Cubase 8 - TEXT

Cubase 8 Pro

The Most Detailed Course you can find

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Introduction, Installation and Setup

1.

Introduction to Cubase

2.

Mouse buttons and keyboard configuration

3.

Installation and the USB e-licenser  

4.

Adding Cubase to the Dock

5.

Running Cubase in 32 or 64 Bit Mode

6.

Launching Cubase for the first time

7.

Configuring your audio interface

8.

Configuring your Midi Interface

9.

Starting your first Cubase project

10.

Using proper project management

11.

Configuring the project Setup settings

12.

Recording a MIDI Track

13.

Recording an Instrument track

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Recording an Audio track

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Exploring the Fundamentals

1.

Welcome to Exploring the fundamentals

2.

Configuring the Project Window

3.

The 3 Project Window Columns

4.

The Inspector Tabs

5.

The transport panel and VST Performance Window

6.

Transport, Control and the Numeric Keypad

7.

The left and right Locators

8.

Other transport options

9.

Undo, Redo and History

10.

Using Control - Click vs. Right - Click

11.

Using the Metronome (CLICK)

12.

Saving often and configuring the Auto Save

13.

Using Hints and the Help Documentation

14.

The Concept of tracks

15.

The Cubase Tools

16.

Snap ON/OFF

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Horisontal and Vertical Zoom Controls

18.

Using Key commands

19.

Adjusting the Auto Scroll

20.

The ‘e’ or Edit button

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21.

Using the event Zoom Controller

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Productions Basics

1. Introduction to Cubase Production Basics

2. Getting to the Mixer

3. Function Button Snafus

4. The Simple Mixer

5. The Master Fader

6. The Extended Mixer and Routing View

7. The Mixer and Project Window Relationship

8. Individual Track & Channel Controls

9. Hide/Show Track Types

10. Individual Track Parameter Views

11. Setting Up a Basic Cubase Control Room

12. Achieving a Mouse-less Recording Workflow  

13. The Event Info Line and Overview

14. Customizing the Metronome

15. Cycle Recording on MIDI and Instrument tracks

16. Cycle Recording on Audio Tracks

17. Dealing with Event Overlaps

18. Introduction to Tempo and the Tempo Track

19. Introduction to Time Signature and Signature Tracks

20. Project Markers and Marker Track

21. Introduction to the Arranger Track

22. Using the “P” and “Shift-G” Commands

23. “Select All” vs. “Select All Events

24. Keeping Your Stuff Within Reach

25. Studio Monitor Setup

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26. Setting an Optimal Monitoring Level

