time
20 microseconds to 800 microseconds
Release Time
50 milliseconds to 1.1 seconds
Stereo Interconnection
via 1176 SA Network accessory
dB gain reduction and dB output
Power Requirements
120/240 V
Maximum operating temperature 160°F
19" Rackmount chassis, 2U
Weight (unboxed)
11 lbs.
Focusrite red3 – compressor limiter stereo
Input sensitivity +4dBu
Input Impedance 10kΩ ±15% (20Hz to 20kHz)
Balance >60dB
Frequency response 5Hz to 200kHz (-3dB points)
Noise Better than -80dB below +4dBu output level
Distortion 0.02% with input at 0dBu at 1kHz
0.006% (+10dBu @ 1kHz)
0.004% (+20dBu @ 1kHz)
Output +24dBm with output loaded
600Ω, balanced and fl oating
Mackie (apogee) I/O 896 Audio Interface
Eight analog inputs with Apogee A/D conversion
Eight analog outputs with Apogee D/A conversion
ADAT (light pipe) Digital Optical I/O
AES/EBU inputs and outputs
T/DIF inputs and outputs
Word Clock I/O
Two RS-485
Optional MADI card bay
Optional Firewire host I/O card bay
Analog Inputs 8 balanced +4dBu nominal with 20 dB headroom. Input level +14dBU to +24dBu, fully
adjustable, 24-bit Apogeeô A/D converters with 128x oversampling
Analog Outputs 8 balanced +4dBu nominal with 20 dB headroom. Input level +14dBU to +24dBu, fully
adjustable, 24-bit Apogeeô A/D converters with 128x oversampling
Sample Rates 44.1, 48, 88.2, 96kHz ±10%
Relative THD+N Less than &endash;116dB @ &endash;0,5 dBFS input
Interchannel Crosstalk Better than &endash;120dB
Stopband Attenuation 110dB
Dynamic Range, &endash;60dB &endash;116dB, A-weighted
Sync Word Clock, Input Reference Lock
Frequency Response 20Hz to 20kHz, &endash;0.4dB
Power 100/110/220V, 50-60 Hz
19î (483 mm) W x 2 RU x 12î (305 mm) D
Klark Teknik DN1248 microphone splitter (36 channels) with case
Rack-front= 3 * DN1248 + Furman PL 8E + XLR breakout-strip
Rack-rear = 3* socapex input + 6 * socapex output + 2 * Harting108 output
+ additional multicables/snakes
5 * socapex /xlr 12 ch input snakes
6 * socapex f /socapex f cable-loom
2 * socapex / balanceed jack cable-loom
1 * multicable 42 pairs harting 108+ (36/6) 50 mtrs
1 * harting 108+ breakoutbox - xlr 36+6 ch
1 * harting 108 breakoutcable - xlr 36 ch
2 * socapex f - socapex male on drum (extension 25 mtr)
specs DN 1248
Two parallel connected female XLR connectors, one on the front panel and the rear panel.
Input Impedance > 2kΩ
CMRR > -100dB @ 100Hz to 10kHz
Equivalent input noise < - 100dBu @ unity gain
Connectors 3 pin female XLR (external), 3 way terminal strip (internal)
Signal present level > - 25dBu
Signal clip level > + 21dBu
Electronically balanced - one output with one front and one rear panel male XLR connectors, one
output with one rear panel male XLR connector only
Source impedance 50 Ω
Min Load 600 Ω
Max Level > + 21dBu @ 1kHz
Connectors 3 pin male XLR (external), 3 way terminal strip (internal)
Transformer balanced & isolated - one male XLR connector on the front panel for each output
Source impedance 70 Ω
Min Load 600 Ω (-3dB level loss into 200Ω )
Max Level + 18dBu @ 1kHz
Connectors 3 pin male XLR (external), 3 way terminal strip (internal)
Electronically balanced outputs
Frequency response + 0 / -0.5dB 20Hz to 20kHz
Distortion (THD+N) < 0.01 % @ 1kHz +4dB
Transformer balanced & isolated outputs
Frequency response + 0 / -1.0dB 20Hz to 20kHz
Distortion < 0.04 % @ 1kHz +4dB
Audio Inputs / Outputs 3 pin XLR
Power IEC
Power Requirements
Voltage 110 to 240V ± 10% 50/60Hz<60W
Nett 7.4 kg
Shipping 8.4 kg
Width 483 mm (19 inches)
Depth 300 mm (12 inches)
Height 132 mm (5.2 inches)
Mackie 8 channel master control
Mackie Control Universal 8-Channel Master Controller
Ever wish you could control Logic Audio, Pro Tools, Cubase, Digital Performer, SONAR and other
major audio software, all from a single, hands-on control surface with real knobs and automated
faders? With Mackie Control Universal, you can.
Mackie Control Universal is much more than a way to balance levels. It gives you realtime control
over your music in ways your keyboard and mouse never will. With 100mm Penny+ Giles optical
touch faders, a full sized backlit LCD, V-Pots for fast tweaking of effects and plug-ins, a full
implementation of Logic Control, and shortcut navigation and editing for all major software including
Pro Tools, this is the first and last desktop controller you will ever need.
At just one-third of the cost of other professional systems, with expandability via optional Control
Extenders, Mackie Control Universal gives you the perfect hands-on surface to make music faster--no
matter what software you use.
selling price in EURO, ex vat
Focusrite RED7
Eventide H3000 D/SE ultra harmonizer
Lexicon 960L + Larc
RME ADI-648 & RME Hammerfall DSP MADI pci card
Rosendahl nanosyncs dds
TC2290 dynamic digital delay
Universal Audio 1176LN limiter amplifier
Focusrite RED3
Mackie (by Apogee) I/O 896 interface (p.pc )
6 pieces available
Klark Teknik DN1248 rack + acc
Mackie Master Controller
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