Barlow Girl 2012 Non-Tour Technical Rider Revised By Ralph Rivera 12/10/2011 Sound, Lights and Backline House, monitor sound system, and Backline shall be provided at no cost to Barlow Girl. All should be setup by competent technicians through sound check and actual performance. Main technicians and sound personnel should be in contact with Barlow Girl’s production manager Ralph Rivera, mobile: (615) 275-6287, e-mail: Ralph@barlowgirl.com Prior to finalizing contract. FOH Technical Rider (Yamaha – M7CL, PM5D / Midas - Heritage 3000 / Digidesign - D Show, Venue, Profile, SC48) with parametric EQ high pass filters, phase reverse, scene mutes, insert points, 48v phantom power, matrix, VCA groups and PFL, L/R mix and matrix monitoring. Entire system must be clean and free of undesirable noise. Separate Console, mic’s, stands, snake and processing must be provided for any opening act. Console Position must be stage centered and placed approximately the length of the concert hall or site but no further then 75’ from the stage. Must be free from all obstructions. Any location in the rear of the hall under balcony or in a sound booth is unacceptable. Theaters must remove any seats ect. To facilitate this positioning. 1. FOH Rack (If M7CL, PM5D, D Show, Venue, SC48 or Profile is available please se alternate FOH and MON Racks) Two (2) Professional 1/3 Octave, 31 band, 12db out/boost EQ’s (Klark Teknik, BBS) Two (2) Professional Variable 4-way crossovers (klark, BBS Omni-drive, XTA) One left channel, one right channel. Must be accessible by engineer. Two (2) Digital Reverb, (TC M1, Yamaha 990, Yamaha REV R500) One (1) Digital Delays (TC D2, TC 2290) Four (4) Gates (Aphex 612, BBS or Drawmer) Four (4) Dual Compressor/Limiters (DBX, BSS, Empirical Labs) 2. PA Stacks Each must consist of 4-way stereo arrays, (EV XLine, XLC, XLD / V-Dosc / JBL Vertec / Meyer M3D, M’elody, MILO) with EV XLine, Meyer 700HP, JBL Vertec, d&b B2, Front LOADED 18’ SUB WOOFERS. Speakers must be aligned’ and summed in-phase with a linear flat frequency response from 20Hz to 20khz. Each speaker array must be unobstructed by audience areas with direct sound dispersion. If necessary, supplemental speaker arrays must be provided with independent time alignment and EQ. Proprietary system must be discussed in advance. Subs MUST be on AUX Send. 3. PA Amplification There must be enough professionally amplification to maintain a clean, undistorted 106db stereo program level (112db SPL) monitored at FOH mix position. Amplifiers must be mounted in a fan cooled rack that is accessible by the audio engineer. Spare amplification is mandatory. 4. Snake, 250’ in Length Forty eight (48) channels inputs MINIMUM, forty eight (48) channel transformer isolated splits to stage monitor console. 5. Power Distribution We will need Five (5) properly grounded 30amp quad boxes for band gear and RF racks. MON Technical Rider Atist will provide a PreSonus 24/4 Digital console for monitors, a 24 channel Fanout will be needed, also a link to drum sub and down stage right monitor wedge will be needed 1. Monitor Console (If not using artist console) Minimum console requirements 48x16 (Yamaha PM5D, M7CL / Midas Heritage 3000 / Digidesign Profile, Venue, SC48) with individual channel faders parametric EQ high pass filters, phase reverse, scene and channels mutes, inserts points, 48v phantom power, PFL and AFL monitoring on each channel and group are mandatory via headphones and both cue mixes. Console must have a stereo cue send for In-Ear mix. Cue must be post outboard 1/3 octave EQ and post fader (AFL) Entire system must be clean free of undesirable noise. 2. Mixes, EQ’s, Crossover, Amps No EQ necessary if console is a M7CL, PM5D, Profile, Venue, SC48 or D Show Two (2) Channels professional 1/3 octave 31 band (Klark Teknik, BBS), 12 db cut/boost EQ’s to be INSERTED on amplified mixes. Two (2) Bi-Amplified Clair 12AM, EAW SM2002LV Monitor Wedges or equivalent, with one 12” Speaker and on 2” Driver. One (1) dual 18” subwoofer is a must for drum fill! 3. Processing No processing needed if console is a PM5D, M7CL, Profile, Venue, SC48 or D Show Compressors (BSS DPR-504, DBX 160), Gates (BSS DRP-504, DBX). 