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Working with MIDI

1. Introduction to the Working with MIDI

2. An Introduction to MIDI

3. VST (Virtual Studio Technology) Instruments vs. Hardware Synths  

4. Virtual Synth vs. Hardware Synth Advantages

5. Creating and Recording an Instrument Track

6. Cycle Recording

7. Overlapping MIDI Events

8. Quantizing MIDI Notes

9. Copying MIDI Events, Option-Drag and Repeats

10. Transposing Events

11. Changing Event Colors

12. The Key Editor

13. The Controller Lane

14. The Drum Editor

15. The Score Editor

16. Adding Chord and Guitar Symbols

17. Scoring Drum Parts

18. Printing and Exporting Scores

19. Using the In-Place Editor

20. The Reset Quantize Command

21. Using Iterative Quantize

22. Using Groove Quantize Presets

23. Freezing Instrument Tracks

24. Transposing and the Transpose Track

25. Considerations for Transposing Drum Tracks

26. Using the Dissolve Part Command

27. Creating MIDI Notes with a Mouse

28. Creating MIDI Notes with the Virtual Keyboard

29. Concepts of "Mono-Timbral" vs “Multi-Timbral” Devices

30. Instrument Tracks vs VST Instruments

31. Using Multiple VST Instrument Outputs

32. Programming the Tempo Track

33. Programming the Signature Track

34. Programming the Arranger Track

35. Using External MIDI Devices

36. Converting MIDI and Instrument Tracks to Audio Tracks

37. Introduction to HALion Sonic SE

38. Loading and Auditioning Sounds

39. Editing with the Quick Controls

40. Adjusting Mix Settings

41. Creating Layers

42. Creating Splits

43. Using General MIDI Mode

44. Introduction to Groove Agent ONE

45. Loading Drum Set Sounds

46. Adjusting Sound Parameters

47. Creating Multiple Outputs

48. Using the Exchange Features

49. Introduction to LoopMash2

50. Creating Your First Mash

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51. Triggering Scenes and Performance Controls

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Working with AUDIO

1. Introduction to the Working with Audio Tutorial

2. Setting Proper Input Levels

3. Choosing a Method for Monitoring

4. Examples of Software vs. Direct Monitor Methods

5. Start Recording on Measure 2, Not Measure 1

6. Recording Audio from Line Level Sources

7. Turn Off Your Speakers and Use Headphones

8. Recording Audio from Microphone Sources

9. Cycle Recording with Audio

10. Using the Comping Lanes

11. Recording on Alternating Tracks

12. Punch Recording

13. The Concept of Non-Destructive Editing

14. Using the Fade Handles

15. Don’t Normalize, Use the Volume Handle

16. When and How to use Crossfades

17. Slide Editing

18. Vari-Audio Editing (Pitch Correction)

19. Vari-Audio on a Comping Lane

20. Extracting MIDI from Audio Tracks

21. Making and using Folder Tracks

22. Group Editing

23. Quantizing a Multitrack Drum Project

24. Drum Replacement

25. Using Tempo Detection

26. Setting up Multi-track – Multi Input Projects

27. Importing Audio CDs

28. The Concept of The Pool

29. Using Insert into Project

30. Find/Resolve Missing Audio Files

31. Minimizing Files

32. Emptying the Trash

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33. Prepare Archive vs Backup Project Command  

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FX, EQ, Automation and Mixing

1. Introduction

2. Buffer Settings

3. The ‘Big Three’ of Mixing

4. Channel Settings and Signal Flow

5. Applying Insert FX

6. Reordering/Copying Insert FX

7. A Quick Mixer Primer

8. Applying EQ and EQ Presets

9. Track Presets

10. FX Channel Tracks and Send FX

11. Channel Settings in the Object Inspector

12. Copying and Pasting Channel Settings

13. Audio Channel Settings Bypass Buttons

14. Freezing Audio Tracks

15. Group Channel Tracks

16. The Concept of Mix Automation

17. READ and WRITE Controls

18. Editing Automation Data

19. The 3 Automation Modes

20. Master Fader Automation

21. Post-Automation Volume Editing

22. The Automation Panel

23. The Master Fader Clip Light

24. Mastering Insert FX

25. To Dither, or Not to Dither

26. Setting Locators for Mixdown Region

27. Mixdown for High Bit Rate Audio Files

28. Mixdown for Audio CD

29. Mixdown for MP3

30. Channel Batch Export

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31. Backing Up Your Project

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Cubase Tips and Tricks

1. Adding Effects Dynamically Without Automation

2. The Splatter Panner

3. Cleaning Up Explicit Lyrics - Part 1

4. Cleaning Up Explicit Lyrics - Part 2

5. Creating a Reverse Reverb Effect - Part 1

6. Creating a Reverse Reverb Effect - Part 2

7. How to Use Workspaces

8. Using MIDI Sends for Layering

9. Using MIDI Tracks for Layering

10. Using Repeats and Shared Copies

11. Creating a Tap Tempo Track

12. New in Cubase  

13. Updated Loop Mash

14. More Plugin Updates

15. VST Connections Renaming

16. Batch Export Naming

17. Enhanced Video Capabilities

18. Using HALion One

19. Using the HALion One Browser

20. Using the Arpache 5 Arpeggiator

21. Recording Arpache 5 with FX

22. Music for Film - Spotting with Markers

23. Music for Film - The Time Warp Tool

24. Music for Film - Making Tempo Adjustments

25. Sudden Increase in Latency

26. Instruments Tracks vs VST Instruments

27. Using the VST Instrument Rack

28. Why Two VST Instrument Methods?

29. Assigning VST Instrument Audio Channels - Part 1

30. Assigning VST Instrument Audio Channels - Part 2

31. Studio Setup

32. Configure Cubase

33. Convert MIDI to Audio

34. Converting VST Instruments to Audio

35. Quick Controls Setup

36. Quick Controls for MIDI and Audio Tracks

37. Quick Controls for VST Instrument Tracks

38. HALion Sonic SE - Loading and Editing Sounds

39. HALion Sonic SE Effects

40. HALion Sonic SE - Trigger Pads

41. Location Recording: Choosing an Audio Interface

42. Location Recording: Hard Drives and Storages

43. Location Recording: Cables and Connectors

44. Location Recording: Configure Cubase for location recording

45. Location Recording: Testing Performance

46. Control Room: Simple Configuration

47. Control Room: Multiple Speakers

48. Adding Studios for Headphones - Part 1

49. Adding Studios for Headphones - Part 2

50. Adding a Talkback System

51. Understanding Media Management - Part 1

52. Understanding Media Management - Part 2

53. Using the Auto-Save Feature

54. Using Time Machine

55. Onsite Offsite Method

56. Customizing the Appearance

57. Customizing the Project Window Grid

58. The Quantize Panel

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59. VST Instrument Multiple Outputs

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Working with Cubase - Level 1

1. MIDI Setup

2. Audio Setup

3. New Project

4. Tracks

5. Track Presets

6. The Transport

7. The Project Page

8. Tools 1

9. Tools 2

10. Customizing

11. Real or Virtual MIDI

12. MIDI Recording

13. VST Connections

14. Basic Recording

15. Recording Details

16. Looping

17. Loop Recording 1

18. Loop Recording 2

19. Autoscroll

20. Grids & Snap

21. MIDI Editing

22. Audio Editing 1

23. Audio Editing 2

24. Group editing

25. The Event Info line

26. Managing Audio 1

27. Managing Audio 2

28. The Mixer 1

29. The Mixer 2

30. The Arranger Track

31. Key Commands & Macros

32. Workspaces

33. Virtual Keyboard

34. The Amp Rack

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35. Tempo Detection

Working with Cubase - Level 2

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1. Fades and Crossfades

2. Events/Parts Sample Editor

3. Key Editor 1

4. Key Editor 2

5. Key Editor 3

6. Midi Command console

7. Edit in Place

8. VST Expression

9. Drum Editor 1

10. Drum Editor 2

11. Drum Editor 3

12. Advanced Audio Editing 1

13. Advanced Audio Editing 2

14. Playback Toggle

15. Effect Channels

16. Group Channels

17. Advanced Mixing 1

18. Advanced Mixing 2

19. Advanced Mixing 3

20. Advanced EQ

21. Effects

22. Side Chain

23. Instruments

24. Score Editor 1

25. Score Editor 2

26. Score Editor 3

27. Inspector 1

28. Inspector 2

29. Advanced Folder Tracks

30. Advanced Markers

31. Advanced Track Presets

32. VariAudio 1

33. VariAudio 2

34. VariAudio 2

35. Groove Agent One 1

36. Groove Agent One 2

37. Punch In/Out

38. MIDI Monitor

39. MediaBay 1

40. MediaBay 2

41. Automation 1

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42. Automation 2

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Working with Cubase - Level 3