4. Notes and Expectations Absolutely no Mackie, Spirit or Peavey Consoles!! In the event there is an opening act, the sound company MUST supply a separate FOH console, a separate MON console or provide Barlow Girl’s MON engineer with a minimum of 24 dedicated channels of the MON console to be shared. Also, provide the necessary mic’s, stands, cables, stage boxes and snake to accommodate the opener. Dedicated Clear-Com and FOH Talk-Back microphone for communications between FOH and MON. Barlow Girl 2012 Backline Requirements Revised By Ralph Rivera 12/10/2011 All Backline Must Be Setup Prior to Bands Arrival!!! Keys: 1 Piano (88 Key Weighted) One (1) Yamaha S90 ES Keyboard Note: If first keyboard is not available then we would like: One (1) Yamaha Motif 8 ES Keyboard Guitar Amps: Two are needed Two (2) Marshall JCM’s One (1) 900 and One (1) 2000 with 2 - 4x12 Cab Note: If first two amps are not available then we would like: Two (2) Marshall JCM 800 with Two (2) 4x12 Cab Guitar Stands: 4 are needed or a guitar boat Bass Amp: One is needed One (1) GK 2001:rb Head with a Neo 4x12 Cab Note: If first amp is not available then we would like: One (1) Ampeg SVT with a 8x10 Cab Drums: One Complete Kit is needed One (1) DW Complete Drum Kit Note: If first kit is not available then we would like: One (1) Yamaha Maple Custom Absolute Complete Drum Kit One (1) 20” Box Fan is a must at drum riser Note: All new heads on drums must be Clear Remo Pinstripe. THIS IS A MUST! We Will Also Need A 20” Box Fan!! And an 8x8x2 drum riser!! Drum Sizes: 12” - Floating Rack Tom 16” - Floor Tom 22” - Kick 14” x 5.5” - Snare Cymbal Sizes: All Zildjian 14” – Master Sound Hats 19” – A Custom Crash 19” – Z Custom Crash 21” – Sweet Ride Barlow Girl 2012 Input List Revised By Ralph Rivera 12/10/2011 Chan. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Inst. Kick - In Kick - Out Snare Hat Rack Tom Floor Tom OH L OH R Bass Key L Key R Marshall -1 Marshall -2 Clean Gtr. Tracks-1 Tracks-2 Tracks-3 Tracks-4 Tracks-5 Beca Vox Alyssa B Vox Alyssa K Vox Lauren Vox Lauren D Vox Monitors Mix-1&2 Mix-3&4 Mix-5&6 Mix-7&8 Mix-9 Mix-10 Rebecca Alyssa Lauren Tech Guy DSR Wedge Drum Sub Mic/D.I SM-91 Beta-52 SM-57 Cond. SM-27 SM-27 Cond. Cond. D.I D.I D.I KSM-32 SM-57 D.I XLR XLR XLR XLR XLR UHF-R UHF-R UHF-R UHF-R Beta56 Gate/Comp. Gate/Comp Gate/Comp Comp Gate/Comp Gate/Comp Stands Comm. Short Boom Short Boom Short Boom Clamp Clamp Tall Boom Tall Boom Comp Comp Comp Comp Comp Comp Comp Comp Short Boom Short Boom Tall Boom Straight Tall Boom Tall Boom Tall Boom At Guitars At Drums At Drums At Drums At Drums At Drums Down Stage R Down Stage L At Keys Down Stage C At Drums IEM/will IEM/will IEM/will IEM/will provide provide provide provide 2x18 Sub Barlow Girl Key 2012 Stage Plot = Monitor ✖✖✖ = AC Quad Box Drum Sub 2 x 18” = Boom Stand = D.I. Box Drums 8’x8’x2’ Riser D.I. for Clean Gtr -3 Marshall Gtr -2 3’ 3’ Bass Rig 16’ Marshall Gtr -1 Bass D.I. 10’ 10’ Keys Lighting requirements The following are the minimum Lighting requirements for BarlowGirl. Any and all exceptions or substitutions must be pre-approved by Vince Barlow and BarlowGirl Inc. No later than 5 days prior to the date of the show, email@example.com We require: no less than (8) Moving head spot fixtures, (4) Etc source four ellipsoidal specials, (4) eight cell crowd blinders on (2) 40’ truss (one upstage and one Downstage) as well as (4) 10’ upright truss with base and sand bags and (2) 4’ upright truss with base and sand bags (or 2 - 45” tall black road case). As well as (3) long throw follow spots 700watts or higher (with experienced Operators) and (1) Df-50 hazer with fan and WATER BASED fluid. Preferred fixtures include but are not limited to: VL3500, VL3000, Mac 700 profiles, Mac 2k profiles and Alpha spot HPE 575 and up. Unacceptable fixtures include: Anything made by American Dj, Chauvet or Elation. Or any moving Mirror fixtures. BarlowGirl carries a Jands Vista S1 and requires (1) Quad box with four 110v outlets at Front Of House, either a 4’ table or road case, as well as (1) COM headset with belt pack. (To communicate with the spot operators) We also Carry a 20’ by 20’ backdrop (When we bring our bus) and will need a full black backdrop to be hung behind ours on the upstage truss. We will also require an on-site Lighting technician with extensive knowledge of all lighting related equipment. Please see attached Lighting Plot for more information.
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