1. The Pool 1

2. The Pool 2

3. The Pool 3

4. The Pool 4

5. Composite Tracks

6. Audio Processing 1

7. Audio Processing 2

8. Offline Processing

9. Audio Transpose

10. Transpose Track

11. Advanced Part Editor

12. Audio Processing 1

13. Pitch Correct

14. Time Warp

15. MIDI Effects

16. MIDI Functions

17. MIDI Devices 1

18. MIDI Devices 2

19. MIDI Devices 3

20. Surround Sound 1

21. Surround Sound 2

22. Import Export 1

23. Import Export 2

24. Channel Batch Export

25. Advanced Scoring 1

26. Advanced Scoring 2

27. Advanced Scoring 3

28. Project Assistant

29. The Project Browser

30. Tempo Track

31. External Effects

32. Freeze

33. Advanced Quantize

34. Control Room 1

35. Control Room 2

36. Beat Designer

37. Loop Mash II

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Working with Cubase - Level 4

1. Audio Warp 1

2. Audio Warp 2

3. Advanced VariAudio 1

4. Advanced VariAudio 2

5. Advanced Panning

6. EQ Types

7. Archiving your Work

8. Event Automation

9. Metronome Setup

10. Signature Tracks

11. Video Track

12. Templates

13. Drum Editing Deluxe 1

14. Drum Editing Deluxe 2

15. ReWire

16. Using the CC121 Controller 1

17. Using the CC121 Controller 2

18. MR816 Cubase Integration 1

19. MR816 Cubase Integration 2

20. REVerence 1

21. REVerence 2

22. Embracer

23. Monologue 1

24. Monologue 2

25. Monologue 3

26. Mystic 1

27. Mystic 2

28. Mystic 3

29. Prologue 1

30. Prologue 2

31. Prologue 3

32. Spector 1

33. Spector 2

34. Halion Sonic SE 1

35. Halion Sonic SE 2

36. Halion Sonic SE 3

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37. Multi-Timbral Instruments

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Mastering Toolbox

1. Introduction

2. What is Audio Mastering?

3. Perceived Loudness

4. History of Mastering

5. The Loudness War

6. Bit Depth

7. Sample Frequency

8. Mastering and Mind Reading

9. Where to Place the Plug-ins

10. Ordering the Plug-ins

11. How to Listen

12. Audio Interface Buffer

13. Gain Stage and Clip Light

14. Stereo Out Signal Flow

15. Mastering During the Mix

16. How Compressors Work

17. Different Types of Compressors

18. The Multiband Compressor

19. The Concept of EQ

20. Different Types of EQs

21. Using the Studio EQ

22. Understanding Limiters

23. Reading the Loudness Meter

24. Using the Maximizer

25. The Multiscope Plug-in

26. Using Magneto II

27. Adding a Smiley Face EQ

28. What is Dithering?

29. Using the UV22HR Plug-in

30. Setting the Locators

31. Exporting for Archive

32. Exporting for Consumer Formats

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33. Mastering Multiple Mixes

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Moving Forward with Cubase 8

1. Introduction

2. Installation & Updates

3. ASIO Guard

4. Workspaces

5. Preference Handling

6. Plug-in Manager

7. The Rack Zone

8. Track Controls

9. Inspector Settings

10. Render In Place

11. Virgin Territories for Automation

12. Folder Event Display

13. VCA Faders

14. Meterbridge Wave View

15. New EQ Settings - Including Studio EQ

16. Pre Section Filter Slopes

17. Direct Routing

18. Chord Pad Basics

19. Loading Presets

20. Programming Chords

21. Recording Chords

22. Players, Layout & Remote

23. Tuner

24. VST Bass Amp

25. Quadrafuzz v2

26. MultiBand Compressor Update

27. MultiBand Expander

28. MultiBand Envelope Shaper

29. DeEsser Update

30. Acoustic Agent SE

31. Rock Pop Toolbox

32. MIDI Tempo Detection

33. Record MIDI Plug-in Output

34. Key Editor Improvements

35. Chord Track

36. Note Expression Channel Rotation

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37. VST Connect Updates

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Cubase 8 - Songwriters/Musicians Toolbox

1. Introduction

2. Configure the Audio Interface

3. Configure the MIDI Interface

4. Starting a Project Properly

5. Overview of the Project Window

6. Monitoring & Headphones

7. Exploring the EDM Toolbox

8. Exploring the Rock-Pop Toolbox

9. Groove Agent SE Drum Patterns

10. VST Bass Amp

11. VST Amp Rack

12. Snap On/Off

13. Left & Right Locators

14. The Transport Panel

15. Mouseless Recording Workflow

16. Using the Click

17. Tempo & Time Signature

18. The Arranger Track

19. MIDI Drum Basics

20. Linear Recording

21. Cycle Recording

22. Quantization

23. Overlapping MIDI Events

24. Building a MIDI Drum Track

25. Recording MIDI Bass

26. Choosing a Monitoring Method

27. Setting Input Levels

28. Recording a Real Bass

29. Overlapping Audio Events

30. Recording Acoustic Guitar

31. Recording Vocals

32. The Pool & Project Folder

33. Adjusting the Overall Mix

34. Using Track Presets

35. Adding Mastering Effects

36. Audio Mixdown

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37. Making a Backup

Cubase 8 - Score to Picture

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1. Introduction to Video in Cubase

2. Understanding Video Tracks

3. Which Video Formats to Use

4. Frame Rates & Project Settings

5. Video Display & Output

6. Importing Video Files

7. Basic Video Editing

8. Miscellaneous Video Functions

9. Converting Video on the Mac

10. Converting Video on Windows

11. Where Video is Stored

12. Setup & Importing Video Files

13. Load & Record A Virtual Instrument

14. Adding Rhythms: Pt. 1

15. Adding Rhythms: Pt. 2

16. Using Loops

17. Adding Synth Parts

18. Program Sound, Voice & Foley

19. Adding Textures: Pt. 1

20. Adding Textures: Pt. 2

21. Using The Tempo Track

22. Mixing Your Music

23. How to Export Your Files

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24. Wrap Up

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Cubase 8 - Mix Prep: Bass & Drum Tracks

1. Intro To Mix Prep

2. Intro to Audio Quantizing

3. Basic Audio Quantization

4. Crossfading Quantized Clips

5. Quantizing Multi-Mic Audio

6. Real World Editing Tips

7. Prepping Bass Tracks

8. Dealing With Release

9. Musically Adjusting Hotpoint's  

10. AudioWarp Basics

11. Free Warp

12. Combining Techniques

13. Introduction to Drum Kit Editing

14. Basic Drum Editing

15. Setting Quantize Panel Priorities 1

16. Setting Quantize Panel Priorities

17. Different Subdivisions

18. Reviewing Your Edits

19. Intro to Drum Clean-Up

20. Clean-Up Toms with a Gate

21. Gating Toms Manually

22. Setting Up Drum Triggers

23. Exporting Tracks Using Render in Place

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24. Conclusion

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Cubase 8 - Mixing Live Drums

1. Introduction

2. Initial Level Control

3. Muting Some of the Tracks

4. Using Groups for Drums - Part 1

5. Using Groups for Drums - Part 2

6. Solving Basic Phase Issues

7. Using Gates for Kick Drums

8. Cleaning Up Low Frequencies

9. Kick Drum 'in' Mic EQ

10. Kick Drum 'out' Mic EQ

11. Combining the Kick Drum Mics

12. Group EQ

13. Kick Drum Compression

14. Snare Mixing Basics

15. Snare Mixing in Depth

16. Mixing Snare & Kick

17. Adding the Overheads

18. Handling Cymbal Close Mics

19. Ride Cymbal Mic

20. Rack & Floor Toms

21. Applying Reverbs to All Tracks

22. Drums Group Processing

23. Conclusion

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